<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4180359327574495551</id><updated>2026-04-15T12:28:12.079-07:00</updated><category term="essays"/><category term="reading response"/><category term="ART"/><category term="measuring hair growth"/><title type='text'>Little Miss PINK Stuff </title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>46</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-4386848566250984710</id><published>2012-11-12T19:48:00.001-08:00</published><updated>2012-11-12T19:48:12.126-08:00</updated><title type='text'>Socicolgy cheat sheet vocab words</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Social
class &lt;/span&gt;&lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Weber &lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;target
group of people who rank close &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Marx &lt;/i&gt;capitalists
or workers sell labor &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Property &lt;/b&gt;material
processions &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;wealth &lt;/b&gt;total value of
everything minus debts &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;power elite &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;C. Wright Mills’ &lt;/i&gt;top people in US &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Presidge &lt;/b&gt;respect &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Status consistency &lt;/b&gt;ranking high on some dimensions of social class &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Status &lt;/b&gt;position that one occupies &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Anomic &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Durkhim &lt;/i&gt;a condition of Society people become detached from the
usual &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Contradictory class locations &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Erik Wright&lt;/i&gt; position in the class
structure that generates contradictory interest &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;underclass &lt;/b&gt;group of people for who poverty persists&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;intergeneration
mobility &lt;/b&gt;change that family members make in social class from one
generation to the next &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Upward social
mobility &lt;/b&gt;movement up the social class ladder &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;downward social mobility &lt;/b&gt;movement down the social class ladder &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;structure mobility &lt;/b&gt;movement up or down
the social ladder &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;exchange mobility &lt;/b&gt;about
the same # people moving up and down &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;poverty
line&lt;/b&gt; official measure of poverty &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;feminization
of poverty &lt;/b&gt;condition of US poverty in which most poor families are headed
by women &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;culture of poverty &lt;/b&gt;assumptions
that the values &amp;amp; behaviors of the poor makes &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;deferred gratification &lt;/b&gt;forgoing something in the present in the hope
of achieving greater gain in the future &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;horatio
alger myth &lt;/b&gt;the belief that due to limitless possibilities anyone can get
ahold if he or she tries hard enough &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;gender
stratification &lt;/b&gt;males &amp;amp; females unequal access to property power &amp;amp;
prestige &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;sex&lt;/b&gt; biological
characteristics that distinguish females &amp;amp; males consisting of primary
&amp;amp; secondary characteristics &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;gender &lt;/b&gt;behaviors
&amp;amp; attitudes that a society considers proper for its males &amp;amp; females &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;patriarchy &lt;/b&gt;men-as-a-group domination
women-as-a-group authority is vested in males &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;feminism &lt;/b&gt;philosophy that men &amp;amp; women should be politically &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;glass ceiling &lt;/b&gt;keeps woman from reaching
the top at work &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;sexual harassment &lt;/b&gt;abuse
of one’s position of authority to force unwanted sexual demands on someone &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Race &lt;/b&gt;group who inherited physical
characteristics distinguish it from other groups &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Genocide
&lt;/b&gt;systematic annihilation or attempted annihilation of a person because of
their presumed race or ethnicity &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;ethnicity
(ethnic) &lt;/b&gt;distinctive cultural characteristics &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;minority group &lt;/b&gt;people who are singled out for unequal treatment and
who regard themselves as objection of collective discrimination &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Dominant group &lt;/b&gt;group with most power &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;ethnic work &lt;/b&gt;activities designed to
discover enhance maintain or transmit an ethnic or racial identity &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;discrimination &lt;/b&gt;unfair treatment against
individual or group &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Racism &lt;/b&gt;prejudice
&amp;amp; discrimination on the basis of race &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;prejudice
&lt;/b&gt;attitude of prejudging usually negativity&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; individual discrimination &lt;/b&gt;person-to-person face-to-face
discrimination negative treatment &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;institutional
discrimination &lt;/b&gt;negative treatment of a minority group that is built into a
society’s institutions (systemic discrimination) &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;scapegoat &lt;/b&gt;individual or group unfair blamed for someone else’s
trouble &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;authoritarian personality &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Theodor Adorno’s &lt;/i&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;people
who are prejudiced &amp;amp; rank high on scales of conformity intolerance
insecurity respect for authority &amp;amp; submissiveness to superior’s &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;split labor market &lt;/b&gt;workers split along
racial ethnic gender age or any other lines &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;reserve labor force &lt;/b&gt;the unemployment workers are thought of as
being “in reserve” capitalists take them “out of reserve” (put them back to
work) during times of high production &amp;amp; then put them “back in reserve”
(lay them off) when they are no longer needed&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; selective perception&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;seeing
certain features of an object or situation but remaining blind to others&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; compartmentalize &lt;/b&gt;separate acts from
feelings or attitudes &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;population
transfer &lt;/b&gt;the forced transfer or a minority group &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;ethnic cleaning &lt;/b&gt;policy of eliminating a population includes
forcible expulsion &amp;amp; genocide &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;internal
colonialism &lt;/b&gt;police exploiting minority groups for economic gain &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;segregation &lt;/b&gt;policy keeping racial &amp;amp;
ethnic groups apart &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;assimilation &lt;/b&gt;process
of being absorbed into the mainstream culture &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;multiculturalism &lt;/b&gt;policy that permits or encourages ethnic
differences (pluralism) &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;pluralism &lt;/b&gt;diffusion
of power among many interest groups that prevent any single group from gaining
control of the government &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;wasp &lt;/b&gt;white
Anglo Saxon protestant&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;white ethnics &lt;/b&gt;white immigrants to the
united states who cultures differ from WASP culture &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;rising expectations &lt;/b&gt;sense that better conditions are soon to follow
unfilled increases frustration &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;pan-Indianism &lt;/b&gt;attempt to develop an
identity that goes beyond the tribe by empathizing the common elements that run
through Native Americans cultures&amp;nbsp; &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/4386848566250984710/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/socicolgy-cheat-sheet-vocab-words.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/4386848566250984710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/4386848566250984710'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/socicolgy-cheat-sheet-vocab-words.html' title='Socicolgy cheat sheet vocab words'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-1659092317361597019</id><published>2012-11-12T19:47:00.001-08:00</published><updated>2012-11-12T19:47:26.618-08:00</updated><title type='text'>Elderly </title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;19&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;21&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;31&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Reference&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;32&quot; SemiHidden=&quot;false&quot;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1) Culture plays a
major role in people’s ideas about the elderly and when old age begins. The
typically stereotype of the elderly is that they mostly sleep all day and watch
stories. People can have different ideas of when old ages beings. Some people believe
that when one start to have wrinkles that they are elderly. As tanning and
laying out in the sun is becoming a big part of our society people are starting
to look a lot older than what they really are. Others, believe that old age
begins when one has loss of movement skills. I personally stereotype people
being elderly by their movement skills. My grandma is 69 and thinks she is 19.
She never sits down and rest. She is always doing something. My grandpa is 83
and still goes to work on his truck every day. I think our society has placed
negative views on the elderly. There are so many different makeup commercials
for the elderly to stay young. These days no one wants to be elderly. As the
health field is increasing in technology to keep us healthier the elderly is
living longer. Society used to think of the elderly as a burden to society.
Elderly these days are keeping up with people half their age. I now start to
look at the elderly because they are not fitting typically stereotypes. I even
know some elderly people who don’t want their grandchildren to called her
grandma but by her first name. At the age of 65 most people were physically and
mentally tried. These days people are working and staying active. My grandpa is
elderly in age but no in physically health. He is probably in better shape than
me. Even though our culture is changing when one looks and act as their aging
we will still secretly think of them as being elderly. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;WC 313 &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3) There would be a lot
of changes if I was the head of the U.S. Department of Health and Human
services. There needs to be a higher standard on the number of nursing
assistances to patients’ ratio. I remember when I was doing my STNA clinicals
and how hard it was for the aids to take care of ten patients by themselves. I
believe that if there was more aids to patients the care given to each
individual patient would be better. I don’t think one can understand how hard
it is till they been the aids shoes. I also believe that RN and BSN should have
to work as aids before being able to move up the pay ladder. I have seen RN’s
not waiting to even touch the patients. RN’s think that it is only their job to
pass medications and hook up IV’s. RN’s that have never worked as aids get the
big head because they are over someone. I have seen RN’s answer a call light
and the patient needing to go to the bathroom. The RN’s would leave the room
and go get an aid. Since I have worked as an STNA when I become a BSN I will
help the aids out. Also, when the state comes in for inspections workers
shouldn’t be notified. I was doing my STNA clinicals when the state come in. I
could instantly tell that the state was there. The workers was in their very
best behavior because they knew someone was watching them. If the state would
contact the family members of the patients and do their inspections like that
more would be unveiled. These are just a few examples of how I would improve
the U.S. Department of Health and Human services.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;WC 295&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;script type=&quot;text/javascript&quot;&gt;&lt;!--
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/1659092317361597019/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/elderly.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/1659092317361597019'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/1659092317361597019'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/elderly.html' title='Elderly '/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-1420125792300775490</id><published>2012-11-12T06:33:00.001-08:00</published><updated>2012-11-12T06:33:17.803-08:00</updated><title type='text'>Drama &amp; Poetry ! </title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1) a) Tragedy was
important Aristotle. A lot of Aristotle ideas come from Greek Tragedy. These
ideas from Greek Tragedy helped shaped Aristotle and his plays. According to
Martin and Jacobus, “For Aristotle, the tragic hero quests for truth” (215). Aristotle
uses tragic heroes in his plays. He also uses the idea of climax from Greek
Tragedy which is the “moment or truth” (Martin and Jacobus 215). These are just
a few of examples of how Aristotle uses Greek Tragedy in his plays. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;b) There is a
difference between “old comedy” and “new comedy” to the Greeks. According to
Martin and Jacobus, “Old Comedy is associated with our modern farce, burlesque,
and the broad humor and make-believe violence of slapstick” (228). Old Comedy
is found a lot in standup comedy. On the other hand, Martin and Jacobus
explains New Comedy as being “suave and subtle” (228). New Comedy also, has
type characters. This is where the ideas of good and bad stereotypes come into
play. These stereotypes just like in modern days their characters can be
predicted. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2) Both, “willing
suspension of disbelief” and “aesthetic distance” is important to the audience.
Coleridge was the first come who came up with the term “willing suspension of
disbelief.” Martin and Jacobus explains “willing suspension of disbelief” that
“we must agree to imagine that the events onstage are actually occurring in
ancient Greece or Denmark” (219). In order for this to happen the director of
the play must do their part as well. There are certain ways the actors must act
and the decorations must make one feel that they are in Greece or Denmark. This
is important to the audience because the viewer is taken from where they are
into another place in the world. Some people have a hard time separating what
is real and what isn’t. This is called “aesthetic distance.”&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;This is a very important trait for the
audience to have. One might try to help the actors because they know things
that don’t know. For example, the audience might know where Peter is. His wife
many be looking for him and an audience member that doesn’t have “aesthetic
distance” might try to tell the actor where Peter is. It is important to be
moved by a play but one has to know what is real and what isn’t. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3) Greek amphitheater: The
Greek amphitheater was designed with all of the viewers in mind. The layout
allowed everyone to be able to see and hear what was going on the stage. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Elizabethan stage: The
Elizabethan has a wooden roof on top of it unlike the Greek amphitheater. The middle
of the stage was open to sky. This was a place that the lower class went for
their entrainment.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Proscenium theater: The
Proscenium theater is different from the Greek amphitheater and Elizabethan
stage because it “framed” the audience allowing them “more directly spatially
and, in turn, perhaps, emotionally” (Martin and Jacobus 224). &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;4)&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Rhythm- “The Tyger” by
William Blake is a great example of how rhythm. The poem is about a tiger. The
poem has a tiger type rhythm to it. The reader can almost see and feel the
tiger romping through the forest. The poems follows a iambic type rhythmic
pattern.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Imagery- “Arms And The
Boy” by Wilfred Owen there are many examples of imagery. Owen is trying to
teach us that boys have to learn how to kill. In the first line of the first
stanza the reader gets an image of a boy with a “bayonet-blade.” In the second
stanza the reader see the comparison of “cartridges” to teeth. The third stanza
the reader sees the boy wanting to eat a apple. The boy is not a natural born killer.
&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Speaker- “Ballard Of
The Landlord” by Langston Hughes is a great example of speaker. This poem has
three speakers in it. The first five stanzas is the tenant speaking to the
landlord. The six stanza is the landlord speaking to the police. The police however
only says on word at the end of the six stanza “Arrest.” The last stanza is the
news reporter speaking. There are many different speakers in this one poem. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;5) In “That Time of
Year” the reader sees a lot of imagery that can be related to a symbol. The use
of imagery in this poem helps the reader see that this guy in the poem is in
love with a younger woman. In the beginning of the poem the reader get the
images of “yellow leaves.” The reader also, can see and hear the where
Shakespeare says “sweet birds sang.” I get the picture of fall time.
Shakespeare then talks about the “setting sun.” This is related to the old
man’s age and that his life is coming to an end.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;I can picture a sun setting and it becoming
nighttime. Shakespeare then talks about the “glowing” fire. I picture the
passion that is inside of this man for this younger woman. It is becoming clear
to the reader just how much he cares about this woman. In the indented couplet lines
at the end of the poem we change from him to her. The reader gets the image
that this woman cares about this younger man as well.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Throughout this poem the reader can see the
love between these two people. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;6) A symbol is a deeper
meaning of a word. Words can have negative or positive connotations. According
to Martin and Jacobus, a “symbol is a further use of metaphor. Being a
metaphor, it is a comparison of between two things, but unlike most perceptual
and conceptual metaphors, only one of the things compared is clearly stated”
(208). The function of a symbol in literature is to make the reader think about
what the writer is trying to say. In “The Sick Rose” by William Blake the word
rose can have multiple meanings. An allusion is an opinion of a word. There can
be different opinions of symbols in poems. Each reader can have a different
symbol for one word. The word rose had many different allusions for what could
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/1420125792300775490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/drama-poetry.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/1420125792300775490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/1420125792300775490'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/drama-poetry.html' title='Drama &amp; Poetry ! '/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-3885314668142902906</id><published>2012-11-09T20:12:00.004-08:00</published><updated>2012-11-09T20:12:59.463-08:00</updated><title type='text'>POEMS EXPLAINED</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1) John Keats uses a
lot of imagery in this poem. There is no setting yet there is an atmosphere
created. He creates this atmosphere by using words. The reader can see the
“high-piled books.” He is also giving a list of things he will not be able get
to do. For example, “Huge cloudy symbols of a high romance, And think that I
may never live to trace.” This builds an uncertainty in the reader. From this
example He keeps listing other things that he will not be able to do. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2) John Keats wants his
last poems to be his best ones. This is why he makes rhyme and meter such an
important part of his poem. This poems gave Keats something to look forward to.
He worried that according to Martin and Jacobus, “He may die before he can
write his best poems” (195). Keats took the time in his last poems to make sure
they were his best ones. &lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Pg
196&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1) At the end of each
line I emphases a fall. In line 6 where all of the words are pushed together I
tended to rush the smaller words to make it one long big word. This type of
poems breaks up the natural follow that one would have reading a regular poem.
This poem makes one stop where they usually wouldn’t. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2) The two poems
“Buffalo Bill’s Defunct” and “When I have Fears” are structured in two
different ways. “When I have Fears” is the most common structure of poems.
“Buffalo Bill’s Defunct” by E.E. Cummings plays with the structure of the poem.
Cummings lines don’t go all the way from left to right on each line. The way
that this poem is set up makes the reader stop where they normally wouldn’t
stop. He also plays with words. He puts together the words one, two, three,
four, and five to make one big word. This makes the reader read the words at a
much faster pace than if he had kept them separated.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The two poems “Buffalo Bill’s Defunct” and
“When I have Fears” read in very different ways. &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Pg
202&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2) “The Tyger” by
William Blake and “Song To Celia” by Ben Jonson are opposites to me. The word
usage is different in the two poems. “Song To Celia” uses action and
descriptive worlds words. For example, “raise, light, night, and taken.” &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3) “Ballard Of The
LandLord” by Langston Hughes I could set to music. There a difference between
reading and singing. When I song this poem to music I had more emotions in the
words. I even put more of my attitude into the words. This poems sounds a lot
better when set with music.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;5) The poem “The Tyger”
by William Blake has the most powerful imagery. This imagery conveys to
emotions. These images play an important role to the poem. The imagery helps
the reader try to understand the “Tyger” as being relate to things in nature. &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Pg
206&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1) The man’s age is
appropriate to compare to “yellow leaves, or none” because yellow can be used
to describe youth and the man doesn’t have any more youth. The “bare ruined
choirs” could be found in the man’s heart because of the use “where the late
sweet birds sang.” &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2) The “sunset” fading
“in the west” is a comparison to the man’s past life. This is an very effect
imagery because the man life is coming to any end as an indication or of age
and so is the sun coming to any end. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3) The “glowing” fire
is an indication of the passion inside the man. The metaphor shows how the man
feel inside. The fire has been “nourished by” the man’s life around him. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;4) “Love” which is
talked about in the end also has to do with life. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;script type=&quot;text/javascript&quot;&gt;&lt;!--
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/3885314668142902906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/poems-explained.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/3885314668142902906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/3885314668142902906'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/poems-explained.html' title='POEMS EXPLAINED'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-5283984952379912550</id><published>2012-11-09T20:12:00.002-08:00</published><updated>2012-11-09T20:12:11.754-08:00</updated><title type='text'>W.E.B. Du Bois</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The life of the Great Sociologist:
W.E.B. Du Bois&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;W.E.B. Du Bois was one of the first
African American sociologists. He was born in “Great Barrington, Massachusetts,
on February 23, 1868” (Zuckerman). He lived till “August 27, 1963” (Zuckerman,
2002, p. 241). His full name was “William Edward Burghardt Du Bois” but he is
most known as W.E.B. Du Bois (Zuckerman, 2002, p. 241).&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;He got married to his first wife “Nina Gomer
in 1896” (Zuckerman, 2002, p. 241).&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They
had “a son, Burghardt (who died at three), and a daughter, Yolande” (Zuckerman,
2002, p. 241). Following “Nina’s death in 1950, he married his second wife,
Shirley Graham” (Zuckerman, 2002, p. 241).&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;He did many experiments regarding race differences in his lifetime. He
didn’t receive the great recognition of his work until present day. His
experiences in life helped him develop his theories that I can explain came
from his life experiences.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.0pt; text-indent: .5in;&quot;&gt;
Bois
life experiences included many things. He was the “first African American to
earn a doctorate degree from Harvard” (Henslin, 2011, p. 18). After receiving
his doctorate degree he “studied at the University of Berlin, where he attended
lectures by Max Webber” (Henslin, 2011, p. 18). Max Webber was also a great
sociologist who had a “new academic discipline of sociology” (Henslin, 2011, p.
13).&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;He tapped into his sociology career
“in 1987” when he “moved to Atlanta University to teach sociology and do
research (Henslin, 2011, p. 18). As one becomes more educated they tend to look
at religion differently. Zuckerman (2002) states how, “Du Bois’s religious
identity developed from that of a faithful Christian to a skeptical agnostic”
(p. 241). Even though he had accomplished a lot of great things in his life he
was still segregate by society because of his race. According to Henslin (2011),
“When Du Bois went to national meetings of the American Sociological Society,
restaurants and hotels would not allow him to eat or room with other white
sociologist” (p. 18).&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;His outlook and
studies began to be on race and gender relationships. Henslin (2011) states
that, “Each year between 1896 and 1914, Du Bois published a book on
relationships between African Americans and White” (p. 18). In total he “wrote
over twenty books and hundreds of essays and articles throughout his life, and
edited several major magazines” (Zuckerman, 2002, p. 241). His experiments
helped him write his theories. &lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.0pt; text-indent: .5in;&quot;&gt;
Bois
used the books he wrote to explain his theories. He “wrote extensively about
African American quality of life and specifically address issues impacting the
African American family” (Saari, 2009, n.p.). He showed the difference of race
in many areas including; “educational opportunities, limited occupational
opportunities, family life, organizational participation, crime, alcoholism,
housing conditions racial contact and voting rights” which all “addressed in
The Philadelphia Negro” (Worthham, 2009, n.p.). During this time there weren’t
many “educational opportunities” for African Americans. Since many African
American didn’t go to college to further their education. They had “limited
occupational opportunities.” There are only so many medium wage jobs. This lead
to the “crime, alcoholism” and poor “housing conditions” that was present in
African Americans because they weren’t educated. Sometime people had to steal
in order to survive. They had to drunk in order to get away from the life they
were living. They didn’t get high paying jobs so were able to have good
“housing conditions.” These all are many “urban social problems” (Worthham,
2009, n.p.). These same ideas continued throughout his studies. These ideas can
be linked to his experiences of his life.&lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.0pt; text-indent: .5in;&quot;&gt;
The
experience of most sociologists tends to be present in their work. This is no
different for Bois. His experiences throughout his life help him write his
theories. He came in contact with a lot of racial discrimination. Even though,
he was a well-educated African American man. It was just the time period in
which he lived in. This led him to want to explore race differences in our
society. As he became more educated his views started to change. He learned
about sociology by being around Webber. He went from having a religion to not
having one. He wanted to further see the true difference behind race. It became
more to him than just what was on the surface. The surface difference behind
race is different skin color. He wanted to look deeply at what was the other
differences besides skin color are. After his findings, he wrote books trying
to educate African Americans. The problem was that not many African Americans
could even read his work. He wanted to enlighten the African American people.
If more African Americans pursed higher degrees it would have made his
information change.&lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.0pt; text-indent: .5in;&quot;&gt;
In
conclusion, Bois experiences in life helped him develop his theories that I can
explain comes from his life experiences. He took the time period he was in of
racial discrimination and looked at it in a deeper way. He wanted to see more
than what was on the surface. He took his foundlings and wrote books. He wanted
the African American’s to better them and try to be just as equal of Caucasians
as far as social standings. His work is finally getting the &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;recognition it always deserved. &lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-US;&quot;&gt;&lt;br clear=&quot;all&quot; style=&quot;page-break-before: always;&quot; /&gt;
&lt;/span&gt;

&lt;div align=&quot;center&quot; class=&quot;body-paragraph1&quot; style=&quot;margin-left: 0in; text-align: center;&quot;&gt;
References&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Henslin, J. M. (2011). &lt;i&gt;Sociology,
a down-to-earth approach&lt;/i&gt;. (11th ed., pp. 13-18). Upper Saddle River:
Prentice Hall.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;background: white; line-height: 18.0pt; margin-left: 0in;&quot;&gt;
Saari, M. M. (2009). W.E.B. Du Bois and the Sociology of the African
American Family. &lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;background: white; line-height: 18.0pt; margin-left: 0in; text-indent: .5in;&quot;&gt;
&lt;i&gt;Sociation Today&lt;/i&gt;, &lt;i&gt;7&lt;/i&gt;(1), 5, n.p.&lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;background: white; line-height: 18.0pt; margin-left: 0in;&quot;&gt;
Wortham, R. A. (2009). W.E.B. Du Bois and Demography: Early
Explorations. &lt;i&gt;Sociation Today&lt;/i&gt;, &lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;background: white; line-height: 18.0pt; margin-left: 0in; text-indent: .5in;&quot;&gt;
&lt;i&gt;7&lt;/i&gt;(1), 6, n.p.&lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;margin-left: 0in;&quot;&gt;
Zuckerman, P. (2002). The
sociology of religion of W.E.B. Du Bois (English). &lt;i&gt;Sociology Of &lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;margin-left: 0in; text-indent: .5in;&quot;&gt;
&lt;i&gt;Religion&lt;/i&gt;,
&lt;i&gt;63&lt;/i&gt;(2), 239-253. &lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;margin-left: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;body-paragraph1&quot; style=&quot;background: white; line-height: 18.0pt; margin-left: 0in;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The Middle Class of the United
States &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Social class widely affects our lives.
There are three social class in the United States; lower, middle, and upper.
These social class ideals come from “the pre-modern societies of Europe the
terms ‘burgher’ (Germany) and ‘bourgeoisie’ (French) referred to the minority
of largely urban merchants and professionals who were above the peasant
majority and below the minority and below the minority of landholding
aristocrats” (Linda, 2004, p. 120). According to Linda (2004), “What makes the
United States and similar societies middle-class is the economic predominance
of the middling sort, no matter what their major source of employment happens
to be” (p. 120). &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;Most of the people in the United States falls
into the middle social class. This affects many aspects of our live including
“health, family life, education, religion, politics, and even our experiences
with crime and the criminal justice system” (Henslin, 2011, p. 261).&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The social classes affects us as a child,
adult, and older adult although our lifetime. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;As a child we learn many things from our
parents. We teach children to “fit into their social class” (&quot;Social class
-,&quot; 2011). Middle class parents often have more “independence at work”
(Henslin, 2011, p.263). This can be closely related to how middle class parents
raise their children. Henslin (2011) explains how “middle class parents focus
more on developing their children’s creative and leadership skills” (p. 263). Most
parents will instill a type of religion into their children. According to
Henslin (2011), “Episcopalians, for example, are more likely to attract the
middle and upper classes” (p. 264). Middle class people tend to like more
mellow atmospheres to worship in. When children are of school age middle class
parents will look for good public schools. Some parents will even move to
better insure their child education. It’s often been a myth that “upper-class
children are smarter has been passed down throughout the ages, but there is no
conclusive evidence to back it up” (&quot;Social class -,&quot; 2011). It is
now time for this middle class child to graduate from high school.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Most middle class parents know the
importance of going to college. Middle class adults just finishing high school
will have more options available to them than the lower class adults. Lower
class adults might have to jump right into the workforce in order to help their
parents’ financially. Here is when politics also come into play because they
are of voting age. According to Henslin (2011), “The higher that people are on
the social class ladder, the more likely they are to vote for Republicans” (p.
264). Middle class people are right in the middle of the rich and poor. The
main difference of Democrats and Republicans this election is to either cut
taxes for the poor or the rich. The amount of money a person makes and who they
will vote for is greatly related. No matter how much money one has retirement
can always be scary. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Middle class people who are ready to
retire have two options. One of the two options is to keep working past the
retirement age or retire at the retirement age. There is a lot to think about
when it comes to retirement. One thing to think about is how much money they
have saved. I know for nursing they don’t have good retirement and have to put
up their own money in a 401k. Also, at this age a lot of health problems can
occur. According to Henslin (2011), “As you go up the social-class ladder,
health increases” (p. 262). Middle class people can afford the better foods but
it doesn’t mean that they will not have any health problems. My grandpa was in
the lower middle class. He had to make a lot of very important decisions. If he
was to stay in the lower middle class he would have to pay out of pocket for
his medication. Medications for a lot of older adults can be very expensive. He
decided to write down his assets in order to receive Medicare and
Medicaid.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;He would have grained more by
having less. It was very hard for him to give away the things he had work so
hard for. This is a problem many in the middle class faces when it comes to
retirement.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;In conclusion, social classes affects us
as a child, adult, and older adult although our lifetime. There are many things
about social classes that we learn as children. Middle class adults have the
opportunity to further their education. Most middle class parents are in the
middle class because they went to college themselves. These parents will be more
likely to push their children for further education. As middle class people
come into retirement they have a lot of important decisions to make. Most
middle class people at retirement age will keep on working until they can’t
anymore. Our social classes we are in makes up a lot of who we are as a person.
&lt;/span&gt;&lt;/div&gt;
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&lt;/span&gt;

&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; text-align: center; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;References&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Henslin, J. M. (2011). &lt;i&gt;Sociology,
a down-to-earth approach&lt;/i&gt;. (11th ed., pp. 261-264). Upper Saddle River:
Prentice Hall.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Lind,
M. (2004). Are We Still a Middle-Class Nation?. &lt;i&gt;Atlantic Monthly (10727825)&lt;/i&gt;,
&lt;i&gt;293&lt;/i&gt;(1), &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .5in;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;120-128.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Social class - effects&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;.
(2011). Retrieved from &lt;a href=&quot;http://social.jrank.org/pages/594/Social-Class-&quot;&gt;http://social.jrank.org/pages/594/Social-Class-&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1) I favor cultural
relativism but I tend to be more ethnocentrism. The famous quote “you don’t
know a person until you walked in their shoes” means that one doesn’t
understand what someone else is going through. It is harder to look at things
from someone else views. We all have stereotypes about people until we get to
know them differently.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;We judge people
based on how they dress or act. The society we live in is very judgmental. A
lot of problems arise from stereotyping. It would be an ideal world if everyone
thought in terms of culture relativism. There are many to people than what is
on the surface. People can only relate to things that they encountered. There
are many different cultures in the world. It is much more than American’s
traditions and beliefs. One has to be opened to new ideas and beliefs without
being bias about their own culture. Who wouldn’t want to live in a judge free
world?&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2) Miami, Florida is a
heavy immigrant city.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Immigrants are
starting to expand all over the United States. I remember visiting Florida and
getting on an elevator. When I got onto the elevator I would try and speak to
the people on the elevator. They would pretend that they didn’t know how to
speak English but as soon as I got out of the elevator I heard them speaking
English. Immigrants stick together with one another. Since, there is no
language of the United States I feel as though the United States will see more
Spanish speaking people. I want to learn to speak Spanish. Since, the
government has no control over the Spanish speaking people they will come here
to better their lives. As more Spanish speaking people come to the United
States the average person like me will have to have a Spanish speaking degree.
In order to be able to speak to a Spanish people someone in my field will have
to know how to communicate with them. This will give bilingual people a job
edge. They will be more likely to get hired over a one language person. In
order for the United States citizens to compete for jobs we will have no other
choice but to learn Spanish. Just how rapidly Spanish immigrants have taken
over Miami they will do the same with the rest of the United States.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/3339879586046106312/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/our-culture-usa.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/3339879586046106312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/3339879586046106312'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/our-culture-usa.html' title='OUR CULTURE - USA'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-2071190230022281093</id><published>2012-11-09T20:08:00.001-08:00</published><updated>2012-11-09T20:09:10.421-08:00</updated><title type='text'>GENDER WOMEN VS MEN</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1) I believe that
nurture gives us a lot of our gender traits. There are certain traits that we
our born with as children. There are estrogen and testosterone in the eggs that
help us develop into our sex. On the other hand, there are also traits that our
parents instill in us after we our born. After we our born there are many
things that help nurture us into our sex. Parents will buy little girls dolls
and little boys cars to play with. There are many dolls out there for girls but
not that many for boys. This chapter talks about how girls have to These dolls
that we give little girls help them to become a mother and treat them nurturing
skills. The cars we give little boys help them to become more masculine than
girls. This chapter talks about the books that we give children to learn how to
read. I did a research paper on how children books imply certain gender traits.
Young children will read these books and use them as a representation of how
the real world works.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The woman in the
books will usual be a stay at home mom and be doing household work. The men in
the books will be fixing things around the house and playing outdoors. Also,
there are a lot of gender specific jobs in these books. Most of the time one
will see the teacher being a woman and the doctor being a man.These are just a
few example of how we nurture our children into their genders. &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;WC 261&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3) There has to be a
lot of change in the world in order to reduce gender inequality. We first have
to start with our children. We need to let them explore different things. Most
little boys will want to play with their sister’s dolls but will not be allowed
to by his parents. We need to create a gender equal environment for young
children. Parents can look at the things their children are watching and
reading to make sure they are being exposed to gender equality. A lot of the
things around us in the media are very sexist. When I have children one day I
don’t want them to just be limited to gender stereotype occupations. Why is
social correct to be a male doctor but not a male nurse? When in reality men
nurses would be better than woman because they are able to lift heavier
patients. Woman as a hole is going to have to stand up for their rights. Men
have the option to choose what they are going to do in the household.
Regardless, if woman have a full schedule they still have to make sure their
families have dinner at night. Women are also going to have to start demanding
equal pay as men. It isn’t right to be doing the exact same job as a male and
be getting paid less. Men like being superior over woman. It is going to have
to take woman to change the gender inequality in the world. &lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;script type=&quot;text/javascript&quot;&gt;&lt;!--
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src=&quot;http://pagead2.googlesyndication.com/pagead/show_ads.js&quot;&gt;
&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/2071190230022281093/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/gender-woman-vs-men.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/2071190230022281093'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/2071190230022281093'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/gender-woman-vs-men.html' title='GENDER WOMEN VS MEN'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-4000217755574934966</id><published>2012-11-04T15:43:00.002-08:00</published><updated>2012-11-04T15:43:15.226-08:00</updated><title type='text'>(UPDATED) The Godfather </title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Establishing shot- A
great establishing shot is in the death scene of the Godfather. When we are
first lead to this scene, we see a tomato garden with a cheesecloth over it.
The white sheet could be a symbol for what is about to come in this scene. The
God Father will die from a heart attack. The white sheet could be a symbol to
show the Godfather underneath the ground. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Tracking shot- In the
second wedding scene Tom is being followed as he moves throughout the wedding. This
is an example of a tracking shot. The viewer can get a sense of the Corleone
family. The Corleone family is a tradition big Italian close family. They are
having a good time fellowshipping with each other as the wedding is going on.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Continuity cut- When
Michael goes to Los Vegas to there is numerous clips showing of how gets to the
hotel. In Los Vegas business is being handled for the Corleone family. This
connects back to the theme of family.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;A jump cut occurs when
the scenes jump from the first to second wedding scenes. These wedding scenes
are a very important part of the movie, they show the Corleone family. At the
wedding the family is trying to incorporate their Italian roots, they even sing
a couple songs in Italian. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Cross-cutting- One of
the most famous of all time cross-cutting scenes occurs at the baptism. Michael
is becoming the Godfather of his sister child. While this is taking place
Michael is having the head of each families killed. By killing the head of each
family, Michael thinks this will protect his family more. Michael is also
showing how much he cares about his family because he is taking the time to
become his sister’s child Godfather. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2) The film is
structured around family. There are many different things that each of the
family members go through. The wedding scene shows the Italian family. The
family is very close. The Godfather will not even take a family photo until
Michael has arrived. Throughout the film there are favors being made for the Corleone
Italian family. The Godfather is trying to protect his family from outsiders.
The Godfather does this by taking care of anyone who disrespects the Corleone
family. The Godfather gets shots and has to stay at the hospital for a period
of time. Michael steps up at the hospital not even thinking about the
consequences to protect his father. The Godfather now has to retire from the
family business. This is now making Michael the Godfather of the family. Michael
steps into this role as the Godfather and the new protect of the entire
Corleone family. Michael has the head of the five family killed along with his
sistr’s husband. Michael has to protect his sister as well. The woman in the
family want answers now. In one of the last scenes Michael lies to Kate which
shows how this family works.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3)&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Scene 1- The hospital
scene has ambient sound in it that can relate to the theme. These sounds can
relate to the theme because Michael is trying to protect his father. The theme
is about family. While him and the nurse are moving the Godfather there are a
lot of ambient sounds. The ambient sounds included the squeaky bed that is
being moved to another room. The footsteps of that unknown person coming down
the hall. These all contributes to the ambient sounds of this scene. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Scene 2- The wedding
scene has musical score in it that can contributes to the theme. They are
playing post war standard music. There is Italian songs being played and some
are even song in Italian. The family tries to incorporate their Italian roots
into the wedding. This shows that the Corleone’s care about their family roots.
&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;4) &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Marlon Brando- When the
Godfather finds out that Sonny is dead he seems to have tears in his eyes.
There is also a heaviness on his voice as he talks about setting a meeting with
the head of the five families. The Godfather loves the Corleone family but most
importantly his children. This killing of Sonny hits close to home for the
Godfather.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Al Pacino- Michael
loves his father. When he finds out that his father is at the hospital alone he
steps up to make sure he is protected. Michael has a cloudiness in his eyes
that can convey his passion about his father. Michael puts his life in danger
in order to protect his father. This shows Michael not only is stepping up to
protect his father but the rest of the Italian family.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Diane Keaton- Kate is
the only woman who tries and her role in the family. In one of the last scenes
Kate asks Michael did he kill his sister husband? Kate has sadness in her eyes
because she feels bad for Michael’s sister. Michael gets mad at Kate for
asking. Kate persist that he tells her so he finally tells her a lie of no. Kate
is so relieved that she looked like she could even cry. She&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;This is an important scene because Kate shows
her role in the family. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;5)&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;There are many possible themes in this film.
In my opinion, this film is based around family. In the very first seem we see
someone coming to the God Father for a favor. This is an example of the
Godfather protecting his family. The Godfather talks about the relationship of
this guy and his daughter which is the Godfather’s God daughter. This shows a
relationship between the two guys and his daughter. The next scene we have a
big Italian wedding. They play a lot of original Italian songs at the wedding
and even sing them in Italian. This shows how they feel about their Italian
roots because they try to incorporate different Italian traditions into their
wedding. The family waits on Michael for the family picture. This shows that
the family cares about one another. The family photo wouldn’t be complete
without Michael being in it. The baker even teaches Michael what to put into
spaghetti sauce. This is a traditional Italian recipe and meal. When the God
Father comes home from the hospital there is the big Corleone Italian family
again to welcome him home. There is almost not enough room for the Godfather to
even come into the house. They also have a big tradition Italian dinner. At the
death of the Godfather he is there playing with his grandchild. This shows how
important family really is the Godfather. The Godfather is enjoying playing
with his grandson. Michael sister asks him to be her child’s godfather. Most
godparents are someone who is outside of the family. This shows that this
family wants to stay together. There are many examples of the theme of family
in this film. &lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/4000217755574934966/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/updated-godfather.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/4000217755574934966'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/4000217755574934966'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/11/updated-godfather.html' title='(UPDATED) The Godfather '/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-3285211570193765956</id><published>2012-11-04T15:42:00.004-08:00</published><updated>2012-11-04T15:42:34.346-08:00</updated><title type='text'>History of music and rhythm</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;I watched all of the
rhythm videos. I learned that no matter what time period and where the music
come from there is rhythm involved. There are different levels of complexity of
rhythm. All rhythm has a pulse or beat even if we can’t hear it. For example, Siegfried
Idyll “Wagner” is a classical song that one can’t hear the pulse. The pulse in
“Wagner” piece is implied like in most classical music. There are two types of
implicit and explicit pulses. Explicit is the hiding of the pulse while
implicit is the completely opposite. Explicit pulse makes music more relaxing
than implicit. Pulse can be broken up in different ways. There are also accents
to the pulse. Some pulse can be accented more heavily than others. The most
important pulses get the heaviest accent. Sometimes we can even hear arrhythmic
patterns when they don’t exist. On the other hand, sometimes artist will use
rhythmic tricks. We find enjoyment in rhythmic tricks. Jazz music has a lot of
rhythmic tricks in it. We first heard pulse inside our mother womb. They way
that we dance to music overtime has changed. Ragtime was a popular type of
music in the late nineteenth century. Ragtime originated from marching music.
Marching music has a specific of beat that can be followed to keep the crowd
moving as one. Ragtime creates a type of jerking dance. We now dance on just
our feet which is related to the way we walk instead all of fours back in
evolutionary times. The one two rhythm we get from walking inspired subdivision
of the pulse. Jazz came from ragtime. A popular type of jazz is swing. The
speed of the rhythm is called the tempo. The word tempo originates from
Italian. There are different words to describe the tempo including; andante,
largo, allegro, or presto. I learn a lot of exciting things from these videos.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;1)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Establishing
shot- A great establishing shot is in the death scene of the God Father. When
we are first lead to this scene we see a tomato garden with a white sheet over
it. The white sheet could be a symbol for what is about to come in this scene.
The God Father will die from a heart attack. The white sheet could be a symbol
to show the God Father underneath the ground. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Tracking
shot- In the second wedding scene Tom is being followed. This is an example of
a tracking shot. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Continuity
cut- When we switch to go the Los Vegas to there is clips shown of how they get
there. In Los Vegas business is being handled for the Italian family. This
connects back to the theme of family.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;A
jump cut occurs when we go from the first to second wedding scenes. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Cross-cutting-
One of the most famous of all time cross-cutting scenes occurs at the baptism.
Michael is becoming the God Father of his sister child. While this is taking
place Michael is having the head of each families killed. By killing the head
of each family Michael thinks this will protect his family more. Michael is
also showing how much he cares about his family because he is taking the time
to become his sister’s child God father. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;2)
The film is structured around family. The wedding scene shows the Italian
family. Throughout the film there are favors being down for the Italian family.
The God Father gets sick and has to retire from the family business. Michael
steps up at the hospital to protect his father. This is now making Michael the
God Father of the family. Michael has to protect his sister as well. Michael
kills his sister husband. The woman in the family want answers now. In one of
the last scenes Michael lies to Kate which shows the differences of gender in
the family.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;3)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Scene
1- The hospital scene has ambient sound in it that can relate to the theme. In
this scene Michael is trying to protect his father. While him and the nurse are
moving the God father there are a lot of ambient sounds. The ambient sounds
included the squeaky bed that is being moved to another room. The footsteps of
that unknown person coming down the hall. These all contributes to the ambient
sounds of this scene. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Scene
2- The wedding scene has musical score in it that can contributes to the theme.
They are playing post war standards. There is Italian songs being played and
some are even song in Italian. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;4)
&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Marlon
Brando-&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The God Father loves his family.
In his death scene he is playing with his grandson. We see the innocent side of
the God Father. The viewer’s can imagine themselves as a child playing with
their grandparents. This scene shows the aspect of family and how important
they are.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Al
Pacino- Michael loves his father. When he finds out that his father is at the
hospital alone he steps up to make sure he is protected. Michael puts his life
in danger in order to protect his father. This shows Michael not only is
stepping up to protect his father but the rest of the Italian family.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;Diane
Keaton- Kate is the only woman who tries and her role in the family. In one of
the last scenes Kate asks Michael did he kill his sister husband? Michael gets
mad at Kate for asking. Kate persist that he tells her so he finally tells her
a lie of no. This is an important scene because Kate gender roles are shown. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;&quot;&gt;5)&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;There are many possible themes in this film.
In my opinion, this film is based around family and the different gender roles
inside of the family. In the very first seem we see someone coming to the God
Father for a favor. The God Father talks about the relationship of this guy and
his daughter which is the God Father’s God daughter. The next scene we have a
big Italian wedding. They play a lot of original Italian songs at the wedding
and even sing them in Italian.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/4496353344099839830/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/god-father-film-report.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/4496353344099839830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/4496353344099839830'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/god-father-film-report.html' title='GOD FATHER - FILM REPORT '/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-628795344724835705</id><published>2012-10-22T11:45:00.002-07:00</published><updated>2012-10-22T11:45:41.042-07:00</updated><title type='text'>(updated) FINDING NEMO &amp; AVATAR IN RELATION TO FLIM</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1) &lt;span style=&quot;mso-tab-count: 1;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;a) According to Martin and Jacobus, a
tracking shot is, “A shot in which the camera moves forward, backward, or
sidewise” (302). A tracking shot can sometimes be used to enhances what the
actor is saying. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;&lt;span style=&quot;mso-tab-count: 1;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;b) Martin and Jacobus explain that a crane shot involves
a camera that “is on a crane or moveable platform and moves upward or downward”
(302). &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;This is an easy shot to identify
because it seems as the camera is in the sky looking down on the actors. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;&lt;span style=&quot;mso-tab-count: 1;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;c) A continuity cut explained by Martin and Jacobus is a
“shot edited to produce a sense of narrative continuity following the action
stage by stage” (303). &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;&lt;span style=&quot;mso-tab-count: 1;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;d) According to Martin and Jacobus, a jump cut is
“sometimes just called a ‘cut’; moves abruptly from one shot to the next, with
no preparation and often a shock” (303). Sometimes a actor will be in a new
city within a blink of an eye this is an example of jump cut.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;&lt;span style=&quot;mso-tab-count: 1;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;e) &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;A montage
sequence explained by Martin and Jacobus is “a sequence of images dramatically
connected but physically disconnected” (303). &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2) There are two
different kind of participation in film. One type of participation is when a
viewer puts themselves in the actor’s shoes. Sometimes as viewers we like to
think that we can be superheroes ourselves. The other type of participation is
when the viewer sees themselves in the location of the film. According to
Martin and Jacobus, in this type of participation we relate to the “form” of
the film (305). I think I mostly put myself in the actor’s shoes. I tend to
watch “chick flicks.” These types of movies I can relate to the character. I
have seen the movie &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Mean Girls &lt;/i&gt;tons
of times. I can relate to the girl characters in these movies. Through the
characters I experience going back to high school to all the drama that occurs
in these years of life.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3) I haven’t seen &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Casablanca &lt;/i&gt;but did learn about one of
the frames from the movie. By looking at the light usage it can tell the viewer
that Rick is explained by Martin and Jacobus a “shady” character in this certain
scene (307). This shows that Rick is not of an important character to this
scene or he is hiding something. The most light is on and the tallest figure
happens to be Victor. Martin and Jacobus say that “the shadows are least
evident on his portrayal” (304). This shows Victor being the head character things
come together to explained by Martin and Jacobus “control the response from the
viewer” (304). The director wants the viewer to pay attention to where the most
light is which is on Victor. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;4) The movie &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Finding Nemo&lt;/i&gt; has great sound in it. When
Nemo’s mother was trying to get away from the shark in one of the first scene, the
sound was very intense. There was a fast paino type music being played. The
viewer was able to relate to the struggle of her trying not to get eaten by the
shark. The music was very loud and fast to indicate how hard she was trying not
to get eaten. Nemo in this movie gets lost from his father. When his father
finally finds Nemo, the music was a type of reconnecting music. It taps into
the heart and soul of the viewer. This music was very short felt music and
bouncy. It conveyed the sense of happiness Nemo’s father and Nemo felt for
finally finding each other again. Both of these scenes music contribute a lot
to the movie. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;5)&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The two movies &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Finding Nemo&lt;/i&gt; and &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Avatar &lt;/i&gt;have
two different structures. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;In &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Finding Nemo&lt;/i&gt; the viewer doesn’t know the conflict that is about to
arise in the movie. In the exposition, Nemo want to experience the ocean. This
gets Nemo taken by fisherman. The conflict builds throughout the movie. In the
rising action Nemo father tries to find him. The climax is when Nemo starts his
own search for his father. The falling action is where Nemo finds his father’s
friend who knows where Nemo’s dad is at. In Finding Nemo the setting is the
ocean and the dentist’s office.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Avatar&lt;/i&gt;
the settings is in the Avatar world and on the space shuttle. The expositioin
is when the viewer finds out that Jake is going to be sent into this avtar
world. In &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Avatar&lt;/i&gt; we find out very
quickly that the movie will have something to do with going to the avatar world
to get its treasures that this world has to offer. The viewer can already infer
that this is where the conflict of the story is going to arise. Jake finds in
love with one of the avatar’s this is the climax. The humans and the avatar are
fighting to get what they want. The humans being the land and the avatar wants
there world. Jake decided to stay in his avatar body making this the falling
action. &lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/628795344724835705/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/updated-finding-nemo-avatar-in-relation.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/628795344724835705'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/628795344724835705'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/updated-finding-nemo-avatar-in-relation.html' title='(updated) FINDING NEMO &amp; AVATAR IN RELATION TO FLIM'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-5221073427060332361</id><published>2012-10-15T20:01:00.000-07:00</published><updated>2012-10-15T20:01:05.766-07:00</updated><title type='text'>Frost, Robert. ““Stopping By Woods on a Snowy Evening”</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“Stopping
By Woods on a Snowy Evening”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
What is the significance of the setting in this poem? How is tone conveyed by
the images?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The setting is in the
woods. The poem has to do with the setting. The tone is peaceful. The speaker
is watching the snow in the woods with his horse.&lt;/span&gt;&lt;/div&gt;
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What does the speaker find appealing about the woods? What is the purpose of
the horse in the poem?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The speaker finds the
snow appealing in the woods. The horse doesn’t understand why they have
stopped. The horse can be a symbol of how people don’t stop and enjoy the
little things in life.&lt;/span&gt;&lt;/div&gt;
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Although the last two lines are identical, they are not read as the same speed.
Why the difference? What is achieved by the repetition? &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The repetition of the
last lines makes the reader understand how long the speaker has to travel. When
traveling on a horse it will take a long time to reach a mile. &lt;/span&gt;&lt;/div&gt;
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What is the poem’s rhyme scheme? What is the effect of the rhyme in the final
stanza?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The rhyme scheme is
AABA. The poem has a really good rhythm in the first stanza. The first stanza
has a bouncy fun rhyming pattern. It make the reader understand that the
speaker is enjoying the woods. &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Frost,
Robert. ““Stopping By Woods on a Snowy Evening”. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer.
9&lt;sup&gt;th&lt;/sup&gt; ed. Boston: Bedford/St. Martin’s 2012. 887-888. Print.&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/5221073427060332361/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/frost-robert-stopping-by-woods-on-snowy.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/5221073427060332361'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/5221073427060332361'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/frost-robert-stopping-by-woods-on-snowy.html' title='Frost, Robert. ““Stopping By Woods on a Snowy Evening”'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-2125955414292847765</id><published>2012-10-15T20:00:00.000-07:00</published><updated>2012-10-15T20:00:29.874-07:00</updated><title type='text'>Frost, Robert. “Fire And Ice.”</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;“Fire And Ice” &lt;/span&gt;&lt;/div&gt;
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&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
What characteristics of human behavior does the speaker associate with fire and
ice?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;There are many
characteristics of human behavior in this poem. Human can taste, perish and
destruct. &lt;/span&gt;&lt;/div&gt;
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What theories about the end of the world are alluded in lines 1 and 2?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The theories are that
the world will either end in fire or ice.&lt;/span&gt;&lt;/div&gt;
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&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3)
How does the speaker’s use of understatement and rhyme affect the tone?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The speaker is just
stating facts. The speaker could have drawn us a picture of the world ending in
fire or ice. The tone of the poem is calm even though people fear death. &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Frost,
Robert. “Fire And Ice.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact
Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt; ed.
Boston: Bedford/St. Martin’s 2012. 887. Print.&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/2125955414292847765/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/fire-and-ice-1-what-characteristics-of.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/2125955414292847765'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/2125955414292847765'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/fire-and-ice-1-what-characteristics-of.html' title='Frost, Robert. “Fire And Ice.”'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-1247759868410349930</id><published>2012-10-15T19:59:00.004-07:00</published><updated>2012-10-15T19:59:39.282-07:00</updated><title type='text'>Frost, Robert. “My November Guest.” </title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“My
November Guest”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
How is “sorrow” personified? What sort of relationship does the speaker have
with her?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Sorrow is personified
as a woman. They have an easy relationship. The speaker doesn’t tell Sorrow who
he truly feels about November. The speaker is following Sorrow. &lt;/span&gt;&lt;/div&gt;
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What kind of tone do the poem’s images create?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The tone of the poem is
dark and depressed.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;It creates a sad
picture of everything that takes places in November.&lt;/span&gt;&lt;/div&gt;
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&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3)
What do you think is this poem’s theme?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The theme of the poem
is to look for the positive things that is going on around us.&lt;/span&gt;&lt;/div&gt;
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Cited &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Frost,
Robert. “My November Guest.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact
Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt; ed.
Boston: Bedford/St. Martin’s 2012. 874. Print.&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/1247759868410349930/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/frost-robert-my-november-guest.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/1247759868410349930'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/1247759868410349930'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/frost-robert-my-november-guest.html' title='Frost, Robert. “My November Guest.” '/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-2526019090831531522</id><published>2012-10-15T19:59:00.002-07:00</published><updated>2012-10-15T19:59:04.926-07:00</updated><title type='text'>Dickinson, Emily. “Because I Could Not Stop for Death.”</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“Because
I Could Not Stop for Death”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Why
couldn’t the speaker “stop for Death”?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Most people don’t want
to die or are not ready. If she stopped for “Death” she would be giving up on
life.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;How
is death personified in this poem? How does the speaker respond to him? Why are
they accompanied by immortality?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Death in the poem is
personified as being a real person. It made me think of the grim reaper. The
speaker responds to him by getting into the carriage she lets death stop for
her. The speaker is trying to say that death is not the end. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;What
is the significance of the things they “passed” in the third stanza?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The school could
represent innocent of childhood.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Then
she moves on to the different stages of life the speaker has “passed.”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;What
is the “House” in lines 17-20?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;It can be inferred this
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something is in the ground.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Discuss
the rhythm of the lines. How, for example, is the rhythm of line 14 related to
its meaning?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Line 14 actually gives
the reader a picture and also a feeling.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Dickinson,
Emily. “Because I Could Not Stop for Death.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer.
9&lt;sup&gt;th&lt;/sup&gt; ed. Boston: Bedford/St. Martin’s 2012. 844. Print.&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/2526019090831531522/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/dickinson-emily-because-i-could-not.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/2526019090831531522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/2526019090831531522'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/dickinson-emily-because-i-could-not.html' title='Dickinson, Emily. “Because I Could Not Stop for Death.”'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-7092715061380446152</id><published>2012-10-15T19:58:00.005-07:00</published><updated>2012-10-15T19:58:39.831-07:00</updated><title type='text'>Dickinson, Emily. “Heaven’ –is What I Cannot Reach.”</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“Heaven’
–is What I Cannot Reach”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;How
does the speaker define heaven? How does the definition compare with
conventional view?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The speaker defines
heaven as something that we can’t reach according to the title. The speaker
compares heaven to many things we can’t touch. There is a lot of things in life
we want but can’t have. This definiation is the same as the conventional view.
We think of heaven as a pleasant place everyone wants to go to. In reality, we
can’t touch or even see heaven. We still know that it is somewhere we would
like to go to.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Look
up the myth of Tantalus and explain the allusion in line 3.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Tantalus had to stand
in water with a fruit tree hanging out of his reach. The allusion in line 3 is
a good comparison of heaven. We can’t touch heaven. Tantalus didn’t taste the
fruit on the tree but knew would enjoy it. People haven’t been to heave before
but know they would enjoy it as well. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Given
the speaker’s definition of heaven, how do you think he or she would describe
hell?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Hell like heaven is
somewhere we can’t reach. The places as far as touching and seeing them are the
same. I don’t think the speaker would&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;have talked positive about hell. &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited &lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Dickinson,
Emily. “Heaven’ –is What I Cannot Reach.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The
Compact Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt;
ed. Boston: Bedford/St. Martin’s 2012. 834. Print.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;script type=&quot;text/javascript&quot;&gt;&lt;!--
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/7092715061380446152/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/dickinson-emily-heaven-is-what-i-cannot.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/7092715061380446152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/7092715061380446152'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/dickinson-emily-heaven-is-what-i-cannot.html' title='Dickinson, Emily. “Heaven’ –is What I Cannot Reach.”'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-8946023305551163211</id><published>2012-10-15T19:58:00.002-07:00</published><updated>2012-10-15T19:58:12.924-07:00</updated><title type='text'>Carver, Raymond.“Popular Mechanics.” </title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“Popular
Mechanics”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1 Discus the story’s final lines.
What is the “issue” that is “decided”?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The
“issue” that is “decided” in the final lines is which parent is going to keep
the child. Both parents repeatedly say they want the baby.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3 How do small action take on
larger significance in the story’s? Consider the woman picking up the baby’s
picture and the knocked-down flowerpot. &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Carver
says, “She noticed he baby’s picture on the bed and picked it up. He looked at
her and she wiped her eyes and stared at him before turning and going back to
the living room. Bring that back he said” (276). Carver shows us by her looking
at the baby’s photo and the guy wanting it back that they love their child. I
think the parents fighting over the baby shows that they have something in
common. These parents might decide to stay together for their child. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;4 why is this couple splitting up?
Do we know? Does it matter? Explain your response.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;No,
we didn’t know why the couple is splitting. It seems that the girlfriend doesn’t
want her boyfriend to leave. The girlfriend is says, “I’m glad you’re leaving”
and “you can’t look at me in the face” (276). What she says show she doesn’t
want the guy to leave. If the problem is small between them they may solve
their differences and stay together for their child.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;6 what is the conflict? How is it
resolved?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The
conflict of the story is which parent is going to keep the child. The parents
were pulling the baby back and forth between them. Carver says, “He felt the
baby slipping out of his hands and he pulled back very hard” (277). One can
infer that this is a physical contest of who is stronger. Whoever can keep
ahold of the baby is the one that will keep it. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;8 Explain how Carver uses irony to
convey theme. &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The
theme could be that there is good and bad in relationships. The good in their
relationship is their child. The irony is that the girlfriend is says, “I’m
glad you’re leaving” and “you can’t look at me in the face” (276). These are
two conducting statements.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited &lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Carver,
Raymond.“Popular Mechanics.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact
Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt; ed.
Boston: Bedford/St. Martin’s 2012. 276-277. Print.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;blogger-post-footer&quot;&gt;&lt;script type=&quot;text/javascript&quot;&gt;&lt;!--
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/8946023305551163211/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/carver-raymondpopular-mechanics.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/8946023305551163211'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/8946023305551163211'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/carver-raymondpopular-mechanics.html' title='Carver, Raymond.“Popular Mechanics.” '/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-3214153819747654284</id><published>2012-10-15T19:57:00.004-07:00</published><updated>2012-10-15T19:57:38.454-07:00</updated><title type='text'>O’Brien,Tim.“How to Tell a True War Story.”</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“How
to Tell a True War Story” &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
What implicit problem is created about the story by its first line, “This is true”?
How is the notion of “truth” problematized throughout the story and subject to
irony?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;When someone says “this
is true” it makes me think that something they said was not true. It is hard to
tell what the “truth” throughout the story is. O’Brien states, “You can tell a
true war story by the questions you ask” (295). He is answering the question
that everyone is thinking.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3)
How are you affected by the description of Curt Lemon being blown up in
paragraph 17, 98 and 105?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;I though Rat was
telling the truth in paragraph 17 about Lemon. O’Brien states how they “shinny
up and peel him off” (295).&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;It would be
hard for someone to peel their best friend from a tree. O’Brien says in
paragraph 105 “if I could ever get the story right” (295). Rat himself says how
he is not telling the truth I start to think what really happened to Lemon&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;5)
What emotions did you feel as you read about the shooting of the water buffalo?
How does paragraph 75 achieve these effects?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;It was hard for me to
believe the shooting of the water buffalo. I was shock at first. I then
realized what a great story teller Rat was and thought that might have not
occurred. So, it was hard for me to feel any type of emotions.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;7)
Trace the narrator’s comments about what constitutes a true war story. What do
you think these competing and contradictory ideas finally add up to?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;O’brien first statement
about a true war story it is “never moral” (288). Rat thinks that one should
not be “uplifted” after hearing a true war story (288). The second statement
about a true war story is that “it’s difficult to separate what happened to
have seemed to happen” (289). This justifies Rat reasoning for not being able
to remember what really happened to Lemon. Also the third statement about a
true war story is that it “cannot be believed” (289). Many people who come home
from the war like to make up stories about things that didn’t happen. The
fourth statement about a true war story is that “it never seems to end” (291).
Rat told more than one story of how Lemon died. He had stories for days. Rat
then explains that “if there’s a moral at all, it’s like the thread that makes
the cloth” (292). Rat is saying that it is very hard to find a moral in a true
war story if there is even one. O’Brien states, “You can tell a true war story
by the questions you ask” (295). Throughout the story O’Brien says “This is
true.” Answering ones question even step he made.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;8)
Characterize the narrator. Why must be repeatedly “keep on telling” his war
story?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The narrator is using
the example of Lemon to show how to tell a true war story. He tells how Lemon
dies in more than one way. He keeps repeating “keep on telling” because there
is always more to the story. Also, thoughtout the story O’Brien says “this is
true.” This means that everything he states is true. The fourth statement about
a true war story is that “it never seems to end” (291). So, if something never
ends then one must “ keep on telling” his story.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;9)
Consider O’Brien’s use of profanity and violence in this story. Do you think
they are essential or merely sensational?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;I think the use of
profanity is “merely sensational. Sometimes when people use profanity they
think this is a way of expressing their true feelings. There is not much
profanity used. So I wouldn’t say that it something Rat uses a lot. When he
does use profanity it is to make one understand his point he is trying to make.
O’Brien says “Jesus Christ, man, I write this fucking letter, I slave over it,
and what happened?” (288). Rat uses profanity sensational about the situation
he is in. He is upset because Lemon’s sister never writes him back.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited &lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;O’Brien,Tim.“How
to Tell a True War Story.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact
Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt; ed.
Boston: Bedford/St. Martin’s 2012. 287-296. Print.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/3214153819747654284/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/obrientimhow-to-tell-true-war-story.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/3214153819747654284'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/3214153819747654284'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/obrientimhow-to-tell-true-war-story.html' title='O’Brien,Tim.“How to Tell a True War Story.”'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-7838820610174024818</id><published>2012-10-15T19:57:00.001-07:00</published><updated>2012-10-15T19:57:11.156-07:00</updated><title type='text'>“The Lady with the Pet Dog”</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“The
Lady with the Pet Dog” pg 192&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
Consider the following assessment of the story: “No excuses can be made for the
lovers’ adulterous affair. They behave selfishly and irresponsibly. They are
immoral –and so it’s the story.” Explain what you think Chekhov’s response to
this view would be, given his treatment of the lovers. How does this compare
with your own views?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;I agree with the
assessment of the story. I think they did “behave selfishly and irresponsibly.”
They didn’t think about their husband or wives. Chekhov response would be that
Gurov lured Anna. Anna felt bad for what she had done. This was Gurov first
affair. I think Chekhov would say that Anna was just a victim of Gurov. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3)
What does Gurov’s view of woman reveal about him? Why does he regard them as an
“inferior race”? &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Gurov feels that he is
superior to woman. This can be related to any person who feels like they are
superior to someone else. Gurov has the upper hand over women. In reality, the
upper class needs the lower or middle classes. Chekhov states how “he couldn’t
live without the ‘inferior race’ for two days together” (192). Gurov can be
describes as a player. A player is a type of person who uses the opposite sex
for their enjoyment. Chekhov states that Gurov “disposed women in his favor”
(192). &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;5)
When and why do Gurov’s feeling about Anna begin to change? Is he really in
love with her?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Gurov feelings start to
change about Anna in a little more than a month after she had left. Chekhov
talked about how Anna “followed him about everywhere and watch him” (197). He
thought about her “when in the evening stillness the voices of his children
preparing their lessons reached his study, or when the storm howled in the
chimney, suddenly everything would rise up in his memory” (197). Yes, Gurov
does love Anna. Chekhov states at the end of the story that Gurov “had fallen
in love really, truly –for the first time in his life” (202). &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;6)
Who or what is the antagonist in this story? What is the nature of the
conflict?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Gurov’s and Anna affair
is the antagonist in the story. They both love each other. The conflict is that
they have to be in secrecies with their love for each other. Chekhov states
that Gurov and Anna felt like “they were a pair of migratory birds, male and
female, caught and forced to live in different cages” (202). The antagonist and
the conflict go together.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;7)
What is the effect of having Gurov as the central consciousness? How would the
story be different if were told in Anna’s perspective?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Gurov loved Anna.
Chekhov states at the end of the story that Gurov “had fallen in love really,
truly –for the first time in his life” (202). Gurov goes to find Anna. I
believe that Anna just would have gone on with her life. Chekhov states that
Anna says, “We are parting forever –it has to be, for ought never to have met”
(196). Anna would not have come looking for Gurov like he did for her. Anna
even says that she “pressed him to confess that he did not respect her” (196).
She didn’t think Gurov loved her.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Chekhov,
Anton.“The Lady with the Pet Dog.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The
Compact Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt;
ed. Boston: Bedford/St. Martin’s 2012. 192-203. Print.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“The
Lady with the Pet Dog” pg 206&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
Which version do you like better –Chekhov’s story of Oates’s? What’s the point
of retelling the story? &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;I like Oate’s version
better. It is more of Anna version of the story I enjoy. As a woman I can
better relate to woman. So, this is why I enjoyed this version more.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;10)
At the end of paragraph 19, Oates has Anna ask herself the question “What did
it mean to enter into a bond with another person?” &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;To me entering into a
bond with another person means starting a relationship with that person. A
“bond” can be made with different things. When a child is first born parents
have to “bond” with this child. After we grow up, we can bond with friends or
our significant other. Having a “bond” with someone means that one know more
about that person than the outside world does. &lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Oates,
Joyce.“The Lady with the Pet Dog.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The
Compact Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt;
ed. Boston: Bedford/St. Martin’s 2012. 206-218. Print.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“Solder’s
Home”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
The title, “Soldier’s Home,” focuses on the setting. Do you have a clear
picture of Krebs’s home? Describe it, filling in missing detail from your
associations of home, Krebs’s routine or anything else you can use.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Krebs’s parents doesn’t
treat their son like a man. After coming home from the war his parents have
just decided to let him start driving the car. Krebs’s mother says speaking for
his father “He thinks you should be able allowed to drive the car” (169). Krebs
wants to be respected by his parents to live the life that makes him happy.
Krebs’s mother wants him to settle down. Krebs’s mother even says, “Charley
Simmons, who is just your age, has a good job and is going to be married. The
boys are all settling down; they’re all determined to get somewhere; you can
see that boys like Charley Simmons are on their way to being really a credit to
the community” (169). Krebs’s father wants him to get a job. Krebs’s mother
says for his father, “All work is honorable as he says” (169). Krebs’s sister
wants Krebs to be a part of her life. Krebs’s talks about all of the
“complications” of returning back home. He did however, stop and see his sister
play baseball before he leaves town.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3)
Belleau Wood, Soissons, the Champagne, St. Mihiel, and the Argonne were the
sites of fierce and the bloody fighting. What effect have these battles had on
Krebs? Why do you think he won’t talk about them to the people at home?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Krebs wanted to talk
about the war. Hemingway states, “Later he felt the need to talk but no one
wanted to hear about it” (165). Krebs thought that no one wanted to listen to
him.Hemingway states, “His town had heard too many atrocity stories to be
thrilled by actualities” (165.) The army had a major effect on Krebs.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Krebs learned a lot from the army. Hemingway
states, “Besides he did not really need a girl. The army had taught him that”
(166). &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;4)
Why does Krebs avoid complications and consequences? How has the war changed
his attitudes toward work and women? How is his hometown different from Germany
and France? What is the conflict in the story?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Hemingway states,
“Krebs wanted his life to go smoothly” (170). That is why Krebs wanted to avoid
complications and consequences. Krebs learned a lot from the army. Hemingway
states, “Besides he did not really need a girl. The army had taught him that”
(166). Krebs explains the different types of guys in the army. Krebs final
explanation of women is, “You don’t need a girl unless you thought about them”
(167). Krebs than explains the only difference in French and German is the
women. The conflict in the story is all of the complications of returning back
home.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;6)
How does Krebs’s mother embody the community’s values? What does Krebs think of
those values?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Krebs’s mother wants
her son to get a job and settle down. Krebs’s mother talks about the other
returned soldiers in town. Kreb’s mother even says, “Charley Simmons, who is
just your age, has a good job and is going to be married. The boys are all
settling down; they’re all determined to get somewhere; you can see that boys
like Charley Simmons are on their way to being really a credit to the
community” (169). When Krebs’s mother talks to Krebs about the returned
soldiers she uses the word “all” a lot to describe them as a whole. After
Krebs’s mother tell him all of these things Krebs says, “nothing” in return. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;7)
Why can’t Krebs’s pray with his mother?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Krebs doesn’t want to
lie when he pray with his mother. Krebs dream he has for himself and his mother
dream for him are two totally different things. Krebs talks about
“consequences” a lot throughout the story. Krebs didn’t want to deal with
consequence of praying with his mother.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;10)
Explain how Krebs’s war experiences are present throughout the story even
though we get no details about them. &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Krebs’s talks about the
things he had learned in the army. Krebs learned a lot from the army. Hemingway
states, “Besides he did not really need a girl. The army had taught him that”
(166). &lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited &lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Hemingway,
Ernest.“Soldier’s Home.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact
Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt; ed.
Boston: Bedford/St. Martin’s 2012. 165-170. Print.&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/846774274363042461/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/hemingway-ernestsoldiers-home.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/846774274363042461'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/846774274363042461'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/hemingway-ernestsoldiers-home.html' title='Hemingway, Ernest.“Soldier’s Home.”'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-8926694724653120232</id><published>2012-10-15T19:55:00.005-07:00</published><updated>2012-10-15T19:55:58.419-07:00</updated><title type='text'>Dubus, Andre.“Killings.” </title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“Killings”
&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
How do you feel about Matt’s act of revenge? Trace the emotions his character
produces in you as the plot unfolds.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Matt should have left
the court system deal with his revenge. I put myself in Matt’s shoes of a son
being murder by someone. He explained to Willis how his wife was dealing with
the situation. Matt says, “She sees him all the time. It makes her cry” (97).
That made me think of emotions of sadness and depression. Matt then goes on to
tell Wills about him carrying a gun. Matt says to Willis referring to his wife,
“She knows I started carrying it after the first time she saw him in town”
(97). This made me think of emotions of rage and anger. If someone has a gun
they have thought about using it. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2)
Discuss the significance of the title. Why is “Killings” a more appropriate
title than “Killers?”&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“Killers” by dictionary
definition means a person or thing that kills. So “killers” implies one person.
There is a lot of “killings” in the story. There are physically and
psychological “killings.” Frank and Strout are physically killed. The rest of
the characters are psychological killed. Matt talks about his wife “crying.”
Matt says, “She sees him all the time. It makes her cry” (97). Willis even
refers to Strout by saying, “I hate him, Matt” (97). Dubus describes Mary by
saying, “Beneath her eyes there was swelling from the three days she had
suffered” (96). These are just a few examples of the many “killings” in the
story.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3)
What are the effects of Dubus’s ordering of events of the story? How would the
effect be different if the story were told in chronological order?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Dubus’s story is very
suspenseful the way it is set up. At first we didn’t know what happen to Frank.
Each of the characters reflected their emotions. It made the reader put
themself in the characters shoes. If it was told in order the story wouldn’t
have been so suspenseful. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;4)
Describe the Fowler family before Frank’s murder. How does the murder affect
Matt?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The Fowler’s knew of
the tension between Frank and Richard. The Fowler family was not perfect due to
Richard. Richard billed Frank. They even got into a fight. The Fowler family
was still more happy with Frank alive than dead. Matt had to watch his wife
cry. He became very angered with Richard. Which is ultimately was the reason
why Matt murder Richard to better his family. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;5)
What is learned about Richard from the flashback in paragraphs 32 through 75?
How does this information affect your attitude toward him?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;We learned how about
Richard’s education background. Richard and Frank had got into a fight. Dubus
says about Richard, “One night he beat Frank” (98). I already start to get the
sense of the tension between Richard and Frank. It seems that Richard bullied
Frank. Frank even says that he is going to “take karate” to protect himself.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;6)
What is the effect of the description of Richard shooting Frank in paragraph 76?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;It seems to me that
Richard was not there. He seemed to love Mary and their children. When people
are angered by something they lose sight of everything else.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;7)
How well planned is Matt’s revenge? Why does he lie to Richard about sending
him out west?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Everything about Matt’s
revenge was well planned. He had even thought about the small simple details of
the street lights. Dubus states, “They were on the main street, and all the
stoplights were blinking yellow. Willis and Matt had talked about that too: the
lights changed at midnight, so there would be no place Strout had to stop and
where he might try to run” (103). Matt lies to Richard because he didn’t want
Richard to start panicking. It was easier for Matt to lie to Richard. Richard
didn’t think his life was endangered. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;8)
Describe Matt at the end of the story when he tells his wife about the killing.
How do you think this revenge killing will affect the Fowler family?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Matt’s wife wanted
every detail of what happened to Strout. I think everyone is relived expect
Matt. Dubus states referring to Matt, “He shuddered with a sob that he kept
silent in his heart” (108). It can be inferred that Matt feels bad for what he
has done with Strout.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;9)
How might “Killings be considered a love story as well as a murder story?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Strout loved Mary. It
can be inferred that he murdered Frank because he wanted Mary back. Strout even
says, “I wanted to try to get together with her again” (104). He then goes on
to say, “I couldn’t even talk to her. He was always with her” (104). Strout
killed Frank because he was getting between him and Ruth getting back together.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Dubus,
Andre.“Killings.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact Bedford
Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt; ed. Boston:
Bedford/St. Martin’s 2012. 96-108. Print.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/8926694724653120232/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/dubus-andrekillings.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/8926694724653120232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/8926694724653120232'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/dubus-andrekillings.html' title='Dubus, Andre.“Killings.” '/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-441313221483474808</id><published>2012-10-15T19:55:00.002-07:00</published><updated>2012-10-15T19:55:26.432-07:00</updated><title type='text'>Faulkner, William. “A Rose for Emily.”</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“A
Rose for Emily”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2)
What is the effect of the final paragraph of the story? How does it contribute
to your understanding of Emily? Why is it important that we get this
information last rather at the beginning of the story?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The final paragraph
explains what Emily did with the arsenic. Emily didn’t want to lose another
person she loved like her father. Even though he was dead she still believed
that he was alive. Emily said referring to her father, “She told them that her
father was not dead” (86). Emily played the victim throughout the story. If
Faulkner would have told about Emily murdering Homer we would have looked at
Emily in a different way. One of the foreshowing parts was what was she going
to do with the arsenic. If we would have known she already murdered Homer it
would have been less suspension about what she did with the arsenic. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;6)
How does the information provided by the exposition indicate the nature of the
conflict in the story? What does Emily’s southern heritage contribute to the
story?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The exposition
indicates the conflict of Emily and the society. Faulkner states, “When the
next generation, with its more modern ideas, become mayor and aldermen, this
arrangement created some little dissatisfaction” (84). Emily’s father had
instilled the southern heritage into her. Faulkner says, “Alive, Miss Emily had
been a tradition” (84). Emily was not willing to change. Being a “tradition”
means something that had been handed down from generation to generation. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;7)
Who or what is the antagonist of the story? Why is it significant that Homer
Barron is a construction foreman and a northerner? &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Homer
is the antagonist. Homer is the complete opposite of how Emily’s father had
raised her. Emily’s father had raised her by strict southern rules. The north
and south didn’t look at things the same way at this time. The ladies of the
town did say, “Of course a Grierson would not think seriously of a Northerner,
a day labor” (87). I guess opposites do attach at least in Emily’s mind. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;9)
Explain how Emily reasons for murdering Homer are related to her personal
history and to the ways she handled previous conflicts. &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Emily has a hard time
letting people go. She didn’t want to bury her father. Faulkner states, “She
did that for three days, with the ministers calling on her, and the doctor,
trying to persuade her to let them dispose of the body. Just as they were about
to resort to law and force, she broke down, and they buried he father quickly”
(86). She “broke down” which indicates that she does have a hard time letting
go. She did the same thing with Homer. He was openly gay. Faulkner says, “Homer
himself had remarked –he liked men” (88). In order to keep Homer, Emily
murdered him.&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
Cited&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Faulkner,
William. “A Rose for Emily&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;.” The Compact
Bedford Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt; ed.
Boston: Bedford/St. Martin’s 2012. 84-90. Print.&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/441313221483474808/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/faulkner-william-rose-for-emily.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/441313221483474808'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/441313221483474808'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/faulkner-william-rose-for-emily.html' title='Faulkner, William. “A Rose for Emily.”'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-3976316517218890108</id><published>2012-10-15T19:54:00.001-07:00</published><updated>2012-10-15T19:54:49.465-07:00</updated><title type='text'>Walker, Alice. The Flowers.</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
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&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;“The
Flowers” &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;1)
How do you interpret the final line of the story? What is the effect of the
brevity of that sentence?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Myop enjoyed the
outside. Even in the very first one it says, “She skipped lightly from hen
house to pigpen to smoke-house” (82).&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;It
can be interpreted that she love going to the woods to “explore”. The author
even states, “She had explored the woods behind the house many times” (82).
Myop was frightening after finding that man in the woods. I think it scared her
so much that she wouldn’t go back that summer. That is why the final line states
that “the summer was over.” The outside things she enjoyed of summer she
wouldn’t enjoy them anymore this year. I think the effect of that line is to
make the reader understand how short her summer really was. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;2)
Describe the atmosphere and tone of the first three paragraphs. What emotions
do they produce concerning Myop’s childhood? &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Myop lived on what we
would call a farm. In the first line it talks about the “hen house” and
“pigpen.” Myop is happy with the way that she lives. There are many indications
of Myop being happy. The story says she “skipped” and “worked out the beat of a
song.” The author even states, “She felt light and good in the warm sun” (82).
I can only think of positive emotions concerning Myop’s childhood in the first
three paragraphs. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;3)
How might paragraph 5 be described as an example of foreshadowing? &lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;I started to sense
something was going to happen in paragraph 5. The author says, “She had often
been as far before, but the strangeness of the land made it not as pleasant as
her usual haunts” (82). The words “strangeness” and “not as pleasant” made me
realize that something is different. This is a foreshadowing what is going to
happen in the next paragraphs to come.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;4)
What is the conflict in the story? What is its climax? Is there a resolution to
the conflict? Explain.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The climax of the story
is exactly when the author says, “It was then she stepped smack into his nose”
(82). The conflict has a lot to do with the climax. Myop will be haunted by the
man in the woods. This will stop here from going into the woods for the summer.
There is a negative resolution to the conflict. Myop will give up her love for
“exploring” in the woods for the summer. &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;5)
What do you think is the central point of the story?&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;The central point of
the story is how one thing can dramatically change a person. This innocent
child found a dead man. By the end of the story one can infer that this event
has affected her for the rest of her life.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;Before this event the tone of the story was cheerful. At the end of the
story the tone is despairing. The author states that, “Myop laid down her
flowers. And the summer was over” (83). Myop is done “exploring” in the woods. &lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Works
cited&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 200%; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 200%;&quot;&gt;Walker,
Alice. The Flowers.” &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Compact Bedford
Introduction to Literature&lt;/i&gt;. Ed. Michael Meyer. 9&lt;sup&gt;th&lt;/sup&gt; ed. Boston:
Bedford/St. Martin’s 2012. 84-90. Print.&lt;/span&gt;&lt;/div&gt;
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&lt;/script&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://littlemisspinkstuff.blogspot.com/feeds/3976316517218890108/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/walker-alice-flowers.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/3976316517218890108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4180359327574495551/posts/default/3976316517218890108'/><link rel='alternate' type='text/html' href='http://littlemisspinkstuff.blogspot.com/2012/10/walker-alice-flowers.html' title='Walker, Alice. The Flowers.'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/10112170207041280515</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4180359327574495551.post-8866030072585536432</id><published>2012-10-15T19:49:00.000-07:00</published><updated>2012-10-15T19:49:32.390-07:00</updated><title type='text'>Sociology Henslin 11 edition Vocab chapters 1-6 8-9</title><content type='html'>In my Sociology class we get to use a cheat sheet for our mid term exam. Here is a copy of my cheat sheet I used ! Sorry for it being so closely together we could only use one side of a sheet of paper.&lt;br /&gt;
&lt;br /&gt;
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&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;&quot;&gt;Sociological
perspective&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;&quot;&gt;
human behavior within broader context &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;sociology&lt;/b&gt;-
scientific study of society &amp;amp; behavior &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Class
conflict&lt;/b&gt;- &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Marx’s&lt;/i&gt; struggle between
capitalist &amp;amp; workers &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Bourgeoisie &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Marx’s&lt;/i&gt; capitalist who own production &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Proletariat &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Marx’s&lt;/i&gt; exploited class don’t own production &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Verstehen &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Weber’s&lt;/i&gt;
“insight into someone situation”&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; Social
fact- &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Durkheim’s&lt;/i&gt; group pattern
behavior &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Basic or pure sociology &lt;/b&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;making discoveries &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Applied So&lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;c&lt;/i&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;iology-&lt;/b&gt; solve problems&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; Public Sociology-&lt;/b&gt; public good&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; Folkway-&lt;/b&gt; not strictly enforced &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Mores &lt;/b&gt;strictly enforced &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Taboo-&lt;/b&gt;revision if violated&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; Sociobiology&lt;/b&gt; results of nature
selections &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Cultural lag- &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Ogburn’s&lt;/i&gt; behavior behind tech &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;culture diffusion &lt;/b&gt;spread of traits&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; culture leveling &lt;/b&gt;cultures become
similar &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;subculture &lt;/b&gt;world within
larger world &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;counterculture &lt;/b&gt;opposite
to broader culture &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;pluralistic society&lt;/b&gt;
many different groups &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Self- &lt;/b&gt;how
others see us &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;looking-glass self- &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Cooley&lt;/i&gt; self-development of other’s &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Id- &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Freud’s
&lt;/i&gt;inborn drives &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Ego &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Freud’s &lt;/i&gt;balance of Id &amp;amp; society &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Superego &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Freud’s &lt;/i&gt;conscience &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Agents of
society- &lt;/b&gt;effect our concept&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; Manifest
function- &lt;/b&gt;intended beneficial consequence&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Latent function- &lt;/b&gt;untended
beneficial consequence &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Anticipatory
socialization&lt;/b&gt;- learning in advance&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;
resocialization- &lt;/b&gt;learning new norms &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;total
socialization- &lt;/b&gt;controlled by people who run it &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;deration ceremony&lt;/b&gt; stripping title &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Transition older years- &lt;/b&gt;65 to 75 &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Ascribed status &lt;/b&gt;inherited position &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;master status &lt;/b&gt;crosses other statues &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Mechanical solidary &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Durkheim’s
&lt;/i&gt;unity &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Organic solidarity &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Durkheim’ &lt;/i&gt;interdependence result of
division of labor &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Gemeinschaft &lt;/b&gt;intimate
society &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Gesellshcaft &lt;/b&gt;society
dominated by impersonal relationships&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;
Dramaturgy&lt;/b&gt; = &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Goffman’s &lt;/i&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Sign-vehicle &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Goffman’s&lt;/i&gt; people use social settings &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;face-saving behavior&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;save
performance &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Ethnomethodology &lt;/b&gt;study
people use background assumptions for life &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Background
assumption &lt;/b&gt;deep&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; &lt;/b&gt;understand of
people &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Thomas Theorem &lt;/b&gt;situations =
real &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;social construction of reality &lt;/b&gt;assumptions
define what is real &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;structure
interviewers &lt;/b&gt;use closed-ended questions &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Rapport&lt;/b&gt; trust between researcher &amp;amp; people they are studying &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Secondary analysis &lt;/b&gt;use of data already
collected &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;control group&lt;/b&gt; aren’t
exposed to experiment &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;independent
variable &lt;/b&gt;factor cause change in another variable (dependent variable) &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;unobtrusive measures&lt;/b&gt; observing people
without it being known &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;shaman&lt;/b&gt;
healing specialists of the tribe &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;pastoral
societies &lt;/b&gt;based on pasturing animals &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;horticultural
society &lt;/b&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;cultivating plants by use of
hand tools &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;domestication revolution &lt;/b&gt;1&lt;sup&gt;st&lt;/sup&gt;
social revolution domestion of plants &amp;amp; animals led to pastoral &amp;amp;
horticultural &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;agricultural revolution &lt;/b&gt;2&lt;sup&gt;nd&lt;/sup&gt;
revolution invention of plow led to agricultural societies &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;industrial revolution &lt;/b&gt;3&lt;sup&gt;rd&lt;/sup&gt; revolution machines powered by
fuel replaced animals and human power &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;postindustrial
societies &lt;/b&gt;based on information &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;aggregate
&lt;/b&gt;temp share physical space but see themselves together &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;out-groups &lt;/b&gt;antagonism &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;reference
groups &lt;/b&gt;standards we refer to &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;group
dynamics &lt;/b&gt;indv effect group &amp;amp; groups influence people &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;dyad &lt;/b&gt;smallest group 2 &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;triad &lt;/b&gt;group of 3 &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;coalition&lt;/b&gt; alignment of members in a group against others &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;instrumental leader &lt;/b&gt;keeps group moving
towards goals &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;expressive leader &lt;/b&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;increases harmony &amp;amp; decreases conflict
(socioemotional leader) &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;authorian leader
&lt;/b&gt;leads by giving order &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;democratic
leader &lt;/b&gt;trying to reach consensus &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;laissez-faire&lt;/b&gt;
highly permissive &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;group think &lt;/b&gt;one
correct answer &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;deviance &lt;/b&gt;violation of
norms (rules or expectations) &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;sigma &lt;/b&gt;discredits
a person normal identity &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;social order &lt;/b&gt;social
arrangement &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;social control&lt;/b&gt; formal
&amp;amp; informal enforcing norms &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;negative
sanction &lt;/b&gt;disproval &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Positive sanction
&lt;/b&gt;reward &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;genetic predisposition &lt;/b&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;inborn tendencies &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;street crime &lt;/b&gt;ex rape &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;differential
association &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Edwin Sutherland &lt;/i&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;learn deviance from group &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;control theory &lt;/b&gt;inner &amp;amp; outer groups work against tendencies to
deviate&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Strain theory &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Robert’s Merton’s
&lt;/i&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;large # of people desire a &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;culture goal&lt;/b&gt; members of society to
achieve &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;illegitimate opportunity &lt;/b&gt;crime
woven into life &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;white-collar crime &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Edwin Sutherland’s &lt;/i&gt;crimes committed by respected
people &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;recidivism rate &lt;/b&gt;% of released
convicts rearrested &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;social
stratification &lt;/b&gt;property power&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;prestige
&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;bonded
labor (indentured service) &lt;/b&gt;sells body&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;
ideology &lt;/b&gt;beliefs about the way things ought to be &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;caste system &lt;/b&gt;born statuses &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;endogamy
&lt;/b&gt;marrying within group &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;apartheid &lt;/b&gt;separation
of race (South Africa) (India) religion &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Estate
&lt;/b&gt;medieval Europe Nobility, clergy, commoners &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;bourgeoisie &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Marx’s &lt;/i&gt;capitalist
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;proletariat &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Marx’s &lt;/i&gt;exploited class doesn’t own production (bourgeoisie opposite)
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;class consciousness &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Marx’s &lt;/i&gt;common identity of one position &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;false class consciousness &lt;/b&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Marx’s &lt;/i&gt;identifying
with capitalist &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Max weber property power
prestige functionalist patterns of behavior that characterize a society &lt;/b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Davis &amp;amp; Moore &lt;/i&gt;equal importance &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Tumin &lt;/i&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;= Meritocracy
&lt;/b&gt;positions based on merit &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;divine right of kings &lt;/b&gt;power from God &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;colonialism &lt;/b&gt;one nation takes over
another &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;world system theory &lt;/b&gt;economics
&amp;amp; polities connections over the world. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Globalization
of capitalism &lt;/b&gt;becoming global dominant economic system &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;culture of poverty &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;values
&amp;amp; behaviors of the poor make them different &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;neocolonialism &lt;/b&gt;economic &amp;amp; political of the most industrialize
nations or least ones &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;multination corruptions
&lt;/b&gt;nation boundaries &lt;/span&gt;&lt;/div&gt;
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