<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;DUEHSXczeSp7ImA9WhBVGUo.&quot;"><id>tag:blogger.com,1999:blog-18058966</id><updated>2013-04-26T13:00:38.981+01:00</updated><category term="Nederlands" /><category term="Deutsch" /><category term="Français" /><category term="Español" /><category term="Italiano" /><category term="Português" /><category term="English" /><title>Livro de Cabeceira - Radio Universidade de Coimbra</title><subtitle type="html">Passo a passo, folha a folha, histórias contadas e por contar. A rádio vasculha a mesa de cabeceira e, entre o candeeiro e a gaveta, descobre o bálsamo de alguém que deixou escrito o que podia ter dito. Os autores de hoje e de anteontem em palavras suspensas no éter. Livro de Cabeceira - sábados às 24h, leitura marcada em 107.9fm. Previne a miopia e alarga o léxico. Recomendado pelos melhores especialistas: os líricos.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>98</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/LivroDeCabeceira-RadioUniversidadeDeCoimbra" /><feedburner:info uri="livrodecabeceira-radiouniversidadedecoimbra" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:browserFriendly></feedburner:browserFriendly><entry gd:etag="W/&quot;DUEHSXczfip7ImA9WhBVGUo.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-3927762874744700349</id><published>2013-04-26T13:00:00.002+01:00</published><updated>2013-04-26T13:00:38.986+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-26T13:00:38.986+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Português" /><title>220. "Mau Sangue" de Beatriz Nunes, José Ferreira e Nuno Moura</title><content type="html">[Emissão Sáb.27.Abr.2013.24h] &lt;img border="0" id="BLOGGER_PHOTO_ID_5517646376660114946" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKeJVUMHgI/AAAAAAAABBg/YVfOa7VH5HY/s200/_portugal.gif" style="border: 0pt none; vertical-align: middle;" title="em Português" /&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;br /&gt;
&lt;a href="http://2.bp.blogspot.com/-4bdsGmKBOIY/UXprW_OUQ6I/AAAAAAAABnQ/JAoZdZqDpsc/s1600/mausangue.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="198" src="http://2.bp.blogspot.com/-4bdsGmKBOIY/UXprW_OUQ6I/AAAAAAAABnQ/JAoZdZqDpsc/s200/mausangue.jpg" width="200" /&gt;&lt;/a&gt;Este sábado, por cortesia do querido &lt;a href="http://prensa.planetaclix.pt/" target="_blank"&gt;João Vaz&lt;/a&gt;, ouvímos em Português: "&lt;a href="https://soundcloud.com/mau-sangue" target="_blank"&gt;Mau Sangue&lt;/a&gt;", de Beatriz Nunes, José Ferreira e Nuno Moura. &lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: 85%; font-style: italic;"&gt;«A ideia para este disco surgiu de uma outra, não concretizada: criar uma história à volta dos desconsertos provocados numa personagem, ficcionada, por uma maioria não disposta a condescender com a expressão de uma certa individualidade, diferença, ou "imperfeição".

Através de textos do Nuno, ditos pelo próprio, ou cantados pela magnífica Beatriz, em circunstâncias de total informalidade, apenas condicionados por humores e estados de alma de momento, criámos no Mau Sangue um espaço de liberdade ética e moral e uma espécie de narrativa não linear, sem auto-censura. As gravações com o Nuno e a Beatriz são sempre primeiros ou segundos "takes".

Durante um ano dedicámo-nos, os três, a registar esses momentos, entre encontros no cinema Alvalade e as gravações em minha casa. O resultado desse processo teve tanto de compensador como de disruptivo.

Outras histórias ficaram imersas no Mau Sangue.
&lt;a href="http://soundcloud.com/mau-sangue/dropbox/profile" target="_blank"&gt;José Ferreira&lt;/a&gt;»&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;
</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/3927762874744700349/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=3927762874744700349&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/3927762874744700349?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/3927762874744700349?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2013/04/220-mau-sangue-de-beatriz-nunes-jose.html" title="220. &quot;Mau Sangue&quot; de Beatriz Nunes, José Ferreira e Nuno Moura" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKeJVUMHgI/AAAAAAAABBg/YVfOa7VH5HY/s72-c/_portugal.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CU4FQn47fCp7ImA9WhBQGE8.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-1216854347216159818</id><published>2013-03-20T23:58:00.000Z</published><updated>2013-03-20T23:58:33.004Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-20T23:58:33.004Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Français" /><title>219. "Les Aventures de Tintin: L'Oreille Cassée" de Hergé</title><content type="html">[Emissão Sáb.23.Mar.2013.24h] &lt;img border="0" id="BLOGGER_PHOTO_ID_5517654890081204930" src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s1600/_france.gif" style="border: 0pt none; vertical-align: middle;" title="en Français" /&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;br /&gt;
&lt;a href="http://2.bp.blogspot.com/-AYJs38DUan0/UUpDwO5GnbI/AAAAAAAABmY/qWM13ZG5YPY/s1600/Tintin_OreilleCassee.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="160" src="http://2.bp.blogspot.com/-AYJs38DUan0/UUpDwO5GnbI/AAAAAAAABmY/qWM13ZG5YPY/s200/Tintin_OreilleCassee.jpg" width="200" /&gt;&lt;/a&gt;Na onda da &lt;a href="http://www.facebook.com/events/148583311973119/" target="_blank"&gt;Festa da Francofonia&lt;/a&gt; que a &lt;a href="http://www.facebook.com/afcoimbra" target="_blank"&gt;Alliance Française de Coimbra&lt;/a&gt; nos propõe esta semana, há B.D. na RUC este sábado e o herói fala francês.&lt;br /&gt;
&lt;br /&gt;
Editado desde 1935 pela &lt;a href="http://pt.wikipedia.org/wiki/Casterman" target="_blank"&gt;Casterman&lt;/a&gt;, "&lt;a href="http://pt.wikipedia.org/wiki/L%27oreille_cass%C3%A9e" target="_blank"&gt;L'Oreille Cassée&lt;/a&gt;" é o 6º livro desta série de banda desenhada do belga &lt;a href="http://fr.wikipedia.org/wiki/Herg%C3%A9" target="_blank"&gt;Hergé&lt;/a&gt;. Nesta aventura, &lt;a href="http://pt.wikipedia.org/wiki/Tintim" target="_blank"&gt;Tintim&lt;/a&gt;, &lt;a href="http://pt.wikipedia.org/wiki/Milu" target="_blank"&gt;Milu&lt;/a&gt; e o &lt;a href="http://pt.wikipedia.org/wiki/Capit%C3%A3o_Haddock" target="_blank"&gt;Capitão Haddock&lt;/a&gt; investigam um roubo num museu etnográfico de um país da América Latina, algures entre um Paraguai e uma Bolívia.&lt;br /&gt;
&lt;br /&gt;
Vamos ouvir banda desenhada teatralizada e adaptada para formato vinil em finais dos anos 70.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #66cccc; font-weight: bold;"&gt;Banda Sonora&lt;/span&gt;&lt;span style="color: #666666;"&gt; | Los Fabulosos Cadillacs (Sopa de Caracol); Albin de la Simone (J'aime lire; J'avais chaud).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
As fantásticas aventuras de Tintim, em directo na  &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;  em 107.9FM, aos quadradinhos, à meia-noite deste sábado 23 de Março, para o &lt;a href="http://www.facebook.com/pages/Livro-de-Cabeceira/120835777963597" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;.&lt;/div&gt;
</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/1216854347216159818/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=1216854347216159818&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/1216854347216159818?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/1216854347216159818?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2013/03/219-les-aventures-de-tintin-loreille.html" title="219. &quot;Les Aventures de Tintin: L'Oreille Cassée&quot; de Hergé" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s72-c/_france.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0QDRn86eSp7ImA9WhBREEQ.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-1975962435640651953</id><published>2013-02-21T10:08:00.002Z</published><updated>2013-02-28T23:49:37.111Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-02-28T23:49:37.111Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>218. "A Sunday in Hell" (Jørgen Leth)</title><content type="html">[Emissão Sáb.23.Fev.&amp;amp;.2.Mar.2013.24h] &lt;img border="0" id="BLOGGER_PHOTO_ID_5517640939618874466" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" style="border: 0pt none; vertical-align: middle;" title="in English" /&gt;&lt;br /&gt;
&lt;span id="formatbar_Buttons" style="display: block;"&gt;&lt;span class=" down" id="formatbar_CreateLink" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);" onmouseout="ButtonHoverOff(this);" onmouseover="ButtonHoverOn(this);" onmouseup="" style="display: block;" title="Link"&gt;&lt;img alt="Link" border="0" class="gl_link" src="http://www.blogger.com/img/blank.gif" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-pl5j06GtmHQ/USXwOQ-u9TI/AAAAAAAABlQ/KfTYkQc4eg0/s1600/3081844151_1_13_Mzo2Eowi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="160" src="http://1.bp.blogspot.com/-pl5j06GtmHQ/USXwOQ-u9TI/AAAAAAAABlQ/KfTYkQc4eg0/s200/3081844151_1_13_Mzo2Eowi.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
Emissão em torno do ciclismo de uma outra época, com excertos do brilhante &lt;a href="http://en.wikipedia.org/wiki/A_Sunday_in_Hell" target="_blank"&gt;documentário&lt;/a&gt; do dinamarquês Jørgen Leth em torno de uma das grandes corridas, uma das clássicas, a &lt;a href="http://en.wikipedia.org/wiki/Paris%E2%80%93Roubaix" target="_blank"&gt;&lt;span id="goog_90731225"&gt;&lt;/span&gt;Paris-Roubaix&lt;span id="goog_90731226"&gt;&lt;/span&gt;&lt;/a&gt;, edição de 1976.&lt;br /&gt;
&lt;br /&gt;
O macadame do norte, os seus heróis, as equipas, o público - uma viagem intensa aos bastidores de um domingo num mundo a duas rodas.&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-x_UTYI4gauE/USXxf5zouyI/AAAAAAAABlc/1pUqWfEtS1k/s1600/paris-roubaix-sunday-in-hell-1976-radpropaganda-feld.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="148" src="http://3.bp.blogspot.com/-x_UTYI4gauE/USXxf5zouyI/AAAAAAAABlc/1pUqWfEtS1k/s200/paris-roubaix-sunday-in-hell-1976-radpropaganda-feld.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #339999; font-weight: bold;"&gt;Fundo sonoro adicional&lt;/span&gt; | Odoardo Spadaro &amp;amp; Maria Pia Arcangeli - La Bicicletta (1939); Vladislav Delay - Hetkonen (2012); The Alvaret Ensemble - EAC (2013).&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;a href="http://mesadecabeceira.blogspot.com/" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;: para ouvir sábado à meia-noite nos 107.9fm da Rádio Universidade de Coimbra.&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/1975962435640651953/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=1975962435640651953&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/1975962435640651953?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/1975962435640651953?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2013/02/218-sunday-in-hell-jrgen-leth.html" title="218. &quot;A Sunday in Hell&quot; (Jørgen Leth)" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s72-c/_united_kingdom.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D04EQ3Y-eip7ImA9WhJSFEk.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-3630771820588501642</id><published>2012-07-05T00:49:00.001+01:00</published><updated>2012-07-05T00:51:42.852+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-07-05T00:51:42.852+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Français" /><title>217. "Le Monde du Silence" (Jacques-Yves Cousteau)</title><content type="html">[Emissão Sáb.07.14.Jul.2012.24h] &lt;img border="0" id="BLOGGER_PHOTO_ID_5517654890081204930" src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s1600/_france.gif" style="border: 0pt none; vertical-align: middle;" title="en Français" /&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-KkKmN1Y7h10/T_TUXXJmVlI/AAAAAAAAAVE/z9_nH9GRYkM/s1600/jacque_cousteau.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://2.bp.blogspot.com/-KkKmN1Y7h10/T_TUXXJmVlI/AAAAAAAAAVE/z9_nH9GRYkM/s320/jacque_cousteau.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
À descoberta de um mundo estranho, um mundo quase desconhecido, um mundo de silêncio. Damos um mergulho sonoro num filme, à procura das nossas memórias, dessas &lt;a href="http://www.youtube.com/watch?v=mKXliEjUrBs" target="_blank"&gt;imagens extraordinárias&lt;/a&gt; que nos trouxe, anos a fio, o comandante &lt;a href="http://pt.wikipedia.org/wiki/Jacques-Yves_Cousteau" target="_blank"&gt;Jacques-Yves Cousteau&lt;/a&gt; a bordo da &lt;a href="http://pt.wikipedia.org/wiki/Calypso_%28navio%29" target="_blank"&gt;Calipso&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: 85%;"&gt;«Le bonheur pour une abeille ou un dauphin est d'exister. Pour l'homme, c’est de le savoir et de s'en émerveiller.»&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #66cccc; font-weight: bold;"&gt;Banda Sonora Adicional&lt;/span&gt;&lt;span style="color: #666666;"&gt; | Walter Scharf ("Procreation"; "&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;Water Planet" - &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;The Legend of The Living Sea, 1971).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;Sábado à meia-noite na  &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;  em 107.9FM durante o &lt;a href="http://www.facebook.com/pages/Livro-de-Cabeceira/120835777963597" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;.&lt;/div&gt;
&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/3630771820588501642/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=3630771820588501642&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/3630771820588501642?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/3630771820588501642?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2012/07/217-le-monde-du-silence-jacques-yves.html" title="217. &quot;Le Monde du Silence&quot; (Jacques-Yves Cousteau)" /><author><name>Transhumance YouFM</name><uri>http://www.blogger.com/profile/01438817395348136589</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://2.bp.blogspot.com/_0aaemnj4dw8/TO7cCFIxGWI/AAAAAAAAAAM/AxcTnzycUpg/S220/transhumance200.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s72-c/_france.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0UFQnY_fip7ImA9WhBREEQ.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-7382810107962310977</id><published>2012-05-31T00:42:00.000+01:00</published><updated>2013-02-28T23:46:53.846Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-02-28T23:46:53.846Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Français" /><title>215. "Eric Tabarly"</title><content type="html">[Emissão Sáb.02.09.Jun.2012.24h] &lt;img border="0" id="BLOGGER_PHOTO_ID_5517654890081204930" src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s1600/_france.gif" style="border: 0pt none; vertical-align: middle;" title="en Français" /&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;a href="http://3.bp.blogspot.com/-wFAu-CTYgHw/T8awKVSgksI/AAAAAAAAAUA/Vci74uebbxI/s1600/erictabarly.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-wFAu-CTYgHw/T8awKVSgksI/AAAAAAAAAUA/Vci74uebbxI/s320/erictabarly.jpg" width="171" /&gt;&lt;/a&gt;&lt;br /&gt;
O acesso aos desportos náuticos não é simples, sobretudo quando não se mora à beira-mar. Há no entanto sempre &lt;a href="http://www.fpvela.pt/portal/page/portal/FPV/Genericos?actualmenu=8261289&amp;amp;genericos1=8261276&amp;amp;cboui=8261276" target="_blank"&gt;opções&lt;/a&gt;, mais &lt;a href="http://www.aac-nauticos.com/" target="_blank"&gt;perto&lt;/a&gt; ou mais &lt;a href="http://pt.wikipedia.org/wiki/Les_Gl%C3%A9nans" target="_blank"&gt;longe&lt;/a&gt;, para quem quiser aprender a navegar.&lt;br /&gt;
&lt;br /&gt;
Emissão especial nas próximas semanas em torno da vela e um dos seus mais belos representantes: o navegador francês &lt;a href="http://pt.wikipedia.org/wiki/%C3%89ric_Tabarly" target="_blank"&gt;Eric Tabarly&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: 85%;"&gt;«Je trouve que j'ai eu une vie de rêve, j'aurais même pas osé la rêver comme ça»&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #66cccc; font-weight: bold;"&gt;Banda Sonora Adicional&lt;/span&gt;&lt;span style="color: #666666;"&gt; | Yann Tiersen ("Tabarly", "Au dessous du volcan", "II", "Yellow", "IV", "La Corde", "La Longue Route", "Atlantique Nord", "Eire"); Alain Fraigneau ("Fanny de Laninon").&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;Sábado à meia-noite na  &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;  em 107.9FM durante o &lt;a href="http://www.facebook.com/pages/Livro-de-Cabeceira/120835777963597" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;.&lt;/div&gt;
</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/7382810107962310977/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=7382810107962310977&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/7382810107962310977?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/7382810107962310977?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2012/05/215-eric-tabarly.html" title="215. &quot;Eric Tabarly&quot;" /><author><name>Transhumance YouFM</name><uri>http://www.blogger.com/profile/01438817395348136589</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="22" height="32" src="http://2.bp.blogspot.com/_0aaemnj4dw8/TO7cCFIxGWI/AAAAAAAAAAM/AxcTnzycUpg/S220/transhumance200.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s72-c/_france.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;AkcDR3w5eCp7ImA9WhVSEUs.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-5336045307913265537</id><published>2012-03-08T00:41:00.005Z</published><updated>2012-03-08T00:54:36.220Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-08T00:54:36.220Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Deutsch" /><title>211. "Mutter Courage und ihre Kinder" de Bertold Brecht</title><content type="html">&lt;a href="http://1.bp.blogspot.com/-0LGXkQ630kc/T1gCz0mPrOI/AAAAAAAABUg/-MMpUq5vnLk/s1600/Mutter%2BCourage%2Bund%2Bihre%2BKinder.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 227px; height: 190px;" src="http://1.bp.blogspot.com/-0LGXkQ630kc/T1gCz0mPrOI/AAAAAAAABUg/-MMpUq5vnLk/s320/Mutter%2BCourage%2Bund%2Bihre%2BKinder.jpg" alt="" id="BLOGGER_PHOTO_ID_5717322816262483170" border="0" /&gt;&lt;/a&gt;[Emissão Sáb.10/17/24.Mar.2012.24h] &lt;img src="http://3.bp.blogspot.com/_TLP4J6oLYXo/TJNDIUkYdwI/AAAAAAAABCA/8va-5opUp9s/s1600/_germany.gif" title="auf Deutsch" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517827778698311426" border="0" /&gt;&lt;div align="justify"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;Mês de aniversário da &lt;a href="http://www.ruc.fm/" target="_blank"&gt;RUC&lt;/a&gt; e da &lt;a href="http://www.uc.pt/" target="_blank"&gt;UC&lt;/a&gt;, mês de &lt;a href="http://en.wikipedia.org/wiki/Bertolt_Brecht" target="_blank"&gt;Bertold Brecht&lt;/a&gt; no &lt;a href="http://mesadecabeceira.blogspot.com/" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Aos sábados à meia-noite, "&lt;a href="http://en.wikipedia.org/wiki/Mutter_Courage_und_ihre_Kinder" target="_blank"&gt;Mutter Courage und ihre Kinder&lt;/a&gt;" ("&lt;a href="http://pt.wikipedia.org/wiki/M%C3%A3e_Coragem_e_Seus_Filhos" target="_blank"&gt;Mãe Coragem e Seus Filhos&lt;/a&gt;"), original em língua alemã nos 107.9fm.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;«Mother Courage is considered by some to be the greatest play of the 20th century, and perhaps also the greatest anti-war play of all time. (...) it is one of nine plays that Brecht wrote in an attempt to counter the rise of Fascism and Nazism. Written largely in response to the invasion of Poland (1939) by the German armies of Adolf Hitler, Brecht wrote Mother Courage in what writers call a "white heat"—in a little over a month.&lt;br /&gt;&lt;br /&gt;Following Brecht's own principles for political drama, the play is not set in modern times but during the Thirty Years' War of 1618–1648. It follows the fortunes of Anna Fierling, nicknamed "Mother Courage", a wily canteen woman with the Swedish Army who is determined to make her living from the war. Over the course of the play, she loses all three of her children, Swiss Cheese, Eilif, and Kattrin, to the same war from which she sought to profit. »&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;IN &lt;a href="http://en.wikipedia.org/wiki/Mutter_Courage_und_ihre_Kinder" target="_blank"&gt;wiki&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/5336045307913265537/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=5336045307913265537&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/5336045307913265537?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/5336045307913265537?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2012/03/211-mutter-courage-und-ihre-kinder-de.html" title="211. &quot;Mutter Courage und ihre Kinder&quot; de Bertold Brecht" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-0LGXkQ630kc/T1gCz0mPrOI/AAAAAAAABUg/-MMpUq5vnLk/s72-c/Mutter%2BCourage%2Bund%2Bihre%2BKinder.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DUENRXs4fSp7ImA9WhVTFUg.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-4413748143401701129</id><published>2012-02-29T23:06:00.004Z</published><updated>2012-02-29T23:21:34.535Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-29T23:21:34.535Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>210. «Pint-Sized Spartacus» de Charles Gocher</title><content type="html">&lt;a href="http://3.bp.blogspot.com/-fNj3FFZUynE/T06xQhA8ynI/AAAAAAAABUM/O1230eI9CkA/s1600/CharlesGocher_byKerryKugleman.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 196px; height: 200px;" src="http://3.bp.blogspot.com/-fNj3FFZUynE/T06xQhA8ynI/AAAAAAAABUM/O1230eI9CkA/s200/CharlesGocher_byKerryKugleman.jpg" alt="" id="BLOGGER_PHOTO_ID_5714699874478115442" border="0" /&gt;&lt;/a&gt;[Emissão Sáb.03.Mar.2012.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;Podia ser teatro radiofónico mas não é. "&lt;a href="http://www.discogs.com/Pint-Sized-Spartacus-Gocher-Colburn-Presents-Pint-Sized-Spartacus/release/2777236" target="_blank"&gt;Pint-Sized Spartacus&lt;/a&gt;" do indescritível &lt;a href="http://charlesgocher.com/" target="_blank"&gt;Charles Goucher&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Sun_City_Girls" target="_blank"&gt;Sun City Girls&lt;/a&gt;) em audição no &lt;a href="http://mesadecabeceira.blogspot.com/" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt; este sábado à meia-noite via os 107.9fm da &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;«Charles Gocher (1952 – 2007) was an American musician, writer and visual artist, most famous for being a founding member, lyricist and drummer of the experimental rock group Sun City Girls (with Alan and Richard Bishop). He also released Pint Sized Spartacus, a solo album under his own name, in 1997.»&lt;br /&gt;IN: &lt;a href="http://en.wikipedia.org/wiki/Charles_Gocher" target="_blank"&gt;wiki&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/4413748143401701129/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=4413748143401701129&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/4413748143401701129?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/4413748143401701129?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2012/02/210-pint-sized-spartacus-de-charles.html" title="210. «Pint-Sized Spartacus» de Charles Gocher" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-fNj3FFZUynE/T06xQhA8ynI/AAAAAAAABUM/O1230eI9CkA/s72-c/CharlesGocher_byKerryKugleman.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0YCR3k_fCp7ImA9WhRVFko.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-3753421062172143322</id><published>2012-01-15T23:10:00.020Z</published><updated>2012-01-16T00:52:46.744Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-16T00:52:46.744Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Français" /><title>209. «Vertical Trip» de Sevàn l'Hostis para o Ensemble 0</title><content type="html">[Emissão Sáb.21.Jan.2012.24h] &lt;img src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s1600/_france.gif" title="en Français" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517654890081204930" border="0" /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-cvsQ68BfLhc/TxNnYlsll2I/AAAAAAAABTw/_0_l-B9jpQw/s1600/Ensemble0forRadio_SevanHostis_VerticalTrip_4145045110-1.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 200px;" src="http://1.bp.blogspot.com/-cvsQ68BfLhc/TxNnYlsll2I/AAAAAAAABTw/_0_l-B9jpQw/s200/Ensemble0forRadio_SevanHostis_VerticalTrip_4145045110-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5698011625687455586" border="0" /&gt;&lt;/a&gt;Memórias visuais e sonoras que ficam. A figura de um certo ascensorista de um armazém de modas e tecidos que nos abre a porta e anuncia uma viagem. Uma viagem por recortes de uma infância olhada e escutada, no presente, com suave nostalgia. Eis alguns pós da próxima emissão: "Vertical Trip", uma sessão sonora feita pela francesa &lt;a href="http://www.myspaceisout.com/" target="_blank"&gt;Sevàn l'Hostis&lt;/a&gt; a convite do &lt;a href="http://0sound.tumblr.com/" target="_blank"&gt;Ensemble 0&lt;/a&gt;. A colagem é a mais recente a integrar este ano a série "&lt;a href="http://oforradio.blogspot.com/" target="_blank"&gt;0 (for radio)&lt;/a&gt;", uma ocasião mensal para Stéphane Garin e Catherine Luro, do colectivo, fazerem partilhar playlists e obras a uma série de convidados, amigos e cúmplices.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;"&lt;span style="color: rgb(51, 102, 102); font-weight: bold;"&gt;Sevàn l’Hostis&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Née dans le Nord de la France, &lt;a href="http://www.myspaceisout.com/" target="_blank"&gt;Sevàn l’Hostis&lt;/a&gt; vit à Bayonne depuis une dizaine d’années. Formée tout d’abord au journalisme, elle suit plus tard des études de langue et civilisation bantu (&lt;a href="http://fr.wikipedia.org/wiki/Swahili" target="_blank"&gt;swahili&lt;/a&gt; et &lt;a href="http://fr.wikipedia.org/wiki/Comorien" target="_blank"&gt;comorien&lt;/a&gt;) après avoir vécu en Afrique de l’Est.&lt;br /&gt;&lt;br /&gt;Sevàn l'Hostis a publié en 2010 un premier recueil de poèmes – &lt;a href="http://www.myspaceisout.com/publi_1.php" target="_blank"&gt;Chant Tattoo&lt;/a&gt; – illustré par la peintre &lt;a href="http://www.artandproject.eu/artiste.php?artiste=Chantal_Sore&amp;amp;oeuvres=66" target="_blank"&gt;Chantal Sore&lt;/a&gt; (Biarritz). Dédié à un maître tatoueur japonais, le livre est publié en version bilingue français-japonais. Avec &lt;a href="http://ailleurs.ultra-book.com/portfolio" target="_blank"&gt;Anatomie de l’ailleurs&lt;/a&gt; en 2011, illustrée par l'artiste allemande &lt;a href="http://www.janalottenburger.de/" target="_blank"&gt;Jana Lottenburger&lt;/a&gt;, elle livre des motifs qui témoignent de son profond attachement pour l’île de &lt;a href="http://fr.wikipedia.org/wiki/Zanzibar_%28archipel%29" target="_blank"&gt;Zanzibar&lt;/a&gt; (République de Tanzanie).&lt;br /&gt;&lt;br /&gt;Son intérêt pour le son et pour la &lt;a href="http://www.myspaceisout.com/rimeries.php" target="_blank"&gt;parole&lt;/a&gt; remonte à son adolescence où elle commence par enregistrer les récits de vie de ses grands-parents et arrière-grands-parents. Depuis une dizaine d'années, elle rapporte de voyage ou du coin de la rue des tranches de sons, comme d'autres font un album de photographies ou un carnet de croquis. D'un usage exclusivement personnel, elle est passée récemment à des essais de diffusion en mettant notamment en sons son denier opus de poésie, une session nourrie de bribes d'ailleurs et de bruitages maison."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Trilha Sonora da Colagem&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | _Monsieur le liftier_Ascenseur du Déballage St Pierre, Paris 18ème / _Saddest train ride_Catherine Jauniaux / _Sunday tomorrow all day_Alex North (Who’s afraid of Virginia Woolf? / Mike Nichols, 1966) / _Tiny Tears_Tindersticks (Nenette et Boni / Claire Denis, 1996) / _Ce que je fous avec toi_Jean Yann, Marlène Jobert (Nous ne vieillirons pas ensemble / M.Pialat, 1972) / _Profanum Praeludes_Watine / One for you_The Knife / _Knee 2, Einstein on the Beach_Philip Glass / _Just spending Time_Vincent Gallo, Christina Ricci (Buffalo 66 / V. Gallo) / _I wonder as I wander (trad. USA)_Cathy Berberian, arrgts Luciano Berio / _What is more gentle than a wind in the summer?_Peter Pears (tenor), comp. Benjamin Britten / _1957_Arca / _Kaar Deerge Chouvulangning_Sainkho Namtchylak / _Love conversation (extrait)_Catherine Jauniaux / _Mario, j’ai mal (extrait)_Françoise Dorléac / _L’odeur de l’obscurité_Patrick Modiano (Cinémas, Cinémas, 1990 / _Bonjour Mme Lachenay_Georges Delerue (La peau douce / François Truffaut, 1964).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;Na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;, em 107.9FM ou &lt;a href="http://www.ruc.pt/wp-content/themes/ruc/player.php" target="_blank"&gt;via internet&lt;/a&gt;, sábado, 21 de Janeiro, à meia-noite.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/3753421062172143322/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=3753421062172143322&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/3753421062172143322?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/3753421062172143322?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2012/01/208-vertical-trip-de-sevan-lhostis.html" title="209. «Vertical Trip» de Sevàn l'Hostis para o Ensemble 0" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s72-c/_france.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A08AQX4-fip7ImA9WhVbFEw.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-7279206027924142568</id><published>2011-11-12T14:07:00.004Z</published><updated>2012-05-31T00:17:20.056+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-31T00:17:20.056+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Français" /><title>207. "Marius, Fanny et Cesar" de Marcel Pagnol</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-BOp_7Iv1tIY/Tr_UCUqvKLI/AAAAAAAABSo/CSJmbP9znKI/s1600/Le%2BPetit%2BMonde.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://2.bp.blogspot.com/-BOp_7Iv1tIY/Tr_UCUqvKLI/AAAAAAAABSo/CSJmbP9znKI/s320/Le%2BPetit%2BMonde.jpg" alt="" id="BLOGGER_PHOTO_ID_5674487191882901682" border="0" /&gt;&lt;/a&gt;[Emissão Sáb.12.19.Nov.2011.24h] &lt;img src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s1600/_france.gif" title="en Français" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517654890081204930" border="0" /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;Cheiro a maresia em Francês do Mediterrâneo: «Marius, Fanny et César», &lt;a href="http://fr.wikipedia.org/wiki/Trilogie_marseillaise" target="_blank"&gt;triologia marselhesa&lt;/a&gt; do escritor, dramaturgo e cineasta &lt;a href="http://fr.wikipedia.org/wiki/Marcel_Pagnol" target="_blank"&gt;Marcel Pagnol&lt;/a&gt;,  a descobrir durante os próximos dois sábados.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;«Vers 1925, parce que je me sentais exilé à Paris, je m’aperçus que j’aimais Marseille et je voulus exprimer cette amitié en écrivant une pièce marseillaise.&lt;br /&gt;&lt;br /&gt;Des amis et des aînés m’en dissuadèrent: ils me dirent qu’un ouvrage aussi local, qui mettait en scène des personnages affublés d’un accent aussi particulier, ne serait certainement pas compris hors des Bouches-du-Rhône, et qu’à Marseille même, il serait considéré comme un travail d’amateur.&lt;br /&gt;&lt;br /&gt;Ces raisons me parurent fortes et je renonçai à mon projet: mais, en 1926, je vis jouer Le Mariage de Mlle Beulemans; ce chef-d’œuvre avait déjà 16 ans et son succès avait fait le tour du monde.&lt;br /&gt;&lt;br /&gt;Ce soir-là, j’ai compris qu’une œuvre locale, mais profondément sincère et authentique, pouvait parfois prendre place dans le patrimoine littéraire d’un pays et plaire dans le monde entier.» &lt;span style="font-size:78%;"&gt;IN: &lt;a href="http://fr.wikipedia.org/wiki/Trilogie_marseillaise" target="_blank"&gt;wiki&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Banda Sonora Adicional&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | Walter Scharf ("The Legend of the Living Sea, for Jacques Cousteau", excerto); Fernandel ("Marseille"); Charles Trenet ("Devant la Mer"; "La Mer"); Charles Aznavour ("La Mer"); Jacques Brel ("Heureux"; "Les Pieds dans le Ruisseau").&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;Sábado à meia-noite na  &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;  em 107.9FM durante o &lt;a href="http://www.facebook.com/pages/Livro-de-Cabeceira/120835777963597" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/7279206027924142568/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=7279206027924142568&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/7279206027924142568?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/7279206027924142568?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/11/207-marius-fanny-et-cesar-de-marcel.html" title="207. &quot;Marius, Fanny et Cesar&quot; de Marcel Pagnol" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-BOp_7Iv1tIY/Tr_UCUqvKLI/AAAAAAAABSo/CSJmbP9znKI/s72-c/Le%2BPetit%2BMonde.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DEEEQXkzeip7ImA9WhdaEEs.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-2683680819716565204</id><published>2011-10-19T23:21:00.007+01:00</published><updated>2011-10-20T00:23:20.782+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-20T00:23:20.782+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Français" /><title>206. "Lucky Luke: Daisy Town"</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-BrpZg5ScopI/Tp9S4NxeZEI/AAAAAAAABSE/6ovQpmANcL8/s1600/luckyluke_daisytown.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 191px; height: 181px;" src="http://4.bp.blogspot.com/-BrpZg5ScopI/Tp9S4NxeZEI/AAAAAAAABSE/6ovQpmANcL8/s320/luckyluke_daisytown.jpg" alt="" id="BLOGGER_PHOTO_ID_5665337981978698818" border="0" /&gt;&lt;/a&gt;[Emissão Sáb.22.Out.2011.24h] &lt;img src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s1600/_france.gif" title="en Français" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517654890081204930" border="0" /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;Um dia vai-se ao &lt;a href="http://www.lejacquesfranck.be/agenda_detail.php?id_agenda=168" target="_blank"&gt;teatro&lt;/a&gt; e eis que nos dão de palco com uma peça de cowboys. Impossível não sair com um sorriso rasgado, haverá alguém que não goste?&lt;br /&gt;&lt;br /&gt;Bem dito, melhor feito. Este sábado é com cowboys mesmo que vamos ficar. Para escutar, um pequeno vinil da feira da ladra com uma aventura de Luky Luke: Daisy Town.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;«Lucky Luke is a Belgian comics series created by Belgian cartoonist, Maurice De Bevere better known as Morris, the original artist, and was for one period written by René Goscinny. Set in the American Old West, it stars the titular character, Lucky Luke, the cowboy known to shoot faster than his shadow.» &lt;span style="font-size:78%;"&gt;IN: &lt;a href="http://en.wikipedia.org/wiki/Lucky_Luke"&gt;wiki&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Bom, como o vinil é pequeno, há música de vaqueiros e gaúchos de enfiada e a encher chouriço. Para comer à volta da fogueira e ao luar estrelado. Com ou sem ketchup.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;«(...) I'm a poor lonesome cowboy, But it doesn't bother me&lt;br /&gt;'Cause this poor lonesome cowboy, Prefers a horse for company&lt;br /&gt;Got nothing against women, But I wave them all goodbye&lt;br /&gt;My horse and me keep riding, We don't like being tied (...)»&lt;br /&gt;&lt;span style="font-size:78%;"&gt;IN: "Poor Lonesome Cowboy" de Pat Woods&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Créditos&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | Jean-Marc Thibault (leitura); Claude Bolling (música); Dargaud (edição).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Banda Sonora Adicional&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | Elvis Presley (Lonesome Cowboy); Silage (Bang Bang Lucky Luke); John Barry (Midnight Cowboy); Pat Woods (I'm a Poor Lonesome Cowboy); Sacha Distel (Un Air de Banjo); Sam Hui (Xue Sheng Ge); James Last (Washington Square); Eric Weissberg &amp;amp; Steve Mandell (Dueling Banjos); Frank Zappa (Lonesome Cowboy Nando); Noel Guarany (Destino de Peão); Cenair Maicá (Baile do Sapucay); Mano Lima (Dedo Bandido); Telmo de Lima Freitas (Esquilador); Wilson Paim (Ainda Existe Um Lugar);.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;Este sábado à meia-noite na  &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;  em 107.9FM durante o &lt;a href="http://www.facebook.com/pages/Livro-de-Cabeceira/120835777963597" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/2683680819716565204/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=2683680819716565204&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2683680819716565204?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2683680819716565204?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/10/206-lucky-luke-daisy-town.html" title="206. &quot;Lucky Luke: Daisy Town&quot;" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-BrpZg5ScopI/Tp9S4NxeZEI/AAAAAAAABSE/6ovQpmANcL8/s72-c/luckyluke_daisytown.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;A0YNSXgzfip7ImA9WhdXGEs.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-2954616589871446926</id><published>2011-08-31T21:52:00.009+01:00</published><updated>2011-09-01T10:26:38.686+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-01T10:26:38.686+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>205. «Souls of the Labadie Tract» de Susan Howe</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-1j-PJV43vN8/Tl6ij4-4jKI/AAAAAAAABRY/RWPlYMB1PdI/s1600/SoulsOfTheLabadieTract.jpeg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 259px; height: 259px;" src="http://4.bp.blogspot.com/-1j-PJV43vN8/Tl6ij4-4jKI/AAAAAAAABRY/RWPlYMB1PdI/s320/SoulsOfTheLabadieTract.jpeg" alt="" id="BLOGGER_PHOTO_ID_5647129720244440226" border="0" /&gt;&lt;/a&gt;[Emissão Sáb.03.Set.2011.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;
&lt;br /&gt;&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);" class=" down" style="display: block;" id="formatbar_CreateLink" title="Link"&gt;&lt;img src="http://www.blogger.com/img/blank.gif" alt="Link" class="gl_link" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Há programas de rádio que quase são demasiado belos para existirem. Um deles é o &lt;a href="http://zeppelinruc.wordpress.com/" target="_blank"&gt;Zepelim&lt;/a&gt;, há bons anos a sobrevoar os ouvintes da RUC por paisagens de oxigénio rarefeito e, mais recentemente (com orgulho babado nosso), referenciado na revista &lt;a href="http://zeppelinruc.wordpress.com/2011/08/02/zepelims-chart-in-the-wire-magazine/" target="_blank"&gt;The Wire&lt;/a&gt;.
&lt;br /&gt;
&lt;br /&gt;E se o Livro de Cabeceira fosse dar um passeio de Zepelim: que ouviria?
&lt;br /&gt;
&lt;br /&gt;Quem sabe &lt;a href="http://www.discogs.com/David-Grubbs-Susan-Howe-Souls-Of-The-Labadie-Tract/release/2518345" target="_blank"&gt;uma poeta e um músico&lt;/a&gt;. Que nem &lt;a href="http://en.wikipedia.org/wiki/Susan_Howe" target="_blank"&gt;Susan Howe&lt;/a&gt; e &lt;a href="http://en.wikipedia.org/wiki/David_Grubbs" target="_blank"&gt;David Grubbs&lt;/a&gt;.
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;&lt;span style="font-size:85%;"&gt;«In 1684, members of a Utopian Quietist sect, consisting mainly of Dutch followers of the French Separatist Jean de Labadie, left their headquarters at Wieuwerd in the Netherlands in order to spread the new oeuvre de dieu while preparing themselves for the coming millennium. They settled in Bohemia Hundred, Cecil County, Maryland, where Pennsylvania, Delaware, and Maryland meet. The 3,750 acre Labadie Tract, consisting of four necks of land, was bordered on the west by Long Creek, on the north by the cart road to Reedy Island, on the east by the Appoquinnimink Path, and on the South by Great Bohemia Creek. They called it New Bohemia.
&lt;br /&gt;
&lt;br /&gt;I found the term ‘Labadist’ in reference to the genealogical research of Wallace Stevens and his wife Elsie Kachel Moll Stevens during the 1940s. Jean de Labadie. His reach is through language hints; through notes and maps. In the lapse of time the pressure of others. So it’s telepathic though who knows why or in what way. Labadists believed in, among other things, the necessity of inner illumination, diligence and contemplative reflection. Marriage was renounced. They held all property in common (including children) and supported themselves by manual labor and commerce.
&lt;br /&gt;
&lt;br /&gt;In 1702, a Swedish pastor recalled his visit to the group in Maryland. “There are also the Apostles, who were on the Labady at Bohemia when I arrived in this country. Their number is now quite small.” In 1722, the community dissolv&lt;/span&gt;&lt;span style="font-size:85%;"&gt;ed. When Samuel Bownas visited the site in 1727, “these people were all scattered and gone, and nothing of them remained of a religious community in that shape.” In 1795, Dennis Griffith’s landmark map of Maryland noted a “labadie poplar” at the northern extremity of the Labadie Tract. It was the one tree singled out on the entire map of the state.
&lt;br /&gt;
&lt;br /&gt;The wind had seized the tree and ha, and ha,
&lt;br /&gt;Wallace Stevens»&lt;/span&gt;&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);" class=" down" style="display: block;" id="formatbar_CreateLink" title="Link"&gt;&lt;img src="http://www.blogger.com/img/blank.gif" alt="Link" class="gl_link" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;span style="font-size:85%;"&gt;IN: &lt;/span&gt;«&lt;a href="http://www.sibila.com.br/index.php/souls-of-the-labadie-tract" target="_blank"&gt;Souls of the Labadie Tract&lt;/a&gt;» de Susan Howe&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.sibila.com.br/index.php/souls-of-the-labadie-tract" target="_blank"&gt;&lt;/a&gt;&lt;/span&gt;
&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="text-align: justify;"&gt;
&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(51, 153, 153);"&gt;Créditos&lt;/span&gt; | &lt;a href="http://www.youtube.com/watch?v=dJqTTu5VxFs" target="_blank"&gt;Susan Howe (leitura, texto); David Grubbs (música)&lt;/a&gt;.&lt;/span&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(51, 153, 153);"&gt;Fundo sonoro adicional&lt;/span&gt; | &lt;a href="http://www.jeroenvandesande.be/index.php?/media/sounds/" target="_blank"&gt;Jeroen Vandesande&lt;/a&gt; (Unser Alter Verbundeter), Mike Oldfield (&lt;a href="http://www.youtube.com/watch?v=AcsGrtaMp_E" target="_blank"&gt;Ommadawn&lt;/a&gt; part 1).&lt;/span&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://mesadecabeceira.blogspot.com/" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;: para ouvir sábado à meia-noite nos 107.9fm da &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;.
&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/2954616589871446926/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=2954616589871446926&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2954616589871446926?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2954616589871446926?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/08/205-souls-of-labadie-tract-de-susan.html" title="205. «Souls of the Labadie Tract» de Susan Howe" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-1j-PJV43vN8/Tl6ij4-4jKI/AAAAAAAABRY/RWPlYMB1PdI/s72-c/SoulsOfTheLabadieTract.jpeg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D04FQXk-eCp7ImA9WhdXGE8.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-4638279982312860461</id><published>2011-08-26T12:53:00.004+01:00</published><updated>2011-08-31T22:25:10.750+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-08-31T22:25:10.750+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>204. «The Majoon Traveller» de Ira Cohen</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-66cYoWhu3Lk/Tl6mgWImPoI/AAAAAAAABRo/VzXym-Y2QVs/s1600/Ira-Cohen.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 207px;" src="http://4.bp.blogspot.com/-66cYoWhu3Lk/Tl6mgWImPoI/AAAAAAAABRo/VzXym-Y2QVs/s320/Ira-Cohen.jpg" alt="" id="BLOGGER_PHOTO_ID_5647134057396846210" border="0" /&gt;&lt;/a&gt;&lt;a href="http://en.wikipedia.org/wiki/Ira_Cohen"&gt;Ira Cohen&lt;/a&gt;: poeta, mitógrafo, escritor, viajante.
&lt;br /&gt;
&lt;br /&gt;Em audição este sábado à meia noite na &lt;a href="http://www.ruc.fm/" target="_blank"&gt;RUC&lt;/a&gt; teremos um &lt;a href="http://www.discogs.com/Ira-Cohen-The-Majoon-Traveler/release/746243" target="_blank"&gt;conjunto&lt;/a&gt; de field recordings, spoken word e arte sonora editado pela chancela bruxelense &lt;a href="http://www.subrosa.net/" target="_blank"&gt;Sub Rosa&lt;/a&gt;.
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/4638279982312860461/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=4638279982312860461&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/4638279982312860461?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/4638279982312860461?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/08/204-majoon-traveller-de-ira-cohen.html" title="204. «The Majoon Traveller» de Ira Cohen" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-66cYoWhu3Lk/Tl6mgWImPoI/AAAAAAAABRo/VzXym-Y2QVs/s72-c/Ira-Cohen.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkUBSXk4fip7ImA9WhdRFEw.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-2813074645515806699</id><published>2011-07-13T23:21:00.007+01:00</published><updated>2011-08-04T00:30:58.736+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-08-04T00:30:58.736+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>203. "Dead Souls" de Nikolai Gogol</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-blmPnyJj8lU/Th4eZYZ17PI/AAAAAAAABPY/qN-6KCmGzGY/s1600/dead-souls-a-poem.jpg"&gt;&lt;img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 210px; height: 320px;" src="http://3.bp.blogspot.com/-blmPnyJj8lU/Th4eZYZ17PI/AAAAAAAABPY/qN-6KCmGzGY/s320/dead-souls-a-poem.jpg" alt="" id="BLOGGER_PHOTO_ID_5628970005656104178" border="0" /&gt;&lt;/a&gt;[Emissão Sáb.16.Jul.2011.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);" class=" down" style="display: block;" id="formatbar_CreateLink" title="Link"&gt;&lt;img src="http://www.blogger.com/img/blank.gif" alt="Link" class="gl_link" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Depois de um pequeno périplo de reposições (motivado pelos costumeiros imprevistos tecnológicos), estamos de volta à antena e começamos este sábado uma nova série: a teatralização para rádio de «&lt;a href="http://en.wikipedia.org/wiki/Dead_Souls" target="_blank"&gt;Dead Souls&lt;/a&gt;» (na edição portuguesa, «&lt;a href="http://pt.wikipedia.org/wiki/Almas_Mortas" target="_blank"&gt;Almas Mortas&lt;/a&gt;»), obra de referência do escritor ucraniano &lt;a href="http://en.wikipedia.org/wiki/Nikolai_Gogol" target="_blank"&gt;Nikolai Gogol&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;«The current generation now sees everything clearly, it marvels at the errors, it laughs at the folly of its ancestors, not seeing that this chronicle is all overscored by divine fire, that every letter of it cries out, that from everywhere the piercing finger is pointed at it, at this current generation; but the current generation laughs and presumptuously, proudly begins a series of new errors, at which their descendants will also laugh afterwards.»&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(51, 153, 153);"&gt;Créditos&lt;/span&gt; | Jean Sherrard (direcção).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(51, 153, 153);"&gt;Fundo sonoro adicional&lt;/span&gt; | &lt;a href="http://www.youtube.com/watch?v=RislSaK-z8s" target="_blank"&gt;Oubys&lt;/a&gt; - Mem; Silent Running; ToweringWindTowering; Blue Caves (Paths, 2008).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://mesadecabeceira.blogspot.com/" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;: para ouvir sábado à meia-noite nos 107.9fm da Rádio Universidade de Coimbra, já em plena grelha de verão e com um &lt;a href="http://www.ruc.pt/" target="_blank"&gt;site&lt;/a&gt; novo, fresco e veraneante.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/2813074645515806699/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=2813074645515806699&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2813074645515806699?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2813074645515806699?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/07/203-dead-souls-de-nikolai-gogol.html" title="203. &quot;Dead Souls&quot; de Nikolai Gogol" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-blmPnyJj8lU/Th4eZYZ17PI/AAAAAAAABPY/qN-6KCmGzGY/s72-c/dead-souls-a-poem.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;C0IMRX45eSp7ImA9WhZWF0g.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-2718877240087244299</id><published>2011-05-18T21:11:00.008+01:00</published><updated>2011-05-18T21:46:24.021+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-05-18T21:46:24.021+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>202. "Babar the Elephant &amp; The Little Taylor" por Peter Ustinov</title><content type="html">[Emissão Sáb.21.Mai.2011.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-6j0iPgsxopw/TdQqM-W7tCI/AAAAAAAABPI/boVP8wTLJj4/s1600/babar_ustinov.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 229px; height: 229px;" src="http://1.bp.blogspot.com/-6j0iPgsxopw/TdQqM-W7tCI/AAAAAAAABPI/boVP8wTLJj4/s320/babar_ustinov.jpg" alt="" id="BLOGGER_PHOTO_ID_5608153838369092642" border="0" /&gt;&lt;/a&gt;Não há como resistir a alguns discos encontrados na feira da ladra: um &lt;a href="http://en.wikipedia.org/wiki/Babar_the_Elephant" target="_blank"&gt;elefante simpático&lt;/a&gt; da nossa infância, a voz de &lt;a href="http://en.wikipedia.org/wiki/Peter_Ustinov" target="_blank"&gt;Peter Ustinov&lt;/a&gt; e música de &lt;a href="http://en.wikipedia.org/wiki/Francis_Poulenc" target="_blank"&gt;Francis Poulenc&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;«Babar the Elephant is a French children's fictional character who first appeared in Histoire de Babar by Jean de Brunhoff in 1931 and enjoyed immediate success. The book is based on a tale that Brunhoff's wife, Cecile, had invented for their children. It tells of a young elephant called Babar who leaves the jungle, visits a big city, and returns to bring the benefits of civilization to his fellow elephants. Then he comes back and becomes king of the elephant kingdom. He then has children and teaches them valuable lessons.»&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);font-size:78%;" &gt;&lt;span style="font-style: italic;"&gt;in&lt;/span&gt;: &lt;a href="http://en.wikipedia.org/wiki/Babar_the_Elephant" target="_blank"&gt;wiki&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Cantos&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | The Story of Babar (texto: Jean de Brunhoff; voz: Peter Ustinov; música: Francis Poulenc); The Story of The Little Taylor (texto: Grimm; voz: Peter Ustinov; música: Tibor Harsányi); Orquestra do Conservatório de Paris sob a direcção de Georges Prêtre.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;Este sábado à meia-noite, &lt;a href="http://mesadecabeceira.blogspot.com/" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt; é também um pequeno retorno à infância. Na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt; em 107.9fm.&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/2718877240087244299/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=2718877240087244299&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2718877240087244299?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2718877240087244299?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/05/202-story-of-babar-little-taylor-por.html" title="202. &quot;Babar the Elephant &amp; The Little Taylor&quot; por Peter Ustinov" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s72-c/_united_kingdom.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DEEDQHY9fSp7ImA9WhZSEEU.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-1608400071682211871</id><published>2011-03-09T21:30:00.011Z</published><updated>2011-03-25T20:57:51.865Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-03-25T20:57:51.865Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>201. "Weary Blues" (Langston Hughes)</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-rgWFk3bCgPU/TXgXmmlf83I/AAAAAAAABOM/MAjEOHXHkk8/s1600/langston%2Bhughes.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 217px; height: 320px;" src="http://4.bp.blogspot.com/-rgWFk3bCgPU/TXgXmmlf83I/AAAAAAAABOM/MAjEOHXHkk8/s320/langston%2Bhughes.jpg" alt="" id="BLOGGER_PHOTO_ID_5582237690086028146" border="0" /&gt;&lt;/a&gt;[Emissão Sáb.12.Mar.2011.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;1, 2, 3, 4, &lt;a href="http://tv1.rtp.pt/EPG/radio/epg-janela.php?p_id=1014" target="_blank"&gt;5&lt;/a&gt;, ... 50 minutos de jazz. Jazz na música de &lt;a href="http://en.wikipedia.org/wiki/Charles_Mingus" target="_blank"&gt;Charles Mingus&lt;/a&gt; e &lt;a href="http://en.wikipedia.org/wiki/Leonard_Feather" target="_blank"&gt;Leonard Feather&lt;/a&gt; e jazz verbal de &lt;a href="http://en.wikipedia.org/wiki/Langston_Hughes" target="_blank"&gt;Langston Hughes&lt;/a&gt; lendo os seus próprios textos. Ouçamos esta semana um escritor que nunca recebeu talvez o devido mérito, um dos primeiros no universo da chamada &lt;a href="http://en.wikipedia.org/wiki/Jazz_poetry" target="_blank"&gt;&lt;span style="font-style: italic;"&gt;jazz poetry&lt;/span&gt;&lt;/a&gt;, bem antes da &lt;a href="http://en.wikipedia.org/wiki/Beat_generation" target="_blank"&gt;&lt;span style="font-style: italic;"&gt;beat generation&lt;/span&gt;&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;«I don't dare start thinking in the morning&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;If I thought thoughts in bed&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;Them thoughts would bust my head&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;»&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);font-size:78%;" &gt;&lt;span style="font-style: italic;"&gt;in&lt;/span&gt;: "Blues at Dawn", Langston Hughes&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Documentário sobre Lanston Hughes &lt;a href="http://www.youtube.com/watch?v=OjJ9UWJY_Ug" target="_blank"&gt;[1]&lt;/a&gt; &lt;a href="http://www.youtube.com/watch?v=B-dwHYLM0AQ" target="_blank"&gt;[2]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Alinhamento&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | Blues Montage; Opening Blues; Blues Montage; Commercial Theater; Morning After; Could Be; Testament; Consider Me; The Stranger; Midnight Stroll; Backstage; Dream Montage; Weired Nightmare; Double G Train; Jump Monk.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Banda Sonora adicional&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | Dizzie Gillespie ("I can't get started 'round midnight"); Louis Armstrong &amp;amp; Billie Holiday ("Summertime"); Pearl Bailey ("You waited too long"); William Warfield ("Old Man River"); Marion Anderson ("Sometimes I feel like a motherless child").&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;«&lt;/span&gt;(...) someday somebody'll&lt;br /&gt;Stand up and talk about me,&lt;br /&gt;And write about me&lt;br /&gt;Black and beautiful&lt;br /&gt;And sing about me,&lt;br /&gt;And put on plays about me!&lt;br /&gt;I reckon it'll be&lt;br /&gt;Me myself!&lt;br /&gt;Yes, it'll be me.&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;»&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);font-size:78%;" &gt;&lt;span style="font-style: italic;"&gt;in&lt;/span&gt;: "Note on Commercial Theatre", Langston Hughes&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0); font-weight: bold;"&gt;Podcast&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;object width="440" height="85"&gt;&lt;param name="movie" value="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v16.swf"&gt;&lt;param name="flashvars" value="minicast=false&amp;amp;jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2011-03-13T04_38_27-07_00%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v16.swf" flashvars="minicast=false&amp;amp;jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2011-03-13T04_38_27-07_00%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="440" height="85"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;Este sábado à meia-noite, &lt;a href="http://mesadecabeceira.blogspot.com/" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt; em tons de jazz para ouvir na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;NOTA: Nas próximas semanas, e porque está aí a primavera, vamos revisitar o músico e escritor italiano &lt;a href="http://mesadecabeceira.blogspot.com/2008/09/114-radiocapitolazioni-de-vinicio.html" target="_blank"&gt;Vinicio Capossela&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/1608400071682211871/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=1608400071682211871&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/1608400071682211871?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/1608400071682211871?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/03/201-weary-blues-langston-hughes.html" title="201. &quot;Weary Blues&quot; (Langston Hughes)" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-rgWFk3bCgPU/TXgXmmlf83I/AAAAAAAABOM/MAjEOHXHkk8/s72-c/langston%2Bhughes.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkQNQX87fip7ImA9Wx9aF0s.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-8489379779883232356</id><published>2011-03-01T22:02:00.022Z</published><updated>2011-03-10T12:33:10.106Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-03-10T12:33:10.106Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>200. "Poetry of the Black Man" por Sidney Poitier e Doris Belack</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-UXxDPyJ9ok4/TW135dpPpcI/AAAAAAAABMw/1jeaYqIlplc/s1600/SidneyPoitierByBrianDuffy.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 239px; height: 239px;" src="http://4.bp.blogspot.com/-UXxDPyJ9ok4/TW135dpPpcI/AAAAAAAABMw/1jeaYqIlplc/s400/SidneyPoitierByBrianDuffy.jpg" alt="" id="BLOGGER_PHOTO_ID_5579247342475781570" border="0" /&gt;&lt;/a&gt;[Emissão Sáb.05.Mar.2011.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Poderá falar-se de poesia do homem negro? Haverá algo na cor da pele que distinga a poesia de um homem?&lt;br /&gt;&lt;br /&gt;Ouçamos este sábado &lt;a href="http://en.wikipedia.org/wiki/Sidney_Poitier" target="_blank"&gt;Sidney Poitier&lt;/a&gt; e &lt;a href="http://en.wikipedia.org/wiki/Doris_Belack" target="_blank"&gt;Doris Belack&lt;/a&gt; apresentar-nos textos de autores afroamericanos da primeira parte do século XX: &lt;a href="http://en.wikipedia.org/wiki/James_Weldon_Johnson" target="_blank"&gt;James Weldon Johnson&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Paul_Laurence_Dunbar" target="_blank"&gt;Paul Laurence Dunbar&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Langston_Hughes" target="_blank"&gt;Langston Hughes&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Carl_Holman" target="_blank"&gt;Carl Holman&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Countee_Cullen" target="_blank"&gt;Countee Cullen&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Armand_Lanusse" target="_blank"&gt;Armand Lanusse&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Gwendolyn_Brooks" target="_blank"&gt;Gwendolyn Brooks&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;«Yet do I marvel at this curious thing,&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;To make a poet black - and bid him sing!»&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);font-size:78%;" &gt;&lt;span style="font-style: italic;"&gt;in&lt;/span&gt;: "Lift Every Voice", James Weldon Johnson&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;«(...) But while the black poets marvelled, they did continue to sing. (...) By the thirties several currents had run through the moods of intellectual black America. Africa was unearthed and celebrated in politics and verse. A former unknown, unsung "homeland" became the dream. Black beauty, black thought and black culture, underwent a poetic re-examination and gained exaltation. Inadvertently the black poet had a new consciousness and identity. (...)»&lt;/span&gt;&lt;span style="font-size:100%;"&gt; &lt;span style="font-size:78%;"&gt;George Butler&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Textos&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | James Weldon Johnson ("&lt;a href="http://www.youtube.com/watch?v=B9daybAvxqY" target="_blank"&gt;The Creation&lt;/a&gt;"); Paul Laurence Dunbar ("At Candle Lightin' Times", "&lt;a href="http://www.youtube.com/watch?v=WGWEfKXcAKY" target="_blank"&gt;The Debt&lt;/a&gt;"); &lt;a href="http://langston-and-us.over-blog.com/" target="_blank"&gt;Langston Hughes&lt;/a&gt; ("&lt;a href="http://www.youtube.com/watch?v=-E2ZPnRYnfw" target="_blank"&gt;Mother to Son&lt;/a&gt;"); Paul Laurence Dunbar ("When Melinda sings"); Carl Holman ("Debate of Black Brothers"); Countee Cullen ("&lt;a href="http://www.youtube.com/watch?v=HikS3Sh3fTU" target="_blank"&gt;Yet do I marvel&lt;/a&gt;") ~~~ Paul Laurence Dunbar ("&lt;a href="http://www.youtube.com/watch?v=ZUoMxchFb9E" target="_blank"&gt;An Ante-Bellum Sermon&lt;/a&gt;"); Countee Cullen ("To John Keats, Poet at Springtime"); Langston Hughes ("&lt;a href="http://www.youtube.com/watch?v=4CUKyVrhPgM" target="_blank"&gt;I, too&lt;/a&gt;"); Paul Laurence Dunbar ("Ere sleep comes down to soothe the weary eyes"); Langston Hughes ("&lt;a href="http://www.youtube.com/watch?v=sv4nFVbLPhw" target="_blank"&gt;Blues at dawn&lt;/a&gt;"); Armand Lanusse ("Epigram"); Paul Laurence Dunbar ("&lt;a href="http://www.youtube.com/watch?v=zkHe-NTsZK4" target="_blank"&gt;We wear the mask&lt;/a&gt;"); Gwendolyn Brooks ("When you have forgotten sunday"); James Weldon Johnson ("&lt;a href="http://www.youtube.com/watch?v=5imVYmCmjKQ" target="_blank"&gt;Lift every voice&lt;/a&gt;").&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Banda Sonora adicional&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | The Harmonizing Four ("&lt;a href="http://www.youtube.com/watch?v=HtCzwq4mCRY" target="_blank"&gt;Motherless Child&lt;/a&gt;"); Donald Byrd ("&lt;a href="http://www.youtube.com/watch?v=wgqJn774xQ0" target="_blank"&gt;Cristo Redentor&lt;/a&gt;"); Billie Holiday ("&lt;a href="http://www.youtube.com/watch?v=rrjfstGKrDs" target="_blank"&gt;Willow weep for me&lt;/a&gt;"); Nina Simone ("&lt;a href="http://www.youtube.com/watch?v=ktsU01lfzLU" target="_blank"&gt;Strange Fruit&lt;/a&gt;"); Odetta ("&lt;a href="http://www.youtube.com/watch?v=Hl0GjjxepnU" target="_blank"&gt;Tomorrow is a long time&lt;/a&gt;").&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 102, 0); font-weight: bold;"&gt;Podcast&lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;object width="440" height="85"&gt;&lt;param name="movie" value="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v16.swf"&gt;&lt;param name="flashvars" value="minicast=false&amp;amp;jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2011-03-06T04_05_27-08_00%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v16.swf" flashvars="minicast=false&amp;amp;jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2011-03-06T04_05_27-08_00%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="440" height="85"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;div style="text-align: justify;"&gt;Este sábado à meia-noite, &lt;a href="http://mesadecabeceira.blogspot.com/" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt; com pedaços da história dos E.U.A. para ouvir na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt; que celebra esta semana os seus 25 anos "oficiais" de um já longo percurso no éter.&lt;/div&gt;&lt;/span&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/8489379779883232356/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=8489379779883232356&amp;isPopup=true" title="2 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/8489379779883232356?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/8489379779883232356?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/03/200-poetry-of-black-man-por-sidney.html" title="200. &quot;Poetry of the Black Man&quot; por Sidney Poitier e Doris Belack" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-UXxDPyJ9ok4/TW135dpPpcI/AAAAAAAABMw/1jeaYqIlplc/s72-c/SidneyPoitierByBrianDuffy.jpg" height="72" width="72" /><thr:total>2</thr:total></entry><entry gd:etag="W/&quot;A0IFQX4zeSp7ImA9Wx9bEkU.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-2495912041427127618</id><published>2011-02-17T13:23:00.013Z</published><updated>2011-02-21T11:58:30.081Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-02-21T11:58:30.081Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Français" /><title>199. "Les Aventures de Tintin: L'Affaire Tournesol" de Hergé</title><content type="html">[Emissão Sáb.29.Fev.2011.24h] &lt;img src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s1600/_france.gif" title="en Français" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517654890081204930" border="0" /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-HqkGzJI2Zmg/TV0mIvPORlI/AAAAAAAABMQ/wVY9TUA3PLg/s1600/tintinaffairetournesol.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 233px; height: 233px;" src="http://4.bp.blogspot.com/-HqkGzJI2Zmg/TV0mIvPORlI/AAAAAAAABMQ/wVY9TUA3PLg/s320/tintinaffairetournesol.jpg" alt="" id="BLOGGER_PHOTO_ID_5574653845315667538" border="0" /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-HqkGzJI2Zmg/TV0mIvPORlI/AAAAAAAABMQ/wVY9TUA3PLg/s1600/tintinaffairetournesol.jpg"&gt;&lt;/a&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;Editado desde 1956 pela &lt;a href="http://pt.wikipedia.org/wiki/Casterman" target="_blank"&gt;Casterman&lt;/a&gt;, é o 18º livro de banda desenhada do belga &lt;a href="http://fr.wikipedia.org/wiki/Herg%C3%A9" target="_blank"&gt;Hergé&lt;/a&gt;. Nesta aventura, &lt;a href="http://pt.wikipedia.org/wiki/Tintim" target="_blank"&gt;Tintim&lt;/a&gt;, &lt;a href="http://pt.wikipedia.org/wiki/Milu" target="_blank"&gt;Milu&lt;/a&gt; e o &lt;a href="http://pt.wikipedia.org/wiki/Capit%C3%A3o_Haddock" target="_blank"&gt;Capitão Haddock&lt;/a&gt; partem ao socorro do seu bom amigo &lt;a href="http://pt.wikipedia.org/wiki/Professor_Girassol" target="_blank"&gt;Professor Girassol&lt;/a&gt;.  Este acaba de descobrir uma invenção ligada aos ultrassons que pode ser utilizada por mentes mal intencionadas e com planos malévolos de destruição.&lt;br /&gt;&lt;br /&gt;Vamos ouvir um LP bem raro que terá feito as delícias de uma geração inteira e que faz parte de uma série de aventuras adaptadas para formato vinil pela editora &lt;a href="http://www.discogs.com/No-Artist-Les-Aventures-De-Tintin-LAffaire-Tournesol/release/1369812" target="_blank"&gt;Mary Melody&lt;/a&gt; em finais dos anos 70.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Banda Sonora&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | Leroy Holmes (Mah-ná mah-ná); Al Caiola (Big Noise from Winnetka) Al Caiola &amp;amp; Billy May (Baby elephant walk); Charles Trenet (Boum; Y'a de la joie; Vous oubliez votre cheval; Quand j'étais p'tit).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 102, 0); font-weight: bold;"&gt;Podcast&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;object width="440" height="85"&gt;&lt;param name="movie" value="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v16.swf"&gt;&lt;param name="flashvars" value="minicast=false&amp;amp;jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2011-02-19T16_00_24-08_00%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v16.swf" flashvars="minicast=false&amp;amp;jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2011-02-19T16_00_24-08_00%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="440" height="85"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;As fantásticas aventuras de Tintim, em directo na  &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;  em 107.9FM, aos quadradinhos, à meia-noite deste sábado 19 de Fevereiro, para o &lt;a href="http://www.facebook.com/pages/Livro-de-Cabeceira/120835777963597" target="_blank"&gt;Livro de Cabeceira&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/2495912041427127618/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=2495912041427127618&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2495912041427127618?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2495912041427127618?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/02/199-les-aventures-de-tintin-laffaire.html" title="199. &quot;Les Aventures de Tintin: L'Affaire Tournesol&quot; de Hergé" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_TLP4J6oLYXo/TJKl44R8usI/AAAAAAAABBo/ys5xhvVzSUk/s72-c/_france.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DUYNRHc6cSp7ImA9WhBVGUo.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-7396379412516461792</id><published>2011-01-28T12:11:00.023Z</published><updated>2013-04-26T12:53:15.919+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-26T12:53:15.919+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Português" /><title>198. "Motofonia" de Fernando Mota</title><content type="html">[Emissão Sáb.31.Out.2009.24h] &lt;img border="0" id="BLOGGER_PHOTO_ID_5517646376660114946" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKeJVUMHgI/AAAAAAAABBg/YVfOa7VH5HY/s200/_portugal.gif" style="border: 0pt none; vertical-align: middle;" title="em Português" /&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;br /&gt;
Faça o seu próprio Livro de Cabeceira - é este o espírito para a emissão desta semana, uma emissão onde vamos acolher "&lt;a href="http://motofonia.wordpress.com/" target="_blank"&gt;Motofonia&lt;/a&gt;", obra de &lt;a href="http://motofonia.wordpress.com/fernandomota/" target="_blank"&gt;Fernando Mota&lt;/a&gt;: compositor, multi-instrumentista, artista sonoro e aprendiz de inventor de instrumentos musicais experimentais.&lt;br /&gt;
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&lt;span style="font-size: 85%; font-style: italic;"&gt;«Os sons contam histórias que não precisam de palavras. Levam-nos a sítios. Dentro de nós. Onde nunca antes estivemos. Não entendemos tudo. Não precisamos de entender tudo.&lt;/span&gt;&lt;span style="font-size: 85%; font-style: italic;"&gt; Pressentimos uma harmonia. E partilhamos esse espaço de convergência. Encontramo-nos neste sítio que se cha&lt;/span&gt;&lt;span style="font-size: 85%; font-style: italic;"&gt;ma agora. E talvez nunca nos voltemos a cruzar. Temos isto de comum. O estar. Motofonia é um solo poético para todas as infâncias que utiliza elementos naturais e objectos do quotidiano para desenhar uma viagem sonora e visual.»&lt;/span&gt;&lt;br /&gt;
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&lt;iframe frameborder="0" height="300" src="http://player.vimeo.com/video/14358704" width="400"&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;br /&gt;
Fernando Mota tem prazer em transformar tábuas de engomar e coisas que tais em instumentos que cantam histórias, viagens, espaços; instrumentos tocados ao vivo sob camadas de &lt;span style="font-style: italic;"&gt;samples&lt;/span&gt; que, no fundo, nos estendem um tapete, um convite ao sonho, até onde quisermos ir.&lt;/div&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-size: 78%;"&gt;&lt;a href="http://soundcloud.com/fernandomota/sets/fernando-mota-1/" target="_blank"&gt;&lt;span style="color: #33cc00; font-weight: bold;"&gt;Banda Sonora&lt;/span&gt;&lt;/a&gt;&lt;span style="color: #666666;"&gt; | Colleen (The heart harmonicon); Fernando Mota (A&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;ngel e o Cego; Valsa&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt; dos Imaginadores; Ró Ró; Varredor; Le Grand Voyage; Quotidiano; Da La Dou; Lit du Désir; Final Saudade; Wakabalalilo; Procissão; Cantilena &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;de Pedreiro); &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;Colleen (Mining in the rain; The golden morning breaks)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #33cc00; font-weight: bold;"&gt;Motofonia por aí&lt;/span&gt;&lt;span style="color: #666666;"&gt; | C. C. Vila Flor (Guimarães) a 14/15 Janeiro; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;Teatro Virgínia (Torres Novas) a 28/29 Janeiro; Cine-Teatro João Mota (Sesimbra) a 27 Fevereiro; Cine-Teatro (Alcobaça) a 12 M&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;arço; Cine-Teatro (Sobral de Monte Agraço) a 19 Março; Teatro Miguel Franco (Leiria) a 29 Maio&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: #666666;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;a href="http://www.flickr.com/photos/47534759@N07/sets/72157624418298466/" target="_blank"&gt;[ Motofonia em imagens ]&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="color: #ff6600; font-weight: bold;"&gt;Podcast&lt;/span&gt;&lt;br /&gt;
&lt;object height="85" width="440"&gt;&lt;param name="movie" value="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v16.swf"&gt;&lt;param name="flashvars" value="minicast=false&amp;amp;jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2011-02-17T09_10_50-08_00%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v16.swf" flashvars="minicast=false&amp;amp;jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2011-02-17T09_10_50-08_00%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="440" height="85"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;
Obrigada à Carmen Hilário&lt;a href="http://2.bp.blogspot.com/_TLP4J6oLYXo/TUaiWFWVPTI/AAAAAAAABLU/XVLSvVT7sKc/s1600/Motofonia.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5568316489566862642" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TUaiWFWVPTI/AAAAAAAABLU/XVLSvVT7sKc/s320/Motofonia.jpg" style="cursor: pointer; float: right; height: 174px; margin: 0pt 0pt 10px 10px; width: 320px;" /&gt;&lt;/a&gt; por este convite a sonhar. Livro de Cabeceira em versão &lt;span style="font-style: italic;"&gt;do-it-yourself&lt;/span&gt;, este sábado, à meia-noite, no éter da &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt; em 107.9fm ou via &lt;a href="http://www.ruc.pt/emissao.php" target="_blank"&gt;emissão online&lt;/a&gt;.&lt;/div&gt;
</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/7396379412516461792/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=7396379412516461792&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/7396379412516461792?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/7396379412516461792?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/01/198-motofonia-de-fernando-mota.html" title="198. &quot;Motofonia&quot; de Fernando Mota" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKeJVUMHgI/AAAAAAAABBg/YVfOa7VH5HY/s72-c/_portugal.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DUAESXcycSp7ImA9Wx9VEUg.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-7505485084054809778</id><published>2011-01-27T19:30:00.003Z</published><updated>2011-01-27T19:48:28.999Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-27T19:48:28.999Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Deutsch" /><title>197. "Die Dreigroschenoper" (Bertold Brecht/Kurt Weill)</title><content type="html">[Emissão Sáb.29.Jan.2011.24h] &lt;img src="http://3.bp.blogspot.com/_TLP4J6oLYXo/TJNDIUkYdwI/AAAAAAAABCA/8va-5opUp9s/s1600/_germany.gif" title="auf Deutsch" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517827778698311426" border="0" /&gt;&lt;div align="justify"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;Numa das últimas emissões que dedicámos ao Bob Dylan, o cantor refere a dada altura um encontro do terceiro grau com a lendária "&lt;a href="http://en.wikipedia.org/wiki/The_Threepenny_Opera"&gt;Ópera dos Três Vinténs&lt;/a&gt;," de Bertold Brecht. E nem de propósito, este sábado temos bilhete para a o teatro e vamos ouvir a gravação deste musical de Brecht e Kurt Weill em 1930, que conta com Lotte Lenya e Marlene Dietrich.&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Ec0clERjQ5A?fs=1&amp;amp;hl=pt_PT"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/Ec0clERjQ5A?fs=1&amp;amp;hl=pt_PT" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Cabaret alemão na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;RUC&lt;/a&gt;, em 107.9FM, sábado, 29 de Janeiro, à meia-noite.&lt;a href="http://farm1.static.flickr.com/88/238871153_5e53076a4c.jpg?v=0" target="_blank"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/7505485084054809778/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=7505485084054809778&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/7505485084054809778?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/7505485084054809778?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2011/01/197-die-dreigroschenoper-bertold.html" title="197. &quot;Die Dreigroschenoper&quot; (Bertold Brecht/Kurt Weill)" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_TLP4J6oLYXo/TJNDIUkYdwI/AAAAAAAABCA/8va-5opUp9s/s72-c/_germany.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0cMQ3gyfCp7ImA9Wx9SFUo.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-2391282920645610719</id><published>2010-12-05T18:48:00.002Z</published><updated>2010-12-05T18:51:22.694Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-12-05T18:51:22.694Z</app:edited><title>Boas idéias vindas da Bélgica</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.flickr.com/photos/inessaraiva/" target="_blank"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 200px; height: 150px;" src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TPvdHgHgnYI/AAAAAAAABGs/usIfzsRzXyE/s200/micro_akg_ines.jpg" alt="" id="BLOGGER_PHOTO_ID_5547270486987152770" border="0" /&gt;&lt;/a&gt;Para todos nós que gostamos de rádio, aqui fica uma excelente iniciativa da &lt;a href="http://www.rtbf.be/lapremiere/" target="_blank"&gt;La Première&lt;/a&gt;, estação pública belga francófona:&lt;br /&gt;&lt;br /&gt;«&lt;span style="font-weight: bold;"&gt;La RTBF ouvre ses ondes aux auteurs et créateurs radiophoniques&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Durant l'année 2010, la RTBF continuera à produire et diffuser sur ses ondes des œuvres radiophoniques originales de fiction et/ou relevant d’une écriture du réel (documentaire). L'objectif de ce projet est de permettre aux auteurs, réalisateurs, ingénieurs du son, écrivains, cinéastes,... d’écrire pour la radio en exploitant les richesses et les particularités du langage sonore et radiophonique. (...)»&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;Mais informações: &lt;a href="http://www.rtbf.be/lapremiere/article_appel-a-projets?id=3656013" target="_blank"&gt;http://www.rtbf.be/lapremiere/article_appel-a-projets?id=3656013&lt;/a&gt;&lt;/span&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/2391282920645610719/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=2391282920645610719&amp;isPopup=true" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2391282920645610719?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/2391282920645610719?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2010/12/boas-ideias-vindas-da-belgica.html" title="Boas idéias vindas da Bélgica" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_TLP4J6oLYXo/TPvdHgHgnYI/AAAAAAAABGs/usIfzsRzXyE/s72-c/micro_akg_ines.jpg" height="72" width="72" /><thr:total>1</thr:total></entry><entry gd:etag="W/&quot;DEYNRn8zeyp7ImA9Wx9XE0g.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-1167005873705990891</id><published>2010-11-11T01:05:00.011Z</published><updated>2011-01-06T23:23:17.183Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-06T23:23:17.183Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>186. «Chronicles, Vol.1» (Bob Dylan) por Sean Penn</title><content type="html">[Emissão Sáb.13.20.27.Nov.4.11.18.25.Dez.2010.1.8.15.Jan.2011.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;Porque já lá vai &lt;a href="http://mesadecabeceira.blogspot.com/2006/03/15-24-crnicas-vol1-bob-dylan-por-sean.html"&gt;algum tempo&lt;/a&gt; que não o ouvíamos na antena da RUC.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_TLP4J6oLYXo/TNtDUhNULRI/AAAAAAAABEQ/c69eJa9pkMw/s1600/bobdylan_classicrockpagecom.jpg"&gt;&lt;img style="cursor: pointer; width: 400px; height: 146px;" src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TNtDUhNULRI/AAAAAAAABEQ/c69eJa9pkMw/s400/bobdylan_classicrockpagecom.jpg" alt="" id="BLOGGER_PHOTO_ID_5538094186572819730" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;Lançado em finais de 2004, o livro foi um dos maiores sucessos de ven&lt;a href="http://news.bbc.co.uk/media/images/38137000/jpg/_38137539_bob_dylan_150bbc.jpg"&gt;&lt;/a&gt;da da Editora Simon &amp;amp; Schuster em 2005. Inquestionável, tendo em conta este é o primeiro volume das crónicas escritas por &lt;a href="http://www.bobdylan.com/" target="_blank"&gt;Bob Dylan&lt;/a&gt; - o relato do início da sua carreira, chegado a Nova Iorque em Janeiro de 1961 para visitar Woody Guthrie ao hospital, e por aí ficando na Greenwich Village, vivendo a folk que por aí se ouvia, tocando em cafés como o The Commons, The Gaslight e The Limelight, convivendo com músicos, poetas, boémios nos primeiros tempos que antecederam a gravação do seu primeiro disco «Bob Dylan». Tendo sido sempre muito cioso da sua privacidade, esta autobiografia do músico é algo de verdadeiramente precioso. &lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;div align="justify"&gt;&lt;a href="http://growabrain.typepad.com/photos/uncategorized/young_bob_dylan.jpg"&gt;&lt;img style="float: left; margin: 0px 10px 10px 0px; width: 100px;" alt="" src="http://growabrain.typepad.com/photos/uncategorized/young_bob_dylan.jpg" border="0" /&gt;&lt;/a&gt;Bob Dylan (nome inspirado no poeta gaulês &lt;a href="http://www.dylanthomas.com/" target="_blank"&gt;Dylan Thomas&lt;/a&gt;) nasceu a 24 de Maio de 1941 no Minnesota numa família de classe média judaica. Baptisado Robert Allen Zimmerman, cresceu no frio, ao som das baladas folk de &lt;a href="http://www.woodyguthrie.org/" target="_blank"&gt;Woody Guthrie&lt;/a&gt; e &lt;a href="http://www.hankwilliams.com/" target="_blank"&gt;Hank Williams&lt;/a&gt;. É hoje considerado o maior ícone da música popular americana. As suas canções foram a banda sonora da geração de 60 e influenciaram o estilo e conteúdo de canções de protesto um pouco por todo o mundo, apesar de ser um ponto em que Bob Dylan sempre se sentiu incompreendido.&lt;a href="http://home.arcor.de/oscar.wilde/pictures/louys.232x342.jpg"&gt;&lt;/a&gt;&lt;a href="http://photos30.flickr.com/36259502_e20aaed370.jpg"&gt;&lt;/a&gt; &lt;a href="http://mots.extraits.free.fr/pierre_louys.jpg"&gt;&lt;/a&gt;&lt;a href="http://photos22.flickr.com/36259504_4c019ed445.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Trilha Sonora para as ruas de Nova Iorque&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;&lt;br /&gt;&lt;br /&gt;01 | Bob Dylan - Highway 51 Blues (1962); Bob Dylan - Song to Woody (1962); Bob Dylan - Talkin' New York (1962); The Marks - High Heel Sneakers (1966); Tom Rusell &amp;amp; Dave Van Ronk - The Outcast (1999); Ricky Nelson - Traveling Man (1961); Charlie Poole &amp;amp; The North Carolina Ramblers - White House Blues; Bob Dylan - Freight Train Blues (1962); Bob Dylan - House of the Rising Sun (1962).&lt;br /&gt;&lt;br /&gt;02 | Bob Dylan - Talking World War III Blues (1963); Roy Orbison - Only The Lonely (1960); Bob Dylan - Oxford Town (1963); Bob Dylan - Masters of War (1963); Bob Dylan - I Shall be Free (1963); Hank Williams - Lost Highway (1952); Pete Seeger - Joe Hill (1975); Michael Hurley - Pie in the Sky (1986); Bob Dylan - Corrine, Corrina (1963).&lt;br /&gt;&lt;br /&gt;03 | Bob Dylan - Girl from the North Country (1963); Bob Dylan - Positively 4th Street (1965); Pete Seeger - If I had a hammer (1978); Harry Belafonte - Did You Hear About Jerry (1962 [*]); Bob Dylan - Gotta Travel On (1970); Woodie Guthrie - New York Town (1961); Bobby Vee - Take Good Care of My Baby (1962); Frank Sinatra - Ebb Tide (1958); Pat Boone - Moonriver (1963); Jimmy Smith - Blues In The Night (1962); [*] 1ª participação em disco de Bob Dylan, no álbum "Midnight Special".&lt;br /&gt;&lt;br /&gt;04 | The Clancy Brothers - Whiskey You're The Devil (1959); John Lee Hooker - I'm bad like Jesse James (1967); Dave Van Ronk - Willie The Weeper; Ritchie Valens - In a Turkish Town (1986); Hank Williams - Lost Highway (1952); Billy Bragg &amp;amp; Wilco - Remeber The Mountain Bed (1998); Thelonious Monk - Ruby, My Dear (1957); Bob Dylan - A Hard Rain's A-Gonna Fall (1963).&lt;br /&gt;&lt;br /&gt;05| Creedence Clearwater Revivals - Fortunate Son; Jimi Hendrix - All Along the Watchtower; Joan Baez &amp;amp; Buffy Sainte-Marie - Universal Soldier; Edwin Starr - War; The Byrds - Mr. Tambourine Man; Bob Dylan - Outlaw Blues; Johnny Cash - Boy Named Sue; Nick Cave &amp;amp; The Bad Seeds - The Singer; Donovan - Calera Clairvoyant; Paul Revere &amp;amp; The Raiders - Hungry.&lt;br /&gt;&lt;br /&gt;06 | Bob Dylan - If Dogs run Free (1970); Bob Dylan - If not for You (1970); Bob Dylan - The Man in Me (1970); Bob Dylan - Chimes of Freedom (Newport '64); Billie Holliday - Gloomy Sunday; Eddie Lang &amp;amp; Lonnie Johnson - A Handful Of Riffs (1928); Link Wray - Rumble (1963); Bob Dylan - Political World (1989); Eddie Lang &amp;amp; Lonnie Johnson - Blues in G (1928).&lt;br /&gt;&lt;br /&gt;07 | Bob Dylan - Political World; Bob Dylan - What Good Am I; Bob Dylan - Disease of Conceipt; Bob Dylan - Everything is Broken; Neville Brothers - Yellow Moon; Bob Dylan - Going to New Orleans; Neville Brothers - Her Pocky Way.&lt;br /&gt;&lt;br /&gt;08 | Bob Dylan - Hurricane; Ry Cooder - Teardrops Will Fall; Junior Parker - Drivin Wheel; Tex Ritter - Deck of Cards; Roy Brown - Hip Shakin' Baby; Bob Dylan - With God On Our Side; Cat Power - Sea Of Love; Bob Dylan - Most of the Time.&lt;br /&gt;&lt;br /&gt;09 | Eatha Kitt - Monotonous; Irma Thomas - Time is On My Side; Johnny Cash - I Walk the Line; Kurtis Blow (com Bob Dylan) - Street Rock; Bob Dylan - Man In The Long Black Coat; Bob Dylan - Song to Woody; Bob Dylan - Dark Eyes; Bob Dylan - Shelter From The Storm; Bob Dylan &amp;amp; Johnny Cash - Girl From The North Country.&lt;br /&gt;&lt;br /&gt;10 | The New Lost City Ramblers - Little Girl And The Dreadful Snake; Woody Guthrie - Buffalo Skinners; Woody Guthrie - Hard Travelin: Odetta - The Times They Are A Changin'; Ramblin' Jack Elliott - Lay Lady Lay; Joan Baez - Blowin' In The Wind; Nino Rota (Amarcord) - Gary Cooper; Dave Van Ronk - Cocaine Blues&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;; Johnny Cash &amp;amp; June Carter - If I were a Carpenter.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;11 | Len Chandler - To be a man; Bob Dylan - Let Me Die In My Footsteps; Nina Simone - Pirate Jenny (Kurt Weil); Bob Dylan - Frankie &amp;amp; Albert; Carolyn Hester - I'll fly away; Robert Johnson - Travelling Riverside Blues; Robert Johnson - Dead Shrimp Blues; Robert Johnson - Phonograph Blues; Ramblin' Jack Elliott &amp;amp; Dave Van Ronk - St James Infirmary; Roy Acuff - The Precious Jewel; Ramblin' Jack Elliott - Soul of a Man.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;Às 24 horas de sábados, entre 13 de Novembro e finais de Janeiro, o diário de Bob Dylan em Nova Iorque é emitido na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt; - um livro áudio nomeado para os Grammys na categoria Best Spoken Word Album (apesar de não ter &lt;a href="http://grammy.com/GRAMMY_Awards/Annual_Show/48_nominees.aspx" target="_blank"&gt;levado&lt;/a&gt; a estatueta), com transcrição parcial &lt;a href="http://veja.abril.com.br/idade/exclusivo/180505/trecho_cronicas.html" target="_blank"&gt;aqui&lt;/a&gt; (em português tropical)... enquanto vamos esperando pelos volumes 2 e 3. Nos entretempos, sintonize-se ainda a &lt;a href="http://www.xmradio.com/bobdylan/" target="_blank"&gt;Theme Time Radio hour&lt;/a&gt; do &lt;a href="http://en.wikipedia.org/wiki/Theme_Time_Radio_Hour" target="_blank"&gt;Bob Dylan&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/1167005873705990891/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=1167005873705990891&amp;isPopup=true" title="2 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/1167005873705990891?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/1167005873705990891?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2010/11/186-chronicles-vol1-bob-dylan-por-sean.html" title="186. «Chronicles, Vol.1» (Bob Dylan) por Sean Penn" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s72-c/_united_kingdom.gif" height="72" width="72" /><thr:total>2</thr:total></entry><entry gd:etag="W/&quot;CkQARns7eip7ImA9Wx9QE0o.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-4938974744026042483</id><published>2010-11-01T20:05:00.030Z</published><updated>2010-12-26T13:32:27.502Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-12-26T13:32:27.502Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>185. "The Black Fairy" (Eugene Perkins)</title><content type="html">[Emissão Sáb.06.Nov.2010.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_TLP4J6oLYXo/SVQJHVQ-iII/AAAAAAAAANs/soxcnvAaJCA/s1600-h/coralsea.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div align="justify"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_TLP4J6oLYXo/TM_3EhQAl0I/AAAAAAAABDE/3yKYc94crA0/s1600/theblackfairy.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 150px; height: 150px;" src="http://4.bp.blogspot.com/_TLP4J6oLYXo/TM_3EhQAl0I/AAAAAAAABDE/3yKYc94crA0/s400/theblackfairy.jpg" alt="" id="BLOGGER_PHOTO_ID_5534914124078683970" border="0" /&gt;&lt;/a&gt;Às vezes, &lt;a href="http://brownswood.5.forumer.com/" target="_blank"&gt;à procura&lt;/a&gt; de uma coisa, encontramos algo  inesperadamente diferente pelo caminho. Sorrimos e esquecemos o objectivo inicial. Foi por acaso que encontrámos um link para uma &lt;a href="http://www.urgent.fm/programma/worldservice" target="_blank"&gt;emissão de rádio&lt;/a&gt; e a um dado momento uma &lt;a href="http://www.discogs.com/La-Mont-Zeno-Theatre-Black-Fairy/release/1428659" target="_blank"&gt;capa de vinil&lt;/a&gt; curiosa que nos fez pensar. Além de um excelente programa encontrámos «The Black Fairy», uma peça de teatro em forma de musical.&lt;br /&gt;&lt;br /&gt;O LaMont Zeno Theater abriu as portas em 1974 por iniciativa da  &lt;a href="http://www.betterboys.org/" target="_blank"&gt;Better Boys Foundation&lt;/a&gt;, com o intuito de dar à comunidade afroamericana da zona oeste de Chicago um espaço de &lt;a href="http://rateyourmusic.com/list/MH1000/deep__freedom__revolutionary__independent________i_dont_know___jazz" target="_blank"&gt;expressão cultural.&lt;/a&gt; «The Black Fairy» foi a segunda peça neste palco e é um musical feito para crianças. Se musicalmente é algo de excepcional (refira-se a participação de nomes como &lt;a href="http://en.wikipedia.org/wiki/Mary_Lou_Williams" target="_blank"&gt;Mary Lou Williams&lt;/a&gt; e &lt;a href="http://en.wikipedia.org/wiki/Chico_Freeman" target="_blank"&gt;Chico Freeman&lt;/a&gt; e uma recente &lt;a href="http://www.undergroundhiphop.com/store/detail.asp?UPC=JM03512" target="_blank"&gt;reedição&lt;/a&gt;), é ainda um registo precioso de uma época vivida nos E.U.A..&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:78%;"&gt;«&lt;span style="font-style: italic;"&gt;(...)&lt;/span&gt;&lt;span&gt; "Black Fairy" is a musical drama about a black fairy who lacks pride in herself and feels she has to offer Black children. But when she meets Black Bird and Queen Mother (who take her to ancient Egypt, East Afrika, a southern slave plantation and the streets of Harlem) she begins to get a better understanding of her heritage. Her journey through the past enables Black Fairy to meet Aesop, Brer Rabbit, Brer Fox, Uncle Remus, Stag-o-lee, Leadbelly and many other characters in Black folklore and Black history. At the end of her journey, Black fairy realizes that "Being Black is nothing to be ashamed of" and is then able to share her knowledge with other Black children. Even though Black Fairy doesn't completely resolve her dilemma, having a knowledge of her heritage does give her more confidence to cope with the future. (...)&lt;/span&gt;»&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;object style="background-image: url(&amp;quot;http://i2.ytimg.com/vi/mAem8_DMNRY/hqdefault.jpg&amp;quot;);" width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/mAem8_DMNRY?fs=1&amp;amp;hl=pt_PT"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/mAem8_DMNRY?fs=1&amp;amp;hl=pt_PT" allowscriptaccess="never" allowfullscreen="true" wmode="transparent" type="application/x-shockwave-flash" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Actos&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Black Fairy Meets Johnny; Please Give Me Some Magic; Black Fairy Meets Black Bird; Tell Them They Are Beautiful; Travel To Afrika-Instrumental; Black Fairy Meets Queen Mother; Afrika's My Home; Black Land Of The Nile; Trip To America; Go Down Moses; Did You Feed My Cow; The Streets Of Harlem; Afrikan Children; Black Men Can Be Beautiful; Black Fairy; Eulogy For Black Fairy; Black Fairy Returns; Hey, Black Child; Johnny &amp;amp; Black Fairy.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Banda Sonora&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | Ladysmith Black Mambazo ("Ikhaya Lamaqhawe/Home Of The Heroes"); MaseQua Myers, Jami Ayinde, Mary Lou Williams, Earl "Chico" Freeman et al ("&lt;a href="http://www.youtube.com/watch?v=XeN3eMvs0-E" target="_blank"&gt;Black Land of the Nile&lt;/a&gt;"; "Afrika's My Home"; "Travel To Afrika"; "Tell Them They Are Beautiful"; "Please Give Me Some Magic"; "Did You Feed My Cow"; "&lt;a href="http://www.youtube.com/watch?v=u0CRAavN4EI" target="_blank"&gt;Go Down Moses&lt;/a&gt;"; "Eulogy For Black Fairy").&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;E vem-nos imediatamente à cabeça, pela proximidade e pela vivência, a emissão que tivémos o prazer de descobrir com a &lt;a href="http://mesadecabeceira.blogspot.com/2009/02/134-sweet-thunder-black-poetry-e-letter.html" target="_blank"&gt;Nancy Dupree&lt;/a&gt; e uma reportagem recente da &lt;a href="http://www.bbc.co.uk/worldservice/" target="_blank"&gt;BBC&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Falando de rádio, sintonize-se a &lt;a href="http://www.urgent.fm/programma/worldservice" target="_blank"&gt;UrGent, rádio da Universiteit Gent&lt;/a&gt;, na Bélgica, onde Christopher Joseph nos traz um excelente &lt;a href="http://worldservice.podomatic.com/" target="_blank"&gt;World Service&lt;/a&gt; domingos à tarde e sintonize-se ainda às terças o irrecusável &lt;a href="http://radiobambaataa.blogspot.com/" target="_blank"&gt;Rádio Bambaataa&lt;/a&gt; aqui na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;Rádio Universidade de Coimbra&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;object width="440" height="85"&gt;&lt;param name="movie" value="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v10.swf"&gt;&lt;param name="flashvars" value="jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2010-11-07T01_30_51-08_00%3Ffoo%3Dbar%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://livrodecabeceira9.podomatic.com/swf/joeplayer_v10.swf" flashvars="jsonLocation=http%3A%2F%2Flivrodecabeceira9.podomatic.com%2Fentry%2Fembed_params%2F2010-11-07T01_30_51-08_00%3Ffoo%3Dbar%26color%3D43bee7%26autoPlay%3Dfalse%26width%3D440%26height%3D85" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="440" height="85"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;A fada negra, essa, revive na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;RUC&lt;/a&gt;, este sábado 6 de Novembro à meia-noite, em 107.9FM.&lt;br /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/4938974744026042483/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=4938974744026042483&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/4938974744026042483?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/4938974744026042483?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2010/11/185-black-fairy-lamont-zeno-theatre.html" title="185. &quot;The Black Fairy&quot; (Eugene Perkins)" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s72-c/_united_kingdom.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkQCQXs-fSp7ImA9Wx9QE0o.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-4103023989214617129</id><published>2010-10-11T12:15:00.013+01:00</published><updated>2010-12-26T13:32:40.555Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-12-26T13:32:40.555Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>184. "Ys" (Joanna Newsom)</title><content type="html">[Emissão Sáb.16.Out.2010.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_TLP4J6oLYXo/SVQJHVQ-iII/AAAAAAAAANs/soxcnvAaJCA/s1600-h/coralsea.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div align="justify"&gt;Disse um dia o &lt;a href="http://www.vimeo.com/joaodealmeida" target="_blank"&gt;João de Almeida&lt;/a&gt; (dos programas &lt;a href="http://svenruc.blogspot.com/" target="_blank"&gt;Sven&lt;/a&gt;,&lt;a href="http://2.bp.blogspot.com/_TLP4J6oLYXo/TLM8-uSmkFI/AAAAAAAABCU/nIY7n5UwEFM/s1600/20061005joannaNewsom.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 200px; height: 150px;" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TLM8-uSmkFI/AAAAAAAABCU/nIY7n5UwEFM/s200/20061005joannaNewsom.jpg" alt="" id="BLOGGER_PHOTO_ID_5526828215989342290" border="0" /&gt;&lt;/a&gt; &lt;a href="http://umlautruc.blogspot.com/" target="_blank"&gt;Umlaut&lt;/a&gt; e &lt;a href="http://origamiruc.blogspot.com/" target="_blank"&gt;Origami&lt;/a&gt;, aqui na &lt;a href="http://www.ruc.pt/"&gt;RUC&lt;/a&gt;)  que alguns álbuns são quase audiolivros. Pois tem ele toda a razão. É o caso de «&lt;a href="http://en.wikipedia.org/wiki/Ys_%28album%29" target="_blank"&gt;Ys&lt;/a&gt;», um dos mais bonitos registos de &lt;a href="http://en.wikipedia.org/wiki/Joanna_newsom" target="_blank"&gt;Joanna Newsom&lt;/a&gt;. São histórias de paisagens fantásticas, de animais falantes, de lugares povoados de um estranho mistério. E é com todo o encanto que nos deixamos levar por estas histórias que ela vai contando, num alongar descontraído, canção após canção.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:78%;"&gt;«(...) They trooped past the guards, / Past the coops, and the fields, and the farmyards / All night, till finally: The space they gained grew / Much farther than the stone that bear threw / To mark where they'd stop for tea (...).»&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Histórias&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | Joanna Newsom ("Emily", "Monkey &amp;amp; Bear", "Sawdust &amp;amp; Diamonds", "Only Skin", "Cosmia").&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Banda Sonora&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | &lt;a href="http://en.wikipedia.org/wiki/Tchaikowsky" target="_blank"&gt;Tchaikovsky&lt;/a&gt; ("&lt;a href="http://www.youtube.com/watch?v=eQemvyyJ--g" target="_blank"&gt;Dance of the Sugar Plum Fairy&lt;/a&gt;" por William Zeitler)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;O que nos lembra &lt;a href="http://pretonobrancoruc.blogspot.com/" target="_blank"&gt;alguém&lt;/a&gt;, num corredor, que se indagava se ainda prestamos atenção às letras das canções. Será?&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Façamos a ronda das fadas este sábado, na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;RUC&lt;/a&gt;, à hora em que a Cinderela perdeu o sapato. Para a semana há já uma nova grelha de programas no ar em 107.9FM.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;NOTA: No próximo sábado não haverá programa: a RUC está em directo no recinto da Latada para acompanhar de perto a &lt;a href="http://pt-pt.facebook.com/pages/Coimbra-Portugal/Festa-das-Latas-e-Imposicao-das-Insignias-2010/113542112033514" target="_blank"&gt;Festa das Latas e Imposição de Insígnias&lt;/a&gt; dos estudantes da &lt;a href="http://www.uc.pt/" target="_blank"&gt;Universidade de Coimbra&lt;/a&gt;, com emissões especiais todas as noites entre as 23h e as 2h, de 22 a 27 de Outubro. A emissão da Joanna Newsom será retransmitida ainda no sábado 30 de Novembro. E Joanna Newsom, onde anda? Pois, por Portugal: na &lt;a href="http://www.casadamusica.com/" target="_blank"&gt;Casa da Música&lt;/a&gt; a 24, no &lt;a href="http://www.teatroaveirense.pt/" target="_blank"&gt;Teatro Aveirense&lt;/a&gt; a 25 e no &lt;a href="http://www.ccb.pt/" target="_blank"&gt;C.C.B.&lt;/a&gt; a 26!&lt;br /&gt;&lt;/span&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/4103023989214617129/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=4103023989214617129&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/4103023989214617129?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/4103023989214617129?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2010/10/184-ys-joanna-newsom.html" title="184. &quot;Ys&quot; (Joanna Newsom)" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s72-c/_united_kingdom.gif" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkQDQHg9fSp7ImA9Wx9QE0o.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-776286683325359214</id><published>2010-06-28T22:47:00.053+01:00</published><updated>2010-12-26T13:32:51.665Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-12-26T13:32:51.665Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="English" /><title>169. "The Adventures of Huckleberry Finn" (Mark Twain)</title><content type="html">[Emissão Sáb.03.10.17.24.31.Jul.&amp;amp;.7.14.21.28.Ago.04.11.18.25.Set.2010.24h] &lt;img src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s200/_united_kingdom.gif" title="in English" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517640939618874466" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_TLP4J6oLYXo/SVQJHVQ-iII/AAAAAAAAANs/soxcnvAaJCA/s1600-h/coralsea.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div align="justify"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_TLP4J6oLYXo/TCkb_aI6mAI/AAAAAAAAA_4/ewgkPSK3HIQ/s1600/74.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_TLP4J6oLYXo/TCkb_aI6mAI/AAAAAAAAA_4/ewgkPSK3HIQ/s200/74.jpg" alt="" id="BLOGGER_PHOTO_ID_5487948397090084866" border="0" /&gt;&lt;/a&gt;Se há livros que nos transportam até à infância e até ao verão, «&lt;a href="http://en.wikipedia.org/wiki/Adventures_of_Huckleberry_Finn" target="_blank"&gt;The Adventures of Huckleberry Finn&lt;/a&gt;», de &lt;a href="http://en.wikipedia.org/wiki/Mark_Twain" target="_blank"&gt;Mark Twain&lt;/a&gt;, é por certo um deles.&lt;br /&gt;&lt;br /&gt;Referência maior da literatura norte-americana, &lt;a href="http://en.wikipedia.org/wiki/Mark_Twain" target="_blank"&gt;Mark Twain&lt;/a&gt; conta-nos desenxovalhadamente no linguajar da época  as histórias de um garoto, &lt;a href="http://en.wikipedia.org/wiki/Huckleberry_Finn_%28character%29" target="_blank"&gt;Huckleberry Finn&lt;/a&gt;, e um escravo foragido, Jim, que se torna seu amigo. Estamos no delta do &lt;a href="http://en.wikipedia.org/wiki/Mississippi" target="_blank"&gt;Mississippi&lt;/a&gt; momentos antes da guerra civil. &lt;a href="http://en.wikipedia.org/wiki/Tom_Sawyer" target="_blank"&gt;Tom Sawyer&lt;/a&gt; e Huck estão ricos na sequência de &lt;a href="http://en.wikipedia.org/wiki/The_Adventures_of_Tom_Sawyer" target="_blank"&gt;aventuras passadas&lt;/a&gt;. Mas se antes a busca tinha sido ao tesouro, agora tratar-se-á de liberdade.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:78%;"&gt;«(...) We catched fish and talked, and we took a swim now and then to keep off sleepiness. It was kind of solemn, drifting down the big, still river, laying on our backs looking up at the stars, and we didn't ever feel like talking loud, and it warn't often that we laughed, only a little kind of a low chuckle. We had mighty good weather as a general thing, and nothing ever happened to us at all, that night, nor the next, nor the next. (...) We said there warn't no home like a raft, after all. Other places do seem so cramped up and smothery, but a raft don't. You feel mighty free and easy and comfortable on a raft.»&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-weight: bold; color: rgb(102, 204, 204);"&gt;Banda Sonora&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; | John Fahey &amp;amp; &lt;a href="http://en.wikipedia.org/wiki/Cul_de_Sac" target="_blank"&gt;Cul de Sac&lt;/a&gt; ("Tuff", "Come on in my kitchen"); &lt;a href="http://en.wikipedia.org/wiki/John_Fahey_%28musician%29" target="_blank"&gt;John Fahey&lt;/a&gt; ("Dance of death", "&lt;a href="http://www.youtube.com/watch?v=6sbkFMMzg64" target="_blank"&gt;On doing an evil deed blues&lt;/a&gt;", "St Louis blues"); &lt;a href="http://en.wikipedia.org/wiki/Jimmie_Rodgers_%28country_singer%29" target="_blank"&gt;Jimmie Rodgers&lt;/a&gt; ("&lt;a href="http://www.youtube.com/watch?v=HQ_xj3aDjWU" target="_blank"&gt;Hobo's meditation&lt;/a&gt;"); &lt;a href="http://en.wikipedia.org/wiki/Merle_Haggard" target="_blank"&gt;Merle Haggard&lt;/a&gt; ("Jimmie Rodger's blues"); &lt;a href="http://en.wikipedia.org/wiki/Lefty_Frizzell" target="_blank"&gt;Lefty Frizzell&lt;/a&gt; ("Blue Yodel #2"); &lt;a href="http://en.wikipedia.org/wiki/Odetta" target="_blank"&gt;Odetta&lt;/a&gt; ("&lt;a href="http://www.youtube.com/watch?v=_v2hg_G-BRw" target="_blank"&gt;Pastures of plenty&lt;/a&gt;") ~~~~ &lt;a href="http://en.wikipedia.org/wiki/R._L._Burnside" target="_blank"&gt;R. L. Burnside&lt;/a&gt; ("I rolled and I tumbled", "&lt;a href="http://www.youtube.com/watch?v=tEmeuBQBY-0" target="_blank"&gt;Going down south&lt;/a&gt;", "Nightmare blues"); John Fahey ("Worried blues", "The siege of Sevastopol", "&lt;a href="http://www.youtube.com/watch?v=AXwYT3PBlDg" target="_blank"&gt;John Henry&lt;/a&gt;"); &lt;a href="http://en.wikipedia.org/wiki/Little_Axe" target="_blank"&gt;Little Axe&lt;/a&gt; ("&lt;a href="http://www.youtube.com/watch?v=LVMZhoHujEw" target="_blank"&gt;Storm is rising&lt;/a&gt;")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ &lt;a href="http://en.wikipedia.org/wiki/Mississippi_John_Hurt" target="_blank"&gt;Mississippi John Hurt&lt;/a&gt; ("Hop joint", "Wise and foolish virgins", "&lt;a href="http://www.youtube.com/watch?v=6aI2Miy5kH0" target="_blank"&gt;Since I've laid my burden down&lt;/a&gt;"); &lt;a href="http://en.wikipedia.org/wiki/Son_House" target="_blank"&gt;Son House&lt;/a&gt; ("Between midnight and day") &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ &lt;a href="http://en.wikipedia.org/wiki/Brownie_McGhee" target="_blank"&gt;Brownie McGhee&lt;/a&gt; ("Freight train blues"); Iron Mountain String Band ("New river train"); &lt;a href="http://en.wikipedia.org/wiki/Rosalie_Sorrels" target="_blank"&gt;Rosalie Sorrels&lt;/a&gt; ("The wreck of the number 9")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;; &lt;a href="http://en.wikipedia.org/wiki/The_New_Lost_City_Ramblers" target="_blank"&gt;The New Lost City Ramblers&lt;/a&gt; ("He's coming to us dead") &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ Odetta ("&lt;a href="http://www.youtube.com/watch?v=7M_bcWuETw0" target="_blank"&gt;Anthem of the rainbow&lt;/a&gt;"); Cullen Gaylen ("&lt;a href="http://en.wikipedia.org/wiki/The_Wayfaring_Stranger_%28song%29" target="_blank"&gt;Wayfaring stranger&lt;/a&gt;"); &lt;a href="http://en.wikipedia.org/wiki/Nashville_Grass" target="_blank"&gt;Nashville Grass&lt;/a&gt; ("I heard my mother call my name")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ Joe Glazer ("We shall not be moved")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;; New Lost City Ramblers ("The little girl and the dreadful snake"); Bill Monroe ("Get up John")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ John Callicott ("Lonesome Katy blues"); Doc Watson ("&lt;a href="http://www.youtube.com/watch?v=7kN77ECZrdY" target="_blank"&gt;The world is waiting for the sunrise&lt;/a&gt;")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;; Reverend Vince Anderson ("Satan hates me")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ Mississippi John Hurt ("&lt;a href="http://www.youtube.com/watch?v=DZP8tvNBP4A" target="_blank"&gt;Lazy blues&lt;/a&gt;"); Boxcar Willie ("&lt;a href="http://www.youtube.com/watch?v=IocO4JFegM0" target="_blank"&gt;The wreck of the old 97&lt;/a&gt;"); Johnny Cash ("&lt;a href="http://www.youtube.com/watch?v=LzJhJXuPMEc" target="_blank"&gt;25 minutes to go&lt;/a&gt;"); David Johnson ("Grey eagle")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Jimmie Rodgers ("&lt;a href="http://www.youtube.com/watch?v=WAUHglnkdjc" target="_blank"&gt;Waltzing Matilda&lt;/a&gt;", "Blue yodel nr. 7", "&lt;a href="http://www.youtube.com/watch?v=vSq8mnDH_1o" target="_blank"&gt;In the jailhouse now&lt;/a&gt;"); Earl Taylor ("White house blues") &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;John Fahey ("Uncloudy day", "The transcendental waterfall"); Ennio Morricone ("&lt;a href="http://www.youtube.com/watch?v=NSQ-XAowe7Q" target="_blank"&gt;Farewell to Cheyenne&lt;/a&gt;"); Othar Turner &amp;amp; The Rising Star Fife &amp;amp; Drum Band ("&lt;a href="http://www.youtube.com/watch?v=W5dVXEjLatc" target="_blank"&gt;Shortnin' henduck&lt;/a&gt;"); Odetta ("The golden vanity")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Sonny Terry and Brownie McGhee ("Old Jabo"); Big Bill Broonzy ("&lt;a href="http://www.youtube.com/watch?v=syWqRyTZxFI" target="_blank"&gt;Mule-Ridin' Blues&lt;/a&gt;"); Etta Baker ("&lt;a href="http://www.youtube.com/watch?v=gcD3fOrRPqE" target="_blank"&gt;One dime blues&lt;/a&gt;")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ Robert Johnson (&lt;a href="http://www.youtube.com/watch?v=i4ZW08zOkYU" target="_blank"&gt;Dust my broom&lt;/a&gt;); Leadbelly ("&lt;a href="http://www.youtube.com/watch?v=9zrQ4Px-E64" target="_blank"&gt;Leaving blues&lt;/a&gt;"); &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Son House ("&lt;a href="http://www.youtube.com/watch?v=nfbsoa3J-yg" target="_blank"&gt;How to treat a man&lt;/a&gt;")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ Big Joe Williams ("&lt;a href="http://www.youtube.com/watch?v=H4JkcYV3MRo" target="_blank"&gt;Don't leave me here&lt;/a&gt;")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;; K. C. Douglas ("&lt;a href="http://www.youtube.com/watch?v=0_dDASnX_k0" target="_blank"&gt;Mercury blues&lt;/a&gt;"); Eurreal Montgomery ("&lt;a href="http://www.youtube.com/watch?v=I_KYbizxhg8" target="_blank"&gt;Vicksburg blues&lt;/a&gt;")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ Vera Hall ("Black Woman"); Champion Jack Dupree ("Clog dance/Stomping blues")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;; Pink Anderson ("&lt;a href="http://www.youtube.com/watch?v=7PiEb13RKTs" target="_blank"&gt;Boll Weevil&lt;/a&gt;"); Odetta ("Shenandoah"); Leadbelly ("Don't lie buddy"); Sam Hopkins ("Come go home with me")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt; ~~~~ Brownie McGhee ("Rising Sun"); Elizabeth Cotten ("&lt;a href="http://www.youtube.com/watch?v=S4EA8DNjxx4" target="_blank"&gt;Vastapol&lt;/a&gt;"); Spencer Williams ("Careless Love"); Johnny Cash ("&lt;a href="http://www.youtube.com/watch?v=RY1__G1LRHY" target="_blank"&gt;Wayfaring stranger&lt;/a&gt;")&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(&lt;a href="http://www.gutenberg.org/catalog/world/readfile?fk_files=77197" target="_blank"&gt;ler&lt;/a&gt; "The Adventures of Huckleberry Finn")&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;{&lt;span style="color: rgb(255, 153, 0); font-weight: bold;"&gt;Podcast&lt;/span&gt;: ouvir partes &lt;a href="http://livrodecabeceira6.podomatic.com/player/web/2010-07-04T12_10_08-07_00" target="_blank"&gt;1&lt;/a&gt;, &lt;a href="http://livrodecabeceira7.podomatic.com/player/web/2010-07-11T08_30_56-07_00" target="_blank"&gt;2&lt;/a&gt;, &lt;a href="http://livrodecabeceira7.podomatic.com/player/web/2010-08-01T07_43_24-07_00" target="_blank"&gt;3&lt;/a&gt;, &lt;a href="http://livrodecabeceira7.podomatic.com/player/web/2010-08-01T08_00_19-07_00" target="_blank"&gt;4&lt;/a&gt;, &lt;a href="http://livrodecabeceira7.podomatic.com/player/web/2010-08-01T08_21_22-07_00" target="_blank"&gt;5&lt;/a&gt;, &lt;a href="http://livrodecabeceira7.podomatic.com/player/web/2010-09-08T11_56_50-07_00" target="_blank"&gt;6&lt;/a&gt;, &lt;a href="http://livrodecabeceira7.podomatic.com/player/web/2010-09-08T12_09_51-07_00" target="_blank"&gt;7&lt;/a&gt;, &lt;a href="http://livrodecabeceira7.podomatic.com/player/web/2010-09-08T12_23_20-07_00" target="_blank"&gt;8&lt;/a&gt;, &lt;a href="http://livrodecabeceira7.podomatic.com/player/web/2010-09-08T12_34_31-07_00" target="_blank"&gt;9&lt;/a&gt;, &lt;a href="http://livrodecabeceira8.podomatic.com/player/web/2010-09-08T13_01_52-07_00" target="_blank"&gt;10&lt;/a&gt;, &lt;a href="http://livrodecabeceira8.podomatic.com/player/web/2010-09-23T08_53_22-07_00" target="_blank"&gt;11&lt;/a&gt;, &lt;a href="http://livrodecabeceira8.podomatic.com/player/web/2010-09-23T09_04_23-07_00" target="_blank"&gt;12&lt;/a&gt;, &lt;a href="http://livrodecabeceira8.podomatic.com/player/web/2010-10-14T14_22_17-07_00" target="_blank"&gt;13&lt;/a&gt;, &lt;a href="http://livrodecabeceira8.podomatic.com/player/web/2010-10-14T14_33_24-07_00" target="_blank"&gt;14&lt;/a&gt;, &lt;a href="http://livrodecabeceira9.podomatic.com/player/web/2010-10-14T14_25_22-07_00" target="_blank"&gt;15&lt;/a&gt;}&lt;br /&gt;&lt;br /&gt;Um retrato de uma época, dos seus valores, divisões sociais e raciais, um livro que é também ele prova da enorme grandeza da escrita de Mark Twain. O verão na &lt;a href="http://www.ruc.pt/" target="_blank"&gt;RUC&lt;/a&gt;, em 107.9FM, a ouvir durante toda a estação aos sábados, a partir de 3 de Julho, sempre à meia-noite.&lt;br /&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/776286683325359214/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=776286683325359214&amp;isPopup=true" title="2 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/776286683325359214?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/776286683325359214?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2010/06/169-adventures-of-huckleberry-finn-mark.html" title="169. &quot;The Adventures of Huckleberry Finn&quot; (Mark Twain)" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_TLP4J6oLYXo/TJKZM2witGI/AAAAAAAABBQ/fA6i4VGbvdI/s72-c/_united_kingdom.gif" height="72" width="72" /><thr:total>2</thr:total></entry><entry gd:etag="W/&quot;CkQMR3o_fip7ImA9Wx9QE0o.&quot;"><id>tag:blogger.com,1999:blog-18058966.post-6145770211410003376</id><published>2010-06-17T20:37:00.011+01:00</published><updated>2010-12-26T13:33:06.446Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-12-26T13:33:06.446Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Nederlands" /><title>168. Werk (Josse de Pauw &amp; Corrie Van Binsbergen Band)</title><content type="html">[Emissão Sáb.19.Jun.2010.24h] &lt;img src="http://3.bp.blogspot.com/_TLP4J6oLYXo/TJKZ_RQtkII/AAAAAAAABBY/zVpu3ai_dSM/s1600/_netherlands.gif" title="in het Nederlands" style="vertical-align: middle; border: 0pt none;" id="BLOGGER_PHOTO_ID_5517641805726584962" border="0" /&gt;&lt;div align="justify"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Esta semana, enlace de música e palavra com "Werk": pequenas histórias escritas e lidas por &lt;a href="http://en.wikipedia.org/wiki/Josse_De_Pauw" target="_blank"&gt;Josse De Pauw&lt;/a&gt;, actor, dramaturgo e músico belga, que se faz acompanhar em toada jazz pela guitarrista &lt;a href="http://www.corrievanbinsbergen.com/" target="_blank"&gt;Corrie van Binsbergen&lt;/a&gt; e banda.&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;object width="425px" height="360px"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;param name="movie" value="http://mediaservices.myspace.com/services/media/embed.aspx/m=54599373,t=1,mt=video,searchID=,primarycolor=,secondarycolor="&gt;&lt;embed src="http://mediaservices.myspace.com/services/media/embed.aspx/m=54599373,t=1,mt=video,searchID=,primarycolor=,secondarycolor=" allowfullscreen="true" type="application/x-shockwave-flash" wmode="transparent" width="425" height="360"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Este sábado, 19 de Junho, à meia-noite, na &lt;a href="http://www.ruc.pt/"&gt;Rádio Universidade de Coimbra&lt;/a&gt; em &lt;a href="http://www.ruc.pt/emissao.php"&gt;107.9FM&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://mesadecabeceira.blogspot.com/feeds/6145770211410003376/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=18058966&amp;postID=6145770211410003376&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/6145770211410003376?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/18058966/posts/default/6145770211410003376?v=2" /><link rel="alternate" type="text/html" href="http://mesadecabeceira.blogspot.com/2010/06/168-werk-josse-de-pauw-corrie-van.html" title="168. Werk (Josse de Pauw &amp; Corrie Van Binsbergen Band)" /><author><name>Ines Saraiva</name><uri>http://www.blogger.com/profile/06715463892197938778</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://2.bp.blogspot.com/_TLP4J6oLYXo/TRfcKE5sWxI/AAAAAAAABIM/ItVBogofVQM/s1600-R/n705516487_1326285_4548_jpg_300x300_crop_upscale_q85.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_TLP4J6oLYXo/TJKZ_RQtkII/AAAAAAAABBY/zVpu3ai_dSM/s72-c/_netherlands.gif" height="72" width="72" /><thr:total>0</thr:total></entry></feed>
