Mad Hatter's Bookshelf & Book Review

Cover Unveiled for City of Blades by Robert Jackson Bennett

noreply@blogger.com (Mad Hatter Review) — Fri, 13 Mar 2015 12:43:00 +0000

Robert Jackson Bennett's City of Stairs was my and many others favorite book of 2014. Bennett built a richly imagined world with a vivid cast that I'm glad he decided to revisit as this is the first sequel he has undertaken after 5 other novels. The cover of City of Blades carries on the style of the first quite well and it seems as if magic will still be very much involved in the telling. City of Blades is scheduled for a ~~November 3rd~~ January 26, 2016 release and I can't wait to see what trouble Shara and Sigrud find.

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Cover Unveil for Seveneves by Neal Stephenson

noreply@blogger.com (Mad Hatter Review) — Fri, 30 Jan 2015 14:34:00 +0000

Whenever Neal Stephenson comes out with a new novel it becomes a major event and his latest Seveneves sounds like the Space Opera we always knew he could write. I believe this would be a first for him though judging by the description he will surely give it his own original spin. I haven't been excited personally for a Stephenson novel in quite a few years, but this one has me salivating more than a little bit. It seems a bit like The 100 only on a grander and surely deeper scale. Here's the current blurb:

From the #1 New York Times bestselling author of Anatham, Reamde, and Cryptonomicon comes an exciting and thought-provoking science fiction epic—a grand story of annihilation and survival spanning five thousand years

What would happen if the world were ending?

A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space.

But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain . . .

Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown . . . to an alien world utterly transformed by cataclysm and time: Earth.

A writer of dazzling genius and imaginative vision, Neal Stephenson combines science, philosophy, technology, psychology, and literature in a magnificent work of speculative fiction that offers a portrait of a future that is both extraordinary and eerily recognizable. As he did in Anathem, Cryptonomicon, the Baroque Cycle, and Reamde, Stephenson explores some of our biggest ideas and perplexing challenges in a breathtaking saga that is daring, engrossing, and altogether brilliant.

Seveneves will be release May 19th.

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The 2014 Hattie Awards!!! Or the Best Book of 2014 (That I've Read)

noreply@blogger.com (Mad Hatter Review) — Tue, 30 Dec 2014 21:00:00 +0000

2014 was a busy year for me with lots of challenges at work and plenty of travel. Even though this blog was dormant nearly all of the year it was probably still one of my highest word count years when counting all of the reread posts done for Tor.com on The Way of Kings, a project I was proud to be part of and glad to have behind me. As many others out there know: Writing on a schedule is hard work, especially when you have other work to do.

I still managed to read quite a bit this year even though my overall numbers are still down. I miss reading 100+ books a year, but appreciate all the added time I spent with friends and family this year. Looking over my reading log I've read 81 stories though many this year are novellas and graphic novels. I've not counted most short stories unless I bought them for my Nook and there were only 2 or 3 like that, but the novella and novelette length really hit me hard this year with a dozen or so of those. There was just one anthology read being the all-star Dangerous Women. Here's how the numbers breakdown:

Graphic Novels: 12 (though I read many more and only list those I thought worth remembering)
Short Fiction (novellas, novelettes, short stories, etc.): 24ish (Not counting Dangerous Women)
Novels: 45

Now on to the Hattie Awards!

Best Fantasy

Winner - City of Stairs by Robert Jackson Bennett

Runner-up - Smiler's Fair by Rebecca Levine

Honorable Hat Tips -The Mirror Empire by Kameron Hurley, The Magician's Land by Lev Grossman, and Words of Radiance by Brandon Sanderson

Bennett's latest stole the show as far as I am concerned though Smiler's Fair took me by surprise. Sanderson's WoR was what I hope it would be, but only time will tell if it will all payoff. My money's on yes. The Mirror Empire leveled up Hurley's game though there was some shakiness in the first quarter. I think Hurley's best is still to come in this series since some beautiful ground work has be laid.

Best Science Fiction

Winner - The First Fifteen Lives of Harry August by Claire North

Runner-up: The Three-Body Problem by Cixin Liu (Translated by Ken Liu)

Honorable Hat Tips - Lock In by John Scalzi, Ascension by Jacqueline Koyanagi, and Red Rising by Pierce Brown, On A Red Station Drifting by Aliette de Bodard

Some will be surprised Andy Weir's The Martian isn't on this list somewhere. That's because I read it in 2013 with it winning in one category. But North's story has stuck with me a long time and never wavered from being my favorite in this area though it is probably better labeled Science Fantasy it merits a top spot. The Three-Body Problem left me cold for the first half of the story to the point I almost put it down, but I'm glad I stuck with it as it is one of the most unique First Contact stories I've ever encountered. Lock-In is probably Scalzi's best novel since Android's Dream and I friggin loved AD. Koyanagi's Ascension hit me right in the Firefly spot while bringing a unique cast that I was just as quick to fall for. Red Rising is the real please-me-deal in the same way Ender's Game was only more brutal. de Bodard's novella lives up to the accolades to date and I look forward to delving into more into this universe.

Best Weird/Horror

Winner - The Girl With All the Gifts by M.R. Carey aka Mike Carey

Runner-up - Datura by Leena Krohn

Honorable Hat Tips - Truth and Fear by Peter Higgins, The Strange Library by Haruki Murakami, Annihilation by Jeff VanderMeer, and The End of the Sentence by Maria Dahvana Headley and Kat Howard

Datura is the stuff that eerie nightmares are made of. I know because it kept giving them to me. Truth and Fear feels very middle-bookish, but the writing has a stark beauty and strangeness that captivated me. I'm still trying to wrap my head about Murakami's odd little novella. The design by Chip Kidd was worth the price of admission all on it own. The End of the Sentence gave us a dark a slightly creepy American fairy tale well worth checking out.

Best Finish to a Series

Winner - The Magician's Land by Lev Grossman
Runner-up - Shadow Ops: Breach Zone by Myke Cole

Grossman left me amazed throughout his Magician's series and he was able to close it out quite poignantly. It will be a series well worth re-reading. Cole's finish to the first Shadow Ops arc executed all the goals I had for the series with big screen action on a small page.

Best Urban Fantasy

Winner - California Bones by Greg van Eekhout

Runner-up - New Watch by Sergei Lukyanenko

Honorable Hat Tips - Skin Game by Jim Butcher, and Falling Sky by Rajan Khanna

van Eekhout is back in UF after a 5 year absence with a new series that re-imagines California as if ruled by powerful magicians who eat other magicians. Not nearly as dark as it sounds since van Eekhout plays to the lighter side of things more times than not and plays up the thief angle quite well. Who knew Lukyanenko wasn't done with the Night Watch series? At first I thought this was going to stretch a series too fair as the fourth book really did close most threads off well, but the author managed to dig up a story that is as good as the rest.

Best Other

Winner - Tigerman by Nick Harkaway

I wasn't sure where to put Harkaway's latest, but I knew it needed to be mentioned. The story involves a a superhero of sorts, an island scheduled for demolition, and a bevy of most likely disreputable men. Though it meanders as Harkaway works tend to do that's the joy of the story. And that twist at the end! OMG, Harkaway is truly l33t.

Best Overall Book of the Year - You guys have got to read this!

City of Stairs by Robert Jackson Bennett

Considering Bennett nabbed this spot in 2012 for The Troupe this shouldn't come as too much of a shock. Now who do I have to talk to about the sequel City of Blades getting in my hands ASAP? Don't make me send Sigrud... The Girl With All the Gifts and The First Fifteen Lives of Harry August have also stuck with me. These three books are also the ones I keep giving or recommending to friends depending on how their tastes bend.

Best Books Published before 2014 (That I read this year)

This year a third of the novels I read were not necessarily published this year. It is hard to rank them so here are a few of my favorites: Foundation by Isaac Asimov (re-read and deservedly in print for more than sixty years), American Elsewhere by Robert Jackson Bennett (Bennett has to be the love child of Bradbury. Has to be!), Late Eclipses by Seanan McGuire (Toby just stole my heart from Dresden), The Lives of Tao by Wesley Chu (Action/Adventure with Aliens FTW), and The Blue Blazes by Chuck Wendig (Badass/drugs are bad/also blue apparently).

So what were some of your favorites this year?

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Cover Unveiled for The Water Knife by Paolo Bacigalupi

noreply@blogger.com (Mad Hatter Review) — Fri, 22 Aug 2014 12:17:00 +0000

After five years of waiting more concrete information on Paolo Bacigalupi's first adult book since The Windup Girl has been revealed. The title The Water Knife has been floating around for at least the last 2 years as he worked on his younger audience books such as Ship Breaker, The Drowned Cities, and Zombie Baseball Beatdown. Now we have the cover and a description to boot.

The eagerly anticipated follow-up novel by the best-selling, National Book Award-nominated author of The Windup Girl: a scorching thriller born out of today’s front-page headlines that preys on our worst fears about potential catastrophic failures awaiting us in our resource starved future. Think Roman Polanski’s Chinatown as written by Michael Crichton. WATER IS POWER.

In the very near future, the American Southwest is battling for water. Phoenix is covered in dust, desolate, and on the verge of total breakdown. Severe drought has demolished Texas. Nevada, as always, is trying to cash in.

Into the fray, steps Angel Velasquez, a water knife working for Las Vegas water mogul Catherine Case. Case is in the Arcology business, opulent real estate in which lush, luxury living environments are raised out of dry earth. Zipping around in his tricked out Tesla, Angel “cuts” water for Case. Hijacking pumping stations or unearthing long forgotten water rights, he is a detective and mercenary rolled into one. When an informant shows up dead in Phoenix, Angel is sent to find out what has happened. It turns out that a major power play is taking place, and the race is on to find a long-forgotten deed between the state of Arizona and a Native American tribe that grants Phoenix the rights to enough water to rebuild itself but to crush Las Vegas in the process. Angel is not the only one hunting down the old agreement. A shady West Coast conglomerate is watching closely, as is Lucy Monroe, a journalist and Phoenix native, desperate to save her city. Angel and Lucy are natural enemies, but the two realize the only way they may stay alive is by joining forces. The missing piece to the puzzle is Maria, a fifteen-year-old Texas migrant, blessed with street smarts, but burdened by getting herself into something over her head. Pretty soon the body count begins to rise, alliances come in to question, and it looks like either Phoenix or Las Vegas is going down in flames.

The Water Knife is currently scheduled for an August, 2015 release from Knopf. For those who can't wait for more Bacigalupi, his latest YA book The Doubt Factory will be out this October.

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GUEST POST | Foes and Friends by Tom Doyle

noreply@blogger.com (Mad Hatter Review) — Thu, 15 May 2014 13:10:00 +0000

Foes and Friends

by Tom Doyle

author of American Craftsmen

I owe my first novel to my childhood enemy.

I’ve always been fascinated by war. War stories may be exciting or appalling, but always interesting. It’s not surprising then that my debut novel from Tor, American Craftsmen, is a modern-day fantasy of military intrigue.

As a kid, from the time I was first selecting which books to read, I was devouring war histories. My mom indulged me with a membership in the Military Book Club. Like many, I was primarily obsessed with the Second World War, with its sweeping strategies and tactics and its grand-scale battles across the globe.

What I didn’t realize was that many of the truths of war were hidden in the armchair-general style of nonfiction that I was reading. Then, I read All Quiet on the Western Front, and my childhood enthusiasm for military history became more restrained and thoughtful. For the first time, I acquired an intellectual sense of the personal cost of war for both friend and foe.

As an adult, I read more of the oral history-based accounts of war that dealt with the experiences of individual soldiers. In lieu of abstract strategies and tactics, I also developed more of an interest in the equipment and organization that made a difference in combat, if only to improve my play at computer strategy games based on individual campaigns and battles. When I decided to write American Craftsmen, I read special ops and espionage histories and particularly noted the successes, failures, and limitations.

Still, all these educational experiences were at a considerable remove from the realities of special operations combat, even if I threw magic into the mix. For my novel, especially its opening, I knew I would need primary source material for its real-world military aspects. My main source for much of the immediate detail in American Craftsmen was my long-time friend Dave. Dave served during the First Gulf War and had the personal experiences that I needed to hear.

Oddly enough, during my grade school years Dave was my nightmare, an enemy on a scale I haven’t known since. But in high school, we became friends almost for perversity of it. We've maintained this unlikely friendship through his time in the U.S. Naval Academy and his service, and through his civilian life since. Though this wasn't my intention in writing it, people may see a distant echo of our story in the rivalry of two of the characters in my novel.

For writing a fantasy thriller, living in Washington DC has definite advantages. I’ve toured the Pentagon, and I’ve made some more friends who are ex-military or ex-intelligence. Also, many of the great Civil War battlefields are a just a short trip from the capital, and my tours of those provided descriptive detail for one section of my book. From living and working in DC, New York, and Tokyo, I’ve also been uncannily close at hand for some of the great terrorist incidents of the last generation.

A final war-related theme of American Craftsmen is its multigenerational military families. Again, this concept required some research and thought on my part; in my family, military service has been the exception rather than the rule. As the Scipios were to Roman history, multigenerational military families are a significant part of U.S. history, as one can see in the Lees of the Revolution and the Civil War, and in the stories and real life of Lucian Truscott IV. Elite military families also dovetailed nicely with my concept of secret magical family lineages in the U.S.

The experience of writing my novel, the first of a three-book series, has taught me how much I still would like to learn about military life and combat. I look forward to more research, reading, and touring, and to hearing more of the comments and stories of soldiers, intelligence officers, veterans, and one particular childhood enemy who’s now my friend. I hope you’ll feel free to contact me or connect with me on the social media platform of your choice.

###

Tom Doyle’s first novel in a three-book contemporary fantasy series from Tor, American Craftsmen, was published in May 2014. His short fiction collection from Paper Golem Press, The Wizard of Macatawa and Other Stories, includes winners of the Small Press Award and Writers of the Future Award. If you’d like to read more about American Craftsmen or his other stories, please go to his website at www.tomdoylewriter.com.

The Hobbit as if edited by Peter Jackson

noreply@blogger.com (Mad Hatter Review) — Wed, 14 May 2014 11:59:00 +0000

Cover Unveiled for Robert Jackson Bennett's CITY OF STAIRS

noreply@blogger.com (Mad Hatter Review) — Tue, 11 Mar 2014 13:33:00 +0000

Robert Jackson Bennett has steadily been putting out fantastic fiction the past few years. His work has traditionally been first world albeit with his own odd slant on the fringes of society. With City if Stairs Bennett turns his skills to a second world creation. The cover above is for the US edition and with it Bennett has joined the hooded society, which just seems to want every author in their clutches. Here is the blurb:

An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city—from one of America’s most acclaimed young SF writers.

The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions—until its divine protectors were killed. Now Bulikov has become just another colonial outpost of the world’s new geopolitical power, but the surreal landscape of the city itself—first shaped, now shattered, by the thousands of miracles its guardians once worked upon it—stands as a constant, haunting reminder of its former supremacy.

Into this broken city steps Shara Thivani. Officially, the unassuming young woman is just another junior diplomat sent by Bulikov’s oppressors. Unofficially, she is one of her country’s most accomplished spies, dispatched to catch a murderer. But as Shara pursues the killer, she starts to suspect that the beings who ruled this terrible place may not be as dead as they seem—and that Bulikov’s cruel reign may not yet be over.

City of Stairs will be out this September. There is also a sequel titled City of Blades that will follow in 2015, most likely, which will also be Bennett's first attempt at a sequel of any sort.

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Sam Sykes Finally Gets A Cool Cover in the US!

noreply@blogger.com (Mad Hatter Review) — Fri, 28 Feb 2014 15:30:00 +0000

Sam Sykes is returning to share more of his cynical wit with us later this year. The City Stained in Red will be the start to a new trilogy called Bring Down Heaven that centers around Lenk and his merry band yet again. From the sounds of things they'll be mired even deeper than before.

Sykes has been plagued by eye popping yet odd cover direction with the Aeons Gate trilogy so I'm quite happy to see that his new publisher in the US, Orbit have opted for something with a darker tone and probably more mass market approach (still no dragonman).

US Design by Lauren Panepinto

The UK cover was released a while ago and Gollancz too tried something very different and to go along with it here is the blurb to whet your appetites:

Long before he was sent to hell, the Aeon known as Khoth-Kapira was the closest thing to a living god the world had ever known. Possessed of a vast intellect, he pioneered many of the wonders that persist in the world long after he was banished. Nearly every fragment of medical, economic and technological progress that the mortal races enjoyed could be traced back to him. But with his wonders came cruelty beyond measure: industrialized slavery, horrifying experimentations and a rage that would eventually force the world to bow to him.

UK Design by Benjamin Carrè

Now, as Khoth-Kapira stirs, the world begins to shudder with disasters yet to come.The epicenter is the city of Cier'Djaal. A religious war between two unstoppable military juggernauts begins to brew. The racial fury among many peoples of the world is about to explode. Demons begin to pour from the shadows at the head of a vicious cult worshipping dark powers.
And Lenk finds himself in the middle once more, his fate and the fate of Khoth-Kapira interlinked as the demon attempts to convince him of his earnestness.

'Your world is breaking around you,' He Who Makes says, 'let me fix it. Let me help you. Let me out.'

The City Stained Red should be out in early ~~October~~ January 2015 in the US and late August 2014 in the UK. And because my dreams have been answered here is the Dragonman I've been wanting.

French cover to The Skybound Sea by Marc Simonetti

The Hattie Awards 2013!!! Or the best books of 2013 (That I've read)

noreply@blogger.com (Mad Hatter Review) — Fri, 21 Feb 2014 16:59:00 +0000

They are finally here! What you've all been waiting for. The Hatties Awards have returned! At first I was behind. Then I was set on not putting this together until after the New Year as I don't care for best of the year lists coming out when there is still time left in the year. Then I got busy with other projects, but it is done. So with further preamble let's get to it.

Top Fantasy Novel of the Year

Winner - NOS4A2 by Joe Hill

Runner-Up - The Golem and the Jinni by Helene Wecker

Honorable Mentions - The Ocean at the End of the Lane by Neil Gaiman, The Age of Ice by J. M. Sidorova, and The Republic of Thieves by Scott Lynch

Seeing Hill at the top is not too much of a surprise, at least to me. Some would say this is more of a Horror novel, but there are large fantastical elements that I think more than qualify it to stay in Fantasy. Wecker's is a book that caught me by surprise, but soon after starting it I knew I found something special. And Wecker and Sidorova definitely reminded me that I really like Historical related novels. Sidorova goes much further than I would have guessed with her ice cold protagonist showcasing parts of the world not seen nearly enough in Fiction. Lynch is the sole "traditional" Fantasy book on this list which surprised me though the debut category had plenty in that vein.

Top Science Fiction Novel of the Year

Winner - Love Minus Eighty by Will McIntosh

Runner-Up - Ancillary Justice by Ann Leckie

Honorable Mentions - Dark Eden by Chris Beckett, The Martian by Andy Weir, and Jack Glass by Adam Roberts

From the moment I finished McIntosh's latest effort I knew it would be hard to top in the Sci-Fi area at least. He brings the emotional side to Sci-Fi better than few authors and this is his best book yet. Leckie did some very interesting things with her debut that ten years from now people will be referencing as big influences in their own work. Once you get over the ick factor of Dark Eden you'll find it to be one of the most original worlds ever encountered in Sci-Fi.

Top Hybrid Novel of the Year - Forging New Ways

Winner - The Violent Century by Lavie Tidhar

Runner-up - Wolfhound Century by Peter Higgins

Honorable Mentions - No Return by Zachary Jernigan and Something More Than Night by Ian Tregillis

This has probably been my favorite category for the last couple of years simply because of how original the works strike me. Tidhar has written the book that will hopefully catapult him into everyone's damn good category and earn him the awards he deserves. Higgin's debut is staggeringly good. Jernigan made Science-Fantasy feel very cool again and Tregillis gave us an angel/noir story that is lovingly twisted.

Top Mind Fuck

Apocalypse Now Now by Charlie Human

It is impossible to read Human's debut and not be awed by the strangeness. If you ever thought Indian, Asian, or Irish mythology is weird than South African mythology mixed with Urban Fantasy will blow your mind hole.

Top Popcorn - Ohhh, that was fun!

Winner-The Martian by Andy Weir

Weir's book was exactly what I hoped it would be. It is as if Scalzi did something a bit more contemporary along with trying to keep as close to hard science as possible. MacGyver stuck on Mars, indeed.

Top Debut Novel

Winner -The Golem and the Jinni by Helene Wecker

Runner-Up (Tie) - Promise of Blood by Brian McClellan and Wolfhound Century by Peter Higgins

Honorable Mentions - Ancillary Justice by Ann Leckie, The Grim Company by Luke Scull, The Scroll of Years by Chris Willrich, Apocalypse Now Now by Charlie Human, and Daughter of the Sword by Steve Bein

Wecker's novel has just stuck into my head even many months after reading it and it is probably the book I gave the most personal recommendations to this year. McClellan has almost instantly created the perfect Epic Fantasy series. Higgins novel brings the weird in wonderful ways and I can't wait to read the second half of this duology.

Series That Keep Turning Out the Hat-tricks

Winner - Necessary Evil by Ian Tregilis

Runner-Up - Shadow Ops: Fortress Frontier by Myke Cole

Honorable Mentions - The Republic of Thieves by Scott Lynch, The Daylight War by Peter V. Brett and Two Serpents Rise by Max Gladstone

I had to give it up for Tregillis this year. He continued to up his writing game with each book in the series and this being the cap to a trilogy he brought everything together perfectly. Cole upped his game a lot with the second volume to his trilogy fixing many misgivings I had with the first volume though the third volume is even better. Lynch's story is clearly not over, but his story-in-a-story was masterfully done and he recaptured much of what was so special about The Lies of Locke Lamora. Brett's world continues to enthrall me while Gladstone continues to unveil his very strange yet orderly world to us.

Best Overall Book of the Year - You guys have got to read this!

Winner - N0S4A2 by Joe Hill
Runner-Up -The Golem and the Jinni by Helene Wecker

Honorable Mentions -The Violent Century by Lavie Tidhar, The Ocean at the End of the Lane by Neil Gaiman, and Love Minus Eighty by Will McIntosh

This was a tough year to chose as so many of my favorite authors had new books out, but Hill manages to hit all the right buttons with me again as he did with Horns. Wecker's book is a beautiful look at early 20th century Manhattan and the only debut to make this list. Tidhar surprised me in all the best ways while Gaiman and McIntosh gave me exactly what I was hoping for from them: heartfelt, endearing stories with relateable characters.

Best Book I Read This Year Not Published This Year

Winter's Tale by Mark Helprin

Helprin's book has been on my bucket list for sometime now and I'm glad I got to it, but it is one I probably would have bounced off of 5+ years ago though it fit me perfectly now. Pure beauty in written form. No movie production could do it justice and I shutter to think how they would condense the story done. This goes on the to-reread shelf.

Best Graphic Novel

Winner - Saga Volume 1 by Brian K. Vaughan

Runner-up - Locke & Key: Alpha and Omega by Joe Hill

Honorable Mention - The Manhattan Projects Volume 2 and 3 by Jonathan Hickman

Saga is shockingly good. Star Wars good. It showcases a huge new universe yet centers on a love story for the ages. Hill's Locke & Key remains one of the best written graphic novels in the last ten years. Hickman is a wild and his alternative history of the Manhattan Project brings the best bad science, aliens, and strangeness possible.

In Closing...

2013 was a weird reading year for me where I didn't step outside my comfort zone much, but I had resigned myself to that as this was personally a very busy year even outside of The Way of Kings reread going on which all added up to the slowest reading year since before I started this blog. In all I read fewer than 70 books where my usual number is at least 100. That's still a good sampling, but hardly as exhaustive as I like to be. Hopefully, 2014 will be better and I'll get to share more with you all.

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Cover Unveiled for John Scalzi's Lock In

noreply@blogger.com (Mad Hatter Review) — Tue, 05 Nov 2013 14:36:00 +0000

Fresh off his Hugo win for Redshirts and the commercial success of The Human Division, John Scalzi is coming back with what looks to be another standalone. And it is also his second near-future novel, if you could Agent to the Stars, which I do. Lock In explores a virus that is running rampant and for the most part it is manageable, but for some it turns them into virtually living statues. I'm definitely interested to see how Scalzi's trademark snark work into such a story. Here's the teaser description:

Fifteen years from now, a new virus sweeps the globe. 95% of those afflicted experience nothing worse than fever and headaches. Four percent suffer acute meningitis, creating the largest medical crisis in history. And one percent find themselves “locked in”—fully awake and aware, but unable to move or respond to stimulus.

One per cent doesn't seem like a lot. But in the United States, that's 1.7 million people “locked in”...including the President's wife and daughter.

Spurred by grief and the sheer magnitude of the suffering, America undertakes a massive scientific initiative. Nothing can restore the ability to control their own bodies to the locked in. But then two new technologies emerge. One is a virtual-reality environment, “The Agora,” in which the locked-in can interact with other humans, both locked-in and not. The other is the discovery that a few rare individuals have brains that are receptive to being controlled by others, meaning that from time to time, those who are locked in can “ride” these people and use their bodies as if they were their own.

This skill is quickly regulated, licensed, bonded, and controlled. Nothing can go wrong. Certainly nobody would be tempted to misuse it, for murder, for political power, or worse....

I'm not sure if the cover is final, but currently it seems a little bland for a Scalzi cover though it moves him into the clean look that has become so popular for many best-selling authors. Lock In should be out in late August, but it should be noted Scalzi is still currently writing the manuscript.

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Cover Unveiled for Armada by Ernest Cline

noreply@blogger.com (Mad Hatter Review) — Fri, 23 Aug 2013 13:51:00 +0000

With Ready Player One released just two years ago Ernest Cline created the nearly perfect nostalgia trip to gamer culture of the 70s and 80s. His next work Armada seems to fit in a similar mode though in the real instead of the virtual. Judging from the blurb I'd say this will give heavy nods to things like Flight of the Navigator and The Last Starfighter. Here's the official blurb:

Zack Lightman is daydreaming through another dull math class when the high-tech dropship lands in his school's courtyard-and when the men in the dark suits and sunglasses leap out of the ship and start calling his name, he's sure he's still dreaming.

But the dream is all too real; the people of Earth need him. As Zack soon discovers, the videogame he's been playing obsessively for years isn't just a game; it's part of a massive, top-secret government training program, designed to teach gamers the skills they'll need to defend Earth from a possible alien invasion. And now…that invasion is coming.

As he and his companions prepare to enter their ships and do battle, Zack learns that the father he thought was dead is actually a key player in this secret war. And together with his father, he'll uncover the truth about the alien threat, race to prevent a genocide, and discover a mysterious third player in the interplanetary chess game he's been thrown into.

The cover goes for a early Galaga/Space Invaders vibe which should hit the right market, but this may not be final. Armada will be released in July, 2014 from Crown. I'll be there with book tokens ready to plock down.

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7 Picks for the Summer

noreply@blogger.com (Mad Hatter Review) — Tue, 30 Jul 2013 19:55:00 +0000

Summer is not only upon us, but sitting on most of our faces at this moment. Wouldn't it be nice to put something else a bit closer to your face? Well how about some good books? What a novel idea!

Below are my Summer picks, which also amount to what are some of my favorite reads of the year thus far. I left off novels from series in progress as I like to think of this as a list I'd rattle off to a friend I haven't seen in a long time who might not be down the genre hole as deeply as I. These are in no particular order.

The Age of Ice by J. M. Sidorova

This one is definitely the most challenging read of the bunch, but it is worth it. If you're feeling the heat then the cure is surely The Age of Ice with a protagonist who has not only a cold disposition, but whose icy skin leaves him at arms length from everyone in his life. Placed during the late 1700s in Czarist Russia it is both a wonderful historical look at the period as well as a beautifully told story about feeling out of place wherever you are.

Love Minus Eighty by Will McIntosh

This is exactly what I want my Sci-Fi to be. The story centers on a future in which good looking women who die are kept cryogenically frozen and can be reanimated if someone is willing to pay the exorbitant costs involved. In less capable hands this could have easily turned comic, but McIntosh has infused his characters with such believable depth you can't help care for them. The future McIntosh envisions is telling about the direction of our own hyper connected society and the direction that we're headed towards.

The Golem and the Jinni by Helene Wecker

As the title intimates a Jewish golem and a genie out of Arabian lore both end up in New York City in search of a place they fit in. One is as blank slate driven by simple desires while the other is already hundreds of years old, but far out of their own time. The New York City of the early 1900s is not only beautifully explored but so are the communities of Syrian and Jewish these character inhabit. It's a fantastical love story that had me from its opening pages.

Promise of Blood by Brian McClellan

Guns and magic have finally hit their stride with McClellan's opening salvo in the Powder Mage Trilogy which we enter in the middle of a coup d'état with the King and his mages of old being silenced to usher in the age of the Powder Mages. My only real complaint is that there are very few women of substance in the telling. Hopefully this will be fixed in the subsequent volumes. Still McClellan's got me hooked and I need my next fix. Someone pass the snuff box.

The Ocean at the End of the Lane by Neil Gaiman

Yes, it is on everyone's list, but it deserves it for more than the author's name on the cover. A month removed and my mind still wanders back. The tone is highly personable which makes it feel like your own tale of childhood as you fight against an ancient evil mistakenly released.

Lexicon by Max Barry

Words of power are not necessarily a new idea, but Barry breathes life and high action into them with his secret society of Poets who have access to a lexicon that will have you doing back flips if they so desired. Simply a page flipping good yarn that hits far more often than it misses with a tight plot and humor in all the right places.

The 100 Year Old Man Who Climbed Out the Window and Disappeared by Jonas Jonasson

This is one falls into the "fun" category and lives up to the publisher tagline, which basically boils down to a European Forrest Gump. If you like road trip stories than consider this a world trip movie as the old man in question Allan Karlsson lives a rich full life and likes to blow things up. But this isn't just the story of an old man jumping out the window, but flips back and forth to the life of a young Allan who meets some of the most influential people of the last 100 years.

One thing is clear from this list: I have a thing for Historical fiction this year. So what have you really enjoyed this summer?

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NEWS | The Name of the Wind to TV and Abercrombie's new trilogy

noreply@blogger.com (Mad Hatter Review) — Fri, 19 Jul 2013 12:47:00 +0000

According to The Bookseller Job Abercombie has just sold a new loose trilogy to Harper Voyager in the UK with the first book slated for 2014 to be titled Half a King. The new books will not be related to the First Law world, but a more traditional yet alternative ancient Europe in the time of the Dark Ages. The books will also be aimed at both a younger demographic as well as Joe's traditional adult audience. For Abercrombie this probably just means cutting down on the cuss words and graphic sex. Abercrombie said:

“In some ways this is a very different sort of book from what I’ve written so far. It’s aimed partly at younger readers (maybe the 12-16 range). It’s much shorter – 80,000 words compared to 175,000 for my shortest, Red Country, and 230,000 for my longest, Last Argument of Kings (though still over twice the length of The Lion, the Witch and the Wardrobe, believe it or not). It’s set in a very different world with what you might call a viking or anglo-saxon feel. It’s much more focused, with a single point of view. It’s not so overtly ‘gritty’ although it’s a long way from smooth. It is punchy. It has drive. I aimed to deliver a slap in the face with every page.”

No word on the US rights, but those should come quickly. Abercombie has mentioned a July 2014 publication date as likely on both sides of the pond for Half a King with the sequels spread 6 month apart thereafter. The rub is the next First Law trilogy is still in the works, but we probably won't be seeing that until at least 2017, but there will be a short story collection of the First Law in 2015 or 2016. It will be interesting to see how Abercrombie transitions his style to a younger set and if it can truly hold a candle for those of us who are use to Lord Grimdark.

The other big piece of news is according to Deadline.com New Regency and Fox have have optioned The Name of the Wind for a TV show. Now don't hold your breathe too much on this as option often lapse, but Fox is in a period of growth splitting FX into two channels with the new FXX starting in the not too distant future though the credits of some involved don't impress me much. Still I'll be there in a heartbeat once it starts airing.

I'm honestly not sure which piece of news excites me more. More Joe Abercrombie fiction is always a good thing, but being able to see the characters that Rothfuss has brought so well to life on to the page being fully realized could be an amazing thing.

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A Few Cool Covers

noreply@blogger.com (Mad Hatter Review) — Wed, 03 Jul 2013 15:58:00 +0000

A fresh batch of covers is making the rounds for Tor's Winter 2014 list. So now we can all salivate over books we can't get for more than six months!

Tor US cover

The VanderMeer's killed it with their magnus opus to strange short fiction with The Weird earlier this year and they hope to do the same with The Time Traveler's Alamanc coming out in March with 800 pages of glorious time jumping stories from over the last century or so. Those in the UK will be able to get it from the newish imprint Head of Zeus late this year, but I think the US wins the cover contest this go around.

On the heels of the World Fantasy Award winning The Weird, the next genre-defining anthology from award-winning team Ann and Jeff VanderMeer explores the popular world of time travel fiction

The Time Traveler's Almanac is the largest, most definitive collection of time travel stories ever assembled. Gathered into one volume by intrepid chrononauts and world-renowned anthologists Ann and Jeff VanderMeer, this almanac compiles more than a century's worth of literary travels into the past and the future to reacquaint readers with beloved classics and introduce them to thrilling contemporary examples of the time travel genre.

Featuring over seventy journeys into time from Douglas Adams, Isaac Asimov, Ray Bradbury, William Gibson, Ursula K. Le Guin, George R. R. Martin, Michael Moorcock, H. G. Wells, Connie Willis, Charles Yu, and many more, The Time Traveler's Almanac covers millions of years of Earth's history, from the age of the dinosaurs through to strange and fascinating futures.
In fact, The Time Traveler's Almanac will serve as a time machine of its very own: the ultimate treasury of time travel stories, spanning the distance from the beginning of time to its very end.

The Unwrapped Sky is Rjurik Davidson long await debut. I first heard about this book more than 2 years ago as the author has published a couple short and entirely weird short stories from the world of Caeli-Amur so I'm eager to see what a novel length work of his will read like. The cover is gorgeous and we'll be able to touch it come April.

A hundred years ago, the Minotaurs saved Caeli-Amur from conquest. Now, three very different people may hold the keys to the city's survival.

Once, it is said, gods used magic to create reality, with powers that defied explanation. But the magic—or science, if one believes those who try to master the dangers of thaumaturgy—now seems more like a dream. Industrial workers for House Technis, farmers for House Arbor, and fisher folk of House Marin eke out a living and hope for a better future. But the philosopher-assassin Kata plots a betrayal that will cost the lives of godlike Minotaurs; the ambitious bureaucrat Boris Autec rises through the ranks as his private life turns to ashes; and the idealistic seditionist Maximilian hatches a mad plot to unlock the vaunted secrets of the Great Library of Caeli-Enas, drowned in the fabled city at the bottom of the sea, its strangeness visible from the skies above.

In a novel of startling originality and riveting suspense, these three people, reflecting all the hopes and dreams of the ancient city, risk everything for a future that they can create only by throwing off the shackles of tradition and superstition, as their destinies collide at ground zero of a conflagration that will transform the world . . . or destroy it.>

I had never heard of The Goblin Emperor by the novel debuting Katherine Addison before I saw the cover, but it just looks like all kinds of crazy, which will be unleashed in April as well.

The youngest, half-goblin son of the Emperor has lived his entire life in exile, distant from the Imperial Court and the deadly intrigue that suffuses it. But when his father and three sons in line for the throne are killed in an "accident," he has no choice but to take his place as the only surviving rightful heir.

Entirely unschooled in the art of court politics, he has no friends, no advisors, and the sure knowledge that whoever assassinated his father and brothers could make an attempt on his life at any moment.

Surrounded by sycophants eager to curry favor with the naïve new emperor, and overwhelmed by the burdens of his new life, he can trust nobody. Amid the swirl of plots to depose him, offers of arranged marriages, and the specter of the unknown conspirators who lurk in the shadows, he must quickly adjust to life as the Goblin Emperor. All the while, he is alone, and trying to find even a single friend . . . and hoping for the possibility of romance, yet also vigilant against the unseen enemies that threaten him, lest he lose his throne–or his life.

This exciting fantasy novel, set against the pageantry and color of a fascinating, unique world, is a memorable debut for a great new talent.

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GUEST POST | Ken Scholes on Libraries and Memory, Knowledge and Power

noreply@blogger.com (Mad Hatter Review) — Tue, 18 Jun 2013 12:30:00 +0000

Art by Marc Simonetti

I’ve always loved libraries…and librarians.

It started in my elementary school, even before I fell in love with reading. A room full of books – many of which had pictures! At first, it was just the picture books that drew me in but once I started reading, I just couldn’t stop. When I learned that there was an even bigger library than the one in my school, I was elated. I checked out as many books as I was allowed and churned through sometimes one or two books a day, and even more in the summer.

So around the time the time the writing bug bit me, I decided that a real writer should probably work in a library, surrounded by books. At the age of fourteen, I started showing up at the Enumclaw Public Library, filling out applications regularly even though the librarian told me (in a very friendly but quiet voice) that I had to be sixteen to work for the library. Still, I was back every so often to try again. For two years.

Persistence paid off and when I turned sixteen, I started working as a library page, shelving returned books and doing whatever odd jobs needed doing. It was Heaven. No fines for late books and at the front of the line for anything new and exciting to come in. And pick of the litter when it came to books being disposed of. I still have some ancient volumes of Shakespeare in my personal library from that time.

Yes, I’ve always loved libraries.

Which is why, on the first page of the first chapter of my first novel, I blew one up.

And somehow, despite this, the American Library Association put that first novel, Lamentation, on the RUSA Reading List for Best Fantasy.

Maybe it’s because of how seriously my protagonists took this devastating act of terror and the hole its destruction left in their world. Or maybe because re-building the library became an important aspect of the story. No matter the reasons, I’ve had a lot of support for the series from libraries and librarians and I’m glad for it.

When I conceived the notion of the Great Androfrancine Library, it was initially just the background for a short story. It wasn’t until I started stitching together the two stories that became the beginning and middle of Lamentation that I saw clearly the re-building of the library – or the notion of a hidden replica of the library. I was drawing a bit from the murky soup of history – the destruction of the Library of Alexandria in Egypt, which is not quite as easy to pin down as legends would have us believe. That library appears to have gone through a series of events that eventually led, over time, to its loss. In reality, no one seems certain exactly what happened and when though speculation points widely to various events between approximately 50 BCE and 650 AD.

But in my world, I wanted it gone quickly, along with its Androfrancine keepers, and I wanted to explore how that kind of loss would play out while my characters sought to solve the puzzle of who destroyed Windwir and why. The “light” of human knowledge and accomplishment, dug painstakingly from the ruins of the Old World and stored away for safekeeping, suddenly snuffed out, and the glue that held a carefully monitored society of survivors suddenly burned away.

And there’s a deeper exploration there: What happens when one group of people controls the flow of knowledge and what happens when another group takes away that knowledge? Because knowledge is power but it is also memory. And if you control or eliminate that memory, the river of history flows in favor of whichever group holds that power to impose their own recollection of how things are and should be.

As we progress deeper into the Psalms of Isaak, we see that it’s about much more than a destroyed library – it is about a sudden and unexpected war of cultures with blurry lines of motivation and intent on both sides. And moreso, it is about how people react to those sudden, violent changes.

So like I said, I love libraries. And librarians. I think the world is a darker, colder place without what they do for us. So I’ll try to go easier on them in my next series.

*******

KEN SCHOLES is the author of the acclaimed series The Psalms of Isaak, which comprises Lamentation, Canticle, Antiphon, and now Requiem. He lives near Portland, Oregon, with his wife, Jen West Scholes, and their three-year-old twin daughters. Visit him on the web at www.kenscholes.com.

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New Procurements (Including Book Expo Swag)

noreply@blogger.com (Mad Hatter Review) — Mon, 03 Jun 2013 13:47:00 +0000

My summer is already off to a busy start, but you know it is getting to be that season when Book Expo hits. I managed to spend a good chunk of Thursday and most of Friday at the Javits Center seeing what's on deck for the book industry for the next six months. I was a bit pickier than in years past in terms of the galley grabbing, but there was plenty to be had. I did have to back away from a couple giveaways as you don't want to get in the middle of a frothing mad librarian-bookseller galley grab fight. Trust me, you don't.

The biggest hit for me is that little number at the top which is Neil Gaiman's Fortunately, the Milk. My wife actually nabbed it and lo and behold it is signed. This indebted me to my wife, but I was able to balance the scales the next day by getting her a copy of Elizabeth Gilbert's new novel The Signature of All Things. I only managed to go two signings the first of which was for Paolo Bacigalupi's Zombie Baseball Beatdown and managed to run into Jim C. Hines while leaving the line. The Bacigalupi's is his first middle grade novel which I'll give a read and pass on to my nephew who I got it signed to. Also, Bacigalupi's next adult novel The Water Knife has a finished second draft so we should see that pop-up in the next year or so. Paolo said they don't have a US publisher yet, but given his rise over the years I doubt he'll have a problem finding one here.

The Universe Versus Alex Woods by Gavin Extence is a coming of age story I've had my eye on and it is, I believe, the second release from the newest Hachette imprint Redhook. A couple years ago Alan Weisman's The World Without Us blew me away so I was quite glad to get a copy of Countdown, which is the flip side sequel exploring what humanity would need to do to survive on the planet long term. From Orbit I got Shaman by Kim Stanley Robinson, his sort of historical novel about life 30,000 years ago and Mira Grant's Parasite, which is a start to a new series about parasitic symbyotes that cure all diseases, but want to be free. Necessary Errors by Caleb Crain is a debut about young expatriates in newly democratic Prague circa 1990. I already owned One Last Thing Before I Go by Jonathan Tropper, but since he was there singing I couldn't pass up getting a copy. My last grab was The Incrementalists by Steven Brust and Skyler White which is about a shadowy group that has been around for a very longtime slowly changing the future in small ways. All in all a nice haul. The pile of books waiting for me at home wasn't bad either.

The first three in this stack were purchases. The Gist by Michael Marshall Smith is a lovely novella, which is an interesting experiment. There is the original story then a French translation followed by a retranslation into English. Before you decry me for not having read The Princess Bride by William Goldman please know I have, just not in a very long time. But when I learned my wife had never read it I made it a point to get a copy for our library. I think I'll give it a read this summer as it is one of the most enchanting stories ever, in any form. I also had to get a copy of Martha Wells'Emile & the Hollow World. Had to I tell you. In the review copy department I received Love Minus Eighty by Will McIntosh, which I'm already devouring. It is fabulous so far and also one of the most beautiful packaging jobs I've seen this year. It is a paperback with a rice paper cover slipped over so the image bleeds through. Brilliantly done. Ecko Rising by Danie Ware is a cross genre novel not on my radar until I received the copy, but it sounds quite interesting:

In a futuristic London where technological body modification is the norm, Ecko stands alone as a testament to the extreme capabilities of his society. Driven half mad by the systems running his body, Ecko is a criminal for hire. No job is too dangerous or insane.

When a mission goes wrong and Ecko finds himself catapulted across dimensions into a peaceful and unadvanced society living in fear of 'magic', he must confront his own perceptions of reality and his place within it.

A thrilling debut, Ecko Rising explores the massive range of the sci-fi and fantasy genres, and the possible implications of pitting them against one another.

Joyland is Stephen King much anticipated carnie themed mystery set in the 70's. I haven't read a King story in a few years, but just may dip into this one. Last, but certainly not least is Shift by Hugh Howey. I must admit for having fallen hard for Wool, but this prequel is making me a bit trepidacious as it could ruin everything that was setup. Still I can't help myself.

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Cover Unveiled for Dangerous Women edited by George R.R. Martin & Gardiner Dozois

noreply@blogger.com (Mad Hatter Review) — Sun, 19 May 2013 18:51:00 +0000

Above is the cover for what to me is the most anticipated super-anthology of the year, Dangerous Women. I've already mentioned all the contributors, but seeing many of them listed there does give me goosebumps. Especially knowing how many of these will connect to the novel worlds of many of the writers. While I do like the general look, it looks a bit just too that--general, but then again so was Warrirors which this is a companion volume to. Maybe Tor was concerned with ending up with a chain mail bikini girl so they went safe. Still I would have thought this would have been a good opportunity to show a strong, dangerous woman on a Fantasy cover with out the awkward poses or unrealistic accouterments. Dangerous Women will be out in early December. Get your Christmas lists ready.

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New Procurements

noreply@blogger.com (Mad Hatter Review) — Mon, 13 May 2013 12:41:00 +0000

Lot of good books have made it into the house. So many that I had to donate 4 bags of books to my local library this weekend. I'm sadly at the point where I have to make tough decisions every month about what books to keep, both old and new just to keep up with the flow. It is in a way a nice problem to have since when I was young I barely had any books to call my own that weren't school related. I was a library hound for many years so it is wonderful to have an amazing selection at hand. Anyway on with the new. Rather than discuss each book I'm just going to point out the ones I'm likely to read sooner than later. Also, if it is pictured here, but not mentioned don't take that as me not being interested. I want to read them I just know it won't be any time soon. Books I receive that I'm not very interested in go in the donation pile and don't get pictured.

The first 8 above are buys starting with the much lauded The Dog Stars by Peter Heller followed by the Demon Cycle mini-collection The Great Bazaar and Brayan's Gold by Peter V. Brett. The Brett collection is a UK only release, but the stories are available as eBooks readily in the US. Starslip Crisis Vol 1. I picked up signed by Kris Straub at PAX East this year. While at the comic shop I nabbed Manhattan Projects Vol 2. and Elric: The Balance Lost Vol 3. You is the sophomore novel from Austin Grossman, which is his love letter to video games and the people who make them.

The above are all review copies. Carniepunk started as a joke online that quickly tumbled into a full-blown theme anthology anchored by Urban Fantasy stars Kevin Hearne, Seanan McGuire, and Rachel Caine. The Rithmatist by Brandon Sanderson is one I've been looking forward to for a couple years now and is his YA debut. Two Serpents Rise is Max Gladstone's sequel to Three Parts Dead, which was one of my favorite debuts last year. Red Planet Blues is Robert J. Sawyer's detective noir on Mars. Max Barry's Lexicon will be read quite soon as well Zachary Jernigan's debut No Return. The Thousand Names by Django Wexler's debut and another read soon, but not officially out until June. I wasn't aware of Jeff Noon before I received these UK review copies, but his books sound too bonkers to pass by. Ari Marmell is the first to take on the Iron Kingdoms setting in novel form with In Thunder Forged. Iron Kingdoms is an RPG setting I've been interested in for a while as it combines magic and machines and epic battles. That's a recipe for fun.

I just finished reading The Great Bazaar by Peter Brett which was a nice treat and I'm now making my way through Iain M. Banks' Consider Phlebas, which is my firs Culture novel. So far it is slower and more brutal than I thought it would be, but it contains one of the best Prologue's in Space Opera I've ever read.

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INTERVIEW | Peter Higgins author of Wolfhound Century

noreply@blogger.com (Mad Hatter Review) — Wed, 24 Apr 2013 12:30:00 +0000

Every once in a great while a new author bursts on to the scene that is so different from everything else being published I have to sit up and notice and shout a bit about it. This year that author is Peter Higgins with his debut Wolfhound Century. It is a strange novel to be sure, but that is its greatest strength. Think China Mieville with more of a Slavic Folklore bent, but with the speed of a LeCarre novel. If that sounds like a heady mix it is yet a good one and making it feel startlingly original. Higgins has published short fiction in such places as Asimov's Science Fiction and Fantasy Magazine, but his novel was my first exposure to his work. It certainly won't be the last.

**********

MH: Wolfhound Century is a dark, fast paced visage of a Russia that never was. But it is so much more than that. What is your barroom description of Wolfhound Century?

HIGGINS: If I’d just arrived in the bar, I’d say that Wolfhound Century is an SF-fantasy-thriller set in an immense totalitarian state, the kind that spies on and murders its own citizens, but it's also a world of giants and golems and sentient rain, with an alien presence deep in the endless forest. There are elements of Russian and central/northern European history, art and literature lurking beneath the surface, if you want to look for them.

If I’d been in the bar for a while, I’d say it was inspired by books like Gorky Park, but written by someone who’d read a lot of Gene Wolfe and John Crowley and the folklore of the endless Slavic forests, and had grown up in the Cold War, with a life-long attachment to the dark, extraordinary history of Soviet Russia. Someone who’d read Nabokov’s memoirs and random pages from the 1914 edition of Baedeker’s Russia. I might add that one of the root ideas is that painters like Chagall and Malevich weren’t painting abstract or fantastical parables, they were simply recording what they saw.

And if I was still there at closing time, I’d be talking about the archetypal 20th century struggle between, on the one hand, the totalitarian idea of the individual as an atom of the state, subjected and reduced by the overwhelming forces of history, party and state, and on the other hand, the conception of each and every human being as a huge and partly unconscious world of emotion, perception, imaginative potential and creative imagination. Then I’d have to get my coat and go home.

MH: What came first? The world, the angels, or Vissarion?

HIGGINS: The world came first, definitely, or rather, two worlds: a northern and central European world of slow rivers, birch forests, wintry Baltic shores, and that 20th century world of revolution and war, marching crowds and gulags and state police, writers and artists and composers and dissident intellectuals.

But it was when the detective, Vissarion Lom, came on the scene that the story really began to come together. A door opening. I saw that the book could be – needed to be – a thriller. And Lom, the decent policeman who realizes he’s working for an indecent regime, would have to confront the cruel realities of that regime. He meets a woman who works in a factory and wants to change the world, he’s opened up (quite literally), and he begins to explore the wilder, stranger extremes of his world. There’s potentially more in Lom’s future than being a detective. In some ways he’s like Severian, the wandering exile from the torturer’s guild in Gene Wolfe’s Book of the Long Sun. (The near-anagrammatical relationship between Severian and Vissarion isn’t accidental.)

The ‘angels’ are immense beings that fall out of the sky, dying or already dead, and their mined, abraded torsos litter the continent. The regime appropriates them as a justification for its mythology of itself: in a sense, it’s a parallel with the way totalitarian dictators claim to embody wider, universal forces, the inevitability of history. When one angel survives the fall and starts to reach out, to speak, to influence, some people want to listen. They want to subject themselves to the greater, more certain power. And the really dangerous ones think they might be able to use it …

MH: One of the themes I was struck by was the land fighting back for its very survival and you've given them avatars of a sort with the palubas. Which gives it a very Robert Holdstock vibe.

HIGGINS: I’m glad you mentioned Robert Holdstock! I’m a huge fan of Mythago Wood, and even more of the sequels like Lavyondyss and The Hollowing, where the things in the wood get wilder and more extreme. It’s astonishingly vivid and free and unconstrained writing. I find Holdstock’s imagination massively inspiring. The idea in Wolfhound Century that the world – not just the forest but the rain, the air, the mud, the rivers – are watchful, active and potentially dangerous, owes a huge amount to him.

So the forest in Wolfhound Century – its endlessness, the avatars that come out of it – is proudly Holdstock-ish. But Holdstock’s wood is very English: superficially, on the outside, it’s small, only a couple of miles across, and in a specific, almost-mappable English location. Only when you go in and get lost there do you learn how immense it is on the inside. It draws you in, dilates time. And nothing escapes from it: the mythagos that cross its borders soon fade. The forest in Wolfhound Century, on the other hand (like the forests of Russia and central Europe) really is huge. It dominates the psychic terrain. The regime tries to close the forest off and blind the people to it, but their cities are full of forest things. Forest presences. Forest influence. Several of the principal characters themselves have forest roots, which they grow more aware of and try to understand. And the forest asserts itself: it reaches out and participates. As you say, it fights back. Fangorn and the ents are in there somewhere.

That idea, that everything is alive, has other roots too. It’s central to shamanism, for example. It runs deep in the Russian, Nordic and central European forests and Siberia, and comes through in the folklore from there. That world view was still influential in 20th century Russia, and not just as a primitive relic. There’s a fantastic quote from Konstantin Tsiolkovsky, the Cosmist who drove early Soviet thinking about the human colonisation of space and transhumanism:
‘There is no substance which cannot take the form of a living being. The simplest being is the atom. Therefore the whole universe is alive and there is nothing in it but life.’

This concept – panpsychism, sentient matter – shaped my thinking about the Wolfhound Century forest, and also about the angels: where they come from, what they’re made of, how they do what they do. And what unfettered or assisted human perception can tap into.

MH: With Wolfhound Century you've subverted Stalinist Russia as well as Slavic mythology, but this is clearly not the Russia we know. Possibly a deep past alternative history, but this world appears very much separated for ours. Are you worried that people will feel you've appropriated a culture? Have you had any feedback from Russian natives?

HIGGINS: No, I really don't feel like I've appropriated another culture.

As you say, in Wolfhound Century I’ve drawn on Russian history and culture. I haven’t taken them straight, I’ve re-imagined them and mixed them up with other things that aren't Russian. I’ve felt a responsibility to my sources and I’ve tried to write as well as I can. I'm very much aware that the history which my book stands sideways to was real – millions died and millions more had their lives ruined – and I've tried to let that awareness show through in Wolfhound Century. How far I've succeeded, whether I've always got it right, that's something for readers to make their own minds up about. It's not for me to say. But I’ve never worried that this book, the way I've written it, was trespassing across some kind of frontier into another culture's territory, and personally I don’t think the artists whose work I’ve drawn on – including writers like Mandelstam, Akhmatova, Pasternak and Nabokov, and painters like Chagall – would recognize that idea of their cultural separateness – those barriers of difference – either.

If I can give you one example of what I mean, Mandelstam was Russian but he wrote about Charles Dickens, Beethoven, Rome, the ancient Scottish poet Ossian, Hagia Sophia in Istanbul and Notre Dame in Paris. He saw continuity between ancient Greece and Russia: he said they met on the shores of the Black Sea. And he specifically denied the relevance of personal background to his work: of himself he wrote, 'it is enough to speak of the books he has read, and his biography is done'.

Other writers and artists I've drawn on maybe wouldn't use such stark terms as Mandelstam, but they all have the same deep involvement with a culture that goes way beyond Russia. They're part of a shared, complex, three-thousand-year old, wide-ranging, multi-linguistic, allusive tradition. It's one culture, modernist and frontierless, that may take account of local and national differences and inheritances but isn’t limited by them. And the precarious existence of that culture in a totalitarian state is part of the story Wolfhound Century is trying to tell, and it’s part of its way of trying to tell it.

I’m sitting at home at the moment, about 1300 miles from St Petersburg. The idea that, somewhere between here and there, there might exist a line of separation, a cultural and historical boundary drawn across Europe, doesn't feel right. That’s one of the reasons the Cold War was so cruel and why we celebrated when the wall came down. But even when the Cold War was at its height, we read books and listened to music and watched films from the territories of the Eastern Bloc.

I don’t know if maybe someone 1300 miles away from me in St Petersburg is writing an SF fantasy about a weird version of London during World War II, with a Prime Minister who’s a bit like Churchill and with writing that draws on Dickens or Virginia Woolf or Dylan Thomas. But I hope someone is. That would be awesome. And it would be fantastic if Wolfhound Century finds Russian readers. I'd love to know what they make of it. Of course, they’ll see that it’s not written in the same way that someone who lives in Russia would have written it. The imagined elements in it are my response to, my engagement with, Russia and what happened there, but it’s written from my perspective and it couldn’t be anything else.

MH: Do you have a favorite Russian folk tale? And if so did you integrate it into the Wolfhound Century in some form?

HIGGINS: Well, there’s a fantastic tradition of Russian folk tales. Sadko. Prince Ivan. Baba Yaga. The Fire Bird. The Snow Maiden. They’re part of the background to Wolfhound Century, certainly, they’re in the air: but in terms of integration into the story, they’re not really primary sources, as far as I’m consciously aware.

More specific sources were Siberian shamanism and the Slavic folklore of the wild forest. The palubas that come out of the forest and the wind-walker in the White Marshes are based on Slavic conceptions of wood spirits. I found a lot of material for the forest in a collection from 1918: The Mythology of All the Races, edited by Louis H Gray, particularly the Slavic and Finno-Ugric volumes. And the Pollandore and the mythology that surrounds its creation owe a fair amount to the story of the Sampo and other parts of the Kalevala from Finland.

MH: Wolfhound Century ended a bit abruptly. What made that a good breaking place and what can we look forward to with the sequel Truth and Fear?

HIGGINS: I thought you might ask me about the ending! There is a longer story arc and I wanted to leave Wolfhound Century with a sense of doors opening rather than closing, and - for the characters - a return to battle with a greater sense of who the enemies are and what's at stake. Not an ending, but a moment to take breath. Like Gene Wolfe, "Here I pause, having carried you, reader, from gate to gate......"
Truth and Fear, which is coming out early in 2014, widens the story out. I'm not going to say too much, but you'll see a lot more of the bad guys and what they're up to, and more about some of the things that were off-stage rumblings in Wolfhound Century, as well as other quarters of the city of Mirgorod and some new places on the continent.

And some new characters. And some big surprises. And a finish that'll knock your socks off and leave you wanting more ...

MH: What is the greatest advice you've even been given as a writer?

HIGGINS: "If someone tells you you’re doing too much of something in your work, then do it more, because that's your true voice."
A friend who's an artist told me that.

MH: Now on to the important issues. What is your favorite hat?

HIGGINS: For winter, a pull-on woolen cap: the acme is a Kangol Squad with a cuff. For rain and sun, a crushable bush hat in buffalo hide, easy to shove into a backpack. And for all seasons and all purposes except looking natty, there was my white canvas Tilley “Endurable” T3 Traditional, in many ways the finest of them all, which alas I seem to have lost.

MH: Sorry about the hatloss. Always remember a lost hat is never forgotten. I feel your pain having lost one of my old standbys last year. I also have a different hat for each season. Well, multiple hats for each season. Another important, life directing question: Scotch or beer?

HIGGINS: If I've just tramped twenty miles across Scottish moorland through mist and rain, then Scotch, but otherwise definitely beer.

MH: What books are you reading at the moment?

HIGGINS: Not for the first time, I'm making a determined attempt on the lower slopes of Gravity's Rainbow.

MH: That's a heavy one. I appreciate all your time. Is there anything you'd like to say to close us out?

HIGGINS: Just to say, thanks for inviting me to do this. It's been a lot of fun. I'll be lurking somewhere at World Fantasy Con 2013 in October if anyone wants to say hello.

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NEWS | Dangerous Women edited by George R.R. Martin and Gardner Dozois gets a release date

noreply@blogger.com (Mad Hatter Review) — Thu, 04 Apr 2013 13:26:00 +0000

News broke about George R.R. Martin and Gardner Dozois' next big anthology quite sometime ago, but a release date hadn't been set until just now. Dangerous Women will be released December of 2013, which should be just in time for Christmas. And what's better than original stories by Joe Abercrombie, Lev Grossman, and Brandon Sanderson to close out the the year? Well, only if we got a new Martin A Song of Ice and Fire story, which we do. It will cover the Targaryen civil war which has been mentioned a lot in the novels and Dunk & Egg stories, but little detail has been revealed. But don't confuse this with the Dunk & Egg stories as it takes place well before Egg was born. Here's part of Martin's announcement from a few months back that goes into more detail on some of the stories:

The Abercrombie is set against his RED COUNTRY backdrop, the Holland gives us Eleanor of Aquitaine, Jim Butcher returns us to Harry Dresden’s world, Lev Grossman contributes a tale of life at Brakebills, Steve Stirling revisits his Emberverse, Diana Gabaldon’s story features Jamie Fraser of OUTLANDER fame, the Spector is a Wild Cards story featuring Hoodoo Mama and the Amazing Bubbles, and mine own contribution… well, it’s some of that fake history I have been writing lo these many months, the true (mostly) story of the origins of the Dance of the Dragons. The stand-alone stories, not part of any series, feature some amazing work as well. For those who like to lose themselves in long stories, the Brandon Sanderson story, the Diana Gabaldon story, the Caroline Spector story, and my “Princess and Queen” are novellas. Huge mothers.

Here’s the table of contents…

“Some Desperado” by Joe Abercrombie
“My Heart Is Either Broken” by Megan Abbott
“Nora’s Song” by Cecelia Holland
“The Hands That Are Not There” by Melinda Snodgrass
“Bombshells” by Jim Butcher
“Raisa Stepanova” by Carrie Vaughn
“Wrestling Jesus” by Joe R. Lansdale
“Neighbors” by Megan Lindholm
“I Know How To Pick ‘em” by Lawrence Block
“Shadows For Silence In The Forests Of Hell” by Brandon Sanderson
“A Queen In Exile” by Sharon Kay Penman
“The Girl In The Mirror” by Lev Grossman
“Second Arabesque, Very Slowly” by Nancy Kress
“City Lazarus” by Diana Rowland
“Virgins” by Diana Gabaldon
“Hell Hath No Fury” by Sherilynn Kenyon
“Pronouncing Doom” by S.M. Stirling
“Name The Beast” by Sam Sykes
“Caretakers” by Pat Cadigan
“Lies My Mother Told Me” by Caroline Spector
“The Princess And The Queen” by George R.R. Martin

December can't get here soon enough.

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GUEST POST | Industrialization in Epic Fantasy by Brian McClellan

noreply@blogger.com (Mad Hatter Review) — Tue, 02 Apr 2013 13:12:00 +0000

The Industrial Revolution was a time of great change in our history. There were immense technological breakthroughs as well as wave after wave of political and social reform. The class system was breaking down and kings were being pulled from their thrones. Unprecedented economic growth swept across large parts of the world.

This most important of times in human history is often either maligned or ignored by epic fantasy.

The precedent for this seems to have been set by Tolkien. In his Lord of the Rings series, industrialization and technological advancement only seems to happen among the orcs. This is portrayed very well in the film where we can see great clouds of toxic pollution hanging over Mordor, and in Sarumon's lands he tears down the ancient forests to fuel and make room for belching factories to arm his Uruk-hai.

Tolkien focuses on the negative aspects of the industrialization, and why wouldn't he? During the Industrial Revolution people were crammed into dirty, overpopulated cities. Streets overflowed with trash and raw sewage. Rivers became toxic with the filthy runoff. Mining and logging on a large scale destroyed the countryside. All of this industrialization created a world in which it was possible to equip armies for world wars—a fact that Tolkien saw first hand.

There are plenty of others who focus on the disadvantages of technological progress in their epic fantasy. The starkest of these are post-apocalyptic epic fantasy; these are fantasy worlds that take place on a future Earth after nuclear war. Mark Lawrence's Broken Empire trilogy is one example, while Margaret Weiss and Tracy Hickman's Death Gate Cycle is another. In these worlds we see the ultimate endgame of industrialization—near annihilation.

In Promise of Blood, I wanted to treat the Industrial Revolution differently. Not as the means of evil, as Tolkien did, or advancement toward a nuclear holocaust, but as the simple wheels of progress. There is no inherent evil in industrialization—only what man decides to do with the results.

So I asked the question. "What place does magic have in an industrializing world?" The answer I found: a big one.

In my novels, the old school of magic—the Privileged with their elemental sorcery—are deeply entrenched in the nobility of the world. Along with the nobility they oppose this new rising middle class of capitalists and the factories and unions that come with them. At the same time they don't mind getting rich off the backs of the working man, or the canal being built over the mountains that will enable the import of more luxury goods.

The new powder mages, with their sorcery based on gunpowder, embrace industrialization. How better to produce more gunpowder and flintlocks? Factories help the Adran army become the best equipped among all the Nine Nations. The greater population density of the cities make it easier to find and recruit more powder mages.

Then there's the Knacked and their talents. The sorcery of the commoners is turned to whatever use they can find for it. Inspector Adamat uses his perfect memory to aid in his investigations. Olem becomes Field Marshal Tamas' bodyguard because he doesn't need sleep. The commoners adapt. They use their magic to better themselves in an increasingly complicated world.

There are some that might argue that industrialization takes the "epic" out of "epic fantasy." They might say that writing in this time period goes against the whole spirit of the genre. I don't agree. I think there are magic and heroes, good and evil, adventure and intrigue to be found in an industrial world and that the Industrial Revolution opens up a whole new set of possibilities for epic fantasy. Magic does not fade with technological advancement. It adapts along with the people that use it.

*****
Brian McClellan lives in Cleveland, Ohio with his wife, two dogs, a cat, and between 6,000 and 60,000 honey bees (depending on the time of year). He began writing on Wheel of Time role playing websites at fifteen. Encouraged toward writing by his parents, he started working on short stories and novellas in his late teens. He went on to major in English with an emphasis on creative writing at Brigham Young University. It was here he met Brandon Sanderson, who encouraged Brian’s feeble attempts at plotting and characters more than he should have. Brian continued to study writing not just as an art but as a business and was determined this would be his life-long career. He attended Orson Scott Card’s Literary Bootcamp in 2006. In 2008, he received honorable mention in the Writers of the Future Contest. In November 2011, PROMISE OF BLOOD and two sequels sold at auction to Orbit Books. It is due out in April of 2013. More info can be found on his website or on twitter.

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Meet Tor.com's Newest Contributor: ME!

noreply@blogger.com (Mad Hatter Review) — Fri, 15 Mar 2013 14:29:00 +0000

This is something I've been keeping under my hat for over a month. I'll be running The Way of Kings Reread for Tor.com! It is a gargantuan task that I hope I'm up to. This is one of the secret projects I've mentioned before. The intro post is up and my first chapter post should be going up on the 28th with a new one to follow every Thursday. So join me in the discussion as we try to make sense of Roshar and by extension the mind of Brandon Sanderson. It should be a hoot and a half.

Also, Tor is running a special on the eBook of The Way of Kings for $2.99 as well as a contest for print copies.

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Mad Hatter's Reading Log - August to December

noreply@blogger.com (Mad Hatter Review) — Thu, 14 Mar 2013 19:25:00 +0000

I'm posting this just in the interest of keeping my reading log up-to-date, but as this goes down my commentary gets shorter.

August

66. Stormdancer by Jay Kristoff - After a very boring first 100 pages of mostly walking around and explaining the world things finally took a turn for the better in this Steampunk quasi-Japanese influenced tale of a young girl facing off an entire nation with a griffin. Don't let the griffin part throw you off, he's much cooler than you'd think. Think Saphira only with more rage. What Stromdancer does well it excels at (fight sequences, window dressings such as the chainsaw katanas) and what it doesn't do well really shows (such as the use of the Japanese language at odd points and mutilated mythology). Granted this isn't trying to be a true to form Japanese Fantasy like Lian Hearn's work. Even amid all the problems I enjoyed Kristoff's opening salvo in the Lotus War trilogy. Fans of classic Fantasy who are looking for a bit of Steampunk accents thrown in would enjoy this, but don't expect something deeper.
67. "Devil in the Dollhouse" by Richard Kadrey - The first Sandman Slim short story takes us to what is considered the backwater of Hell. The ending felt off since it negates everything that happens, but damn if that wasn't a fun ride.
68. "Box of Devotion" by Anthony Huso - If you've been on the fence about trying Huso's The Last Page and it's sequel Black Bottle then please check out this short which shows off his considerable writing skills in a compact form. Yes, it is a side story from Black Bottle, but you needn't have read it to enjoy it on more than one level. Recommended.
69. Devil Said Bang by Richard Kadrey - I stand amazed that Kadrey has been keeping this series at such high level with blistering action and one of the best anti-heroes of the last decade. He is still holding out on us on the Aelita confrontation though.
70. Irredeemable vol 8 & 9 by Mark Waid - It is over and got a bit convoluted towards the end to the point I wish I stopped a bit sooner. But I needed closure. Sigh.
71. The Troupe by Robert Jackson Bennett - A couple years back I read Bennett's Mr. Shivers and found it to be more than decent, but not my cup of tea. The Troupe on the other hand feels like one of those book tailored to my taste. Believable yet odd setting: check. Endearing yet aloof characters: check. Genuinely original mythology: BIG CHECK. For me this came off as a period American Gods only it was even more epic towards the end. Vaudeville, evil monsters, dark family secrets. Just bliss. Highly recommended. This is also my book of the year.
72. The Twelve by Justin Cronin - Even though it didn't live up to the promise set forth in The Passage Cronin's characters are some of most magnetic and well-drawn people. Things escalate, however slowly and in more telegraphed ways. Recommended, especially if you devoured the first.
73. The Maze Runner by James Dasher - Decent YA Dystopian, but I finished without a urge to continue with the series as the ending was completely opaque to me. Anyone have an opinion on whether I should continue on to The Scorch Trials?
74. The Revised Fundamentals of Caregiving by Jonathan Evison - This bittersweet story centers on a man who has lost everything and has given up searching for a new life. Driven by the need to pay his bills he turns to becoming a caregiver to a young man with muscular dystrophy. At times heart wrenching and other times laugh-out-loud. Recommended
75. Mr Penumbra's 24-Hour Bookstore by Robin Sloan - Secrets codes in books, a book cult, and genius use of tech that is on our doorsteps made this a very fun read with an ending that lost the push the rest of the novel had.Highly recommended.
76. Ex-Patriots by Peter Clines - This is the sequel to the Zombie/Superhero mash-up Ex-Heroes. It wasn't as strong as the first book, but still a good time. Recommended. I'll be checking out the third book when it is released.
77. Trapped by Kevin Hearne - The fifth in the Iron Druid series. I'm more than a little bit smitten with Atticus and Granuaile. So if you've been on the sidelines with the series try the first out as the whole series has been on an even level. Highly recommend.

September

78. The Blinding Knife by Brent Weeks - Even better than The Black Prism and the series veers away from a more predictable path. Highly recommended for Epic Fantasy fans.
79. Two Ravens and One Crow by Kevin Hearne - The author refers to this novella as Iron Druid 4.5. Recommended.
80. The Dirty Streets of Heaven by Tad Williams - This goes in the unexpected book of the year category. Who knew Williams detailed Fantasy skills would translate so well to an Detective Noir Urban Fantasy? Really well done and I can't wait for the next volume.
81. The Boolean Gate by Walter Jon Williams - This is almost a brief history lesson about Sam Clemens and Nikola Tesla with great touches of New York City history. Is Telsa a mad man not working under his own power? Will Sam get his thousand island dressing? You have to read to find out.
82. The Labyrinth of Dreaming Books by Walter Moers - Taken as part of the whole of the Zamonia novels this is the only tedious volume to date. I'm hopeful it gets better because this is the first part in a duology that the next volume something actually happens.

October

83. The Kingmakers by Clay & Susan Griffith - The third and final volume of the Vampire Empire closes out things very strongly. Series highly recommended. It feels pulpy yet modern with a tinge of romance.
84. Savage Worlds: Explorers Edition - Gaming is afoot! This is a new RPG system for me so I've been studying up.
85. John Dies at the End by David Wong - Like the Evil Dead bucket loads? Then you'll love this. I also bought the sequel before I finished this, which should say a bit all on its own. Very twisted, funny Horror. Highly recommended.
86. The Emperor's Soul by Brandon Sanderson - Recommended and also a good introduction to Sanderson's writing with an Asiatic bent.
87. Sundiver by David Brin - A classic with loads of good ideas. Recommended and I hope to continue with the series in 2013.
88. Rapture by Kameron Hurley - Simply bad-ass. I love this series and this volume gives us plenty of closure. Highly recommended.

November

89. Red Country by Joe Abercrombie - An all-star cast from the world of the First Law is a fan's delight. It is not nearly as strong as Best Served Cold, but still one of the strongest Fantasy releases of 2012.
90. The Fractal Prince by Hannu Rajaniemi - If you thought The Quantum Thief was a bit of a mindfuck then you haven't seen anything yet. All though very confusing at times I fell hard for what Rajaniemi is doing to Science Fiction. Recommended.
91. The Woman Who Died A Lot by Jasper Fforde - Fforde has brought the series back to form after the last volume left me disappointed. It also seems the series is coming to a close, which is probably the way to go.
92. Jagannath by Karin Tidbeck - A gorgeous collection. The best of the year and perhaps the best of the last 10 years. Dark, strange, beguiling. Buy it.
93. Cold Days by Jim Butcher - See short review here.
94. Santiago by Mike Resnick - A bit too slow for my liking given I went in with high expectations as it is supposed to be a forebearer to Firefly. The Western/outlaw in space feel is definitely there though. Recommended with reservations.
95. Life Among Giants by Bill Roorbach - A very well told story, but the characters felt too detached. Yet there is something about this story that has stayed with me. Recommended.
96. The Inexplicables by Cherie Priest - One of the most "fun" books in the Clockwork Century series this time with a more YA friendly tone and character POV. And again a revisit to Seattle and many characters from the past with big things lurking in the fog. A nice close off to the Seattle storyline overall, but I'm at the point where I want to see what else is going on in this world. Recommended.
97. Osama by Lavie Tidhar - I think Tidhar was channeling Philip K. Dick in this reality bending pulp fiction. A very impressive read that is sure to create controversy and discussion. Recommend.
98. The Siren Depths by Martha Wells - This the third book of the Raksura has cemented Wells' work as a staple on my shelves from now on. Highly recommended for those wanting an exciting and original Fantasy novel.

December

99. City of Hope and Shadow by Ian Whates - I enjoyed the first book in this trilogy so much (City of Dreams and Nightmares), but second and this, the last volume, never entirely took off further for me. I just kept wishing more more of that discovery magic that happened with the first.
100. Becalmed by Kristin Kathryn Rusch - The latest in the Diving Universe series is actually a prequel on how a certain ship became stuck. Recommended.
101. Star Wars: Scoundrels by Timoty Zahn -See review here.
102. Among Others by Jo Walton - A gorgeous novel about a troubled young girl's experience with books, making friends, and leaving the past behind with some magic thrown in. Highly recommended.
103. Crystal Rain by Tobias Buckell - This was a reread as I wanted to get to the rest of the series. It is still a wonderfully big Sci-Fi adventure with a diverse cast. Cyborgs, gruesome aliens, and warring cultures. Good stuff. Highly recommended.
104. Mockingbird by Chuck Wendig - Our favorite foul-mouthed death-predicting vixen Miriam Black returns and this time she's going back to private school. Hilarity and death ensue. Highly recommended.
105. Three Parts Dead by Max Gladstone - Apparently I saved one of the best debuts for last. I was at first put off by the premise of a magic system designed along the lines of the legal system, but this world is so different from common Fantasy I was left wanting for more. Highly recommended.

So that was a lot to cover at once. Hopefully my next update won't be so long in the tooth. It was a heck of year of reading. Check here for my year end best of in case you missed it.

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Cover Unveiled for The Crimson Campaign by Brian McClellan

noreply@blogger.com (Mad Hatter Review) — Fri, 08 Mar 2013 15:22:00 +0000

One of the debuts I've most been looking forward to this year is Brian McClellan's Promise of Blood. It is a meaty looking Fantasy with a society that is working its way towards the mechanical age. You see guns are worked in, but there is still magic in the world. And Gods walk the Earth. This falls firmly in the up-and-coming sub-genre Flintlock Fantasy, which has been starting to come out in the fiction of Abercrombie, Weeks, and Chris Evans, but this appears to be the first to go for it full throttle. Promise of Blood isn't even out until April, but we've already got a chance to see the cover for the sequel The Crimson Campaign, which won't be out until February next year.

Art by Michael Frost and Gene Mollica, Design by Lauren Panepinto

I'm not always into photo realistic images, but these covers more than work for me. They evoke a beautifully textured and detailed world that knows the dirty side to warfare. Bravo to Orbit for the attention to detail. Here's the blurb for Promise of Blood since we don't want to ruin things for the sequel this early. Now do we? No, I thought not.

It's a bloody business overthrowing a king...
Field Marshal Tamas' coup against his king sent corrupt aristocrats to the guillotine and brought bread to the starving. But it also provoked war with the Nine Nations, internal attacks by royalist fanatics, and the greedy to scramble for money and power by Tamas's supposed allies: the Church, workers unions, and mercenary forces.

It's up to a few...
Stretched to his limit, Tamas is relying heavily on his few remaining powder mages, including the embittered Taniel, a brilliant marksman who also happens to be his estranged son, and Adamat, a retired police inspector whose loyalty is being tested by blackmail.

But when gods are involved...
Now, as attacks batter them from within and without, the credulous are whispering about omens of death and destruction. Just old peasant legends about the gods waking to walk the earth. No modern educated man believes that sort of thing. But they should...

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Covers Unveiled for Lexicon by Max Barry

noreply@blogger.com (Mad Hatter Review) — Thu, 28 Feb 2013 13:12:00 +0000

US Cover, Art by Will Staehle

I've been a fan of Max Barry's since his satirical Sci-Fi winner Jennifer Government, but it was Company that truly won me over with it hilarious views of corporate governance and organization. His last effort from 2011, Machine Man (reviewed here), was quite the twisted view on trans-humanism, but his latest Lexicon, goes after language itself. We've got two covers to gander at. They both do the job well enough, but the type treatment on the US is a bit stronger. The UK cover is clearly going after the style that was done on Jennifer Government. In either case I'm very interested with what going on in the inside. Whatever happens I expect a funny yet intelligent read.

UK Cover, Art by Ben Summers

Here's the blurb:

At an exclusive school somewhere outside of Arlington, Virginia, students aren’t taught history, geography, or mathematics—at least not in the usual ways. Instead, they are taught to persuade. Here the art of coercion has been raised to a science .Students harness the hidden power of language to manipulate the mind and learn to break down individuals by psychographic markers in order to take control of their thoughts. The very best will graduate as “poets”: adept wielders of language who belong to a nameless organization that is as influential as it is secretive.

Whip-smart orphan Emily Ruff is making a living running a three-card Monte game on the streets of San Francisco when she attracts the attention of the organization’s recruiters. She is flown across the country for the school’s strange and rigorous entrance exams, where, once admitted, she will be taught the fundamentals of persuasion by Brontë, Eliot, and Lowell—who have adopted the names of famous poets to conceal their true identities. For in the organization, nothing is more dangerous than revealing who you are: Poets must never expose their feelings lest they be manipulated. Emily becomes the school’s most talented prodigy until she makes a catastrophic mistake: She falls in love.

Meanwhile, a seemingly innocent man named Wil Jamieson is brutally ambushed by two strange men in an airport bathroom. Although he has no recollection of anything they claim he’s done, it turns out Wil is the key to a secret war between rival factions of poets and is quickly caught in their increasingly deadly crossfire. Pursued relentlessly by people with powers he can barely comprehend and protected by the very man who first attacked him, Wil discovers that everything he thought he knew about his past was fiction. In order to survive, must journey to the toxically decimated tow nof Broken Hill, Australia, to discover who he is and why an entire town was blown off the map.

As the two narratives converge, the shocking work of the poets is fully revealed, the body count rises, and the world crashes toward a Tower of Babel event which would leave all language meaningless. Max Barry’s most spellbinding and ambitious novel yet, Lexicon is a brilliant thriller that explores language, power, identity, and our capacity to love—whatever the cost.

Lexicon hits the shelves in June.

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