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Interact with our authors about hot topics from your field of interest.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default?start-index=26&amp;max-results=25'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>231</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-3577530777169768445</id><published>2015-11-13T09:03:00.000+00:00</published><updated>2015-11-13T12:35:18.334+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ben Bernanke"/><category scheme="http://www.blogger.com/atom/ns#" term="Lehman Brothers"/><category scheme="http://www.blogger.com/atom/ns#" term="Oonagh McDonald"/><category scheme="http://www.blogger.com/atom/ns#" term="Wall Street"/><title type='text'>Ben Bernanke and Wall Street Executives</title><content type='html'>By&amp;nbsp;&lt;span style=&quot;text-align: justify;&quot;&gt;Dr Oonagh McDonald CBE&lt;/span&gt;&lt;br /&gt;
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In a widely quoted interview with
USA Today, Bernanke said that ‘It would have been my preference to have more
investigations of individual actions because obviously everything that went
wrong or was illegal was done by some individual, not by an abstract firm.’ &amp;nbsp;He makes it clear that he thought some Wall
Street executives should have gone to jail. However, ‘ the Fed is not a law
enforcement agency. The Department of Justice are responsible for that, and a
lot of their efforts have been to indict or threaten to indict financial firms.
Now a financial firm is of course a legal fiction; it’s not a person. You can’t
put a financial firm in jail.’ &lt;/div&gt;
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Going after firms is precisely
what the Department of Justice has been doing in the aftermath of the financial
crisis. &amp;nbsp;It was nothing new.&amp;nbsp; For some decades, prosecutors have preferred
to go after companies rather than individuals, partly because of the alleged
difficulties in prosecuting individuals, but also on the grounds that this was
an attempt to change the ‘corporate culture’ so as to prevent future crimes,
The result has been ‘deferred prosecution agreements’ and even ‘non-prosecution
agreements’ in which companies agree to undertake various reforms to prevent
future wrong doing. Such agreements became the mainstay of white-collar&amp;nbsp; criminal law enforcement. There is little
evidence that such an approach, including the imposition of heavy fines, does
actually change the behaviour of companies.&amp;nbsp;
It did, however, bring in billions of dollars ($220 bn by March 2015)
and kept government housing policy, which required Fannie Mae and Freddie Mac
to buy ever-increasing proportions of subprime loans from the lenders, out of
the picture in any cases brought against the lenders.&lt;/div&gt;
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In the aftermath of the financial
crisis, the Department of Justice brought many high profile case against
leading banks, but these were settled out of court, as they resulted in&amp;nbsp; the kind of negotiations which were roundly
condemned by Judge Jed Rakoff. He described just going after the company is
‘both technically and morally suspect’, since the prosecutors can only threaten
to prosecute the company if there is sufficient evidence&amp;nbsp; to prove beyond reasonable doubt that&amp;nbsp; fraud has been committed, and, if that can be
established then the managers concerned should be indicted.&amp;nbsp; &lt;/div&gt;
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Such condemnation from a judge
and from the politicians and media led to a radical change of direction
announced by the deputy Attorney General in her Memorandum on September 9&lt;sup&gt;th&lt;/sup&gt;..
Sally Quillian Yates announced that in the future, the Department of Justice
will turn its attention to individual a&lt;st1:personname w:st=&quot;on&quot;&gt;cc&lt;/st1:personname&gt;ountability,
since it is one of the ‘most effective ways to combat corporate misconduct is
by seeking a&lt;st1:personname w:st=&quot;on&quot;&gt;cc&lt;/st1:personname&gt;ountability from the
individuals who perpetrated the wrongdoing’. She&amp;nbsp; argued that this ‘deters future illegal
activity; it incentivizes changes in corporate behaviour,&amp;nbsp; it ensures that the proper parties are held
responsible for their actions, and it promotes the public’s confidence in our
justice system’. Ben Bernanke’s remarks are certainly in line with the changing
views about law enforcement. &lt;/div&gt;
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However, that is not the
fundamental issue concerning the past.&amp;nbsp;
It would, of course, have been possible to bring criminal charges
against senior executives if they could be shown to have been guilty of fraud
as individuals, but the charges were always against the company.&amp;nbsp; The real question is: if senior executives
are to be held a&lt;st1:personname w:st=&quot;on&quot;&gt;cc&lt;/st1:personname&gt;ountable, then the
laws and regulations should be clear and of course in force at the time to
ensure that&amp;nbsp; administrative actions or
prosecutions could take place.&amp;nbsp; For
Bernanke to say that some senior executives&amp;nbsp;
should be in prison&amp;nbsp; implies that
he considers that it was possible to do under the regulations or the laws in
existence at the time, but that the regulatory authorities did not refer any
case to the Department of Justice nor take the administrative actions open to
them at the time or in the aftermath of the financial crisis.&lt;/div&gt;
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Bernanke&amp;nbsp; was in a position to ensure that regulations
were in place so that senior executives could be called to a&lt;st1:personname w:st=&quot;on&quot;&gt;cc&lt;/st1:personname&gt;ount., but his speeches and the full minutes of
the Federal Open Markets Committee indicate that he did not see the risks in
the growth of the subprime market and weak regulation.&amp;nbsp; Indeed, Bernanke seemed unaware of the extent
of subprime lending and its impact on the economy or even on the banking
sector. Even as late as May 2007, he stated, we do not expect significant
spillovers from the subprime market to the rest of the economy or the financial
system’. &amp;nbsp;In June 2007, he announced a
review of the rules governing&amp;nbsp; lending
practices and&amp;nbsp; supervision. It was too
little, too late.&amp;nbsp; Looking back later,
Bernanke admitted that ‘stronger regulation and supervision aimed at the problems
with underwriting practices and risk management would have been more effective
in containing the housing bubble.&amp;nbsp; The
Big Five investment banks voluntarily agreed to be supervised by the SEC under
a special, undemanding regulatory regime. Inadequate regulatory frameworks and
an unwillingness to take action against individuals&amp;nbsp; meant that senior executives would not, and
often could not be taken to task for their alleged misdeeds.&lt;/div&gt;
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Dr Oonagh McDonald is author of &lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9781784993405&quot;&gt;Lehman Brothers: A Crisis of Value&lt;/a&gt;&lt;/i&gt;&amp;nbsp;(&lt;span style=&quot;background: white;&quot;&gt;978-1-7849-9340-5&lt;/span&gt;)&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/3577530777169768445/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/3577530777169768445' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/3577530777169768445'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/3577530777169768445'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/11/ben-bernanke-and-wall-street-executives.html' title='Ben Bernanke and Wall Street Executives'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbxYeIZcNdqb7FkFPke67_Gv6BMO1A3WETvZDWxV7CFY-AllqcgNQcg7fSnknG9mcBiNhzYzfdlRe0DMGhuAbiLi9xLCjnynqgsmGV5tbMQZc2fVaK8oWlhuPEAfpREzTcoV4KaqGNWQA/s72-c/9781784993405.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-785807025001748736</id><published>2015-11-12T13:37:00.000+00:00</published><updated>2015-11-12T13:37:59.895+00:00</updated><title type='text'>Peter Barry, author of the landmark MUP book, Beginning theory, reflects on how his twenty year old creation came to be</title><content type='html'>By Peter Barry&lt;br /&gt;
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&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719079276&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNm-35PC3RV6fwLLYk9ODZcwQxsOsihZ4gGqe8kG_ZKKvze0JtJDRRDfh9VdYAxBivmmdPv63v_WYt_t2Ml1uqRzxiFTQQ377tfFMyWgdNaSNayNmFZCBm091H3nDl3jVr2U1X00h-q5E/s400/9780719079276+%25281%2529.jpg&quot; width=&quot;256&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;I am delighted to be asked to do a blog piece on ‘&lt;i&gt;BT&lt;/i&gt; at 20’, and also struck by an echo of
how &lt;i&gt;BT &lt;/i&gt;started, around 1982. At the
time I was teaching at LSU College in Southampton. We never had classes on
Friday afternoons, and the Friday lunchtime custom of academic staff was a visit
to a local pub. On one occasion, I had settled down with a pint and a
ploughman’s at &lt;i&gt;The Wellington &lt;/i&gt;in Park
Road, when Paul Gardner, our convivial HoD, asked casually, if I might be
interested in devising an undergraduate course in literary theory. Being young
and naïve, I expressed enthusiasm, and Paul said, as if casually, ‘Could you do
it for Monday?’ My weekend ended there, and on the Monday I gave him the
outline syllabus for a theory course. It went through a fast-track validation
route that Paul had set up, and by the following September I was teaching it,
as part of a new degree scheme. It was the first undergraduate course in
literary theory in the UK, and in due course (pun intended), it became &lt;i&gt;Beginning Theory. &lt;/i&gt;On Friday last week, more
than thirty years after that lunchtime in &lt;i&gt;The
Wellington&lt;/i&gt; (still naïve, but no longer young), I got an email from MUP
inviting me to do a blog piece. I had already agreed to do it before scrolling
down to the punch-line, which read, as I should have anticipated, ‘But we will
need it by Monday’. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Over the weekend, I got out my &lt;/span&gt;&lt;i style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;BT &lt;/i&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;file from way back then, and took a look. There are several
readers’ reports on the &lt;/span&gt;&lt;i style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;BT &lt;/i&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;proposal
from circa 1993, all of them pretty snooty about the possibility (perhaps even
the desirability) of writing about literary theory in a way that students can
understand. The idea for the book had come to me in 1992, when I encountered a
woman just outside Sussex University, on the platform of Falmer Station. She
was reading one of the two (postgraduate) student-directed books about literary
theory which then existed. She was in tears, and I had the distinct thought
that it must be possible to write about theory without provoking that reaction.
It’s a bizarre idea, I know, and (with the obvious exception of Terry Eagleton,
who instigated it) it never really caught on, except with (at most) half a
dozen people worldwide.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;When I write, I talk
to myself (which is OK, so long as you say the right things). One of the things
I often tell myself is ‘It’s not extreme enough – make it more extreme’. When I
come back to a piece that I thought I had pushed to an extreme, it usually
feels more normative than it did when I was writing it, but (I hope) it never
just feels standard, run-of-the-mill academic normal. Being extreme in the
context of literary theory means using ordinary language, explaining fully,
finding the example that works, then working it all the way through, and never
pretending to be a full believer in what I only half believe.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;Anita Roy, who was the MUP commissioning editor in the early
1990s, sent me the bundle of readers’ reports, saying that I should use anything
in them that seemed helpful. She came to LSU shortly afterwards at my
invitation to do a talk to the Humanities Research Group, which I had set up
with Dr Jane McDermid (now Reader in History at Southampton University). No
official letter had yet been sent, and I had assumed that MUP wasn’t going to
do the book. During the meal afterwards, at a pizza house in Rochester Place,
Anita Roy said something that made me ask in surprise ‘Do you mean you’re
commissioning it?’ and she looked puzzled and said, yes, of course we are. So
that was that - I’ve been with MUP ever since, and have never wanted to be
anywhere else. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;The chapters began with the typed out lectures which by that
time I had been delivering on the theory course for several years. The period
of expanding them into a book is vivid in the memory. For over a decade, my
room in college had been spacious and beautiful, with a pair of lofty windows overlooking
the Avenue in Southampton. In the early 1990s – the era known in higher
education as ‘massification’ – student enrolment at colleges and universities greatly
increased. New staff had to be appointed, and my room, with several others, was
sliced into two. Over the summer I wrote in the corridor, listening to the
noise of builders drilling through to make extra doors and flimsy dividing walls.
I had the feeling that I wanted to be somewhere else, and by the time the book
was published in 1995 I had moved to Aberystwyth University. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;Anyone who writes a high-selling academic book has to pay a price
– it is the sin for which there is no absolution. But when I lecture, and I see
people nodding with understanding, I feel that I can want nothing better. As a
writer and teacher, the only quality I value is clarity – as Ezra Pound said,
clarity is the writer’s only morality. I have no interest in accolades from
professors, and the ones I like come from students worldwide in emails. The
nicest always tell the same basic story – I was enjoying English, and then in
Year 2 we were hit by the theory course, and I was about to give up the subject
– tears are often mentioned – then someone told me about your book. There was
one email I wanted to have quoted on the front cover – it was from America and
it read in full ‘This book is the real fucking dope – I’m pissed my profs
didn’t tell me about it sooner’. Others come from readers of humbling erudition
– one explained the three transmission errors I had made in a single-line Latin
quotation – we silently corrected them, and I imagined the pain my Latin teacher
would have felt on seeing them. As we have gone through numerous re-prints over
twenty years, errors we corrected a decade earlier sometimes rise from the dead
to haunt us, going unnoticed through two or three reprints before we realise
they are back, and need to be weeded out all over again. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 12.0pt; line-height: 115%;&quot;&gt;At a deeper level, revising
and updating a book of one’s own seems straight-forward, in theory, but in
practice re-entering the mind-set of a quarter of a century ago is nearly impossible.
I feel about for the way back into a certain line of argument, but am often defeated.
It’s easier to write a new book than to revise an old one, though I am pressing
on anyway towards the goal of the 4&lt;sup&gt;th&lt;/sup&gt; edition. I’m sometimes asked how
it feels to have written a book that everyone seems to know about, and I say
that it feels nice. All I mean is that I like the fact that people know my name
– it’s as elemental as that. Sometimes I have to confess that I’m not the author
of illustrated books with titles like &lt;i&gt;How
to Photograph Your Girlfriend, &lt;/i&gt;and I imagine that my namesake may
occasionally have to explain that he is not responsible for the faults of &lt;i&gt;Beginning Theory. &lt;/i&gt;I remain extremely
grateful for the twenty-year support and friendship of Commissioning Editor Matthew
Frost at MUP, and likewise that of John McLeod, ex-LSU, and now Prof at Leeds
University, who is co-editor of the &lt;i&gt;Beginnings
&lt;/i&gt;series&lt;i&gt;. &lt;/i&gt;Being from Liverpool, my
lifelong ambition was to be a paperback writer, and I’m pleased that it has
happened. Also, I remain constantly optimistic that, as it says in the Beatles
song, ‘I&#39;ll be writing more in a week or two’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKPfLxD78ZD1ELBnKrtFyaVU36WDRvRtMLdL5CaPD3h8l3ENs1a-i7ozf-N8ofiAd2RQTXpijNKU5XimjDabQmmAJht8zrhjEsSsu6_Ka_h0L56zNknIZa5B1LjqDaJRJJS8zGIcsel0o/s1600/peter-barry.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKPfLxD78ZD1ELBnKrtFyaVU36WDRvRtMLdL5CaPD3h8l3ENs1a-i7ozf-N8ofiAd2RQTXpijNKU5XimjDabQmmAJht8zrhjEsSsu6_Ka_h0L56zNknIZa5B1LjqDaJRJJS8zGIcsel0o/s200/peter-barry.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-size: 12pt; line-height: 115%;&quot;&gt;Peter Barry is Professor of English at Aberystwyth
University&amp;nbsp;and is the author of&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719079276&quot;&gt;Beginning
Theory (3e)&lt;/a&gt;&lt;/i&gt;&amp;nbsp;(ISBN&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background: white; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Arial;&quot;&gt;978-0-7190-7927-6)&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background: white; font-size: 12pt; line-height: 115%;&quot;&gt;and&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719088513&quot;&gt;Reading
Poetry&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;(ISBN&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background: white; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Arial;&quot;&gt;978-0-7190-8851-3)&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/785807025001748736/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/785807025001748736' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/785807025001748736'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/785807025001748736'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/11/peter-barry-author-of-landmark-mup-book.html' title='Peter Barry, author of the landmark MUP book, Beginning theory, reflects on how his twenty year old creation came to be'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNm-35PC3RV6fwLLYk9ODZcwQxsOsihZ4gGqe8kG_ZKKvze0JtJDRRDfh9VdYAxBivmmdPv63v_WYt_t2Ml1uqRzxiFTQQ377tfFMyWgdNaSNayNmFZCBm091H3nDl3jVr2U1X00h-q5E/s72-c/9780719079276+%25281%2529.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-902198694368636960</id><published>2015-10-30T11:01:00.000+00:00</published><updated>2015-10-30T11:01:46.319+00:00</updated><title type='text'>Happy Halloween! </title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9u9LXKnGI3YOQZCOjajritLBVfG0_BDAy2p_0Yn6TeMjzdapuxYQjpQLIPDSBP_QxZCSFpRRaj7jyJQ8iXgj_bYeXbB-CRYLGaOsbsPE-3O2cpD99M96fYSybf-5ucAFDSWzm0OMSsHc/s1600/Halloween.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9u9LXKnGI3YOQZCOjajritLBVfG0_BDAy2p_0Yn6TeMjzdapuxYQjpQLIPDSBP_QxZCSFpRRaj7jyJQ8iXgj_bYeXbB-CRYLGaOsbsPE-3O2cpD99M96fYSybf-5ucAFDSWzm0OMSsHc/s640/Halloween.jpg&quot; width=&quot;452&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #222222; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 20.4px;&quot;&gt;No tricks, just treats from MUP this Halloween! Enjoy 20% off the above reads.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; border: 0px; font-stretch: inherit; padding: 0px; vertical-align: baseline;&quot;&gt;
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&lt;div style=&quot;background-color: white; border: 0px; font-stretch: inherit; padding: 0px; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #222222; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 20.4px;&quot;&gt;To take advantage of this spooktacular discount simply return your completed order form to our distributors at the address below, or contact them on +44 (0)1752 202301, or by emailing orders@nbninternational.com and quoting discount code OTH568.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #222222; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 20.4px;&quot;&gt;Orders&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #222222; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 20.4px;&quot;&gt;NBN International&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #222222; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 20.4px;&quot;&gt;Plymouth&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #222222; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 20.4px;&quot;&gt;PL6 7PP&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background-color: white; border: 0px; font-stretch: inherit; padding: 0px; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #222222; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 20.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;line-height: 20.4px;&quot;&gt;Offer ends 13th November 2015.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/902198694368636960/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/902198694368636960' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/902198694368636960'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/902198694368636960'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/10/happy-halloween.html' title='Happy Halloween! '/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9u9LXKnGI3YOQZCOjajritLBVfG0_BDAy2p_0Yn6TeMjzdapuxYQjpQLIPDSBP_QxZCSFpRRaj7jyJQ8iXgj_bYeXbB-CRYLGaOsbsPE-3O2cpD99M96fYSybf-5ucAFDSWzm0OMSsHc/s72-c/Halloween.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-6766681695274405884</id><published>2015-10-27T09:29:00.002+00:00</published><updated>2015-10-27T09:29:56.212+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bob Dylan"/><category scheme="http://www.blogger.com/atom/ns#" term="books"/><category scheme="http://www.blogger.com/atom/ns#" term="Manchester"/><category scheme="http://www.blogger.com/atom/ns#" term="Refractions of Bob Dylan"/><title type='text'>Refractions of Bob Dylan</title><content type='html'>&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3295JeAPPIy9wSIQ6O2UN-xajIl1QhJSu74iqXhtkz3v72z31OEuBa55yRcr3LwQkekzB8xPojpgKeyyQX9xs6JPN2btZdLDEazfcuJ11ppNgGrqtKFdpWoo5Q51RAAT5rFewc01HRw/s1600/Bob+Dylan+Tour+Promotion.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3295JeAPPIy9wSIQ6O2UN-xajIl1QhJSu74iqXhtkz3v72z31OEuBa55yRcr3LwQkekzB8xPojpgKeyyQX9xs6JPN2btZdLDEazfcuJ11ppNgGrqtKFdpWoo5Q51RAAT5rFewc01HRw/s640/Bob+Dylan+Tour+Promotion.jpg&quot; width=&quot;451&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
To celebrate Bob Dylan coming to Manchester, we are offering &lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719097164&quot;&gt;Refractions of Bob Dylan&lt;/a&gt;&lt;/i&gt; at a special price of £10*!&lt;br /&gt;
&lt;br /&gt;
To take advantage of this fabulous discount simply return your completed order form to our distributors at the address below, or contact them on +44 (0)1752 202301, or by emailing orders@nbninternational.com and quoting discount code OTH569.&lt;br /&gt;
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PL6 7PP&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: x-small;&quot;&gt;*Discount ends 30th November 2015&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/6766681695274405884/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/6766681695274405884' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/6766681695274405884'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/6766681695274405884'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/10/refractions-of-bob-dylan.html' title='Refractions of Bob Dylan'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3295JeAPPIy9wSIQ6O2UN-xajIl1QhJSu74iqXhtkz3v72z31OEuBa55yRcr3LwQkekzB8xPojpgKeyyQX9xs6JPN2btZdLDEazfcuJ11ppNgGrqtKFdpWoo5Q51RAAT5rFewc01HRw/s72-c/Bob+Dylan+Tour+Promotion.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-571280634149273865</id><published>2015-10-22T10:50:00.001+01:00</published><updated>2015-10-22T10:51:39.241+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="James Baldwin Review"/><category scheme="http://www.blogger.com/atom/ns#" term="Open access"/><category scheme="http://www.blogger.com/atom/ns#" term="Open Access Week"/><title type='text'>Open Access Week - James Baldwin Review </title><content type='html'>&lt;div class=&quot;Body&quot; style=&quot;text-align: left;&quot;&gt;
By Justin A. Joyce and Douglas Field&lt;/div&gt;
&lt;div class=&quot;Body&quot; style=&quot;text-align: center;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJqJrgE89bAuwLI5whmdOqF8bRCVtN5JNyBowbbsPCPC51btNXB6TbiM93xUHwsS5Aq9jiT9lwnEaeiQiTHKaWBKgk3Hu9GwaabfoTA2uNWAJdiMpZeP9NTzY7R8Xh4UZrnU9rnrEJ-Lg/s1600/James+Baldwin+Review.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJqJrgE89bAuwLI5whmdOqF8bRCVtN5JNyBowbbsPCPC51btNXB6TbiM93xUHwsS5Aq9jiT9lwnEaeiQiTHKaWBKgk3Hu9GwaabfoTA2uNWAJdiMpZeP9NTzY7R8Xh4UZrnU9rnrEJ-Lg/s320/James+Baldwin+Review.jpg&quot; width=&quot;213&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;i&gt;&lt;span lang=&quot;EN-US&quot;&gt;James Baldwin Review&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-US&quot;&gt;is proud to announce the publication of its inaugural volume.&amp;nbsp;&lt;i&gt;James Baldwin Review&amp;nbsp;&lt;/i&gt;(&lt;i&gt;JBR&lt;/i&gt;) is an annual, peer-reviewed journal that brings together a wide array of critical and creative work on the life, writings, and legacy of a groundbreaking 20&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;century American author, James Baldwin. Extending discussion of Baldwin’s writing and its impacts beyond academia is one of the core aims of&amp;nbsp;&lt;i&gt;JBR&lt;/i&gt;. Towards this end, the journal is published online, available for free, in an open access partnership between Northwestern University, Manchester University Press, and the University of Manchester Library.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;&quot;&gt;Although
James Baldwin&#39;s work has started to receive considerable scholarly attention, and
though he is cited widely on the Internet in epigraphic and aphoristic ways, his
legacy has been far from secure. While there are smatterings of his archive at
the Schomburg Center for Black Research and Culture in New York City, for
example, the collection is less significant than his peers, including that of
Richard Wright, an African American writer with whom he is frequently compared.
Spurred on by two important collections of essays on Baldwin&#39;s work—D. Quentin
Miller&#39;s 1999 volume, &lt;i&gt;Re-Viewing James Baldwin: Things Not Seen&lt;/i&gt;, and
Dwight McBride&#39;s collection of essays, &lt;i&gt;James Baldwin Now,&lt;/i&gt; published a
year later—Baldwin scholars began to discuss in earnest ways how we might build
on this important work, while also helping to cement the author&#39;s place as a
central figure in 20&lt;sup&gt;th&lt;/sup&gt; century American culture. &lt;i&gt;JBR&lt;/i&gt; sprang out of a perceived need to
create an established forum for the exciting new scholarship that focused on the
author, as well as encouraging participants at international conferences on
Baldwin to develop their ideas (London 2007; Boston 2009; Montpellier, 2014; and
Paris, 2016), in well-written, jargon-free prose that might appeal to non-academics,
too. The aim of the journal, which carries echoes of &lt;i&gt;The Henry James Review&lt;/i&gt; (Johns Hopkins University Press),
one of Baldwin&#39;s literary heroes, is to gather together new and established
critical writers in order to continue and develop the important &lt;a href=&quot;https://www.blogger.com/null&quot; name=&quot;_GoBack&quot;&gt;&lt;/a&gt;scholarly work of previous generations, but also to look
afresh at his less well-known work and to reassess his continuing political and
cultural relevance. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;&quot;&gt;It
was determined from the outset that the journal would be a collaborative
project; that it would involve a number of scholars and artists in order to
reflect the multi-faceted nature of Baldwin&#39;s life and work. Approximately six
years ago, Doug Field, a noted Baldwin scholar whose new book &lt;i&gt;All Those Strangers: The Art and Lives of
James Baldwin &lt;/i&gt;is fresh out from Oxford University Press, formed a
partnership with Dwight A. McBride and Justin A. Joyce, both with The Graduate
School at Northwestern University. After nearly two years exploring different
revenue models for founding and funding a journal, it became clear that with
funding from our respective institutions (University of Manchester and
Northwestern University), we could create our own model, thanks to the pioneering
approach to Open Access publishing both at the University of Manchester Library
and also at Manchester University Press.&amp;nbsp;
The Open Access model was not only a financially viable model, it’s more
egalitarian ethos also fit well with the spirit of Baldwin&#39;s work, which
continues to demand attention, not only from the Academy, but from a wide cross-section
of society across the globe, which is a fitting tribute to this self-styled
transatlantic commuter.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;&quot;&gt;We
are very proud to be able to announce our journal in conjunction with Open
Access Week, and to join the global community of scientists, researchers, and
scholars who are working to limit the barriers of access to knowledge by
publishing in Open Access forums and repositories. Publishing our journal under
a Creative Commons open access license allows Baldwin scholars, students, and
enthusiasts an accessible forum for sustaining interest in the life, works, and
legacies of this vital 20&lt;sup&gt;th&lt;/sup&gt; century American writer. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;&quot;&gt;For
a humanities journal, and specifically one concentrating on such a prophetic
and inspiring voice, our aim is perhaps slightly different than the core of
scientific journals utilizing Open Access to spread &quot;knowledge&quot;. Opening
the doors of access to current research can also touch us in profoundly
emotional ways. As Baldwin himself once wrote, “You think your pain and your
heartbreak are unprecedented in the history of the world, but then you read. It
was books that taught me that the things that tormented me most were the very
things that connected me with all the people who were alive, or who had ever
been alive.” As Baldwin scholars, our push is to make as widely available as
possible the voices, views, and lives that move us, to empathy, to understanding,
to new ideas about ourselves, each other, and our places in the world. Words
that move us, in short, to action.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;BodyA&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;Body&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;The inaugural volume of &lt;i&gt;JBR&lt;/i&gt;
contains a mix of formal and informal tones, of experienced writers and new
voices. These essays are accompanied by an award-winning graduate student
essay, journalistic and autobiographical reflections, and a review of significant
scholarly works on Baldwin. Our first volume also proudly features new words
and new works to examine and explore, including an interview with Baldwin that
has not previously been published in English and an essay on “The Hallelujah
Chorus,” Baldwin’s largely forgotten collaboration with Ray Charles. Volume 1
also contains extended discussions of the importance of music to Baldwin’s life
and work, along with instrumental and vocal performances on the &lt;/span&gt;&lt;i&gt;&lt;span lang=&quot;DE&quot;&gt;JBR &lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-US&quot;&gt;website.&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;Body&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;Body&quot; style=&quot;mso-pagination: none; text-align: center;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;Volume
1 (2015) of &lt;/span&gt;&lt;i&gt;&lt;span lang=&quot;DE&quot;&gt;JBR &lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-US&quot;&gt;can
be found here:&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;Body&quot; style=&quot;mso-pagination: none; text-align: center;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span class=&quot;Hyperlink0&quot;&gt;&lt;a href=&quot;http://jbr.openlibrary.manchester.ac.uk/index.php/jbr/issue/view/1&quot;&gt;http://jbr.openlibrary.manchester.ac.uk/index.php/jbr/issue/view/1&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;Body&quot; style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;Body&quot; style=&quot;text-align: center;&quot;&gt;
&lt;i&gt;&lt;span lang=&quot;DE&quot;&gt;JBR &lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-US&quot;&gt;is currently accepting
submissions for its second volume (2016). The call for papers and information
about submissions can be found on our website:&lt;/span&gt;&lt;span lang=&quot;EN-US&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot; class=&quot;Body&quot; style=&quot;text-align: center;&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;&lt;span class=&quot;Hyperlink0&quot;&gt;&lt;span lang=&quot;DE&quot;&gt;&lt;a href=&quot;http://jbr.openlibrary.manchester.ac.uk/index.php/jbr/index&quot;&gt;http://jbr.openlibrary.manchester.ac.uk/index.php/jbr/index&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/571280634149273865/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/571280634149273865' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/571280634149273865'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/571280634149273865'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/10/open-access-week-james-baldwin-review.html' title='Open Access Week - James Baldwin Review '/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJqJrgE89bAuwLI5whmdOqF8bRCVtN5JNyBowbbsPCPC51btNXB6TbiM93xUHwsS5Aq9jiT9lwnEaeiQiTHKaWBKgk3Hu9GwaabfoTA2uNWAJdiMpZeP9NTzY7R8Xh4UZrnU9rnrEJ-Lg/s72-c/James+Baldwin+Review.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-1649925369447685738</id><published>2015-10-08T11:37:00.000+01:00</published><updated>2015-10-08T11:37:32.530+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="books"/><category scheme="http://www.blogger.com/atom/ns#" term="MUP"/><category scheme="http://www.blogger.com/atom/ns#" term="Suffragette"/><category scheme="http://www.blogger.com/atom/ns#" term="women&#39;s history"/><title type='text'>Celebrating Women&#39;s History</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;span style=&quot;font-size: 13.6px; line-height: 20.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 13.6px; line-height: 20.4px;&quot;&gt;Here at &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/index.shtml&quot;&gt;MUP&lt;/a&gt;&amp;nbsp;we are getting excited about the release of&amp;nbsp;&lt;/span&gt;&lt;em style=&quot;border-image-outset: initial; border-image-repeat: initial; border-image-slice: initial; border-image-source: initial; border-image-width: initial; border: 0px; font-family: inherit; font-size: inherit; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Suffragette&lt;/em&gt;&lt;span style=&quot;font-size: 13.6px; line-height: 20.4px;&quot;&gt;, starring Meryl Streep and Carey Mulligan. And to celebrate, we are offering 20% off a selection of our women&#39;s history titles.&lt;/span&gt;&lt;/div&gt;
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To take advantage of this fabulous discount simply return your completed order form to our distributors at the address below, or contact them on +44 (0)1752 202301, or by emailing orders@nbninternational.com, and quoting discount code OTH561.&lt;/div&gt;
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Orders&lt;/div&gt;
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NBN International&lt;/div&gt;
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10 Thornbuy Road&lt;/div&gt;
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Plymouth&lt;/div&gt;
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PL6 7PP&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/1649925369447685738/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/1649925369447685738' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/1649925369447685738'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/1649925369447685738'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/10/celebrating-womens-history.html' title='Celebrating Women&#39;s History'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigb1eGVa_cKhSiFzNfnTQFPWhwoFM7iH-N7jKcbPgXRT191PZF863zJ95byFPSQz4mFchKUGnlmAOM-oRE3BKIlWkDzJKFBpeC3F-cycR3QKNfQ_3ZzM_aDSSQzbl5zK3UgnsQTP6sE6E/s72-c/Suffragette.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-5055491363588470530</id><published>2015-08-20T16:58:00.000+01:00</published><updated>2015-08-20T17:06:06.146+01:00</updated><title type='text'>The Sociology of Unemployment: A choice between hard labour or destitution?</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUS-AFgRiLSYsd4Wt3_FYsu1ImWke57Ft1OBexvsEcKy6dGSG_HBKcsFsap8T7QJIPeA-Lv-fdpQw1NPx0Kip_cxXfZmTU6Y8711fkI0fPgk7vnJA3m6_3GGcGZwZTqTg2-Ep6FaspsU0/s1600/9780719097904.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUS-AFgRiLSYsd4Wt3_FYsu1ImWke57Ft1OBexvsEcKy6dGSG_HBKcsFsap8T7QJIPeA-Lv-fdpQw1NPx0Kip_cxXfZmTU6Y8711fkI0fPgk7vnJA3m6_3GGcGZwZTqTg2-Ep6FaspsU0/s1600/9780719097904.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUS-AFgRiLSYsd4Wt3_FYsu1ImWke57Ft1OBexvsEcKy6dGSG_HBKcsFsap8T7QJIPeA-Lv-fdpQw1NPx0Kip_cxXfZmTU6Y8711fkI0fPgk7vnJA3m6_3GGcGZwZTqTg2-Ep6FaspsU0/s320/9780719097904.jpg&quot; width=&quot;202&quot; /&gt;&lt;/a&gt;&lt;strong&gt;Tom Boland and Ray Griffin, authors of &lt;em&gt;The sociology of unemployment&lt;/em&gt; have a new article&amp;nbsp;in &lt;a href=&quot;http://www.irishexaminer.com/viewpoints/analysis/the-sociology-of-unemployment-a-choice-between-hard-labour-or-destitution-347403.html&quot;&gt;The Irish Examiner&lt;/a&gt; this week...&lt;/strong&gt;Since 2012 social welfare in Ireland has been radically reformed in ways that are not widely known or understood. The Government’s Pathways to Work policy has been consistently linked to the Action Plan for Jobs. Yet, the relationship between welfare and the economy and the consequences of welfare reform for individual lives has been subject to very little scrutiny. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.irishexaminer.com/viewpoints/analysis/the-sociology-of-unemployment-a-choice-between-hard-labour-or-destitution-347403.html&quot;&gt;Read the full article.&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
More about &lt;em&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719097911&quot;&gt;The sociology of unemployment&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/5055491363588470530/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/5055491363588470530' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/5055491363588470530'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/5055491363588470530'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/08/the-sociology-of-unemployment-choice.html' title='The Sociology of Unemployment: A choice between hard labour or destitution?'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUS-AFgRiLSYsd4Wt3_FYsu1ImWke57Ft1OBexvsEcKy6dGSG_HBKcsFsap8T7QJIPeA-Lv-fdpQw1NPx0Kip_cxXfZmTU6Y8711fkI0fPgk7vnJA3m6_3GGcGZwZTqTg2-Ep6FaspsU0/s72-c/9780719097904.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-8663499522951391467</id><published>2015-08-06T12:02:00.001+01:00</published><updated>2015-08-06T12:04:41.453+01:00</updated><title type='text'>Oratory and the Labour Leadership Election</title><content type='html'>&lt;strong&gt;By
Andrew S. Crines,&lt;/strong&gt; &lt;br /&gt;
&lt;em&gt;British Politics Lecturer&lt;br /&gt;University of Liverpool&lt;/em&gt;&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiCbVTTz7frr6sNUpHv-H68-k5P_P5xho52QlErSYXkfF3_4NPtoyBriT6fVaev3yTkuECUEeGb3rbrjvhWcvnZT5aFiZqsdqpF1gHGDAhkLXtwAxEzH-eO4GEgaLn_tXux-c3NWSpW7E/s1600/9780719089800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiCbVTTz7frr6sNUpHv-H68-k5P_P5xho52QlErSYXkfF3_4NPtoyBriT6fVaev3yTkuECUEeGb3rbrjvhWcvnZT5aFiZqsdqpF1gHGDAhkLXtwAxEzH-eO4GEgaLn_tXux-c3NWSpW7E/s320/9780719089800.jpg&quot; width=&quot;203&quot; /&gt;&lt;/a&gt;One of the most fundamental necessities of a potential leader is the ability to communicate a political message to as broad an audience as possible. The construction of political discourse is the life-blood of the political process given it enables actors to persuade the electorate to lend them their vote. The ability to orate (deliver) a speech facilities this process, but also the rhetoric (content) of a speech must be appealing to the broader as well as immediate audience. As the speech travels into the broader demos, the orator may expect his/her impact to be felt amongst supporters and non-supporters alike. How these oratorical and rhetorical techniques function are explored in some detail in the edited collection &lt;em&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719089800&quot;&gt;Labour Orators from Bevan to Miliband&lt;/a&gt;&lt;/em&gt;, recently published by Manchester University Press (along with its sister volume, &lt;em&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719097249&quot;&gt;Conservative Orators from Baldwin to Cameron&lt;/a&gt;&lt;/em&gt;). &lt;strong&gt;See below for a special discount on both these titles. &lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
The current leadership election is, of course, no different. The core strategy of each of the four candidates is to leave a positive impression upon the electorate, which in this case is the Labour membership and associates. The four contenders each have distinctive styles which they have used to try and convince the electorate to nominate them as their first choice. For example Liz Kendall has set out an empirical argument of how she believes Labour needs to change in order to address the concerns of the broader electorate concerning Labour’s electability. It is driven by the pragmatic need to embrace more closely the centrist voter, whilst arguing certain tenets of Labour principle may need to be sacrificed. Andy Burnham, in contrast, presents a more centre-left vision which accepts some changes are needed, however the core thrust of what comprises Labour values are vital in informing the future renewal strategy. This is similar to Yvette Cooper, however her style of delivery has a forceful edge which, potentially, could be problematic should she become leader. Finally Jeremy Corbyn’s rhetorical style aims to place a more fundamental interpretation of Labourism at the heart of Labour’s future, with a staunchly value-driven approach. Of these contenders, both Liz Kendall and Jeremy Corbyn offer a distinctive alternative to the voters. Each have an entirely different vision of Labour, and how it can appeal. Burnham and Cooper each speak to the renewal strategies outlined by Miliband, however their distinctiveness comes in which policies they believe are deserving of the greatest attention.&lt;br /&gt;
&lt;br /&gt;
Ultimately, these Labour orators are each striving to make an impression with asymmetrical results. Kendall’s campaign has not received the support which the Blairites may have been forgiven for anticipating. Similarly, Cooper’s campaign has not gained the momentum which a long-serving Labour cabinet member may have expected. Only Burnham and Corbyn have garnered sufficient prominence within the campaign for them to be in with a realistic chance of securing the top job. However, it must be remembered that second preferences are key in determining the outcome, and so it would be foolhardy to rely upon a single measure for anticipating the outcome. Despite this, Corbyn’s oratory has been most effective because his style inspires his audiences to listen. His is an epideictic style of oratory, with emotive rhetoric. Furthermore, he is supported by figures such as Owen Jones and Tony Mulhearn, which positions his rhetoric within a traditionalist left position. In concert with the £3 supporters, Corbyn’s momentum has developed to such an extent that it challenges the mainstream.&lt;br /&gt;
&lt;br /&gt;
Looking at Labour oratory more broadly, it is unsurprising to find that Corbyn’s rhetoric rests within the Bennite tradition. The Bennite tradition believes in advancing socialist causes through direct action outside of the Parliamentary route. During the Benn period, this was through groups like the Campaign for Labour Party Democracy who, following the abolition of the Proscribed List in 1973, were able to mould the CLP’s towards a more radical interpretation of socialism. This is a very different tradition to Labour’s moderate left (such as Aneurin Bevan, Michael Foot, Barbara Castle), who use the institution of Parliament to drive social change and promote a more egalitarian society. &lt;br /&gt;
&lt;br /&gt;
Furthermore, the Corbynite perspective offers a very different interpretation of political power, which sees electoral victory as secondary to ideological cohesion. This conception of power is rooted far more within the demos, which believes the capacity to change society rests within the power of protest. This contrasts with Bevan, Foot, Castle, Burnham, Cooper, and Kendall’s belief that to change the direction of society towards equality necessitates political power expressed through the Parliamentary system. &lt;br /&gt;
&lt;br /&gt;
As a consequence, although Corbyn’s message may be appealing to the current Labour electorate, it is unlikely to resonate with the broader electorate because it doesn’t include them. Corbyn’s conception of power is alien to the centrist voter who infrequently engages within the political process. However, given Burnham, Cooper, and Kendall each embrace ideological and rhetorical perspectives which have more successful traditions within Labour history, they have greater potential in making Labour electable again in 2020 or 2025. That said, whoever emerges as leader will have a very difficult five years ahead if Labour is to begin making its way back to the number of MPs required to secure a majority.&lt;br /&gt;
&lt;h3&gt;
&lt;u&gt;&lt;/u&gt;&lt;/h3&gt;
&lt;h3&gt;
&lt;u&gt;Special two for one offer&lt;/u&gt;&lt;/h3&gt;
Purchase &lt;em&gt;Labour orators from Bevan to Miliband &lt;/em&gt;and &lt;em&gt;Conservative orators: From Baldwin to Cameron together,&lt;/em&gt; and get one &lt;strong&gt;FREE!&lt;/strong&gt;&amp;nbsp;Simply contact our distributors on +44 (0)1752 202301, or email you order details to &lt;a href=&quot;mailto:orders@nbninternational&quot;&gt;orders@nbninternational.com&lt;/a&gt;, quoting the discount code OTH548, expires 30/09/2015.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiCbVTTz7frr6sNUpHv-H68-k5P_P5xho52QlErSYXkfF3_4NPtoyBriT6fVaev3yTkuECUEeGb3rbrjvhWcvnZT5aFiZqsdqpF1gHGDAhkLXtwAxEzH-eO4GEgaLn_tXux-c3NWSpW7E/s1600/9780719089800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiCbVTTz7frr6sNUpHv-H68-k5P_P5xho52QlErSYXkfF3_4NPtoyBriT6fVaev3yTkuECUEeGb3rbrjvhWcvnZT5aFiZqsdqpF1gHGDAhkLXtwAxEzH-eO4GEgaLn_tXux-c3NWSpW7E/s200/9780719089800.jpg&quot; width=&quot;127&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;strong&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719089800&quot;&gt;Labour orators from Bevan to Miliband&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
Edited by Andrew S. Crines and Richard Hayton&lt;br /&gt;
&amp;nbsp;978-0-7190-8980-0&amp;nbsp; £65.00&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh82Hnwkl1QaWW45mCkT158vvi1NAyS13dNN2InOhYPgkLD9OkXLMw0yFmhdrVnXzwsr50NJenRQOa1xG3HRTMjn7ESuvG7RUY5_HkOQRFU4W7EU0xeeKL_XF2d1psO6BEhxAm-KzqBkpc/s1600/HAYR000_Amazon.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh82Hnwkl1QaWW45mCkT158vvi1NAyS13dNN2InOhYPgkLD9OkXLMw0yFmhdrVnXzwsr50NJenRQOa1xG3HRTMjn7ESuvG7RUY5_HkOQRFU4W7EU0xeeKL_XF2d1psO6BEhxAm-KzqBkpc/s200/HAYR000_Amazon.jpg&quot; width=&quot;126&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;strong&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719097249&quot;&gt;Conservative orators: From Baldwin to Cameron&lt;/a&gt;&lt;/strong&gt; &lt;br /&gt;
Edited by Richard Hayton and Andrew S. Crines&lt;br /&gt;
978-0-7190-9724-9&amp;nbsp; £75.00&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/8663499522951391467/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/8663499522951391467' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/8663499522951391467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/8663499522951391467'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/08/oratory-and-labour-leadership-election.html' title='Oratory and the Labour Leadership Election'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiCbVTTz7frr6sNUpHv-H68-k5P_P5xho52QlErSYXkfF3_4NPtoyBriT6fVaev3yTkuECUEeGb3rbrjvhWcvnZT5aFiZqsdqpF1gHGDAhkLXtwAxEzH-eO4GEgaLn_tXux-c3NWSpW7E/s72-c/9780719089800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-7748299083206045786</id><published>2015-08-03T16:13:00.002+01:00</published><updated>2015-08-03T16:13:36.944+01:00</updated><title type='text'>THE RESPONSE TO ‘ISLAMIC EXTREMISM’ THAT GOVERNMENTS DON’T WANT TO HEAR</title><content type='html'>

By Sarah Glynn, author of &lt;a class=&quot;product_list_title&quot; href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719095955&quot;&gt;Class, ethnicity and religion in the Bengali East End&lt;/a&gt;&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYmbwPP6XYIQL5ZVzYajscV2O819xz3bkxaRz4JwTR-p1ub7HLx3JPWGiAmMUVoA3DhZx-6d-I9XysKlpEga55TRtUA9H0x6i3QqQ67NQc8xMfVPGZLBu81Ee7jjgRR0gmiklnQ9uPc_0/s1600/9780719095955.tif&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYmbwPP6XYIQL5ZVzYajscV2O819xz3bkxaRz4JwTR-p1ub7HLx3JPWGiAmMUVoA3DhZx-6d-I9XysKlpEga55TRtUA9H0x6i3QqQ67NQc8xMfVPGZLBu81Ee7jjgRR0gmiklnQ9uPc_0/s320/9780719095955.tif&quot; width=&quot;192&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;Almost
every day we hear the question asked: why are people turning to ‘Islamic
extremism’? But in mainstream discussion, no-one mentions the elephant in the
room - or rather no longer in the room. The rise of Islamist politics, both
reformist and revolutionary, is a relatively new phenomenon; so what has
changed that has allowed this to happen?&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;My historical and sociological research into immigrant politics, and
especially the politics of the Bengalis in London’s East End, leads to an
answer that few politicians want to hear. Islamism has been able to attract
people looking for an escape from the brutality and banality of capitalism
because the socialist alternative that would once have claimed them has been
systematically traduced and undermined. The rise of Islamism has been made
possible by the decline of socialism – which has been under constant attack
from the same powers who publicly bemoan Islamist dominance. (And this is still
going on, as the deliberate marginalisation of the secular and leftist Kurdish
movement in northern Syria so poignantly demonstrates.) The 2002 article in
which I first made these arguments has been&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;widely quoted, including in a paper
commissioned by the UK Government; but my&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;inconvenient argument is never taken
up or even discussed. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;Of
course, the process of this political evolution has been complicated; and, as
the Bengali case history demonstrates, these realignments are a product of
developments in progressive left politics as well as of the apparent triumph of
neoliberal capitalism. Comparisons are often made between the Bengali East End
and the Jewish East End of an earlier generation. That Jewish East End nurtured
a tradition of active secular left politics, including strong support for the
Communist Party. The Communist Party was a dominant influence on the political
mobilisation of the early Bengali immigrants too, as it was in anti-colonial
and post-colonial movements more generally.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;But, as in other similar movements, the popular-front politics promoted
by the Communist international allowed socialist aims to be postponed into an
indefinite future while activists focused on the ‘first stage’ of national
liberation. For the people from East Bengal, their struggle for independence
from the British Empire, which took place when the immigrant community numbered
only one or two hundred, had been riven by religious sectarianism; but the bloody
battle for an independent Bangladesh in 1971 was fought in the name of a
secular socialist republic. The more radical left put aside their differences
with the nationalists in the joint fight for independence, but when that
independence was won, the left found themselves side-lined. This was true among
the East-End Bengalis too. The left had been so busy campaigning for
independence and organising day to day community work that their socialism had
been left on the back burner.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;These
first London Bengali activists had built up a strong practice of grass-roots
political organisation, but it was focused on the practical issues that beset a
poor immigrant community facing increasingly racist immigration restrictions.
It failed to aspire to make more ideological change.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;Meanwhile,
wider progressive politics was undergoing a cultural turn that downplayed the
role of economic forces and class conflict and prioritised the politics of
identity. In the East End, Black Radical activists from Race Today were
instrumental in establishing the Bengali Housing Action Group that helped
solidify campaigning along ethnic lines; and growing racism was countered by
Bengali youth groups. These mobilisations achieved real improvements to
people’s lives and to Bengali self-confidence, but they could not build bridges
between different ethnicities as had been so deliberately achieved by the
class-based politics of the 1930s. Nor could they address the fundamental
economic inequalities that transcended different ethnic groups. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;Black
Radicalism opened a Pandora’s Box of separatist organisation, and as this
approach became institutionalised into political multiculturalism, these
different organisations were encouraged to compete with each other for portions
of government funding. Lingering traces of radicalism were tamed and
incorporated into the system. Meanwhile, the East End, like other immigrant
areas, remained a significantly deprived area, and the Bengalis remained a
disproportionately deprived group. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;While
the turn to religion can be understood as responding to the need for an
ideological counter to a system that produced such deprivation, religious
identity has also been encouraged by multicultural policies that have
increasingly regarded people as members of religious groups and awarded
prominent roles to religious organisations and leaders. Some left organisations
have also been complicit in this, blurring the line between campaigning against
religious discrimination and actively promoting religious groups. The Stop the
War Movement and George Galloway’s Respect that emerged out of it allowed the
popular front put together to oppose the wars in Afghanistan and Iraq not just
to eclipse much of their left ideology but also to strengthen political
involvement via Muslim (and Bengali) identity.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;The
impact of Western foreign policy on Islamist radicalisation has been widely acknowledged,
but the growth of British Islamism preceded 9/11. Islamist movements were
already well established even before the boosts given by the perceived neglect of
the suffering of Bosnian Muslims and the publication of Rushdie’s &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Satanic Verses&lt;/i&gt;. For young Bengalis
growing up with limited prospects, Islamist idealism and the international
brotherhood of the &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;ummah&lt;/i&gt; (or Muslim
community) can be seen as an inspiring alternative to the pointless selfishness
of capitalist materialism – and an escape from the temptations of drugs and
gang wars. The mainstream reformist Islamist groups around the East London
Mosque have strengthened their position in the wider Bengali community through
a well-ordered structure and active participation in grassroots community-work
– aping the tactics of&lt;a href=&quot;https://www.blogger.com/null&quot; name=&quot;_GoBack&quot;&gt;&lt;/a&gt; communist organisations. More
revolutionary groups have been active in colleges and universities.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;


&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;&lt;br /&gt;The
inverse relationship between strong left movements and strong political Islam
has long been understood by Islamists, just as it has by Marxists. They
recognise each other as incompatible ideological systems, and they know that
both will compete for supporters from the same disgruntled victims of
capitalism. Among immigrants of Muslim background, just as in the countries of
the Middle East, the effective counter to Islamic radicalism has been
historically demonstrated to be a strong secular socialist movement. Try telling
that to David Cameron.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;&lt;strong&gt;&lt;u&gt;Special 20% discount&lt;/u&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;Palatino Linotype&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12pt;&quot;&gt;To order your copy of &lt;span style=&quot;font-family: Times New Roman;&quot;&gt;&lt;em&gt;Class, ethnicity and religion in the Bengali East End&lt;/em&gt; with a special 20% discount, simply contact NBN International on +44 (0)1752 202301, or email &lt;a href=&quot;mailto:orders@nbninternational.com&quot;&gt;orders@nbninternational.com&lt;/a&gt;, quoting the discount code &lt;strong&gt;OTH547&lt;/strong&gt;. Offer expires 31/12/2015.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/7748299083206045786/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/7748299083206045786' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/7748299083206045786'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/7748299083206045786'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/08/the-response-to-islamic-extremism-that.html' title='THE RESPONSE TO ‘ISLAMIC EXTREMISM’ THAT GOVERNMENTS DON’T WANT TO HEAR'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYmbwPP6XYIQL5ZVzYajscV2O819xz3bkxaRz4JwTR-p1ub7HLx3JPWGiAmMUVoA3DhZx-6d-I9XysKlpEga55TRtUA9H0x6i3QqQ67NQc8xMfVPGZLBu81Ee7jjgRR0gmiklnQ9uPc_0/s72-c/9780719095955.tif" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-2137107899794956336</id><published>2015-06-29T12:11:00.002+01:00</published><updated>2015-06-29T13:43:49.903+01:00</updated><title type='text'>BOOK LAUNCH Grown but not made</title><content type='html'>Congratulations to Edward Juler, who launched his new title &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719090325&quot;&gt;Grown but not made&lt;/a&gt; last week at The Henry Moore Institute in Leeds. &lt;br /&gt;
&lt;br /&gt;
﻿﻿﻿﻿﻿&lt;br /&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxAVEY1cd-grunZ0qtanehWh3IOI-cEuEzknOzvV90KAgFsCYFm8JRpyA5nXx88jrMbL2XfViT7mN7bTvEcEqxtxXPo5oDRVataF-5G7Jma3l-u135ISqC2TSzusEZf1dVajoxR6GEhyphenhyphenc/s1600/Juler+launch.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;223&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxAVEY1cd-grunZ0qtanehWh3IOI-cEuEzknOzvV90KAgFsCYFm8JRpyA5nXx88jrMbL2XfViT7mN7bTvEcEqxtxXPo5oDRVataF-5G7Jma3l-u135ISqC2TSzusEZf1dVajoxR6GEhyphenhyphenc/s400/Juler+launch.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Edward Juler speaking at the event&lt;br /&gt;
&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
This title is the&amp;nbsp;first detailed critical history of British Modernist 
sculpture’s interaction with modern biology. Discussing the significant 
influence of biologists and scientific philosophers such as &lt;em&gt;D’Arcy Wentworth 
Thompson, Julian Huxley, J. S. Haldane&lt;/em&gt; and &lt;em&gt;Alfred North Whitehead&lt;/em&gt; on interwar 
Modernist practice, this book provides radical new interpretations of the work 
of key British Modernist artists and critics, including &lt;em&gt;Henry Moore, Barbara 
Hepworth, Paul Nash&lt;/em&gt; and &lt;em&gt;Herbert Read&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
Find out more about &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719090325&quot;&gt;the book.&lt;/a&gt;﻿﻿﻿﻿﻿</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/2137107899794956336/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/2137107899794956336' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/2137107899794956336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/2137107899794956336'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/06/book-launch-grown-but-not-made.html' title='BOOK LAUNCH Grown but not made'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxAVEY1cd-grunZ0qtanehWh3IOI-cEuEzknOzvV90KAgFsCYFm8JRpyA5nXx88jrMbL2XfViT7mN7bTvEcEqxtxXPo5oDRVataF-5G7Jma3l-u135ISqC2TSzusEZf1dVajoxR6GEhyphenhyphenc/s72-c/Juler+launch.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-3184119317871012024</id><published>2015-06-17T15:21:00.000+01:00</published><updated>2015-06-17T15:27:14.874+01:00</updated><title type='text'>Emile and Isaac Pereire</title><content type='html'>&lt;br /&gt;
&lt;h3 style=&quot;border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 19px; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 30px; padding-right: 30px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
By Helen Davies&lt;/div&gt;
&lt;/h3&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYTo6J-bHbzLJZpCnWS_FcjLhmc2TuKsw766M4kwXrnrZrpW_RFuJcqEATXGeZcCkKlbo7KKLr0aAcaVG8TbKWJAoXP4yjA2gYr55Ra1Fj_1dWJore40wxArHwZkAwSS5J2gq4c86Gsos/s1600/9780719089237.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYTo6J-bHbzLJZpCnWS_FcjLhmc2TuKsw766M4kwXrnrZrpW_RFuJcqEATXGeZcCkKlbo7KKLr0aAcaVG8TbKWJAoXP4yjA2gYr55Ra1Fj_1dWJore40wxArHwZkAwSS5J2gq4c86Gsos/s320/9780719089237.jpg&quot; width=&quot;204&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;Why do the lives and careers of Emile Pereire (1800&lt;/span&gt;–&lt;span style=&quot;color: black;&quot;&gt;75) and his brother Isaac (1806&lt;/span&gt;–&lt;span style=&quot;color: black;&quot;&gt;1880) fascinate us? Certainly, their
achievements as railway entrepreneurs and bankers were extraordinary, but the
answer also lies in the place and the religion in which they were born, the
circumstances of their birth, and the dynamic era in which they lived. The
French Revolution determined the course of their lives.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;The Pereires were Sephardic Jews, among the first generation of
Jews emancipated when, in January 1790, they became free and equal citizens of
France. Although the Revolution benefited them in many ways, it also helped to
bring Bordeaux, the city in which they were born, to its knees. This eighteenth-century&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;trading power-house lost the Atlantic slave trade on which its
vast mercantile success had depended, and it felt very deeply the impact of constant
war waged by France’s enemies, especially Britain.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;The Bordeaux Sephardic community was, however, close-knit and
socially cohesive, providing support for those of its members who became
impoverished. The Pereires were beneficiaries of Sephardic welfare throughout
their childhood, raised in a single parent, observant, Jewish household by
their mother, a devout Sephardic woman.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Moving to Paris in the early 1820s as young adults they were
introduced to the economist and political philosopher, Claude-Henri de Rouvroy,
the Comte de Saint-Simon, a significant meeting which had an immediate impact
on Emile and Isaac. On Saint-Simon’s death they became ardent followers of the
movement which took his name, Saint-Simonianism. The Pereires contributed to a
system of ideas which focused upon the importance of technology to industry,
and which emphasised improvement of the lives of the poorest in society. Individuals
would be classed according to their capacities and compensated for their works,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;according to the Saint-Simonians. The Pereires could thus be
described as “early socialists”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Saint-Simonianism generated ideas and projects which became very
lucrative, and were to put the Pereires among the foremost capitalists in
Europe. The sheer scope and spectacular nature of their business enterprises
are sufficient to grasp our attention. Following their introduction of the
first passenger rail line to France (in 1837) they went on to establish some of
the most important railways in Europe, in Italy, Switzerland, Spain and the Austro-Hungarian
Empire as well as in France. To finance these enterprises they founded the first
investment bank of any size in Europe, the Crédit Mobilier, which they
replicated in Germany, Italy, the Netherlands, Rumania, Spain and the Ottoman
Empire. Their shipping company, the Compagnie Générale Transatlantique, carried
the first regular mail and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;passenger services between France and North America. They were
significant urban developers, their Compagnie Immobilière constructing for the
Baron Georges Haussmann, the Prefect of the Seine, huge swathes of Paris’ right
bank. The Pereires also operated industrial laundries and companies
distributing gas lighting, providing horse-drawn public transport and taxi
services.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Their business interests generated enormous wealth and their style
of living was&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;commensurate with others of France’s &lt;i&gt;grande bourgeoisie &lt;/i&gt;--- an elaborately decorated mansion on the rue
du Faubourg SaintHonoré; a château outside of Paris at Armainvilliers; a seaside
resort at Arcachon; extensive collections of paintings and sculpture;
extravagant entertainments. Their political association with and support for
the Emperor Napoléon III, who had come to power after a &lt;i&gt;coup d’état &lt;/i&gt;in 1851, was crucial to their business success, a relationship
which had its murkier side. When the Crédit Mobilier failed in 1867, taking
with it the savings of many small shareholders, this exacerbated a view popular
in some circles that the brothers were corrupt, shady, buccaneers, intent on
making themselves wealthy at the expense of poorer people. The truth was much
more complex. Nevertheless, endless legal battles embroiled them.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;Their personal story, while fascinating in its own right, also
shows the dynamic change in the French economy over this period. It highlights
the ideas which contributed to its shaping, and the equally radical transformation
of French society and politics.&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: medium;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719089237&quot;&gt;Emile and Isaac Pereire&lt;/a&gt;&lt;/i&gt;&amp;nbsp;is available to buy now.&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/3184119317871012024/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/3184119317871012024' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/3184119317871012024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/3184119317871012024'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/06/emile-and-isaac-pereire.html' title='Emile and Isaac Pereire'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYTo6J-bHbzLJZpCnWS_FcjLhmc2TuKsw766M4kwXrnrZrpW_RFuJcqEATXGeZcCkKlbo7KKLr0aAcaVG8TbKWJAoXP4yjA2gYr55Ra1Fj_1dWJore40wxArHwZkAwSS5J2gq4c86Gsos/s72-c/9780719089237.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-1210387659900470856</id><published>2015-06-02T09:11:00.000+01:00</published><updated>2015-06-02T09:11:07.408+01:00</updated><title type='text'>MUP to acquire forward collection from Bloomsbury Publishing Plc</title><content type='html'>
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;Manchester University Press is
pleased to announce that it has acquired 58 forward titles from Bloomsbury
Publishing Plc. Earlier this year, Bloomsbury Academic took the decision to
cease commissioning new book projects in the areas of academic Politics, International
Relations and Sociology. MUP will engage the former Bloomsbury Senior
Commissioning Editor, Caroline Wintersgill, to oversee the smooth transition of
forthcoming titles already under contract &amp;nbsp;through publication under the
MUP imprint. This follows a strategic decision by MUP, which has a strong
reputation within the Humanities, to increase the size and scope of its Social
Science list. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;Jonathan Glasspool, Managing
Director of Bloomsbury Academic &amp;amp; Professional said, ‘We’re very pleased to
have reached an agreement with Manchester University Press. The list will find
a good home in MUP, which has a high-quality publishing programme in Politics
and other Social Sciences – from monographs and edited collections to textbooks
for course use.&amp;nbsp;The decision will help us to invest further in core areas
of academic publishing, on the back of our best year ever’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;Frances Pinter, CEO of Manchester
University Press said, ‘MUP &amp;nbsp;is thrilled to take these projects forward.
The synergy of the books with our own publishing programme couldn’t be better.
We greatly appreciate the editorial care taken by Bloomsbury in developing
these projects and look forward to working with these excellent authors. The
press has a commitment to marketing its books aggressively and creatively, and
its books are distributed around the world (in the Americas, by Oxford
University Press).’ &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: Calibri;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; mso-ansi-language: EN-US;&quot;&gt;About Manchester&amp;nbsp;University Press:&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: Calibri;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; mso-ansi-language: EN-US;&quot;&gt;Founded
in 1904, MUP is the third oldest and third largest University Press in England,
holding a global reputation as a publisher of international excellence.
Focusing on the Humanities and Social Sciences, MUP publishes on average 160
new titles a year,16 journals and an active backlist of over 1,000 titles. With
landmark titles such as&amp;nbsp;&lt;i&gt;Beginning Theo&lt;/i&gt;ry and acclaimed series such
as the Revels Student Editions, MUP focuses on delivering independent thinking
of the highest quality to a global audience, while continually seeking new ways
to ensure that our publishing output is distinctive, innovative and responsive.
We have actively led on applying new business models that facilitate Open
Access for books as well as journals, working with outside partners and funding
bodies. MUP has also partnered with the University of Manchester to develop
Manchester Open Library (MOL).&amp;nbsp;MUP’s &amp;nbsp;innovative publishing has been
recognised through the winning of many prizes. Our books are available
increasingly in a variety of ebook formats and a major backlist digitisation
project is underway.&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; mso-ansi-language: EN-US;&quot;&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;Contact
Details: Dr Frances Pinter,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; mso-ansi-language: EN-US;&quot;&gt;&lt;a href=&quot;mailto:frances.pinter@manchester.ac.uk&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: blue; font-family: Calibri;&quot;&gt;frances.pinter@manchester.ac.uk&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: blue; font-family: Calibri;&quot;&gt;www.manchesteruniversitypress.co.uk&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: Calibri;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; mso-ansi-language: EN-US;&quot;&gt;About Bloomsbury Academic &amp;amp; Professional:&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span style=&quot;font-family: Calibri;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; mso-ansi-language: EN-US;&quot;&gt;Bloomsbury
Academic &amp;amp; Professional division has grown rapidly since its inception in
2008, and specialises in the humanities, social sciences, law and
tax.&amp;nbsp;Output of titles and services is over 1,400 per year. The division
includes the active imprints of Bloomsbury Academic, Bloomsbury Professional,
Methuen Drama, Arden Shakespeare, Hart, Fairchild Books, and the historic
imprints of Berg Publishers, Bristol Classical Press, Continuum, and AVA Books.
The division was winner of the IPG Independent Publisher of the Year Award and
Frankfurt Book Fair Academic &amp;amp; Professional Publisher of the Year in 2013,
and won Academic &amp;amp; Professional Publisher of the Year in both 2013 and 2014
at The Bookseller Annual UK Industry awards.&amp;nbsp;Within the division, we
publish many world-leading writers including Nobel laureates.&amp;nbsp;A focus for
the division is expanding its digital revenues.&amp;nbsp;In addition to several
thousand ebooks, we publish a rapidly-increasing range of digital subscription
services, including the award-winning Berg Fashion Library, Bloomsbury
Professional Tax and Law Online, the Churchill Archive, Drama Online, and
Bloomsbury Collections.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0cm 0cm 0pt;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; mso-ansi-language: EN-US;&quot;&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;Contact
Details: Jonathan Glasspool,&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;mailto:jonathan.glasspool@bloomsbury.com&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: blue; font-family: Calibri;&quot;&gt;jonathan.glasspool@bloomsbury.com&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt;;
&lt;/span&gt;&lt;a href=&quot;http://www.bloomsbury.com/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: blue; font-family: Calibri;&quot;&gt;www.bloomsbury.com&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Calibri;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/1210387659900470856/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/1210387659900470856' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/1210387659900470856'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/1210387659900470856'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/06/mup-to-acquire-forward-collection-from.html' title='MUP to acquire forward collection from Bloomsbury Publishing Plc'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-2386243960270274897</id><published>2015-05-27T11:34:00.000+01:00</published><updated>2015-05-27T11:34:45.699+01:00</updated><title type='text'>BOOK LAUNCH The BBC’s ‘Irish Troubles’ Television, Conflict and Northern Ireland</title><content type='html'>
&lt;b&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14pt;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;color: red; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14pt;&quot;&gt;***Author Professor Robert Savage
is available for interviews in advance***&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 0cm 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;Friday, May 29th,
6pm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;b&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;Trinity Long Room
Hub, Trinity College Dublin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;


&lt;br /&gt;


&lt;i&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;The BBC’s ‘Irish
Troubles’ Television, Conflict and Northern Ireland&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;, by Robert Savage, Professor of the
Practice of History at Boston College, uses recently released archival material
from the BBC and a variety of UK government archives to explore the contentious
relationship between broadcasting officials, politicians, the army, police and
civil service from the outbreak of violence through to the 1980s.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;Professor Savage
completed the new publication while a visiting research fellow at the Trinity
Long Room Hub Arts &amp;amp; Humanities Research Institute in Trinity College
Dublin. &lt;b&gt;The book will be launched in Trinity Long Room Hub at 6pm on Friday,
May 29&lt;sup&gt;th&lt;/sup&gt;, 2015.&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;Focusing on the incessant
wrangling between political elites, civil servants, military officials,
broadcasting authorities and journalists about what should and should not be
featured on the BBC&#39;s regional and national networks, Professor Savage
considers how the BBC’s broadcasts complicated the ‘Troubles&#39; by challenging
decisions, policies and tactics developed by governments trying to defeat a
stubborn insurgency that threatened national security. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;In many cases the anxiety
and controversy created by these political skirmishes challenged the ability of
the medium to accurately inform citizens of important events taking place, thereby
undermining the BBC&#39;s role as a public service provider, according to Professor
Savage.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;The book illustrates that as the ‘Troubles’ escalated, the
BBC was attacked, threatened and bullied, by a variety of actors but did its
best to stand its ground and maintain editorial independence and journalistic
credibility. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;Key Points:&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoListParagraphCxSpFirst&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18pt;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;In
spite of the infamous broadcasting restrictions put in place in 1988,
professional staff remained determined to provide the public with informed news
and information about the conflict. Broadcasters resisted government efforts to
silence voices that, although controversial, were critical to comprehending and
eventually resolving a long and bloody conflict. The broadcasting ban was seen
as despotic by many broadcasters who, with the support of senior staff,
cleverly worked around it by using sub-titles and then hiring actors to read
the words of Sinn Féin politicians. Reporting on ‘the Troubles’ became somewhat
surreal as talented actors including Stephen Rea and Ian McElhinney found work
dubbing the remarks of Gerry Adams and Martin McGuinness.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18pt;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;The
BBC in Northern Ireland slowly evolved to become more independent and less
deferential to the Unionist Government at Stormont. By the late 1960s&amp;nbsp; its
managers and editors understood the need for an independent editorial posture
and became more critical of the politics, policies and pronouncements of the
Unionist Government. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18pt;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;Labour
and Conservative Governments alike tried to pressure, censor and bully the BBC
both in Belfast and London. These governments were convinced that the BBC
coverage of the turmoil in Northern Ireland undermined their efforts to defeat
terrorism.&amp;nbsp; These governments were acutely aware of the power of
television to damage the image of the United Kingdom at home and abroad and
struggled to succeed in winning the ‘propaganda war’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoListParagraphCxSpLast&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt 36pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18pt;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font-size-adjust: none; font-stretch: normal; font: 7pt/normal &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;The
national network knew little about the complexities of Northern Ireland until
the beginning of the campaign for civil rights began to gain traction in the
province. By providing informed, critical coverage of events the BBC helped
undermine a regional parliament that had long governed without consensus. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;Professor Savage
commented: “Throughout the conflict British governments tried to shape the way
in which television depicted the struggle against paramilitaries, especially
the Provisional IRA. However, its relentless presence undermined government
efforts to present a simple picture of the forces of law and order trying to
defeat savage terrorists hell-bent on a campaign of murder and mayhem. All
those involved in the conflict hoped to produce a narrative for both domestic
and international audiences to justify their role in an increasingly bitter and
violent struggle.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 6pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;“The propaganda war that
ensued created much consternation for officials in London, Belfast, and Dublin
who understood the conflict presented a real and immediate threat to social
order. Rules, regulations and policies that tried to suppress, shape or ‘spin’
coverage of the conflict were intended to marginalise extremists. Governments
were acutely aware of the power of television to encourage sympathy or support
for the very organisations they sought to destroy.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;br /&gt;Professor Jürgen Barkoff,
Director of Trinity Long Room Hub Arts &amp;amp; Humanities Research Institute
commented: “The Trinity Long Room Hub is proud to have supported, through its
Visiting research Fellows programme, such a groundbreaking book. Professor
Savage’s stay at the research institute was an enriching and highly stimulating
experience for everyone involved and we are particularly pleased that new
collaborations developed out his time with us such as the special edition of
the journal &lt;i&gt;Éire/Ireland&lt;/i&gt;, co-edited with Professor Christopher Morash
from the School of English.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;


&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-GB;&quot;&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-GB;&quot;&gt;Media
Contact:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;


&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-GB;&quot;&gt;Fiona
Tyrrell, Press Officer for the Faculty of Arts, Humanities and Social Sciences,
Trinity College Dublin | &lt;/span&gt;&lt;span lang=&quot;EN-IE&quot;&gt;&lt;a href=&quot;file:///C:/Documents%20and%20Settings/tyrrellf/Local%20Settings/Temporary%20Internet%20Files/Content.Outlook/36BYCQFO/tyrrellf@tcd.ie&quot;&gt;&lt;span lang=&quot;EN-GB&quot; style=&quot;mso-ansi-language: EN-GB;&quot;&gt;&lt;span style=&quot;color: blue;&quot;&gt;tyrrellf@tcd.ie&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-GB;&quot;&gt; | + 353 1
8964337 and + 353 87 6169056&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 3pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman;&quot;&gt;J&lt;/span&gt;ack Dunn, Director, Office of News
&amp;amp; Public Affairs, Boston College| &lt;/span&gt;&lt;span lang=&quot;EN-IE&quot;&gt;&lt;a href=&quot;mailto:jack.dunn@bc.edu&quot;&gt;&lt;span style=&quot;color: blue;&quot;&gt;jack.dunn@bc.edu&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt; | + 1 617 552 3350&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 3pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-GB;&quot;&gt;About Robert
Savage:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-GB;&quot;&gt;Robert Savage
is Professor of the Practice of History at Boston College. He completed his
latest publication while a Visiting Research Fellow at the Trinity Long Room
Hub in 2012. Other publications include &lt;i&gt;A Loss of Innocence? Television and
Irish Society 1960-1972&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;


&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin: 3pt 0cm 0pt; text-indent: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-ansi-language: EN-GB;&quot;&gt;(2010), &lt;i&gt;Sean
Lemass: a biography&lt;/i&gt; (1999 revised and expanded edition 2014), &lt;i&gt;Irish
Television: the Political and Social Origins&lt;/i&gt; (1996). He is currently
co-editing a special edition of the journal &lt;i&gt;Éire/Ireland&lt;/i&gt; with
Christopher Morash, Seamus Heaney Professor of Irish Writing at Trinity, and is
writing a chapter on film and the broadcast media for the four volume &lt;i&gt;Cambridge
History of Ireland&lt;/i&gt; edited by Thomas Bartlett.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;


</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/2386243960270274897/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/2386243960270274897' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/2386243960270274897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/2386243960270274897'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/05/book-launch-bbcs-irish-troubles.html' title='BOOK LAUNCH The BBC’s ‘Irish Troubles’ Television, Conflict and Northern Ireland'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-100257564687697412</id><published>2015-05-11T11:48:00.000+01:00</published><updated>2015-05-11T11:48:21.676+01:00</updated><title type='text'>Making oneself at home: domestic life in the colonies of the British Empire</title><content type='html'>&lt;br /&gt;
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&lt;a href=&quot;https://www.blogger.com/Making%20oneself%20at%20home:%20domestic%20life%20in%20the%20colonies%20of%20the%20British%20Empire%20The%20people%20over%20the%20road%20are%20moving%20out,%20the%20whole%20kit%20and%20caboodle:%20the%20chairs%20and%20beds,%20the%20IT%20paraphernalia,%20cat-basket,%20books,%20tele%E2%80%99%20and%20lawn%20mower.%20In%20the%20year%20I%E2%80%99ve%20lived%20here%20I%E2%80%99ve%20been%20aware%20of%20at%20least%20half%20a%20dozen%20such%20moves.%20Once%20an%20aquarium%20left%20and%20a%20drum%20kit%20moved%20in,%20though%20thankfully%20that%20was%20at%20the%20other%20end%20of%20the%20street.%20No%20sooner%20will%20this%20lot%20of%20%20vans%20and%20over-loaded%20cars%20drive%20away%20than%20the%20incomers%20will%20show%20up%20and%20carry%20in%20a%20set%20of%20belongings%20that%20are%20at%20one%20and%20the%20same%20time%20identical%20to%20the%20outgoings%20items%20and%20yet,%20utterly%20different.%20%20The%20items%20may%20be%20the%20same,%20but%20the%20assemblage%20and%20its%20meanings%20will%20be%20unique%20to%20that%20household.%20I%20use%20the%20word%20%E2%80%98belongings%E2%80%99%20in%20the%20preceding%20paragraph%20because%20I%20think%20that%20most%20accurately%20describes%20%20%20our%20relationship%20with%20our%20%E2%80%98stuff%E2%80%99.%20To%20speak%20of%20%E2%80%98possessions%E2%80%99%20suggests%20it%E2%80%99s%20a%20one%20way%20arrangement,%20and%20fails%20to%20make%20due%20allowance%20for%20the%20power%20we%20grant%20to%20our%20objects,%20particularly%20those%20in%20our%20homes.%20They%20are%20an%20expression%20of%20our%20subjectivity,%20but%20because%20we%20set%20them%20within%20a%20mesh%20of%20associated%20practices%20they%20have%20agency%20in%20constructing%20our%20identity.%20They%20perform%20a%20mediating%20function%20in%20the%20circumstances%20of%20our%20lives,%20but%20they%E2%80%99re%20not%20impartial%20in%20that%20mediation.%20%20It%20was%20an%20interest%20in%20such%20processes%20of%20domesticity%20that%20prompted%20my%20investigation%20into%20the%20home-making%20practices%20of%20a%20specific%20sort%20of%20British%20women%20living%20in%20colonies%20of%20the%20British%20Empire%20(Genteel%20women:%20empire%20and%20domestic%20material%20culture,%201840-1910).%20%20The%20women%20concerned%20were%20members%20of%20social%20elites,%20who%20adhered%20to%20a%20set%20of%20values,%20a%20highly%20nuanced%20form%20of%20knowledge%20known%20as%20gentility.%20Such%20individuals%20deemed%20themselves%20to%20be%20in%20a%20position%20of%20superiority,%20elevated%20above%20those%20around%20them,%20who%20were,%20by%20definition,%20considered%20to%20be%20%E2%80%98vulgar%E2%80%99.%20Genteel%20values%20were%20expressed%20through%20modes%20of%20behaviour%20in%20conjunction%20with%20material%20means.%20Put%20simply%20%E2%80%93%20they%20were%20accustomed%20to%20having%20access%20to,%20and%20using,%20a%20lot%20of%20%E2%80%98stuff%E2%80%99.%20Their%20%E2%80%98belongings%E2%80%99%20were%20critical%20in%20negotiating%20the%20circumstances%20of%20their%20lives.%20How,%20I%20questioned,%20had%20such%20women%20not%20merely%20survived,%20but%20actually%20prospered%20when%20faced%20with%20the%20rigours%20of%20and,%20by%20their%20terms%20of%20reference,%20material%20deprivation%20of%20colonial%20life?%20%20I%20wanted%20to%20see%20how%20their%20physical%20environments%20impacted%20on%20their%20cultural%20landscape.%20I%20identified%20genteel%20women%20who%20lived%20in%20the%20temperate%20zones%20of%20Aotearoa/New%20Zealand,%20south%20Australia%20and%20southern%20Africa%20and%20in%20the%20sub-tropical%20and%20tropical%20regions%20of%20northern%20Australia,%20India%20and%20West%20Africa.%20Selecting%20the%20geographical%20and%20temporal%20range%20%E2%80%93%20c1840-1910%20-%20%20permitted%20inclusion%20of%20women%20living%20in%20long-established%20British%20communities%20in%20India,%20the%20expanding%20and%20consolidating%20colonies%20of%20southern%20Australia%20and%20New%20Zealand%20and%20in%20newly%20emergent%20settlements%20of%20northern%20Australia%20and%20West%20Africa.%20All%20the%20women%20I%20wrote%20about%20had%20relocated%20to%20set%20up%20homes%20in%20the%20company%20of%20a%20man%20to%20whom%20they%20were%20related%20by%20either%20blood%20or%20marriage.%20Their%20menfolk%20were%20working%20%E2%80%98out%20in%20the%20colonies%E2%80%99%20%E2%80%93%20be%20it%20in%20a%20military,%20commercial,%20administrative%20or%20agricultural%20capacity%20%E2%80%93%20and%20one%20of%20the%20women%E2%80%99s%20primary%20functions%20was%20to%20support%20the%20men%20in%20their%20endeavours.%20Certainly%20his%20successes%20or%20failures%20would%20have%20been%20hers,%20but%20so%20too%20her%20contribution%20could%20develop%20and%20extend%20%E2%80%93%20or,%20horror%20of%20horrors,%20actually%20undermine%20their%20joint%20enterprise.%20With%20so%20much%20hanging%20on%20their%20domestic%20management%20how%20had%20these%20women%20gone%20about%20not%20just%20setting%20up%20home,%20but%20actually%20making%20themselves%20feel%20at%20home?%20Where%20did%20they%20source%20all%20that%20complex%20material%20culture%20they%20held%20so%20dear?%20I%20chose%20to%20investigate%20their%20dress,%20living%20rooms,%20gardens%20and%20food%20management%20because%20they%20were%20the%20four%20areas%20seen%20by%20contemporaries%20as%20being%20the%20quintessential%20elements%20of%20genteel%20womanhood.%20I%20started%20with%20such%20questions%20as:%20how%20did%20they%20get%20hold%20of%20a%20new%20corset,%20a%20set%20of%20dinner%20plates,%20living%20room%20curtains%20or%20seeds%20for%20%20the%20garden,%20when%20a%20thousand%20miles%20or%20more%20and%20an%20ocean%20away%20from%20the%20retail%20riches%20of%20nineteenth%20century%20Britain,%20and%20what%20strategies%20evolved%20when%20one%20simply%20could%20not%20get%20hold%20of%20such%20items?%20The%20answers%20proved%20illuminating%20and%20a%20complex%20picture%20emerged,%20with%20gentility%20%E2%80%93%20both%20its%20ideology%20and%20expression%20%E2%80%93%20proving%20to%20have%20been%20responsive%20and%20adaptable%20to%20the%20many%20environmental%20changes%20it%20encountered.%20The%20women%20not%20only%20brought%20to%20bear%20a%20whole%20range%20of%20cultural%20competences%20acquired%20in%20their%20previous%20homes,%20they%20also%20developed%20different%20forms%20of%20genteel%20behaviours%20and%20practices%20as%20befitted%20their%20new%20location.%20Most%20striking%20of%20all,%20it%E2%80%99s%20evident%20that%20many%20women%20didn%E2%80%99t%20just%20become%20competent%20in%20the%20colonial%20site%20they%20developed%20a%20%E2%80%98sense%20of%20self%E2%80%99%20in%20situ%20and%20became%20firmly%20attached%20to%20their%20new%20homes.%20Perhaps%20it%E2%80%99s%20because%20the%20Spring%20sun%20is%20shining%20on%20my%20own%20garden%20that%20my%20thoughts%20turn%20to%20the%20work%20I%20did%20on%20the%20colonial%20women%E2%80%99s%20gardening%20practices.%20Initially%20I%20had%20my%20doubts%20as%20to%20whether%20I%20would%20be%20able%20to%20locate%20sufficient%20traces%20of%20this%20area%20of%20their%20homes,%20for%20by%20their%20very%20nature%20the%20gardens%20are%20long%20gone.%20My%20anxieties%20proved%20groundless,%20for%20the%20women%20so%20relished%20their%20gardens%20that%20they%20wrote%20about%20them%20constantly,%20and%20in%20great%20detail,%20in%20their%20letters%20and%20journals.%20Sarah%20Courage,%20who%20lived%20in%20New%20Zealand%20for%2026%20years,%20wrote%20%E2%80%98Whatever%20the%20employments%20of%20the%20day,%20I%20always%20contrived%20to%20find%20a%20little%20spare%20time%20for%20the%20flowers%E2%80%99%20and%20Adela%20Stewart,%20who%20had%20been%20a%20complete%20novice%20on%20her%20arrival%20in%20the%20country%20subsequently%20reported%20%E2%80%98At%20the%20end%20of%20our%204th%20year%20I%20had%20become%20an%20enthusiastic%20gardener,%20and%20so%20continued,%20finding%20far%20more%20pleasure%20in%20growing%20flowers,%20vegetables%20and%20trees%20than%20in%20any%20other%20occupation.%E2%80%99%20In%20addition%20to%20the%20women%E2%80%99s%20personal%20writing%20I%20was%20able%20to%20draw%20on%20seed%20and%20plant%20catalogues%20from%20Britain,%20Australia%20and%20India,%20gardening%20manuals%20from%20India%20and%20South%20Africa,%20memoirs%20from%20Nigeria%20and%20paintings%20and%20photographs%20made%20in%20Australia,%20India%20and%20New%20Zealand.%20There%20is%20ample%20material%20to%20underpin%20the%20argument%20that%20the%20spaces%20and%20practices%20of%20the%20women%E2%80%99s%20gardens%20had%20agency%20for%20the%20expression%20of%20gentility,%20and%20were%20highly%20significant%20in%20furthering%20these%20migrants%E2%80%99%20attachment%20and%20sense%20of%20being%20at%20home,%20though%20far%20from%20%E2%80%98Home%E2%80%99.%20%20I%E2%80%99ve%20become%20aware%20that%20the%20street%20is%20quiet%20once%20more,%20so%20perhaps%20I%E2%80%99ll%20leave%20this%20employment%20and%20%E2%80%98contrive%20a%20little%20spare%20time%20for%20my%20flowers...%E2%80%99%20%20Dianne%20Lawrence%20is%20an%20Independent%20Scholar%20and%20the%20current%20holder%20of%20the%20Meryl%20Huxtable%20Bursary,%20as%20awarded%20by%20the%20Wallpaper%20History%20Society.%20%20Genteel%20women:%20Empire%20and%20domestic%20material%20culture,%201840%E2%80%931910%20is%20now%20available%20in%20paperback%20http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719097362&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT-RW5azu1a8OwOm3Sl5VzzTlVs6ZLTSH6wDgu1yGkWIjpCigWMo867t11jRjkdiH11OJlNFTv1NaBLoR5JTRFu9Mrvl9xlmbqsiI15MXhjJgeY7suzLLYZhjK8L6aDlzckgmX1QkvKYY/s320/9780719097362R.jpg&quot; width=&quot;212&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The people over the road are moving out, the whole kit and
caboodle: the chairs and beds, the IT paraphernalia, cat-basket, books, tele’
and lawn mower. In the year I’ve lived here I’ve been aware of at least half a
dozen such moves. Once an aquarium left and a drum kit moved in, though
thankfully that was at the other end of the street. No sooner will this lot of &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;vans and over-loaded cars drive away than the
incomers will show up and carry in a set of belongings that are at one and the
same time identical to the outgoings items and yet, utterly different. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;The items may be the same, but the assemblage
and its meanings will be unique to that household.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I use the word ‘belongings’ in the preceding paragraph because
I think that most accurately describes &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;our relationship with our ‘stuff’. To speak of
‘possessions’ suggests it’s a one way arrangement, and fails to make due
allowance for the power we grant to our objects, particularly those in our
homes. They are an expression of our subjectivity, but because we set them within
a mesh of associated practices they have agency in constructing our identity.
They perform a mediating function in the circumstances of our lives, but
they’re not impartial in that mediation. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
It was an interest in such processes of domesticity that
prompted my investigation into the home-making practices of a specific sort of
British women living in colonies of the British Empire (&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Genteel women: empire and domestic material culture, 1840-1910&lt;/i&gt;). &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;The women concerned were members of social
elites, who adhered to a set of values, a highly nuanced form of knowledge
known as gentility. Such individuals deemed themselves to be in a position of
superiority, elevated above those around them, who were, by definition,
considered to be ‘vulgar’. Genteel values were expressed through modes of
behaviour in conjunction with material means. Put simply – they were accustomed
to having access to, and using, a lot of ‘stuff’. Their ‘belongings’ were
critical in negotiating the circumstances of their lives. How, I questioned,
had such women not merely survived, but actually prospered when faced with the
rigours of and, by their terms of reference, material deprivation of colonial
life? &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I wanted to see how their physical environments impacted on
their cultural landscape. I identified genteel women who lived in the temperate
zones of Aotearoa/New Zealand, south Australia and southern Africa and in the
sub-tropical and tropical regions of northern Australia, India and West Africa.
Selecting the geographical and temporal range – c1840-1910 - &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;permitted inclusion of women living in
long-established British communities in India, the expanding and consolidating
colonies of southern Australia and New Zealand and in newly emergent
settlements of northern Australia and West Africa.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
All the women I wrote about had relocated to set up homes in
the company of a man to whom they were related by either blood or marriage.
Their menfolk were working ‘out in the colonies’ – be it in a military,
commercial, administrative or agricultural capacity – and one of the women’s
primary functions was to support the men in their endeavours. Certainly his
successes or failures would have been hers, but so too her contribution could
develop and extend – or, horror of horrors, actually undermine their joint
enterprise.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
With so much hanging on their domestic management how had
these women gone about not just setting up home, but actually making themselves
feel at home? Where did they source all that complex material culture they held
so dear? I chose to investigate their dress, living rooms, gardens and food
management because they were the four areas seen by contemporaries as being the
quintessential elements of genteel womanhood.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I started with such questions as: how did they get hold of a
new corset, a set of dinner plates, living room curtains or seeds for &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;the garden, when a thousand miles or more and
an ocean away from the retail riches of nineteenth century Britain, and what
strategies evolved when one simply could not get hold of such items? The
answers proved illuminating and a complex picture emerged, with gentility –
both its ideology and expression – proving to have been responsive and
adaptable to the many environmental changes it encountered. The women not only brought
to bear a whole range of cultural competences acquired in their previous homes,
they also developed different forms of genteel behaviours and practices as
befitted their new location. Most striking of all, it’s evident that many women
didn’t just become competent in the colonial site they developed a ‘sense of
self’ &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;in situ &lt;/i&gt;and became firmly attached
to their new homes.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Perhaps it’s because the Spring sun is shining on my own
garden that my thoughts turn to the work I did on the colonial women’s gardening
practices. Initially I had my doubts as to whether I would be able to locate
sufficient traces of this area of their homes, for by their very nature the
gardens are long gone. My anxieties proved groundless, for the women so
relished their gardens that they wrote about them constantly, and in great
detail, in their letters and journals. Sarah Courage, who lived in New Zealand
for 26 years, wrote ‘Whatever the employments of the day, I always contrived to
find a little spare time for the flowers’ and Adela Stewart, who had been a
complete novice on her arrival in the country subsequently reported ‘At the end
of our 4&lt;sup&gt;th&lt;/sup&gt; year I had become an enthusiastic gardener, and so
continued, finding far more pleasure in growing flowers, vegetables and trees
than in any other occupation.’ In addition to the women’s personal writing I
was able to draw on seed and plant catalogues from Britain, Australia and
India, gardening manuals from India and South Africa, memoirs from Nigeria and
paintings and photographs made in Australia, India and New Zealand. There is
ample material to underpin the argument that the spaces and practices of the
women’s gardens had agency for the expression of gentility, and were highly
significant in furthering these migrants’ attachment and sense of being at
home, though far from ‘Home’. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I’ve become aware that the street is quiet once more, so
perhaps I’ll leave this employment and ‘contrive a little spare time for my
flowers...’&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-GB;&quot;&gt;Dianne Lawrence is an Independent Scholar and the
current holder of the Meryl Huxtable Bursary, as awarded by the Wallpaper
History Society.&lt;/span&gt;&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-GB;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: Arial; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-GB;&quot;&gt;&lt;br /&gt;
&lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719097362&quot;&gt;Genteel women:&amp;nbsp;Empire and domestic material culture, 1840–1910&lt;/a&gt;&lt;/i&gt; is now
available in paperback.&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/100257564687697412/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/100257564687697412' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/100257564687697412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/100257564687697412'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/05/making-oneself-at-home-domestic-life-in.html' title='Making oneself at home: domestic life in the colonies of the British Empire'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT-RW5azu1a8OwOm3Sl5VzzTlVs6ZLTSH6wDgu1yGkWIjpCigWMo867t11jRjkdiH11OJlNFTv1NaBLoR5JTRFu9Mrvl9xlmbqsiI15MXhjJgeY7suzLLYZhjK8L6aDlzckgmX1QkvKYY/s72-c/9780719097362R.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-997706302319289079</id><published>2015-04-21T17:09:00.002+01:00</published><updated>2015-04-21T17:09:16.719+01:00</updated><title type='text'>Greece vs. the Eurozone</title><content type='html'>&lt;div class=&quot;left&quot;&gt;
By &lt;a href=&quot;http://blog.oup.com/authors/costas-simitis/&quot;&gt;Costas 
Simitis&lt;/a&gt; &lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;article__the-content article__the-content--single&quot;&gt;
The new Greek government that took office in January 2015 made a commitment 
during the election campaign that Greece would stay in the Eurozone. At the same 
time, it also declared that Greece’s relations with its European partners would 
be put on a new footing. This did not materialize. The Greek government accepted 
the continuation of the existing agreement with its lenders, the International 
Monetary Fund, the European Commission, and the European Central Bank. This was 
the only way of ensuring Greece would not run out of funding.&lt;br /&gt;

Throughout the negotiations, the crisis in Greece received intense media 
attention. Again, the very future of the Eurozone became a subject of much 
discussion on the international stage. Following days of uncertainty, public 
opinion in Greece appeared to have endorsed the softening of the government’s 
position vis-à-vis its lenders. But doubts about the future remain. The most 
pressing problem to be tackled by the government is covering its funding needs 
over the next few months. Greece will have to make a tremendous effort to meet 
the terms of the agreement. Within the Eurozone, there is a growing feeling that 
Greece is particularly problematic. The perception that the ‘Greek question’ has 
not yet been settled and that new difficulties will arise in the future still 
persists.&lt;br /&gt;

This most recent phase in the Greek crisis allows us to draw some general 
conclusions about the future of the Eurozone. The Eurozone is a project that 
goes well beyond the joint endeavors of its member states to implement a common 
monetary policy. The Eurozone has evolved into a very close form of cooperation, 
a joint system of addressing economic problems and building tools for its 
economic governance. In this context, wider political considerations cannot be 
disassociated from the economics of running Europe’s single currency. The 
recently enacted Banking Union is further evidence of the Eurozone’s continually 
expanding remit. In this new, more intensive form of cooperation, member states 
have far less room to act independently. Greece’s desire to be a part of the 
club without fully committing to its rules is increasingly out of touch with 
reality. All member states that are committed to this joint endeavor cannot 
neglect their responsibilities or pursue their own ‘independent’ agendas.&lt;br /&gt;

Despite its recent reforms and expanded remit, the Eurozone remains an 
unsatisfactory system of governance. While the Eurozone is now better prepared 
to deal with future financial crises, its ability to address their deep-rooted 
causes effectively is still limited. The pace of economic growth in Europe is 
sluggish, and—despite contrary proclamations—the problem has not yet been dealt 
with effectively. The initial reaction to the Greek debt crisis in 2010 failed 
to adequately assess the country’s economic problems, making a bad situation 
worse. The inability of the Eurozone’s political institutions to articulate a 
coherent response to the crisis put the spotlight on the European Central Bank 
(ECB) as a key player in overcoming the deadlock. In January 2015, the ECB 
launched a massive program of quantitative easing in order to boost economic 
growth. The ECB, however, is not a democratically accountable institution and 
its activities are not the subject of parliamentary scrutiny. In this sense, the 
ECB should not be permitted to assume the duties of a government.&lt;br /&gt;
&lt;br /&gt;
“Exit from the Eurozone, it seems, is not a feasible 
option.”&lt;br /&gt;
&lt;br /&gt;

During Syriza’s confrontation with the Eurozone, many predicted a ‘Grexit,’ 
or a Greek withdrawal from the Eurozone. Ultimately, Greece’s lenders did not 
push for it although there was incomprehension of the Greek stance. Hardliners 
back in Greece who had previously claimed that the Russians, the Chinese, or 
even the United States would come to Greece’s rescue also hesitated to press the 
‘Grexit’ nuclear button. Exit from the Eurozone, it seems, is not a feasible 
option. Any country that attempts it will risk financial ruin. For the Eurozone 
itself, the financial cost of a potential exit may be manageable but the 
reputational damage to the project is too high to bear.&lt;br /&gt;

Despite the widespread belief that the Greek crisis highlighted the need for 
greater economic and political integration in Europe, recent developments in 
Athens point to the reverse. The Eurozone’s problems persist not because member 
states act too fast, but because they procrastinate. These problems will only 
multiply if each country continues to follow its own fiscal policy or implement 
Treaty provisions at its own discretion. A fiscal union encompassing a common 
budget and a common European tax regime, redistributive policies to mediate 
inequalities in the productive base of different countries, and the pooling of 
European debt in order to support the development of less successful economies, 
are both desirable and feasible. They must all be linked to the strengthening of 
the European Parliament or the creation of a Eurozone Parliament so that the 
leadership of the Union can be held accountable.&lt;br /&gt;
&lt;br /&gt;

These developments will ensure that no member state—Greece, in 
particular—will be able to pursue its economic future outside the context of the 
Eurozone. It is only through cooperation with other member states that a country 
can improve its negotiating position and change the balance of power within the 
Eurozone. Greece’s own desire to remain in the ‘core’ of the European Union is 
inextricably linked to overcoming its own backwardness, pursuit of continuous 
reform in the public administration so that it is more cost-effective and 
productive, changes in its economy in order to enhance the productive and 
technological potential of the country, persistent efforts to defeat 
clientelistic networks and free-riding attitudes, as well as a new thinking on 
how to promote social justice and cohesion. Greece must also adopt a European 
policy that breaks away from its ‘traditional’ attitude of seeking exemptions 
and defending the self-defeating notion of its own exceptionalism. It is in 
every country’s interest not to be seen as a perpetual exception—a ‘problem’ 
that never goes away.&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBfJQNd5Dy_8dY8EyrPffZp_ZdBB-0R7E1tVGOklXxId8W9UhBujmvptcG7AvYFPWRwfPRAL06oqXjpnXJOPg1hIQtiOm8DCXsZ8tuVNGyhJQ1R1FYwmdIc9FFZAPVfFeT1rplkbuprFo/s1600/9780719095795.tif&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBfJQNd5Dy_8dY8EyrPffZp_ZdBB-0R7E1tVGOklXxId8W9UhBujmvptcG7AvYFPWRwfPRAL06oqXjpnXJOPg1hIQtiOm8DCXsZ8tuVNGyhJQ1R1FYwmdIc9FFZAPVfFeT1rplkbuprFo/s1600/9780719095795.tif&quot; height=&quot;200&quot; width=&quot;131&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;a class=&quot;product_list_title&quot; href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/cgi-bin/indexer?product=9780719095788&quot;&gt;The 
European debt crisis: The Greek case &lt;/a&gt;&lt;br /&gt;
978-0-7190-9578-8&amp;nbsp; £17.99&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/997706302319289079/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/997706302319289079' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/997706302319289079'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/997706302319289079'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/04/greece-vs-eurozone.html' title='Greece vs. the Eurozone'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBfJQNd5Dy_8dY8EyrPffZp_ZdBB-0R7E1tVGOklXxId8W9UhBujmvptcG7AvYFPWRwfPRAL06oqXjpnXJOPg1hIQtiOm8DCXsZ8tuVNGyhJQ1R1FYwmdIc9FFZAPVfFeT1rplkbuprFo/s72-c/9780719095795.tif" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-2725567289349099064</id><published>2015-04-14T11:23:00.000+01:00</published><updated>2015-04-14T11:23:24.992+01:00</updated><title type='text'>England in 1820</title><content type='html'>&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;What can we learn from looking at England in 1820? On the
one hand, a great deal, but having said that, our understanding of this period
has been hobbled by habitual Anglo-centricity. Even broadening out the scope of
things and examining all four kingdoms of the United Kingdom does not suffice. &lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;Great Britain and Ireland have to be seen in the context of
1820 being a year of European revolution. In September of that year, a leading
London radical wrote that Thomas Paine, who died over a decade earlier, had
‘thought that he lived in the age of revolution…but the present moment better
deserves that epithet’. &lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;The revolutionary climate of 1820 was without parallel until
1848 and the actions of the British government, led by a Prime Minister (Lord
Liverpool) who had actually witnessed the storming of the Bastille in 1789,
must be evaluated in that context. &lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;The heir to the French throne was assassinated and there
were revolutions in Spain, Portugal and much of present-day Italy. And if we
look to the early months of 1821 as well, there was a further Italian
insurgency, insurrections against the Ottomans in Moldavia and Wallachia, and
the dramatic development of an independence movement in Greece. &lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;1820 was the most testing year for any nineteenth-century
peacetime government. Stringent measures to suppress radical political activity
had been introduced by Liverpool’s Ministry in the wake of the Peterloo
massacre the previous August. Their effect, however, was mainly to drive
protest underground and make it harder to monitor, while simultaneously
stimulating the popular press to yet-more innovative forms of expression.
Against a widely rumoured background of revolutionary conspiracy, there were
popular uprisings in Scotland and northern England. Bitter social conflict in
western Ireland, expressed mainly through an elusive protest movement called
the Ribbonmen, tied-down whole regiments of the army. Back in London elements
within the Brigade of Guards were mutinous. And a conspiracy to assassinate the
entire Cabinet was only narrowly averted. &lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;On top of all this George IV forced an embattled and nervous
government to secure his divorce from Queen Caroline. Unprecedented popular
indignation ensued, much of it from women reflecting a new politics of gender.
The Caroline affair also triggered what we would now call a media frenzy: an
explosion of satirical cartoons and pamphleteering, often ribald and some of it
downright obscene, but all of it pointing to a revolution in popular print and
political opinion. &lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;Yet the political and social stability of the United Kingdom
was maintained. It’s very interesting to think about not only how government
was tested to the limit, but also how the processes and mechanisms through
which social and political stability were maintained. A sense of involvement in
– and ownership of – government increased among ‘the middling sort’.
Ratepayers, who fell below the threshold for parliamentary voting or for
service as magistrates, were being given an increasing stake in the government
of the communities in which they lived. This process even occasionally included
women too.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;However, this book suggests that the ‘age of reform’ was a
drawing out of processes that had been established earlier. The survival of
parliament’s authority in 1820 may have been severely tested but how it
survived is enlightening about the social and political stability of the United
Kingdom in the longer perspective.&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;My book, &lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719097461&quot;&gt;1820: disorder and stability in the United Kingdom&lt;/a&gt;&lt;/i&gt; takes this single, fascinating
year in the broader context of Europe, revolution, and the periods before and
after, to give a far longer perspective on the social and political stability
of the United Kingdom.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/2725567289349099064/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/2725567289349099064' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/2725567289349099064'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/2725567289349099064'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/04/england-in-1820.html' title='England in 1820'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEvJ4MagTUGmPgBbtkU747qK4iolZhPpGKH4Bhm9PeqC7pi0bxMPOPeNFDlp8Dq5vZwuk75HGt_usSmYCJ4bnuEnfRgOwzlb3QcomiS848LaNlpBWMfqKqJLN2xQCkcjZysOpEtGmixTE/s72-c/9780719087417.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-1703210412084653835</id><published>2015-04-13T11:47:00.000+01:00</published><updated>2015-04-13T11:47:33.105+01:00</updated><title type='text'>On the history of history teaching…</title><content type='html'>&lt;br /&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif; line-height: 28px;&quot;&gt;Debate about the teaching of history is
never far away. The former Secretary of State for Education, Michael Gove, has
sought since 2010 to reshape the history curriculum in schools by bringing in
more coverage of British history and altering assessment techniques. His plans
met with some serious resistance – including from academics and school
teachers. The key areas of debate echoed those raised 25 years ago when a
national curriculum for history was first introduced. The terms of the debate
are also recognisable in contestation about the teaching of history in the late
nineteenth and early twentieth centuries. What are the aims of history
teaching? Should politicians dictate the content of history lessons? What does
the selection and omission of certain content reveal about the kind of national
past we want children to grow up knowing? Should history be considered a
conduit of citizenship education? Is there a direct correlation between the
teaching of history and national identity? What influence should be given to specialist
experts working in the educational sciences? What should be the relationship
between the teaching of ‘facts’ over skills of historical enquiry and
interpretation?&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;These debates – hostile and unresolved –
are not new. The teaching of history has always been a topic for serious
dispute. This was especially so in the period in which historical content was
first taught as a compulsory component of the curriculum in the nation’s schools.
In the late-Victorian period, educational provision was made compulsory and
free and, given its vast cost, it is no surprise that contemporaries argued
over its social and political functions. In the context of late-Victorian
anxieties about the future of empire, it is little wonder moreover that the
teaching of history specifically should have been the subject of such
contentious discussion. Britain perceived itself threatened on two fronts:
externally, she was concerned about the growth of economic and imperial
competitors such as Germany; internally, the rise of an organised political Left
coincided with fears about children’s emotional, moral and physical wellbeing.
The combination of these factors meant that the teaching of history was
prescribed, by some, as an antidote to a perceived crisis of national
confidence. In such a context it is clear those seeking to promote ideologies
of imperialism and patriotism saw in the teaching of history the opportunity to
inculcate imperial values. To what extent was their influence the most
significant? What were imperial ‘values’ and how was history intended to
deliver these in a classroom context? These are just some of the questions that
this book investigates.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;The introduction of mass education also
brought to the fore questions about &lt;i&gt;how &lt;/i&gt;to
teach. The late nineteenth century was also a period of deep-reaching
investigations into pedagogy. Although there have been several studies into
histories of history teaching, most have tended to focus on the content of resources
used in the classroom – especially subject-specific history textbooks and
historical reading books for younger children. But what of the sources used to
instruct a new generation of teachers how to teach? ‘Manuals of Method’ have
received less attention from researchers than they merit: these sources are
valuable because, as a distinct genre of educational publishing, their authors
are those who taught in teacher-training colleges, influenced the production of
classroom resources, and were some of the loudest voices in debates about
history teaching. In the absence of centralised state regulations on &lt;i&gt;what&lt;/i&gt; history to teach, and &lt;i&gt;how&lt;/i&gt; to teach it, these manuals serve
ostensibly as documents of best practice. The study of these sources reveals
that the intentions behind history teaching were far more complex than
previously acknowledged. In addition, evidence from manuals exhibits the debt
British educationists owed to continental educational theorists – in particular
a little studied group called the Herbartians who came to dominate. Herbartians
emphasised the centrality of history – as a subject that would mobilise the
emotions – to the teaching of civic and moral values. These values, in turn of
the twentieth-century England, could be made to tally with wider national and
imperial objectives. In the book, I explore the extent of the Herbartian
dominance of the curriculum. It appears that history teaching only became such
a vital part of national-identity teaching because its teachers embraced
cutting-edge educational psychology. We seem nowadays, with the state’s
emphasis on facts over skills, to somewhat have reversed the ratchet.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;Parallels with current disputes about
history education are acute, especially so since the ‘history’ of history
teaching is often mobilised in both sides of the debate. This book, therefore,
aims to provide a history of the relationship between history teaching and
pedagogy, and an investigation of the wider implications of this in debates about
&lt;a href=&quot;&quot; name=&quot;_GoBack&quot;&gt;&lt;/a&gt;the contribution of history teaching to popular
imperialism, citizenship, nation and identity.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 150%;&quot;&gt;&lt;i&gt;Citizenship, nation, empire&lt;/i&gt;, by Peter Yeandle, is available now&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: normal;&quot;&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719080128&quot;&gt;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719080128&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/1703210412084653835/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/1703210412084653835' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/1703210412084653835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/1703210412084653835'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/04/on-history-of-history-teaching.html' title='On the history of history teaching…'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_ZP0cNlz_mkj6xqp1CmXEYfMfIWNJxcY0d4TUKSlF-CEPrtbsLWFq8j_OhfW8Ecry7YWK8tAsobRUdHl16kPygLnFYyGfHqLQWhF8NlhhubOI_59A3I2Mh4Bjx5xSsSgbxri3KuzB_is/s72-c/9780719080128.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-3648434696627964377</id><published>2015-03-12T10:44:00.002+00:00</published><updated>2015-03-12T10:44:46.198+00:00</updated><title type='text'>Can you help us find a copyright holder?</title><content type='html'>&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
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&lt;a href=&quot;http://www.creativetourist.com/articles/festivals-and-events/manchester/wonder-women-2015-full-events-listings/&quot;&gt;The Wonder Women 2015 festival&lt;/a&gt; begins soon, and Manchester
will play host to a really exciting range of cultural events.
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MUP’s list, meanwhile, is full of Wonder Women.&lt;a href=&quot;&quot; name=&quot;_GoBack&quot;&gt;&lt;/a&gt; Alongside backlist gems such as &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719074479&quot;&gt;Patsy Stoneman&lt;/a&gt;’s book on
Elizabeth Gaskell, and Janet Lee’s &lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719067136&quot;&gt;War Girls&lt;/a&gt;&lt;/i&gt; on the First Aid Nursing Yeomanry, our history list boasts a wealth
of biographies of pioneering female figures in the fight for women’s rights and
in politics more generally, including &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719082320&quot;&gt;Eva Gore-Booth&lt;/a&gt;, &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719080159&quot;&gt;Evelyn Sharp&lt;/a&gt;, &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719091353&quot;&gt;Elizabeth Wolstenholme Elmy&lt;/a&gt;, and most recently &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719087202&quot;&gt;‘Red Ellen’ Wilkinson&lt;/a&gt;.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;John Carter-Wood’s book &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719086182&quot;&gt;The most remarkable woman in England&lt;/a&gt; &lt;/i&gt;follows the case of Beatrice
Pace, who became a media celebrity in the 1920s after being accused of the
murder of her husband. The 1920s were an important decade for Wonder Women, and
Lucy Bland examines this period in &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719082641&quot;&gt;Modern women on trial: sexual transgression in the age of the flapper&lt;/a&gt;. &lt;/i&gt;For those
interested in how women’s protests affected early twentieth-century politics,
Jill Liddington’s book &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719087493&quot;&gt;Vanishing for the Vote&lt;/a&gt; &lt;/i&gt;is a very readable account of the suffragette census boycott in 1911.
It uses engaging and thoroughly human stories to bring this key moment in
women’s history to life, and explains the political context along with the
reasons why key figures decided against the boycott.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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The festival will coincide with International Women’s Day,
and our catalogue boasts lots of international Wonder Women. Alistair Thomson’s
&lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719076466&quot;&gt;Moving stories&lt;/a&gt;&lt;/i&gt; looks at four British
women who embarked on new lives in Australia. It’s a remarkable collaboration
between author and four ordinary women who were extraordinary letters-writers,
family photographers and memoirists recording in intimate detail aspects of
everyday life and women&#39;s experience that are often lost to history. Helen
Boak’s &lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719088193&quot;&gt;Women in the Weimar Republic&lt;/a&gt;&lt;/i&gt;
takes the First World War as a starting point, and explores the great changes
in the lives, expectations and perceptions of German women, with new opportunities
in employment, education and political life and greater freedoms in their
private and social life, all played out in the media spotlight.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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We’re very excited to be putting the finishing touches to
Natalya Vince’s &lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719091070&quot;&gt;Our fighting sisters&lt;/a&gt;&lt;/i&gt;,
which is based on oral interviews with Algerian women who were combatants in
the fight to end French rule. We’ve also announced &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719097683&quot;&gt;Eva Gore-Booth&lt;/a&gt;’s political
writings in a single volume, edited by Sonja Tiernan, and a huge edition of
Anne Clifford’s &lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719091872&quot;&gt;Great books of record&lt;/a&gt;&lt;/i&gt;,
a wonderful 600-year history written by a fascinating seventeenth-century
landowner and patron of the arts.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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We’re very proud of our Wonder Women and we hope you’ll
enjoy reading about them.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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To celebrate the festival, enjoy this extract from the wonderful&amp;nbsp;&lt;i&gt;Vanishing for the Vote &lt;/i&gt;by Jill Liddington.&amp;nbsp;&lt;/div&gt;
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Jill will be speaking as part of the festival on Thursday 12th March. We hope to see you there!&amp;nbsp;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10.0pt; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;&quot;&gt;&lt;iframe border=&quot;0px&quot; frameborder=&quot;0&quot; height=&quot;340px&quot; scrolling=&quot;no&quot; src=&quot;http://mupcp3.codemantra.com/widget/9780719087486/WonderWomen.html&quot; width=&quot;185px&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/5543446763096876679/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/5543446763096876679' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/5543446763096876679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/5543446763096876679'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/02/wonder-women.html' title='Wonder Women '/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-4621826376723040535</id><published>2015-01-28T13:26:00.002+00:00</published><updated>2015-01-28T13:26:58.557+00:00</updated><title type='text'>Greece- The shape of things to come</title><content type='html'>&lt;strong&gt;&lt;em&gt;In the aftermath of the Greek general election, which put SYRIZA, an anti-austerity left wing party, into power in coalition with far-right Independent Greeks, Dimitris Papadimitriou Professor of European politics at The University of Manchester, explores the situation and assess the possible impact.&lt;/em&gt;&lt;/strong&gt;So, there you have it! Greek bailout politics have come full circle. On Tuesday a new coalition government was sworn in in Athens. SYRIZA has won a landslide victory against their conservative rivals, New Democracy, but have failed to win an outright majority in parliament. The new Prime Minister, Alexis Tsipras, was in need of a coalition partner and it did not take him long to find one. The right wing populist party, Independent Greeks, will join the new government and will be rewarded with a number of senior ministerial appointments. Earlier hopes of a coalition between SYRIZA and the moderate centre left party, To Potami, were dashed the day after the election. Apparently, To Potami was not ‘anti-bailout enough’ for Mr Tsipras.&lt;br /&gt;
In Panos Kammenos, the leader of Independent Greeks, the new Prime Minister of Greece finds a partner with impeccable anti-bailout credentials. Mr Kammenos and his party are indeed a product of Greece’s polarised bailout politics. He broke away from New Democracy in 2012 and since then has been a fierce critic of what he regards as Greece’s “occupation” by its creditors. Last year a prominent member of his party accused the EU of being a “bunch of gays”, &lt;a href=&quot;http://www.pinknews.co.uk/2014/08/28/greek-mp-calls-gay-luxembourg-prime-minister-and-partner-queer-mates/&quot;&gt;prompting a humorous rebuff&lt;/a&gt; by the Prime Minister of Luxembourg. Earlier, Mr Kammenos himself had warned Greeks that they were being sprayed with secret chemicals in order to subdue their opposition to the bailout. He is a die-hard defender of displaying paraphernalia of the Orthodox Church in public buildings and believes that Greece’s future lies in a strategic partnership with his political idol, Russia’s Vladimir Putin.&lt;br /&gt;
On Monday, Mr Tsipras became the EU’s youngest leader and the first PM in Greek history who refused to take a religious oath when he assumed office. How can these two agendas co-exist in the same government? Why didn’t Mr Tsipras opt for a more moderate partner? Drawing a parallel to Britain, recent developments in Athens are the equivalent of having Michael Foot and Nigel Farage in charge of renegotiating the UK’s membership of the European Union.&lt;br /&gt;
In understanding this farce, one has to look at the effects of the bailout programme on Greek politics. The two-party system that emerged following Greece’s transition to democracy in 1974 has been shattered by the austerity of the past five years. In 2009 the collective strength of the Greek Socialists, PASOK, and New Democracy was in excess of 77% of the vote. On Sunday their share of the vote was just over 31%. The old guard has been swept away, discredited in the eyes of ‘indignant citizens’ as corrupt and subservient to the demands of the ‘Troika’. The implementation of externally-prescribed austerity has led to the electoral annihilation of the mainstream. Anti-bailout rhetoric sells. Even if it comes wrapped in homophobia and religious fervour.&lt;br /&gt;
The arrival of Mr Tsipras’ colourful coalition in Greece is the shape of things to come across Europe. Above all it reflects the bankruptcy of the German moralistic austerity dogma. Mr Tsipras and Mrs Merkel are the opposite sides of the same coin. If Mr Tsipras succeeds in changing the dominant economic paradigm in the Eurozone, he will expose the shortcomings of German economic thinking over the past five years. If he fails, Greece’s descent into the abyss will remind Berlin what any good history book will tell you: extreme economics breeds extreme politics. Those who set the foundations of the German economic miracle after the war knew this very well.&lt;br /&gt;
&lt;br /&gt;
Originally published on &lt;a href=&quot;mailto:policy@manchester&quot;&gt;policy@manchester&lt;/a&gt;,&lt;br /&gt;
&lt;a href=&quot;http://blog.policy.manchester.ac.uk/posts/2015/01/greece-the-shape-of-things-to-come/&quot;&gt;http://blog.policy.manchester.ac.uk/posts/2015/01/greece-the-shape-of-things-to-come/&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/4621826376723040535/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/4621826376723040535' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/4621826376723040535'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/4621826376723040535'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/01/greece-shape-of-things-to-come.html' title='Greece- The shape of things to come'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-8156425196404694308</id><published>2015-01-13T12:55:00.001+00:00</published><updated>2015-01-13T12:55:09.863+00:00</updated><title type='text'>Kudos</title><content type='html'>&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqfNixu_9fpnTTJ4v5rgm9BL-hDAKSJTdahUZ17Zp4ZWrthpMv7xrnWMD3FYNk9I1H15frUH8k63AzEZ0sC-dGXFefJKnCr3tdDtF7W007n1Po0VhqtVymBytP734HXURx-wJ039pjURY/s1600/final.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqfNixu_9fpnTTJ4v5rgm9BL-hDAKSJTdahUZ17Zp4ZWrthpMv7xrnWMD3FYNk9I1H15frUH8k63AzEZ0sC-dGXFefJKnCr3tdDtF7W007n1Po0VhqtVymBytP734HXURx-wJ039pjURY/s1600/final.jpg&quot; height=&quot;148&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;Manchester University Press is very pleased to announce a new partnership with Kudos. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;Kudos
 is a free web-based service that helps researchers and authors maximize
 the visibility and impact of their published articles online.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;For
 the author and researcher, Kudos provides a platform for assembling and
 creating information to help search, filter, share and supplement their
 publications to drive discovery and create digital community. Just as 
importantly, it is used for measuring and monitoring the effect of these
 activities. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;Kudos
 is for researchers who want assistance with increasing usage of, and 
citations to, their publications. It is also for institutions and 
funders looking to increase the impact of the research that they fund 
and to help analyse the success of their funding. It is also very useful
 for publishers who want to develop closer relationships with their 
author communities.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;Kudos can helps authors and researchers in three easy steps:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt;&quot;&gt;Firstly,
 it allows you to add a simple, non-technical explanation of your 
publication which will make it easier to find, and more accessible to a 
broader audience. Kudos will deposit this additional information about your article with a range of discovery services, all linking back to your publication, to ensure it is even easier to find, read and cite.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;Secondly, the platform enables the attachment of rich digital assets that relate to your publication &lt;/span&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;–&lt;/span&gt;
 data, images, video, podcasts, blog entries – all things that explain 
an article and bring it to life. Not only does this enrich things for 
the reader but they become more inbound links to the article so it 
becomes more discoverable.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt;&quot;&gt;Thirdly,
 it helps authors broadcast their work more effectively. Kudos seeks to 
standardise the use of social media and support authors with their 
social media and online output to help share and distribute their work 
as much as possible.  &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;If
 you are a Manchester University Press author and would like to explain,
 enrich and share links to your publications you can register for free 
at &lt;/span&gt;&lt;a href=&quot;https://www.growkudos.com/about/researchers&quot; target=&quot;_top&quot;&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;https://www.growkudos.com/about/researchers&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;For more news and information you can visit the Kudos blog &lt;/span&gt;&lt;a href=&quot;http://blog.growkudos.com/2014/11/18/kudos-growth-continues/&quot; target=&quot;_top&quot;&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;http://blog.growkudos.com/2014/11/18/kudos-growth-continues/.&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;If you have any questions about signing up please email &lt;/span&gt;&lt;a href=&quot;mailto:robert.byron@manchester.ac.uk&quot;&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;robert.byron@manchester.ac.uk&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 10pt; line-height: 115%;&quot;&gt;.&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/8156425196404694308/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/8156425196404694308' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/8156425196404694308'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/8156425196404694308'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/01/kudos.html' title='Kudos'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqfNixu_9fpnTTJ4v5rgm9BL-hDAKSJTdahUZ17Zp4ZWrthpMv7xrnWMD3FYNk9I1H15frUH8k63AzEZ0sC-dGXFefJKnCr3tdDtF7W007n1Po0VhqtVymBytP734HXURx-wJ039pjURY/s72-c/final.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-7375113219195670062</id><published>2015-01-05T14:33:00.001+00:00</published><updated>2015-01-05T14:36:06.893+00:00</updated><title type='text'>Britain&#39;s lost revolution?</title><content type='html'>&lt;br /&gt;
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&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;With the upcoming publication of &lt;i&gt;Britain&#39;s lost revolution? &lt;/i&gt;author, Daniel Szechi, has written a blog post regarding the subject and the book.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYhnagag-2EQFcE2BtHSCp8xWUqfmOQUfzVuabUVu1nkBXGNxvGJq2XUXJsw6bprBAy485Py0cK8aP3EdiDp9mXQWQ112PrISydbAtE78zmBcw7N1CYqgVt6eBPcWVwYLoC4QtJv9bML4/s1600/9780719089176.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYhnagag-2EQFcE2BtHSCp8xWUqfmOQUfzVuabUVu1nkBXGNxvGJq2XUXJsw6bprBAy485Py0cK8aP3EdiDp9mXQWQ112PrISydbAtE78zmBcw7N1CYqgVt6eBPcWVwYLoC4QtJv9bML4/s1600/9780719089176.jpg&quot; height=&quot;320&quot; width=&quot;213&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Should Scotland be an independent nation?&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The Scots people were directly asked this
question last September, and a majority said ‘No’.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Had they been asked this question in the autumn
of 1707, when the Scots Parliament was debating whether or not to enter a
constitutional Union with England, there is little doubt that the answer would
have been an overwhelming ‘Yes’.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Yet the
Act of Union, solemnly debated and carefully amended in both the Scots and
English Parliaments, finally passed into law in May 1707 despite the clear
hostility of the ordinary people of Scotland.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;span style=&quot;mso-tab-count: 1;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;It was, of
course, a very different world to our own, in which the wishes and aspirations
of the common people counted for little.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;But it was not just the humble folk who were dismayed and angered by
being ‘bought and sold for English gold’ in the words of a famous song, many of
their social superiors were equally outraged.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;As far as a sizeable minority of the Scots elite were concerned Scotland
had been betrayed, and it was their duty to rescue the nation and its birthright.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;span style=&quot;mso-tab-count: 1;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;But
how?&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;In the early eighteenth century
there was only one way to oppose a regime with a firm grip on power: armed
rebellion.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Therein, however, lay a
complex of problems.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The new British
state was one of the most militarily powerful in Europe.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;A gaggle of Scots nobility and heritors
(gentry) and their tenants and servants, no matter how enthusiastic for the
national cause, would find it very hard to fight the British army and win.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Scotland was also a poor nation and the Union
offered the Scots people hope of a better life by commercial access to the
English empire.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;This would end if the
Scots rebelled.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Then there was the
question of what would happen next?&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;If
the anti-Unionist Scots rebelled and succeeded in defeating the British state,
what kind of Scotland did they want to restore?&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;In such an event the old regime in Scotland, subservient to Westminster
and with an absentee monarch, was neither attractive nor feasible.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;span style=&quot;mso-tab-count: 1;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Britain’s Lost Revolution&lt;/i&gt; is about the
answer a coalition of anti-Unionists from within the Scots elite came up with
in answer to these questions and a host of others.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;We know them simply as the ‘Jacobites’, but
there was a great deal more to their aims and ambitions than the simple
restoration of the exiled Stuart dynasty.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;Sure, they were willing to bring back James ‘VIII’, the son of James II
and VII, as the king of Scotland, but only as part of a package.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;This included full scale French military
intervention to enable the rebels to fight the British army with some hope of
success, privileged commercial access to the French colonial empire to replace
the economic advantages of access to the English empire and James’s agreement
to a raft of radical constitutional changes that would have turned Scotland
into a noble republic that would never again be subservient to England.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Had the would-be rebels of 1708 succeeded the
British Isles would have been transformed and the modern United Kingdom would
not exist.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;For a moment then, in March
1708, as the French invasion force set sail for Scotland the fate of everything
we now assume is solid and certain about our constitution and its politics hung
in the balance.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;This was Britain’s lost
revolution.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;i&gt;Britain&#39;s lost revolution?&lt;/i&gt; will be available from 31st January 2015&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719089176&quot;&gt;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719089176&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/7375113219195670062/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/7375113219195670062' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/7375113219195670062'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/7375113219195670062'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2015/01/britains-lost-revolution.html' title='Britain&#39;s lost revolution?'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYhnagag-2EQFcE2BtHSCp8xWUqfmOQUfzVuabUVu1nkBXGNxvGJq2XUXJsw6bprBAy485Py0cK8aP3EdiDp9mXQWQ112PrISydbAtE78zmBcw7N1CYqgVt6eBPcWVwYLoC4QtJv9bML4/s72-c/9780719089176.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-3214956385904387839</id><published>2014-11-27T09:57:00.000+00:00</published><updated>2014-11-27T11:42:00.512+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="First World War"/><title type='text'></title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;a href=&quot;https://www.blogger.com/blogger.g?blogID=8521196350905335955&quot; name=&quot;_GoBack&quot;&gt;&lt;/a&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;MANCHESTER
UNIVERSITY PRESS and THE FIRST WORLD WAR&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Introduction &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Manchester University Press continued to publish during the First
World War, and some of its output was clearly directed towards supporting Britain’s
war aims. This was obviously the case with Ramsay Muir’s &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Case Against Germany&lt;/i&gt; (1914), but it is also evident in other
scholarly efforts, such as the initiative to restock Louvain’s library
following its destruction after the German invasion. The book &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Germany in the Nineteenth Century&lt;/i&gt; was testament
to a shattered belief, common in universities, that international cooperation might
replace war and conflict between nations. Several psychological works addressed
shell shock, the new nervous disorder afflicting thousands of British soldiers
at the Front which was as yet poorly understood within military medicine.
Manchester medics worked to explain its causes and treatment to the public, and
stood at the cutting edge of the field. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The history department was perhaps most
active, however, especially in the person of T. F. Tout, the prolific Professor
of Medieval and Early Modern History, who had been a key figure in the establishment
of Manchester University Press. Tout published lectures on medieval society,
drawing subtle parallels with the contemporary situation. He also edited a work
on Chartism by a young MA student of his, whose life was cut short on the Somme.
Tout prefaced this publication with an emotional tribute to the fledgling
scholar, who was among many students-turned-soldiers who corresponded with him
from the Front (their letters are in the collections of the John Rylands
University Library). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Several works addressed the subject of
Peterloo as the 1919 centenary approached. They emphasised Manchester’s radical
tradition, celebrating the protesters and the subsequent progress of democracy,
in the hope of similar gains after the war. Other writers demonstrated
Manchester’s continued reforming instincts, looking to Manchester’s
achievements in education (Maltby) or the possibility of ‘Homes fit for Heroes’
(Rowntree), a major theme of the postwar government. A strong sense of local
pride pervades MUP’s output, as shown by the volume &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Manchester in 1915&lt;/i&gt;, which suggested that Manchester was a city that
had done much to make the modern world, though it had also been fundamentally
shaken by the war.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The following sections give an overview of
some of the most significant MUP publications of this period.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXHtUEJW6TOioJUHnpXxzRbEzWnBUJLWgzjTY7WzEpCQbLOqvdu-JJkrl89lQtIl3xBAoNaBOuNXnq-_ejf5tg1JCR9z9HydLpTxZXNJKKsQ7Qsg-Mmb38SHQSppH-WaZjOLHTeHhUW0s/s1600/Picture1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXHtUEJW6TOioJUHnpXxzRbEzWnBUJLWgzjTY7WzEpCQbLOqvdu-JJkrl89lQtIl3xBAoNaBOuNXnq-_ejf5tg1JCR9z9HydLpTxZXNJKKsQ7Qsg-Mmb38SHQSppH-WaZjOLHTeHhUW0s/s1600/Picture1.jpg&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 16px; font-weight: normal; line-height: 24px;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt; line-height: 24px;&quot;&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt; line-height: 24px;&quot;&gt;1914 and the Eve of the War&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 16px; font-weight: normal; line-height: 24px;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt; line-height: 24px;&quot;&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;Ramsay Muir, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Britain’s Case Against Germany: An
Examination of the Historical Background of the German Action in 1914&lt;/i&gt; (1914)&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Ramsay Muir was Professor of Modern History at the University
of Manchester, and later went on to work for the Liberal Party. This book is a
work of popular history, although modern readers would probably be inclined to
call it propaganda. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Muir set out the case that Germany was at
fault for the decisions that had led to the outbreak of war in August, that
Germany had long intended to go to war, and that Germany’s conduct in the war
had been dishonourable and uncivilised. &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;He
used recently published government documents to argue that Germany was never
sincere in its attempts to restrain Austria. All the belligerents published
such documents in the years following 1914 in order to put the blame for the war
on the other side. Muir refutes the arguments that Germany was simply defending
itself from Slavic and British threats, although this treatment is brief and geared
towards exonerating the Entente.&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;The
main thrust of Muir’s argument is that &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;‘Prussian policy’ was&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;‘a poison which has been working in the European system for
more than two centuries’. He talks of ‘Two Germanies’. One, the cultured south
and west, had produced great minds like Kant, Goethe, Beethoven and Wagner.
However, the efficient and militaristic Prussia had come to dominate this
thoughtful, cosmopolitan Germany, particularly after the failure of the democratic
revolution in 1848 (an event that A. J. P. Taylor would later call a ‘turning
point where Germany failed to turn’). The German tendency to obedience, coupled
with an arrogance bred from successful military and economic expansion and
grandiose ideals, led Germany down the path to war. Muir emphasised the role of
German academics in popularising the megalomaniacal idea of a ‘historical
mission’ for the German nation. Just as poisonous was the complementary idea
that the state stands above humanity, and that the state is power and nothing
else.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Germany’s
crime was not simply its desire to expand, but also its disregard for civilised
conduct. The invasion of neutral L&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;uxembourg and Belgium was a ‘deadly blow at
the system of international law and international honour’. Muir listed Germany’s
violations of the Hague conventions. The German army had pillaged banks,
destroyed monuments and ‘shot whole masses of townspeople, and forcibly and
without enquiry deported masses more into slavery in Germany’. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;For Muir, a lifelong liberal, Britain
represented an alternative to this ‘Doctrine of Power’. A civilised
international system had been embodied in the Concert of Europe (the informal
council of Great Powers in existence since the Napoleonic Wars) and more recent
efforts to codify international law. In contrast to Germany, the ‘civilised
world as a whole’ had made ‘genuine progress’ to realise these ideals.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Muir ends with a rousing defence of Britain’s
war aims that leaves the reader in no doubt as to where he stands. The choice
is ‘between honour and dishonour, between freedom supported by law and the
tyranny of brute force, between the morality of civilisation and the morality
of the jungle. That is an issue to which no man, and no state, can be indifferent.’&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; margin-bottom: 0.1pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0.1pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;B. Seebohm
Rowntree and A. C. Pigou, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Lectures on Housing&lt;/i&gt;
(1914)&lt;/span&gt;&lt;span class=&quot;searchword1&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-size: 9.5pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: ZH-CN; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;B. Seebohm Rowntree&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; &lt;/b&gt;was
the son of the confectioner and philanthropist Joseph Rowntree and inherited
his family’s zeal for social improvement. The first lecture in this book attempted
to answer the question, ‘How far is it possible to provide Satisfactory Houses
for the Working Classes at rents which they can afford to pay?’ The lecture,
based on statistical studies of York, London and Middlesbrough of a kind that
were increasingly employed on ‘social questions’, first sought to enlighten the
public. Rowntree claimed that ‘We do not, as a nation, realise that one fourth
of the dwellings of this country have less than four rooms … one person in ten
is living under what are technically known as “overcrowded conditions” – that
is, with more than two persons to every room in the house.’ He sought
particularly to highlight living conditions in the ‘long dreary streets’ of ‘dismal
rows without a vestige of greenery about them only characterised by their
meanness and by their deadly monotony’, which were passed on any railway
journey. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Rowntree showed that about 2–3 million
people lived in ‘slums’, and that most working people spent one-sixth of their
income on rent. His solutions focused on reducing rents, encouraging more and
better house-building, and establishing better transport. According to
Rowntree, by-laws should limit the number of houses per acre, taxes should be
adjusted and loans provided to encourage building. ‘Why should we not town-plan
the whole of England, instead of allowing the present utterly casual method of
erecting houses?’ He claimed that people were anxious to live in garden cities,
provided there was sufficient transport. Letchworth and Welwyn garden cities,
built in the 1900s, aimed to be self-sufficient, spacious and green, and thus
to liberate workers from squalid, dehumanising slums. Rowntree’s other argument
for garden cities was that gardening could give those with seasonal or variable
work a second occupation. His studies had shown that an average of £31 net per
acre could be made from workers’ gardens.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Still, Rowntree recognised that the
underlying problem was poverty. Extensions to workers’ rights and a minimum
wage were therefore needed. This would leave only the ‘residuum’ – the ‘old,
infirm and vicious’ – to be dealt with. Rowntree can be seen to share the
optimism of many social reformers and welfare state advocates of the time.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;A.C. Pigou, an economist, addressed in his
lecture ‘some aspects of the housing problem’. While he was less definite in his
conclusions than Rowntree, he nevertheless agreed with the increasingly
accepted liberal principle that it was the ‘duty of a civilized State to lay
down certain minimum conditions in every department of life, below which it
refuses to allow any of its free citizens to fall’. Consequently, dilapidated
and insanitary houses should be condemned and demolished, and laws against
overcrowding should be introduced. Pigou shared the enthusiasm for town
planning and garden cities and argued that the arrangement of houses was not an
issue of aesthetics but ‘a matter of the character and of the health of the
people as a whole’. He claimed that the park was the cathedral of the modern
city.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Pigou also held an older view that one
reason for poor conditions in many houses was ‘the low character and the want
of training of those that inhabit them’. He used the example of the Victorian
housing reformer Octavia Hill, who gave sympathy, advice and a good example,
but seldom money. This method worked, as tenants ‘became her friends and lifted
their ideal of living dimly towards hers’. Pigou also agreed that poverty was
the underlying problem, however. And while he had no objection ‘on principle’
to subsidies, he used his economic training to show that they had to be
deployed cleverly in order to not be counterproductive.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h2&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;1915: Science, Democracy,
the British Empire and Germany&lt;/span&gt;&lt;/u&gt;&lt;/h2&gt;
&lt;div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 24px; font-weight: bold; line-height: 36px;&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;H. M. McKechnie (ed.), &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Manchester in Nineteen Hundred and Fifteen, &lt;/i&gt;&lt;/span&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;being the handbook for the eighty-fifth meeting of
the British Association for the Advancement of Science, held in Manchester
September seven–ten 1915&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt; (1915)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: Arial;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: Arial;&quot;&gt;This volume was the yearly handbook of the
Manchester branch of the British Association for the Advancement of Science
(now the British Association of Science). The war led it to narrow its usual
focus from questions of general scientific interest to a ‘mere local programme containing
short notices of those institutions which were peculiarly Manchester’.
Manchester scholars and city councillors provided entries on key civic
activities, including sewerage, charities, hospitals, the university, schools,
libraries, museums, the Bridgewater Canal and the Manchester Ship Canal. The
initiatives of business and private philanthropy sit alongside more recent
municipal and state-led works to improve living conditions. The book was the
product of the public-spirited association of contributors including the University
of Manchester’s leading historians James Tait and Thomas Tout, city councillors
and clergymen. The chapters show careful research into the origins of local
landmarks and pride in Manchester’s achievements.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: Arial;&quot;&gt;Trade
and industry are naturally praised, with one author describing the ‘perpetual
slow rolling of merchandise from the warehouse to the Docks. To read the
directions on these hooped bales of fabrics is to have glimpses into the
strange places of the earth … The plain, solid names on the door cheeks and the
window blinds of Portland Street read, as they go on and on and on, like an
epic – the brass plates would do for a frieze on a Parthenon of Victorian Commerce.’
Manchester’s scholarly and artistic institutions are also given their due – the
John Rylands’ special collections, for instance, ‘have made of Manchester, not
only a place of pilgrimage for the lover of rare and beautiful books, but a
centre of attraction for scholars from all parts of the world’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: Arial;&quot;&gt;While
the products of Victorian Manchester are unsurprisingly described at length,
the volume’s introduction shows how the city is changing. The straight-talking,
industrious ‘Manchester man’, represented by the manufacturer and campaigner
Richard Cobden, is no longer the only representative of the city, now that it
is too large and diverse to conform to a single type. The exodus of commuters ‘leaves
central Manchester after dark to the policeman and the cats’, while the suburbs
have distinct identities befitting a sprawling, global city: Kersal is ‘quite
noticeably Levantine and Greek’, Withington is ‘a kind of upper middle-class
Olympia’ and ‘Moss Side is middle-class and clerkly with ambitions inclining to
the semi-detached, though it harbours in its temperate and insular zone a
surprising settlement of Moors whose dress adds colour and variety to the
panorama of the business streets’. Current challenges are held to include
pollution, electricity supply and education.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-bidi-font-family: Arial;&quot;&gt;The
volume acknowledges that Manchester has contributed its fair share of soldiers
to the war effort, making it ‘the curious fate of Manchester to be renowned at
once for the theory of pacifism and the practice of arms’. The war does not,
however, impinge on the volume too much, with only a few mentions interrupting
the catalogue of civic achievement.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; margin-bottom: 0.1pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0.1pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2 style=&quot;line-height: 150%; margin-bottom: 0.1pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0.1pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;Henri Pirenne,
trans. J. V. Saunders, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Belgian Democracy,
Its Early History&lt;/i&gt; (1915)&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgal6JeCjKqe7T8MB3kN5ISgv1VEQ2TZR9xIqHbQ1mFJXZbdvZ03Dck2xPjG1_0n_VN1BNhuYBYxIJvlhxsieVrczaXNzlVEPQbqiTelYI3Lf5mg5czgnyYbJV4RqgyRDB5RqmzKNf8MKA/s1600/Picture2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgal6JeCjKqe7T8MB3kN5ISgv1VEQ2TZR9xIqHbQ1mFJXZbdvZ03Dck2xPjG1_0n_VN1BNhuYBYxIJvlhxsieVrczaXNzlVEPQbqiTelYI3Lf5mg5czgnyYbJV4RqgyRDB5RqmzKNf8MKA/s1600/Picture2.jpg&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 24px;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 24px;&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Written by Henri Pirenne,
Professor of Medieval and Belgian History at the University of Ghent, this book
chronicles the history of Belgian democracy from medieval times to the
seventeenth century. Pirenne was a renowned medievalist whose nationalist
histories, as well as his arrest and internment during the German occupation, had
led to him being revered as a local hero. His son was killed during the battle
of Yser in 1914. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 24px;&quot;&gt;
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 &lt;w:wrap type=&quot;tight&quot;&gt;
&lt;/w:wrap&gt;&lt;/v:imagedata&gt;&lt;/v:shape&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Belgium was central to Britain’s
war aims. Germany’s invasion of Belgium had led Britain to enter the war, and atrocities
committed by the Germans in Belgium became cornerstones of Britain’s argument that
it was fighting a just war. British families housed thousands of Belgian refugees.
This history of Belgian democracy was part of the propaganda war.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;Although
it was written in 1910, this 1915 translation asked ‘May the English-speaking
public extend to [Belgium’s] early history a little of the sympathy which it is
lavishing on their present misfortunes!’ The &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Manchester Guardian&lt;/i&gt;’s review hinted that Pirenne’s scholarship had
been shoehorned into the question of ‘Belgian democracy’ when it was really
about ‘city commonwealths in the towns of the Low Countries, of which the
famous towns now in Belgian territory were only the most important’. The book
is a lively and accessible study of Belgian political history. The author does
not exaggerate the success of Belgian democracy and is keen to suggest its
piecemeal progress and regular stumbles. Nevertheless, Belgium is shown to have
provided some of the most potent instances of democratic governance in the
medieval and early modern eras.&lt;/div&gt;
&lt;/span&gt;

&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;It is
not a work of propaganda. Pirenne is interested in the conditions for the
growth of democracy. He argues that the dominance of merchants in the thriving
Belgian cities was fertile ground for a ‘democratic spirit’. This was
continually under threat as one interest sought to dominate others – the
Church, the Emperor, dominant traders, Calvinists, capitalists – and Pirenne
does not argue that the democratic spirit was inherently Belgian. The German
invasion was the greatest threat to this spirit, however, and this is why the
book had been translated into English.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;A. S. Peake, B.
Bosanquet and F. Bonavia, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Germany in the
Nineteenth Century&lt;/i&gt; (second series) (1915)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;This book summarised
the achievements of German theology, philosophy and music in the nineteenth
century. The introduction by the historian T. F. Tout explains that it was
first published in 1912 in the hope that ‘appreciations by British scholars of
the part played by Germany in the development of modern civilisation might
serve to promote more friendly feelings between the two nations’. Given the
outbreak of war, ‘the writers can no longer take the optimistic line which they
so recently felt justified in assuming, yet they do not regret that, in their
anxiety to take a favourable view of Germany’s attitude, they under-estimated
the sinister influences which for the present have proved triumphant’. Tout is
clear that the current Germany is one of ‘militant aggression, of violated
faith, of cynical self-seeking and disregard of the honourable traditions of
civilised warfare’, but that it is still useful to offer this scholarship and
pay tribute to the more civilised traditions in Germany.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;The
chapters detail important features of German intellectual life. A. S. Peake, a
theological scholar at the university, covered theology. The philosopher and
social theorist Bernard Bosanquet described philosophy. Finally, F. Bonavia contributed
a chapter on music. German cultural strengths are seen as biblical criticism,
Idealist philosophy and the music of Beethoven, Wagner and others. Bonavia goes
as far as to say that the ‘history of the musical development of the nineteenth
century is in the main the history of German music’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;The &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Manchester Guardian&lt;/i&gt; agreed that ‘there
has never been a time when it was more necessary to remember that the German
military class is far from representing the best thought of the German people’.
The &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Athenaeum&lt;/i&gt; doubted whether the
achievements described in the book were as distinctly German as the authors
suggested, citing non-German influences on Mozart, Schopenhauer and others.
They were in agreement with the aims of the book, however, sincerely thanking
the authors ‘for reminding us that there are great and good Germans and that,
when peace is restored, we shall do well not to stand aloof from those who
survive as if they were lepers’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;Ramsay Muir
(ed.), &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Making of British India,
1756–1858, described in a series of dispatches, treaties, statutes, and other
documents, selected and edited with introductions and notes&lt;/i&gt; (1915)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;This history by Muir is based on East India Company reports
and letters. The East India Company had begun trading with India in the
seventeenth century and, starting with Bengal, began to have increasing control
over the fragmented country until it was formally superseded by the British Crown
in 1858. Muir offers a picture of the enlightened British governance of India.
While it is based on primary documents, it is certainly one-sided and offers no
platform for Indian voices. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Prior to British control, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 35.45pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;India was a mere chaos of warring
principalities; dynasties rose and fell; the patient peasant endured the
ravages and exactions of one plundering master after another; the waste and
carnage of war never ceased; and everywhere Might was Right, and the arbitrary
will of the strongest prevailed. At the end of the century, after one final
convulsion, war had altogether ceased … in every town and village, judges and
magistrates administered one fixed and unvarying law, without bribes and
without favour, to all who appealed to have their rights protected or their
wrongs redressed. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Muir claims that the move from trade to empire was ‘accidental’.
He praises the greater control taken on by Warren Hastings – perhaps the ‘greatest
Englishman who has ever laboured in India’ – in the 1770s, based on sound
principles, including no power without responsibility, respect for Indian
customs and peasants’ rights. He has particular respect for the ‘remarkable
group of men, perhaps the ablest group whom the Anglo-Indian service has ever
produced’ who reformed Indian institutions in the 1820s and 30s. While they
sought to ‘make the best of Indian usages’, they also worked to give India ‘all
that was best in Western civilisation’, including law, railways, irrigation ‘on
a scale unknown’ before, and a modern civil service, as well as eradicating
barbarous Indian customs such as &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;sati &lt;/i&gt;(the
burning alive of widows, which was much exaggerated and criticised by the
British press).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;According to Muir, it was the too-rapid
introduction of such innovations by Dalhousie (the ‘maker of modern India’)
that offended ‘Oriental conservatism’ and led to the Mutiny in 1857. This was
nothing more than a blip and a misunderstanding in the story of British
tutelage, however. This paternalistic and patronising view would be strongly
criticised by Indian and Western scholars today, and indicates that Muir had an
extremely rose-tinted view of British rule. Muir is glowing in praise of
empire, suggesting that ‘The &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;pax
Britannica&lt;/i&gt; has been a yet more wonderful thing than the &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;pax Romana&lt;/i&gt;.’ In his view, British
governance of India had been an act of benevolence, not greed. In 1824 it was
officially stated that ‘the gradual preparation of the Indian peoples for
self-government ought to be the aim of those who had the direction of Indian
affairs, a view which, at this date, none but men of British race could have
entertained’. The Government of India Act of 1833 stipulated that no native of
India should be ‘debarrred by race, colour, or religion from holding any office
whatsoever under the British Raj’. Nevertheless, this progressive policy came
with the caveat that Indians as a whole had to be ‘sufficiently enlightened’
for self-rule – something not achieved until 1947 (when the Second World War
had exhausted British resources).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Writing in 1915, Muir was sanguine about
the ‘gradual substitution for the idea of dominion of the idea of partnership
in that great brotherhood of free civilised nations which make up the British
Empire’. We should remember that India was a key supplier of troops for the war
effort, a source of revenue for the British, and of employment for Muir, who
had had a visiting lectureship at the University of Punjab (1913–14) before
moving to Manchester. Germany had attempted to foment revolt among India’s
hundreds of millions of Muslims, and Muir’s history was therefore doing an
important job in justifying British rule.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;1918–19: Massacre and Radicalism in British History &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; margin-top: 0cm; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;F. A. Bruton, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Story of
Peterloo, written for the centenary August 16, 1919&lt;/i&gt; (1919) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2 style=&quot;line-height: 150%; margin-top: 0cm; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;F. A. Bruton (ed.), &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Three Accounts
of Peterloo by Eyewitnesses Bishop Stanley, Lord Hylton and John Benjamin Smith&lt;/i&gt;
(1921)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2 style=&quot;line-height: 150%; margin-top: 0cm; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;James Hindle Hudson, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Peterloo: a
history of the massacre an the condition which preceded it … A story for
working people to teach their children. Written for the Peterloo Centenary
Committee&lt;/i&gt;, with a preface by J. Bruce Glasier (1918)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;These three books
followed in MUP’s strong tradition of local history. Bruton was a teacher at
Manchester Grammar School and produced two scholarly accounts of the massacre.
Hudson’s was a more overtly political account, subtitled ‘a story for working
people to teach their children’, and written&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; for the Peterloo Centenary Committee, which
comprised an array of left-wing groups&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Peterloo
was a seminal event in both the history of Manchester and the democratic
movement in Britain, and the massacre is still commemorated today. A peaceful
protest in favour of parliamentary reform attended by thousands was attacked by
mounted Yeomen and hussars, leaving 15 dead and hundreds injured. The
demonstrators at Peterloo were campaigning for wider suffrage and better
representation for Manchester. The immediate result was a crackdown on free
speech and assembly. Small improvements were gained in 1832, 1867 and 1884. In
1918, just before these books were published, property qualifications for
voting were removed and some married women over 30 were allowed to vote for the
first time. Manchester’s liberal and working-class movements played leading
roles in these developments, and the city as a whole can be said to have been
progressive throughout the nineteenth century.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;The
Peterloo massacre occurred against a backdrop of economic depression and
political radicalism. &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Bruton quotes from a contemporary report sent to the Home
Secretary, warning of ‘deep distresses of the manufacturing classes of this
extensive population … when the people are oppressed with hunger we do not
wonder at their giving ear to any doctrines which they are told will redress
their grievances’.&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The working classes
and significant portions of the middle classes could not vote at this time.
Workers had no recourse during periods of economic depression or in response to
ill-treatment by bosses. Hudson noted that ‘All organisation for the
improvement of wages by collective bargaining or “direct action” was forbidden’
from the 1790s, though the ‘friendly societies’ were trades unions in all but
name and had 1 million members. From these came the Peterloo protestors. The
authorities, worried by the war with revolutionary France, cracked down on
political disturbances. &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hudson was positive about this form of
political expression. Leading up to Peterloo,&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 36.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;[t]he greatest propaganda effort was the
monster demonstration. For months before each demonstration, the people
prepared by drills and marches, holding regular communication with each other,
though separated by miles and miles of open country. Nothing could damp their
enthusiasm. For them the Pennine Chain no longer existed. Great bodies of men
swarmed over Blackstone Edge and Saddleworth Moor for the purpose of attending
a political demonstration, with an ardour that is not even to be imagined by
the man who to-day turns nonchalantly out from his home to listen to a few
words of a political speech in the next street. Large numbers of working men
gained great facility as speakers. They thundered against the rotten parliament
elected by the rotten boroughs.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;As Bruton notes, the poet-leader Bamford instructed these
drilling parties to be pacific: ‘we would disarm the bitterness of our political
opponents by a display of cleanliness, sobriety, and decorum such as we never
before had exhibited’. However, the protestors’ rough treatment of government spies
meant that the authorities were soon ‘in a panic’. Bruton agrees with the
authorities responsible for the massacre that there had been plotting by some
of the reformers, in some cases ‘decidedly dangerous’. He places more emphasis
on a general estrangement between employers and workers and a mutual enmity. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Bruton’s
1921 book is scholarly rather than celebratory. It sets out the accounts
provided by three eyewitnesses alongside short commentaries on the men and
their testimonies. Appendices show relics of the event, maps, pictures and
notes on the casualty figures. The book is therefore a valuable resource for
students of the massacre. The accounts, while not exciting, provide an
immediacy and a sense of the period that bring the reader closer to the famous
event. Bishop Stanley’s account serves to exonerate the demonstrators: ‘I saw
no symptoms of riot or disturbance before the meeting; the impression on my
mind was that the people were sullenly peaceful.’ John Benjamin Smith, the
first chairman of the Anti-Corn Law League which campaigned against the tariffs
on corn imports supported by landowners to raise the price of corn, agreed: ‘crowds
of people in all directions, full of good humour, laughing and shouting and
making fun’. &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Both concur in placing the blame on the inexperienced Yeomen.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Sir
William G. H. Jolliffe (Lord Hylton) was a lieutenant in the 15th Hussars, who
rode on the crowd. His account, given in 1845, describes the bad planning on
the part of the magistrates, which meant that when the horsemen were supposed
to advance at a walk, they were surrounded by the crowd and therefore caused
chaos and panic. The hussars used the flats of their swords but ‘sometimes, as
is almost inevitably the case when men are placed in such situations, the edge
was used’. Jolliffe reckoned the wounds received by protesters were few
considering the situation; ‘beyond all doubt, however, the far greater amount
of injuries were from the pressure of the routed multitude’. He detailed the
aggressive behaviour of some of the mob.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Bruton’s sympathies ultimately lie with the
protesters, showing the continued strength of the liberal tradition in
Manchester.&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 36.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;It all seems so unfair. They were &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;inarticulate&lt;/i&gt;. They had come, with all
the hilarity of a general holiday, to ask that they might have a Voice. They
were met by the bungling of incompetent authorities, behind whom loomed the
great, strong, repressive Government, saying: ‘I am God, and King, and Law,’
backed by a House of Commons that was hopelessly unrepresentative. Yet their
blood, as has been well said, proved in the end to be the seed of some of our
most cherished liberties.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hudson’s book is more directly political. He
is lyrical about Peterloo itself:&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 36.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;There is no time in the history of modern
democracy so moving as that hot summer morning of August 16th, 1819, when every
Lancashire town round Manchester sent its contingent of poverty dressed in its
Sunday best to Peterloo. The people, mainly, were weavers, spinners and
hatters. Their hearts beat high with hope, for they were sure the way to the
new heaven and new earth would be free to all, if only the gates of parliament
were open. Full of a peaceful intent, they brought their wives and children
with them as a proof that they neither expected nor desired riot and disorder.
Their enemies made the presence of those women and children, after they had cut
them down, a reproach against the people. To most of them Manchester was quite
unknown. In these days of trains and trams it is hard to conceive the
impressiveness of their great enterprise.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;With respect to the time of writing, Hudson asked: ‘to what
extend is the ruthless repression of popular movements at the time of Peterloo
likely to be again attempted? How far, at the conclusion of a great war, can
the workers retain and increase whatever political freedom they possess?’ He
detailed the under-appreciated work of female reform societies, which was again
coming to prominence in the context of the suffragettes. &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;As Bruton writes, Peterloo prompted an ‘avalanche’
of tracts for and against the reformers. Continuity with contemporary
Manchester politics was suggested by the work of the &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Manchester Guardian&lt;/i&gt;’s founding editor in reporting the massacre. &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;These books show the importance of Manchester’s history, and
the seriousness with which it was taken by residents of the city in 1921.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;Mark Hovell, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Chartist Movement, by the late Mark
Hovell. Edited and completed, with a memoir, by Professor T. F. Tout&lt;/i&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Mark Hovell was a local working-class boy who had won a
scholarship to Manchester Grammar School. Although he left at 12 to work as a
pupil teacher at Moston Lane Municipal School, he later won a Hulme scholarship
to attend Manchester University. At the age of 24 he became assistant lecturer,
in charge of workers’ education classes in Colne, Ashton and Leigh. Although a ‘slim,
quiet, unassuming and nervous young man’, he quickly won the confidence of his
audience as ‘one who sympathised with the sorrows and sufferings of the people’.
In 1914 Hovell joined the Officer Training Corps, before becoming a second lieutenant in the 1st Battalion Sherwood Foresters&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;. Posted to the Somme, he died in 1916 at the age of 28 while
trying to rescue one of his men from an explosion. Overcome by fumes, he fell
down a mine shaft and died. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hovell had written frequently to Professor T.
F. Tout about his MA thesis from the frontline. Tout made sure the thesis was
published and wrote a memoir of Hovell. Hovell’s main interest was British
social history, particularly Chartism. Tout wrote that ‘much of the vividness
and directness of his appeal was due to the fact that he was speaking on
subjects which he himself was investigating at first hand’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Before the war more friendly exchanges
between Britain and the ‘other Germany’ of scholars and artists had been
possible (as was emphasised by &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Peake,
Bosanquet and Bonavia, as discussed above). &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hovell had travelled to Germany to study social
history (&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;kulturgeschichte&lt;/i&gt;) under the
innovative Professor Lamprecht. Even then German chauvinism was becoming
apparent, however, and Tout notes that although stimulated intellectually, Hovell
was unhappy at German militarism and ‘crass materialism’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Tout also noted that when he began to work
at the university, Hovell had to pay back the costs of his teacher training, as
he was no longer teaching in schools. This, Tout said, put him in a similar
position to an ‘indentured coolie’. Tout hoped for better funding for university
lecturers and research and had hoped to set up an Institute of Historical
Research in Manchester, before being pipped at the post by London University.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Summarising Hovell’s character, Tout wrote:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 36.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He had nothing of the bellicose or martial
spirit; but he had a stern sense of obligation and a keen eye to realities.
Like other contemporaries who had some experience in Germany, he fully realised
the inevitableness [&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;sic&lt;/i&gt;] of the
struggle and knew that every man was bound to take his place in the grave and
prolonged effort by which alone England could escape overwhelming disaster.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Yet Tout emphasised that the book was being published for its
scholarly value, and not only for reasons of sentiment and commemoration.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hovell contextualised Chartism in the long
history of radical thought from the 1640s on. After Waterloo, such thought attracted
working-class support. This radicalism aimed for natural rights as ends in themselves.
After 1832, however, these had become means to the ‘social and economic
regeneration of society’. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;During the period 1815–40 industrialisation
began in earnest. Large fluctuations in the economy occurred and new industrial
systems meant the ‘social distance which separated employers and employed was
widened as capital seemed to become more and more impersonal’. There was ‘hideous
exploitation of women and children in mines and collieries as well as in other
non-regulated industries. Working men might with reason feel that they were isolated,
neglected, and exposed to the oppression of a social system which was not of
their own making or choosing, but which, as they thought, was not beyond the
control of their united power.’&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The Chartist movement derived ideas from several
sources, including the French Revolution. Its immediate ancestor was the London
Working Men’s Association and Anti-Poor Law agitations. It was a nationwide
movement with ‘ideas from London’, ‘organisation from Birmingham’ and ‘vehemence
from Lancashire and Yorkshire’. The Charter was taken up with enthusiasm by working
men’s clubs, especially after the poverty of 1838. Yet for all its force, there
were splits in the ranks along class, regional and trade lines.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Although many see Chartism as one of the ‘lost
causes of history’, Hovell shows how its principles have ‘gradually become
parts of the British constitution’. Progress has been made and the ‘domination
of the middle class, prepared for by the Act of 1832, is at least as much a
matter of ancient history as the power of the landed aristocracy’. But while
the political aims of the Chartists have mostly been realised, the vaguer ideas
of ‘social regeneration’ behind Chartism have not. Indeed, Hovell argues that
social Chartism was a protest and not a full vision. It contained a variety of
views, from socialism to Jacobinism to individualism to a reactionary vision
wherein ‘a nation of small farms, a contented peasantry, rooted to the soil,
and capable by association of controlling its own destinies, was to replace the
sordid industrialism of the factory system’. These diverse currents
successfully made ‘common cause against some common and glaring evils’. Before
Chartism it had been the ‘duty of the common man to obey his masters and be contented
with his miserable lot’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hovell’s admiration for the Chartists is
clear: ‘Every Chartist was fiercely independent and eager that the class for
which he stood should work out its own salvation.’ It was the first modern
movement to be controlled by working men and ‘its modest success taught
elementary lessons of self-discipline and self-government that made the slow
development of British democracy possible without danger to the national
stability and well-being’. The current trend for state intervention, represented
by national insurance, pensions and free school meals, is a ‘response on
thoroughly Chartist lines for the improvement of social conditions by
legislative means’. Chartism has also had an immense effect on Continental
social democracy and has highlighted the importance of class war, now a prime
mover of history.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h2&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;&quot;&gt;1916: Art, Literature and War&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 24px;&quot;&gt;Lawrence Haward, &lt;i&gt;The Effect of War upon Art and Literature: A lecture delivered at the University of Manchester, February 28, 1916 (1916)&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;In this 1916 lecture,
Haward probed the relationship between war and art in the hope of predicting
what kind of art might be produced by the war going on in Europe. He used
examples from Classical Greece to the present day to make his case. Haward was
director of the Manchester Art Gallery and amassed a significant collection of
war art directly from artists’ studios, such as the significant oil painting by
Henry Lamb, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Advanced Dressing Station on
the Struma&lt;/i&gt; (1916) and Paul Nash’s &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Wounded,
Passchendaele.&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;At the outset of his lecture he notes that the artist’s primary function is to ‘give
expression to aesthetic emotion’, not to make moral or social comment. But
artists are not separate from society. Indeed, the artist is sometimes a
prophet, interpreter or spokesman: ‘His sensibilities being more acute, he
catches the meaning of what [others] only dimly apprehend and gives precise and
significant utterance to thoughts which they can only partially formulate or
clothe in vague and halting phrases.’&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Haward
rejects Ruskin’s argument that war stimulates great art. For Haward, fighting
and art are different types of expression, and not necessarily related. He goes
further and suggests that art that explicitly seeks to portray war is often ‘stillborn’
and uninspired. Lady Butler and Eduard Dataille are given as examples of this
stilted war art.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;An
existential war is more likely to affect the artist. Artists may seek to
re-establish the ‘spiritual balance’ of a nation put off-kilter by war. For
Haward, it is only poets who can express national feeling. Painters, sculptors
and musicians are generally too personal to be able to produce art that matches
the feelings of a nation. More generally, it is possible to produce good war
art, and he praises Goya, Vereschagin, Zola, Tolstoi and Walt Whitman for
turning their personal anti-war sentiments into meaningful works of art. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;It was
Haward’s opinion that the current war was more likely to prevent than cause
masterpieces. He argues that as war is no longer a romantic adventure, as some
had thought, it is now more likely to produce ‘anger and bitterness’ than ‘heroic
emotions’. In consequence his audience should not expect to see any decent war
art until it was possible to judge events ‘dispassionately’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; margin-top: 0cm; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;L. van der Essen, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;La bibliothèque
de l’Université de Louvain&lt;/i&gt; / Henry Guppy, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Steps Towards the Reconstitution of the Library of the University of
Louvain&lt;/i&gt; (1915)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Louvain library was destroyed by the German invasion of
Belgium in 1914. The John Rylands library sought to ‘give some practical
expression of their deep feelings of sympathy with the authorities of the
University of Louvain, in the irreparable loss which they have suffered,
through the barbarous destruction of the University buildings and the famous
library’. The library offered a gift of books, and a catalogue of these was
published along with a record of the donors.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Leon van der Essen, a history professor at
the University of Louvain, offered a short history of the library. It was
founded in 1425 and grew through various legacies over the years. Although it
was not known for certain how many books there were before the library was
destroyed, it was certainly more than 230,000. The library’s catalogue was old
and uncatalogued books were being found all the time, which made their loss all
the more tragic. The library was particularly good on religious reformers and
politico-religious pamphlets and had more than 350 incunables. It had good
Jesuit and Jansenist collections, some recently found political pamphlets from
the period of the Thirty Years War and unique examples of eighteenth-century
polemical literature. There were more than 950 manuscripts including twelfth-century
post-Carolingian examples, lives of saints, psalters, books of hours,
liturgical manuals from the thirteenth to the fifteenth centuries, magnificent
illuminations and miniatures. The university archives were housed there, as
well as cabinets of curiosities, maps from Mercator, signatures of famous
visitors like Victor Hugo and portraits of Erasmus and others. ‘On 26 August
1914, in a few hours, the German soldiers brutally destroyed these treasures,
which were not simply the patrimony of Louvain or Belgium, but of the civilised
world.’&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Van der Essen concluded by categorically denying
‘the claim made by some, including the journal of Chicago, that German soldiers
attempted to save the library’. Again, here was an example of scholarship was
being used to emphasise German barbarism.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;Catalogue of an exhibition of the works of
Shakespeare, his sources, and the writings of his principal comtemporaries,
Tercentenary of the Death of Shakespeare 1616, April 23, 1916 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;This is an annotated
bibliography of the early editions kept at the John Rylands library, with notes
on likely influences, other books in Shakespeare’s library, and schoolbooks and
other influential books of the time. The book aims to show ‘the unfolding of
Shakespeare’s mind as it is reflected in his works’. It provides a short
overview of his life and context, his predecessors who ‘fixed the form’ and
some outline of his contribution to world culture. The editor comments that Shakespeare’s
phrases, ‘only less numerous than those of the Bible, often the most plain and
artless, have grown into household words’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;It is
not a nationalistic book, except in a somewhat indirect way. The editor notes
the popularity of Shakespeare all over the world, including among famous German
writers such as Goethe and Heine. ‘Thus we see that it is in no narrow spirit
of insularity that we put our illustrious countryman amongst the intellectual
giants of the world. Who can deny that he stands incomparably the greatest
dramatic writer of modern times, perhaps the greatest the world has ever known.’
This comment might perhaps be aimed at German claims of cultural superiority,
which appeared in propaganda, including that attempting to get America to fight
with Germany.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;&quot;&gt;1917–18: Understanding the Impact of the War on the Mind&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;G. Elliot Smith
and T. H. Pear, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Shell Shock and its
Lessons&lt;/i&gt; (1917)&lt;u&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Written by two members of
the University of Manchester’s medical department, this work was published at
the end of the war, and drew on journals from Britain, France, Russia and
Germany. Elliot Smith had refused to join the Royal Army Medical Corps as a
military psychiatrist because he believed that military discipline was counterproductive
to therapy and even potentially fatal for psychoneurotic soldiers. For the
authors, shell shock was ‘perhaps one of the saddest of the many grievances
aspects of the war’, made worse because of the public’s ‘exaggerated’ distress
at mental illness. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;The
book first defined shell shock. In it, the senses are not lost but rather
exhibit a ‘painful efficiency’. Shell-shocked soldiers are still rational – the
disturbance is purely emotional. The authors suggest that it is the same as
other nervous disorders in its essence, and assert that since soldiers are more
focused on bravery and precision, they feel the loss of emotional stability and
exaggerated fear more acutely. The book comments that, in the minds of many,
nervous disorders are imaginings of the ‘well-to-do woman living in the lap of
luxury … This war has, however, removed from honest peoples’ minds the possibility
of regarding these phenomena in such a shamelessly unscientific light.’ The
authors rejected the common view that shell-shock patients were malingering.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;According
to Elliot Smith and Pear, there are three stages of shell shock. Following the
initial shock the patient will exhibit severe loss of senses, mutism and other
such symptoms. In stage 2, we see the residuum of these symptoms and subjective
symptoms such as stammering, insomnia and bad dreams. It is best to arrest the
disorder here, when it can be reasoned away. In stage 3 the sufferer
rationalises his symptoms, and the fact that he perceives these symptoms will
make him think he is mad. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;The
authors focused on a treatment method using persuasion, but were at pains to
stress that this involved more than common sense. Knowledge and expertise of
the mind were needed in order to interpret dreams, slips and other signs of the
unconscious, as the disorder cannot be reasoned away consciously in stage 3. In
practical terms, they argued that the ‘history of the trouble can be unravelled
in conversation’ by a trained psychologist.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;In
helping the patient, ‘firmness and sympathy’ were needed. This was not the ‘misplaced
emotion’ of ‘petting variety’ sympathy. Isolation and heavy-handedness were
also bad. A genuine insight into the problem was required, which could only be
gained by careful attention to the patient and knowledge of the mind. Hypnotism
could also be useful to break down certain resistances.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Ordinary
wards are said to offer only ‘fussy solicitude, gruelling pity or suspicious
contempt’. Special clinics for the shell-shocked are held up as far more
effective in offering the right care and removing the stigma found in asylums.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;More
generally the book is a plea to pay more heed to psychology. Current treatment
is claimed to be too focused on those already fully insane and therefore
ignores the many incipient cases which can be nipped in the bud. The
Medico-Psychological Association report’s findings in 1914 had been put on hold
by the war. The report suggested a need for more training of doctors, clinics
for the treatment of early cases and a reform of the lunacy laws, as well as a ‘vast’
amount of research in psychology. The views of Pear and Elliot Smith challenged
military psychiatry’s aim of returning ill men to the Front as quickly as
possible.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;h2 style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: small;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-weight: normal; line-height: 24px;&quot;&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;Bernard Hart, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Modern Treatment of Mental &amp;amp; Nervous
Disorders: A lecture delivered at the University of Manchester, on 25th March
1918&lt;/i&gt; (1918)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;In this public lecture for a lay audience, Bernard Hart set
out the treatment options for victims of shell shock. Thousands of British
soldiers were returning from the Front with this new disorder, leading many people
either to question their courage or lament the inhumanity of modern war.
Bernard Hart was a leading psychologist at the Maghull military hospital, along
with T.H. Pear, Manchester University professor Grafton Elliot Smith and 25
other doctors. Experimental psychodynamic techniques were used at the hospital to
treat patients with the most severe forms of shell shock. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hart begins by explaining that ‘nervous
disorders’ are distinct from ‘mental disorders’ (madness). Nervous disorders
are not due to ‘demonstrable disease or injury of the nervous system’ but
rather to mental causes. They include neurasthenia, hysteria, nervous
breakdown, nerves and, recently, shell shock. He delves into history to show
that the stigma of the medieval witch trial was still attached to mental
disease. In the nineteenth century a ‘physiological conception’, which looked
for physical causes, held sway. Now a ‘psychological conception’ has come to
the fore as ‘mental causes are capable of exact scientific estimation’ – investigation
and treatment can be achieved by these means.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;By 1918, shell shock was understood by
military medicine and the government as a major problem, although officers and
ordinary soldiers were often diagnosed with different illnesses based on class
assumptions. Psychology was still a fledging discipline and Hart and his
Maghull colleagues’ use of experimentalism to combat the assumptions that
military medicine made – about the origins of mental illness and that masculine
courage and obedience to discipline were therapeutic – was particularly
innovative.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hart used the example of tears to explain
the difference between physiological and psychological causes. Tears can be
induced by an irritant or by emotions. The trick for doctors is to identify the
right cause so that it can be fixed. He used diagrams to show the ‘chains of
causation’ of physical and mental causes. In nervous disorders, it is ‘more and
more certain that “mental” factors constitute the most important link in the
chain of causation’. This emphasis on psychological factors was novel, and
contrasted with the dominant physiological explanation.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOR_wC9o65l0a561XmYhrqqwAUyTKoXHtpU_YRs3xXP26OBsb7PpRGGwvdDH92sggRpubZms-kLwOdt379-e_8mhb4uxscEVLsMz2pM8Kt8iVtXViLS67FNKutNJ8MvESdGiT20TwxzKk/s1600/Picture8.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOR_wC9o65l0a561XmYhrqqwAUyTKoXHtpU_YRs3xXP26OBsb7PpRGGwvdDH92sggRpubZms-kLwOdt379-e_8mhb4uxscEVLsMz2pM8Kt8iVtXViLS67FNKutNJ8MvESdGiT20TwxzKk/s1600/Picture8.jpg&quot; height=&quot;78&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The final picture shows the cause of
nervous disorders: ‘mental causes’&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; line-height: 150%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; line-height: 150%;&quot;&gt;Shell shock, although a new phenomenon, was,
according to Hart, ‘in every essential respect identical’ with neurasthenia,
hysteria and nervous breakdowns, but differed ‘in colouring due to the
particular circumstances’ of the war. The problem in nervous patients is that
parts of the mind are not in harmony. The shell-shocked soldier is ‘tortured by
memories of the terrifying events he has experienced … one force tends to drag
them into the full light of consciousness while another seeks to thrust them
into oblivion’. As the causes are psychological, so should the treatment be: ‘The
advice so often given to these unfortunate people, “Pull yourself together,”
expresses literally and exactly what is required. It is, however, absolutely
useless unless the patient knows what he has to pull together, and unless he is
shown how to do it, and helped to do it.’&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hart argued that the patient often cannot
describe the causes of his trouble – as indeed ‘most people do not fully
understand the workings of their own minds’. Therefore ‘knowledge of the
mechanisms of the mind’ was needed. The solution, according to Hart, was that
the patient ‘must learn to regard the memories as part of the furniture of his
mind, and as mere traces of events which are past’. He concluded by noting that
psychological treatments had been ‘eminently successful’ but that more
provision was needed.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;1915–19: War and
the Lessons of History&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;T. F. Tout, &lt;i&gt;Mediaeval and Modern Warfare: A lecture
delivered at the John Rylands Library on the 12th December, 1917&lt;/i&gt; (1919)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Tout’s lecture makes thoughtful and lively comparisons
between modern and medieval warfare, showing his commitment to using history to
better understand the present. Using the fact that both the current war and the
Hundred Years’ War had largely been played out in northern France and the Low
Countries, Tout compared the style, destructiveness and morality of the two
eras.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The scanty resources of the medieval state
meant that battles never lasted for weeks and weeks. Moreover, medieval armies
lacked unity and organisation, being commanded by different feudal lords. This
meant that medieval tactics were much better than medieval strategy, which
could often see armies roaming around the countryside for months. Yet some
aspects of medieval warfare, according to Tout, had returned. Hand-to-hand
fighting, once supplanted by guns, was again prevalent. Poison gas and
flamethrowers had similarities with Greek fire and stink pots. Tout also
identified a similar mixture of speed through open country and ultimate
defensive advantage in both eras. He showed how militarism was not a new
invention: England in the fourteenth century shared features with the Prussia
of Tout’s time.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Was medieval war more civilised? To
illustrate the best traditions of medieval chivalry, Tout provided an anecdote
from the Hundred Years’ War. The English army was on the offensive, but the
French had holed up in a walled city. The English demanded that they come out and
‘fight like men’. The French agreed to meet to fight fairly on a field, but
then reneged and remained within the walls. The English were&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 36pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;bitterly disappointed when the French did not
keep their promise, and angrily retired to their starting point, convinced that
even if they had failed to conquer a rood of French land, they had proved
themselves to be the better men. Their attitude reminds one of the boasts of
German spokesmen nowadays that Germany had not been beaten. The French derived
a more reasonable satisfaction from the retirement of their enemy. They may
have defeated the invasion without having to fight for it, just as French and
English have occupied western Germany by reason of the greatest military
collapse in all history.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Thinking about his own time, Tout noted that the age of
chivalry had died slowly. The Hague convention of 1899, which had sought to
codify the laws of war, was largely in vain as the ‘refusal of our enemies to
regard it as binding on others, has destroyed, perhaps for ever, the
time-honoured conventions that made war tolerable to the moral consciousness
because they mitigated some of its horrors’. War was now ‘infinitely more cruel
and inhuman’ because atrocities like the use of poison gas are done ‘deliberately
and consciously’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Tout lamented that the distinction between
combatant and non-combatant, observed since medieval times and reinforced by
the Red Cross, was being ignored by the ‘glorious Teuton whose higher
civilisation makes him a law unto himself’, meaning that the ‘other side was
practically compelled to follow the example’. More optimistically, in air
fighting ‘something like single combat is still possible; here courage,
imagination, and individual initiative still have full play … [it shows the]
best traditions on both sides of the ancient spirit of honourable rivalry’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Tout concluded by saying that peace was
needed now, based on a true ‘change of heart’. The middle ages had ‘truces of
God and its leagues of peace … real internationalism in the Church and sham
internationalism in the Empire’. Now we faced ‘fierce national jealousies’ in
East Europe, anarchy in Russia and ‘German ascendency claims’, meaning that it
was simplistic to talk solely of either progress or decline. He hoped that the ‘good
sense of the average man, the general will of civilised humanity, will find a
sound solution to all of these problems’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;&lt;i&gt;T. F. Tout, The English Civil Service in the Fourteenth
Century: A lecture delivered at the John Rylands Library on the 15th December,
1915 &lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Tout’s lecture began by noting that we are not in a
democracy, but a bureaucracy: ‘our masters are the demure and obscure gentlemen
in neat black coats and tall hats who are seen every morning flocking to the
government offices in Western London at hours varying inversely with their
dignity’. He then moved on to weigh the merits of the old and new systems.
Although the professional civil service came into being under Gladstone, it had
existed without the name in Anglo-Saxon and Norman England. It began as part of
the King’s household, meaning there was no clear line between domestic and
public administration. Most civil servants were clergy. Tout wryly notes that
then as now: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 36pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;diplomacy was the genteelest of
professions. To this day the Foreign Office is spared the disastrous results on
its manners and tone that might have followed had its officials, like those of
less dignified departments, been selected by open competition. Perhaps brains
and social graces do not always go together, and even nowadays a little more
brains might have its use in diplomacy. But the practical mediaeval mind
secured the happy mixture of good breeding and capacity necessary, let us say,
to persuade or coerce a Balkan prince of German origin, by putting a great
nobleman at the head of a foreign embassy, while associating with him a bishop,
who had, perhaps begun life as a chancery clerk, to help out his intelligence,
and a chancery clerk or two still on the make, to supply the necessary work and
technical knowledge.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;And given that for medieval men a lay clerk was the ‘last
word in radicalism’ it ‘goes without saying’ that no women were admitted as was
beginning to happen in Tout’s time.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Positions were sold and there was
widespread nepotism. Yet even in Tout’s day, seven out of nine of the King’s
Bench were related to judges, and ‘it would be impossible to draw from
contemporary politics a more happy and complete survival of the mediaeval mind’.
Tout saw the medieval system in context, however, noting that patronage was at
that time the best surety of fidelity. While they ‘did a lot of business on
their own account’, there was no outrage because this was normal and accepted. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Tout ended by sketching the lives of three
ordinary clerks, arguing that a ‘good system makes the average man competent’
and that the personal is often unstressed in history. John Winwick was small
gentry from Lancaster who rose to become keeper of the privy seal. His was the ‘prosperous,
successful, public spirited though not particularly startling career of a good
official who throve in all his undertakings and made the best of his chances in
both worlds’. Geoffrey Chaucer could not make a living from writing in the days
before copyright and printing. He thus used his literacy to work for the king
in France and Italy. He absorbed the culture, and his good connections got him
promoted. Despite the distractions of his writing, he worked hard and did well
in the service. Thomas Hoccleve, a poet, was less successful. His writing tells
us about the hard work of the clerk and the aches and pains and solitude. He
frequented taverns and took his fair share of bribes, but worked hard.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Tout concluded ‘I cannot but record the
impression that the business methods of the mediaeval official were not much
worse than those of more recent and more self-complacent days.’ Of course they
were corrupt, but ‘we have every reason to believe that even a modern
government department might learn something from the wide knowledge, long
service, corporate feeling, kindly indulgence, and sufficient devotion to the
task in hand that are illustrated by the self-revelations of this obscure and
unlucky public servant of the English state who died nearly 500 years ago’. He
praised the neatness of the calligraphy, the correctness of the sums and the ‘respectably
high level of general competence’ revealed by medieval records that he had
spent many hours poring over.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;What comes through most of all is Tout’s
sympathy with the clerks’ lives and work. He is not blind to the merits of the
antiquated system, or to the defects of the modern, professional one.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;&quot;&gt;S. E. Maltby, &lt;i&gt;Manchester and the Movement for National
Elementary Education 1800–1870&lt;/i&gt; (1918)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Maltby’s book charts the movement for educational improvement
in Manchester. Throughout the period 1800–70, ‘no other single place was so
much the focus of educational interest and the hotbed of educational proposals
as Manchester and its neighbourhood’. The town’s rapid growth, the presence of
child labour and the public-spirited citizens hoping to end this prompted an
active movement. The Lancashire Public Schools Association, the Manchester and
Salford Committee on Education and the Manchester Education Aid Society were important
voices whose ideas were eventually taken up in the 1870 Education Act, which
gave compulsory primary education to all.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;There was very basic regulation of child
labour in 1819, agitated for by Coleridge, the Manchester Board of Health and
others. Yet until 1870 there were no publicly controlled schools or obligation
to attend. Schools were either&amp;nbsp;endowed schools, day schools, private
schools or Sunday schools. Manchester educationalists were either voluntarists,
religious or non-sectarian. Dissenters who wanted the disestablishment of
Anglicanism were worried that state education would force Anglicanism on
children. In addition, the Chartists had called for national education, meaning
that it was associated with ‘godlessness’ for many middle-class reformers.
Finally, free trade dominated the attention of many reformers until the 1850s.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Voluntarism and the religious question
remained the biggest obstacles to state education. If the state was to provide
education, how much scope would local interests have to shape that education?
The Act was carried in 1870 under a liberal government, with a victory for the
secular vision of education. Throughout the agitation the condition of
Manchester – the first industrial city – was a reference point. Manchester men
like Cobden were hugely influential. In Maltby’s words, Manchester was
responsible for the new England and consequently ‘Manchester men felt their
responsibility to make that new England good.’&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Eventually a bill was passed, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 35.45pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;providing all the factors which Manchester
men had chiefly contended – viz. a system by which schools could be provided
over the whole country, by a local rate aided by government grants, under local
management but under state guidance and general regulation; by which all
children could be brought to school without the excuse of either poverty or
violation of conscience; and which was calculated to enlist in its support all
parties equally despite the grave dissatisfaction of most of the Radical
politicians.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 35.45pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Like many other authors, Maltby ends by linking the struggle
against Germany with the subject of his book:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; margin-left: 36pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;One would fain hope that England’s proud
boast that she is fighting (albeit side by side with centralised and secular
France) for right and liberty is but another aspect of that refusal at once
either to allow the State to dictate without local control, or to exclude
religious teaching from elementary schools.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;u&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;1915–18: The University at War&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;From 1915, the
Vice-Chancellor’s annual statements recorded the effects of the war on the university.
He noted that ‘immediately on the commencement of the session [war] a large
number of students had received commissions’. This significantly decreased the
number of male students and the revenues of the university. So as not to put
soldiers at a disadvantage, the university allowed scholarships to be deferred
and teaching posts to be resumed after the war. The VC listed Manchester
University staff and students who had died. He noted the charitable activities
of female students, including Red Cross work and other social service. The
university set up a committee to help Belgian refugees, and allowed them to use
university facilities. The John Rylands’ University Library offered books to
the destroyed Louvain library. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;The university
continued to function, but was geared towards the war effort. Lectures on
Wednesdays and Saturdays were cancelled to allow for military drill. In
addition, many departments dropped their research for war work. Economics
students starting gathering statistics for the Board of Trade. Chemistry,
electro-chemistry, metallurgical and engineering departments helped to develop
explosives, materials for aeroplanes, work for the anthrax committee and
treatments for shell shock. Although the VC was often coy about what this work
actually entailed – saying, for instance, that Sir Ernest Rutherford was
working ‘for the Admiralty’ – he was undoubtedly proud of the university’s
contribution. At the war’s end, he noted: ‘one effect of the war has been to
reveal to the official world the great intellectual and scientific resources of
the Universities, and to show how they might be utilised for public benefit’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;For
more details on the University’s activities during the war, including a list of
all members killed, see &lt;a href=&quot;http://www.ww1.manchester.ac.uk/&quot;&gt;http://www.ww1.manchester.ac.uk&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: small; font-weight: normal; line-height: 24px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2 style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: small; font-weight: normal; line-height: 24px;&quot;&gt;Henry Spenser Wilkinson, &lt;i&gt;Learners as Leaders: An address delivered on 26th April, 1918, at a memorial service for members of Manchester university who have fallen in the war&lt;/i&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;Henry Spenser Wilkinson
was born in Hulme in 1853 and was Professor of Military History at the
University of Manchester and then the University of Oxford (1909), and a drama
critic for London’s &lt;i&gt;Morning Post&lt;/i&gt;.
During the First World War he was an outspoken and influential critic of the
British government’s strategy and policy.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 150%; text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;‘Learners as Leaders’ was a patriotic and
stirring lecture on the value of education and Manchester University in
particular. The author praises the lecturers who have ‘made our community’. He
makes general points about the value of learning: to ‘accustom the growing will
to the habit of attention’ and help students ‘to take hold of the common stock
of human knowledge’.&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; line-height: 150%; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; line-height: 150%;&quot;&gt;The lecture was given in honour of those
who had fallen and emphasises the importance of duty: ‘we are Englishmen and
our duty is to England. To the service of our country our University is
dedicated, and its mission is to quicken our spiritual life, that we may be
good and faithful citizens of the land which is our home, of the nation in
which we live.’ The community and comradeship learnt at a university was
suggested to be a vital stepping stone to a wider, national sense of duty.&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; line-height: 150%;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; line-height: 150%;&quot;&gt;Wilkinson concluded by suggesting that the secret of
leadership is the will to learn, and that this would be required for the ‘new’
England after the war.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; line-height: 150%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify; text-indent: 35.45pt;&quot;&gt;
&lt;span style=&quot;color: windowtext; font-family: &#39;Times New Roman&#39;, serif; line-height: 150%;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 24px;&quot;&gt;For further information on First World War titles from Manchester University Press, please contact Simon Bell (simon.bell@manchester.ac.uk)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 24px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: left; text-indent: 35.45pt;&quot;&gt;
&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 24px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;line-height: 24px;&quot;&gt;Why not check out, &lt;i&gt;&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719074219&quot;&gt;The origins of the First World War&lt;/a&gt;&lt;/i&gt;, by Annika Mombauer&lt;/span&gt;&lt;/div&gt;
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&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/3214956385904387839/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/3214956385904387839' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/3214956385904387839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/3214956385904387839'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2014/11/manchesteruniversity-press-and-first.html' title=''/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXHtUEJW6TOioJUHnpXxzRbEzWnBUJLWgzjTY7WzEpCQbLOqvdu-JJkrl89lQtIl3xBAoNaBOuNXnq-_ejf5tg1JCR9z9HydLpTxZXNJKKsQ7Qsg-Mmb38SHQSppH-WaZjOLHTeHhUW0s/s72-c/Picture1.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-2454976983874139891</id><published>2014-11-18T13:58:00.002+00:00</published><updated>2014-11-18T13:59:33.059+00:00</updated><title type='text'>BOOK LAUNCH William Parsons, 3rd Earl of Rosse</title><content type='html'>&lt;br /&gt;
Congratulations to the&amp;nbsp;editor, Charles Mollan,&amp;nbsp;and the long list of contributors on the publication of &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719091445&quot;&gt;William Parsons, 3rd Earl of Rosse&lt;/a&gt;, &lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719091445&quot;&gt;Astronomy and the castle in nineteenth-century Ireland&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
They were joined by many colleagues and friends, including Lord Rosse&amp;nbsp;and the&amp;nbsp;Countess of Rosse, to toast the arrival of the new book.&lt;br /&gt;
&lt;br /&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdCYdIyVPJIuLBm7nWSCuZtFrH7xZFljtf8Y2JywN2_4GZ8lWBjcLek8qYSwfllSEIB2vBzN-ob5SSm34n_cn_PcUVZ9KWbW6zp86R2aq9NMRvX6qCLXWKX51JnbWhS3HK8NavSCi2Hk8/s1600/MF+launch+Nov+14.JPG&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdCYdIyVPJIuLBm7nWSCuZtFrH7xZFljtf8Y2JywN2_4GZ8lWBjcLek8qYSwfllSEIB2vBzN-ob5SSm34n_cn_PcUVZ9KWbW6zp86R2aq9NMRvX6qCLXWKX51JnbWhS3HK8NavSCi2Hk8/s1600/MF+launch+Nov+14.JPG&quot; height=&quot;240&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;
Margaret Hogan, Wolfgang Steinicke, Lord Rosse, Countess of Rosse, Daniel McDowell, Charles Mollan, Allan Chapman (speaker on the occasion). &lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-GB; mso-fareast-theme-font: minor-latin;&quot;&gt;&lt;/span&gt;﻿</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/2454976983874139891/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/2454976983874139891' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/2454976983874139891'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/2454976983874139891'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2014/11/book-launch-william-parsons-3rd-earl-of.html' title='BOOK LAUNCH William Parsons, 3rd Earl of Rosse'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdCYdIyVPJIuLBm7nWSCuZtFrH7xZFljtf8Y2JywN2_4GZ8lWBjcLek8qYSwfllSEIB2vBzN-ob5SSm34n_cn_PcUVZ9KWbW6zp86R2aq9NMRvX6qCLXWKX51JnbWhS3HK8NavSCi2Hk8/s72-c/MF+launch+Nov+14.JPG" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8521196350905335955.post-8434372889612535757</id><published>2014-11-14T16:17:00.001+00:00</published><updated>2014-11-14T16:33:00.598+00:00</updated><title type='text'>The sacred work: Galsworthy&#39;s advocacy for WWI veterans</title><content type='html'>&lt;span class=&quot;Apple-style-span&quot; style=&quot;color: #7a7575; font-family: &#39;Droid Sans&#39;, Arial, Verdana, sans-serif; font-size: 13px; line-height: 19px;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;post-meta&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #2c2c2c; font-family: LeagueGothicRegular, Arial, sans-serif; font-size: 18px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase; vertical-align: baseline;&quot;&gt;
POSTED BY&amp;nbsp;&lt;a href=&quot;http://circulatingnow.nlm.nih.gov/author/bethmullen/&quot; rel=&quot;author&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #2c2c2c; font-size: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; title=&quot;Posts by Circulating Now&quot;&gt;CIRCULATING NOW&lt;/a&gt;&amp;nbsp;ON NOVEMBER 10, 2014 IN&amp;nbsp;&lt;a href=&quot;http://circulatingnow.nlm.nih.gov/category/collections/&quot; rel=&quot;category tag&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #2c2c2c; font-size: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;COLLECTIONS&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;hr&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: initial; background-image: url(http://s0.wp.com/wp-content/themes/premium/thestyle/images/hr-bg.png); background-origin: initial; background-position: initial initial; background-repeat: repeat no-repeat; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; height: 1px; margin-bottom: 6px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #303030; font-size: 13px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;By Jeffrey S. Reznick&lt;/em&gt;&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #303030; font-size: 13px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
This Veterans Day is the first to occur during the four-year centenary anniversary of World War I. As media outlets feature stories about medical care and philanthropic support provided to men and women who have sustained permanent injury through military service in recent wars, we have an opportunity to look back to the Great War and remember its veterans and the many generous individuals who advocated for them on the road back to civilian life.&lt;/div&gt;
&lt;div class=&quot;wp-caption alignright&quot; id=&quot;attachment_5388&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: #f3f3f3; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(221, 221, 221); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(221, 221, 221); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(221, 221, 221); border-right-style: solid; border-right-width: 1px; border-style: initial; border-top-color: rgb(221, 221, 221); border-top-style: solid; border-top-width: 1px; float: right; font-size: 13px; margin-bottom: 10px; margin-left: 10px; margin-right: 0px; margin-top: 0px; max-width: 100%; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 4px; text-align: center; vertical-align: baseline; width: 310px;&quot;&gt;
&lt;a href=&quot;https://nlmhmd.files.wordpress.com/2014/11/john_galsworthy_1919_loc_3b29718u.png&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;img alt=&quot;John Galsworthy seated at a writing desk reviewing a document, left profile.&quot; class=&quot;wp-image-5388 size-medium&quot; height=&quot;206&quot; src=&quot;https://nlmhmd.files.wordpress.com/2014/11/john_galsworthy_1919_loc_3b29718u.png?w=300&amp;amp;h=206&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-style: initial; border-top-style: none; border-top-width: 0px; font-size: 13px; height: auto; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 100%; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; title=&quot;John Galsworthy, 1919&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div class=&quot;wp-caption-text&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #303030; font-size: 11px; line-height: 17px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 5px; padding-left: 4px; padding-right: 4px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
John Galsworthy, 1919&lt;br /&gt;
&lt;a href=&quot;http://www.loc.gov/pictures/item/2002710473/&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; target=&quot;_blank&quot; title=&quot;Library of Congress&quot;&gt;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 11px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;Courtesy Library of Congress&lt;/em&gt;&lt;/a&gt;&lt;/div&gt;
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One of those individuals was John Galsworthy (1867–1933),&amp;nbsp;&lt;a href=&quot;http://www.nobelprize.org/nobel_prizes/literature/laureates/1932/press.html&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; target=&quot;_blank&quot; title=&quot;The Nobel Prize&quot;&gt;recipient of the 1932 Nobel Prize&lt;/a&gt;&amp;nbsp;in literature for his authorship of the&amp;nbsp;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;The Forsyte Saga&lt;/em&gt;, an epic sequence of novels and ‘interludes’ about the upper-middle-class Forsyte family. While Galsworthy is best known for this literary achievement, he should also be remembered for his humanitarian support for and his writings about soldiers disabled in the “war to end all wars.”&lt;/div&gt;
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For Galsworthy, the weeks running up to the Great War were a time of depression and paralysis. “These war-clouds are monstrous,” he wrote in his diary about the impending conflict. “If Europe is involved in an Austro-Servian [sic] quarrel, one will cease to believe in anything.” He recorded in his diary shortly thereafter: “I wish to Heaven I could work.” Such thoughts about the impending war combined with his marriage (which he viewed as “paralyzing”), with his poor physical health (which involved a “game shoulder” and “short-sightedness”) and with his age of forty-seven (which disqualified him from enlistment) to shape Galsworthy’s perception of himself as disabled.&lt;/div&gt;
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&lt;a href=&quot;https://nlmhmd.files.wordpress.com/2014/11/inter-allied-conference-on-the-after-care-of-disabled-men_1918.png&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;img alt=&quot;Title page of Inter-Allied-Conference on the After Care of Disabled Men, Second Annual Meeting held in London, May 20 to 25, 1918. &quot; class=&quot;wp-image-5392 size-medium&quot; src=&quot;https://nlmhmd.files.wordpress.com/2014/11/inter-allied-conference-on-the-after-care-of-disabled-men_1918.png?w=178&amp;amp;h=300&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-style: initial; border-top-style: none; border-top-width: 0px; font-size: 13px; height: auto; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 100%; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; title=&quot;Inter-Allied Conference on the After-Care of Disabled Men, 1918&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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Inter-Allied Conference on the After-Care of Disabled Men, 1918&amp;nbsp;&lt;a href=&quot;http://locatorplus.gov/cgi-bin/Pwebrecon.cgi?DB=local&amp;amp;v2=1&amp;amp;ti=1,1&amp;amp;Search_Arg=24110590R&amp;amp;Search_Code=0359&amp;amp;CNT=25&amp;amp;SID=1%20&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; title=&quot;NLM&#39;s LocatorPlus Catalog&quot;&gt;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 11px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;National Library of Medicine&lt;/em&gt;&lt;/a&gt;&lt;/div&gt;
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Galsworthy eventually overcame his sense of disability, and made sense of the war he hated while supporting the nation he loved by embracing his very&amp;nbsp;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;ability&lt;/em&gt;&amp;nbsp;to write as “the most substantial thing” he could do to support “relief funds.” For the duration of the war and through the middle of 1919, therefore, he composed essays of fiction and non-fiction that were not merely descriptive of that damage and efforts to repair it but also personally-reflective as they revealed the thoughts of an observer who was set apart from, but nonetheless wished to participate in, the events of the day.&lt;/div&gt;
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One of Galsworthy’s most thought-provoking essays was “The Sacred Work,” which he wrote during the spring of 1918 upon request of the Ministry of Pensions for the official proceedings of the second annual&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;a href=&quot;http://locatorplus.gov/cgi-bin/Pwebrecon.cgi?DB=local&amp;amp;v2=1&amp;amp;ti=1,1&amp;amp;Search_Arg=24110590R&amp;amp;Search_Code=0359&amp;amp;CNT=25&amp;amp;SID=1&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; title=&quot;NLM&#39;s LocatorPlus Catalog &quot;&gt;Inter-Allied Conference and Exhibition on the After-Care of Disabled Men&lt;/a&gt;&lt;/em&gt;. This piece argued that soldiers who were “broken in war” were a vital portion of the public deserving of health in the postwar era, and that the other segment of the public—namely those civilian noncombatants who remained at home, including Galsworthy himself—had in front of them not only the task of maintaining the public’s health writ large but also “the sacred work” of providing health to the “stricken heroes of the war [who] in every township and village of our countries…will dwell for the next half-century.” Galsworthy continued:&lt;/div&gt;
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The figure of Youth must go one-footed, one-armed, blind of an eye, lesioned and stunned, on the home where it once danced. Half of a generation can never again step into the sunlight of full health and the priceless freedom of unharmed limbs. So comes the sacred work…Niggardliness and delay in restoring all of life that can be given back is sin against the human spirit, a smear on the face of honour…The ‘scared work’ begins…in special hospitals, orthopaedic, paraplegic, neurasthenic, [where] we shall give back functional ability, solidity or nerve or lung. The flesh torn away, the lost sight, the broken ear-drum, the destroyed nerve,…it is true, we cannot give back; but we shall so re-create and fortify the rest of him that he shall leave hospital ready for a new career. Then we shall teach him how to tread the road of it, so that he fits again into the national life, becomes once more a workman with pride in his work, a stake in the country, and the consciousness that, handicapped though he be, he runs the race level with his fellows, and is by that, so much the better man than they.&lt;/div&gt;
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The reprinting of this essay in several American publications during the final months of the war reflected what was by then Galsworthy’s international reputation as an advocate for disabled soldiers. Major figures of the day who wrote about rehabilitation programs for wounded soldiers—including&amp;nbsp;&lt;a href=&quot;http://resource.nlm.nih.gov/14030930R&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; title=&quot;NLM&#39;s Digital Collections&quot;&gt;Garrard Harris&lt;/a&gt;,&amp;nbsp;&lt;a href=&quot;http://resource.nlm.nih.gov/14030970R&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; title=&quot;NLM&#39;s Digital Collections&quot;&gt;Cecil W. Hutt&lt;/a&gt;, and&amp;nbsp;&lt;a href=&quot;http://resource.nlm.nih.gov/14031090R&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; title=&quot;NLM&#39;s Digital Collections&quot;&gt;Douglas McMurtrie&lt;/a&gt;—acknowledged Galsworthy’s contributions.&lt;/div&gt;
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&lt;a href=&quot;https://nlmhmd.files.wordpress.com/2014/11/handbook-for-the-limbless_1921.png&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;img alt=&quot;The cover of Handbook for the Limbless, edited by G. Howson and Published by the Disabled Society.&quot; class=&quot;wp-image-5390 size-medium&quot; height=&quot;300&quot; src=&quot;https://nlmhmd.files.wordpress.com/2014/11/handbook-for-the-limbless_1921.png?w=199&amp;amp;h=300&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-style: none; border-bottom-width: 0px; border-color: initial; border-color: initial; border-left-style: none; border-left-width: 0px; border-right-style: none; border-right-width: 0px; border-style: initial; border-top-style: none; border-top-width: 0px; font-size: 13px; height: auto; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; max-width: 100%; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; title=&quot;Handbook for the Limbless, 1921&quot; width=&quot;199&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
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Handbook for the Limbless, 1921&lt;br /&gt;
&lt;a href=&quot;http://locatorplus.gov/cgi-bin/Pwebrecon.cgi?DB=local&amp;amp;v2=1&amp;amp;ti=1,1&amp;amp;Search_Arg=01820350R&amp;amp;Search_Code=0359&amp;amp;CNT=25&amp;amp;SID=1&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; title=&quot;NLM&#39;s LocatorPlus Catalog&quot;&gt;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 11px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;National Library of Medicine&lt;/em&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #303030; font-size: 13px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
When the Great War ended in November 1918, Galsworthy did not publicly address the subject of disabled soldiers again until 1921, when The Disabled Society published his nine-paragraph foreword to its&amp;nbsp;&lt;a href=&quot;http://locatorplus.gov/cgi-bin/Pwebrecon.cgi?DB=local&amp;amp;v2=1&amp;amp;ti=1,1&amp;amp;Search_Arg=01820350R&amp;amp;Search_Code=0359&amp;amp;CNT=25&amp;amp;SID=1&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; title=&quot;NLM&#39;s LocatorPlus Catalog&quot;&gt;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;Handbook for the Limbless&lt;/em&gt;&lt;/a&gt;. Suggesting the very therapeutic value of his words and the&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;Handbook&lt;/em&gt;&amp;nbsp;itself—both for himself and for the nation—Galsworthy wrote that “…It will do a lot of us, who still have all our limbs, good to read this&amp;nbsp;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;Handbook&lt;/em&gt;, and be reminded of what so many thousands are now up against, and of how sturdily they are withstanding discouragement.”&lt;/div&gt;
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The fact that this short piece was apparently Galsworthy’s final public statement relating to disabled soldiers should not be surprising. Like so many individuals of the “generation of 1914” who survived the Great War, Galsworthy had wanted to forget the trauma of the conflict and the rhetoric of the contemporary culture of care-giving surrounding disabled soldiers, including the promises of artificial limbs, curative workshops, and propaganda that envisioned a positive future for all disabled veterans. Put simply, Galsworthy was through with the war. As correctly prophetic as his wartime compositions were, the empty rhetoric of heroism and false promises of the day prevailed.&lt;/div&gt;
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So disillusioned was Galsworthy with the war—and so disenchanted was he with his wartime advocacy, which he judged as merely a drop in the flood of propaganda which overtook the nation—that from 1921 until his death in 1933 he never again took up the subject of disabled soldiers in any original way. The war, Galsworthy observed privately in a letter to a friend shortly before his death, “killed a terrible lot of—I don’t know what to call it—self-importance, faith, idealism, in me…”&lt;/div&gt;
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The experiences and words of John Galsworthy offer a lesson in how quickly wars and veterans can be&amp;nbsp;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;forgotten&lt;/em&gt;. On this first Veterans Day during the centenary anniversary of the Great War, this chapter in the history of that conflict should inspire us not only to&amp;nbsp;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;remember&lt;/em&gt;&amp;nbsp;disabled veterans of subsequent and current wars but also to invest for the long term in “the sacred work” of renewing their health and enabling their full participation in society.&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #303030; font-size: 13px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;Learn more about John Galsworthy and his work on behalf of soldiers disabled in the Great War, from the&amp;nbsp;&lt;a href=&quot;http://www.bbc.co.uk/programmes/p0297rmc&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot; target=&quot;_blank&quot; title=&quot;The BBC&quot;&gt;BBC World War One at Home&lt;/a&gt;&lt;/em&gt;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;,&amp;nbsp;&lt;/em&gt;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;a growing collection of stories that show how WW1 affected the people and places of the UK and Ireland.&lt;/em&gt;&lt;/div&gt;
&lt;div style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #303030; font-size: 13px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;a href=&quot;https://nlmhmd.files.wordpress.com/2013/07/jeffrey-s-reznick.jpg&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #00769e; font-size: 13px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;img alt=&quot;Portrait of Jeffrey S. Reznick in the HMD Reading Room&quot; class=&quot;alignleft  wp-image-551&quot; height=&quot;101&quot; src=&quot;https://nlmhmd.files.wordpress.com/2013/07/jeffrey-s-reznick.jpg?w=74&amp;amp;h=101&quot; style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: inline; float: left; font-size: 13px; height: auto; margin-bottom: 0px; margin-left: 0px; margin-right: 15px; margin-top: 0px; max-width: 100%; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot; width=&quot;74&quot; /&gt;&lt;/a&gt;Jeffrey S. Reznick, PhD, is Chief of the History of Medicine Division&lt;/em&gt;&amp;nbsp;&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;at the National Library of Medicine.&lt;/em&gt;&lt;br /&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/em&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/em&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/em&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/em&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/em&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;John Galsworthy and disabled&amp;nbsp;soldiers&amp;nbsp;of the Great War&lt;/em&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;, available in paperback, December 2014&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719096754&quot;&gt;http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719096754&lt;/a&gt;&lt;br /&gt;
&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;/em&gt;&lt;br /&gt;
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&lt;em style=&quot;background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 13px; font-style: italic; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;/h3&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://manchesteruniversitypressblog.blogspot.com/feeds/8434372889612535757/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8521196350905335955/8434372889612535757' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/8434372889612535757'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8521196350905335955/posts/default/8434372889612535757'/><link rel='alternate' type='text/html' href='http://manchesteruniversitypressblog.blogspot.com/2014/11/the-sacred-work-galsworthys-advocacy.html' title='The sacred work: Galsworthy&#39;s advocacy for WWI veterans'/><author><name>Manchester University Press</name><uri>http://www.blogger.com/profile/01094198785950630575</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='14' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7O5tF2XL6cVKXN1TYw9bqmNaVa8aOk-TxmJvAao4fhKkEN7HQcfyL3uPrm9ogpXpDb696hEXymgKdUi3L3j0PqJKCfYS9l9NL1MpiPTLZYCBst503W26AqU7v8skvwyc/s220/MUP1824forweb.jpg'/></author><thr:total>0</thr:total></entry></feed>