IN FILM MAKING

2009-12-21T18:37:00.001-08:00

Filmmaking is the process of making a film, from an initial story idea or commission, through scriptwriting, shooting, editing, directing and distribution to an audience. Typically, it involves a large number of people, and takes from a few months to several years to complete. Filmmaking takes place all over the world in a huge range of economic, social, and political contexts, and using a variety of technologies and techniques.

Development

In this stage, the project's producer finds a story, which may come from a book, play, another film, a true story, original idea, etc. After identifying a theme or underlying message, the producer works with writers to prepare a synopsis. Next they produce a step outline, which breaks the story down into one-paragraph scenes that concentrate on dramatic structure. Next, they prepare a treatment, a 25 to 30 page description of the story, its mood, and characters. This usually has little dialog and stage direction, but often contains drawings that help visualize key points.
Next, a screenwriter writes a screenplay over a period of several months. The screenwriter may rewrite it several times to improve dramatization, clarity, structure, characters, dialogue, and overall style. However, producers often skip the previous steps and develop submitted screenplays which investors, studios, and other interested parties assess through a process called script coverage. A film distributor may be contacted at an early stage to assess the likely market and potential financial success of the film. Hollywood distributors adopt a hard-headed business approach and consider factors such as the film genre, the target audience, the historical success of similar films, the actors who might appear in the film, and potential directors. All these factors imply a certain appeal of the film to a possible audience and hence the number of "bums on seats" during the theatrical release. Not all films make a profit from the theatrical release alone, so film companies take DVD sales and worldwide distribution rights into account.
The producer and screenwriter prepare a film pitch, or treatment, and present it to potential financiers. If the pitch is successful, the film receives a "green light", meaning someone offers financial backing: typically a major film studio, film council, or independent investor. The parties involved negotiate a deal and sign contracts. Once all parties have met and the deal has been set, the film may proceed into the pre-production period. The film should also have a set agenda and a direction of where you want your film to go and who your target audience is.

Post-production

Main article: Post-production

Here the film is assembled by the film editor. The modern use of video in the filmmaking process has resulted in two workflow variants: one using entirely film, and the other using a mixture of film and video.
In the film workflow, the original camera film is developed and copied to a one-light workprint (positive) for editing with a mechanical editing machine. An edge code is recorded onto film to locate the position of picture frames. Since the development of non-linear editing systems such as Avid, Quantel or Final Cut Pro, the film workflow is used by very few productions.
In the video workflow, the original camera negative is developed and telecined to video for editing with computer editing software. A timecode is recorded onto video tape to locate the position of picture frames. Production sound is also synced up to the video picture frames during this process.
The first job of the film editor is to build a rough cut taken from sequences (or scenes) based on individual "takes" (shots). The purpose of the rough cut is to select and order the best shots. The director usually works with the editor to ensure the envisioned shots are selected. The next step is to create a fine cut by getting all the shots to flow smoothly in a seamless story. Trimming, the process of shortening scenes by a few, seconds, or even frames, is done during this phase. After the fine cut has been screened and approved by the director and producer, the picture is "locked," meaning no further changes are made. Next, the editor creates a negative cut list (using edge code) or an edit decision list (using timecode) either manually or automatically. These edit lists identify the source and the picture frame of each shot in the fine cut.
Once the picture is locked, the film is passed into the hands of the postproduction supervising sound editor of the sound department to build up the sound track. The voice recordings are synchronised and the final sound mix is created by the rerecording mixer. The sound mix combines dialogue, sound effects, background sounds, ADR, walla, foleys and music.
The sound track and picture are combined together, resulting in a low quality answer print of the film. There are now two possible workflows to create the high quality release print depending on the recording medium:

In the film workflow, the cut list that describes the film-based answer print is used to cut the original color negative (OCN) and create a color timed copy called the color master positive or interpositive print. For all subsequent steps this effectively becomes the master copy. The next step is to create a one-light copy called the color duplicate negative or internegative. It is from this that many copies of the final theatrical release print are made. Copying from the internegative is much simpler than copying from the interpositive directly because it is a one-light process; it also reduces wear-and-tear on the interpositive print.
In the video workflow, the edit decision list that describes the video-based answer print is used to edit the original color tape (OCT) and create a high quality color master tape. For all subsequent steps this effectively becomes the master copy. The next step uses a film recorder to read the color master tape and copy each video frame directly to film to create the final theatrical release print.

Finally the film is previewed, normally by the target audience, and any feedback may result in further shooting or edits to the film.
There are two ways that film can be put together. One way is linear editing and the other is non-linear editing.
Linear editing uses the film as it is in a continuous film. All of the parts of the film are already in order and need not be moved or any such thing.
Conversely, non-linear editing is not subject to using the film in the order it is taped. Scenes can be moved around or even removed. A better way to see it is that non-linear editing is like a hoj poj of video.

Adsense Solutions Studio
http://www.adsense.com.my/

Axis Films
http://www.axisfilms-kl.com

Borneo Films
http://www.borneofilms.com/

Carrot Films
http://www.carrotfilms.com.my/

Carter Productions
http://www.carter.com.my/

Current Pictures
38-2 Jalan 25/70A, Desa Sri Hartamas, 50480, Kuala Lumpur
Tel: 03 2300 1713, Fax: 03 2300 1726

Creative Licence - Animation & visual effects
http://www.creativelicence.net/
G8, Wisma WIM, 7 Jalan Abang Haji Openg, Taman Tun Dr Ismail, 60000 Kuala Lumpur
Tel: 03 7710 7715, Fax: 03 7729 7712

Dream Image
http://www.dream-image.com/

GeoVision Productions
http://www.geovision.com.my/

Grand Brilliance
http://www.gbsb.com.my/
3rd Floor, North Wing , Sri Pentas, 3 Persiaran Bandar Utama, Bandar Utama, 47800 Petaling, Selangor
Tel: 03 7726 6333, Fax: 603 7725 7324

Le'eon Film
1 Jln PJU 3/44, Sunway Damansara, 47810 Petaling Jaya
Tel: 03 7880 8821, Fax: 03 7880 8853

Los Tigris Malaysia - Animal talent for TV, film, commercial & media productions
http://www.lostigris.com/
54 Lorong Hang Jebat, 75200 Melaka
Tel: 06 286 6682, Fax: 06 286 2682

Metrowealth International Group
http://www.mwig.com/
2 Jalan USJ 1/1C, Regalia Bussiness Centre, 47620, Subang Jaya, Selangor
Tel: 03 8023 3299, Fax: 03 8023 1399

Novista
http://www.novista.tv/
19 Jalan Tunku, Bukit Tunku, 50480 Kuala Lumpur
Tel: 03 2694 5501, Fax: 03 2694 4134

Passion Pictures
http://www.passionpictures.com.my/
210 Jalan Ampang, 50450 Kuala Lumpur
Tel: 03 2166 6448, Fax: 03 2166 6468

Peakstop Pictures
Lot 2171 RPR Fasa 2, Petra Jaya, 93050, Kuching, Sarawak
Tel: 016 857 5191

Planet Films
http://www.planetfilms.com/

Pop Films
http://www.popfilms.com.my/

POV fx - Persistence of Vision
http://www.povfx.com/

PRS Productions
3 Jalan Mentri, Off Jalan Peel, 55100, Kuala Lumpur
Tel: 03 9285 3854, Fax: 03 9284 4692

Red Communications - Red Comm
http://www.red.com.my/
525 Jalan 17/13, 46400 Petaling jaya
Tel: 03 7955 3345, Fax: 03 7958 6678

Renaissance Films
http://www.renaissancefilms.com/

Skop Productions
http://www.skop.com.my/
65-2, Jalan 3/23A, Taman Danau Kota, off Jalan Genting Kelang, 53300, Kuala Lumpur
Tel: 03 4143 9825, Fax: 03 4143 9824

Tayangan Unggul
http://www.tayanganunggul.com/
All Asia Broadcast Centre, Technology Park Malaysia, Bukit Jalil, 57000 Kuala Lumpur
Tel: 03 9543 6688, Fax: 03 9543 0127

TV Smith Multimedia
http://www.tvsmith.net.my/

Video Edit Productions
http://www.vep.com.my/
28 Jalan SS 2/103, 47300 Petaling Jaya
Tel: 03 7726 0721, Fax: 03 7726 0237

Vision New Media - Vision Broadcast, Double Vision
http://www.visionnewmedia.net/

BENET MADE BY BOX HEHEHE

2009-12-21T11:08:00.001-08:00

now everybody can hold fire on ur hand hehehe

2009-12-18T23:31:00.000-08:00

Robot hand i made by paper box.. hehehe can u beleive that?

2009-12-18T07:28:00.001-08:00

malaysian artist have fun.. be happy always do..

2009-12-16T17:20:00.001-08:00

this vedio edit by phone and capture by phone hehehe

2009-12-16T16:28:00.000-08:00

video edit pakai phone rakam pun pakai phone hehehe

2009-12-16T16:09:00.000-08:00

tasik chini brige hehehe look preety huh but my art director will get the credit for it..

2009-12-16T12:02:00.000-08:00

to make big set and only three of us it always make me head ect coz we have to built it by 10 day to make it done..

2009-12-16T11:57:00.000-08:00

i stole my fren kain pelekat to make this medal hehehehe this medal made by kain pelekat and box

2009-12-16T11:46:00.000-08:00

this is nice.. the cow cart u seen made by rotan and metal and it come with mini recaro seat.. hehehe i take 2 days to make this cart done..

2009-12-16T11:41:00.000-08:00

this is the gun i always use for shooting becouse its cheap and nobody realize it make by box hahahaha

2009-12-16T11:38:00.000-08:00

i made safety box by box for telemovie tv panic

2009-12-16T11:33:00.000-08:00

my new invention robotick hand made by box and its cost so cheap

2009-12-16T11:28:00.000-08:00

ni kire artis bile dah tahap bosan gile...

2009-12-15T23:56:00.000-08:00

set ni kire besar wooo... dan melibatkan penari yang ramai.. tahniah pada KRU kerana rasanya ini adalah musikal filem melayu yang pertama

2009-12-15T22:45:00.000-08:00

sharifah armi dan sharifah alya bersama fimie memang mantap lokonan diorg dan lakonan badan diorg gua salute

2009-12-15T22:40:00.000-08:00

ni lah sampan buatan buluh paling canggih.. yang bawak tu orang asli celup

2009-12-15T22:34:00.000-08:00

pembikinan drama pun mencabar jugak

2009-12-15T22:18:00.000-08:00

MANMAX FILM