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Just found out Jess Helms died, via this link. Turns out L.F. Eason III gave up the only job he’d ever had rather than lower a flag to honor former U.S. Sen. Jesse Helms.  Good on ‘im.

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Article at New West [link] Updated! [link]

Article at The Missoulian [link]

Article at KPAX [link]

Full photoset at Flickr [link]

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I try to keep the contacts limited to either people I know, folks who have opted in, or folks who may be interested based upon other lists that they have appeared on.  Yes, I harvest contacts from mass mailings.  I am aware that others may do this as well, which is why when I send out a blast email, I address it to myself and blind copy everyone else. It’s a practice I wish more folks would follow.

There have been times when I have been included in a blast mail and did not wish to remain on the person’s list for one reason or another, so I politely ask to be removed, and I am removed. There have been times when I’ve been solicited by artist spam emails in the past.  The end result was quite interesting, and, judging by the comments, helpful to others.

It is in that spirit that I post about an email that ended up in my inbox recently. It was from Alborques Galeria Online <alborques@gmail.com>, and had only a web address and an attachment, which you’ll see reproduced here after the jump.

I visited the website and found it to be poorly designed and ugly to look at.  Very busy and not at all user friendly.  A little googling revealed what I thought — the guy is into SEO and is looking to build traffic to create revenue for his site.  Nothing wrong with that, but at least have some decent content.

I replied to his mail with a request to remove me from his list and then hit the REPORT SPAM in Gmail link. I’d encourage anyone else who gets this type of email from this guy to do the same.  The funny thing is that the address to which he sent the mail is not my marc.moss.art@gmail address.  Funny.

Click to enlarge

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Victory Mints

Originally uploaded by love not fear

WAR IS PEACE
FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH
-George Bush Orwell

Happy Independence Day

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The performances by all bands were amazing.  high energy, fantastic rock and roll.

Why was the sound so muddy?  Specifically the vocals.  I was sitting about 3 rows back from the pit and the sound was terrible.

Reports I got from folks who were right up near the stage were that the sound was better, but that’s because they could hear the monitors on the stage.

Who’s fault is the terrible sound quality?  Knitting Factory Entertainment?  The Wilma?  I know hope you guys can do better than that.

Anyone else have a similar experience?

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REBOOT_ East Wall

Originally uploaded by love not fear

Joe Nickel wrote a great article today in The Missoulian about the state of the arts in Missoula. Joe points out that a recent survey of data released by the Natioanl Endowment for the Arts reported that Missoula ranks 44th in the nation in terms of the percentage of local workers who make their living through the arts”. “Artists in the Workforce 1990-2005″ is a 150-page survey of data compiled from census records. A portion of the article was reproduced over at Talk Missoula, and it ended with a question:

What are the advantages and challenges of being an artist in Missoula? Name one project, resource or service that could be developed to promote and support Missoula’s professional artists, musicians and writers.

The problem with the question is the word “professional”. There are many artists here in Missoula who cannot make a living at what they do here, not because they are not talented artists or they don’t produce a good body of work, but because their contemporary art is too edgy or risky for Missoula and the people who visit here.

Missoula is on the cusp of coming into its own as a cultural destination for travelers across the world. One thing many of those travelers want when they think of visual arts is western themed or “outdoor” art. Because of that, much of the visual art produced by professional artists in Missoula is reflective of that need.

Thinking of Missoula *only* in terms of this type of art is doing a disservice to the many very talented contemporary artists who live and work in this city, producing a huge body of work that might sell for thousands of dollars in a more urban city like Chicago, New York or Los Angeles, but here, if they sell at all, it’s for a pittance. And that is if the work is even seen.

A resource I would like to see is a dedicated space *downtown* that includes a gallery and affordable studios for working artists. Missoula is lucky to have the Ceretana, and more recently, the Zootown Arts Community Center on the North side. Both of these facilities are beautiful and offer many opportunities for both artists and the Missoula community. I would like to see something similar downtown. A place for artists to show that is not a coffehouse, a restaurant, a computer store, a boutique. Somewhere that is for art and art alone, and a place for lesser known 8local* artists to display. I am not taking away from the Missoula Art Museum and what they have to offer our community. I’m suggesting something more, something different. Something that could help artists who *don’t* make a living as an artist work towards that goal by giving them the same treatment a professional artist might get.

To view the full results of the NEA survey, “Artists in the Workforce 1990-2005,” visit www.NEA.gov and click on “News.”

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