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<title>MARTINIFILM | Martin Steimann</title><link>http://www.martinifilm.de/index.html</link><description>News from MARTINIFILM</description><dc:language>(null)</dc:language><dc:creator>Martin Steimann</dc:creator><dc:rights>Copyright 2010 Martin Steimann</dc:rights><dc:date>2011-12-06T12:02:41+01:00</dc:date><admin:generatorAgent rdf:resource="http://www.realmacsoftware.com/" />
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<lastBuildDate>Mon, 30 Jan 2012 14:53:04 +0100</lastBuildDate><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/MartinifilmMartinSteimann" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="martinifilmmartinsteimann" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><title>Benzin im Blut. Petrolheads.</title><dc:creator>Martin Steimann</dc:creator><category>Work</category><dc:date>2011-12-06T12:02:41+01:00</dc:date><link>http://www.martinifilm.de/files/fc156bdae524267ded889ff600d3d0eb-14.html#unique-entry-id-14</link><guid isPermaLink="true">http://www.martinifilm.de/files/fc156bdae524267ded889ff600d3d0eb-14.html#unique-entry-id-14</guid><content:encoded><![CDATA[<span style="color:#7E7E7E;">Es gibt Menschen, die haben Benzin im Blut. Im Auftrag der DAZ-Verlagsgruppe hat MARTINIFILM diese besondere Spezies in Szene gesetzt.<br /></span><span style="color:#7E7E7E;"><em>There are people who have petrol in their blood. On behalf of the DAZ Publishing Group MARTINIFILM has staged this particular species.</em></span><span style="color:#7E7E7E;"><br /></span><span style="color:#7E7E7E;"><br />Welches Verh&auml;ltnis hat </span><span style="color:#7E7E7E;"><a href="http://vimeo.com/32324122" rel="external">Roland L&ouml;wisch</a></span><span style="color:#7E7E7E;"> zu englischen Diven?<br /></span><span style="color:#7E7E7E;"><em>What relation has </em></span><span style="color:#7E7E7E;"><em><a href="http://vimeo.com/32324122" rel="external">Roland L&ouml;wisch</a></em></span><span style="color:#7E7E7E;"><em> to British divas?</em></span><span style="color:#7E7E7E;"><br />Warum ist </span><span style="color:#7E7E7E;"><a href="http://vimeo.com/32336025" rel="external">Alexandra Lier</a></span><span style="color:#7E7E7E;"> &bdquo;On the hook&ldquo;?<br /></span><span style="color:#7E7E7E;"><em>Why is </em></span><span style="color:#7E7E7E;"><em><a href="http://vimeo.com/32336025" rel="external">Alexandra Lier</a></em></span><span style="color:#7E7E7E;"><em> "on the hook"?</em></span><span style="color:#7E7E7E;"><br />Wieviel Spa&szlig; macht </span><span style="color:#7E7E7E;"><a href="http://vimeo.com/32324199" rel="external">Uwe Beckbye</a></span><span style="color:#7E7E7E;"> die Unvernunft?<br /></span><span style="color:#7E7E7E;"><em>How much fun is unreasonableness for </em></span><span style="color:#7E7E7E;"><em><a href="http://vimeo.com/32324199" rel="external">Uwe Beckbye</a></em></span><span style="color:#7E7E7E;"><em>?</em></span><span style="color:#7E7E7E;"><br /><br /></span><iframe src="http://player.vimeo.com/video/32324199?title=0&amp;byline=0&amp;portrait=0&amp;color=257a70" width="599" height="337" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><span style="color:#7E7E7E;"><br /><br />Zum Einsatz kommt die Canon 60D in Kombination mit dem OLYMPUS LS-5 Tonrekorder. Dies Kombination hat sich bew&auml;hrt, weil die nicht ganz rauschfreien Audio-Verst&auml;rker der 60D wirkungsvoll unterdr&uuml;ckt werden k&ouml;nnen. F&uuml;r einen geringen Tiefensch&auml;rfe-Bereich auch bei starkem Sonnenlicht sorgt ein variabler ND-Filter von Lightcraft.<br /><br /></span><span style="color:#7E7E7E;"><em>The Canon 60D is used in combination with the Olympus LS-5 Soundrecorder. With this combination the not entirely noise-free audio amplifiers of the 60D can be effectively suppressed. For a small depth of field, even in strong sunlight, a variable ND filter of Lightcraft does the trick.</em></span><span style="color:#7E7E7E;"><br /><br /><br /></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>793 bewegte Teile. 793 moving parts.</title><dc:creator>Martin Steimann</dc:creator><category>Work</category><dc:date>2011-04-26T10:58:41+02:00</dc:date><link>http://www.martinifilm.de/files/12a8c3dccfdf694afc23b8a9774d7312-12.html#unique-entry-id-12</link><guid isPermaLink="true">http://www.martinifilm.de/files/12a8c3dccfdf694afc23b8a9774d7312-12.html#unique-entry-id-12</guid><content:encoded><![CDATA[<a href="http://www.martinifilm.de//martinifilm-portfolio/ruville-spot.html" rel="self" title="RUVILLE - Spot"><img class="imageStyle" alt="RUVILLE Parts" src="http://www.martinifilm.de/files/ruville_parts1.jpg" width="396" height="255"/></a> <a href="http://www.martinifilm.de//martinifilm-portfolio/ruville-spot.html" rel="self" title="RUVILLE - Spot"><img class="imageStyle" alt="RUVILLE Chassis" src="http://www.martinifilm.de/files/ruville_parts2.jpg" width="196" height="255"/></a><br /><br /><span style="color:#7E7E7E;">695 einzelne Teile formen das Bild eines Fahrwerks. Aus 793 Teilen entsteht ein Logo. Schlichte Eleganz sorgt f&uuml;r visuellen Genuss &ndash; die Agentur </span><span style="color:#7E7E7E;"><a href="http://www.dpole.de" rel="external">dpole communication</a></span><span style="color:#7E7E7E;"> kreiert 3 Spots f&uuml;r </span><span style="color:#7E7E7E;"><a href="http://www.ruville.de" rel="external">RUVILLE</a></span><span style="color:#7E7E7E;"> und beauftragt MARTINIFILM mit der </span><span style="color:#7E7E7E;"><a href="http://www.martinifilm.de//martinifilm-portfolio/ruville-spot.html" rel="self" title="RUVILLE - Spot">Animation</a></span><span style="color:#7E7E7E;">.<br /></span><span style="color:#7E7E7E;"><em>695 individual parts form the image of a chassis. 793 parts create a logo. Simple elegance makes for visual pleasure &ndash; the agency </em></span><span style="color:#7E7E7E;"><em><a href="http://www.dpole.de" rel="external">dpole communication</a></em></span><span style="color:#7E7E7E;"><em> creates 3 spots for </em></span><span style="color:#7E7E7E;"><em><a href="http://www.ruville.de" rel="external">RUVILLE</a></em></span><span style="color:#7E7E7E;"><em> and charges MARTINIFILM with the </em></span><span style="color:#7E7E7E;"><em><a href="http://www.martinifilm.de//martinifilm-portfolio/ruville-spot.html" rel="self" title="RUVILLE - Spot">animation</a></em></span><span style="color:#7E7E7E;"><em>.<br /><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>How to shoot a fast car with a DSLR</title><dc:creator>Martin Steimann</dc:creator><category>Test &amp; Workflow</category><dc:date>2011-02-15T08:35:59+01:00</dc:date><link>http://www.martinifilm.de/files/3fe63477a299c9ae1f6f8ca700ca5890-11.html#unique-entry-id-11</link><guid isPermaLink="true">http://www.martinifilm.de/files/3fe63477a299c9ae1f6f8ca700ca5890-11.html#unique-entry-id-11</guid><content:encoded><![CDATA[<br /><iframe src="http://player.vimeo.com/video/19866671?title=0&amp;byline=0&amp;portrait=0&amp;color=f7fcc2" width="601" height="338" frameborder="0"></iframe><br /><br /><span style="color:#7F7F7F;">DSLR f&uuml;r den Einsatz in Extremsituationen? Welche Objektive haben sich bew&auml;hrt, welche Hilfsmittel? Ruinieren typische DSLR-Artefakte die Aufnahmen? Finden Sie es heraus! (F&uuml;r die HD-Version bitte in der Steuerleiste auf HD klicken)<br /><br /></span><span style="color:#7F7F7F;"><em>DSLR for use in extreme situations? What lenses have proved effective, which tools? Ruin typical DSLR artifacts the recordings? Find out! (To view the HD version, please click on HD on the control bar)<br /><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>Vision visualisiert. Vision visualized.</title><dc:creator>Martin Steimann</dc:creator><category>We Like</category><dc:date>2011-01-10T09:52:59+01:00</dc:date><link>http://www.martinifilm.de/files/5a43a17d7413741eb9452d5425343a59-10.html#unique-entry-id-10</link><guid isPermaLink="true">http://www.martinifilm.de/files/5a43a17d7413741eb9452d5425343a59-10.html#unique-entry-id-10</guid><content:encoded><![CDATA[<span style="color:#7E7E7E;"><br /></span><img class="imageStyle" alt="BMW Vision 1" src="http://www.martinifilm.de/files/bmwvision1.jpg" width="600" height="222"/><br /><img class="imageStyle" alt="BMW Vision 2" src="http://www.martinifilm.de/files/bmwvision2.jpg" width="600" height="222"/><span style="color:#7E7E7E;"><br /></span><span style="color:#7E7E7E;"><br /></span><span style="color:#7E7E7E;"><a href="http://www.electric-umbrella.com" rel="external">Electric Umbrella</a></span><span style="color:#7E7E7E;"> rendert 1500 Frames vom innovativen BMW-Hybrid EfficientDynamics Vision. Auftraggeber: Interone Hamburg.<br />Die interaktive Animation k&ouml;nnen Sie </span><span style="color:#7E7E7E;"><a href="http://www.bmw.com/com/de/insights/technology/efficientdynamics/phase_1/bmwvision_p2_introduction.html" rel="external">online</a></span><span style="color:#7E7E7E;"> ansehen.<br /><br /></span><span style="color:#7E7E7E;"><em><a href="http://www.electric-umbrella.com" rel="external">Electric Umbrella</a></em></span><span style="color:#7E7E7E;"><em> renders 1500 frames from innovative BMW-Hybrid EfficientDynamics Vision.<br />Client: Interone Hamburg.<br />The interactive animation can be viewed </em></span><span style="color:#7E7E7E;"><em><a href="http://www.bmw.com/com/de/insights/technology/efficientdynamics/phase_1/bmwvision_p2_introduction.html" rel="external">online</a></em></span><span style="color:#7E7E7E;"><em>.</em></span>]]></content:encoded></item><item><title>Männerspielzeug. Men's Toy.</title><dc:creator>Martin Steimann</dc:creator><category>We Like</category><dc:date>2011-01-24T11:29:34+01:00</dc:date><link>http://www.martinifilm.de/files/faebf20f1e7bc55120f208e4d4ece8c7-9.html#unique-entry-id-9</link><guid isPermaLink="true">http://www.martinifilm.de/files/faebf20f1e7bc55120f208e4d4ece8c7-9.html#unique-entry-id-9</guid><content:encoded><![CDATA[<br /><a href="http://blog.martinmeiners.de/?cat=1" rel="external"><img class="imageStyle" alt="Infiniti EX30d" src="http://www.martinifilm.de/files/infiniti_fra_44swblend2.jpg" width="600" height="399"/></a><br /><br /><span style="color:#7F7F7F;">Gut, wenn man die Wahl hat.<br /></span><span style="color:#7F7F7F;"><em>It&rsquo;s good to have choices.</em></span><span style="color:#7F7F7F;"><br /><br />Der neue Infiniti EX30d wird von Fotograf und Freund </span><span style="color:#7F7F7F;"><a href="http://www.martinmeiners.de" rel="external">Martin Meiners</a></span><span style="color:#7F7F7F;"> genial in Szene gesetzt. Mehr spektakul&auml;re Bilder gibt&rsquo;s in </span><span style="color:#7F7F7F;"><a href="http://blog.martinmeiners.de/?cat=1" rel="external">Martins Blog</a></span><span style="color:#7F7F7F;">.<br /></span><span style="color:#7F7F7F;"><em>The new Infiniti EX30d is brilliantly staged by photographer and friend </em></span><span style="color:#7F7F7F;"><em><a href="http://www.martinmeiners.de" rel="external">Martin Meiners</a></em></span><span style="color:#7F7F7F;"><em>. See more spectacular pictures in </em></span><span style="color:#7F7F7F;"><em><a href="http://blog.martinmeiners.de/?cat=1" rel="external">Martin&rsquo;s Blog</a></em></span><span style="color:#7F7F7F;"><em>.<br /><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>Spaß beim Shooting. Fun photo shoot.</title><dc:creator>Martin Steimann</dc:creator><category>Behind the Scenes</category><dc:date>2011-01-11T16:08:40+01:00</dc:date><link>http://www.martinifilm.de/files/9b450dbeedcebf8058972deb99d6d4b0-8.html#unique-entry-id-8</link><guid isPermaLink="true">http://www.martinifilm.de/files/9b450dbeedcebf8058972deb99d6d4b0-8.html#unique-entry-id-8</guid><content:encoded><![CDATA[<br /><img class="imageStyle" alt="CALIDA shooting 1" src="http://www.martinifilm.de/files/calida-blog-thumb4.jpg" width="296" height="166"/> <img class="imageStyle" alt="CALIDA shooting 2" src="http://www.martinifilm.de/files/calida-blog-thumb3.jpg" width="296" height="166"/><img class="imageStyle" alt="CALIDA shooting 3" src="http://www.martinifilm.de/files/calida-blog-thumb2.jpg" width="296" height="166"/> <img class="imageStyle" alt="CALIDA shooting 4" src="http://www.martinifilm.de/files/calida-blog-thumb1.jpg" width="296" height="166"/><br /><br /><span style="color:#7E7E7E;">Beim Shooting der CALIDA Fr&uuml;hjahr/Sommer Kampagne 2011 wirft MARTINIFILM einen Blick hinter die Kulissen. Das &bdquo;Making Of&ldquo; des Fotoshootings mit Fotografin Esther Haase und dem spanischen Top Model Clara Alonso gibt es </span><span style="color:#7E7E7E;"><a href="http://www.calida.com/entdecken/fruehjahrsommer-kollektion/making-of-video.html" rel="external">hier</a></span><span style="color:#7E7E7E;"> zu sehen.<br /><br /></span><span style="color:#7E7E7E;"><em>During the shooting of the CALIDA spring/summer 2011 campaign MARTINIFILM takes a look behind the scenes.  The &bdquo;Making Of&ldquo; the photo shoot with photographer Esther Haase and spanish top model Clara Alonso can be viewed </em></span><span style="color:#7E7E7E;"><em><a href="http://www.calida.com/entdecken/fruehjahrsommer-kollektion/making-of-video.html" rel="external">here</a></em></span><span style="color:#7E7E7E;"><em>.<br /><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>Vertrauen ist gut, Kontrolle ist besser. Trust, but verify.</title><dc:creator>Martin Steimann</dc:creator><category>Work</category><dc:date>2010-09-14T12:27:09+02:00</dc:date><link>http://www.martinifilm.de/files/d6ce91748b90b4e676a7c19561841a21-7.html#unique-entry-id-7</link><guid isPermaLink="true">http://www.martinifilm.de/files/d6ce91748b90b4e676a7c19561841a21-7.html#unique-entry-id-7</guid><content:encoded><![CDATA[<span style="color:#7E7E7E;"><br /></span><a href="http://www.martinifilm.de//martinifilm-portfolio/ruville.html" rel="self" title="RUVILLE - Messefilm"><img class="imageStyle" alt="RUVILLE Messefilm" src="http://www.martinifilm.de/files/ruville.jpg" width="600" height="337"/></a><span style="color:#7E7E7E;"><br /></span><span style="color:#7E7E7E;"><br />Das Unternehmen RUVILLE versorgt den weltweiten freien Automobil-Ersatzteilmarkt mit hochwertigen Markenersatzteilen. Um h&ouml;chste Qualit&auml;t sicherzustellen, werden die Produkte beim renommierten Germanischen Lloyd buchst&auml;blich unter die Lupe genommen.<br /><br /></span><span style="color:#7E7E7E;"><em>The company RUVILLE supplies the worldwide free automotive aftermarket with high quality branded parts. To ensure the highest quality, the parts are tested at the prestigious Germanischer Lloyd literally under the microscope.<br /><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>11MY Nissan GT-R meets the Nordschleife.</title><dc:creator>Martin Steimann</dc:creator><category>Behind the Scenes</category><dc:date>2010-10-18T11:04:49+02:00</dc:date><link>http://www.martinifilm.de/files/edfc096ce04969c72319ce66d6d06fbd-6.html#unique-entry-id-6</link><guid isPermaLink="true">http://www.martinifilm.de/files/edfc096ce04969c72319ce66d6d06fbd-6.html#unique-entry-id-6</guid><content:encoded><![CDATA[<br /><a href="http://www.martinifilm.de//martinifilm-portfolio/nissan-gtr.html" rel="self" title="NISSAN GT-R - Event-Doku"><img class="imageStyle" alt="Nissan GT-R Event" src="http://www.martinifilm.de/files/nissan-gtr.jpg" width="600" height="337"/></a><br /><br /><span style="color:#7E7E7E;">Im September 2010 konnte sich eine exklusive Schar von Pressevertretern beim &bdquo;GT-R Global Event at Nurburgring&ldquo; von den Qualit&auml;ten des neuen Nissan GT-R &uuml;berzeugen &ndash; noch vor der eigentlichen Premiere am 18. Oktober. Nach einer Runde &bdquo;Fahrstunde&ldquo; auf der ber&uuml;chtigten Nordschleife gaben die Journalisten das Steuer ab an den &bdquo;Ringmeister&ldquo; Dirk Schoysman. Dieser sorgte f&uuml;r reichlich Adrenalin im Blut.<br /><br /></span><span style="color:#7E7E7E;"><em>In September 2010, an exclusive crowd of media representatives at the &bdquo;GT-R at Nurburgring Global Event&ldquo; was convinced of the merits of the new Nissan GT-R &ndash; even before the actual premiere on October 18th. After a round of &bdquo;driving lesson&ldquo; on the infamous Nordschleife the journalists handed the wheel to the &bdquo;ring master" Dirk Schoysman, who caused plenty of adrenalin in their blood.<br /></em></span><span style="color:#7E7E7E;"><em><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>Zukunft trifft Vergangenheit. Future meets Past.</title><dc:creator>Martin Steimann</dc:creator><category>We Like</category><dc:date>2010-06-30T14:49:43+02:00</dc:date><link>http://www.martinifilm.de/files/d13da773dd7fccc43e1803608d5506a2-5.html#unique-entry-id-5</link><guid isPermaLink="true">http://www.martinifilm.de/files/d13da773dd7fccc43e1803608d5506a2-5.html#unique-entry-id-5</guid><content:encoded><![CDATA[<a href="http://www.martinmeiners.de/slsecell.html" rel="external"><img class="imageStyle" alt="Mercedes AMG SLS E-Cell" src="http://www.martinifilm.de/files/sls_e-cell.jpg" width="600" height="400"/></a><br /><br /><span style="color:#7E7E7E;">Unglaublicher Zufall: Symboltr&auml;chtige Begegnung mit&nbsp;dem einst meist verkauften Automobil der Welt (21,5 Mio), dem VW K&auml;fer.<br /></span><span style="color:#7E7E7E;"><em>Incredible coincidence: emblematic encounter with the once sold mostly automobile in the world (21.5 million), the VW Beetle.</em></span><span style="color:#7E7E7E;"><br /><br />Car: Mercedes AMG SLS E-Cell, 4 Synchron- Elektromotoren, 533 PS<br />Location: Atlanterhavsveien, Norwegen<br />Photographer: </span><span style="color:#7E7E7E;"><a href="http://www.martinmeiners.de" rel="external">Martin Meiners</a></span><span style="color:#7E7E7E;"><br /><br />Die coole </span><span style="color:#7E7E7E;"><a href="http://www.martinmeiners.de/slsecell.html" rel="external">Diaschau</a></span><span style="color:#7E7E7E;"> gibt es </span><span style="color:#7E7E7E;"><a href="http://www.martinmeiners.de/slsecell.html" rel="external">hier</a></span><span style="color:#7E7E7E;"> zu sehen.<br /></span><span style="color:#7E7E7E;"><em>View the cool slideshow </em></span><span style="color:#7E7E7E;"><em><a href="http://www.martinmeiners.de/slsecell.html" rel="external">here</a></em></span><span style="color:#7E7E7E;"><em>.<br /><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>Motion Tracking rettet eine gute Idee. Motion Tracking saves a good Idea.</title><dc:creator>Martin Steimann</dc:creator><category>Work</category><dc:date>2010-05-04T14:45:05+02:00</dc:date><link>http://www.martinifilm.de/files/ecdbeda8bffc0e2bee9e9bfd3d7ec6c7-4.html#unique-entry-id-4</link><guid isPermaLink="true">http://www.martinifilm.de/files/ecdbeda8bffc0e2bee9e9bfd3d7ec6c7-4.html#unique-entry-id-4</guid><content:encoded><![CDATA[<a href="http://www.martinifilm.de//martinifilm-portfolio/yoom.html" rel="self" title="YOOM - Kinospot"><img class="imageStyle" alt="YOOM Motion Tracking" src="http://www.martinifilm.de/files/yoom-tl.jpg" width="600" height="337"/></a><br /><br /><span style="color:#808080;">Dreharbeiten mit Kindern und Tieren sind eine knifflige Sache. Schwierig auch, wenn vor Drehbeginn noch nicht feststeht, welcher Text auf den Karton gedruckt werden darf.<br /></span><span style="color:#808080;"><em>Filming with children and animals is a tricky thing. It get&rsquo;s even more difficult, if right before the shoot it is still uncertain which text may be printed on the cardboard box.</em></span><span style="color:#808080;"><br /></span><span style="color:#808080;"><br /></span><span style="color:#808080;">Die L&ouml;sung: Die Dreharbeiten finden mit unbedrucktem Karton statt. Der Text &ldquo;ICH VERDIENE GELD MIT AUSZIEHEN&ldquo; wird &uuml;ber das Motion-Tracking verfahren in der Postproduktion nachtr&auml;glich erg&auml;nzt. Den fertigen Kinospot &ndash; konzipiert von </span><span style="color:#808080;"><a href="http://www.prassersander.com" rel="external">PRASSER SANDER MARKENGESTALTUNG</a></span><span style="color:#808080;"> &ndash; k&ouml;nnen Sie sich </span><span style="color:#808080;"><a href="http://www.martinifilm.de//martinifilm-portfolio/yoom.html" rel="self" title="YOOM - Kinospot">hier</a></span><span style="color:#808080;"> ansehen.<br /></span><span style="color:#808080;"><em>The solution: The filming will take place with unprinted cardboard. The text &bdquo;ICH &bdquo;VERDIENE GELD MIT AUSZIEHEN&ldquo; is added via Motion Tracking in post-production later. The finished movie spot - designed by </em></span><span style="color:#808080;"><em><a href="http://www.prassersander.com" rel="self">PRASSER SANDER  MARKENGESTALTUNG</a></em></span><span style="color:#808080;"><em> - can be viewed </em></span><span style="color:#808080;"><em><a href="http://www.martinifilm.de//martinifilm-portfolio/yoom.html" rel="self" title="YOOM - Kinospot">here</a></em></span><span style="color:#808080;"><em>.<br /></em></span><span style="color:#808080;"><em><br />Gefilmt mit: Sony EX3<br /><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>Räumliche Tiefe ganz ohne 3D? Spatial depth without 3D?</title><dc:creator>Martin Steimann</dc:creator><category>Work</category><dc:date>2010-06-06T16:07:04+02:00</dc:date><link>http://www.martinifilm.de/files/d3e3cc28fb98a8e14d1942fb8ffc4329-3.html#unique-entry-id-3</link><guid isPermaLink="true">http://www.martinifilm.de/files/d3e3cc28fb98a8e14d1942fb8ffc4329-3.html#unique-entry-id-3</guid><content:encoded><![CDATA[<br /><a href="http://www.martinifilm.de//martinifilm-portfolio/fotoanimation.html" rel="self" title="SCHIFF AHOI – 2D-Fotoanimation"><img class="imageStyle" alt="2D-Fotoanimation" src="http://www.martinifilm.de/files/fotoanimation-tl.jpg" width="600" height="337"/></a><br /><br /><span style="color:#7E7E7E;">Ein wenig Rauch oder eine leichte Kamerafahrt &ndash; manchmal braucht es nicht viel, um ein stehendes Bild zum Leben zu erwecken.<br /></span><span style="color:#7E7E7E;"><em>A little smoke and a slight camera movement - sometimes it doesn&rsquo;t not take much to awaken a static image to life.</em></span><span style="color:#7E7E7E;"><br /><br />Der Rest ist reine Flei&szlig;arbeit: Vorder- und Hintergr&uuml;nde isolieren, die &bdquo;L&ouml;cher&ldquo; in den Hintergr&uuml;nden f&uuml;llen und die verschiedenen Bildebenen perspektivisch korrekt animieren. Die </span><span style="color:#7E7E7E;"><a href="http://www.martinifilm.de//martinifilm-portfolio/fotoanimation.html" rel="self" title="SCHIFF AHOI – 2D-Fotoanimation">2D-Fotoanimation</a></span><span style="color:#7E7E7E;"> sehen sie </span><span style="color:#7E7E7E;"><a href="http://www.martinifilm.de//martinifilm-portfolio/fotoanimation.html" rel="self" title="SCHIFF AHOI – 2D-Fotoanimation">hier</a></span><span style="color:#7E7E7E;">.<br /></span><span style="color:#7E7E7E;"><em>The rest is pure hard work: isolate the foreground and background, fill the "holes" in the background and animate the different image planes in a correct perspective. View the </em></span><span style="color:#7E7E7E;"><em><a href="http://www.martinifilm.de//martinifilm-portfolio/fotoanimation.html" rel="self" title="SCHIFF AHOI – 2D-Fotoanimation">2D photo animation</a></em></span><span style="color:#7E7E7E;"><em> sample.<br /><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>Im Herzen Deutschlands: Der Kellerwald</title><dc:creator>Martin Steimann</dc:creator><category>Work</category><dc:date>2010-05-25T12:13:00+02:00</dc:date><link>http://www.martinifilm.de/files/d16c38218b3a2605d2c4a97785459c0c-2.html#unique-entry-id-2</link><guid isPermaLink="true">http://www.martinifilm.de/files/d16c38218b3a2605d2c4a97785459c0c-2.html#unique-entry-id-2</guid><content:encoded><![CDATA[<span style="font:10px Verdana, serif; color:#514C4B;"><object width="601" height="338"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7162948&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=7162948&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="601" height="338"></embed></object><p><a href="http://vimeo.com/7162948">Kellerwald</a> from <a href="http://vimeo.com/martinifilm">Martin Steimann</a> on <a href="http://vimeo.com">Vimeo</a>.</p><br /></span><span style="color:#7E7E7E;">Natur von ihrer sch&ouml;nsten Seite &ndash; der Kellerwald ist immer eine Reise Wert. Von hier stammt das eines der h&auml;rtesten H&ouml;lzer Deutschlands: Die Kellerwald-Eiche. Was man mit ihr alles anstellen kann, erfahren Sie </span><span style="color:#7E7E7E;"><a href="http://www.martinifilm.de//martinifilm-portfolio/druesedau-imagefilm.html" rel="self" title="DRÜSEDAU - Imagefilm">hier</a></span><span style="color:#7E7E7E;">.<br /></span><span style="color:#7E7E7E;"><em>Nature at its best &ndash; the Kellerwald is always worth a trip. From here comes one of the hardest woods of Germany: the Kellerwald-oak. What you can do with it, find out </em></span><span style="color:#7E7E7E;"><em><a href="http://www.martinifilm.de//martinifilm-portfolio/druesedau-imagefilm.html" rel="self" title="DRÜSEDAU - Imagefilm">here</a></em></span><span style="color:#7E7E7E;"><em>.<br /></em></span><span style="color:#7E7E7E;"><em><br /></em></span><span style="color:#7E7E7E;">Gefilmt mit: CANON HV30, GLIDETRACK</span><span style="color:#7E7E7E;"><em><br /></em></span><span style="color:#7E7E7E;"><em><br /></em></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>ASTON MARTIN auf dem Nürburgring</title><dc:creator>Martin Steimann</dc:creator><category>Behind the Scenes</category><dc:date>2010-04-10T08:46:40+02:00</dc:date><link>http://www.martinifilm.de/files/d15068d4e395840e2358a72db3be1eba-1.html#unique-entry-id-1</link><guid isPermaLink="true">http://www.martinifilm.de/files/d15068d4e395840e2358a72db3be1eba-1.html#unique-entry-id-1</guid><content:encoded><![CDATA[<span style="color:#7E7E7E;">N&uuml;rburgring Nordschleife. Zweites Rennen der VLN Serie 2010 auf dem N&uuml;rburgring.<br /></span><span style="color:#7E7E7E;"><em>N&uuml;rburgring Nordschleife. Second race of the VLN series 2010 at the N&uuml;rburgring.<br /></em></span><span style="color:#7E7E7E;"><em><br /></em></span><img class="imageStyle" alt="taxi-ride" src="http://www.martinifilm.de/files/astonmartin1.jpg" width="296" height="166"/><em> </em><img class="imageStyle" alt="gruene-hoelle" src="http://www.martinifilm.de/files/astonmartin2.jpg" width="296" height="166"/><span style="color:#7E7E7E;"><br /><br />Vor dem Rennen bekommen Sponsoren und andere Freunde des Hauses bei &bdquo;Taxifahrten&ldquo; den ultimativen Geschwindigkeits-Kick.<br /></span><span style="color:#7E7E7E;"><em>Before the race, sponsors and friends get the ultimate speed boost with &bdquo;taxi rides&ldquo;.</em></span><span style="color:#7E7E7E;"> <br /><br />Fotografiert von </span><span style="color:#7E7E7E;"><a href="http://www.martinmeiners.de/" rel="external">Martin Meiners</a></span><span style="color:#7E7E7E;"><br /><br />Gefilmt mit: CANON HV30, CANON EOS 550D, EF-S 15-85, EF-S 11-22, GoPro HERO, STEADYSTICK<br /></span><span style="color:#7E7E7E;"><br /></span><span style="font:10px Verdana, serif; color:#514C4B;"><object width="599" height="337"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=13027514&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=13027514&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="599" height="337"></embed></object><p><a href="http://vimeo.com/13027514">Behind the Scenes &ndash; ASTON MARTIN at the N&uuml;rburgring</a> from <a href="http://vimeo.com/martinifilm">Martin Steimann</a> on <a href="http://vimeo.com">Vimeo</a>.</p><br /></span><!-- AddThis Button BEGIN -->
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<!-- AddThis Button END -->]]></content:encoded></item><item><title>Highspeed-Test mit dem Bentley Continental Supersports Cabrio</title><dc:creator>Martin Steimann</dc:creator><category>Behind the Scenes</category><dc:date>2010-07-01T22:17:35+02:00</dc:date><link>http://www.martinifilm.de/files/d11c054ad4aeeb8c1687e41e1ca0c214-0.html#unique-entry-id-0</link><guid isPermaLink="true">http://www.martinifilm.de/files/d11c054ad4aeeb8c1687e41e1ca0c214-0.html#unique-entry-id-0</guid><content:encoded><![CDATA[<br /><a href="http://www.martinifilm.de//martinifilm-portfolio/bentley-teaser.html" rel="self" title="BENTLEY HIGHSPEED TEST - Teaser"><img class="imageStyle" alt="high-speed-test" src="http://www.martinifilm.de/files/martinmeiners.jpg" width="600" height="337"/></a><br /><br /><span style="color:#7E7E7E;">Lebensechte Bedingungen: zweispurige Autobahn bei Rostock, Montag </span><span style="color:#7E7E7E;">Mit</span><span style="color:#7E7E7E;">tag, m&auml;&szlig;iges Verkehrsaufkommen.<br /></span><span style="color:#7E7E7E;"><em>Life-like conditions: two-lane highway at Rostock, Monday noon, moderate traffic.</em></span><span style="color:#7E7E7E;"><br /><br /></span><span style="color:#7E7E7E;">Im Gep&auml;ck: Journalist </span><span style="color:#808080;"><a href="http://www.rolandloewisch.de/" rel="external" title="ROLAND LÖWISCH">Roland L&ouml;wisch</a></span><span style="color:#7E7E7E;">, Fotograf </span><span style="color:#808080;"><a href="http://www.martinmeiners.de/" rel="external" title="MARTIN MEINERS">Martin Meiners</a></span><span style="color:#7E7E7E;"> und F</span><span style="color:#808080;">ilmemacher </span><span style="color:#808080;"><a href="http://www.martinifilm.de//martin-steimann" rel="self" title="MARTIN STEIMANN">Martin Steimann</a></span><span style="color:#808080;"> auf der zugigen R&uuml;ckbank.<br /></span><span style="color:#7E7E7E;"><em>Luggage: Journalist </em></span><span style="color:#7E7E7E;"><em><a href="http://www.rolandloewisch.de" rel="external">Roland L&ouml;wisch</a></em></span><span style="color:#7E7E7E;"><em>, photographer </em></span><span style="color:#7E7E7E;"><em><a href="http://www.martinmeiners.de" rel="external">Martin Meiners</a></em></span><span style="color:#7E7E7E;"><em> and filmmaker </em></span><span style="color:#7E7E7E;"><em><a href="http://www.martinifilm.de//martin-steimann" rel="self" title="MARTIN STEIMANN">Martin Steimann</a></em></span><span style="color:#7E7E7E;"><em> on the drafty back seat.</em></span><span style="color:#7E7E7E;"><br /></span><span style="color:#7E7E7E;"><br />Das Ziel: 300 km/h, offen.<br /></span><span style="color:#7E7E7E;"><em>The target: 186,41 mph, open roof.</em></span><span style="color:#7E7E7E;"><br /><br />Resultat: Das brandneue Bentley Continental Supersports Cabrio rennt wie Teufel. Das Tempo zerrt an Mensch, Maschine und Nerven.<br /></span><span style="color:#7E7E7E;"><em>Result: The brand-new Bentley Continental Supersports Convertible runs like hell. The pace drags on man, machine and the nerves.<br /></em></span><span style="color:#7E7E7E;"><em><br /></em></span><a href="http://www.martinifilm.de//martin-steimann" rel="self" title="MARTIN STEIMANN"><img class="imageStyle" alt="Martin Steimann" src="http://www.martinifilm.de/files/martinsteimann.jpg" width="600" height="337"/></a><span style="color:#7E7E7E;"><br /></span><span style="color:#7E7E7E;"><br /></span><span style="color:#7E7E7E;">Tempo 300 bei offenem Verdeck schadet der Frisur. Gut, wenn man ohnehin nicht mehr viele Haare auf dem Kopf hat.<br /></span><span style="color:#7E7E7E;"><em>Tempo 300 with the top down damages the hair. Good for you, if you already haven't much hair on your head.</em></span><em><br /></em><em><br /></em><span style="color:#7E7E7E;">Gefilmt mit: CANON EOS 550D, EF-S 15-85, EF-S 11-22, GLIDETRACK, STEADYSTICK<br /></span><span style="color:#7E7E7E;"><br />Das </span><span style="color:#808080;"><a href="http://www.martinifilm.de//martinifilm-portfolio/bentley-teaser.html" rel="self" title="HIGHSPEED TEST - Bentley Teaser">Teaser-Video</a></span><span style="color:#7E7E7E;"> f&uuml;r einen nachfolgenden, ausf&uuml;hrlichen Bericht gibt es </span><span style="color:#7E7E7E;"><a href="http://www.martinifilm.de//martinifilm-portfolio/bentley-teaser.html" rel="self" title="HIGHSPEED TEST - Bentley Teaser">hier</a></span><span style="color:#7E7E7E;">.<br /></span><span style="color:#7E7E7E;"><em>The  </em></span><span style="color:#7E7E7E;"><em><a href="http://www.martinifilm.de//martinifilm-portfolio/bentley-teaser.html" rel="self" title="HIGHSPEED TEST - Bentley Teaser">teaser video</a></em></span><span style="color:#7E7E7E;"><em> for a subsequent, detailed report </em></span><span style="color:#7E7E7E;"><em><a href="http://www.martinifilm.de//martinifilm-portfolio/bentley-teaser.html" rel="self" title="HIGHSPEED TEST - Bentley Teaser">here</a></em></span><span style="color:#7E7E7E;"><em>.</em></span><br /><br /><img class="imageStyle" alt="police" src="http://www.martinifilm.de/files/police.jpg" width="296" height="166"/> <img class="imageStyle" alt="roland-loewisch" src="http://www.martinifilm.de/files/rolandloewisch.jpg" width="296" height="166"/><br /><br /><span style="color:#808080;">Verdutzte Gesichter bei den Staatsbeamten. Verz&uuml;ckung beim Fahrer.<br /></span><span style="color:#7E7E7E;"><em>Puzzled faces at the State officials. Driver in a rapture.<br /><br /></em></span><!-- AddThis Button BEGIN -->
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