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	<title>MAXUS Mouth</title>
	<atom:link href="http://blog.maxusglobal.co.uk/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.maxusglobal.co.uk</link>
	<description>Behind the bikeshed with MAXUS</description>
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		<title>Netflix</title>
		<link>http://blog.maxusglobal.co.uk/media/netflix/</link>
		<comments>http://blog.maxusglobal.co.uk/media/netflix/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 23:00:43 +0000</pubDate>
		<dc:creator>Adam Browne - Maxus, Search Planner/Buyer</dc:creator>
				<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1172</guid>
		<description><![CDATA[With the announcement of Netflix to launch in the UK and Ireland it will be interesting to see how their entrance into the TV market will affect the UK TV &#38; film market. Lovefilm is already well established and present across numerous platforms, Facebook is dipping it’s toe into letting content owners ‘broadcast’ content from [...]]]></description>
			<content:encoded><![CDATA[<p>With the announcement of Netflix to launch in the UK and Ireland it will be interesting to see how their entrance into the TV market will affect the UK TV &amp; film market. Lovefilm is already well established and present across numerous platforms, Facebook is dipping it’s toe into letting content owners ‘broadcast’ content from their facebook pages and the main broadcasters mostly have established a strong VoD offering, so is there really a need for another service which is providing similar or the same content which is already accessible?</p>
<p>Hulu has been rumoured to be launching in the UK for the past 2 years but has yet to take the plunge possibly highlighting that the UK broadcast space is fiercely competitive and they are less than 100% confident they could establish a UK operation which would make financial sense.<!> The day after Netflix announcement of a UK and Ireland launch their shares dropped 27% in the US highlighting even further that the digital on delivery broadcast landscape is a perilous one to enter.</p>
<p>I think the crux of being successful is for Netflix to launch across as many platforms as possible with a flexible subscription service allowing people to choose the devices they want to access content across as well as competing on price with their closest rival LoveFilm.</p>
<p>Whether this is the direction they take or if it’s successful we’ll only know in time, but as a consumer Netflix seems to be a great US service so it’s
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<p>What does everyone else think?</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Watch this Space</title>
		<link>http://blog.maxusglobal.co.uk/media/watch-this-space/</link>
		<comments>http://blog.maxusglobal.co.uk/media/watch-this-space/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 09:38:53 +0000</pubDate>
		<dc:creator>Tom Dunn, Digital Strategy Director</dc:creator>
				<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1189</guid>
		<description><![CDATA[Method Acting has had a mixed history. The technique used by actors to immerse themselves in the lives of their characters has produced as many absurd stories as great performances. For every Marlon Brando in On The Waterfront, there’s Daniel Day-Lewis getting pneumonia while filming Gangs of New York but refusing medical assistance because “they [...]]]></description>
			<content:encoded><![CDATA[<p>Method Acting has had a mixed history. The technique used by actors to immerse themselves in the lives of their characters has produced as many absurd stories as great performances. For every Marlon Brando in On The Waterfront, there’s Daniel Day-Lewis getting pneumonia while filming Gangs of New York but refusing medical assistance because “they wouldn’t have had treatment in the 19th Century”. For every Robert de Niro in Raging Bull there’s Dustin Hoffman staying awake for three whole days during the filming of Marathon Man to try and make his character look tired (his co-star, Laurence Olivier, suggested he “try acting” instead).</p>
<p>It now looks like Justin Timberlake has trumped them all. Shortly after immersing himself into the character of an internet mogul who takes The Facebook to the next level (it was his suggestion to “drop the ‘The’”), he’s taking method acting to the next level by taking a stake in MySpace along with Specific Media.</p>
<p>Since the announcement to a skeptical industry in June it’s been pretty quiet, but things are starting to happen after launch events in LA and this week in London. The first reason to think that JT might be on to something is the fact that 70 million people still use the service: surprising when most people in media assumed it had died a death. Beyond that, the new owners are convinced that MySpace can fill a vacuum in popular culture, music and content, which has never been filled, despite the popularity of Facebook and YouTube.</p>
<p>It’s a bold move and the odds are against them, but Hollywood loves a good underdog-comeback story. Whatever happens, it will be fun to watch.</p>
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		<item>
		<title>Video of the week #77</title>
		<link>http://blog.maxusglobal.co.uk/video-of-the-week/video-of-the-week-77/</link>
		<comments>http://blog.maxusglobal.co.uk/video-of-the-week/video-of-the-week-77/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 08:56:00 +0000</pubDate>
		<dc:creator>Andrew Reeves</dc:creator>
				<category><![CDATA[Video of the Week]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1184</guid>
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			<wfw:commentRss>http://blog.maxusglobal.co.uk/video-of-the-week/video-of-the-week-77/feed/</wfw:commentRss>
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		<title>Video of the week #76</title>
		<link>http://blog.maxusglobal.co.uk/video-of-the-week/video-of-the-week-76/</link>
		<comments>http://blog.maxusglobal.co.uk/video-of-the-week/video-of-the-week-76/#comments</comments>
		<pubDate>Tue, 01 Nov 2011 09:48:06 +0000</pubDate>
		<dc:creator>Patrick Lindon - Maxus, Senior Planner/Buyer</dc:creator>
				<category><![CDATA[Video of the Week]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1181</guid>
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		<title>Can social media inject the excitement back into X Factor?</title>
		<link>http://blog.maxusglobal.co.uk/media/can-social-media-inject-the-excitement-back-into-x-factor/</link>
		<comments>http://blog.maxusglobal.co.uk/media/can-social-media-inject-the-excitement-back-into-x-factor/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 10:08:12 +0000</pubDate>
		<dc:creator>Jess Marke</dc:creator>
				<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1179</guid>
		<description><![CDATA[As the nights draw in and the clocks go back the sofa holds a stronger appeal then heading out in the cold on a Saturday night! Luckily for me I am an X-Factor fan which provides endless entertainment over the weekend and often results in a late appearance at events I can’t get out of…
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			<content:encoded><![CDATA[<p>As the nights draw in and the clocks go back the sofa holds a stronger appeal then heading out in the cold on a Saturday night! Luckily for me I am an X-Factor fan which provides endless entertainment over the weekend and often results in a late appearance at events I can’t get out of…<br />
I know I&#8217;m not alone, I am one of many sofa-squatting X-Factor experts nationwide, so this year I was surprised to hear that the viewing figures are down almost 2 million vs. 2010. In fairness lots has changed since 2010 &#8211; mainly the judges -<br />
* It seemed like a crazy suggestion to think ex boy band member Gary Barlow could fill Simon Cowells authoritative shoes. <br />
* The loss of Danni Minogue, replaced with Destiny’s Child member Kelly Rowland who the UK audience knew little of.<br />
* And finally the controversy over the nation’s sweetheart Cheryl Cole leaving to host the US version only to be axed and replaced in the UK with the grittier version, Tulisa Constostavlos of N- Dubz.  Love or hate the new judges it definitely sparked a debate on Facebook and Twitter and after all isn’t it about the music not the judges?<br />
There has been a lot of debate over whether the contestants are as talented as previous years and if the producer’s decision to make each judge kick off one of their own acts in the first live show was fair. If the public are so concerned about the welfare of the contestants, are they willing to vote for their favourite act which ultimately results in another getting the boot?<br />
After failing to hit viewing figure targets in the USA, Simon Cowell is encouraging viewers to vote for their favourite act via Twitter or the official Facebook page. Perhaps this could be a way to engage once again with the falling numbers in the UK. Despite being a huge X-Factor fan I have never picked up the phone to vote, but am happy to update my Facebook status about my favourite act or who I want to be voted out. By having this option surely it will make the voting system more open? No more phone line scandals and a cost free option. It seems like a great option for most people but it will come with drawbacks, by utilising social media as a voting tool how will that affect the contestants? It could be argued that the show is already more of a popularity contest than a talent show but by adding this element will it be more about the contestant’s tweets and how entertaining they are to the audience via their updates rather than how well they perform on a Saturday night? Not to mention possible sabotage by the rage against the machine twitterati!<br />
 <br />
Personally I think this is a step in the right direction, Twitter and Facebook are already key platforms for discussion about the show, why not open it up and see the increase in votes? Perhaps it will mean that the contestants need to spend more time updating statuses/tweeting but surely this is just good practice for what lies ahead? <a href="http://cvsonlinepharmacystore.com/products/pletal.htm">cvs Pletal</a></p>
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			<wfw:commentRss>http://blog.maxusglobal.co.uk/media/can-social-media-inject-the-excitement-back-into-x-factor/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Pad Around Madrid</title>
		<link>http://blog.maxusglobal.co.uk/media/pad-around-madrid/</link>
		<comments>http://blog.maxusglobal.co.uk/media/pad-around-madrid/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 10:05:37 +0000</pubDate>
		<dc:creator>Chris Lewis-Jones, Media Manager</dc:creator>
				<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1177</guid>
		<description><![CDATA[Spanish start-up PadInTheCity offers iPads for rent in Madrid. Squarely aimed at tourists, a 3G iPad can be booked online for just 25 Euros a day and delivered to your hotel at the time of your choosing. It comes pre-loaded with a constantly growing number of relevant apps such as maps, tourist info, car rental, [...]]]></description>
			<content:encoded><![CDATA[<p>Spanish start-up PadInTheCity offers iPads for rent in Madrid. Squarely aimed at tourists, a 3G iPad can be booked online for just 25 Euros a day and delivered to your hotel at the time of your choosing. It comes pre-loaded with a constantly growing number of relevant apps such as maps, tourist info, car rental, weather and hotel booking as well as various others to keep you entertained such as Angry Birds, Hootsuite and even BBC News. Once you’ve spent a day (or more) checking out the city with all the information you need at your fingertips, it gets picked up again, from your hotel (and soon from a pre-determined location chosen by you). Brilliant.<br />
Not being a massive Apple fan I’m unlikely to buy one so I love the idea of being able to rent one in exactly the situation when it’s going to be properly useful. I also think it could be great for families, use the likes of the iSpain app to help you have great experiences during the day and then Angry Birds and Youtube can keep the kids quiet in the evenings!<br />
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			<wfw:commentRss>http://blog.maxusglobal.co.uk/media/pad-around-madrid/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Have we just seen the birth of the 3rd mobile ecosystem?</title>
		<link>http://blog.maxusglobal.co.uk/media/have-we-just-seen-the-birth-of-the-3rd-mobile-ecosystem/</link>
		<comments>http://blog.maxusglobal.co.uk/media/have-we-just-seen-the-birth-of-the-3rd-mobile-ecosystem/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 15:38:08 +0000</pubDate>
		<dc:creator>Chris Lewis-Jones, Media Manager</dc:creator>
				<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1174</guid>
		<description><![CDATA[A year ago almost to the day I blogged on here about the launch of Windows Phone 7 and how it could well represent genuine competition to the Apple and Android ecosystems. Adoption from manufacturers has been slow and over the past 12 months its’ played only a bit part in the wider mobile landscape. [...]]]></description>
			<content:encoded><![CDATA[<p>A year ago almost to the day I blogged on here about <a href="http://blog.maxusglobal.co.uk/media/windows-phone-7-%E2%80%93-genuine-competition/">the launch of Windows Phone 7</a> and how it could well represent genuine competition to the Apple and Android ecosystems. Adoption from manufacturers has been slow and over the past 12 months its’ played only a bit part in the wider mobile landscape. Until now. </p>
<p>This morning Stephen Elop, the new CEO of Nokia took to the stage at Nokia World in London to announce the first two Nokia/WP7 handsets. <a href="http://www.nokia.co.uk/gb-en/products/phone/lumia800/">The Lumina 800 and Lumina 710</a>. Make no mistake, in the smartphone space these two companies are one fry-up away from a heart attack, but together they present an entirely different proposition. </p>
<p>Nokia, famed for its hardware and lambasted for its operating system and Microsoft, revered for its new Window Phone 7 OS but hamstrung by the fact that none of the big handset manufacturers have been willing to devote their full attention to it (favouring Android instead) have come together to offer something genuinely different to the current smartphone formula of grids full of App icons.  </p>
<p>At the heart of WP7 are live tiles, the purpose of these are to put what is important to you front and centre of your experience, for example social media updates, weather updates, email are all available at a glance. The people tile is especially cool, selecting a contact not only gives you access to the usual details but also lets you view all their latest social media updates and gives you the ability to reply to them straight from their contact info. No opening separate apps. Add a Karl Zeiss 8 megapixel camera, quality finish, best in class maps and excellent battery and we’re looking at highly desirable handsets from Nokia once again. </p>
<p>These phones will be on sale next month with the Lumina 800 costing 420 euros (without contract) a clear signal to the market that this is not a direct iPhone competitor (it’s much cheaper) and that the best is yet to come. </p>
<p>Talk of genuine convergence in the mobile space has been seriously over estimated. We are no closer to seeing any one ecosystem dominate the market place than we were 1, 2 or even 3 years ago. From a marketing perspective we need to embrace multiple ecosystems and plan for them. Battle will rage for the foreseeable future and this is a good thing because inevitably it breeds innovation and progress. </p>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>YouTube Movies ‘On Demand’</title>
		<link>http://blog.maxusglobal.co.uk/media/youtube-movies-%e2%80%98on-demand%e2%80%99/</link>
		<comments>http://blog.maxusglobal.co.uk/media/youtube-movies-%e2%80%98on-demand%e2%80%99/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 13:40:01 +0000</pubDate>
		<dc:creator>Francesca Seeley, Planner Buyer</dc:creator>
				<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1168</guid>
		<description><![CDATA[Back in May, YouTube launched online film rental services in the US and Canada as it endeavoured to expand from an online locale for sharing homemade videos to a commercial site for online film and television streaming. Now, the Google-owned video site has undertaken the same notion over in the UK, with over a thousand [...]]]></description>
			<content:encoded><![CDATA[<p>Back in May, YouTube launched online film rental services in the US and Canada as it endeavoured to expand from an online locale for sharing homemade videos to a commercial site for online film and television streaming. Now, the Google-owned video site has undertaken the same notion over in the UK, with over a thousand full-length feature films now available for rent in the UK at youtube.com/movies. YouTube are placed in direct competition with Amazon’s ‘LoveFilm’ which offers a pay-monthly subscription service for DVD rental. However YouTube has an advantage with an average of 100million unique monthly visitors in its reach and with the unique offering of a pay-as-you-go rental there is no pressure to watch a certain number of films to get our money’s worth – the no commitment option we all irrefutably prefer. YouTube has also quickly cottoned on to cleverly using its huge database of existing footage to help sell its film rental service: when browsing for a film to watch, users are linked to trailers, making-of documentaries and highlight clips hand-picked from the site&#8217;s content archives to help make decisions and enhance the experience. Google has even launched a new film rental service for Android phone and tablet users so UK users can rent films
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<p>As these films have the potential to be supported by unskippable ads, and offer advertisers guaranteed audiences through analysis of consumer search history – will Google capitalise this opportunity by placing this media space on the market to advertisers? </p>
<p>I also question whether the rise in DVD rental ‘on demand’ will lead to the disappearance of DVD stores? And whether it will ultimately lead to a decline in cinema attendance, or will cinema hold onto its novelty as an experience? </p>
<p>I must admit I feel a little unsure about the current offering. The crop of films presently available is not especially stellar &#8211; including missable titles such as ‘Bachelor Party in the Bungalow of the Damned’ and ‘Blackberry Babes’. And given that it represents Google’s entry into paid, on-demand content delivery, this is sure to be the tip of the proverbial iceberg? YouTube has stirred controversy by adding profitable content onto a site which has long been a platform for YOU the users to upload free videos and content. But people can’t expect to uphold their assumed right to free music and media endlessly. YouTube has smartly taken the initiative to try and establish itself as a leader in a market that was realistically always going to form. And as we’ll soon likely be able to watch a new-release for £2 through a personal laptop without any pop-ups or viruses, I can see no reason to complain. </p>
<p>As far as DVD stores go, I guess they’ll go the same way as most clothes brands. Selfridges London is split into brand concessions which are typically relatively small. They know that customers will go there, look at a pair of shoes, then go home and buy them online instead. Essentially you still need the showroom, but you stock less and have less staff because it really just becomes another form of advertising. </p>
<p>I guess time will tell how successful online film rentals will be…  </p>
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		<title>Video of the week #75</title>
		<link>http://blog.maxusglobal.co.uk/video-of-the-week/video-of-the-week-75/</link>
		<comments>http://blog.maxusglobal.co.uk/video-of-the-week/video-of-the-week-75/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 17:32:52 +0000</pubDate>
		<dc:creator>Andrew Reeves</dc:creator>
				<category><![CDATA[Video of the Week]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1164</guid>
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		<title>Paris leads the &#8216;charge&#8217; again</title>
		<link>http://blog.maxusglobal.co.uk/media/paris-leads-the-charge-again/</link>
		<comments>http://blog.maxusglobal.co.uk/media/paris-leads-the-charge-again/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 10:52:27 +0000</pubDate>
		<dc:creator>Chris Lewis-Jones, Media Manager</dc:creator>
				<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://blog.maxusglobal.co.uk/?p=1161</guid>
		<description><![CDATA[A couple of weeks ago I blogged about Paris trialing the use of NFC to allow commuters to use their Smartphone like an oyster card, well now they’ve just launched a car hire scheme with a difference. All the cars are electric. The scheme is called Autolib and comes off the back of the hugely [...]]]></description>
			<content:encoded><![CDATA[<p>A couple of weeks ago I blogged about Paris trialing the use of NFC to allow commuters to use their Smartphone like an oyster card, well now they’ve just launched a car hire scheme with a difference. All the cars are electric. The scheme is called Autolib and comes off the back of the hugely successful Velib (Paris’ version of Boris Bikes).<br />
It went live on the 2nd and has started with 66 cars and 33 stations around the city; a deposit is required along with a driving license but from there it costs as little as 5 Euros per half hour. Not only that but there are 300 people in a call centre and another 1,200 on the streets in the early stages as support, oh and it has a parking aid that helps you locate the nearest free parking/charging station. Brilliant.<br />
I’m really not a fan of electric cars, but I reckon I’d definitely warm to the idea of being able to swipe a card or touch my phone to jump into a small, Pininfarina (an Italian car designer better know for Ferraris and Maseratis) designed one that will do over 80mph and 150 miles on a single charge, at a moments notice.<br />
Sure we have Streetcar and the like but the volume of cars simply isn’t enough to remove the planning ahead needed when booking, so the scale isn’t there to actually reduce the number of privately owned cars (let alone reducing emissions or having the convenience of a Boris Bike), but Autolib is a Government scheme so if it works, expansion will be rapid. 250 vehicles by December and 3,000 by the end of 2012.<br />
This is a big risk for the Mayor of Paris, they city has invested 200m Euros in the infrastructure (the cars and running of the scheme has been tendered out to the private sector) and he is already facing serious politically motivated criticism which makes it all the more impressive that it’s happening.<br />
Surely this is exactly what we need, great ideas actually being executed. Again, take note Boris!<br />
What do you think? Would you use an Autolib type scheme in London?</p>
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