In this week’s Five Minute Patch, we dive into the world of Berlin School electronic music and recreate a classic Tangerine Dream-style ratcheting sequencer using the Korg Wavestate. Using the onboard motion sequencer, envelopes, and shape lanes, we build a hypnotic sequence complete with double and triple trigger patterns – all in five minutes.

If you’ve ever wanted to capture that iconic retro sequencer vibe, this is a great place to start!

Download the Patch

Grab this Wavestate patch for free from the link below:
Download the Ratcheting Sequencer Patch

Download: Berlin School Ratcheting Sequencer Patch for Korg Wavestate

1 file(s) 8.00 KB

Download

What You’ll Learn

• How to create tempo-synced sequences on the Wavestate

• Using pitch steps and short envelopes for pluck-style sequences

• Triggering envelopes using shape lanes for ratcheting

• Adding double and triple step pulses

• Layering multiple sequences for depth

• Applying effects like stereo delay and compression for ambience

Watch the Full Tutorial

Video Chapters

• 0:00 – Introduction

• 0:10 – Setting up the sequencer

• 0:31 – Waveform selection

• 1:06 – Envelope programming

• 1:38 – Filter tweaks

• 1:50 – Pitch step setup

• 2:10 – Triggering envelopes properly

• 3:20 – Adding ratcheting via shape lanes

• 4:30 – Double/triple triggering and modulation

• 5:25 – Bonus: Layering more sequences

• 6:45 – Final sounds and wrap-up

Tip

You can get even more variation by changing waveforms across layers – mix square, sawtooth, and more to give your sequence new life. Try lowering the probability of certain triggers to add some random variation.

Got Suggestions?

If you’ve got an idea for a future five-minute Wavestate patch—whether it’s ambient, cinematic, retro, or experimental—leave a comment on the YouTube video or drop me a message here on the blog.

This week on The Digital Lifestyle Show, Ian and Garry are back with a deep-dive discussion after a string of great guest episodes. From the creative impact of AI to hands-on synth sound design and smart home automation hacks — it’s a wide-ranging conversation packed with insights, demos, and gear tips.

Listen Now:
Listen Here (download mp3)

In This Episode

• AI in Music Creation
  Can AI truly be creative? Or is it just cleverly copying? Ian and Garry explore the impact of AI-generated lyrics, music, and vocals — and how prompt engineering is becoming a new creative skillset.

• Home Assistant & AI Integration
  Garry shows off his latest Home Assistant upgrades, including ESP32-powered devices, AI camera feeds, presence tracking, and voice assistants using Chinese open-source projects like Xiaoi.

• Using AI for Productivity
  Ian explains how he uses Copilot and ChatGPT to automate repetitive tasks like podcast show notes, timestamps, and YouTube descriptions — freeing up time for creative work.

• Synth Talk & Sound Design
  Ian shares his 5-minute synth patch challenges (with free downloads), recreating everything from MiniMoog leads to CR-78 drum patterns using the RD-78. He also previews a new Pink Floyd sound pack for the Korg Wavestate and a free community sound pack.

• Smart EV Charging Hacks
  Automating your car charger with Home Assistant? Garry walks through how he uses presence detection and charger APIs to set charging targets automatically.

Timestamps
00:00 – Introduction and recent guest highlights
01:13 – AI in music: creativity vs. automation
04:41 – How prompt engineering shapes AI output
07:06 – AI for smart home: Home Assistant and LLM Vision
09:02 – Using AI to automate podcast show notes and timestamps
10:45 – Can AI design YouTube thumbnails and album art?
12:06 – Xiaoi open-source Chinese AI device overview
14:25 – Integrating Xiaoi with Home Assistant using MCP
16:59 – UK vs China AI accessibility & open tools
17:43 – Real-world AI use: security cameras and gate detection
19:11 – Using Copilot + Power Automate to process documents
21:04 – AI hallucinations and corrections
23:01 – Songwriting with AI and prompt quality
25:02 – Vocal synthesis and creative applications
29:11 – 5-minute synth patch creation challenges
30:42 – Pink Floyd sound pack for Korg Wavestate
31:19 – Free community sound pack: 23 performances
32:03 – Recreating CR-78 patterns on the Behringer RD-78
32:38 – ESP32 and BLE triangulation for home presence tracking
35:08 – Dashboard automations and context awareness
36:41 – mmWave sensors and Zigbee repeaters
38:00 – Smart EV charging automation via Home Assistant
40:05 – Follow-me LED lighting and ambient control
41:55 – Retro-futurism, LED strip tracking, and presence UX
43:25 – Temperature sensors and home heat mapping
45:21 – USB-controlled Zigbee hubs and gadgets
47:00 – Sun tracking for blind control and temperature automation
48:13 – Simplifying overly complex home automations
49:01 – Gary’s EV channel and future interviews
50:00 – Ian’s Surface Go travel plans and synth-free holiday
50:34 – Wrap-up and where to find downloads and videos
50:55 – Outro: AI-generated theme music

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Watch the full episode on YouTube

We’re excited to share a brand-new community patch pack for the Korg Multi/Poly, available now as a free download from TheDigitalLifestyle.com!

Following the success of the previous Modwave community collection, this new pack brings together the creativity of the Multi/Poly user base. It features 23 unique performances, crafted by synth enthusiasts and patch designers from across the community – plus a few bonus patches from me!

From lush pads to aggressive basses, vintage EPs to modular-style textures, there’s something in here for everyone. Whether you’re looking for inspiration or building out your personal sound library, this free pack is a great addition to your Multi/Poly setup.

Download the pack:

Multi/Poly Community Patch Pack – Free Download

1 file(s) 62.73 KB

Download

What’s Inside:

• 23 expertly crafted performances

• Community-submitted patches + bonus contributions

• Classic synth styles including DW8000, DX7, PolySix, Prophet-5, and more

• Pads, basses, electric pianos, sync leads, and evolving textures

• Designed for performance and creative exploration

Watch the Full Demo Video:

I go through each of the 23 performances in the video, so you can hear exactly what you’re getting!

Patch Demonstration Timestamps:

• 00:00 – Intro

• 00:40 – EBH Pad

• 02:17 – Cinemascope

• 03:08 – Distorted Piano

• 03:47 – Disc Split

• 04:45 – DW8000 Pad (by Ian)

• 05:39 – DX7 Soft Brass

• 06:32 – Flatline Bass

• 07:00 – Jan Hammer Sync Lead

• 07:34 – Twin Peaks Lead

• 08:50 – MiniMoog Bass

• 09:46 – Electric Piano

• 10:26 – Modular Patch (Mark Piggot)

• 11:23 – Lag Pitch FX (Mark Piggot)

• 12:05 – Muse Pad

• 12:49 – Muse Tremolo Version

• 13:08 – Prophet-5 Arp

• 13:44 – Reese & Slap Basses

• 14:08 – Jen SX-1000 Emulation

• 14:40 – Sync Bass 2

• 15:04 – Flutter Pad with XY

• 15:54 – ARP 2600 Thriller Bass

• 16:33 – Outro & Submissions Call

Contribute to the Next Pack!

I’m already working on a new Wavestate community pack, so if you’ve created patches you’d like to share, please get in touch via the contact form or drop me an email. Let’s keep building this amazing synth community together.

In this video, I recreate the iconic Same Old Scene drum pattern by Roxy Music, using the Behringer RD-78, which is inspired by the legendary Roland CR-78.

The cool thing about this beat is that it was originally built using a preset — which you can find in the RD-78 as 10A. But instead of relying on the preset, I walk through building the entire rhythm from scratch so you can better understand how the pattern works.

What’s Covered

• RD-78 pattern programming from a blank slate

• Kick, cymbals, maracas, bongos, and metallic beat sequencing

• Accent placement for groove shaping

• Tips for muting unnecessary instruments

• Comparing the custom sequence to the factory preset

Timestamps

• 00:00 – Intro

• 00:07 – Roxy Music – Same Old Scene pattern

• 00:23 – Using the preset (10A) shortcut

• 00:47 – Programming from scratch

• 01:03 – Kick drum steps

• 01:15 – Cymbals on offbeats

• 01:26 – Adding maracas

• 01:43 – High bongo programming

• 02:07 – Low bongo variation

• 02:30 – Accent hits

• 02:43 – Metallic beat placement

• 03:05 – Final tweaks and mutes

• 03:26 – Factory pattern comparison

• 03:40 – Outro and feedback request

Feedback & Requests

Let me know in the comments if you noticed anything missing or have suggestions for improvements. I always appreciate corrections and love hearing what other RD-78 users are doing!

In this detailed tutorial, I explore how to fully program the Korg Multi/Poly directly from the front panel — no software editor or computer needed.

Many synth users have asked whether it’s possible to design sounds on the Multi/Poly entirely from the hardware interface. In this video, I answer that question by walking through every step of the sound design process, showing how accessible the Multi/Poly’s front panel controls really are.

In the video, I cover:

• Oscillator setup and waveform selection (analog and digital)

• Filters: MS-20, Minimoog, High Pass and more

• Envelope control for amp and filter

• Modulation routing with the powerful mod matrix

• Motion Sequencer: multiple lanes, shape lanes, probability, and ratcheting

• Using the built-in arpeggiator

• Creating multi-layer performances

• Saving and storing your patches directly on the synth

Whether you’re just getting started with the Multi/Poly or looking to deepen your programming skills, this tutorial shows that you can achieve complex sound design entirely from the hardware.

Watch the full video tutorial here:

If you have any questions about the Multi/Poly, Modwave, or Wavestate, leave a comment — I may cover it in a future video!

In this week’s episode of The Digital Lifestyle Show, I’m joined by none other than Daniel Fisher from Sweetwater. If you’re into synthesisers, programming, or live performance — this is a must-listen episode.

Daniel has had a long and fascinating journey through music and synthesis, and in this episode, he shares stories from his early musical experiences, how he got started with synthesisers, and how he became one of the most respected sound designers in the industry.

Listen Now:
Listen Here (download mp3)

We chat about:

• How Daniel learned music by ear and discovered synthesis as a child

• His first synth experiences with instruments like the Minimoog and DX7

• Transitioning from analog to digital synthesis

• Creating synth patches for tribute bands, including Pink Floyd

• The importance of learning one synth deeply vs collecting too many plugins

• Hardware vs software synths — and why he prefers a hands-on approach

• Daniel’s all-time favourite synth (spoiler: it’s a Kurzweil!)

Whether you’re a beginner or a synth veteran, Daniel shares brilliant insights and practical tips — especially if you play live or work with cover bands. He also talks about his amazing free Synth Clips series on YouTube, which walks through the fundamentals of synthesis step by step.

Timestamps / Chapters

00:00 – Introduction: Daniel Fisher joins the show
00:42 – Early inspiration and first encounter with the Magnus chord organ
02:50 – Taking B3 lessons, learning drawbars and 60s/70s pop
04:25 – Discovering music by ear, learning from bands like Styx and Kansas
06:06 – Switching to trombone and guitar as portable instruments
07:00 – Joining a bar band at 15 after a synth fix from his dad
08:00 – Starting on organ shaped approach to synthesis
09:00 – Rejecting weighted keyboards and loving synth-style playing
10:00 – The Motorola synth album and discovering sound design
11:00 – First synth experiences: Micromoog and performance memories
12:15 – Creating sound programming business: “Systems Exclusive”
13:30 – Learning to work with limited synths (DX7, M1) and evolving through constraint
15:30 – Advice: Focus on one synth/plugin to master synthesis
16:40 – Modwave, Wavestate, and learning deeply vs skimming presets
17:30 – Daniel’s Synth Clips series and sharing knowledge freely
18:30 – Favorite synths to program: DX7 and Korg M1 tricks
20:45 – MIDI glitches, hacking patches, and deep programming creativity
22:00 – From romplers to virtual analogues and the loss of knobs
23:45 – Return of real-time control and modern synth flexibility
25:00 – Plugins vs hardware: Daniel prefers hardware for live performance
26:00 – Vintage vs modern synths: reliability and modern enhancements win
27:45 – Current rig: no fixed setup, tailored for each project
28:50 – Pink Floyd tribute setup and theremin wind sounds
30:00 – How Daniel recreates Floyd’s complex sounds live
31:30 – Naming patches with key and FX cues for easy recall
33:00 – Saving patch versions incrementally for long-term refinement
34:10 – Long envelopes to replicate mix automation in songs
35:00 – Daniel’s favorite synth of all time: Kurzweil K2661
36:00 – No regrets on past synths; prefers modern synths with deep EQ
37:10 – Synth he wishes existed: flexible, layered, sample-capable synth
38:40 – Final thoughts, shoutouts, and appreciation for the community

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Watch the full episode on YouTube

Explore Daniel’s Synth Clips series
Search for “Synth Clips Daniel Fisher” on YouTube, or just type Daniel Fisher Sweetwater to find his full library of tutorials and demos.

(188) Synth Clips by Daniel Fisher – YouTube

Let us know your thoughts!
What synth did you first fall in love with? Do you prefer plugins or hardware? Drop a comment below or join the discussion in our Discord server.

Welcome to another sound design post from TheDigitalLifestyle.com! In today’s quick tutorial, we look at how to craft dynamic wind instrument sounds—flute-style patches that respond beautifully to both modwheel and polyphonic aftertouch.

Using the Wavestate Native plugin, I walk through a 4-layer setup featuring multiple woodwind samples. Each sample is dynamically controlled using filters and mod sources, allowing you to switch articulations in real-time. Whether you’re going for subtle expression or dramatic swells, this method offers a ton of creative potential.

What you’ll learn:

• How to layer multiple flute samples

• Using modwheel and aftertouch to switch articulations

• Filter-based volume modulation

• Adding delay, reverb, and compression

• Tips for expanding to more layers or custom sample types

Patch Download:

Download: Dynamic Flute Patch for Korg Wavestate (Modwheel & Aftertouch Controlled)

1 file(s) 3.04 KB

Download

Have your own ideas for future tutorials or techniques you’d like to see covered? Drop a comment or send a message—I’d love to hear your suggestions.

In this quick 5-minute patch tutorial, I show you how to build expressive string sounds using velocity switching on the Korg Wavestate. This technique allows you to layer different string samples and switch between them depending on how hard you play, adding realistic dynamics to your performances.

We start with an initialized patch and build up a performance using the Motion Sequencer, multiple string samples, and modulation sources. You’ll also see how to use the Mod Processor to smooth out the velocity response and fine-tune the switching behavior.

Watch the full tutorial video here:

Download the Patch Here:

Velocity Switching Strings on the Korg Wavestate in Just 5 Minutes! Free Download

1 file(s) 4.16 KB

Download

• Loading multiple string samples into the Motion Sequencer

• Using velocity to select different layers

• Fine-tuning the velocity curve with Mod Processors

• Adding envelopes, reverb, and effects for a polished sound

This is part of my ongoing 5 Minute Patch series, where I create quick and useful patches for the Korg Wavestate, Modwave, and Multi/Poly. Check out the full series on my YouTube Channel.

Have a patch idea you’d like to see?
Leave a comment or contact me and I may feature it in a future video!

Welcome to another CR-78 recreation video here on The Digital Lifestyle! In this video, I recreate the drum pattern from Freur’s “Doot Doot” using the excellent Behringer RD-78, a modern take on the classic Roland CR-78 drum machine.

This particular pattern was suggested by a viewer, and I have to say, it was a really enjoyable one to program. The original track features a very clear and simple CR-78 pattern with minimal processing, making it ideal for a faithful recreation on the RD-78.

Step-by-Step Programming

I start by dialing in the tempo and entering Write Mode on the RD-78. The key to this pattern is getting the hi-hat timing just right. The hats are programmed on steps 1, 5, 9, and 13, with additional off-beat accents to bring it to life.

Next, I add the double kick that drives the rhythm, carefully placing the kicks at the start and again on steps 9 and 10. Finally, I add in the snare hits, which come in at slightly offset positions to match the feel of the original track — notably on steps 8 and 16.

The result is a clean, unprocessed CR-78 sound that fits perfectly with the mood of Doot Doot.

Got Suggestions?

Thanks again to the viewer who suggested this track! I love tackling these recreations, so if you have more suggestions, please leave them in the comments on YouTube or here on the blog.

I’m also looking for ideas on how to recreate Godley & Creme – Under Your Thumb, which is proving to be a tricky one due to its speed and complex layers. Any tips would be much appreciated!

Watch the Video

Coming Soon

Stay tuned — I’ve been working on a complete set of RD-78 patterns and programs, which I’ll be sharing soon!

In this quick 5-minute sound design tutorial, we recreate a classic Minimoog-style three-oscillator lead patch on the Korg Multi/Poly. This iconic lead sound is perfect for vintage synth solos, fat unison lines, and classic analog-style performances — and you can easily build it from scratch following the simple steps I cover in the video.

Building the Minimoog-Style Lead

Using the Multi/Poly’s powerful synthesis engine, we take advantage of:

• Mono mode for authentic lead performance behavior

• Classic oscillator waveforms (saw, triangle, sub layers)

• Oscillator detuning and layering for rich, thick textures

• Moog-style filter settings for warm, rounded tone

• Vintage-style envelopes using the built-in Mini template

• CMT voice variation drift to emulate oscillator instability

• Subtle LFO pitch modulation for analog-style motion

• Vintage effects like chorus and cross delay to add space and character

The result is a fat, warm, and expressive analog lead that pays tribute to the legendary Minimoog, while fully utilizing the Multi/Poly’s modern flexibility.

Minimoog-Style Lead for Korg Multi/Poly — Free Download

1 file(s) 3.88 KB

Download

Watch the Full Tutorial

Here’s a full breakdown of the tutorial chapters:

• 0:00 – Introduction

• 0:02 – What we’re creating: Minimoog-style lead

• 0:17 – Initializing the patch

• 0:23 – Switching to mono mode

• 0:34 – Selecting oscillator waveforms

• 0:51 – Amp section and modulation

• 1:12 – Layering triangle and detuned oscillators

• 1:41 – Adding Moog-style filter and envelope

• 2:09 – Envelope settings using Mini template

• 2:32 – Enabling drift with CMT voice variation

• 2:55 – Adding subtle pitch LFO for analog-style drift

• 3:42 – Optional sub oscillator and fourth layer

• 4:22 – Final tweak to modulation

• 4:52 – Adding vintage chorus and cross delay

• 5:16 – Final sound and saving the patch

• 5:23 – Free patch download and series wrap-up

Free Patch Download

You can download the finished Minimoog-style lead patch for your Korg Multi/Poly completely free:

Minimoog-Style Lead for Korg Multi/Poly — Free Download

1 file(s) 3.88 KB

Download

Join the Conversation

Got ideas for future tutorials? Drop your suggestions in the comments — I’d love to hear what kinds of patches or synths you’d like to see next!

And don’t forget to subscribe on YouTube for more Korg Multi/Poly tutorials, sound design tips, and free patches.

In this episode, we dive deep into the world of vintage synth firmware hacking with Thomas Janssen. Thomas has been developing new firmware for the classic 1986 Korg DW8000 synthesizer, adding features like enhanced unison detune, expanded filter resolution, random LFOs, and new modulation destinations — all while preserving the synth’s vintage character.

Listen Now:
Listen Here (download mp3)

We also explore Thomas’ background in music, his love of Commodore 64 and Amiga computers, SID chip programming, trackers, and chip tunes. Hear how reverse engineering 40-year-old synthesizers becomes a giant puzzle that combines music, software engineering, and creative problem-solving.

Topics covered:

• Why create firmware for a 1986 synth

• How reverse engineering old synths works

• New DW8000 features Thomas added

• The SID chip, ASID protocol, and modern chip tune synths

• Using trackers and mod files on the Amiga

• Vintage gear and creative limitations

• AI-generated music & the future of music tech

• Home automation and EV charging with Home Assistant

Whether you’re into vintage synths, retro computing, or software hacking — this is a fascinating deep dive into the intersection of old and new technology.

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Links Mentioned:

• Thomas Janssen’s YouTube: https://www.youtube.com/tubesockor

If you’re a fan of Pink Floyd and a user of the Korg Wavestate, this new custom sound pack is a must-have. Inspired by the legendary synth and keyboard work of Richard Wright, this collection features 40 performances and 44 programs tailored for the Wavestate’s unique architecture.

About the Pack
This sound pack captures the spirit of classic Pink Floyd tracks across albums like Dark Side of the Moon, Wish You Were Here, Animals, The Wall, and The Division Bell. From lush pads and iconic leads to atmospheric effects and split-layer setups, it’s all here.

What’s Included:

• 40 Performances

• 44 Programs

• Classic analog-inspired sounds

• Built-in motion sequencing & wave morphing

• Free version available

• Full premium pack includes all performance layers

Watch the Video Demo

Video Chapters:

• 0:00 Intro

• 2:25 Any Colour You Like (MiniMoog Lead)

• 3:40 Brain Damage

• 4:45 Cluster One Strings

• 5:20 Comfortably Numb

• 6:12 Dogs Lead

• 7:17 Echoes Piano

• 8:28 High Hopes

• 9:04 Learning to Fly

• 10:24 Welcome to the Machine

• 11:17 On the Run

• 13:21 One of These Days

• 14:28 Piper Organ

• 17:27 Sheep EP

• 17:56 Shine On You Crazy Diamond

• 20:26 Signs of Life

• 21:52 Speak to Me

• 22:20 Time

• 22:45 Wearing the Inside Out

• 23:37 Wish You Were Here

• 25:00 Loading and customizing

• 25:18 Free & premium version info

Download the Sound Pack
You can download a free version with selected patches or get the full premium edition to unlock the complete set.

Pink Floyd Sound Pack for Korg Wavestate – TDL Sound Packs

Download: Pink Floyd Sound Pack for Korg Wavestate - Free Version

1 file(s) 6.20 KB

Download

Why Premium?
Purchasing the premium pack helps support my work in creating sound packs, tutorials, and videos. Thank you to everyone who supports these releases!

Join the Conversation
Let me know in the comments or via social media which sounds you’d like to see in Volume 2. Any requests for lesser-known Floyd tracks or deep cuts? I’m all ears!

Recreating the Iconic CR-78 Drum Pattern from Kate Bush’s “Delius”

In this post, I recreate the distinctive Latin-flavored drum groove from Kate Bush’s “Delius” using the Behringer RD-78 — a modern reimagining of the classic Roland CR-78. With the recent firmware update improving timing and sound options, it’s the perfect time to revisit this vintage rhythm.

I walk through the pattern step-by-step, programming kick, hi-hats, cymbals, maracas, bongos, and congas to match the feel of the original track from the Never for Ever album. This is a great example of how classic drum machines can still deliver inspiring grooves today.

Whether you’re a fan of Kate Bush, vintage drum machines, or analog-inspired grooveboxes, this one’s for you.

Got another CR-78 groove you’d like to see recreated? Drop your suggestions in the comments.

In this detailed post, I explore the process of recreating the distinctive drum pattern from Nick Kershaw’s Human Racing using the Behringer RD-78, a modern take on the classic Roland CR-78 analog drum machine. Although the original track likely wasn’t recorded on a CR-78, the challenge was to capture the vintage analog beatbox vibe and replicate the feel as closely as possible with the RD-78’s capabilities.

I analyze the drum pattern, noting the longer envelope settings on the hi-hats and cymbals compared to the original CR-78’s typically short envelopes. The pattern consists of carefully placed bass drums, hi-hats, open cymbals, maracas, and congas, all arranged to create that laid-back, rhythmic groove. I use custom programming on the RD-78 to mimic the tonal qualities and timing nuances, including accents and percussive variations that add depth and movement to the beat.

Throughout the video, I provide step-by-step instructions on setting the envelopes, selecting appropriate percussion sounds, and sequencing the pattern, emphasizing how slight adjustments in envelope length and note placement can drastically alter the feel of a drum machine groove. This post is perfect for vintage synth enthusiasts, electronic musicians, and anyone interested in detailed drum machine programming techniques.

If you’re curious about analog drum machine recreation, programming vintage-style beats, or the RD-78’s features, this deep dive will give you practical insights and inspiration for your own projects.

Welcome to another edition of Five Minute Patch, where I explore quick and inspiring sound design techniques—this time on the mighty Korg Wavestate. In this session, I walk through building a lush, evolving ambient pad using just a single layer, and then extend it with a second for even more depth.

If you’re into rich textures and dreamy pads, this one’s for you—and yes, the patch is available as a free download!

Step-by-Step Breakdown

1. Starting from an Init Patch

I begin with an initialized performance and build from scratch. The goal: create a slowly shifting, atmospheric texture ideal for ambient or cinematic work.

2. Choosing the Right Samples

I explore several pad-like samples in the Wavestate’s vast library—specifically some of the Stellar and Atmos sounds. These samples already have a great ambient character, which makes them perfect for layering.

3. Tweaking Timing and Crossfades

Using vector sequencing, I set different playback durations and crossfade times for each sample. This adds a natural, evolving motion to the patch.

4. Envelope Shaping

To enhance the pad-like quality, I tweak the amp envelopes—adding attack and release for a soft, smooth feel.

5. Adding FX

No ambient patch is complete without effects! I add:

• Chorus for width

• Tape echo for vintage depth

• Reverb for a spacious tail

6. Layering for Extra Depth (Bonus!)

With a few minutes to spare, I add a second layer using a variation of the same patch. By enabling Note Advance and Random on both layers, the Wavestate cycles through different samples per note, creating an ever-shifting soundscape.

Free Patch Download

You can download this evolving pad performance for free

Free Download: Evolving Pad for Korg Wavestate (Created in 5 Minutes!)

1 file(s) 3.20 KB

Download

Watch the Full Tutorial

Want to follow along and hear how it sounds?
Watch the full video on YouTube:
Create an Evolving Pad on the Korg Wavestate in 5 Minutes

In this in-depth tutorial, I dive into creating classic oscillator sync lead sounds on the Korg Multi/Poly, inspired by iconic synths like the Prophet 5 and PPG Wave. Follow along as I explain the core principles of oscillator sync, modulation techniques, and advanced tuning to craft dynamic, evolving sync tones.

Introduction to Oscillator Sync (0:00 – 1:10)

I start by explaining what oscillator sync is and how it works on the Korg Multi/Poly. Using examples from factory presets and custom patches, I demonstrate the characteristic “sync” tonal effect—where one oscillator’s waveform cycle is locked to another’s frequency, creating harmonic complexity without changing pitch.

Setting Up Two Oscillators for Sync (1:10 – 3:20)

Learn how to configure two oscillators for sync, including selecting waveforms (classic sawtooth waves) and assigning modulation controls such as the mod wheel to manipulate pitch dynamically. I show how oscillator one remains fixed while oscillator two’s pitch changes, producing the sync sound.

Understanding the Sync Effect in Detail (3:20 – 5:30)

Explore the oscillator sync mechanism visually through waveform displays and hear how tuning oscillator two affects the overtones and tonal complexity. I explain why syncing oscillator two to oscillator one works, but not the reverse, and how to balance oscillator levels for desired sound output.

Double Sync Mode: Syncing Oscillator Pairs (5:30 – 7:20)

Discover the Multi/Poly’s double sync feature, which links oscillator pairs (1 to 2 and 3 to 4) simultaneously. Using modulation controls and tuning adjustments, I create richer sync textures and explore chaotic pitch modulations for unique analog-style effects.

Exploring Alternative Waveforms and Modulations (7:20 – 9:50)

Beyond sawtooth waves, I demonstrate how sync sounds can be generated using pulse waves, chaos modulation, and digital wavetable oscillators. This section covers wave shaping and crossfading techniques to achieve both analog and digital sync timbres.

Sync Effects with Digital Wavetables (9:50 – 11:40)

Delve into sync applied within digital wavetable oscillators. By manipulating wavetable position and combining sync modulation with wave table scanning, you can produce complex, stepped sync effects characteristic of digital synths.

Using Pitch Envelopes for Classic Sync Leads (11:40 – 13:20)

I show how to use pitch envelopes to mimic the classic Prophet 5 sync lead sound. This involves setting pitch envelope parameters, enabling sync mode, and shaping attack and release times for the rapid pitch drops and rises synonymous with vintage analog leads.

Additional Sync Preset Examples (13:20 – End)

Finally, I showcase recreated classic presets such as the Prophet 5 pulse sync and the Korg Odyssey sync, highlighting the flexibility of the Multi/Poly’s oscillator sync feature. These examples illustrate practical applications of the techniques covered throughout the video.

Whether you’re a synth programmer, sound designer, or synth enthusiast, this guide provides a thorough, technical approach to mastering oscillator sync on the Korg Multi/Poly. Feel free to ask questions or request a similar tutorial for the Korg Modwave in the comments!

Last week, I posted a long-term review of the Behringer RD-78—Behringer’s clone of the classic Roland CR-78 drum machine. While I praised the RD-78’s vintage vibe and solid sound engine, I also highlighted a few key issues, including inaccurate rhythm variations and a Güiro sound that didn’t quite hit the mark.

In a surprising twist, Behringer released a firmware update (v1.0.16) just 30 minutes after my review went live. In this follow-up post, I document my experience updating the RD-78 using the SynthTribe app and test whether Behringer addressed the main problems.

Key Improvements:

• Rhythm Variations have been refined and now sound closer to the original CR-78

• The Güiro has been reworked for a more natural tone

• Swing and groove feel more authentic on factory presets

• You can now edit rhythm variations manually within the SynthTribe app

Still Missing:

• Preset combining (like holding two buttons on the original CR-78) hasn’t been implemented—but I explain a workaround in the video

I also demo updated patterns like OMD’s Enola Gay, John Foxx’s Underpass, and Genesis’s Duchess to see how well the RD-78 now performs after the update. Spoiler: It’s a solid step forward.

Stay tuned—I’ll be releasing a RD-78 pattern pack based on these classic tracks soon!

Check out my long-term RD-78 review

In this post, I dive into my long-term experience with the Behringer RD-78, Behringer’s modern clone of the legendary Roland CR-78 drum machine. After using it extensively in my studio setup for the past couple of months, I’ve gathered plenty of insights — the good, the quirky, and the “I wish it could” moments.

I break down the sound quality, build, and connectivity, and explore how the RD-78 handles preset rhythms, custom programming, and fills. I also highlight some of the limitations compared to the original CR-78, especially when it comes to combining patterns and using fills.

You’ll also hear recreations of classic tracks from artists like Peter Gabriel, Genesis, OMD, Gary Numan, and Blondie, programmed directly on the RD-78 or via the Synthtribe editor.

Watch the full video review:

Browse all RD-78 videos and demos here:
RD-78 Playlist

If you’re thinking about adding the RD-78 to your setup or just want to hear how those classic CR-78 rhythms hold up today, this one’s for you. Got a track you’d like to hear recreated? Drop me a comment — I’d love to hear your suggestions.

️ New Episode of the TDL Podcast!

This week, I’m joined by Peter Dowsett, a long-time synthesizer enthusiast, producer, and vintage sampler collector, for a deep dive into synth history, creative sound design, and studio setup secrets.

Peter shares his journey from discovering synths in the early ’80s to building an advanced modern studio with 90 live audio inputs via MADI routing. We talk TR-505 drum machines, the underrated Sequential Six-Trak, Waldorf wavetables, and the legendary EMU samplers—plus, the one synth he’d save on a desert island!

Listen Now:
Listen Here (download mp3)

What We Talk About:

• The synth that started it all: Roland TR-505

• Peter’s first band Neuer Ritmus and early synth choices

• The gear he regrets selling (Moog Source!)

• Using samplers creatively: Akai S900, Ensoniq EPS, Roland S-50

• Setting up a pro-level MIDI + audio studio

• The joy of programming with knobs vs menus

• Why the Waldorf Iridium might be his “one synth to rule them all”

Synths & Gear Mentioned:

• Roland TR-505, MC-500, S-50

• Sequential Six-Trak

• Yamaha DX7, TX7

• Korg DW-6000, DW-8000, D-110

• Waldorf Microwave XT, Iridium

• Ensoniq EPS

• Akai S900

• EMU ESI-4000, E5000

• Moog Source

• Arturia Polybrute, Prophet 12

Peter’s Desert Island Synth Picks:

• Waldorf Iridium Keyboard

• Moog Source (stolen, sadly!)

“Sometimes, it’s not about having more gear—it’s about having the right connection with it.” – Peter Dowsett

Check Out Peter’s Music:

http://Linktr.ee/dyingcode

https://linktr.ee/antisocialclub

https://linktr.ee/bruteopposition

https://linktr.ee/poolwaitress

https://linktr.ee/tubeunddiode

️ Subscribe to the podcast for more great synth chats, music tech stories, and gear deep dives!

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Create FM-Style Bell Sounds on the Korg Modwave in 5 Minutes

If you’re into digital synth textures and want to explore FM-style synthesis on the Korg Modwave, this quick tutorial is for you. In just five minutes, I’ll walk you through how to craft beautiful, metallic FM bell tones reminiscent of the Yamaha DX7, but with the modern power of Korg’s wavetable engine.

This patch is simple to build but rich in tone—perfect for ambient tracks, synth-pop, and experimental soundscapes.

What You’ll Learn

• How to use two oscillators to simulate FM synthesis
• Why sine waves work best for bell tones
• How to modulate one oscillator with another to create harmonic complexity
• Using envelopes to shape attack and decay for bell-like dynamics
• Layering techniques for a richer, more dynamic sound
• Which effects (chorus, delay, reverb) enhance the FM bell sound

Why FM for Bells?

FM synthesis excels at creating harmonically rich and percussive sounds. By using one oscillator to modulate another, you can generate the kind of inharmonic overtones that define bells, chimes, and other metallic instruments. On the Modwave, you can easily build this kind of architecture using basic sine waves and a few clever modulation tricks.

Patch Details

• Layer A: FM setup using two sine wave oscillators
• Modulation: Oscillator 1 modulates oscillator 2 via frequency modulation
• Envelope: Fast attack, soft decay to emulate a percussive hit
• Layer B: A second FM bell tone pitched higher for shimmer
• Effects: Compression, chorus, tape delay, and reverb for atmosphere

Download the Free Patch

You can download the FM bell patch used in the video for free:

How to Make FM Bell Sounds on the Korg Modwave in 5 Minutes - Free Download

1 file(s) 9.41 KB

Download

It works on both Modwave hardware and Modwave Native, so you can explore it in your DAW or on your synth.

More Five Minute Patches

This is just one of many quick sound design sessions I’m doing for the Modwave, Wavestate, and Multi/Poly. These videos are designed to teach synthesis concepts while also helping you build your own custom library of patches.

Check out the full playlist on YouTube and subscribe for weekly tutorials.

Got a Patch Idea?

I’m always looking for suggestions. Got a classic sound or synth style you’d like me to recreate on the Modwave? Let me know in the comments or reach out on social media.

Thanks for reading—and happy patching!