Mediasurfer.ch

Sammy Hagar - Sammy Hagar (I Never Said Goodbye) (1987)

noreply@blogger.com (Unknown) — Mon, 13 Apr 2026 06:18:00 +0000

*U.S. first pressing.

Contains 10 tracks total.

Country: U.S.A.

Genre: Hard Rock

Label Number: 9 24144-2

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I Never Said Goodbye Review by Stephen Thomas Erlewine

Sammy Hagar, the singer's last solo album, was released a year after his first album with Van Halen, 1986's 5150. Although it charted the highest of any of his records, peaking at number 14, it wasn't as successful as his three previous albums, suffering from a slick, synthesized production and a lack of consistent material. The power ballad "Give to Live" was a hit and a couple of the rockers raised above the pedestrian level, yet the overall product was rather faceless. Perhaps sensing the lackluster quality of the record, Hagar launched an MTV promotion to re-title the record; the winning entry was I Never Said Goodbye, and titled that way in subsequent pressings. The 1994 Unboxed compilation also called the album I Never Said Goodbye, not Sammy Hagar.

tags: sammy hagar, i never said goodbye, 1987, flac,

SouthGang - Tainted Angel (1991)

noreply@blogger.com (Unknown) — Mon, 13 Apr 2026 06:15:00 +0000

*U.S. first pressing.

Contains 11 tracks total.

Country: U.S.A.

Genre: Hard Rock

Label Number: 2-91639

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*No professional reviews are available for this release.

tags: south gang, southgang, tainted angel, 1991, flac,

Warren DeMartini - Crazy Enough To Sing To You (1996)

noreply@blogger.com (Unknown) — Mon, 13 Apr 2026 06:11:00 +0000

*Released in 1996 by Polydor for the Japanese market.

Contains 11 tracks total.

Country: U.S.A.

Genre: Hard Rock

Label Number: POCP-7190

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tags: warren demartini, crazy enough to sing to you, 1996, flac,

Black Funeral - Vampyr - Throne of The Beast (1997 Reissue)

noreply@blogger.com (Unknown) — Sun, 05 Apr 2026 04:28:00 +0000

*Reissued in 1997 by Full Moon Productions.

This pressing contains 8 tracks total.

Country: U.S.A.

Genre: Black Metal

Label Number: FMP005

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tags: black funeral, vampyr, throne of the beast, 1995, 1997, reissue, flac,

Black Funeral - Empire of Blood (1997)

noreply@blogger.com (Unknown) — Sun, 05 Apr 2026 04:06:00 +0000

*First pressing.

Contains 11 tracks total.

Country: U.S.A.

Genre: Black Metal

Label Number: FMP 014

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tags: black funeral, empire of blood, 1997, flac,

Kriegsmaschine - Prism: Archive 2002-2004 (2014)

noreply@blogger.com (Unknown) — Sun, 05 Apr 2026 04:02:00 +0000

Country: Poland

Language: English, Polish (polski)

Genre: Black Metal

Label Number: NS-02

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tags: kriegsmaschine, prism archive 2002 2004, 2014, flac,

Opal - Happy Nightmare Baby (1987)

noreply@blogger.com (Unknown) — Tue, 17 Mar 2026 19:29:00 +0000

*U.S. first pressing.

Contains 9 tracks total.

Country: United Kingdom

Genre: Neo-Psychedelia

Label Number: SST CD 103

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Happy Nightmare Baby Review by Ned Raggett

At once drowsy, psychedelic, entrancing, and possessed of a sinuous spark, Happy Nightmare Baby may have been Opal's only album but deserves more attention than merely being a blueprint for Roback's later work in Mazzy Star. For one thing, Opal was very much its own band, with Kendra Smith's particular lyrical visions of mystic power and universe-scaling dreams and nightmares its own entity. As is her singing, though she's got less of Hope Sandoval's wistful drift and more focused control -- check out the brief "A Falling Star," where the comparatively stripped-down arrangement places her singing in the foreground, notably without much in the way of echo. Roback's playing certainly won't surprise anyone per se who backtracks to this group from albums like She Hangs Brightly, and the atmosphere of textured, moody power is evident right from the start with the wonderful early T. Rex tribute, "Rocket Machine." The compressed string swirl and steady stomp is pure Marc Bolan-via-Tony Visconti, though Smith avoids Bolan's style of warble for her own cool, something also quite evident on the slow-groove stomp of the great "She's a Diamond" and the concluding "Soul Giver." Meanwhile, other familiar elements Roback would later use are present aplenty -- very Ray Manzarek-like organ lines on the mantra-chugs of "Magick Power" and "Siamese Trap," compressed acid rock solos and lots of reverb. The title track itself stands out a bit as being a bit more of a '60s Europop confection in a stripped-down 1968 setting -- Roback's electric guitar adds some fire, but it's the slightly jazz-tinged rhythm and easy delivery from Smith that helps establish its own character. It's a release that stood out both in time and place (a 1987 release on SST Records, of all places!), but it stands up to future years and listens darn well.

tags: opal, happy nightmare baby, 1987, flac,

London Grammar - If You Wait (2013)

noreply@blogger.com (Unknown) — Tue, 17 Mar 2026 19:25:00 +0000

Country: United Kingdom

Genre: Indie Pop

Label Number: MADART1

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If You Wait Review by Scott Kerr

English trio London Grammar have quietly amassed a body of atmospheric, electronic pop material since they first posted "Metal & Dust" on the internet in 2012. Partnered with an appearance on Disclosure's Mercury-nominated album Settle, the Nottingham University alumni had set the internet hype machine in motion, less than a year after forming. With obvious nods to the unfussy, reverbed guitar motifs of the xx, alongside Hannah Reid's beautiful, emotive vocal ability -- which rises and falls with an alarmingly disarming effect -- the album is a practice in refrain, where each song is pushed to the brink of an inevitable climax and achingly, no further. The percussive production, synths, and basslines provided by multi-instrumentalist Dot Major, build on this sense of drama and urgency and are displayed perfectly in one of the highlights of the record, "Wasting My Young Years." Its throbbing chorus is chastened by the slow-burning synths and guitars that come together with stunning results when coupled with Reid's vocal delivery. The obvious confidence Reid has in her own voice belies the apparent vulnerability in the words she sings throughout, and the piano ballad "Strong" is testament to the loneliness and heartbreak that encapsulates the brooding feel of the album, which conflicts with the almost upbeat, danceable moments scattered amongst "Flickers" and "Stay Awake." They pay homage to their electronic influences mid-album with a rework of Kavinsky's "Nightcall" that unfolds gently into one of the most boisterous cuts on the record. It's no surprise that Reid's strong vocals are at the forefront of London Grammar's sound, and her voice dominates their music in much the same way as Florence Welch's does in Florence + the Machine. However, although at times they come close to overshadowing the subtle instrumentation provided by Major and Dan Rothman, it’s actually the intrinsic balance between the contributions of all three that defines their sound.

tags: london grammar, if you wait, 2013, flac,

London Grammar - Truth Is a Beautiful Thing (2017)

noreply@blogger.com (Unknown) — Tue, 17 Mar 2026 19:21:00 +0000

Country: United Kingdom

Genre: Indie Pop

Label Number: 0602557593242

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Truth Is a Beautiful Thing Review by Neil Z. Yeung

Four years after their debut, English trio London Grammar returned with their sophomore set, Truth Is a Beautiful Thing, featuring production by Jon Hopkins (Imogen Heap, Coldplay), Paul Epworth (Florence + the Machine, Adele), and Greg Kurstin (Adele, Sia). Once again, vocalist Hannah Reid takes center stage with her powerful, angelic instrument, which can stir the soul at the smokiest depths before jolting everything to the heavens in a fashion much like Florence Welch or Annie Lennox. Dan Rothman and Dominic Major provide lush accompaniment to Reid's voice, creating a gorgeous cinematic landscape that ranges from dreamlike wisps to fully enveloping grandeur. The first half of the album takes time to pick up, as Reid slowly eases listeners into "Wild Eyed," an expansive moment that recalls 2013's "Hey Now." The thumping heartbeat of "Oh Woman, Oh Man" gives the band equal time to shine. Other highlights include the throbbing "Non Believer," the uplifting Florence-esque "Bones of Ribbon," and the sweeping "Leave the War with Me." These tracks provide a much-needed jolt of energy to balance the album's other quieter moments, which tend to lull the listener into a dreamlike haze. While it's an overall relaxing experience, Truth Is a Beautiful Thing is never boring; it's a comforting and often heartbreaking listen that really gets under the skin, especially with Reid's emotive delivery.

tags: london grammar, truth is beautiful, 2017, flac,

Call Me - Call Me (1981)

noreply@blogger.com (Unknown) — Wed, 11 Mar 2026 02:42:00 +0000

*Reissued on CD for the first time in 1992 by RCA Victor.

This pressing contains 10 tracks total.

Country: Germany

Language: English

Genre: Pop Rock

Label Number: PL 28482

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tags: call me, call me album, call me band, 1981, 1992, flac,

Black - Black (1991)

noreply@blogger.com (Unknown) — Wed, 11 Mar 2026 02:38:00 +0000

Country: United Kingdom

Genre: Pop Rock, Acoustic

Label Number: 75021 5365 2

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Black [1991] Review by Michael Sutton

Colin Vearncombe, otherwise known as Black, often writes songs that are suitable for candlelit dinners. They are usually quiet and move at a slow pace that would test the attention spans of radio programmers. However, Black's self-titled 1991 album will leave patient listeners with much to feast on. Vearncombe has a deep, plaintive croon that sounds like a cross between the Lover Speaks' David Freeman and Roxy Music's Bryan Ferry. The mellow, jazzy rhythms on Black befit his voice; Vearncombe's vocals require moody, relaxed arrangements in order to let the emotions calmly pour out. On "Too Many Times," he sings about his father passing away with subtlety and palpable regret. Like "Too Many Times," "Feel Like Change" and "Here It Comes Again" unfold with a snail's velocity; nevertheless, they are beautifully sung and stylishly composed. "Fly Up to the Moon," a duet between Vearncombe and Sam Brown, has a deceptively romantic chorus. The protagonist in "Fly Up to the Moon" dreams of escaping his troubled world, but his lover refuses to join him in the track's startling conclusion: "and if I should fly/only you, you/there's only you/that would say goodbye." The refreshingly upbeat piano of "She's My Best Friend" might appeal to fans of Fra Lippo Lippi. There's only song worth skipping on Black: the leaden "Learning How to Hate." The understated hooks on Black may not be heard on first listen; however, they become loud and clear after repeated spins.

tags: black, black album, self titled, 1991, flac,

Julian Lennon - The Secret Value of Daydreaming (1986)

noreply@blogger.com (Unknown) — Tue, 03 Mar 2026 07:54:00 +0000

Country: United Kingdom

Genre: Pop Rock

Label Number: CASCD 1171

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The Secret Value of Daydreaming Review by Stephen Thomas Erlewine

On The Secret Value of Daydreaming, the follow-up to his successful debut, Julian Lennon emphasizes his mainstream pop leanings by adding a tighter, more polished production which brings out the best in his songs. That is, it does when the songwriting is up to par. Lennon had some difficulty producing a consistent set of songs for his second album, with only a handful of tracks -- including the hit "Stick Around" -- standing out amidst the slick, immaculately produced material.

tags: julian lennon, the secret value of daydreaming, 1986, flac,

Julian Lennon - Mr. Jordan (1989)

noreply@blogger.com (Unknown) — Tue, 03 Mar 2026 07:51:00 +0000

Country: United Kingdom

Genre: Pop Rock

Label Number: 7 81928-2

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Mr. Jordan Review by Stephen Thomas Erlewine

Julian Lennon did an about-face on Mr. Jordan, abandoning the polished mainstream pop of his first two albums for a darker, more rock-oriented sound. Lennon also changed his style of singing, choosing a deeper timbre that was eerily reminiscent of David Bowie -- which was appropriate, because the thick guitars that dominated the album were reminiscent of a kinder variation on Bowie's early-'70s hard rock. Although Lennon's new sound was promising, he only came up with one song, the minor hit "Now You're in Heaven," that could support his musical visions.

tags: julian lennon, mr jordan, 1989, flac,

Wiseguys - Process of Elimination - The Unreleased E.P. (Limited Edition) (2017) ⚓

noreply@blogger.com (Unknown) — Sat, 28 Feb 2026 05:51:00 +0000

This limited edition green-gold vinyl pressing

is restricted to 120 copies & contains six tracks recorded during

the 1996 "In Tha Company of Killaz" album sessions.

The material was officially released for the first time

as a complete E.P. in 2017 on LP & CD

by Chopped Herring Records.

Photos of the record are included in the RAR file.

Country: U.S.A.

Genre: Hip-Hop

Style: Mafioso Rap, Gangsta Rap

Label Number: CHWI5EGUY501

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*No professional reviews are available for this release.

tags: wiseguys, process of elimination, the unreleased ep, limited edtion, 2017, 1996, flac, vinyl,

Rosetta Stone - An Eye For The Main Chance (1994 Reissue)

noreply@blogger.com (Unknown) — Fri, 27 Feb 2026 03:05:00 +0000

*Reissued in 1994 by Minority/One Records.

This pressing contains 12 tracks total

and non-remastered audio.

A photo of the disc is included in the RAR file.

Country: United Kingdom

Genre: Gothic Rock

Label Number: MIN01 CD

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*No professional reviews are available for this release.

tags: rosetta stone, an eye for the main chance, 1991, 1994, reissue, flac,

REO Speedwagon - Hi Infidelity (1980)

noreply@blogger.com (Unknown) — Thu, 26 Feb 2026 08:45:00 +0000

*U.S. first pressing.

Contains 10 tracks total.

Country: U.S.A.

Genre: Hard Rock

Label Number: EK 36844

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Hi Infidelity Review by Stephen Thomas Erlewine

Many albums have scaled to the top of the American charts, many of them not so good, but few have been as widely forgotten and spurned as REO Speedwagon's Hi Infidelity. In a way, the group deserved this kind of success. They had been slogging it out in the arenas of the U.S., building up a sizeable audience because they could deliver live. And then, in 1980, they delivered a record that not just summarized their strengths, but captured everything that was good about arena rock. This is the sound of the stadiums in that netherworld between giants like Zeppelin and MTV's slick, video-ready anthems. This is unabashedly mainstream rock, but there's a real urgency to the songs and the performances that gives it a real emotional core, even if the production keeps it tied to the early, previsual '80s. And so what if it does, because this is great arena rock, filled with hooks as expansive as Three Rivers Stadium and as catchy as the flu. That, of course, applies to the record's two biggest hits -- the power ballad "Keep on Loving You" and the surging "Take It on the Run" -- which define their era, but what gives the album real staying power is that the rest of the record works equally well. That's most apparent on the Bo Diddley-inspired opener, "Don't Let Him Go," whose insistent beat sent it to the album rock charts, but also such great album tracks as "Follow My Heart," the sun-kissed '60s homage "In Your Letter," and "Tough Guys." What's really great about these songs is not just the sheen of professionalism that makes them addictive to listen to, but there's a real strain of pathos that runs through these songs -- the album's title isn't just a clever pun, but a description of the tortured romantic relationships that populate this record's songs. This is really arena rock's Blood on the Tracks, albeit by a group of guys instead of a singular vision, but that makes it more affecting, as well as a killer slice of ear candy. It's easy to dismiss REO Speedwagon, since they weren't hip at the time, and no amount of historical revisionism will make them cool kitsch. And, let's face it, their records were usually hit-and-miss affairs. But they did get it right once, and it's on this glorious record -- if you need proof why arena rock was giant, this is it.

tags: reo speedwagon, hi infidelity, 1980, 1983, flac,

Various Artists - Valley Girl (Music From The Soundtrack) (1983)

noreply@blogger.com (Unknown) — Thu, 26 Feb 2026 08:09:00 +0000

*Reissued on CD for the first time in 1994 by Rhino Records

This pressing contains 15 tracks total.

Country: U.S.A.

Genre: New Wave, Pop, Pop Rock

Label Number: R2 71590

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Valley Girl (Music from the Soundtrack) Review by Gina Boldman

Over ten years after the movie was released and long since the original soundtrack has been out of print, Rhino released this compilation of songs from the 1982 teen cult classic Valley Girl. The movie was known for its killer soundtrack, so Rhino's release was welcomed by many who had searched fruitlessly for the original compilation. The soundtrack includes new wave faves such as Felony's eerie "Fanatic," the Plimsouls' earnest "Everywhere at Once" and the Flirts' pouty "Jukebox (Don't Put Another Dime)." Songs by Josie Cotton and the Payola$ also grace the album. Additionally, the soundtrack includes '80s staples from Men at Work, the Psychedelic Furs, and Modern English. Some tracks that are missing here -- such as Bonnie Hayes & the Wild Combo's "Shelly's Boyfriend" and "Girls Like Me," and the Sparks' "Eaten by the Monster of Love" -- are included on More Music from the Valley Girl Soundtrack.

tags: various artists, valley girl, music from the soundtrack, ost, 1983, 1994, flac,

Various Artists - 54 (Music From The Miramax Motion Picture - Volume 1) (1998)

noreply@blogger.com (Unknown) — Thu, 26 Feb 2026 08:04:00 +0000

Country: U.S.A.

Genre: Disco, Pop, House

Label Number: TBCD 1293

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54, Vol. 1 Review by Jason Ankeny

The first of two soundtracks to director Mark Christopher's ill-advised 54 is the stronger of the pair, with classics including Chic's "Dance Dance Dance (Yowsah Yowsah Yowsah)," Sylvester's "You Make Me Feel (Mighty Real)" and Amii Stewart's "Knock on Wood." Still, much like the film itself, the soundtrack fails to paint an accurate portrait of the disco era as it really was -- too many key records are absent, and too many of those that did make the cut simply don't capture the genre at its electrifying peak; viewers and listeners alike are instead directed to Whit Stillman's vastly superior The Last Days of Disco (and its accompanying soundtrack) for a real sense of what all the fuss was really about.

tags: various artists, 54, music from the miramax motion picture, volume 1, vol, ost, soundtrack, 1998, flac,

Various Artists - 54 (Music From The Miramax Motion Picture - Volume 2) (1998)

noreply@blogger.com (Unknown) — Thu, 26 Feb 2026 08:01:00 +0000

Country: U.S.A.

Genre: Disco, Pop, House

Label Number: TBCD 1294

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54, Vol. 2 Review by Jason Ankeny

The second of two soundtracks to director Mark Christopher's ill-advised 54 is even more unsatisfying than the first, with only a handful of disco classics (including Blondie's "Heart of Glass" and Thelma Houston's immortal "Don't Leave Me This Way") to its name. Much like the film itself, the soundtrack fails to paint an accurate portrait of the disco era as it really was -- too many key records are absent, and too many of those that did make the cut simply don't capture the genre at its electrifying peak; viewers and listeners alike are instead directed to Whit Stillman's vastly superior The Last Days of Disco (and its accompanying soundtrack) for a real sense of what all the fuss was really about.

tags: various artists, 54, music from the miramax motion picture, volume 2, vol, soundtrack, ost, 1998, flac,

Various Artists - Flawless: Music From & Inspired By The MGM Motion Picture (1999)

noreply@blogger.com (Unknown) — Thu, 26 Feb 2026 07:58:00 +0000

*A photo of the disc is included in the RAR file.

Country: U.S.A.

Genre: House, Pop, Pop Rock, Trip-Hop

Label Number: JBR 5014-2

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Flawless [Original Soundtrack] Review by Heather Phares

Flawless, Joel Schumacher's tale of a security guard left partially paralyzed by a stroke and the drag queen who helps him regain his voice, features an appropriately flamboyant soundtrack with appearances from Cher, Taylor Dayne, and Grace Jones. Elton John, Bruce Roberts, and Kristine W. collaborate on "When the Money's Gone," and Patti LaBelle contributes a live version of "Lady Marmalade"; Geri Halliwell's "Gay" is another of the album's highlights. Excerpts of Bruce Roberts' score completes this adequate soundtrack, which remains more entertaining as a part of the movie than as an album.

tags: various artists, flawless, music from and inspired by the mgm motion picture, soundtrack, ost, 1999, flac,

The Trash Can Sinatras - A Happy Pocket (1996)

noreply@blogger.com (Unknown) — Sun, 22 Feb 2026 10:02:00 +0000

Country: United Kingdom

Genre: Indie Pop

Label Number: 828 696-2

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A Happy Pocket Review by Tim DiGravina

After the glorious pop masterpieces that were the Trash Can Sinatras' first two albums, A Happy Pocket is a bit of a letdown. Murky production, strange vocal effects that obscure Francis Reader's delicate voice, and an over-reliance on mandolin overdubs make for a generally less than engaging listen. That doesn't mean that there aren't some fine additions to the Trash Can canon, as "The Safecracker," "Twisted & Bent," "How Can I Apply...?," and "The Therapist" are absolutely sublime. One gets the sense that the album was only half complete upon its release. Indeed, a rotating bevy of mixers and engineers are credited with various batches of the songs. At least one-third of the album comes across like a collection of fleshless demos. Particularly stale is the amateurish cover of "To Sir With Love" that sounds as if it was recorded underwater with Reader half-asleep. A Happy Pocket is certainly more subdued than the band's earlier albums, but that's not what makes it disappointing. It's as if the band took a step backward, stripped down their trademark jangling guitars, and decided to rely on studio polish in place of their usually stellar hooks. Had it not been for the stunning musicianship and energy of the previous albums, A Happy Pocket would probably be more enjoyable. But outside of the occasional gems, as stellar as they are, A Happy Pocket lags far behind the band's earlier output due to poor sequencing, some sloppy production choices, and a lack of editing prowess. Had the album been edited down to five or six songs, it would have made a fine mini-album.

tags: the trash can sinatras, a happy pocket, 1996, flac,

The Trash Can Sinatras - I've Seen Everything (1993)

noreply@blogger.com (Unknown) — Sun, 22 Feb 2026 09:59:00 +0000

Country: United Kingdom

Genre: Indie Pop

Label Number: 828 412-2

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I've Seen Everything Review by Roch Parisien

For their second album I've Seen Everything, West Scotland's The Trash Can Sinatras pull the blankies up snugly around you before tearing them away to reveal some rather stark-naked underlying truths. "Easy Read" and "Hayfever" start things off all warm and fuzzy, huge melodies set equally to sawing strings and chiming guitars. "Bloodrush" breaks the bed-sit mood with a swirl of frenetic string-bending that would get the most dour, pimply-faced, black-clad youth tapping his toes. But as the 14-track lineup progresses, whimsy gradually gives way to a darker cynicism and sarcasm that pays due tribute to predecessors The Velvet Underground. Tracks like "Killing The Cabinet" and "One At A Time" cut to the bone instrumentally and lyrically, leaving one to scramble quickly back to the closing security blanket of "Earlies."

tags: the trash can sinatras, ive seen everything, 1993, flac,

The Flying Lizards - The Flying Lizards (1979)

noreply@blogger.com (Unknown) — Sun, 22 Feb 2026 09:34:00 +0000

*Reissued on CD for the first time in 1995 Virgin Records.

This pressing contains 13 tracks total.

Country: United Kingdom

Genre: New Wave

Label Number: VJCP-17501

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The Flying Lizards Review by Mark Deming

In the late 1970s, composer and producer David Cunningham was savvy enough to cloak his experimental music in the disguise of a novelty record, at least for a while; his fractured deconstructions of Eddie Cochran's "Summertime Blues" and Barrett Strong's "Money," released under the moniker the Flying Lizards, managed to inch into the pop charts because folks thought they were some sort of musical joke, even though Cunningham's wit didn't negate the seriousness of his musical ambitions. After the international success of "Money," Virgin Records wanted a Flying Lizards album to go along with it, and the resulting LP was where Cunningham's cred as an artist ran up against his instincts as a pop satirist. The principle reason "Money" became a left-field hit was that even though the song had been bent within an inch of its life, it still had a catchy hook and, if you wanted to, you could dance to it. That can't honestly be said for the new material Cunningham and his associates put together for the album; except for Bertold Brecht and Kurt Weill's "Der Song von Mandelay," which doesn't have an honestly memorable hook, the new tracks are all originals and they're informed by the space and anything-goes vibe of dub instead of radio-ready pop, and while they're intelligent and well-executed, they're not especially compelling. Through the soundscapes that dominate the second half of this album are more interesting to talk about than to hear, at least they're better than the vocal tracks closer to the beginning, which sound both pretentious and musically flawed. The Flying Lizards' first album unwittingly followed one of the greatest traditions of '50s and '60s pop -- take a hit single, surround it with a whole bunch of filler less interesting than the hit, and presto! You have an album. Too bad Cunningham didn't prove to have as much vision as, say, Count Five or the Royal Guardsmen, who did better with the quickie album concept than he did.

tags: the flying lizards, the flying lizards album, 1979, 1995, flac,

The Flying Lizards - The Secret Dub Life of The Flying Lizards (1995)

noreply@blogger.com (Unknown) — Sun, 22 Feb 2026 08:59:00 +0000

Country: United Kingdom

Genre: Reggae

Label Number: piano 501

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The Secret Dub Life of the Flying Lizards Review by Steve Huey

Released nearly ten years after it was recorded in 1978, The Secret Dub Life of the Flying Lizards features Lizard David Cunningham collaborating with Jah Lloyd on a set of surreal, Lee "Scratch" Perry-influenced dub reggae tracks.

tags: the flying lizards, the secret dub of life of the flying lizards, 1995, flac,

The Shining - True Skies (2002)

noreply@blogger.com (Unknown) — Sun, 15 Feb 2026 00:56:00 +0000

Country: United Kingdom

Genre: Alternative Rock

Style: Britpop

Label Number: 508675-2

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*No professional reviews are available for this release.

tags: the shining, true skies, 2002, flac,