Sticking to the theme of maintaining a watercolor/travel palette, I created the video above. The watercolor box you will see in the video was originally a Cotman Watercolor Compact Set set, that I reclaimed, replacing their palette with colors I know and love.

Cotman is Winsor  Newtons’s student grade paint set. Empty travel palettes can be quite pricey, so purchasing a student grade set can be a good entry level start to maintaining your own groupings of color, and the paints in them are decent, so you might choose to stick with these paints while you journey into painting with watercolor. Once those paints are used, you can begin purchasing tubes of paint to refill your half pans or pans, or, like me, you might purchase a cheapo palette of student grade paints and replace each half pan with professional grade watercolor paints that you already know and love.

To remove the student grade paint, I took each half pan, dipped it in water for just a moment and allowed the cake to soften some. When the cake appeared softer, I dug down into the side of the cake, between the plastic and the cake and pried the pigment cake out. I set those cakes aside and allowed them to dry (I just gave them to a budding young artist). Once I cleaned each half pan, I refilled them with my favorite M. Graham watercolor paints from tubes.

It is once again Flash Card Friday, where I discuss techniques used in Dreaming From the Journal Page.

I don’t know why, but for years I had a very hard time remembering what negative space was. I had a mental block. Then one day my pal Angela looked at a stamp I had carved and said, “You have great command of negative space”. I looked at her dumbfounded and asked her to please explain what that meant.

Negative space is the the area around an object. Simple.

The use of negative space in my work is akin to creating windows into previous layers. See the peach/teal/polka dots? That was the first layer. After which, I outlined two figures (which is my Man and I) and painted around them using a royal blue. The royal blue is negative space.

Easy peasy, right?

When I journal, there are a few images that continually recur, this ‘couple’ is one of them. I started drawing elongated people and calling them David and I after we saw some Giacometti sculptures at Tate Modern. It was such a fabulous trip and the artwork spoke volumes to me, so they became personally iconic. Do you do this too?

My Guy and I are going away for a relaxing retreat at our favorite yoga center and we really need it. See you again on Tuesday!

During the webinar a few weeks back, Barbara asked what I would carry were I to travel to France. And while I have no plans to travel to France (though I would love to), I do know what I would carry were I to do so. The above palettes, as I talked about before, are really a child’s toy. But even still, they are metal, measure perhaps 1.25×2″ and have individual wells that hold 8 colors of paint. The lid closes nicely and this kids toy can become a great adult toy with some modification.

The paint that comes in these palettes are not great, but luckily, easy to remove. I am sorry I don’t have photos of the process but it is easy enough to describe. Using a tweezer or a pick, while the paint is dry, wedge the tool between the edge of the paint and the plastic well. The paints are glued in there and are easy to pop out. Clean all of the glue out of the well so that you have as much space as possible for your chosen paints.

Then line up the tube style watercolors you would like to put in your travel palette and start dispensing one color per well. I have been loyal to M. Graham paints lately. So I put Quinacridone Violet, Napthol Red, Ultramarine blue, Turquoise, Gamboge yellow, Azo Yellow, Yellow Ochre, and Payne’s grey in my palettes.

I have given these palettes to friends as a fun gift and one friend said she has a hard time using this palette because it is so small. She likes to mix a fair amount of paint and do washes, so this palette is not suited to that type of work. Assess how you think you would use paints while working on the go. Wrap the palette in saran wrap for an easy ‘mixing tray’, nab a paper coffee cup as a rinsing cup after breakfast in the morning, tuck a small paper towel into the lid of the travel palette to help dry it out when you are ready to pack up your supplies and dump them into you back pack.

Working on the go is much different than working at home with your favorite supplies. So when you are home and have all of your supplies in front of you, daydream about what you will need to make painting in France an easy reality.

I will post the link to what I carry when I travel again, just in case you missed it or want to know. Have fun Barbara and Shirley (both are traveling abroad). I look forward to seeing what artwork your travel stirs up.

It is tutorial time again and this time I present the Thimble Cinch Add-on Pattern. This pattern is made in response to and improvement upon, the Gather your Sew-plies!! Pattern. There will be a few more printable patterns in this series. So far I still have yet to complete a Scissor Tuck Pocket Patterm and I would like to do one called, ‘Mods:’ where I discuss the small modifications, embellishments and changes that I have made.

But for today, I offer you this downloadable pdf, Thimble Cinch pouch pattern, woot!

If you make your own version of this, I would love to see it and will create a Flickr group to manage your photos. Say, Yes! Start this weekend! Start now. 

If you would like a copy of each downloadable pattern to be delivered to your email box, please sign up for The Clever Guild’s newsletter. I won’t barrage you with email, but I will be sending out at least 4 to 6 emails a year with content like this free downloadable pattern, video samples and information pertaining to upcoming workshops and more.

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And, it is also Flash Card Friday

On page 40 of Dreaming from the Journal Page, liquid Frisket is discussed and demonstrated.

Liquid frisket is a rubbery, liquid substance used as a painterly resist on watercolor paper in combination with either watercolor or gouache. The type of paper you can use it on is limited, on watercolor paper, no problem. But it does not work well on bristol board and I would not suggest you use it in a Moleskine Sketchbook, as it has the tendency to delaminate that type of paper. Always experiment to see what works best for you and your supplies!

I am using this journal spread to demonstrate techniques for my up coming Dream Journals class (this class will available for sign up within the month) through The Clever Guild. The image of Arrow, upper left corner of the page, used liquid frisket. It is fun to see the page like this as it has really grown and changed since I took this photo.

And please, if you are interested, sign up for Stencil Magic, where i demonstrate the use of single and multicolored stencils, with samples on (mostly) fabric, though I also demonstrate using stencils in mixed media painting and your artist’s journal. I really hope to see you there!

But when I bring my camera, that will make me stop long enough to enjoy cobblestoned streets.

Oh! Pigeons meet wet cement.

And, please don’t feed the hipsters. That stencil looks like Woody Allen, right? He is the ultimate hipster. And that red down there? Roses? I am inspired by this.

This church door reminds me of the embroidery I am doing on the Female Mag blouse

And finally, the reason for walking down into Red Hook, this Duke Riley poster. Maybe a year and some ago, I went gallery hopping with the Journal Study Gals. Pat pulled a strip of paper off a telephone pole, tore it in half, handed me a section. I went home to glue it in my journal and made a page featuring it (see the last image in this post).

But I had no way of connecting the scrap of paper to the original artist. And you know I have a thing for posters and poster art, you can’t restore vintage posters for 6+ years without acquiring an affection for paper, posters, and wheat paste.

So this morning I went back into Red Hook, photographed the poster in-situ and then took it off the wall. I brought the poster home, in pieces, and washed it in the tub, it is drying now. I don’t know what I am going to do with it, but I like this man’s work and I think I might need to meet him. I bet he lives in Red Hook. He is a tattoo artist, he makes me want a tattoo.

I saw a real rat today, running from a dumpster into a building that is being renovated. I love seeing rats in the city. Can’t live with them, can’t live without them. Beside which, they clean up after us!

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So, there is a blog hop going on and I am just now catching up with it, you should too.

April 30 – Tracie Lynn Huskamp

Stenciled & Stitched: A Special Occasion Greeting Card

May 1 – Traci Bunkers

Gelatin Printing

May 2 – Lisa Engelbrecht

Script Lettering/Tattoo style using Sakura Calligrapher Pens

May 3 – Judy Coates Perez

Fun Little Resist

May 4 – Melanie Testa

Thimble Cinch Sack

http://melanietesta.com/

May 5 – Lyric Kinard

PSE for Thermofax Screen Printing

http://lyrickinard.blogspot.com

May 6 – Jill Berry

Pop-Up Heart Map

http://jillberrydesign.com/blog/

 

And I got to thinking. When I was diagnosed, it was the exact same week I received the contract for Dreaming from the Journal Page. I approach life with a glass half full mentality. So, if you can’t do anything about a situation (in this case that would be a cancer diagnosis), and you love making stuff and have a contract sitting on your desk to write a book. You write that book and do whatever else needs doing, like get chemo and have surgery. This seems normal to me. Many people act as though this is an aberration, and make statements like, ‘I would curl up in a ball and sleep during something like that’. (Kass didn’t say this, but more than one person has.)

To which, I am nonplussed. Really?

But my thing is, if in doubt, paint something. If my mind is filled with negative, start a project and focus intently on it until reason prevails. Fear will always beckon, it’s the ‘frenemy’ you wanna shake and can never quite release. So, why give the mind a chance to settle in that place? And I am not saying that writing a book while going through treatment for breast cancer, or any cancer or sickness, is an easy thing to do, not at all. Maybe I am grateful that I have cultivated the wherewithal to apply art to major life experiences-no matter how challenging.

Where do you find courage and ability? Are you one of those who might curl in a ball and sleep? I find courage in the making. Painting, drawing, sewing, it fortifies me. It reminds me that I have ability and can push myself further. It reminds me that I want to be better, live more, extend myself to the limits of possibility.

To have my life threatened by a disease and to know that my lease on life is tenuous at best? That seems like courage to me. Or at the very least the impetus to be courageous. At the same time, I often feel like Kass, I know what I want and the steps I need to take in order to make my goals acheivable, but I freeze.  

Are you frozen? Do you apply art to necassary situations? How do you cope with challenging circumstances? Kass and I would like to know.

I am working on ‘journaling’ my clothing. If you aren’t caught up with this idea you can read about it here and here. To start I have been completing my Sew-plies Purse. I will discuss in detail and I am creating a pattern to upload for a post later this week. Suffice it to say, these are the changes I have made to my purse thus far:

1. I am testing out a snap closure, though I am not sold on it and want to try a magnet as well.

2. I made a sciccor pocket

3. I made a Thimble Cinch Sac. 

The Thimble Cinch Sac is attached to the Sew-plies bag by use of the tassel. The little black tassel reminds me of a scribble and I like this as a concept. I may bead it up a bit more, that was my intention but right now, I like the scribble.

Part of what intrigues me about this project is the idea of mutability or the ‘changing nature’ of objects, purses, blouses, fashion. I like the idea that a blouse is not complete when sewn or chosen from the rack. What happens if we improve upon our clotting, make it fit with comfort and style in mind, embellish it and make it prettier?

I made the changes to the purse because someone has a musical ‘playmate’ with a friend and quiet as a (don’t let Arrow hear me say this) church mouse, I am going along. And what church mouse doesn’t need something to do?

Want to know another thing I am really digging right now? Machine sewing and hand sewing side by side.

Here is the scoop, Chapter 3 of Dreaming from the Journal Page contains a lot of the techniques I use to play around in my journals. I encourage you to mix and match these ideas by engaging with the concept of ‘Throw Downs’, A Throw Down is a challenge or a creative ‘Double Dog Dare’, where you will take 1, 2, 3 or more techniques and use all of them on a single page of your journal. This is a way to get you layering and building imagery.

What better way to learn about each technique that to make a set of Flash Cards for yourself. I am not going to go into detail about how to do each technique (I wrote the book and would love for you to get a copy) but I will talk about each technique and how I go about using them.

The card up above is an image of Arrow, my supercat. I created the image by making a stencil inspired by a photograph. I have been using stencils in some really creative ways and I will share samples of each  technique and its use, here, on my blog on fridays, Flash Card Friday.

You may also be interested to know that my first Clever Guild class is called Stencil Magic, please sign up today!

This is a sample from the Stencil Magic class. I fully illustrate how to create this piece of cloth in the Stencil Magic class.

Here is an example of a stenciled image photographed on a walk in my neighborhood. 

I am about to use my Arrow stencil in my journal, and will post the image later in the week.

If you would like to purchase a signed copy of my book, please check out the sidebar on the right hand portion of the blog. And. Um. I was thinking of charging a small fee to create signed Art Sticker for those of you who would like a ‘signed copy’ but have already bought your copy elsewhere, is there interest for this idea out there? Leave a comment.

Oh my goodness! I just finished the Webinar with Create Mixed Media and I think it was a success. I was a bit nervous, but that is to be expected. If you attended, thank you so very much for coming and for checking out my website, blog and… ahem….

my new teaching website, The Clever Guild.

The questions were great and I wanted to address a few of them here. 

When I make my journals I have been using Saunders Waterford 140lb. Hot Press Watercolorpaper. I am fickle and can change my mind often but this has been a favorite for the last two journals made. When I went to F.I.T, my teachers were adamant that we use Cold Press paper and I can’t remember why. They helped me form a habit that I was just recently able to break. Using Saunders Waterford 140lb Hot Press paper is somewhat new to me and I really like its flat surface and ability to hold a puddle of water for a long time.

The one paper that I do not like is Arches and the reason behind this is, when wet, it has a funky smell. I have never liked it and can’t confirm that their paper still smells because I am not willing to purchase it again.

The last journal I made used 4 different watercolor papers (and if you would like to hear my thoughts on them, just comment here on this post and I will expand on the topic), and I made the book with 4 different papers in order to test them out and see what I thought. There was one paper in that journal that I really did not like. But the Saunders paper shone like a pretty nugget of gold, so I have become a fan.

Above you will see what I would bring as a travel journal kit. The little palette is brand named Jack Richeson and I bought mine through Roz Stendahl‘s local art store, Wet Paint (she turned me on to these palettes [and if you go ahead and order a few, please tell them Melanie Testa sent you-I don’t get anything out of this, they are just really good people and independant). The little guys are just two dollars fifty, so buy quite a few and give them as gifts to your favorite art buddies (I do this and you know who you are!) 

I also carry a Pentel Pocket Brush Pen, a refillable cartridge style pen with actual bristles in the brush (!!!), a mechanical pencil with 3B lead, my favorite, and a Lamy Safari Fountain Pen using Platinum Carbon Black Ink. One of the best waterproof inks out there. I also carry and empty dropper bottle and fill it when I get to where I am going.

So, Sheryl suggested a snap. This idea resonates, because a snap will take up less room inside the pouch. A small snap may be all that is needed. I can try it. For a week and see how it goes, at least right now, no buttonholes have been cut. If the snap is too small, I can change it. If a larger snap is needed, that is an easy fix. I do have an affection for large snaps. But snaps can be hard to open and I don’t want to place undue wear on the bag, so I will start off with a small snap.

Deborah suggested a magnet. I have used magnets specifically for purses, in one of my projects for Bernina. I don’t want my sewing supplies to fall out, so I am hesitant on this one. Perhaps if I go to the fashion district I can pick up a magnet suited to the task.