Between Films & Games

new movie I am working on is coming soon

noreply@blogger.com (Memo Dupinet) — Sun, 01 Dec 2019 02:39:00 +0000

Voir cette publication sur Instagram

The new crazy movie I’m working on has a new poster, new memes on the road ! #spongebob #spongebobmovies #spongebobmovie3

Une publication partagée par Memo Dupinet Sketch_n_Life (@gdupinet_sketch_n_life) le 13 Nov. 2019 à 5 :21 PST

Collaborating with the Enemy book

noreply@blogger.com (Memo Dupinet) — Thu, 13 Sep 2018 19:16:00 +0000

I just came to read this book and since I did this blog initially to remind myself about technical things or art references online and also, share them along the way, I though it will be a good idea to share this.

Adam Kahane, the author, is a International consultan on complex negociations... When I mean complex, it means to reunite war enemies because, war and internationsl confilcts at some point need to be solved by negociations after years of brutality, wasting resources, etc. So, these are the level of complexity this book talk about.

Now, to my every day reality, and I hope that for you too, these are not the issues we need to solve but still, we need to collaborate with people that sometimes have different agendas, cultures, don't care about what you need or they are defensive because when you need to solve something, it affect them.

Conflict is part of collaboration and this took me years to embrace it. But the way it need to be solved it's what make a difference and I have seen this from the Leader point of view and also as part of the team that need to follow the Lead. I have had great and awful leads and directors and all of them gave me a lesson... But, who want to be that awful Leader? I guess nobody, but still you found them because it is not easy.

Also, what a Leader is, at least in a creative enviroment has a lot in collaboration and a difficult balance between freedom and specific direction.

I cannot descirbe the book in details due rights of course but I will share one video I found from the author:

Intro of Warhammer Vermintide II

noreply@blogger.com (Memo Dupinet) — Mon, 14 May 2018 02:18:00 +0000

Hello guys ! I would love to share this MAKING OF where I collaborate as a character animator
It was a blast to share credits with this wonderful artist.

You can find all details about the whole process HERE from the conception, the references videos, etc. Take a look :-D

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Hola colegas ! Es un placer compartirles el MAKING OF del Intro de Vermintide 2 donde colaboré como Animador de personajes
Fue una gran experiencia el poder compartir creditos con tan talentosos artistas.

Puedes encontrar todos los detalles sobre el proceso de realisación AQUI, desde la concepción, las referencias, videos, etc. Dale una mirada !

THE STAR behind the scenes

noreply@blogger.com (Memo Dupinet) — Sat, 10 Feb 2018 19:26:00 +0000

HERE'S THE VIDEO :

A insight of the last production I collaborate at Cinesite. The time we had to finish the movie was really short but the talent behind came from everywhere in the world. It was a very pleasant experience.

I will soon upload my shots I did on this feature film.

Another Movie released

noreply@blogger.com (Memo Dupinet) — Wed, 15 Nov 2017 04:03:00 +0000

Yesterday, the crew saw the premier of the film. It was a nice surprice, Once again, a great challenge with the time we had but another good project full of lessons. It was great to work with veterans from the industry (Disney, Dreamworks, Sony, etc.) and talented colleagues from all parts of the world.

As soon the movie is available on Blue Ray I will share the shots I did.

2d animation was once again a great help on certain shots.

Monster High and the Poses Training

noreply@blogger.com (Memo Dupinet) — Sat, 15 Apr 2017 16:27:00 +0000

''Monster High Electrified'' was lately released and I worked on this project as animator. Here's a small collage on some of the shots I worked on.

This was a direct to DVD project which means that presents a very ''pose base'' animation on the place of a fluid, detailed Pixar-Disney like feature.

Anyhow, it was a great trainer because the animation was related on clear poses and timing as well as time-management because the quota was greater that could be for a feature film. It was interesting as animator and without doubt, it helped me on my time management and agility to came on with interesting and clear poses in a fast pace production.

It was also relatively easy to achieve appealing poses due the cute design models and the render which was well done.. it really feels like a mix of feature film and ''dolls'' feeling.

Cinesite Studios

noreply@blogger.com (Memo Dupinet) — Tue, 28 Feb 2017 04:17:00 +0000

Last news: I'm here, and I'm happy to be it !:
http://www.cinesite.com/

noreply@blogger.com (Memo Dupinet) — Mon, 05 Sep 2016 20:19:00 +0000

Today starts the Cracké shortclips at Teletoon I worked last year at Squeeze Studios :-)

Was like animators heaven to me, super fun to do

You can search for Cracked Crazy Stories at Android and Itunes to see them online

Conference at EGS // Conferencia en el EGS

noreply@blogger.com (Memo Dupinet) — Thu, 05 May 2016 16:41:00 +0000

Buenas noticias! Me invitaron al panel el 7 de Mayo en el EGS de Guadalajara, México !

Ahi nos vemos ! (soy el hombre palido, bronceado de oficina a la derecha)

El EGS es el evento de videjuegos mas grande de latinoamerica

http://electronicgameshow.com

__________

Good news, I was invited the May 7th to EGS in Guadalajara, Mexico to give a conference and be part of a great panel

(I'm the one at the right with the ghostly tan)

The EGS is bigger videogame event in Latino-America

http://electronicgameshow.com

A very interesting Disney Documentary // Un muy interesante documental de Disney

noreply@blogger.com (Memo Dupinet) — Mon, 18 Apr 2016 16:58:00 +0000

I found this french documentary about Disney which is excelent. Unfortunatelly I cannot find it in english subtitles, only the original french and in spanish.

Basically analyze all the artistic European influences that he took and how with his made his own works and visual language.

Once again makes you think abut this: If you like something, go and look the original influences and you will find great surprices.

I love the Disney classics and is fascinating to see his influences !

I will love to find a book about this, If you know about it, let me know, I will appreciate it

_________________________________

Me encontré con éste documental frances y me parecio muy bueno (doblado al espagnol)

Basicamente lo aborda desde el punto de vista de todas las influencias artisticas europeas que tomo y como a partir de estas formo su propio canon.
El documental apunta directamente sobre estas influencias. Muy recomendable y una vez mas muestra que si te gusta algo, investiga cuales fueron sus verdaderos origenes

Aqui esta la version en espagnol:

La version original en frances:

SI saben de un buen libro que hable en detalle sobre el contenido de este documental, haganmelo saber, me encantaria obtenerlo !

Filmmaking and the end of Hollywood from Vice

noreply@blogger.com (Memo Dupinet) — Wed, 27 Jan 2016 14:47:00 +0000

LINK HERE

I found this series from vice news. If you didn't have the chance to take a look, I recomend it. It has different subjects, some of them about entrainement that could be interesting for you

//

Para los que hablan ingles: hay una serie de Vice en internet con temas interesantes sobre entretenimiento, vale la pena darle un vistazo!

Painting the Blog // Manita de gato al Blog

noreply@blogger.com (Memo Dupinet) — Sat, 23 Jan 2016 19:27:00 +0000

Well, at least I did a little makup for the Blog that I had, It was old in design so I tried to make an update I hope you like it !

Pues por fin le di una manita de gato al blog, tenia un diseño medio viejo y pues me decidí aplicarme

Kitten Animation / Animation Minino

noreply@blogger.com (Memo Dupinet) — Tue, 05 Jan 2016 03:21:00 +0000

hand drawn/3d animation clip

I did a new test animation to explore techniques and looks
It's a small clip about my cat when I was a kid. My cat has vertigo when he was barely at the height of top wall so the animation is about it

Is hand drawing mixed with 3d techniques.

//

Hice una nueva animacion para explorar nuevas técnicas y estilo
Es sobre un gato que tenía de niño. Mi gato tenía vértigo cuando estaba a penas sobre una barda, asi que quise hacer una animación sobre eso.

Good Acting / Bad Acting

noreply@blogger.com (Memo Dupinet) — Fri, 06 Nov 2015 19:25:00 +0000

When I started this blog was to have notes that I didn't wanted to forget.
One more time here it goes another subject I know I will come back again later.

The note is here but I will do a transcriptions since many links I had in the blog get lost with time (links broken etc.)

Get here to read the article: ORIGINAL ARTICLE

If it doesn't exist by the time to find it, then check this one:

Article taken from Business Insider 2014 by Marcus Geduld, Quora

"

How to differentiate good acting from bad acting "

"How do you differentiate good acting from bad acting?" appeared as a question on Quora. Below we are printing one of the top answers.
If anyone tells you there are objective standards, they're full of s--t. This is a matter of personal taste. There are trends. There are many people who loved Philip Seymour Hoffman's acting. But if you don't, you're not wrong. At worst, you're eccentric.
(An interesting question — and one you didn't ask so I won't answer it, here — is why are there trends? Even if Hoffman isn't objectively a great actor, why do so many people love him? For that matter, why do so many people love the Beatles, Shakespeare, and Leonardo Da Vinci? Maybe someone will ask a question about why there are general trends in taste ...)
I'm a director who has been working with actors for almost 30 years, and I'm the son of a film historian. I'll give you my definition of good acting. But I really want to stress (for the last time, then I'll quit) is that if I say Pacino is great and you disagree, my experience does not make me right and you wrong. It just means we have different tastes.
For me, an actor is good if ...

1. He makes me believe he's actually going through whatever his character is going through.

I'm talking somewhat about physical stuff ("He really is getting shot!" "He really is jumping off a moving train!") but mostly about psychological stuff. ("He really is scared!" "He really is in love!") If an actor seems to be "faking it," he's not doing his job (as I define it).

2. He surprises me.

This is the most nebulous requirement, but it's important. Except for really small parts that aren't supposed to call attention to themselves (e.g. a bank teller who just cashes the hero's checks), it's not enough for actors to just seem real. Seeming real is a requirement, but a second requirement is that I can't predict their every reaction before they have it.
Think of how a woman might react if her boyfriend breaks up with her. There are many, many truthful ways — ways which would seem like a human being reacting and not like a space alien behaving in some bizarre, unbelievable way.
She might break down and cry; she might laugh hysterically; she might throw water in his face; she might go completely numb, having no expression at all ...
An actor's job is to know the breadth of human possibility and the depths of their own possibilities. They must pull from this well and surprise us. Otherwise, they become boring and predictable.
There are many ways and actor can surprise. Gary Oldman and Johnny Depp surprise us by being truthful while playing multiple, very different roles. Jack Nicholson surprises by being ... surprising. Even though he's not a chameleon like Oldman or Depp, you never know what he's going to do next. But whatever her does, it's grounded in psychological reality. It never seems fake.
Christopher Walken, Glenn Close, Al Pacino, and many others have a surprising danger in them. They're a little scary to be around, because you feel they might jump you or blow up at you at any time. They are ticking time bombs.
And, of course, many comedic actors (e.g. Julia Louis-Dreyfus) surprise us in all sorts of quirky, zany ways. Or watch Katherine Hepburn and Cary Grant in "Bringing Up Baby." Absolutely surprising and absolutely truthful!
Another great example of surprising acting that never seems fake is Diane Keaton's work in "Annie Hall."

3. He is vulnerable.

Great actors share the parts of themselves that most people keep hidden. They are always naked. (Some are literally naked, but I'm talking about emotional nakedness.) Bad actors are guarded. They don't want to share the parts of themselves that are ugly, mean, petty, jealous, etc.
There are so many examples of actors being naked on stage and screen. My favorite is Rosalind Russell in the movie "Picnic." Rent it some time if you haven't seen it. She plays a middle-aged schoolteacher who is in danger of growing old and dying alone. There's a heartbreaking scene in which she begs a man to marry her. She goes down on her knees in front of him. She gives up every scrap of dignity inside her and lets the scared, hurting parts of herself burst out.
These are the same scared, hurt parts that are inside all of us — the parts we work hard to hide. Hiding them (by holding them in) takes a toll on us, and one of the greatest gifts actors can give is to sacrifice their dignity for us for us. They expose themselves so we don't have to. They are like Christ dying for our sins.
This ties in with everything I wrote above: when actors are exposed and raw, it's always surprising. And if it doesn't seem real, there's no point in it. In fact, this sort of emotional nakedness is very hard to fake. If you ever get a sense that an actor is showing you a secret part of himself, he probably is.
Examples (in my opinion) are Julianne Moore and Bryan Cranston. Also, rent "The Browning Version" sometime. The early one (not the remake). Watch Michael Redgrave. He turns himself inside out and wrings out all his pain.

4. He knows how to listen.

It's fascinating to watch actors when they're not speaking. Some are too caught up in ego or technicalities (e.g. trying to remember their next line) to totally focus on whoever it is they're acting with. Others seem to register everything they hear. You can see whatever is being said to them physically affecting them, as if the words are slapping them across the face. Watch Claire Danes. She's an amazing listener.

5. He has a well-honed "instrument."

By which I mean he knows how to use his voice and body to serve whatever role he's playing. This doesn't necessarily mean he's slim and has a six-pack. James Gandolfini used his body well. It means he knows how to move and talk in expressive ways. His voice and body aren't fighting him or holding tension that's inappropriate to his role.
One negative example: Kristen Stewart. It's almost painful to watch her. She looks like she'd rather be anywhere else besides in front of a camera. She is (or seems) very self-conscious.

To me, Hoffman was great because he embodied all of these traits. He was vocally and physically gifted. He wasn't in great shape, but he used the shape he had in expressive ways. If you watch him closely when he's not speaking, you'll see he always listened to his co-stars closely. What they say affected him deeply, and his reactions grew organically out of whatever they had previously said or done to him.

He was profoundly vulnerable. Always. This was his most distinctive trait. You always knew what you were getting from him was raw and honest. It was this rawness — as well as intelligence and a sly sense of humor — that made his work surprising and fresh. And I never once saw anything from him that seemed fake.

I don't hate Tom Cruise the way some people do. To me, he's believable most of the time. He's just not very interesting. He rarely surprises me, and he doesn't seem to dig deep into anything raw or vulnerable inside him. He seems guarded. The must vulnerable I've seen him is in "Eyes Wide Shut," in which he did some good work. But it wasn't brilliant. And it's not his norm.
Keep in mind that many people (who aren't themselves actors, directors, or obsessive film buffs) aren't very clear on what an actors contributes to a film. Which is fine. It's not necessary for most audience members to understand who does what during production.

Lots of people think an actor is great if they like his character. But that's often a function of good writing more that good acting. Or they think he's good if he pulls off some impressive effect, such as gaining or losing a lot of weight or pretending to be handicapped. Those are impressive stunts, but they aren't the core of what actors do. If you forced me to rank Dustin Hoffman in "Rain Man" vs. Dustin Hoffman in "Kramer vs. Kramer," I'd say he did more exciting work in the latter. In "Rain Man" he was able to hide behind some stunts. In "Kramer vs. Kramer," he just had to be truthful.

Some people think acting is good if they like the movie. Keanu Reeves, in my mind, is a horrible actor — mostly because he's wooden and fake. It often seems as if he's reading from cue cards rather than saying words that are his. But some people like him because they think the Matrix films are cool. They confuse the movies with the actor. If some other actor had been in those films, those same people would have liked him. It's not really the actor (or not entirely the actor) they're liking. But since he plays the protagonist, they focus on him.
Finally, many people confuse an actor's life with his work. Tom Cruise is a good example. He's a high-profile Scientologist, and many people dislike that religion. They dislike his acting at least in part because they find him unsavory as a person. To some extent, this may be a sign of bad acting on his part. At least, he's not a good-enough actor to make people forget about his private life while they're watching him in movies. To some extent, it wouldn't matter how skilled he was.

Currently, many people are having strong reactions to work by Woody Allen and Mia Farrow that have nothing to do with what they're doing on screen. I'm not even remotely saying such people are wrong, stupid, or crazy. I'm just saying that people's reactions to actors are often complicated and not 100% influenced by their performances.

UPDATE: A couple of people have asked me to elaborate on my claims about Keanu Reeves. They feel that although he's often wooden, this is appropriate for his character in "The Matrix." I will admit up front that I only saw the film once, when it first came out, so it's possible I'm misremembering. Certainly, a good director can sometimes put bad actors to good use.

Let me confine my remarks about Keanu to his acting in general, not just in "The Matrix," though I am still skeptical about his work in that movie.
There is a difference between playing an undemonstrative person and being a wooden actor. In fact, playing someone who is reserved is very difficult (because you have to act without showing very much), and the actors who pull it off are brilliant.

I would point you to Anthony Hopkins in "Remains of the Day," Tommy Lee Jones in many of his roles, and even Clint Eastwood in "Dirty Harry." These actors manage to convey the sense that though they have stony exteriors, there's much going on underneath. To me, Keanu Reaves conveys an actor who is showing up and saying his lines. I don't believe much else is going on underneath except maybe nervousness. If you feel otherwise, that's fine. Remember, it's subjective.
Having auditioned many actors, I'm used to hearing ones that can take any writer's lines and make it sound like their own words. And I'm also used to less experienced (or less gifted) ones who sound uncomfortable with words that aren't their own. They sounds as if they're are reciting or reading something. They sounds scripted.

Listen to Keanu in the clip, below, especially at around 10-seconds in, when he says, "I have offended you with my ignorance, Count." Many of his line-readings sound like that to me. He has not fully lifted them off the page and into his own mind and body.

https://www.youtube.com/watch?v=QqotT8iERxk

I don't know if you can see a difference between Keanu, above, and Tommy Lee Jones, below. They are both pretty deadpan. The difference, for me, is that Jones seems to be speaking his own words, even though they are just as scripted as the ones Reeves speaks. Jones is just much more comfortable in his skin and much more able to "own" his lines

https://www.youtube.com/watch?v=3aJGy7zlxXA

I had Interview, Tuve una Entrevista

noreply@blogger.com (Memo Dupinet) — Sat, 25 Apr 2015 21:48:00 +0000

After the noise that Deus Ex: Mankind Divided did
HERE'S THE TRAILER

A fellow countryman who runs a digital magazine named PIXELL contacted me to talk about all the adventures I have been, since my first years at Mexico until being part of this great project. I'm really thankful for this interview. And for the Eidos Team I have gratefulness. Being part of the animation team was a blast.

Here's the interview: Is in spanish since the magazine is from Mexico but you can always use google translate.
LINK TO THE INTERVIEW

Despues del ruido que ha causado el trailer de Deus Ex: Mankind Divided
TRAILER

Un compatriota que dirige una revista digital llamada PIXELL me contactó para platicar sobre las aventuras en las que he pasado desde mis años en México hasta el proyecto de Deus Ex. Estoy infinitamente agradecido por ello. Para el equipo Eidos no tengo mas que agradecimientos. Haber sido parte del equipo de animación fue increíble
____________________

An Small Animation

noreply@blogger.com (Memo Dupinet) — Mon, 21 Apr 2014 22:45:00 +0000

ENGLISH BELOW

No lo había puesto aquí, pero me gustaría mostrar un pequeño test de animación que empecé hacer hace varios meses.

La verdad, a pesar del poco tiempo libre, no puedo dejar de animar y esto es una muestra de ello... Tenía ya algunos años explorando la animación realista y quería regresar un poco sobre la animación más expresiva, mas cartoon.

Originalmente para el 11 secondsclub.com, no estuve satisfecho con los resultados y viendo el tiempo invertido, prácticamente lo modifiqué como yo originalmente quería.

Quería alejarme del render realista y prácticamente el color y sombras fueron hechos en el after effects

click the image

I didn't uploaded it before but I would like to show a small test I did some months before.

Truth is, despite of my narrow free time, I cannot stop animating, this is a proof of it. I had some years exploring a realistic animation and I wanted to go back and do some more expressive, cartoony animation again.

Planned for 11 seconds club, I wasn't satisfied with the results and after see the time invested I practically redo some of the original.

My goal was to avoid a realistic render, practically the color and shadows were done in after effects.

Real time engines

noreply@blogger.com (Memo Dupinet) — Sat, 29 Mar 2014 22:36:00 +0000

English below

Ejemplo de Octane Render

Con los motores de render de nueva generacion, cada vez mas, se acerca el sueño de poder renderear en tiempo real de manera mas accesible y con calidad
Sueño cada vez mas cercano viendo los resultados de los juegos de nueva generacion.
Para todos los que han pasado horas esperando un render (o semanas o meses) este tema viene una vez mas.

Como animador de personajes, me gusta pasar mas tiempo animando y no mucho iluminando o haciendo compositing. El otro dia estaba buscando las actuales opciones del mercado para poder renderear en tiempo real. Esta pagina hace una lista de las actuales opciones:

http://material-db.com/mdb/news/realtime-render-engines-2013/

With the new render engines, the dream is closer to make a quality render in real time in an accessible way

The dream is coming true If we see the new generation of the videogames
For all who have been passing hours in front of your PC and waiting for a render (or weeks, or months), this subject returns one more time in my head

As character animator, I like to pass my time doing animation rather than doing compositing or lighting. The other day I was searching the current options in the market to achieve that. This web page has the list of the current options:

http://material-db.com/mdb/news/realtime-render-engines-2013/

:

Feedback in production

noreply@blogger.com (Memo Dupinet) — Fri, 14 Mar 2014 16:58:00 +0000

Me encontré con este excelente articulo. Me ha tocado estar de los dos lados: Animacion y ahora, direccion. No me olvido nunca de lo que es estar del otro lado. Porque al final de cuentas, el director tambien tiene que presentar resultados solo que a travez del trabajo en equipo

____

I found this excellent article. I have been in both sides, A an animator and now as an animation Director. I never forget what is to be on the animator's side because at the end, the animation director also need to give results, just that depends of the team work

LINK

Mirroring Animation with Motion Builder

noreply@blogger.com (Memo Dupinet) — Tue, 01 Oct 2013 20:13:00 +0000

Post rapido: Les dejo como reflejar una animacion desde MoBu, muy util para videojuegos!

Quick Post: I found a good video that explains how to mirror the animation from MoBu. check this out:

22 reglas de Pixar para crear una historia / 22 rules of Pixar to creat a story

noreply@blogger.com (Memo Dupinet) — Thu, 22 Aug 2013 03:21:00 +0000

muy rapidamente les dejo este link sobre el tema

I let you this link that I found about this subject

LINK

Animation Tools for 3dsmax

noreply@blogger.com (Memo Dupinet) — Wed, 08 May 2013 03:03:00 +0000

ENGLISH FOLLOW

Otra de tools de anim.
Resulta que en el trabajo me recomendaron esta serie de tools que la verdad no conocía y son bastante útiles para animar personajes y sobre todo si lo haces en biped (si tienes la desgracia de usar biped)

Es un kit de tools llamado
JJ Tools for 3dsmax

link aqui

Si ya lo conocian bueno den una repasada, no vaya a ser que se pierdan de algun buen tool que ha estado todo el tiempo y no lo han aprovechado.

Para los que no lo conocian como yo, denle un vistazo, vale la pena

Tiene en tre otras cosas
un control Picker:

Alinear objetos en cierto rango de tiempo para evitar constraints y cosas por el estilo

__________________________________________________

Another story about animation tools

Well, At my job, a collegue recomended me a tools kit that I didn't know before and are really useful to animate characters and overall for biped (If you have the misfortune to use it)

It's a tool called

JJ Tools for 3dsmax

link here

If you knew about it, well, make a pass over these tools again, maybe you are missing some good tool that you're not using!

If you didn't know it, well, take a look, it worth it

It has tools like:

Control Picker for Biped

Animation Align to avoid using constraints (Or to left a clean scene)

Anatomy For Sculptors And Animators why not!

noreply@blogger.com (Memo Dupinet) — Thu, 21 Mar 2013 21:25:00 +0000

Me encontre esta joya. Siempre que creido firmemente que el conocimiento anatomico es clave para animar correctamente y sobre todo para animaciones de tipo realistas. Les recomiendo que le echen un ojo

http://www.anatomy4sculptors.com/

I found this treasure. I have always though that the anatomic knowledge is a key for an accurate animation, and overall for realistic animation. I recomend you this site, pick an eye you'll see

Animation Notes from Ollie Johnston / Notas de animacion por Ollie Johnston

noreply@blogger.com (Memo Dupinet) — Wed, 20 Feb 2013 03:29:00 +0000

Como siempre, uso el blog para poner notas que seguramente revisare mas tarde y de paso puedo compartir. Aqui las 30 notas de animacion de Ollie Johnston. y aqui el

LINK ORIGINAL

As always, I use this blog to make notes that for sure I will review many times, and at the same time I can share it: Here are the 30 animation Notes from Ollie Johnston

Eidos Square Enix

noreply@blogger.com (Memo Dupinet) — Wed, 30 Jan 2013 04:20:00 +0000

ENGLISH BELOW

Bueno, pues es tiempo de comenzar otro proyecto.
Esta vez en Eidos Montreal asi que de nuevo a mudarse, de verdad espero pasar mucho tiempo sin volverme a mudar. Tuve que dejar Quebec City la cual me gustaba mucho y tambien a varios amigos y colegas.
Es hora de nuevos proyectos, equipos, cultura, etc.

Estoy como Director de Animacion en un proyecto el cual obviamente no puedo revelar pero que presenta muchos retos.
_______________________________________________

Well, it's time to start another project

This time at Eidos Montreal so, again the moving, I really hope not to moving soon again!. I left Quebec City which I really loved, also good friends and colleagues

Time for new projects, team, culture

I am working as Animation Director in a project that obviously I cannot reveal but will be challenging for sure

crazy particles for animators / particulas para animadores

noreply@blogger.com (Memo Dupinet) — Mon, 17 Sep 2012 16:27:00 +0000

Una palabra para esto: SPARTA, esta loquisimo, por fin una manera controlada verdaderamente para manejar particulas desde la animacion Old School baby!

Une word to do this: SPARTA, it's crazy, at least a controlated way to manage particles. Old School way baby

Check this out