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Viva"/><category term="Son of a Gun"/><category term="Song Sung Blue"/><category term="Sony"/><category term="Sophia Loren"/><category term="Sorkin"/><category term="Sorry Angel"/><category term="Sound Editing"/><category term="Sound Mixing"/><category term="Sound of Falling"/><category term="Sound on Sight"/><category term="South by Southwest"/><category term="Southpaw"/><category term="Spencer.Pablo Larrain"/><category term="Spike Jonze"/><category term="Spinal Tap"/><category term="Spirited Away"/><category term="Spoiler Alert:The Hero Dies"/><category term="Spoor"/><category term="Spring Break"/><category term="Squaring the Circle"/><category term="Stanley Kubrick"/><category term="Stars at Noon"/><category term="Stay Prayed Up"/><category term="Staying Vertical"/><category term="Stephen Chbosky"/><category term="Stephen Sondheim"/><category term="Steven Soderbergh"/><category term="Still the Water"/><category term="Stoker"/><category term="Story of Your Life"/><category term="Street Gang"/><category term="Supporting Acting"/><category term="Swankie"/><category term="Sweet Country"/><category term="Synonyms"/><category term="T. Bone Burnett"/><category term="TBAs for Saturday"/><category term="TFF  #22"/><category term="TFF #1"/><category term="TFF #10"/><category term="TFF #11"/><category term="TFF #12"/><category term="TFF #13"/><category term="TFF #14"/><category term="TFF #15. Salaam Bombay"/><category term="TFF #17"/><category term="TFF #18"/><category term="TFF #19"/><category term="TFF #2"/><category term="TFF #21"/><category term="TFF #23"/><category term="TFF #25"/><category term="TFF #26"/><category term="TFF #27"/><category term="TFF #28"/><category term="TFF #29"/><category term="TFF #3"/><category term="TFF #30"/><category term="TFF #31"/><category term="TFF #32 Wonderstruck"/><category term="TFF #33"/><category term="TFF #34"/><category term="TFF #35"/><category term="TFF #36"/><category term="TFF #37"/><category term="TFF #4"/><category term="TFF #41 Poster"/><category term="TFF #42 Poster"/><category term="TFF #49 Poster"/><category term="TFF #49 Predictions"/><category term="TFF #5"/><category term="TFF #51"/><category term="TFF #6"/><category term="TFF #8"/><category term="TFF #9"/><category term="TFF 42"/><category term="TFF 43"/><category term="TFF#16"/><category term="TFF#20"/><category term="TFF#39"/><category term="TFF#44"/><category term="TFF42"/><category term="THe Right Stuff"/><category term="Taika Waititi"/><category term="Take this Waltz"/><category term="Tales of the Grim Sleeper"/><category term="Taylor Russell"/><category term="Taymor"/><category term="Tell Me Who I Am"/><category term="Telluride Jazz Festival"/><category term="Telluride and Oscar"/><category term="Teluride FIlm"/><category term="Ten (Plus) Bets #8"/><category term="Ten Bets #2"/><category term="Ten Bets #5 / Women Talking"/><category term="Ten Bets #7"/><category term="Ten Bets#5"/><category term="Ten Bets#7"/><category term="Tender Loving Care"/><category term="Terrence Stamp"/><category term="Texas"/><category term="Texas Killing Fields"/><category term="Thanks"/><category term="The 13th"/><category term="The 2000&#39;s"/><category term="The 33"/><category term="The Alloy Orchestra"/><category term="The American Buffalo"/><category term="The American Commandante"/><category term="The American Revolution"/><category term="The Angel"/><category term="The Aspern Papers"/><category term="The Atlantic"/><category term="The Awards Pundits"/><category term="The B-Side: Elsa Dorfman"/><category term="The Ballad of Buster Scruggs"/><category term="The Banshees of Inisherin"/><category term="The Basics of Philopsophy"/><category term="The Beta Test"/><category term="The Birds Upstairs"/><category term="The Book Thief"/><category term="The Book of Henry"/><category term="The Book of Solutions"/><category term="The Bride"/><category term="The Call Sheet"/><category term="The Captive"/><category term="The Civil War"/><category term="The Commune"/><category term="The Corridors of Power"/><category term="The Danish Girl"/><category term="The Dardennes"/><category term="The Dead Don&#39;t Die"/><category term="The Debut"/><category term="The Demon in the Freezer"/><category term="The Descendnats"/><category term="The Dissolve"/><category term="The Diving Bell and the Butterfly"/><category term="The Door"/><category term="The Drama"/><category term="The Dressmaker"/><category term="The Duchess"/><category term="The Eddy"/><category term="The Eight Mountains"/><category term="The Exchange"/><category term="The Fabelmans"/><category term="The Fablemans"/><category term="The Fall of the American Empire"/><category term="The Film Experience"/><category term="The Film Society"/><category term="The Film Stgae"/><category term="The Fire Inside"/><category term="The Forever War"/><category term="The Forger"/><category term="The Galapagos Affair: Satan Came to Eden"/><category term="The Glass Castle"/><category term="The Glorias"/><category term="The Golden Glove"/><category term="The Good Lie"/><category term="The Great Buster"/><category term="The Great Gatsby"/><category term="The Greatest Beer Run Ever"/><category term="The Help"/><category term="The Hnad of God"/><category term="The Human Factor"/><category term="The Image Book"/><category term="The Island President"/><category term="The Ivory Game"/><category term="The Jesus Rolls"/><category term="The Joy Luck Club. The Piano"/><category term="The Kid witha Bike"/><category term="The Last Movie Stars"/><category term="The Last Showgirl"/><category term="The Laundromat"/><category term="The Leisure Seeker"/><category term="The Leisure Seekers"/><category term="The Letter Room"/><category term="The Light Between Oceans"/><category term="The Little Death"/><category term="The Little Stranger"/><category term="The Long Winter"/><category term="The Map that Leads to You"/><category term="The Midnight Sky"/><category term="The Most Precious of Cargoes"/><category term="The Movie Blog"/><category term="The Muppets"/><category term="The New York Film Critic&#39;s Circle"/><category term="The New York Times"/><category term="The Next People"/><category term="The Oppenheimer Strategies"/><category term="The Past. The Wind Rises"/><category term="The Personal History of David Copperfield"/><category term="The Place Beyond the Pines"/><category term="The Power"/><category term="The President&#39;s Cake"/><category term="The Price of Fame"/><category term="The Punch Brothers"/><category term="The Queen of Spain"/><category term="The Real Charlie Chaplin"/><category term="The Remains"/><category term="The Return of Tanya Tucker"/><category term="The Road"/><category term="The Salt of Tears"/><category term="The Script Lab"/><category term="The Sense of an Ending"/><category term="The Seventh Seal"/><category term="The Shape of Water. Battle of the Sexes"/><category term="The Skin I Inhabit"/><category term="The Smashing Machine"/><category term="The Social Reckoning"/><category term="The Source"/><category term="The Spirit of 45"/><category term="The Starling"/><category term="The Storms of Jeremy Thomas"/><category term="The Straight Story"/><category term="The Substance"/><category term="The Summit"/><category term="The Surrogate"/><category term="The Tempest"/><category term="The Theory of Everything"/><category term="The Treasure"/><category term="The True American"/><category term="The Unbearable Lightness of Being"/><category term="The Unknown"/><category term="The Venerable W"/><category term="The Waldheim Waltz"/><category term="The Walk"/><category term="The War Room"/><category term="The Wave"/><category term="The We and the I"/><category term="The Wettest County"/><category term="The Wettest County in the World"/><category term="The Whistlers"/><category term="The White Ribbon"/><category term="The Woman King"/><category term="The Year of the Everlasting Storm"/><category term="The Yellow Birds"/><category term="The Zog"/><category term="The Zookeepers Wife"/><category term="The ghistory of Sound"/><category term="Theater of Thought"/><category term="Theo Who Lived Here"/><category term="Theory of Everything"/><category term="There&#39;s Nothing Like a Dame"/><category term="Therese Desqueyroux"/><category term="Thierry Fremaux"/><category term="Three Generations"/><category term="Three Minutes to Doomsday"/><category term="Three Minutes: A Lengthening"/><category term="Three Thousand Years of Longing"/><category term="Thunderstruck"/><category term="Ticket to Paradise"/><category term="Tim Blake Nelson"/><category term="Tim Robbins"/><category term="Time"/><category term="Time to Choose"/><category term="Timothy Leary"/><category term="Tinker"/><category term="Tintin"/><category term="Titanic"/><category term="Todas Criticas"/><category term="Todd Phillips"/><category term="Tom Bernard"/><category term="Tom Courtenay"/><category term="Tom Waits"/><category term="Tommy Tune"/><category term="Tony Scott"/><category term="Top Ten"/><category term="Toronto"/><category term="Touch"/><category term="Tower"/><category term="Town Park"/><category term="Tracee Stanley"/><category term="Tracks"/><category term="Trailer Park"/><category term="Transit"/><category term="Trash"/><category term="Tre Piani"/><category term="TriStar"/><category term="Triangle of Sadness"/><category term="Triple 9"/><category term="Troublemakers"/><category term="Tully"/><category term="Turist"/><category term="Twin Peaks"/><category term="Two Prosecutors"/><category term="Tyrus"/><category term="U: July 22"/><category term="Unclenching the Fists"/><category term="Unidentified"/><category term="Untitled Roger Ailes Project"/><category term="Vaccination"/><category term="Valerie Pachner"/><category term="Verdict"/><category term="Vernon Little God"/><category term="Visual Effects"/><category term="Viviana Garcia-Besne"/><category term="Volker Sclondorff"/><category term="Voters"/><category term="Vox Lux"/><category term="Voyage of Time"/><category term="WGA"/><category term="Wake Up Dead Man"/><category term="Walter Mora"/><category term="Walter Moura"/><category term="Walter Salles"/><category term="Watergate"/><category term="We Froze the First Man"/><category term="We Have a Pope"/><category term="We Live in Time"/><category term="Weinstein"/><category term="Welcome to Lynchland"/><category term="Welcome to the Punch"/><category term="Wendy"/><category term="Werner Herzog Theater"/><category term="When the Sun Sets"/><category term="Where Do We Go From Here?"/><category term="Where&#39;d You Go Bernadette"/><category term="Whitaker"/><category term="White Elephant"/><category term="White God"/><category term="Wiener Dog"/><category term="Wild Life"/><category term="Wild Mountain Thyme"/><category term="Wild Strawberries"/><category term="Will Farrell"/><category term="Will Ferrell"/><category term="William Goldman"/><category term="Wisteria"/><category term="With Hasan in Gaza"/><category term="Women on the Verge of a Nervous Breakdown"/><category term="Won&#39;t Back Down"/><category term="Woody Harrelson"/><category term="Woody Pirtle"/><category term="World Cinema"/><category term="You Are My Friend"/><category term="You Are There"/><category term="Young Frankenstein"/><category term="Young Mothers&#39; Home"/><category term="Zodiac"/><category term="Zulu"/><category term="everywhere Man: The Life and times of Peter Asher"/><category term="mother! Jennifer Lawrence"/><category term="tick"/><category term="tick tick...BOOM"/><category term="tick...BOOM"/><title type='text'>Michael&#39;s Telluride Film Blog                                                                      </title><subtitle type='html'>Obsessing about the Telluride Film Festival and the film awards season since 2008!&#xa;&#xa;&#xa;&quot;The best blog out there for predicting what will be going to Telluride.&quot;-Matt Neglia, Next Best Picture&#xa;&#xa;&#xa;&quot;The Nostradamus of Telluride&quot;&#xa;-Tim Appelo, Movies for Grownups</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2465</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-6696757056199164369</id><published>2026-06-18T07:38:59.062-05:00</published><updated>2026-06-18T07:38:59.092-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="A Long Winter"/><category scheme="http://www.blogger.com/atom/ns#" term="Bucking Fastard"/><category scheme="http://www.blogger.com/atom/ns#" term="Coward"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Minotaur"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="Ten Bets"/><category scheme="http://www.blogger.com/atom/ns#" term="The Black Ball"/><category scheme="http://www.blogger.com/atom/ns#" term="The Debut"/><category scheme="http://www.blogger.com/atom/ns#" term="The Story of Documentary film"/><category scheme="http://www.blogger.com/atom/ns#" term="Venice Film Festival"/><category scheme="http://www.blogger.com/atom/ns#" term="Yellow Letters"/><title type='text'>Ten Bets for TFF #53, Vol. 1 / World of Reel on Venice Titles</title><content type='html'>&lt;p&gt;TEN BETS FOR TFF #53, VOL. 1&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkHhmcUz_eeHurXDazqLtTrXP1KONigQkuJae1fxlDTxLqPi0rUdCAOP6CnzUiiN_WKNHXOtd8mqqFMRC5DubsePnukTeUmn3LH_IGIOxe9pE3q_AG5ZHn5bOOoViPZn9BD6uk8BinBANTBZyVNz7HqO_uAv8z7RDpCjLN3Z6VAM7lXhrToZncKmfHgVw/s800/final-bets.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;388&quot; data-original-width=&quot;800&quot; height=&quot;155&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkHhmcUz_eeHurXDazqLtTrXP1KONigQkuJae1fxlDTxLqPi0rUdCAOP6CnzUiiN_WKNHXOtd8mqqFMRC5DubsePnukTeUmn3LH_IGIOxe9pE3q_AG5ZHn5bOOoViPZn9BD6uk8BinBANTBZyVNz7HqO_uAv8z7RDpCjLN3Z6VAM7lXhrToZncKmfHgVw/s320/final-bets.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Well, here it is (Live from the 2026 National Speech and Debate Tournament in Richmond, VA.) the first Ten Bets for 2026 for TFF #53.&amp;nbsp; I&#39;m doing this a little differently than in the past in that I am listing the early versions of the Ten Bets in alphabetical order.&amp;nbsp; In the later going, as we get closer to The SHOW, I&#39;ll revert to the traditional ranking in order of what I think the chances are of making a TFF appearance.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;So here are the first guesses (10 of them) for films at TFF #53 (in the aforementioned alphabetical order):&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Black Ball&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Bucking Fastard&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Coward&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Debut&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Fatherland&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;A Long Winter&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Minotaur&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Paper Tiger&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Story of Documentary Film&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Yellow Letters&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;As the weeks unfold, I&#39;ll update every Thursday as new info and rumors swirl.&amp;nbsp; Additionally, as we get closer to Labor Day, I&#39;ll also expand the list beyond a mere ten bets.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;I&#39;ll remind readers that MTFB averages about six correct guesses on each year&#39;s initial Ten Bets.&amp;nbsp; I also have to tell you that there are some titles here that I&#39;d be very excited about seeing.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Let the next few weeks tell the story!&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;WORLD OF REEL ON VENICE TITLES&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKvIhN-NEOY_2HVwzzzLGattrQFlBzA9JAUV78h-7LUb1_7cu4_qSRoj3fzFyiFD4b9ULjrdQA3QpmqfhdlFkn6p_5M5M9TCnL6u9I4RdVkzynqS1389MEXxAE-0QnoLy0rotLDO0-HV-NHRKTLa9qQZKyjlEq-xMhcOScqkI1wsF0qTKuQ1JlfnJ4vtc/s332/venice.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;152&quot; data-original-width=&quot;332&quot; height=&quot;147&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKvIhN-NEOY_2HVwzzzLGattrQFlBzA9JAUV78h-7LUb1_7cu4_qSRoj3fzFyiFD4b9ULjrdQA3QpmqfhdlFkn6p_5M5M9TCnL6u9I4RdVkzynqS1389MEXxAE-0QnoLy0rotLDO0-HV-NHRKTLa9qQZKyjlEq-xMhcOScqkI1wsF0qTKuQ1JlfnJ4vtc/s320/venice.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Jordan Ruimy has a list of possible Venice titles.&amp;nbsp; Many MTFB readers know that each year a number of films play the early part of Venice and then make a blazing trans-continental trip to the San Juans.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;From WOR&#39;s Venice speculative list, here&#39;s my take on what might make the trip:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Bucking Fastard&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Here Comes the Flood&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Tender Loving Care&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Wild Horse Nine&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Look Back&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Basics of Philosophy&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;A Long Winter&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Bunker&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Social Reckoning&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Elon&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.worldofreel.com/blog/2026/6/16/david-finchers-cliff-booth-wont-premiere-at-venice&quot; target=&quot;_blank&quot;&gt;The complete list is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.worldofreel.com/blog/2026/6/16/david-finchers-cliff-booth-wont-premiere-at-venice&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/6696757056199164369/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/6696757056199164369' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/6696757056199164369'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/6696757056199164369'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/06/ten-bets-for-tff-53-vol-1-world-of-reel.html' title='Ten Bets for TFF #53, Vol. 1 / World of Reel on Venice Titles'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkHhmcUz_eeHurXDazqLtTrXP1KONigQkuJae1fxlDTxLqPi0rUdCAOP6CnzUiiN_WKNHXOtd8mqqFMRC5DubsePnukTeUmn3LH_IGIOxe9pE3q_AG5ZHn5bOOoViPZn9BD6uk8BinBANTBZyVNz7HqO_uAv8z7RDpCjLN3Z6VAM7lXhrToZncKmfHgVw/s72-c/final-bets.webp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-4718516197205345822</id><published>2026-06-15T08:00:00.000-05:00</published><updated>2026-06-15T08:00:00.116-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Not Today"/><title type='text'>No Post Today</title><content type='html'>&lt;p&gt;&amp;nbsp;At the National Speech Tournament in Richmond, VA.&amp;nbsp; Planning to post on Thursday, June 18th.&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/4718516197205345822/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/4718516197205345822' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/4718516197205345822'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/4718516197205345822'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/06/no-post-today.html' title='No Post Today'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-7143056929211252515</id><published>2026-06-11T07:13:46.919-05:00</published><updated>2026-06-11T07:13:46.949-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bella Freud"/><category scheme="http://www.blogger.com/atom/ns#" term="Betty Gilpin"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Jeremy Allen White"/><category scheme="http://www.blogger.com/atom/ns#" term="Jeremy Strong"/><category scheme="http://www.blogger.com/atom/ns#" term="Mark Cousins"/><category scheme="http://www.blogger.com/atom/ns#" term="Mikey Madison"/><category scheme="http://www.blogger.com/atom/ns#" term="The Social Reckoning"/><category scheme="http://www.blogger.com/atom/ns#" term="The Story of Documentary film"/><title type='text'>TFF #53 Has a Poster / The Social Reckoning Has a Trailer / The Story of Documentary Film Has a Poster / Release Date for Fatherland</title><content type='html'>&lt;p&gt;&amp;nbsp;TFF #53 HAS A POSTER&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9c19SAFiOn8GOZ80rFrE2URYditaZXWpPyOcPZ0dgp_ZgbPafUB4bF6_Zj7BTljEK056EZJX5eNLzfSanHHG16mCHxAYl3fRts0OYkl8hlDti0ZffVUgUriHUwY4PNWm4Sp46yrJKQFSFezEkdcTuPTggSoHAYbS69IgNUds0SfZj8ceaoXmk7GCHE9E/s720/TFF%2053%20poster.gif&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;480&quot; data-original-width=&quot;720&quot; height=&quot;213&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9c19SAFiOn8GOZ80rFrE2URYditaZXWpPyOcPZ0dgp_ZgbPafUB4bF6_Zj7BTljEK056EZJX5eNLzfSanHHG16mCHxAYl3fRts0OYkl8hlDti0ZffVUgUriHUwY4PNWm4Sp46yrJKQFSFezEkdcTuPTggSoHAYbS69IgNUds0SfZj8ceaoXmk7GCHE9E/s320/TFF%2053%20poster.gif&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The official poster for TFF #53 has been released:&lt;/p&gt;&lt;p&gt;BERKELEY, CA – Telluride Film Festival (September 4 – 7, 2026) is proud to announce British designer, filmmaker, and cultural curator Bella Freud as its poster artist for the 2026 Festival.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Bella Freud founded her eponymous label in 1990 and has become internationally recognized for her distinctive work across fashion, interiors, perfumery, filmmaking, and publishing. Known for her intelligent yet playful approach, Freud distills emotion and personal narrative throughout her collections, creating a singular visual language that resonates across disciplines.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Her iconic Word sweaters, including Ginsberg is God and 1970, have become contemporary classics worn by a devoted global following that includes Rosamund Pike, Rashida Jones, Alexa Chung, Kate Moss, and Rebecca Ferguson. Freud’s creative practice extends beyond fashion through collaborations with Marks &amp;amp; Spencer, King &amp;amp; McGaw, Nick Cave, and filmmaker John Malkovich, among many others.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;In October 2024, Freud launched Fashion Neurosis with Bella Freud, a podcast exploring the relationship between fashion and identity through intimate and deeply personal conversations set in the atmosphere of her London sitting room. The series quickly reached number one in the UK arts podcast charts and entered the global top ten, featuring leading voices from fashion, film, music, and literature.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;“The words Film Festival and Telluride are filled with promise and intrigue,” comments Freud. “Film is our modern mythology; it gives us courage and imagination. Telluride is the Shangri-La where some kind of conversation will take place that will change your life. SHOW.”&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Festival director Julie Huntsinger adds, “Bella Freud possesses a rare ability to connect style, storytelling, and emotional truth with wit, intimacy, and extraordinary intelligence. Her work moves fluidly between disciplines while remaining deeply cinematic in spirit. We are thrilled to present Bella’s poster for the 53rd TFF, whose curiosity, perspective, and passion for culture brings a unique dimension to the collection.”&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Each year, Telluride Film Festival welcomes artists whose work expands cultural conversation across disciplines and reflects the Festival’s enduring commitment to creativity and cinematic storytelling. Bella Freud joins a celebrated group of filmmakers, writers, musicians, and visual artists whose unique perspectives have contributed to the Festival’s ongoing history and artistic community including Daniel Clowes, Jim Dine, Maira Kalman, Ed Ruscha, Julian Schnabel, among others.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;About Telluride Film Festival&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The prestigious Telluride Film Festival ranks among the world’s best film festivals and is an annual gathering for film industry insiders, cinema enthusiasts, filmmakers, and critics. TFF is considered a major launching ground for the fall season’s most talked-about films. Founded in 1974, Telluride Film Festival, presented in the beautiful mountain town of Telluride, Colorado, is a four-day international educational event celebrating the art of film. Telluride Film Festival’s long-standing commitment is to join filmmakers and film connoisseurs together to experience great cinema. The exciting schedule, kept secret until just before Opening Day, consists of over three dozen filmmakers presenting their newest works, special Guest Director programs, major Tributes to guest artists, special events, and remarkable treasures from the past. Telluride Film Festival is a 501(c)(3) non-profit educational program. Festival headquarters are in Berkeley, CA.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;THE SOCIAL RECKONING HAS A TRAILER&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;On the outer edge of the MTFB watch list is Aaron Sorkin&#39;s The Social Reckoning,&amp;nbsp; It&#39;s the sequel to The Social Network written by Sorkin and directed by David Fincher back in 2010.&amp;nbsp; The new film stars Jeremy Strong as Mark Zuckerberg.&amp;nbsp; Here&#39;s the trailer from YouTube:&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/vD_8TlCg_B8&quot; width=&quot;320&quot; youtube-src-id=&quot;vD_8TlCg_B8&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguha4RGZiGIjX1LrfxJSbrdNt28cM1p_KsF-I8enNcxQTnL1XHHerE_Jqc6jKjSDBYEIs2hXjhnG4jIHM5aV466zr4bIsolYyPnBFUJiklVjZJqm-G16_YKOci-QgDMgGh33EXMjWwA-voUH_1rMcSTigcJA_0jWILttY2qofZb_14Y1pFyJ_kpVG9tjc/s680/story%20of%20doc%20film%20poster.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The film has is set for release on Oct. 9th.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;THE STORY OF DOCUMENTARY FILM HAS A POSTER&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;I&#39;m not saying Mark Cousins&#39; The Story of Documentary Film is a lock for TFF #53 but I&#39;d be surprised if it didn&#39;t play the Fest. Here&#39;s a bit of a peek with a photo of the film&#39;s poster from Cousins&#39; X account:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgLTf27g_L7HcPlUHqRj_YOWmU_9WF6Jb7-y_xfoK00qPSzRWlw1UsRpFOxqznTBV3UgsLelpaf9XQWsIytZdTD9WyZ5o2-H1wWg53JRuplulpnx8ewlAAm72mInZ1pc1L0hGPZmwGvM1JB3P-Md2_bBTTEo5MVD-ED_HMnjmuvZdi-NnnXiJnKys-XgE/s680/story%20of%20doc%20film%20poster.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;510&quot; data-original-width=&quot;680&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgLTf27g_L7HcPlUHqRj_YOWmU_9WF6Jb7-y_xfoK00qPSzRWlw1UsRpFOxqznTBV3UgsLelpaf9XQWsIytZdTD9WyZ5o2-H1wWg53JRuplulpnx8ewlAAm72mInZ1pc1L0hGPZmwGvM1JB3P-Md2_bBTTEo5MVD-ED_HMnjmuvZdi-NnnXiJnKys-XgE/s320/story%20of%20doc%20film%20poster.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;RELEASE DATE FOR FATHERLAND&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihDVz4DiJcevsIKKDkRdo3eoVoqawj98QyvrEV0ZsiWTfE0eI94nG5rq3Y8H4Jwy5SCZZDmnOeQcixrj73eFUkxxy_FurJiGnx5H9WODcsF8tgUGguIhRRS4B3Sf1hSz652IneJqUkxSW-1sxEDtbyz2Y1aDaZwiYxRjMN_uaCSUg0aEgRFQgITqrImUQ/s680/fatherland%20poster.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;680&quot; data-original-width=&quot;459&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihDVz4DiJcevsIKKDkRdo3eoVoqawj98QyvrEV0ZsiWTfE0eI94nG5rq3Y8H4Jwy5SCZZDmnOeQcixrj73eFUkxxy_FurJiGnx5H9WODcsF8tgUGguIhRRS4B3Sf1hSz652IneJqUkxSW-1sxEDtbyz2Y1aDaZwiYxRjMN_uaCSUg0aEgRFQgITqrImUQ/s320/fatherland%20poster.jpg&quot; width=&quot;216&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Numerous sources reporting that Pawel Pawlikowski&#39;s Fatherland will release in the United States on Oct. 23rd.&amp;nbsp; That&#39;s a release window that would easily allow a screening at TFF.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/7143056929211252515/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/7143056929211252515' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/7143056929211252515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/7143056929211252515'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/06/tff-53-has-poster-social-reckoning-has.html' title='TFF #53 Has a Poster / The Social Reckoning Has a Trailer / The Story of Documentary Film Has a Poster / Release Date for Fatherland'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9c19SAFiOn8GOZ80rFrE2URYditaZXWpPyOcPZ0dgp_ZgbPafUB4bF6_Zj7BTljEK056EZJX5eNLzfSanHHG16mCHxAYl3fRts0OYkl8hlDti0ZffVUgUriHUwY4PNWm4Sp46yrJKQFSFezEkdcTuPTggSoHAYbS69IgNUds0SfZj8ceaoXmk7GCHE9E/s72-c/TFF%2053%20poster.gif" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-1519744852622909605</id><published>2026-06-08T08:00:00.000-05:00</published><updated>2026-06-08T08:00:00.113-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="All of a Sudden"/><category scheme="http://www.blogger.com/atom/ns#" term="Artificial"/><category scheme="http://www.blogger.com/atom/ns#" term="Awards Radar"/><category scheme="http://www.blogger.com/atom/ns#" term="Clarissa"/><category scheme="http://www.blogger.com/atom/ns#" term="Fjord"/><category scheme="http://www.blogger.com/atom/ns#" term="IndieWire"/><category scheme="http://www.blogger.com/atom/ns#" term="Julie Huntsinger"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><title type='text'>Film Fest Heads Discuss the Future / Awards Radar Updates for Best Picture and TFF Potentials</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;&amp;nbsp;FILM FEST HEADS DISCUSS THE FUTURE&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmHe1pf9rMpdgk7PbJ3jiyXnhEUr6E-dxqEqaHFVhuM9JWWI7cSQKfu8WAbdHCXZW_g2IZHGaZu-7ztCvVWW77jPNHOVhaVV2xu3_BQtZrg8FsEt6T07gfGovhYze-vuGuDUjwdQVYy1zbp1vA0ZBr6o-4Qgn9KnpHn_FZzf8O7DAHUzU2pT_yzv9xG2E/s399/indiewire.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;126&quot; data-original-width=&quot;399&quot; height=&quot;101&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmHe1pf9rMpdgk7PbJ3jiyXnhEUr6E-dxqEqaHFVhuM9JWWI7cSQKfu8WAbdHCXZW_g2IZHGaZu-7ztCvVWW77jPNHOVhaVV2xu3_BQtZrg8FsEt6T07gfGovhYze-vuGuDUjwdQVYy1zbp1vA0ZBr6o-4Qgn9KnpHn_FZzf8O7DAHUzU2pT_yzv9xG2E/s320/indiewire.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;A couple of weeks back Indiewire hosted a conversation at Cannes&amp;nbsp; featuring four film festival directors including Telluride&#39;s Julie Huntsinger.&amp;nbsp; Other fest directors included were from Sundance, Berlin and New York.&amp;nbsp; The convo was hosted by Indiewire&#39;s Anne Thompson.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The focus was the future of film festivals.&amp;nbsp; You can see the entire 44 minute video at Indiewire&#39;s website.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.indiewire.com/news/events/film-festival-directors-discuss-future-cannes-1235195002/&quot; target=&quot;_blank&quot;&gt;That video and article are linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.indiewire.com/news/events/film-festival-directors-discuss-future-cannes-1235195002/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;AWARDS RADAR UPDATES FOR BEST PICTURE AND TFF POTENTIALS&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOBxV-XydwpesuhQwIIJhfqm2EfK6RiEkdCqxJUnXoRGCrSbaAQPv7lD2LACec6tIK2WSv24Y0lTSpE0RQHk63BJSDKFKED2wgRG0UKV-caIilkql4aT81EpYdX-nUZvi_Bj8K52kklFnzi7yNE4GU6VenNO7Z0LhrY3LF67g-Mguy8FE5iC2angguyK0/s995/awards%20radar.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;378&quot; data-original-width=&quot;995&quot; height=&quot;122&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOBxV-XydwpesuhQwIIJhfqm2EfK6RiEkdCqxJUnXoRGCrSbaAQPv7lD2LACec6tIK2WSv24Y0lTSpE0RQHk63BJSDKFKED2wgRG0UKV-caIilkql4aT81EpYdX-nUZvi_Bj8K52kklFnzi7yNE4GU6VenNO7Z0LhrY3LF67g-Mguy8FE5iC2angguyK0/s320/awards%20radar.png&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Joey Magidson of Awards Watch has updates his Best Picture predictions as of the end of the Cannes Film Fest.&amp;nbsp; He lists 25 films in all and in their order of likelihood in terms of being nominated and winning the 2027 Oscar.&amp;nbsp; I&#39;ve broken those down into various categories as it relates to the potential for a TFF #53 play.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;No chance: (Because they already have premiered before Telluride):&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#2 The Odyssey&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#4 Project Hail Mary&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#9 Tony&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#11 Disclosure Day&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#14 Josephine (Sundance)&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#21 The Invite&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#24 Wuthering Heights&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#25 Michael&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Unlikely: (for a variety of reasons):&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#1 Dune: Part Three&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#6 Digger&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#8 The Adventures of Cliff Booth&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Smallish chance at Telluride:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#3 Wild Horse Nine&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#5 The Social Reckoning&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#10 Saturn Return&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#12 I Play Rocky&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#13 Being Heumann&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#16 The Uprising&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#17 Behemoth!&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#19 Jack of&amp;nbsp; Spades&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#20 A Place in Hell&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Decent chance at Telluride:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#7 Fjord&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#15 Paper Tiger&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#18 Clarissa&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#22 All of a Sudden&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;#23 Artificial&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://awardsradar.com/best-picture/&quot; target=&quot;_blank&quot;&gt;Here are all of Magidson&#39;s predictions complete with commentary.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://awardsradar.com/best-picture/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/1519744852622909605/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/1519744852622909605' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/1519744852622909605'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/1519744852622909605'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/06/film-fest-heads-discuss-future-awards.html' title='Film Fest Heads Discuss the Future / Awards Radar Updates for Best Picture and TFF Potentials'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmHe1pf9rMpdgk7PbJ3jiyXnhEUr6E-dxqEqaHFVhuM9JWWI7cSQKfu8WAbdHCXZW_g2IZHGaZu-7ztCvVWW77jPNHOVhaVV2xu3_BQtZrg8FsEt6T07gfGovhYze-vuGuDUjwdQVYy1zbp1vA0ZBr6o-4Qgn9KnpHn_FZzf8O7DAHUzU2pT_yzv9xG2E/s72-c/indiewire.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-6944744324053169006</id><published>2026-06-04T08:00:00.000-05:00</published><updated>2026-06-04T08:00:00.107-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin International Film Festival"/><category scheme="http://www.blogger.com/atom/ns#" term="Hope"/><category scheme="http://www.blogger.com/atom/ns#" term="Rose"/><category scheme="http://www.blogger.com/atom/ns#" term="Sandra Huller"/><category scheme="http://www.blogger.com/atom/ns#" term="Yellow Letters"/><title type='text'>Hope for Hope? / Announced Release Dates for TFF Possible Films / Yellow Letters and Berlin</title><content type='html'>&lt;p&gt;HOPE FOR HOPE?&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik7uWSsyk3Ie1xQNiu2mist1HZb2s3s25x_TL6VlN_TOkpMxspJxRiPZ6xUr_gRr8c50g1MxoEwZkuTevTyTjfzvAw_ImXcMTRl0bQUu3UbvccuFvmLSL2sUaxNIfBnePZL8k-fk10UdyFEsYSVzOZbmewi4v7sMin9DyFml9vkMXaTH3K_Ow90D7jAY4/s290/hope%20poster.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;290&quot; data-original-width=&quot;196&quot; height=&quot;290&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik7uWSsyk3Ie1xQNiu2mist1HZb2s3s25x_TL6VlN_TOkpMxspJxRiPZ6xUr_gRr8c50g1MxoEwZkuTevTyTjfzvAw_ImXcMTRl0bQUu3UbvccuFvmLSL2sUaxNIfBnePZL8k-fk10UdyFEsYSVzOZbmewi4v7sMin9DyFml9vkMXaTH3K_Ow90D7jAY4/s1600/hope%20poster.jpg&quot; width=&quot;196&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Alex Billington at First Showing.net posted that Cannes competition choice Hope will be released in the U.S. on Sept. 9th which means it&#39;s a film that could play TFF #53...but it&#39;s cutting it very tight.&amp;nbsp; TFF will conclude on&amp;nbsp; Monday, Sept. 7th.&amp;nbsp; The film made a minor splash at Cannes and ended that fest with a 6.15 rating on the Cannes-ratins.org website.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;IMDb describes it:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;A mysterious discovery is made on the outskirts of the remote harbor town. The residents find themselves in a desperate fight for survival against something they have never encountered before.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The film is being distributed domestically by NEON which doesn&#39;t diminish any chance that it could play TFF.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;For the moment I&#39;m going to put it in the &quot;possible but not probable&quot; column.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.firstshowing.net/schedule2026/#aug&quot; target=&quot;_blank&quot;&gt;Here&#39;s Billington&#39;s rundown of release dates throughout 2026.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.firstshowing.net/schedule2026/#aug&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;As a matter of fact...&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;ANNOUNCED RELASE DATES FOR TFF POSSIBLE FILMS&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Digger 10/2 (Has been announced as not planning any festival exposure)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Social Reckoning 10/9&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Wild Horse Nine 11/6&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;I Play Rocky 11/13&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;YELLOW LETTERS AND BERLIN&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9i2ikx6fIJQln5IJc_A9EJH3l8c2hD5skQ4UNzoiTV0WnYfF5L4VG6vUR2we_hSFxcn-C103lHE4EPiuLLvMcKcyVhRZri7stl2D5gcbAtzS00wmXGLrnM1o-CO3CmF7kP6Sp57vtr2b1bmYnNV9FJULs6rQsjBTVLwudWAFZKQAN2Vzf2rK5yEPiZ4E/s290/yellow%20letters%20poster.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;290&quot; data-original-width=&quot;196&quot; height=&quot;290&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9i2ikx6fIJQln5IJc_A9EJH3l8c2hD5skQ4UNzoiTV0WnYfF5L4VG6vUR2we_hSFxcn-C103lHE4EPiuLLvMcKcyVhRZri7stl2D5gcbAtzS00wmXGLrnM1o-CO3CmF7kP6Sp57vtr2b1bmYnNV9FJULs6rQsjBTVLwudWAFZKQAN2Vzf2rK5yEPiZ4E/s1600/yellow%20letters%20poster.jpg&quot; width=&quot;196&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Mubi posted an overview of Ilker Catak&#39;s Berlin Golden Bear winner Yellow Letters on Monday which reminded me that I haven&#39;t really mentioned that I think it has a very good shot at making the TFF lineup.&amp;nbsp; Catak was at Telluride in 2023 with The Teacher&#39;s lounge which ended up with an Oscar nomination for Best International Feature.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The description for Yellow Letters goes like this:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;The marriage of Derya and Aziz is under pressure after losing their jobs because of state arbitrariness and moving to Istanbul to live with Aziz&#39;s parents. They and their 13-year-old daughter Ezgi have to redefine their way of life.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Additionally, I think the other Berlin film that might show at The SHOW is&amp;nbsp;Markus Schleinzer&#39;s Rose starring the actress of the moment Sandra Huller.&amp;nbsp; Huller won the Berlin award for Best Actress.&amp;nbsp; Rose is also being distributed by MUBI.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The description for Rose:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;A woman in the early 17th century, who is disguised as a man and wants to be a good citizen at any cost.&lt;/i&gt;&quot;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;I&#39;m not saying these are locks for TFF #53 by any means but, I wouldn&#39;t be surprised if one or both where in the lineup on announcement morning.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://mubi.com/en/notebook/posts/being-powerless-but-ethical-in-erdogan-s-new-turkey-ilker-catak-s-yellow-letters&quot; target=&quot;_blank&quot;&gt;The MUBI overview for Yellow Letters is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://mubi.com/en/notebook/posts/being-powerless-but-ethical-in-erdogan-s-new-turkey-ilker-catak-s-yellow-letters&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/6944744324053169006/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/6944744324053169006' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/6944744324053169006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/6944744324053169006'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/06/hope-for-hope-announced-release-dates.html' title='Hope for Hope? / Announced Release Dates for TFF Possible Films / Yellow Letters and Berlin'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik7uWSsyk3Ie1xQNiu2mist1HZb2s3s25x_TL6VlN_TOkpMxspJxRiPZ6xUr_gRr8c50g1MxoEwZkuTevTyTjfzvAw_ImXcMTRl0bQUu3UbvccuFvmLSL2sUaxNIfBnePZL8k-fk10UdyFEsYSVzOZbmewi4v7sMin9DyFml9vkMXaTH3K_Ow90D7jAY4/s72-c/hope%20poster.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-3710836371996758317</id><published>2026-06-01T08:42:07.731-05:00</published><updated>2026-06-01T08:42:07.836-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Everytime"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="La Gradiva"/><category scheme="http://www.blogger.com/atom/ns#" term="Pawel Pawlikowski"/><category scheme="http://www.blogger.com/atom/ns#" term="The Dreamed Adventure"/><title type='text'>Fatherland Has a Trailer / The Dreamed Adventure Is Acquired / Everytime Is Acquired</title><content type='html'>&lt;p&gt;FATHERLAND HAS A TRAILER&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Many readers of MTFB have already picked up on the notion that Pawel Pawlikowski&#39;s Fatherland is right up there as far as films I&#39;m hoping make an appearance at TFF #53.&amp;nbsp; I was a pretty big fan of his 2018 film Cold War (Thrice Oscar nominated!).&amp;nbsp; Unfortunately I&#39;ve never been able to catch his 2013 Oscar winning film Ida (Best Foreign Language Film).&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;At any rate, I&#39;m very much looking forward to Fatherland and have a good feel about its chances for Telluride.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;MUBI, which has the distribution pf the film for the U.S. released a trailer for the film late last week.&amp;nbsp; here it is from YouTube:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/-I2-X9v-ogs&quot; width=&quot;320&quot; youtube-src-id=&quot;-I2-X9v-ogs&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;https://www.youtube.com/watch?v=-I2-X9v-ogs&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Looks impressive!&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;THE DREAMED ADVENTURE IS ACQUIRED&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHc58IwrrtnvWOjesZyOIHG07ppxmbLHVPwIv1PAl16-K1l26ktIA7VmqJ8khnXh4I63hp-a88__uavjGxb6MyyaEJR8ai-Exy4vBn2aGAtdRl9PoMZ5yOcfJxEQKCO8ljTcDFWoz4oRpi3oUnqVafQIsqo9WL4ECFpjeZvyOV_m7k1Op1nVFXrFxqxGk/s681/The-Dreamed-Adventure-200400-H-2026.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;383&quot; data-original-width=&quot;681&quot; height=&quot;180&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHc58IwrrtnvWOjesZyOIHG07ppxmbLHVPwIv1PAl16-K1l26ktIA7VmqJ8khnXh4I63hp-a88__uavjGxb6MyyaEJR8ai-Exy4vBn2aGAtdRl9PoMZ5yOcfJxEQKCO8ljTcDFWoz4oRpi3oUnqVafQIsqo9WL4ECFpjeZvyOV_m7k1Op1nVFXrFxqxGk/s320/The-Dreamed-Adventure-200400-H-2026.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Janus films has acquired all North American rights to&amp;nbsp;Valeska Grisebach‘s The Dreamed Adventure according to The Hollywood Reporter The film was a late-screened film at Cannes and won the Jury Prize.&amp;nbsp; The IMDb description of the film goes like this:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;A woman...agrees to a deal to help an old acquaintance. She follows the hero on his adventure and enters dangerous territory where she is then confronted with her own desire.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The acquisition by Janus could facilitate a play at TFF #53.&amp;nbsp; Janus isn&#39;t a house that is at every Telluride but they show up at a lot of them, especially lately:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2025: Carol &amp;amp; Joy&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2024: All We Imagine as Light, Misericordia, Made in England: The Film of Powell and Pressburger&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2023: Anselm, Totem, Orlando: My Political Biography&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2022: Godland, Tori and Lokita&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;With a solid 6.93 compiled critical rating from Cannes-ratings.org, it seems well situated for a TFF slot.&amp;nbsp; we&#39;ll see.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.hollywoodreporter.com/movies/movie-news/cannes-film-prize-winner-the-dreamed-adventure-janus-deal-1236607903/&quot; target=&quot;_blank&quot;&gt;Here&#39;s the link to the story from The Hollywood Reporter.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.hollywoodreporter.com/movies/movie-news/cannes-film-prize-winner-the-dreamed-adventure-janus-deal-1236607903/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;EVERYTIME IS ACQUIRED&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn9zrbWrpJGYX-o_Jo91IrqNyCEZY2_OOrbbz765jTegnHo3fnOs0iavbuIle36l-MKj57RcFfBHOm1yRn_DR6WtEi7mloZ-G8-f5MIyG4h7CkRkKd3aYqJjLrvKbKUAqmzm68W6DNrHngApZZB_QDjwJSTTAvrRjnGf-8m-8tNn9ec2-dkgirCMqUaBw/s680/everytime%20poster.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;680&quot; data-original-width=&quot;510&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn9zrbWrpJGYX-o_Jo91IrqNyCEZY2_OOrbbz765jTegnHo3fnOs0iavbuIle36l-MKj57RcFfBHOm1yRn_DR6WtEi7mloZ-G8-f5MIyG4h7CkRkKd3aYqJjLrvKbKUAqmzm68W6DNrHngApZZB_QDjwJSTTAvrRjnGf-8m-8tNn9ec2-dkgirCMqUaBw/s320/everytime%20poster.jpg&quot; width=&quot;240&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The Hollywood Reporter also posted that Sandra Wollner&#39;s Everytime has been acquired for North America by fledgling outfit 1-2 Special. Everytime played in the Un Certain Regard section of Cannes and won the UCR Grand Prize.&amp;nbsp; Its Cannes-ratings.org compiled critics&#39; rating was a sturdy 7.33.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Additionally, although fairly new to the game, 1-2 Special landed Harris Dickenson&#39;s Urchin at last year&#39;s TFF.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Everytime&#39;s IMDb description:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&quot;Follows a mother, her daughter, and a teenage boy blamed for a tragic death as they travel to Tenerife together, confronting grief, blame, and forgiveness on a family holiday that never happened.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://www.hollywoodreporter.com/movies/movie-news/cannes-un-certain-regard-winner-everytime-1-2-special-deal-1236609015/&quot; target=&quot;_blank&quot;&gt;The Hollywood Reporter Story is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://www.hollywoodreporter.com/movies/movie-news/cannes-un-certain-regard-winner-everytime-1-2-special-deal-1236609015/&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1-2 Special also has Cannes success La Gradiva (which had this year&#39;s highest rated film per Cannes-ratins.org at 8.25).&amp;nbsp; Which makes you think it could be a candidate for Telluride as well.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Ls Gravdiva&#39;s IMDb description:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&quot;A group of high school students sets off on a school trip to discover the ruins of Pompeii. They are seized by a sense of vertigo. They allow themselves to be overwhelmed by desire and anger, until they surrender completely.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;All worth keeping an eye on.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/3710836371996758317/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/3710836371996758317' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/3710836371996758317'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/3710836371996758317'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/06/fatherland-has-trailer-dreamed.html' title='Fatherland Has a Trailer / The Dreamed Adventure Is Acquired / Everytime Is Acquired'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/-I2-X9v-ogs/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-2100241179044264330</id><published>2026-05-28T07:43:51.126-05:00</published><updated>2026-05-28T07:43:51.223-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="All of a Sudden"/><category scheme="http://www.blogger.com/atom/ns#" term="Bitter Christmas"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><category scheme="http://www.blogger.com/atom/ns#" term="Coward"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Fjord"/><category scheme="http://www.blogger.com/atom/ns#" term="Minotaur"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="The Black Ball"/><title type='text'>Neglia Takes a Stab / Black Ball Teaser / Acquisition News Out of Cannes</title><content type='html'>&lt;p&gt;NEGLIA TAKES A STAB&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkD-oL7yB7g3VqzTPjrC5jj3W8wjFLgOuwygChLt4jKxT07hyphenhyphenq9WDZmXnfFTzr0_faXx_2YuPrqt8nsgWlmL_Qa4IBdGQPI9XO-9kMmuaehUQf3C1eJWaK9cUL870oW8UijjS419ZusvAO1JJanqGQz9KHxDa63twaSgym8SZR7R1_qNvWrqf2INq_QO4/s265/Next-Best-Picture.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;265&quot; data-original-width=&quot;265&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkD-oL7yB7g3VqzTPjrC5jj3W8wjFLgOuwygChLt4jKxT07hyphenhyphenq9WDZmXnfFTzr0_faXx_2YuPrqt8nsgWlmL_Qa4IBdGQPI9XO-9kMmuaehUQf3C1eJWaK9cUL870oW8UijjS419ZusvAO1JJanqGQz9KHxDa63twaSgym8SZR7R1_qNvWrqf2INq_QO4/s1600/Next-Best-Picture.png&quot; width=&quot;265&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Matt Neglia of Next Best Picture (and remember Matt was on the ground in Cannes for the first two thirds or so) posted on his X account on Monday some speculation about where all of the Cannes&#39; Palme d&#39;Or competition films might go during the upcoming fall film fest frenzy.&amp;nbsp; Of the 22, Matt has named 8 films that he thinks may be a part of the TFF #53 lineup...&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAZiUg0qqMSOCfd1Yhq47l00WMaH8rKQbSV9w810I9ZY8IIBUYHm4CtORqSox8XQY9IzK6YvKdFbTFOOU1pHKxf4gM8Ro7ABPfttgp-3kDvm6zWetenbWDRTVU-MRf5Mfuk8QjUCg9x767vnYVpPYXwaWryoCrIU5wtioJtDQIjEkhAXLXmO33Oq2MWYI/s2622/Neglia%20guess%201.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2622&quot; data-original-width=&quot;1206&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAZiUg0qqMSOCfd1Yhq47l00WMaH8rKQbSV9w810I9ZY8IIBUYHm4CtORqSox8XQY9IzK6YvKdFbTFOOU1pHKxf4gM8Ro7ABPfttgp-3kDvm6zWetenbWDRTVU-MRf5Mfuk8QjUCg9x767vnYVpPYXwaWryoCrIU5wtioJtDQIjEkhAXLXmO33Oq2MWYI/w184-h400/Neglia%20guess%201.png&quot; width=&quot;184&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjteC2Lit2sieRoSKqoRoCdCOB_w24Of7AWbzuP6uUXXy5MI5VI6jGVBJsLW-2Bt2cCjnJYmvI8Afm450Niw1S-FnIn4WMiiapRODH2KUJIuQ1R60z6NJ5Apul0Nn_Ckbps186dRUcrJDrmh6dRiyLlfLaQJFIN9B0EqkQ2XdzTeIcEzMNXFyRgrhWI3Pw/s2622/Neglia;s%20guesses%202.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2622&quot; data-original-width=&quot;1206&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjteC2Lit2sieRoSKqoRoCdCOB_w24Of7AWbzuP6uUXXy5MI5VI6jGVBJsLW-2Bt2cCjnJYmvI8Afm450Niw1S-FnIn4WMiiapRODH2KUJIuQ1R60z6NJ5Apul0Nn_Ckbps186dRUcrJDrmh6dRiyLlfLaQJFIN9B0EqkQ2XdzTeIcEzMNXFyRgrhWI3Pw/w184-h400/Neglia;s%20guesses%202.png&quot; width=&quot;184&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Again, Matt&#39;s predictions: All of a Sudden, Bitter Christmas, The Black Ball, Coward, Fatherland, Fjord, Minotaur and Paper Tiger.&lt;p&gt;&lt;/p&gt;&lt;p&gt;I&#39;m most interested in Paper Tiger, Fatherland and Coward.&amp;nbsp; Could get interested in Fjord, Minotaur and All of a Sudden.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;THE BLACK BALL TEASER&lt;/p&gt;&lt;p&gt;We have a teaser from The Black Ball, which we&#39;re on TFF#53 alert for.&amp;nbsp; Could it be in Telluride on Labor Day weekend?&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Here it is via YouTube and MovieStar Plus:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/xAZ8aVMfAUw&quot; width=&quot;320&quot; youtube-src-id=&quot;xAZ8aVMfAUw&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.youtube.com/watch?v=xAZ8aVMfAUw&lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;ACQUISITION NEWS OUT OF CANNES&lt;/p&gt;&lt;p&gt;Deadline reports that Netflix has acquired The Black Ball for distribution and Gentle Monster as well.&amp;nbsp;The pick-up doesn&#39;t either hurt a film&#39;s chances for a play at Telluride as Netflix has become a very visible presence at the fest for the last several years.&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://deadline.com/2026/05/netflix-cannes-lea-seydoux-gentle-monster-1236919715/&quot; target=&quot;_blank&quot;&gt;Here&#39;s the Deadline article.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://deadline.com/2026/05/netflix-cannes-lea-seydoux-gentle-monster-1236919715/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Meanwhile, MUBI has grabbed the North American distribution rights for Kukas Dhont&#39;s Coward.&amp;nbsp; That&#39;s also a move that doesn&#39;t hurt the prospects for Coward to be at TFF.&amp;nbsp; Dhont has previously presented two films at Telluride: Girl in 2018 and Close in 2022.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://variety.com/2026/film/news/coward-lukas-dhont-mubi-north-american-rights-1236755499/&quot; target=&quot;_blank&quot;&gt;Here&#39;s that story from Variety.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://variety.com/2026/film/news/coward-lukas-dhont-mubi-north-american-rights-1236755499/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/2100241179044264330/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/2100241179044264330' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/2100241179044264330'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/2100241179044264330'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/neglia-takes-stab-black-ball-teaser.html' title='Neglia Takes a Stab / Black Ball Teaser / Acquisition News Out of Cannes'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkD-oL7yB7g3VqzTPjrC5jj3W8wjFLgOuwygChLt4jKxT07hyphenhyphenq9WDZmXnfFTzr0_faXx_2YuPrqt8nsgWlmL_Qa4IBdGQPI9XO-9kMmuaehUQf3C1eJWaK9cUL870oW8UijjS419ZusvAO1JJanqGQz9KHxDa63twaSgym8SZR7R1_qNvWrqf2INq_QO4/s72-c/Next-Best-Picture.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-872655989252220761</id><published>2026-05-25T07:24:58.365-05:00</published><updated>2026-05-25T07:24:58.398-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="All of a Sudden"/><category scheme="http://www.blogger.com/atom/ns#" term="Avedon"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><category scheme="http://www.blogger.com/atom/ns#" term="Clarissa"/><category scheme="http://www.blogger.com/atom/ns#" term="Club Kid"/><category scheme="http://www.blogger.com/atom/ns#" term="Coward"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Fjord"/><category scheme="http://www.blogger.com/atom/ns#" term="Hope"/><category scheme="http://www.blogger.com/atom/ns#" term="Minotaur"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="The Black Ball"/><category scheme="http://www.blogger.com/atom/ns#" term="The Dreamed Adventure"/><title type='text'>Prize Winners from Cannes / Stacking Up with the Recent Past / What the Ratings Suggest</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;PRIZE WINNERS FROM CANNES&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ6ygkYqXd6r0B38yEnKs6_sQutKtpBz7SIOnbWuj1BA-cScTXLc1-zXO2R8iFYhqMwrJ4QU-qTIt-tGOTRSI5SIXcJEsh1VnFw5gKerxoAGn87-4G3qT8wnWLg6stg8OaT61JUkezEmwzrEb8QWJ9y9A7Wkx6TBEi-_aW1BclUkbsY4g_Yuv0Zq1jzYM/s262/cannes%20poster%202026.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;262&quot; data-original-width=&quot;192&quot; height=&quot;262&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ6ygkYqXd6r0B38yEnKs6_sQutKtpBz7SIOnbWuj1BA-cScTXLc1-zXO2R8iFYhqMwrJ4QU-qTIt-tGOTRSI5SIXcJEsh1VnFw5gKerxoAGn87-4G3qT8wnWLg6stg8OaT61JUkezEmwzrEb8QWJ9y9A7Wkx6TBEi-_aW1BclUkbsY4g_Yuv0Zq1jzYM/s1600/cannes%20poster%202026.jpg&quot; width=&quot;192&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;It&#39;s all over in France.&amp;nbsp; The 79th Cannes Film Festival closed with its awards ceremony on Saturday evening and Cristian Mungiu&#39;s Fjord won the Palme d&#39;Or.&amp;nbsp; It was Mungiu&#39;s second Palme win after having won previously for Four Years, Three Weeks, Two Days back in 2007.&amp;nbsp; That film played the Telluride Film festival.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Complete winners from the Palme d&#39;Or official competition:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Palme d&#39;Or: Fjord (Mungiu)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Grand Prix: Minotaur (Zvyaginastev)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Jury Prize: The Dreamed Adventure (Grisebach)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Best Direction (Tie): Fatherland (Pawelkowski) and The Black Ball (Calvo and Ambrossi)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Best Screenplay: A Man of His Time (Marre)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Best Actress (Tie): All of a Sudden (Efira and Okamoto)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Best Actor (Tie): Coward (Macchia and Campagne)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;STACKING UP WITH THE RECENT PAST&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;For comparison&#39;s sake, here&#39;s a winner of the same categories over the last five years with eventual TFF selections indicated with an *.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2025&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;Palme d&#39;Or: It Was Just an Accident (Panahi)*&lt;/div&gt;&lt;div&gt;Grand Prix: Sentimental Value (Trier)*&lt;/div&gt;&lt;div&gt;Jury Prize: (Tie) Sirat (Laxe) and The Sound of Falling (Schilinski)&lt;/div&gt;&lt;div&gt;Best Direction: The Secret Agent (Mendonca)*&lt;/div&gt;&lt;div&gt;Best Screenplay: Young Mothers (Luc and Jean-Pierre Dardennes)&lt;/div&gt;&lt;div&gt;Best Actress: The Little Sister (Nadia Melliti)&lt;/div&gt;&lt;div&gt;Best Actor (Tie): The Secret Agent (Wagner Moura)*&lt;/div&gt;&lt;div&gt;Special Prize: Ressurection (Gan)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2024&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Palme d&#39;Or: Anora (Baker)*&lt;/div&gt;&lt;div&gt;Grand Prix: All We Imagine as Light (Kapadia)*&lt;/div&gt;&lt;div&gt;Jury Prize: Emilia Perez (Audiard)*&lt;/div&gt;&lt;div&gt;Best Direction: Grand Tour (Gomes)&lt;/div&gt;&lt;div&gt;Best Screenplay: The Substance (Fargeat)&lt;/div&gt;&lt;div&gt;Best Actress: Emilia Perez (Gascon, Saldana, Gomez and Paz)*&lt;/div&gt;&lt;div&gt;Best Actor: Kinds of Kindness (Plemons)&lt;/div&gt;&lt;div&gt;Special Prize: The Seed of the Sacred Fig (Rasoulof)*&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2023&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Palme d&#39;Or: Anotomy of a Fall (Triet)*&lt;/div&gt;&lt;div&gt;Grand Prix: The Zone of Interest (Glazer)*&lt;/div&gt;&lt;div&gt;Jury Prize: Fallen Leaves (Kaurismaki)*&lt;/div&gt;&lt;div&gt;Best Direction: The Taste of Things (Tran Ahn Hung)*&lt;/div&gt;&lt;div&gt;Best Screenplay: Monster (Sakamoto, dir: Kore-eda)&lt;/div&gt;&lt;div&gt;Best Actress: About Dry Grasses (Merve Dizdar)&lt;/div&gt;&lt;div&gt;Best Actor: Fallen Leaves (Koji Yakoshu)*&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2022&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;Palme d&#39;Or: Triangle of Sadness (Ostlund)&lt;/div&gt;&lt;div&gt;Grand Prix: (Tie): Stars at Noon (Denis) and Close (Dhont)*&lt;/div&gt;&lt;div&gt;Jury Prize: (Tie): Eo (Skolimowski) and Eight Mountains (Vandermeersch and Groeningen)&lt;/div&gt;&lt;div&gt;Best Direction: Decision to Leave (Chan-wook)&lt;/div&gt;&lt;div&gt;Best Screenplay: Boy from Heaven (Saleh)&lt;/div&gt;&lt;div&gt;Best Actress: Holy Spider (Amir Ebrahimi)*&lt;/div&gt;&lt;div&gt;Best Actor: Broker (Kang-ho)*&lt;/div&gt;&lt;div&gt;Special 75th Anniversary Prize: Tori and Lokita (Dardennes)*&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2021&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;Palme d&#39;Or: Titane (Ducournau)&lt;/div&gt;&lt;div&gt;Grand Prix: (Tie): Compartment&amp;nbsp; No. 6 (Kuosmanen) and A Hero (Farhadi)*&lt;/div&gt;&lt;div&gt;Jury Prize: (Tie): Ahed&#39;s Knee (Lapid) and Memoria (Weerasethakul)&lt;/div&gt;&lt;div&gt;Best Direction: Annette (Carax)&lt;/div&gt;&lt;div&gt;Best Screenplay: Drive My Car (Hamaguchi)&lt;/div&gt;&lt;div&gt;Best Actress: The Worst Person in the World (Renate Reinsve)&lt;/div&gt;&lt;div&gt;Best Actor: Nitram (Caleb Landry Jones)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;As you can see, winning the Plame d&#39;Or isn&#39;t a guarantee that a film will play at TFF although the last three have.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;As to the rest of the categories, here&#39;s where they stand over the five years with winners then being a part of TFF:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Grand Prix: 5 (it&#39;s the most solid category in terms of a Cannes/Telluride connection).&lt;/div&gt;&lt;div&gt;Jury Prize: 2&lt;/div&gt;&lt;div&gt;Director: 2&lt;/div&gt;&lt;div&gt;Screenplay: 0&lt;/div&gt;&lt;div&gt;Actress: 2&lt;/div&gt;&lt;div&gt;Actor: 3&lt;/div&gt;&lt;div&gt;Special Prizes: 2&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;So your best odds by this metric favor 2026 Grand Prix winner Minotaur.&lt;/div&gt;&lt;div&gt;Next best are for Palme winners and Best Actor which would point toward: Fjord and Coward.&lt;/div&gt;&lt;div&gt;After that it gets very murky...&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;WHAT THE RATINGS SUGGEST&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Taking a look at Cannes results over the last five years that have made the connection between Cannes and Telluride is, at the least interesting, and may be instructive as to anticipating what films might make that journey this year.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;First, the average number of films that do the Telluride/Cannes two step seems to have increased over the past five years.&amp;nbsp; Here&#39;s the number that have made it since 2021:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2021-7&lt;/div&gt;&lt;div&gt;2022-9&lt;/div&gt;&lt;div&gt;2023-10&lt;/div&gt;&lt;div&gt;2024-8&lt;/div&gt;&lt;div&gt;2025-9&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;That averages out to 8.6 films each year.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Now, using the ratings from Cannes-ratings.org, where did these 43 films land on their 10point scale?&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2021:&lt;/div&gt;&lt;div&gt;A Hero 7.30&lt;/div&gt;&lt;div&gt;Red Rocket 7.30&lt;/div&gt;&lt;div&gt;The French Dispatch 7.11&lt;/div&gt;&lt;div&gt;Bergman Island 7.09&lt;/div&gt;&lt;div&gt;The Velvet Underground 6.83&lt;/div&gt;&lt;div&gt;Cow 6.80&lt;/div&gt;&lt;div&gt;Unclenching the Fists 6.24&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2022:&lt;/div&gt;&lt;div&gt;The Pupils 8.37&lt;/div&gt;&lt;div&gt;Aftersun 8.17&lt;/div&gt;&lt;div&gt;Close 7.76&lt;/div&gt;&lt;div&gt;Broker 7.47&lt;/div&gt;&lt;div&gt;Godland 7.38&lt;/div&gt;&lt;div&gt;One Fine Morning 7.34&lt;/div&gt;&lt;div&gt;Armageddon Time 6.90&lt;/div&gt;&lt;div&gt;Holy Spider 6.70&lt;/div&gt;&lt;div&gt;Tori and Lokita 6.32&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2023:&lt;/div&gt;&lt;div&gt;The Zone of Interest 8.19&lt;/div&gt;&lt;div&gt;Perfect Days 7.91&lt;/div&gt;&lt;div&gt;Anatomy of a Fall 7.90&lt;/div&gt;&lt;div&gt;Fallen Leaves 7.46&lt;/div&gt;&lt;div&gt;La Chimera 7.46&lt;/div&gt;&lt;div&gt;The Taste of Things 7.01&lt;/div&gt;&lt;div&gt;Occupied City 6.97&lt;/div&gt;&lt;div&gt;Anselm 6.41&lt;/div&gt;&lt;div&gt;Little Girl Blue 6.21&lt;/div&gt;&lt;div&gt;Room 999 (no ratings found)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2024:&lt;/div&gt;&lt;div&gt;Anora 8.35&lt;/div&gt;&lt;div&gt;Misericordia 7.47&lt;/div&gt;&lt;div&gt;Bird 7.45&lt;/div&gt;&lt;div&gt;Emilia Perez 7.42&lt;/div&gt;&lt;div&gt;All We Imagine as Light 7.02&lt;/div&gt;&lt;div&gt;The Apprentice 6.94&lt;/div&gt;&lt;div&gt;Santosh 6.07&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2025:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Sentimental Value 8.04&lt;/div&gt;&lt;div&gt;It Was Just an Accident 7.75&lt;/div&gt;&lt;div&gt;Pillion 7.30&lt;/div&gt;&lt;div&gt;Nouvelle Vague 7.23&lt;/div&gt;&lt;div&gt;Urchin 7.15&lt;/div&gt;&lt;div&gt;A Private Life 6.99&lt;/div&gt;&lt;div&gt;Mastermind 6.29&lt;/div&gt;&lt;div&gt;The History of Sound 5.81&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;43 films in all with 2025&#39;s The History of Sound being the lowest rated film to be picked up of any of the 43 by TFF.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The vast majority of films clear the 6.5 bar.&amp;nbsp; That&#39;s true for 35 of he 43 films listed above.&amp;nbsp; So what do this year&#39;s ratings signal, if anything?&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Using the 6.5 or above metric and also being a little sly about films that are on the MTFB watch list, here&#39;s some takeaways:&lt;/div&gt;&lt;div&gt;32 films in all sections of Cannes #79 were above the 6.5 threshold. Among them, here are some films that I have on the MTFB watch list and where they are on the Cannes-ratings.org list:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;#7) All of a Sudden 7.39&lt;/div&gt;&lt;div&gt;#10) Coward 7.28&lt;/div&gt;&lt;div&gt;#11) Minotaur 7.03&lt;/div&gt;&lt;div&gt;#21) Fjord 6.69&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Other films that made enough of a splash that could earn them spots on the MTFB Watch List:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;#1 Club Kid 8.37&lt;/div&gt;&lt;div&gt;#13 The Dreamed Adventure 6.94&lt;/div&gt;&lt;div&gt;#15 The Black Ball 6.91&lt;/div&gt;&lt;div&gt;#24 Avedon 6.50&lt;/div&gt;&lt;div&gt;#31 Clarissa 6.43&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB Watch list films that may have taken a hit:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;#40 Fatherland 6.15&lt;/div&gt;&lt;div&gt;#42 Paper Tiger 6.15&lt;/div&gt;&lt;div&gt;#43 Hope 6.14&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Off the top 50 grid so...you know...&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Moulin 5.73&lt;/div&gt;&lt;div&gt;Gentle Monster 4.66&lt;/div&gt;&lt;div&gt;Sheep in the Box 4.53&lt;/div&gt;&lt;div&gt;Parallel Tales 4.22&lt;/div&gt;&lt;div&gt;The Unknown 4.14&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Draw your own conclusions...the first official &quot;Ten Bets&quot; for TFF #53 drops on June18th.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;More on Thursday!&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/872655989252220761/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/872655989252220761' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/872655989252220761'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/872655989252220761'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/prize-winners-from-cannes-stacking-up.html' title='Prize Winners from Cannes / Stacking Up with the Recent Past / What the Ratings Suggest'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ6ygkYqXd6r0B38yEnKs6_sQutKtpBz7SIOnbWuj1BA-cScTXLc1-zXO2R8iFYhqMwrJ4QU-qTIt-tGOTRSI5SIXcJEsh1VnFw5gKerxoAGn87-4G3qT8wnWLg6stg8OaT61JUkezEmwzrEb8QWJ9y9A7Wkx6TBEi-_aW1BclUkbsY4g_Yuv0Zq1jzYM/s72-c/cannes%20poster%202026.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-8639643299086561535</id><published>2026-05-23T10:21:22.229-05:00</published><updated>2026-05-23T10:21:22.229-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><title type='text'>SPECIAL SATURDAY POST: FINAL CRITICAL CHECK-IN BEFORE CANNES AWARDS</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;FINAL CRITICAL CHECK-IN BEFORE CANNES AWARDS&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Updated as of this morning at 10:30 am (EST) for all 22 Palme competition tiles&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;IONCINEMA (5 point scale)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Fatherland 3.7&lt;/div&gt;&lt;div&gt;1) Fjord 3.7&lt;/div&gt;&lt;div&gt;1) Coward 3.7&lt;/div&gt;&lt;div&gt;4) Minotaur 3.5&lt;/div&gt;&lt;div&gt;5) A Man of His Time 3.4&lt;/div&gt;&lt;div&gt;5) The Man I Love 3.4&lt;/div&gt;&lt;div&gt;7) All of a Sudden 3.3&lt;/div&gt;&lt;div&gt;8) Paper Tiger 3.2&lt;/div&gt;&lt;div&gt;8) The Beloved 3.2&lt;/div&gt;&lt;div&gt;10) Hope 3.2&lt;/div&gt;&lt;div&gt;11) Naji Notes 2.8&lt;/div&gt;&lt;div&gt;11) The Black Ball 2.8&lt;/div&gt;&lt;div&gt;11) A Woman&#39;s Life 2.8&lt;/div&gt;&lt;div&gt;14) Bitter Christmas 2.7&lt;/div&gt;&lt;div&gt;14) Moulin 2.7&lt;/div&gt;&lt;div&gt;16) Gentle Monster 2.6&lt;/div&gt;&lt;div&gt;16) Another Day 2.6&lt;/div&gt;&lt;div&gt;18) The Unknown 2.4&lt;/div&gt;&lt;div&gt;18) Parallel Tales 2.4&lt;/div&gt;&lt;div&gt;20) Sheep in the Box 2.2&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Note: Ioncinema did not have ratings this morning for The Dreamed Adventure or The Birthday Party.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;SCREEN DAILY (4 point scale)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Fatherland 3.3&lt;/div&gt;&lt;div&gt;2) Minotaur 3.2&lt;/div&gt;&lt;div&gt;3) All of a Sudden 3.1&lt;/div&gt;&lt;div&gt;3) The Dreamed Adventure 3.1&lt;/div&gt;&lt;div&gt;5) Paper Tiger 2.8&lt;/div&gt;&lt;div&gt;5) A Man of His Time 2.8&lt;/div&gt;&lt;div&gt;5) Hope 2.8&lt;/div&gt;&lt;div&gt;8) Fjord 2.5&lt;/div&gt;&lt;div&gt;8) Naji Notes 2.5&lt;/div&gt;&lt;div&gt;10) The Man I Love 2.4&lt;/div&gt;&lt;div&gt;11) Bitter Christmas 2.2&lt;/div&gt;&lt;div&gt;12) The Black Ball 2.1&lt;/div&gt;&lt;div&gt;13) Coward 2.0&lt;/div&gt;&lt;div&gt;13) The Beloved 2.0&lt;/div&gt;&lt;div&gt;15) A Woman&#39;s Life 1.9&lt;/div&gt;&lt;div&gt;15) Moulin 1.9&lt;/div&gt;&lt;div&gt;15)The Unknown 1.9&lt;/div&gt;&lt;div&gt;18) Gentle Monster 1.8&lt;/div&gt;&lt;div&gt;19) Another Day 1.7&lt;/div&gt;&lt;div&gt;19) Parallel Lives 1.7&lt;/div&gt;&lt;div&gt;21) Sheep in the Box 1.3&lt;/div&gt;&lt;div&gt;22) The Birthday Party 1.1&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;INTERNATIONAL CINEPHILE SOCIETY (4 point scale)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Paper Tiger 3.69&lt;/div&gt;&lt;div&gt;2) Fatherland 3.58&lt;/div&gt;&lt;div&gt;2) A Man of His Time 3.54&lt;/div&gt;&lt;div&gt;4) The Man I Love 3.50&lt;/div&gt;&lt;div&gt;5) All of a Sudden 3.38&lt;/div&gt;&lt;div&gt;6) Minotaur 3.23&lt;/div&gt;&lt;div&gt;7) The Unknown 3.19&lt;/div&gt;&lt;div&gt;8)The Dreamed Adventure 3.05&lt;/div&gt;&lt;div&gt;9) Coward 3.00&lt;/div&gt;&lt;div&gt;9) Fjord 3.00&lt;/div&gt;&lt;div&gt;11) Bitter Christmas 2.96&lt;/div&gt;&lt;div&gt;12) Moulin 2.75&lt;/div&gt;&lt;div&gt;13) Hope 2.71&lt;/div&gt;&lt;div&gt;14) A Woman&#39;s Life 2.64&lt;/div&gt;&lt;div&gt;15) Naji Notes 2.62&lt;/div&gt;&lt;div&gt;16) The Birthday Party 2.55&lt;/div&gt;&lt;div&gt;17) The Beloved 2.54&lt;/div&gt;&lt;div&gt;18) Gentle Monster 2.45&lt;/div&gt;&lt;div&gt;18) Another Day 2.45&lt;/div&gt;&lt;div&gt;20) The Black Ball 2.23&lt;/div&gt;&lt;div&gt;21) Sheep in the Box 2.04&lt;/div&gt;&lt;div&gt;22) Parallel Tales 1.69&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;CANNES-RATINGS.ORG (10 point scale)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Bitter Christmas 7.46&lt;/div&gt;&lt;div&gt;2) Coward 7.43&lt;/div&gt;&lt;div&gt;3) All of a Sudden 7.36&lt;/div&gt;&lt;div&gt;4) Minotaur 6.99&lt;/div&gt;&lt;div&gt;5) The Black Ball 6.94&lt;/div&gt;&lt;div&gt;6) The Dreamed Adventure 6.72&lt;/div&gt;&lt;div&gt;7) Fjord 6.64&lt;/div&gt;&lt;div&gt;8) The Beloved 6.49&lt;/div&gt;&lt;div&gt;9) A Man of His Time 6.4&lt;/div&gt;&lt;div&gt;10) Another Day 6.23&lt;/div&gt;&lt;div&gt;11) Paper Tiger 6.14&lt;/div&gt;&lt;div&gt;12) Hope 6.09&lt;/div&gt;&lt;div&gt;13) Fatherland 6.08&lt;/div&gt;&lt;div&gt;14) A Woman&#39;s Life 5.56&lt;/div&gt;&lt;div&gt;15) Moulin 5.35&lt;/div&gt;&lt;div&gt;16) The Man I Love 5.28&lt;/div&gt;&lt;div&gt;17) Naji Notes 6.27&lt;/div&gt;&lt;div&gt;18) Gentle Monster 4.73&lt;/div&gt;&lt;div&gt;19) Sheep in the Box 4.44&lt;/div&gt;&lt;div&gt;20) Parallel Tales 4.17&lt;/div&gt;&lt;div&gt;21) The Unknown 4.13&lt;/div&gt;&lt;div&gt;22) The Birthday Party 3.99&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;and the MTFB &quot;touch&quot; the combination from all four sources.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Fatherland 13.62&lt;/div&gt;&lt;div&gt;2)&amp;nbsp; All of a Sudden 13.46&lt;/div&gt;&lt;div&gt;3) Minotaur 13.45&lt;/div&gt;&lt;div&gt;4) A Man of His Time 12.94&lt;/div&gt;&lt;div&gt;5) Paper Tiger 12.76&lt;/div&gt;&lt;div&gt;6) The Dreamed Adventure 12.68&lt;/div&gt;&lt;div&gt;7) Fjord 12.52&lt;/div&gt;&lt;div&gt;8) Coward 12.42&lt;/div&gt;&lt;div&gt;9) The Man I Love 11.94&lt;/div&gt;&lt;div&gt;10) Hope 11.76&lt;/div&gt;&lt;div&gt;11) Bitter Christmas 11.59&lt;/div&gt;&lt;div&gt;12) The Beloved 10.99&lt;/div&gt;&lt;div&gt;13) The Black Ball 10.60&lt;/div&gt;&lt;div&gt;14) Naji Notes 10.56&lt;/div&gt;&lt;div&gt;15) A Woman&#39;s Life 10.12&lt;/div&gt;&lt;div&gt;16) Moulin 10.03&lt;/div&gt;&lt;div&gt;17) Another Day 9.87&lt;/div&gt;&lt;div&gt;18) The Unknown 9.56&lt;/div&gt;&lt;div&gt;19) Gentle Monster 9.22&lt;/div&gt;&lt;div&gt;20) Parallel Tales 7.88&lt;/div&gt;&lt;div&gt;21) Sheep in the Box 7.76&lt;/div&gt;&lt;div&gt;22) The Birthday Party 5.65&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The Kalshi line for the Plame d&#39;Or as of 10:30am (EST): Minotaur, All of a Sudden, Fatherland.&amp;nbsp; Big spike for Minotaur in the past few hours.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/8639643299086561535/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/8639643299086561535' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/8639643299086561535'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/8639643299086561535'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/special-saturday-post-final-critical.html' title='SPECIAL SATURDAY POST: FINAL CRITICAL CHECK-IN BEFORE CANNES AWARDS'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-5049801700954582468</id><published>2026-05-22T10:04:35.330-05:00</published><updated>2026-05-22T10:04:35.330-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><title type='text'>SPECIAL FRIDAY UPDATE: CANNES AND THE CRITICS</title><content type='html'>&lt;p&gt;SPECIAL FRIDAY UPDATE: CANNES AND THE CRITICS&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnqnV6b5lImRthQ3KsJIXS1Js6Xzfi9x36OamUE2V7enEnrkHf3-baWxdGNv5_5Lu_wTov6PfWb1t7ilCu-QYBagxelRnANQfKuSI7blXs97mODG5oZXhinl75LQ5Ed2FxNXyC-Zm6PPUqmJuYw_FAjm7zW5k3KFM6O_Lgc2Syz-jcdLGdD2vQndY582s/s681/Palme%202022.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;383&quot; data-original-width=&quot;681&quot; height=&quot;180&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnqnV6b5lImRthQ3KsJIXS1Js6Xzfi9x36OamUE2V7enEnrkHf3-baWxdGNv5_5Lu_wTov6PfWb1t7ilCu-QYBagxelRnANQfKuSI7blXs97mODG5oZXhinl75LQ5Ed2FxNXyC-Zm6PPUqmJuYw_FAjm7zW5k3KFM6O_Lgc2Syz-jcdLGdD2vQndY582s/s320/Palme%202022.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;With the awards now only hours away in France. MTFB is updating our window on the critical response there.&lt;/div&gt;&lt;p&gt;Additional titles have screened and continued adding of critics&#39; responses puts us with 12 films we&#39;re including in our analysis of what&#39;s what at Cannes&lt;/p&gt;&lt;p&gt;Here&#39;s the rundown on each film from each critical accumulator I&#39;m following: Ioncinema, Screen Daily, The International Cinephile Society and Cannes-ratings.org.&lt;/p&gt;&lt;div&gt;IONCINEMA (5 point scale)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Fatherland 3.7&lt;/div&gt;&lt;div&gt;1) Fjord 3.7&lt;/div&gt;&lt;div&gt;1) Coward 3.7&lt;/div&gt;&lt;div&gt;4) Minotaur 3.5&lt;/div&gt;&lt;div&gt;5) A Man of His Time 3.4&lt;/div&gt;&lt;div&gt;5) The Man I Love 3.4&lt;/div&gt;&lt;div&gt;7) All of a Sudden 3.3&lt;/div&gt;&lt;div&gt;8) Paper Tiger 3.2&lt;/div&gt;&lt;div&gt;8) The Beloved 3.2&lt;/div&gt;&lt;div&gt;10) Hope 3.2&lt;/div&gt;&lt;div&gt;11) Bitter Christmas 3.0&lt;/div&gt;&lt;div&gt;12) The Black Ball 2.8&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;SCREEN DAILY (4 point scale)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Fatherland 3.3&lt;/div&gt;&lt;div&gt;2) Minotaur 3.2&lt;/div&gt;&lt;div&gt;3) All of a Sudden 3.1&lt;/div&gt;&lt;div&gt;4) Paper Tiger 2.8&lt;/div&gt;&lt;div&gt;4) Hope 2.8&lt;/div&gt;&lt;div&gt;4) A Man of His Time 2.8&lt;/div&gt;&lt;div&gt;7) Fjord 2.5&lt;/div&gt;&lt;div&gt;8) Bitter Christmas 2.2&lt;/div&gt;&lt;div&gt;9) The Man I Love 2.1&lt;/div&gt;&lt;div&gt;9) The Black Ball 2.8&lt;/div&gt;&lt;div&gt;11)Coward 2.0&lt;/div&gt;&lt;div&gt;11) The Beloved 2.0&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;INTERNATIONAL CINEPHILE SOCIETY (4 point scale)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Paper Tiger 3.69&lt;/div&gt;&lt;div&gt;2) Fatherland 3.54&lt;/div&gt;&lt;div&gt;2) A Man of His Time 3.54&lt;/div&gt;&lt;div&gt;4) The Man I Love 3.50&lt;/div&gt;&lt;div&gt;5) All of a Sudden 3.38&lt;/div&gt;&lt;div&gt;6) Minotaur 3.23&lt;/div&gt;&lt;div&gt;7) Coward 3.06&lt;/div&gt;&lt;div&gt;8) Bitter Christmas 3.00&lt;/div&gt;&lt;div&gt;9) Fjord 2.96&lt;/div&gt;&lt;div&gt;10) Hope 2.71&lt;/div&gt;&lt;div&gt;11) The Beloved 2.54&lt;/div&gt;&lt;div&gt;12) The Black Ball 2.05&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;CANNES-RATINGS.ORG (10 point scale)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) The Black Ball 8.62&lt;/div&gt;&lt;div&gt;2) Coward 7.80&lt;/div&gt;&lt;div&gt;3) Bitter Christmas 7.48&lt;/div&gt;&lt;div&gt;4) All of a Sudden 7.27&lt;/div&gt;&lt;div&gt;5) Minotaur 7.00&lt;/div&gt;&lt;div&gt;6) Fjord 6.81&lt;/div&gt;&lt;div&gt;7) The Beloved 6.49&lt;/div&gt;&lt;div&gt;8) Hope 6.37&lt;/div&gt;&lt;div&gt;9) A Man of His Time 6.33&lt;/div&gt;&lt;div&gt;10) Fatherland 6.12&lt;/div&gt;&lt;div&gt;11) Paper Tiger 6.07&lt;/div&gt;&lt;div&gt;12) The Man I Love 5.44&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;and the MTFB &quot;touch&quot; the combination from all four sources*.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1) Fatherland 13.60&lt;/div&gt;&lt;div&gt;2) Minotaur 13.42&lt;/div&gt;&lt;div&gt;2)&amp;nbsp; All of a Sudden 13.42&lt;/div&gt;&lt;div&gt;4) A Man of His Time 12.91&lt;/div&gt;&lt;div&gt;5) Paper Tiger 12.73&lt;/div&gt;&lt;div&gt;6) Coward 12.66&lt;/div&gt;&lt;div&gt;7) Fjord 12.57&lt;/div&gt;&lt;div&gt;8) Bitter Christmas 11.94&lt;/div&gt;&lt;div&gt;9) Hope 11.90&lt;/div&gt;&lt;div&gt;10) The Man I Love 11.72&lt;/div&gt;&lt;div&gt;11) The Black Ball 11.26&lt;/div&gt;&lt;div&gt;12) The Beloved 10.99&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;* Ratings have been balanced for each source.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Finally the Kalshi line this morning for the Palme d&#39;Or have All of a Sudden out front with The Black Ball at #2 and Fatherland at #3.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The critics are all over the place with various groups placing films at wildly divergent spots within this top 12.&amp;nbsp; Look again at the combined ratings with the addition of what spot they&#39;re at in each of the four groups.&amp;nbsp; It&#39;s crazily inconsistent:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;1) Fatherland 13.60 [1-1-2-10]&lt;/div&gt;&lt;div&gt;2) Minotaur 13.42 [4-2-6-5]&lt;/div&gt;&lt;div&gt;2)&amp;nbsp; All of a Sudden 13.42 [7-3-5-4]&lt;/div&gt;&lt;div&gt;4) A Man of His Time 12.91 [5-4-2-9]&lt;/div&gt;&lt;div&gt;5) Paper Tiger 12.73 [8-4-1-11]&lt;/div&gt;&lt;div&gt;6) Coward 12.66 [1-11-7-2]&lt;/div&gt;&lt;div&gt;7) Fjord 12.57 [1-7-9-6]&lt;/div&gt;&lt;div&gt;8) Bitter Christmas 11.94 [11-8-8-3]&lt;/div&gt;&lt;div&gt;9) Hope 11.90 [10-4-10-8]&lt;/div&gt;&lt;div&gt;10) The Man I Love 11.72 [5-9-4-12]&lt;/div&gt;&lt;div&gt;11) The Black Ball 11.26 [12-9-12-1]&lt;/div&gt;&lt;div&gt;12) The Beloved 10.99 [8-11-11-7]&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;My gut leans toward All of a Sudden.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;A Tough week for Farhadi (Parallel Tales), Kruetzer (Gentle Monster), Kore-eda (Sheep in the Box), Harari (The Unknown) and Nemes (Moulin).&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Source links:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://www.ioncinema.com/wp-content/uploads/2026/05/2026-cannes-grid-bitter-christmas.jpg&quot; target=&quot;_blank&quot;&gt;Ioncinema&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://www.ioncinema.com/wp-content/uploads/2026/05/2026-cannes-grid-bitter-christmas.jpg&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://www.screendaily.com/cannes-jury-grid&quot; target=&quot;_blank&quot;&gt;Screen Daily&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://www.screendaily.com/cannes-jury-grid&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://icsfilm.org/cannes-ics-grid/cannes-2026-ics-press-industry-panel/&quot; target=&quot;_blank&quot;&gt;International Cinephile Society&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://icsfilm.org/cannes-ics-grid/cannes-2026-ics-press-industry-panel/&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://cannes-ratings.org/&quot; target=&quot;_blank&quot;&gt;Cannes-ratings.org&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://cannes-ratings.org/&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/5049801700954582468/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/5049801700954582468' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/5049801700954582468'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/5049801700954582468'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/special-friday-update-cannes-and-critics.html' title='SPECIAL FRIDAY UPDATE: CANNES AND THE CRITICS'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnqnV6b5lImRthQ3KsJIXS1Js6Xzfi9x36OamUE2V7enEnrkHf3-baWxdGNv5_5Lu_wTov6PfWb1t7ilCu-QYBagxelRnANQfKuSI7blXs97mODG5oZXhinl75LQ5Ed2FxNXyC-Zm6PPUqmJuYw_FAjm7zW5k3KFM6O_Lgc2Syz-jcdLGdD2vQndY582s/s72-c/Palme%202022.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-7204738765288834373</id><published>2026-05-21T09:55:11.312-05:00</published><updated>2026-05-21T09:55:11.313-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cannes Critics&#39; Update"/><title type='text'>SPECIAL: Cannes Critics&#39; Update</title><content type='html'>&lt;p&gt;&amp;nbsp;SPECIAL: CANNES CRITICS UPDATE-THURSDAY&lt;/p&gt;&lt;p&gt;As an addendum to today&#39;s regular post I am updating the critics&#39; charts with the most recently available information.&lt;/p&gt;&lt;p&gt;We&#39;re looking what seem to be the eight critical favorites from the Palme d&#39;Or competition.&amp;nbsp; Each of them are somewhere on the MTFB radar as possible titles for TFF #53.&amp;nbsp; Currently, the charts are missing sufficient data on 4-5 films (keep an eye on the critical response to Lukas Dhont&#39;s Coward)&amp;nbsp; Award winners will be announced on Saturday.&lt;/p&gt;&lt;p&gt;Here&#39;s the rundown on each film from each critical accumulator I&#39;m following: Ioncinema, Screen Daily, The International Cinephile Society and Cannes-ratings.org.&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;IONCINEMA (5 point scale)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Fatherland 3.7&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Fjord 3.7&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) Minotaur 3.5&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;4) All of a Sudden 3.3&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;5) Paper Tiger 3.2&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;5) The Beloved 3.2&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;5) Hope 3.2&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;8) Bitter Christmas 2.9&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;SCREEN DAILY (4 point scale)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Fatherland 3.3&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2) Minotaur 3.2&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) All of a Sudden 3.1&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;4) Paper Tiger 2.8&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;4) Hope 2.8&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;6) Fjord 2,5&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;7) Bitter Christmas 2.2&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;8) The Beloved 2.0&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;INTERNATIONAL CINEPHILE SOCIETY (4 point scale)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Paper Tiger 3.69&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2) Fatherland 3.54&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) All of a Sudden 3.38&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;4) Minotaur 3.23&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;5) Bitter Christmas 3.04&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;6) Fjord 2.82&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;7) Hope 2.71&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;8) The Beloved 2.54&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;CANNES-RATINGS.ORG (10 point scale)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Bitter Christmas 7.61&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2) Minotaur 7.38&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) All of a Sudden 6.86&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;4) Fjord 6.69&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;5) The Beloved 6.51&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;5) Hope 6.51&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;7) Fatherland 6.03&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;8) Paper Tiger 6.02&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;and the MTFB &quot;touch&quot; the combination from all four sources*.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Minotaur 13.62&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2) Fatherland 13.56&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) All of a Sudden 13.21&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;4) Paper Tiger 12.70&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;5) Fjord 12.37&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;6) Bitter Christmas 12.00&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;7) Hope 11.95&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;8) The Beloved&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;* Ratings have been balanced for each source.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Finally the Kalshi line this morning for the Palme d&#39;Or have All of a sudden and Minotaur in a dead heat closely followed by Fatherland.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Source links:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.ioncinema.com/wp-content/uploads/2026/05/2026-cannes-grid-bitter-christmas.jpg&quot; target=&quot;_blank&quot;&gt;Ioncinema&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.ioncinema.com/wp-content/uploads/2026/05/2026-cannes-grid-bitter-christmas.jpg&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.screendaily.com/cannes-jury-grid&quot; target=&quot;_blank&quot;&gt;Screen Daily&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.screendaily.com/cannes-jury-grid&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://icsfilm.org/cannes-ics-grid/cannes-2026-ics-press-industry-panel/&quot; target=&quot;_blank&quot;&gt;International Cinephile Society&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://icsfilm.org/cannes-ics-grid/cannes-2026-ics-press-industry-panel/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://cannes-ratings.org/&quot; target=&quot;_blank&quot;&gt;Cannes-ratings.org&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://cannes-ratings.org/&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/7204738765288834373/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/7204738765288834373' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/7204738765288834373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/7204738765288834373'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/special-cannes-critics-update.html' title='SPECIAL: Cannes Critics&#39; Update'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-2419641978136629593</id><published>2026-05-21T07:30:00.000-05:00</published><updated>2026-05-21T07:30:00.111-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="All of a Sudden"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><category scheme="http://www.blogger.com/atom/ns#" term="Club Kid"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Fjord"/><category scheme="http://www.blogger.com/atom/ns#" term="Jesse Eisenberg"/><category scheme="http://www.blogger.com/atom/ns#" term="Mike Leigh"/><category scheme="http://www.blogger.com/atom/ns#" term="No One Cares"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="Tender Loving Care"/><title type='text'>Cannes Continues / Some Buzz from Eisenberg / Mike Leigh Has a Title </title><content type='html'>&lt;p&gt;&amp;nbsp;CANNES CONTINUES&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK-38J3vr8YYv6KBgav5e8pocIaDg5HmYt1_X1RxTeyXBc1pLxhuL-faI435SP4sov52AuhxQsR2cmZ112BwAWGYJxkFVKadgZlCVkdBytpEMt6UDLRLmNq4J1Qm6iM5Kz6NGrifT73iHnRunTnC9MbyUTFPA5eOdo4GdKgjpzHRqAqr9JkvyQWAQW4dI/s308/palmedor.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;164&quot; data-original-width=&quot;308&quot; height=&quot;164&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK-38J3vr8YYv6KBgav5e8pocIaDg5HmYt1_X1RxTeyXBc1pLxhuL-faI435SP4sov52AuhxQsR2cmZ112BwAWGYJxkFVKadgZlCVkdBytpEMt6UDLRLmNq4J1Qm6iM5Kz6NGrifT73iHnRunTnC9MbyUTFPA5eOdo4GdKgjpzHRqAqr9JkvyQWAQW4dI/s1600/palmedor.jpg&quot; width=&quot;308&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The 79th Cannes Film Fest has passed its halfway mark and is barreling toward its conclusion this weekend. Taking a look at the metrics from Screen Daily, Ioncinema and Cannes-ratings.org, here are the films that seem to be at the forefront critically (*** indicates that the film is on my TFF watch list):&lt;/p&gt;&lt;p&gt;From Screen Daily (films in Palme competition with a better than 2.5 rating on a four point scale):&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Fatherland 3.3***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2) All of a Sudden 3.1***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) Paper Tiger 2.8***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) Hope 2.8***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;5) Naji Notes 2.5&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://edition.pagesuite-professional.co.uk/html5/reader/production/default.aspx?pubname=&amp;amp;edid=7d45952f-7ff1-4ba7-b98c-78b6cf24da1e&quot; target=&quot;_blank&quot;&gt;The complete Screen Daily chart is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://edition.pagesuite-professional.co.uk/html5/reader/production/default.aspx?pubname=&amp;amp;edid=7d45952f-7ff1-4ba7-b98c-78b6cf24da1e&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;From Ioncinema (films in Palme competition with a better than 3.0 rating on a five point scale):&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Fatherland 3.7***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2) Fjord 3.5***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) All of a Sudden 3.3***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;4) Paper Tiger 3.2***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;4) The Beloved 3.2&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;6) Hope 3.1***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.ioncinema.com/wp-content/uploads/2026/05/2026-cannes-grid-fjord.jpg&quot; target=&quot;_blank&quot;&gt;The complete Ioncinema grid is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.ioncinema.com/wp-content/uploads/2026/05/2026-cannes-grid-fjord.jpg&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;From Cannes-ratings.org (films in Palme competition with a better than 7.0 rating on a 10 point scale and a minimum of 8 reviews):&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;1) Fjord 7.81***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;2) Bitter Christmas 7.53***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) All of a Sudden 7.24***&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;3) The Beloved 7.24&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Of special note is the hugely favorable critical reception to Club Kid from the Un Certain Regard section at Cannes.&amp;nbsp; It has a stellar 8.43 rating to lead all films in any section of the fest.&amp;nbsp; News broke on Tuesday that the film had been picked up for U.S. distribution by A24 after a bidding war that included: Netflix, Searchlight, Focus Features and MUBI according to&amp;nbsp;&lt;a href=&quot;https://variety.com/2026/film/news/jordan-firstman-club-kid-sells-a24-cannes-bidding-war-1236751831/&quot; target=&quot;_blank&quot;&gt;this story from Variety.&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The critical reception, the players vying for the film and the ultimate winning bid is enough to make me pay attention to it as a possible TFF selection.&amp;nbsp; &amp;nbsp;Stay tuned.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Club Kid is a first feature for director/writer Jordan Firstman. .&amp;nbsp; The IMDb description is:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;A washed-up New York party promoter is forced to turn his life around when an unexpected visitor arrives.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://cannes-ratings.org/&quot; target=&quot;_blank&quot;&gt;The complete set of ratings from Cannes-ratins.org is linked here.&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://cannes-ratings.org/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;According to Kalshi&amp;nbsp; (as of yesterday), Minotaur has the best odds to win the Palme followed by All of a Sudden and Fatherland.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;SOME BUZZ FOR EISENBERG&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-YIll3ty2jViIpD85817ZPmUb8-oeA6VteKjAS-cU_peZHg9g-LY5NorOYKvtbgdyhjy7117hCd3MOyl_S3eiLUvas3wskifWxWq6F5sKI9R6389XCK8r5PHI-Ox8zWnKYzP2_TZZBksmqu95HmjHOSbXAZY3ST3aQ6utkYVwfB26zD94k36jhTVvgRY/s267/jesse%20eisenberg.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;267&quot; data-original-width=&quot;188&quot; height=&quot;267&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-YIll3ty2jViIpD85817ZPmUb8-oeA6VteKjAS-cU_peZHg9g-LY5NorOYKvtbgdyhjy7117hCd3MOyl_S3eiLUvas3wskifWxWq6F5sKI9R6389XCK8r5PHI-Ox8zWnKYzP2_TZZBksmqu95HmjHOSbXAZY3ST3aQ6utkYVwfB26zD94k36jhTVvgRY/s1600/jesse%20eisenberg.jpg&quot; width=&quot;188&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Spooking around the interwebs yesterday I came across the news that what has been referred to as &quot;The Untitled Jesse Eisenberg Musical Comedy now has an actual title: No One Cares.&amp;nbsp; It also seems that the film has been screened at Cannes and it seems that the screening went well.&amp;nbsp; So says World of Reel.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;WOR describes the film as follows:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;Starring Julianne Moore and Paul Giamatti, with Eisenberg also appearing briefly, “No One Cares” is set in “the high-stakes world of community theater,” and follows a shy woman (Moore) who is unexpectedly cast in a local production of an original musical.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Giamatti plays the director of the community theater production.&amp;nbsp; I think it sounds great and I have had it on my TFF #53 watch list for some time mostly because Eisenberg screened A Real Pain at TFF in 2024.&amp;nbsp; That seemed to work out fairly well.&amp;nbsp; The film is being distributed by A24 which doesn&#39;t hurt.&amp;nbsp; Additionally WOR writes:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;A24 is positioning the film for a fall premiere, potentially at the Telluride Film Festival and then at the Toronto International Film Festival. An Oscar campaign will likely be mounted for all key players involved.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;MIKE LEIGH HAS A TITLE&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgihnn53xrms9xDEWxcuwb0OjUcYhBCUdR_BWs5DOttxfiBq20MlM1-QJv635PM2llI8AK-NfsbhEvGsvrDyjA5Mw7ahuRrDVEuji65sKNEhZrbChBhT8ILSfejskMXXXqkQNimyEx1U4xnuCG4RMaZs-mO-ceGLJcSOEuWnOs_1E2yWyX_uxgwHGCiXgU/s274/mike%20leigh.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;274&quot; data-original-width=&quot;184&quot; height=&quot;274&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgihnn53xrms9xDEWxcuwb0OjUcYhBCUdR_BWs5DOttxfiBq20MlM1-QJv635PM2llI8AK-NfsbhEvGsvrDyjA5Mw7ahuRrDVEuji65sKNEhZrbChBhT8ILSfejskMXXXqkQNimyEx1U4xnuCG4RMaZs-mO-ceGLJcSOEuWnOs_1E2yWyX_uxgwHGCiXgU/s1600/mike%20leigh.jpg&quot; width=&quot;184&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Another &quot;Untitled Project&quot; has an actual title and that&#39;s the next film from director Mike Leigh.&amp;nbsp; The name: Tender Loving Care.&amp;nbsp; Past that we know almost nothing about the project.&amp;nbsp; You can likely glean a bit of info from what IMDb still lists as &quot;Untitled 2025 Mike Leigh Project&quot;&amp;nbsp; which we assume is the same thing as the newly christened Tender Loving Care.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://pro.imdb.com/title/tt35638092/details&quot; target=&quot;_blank&quot;&gt;That IMDb info is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://pro.imdb.com/title/tt35638092/details&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The IMDb entry reveals that Bleeker Street is the U.S. distributor.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Considering Leigh&#39;s frequent stops at TFF over the years (Secrets and Lies, Happy-Go-Lucky, Another Year and others) you have to believe there&#39;s a decent chance that if it&#39;s ready, Tender Loving Care has a decent shot to play TFF #53.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/2419641978136629593/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/2419641978136629593' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/2419641978136629593'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/2419641978136629593'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/cannes-continues-some-buzz-from.html' title='Cannes Continues / Some Buzz from Eisenberg / Mike Leigh Has a Title '/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK-38J3vr8YYv6KBgav5e8pocIaDg5HmYt1_X1RxTeyXBc1pLxhuL-faI435SP4sov52AuhxQsR2cmZ112BwAWGYJxkFVKadgZlCVkdBytpEMt6UDLRLmNq4J1Qm6iM5Kz6NGrifT73iHnRunTnC9MbyUTFPA5eOdo4GdKgjpzHRqAqr9JkvyQWAQW4dI/s72-c/palmedor.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-6425306752357520570</id><published>2026-05-18T08:00:00.000-05:00</published><updated>2026-05-18T08:00:00.127-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="All of a Sudden"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Gentle Monster"/><category scheme="http://www.blogger.com/atom/ns#" term="Mark Cousins"/><category scheme="http://www.blogger.com/atom/ns#" term="Parallel Tales"/><category scheme="http://www.blogger.com/atom/ns#" term="The Story of Documentary film"/><title type='text'>Early Returns from Cannes / Cousins New Doc Gets Distribution / Pics for Gentle Monster</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;EARLY RETURNS FROM CANNES&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Though we&#39;re only through the first few days of the Cannes International Film Festival, we&#39;re already seeing the emergence of some potential prize-winners for the fest.&amp;nbsp; Here&#39;s the early version of the Screen Daily panel of critics:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;SCREEN DAILY&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj91o5UmFWcoVrR9o8gauOYd6_17R6L8bcgi-aEtgso6SZQyuowJ-IMpR9j7lGcqg9Z7TdwUGibSgWnTJoTOXJqJx9-TyyCkCW6T7JF8xzLbtIOG6n0B8IzZmWOMQ57xviIva92JhDqt2mYRKTzVhbf2Nm2cykpl6KwahqINAQpCJqsbJHEJS_xfkFnMBQ/s433/screen%20daily%205-17%202.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;355&quot; data-original-width=&quot;433&quot; height=&quot;328&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj91o5UmFWcoVrR9o8gauOYd6_17R6L8bcgi-aEtgso6SZQyuowJ-IMpR9j7lGcqg9Z7TdwUGibSgWnTJoTOXJqJx9-TyyCkCW6T7JF8xzLbtIOG6n0B8IzZmWOMQ57xviIva92JhDqt2mYRKTzVhbf2Nm2cykpl6KwahqINAQpCJqsbJHEJS_xfkFnMBQ/w400-h328/screen%20daily%205-17%202.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;As you can see the early films making a mark here are Pawlikowskis&#39; Fatherland and Hamaguchi&#39;s all of a Sudden.&amp;nbsp; Both films have been fairly consistently on the various lists I have posted since the Oscar ceremony and before.&amp;nbsp; Meanwhile. Ioncinema&#39;s chart echoes the status of both Father land and All of a Sudden:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdHOVcqRVVd9ZK0bZ2erBW9pfLC5M0a1F3VYnsPYicu_0_O8C_0qKlcpaVegRH5WDLkIB-nS66gSrX8NCOccD7j5pYMFWAYrhfoQJLmRigoXmBiy_EekQGAlIhtayCzjiaRZhBUCtaYaZSgDR9jNzSD5fH7MelBAK846BN_P1sNd-EPMTlbAeMGJEWRuE/s1206/ioncinema%20chart%205-17.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;863&quot; data-original-width=&quot;1206&quot; height=&quot;458&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdHOVcqRVVd9ZK0bZ2erBW9pfLC5M0a1F3VYnsPYicu_0_O8C_0qKlcpaVegRH5WDLkIB-nS66gSrX8NCOccD7j5pYMFWAYrhfoQJLmRigoXmBiy_EekQGAlIhtayCzjiaRZhBUCtaYaZSgDR9jNzSD5fH7MelBAK846BN_P1sNd-EPMTlbAeMGJEWRuE/w640-h458/ioncinema%20chart%205-17.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;Meanwhile, we&#39;re awaiting a sufficient number of reviews to be accumulated at Cannes-ratings.org to truly make any assumption regarding where films are truly standing withe regard to that metric.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Couple of other notes here.&amp;nbsp; Both Farhadi&#39;s Parallel Tales, Kore-eda&#39;s Sheep in a Box and Kruetzer&#39;s Gentle Monster seem on shaky ground as regards prizes at Cannes and&amp;nbsp; perhaps as contenders for TFF #53.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;COUSINS NEW DOCUMENTARY (ABOUT DOCUMENTARIES) GETS DISTRIBUTION&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjWw_UCj4nn_VpZqhhlJ4gV06qFo6A6fffMqVRZqJMAiTmQaa4LRA6UPOHrqutbaaxfG9DEeQmYLQlekd6OZnDvGdsd7WYet5kB68QjURIYzMYltBzF-I_3oJdj0nq-qpDr_ptLbozlLX66uCtEbFD3Bl-YAusfXtj21Uph2WZ-kH6P7yzle4td8K7vxA/s290/story%20of%20doc%20film.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;290&quot; data-original-width=&quot;196&quot; height=&quot;290&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjWw_UCj4nn_VpZqhhlJ4gV06qFo6A6fffMqVRZqJMAiTmQaa4LRA6UPOHrqutbaaxfG9DEeQmYLQlekd6OZnDvGdsd7WYet5kB68QjURIYzMYltBzF-I_3oJdj0nq-qpDr_ptLbozlLX66uCtEbFD3Bl-YAusfXtj21Uph2WZ-kH6P7yzle4td8K7vxA/s1600/story%20of%20doc%20film.jpg&quot; width=&quot;196&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Telluride regular Marc Cousins (The Story of Film, A Sudden Glimpse to Deeper Things among several others) has garnered distribution for his next project: The Story of Documentary Film)&amp;nbsp; Kino Lorber has nabbed the North American rights for the 16 part doc about docs.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The question as to its possible appearance at Telluride rises from its inclusion at Sundance earlier this year.&amp;nbsp; My best guess is that owing to Cousins frequent presence at TFF and his current position as a Resident Curator and his past position on the fest&#39;s Board of Advisors. as well as being a TFF Tributee in 2022...my bet is we get some of the 16 episodes.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://variety.com/2026/film/global/kino-lorber-mark-cousins-the-story-of-documentary-film-1236751389/&quot; target=&quot;_blank&quot;&gt;The story reagrding the Kino Lober acquisition is linked here from Variety.&lt;/a&gt;&lt;br /&gt;&lt;div&gt;https://variety.com/2026/film/global/kino-lorber-mark-cousins-the-story-of-documentary-film-1236751389/&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;PICS FROM GENTLE MONSTER&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Via&amp;nbsp;&lt;a href=&quot;https://theplaylist.net/2026-cannes-film-festival-27-most-anticipated-films-20260511/?utm_source=dlvr.it&amp;amp;utm_medium=twitter&quot; target=&quot;_blank&quot;&gt;The Playlist&#39;s 27 Most Anticipated Films from Cannes&#39;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;https://theplaylist.net/2026-cannes-film-festival-27-most-anticipated-films-20260511&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYhCXRWz7OrvOFc9cf1jWXm47arjvi5rBO1loaMBiAhP4yoTJopTBQ915Sts_QBYp3uRqW9kdTgHkNdxeCHrQ6l-5mzEPf6dBFnIHnw9eSAKzZYacXpp3Hgn5wRqXkPeD3MhCda3WCV_pDjH2yQiYI48xZ1Purw7qZUUwkbExrPCP8Dnl1InlCZGZ9y9k/s1200/Gentle%20Monster.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;604&quot; data-original-width=&quot;1200&quot; height=&quot;161&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYhCXRWz7OrvOFc9cf1jWXm47arjvi5rBO1loaMBiAhP4yoTJopTBQ915Sts_QBYp3uRqW9kdTgHkNdxeCHrQ6l-5mzEPf6dBFnIHnw9eSAKzZYacXpp3Hgn5wRqXkPeD3MhCda3WCV_pDjH2yQiYI48xZ1Purw7qZUUwkbExrPCP8Dnl1InlCZGZ9y9k/s320/Gentle%20Monster.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhucXDYhhqzwX0-1NQJKbEYgLtwWcjomQUBVvdcFyH4rYoJSjLoR2wTUpKAyS_07X-suSQTBdr3bcTKaLwtEHtdOJ57wtsae3TDmwiMPT8jotOI1vxDhYtI2Yi9Kv-MnwcRzJoSn8HF-4uvs63oL96AWrT6UqM2EP2VJWMQemvpDIwbMYXBI5AF8Rc8oUs/s1200/Gentle-Monster-Lea-Seydoux-Marie-Kreutzer.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;749&quot; data-original-width=&quot;1200&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhucXDYhhqzwX0-1NQJKbEYgLtwWcjomQUBVvdcFyH4rYoJSjLoR2wTUpKAyS_07X-suSQTBdr3bcTKaLwtEHtdOJ57wtsae3TDmwiMPT8jotOI1vxDhYtI2Yi9Kv-MnwcRzJoSn8HF-4uvs63oL96AWrT6UqM2EP2VJWMQemvpDIwbMYXBI5AF8Rc8oUs/s320/Gentle-Monster-Lea-Seydoux-Marie-Kreutzer.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/6425306752357520570/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/6425306752357520570' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/6425306752357520570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/6425306752357520570'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/early-returns-from-cannes-cousins-new.html' title='Early Returns from Cannes / Cousins New Doc Gets Distribution / Pics for Gentle Monster'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj91o5UmFWcoVrR9o8gauOYd6_17R6L8bcgi-aEtgso6SZQyuowJ-IMpR9j7lGcqg9Z7TdwUGibSgWnTJoTOXJqJx9-TyyCkCW6T7JF8xzLbtIOG6n0B8IzZmWOMQ57xviIva92JhDqt2mYRKTzVhbf2Nm2cykpl6KwahqINAQpCJqsbJHEJS_xfkFnMBQ/s72-w400-h328-c/screen%20daily%205-17%202.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-4196247005704756584</id><published>2026-05-14T07:24:58.908-05:00</published><updated>2026-05-14T07:24:59.008-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Being Heumann"/><category scheme="http://www.blogger.com/atom/ns#" term="Bitter Christmas"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><category scheme="http://www.blogger.com/atom/ns#" term="Coward"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Fjord"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="Saturn Return"/><title type='text'>Cannes Is On / Awards Watch Oscar Predictions and TFF Clues / Bitter Christmas Teaser and Poster / Pics of Possibles from Cannes</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;CANNES IS ON&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL7sUSX7EzXY3aNNow6gcnP9dwg3_IDyQhef8WpydmskLF7kDBYmWkXkbHN5b03NhtqgpNmwZodDu7lNsQWe57Fnsddy4DF-tB3KqphqFcPpNrHE4LfqmcB1PaWiAjh2oNvQtEb0A_mPqjgP_Tw9_2GSe67ZEe76bG0WDp1kxRMcJMFILFF-VskttQJD4/s1576/Cannes%2026%20poster.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1576&quot; data-original-width=&quot;1290&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL7sUSX7EzXY3aNNow6gcnP9dwg3_IDyQhef8WpydmskLF7kDBYmWkXkbHN5b03NhtqgpNmwZodDu7lNsQWe57Fnsddy4DF-tB3KqphqFcPpNrHE4LfqmcB1PaWiAjh2oNvQtEb0A_mPqjgP_Tw9_2GSe67ZEe76bG0WDp1kxRMcJMFILFF-VskttQJD4/s320/Cannes%2026%20poster.webp&quot; width=&quot;262&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The 79th Cannes Film Festival is officially underway in France.&amp;nbsp; As is our habit here at MTFB, we will monitor the fest for the next two weeks looking at buzz, critical reception and ultimately prize winners to assess prospects for films to do the Cannes/Telluride Two Step.&amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;As I have often mentioned, the link between the two film fests is quite strong with an average of 7ish or so films playing each year, first at Cannes and then later at Telluride.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;I also tend to look at Cannes-ratings.org, Ioncinema and Screen daily for collections of critical responses.&amp;nbsp; Last year nine films made the trans-Atlantic leap from France to Colorado.&amp;nbsp; Here&#39;s where they stood critically at Cannes based on the Cannes-ratings.org site&#39;s 10 point system:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Sentimental Value 8.04&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;It Was Just an Accident 7.75&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Pillion 7.30&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Nouvelle Vague 7.23&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Urchin 7.15&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Secret Agent 6.99&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Mastermind 6.29&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;A Private Life 5.90&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The History of Sound 5.31&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;It&#39;s too early in the fest to start keeping tabs on the critical reactions but we may be able to begin to evaluate some of that in Monday&#39;s post.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;AWARDS WATCH AND TFF CLUES&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk2W4je7tDw3bB6M_dv1pran8jSejXteOPNkzOR8kVb0IyegBQP29sAo8Kpvkw5Yj_Sp6saG0LtCrLLORgpoRICaHHEc4fCrHqCZS-lIKFWlddmKisqITKDP2jceOis0uulmLuBcX7UFXdLtGM8RJUPq3p5_DO45Id7Ex14Hu7VsCSmGmRZbTVonul9hU/s1024/awards%20watch.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;187&quot; data-original-width=&quot;1024&quot; height=&quot;58&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk2W4je7tDw3bB6M_dv1pran8jSejXteOPNkzOR8kVb0IyegBQP29sAo8Kpvkw5Yj_Sp6saG0LtCrLLORgpoRICaHHEc4fCrHqCZS-lIKFWlddmKisqITKDP2jceOis0uulmLuBcX7UFXdLtGM8RJUPq3p5_DO45Id7Ex14Hu7VsCSmGmRZbTVonul9hU/s320/awards%20watch.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Erik Anderson has begun his annual updating list of predictions for Oscar &#39;27 and I&#39;m going through them for possible TFF titles.&amp;nbsp; among the films that he lists as Best Picture possibilities, these are the ones that look most Telluride-friendly:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Fjord&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Wild Horse Nine&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Fatherland&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Social Reckoning&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;All of a Sudden&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Sense and Sensibility&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Behemoth!&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Being Heumann&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Coward&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Hope&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Jack of Spades&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Minotaur&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Paper Tiger&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Saturn Return&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Sweetsick&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;No One Cares (Jesse Eisenberg musical)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://awardswatch.com/2027-oscar-predictions-best-picture-and-best-director-may/&quot; target=&quot;_blank&quot;&gt;The complete set of predictions from Awards Watch are linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://awardswatch.com/2027-oscar-predictions-best-picture-and-best-director-may/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;BITTER CHRISTMAS TEASER AND POSTER&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Pedro Almodovar&#39;s Bitter Christmas is playing Cannes...and could be a Telluride player as well.&amp;nbsp; In conjunction with its bow at Cannes, there is a poster and a teaser. Here they be:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJpdeuRNYbyHcf8oiPEywIzub-1Q1dSm3Vpx2yZTwbglN6pSpZRhCz9ky8AsoOqB1-Q-7HUmT8YhWSTLz0LCQmfY4tbMdfWUAMPu2S2_iMjrQUzh0HXWErYJlBRAoCJUPcfC1uEpOAYNszgQs768ac-liO7GJKVkBXx9kZce8FdDEGzeTmOqqrLohlH54/s680/Bitter%20Chritmas%20poster%20SPC.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;680&quot; data-original-width=&quot;544&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJpdeuRNYbyHcf8oiPEywIzub-1Q1dSm3Vpx2yZTwbglN6pSpZRhCz9ky8AsoOqB1-Q-7HUmT8YhWSTLz0LCQmfY4tbMdfWUAMPu2S2_iMjrQUzh0HXWErYJlBRAoCJUPcfC1uEpOAYNszgQs768ac-liO7GJKVkBXx9kZce8FdDEGzeTmOqqrLohlH54/s320/Bitter%20Chritmas%20poster%20SPC.jpg&quot; width=&quot;256&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;And the teaser from Sony Pictures Classics and YouTube:&lt;div&gt;https://www.youtube.com/watch?v=7PgPkSpuYpY&amp;amp;t=2s&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/7PgPkSpuYpY&quot; width=&quot;320&quot; youtube-src-id=&quot;7PgPkSpuYpY&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;PICS FROM POSSIBLES FROM CANNES:&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;***From Vanity Fair:&amp;nbsp; Paper Tiger:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7mFjotkZUQyairaYBnQbW647x5fcwKvFct2o8CRbJwMnLJsG78C6FizhYGifMkxgvW81j6cLobJcLkC6nPmbTP0UoTH6V4_ozUO7Hxfb0V7m4QtqINWXVSWDumdgKvrh-gH0JTeb973j9SNKC4Na3CRdeW_9fysmqbyyeZp3-yX45p0tE9vf5EE3tGXs/s1600/Paper-Tiger-exclusive-01.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;670&quot; data-original-width=&quot;1600&quot; height=&quot;134&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7mFjotkZUQyairaYBnQbW647x5fcwKvFct2o8CRbJwMnLJsG78C6FizhYGifMkxgvW81j6cLobJcLkC6nPmbTP0UoTH6V4_ozUO7Hxfb0V7m4QtqINWXVSWDumdgKvrh-gH0JTeb973j9SNKC4Na3CRdeW_9fysmqbyyeZp3-yX45p0tE9vf5EE3tGXs/s320/Paper-Tiger-exclusive-01.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;***From The Hollywood Reporter: Coward:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiPFj8Dn8OwbnBHzonsXO83uf3eCwXFUXimwXzDp_kaT-JZ8sf9wi6kNkXiOUXUhwBadei17LBOEjl2U29bRPk14XLWl0ec00l9MgQM_8fAbolx9sSO-0N8YawNzC33GczCDwZtLgude2o_Hs4o-FZrqtHYrVuCqJpgoUNp-u79X774wj_NccHD3S7cfQ/s680/Coward%20Photo.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;510&quot; data-original-width=&quot;680&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiPFj8Dn8OwbnBHzonsXO83uf3eCwXFUXimwXzDp_kaT-JZ8sf9wi6kNkXiOUXUhwBadei17LBOEjl2U29bRPk14XLWl0ec00l9MgQM_8fAbolx9sSO-0N8YawNzC33GczCDwZtLgude2o_Hs4o-FZrqtHYrVuCqJpgoUNp-u79X774wj_NccHD3S7cfQ/s320/Coward%20Photo.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/4196247005704756584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/4196247005704756584' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/4196247005704756584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/4196247005704756584'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/cannes-is-on-awards-watch-oscar.html' title='Cannes Is On / Awards Watch Oscar Predictions and TFF Clues / Bitter Christmas Teaser and Poster / Pics of Possibles from Cannes'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL7sUSX7EzXY3aNNow6gcnP9dwg3_IDyQhef8WpydmskLF7kDBYmWkXkbHN5b03NhtqgpNmwZodDu7lNsQWe57Fnsddy4DF-tB3KqphqFcPpNrHE4LfqmcB1PaWiAjh2oNvQtEb0A_mPqjgP_Tw9_2GSe67ZEe76bG0WDp1kxRMcJMFILFF-VskttQJD4/s72-c/Cannes%2026%20poster.webp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-5459122086443697503</id><published>2026-05-11T08:43:00.001-05:00</published><updated>2026-05-11T08:43:50.941-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Artificial"/><category scheme="http://www.blogger.com/atom/ns#" term="Bucking Fastard"/><category scheme="http://www.blogger.com/atom/ns#" term="Dominic Sessa"/><category scheme="http://www.blogger.com/atom/ns#" term="Kate Mara"/><category scheme="http://www.blogger.com/atom/ns#" term="Luca Gaudagnino"/><category scheme="http://www.blogger.com/atom/ns#" term="Rooney Mara"/><category scheme="http://www.blogger.com/atom/ns#" term="Tony"/><category scheme="http://www.blogger.com/atom/ns#" term="Werner Herzog"/><title type='text'>Herzog and Cannes in 2026 / Tony Comes Off the List / Gaudagnino and Artificial Move to 2027</title><content type='html'>&lt;p&gt;HERZOG AND CANNES IN 2026&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcTJyyhloRGDVwNWzBnvB2MFxBwjtrRynbETOmg3wyV8rd8lJieSfygoiOc9ZoyDNd1GSSTlBn9WAwOdDDr4upgAXvUGbWG9lw9IgIx_0bBk8uYOcERJOMsCqehOGqBuaQAt2RglHZr9gO4T_FZBp4TIRGHCIV-Fv2Q0HJukgty7a51yB17hB72SWjNkU/s308/cannes%20palme%20download%20(1).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;164&quot; data-original-width=&quot;308&quot; height=&quot;164&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcTJyyhloRGDVwNWzBnvB2MFxBwjtrRynbETOmg3wyV8rd8lJieSfygoiOc9ZoyDNd1GSSTlBn9WAwOdDDr4upgAXvUGbWG9lw9IgIx_0bBk8uYOcERJOMsCqehOGqBuaQAt2RglHZr9gO4T_FZBp4TIRGHCIV-Fv2Q0HJukgty7a51yB17hB72SWjNkU/s1600/cannes%20palme%20download%20(1).jpg&quot; width=&quot;308&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The confusion surrounding whether Werner Herzog&#39;s Bucking Fastard might or might not screen at Cannes seems to have been cleared up.&amp;nbsp; Variety has reported that the film was selected but not for Palme d&#39;Or competition.&amp;nbsp; That appears to have not sat well with the Herzog camp as they reportedly turned down the invitation.&amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Variety further reports that the impetus for that decision has to do with the eligibilty for Rooney and Kate Mara who play sisters in the film.&amp;nbsp; From Variety:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;The reason that “Bucking Fastard” won’t be playing at that the Palais is that it wasn’t offered a Cannes competition slot. Herzog had hoped that stars Rooney and Kate Mara, who are said to give searing performances as twin sisters, would be eligible for awards, according to a source close to the filmmakers.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Open speculation is that Herzog will likely now premiere the film at Venice...which would still leave it positioned to make the TFF #53 lineup.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://variety.com/2026/film/news/werner-herzog-bucking-fastard-turns-down-cannes-invite-1236741890/&quot; target=&quot;_blank&quot;&gt;The complete story from Variety is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://variety.com/2026/film/news/werner-herzog-bucking-fastard-turns-down-cannes-invite-1236741890/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;TONY COMES OFF THE LIST&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZzgyOCmr_ohwjNZZ0FqFgpf1X6H2lLGe4LSNVJmR8ZwaGAB87Z8N3RxQiiiWiQF4pYC5j_HVRcUqhAJ94uglpestogSCjVM7b_8qxv0dkkQrKLp-Sggeci-nrRhdK0IY9QQhpnbV0UkXP525OpVEjdjwrgpDF0TSAi9_7DgReHjfpsRdUNH71VD02fSk/s2047/tony%20poster.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2047&quot; data-original-width=&quot;1382&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZzgyOCmr_ohwjNZZ0FqFgpf1X6H2lLGe4LSNVJmR8ZwaGAB87Z8N3RxQiiiWiQF4pYC5j_HVRcUqhAJ94uglpestogSCjVM7b_8qxv0dkkQrKLp-Sggeci-nrRhdK0IY9QQhpnbV0UkXP525OpVEjdjwrgpDF0TSAi9_7DgReHjfpsRdUNH71VD02fSk/s320/tony%20poster.jpg&quot; width=&quot;216&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;I had included Matt Johnson&#39;s Tony (sort of origin story for celebrity chef Anthony Bourdain starring Dominic Sessa (The Holdovers) in the title role) on a couple of speculative lists for Telluride.&amp;nbsp; That&#39;s moot now as we.ve seen that the film has been dated for release on August 7th.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;GUADAGNINO AND ARTIFICIAL MOVE TO 2027&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsRATlnRgiqp8IxBDx4AQWfmaHQW1eIrN13totw5bzIRaLL7OKW3IW0T2eIHzMk8NtbjQau9Pv5CohyGLH9AFHjTdZXNyVE-f9YMYe4VChy24zqr1WLoSdJ61iQCHfueID-KQTlqUrBMAbw9E0hjo2diozVWDFkhcKpEr32a9s_T0KTIoWstbjnycWfjY/s265/luca%20guad.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;265&quot; data-original-width=&quot;190&quot; height=&quot;265&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsRATlnRgiqp8IxBDx4AQWfmaHQW1eIrN13totw5bzIRaLL7OKW3IW0T2eIHzMk8NtbjQau9Pv5CohyGLH9AFHjTdZXNyVE-f9YMYe4VChy24zqr1WLoSdJ61iQCHfueID-KQTlqUrBMAbw9E0hjo2diozVWDFkhcKpEr32a9s_T0KTIoWstbjnycWfjY/s1600/luca%20guad.jpg&quot; width=&quot;190&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Another film that is probably off the list of TFF #53 possibles is Luca Guadagnino&#39;s Artificial.&amp;nbsp; World of Reel reports that the film will be moving toa 2027 release primarily to avoid competing with Aaron Sorkin;s The Social Reckoning.&amp;nbsp; Both films had been dated for Oct. 9th according to IMDB.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The story from WOR (and PageSixHollywood) reads:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;...Amazon/MGM has decided that “Artificial” won’t be released in the fall — instead it is now aiming for an early 2027 release because it “didn’t want the film to go up against [Aaron Sorkin’s] ‘The Social Network’ sequel,” which is set to release in October, given that the two films “share similar themes of cutthroat tech billionaires.”&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The 2027 dating likely moves Artificial off the Telluride watch list.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/5459122086443697503/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/5459122086443697503' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/5459122086443697503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/5459122086443697503'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/herzog-and-cannes-in-2026-tony-comes.html' title='Herzog and Cannes in 2026 / Tony Comes Off the List / Gaudagnino and Artificial Move to 2027'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcTJyyhloRGDVwNWzBnvB2MFxBwjtrRynbETOmg3wyV8rd8lJieSfygoiOc9ZoyDNd1GSSTlBn9WAwOdDDr4upgAXvUGbWG9lw9IgIx_0bBk8uYOcERJOMsCqehOGqBuaQAt2RglHZr9gO4T_FZBp4TIRGHCIV-Fv2Q0HJukgty7a51yB17hB72SWjNkU/s72-c/cannes%20palme%20download%20(1).jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-1057201224142566353</id><published>2026-05-07T07:44:00.000-05:00</published><updated>2026-05-07T07:44:18.604-05:00</updated><title type='text'>MTFB Is on Hiatus</title><content type='html'>&lt;p&gt;MTFB is on Hiatus.&amp;nbsp; We&#39;ll return on Monday, May 11th.&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/1057201224142566353/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/1057201224142566353' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/1057201224142566353'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/1057201224142566353'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/mtfb-is-on-hiatus.html' title='MTFB Is on Hiatus'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-7120700001174657654</id><published>2026-05-04T08:00:00.015-05:00</published><updated>2026-05-04T08:00:00.132-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Artificial"/><category scheme="http://www.blogger.com/atom/ns#" term="Bucking Fastard"/><category scheme="http://www.blogger.com/atom/ns#" term="Coward"/><category scheme="http://www.blogger.com/atom/ns#" term="Digger"/><category scheme="http://www.blogger.com/atom/ns#" term="Father land"/><category scheme="http://www.blogger.com/atom/ns#" term="Narnia: The Magician&#39;s Nephew"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="Parallel Tales"/><category scheme="http://www.blogger.com/atom/ns#" term="Sheep in the Box"/><category scheme="http://www.blogger.com/atom/ns#" term="The Basics of Philopsophy"/><category scheme="http://www.blogger.com/atom/ns#" term="The Long Winter"/><title type='text'>Two Million Times / Collating You Didn&#39;t Know You Needed / Looks and Re-looks / No No Narnia</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;TWO MILLION TIMES&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYf2Y7Ms3869i65f6KXaErMVAgfOy9Uu-zOaRAOsWybOb7J_j2kL3hF-ndMau-g3lwOXVpsEqX_gKiE6RhkNmJvjQHpwbMhbLZGkmoUrjZ_zvuABqBsgt9JPRp4W5ZS4JtKpGHvx7GIl2OBYcX7nCQeNYqjS4wW5fRsVXfv7QjSECt-CUFV1ovSAGLAhc/s283/2%20million.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;178&quot; data-original-width=&quot;283&quot; height=&quot;178&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYf2Y7Ms3869i65f6KXaErMVAgfOy9Uu-zOaRAOsWybOb7J_j2kL3hF-ndMau-g3lwOXVpsEqX_gKiE6RhkNmJvjQHpwbMhbLZGkmoUrjZ_zvuABqBsgt9JPRp4W5ZS4JtKpGHvx7GIl2OBYcX7nCQeNYqjS4wW5fRsVXfv7QjSECt-CUFV1ovSAGLAhc/s1600/2%20million.jpg&quot; width=&quot;283&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;MTFB blew past the two million view mark since the last post.&amp;nbsp; The average views per post now is 818.&amp;nbsp; That&#39;s a lot of reading...and writing.&amp;nbsp; Thanks for taking a look...2,000,000 times.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;COLLATING YOU DIDN&#39;T KNOW YOU NEEDED&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioVbKJN1dqLCDltTd8ZzHDrJzTJgzLjPaybpI04Ye5Z96U6nMgk16dixWcJ3o68pu8wnT-2NaKSlv-YcmCmTmoSV1LoKBetSddjJOEeJ3D0VJ_4BEBU8FUWO_q62I9Og_WK1mc22s73M-zDhx28nPSFaIvvaWiOkydWu3CBu4NLkFR6FShdvN7tpiy2WA/s225/add%20it%20up.png&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;225&quot; data-original-width=&quot;225&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioVbKJN1dqLCDltTd8ZzHDrJzTJgzLjPaybpI04Ye5Z96U6nMgk16dixWcJ3o68pu8wnT-2NaKSlv-YcmCmTmoSV1LoKBetSddjJOEeJ3D0VJ_4BEBU8FUWO_q62I9Og_WK1mc22s73M-zDhx28nPSFaIvvaWiOkydWu3CBu4NLkFR6FShdvN7tpiy2WA/s1600/add%20it%20up.png&quot; width=&quot;225&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;So, I went through the various lists that I have used to try to get a bead on TFF #53 including &quot;Too Early&quot; Oscar predictions, Cannes Speculation and ultimate choices, and &quot;Most Anticipated&quot; lists from the beginning of the year to get a sense of where my mind has been over the first four months of 2026 concerning potential TFF #53 films and here&#39;s what I discovered...&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;James Gray&#39;s Paper Tiger leads my take from all the different lists...not by much, but it is the film I have mentioned the most.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The next group all are close to Paper Tiger.&amp;nbsp; Four films are grouped here:&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Hamagichi&#39;s All of a Sudden, Guadagnino&#39;s Artificial, Inarritu&#39;s Digger and Munigiu&#39;s Fjord.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Weirdly, despite these four being the second most mentioned in my speculations I can&#39;t say any of them feel like a sure thing for TFF.&amp;nbsp; And, of course, Warner Brothers has stated that Digger won&#39;t be doing any festivals much like Inarritu&#39;s The Revenant back in 2015).&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The next group includes:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Almodovar&#39;s Bitter Christmas, Joel Coen&#39;s Jack of Spades, Farhadi&#39;s Parallel Tales and Kore-eda&#39;s Sheep in the Box.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;And like the previous group, they all feel possible and none of them feel certain.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The final group has six films:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Herzog&#39;s Bucking Fastard, Pawlikowski&#39;s Fatherland, Sorkin&#39;s The Social Reckoning, McDonagh&#39;s Wild Horse Nine, Kwedar&#39;s Saturn Return and Harari&#39;s The Unknown.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;I actually feel pretty good about Herzog and Pawlikowski. The other films in this group seem borderline possible.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Among the 18 other films that have appeared somewhere in m musings over the last four months, the most likely TFF candidates would appear to be:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Long Winter (Haigh)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Coward (Dhont)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Basics of Philosophy (Schrader)&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;As we begin the month of May we&#39;ll be paying particular attention to critical responses and ultimately the awards presentations out of Cannes which kicks off on May 12th and concludes May 23rd.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;LOOKS AND RE-LOOKS&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;We have a clip from Oren Jacoby&#39;s This Is Not a Drill.&amp;nbsp; The documentary screened at TFF #52.&amp;nbsp; Here&#39;s the clip from YouTube and The Film Stage:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.youtube.com/watch?v=BQNqE6lUk7Q&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/BQNqE6lUk7Q&quot; width=&quot;320&quot; youtube-src-id=&quot;BQNqE6lUk7Q&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Also, we have a teaser/trailer for Asghar Farhadi&#39;s Parallel Tales with subtitles.&amp;nbsp; Also from YouTube:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.youtube.com/watch?v=y3BV9KeJzGM&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/y3BV9KeJzGM&quot; width=&quot;320&quot; youtube-src-id=&quot;y3BV9KeJzGM&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;MTFB had it last week but didn&#39;t have a subtitled version.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;NO NO NARNIA&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkp2oFnfJits3JC6Zxun9wlWMCtq91fzmzS4P7PYUQ8x_lCx654FTuwZBlAIz6qv34IhxucyqAd23M7bq17ODtP6SUO5Y_Ffqy1tg5zH8IFwNNSviSD7poUKBRpH_xQksUue9dSlQr7U6gW9ZgohCkhsyMeAdZHnVo79sUy8nVUYrDP2MPe9cqjR8-3pw/s279/magician&#39;s%20nephew.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;279&quot; data-original-width=&quot;181&quot; height=&quot;279&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkp2oFnfJits3JC6Zxun9wlWMCtq91fzmzS4P7PYUQ8x_lCx654FTuwZBlAIz6qv34IhxucyqAd23M7bq17ODtP6SUO5Y_Ffqy1tg5zH8IFwNNSviSD7poUKBRpH_xQksUue9dSlQr7U6gW9ZgohCkhsyMeAdZHnVo79sUy8nVUYrDP2MPe9cqjR8-3pw/s1600/magician&#39;s%20nephew.jpg&quot; width=&quot;181&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;I have been rather whimsically including an occasional mention that Greta Gerwig&#39;s Narnia; The Magician&#39;s Nephew might be a TFF #53 selection.&amp;nbsp; Admittedly, it seemed unlikely but entirely outside the realm of possibility given the frequent appearance of Ms. Gerwig and/or her partner, Noah Baumbach at TFF over the years.&amp;nbsp; Additionally, the fact that the it&#39;s from Netflix doesn&#39;t hurt in as far as a possible TFF play is concerned.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;But all of that has been laid to rest as the film has been re-dates for a 2027 release.&amp;nbsp; The Hollywood Reporter, among many outlets reported this on Friday.&amp;nbsp; From THR:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;Gerwig’s adaptation of the sixth book in the C.S. Lewis fantasy series, The Magician’s Nephew...will now be getting a release on Feb. 12, 2027 and then will hit on Netflix April 2, 2027. Sneak previews of the film will begin on Feb. 10, 2027, only in Imax.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;I guess it&#39;s still possible in a far-fetched scenario, that the film could still screen at Telluride, but with a release now coming nearly six months later...probably not.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.hollywoodreporter.com/movies/movie-news/netflix-narnia-movie-greta-gerwig-release-date-1236581880/&quot; target=&quot;_blank&quot;&gt;Here&#39;s the link to the complete Hollywood Reporter article.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.hollywoodreporter.com/movies/movie-news/netflix-narnia-movie-greta-gerwig-release-date-1236581880/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/7120700001174657654/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/7120700001174657654' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/7120700001174657654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/7120700001174657654'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/05/two-million-times-collating-you-didnt.html' title='Two Million Times / Collating You Didn&#39;t Know You Needed / Looks and Re-looks / No No Narnia'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYf2Y7Ms3869i65f6KXaErMVAgfOy9Uu-zOaRAOsWybOb7J_j2kL3hF-ndMau-g3lwOXVpsEqX_gKiE6RhkNmJvjQHpwbMhbLZGkmoUrjZ_zvuABqBsgt9JPRp4W5ZS4JtKpGHvx7GIl2OBYcX7nCQeNYqjS4wW5fRsVXfv7QjSECt-CUFV1ovSAGLAhc/s72-c/2%20million.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-2627844550326629105</id><published>2026-04-30T08:00:00.001-05:00</published><updated>2026-04-30T08:00:26.580-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ask E. Jean"/><category scheme="http://www.blogger.com/atom/ns#" term="E. Jean Carroll"/><category scheme="http://www.blogger.com/atom/ns#" term="Keira Knightley"/><category scheme="http://www.blogger.com/atom/ns#" term="The Lives of Others"/><title type='text'>E. Jean Carroll Doc Drops a Trailer / The Lives of Others On Stage / </title><content type='html'>&lt;p&gt;&amp;nbsp;E. JEAN CARROLL DOC, ASK E. JEAN, DROPS A TRAILER&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOUVJXVbGhNDRpGM-6SWaGwJT8Iur8juPbEBbWAnLv0m0WfJUhlmMusly8mTDk_8g_6gtPJdZam2kxvtk0jq_Kf8KH2D7sDvk0BQt8Yp1qwqy7uSVK7k4-SqGKhgCOLvVe4oX77bIXbbaGj_q9I3bdLXRqZ-Lycbd-lDX6Q8LE82eOdEt0kjVKTPQNLNI/s1185/askejeandocpostermainimgbig591.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1185&quot; data-original-width=&quot;800&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOUVJXVbGhNDRpGM-6SWaGwJT8Iur8juPbEBbWAnLv0m0WfJUhlmMusly8mTDk_8g_6gtPJdZam2kxvtk0jq_Kf8KH2D7sDvk0BQt8Yp1qwqy7uSVK7k4-SqGKhgCOLvVe4oX77bIXbbaGj_q9I3bdLXRqZ-Lycbd-lDX6Q8LE82eOdEt0kjVKTPQNLNI/s320/askejeandocpostermainimgbig591.webp&quot; width=&quot;216&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Ask E. Jean, a documentary that screened as a part of TFF #52, has released a trailer.&amp;nbsp; That release comes ahead of a May 22nd release date.&lt;/p&gt;&lt;p&gt;Here&#39;s the IMDb description:&lt;/p&gt;&lt;p&gt;&lt;i&gt;&quot;E. Jean Carroll won two lawsuits against Donald Trump for defamation and battery. Beyond that, she built a career as a successful magazine writer and authored one of America&#39;s longest-running advice columns.&quot;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;Here&#39;s the trailer from YouTube:&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/SgyI8GStcao&quot; width=&quot;320&quot; youtube-src-id=&quot;SgyI8GStcao&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;SEE THE LIVES OF OTHERS ON STAGE...IN ENGLAND...THIS FALL&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFqHwLF0lJqWmI_E4us8fyRaMirXczTZcdjJZJ58pPzNLkwdknKp4On3DNNV8DVOnO64cfpMmktbG8oXk65RRG6XycnFChWv64LAim-FiLsPmkx9umgg2qfIVzaTt_cmAoza1JoqO0yFiJXdXJ5aTEuAZi24NewSqwvltgehL6B41r9ctiKMo0Wz8UuxA/s681/lives%20of%20others%20onstage.webp&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;383&quot; data-original-width=&quot;681&quot; height=&quot;180&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFqHwLF0lJqWmI_E4us8fyRaMirXczTZcdjJZJ58pPzNLkwdknKp4On3DNNV8DVOnO64cfpMmktbG8oXk65RRG6XycnFChWv64LAim-FiLsPmkx9umgg2qfIVzaTt_cmAoza1JoqO0yFiJXdXJ5aTEuAZi24NewSqwvltgehL6B41r9ctiKMo0Wz8UuxA/s320/lives%20of%20others%20onstage.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;One of my favorite Telluride experiences was catching&amp;nbsp;Florian Henckel von Donnersmarck&#39;s The Lives of Others back in 2006 at my very first TFF.&amp;nbsp; Didn&#39;t know anything about it and thought it was great.&amp;nbsp; The film would go on to win the 2007 Best Foreign Language Oscar.&lt;/p&gt;&lt;p&gt;Now comes news that there is a stage adaptation on its way.&amp;nbsp; Both Variety and The Hollywood Report had the story this week.&amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Big names are involves to as it was announced that the play will star Keira Knightley, Stephen Dillane and Luke Thompson.&amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Plans are for the film to open in October and run until January 2027.&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://variety.com/2026/theater/global/keira-knightley-luke-thompson-the-lives-of-others-play-1236732265/&quot; target=&quot;_blank&quot;&gt;Here&#39;s the link to the Variety report.&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://variety.com/2026/theater/global/keira-knightley-luke-thompson-the-lives-of-others-play-1236732265/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.hollywoodreporter.com/lifestyle/arts/keira-knightley-stephen-dillane-luke-thompson-play-west-end-1236580017/&quot; target=&quot;_blank&quot;&gt;And also to the story from The Hollywood Reporter.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.hollywoodreporter.com/lifestyle/arts/keira-knightley-stephen-dillane-luke-thompson-play-west-end-1236580017/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/2627844550326629105/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/2627844550326629105' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/2627844550326629105'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/2627844550326629105'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/04/e-jean-carroll-doc-drops-trailer-lives.html' title='E. Jean Carroll Doc Drops a Trailer / The Lives of Others On Stage / '/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOUVJXVbGhNDRpGM-6SWaGwJT8Iur8juPbEBbWAnLv0m0WfJUhlmMusly8mTDk_8g_6gtPJdZam2kxvtk0jq_Kf8KH2D7sDvk0BQt8Yp1qwqy7uSVK7k4-SqGKhgCOLvVe4oX77bIXbbaGj_q9I3bdLXRqZ-Lycbd-lDX6Q8LE82eOdEt0kjVKTPQNLNI/s72-c/askejeandocpostermainimgbig591.webp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-120283911601073712</id><published>2026-04-27T06:00:00.001-05:00</published><updated>2026-04-27T06:00:00.117-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="A Long Winter"/><category scheme="http://www.blogger.com/atom/ns#" term="Artificial"/><category scheme="http://www.blogger.com/atom/ns#" term="Bucking Fastard"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="Parallel Tales"/><title type='text'>Mark Johnson&#39;s (The Awards Alchemist) First Oscar Stab (and Which Could Be at Telluride) / Titles and Rumors...AND I MEAN RUMORS!</title><content type='html'>&lt;p&gt;MARK JOHNSON&#39;S (THE AWARDS ALCHEMIST) FIRST OSCAR STAB (AND WHICH OF THEM COULD BE AT TELLURIDE)&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-BeasHltowTLVgE-1D-SnR1xasQ8GORe-xyIJC5AksxqmYyInjqjm-nOstRYjb5VlcMOgAVDG51VC8ek0gEBWMHbFEMQwI8n8sazJxnzd0ygSsMeFcQTQGcQN07WbJ5Fl2kmSofOnZpqaTBoxeqnK3KtY0UVOzA_ngFLwvYhV_QGWRMQOp4rw_cp7A0k/s768/The-Awards-Alchemist-33%20(1).webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;432&quot; data-original-width=&quot;768&quot; height=&quot;180&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-BeasHltowTLVgE-1D-SnR1xasQ8GORe-xyIJC5AksxqmYyInjqjm-nOstRYjb5VlcMOgAVDG51VC8ek0gEBWMHbFEMQwI8n8sazJxnzd0ygSsMeFcQTQGcQN07WbJ5Fl2kmSofOnZpqaTBoxeqnK3KtY0UVOzA_ngFLwvYhV_QGWRMQOp4rw_cp7A0k/s320/The-Awards-Alchemist-33%20(1).webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Mark Johnson who is housed at Awards Watch as &quot;The Awards Alchemist&quot; has posted his first look at predicting Oscar nominees for Best Picture for the 2026 run of films.&amp;nbsp; MTFB analyzes his list and names &quot;possible&quot; TFF #53 selections.&amp;nbsp; Today I&#39;ll also add for each, the biggest reason I think each of them could play TFF.&amp;nbsp; Here&#39;s what that looks like:&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Wild Horse Nine (dir: McDonagh)...Best hint it plays: From Searchlight.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Digger (dir:Inarritu)...Hint: Inarritu ( a reminder, this film has been reported to not play ANY fall fest).&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Saturn Return (dir: Kwedar)...Hint: From Netflix.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Fjord (dir: Munigu) Hint: Cannes Selection and it&#39;s from NEON.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*The Social Reckoning (dir: Sorkin) Hint: I&#39;m wishful thinking here.&amp;nbsp; If it means anything, three major cast members have been recent TFF attendees: Jeremy Strong, Mikey Madison and Jeremy Allen White.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Fatherland (was titled 1949 for a long time) (dir: Pawlikowski) Hint: Cannes Selection, Pawlikoski&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;and it&#39;s from MUBI.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*All of a Sudden (dir: Hamaguchi) Hint: Cannes Selection and from NEON.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Jack of Spades (dir: J. Coen) Hint: Coen. sort of...mostly me wishing again.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Bucking Fastard (dir: Herzog) Hint: Herzog.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Narnia: The Magician&#39;s Nephew (dir: Gerwig) Hints: Gerwig&amp;nbsp; and it&#39;s from Netflix.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Behemoth! (dir: Gilroy) Hint: from Searchlight.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Untitled Jesse Eisenberg Musical (dir: Eisenberg) Hints: Eisenberg and from A24.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*I Am Rocky (dir: Farrelly) Hint: From Amazon-MGM.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Artificial (dir: Guadagnino) Hints: Guadagnino and from Amazon-MGM&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*A Long Winter (dir: Haigh) Hints; Haigh and from MUBI.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Paper Tiger (dir: Gray) Hints: Cannes Selection, Gray and from NEON.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Being Heumann (dir: Heder) Hint: from Apple.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Clarissa (dir: Esiri and Esiri) hint: from NEON.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Tony (dir: Johnson) Hint: from A24.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Parallel Tales (dir: Farhadi) Hints: Cannes Selectionand Farhadi.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;*Bitter Christmas (dir: Almodovar) Hints: Cannes Selection, Almodovar and it&#39;s from SPC.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://awardswatch.com/2027-oscar-predictions-the-awards-alchemists-first-look-at-the-99th-academy-awards/&quot; target=&quot;_blank&quot;&gt;Here&#39;s the link to the complete list from Mark at Awards Watch.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://awardswatch.com/2027-oscar-predictions-the-awards-alchemists-first-look-at-the-99th-academy-awards/&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;TITLES AND RUMORS...&lt;b&gt;&lt;u&gt;AND I MEAN RUMORS!&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;b&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkbNAgZxcmVd9LDQsuKvS2xpmfeIrADrfcp9JxZMC8oEIIOxlyZyPEgPDgaKgztql1kriZfEVSRCHkiizrYc3FpF2KCgNLlvxyEA9x0JHMmj5NDkq6CWVQD0ZNKfVP96KmNbSqxNl0qtmB00Ex1qBcjiK8tkKf3OQcfpoZZM6wpCD8sCXqRiy8I0ANWWU/s197/rumor.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;52&quot; data-original-width=&quot;197&quot; height=&quot;52&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkbNAgZxcmVd9LDQsuKvS2xpmfeIrADrfcp9JxZMC8oEIIOxlyZyPEgPDgaKgztql1kriZfEVSRCHkiizrYc3FpF2KCgNLlvxyEA9x0JHMmj5NDkq6CWVQD0ZNKfVP96KmNbSqxNl0qtmB00Ex1qBcjiK8tkKf3OQcfpoZZM6wpCD8sCXqRiy8I0ANWWU/s1600/rumor.jpg&quot; width=&quot;197&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Spooking around the interwebs seeing fall film/Telluride speculation that mentions:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Danny Boyle&#39;s Ink&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Andrew Haigh&#39;s A Long Winter&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Ink is supposedly a 2027 release...sooo....&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/120283911601073712/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/120283911601073712' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/120283911601073712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/120283911601073712'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/04/mark-johnsons-awards-alchemist-first.html' title='Mark Johnson&#39;s (The Awards Alchemist) First Oscar Stab (and Which Could Be at Telluride) / Titles and Rumors...AND I MEAN RUMORS!'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-BeasHltowTLVgE-1D-SnR1xasQ8GORe-xyIJC5AksxqmYyInjqjm-nOstRYjb5VlcMOgAVDG51VC8ek0gEBWMHbFEMQwI8n8sazJxnzd0ygSsMeFcQTQGcQN07WbJ5Fl2kmSofOnZpqaTBoxeqnK3KtY0UVOzA_ngFLwvYhV_QGWRMQOp4rw_cp7A0k/s72-c/The-Awards-Alchemist-33%20(1).webp" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-4813008640956942135</id><published>2026-04-23T08:00:00.001-05:00</published><updated>2026-04-23T08:00:00.151-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Amazing Grace"/><category scheme="http://www.blogger.com/atom/ns#" term="Aretha Franklin"/><category scheme="http://www.blogger.com/atom/ns#" term="Bucking Fastard"/><category scheme="http://www.blogger.com/atom/ns#" term="James Gray"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="Werner Herzog"/><title type='text'>Paper Tiger (and Others) Announced for Cannes / Meanwhile...Herzog NOT Cannes Bound / The Story That Won&#39;t End</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;PAPER TIGER (AND OTHERS) ANNOUNCED FOR CANNES&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpEDAMToBs7sXWTzD3GXfwR9HWblZw9EDfDM-JLwPjA61ibT59-pDyCuerP4Ubx95KPFeMuayWQ7oC4IS0d2K5TFqw1JR9mES2pJQbLglA_FSerz4KQUa5Qk_DcW6AF-6yrCMSXtPIIHIXOvyHAp-FYV7V31RB0TdmdCLQwB1PqXac_UBVzB4q-lWWv38/s250/adam%20driver%20paper%20tiger.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;250&quot; data-original-width=&quot;202&quot; height=&quot;250&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpEDAMToBs7sXWTzD3GXfwR9HWblZw9EDfDM-JLwPjA61ibT59-pDyCuerP4Ubx95KPFeMuayWQ7oC4IS0d2K5TFqw1JR9mES2pJQbLglA_FSerz4KQUa5Qk_DcW6AF-6yrCMSXtPIIHIXOvyHAp-FYV7V31RB0TdmdCLQwB1PqXac_UBVzB4q-lWWv38/s1600/adam%20driver%20paper%20tiger.jpg&quot; width=&quot;202&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Adam Driver on the set of Paper Tiger&lt;/div&gt;&lt;p&gt;As expected, the Cannes Film Festival&amp;nbsp; added a number of films to several different sections on Wednesday.&amp;nbsp; Most notable is the addition of James Gray&#39;s Paper Tiger to the Palme d&#39;Or competition.&amp;nbsp; That addition had been widely expected.&lt;/p&gt;&lt;p&gt;14 other films were added to various sections but, at first blush, none of those jumps out as a TFF #53 candidate.&amp;nbsp; Of them, Diego Luna&#39;s Ashes, added as a Special Screening, intrigues me the most and if I had to point at one other film beyond Paper Tiger that could be in play for a Labor Day date in Telluride, that would be it.&lt;/p&gt;&lt;p&gt;Additionally, Variety reported yesterday that Paper Tiger has been acquired by NEON for North American distribution.&amp;nbsp; NEON has been on tear in recent years as far as the Palme d&#39;Or competition, winning every one since Parasite.&amp;nbsp; The NEON acquisition doesn&#39;t hurt the film&#39;s chances of a TFF screening.&amp;nbsp; Gray&#39;s last film, Armageddon Time, played TFF in 2022.&lt;/p&gt;&lt;p&gt;There are two articles from Variety from yesterday:&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://variety.com/2026/film/festivals/cannes-victorian-psycho-maika-monroe-1236727917/&quot; target=&quot;_blank&quot;&gt;Variety article #1&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://variety.com/2026/film/festivals/cannes-victorian-psycho-maika-monroe-1236727917/&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;https://variety.com/2026/film/festivals/james-gray-paper-tiger-johansson-driver-cannes-neon-1236727770/&quot; target=&quot;_blank&quot;&gt;Variety article #2&lt;/a&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;https://variety.com/2026/film/festivals/james-gray-paper-tiger-johansson-driver-cannes-neon-1236727770/&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;MEANWHILE...HERZOG NOT CANNES BOUND&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOlaXSq7_iEWIhZtLNgAD11e8d_MiZRQ5FYx-tDF5MrHPqEu-CH20x4ab7s0R1x88UbE6bkx3_gLSOozyHCwgTJdIqA-eiNB9G5gOXGdMQ8gHtnSA0m7teaQlaoJgfV98vqGozG5ayXpoFWIPArvXvonUSMVh0iaDFQ3ReUK3F8TtgINOwx-ysOGGeox4/s696/BuckingFastard_firstlook2-rooney-and-kate-mara-werner-herzog-696x469.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;469&quot; data-original-width=&quot;696&quot; height=&quot;216&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOlaXSq7_iEWIhZtLNgAD11e8d_MiZRQ5FYx-tDF5MrHPqEu-CH20x4ab7s0R1x88UbE6bkx3_gLSOozyHCwgTJdIqA-eiNB9G5gOXGdMQ8gHtnSA0m7teaQlaoJgfV98vqGozG5ayXpoFWIPArvXvonUSMVh0iaDFQ3ReUK3F8TtgINOwx-ysOGGeox4/s320/BuckingFastard_firstlook2-rooney-and-kate-mara-werner-herzog-696x469.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Per World of Reel, earlier reporting that Werner Herzog&#39;s Bucking Fastard was headed to the Premiere section at Cannes haven&#39;t proven out.&amp;nbsp; Purportedly yesterday&#39;s Cannes announcement completes the films for all sections.&amp;nbsp; Herzog&#39;s film was not among them.&lt;/p&gt;&lt;p&gt;In WOR&#39;s story from yesterday:&lt;/p&gt;&lt;p&gt;&lt;i&gt;&quot;Notably absent is Werner Herzog, whose “Bucking Fastard” came very close to entering the official competition but was ultimately offered a slot in the Cannes Premiere section — it now looks like the film will be headed to Venice in September.&quot;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;The possible inclusion of Bucking Fastard at Venice certainly doesn&#39;t preclude its possible selection for TFF #53.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.worldofreel.com/blog/2026/4/22/cannes-2026-adds-16-titles-including-zachary-wigons-victorian-psycho-no-werner-herzog&quot; target=&quot;_blank&quot;&gt;The complete World of Reel story is here.&lt;/a&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;https://www.worldofreel.com/blog/2026/4/22/cannes-2026-adds-16-titles-including-zachary-wigons-victorian-psycho-no-werner-herzog&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;THE STORY THAT WON&#39;T END&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSaiqNaX3d07rjYk1U8f8x0ph2_Ulcn82A1qVbXHSJG6hOPwXytyos_RiFw_yElwYutKlWrKf94sMsU5Ub354zareY5Vr0zlQn4rXzIT06-s-SPGDoYqkBaNTn7J8aapWLI3mhsMov20aW3O-iy21b2P1Z99QPTTl46JcIojDA0djjIc2j-F2RsEfrFLo/s1185/amazing%20grace%20poster.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1185&quot; data-original-width=&quot;800&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSaiqNaX3d07rjYk1U8f8x0ph2_Ulcn82A1qVbXHSJG6hOPwXytyos_RiFw_yElwYutKlWrKf94sMsU5Ub354zareY5Vr0zlQn4rXzIT06-s-SPGDoYqkBaNTn7J8aapWLI3mhsMov20aW3O-iy21b2P1Z99QPTTl46JcIojDA0djjIc2j-F2RsEfrFLo/s320/amazing%20grace%20poster.webp&quot; width=&quot;216&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;You all remember the strife that the fest had in its efforts to eventually secure and screen the Aretha Franklin documentary Amazing Grace in 2019.&lt;/p&gt;&lt;p&gt;In 2022 director Adam Elliott brought suit against distributor NEON focused on claims of breach of contract and fraud.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.hollywoodreporter.com/business/business-news/neon-lawsuit-film-accounting-1236560710/?taid=69e8bfbab2f7b80001e24f62&amp;amp;utm_campaign=trueanthem&amp;amp;utm_medium=social&amp;amp;utm_source=twitter&quot; target=&quot;_blank&quot;&gt;You can find the details in this story from The Hollywood Reporter.&lt;/a&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;https://www.hollywoodreporter.com/business/business-news/neon-lawsuit-film-accounting-1236560710&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/4813008640956942135/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/4813008640956942135' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/4813008640956942135'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/4813008640956942135'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/04/paper-tiger-and-others-announced-for.html' title='Paper Tiger (and Others) Announced for Cannes / Meanwhile...Herzog NOT Cannes Bound / The Story That Won&#39;t End'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpEDAMToBs7sXWTzD3GXfwR9HWblZw9EDfDM-JLwPjA61ibT59-pDyCuerP4Ubx95KPFeMuayWQ7oC4IS0d2K5TFqw1JR9mES2pJQbLglA_FSerz4KQUa5Qk_DcW6AF-6yrCMSXtPIIHIXOvyHAp-FYV7V31RB0TdmdCLQwB1PqXac_UBVzB4q-lWWv38/s72-c/adam%20driver%20paper%20tiger.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-1268539387003591366</id><published>2026-04-20T11:30:00.003-05:00</published><updated>2026-04-20T11:30:48.170-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Alejandro Inarritu"/><category scheme="http://www.blogger.com/atom/ns#" term="Asghar Farhadi"/><category scheme="http://www.blogger.com/atom/ns#" term="Digger"/><category scheme="http://www.blogger.com/atom/ns#" term="Parallel Tales"/><category scheme="http://www.blogger.com/atom/ns#" term="Tom Cruise"/><title type='text'>Digger Not Digging??? / Parallel Tales Trailer</title><content type='html'>&lt;p&gt;DIGGER NOT DIGGING???&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZolsc9N5MRcmX2da2BeE87fZBCKU0zl92g8MU9sw9Ac6l6p1zj4nEH77aIZ3IS2XoNVfF8gkjaJWmJX_1W22B7EZY6n6H7xUefwJ4fm3tXV5wFA8jORLHW1amm7Ai9wI95CIHlT0mhsa3BNQMpfKT3snMo3qLt-1T1BwJtnSy6ZjQN3m4FLChyYqm6YE/s290/digger%20poster.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;290&quot; data-original-width=&quot;196&quot; height=&quot;290&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZolsc9N5MRcmX2da2BeE87fZBCKU0zl92g8MU9sw9Ac6l6p1zj4nEH77aIZ3IS2XoNVfF8gkjaJWmJX_1W22B7EZY6n6H7xUefwJ4fm3tXV5wFA8jORLHW1amm7Ai9wI95CIHlT0mhsa3BNQMpfKT3snMo3qLt-1T1BwJtnSy6ZjQN3m4FLChyYqm6YE/s1600/digger%20poster.jpg&quot; width=&quot;196&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Deadline reported last week that Alejandro G. Inarritu&#39;s hotly anticipated Digger starring Tom Cruise may not play any festival at all.&amp;nbsp; The context for this was the presentation for the film at Cinemacon last week.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Of course, we know that Digger is not playing Cannes but with its announced Oct. 2nd release date many assumed (me included) that a Venice bow was in play followed (I would have thought) by a TFF #53 North American Premiere.&amp;nbsp; Warner Bros. seems to have poured cold water on the notion.&amp;nbsp; From Deadline:&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&quot;EXCLUSIVE: Warner Bros and Alejandro González Iñárritu’s Tom Cruise starrer Digger, which wowed at CinemaCon on Tuesday, is unlikely to debut at a fall festival, we can reveal.&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;The film’s October 2 release date has led to speculation, and anticipation, in many quarters that Venice or another fall festival would be in the cards. Six of Iñárritu’s seven films have premiered at either Cannes or Venice. However, according to multiple well-placed sources, that’s not the current plan. Of course, things can change, but at the moment, we hear that’s how the land lies.&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Warner Bros and Legendary declined comment.&quot;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;I suppose the &quot;escape hatch&quot; is the phrasing &quot;&lt;i&gt;that’s not the current plan. Of course, things can change,&quot;&amp;nbsp; &lt;/i&gt;that leaves some wiggle room for something to change.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Honestly, I think the film could still make an appearance at Telluride.&amp;nbsp; Inarritu has screened Babel, Biutiful, Birdman and Bardo at T-ride.&amp;nbsp; The history/connection there is deep.&amp;nbsp; In a normal year, Digger might have appeared at the top of my annual &quot;Ten Bets&quot; first take for Telluride in June.&amp;nbsp; That will change now...but...I may still include the film somewhere in that initial Top Ten Bets.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;For hoots...here&#39;s the current teaser from Digger from Warner Bros. and YouTube:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/Rd21PhsDHww&quot; width=&quot;320&quot; youtube-src-id=&quot;Rd21PhsDHww&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;https://www.youtube.com/results?search_query=digger+teaser+official&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Stay tuned.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;PARALLEL TALES TRAILER&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Prior to its screening at Cannes, a trailer for Asghar Farhadi&#39;s Parallel Tales ha s been released. The trailer is in French so those of you who can speak/translate...here you go.&amp;nbsp; For those of us who cannot...it&#39;s still an interesting glimpse at what the film will be.&amp;nbsp; Here it is from YouTube:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/SXuLiRIkVkw&quot; width=&quot;320&quot; youtube-src-id=&quot;SXuLiRIkVkw&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://www.youtube.com/watch?v=SXuLiRIkVkw&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/1268539387003591366/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/1268539387003591366' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/1268539387003591366'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/1268539387003591366'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/04/digger-not-digging-parallel-tales.html' title='Digger Not Digging??? / Parallel Tales Trailer'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZolsc9N5MRcmX2da2BeE87fZBCKU0zl92g8MU9sw9Ac6l6p1zj4nEH77aIZ3IS2XoNVfF8gkjaJWmJX_1W22B7EZY6n6H7xUefwJ4fm3tXV5wFA8jORLHW1amm7Ai9wI95CIHlT0mhsa3BNQMpfKT3snMo3qLt-1T1BwJtnSy6ZjQN3m4FLChyYqm6YE/s72-c/digger%20poster.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-5050455575817943661</id><published>2026-04-16T07:25:00.000-05:00</published><updated>2026-04-16T07:25:22.929-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Atonement"/><category scheme="http://www.blogger.com/atom/ns#" term="Butterfly Jam"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><category scheme="http://www.blogger.com/atom/ns#" term="Hope"/><category scheme="http://www.blogger.com/atom/ns#" term="Neon"/><category scheme="http://www.blogger.com/atom/ns#" term="Tony"/><title type='text'>Cannes Director&#39;s Fortnight Announced / NEON Grabs Hope / Tony May Be Late</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;CANNES DIRECTOR&#39;S FORTNIGHT ANNOUNCED&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigviz2JGAfE1WWahrCZxRn3Tc9J1-EbDjvVYERFwG7ot2pYe41wbQWoJVAWzQVHua0vaiqzLfG1-4DJxaT5hsdGaTdyel_DSsKnZjEs28tHa00LPskaYEMEHYghCYELRq_TkoIeyN7T6zK5d_npIrLqu1SB7KCUAISx4tj3i3iPhlfy1-5yvOHsQP8p_I/s275/Cannes%20Directors%20Fort.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;183&quot; data-original-width=&quot;275&quot; height=&quot;183&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigviz2JGAfE1WWahrCZxRn3Tc9J1-EbDjvVYERFwG7ot2pYe41wbQWoJVAWzQVHua0vaiqzLfG1-4DJxaT5hsdGaTdyel_DSsKnZjEs28tHa00LPskaYEMEHYghCYELRq_TkoIeyN7T6zK5d_npIrLqu1SB7KCUAISx4tj3i3iPhlfy1-5yvOHsQP8p_I/s1600/Cannes%20Directors%20Fort.png&quot; width=&quot;275&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The Director&#39;s Fortnight Section of the 79th Cannes Film Festival has been announced.&amp;nbsp; That information was released on Tuesday.&amp;nbsp; Taking a quick look at the titles, the only film that jumps out as a possibility for TFF #53 is Kantemir Balagov&#39;s Butterfly Jam.&amp;nbsp; Balagov was at Telluride in 2029 with Beanpole.&amp;nbsp; I will say that Reed van Dyk&#39;s Atonement sounds interesting and might be worth keeping an eye on.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;Butterfly Jam (Kantemir Balagov)***&lt;/div&gt;&lt;div&gt;9 Temples To Heaven (Sompot Chidgasornpongse)&lt;/div&gt;&lt;div&gt;Atonement (Reed Van Dyk)&lt;/div&gt;&lt;div&gt;Clarissa (Arie Esiri &amp;amp; Chuko Esiri)&lt;/div&gt;&lt;div&gt;Death has no master (Jorge Thielen Armand)&lt;/div&gt;&lt;div&gt;The Diary of a Chambermaid (Radu Jude)&lt;/div&gt;&lt;div&gt;Dora (July Jung)&lt;/div&gt;&lt;div&gt;La libertad doble (Lisandro Alonso)&lt;/div&gt;&lt;div&gt;Gabin (Maxence Voiseux)&lt;/div&gt;&lt;div&gt;I See Buildings Fall Like Lightning (Clio Barnard)&lt;/div&gt;&lt;div&gt;Low Expectations (Eivind Landsvik)&lt;/div&gt;&lt;div&gt;Once Upon A Time In Harlem (David Greaves)&lt;/div&gt;&lt;div&gt;La Perra (Dominga Sotomayor)&lt;/div&gt;&lt;div&gt;Shana (Lila Pinell)&lt;/div&gt;&lt;div&gt;Thanks for Coming (Merci d’être venu) (Alain Cavalier)&lt;/div&gt;&lt;div&gt;l’Espèce Explosive (Sarah Arnold)&lt;/div&gt;&lt;div&gt;Viva Carmen (Sebastian Laundenbach)&lt;/div&gt;&lt;div&gt;We Are Aliens (Kohei Kadowaki)&lt;/div&gt;&lt;div&gt;Le Vertige (Quentin Dupieux)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;NEOIN GRABS HOPE&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR4mEZWf3jmsidbKDnKBbzFmLMnCo9YJ0Lh6lYYLmXhO68mwb2bX0xK-d1ycqjUcFk4a3bBcFtOvjg4XQiG8il4rcFPZ00FLRAEYJ_8EBaEvGmznxISEg3BwX6HT25dS0oHLNjssQ-JRsQeauLaKz5rhKb_po2iRrsFQJOhDoVbXqTDr1jalJtDVR4fIo/s681/Hope%20Cast.webp&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;454&quot; data-original-width=&quot;681&quot; height=&quot;213&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR4mEZWf3jmsidbKDnKBbzFmLMnCo9YJ0Lh6lYYLmXhO68mwb2bX0xK-d1ycqjUcFk4a3bBcFtOvjg4XQiG8il4rcFPZ00FLRAEYJ_8EBaEvGmznxISEg3BwX6HT25dS0oHLNjssQ-JRsQeauLaKz5rhKb_po2iRrsFQJOhDoVbXqTDr1jalJtDVR4fIo/s320/Hope%20Cast.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Reports that distributor NEON, which has a run of six straight films winning Cannes&#39; Palme d&#39;Or, has picked up U.S. distribution for Na Hong-jon&#39;s Hope.&amp;nbsp; The film stars Michael Fassbender and Alicia Vikander.&amp;nbsp; The acquisition makes me think that NEON thinks it could be a player when awards are handed out at the of Cannes.&amp;nbsp; That&#39;s enough to make me think it might be a consideration for TFF.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The IMDb&#39;s description goes like this:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&quot;A mysterious discovery is made on the outskirts of the remote harbor town. The residents find themselves in a desperate fight for survival against something they have never encountered before.&quot;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;NEON&#39;s Palme run has included: Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, Anora and It Was Just an Accident.&amp;nbsp; All but Titane and Triangle of Sadness subsequently played at Telluride.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;TONY MAY BE LATE&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;I have had Matt Johnson&#39;s Tony on the periphery of my lists of &quot;maybe&quot; films for TFF #53 but I might have to re-calculate as World of Reel reports that the film is headed for reshoots beginning as early as next week.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Tony is based on a real episode from the life of legendary chef Anthony Bourdain.&amp;nbsp; Bourdain os being played by &quot;The Holdovers&quot; breakout Dominic Sessa.&amp;nbsp; Plans apparently are for the film to be available for fall festival time even with the additional filming schedule to take place now.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://www.worldofreel.com/blog/2026/4/12/a24s-tony-matt-johnsons-anthony-bourdain-biopic-heads-to-reshoots-this-month&quot; target=&quot;_blank&quot;&gt;The complete World of Reel article is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://www.worldofreel.com/blog/2026/4/12/a24s-tony-matt-johnsons-anthony-bourdain-biopic-heads-to-reshoots-this-month&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/5050455575817943661/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/5050455575817943661' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/5050455575817943661'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/5050455575817943661'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/04/cannes-directors-fortnight-announced.html' title='Cannes Director&#39;s Fortnight Announced / NEON Grabs Hope / Tony May Be Late'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigviz2JGAfE1WWahrCZxRn3Tc9J1-EbDjvVYERFwG7ot2pYe41wbQWoJVAWzQVHua0vaiqzLfG1-4DJxaT5hsdGaTdyel_DSsKnZjEs28tHa00LPskaYEMEHYghCYELRq_TkoIeyN7T6zK5d_npIrLqu1SB7KCUAISx4tj3i3iPhlfy1-5yvOHsQP8p_I/s72-c/Cannes%20Directors%20Fort.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-4957711599197724059</id><published>2026-04-13T07:34:00.222-05:00</published><updated>2026-04-15T07:37:40.594-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bucking Fastard"/><category scheme="http://www.blogger.com/atom/ns#" term="Butterfly Jam"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><category scheme="http://www.blogger.com/atom/ns#" term="Digger"/><category scheme="http://www.blogger.com/atom/ns#" term="everywhere Man: The Life and times of Peter Asher"/><category scheme="http://www.blogger.com/atom/ns#" term="Look Back"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><title type='text'>Cannes Extended / Digger Teaser / Peter Asher Trailer</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;CANNES EXTENDED&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;We know that Cannes has announced a good deal of their lineup and in MTFB&#39;s last post, we looked at a number of those films that have already been announced as possible players for TFF #53.&amp;nbsp; But there are some films still left to be unveiled for Cannes and that&#39;s what we&#39;re focusing on today.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Initially, James Gray&#39;s Paper Tiger and Werner Herzog&#39;s Bucking Fastard are both probably going to be added to the lineup.&amp;nbsp; Multiple sources have been reporting that over the weekend.&amp;nbsp; Both films would be possible candidates for Telluride and that&#39;s true regardless of whether they chosen for Cannes inclusion.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;The best intell right now suggests that Paper Tiger would likely be added to the Palme d&#39;Or competition slate and that Herzog&#39;s film may appear in the Cannes Premieres section.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Additionally, there is some reporting that a couple of TFF #53 film possibilities may be the Director&#39;s Fortnight portion of the fest.&amp;nbsp; I&#39;m referring to Kantemir Balagov&#39;s Butterfly Jam and Hirokazu Kore-eda&#39;s Look Back.&amp;nbsp; Kore-eda is already set for the Palme competition lineup with Sheep in the Box.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Here are links to a number of sources regarding adding titles to Cannes:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://x.com/awardswatcherik/status/2042330559888965761?s=43&amp;amp;t=j1afhDrrsGu6QHIM0TFgEQ&quot; target=&quot;_blank&quot;&gt;Awards Watch&#39;s Erik Anderson.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.worldofreel.com/blog/2026/4/9/bucking-fastard-1&quot; target=&quot;_blank&quot;&gt;World of Reel&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.worldofreel.com/blog/2026/4/9/bucking-fastard-1&quot; target=&quot;_blank&quot;&gt;World of Reel-Bucking Fastar&lt;/a&gt;d&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.worldofreel.com/blog/2026/4/9/quinzaine&quot; target=&quot;_blank&quot;&gt;World of Reel-Director&#39;s Fortnight&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;DIGGER TEASER&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Thanks to Alex Billington and First Showing, I was reminded that we have a teaser for Alejandro Inarritu&#39;s Digger from Warner Brothers.&amp;nbsp; Here that is from YouTube:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.youtube.com/watch?v=Rd21PhsDHww&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/Rd21PhsDHww&quot; width=&quot;320&quot; youtube-src-id=&quot;Rd21PhsDHww&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;PETER ASHER TRAILER&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;And just out, a trailer for the Peter Asher documentary that played TFF #52.&amp;nbsp; Everywhere Man: The Life and times of Peter Asher is from directors Daniel Geller and Diana Goldfine.&amp;nbsp; It will be in theaters on June 19th.&amp;nbsp; Here&#39;s the trailer from YouTube:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.youtube.com/watch?v=nIpHwQ94WvY&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;BLOG_video_class&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/nIpHwQ94WvY&quot; width=&quot;320&quot; youtube-src-id=&quot;nIpHwQ94WvY&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Here&#39;s the poster also:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP3XqFEfamAl6Vbnf7NYjCPPrtqKmay0QFUEX15hmd0JNSHQJmkV0V8KBiziXZhyLvRxeTWNrwNT5vv_OEola7rMG7342CN4B3vvDOImE1c23QMX7WVluhfh_VrgBmCLXmxuSWV0HBa9YjkhhhFw4u9E09IODowxkFyiknGF5m3v7hNTpkevxx-nJxeww/s290/Asher%20poster.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;290&quot; data-original-width=&quot;196&quot; height=&quot;290&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP3XqFEfamAl6Vbnf7NYjCPPrtqKmay0QFUEX15hmd0JNSHQJmkV0V8KBiziXZhyLvRxeTWNrwNT5vv_OEola7rMG7342CN4B3vvDOImE1c23QMX7WVluhfh_VrgBmCLXmxuSWV0HBa9YjkhhhFw4u9E09IODowxkFyiknGF5m3v7hNTpkevxx-nJxeww/s1600/Asher%20poster.jpg&quot; width=&quot;196&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/4957711599197724059/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/4957711599197724059' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/4957711599197724059'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/4957711599197724059'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/04/cannes-extended-digger-teaser-peter.html' title='Cannes Extended / Digger Teaser / Peter Asher Trailer'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/Rd21PhsDHww/default.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-1018976817051418898</id><published>2026-04-09T07:56:00.000-05:00</published><updated>2026-04-09T07:56:53.767-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="All of a Sudden"/><category scheme="http://www.blogger.com/atom/ns#" term="Bitter Christmas"/><category scheme="http://www.blogger.com/atom/ns#" term="Cannes #79"/><category scheme="http://www.blogger.com/atom/ns#" term="Coward"/><category scheme="http://www.blogger.com/atom/ns#" term="Fatherland"/><category scheme="http://www.blogger.com/atom/ns#" term="Fjord"/><category scheme="http://www.blogger.com/atom/ns#" term="Gentle Monster"/><category scheme="http://www.blogger.com/atom/ns#" term="Minotaur"/><category scheme="http://www.blogger.com/atom/ns#" term="Parallel Tales"/><category scheme="http://www.blogger.com/atom/ns#" term="Sheep in the Box"/><category scheme="http://www.blogger.com/atom/ns#" term="The Unknown"/><title type='text'>Cannes Announces / Photos from Cannes&#39; Selections</title><content type='html'>&lt;p&gt;CANNES ANNOUNCES&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvlI1aSLYgtjPi31lC7rUHUipkv4pCL9OsTCUnA-SyNajYqUdxokSHe46yEdRm7w6E4yMKn49Yimh3Ck2fIcfVATLWaDy38ZYq1CdORJ-G9RrYxApY7l5XD_y63o6Fi2Aq-e7soQT1xrFLWMLY_J4zbZEFpUmd65AAletapjnAG0D4ZYTx0xZZpOZ5jPU/s308/cannes%20palme%20download%20(1).jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;164&quot; data-original-width=&quot;308&quot; height=&quot;164&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvlI1aSLYgtjPi31lC7rUHUipkv4pCL9OsTCUnA-SyNajYqUdxokSHe46yEdRm7w6E4yMKn49Yimh3Ck2fIcfVATLWaDy38ZYq1CdORJ-G9RrYxApY7l5XD_y63o6Fi2Aq-e7soQT1xrFLWMLY_J4zbZEFpUmd65AAletapjnAG0D4ZYTx0xZZpOZ5jPU/s1600/cannes%20palme%20download%20(1).jpg&quot; width=&quot;308&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The field of films for the 79th Cannes Film Festival have been announced.&amp;nbsp; This is important because history tells us that it&#39;s highly likely that 6-8 of these films (mostly from the Palme d&#39;Or competition category) will be selected/invited to play at TFF #53 this fall.&amp;nbsp; Here, from Next Best Picture, are the fils that were announced this morning (films that I think have are the most likely for Telluride are indictaed with ***):&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;​COMPETITION&lt;/p&gt;&lt;p&gt;&quot;The Electric Kiss&quot; (dir. Pierre Salvadori) Opening Night film.&lt;/p&gt;&lt;p&gt;“All Of A Sudden” (dir. Ryusuke Hamaguchi)***&lt;/p&gt;&lt;p&gt;“The Beloved” (dir. Rodrigo Sorogoyen)&lt;/p&gt;&lt;p&gt;“Bitter Christmas” (dir. Pedro Almodóvar)***&lt;/p&gt;&lt;p&gt;“The Black Ball” (dir. Javier Calvo and Javier Ambrossi)&lt;/p&gt;&lt;p&gt;“Coward” (dir. Lukas Dhont)***&lt;/p&gt;&lt;p&gt;“The Dreamed Adventure” (dir. Valeska Grisebac)&lt;/p&gt;&lt;p&gt;“Fatherland” (dir. Pawel Pawlikowski)*** (previously titled 1949)&lt;/p&gt;&lt;p&gt;“Fjord” (dir Cristian Mungiu)***&lt;/p&gt;&lt;p&gt;“Garance” (dir. Jeanne Herry)&lt;/p&gt;&lt;p&gt;“Gentle Monster” (dir. Marie Kreutzer)***&lt;/p&gt;&lt;p&gt;“Hope” (dir. Na Hong-Jin)&lt;/p&gt;&lt;p&gt;“The Man I Love” (dir. Ira Sachs)&lt;/p&gt;&lt;p&gt;“Minotaur” (dir. Andrey Zvyagintsev)***&lt;/p&gt;&lt;p&gt;“Moulin” (dir. Laszlo Nemes)***&lt;/p&gt;&lt;p&gt;“Nagi Notes” (dir. Kôji Fukada)&lt;/p&gt;&lt;p&gt;“Notre Salut” (dir. Emmanuel Marre)&lt;/p&gt;&lt;p&gt;“Parallel Stories” (dir. Asghar Farhadi)***&lt;/p&gt;&lt;p&gt;“Sheep in the Box” (dir. Hirokazu Kore-eda)***&lt;/p&gt;&lt;p&gt;“Stories Of The Night” (dir. Lea Mysius)&lt;/p&gt;&lt;p&gt;“The Unknown” (dir. Arthur Harari)***&lt;/p&gt;&lt;p&gt;“A Woman’s Life” (dir. Charline Bourgeois-Taquet)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;UN CERTAIN REGARD&lt;/p&gt;&lt;p&gt;“Club Kid” (dir. Jordan Firstman)&lt;/p&gt;&lt;p&gt;“Congo Boy” (dir. Rafiki Fariala)&lt;/p&gt;&lt;p&gt;“Elephants in the Fog” (dir. Abinash Bikram Shah)&lt;/p&gt;&lt;p&gt;“Everytime” (dir. Sandra Wollner)&lt;/p&gt;&lt;p&gt;“I Am Always Your Maternal Animal” (dir. Valentina Maurel)&lt;/p&gt;&lt;p&gt;“I’ll Be Gone in June” (dir. Katharina Rivilis)&lt;/p&gt;&lt;p&gt;“Le Corset” (dir. Louis Clichy)&lt;/p&gt;&lt;p&gt;“The Meltdown” (dir. Manuela Martelli)&lt;/p&gt;&lt;p&gt;“Strawberries” (dir. Laïla Marrakchi)&lt;/p&gt;&lt;p&gt;“Teenage Sex and Death at Camp Miasma” (dir. Jane Schoenbrun)&lt;/p&gt;&lt;p&gt;“Yesterday the Eye Didn’t Sleep” (dir. Rakan Mayasi)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;OUT OF COMPETITION&lt;/p&gt;&lt;p&gt;“De Gaulle: L’Age de Fer” (dir. Antonin Baudry)&lt;/p&gt;&lt;p&gt;“Diamond” (dir. Andy Garcia)&lt;/p&gt;&lt;p&gt;“The Electric Kiss” (dir. Pierre Salvadori)&lt;/p&gt;&lt;p&gt;“Her Private Hell” (dir. Nicolas Winding Refn)&lt;/p&gt;&lt;p&gt;“Karma” (dir. Guillaume Canet)&lt;/p&gt;&lt;p&gt;“L’Abandon” (dir. Vincent Garenq)&lt;/p&gt;&lt;p&gt;“L’Objet Du Delit” (dir. Agnes Jaoui)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;MIDNIGHT SCREENINGS&lt;/p&gt;&lt;p&gt;“Colony” (dir. Yeon Sang-ho)&lt;/p&gt;&lt;p&gt;“Full Phil” (dir. Quentin Dupieux)&lt;/p&gt;&lt;p&gt;“Jim Queen and the Quest for Chloroqueer” (dir. Nicolas Athane and Marco Nguyen)&lt;/p&gt;&lt;p&gt;“Roma Elastica” (dir. Bertrand Mandico)&lt;/p&gt;&lt;p&gt;“Sanguine” (dir. Marion Le Coroller)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;SPECIAL SCREENINGS&lt;/p&gt;&lt;p&gt;“Avedon” (dir. Ron Howard)&lt;/p&gt;&lt;p&gt;“John Lennon: The Last Interview” (dir. Steven Soderbergh)&lt;/p&gt;&lt;p&gt;“Les Matins&amp;nbsp; Merveilleux” (dir. Avril Besson)&lt;/p&gt;&lt;p&gt;“Les Survivants du Che” (dir. Christophe Réveille)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;CANNES PREMIERE&lt;/p&gt;&lt;p&gt;“Heimsuchung” (dir. Volker Schlondorff)***&lt;/p&gt;&lt;p&gt;“Kokurojo: The Samurai and the Prisoner” (dir. Kiyoshi Kurosawa)&lt;/p&gt;&lt;p&gt;“Propeller One-Way Night Coach” (dir. John Travolta)&lt;/p&gt;&lt;p&gt;“The Third Night” (dir. Daniel Auteuil)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;PHOTOS FROM CANNES&#39; SELECTIONS&lt;/p&gt;&lt;p&gt;COWARD&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiVel0JRJ07oJWZp1zvp8nWhOQVDCbMsdPN6kvHMxcgTZfP8GhUXKsG-lRXBqNsIk0qH0TJGv5Qnh2s_BTDOIk8BrGCd-03NIpgYCDYwNJpWgLp4KlOPaTUdnNhvraKAmnhYjQ-2yuckn7LzWvQQmiZok7rb8iLqcFukeqvTQQAnhR7qd4hreu8I-0VKI/s680/Coward%20Photo.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;510&quot; data-original-width=&quot;680&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiVel0JRJ07oJWZp1zvp8nWhOQVDCbMsdPN6kvHMxcgTZfP8GhUXKsG-lRXBqNsIk0qH0TJGv5Qnh2s_BTDOIk8BrGCd-03NIpgYCDYwNJpWgLp4KlOPaTUdnNhvraKAmnhYjQ-2yuckn7LzWvQQmiZok7rb8iLqcFukeqvTQQAnhR7qd4hreu8I-0VKI/s320/Coward%20Photo.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;FATHERLAND (1949)&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9DIPv4VPGnSyQL9k0ViQ9VJj1sgubv1nLFzh1Fvg05gVq4qGisoCBIRfKkKdCHXdjnwN_6chrD3Pm8KTJLL5YBfr-UeisxiEK_4WhD2YCegQLu2mlv1GIGVLSc5pJalaE5VShxQJZiTogm2wGyavWxm75cZPa2WZGD68434F78oKvBxN0cqfLZIlMTQc/s750/Fatherland-1-750x563.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;563&quot; data-original-width=&quot;750&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9DIPv4VPGnSyQL9k0ViQ9VJj1sgubv1nLFzh1Fvg05gVq4qGisoCBIRfKkKdCHXdjnwN_6chrD3Pm8KTJLL5YBfr-UeisxiEK_4WhD2YCegQLu2mlv1GIGVLSc5pJalaE5VShxQJZiTogm2wGyavWxm75cZPa2WZGD68434F78oKvBxN0cqfLZIlMTQc/s320/Fatherland-1-750x563.jpeg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;VISITATION&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4IBJRhtvG8lLhyphenhyphenyvPC4UPbWYj215k5Pt54KfXn-c_v_Wv06JsyGtYrSmCta9Lq7QpQHoJr0eY-gzPyimbDMx9VXuqIPP5DYem8DWK9Gz6i5jeWfuKZ02rkicCvBYrXMFBUkG2k_NuUUVO2czo1Z4ljB0Er9sc058wlli2ASvSBrVvmNEvuXDsWX__3zQ/s680/Visitation-Schlondorf.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;453&quot; data-original-width=&quot;680&quot; height=&quot;213&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4IBJRhtvG8lLhyphenhyphenyvPC4UPbWYj215k5Pt54KfXn-c_v_Wv06JsyGtYrSmCta9Lq7QpQHoJr0eY-gzPyimbDMx9VXuqIPP5DYem8DWK9Gz6i5jeWfuKZ02rkicCvBYrXMFBUkG2k_NuUUVO2czo1Z4ljB0Er9sc058wlli2ASvSBrVvmNEvuXDsWX__3zQ/s320/Visitation-Schlondorf.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;FJORD&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX2mzuKFO552rxCo4BLDuN0_6m1DlWK-Hb86vRkLaHPV803152R_12IGS1zV4AM2cT8xiCbq7AulJ2NxSgogb1pfox7qj699zvfz9nQGzQXfDsS-VyZBAkwJoTABua6B91WCn2FealSLTjHUNgbNWOj21HWyCQ1wxdQ2sSyTyf6lnd37BlXj_gagoF1Hg/s680/Fjord.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;404&quot; data-original-width=&quot;680&quot; height=&quot;190&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX2mzuKFO552rxCo4BLDuN0_6m1DlWK-Hb86vRkLaHPV803152R_12IGS1zV4AM2cT8xiCbq7AulJ2NxSgogb1pfox7qj699zvfz9nQGzQXfDsS-VyZBAkwJoTABua6B91WCn2FealSLTjHUNgbNWOj21HWyCQ1wxdQ2sSyTyf6lnd37BlXj_gagoF1Hg/s320/Fjord.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;ALL OF A SUDDEN&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJjuKevlFEd6XiAqrhh5JdK0maTMmfvTbn6yxxH6qX17224dwb8izjs1KZ53BIl3jeHvFDZIMc_U7jW4uJyi-UfmT8dGwkQGyjnW9f2liQXNlzfeXox7bHFvcsPiBwpVSUhUWeM1oCvVqAx1Xn2Xzem-l1gG2fE0CM63K-SuVSWaIqGW8tc-UaZGtJYR4/s680/All%20of%20a%20Sudden.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;453&quot; data-original-width=&quot;680&quot; height=&quot;213&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJjuKevlFEd6XiAqrhh5JdK0maTMmfvTbn6yxxH6qX17224dwb8izjs1KZ53BIl3jeHvFDZIMc_U7jW4uJyi-UfmT8dGwkQGyjnW9f2liQXNlzfeXox7bHFvcsPiBwpVSUhUWeM1oCvVqAx1Xn2Xzem-l1gG2fE0CM63K-SuVSWaIqGW8tc-UaZGtJYR4/s320/All%20of%20a%20Sudden.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;MINOTAUR&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuaFaCHnYIRPHizKsX4jehpKugUHG9EBfLkFDJhMTL0A8fGIFx0IH5q05EZgX-vMIHAGGD06A9aQTIhi8RTI5V9gynsLmR9P4jX7QV-hUvViFJMHXAli9Txb6y4mdmATKAH85Y6aLt3bCB9Hjx-WaHW9gK_JR7ATEcrvOGYtrvWgDxCzoLB4i1ny9eeAM/s680/mINOTAUR.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;498&quot; data-original-width=&quot;680&quot; height=&quot;234&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuaFaCHnYIRPHizKsX4jehpKugUHG9EBfLkFDJhMTL0A8fGIFx0IH5q05EZgX-vMIHAGGD06A9aQTIhi8RTI5V9gynsLmR9P4jX7QV-hUvViFJMHXAli9Txb6y4mdmATKAH85Y6aLt3bCB9Hjx-WaHW9gK_JR7ATEcrvOGYtrvWgDxCzoLB4i1ny9eeAM/s320/mINOTAUR.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;THE UNKNOWN&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje8KUx__RKwLTQlcLE-8PgR21I1IWwgi1BG1Kjavv9L5eIWdU4dqRxcx2Bd6re430ZAzIN_x-xt74mKxDOejsxZqC_khlhFfNY2POJ9PkZUpP_plSjlV1kGgxOYvgPhb-7BskWWiXyzeAvzuUCHIC9qMt8Ksf2mRydwHbislI9jkn2KL1eRL3D0aJgu6U/s680/THE%20UNKNOWN.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;367&quot; data-original-width=&quot;680&quot; height=&quot;173&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje8KUx__RKwLTQlcLE-8PgR21I1IWwgi1BG1Kjavv9L5eIWdU4dqRxcx2Bd6re430ZAzIN_x-xt74mKxDOejsxZqC_khlhFfNY2POJ9PkZUpP_plSjlV1kGgxOYvgPhb-7BskWWiXyzeAvzuUCHIC9qMt8Ksf2mRydwHbislI9jkn2KL1eRL3D0aJgu6U/s320/THE%20UNKNOWN.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;According to Cannes head Thierry Fremaux per Next Best Picture, the lineup is 95% complete so other films will be added in the coming days.&amp;nbsp; So, films like Herzog&#39; Bucking Fastard and Gray&#39;s Paper Tiger could still have their World Premiere next month in France.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/1018976817051418898/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/1018976817051418898' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/1018976817051418898'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/1018976817051418898'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/04/cannes-announces-photos-from-cannes.html' title='Cannes Announces / Photos from Cannes&#39; Selections'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvlI1aSLYgtjPi31lC7rUHUipkv4pCL9OsTCUnA-SyNajYqUdxokSHe46yEdRm7w6E4yMKn49Yimh3Ck2fIcfVATLWaDy38ZYq1CdORJ-G9RrYxApY7l5XD_y63o6Fi2Aq-e7soQT1xrFLWMLY_J4zbZEFpUmd65AAletapjnAG0D4ZYTx0xZZpOZ5jPU/s72-c/cannes%20palme%20download%20(1).jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8594191000962107206.post-6325703635542657306</id><published>2026-04-02T08:00:00.001-05:00</published><updated>2026-04-02T08:00:00.118-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="1949"/><category scheme="http://www.blogger.com/atom/ns#" term="All of a Sudden"/><category scheme="http://www.blogger.com/atom/ns#" term="Bitter Christmas"/><category scheme="http://www.blogger.com/atom/ns#" term="Fjord"/><category scheme="http://www.blogger.com/atom/ns#" term="Minotaur"/><category scheme="http://www.blogger.com/atom/ns#" term="Paper Tiger"/><category scheme="http://www.blogger.com/atom/ns#" term="Parallel Tales"/><category scheme="http://www.blogger.com/atom/ns#" term="Sheep in the Box"/><title type='text'>A Week Until Cannes Announces-Updates on Possible TFF Films</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;A WEEK UNTIL CANNES ANNOUNCES-UPDATES AND POSSIBLE TFF FILMS&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjte3XENxS7VzjM0Eb-N3Wu25UOQvyGLlOIGekhY4UTrQNpWtqeI3-vzWDaQizaUqpd9qm9YF5w2OMRHHHY8cjG6OFmwfzkfGFH_5H76uGAkcnYlBsqnD-L1KeHx2nrCSKVitG0zM5M1-I-geuUJ3U9PjhmNRaRa6B4rM-J6N3-VO3MLRPV9lph6YhQs4/s750/Cannes-Film-Festival-Flag-750x400.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;750&quot; height=&quot;171&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjte3XENxS7VzjM0Eb-N3Wu25UOQvyGLlOIGekhY4UTrQNpWtqeI3-vzWDaQizaUqpd9qm9YF5w2OMRHHHY8cjG6OFmwfzkfGFH_5H76uGAkcnYlBsqnD-L1KeHx2nrCSKVitG0zM5M1-I-geuUJ3U9PjhmNRaRa6B4rM-J6N3-VO3MLRPV9lph6YhQs4/s320/Cannes-Film-Festival-Flag-750x400.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;With a week left until the Cannes Film Festival announces the bulk of its 2026 lineup...MTFB is laser focused on the titles that will be announced and their potential as possible choices for TFF #53.&amp;nbsp; To remind readers, the two fests commonly share about 6-8 titles every year.&amp;nbsp; Last year such films as Sentimental Value, The Secret Agent, The History of Sound, Nouvelle Vague, It Was Just an Accident, The Mastermind, Urchin, A Private Life and Pillion screened in France and then appeared in Telluride for TFF #52.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Recently Ioncinema posted two separate pieces focused on what might play at Cannes.&amp;nbsp; I have combined both to consolidate this list of TFF possibilities:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;All of a Sudden/Hamaguchi/NEON&lt;/div&gt;&lt;div&gt;Bitter Christmas/Almodovar***/Sony Pictures Classics&lt;/div&gt;&lt;div&gt;Butterfly Jam/Balagov***&lt;/div&gt;&lt;div&gt;Fjord/Mungiu***/NEON&lt;/div&gt;&lt;div&gt;Gentle Monster/Kreutzer&lt;/div&gt;&lt;div&gt;Minotaur/Zvyagintsev***&lt;/div&gt;&lt;div&gt;Paper Tiger/Gray***&lt;/div&gt;&lt;div&gt;Parallel Tales/Farhadi***&lt;/div&gt;&lt;div&gt;Sheep in the Box/Kore-eda***/NEON&lt;/div&gt;&lt;div&gt;The Unknown/Harari/NEON&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://www.ioncinema.com/news/film-festivals/2026-cannes-film-festival-predictions-palme-dor-part-1&quot; target=&quot;_blank&quot;&gt;The first Ioncinema piece is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://www.ioncinema.com/news/film-festivals/2026-cannes-film-festival-predictions-palme-dor-part-1&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.ioncinema.com/news/film-festivals/2026-cannes-film-festival-predictions-golden-palme-dor&quot; target=&quot;_blank&quot;&gt;The second Ioncinema piece is linked here.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;https://www.ioncinema.com/news/film-festivals/2026-cannes-film-festival-predictions-golden-palme-dor&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Meanwhile, Jordan Ruimy has updated his Cannes predictions as of&amp;nbsp; last Monday.&amp;nbsp; His latest assessment includes what I think could be TFF titles:&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div&gt;1949 (Fatherland?)/Pawlikowski***/MUBI&lt;/div&gt;&lt;div&gt;All of a Sudden/Hamaguchi/NEON&lt;/div&gt;&lt;div&gt;Bitter Christmas/Almodovar***/Sony Pictures Classics&lt;/div&gt;&lt;div&gt;Butterfly Jam/Balagov&lt;/div&gt;&lt;div&gt;Fjord/Mungiu***/NEON&lt;/div&gt;&lt;div&gt;Gentle Monster/Kruetzer&lt;/div&gt;&lt;div&gt;Minotaur/Zvyagintsev***&lt;/div&gt;&lt;div&gt;Paper Tiger/Gray***&lt;/div&gt;&lt;div&gt;Parallel Tales/Farhadi***&lt;/div&gt;&lt;div&gt;Sheep in the Box/Kore-eda***/NEON&lt;/div&gt;&lt;div&gt;The Unknown/Harari/NEON&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;https://www.worldofreel.com/blog/2026/3/30/variety-james-grays-paper-tiger-and-jane-schoenbruns-sex-and-death-at-camp-miasma-to-premiere-at-cannes&quot; target=&quot;_blank&quot;&gt;Here&#39;s Jordan&#39;s update.&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;https://www.worldofreel.com/blog/2026/3/30/variety-james-grays-paper-tiger-and-jane-schoenbruns-sex-and-death-at-camp-miasma-to-premiere-at-cannes&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;We&#39;ll know more next Thursday.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;EMAIL:&amp;nbsp; mpgort@gmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;X (Twitter) @TheMTFB OR @Gort2&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bluesky: @gort2.bsky.social&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB&#39;s Facebook Page&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;MTFB is published on Mondays and Thursdays&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;If you would like to be added to the MTFB e-mail list send an email to mpgort@gmail.com&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://michaelstelluridefilm.blogspot.com/feeds/6325703635542657306/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/8594191000962107206/6325703635542657306' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/6325703635542657306'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8594191000962107206/posts/default/6325703635542657306'/><link rel='alternate' type='text/html' href='http://michaelstelluridefilm.blogspot.com/2026/04/a-week-until-cannes-announces-updates.html' title='A Week Until Cannes Announces-Updates on Possible TFF Films'/><author><name>Michael Patterson</name><uri>http://www.blogger.com/profile/03390400380332835906</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwmikjG-mq4ujPkxjnfI7xElsB4ntpcvQviL99OJE0y-e2cuX0_W8x-Gj6Rw6ck_N19giILM8Fnml-cRWvA3HbqJLoyKznAAfRIfCoj3Qgw1SsA_2z7nquBT_Ezd8WCA/s113/gort-movie-2.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjte3XENxS7VzjM0Eb-N3Wu25UOQvyGLlOIGekhY4UTrQNpWtqeI3-vzWDaQizaUqpd9qm9YF5w2OMRHHHY8cjG6OFmwfzkfGFH_5H76uGAkcnYlBsqnD-L1KeHx2nrCSKVitG0zM5M1-I-geuUJ3U9PjhmNRaRa6B4rM-J6N3-VO3MLRPV9lph6YhQs4/s72-c/Cannes-Film-Festival-Flag-750x400.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>