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		<title>Bass &#038; engineer Michael Jackson</title>
		<link>https://songworx.com/working-with-michael-jackson-studio</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Sat, 14 May 2016 06:09:15 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[cj as musician]]></category>
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		<category><![CDATA[studio stories]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=893</guid>

					<description><![CDATA[&#160; songworx.com &#8211; Michael Jackson &#8211; Xscape deluxe &#8211; I was fortunate enough to engineer and play bass guitar for Michael Jackson in 98&#8242; after he asked me to record several of his vocal sessions and producers. His passing was some very sad news and my memories of those studio sessions has compelled&#160; me to [&#8230;]]]></description>
		
		
		<enclosure url="https://songworx.com/wp-content/uploads/2016/05/Place-With-No-Name.mp3" length="11843917" type="audio/mpeg" />

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		<title>cj&#8217;s credited works</title>
		<link>https://songworx.com/mixing-engineer-cj-devillar-credits</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Sat, 07 May 2016 20:13:46 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=4948</guid>

					<description><![CDATA[Michael Jackson _ Bass Guitar and Recording Engineer. I Engineered two songs on XSCAPE deluxe original versions and played Bass on &#8220;A Place With No Name&#8221; Disturbed _ EP “Live &#38; Indestructible” 2008, Recording Engineer, Mix Engineer for their live broadcast at Deep Rock Drive&#8221; Quincy Jones _ &#8220;From Q with Love&#8221; 1999, Sound Designer, [&#8230;]]]></description>
		
		
		
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		<title>live concert broadcast for O.A.R.</title>
		<link>https://songworx.com/live-mix-broadcast-mixing-oar</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Tue, 03 May 2016 13:58:40 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[featured credited works]]></category>
		<category><![CDATA[live broadcast mixing]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=2494</guid>

					<description><![CDATA[&#160; I mixed an hour long set for O.A.R. at Deep Rock Drive Studios Las Vegas in 08 where I was Audio Director and Mix engineer for the innovative start-up company. This was a live real-time mix to HD video simultaneously distributed to viewers over the internet. DeepRockDrive at the time was the only live [&#8230;]]]></description>
		
		
		
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		<title>Neve 8078 Console</title>
		<link>https://songworx.com/neve-8078-vintage-recording-console</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Mon, 02 May 2016 01:40:02 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[studio equipment]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=5049</guid>

					<description><![CDATA[I owned this gorgeous vintage Neve 8078 console as a partner and then sole owner from 2003. At the end of 2011 and just months before his passing I sold the 8078 to Beastie Boy MCA Adam Yauch for his studio in New York. He enjoyed the process and worked me over pretty good in [&#8230;]]]></description>
		
		
		
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		<title>mixing warm with digital or analog</title>
		<link>https://songworx.com/warmth-high-end-harsh-digital-analog</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Sun, 01 May 2016 00:10:49 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[mixing tips]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=60</guid>

					<description><![CDATA[I receive questions asking me how to achieve a warm analog mix in the digital domain and how to reduce high-end harshness. I do have a couple cures for that but let me first reply that I make no distinction between digital and analog formats anymore. As a matter of fact it&#8217;s never really one [&#8230;]]]></description>
		
		
		
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		<title>How to get big bass low end power</title>
		<link>https://songworx.com/bass-powerful-low-end</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Thu, 28 Apr 2016 00:01:32 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[mixing tips]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=58</guid>

					<description><![CDATA[Low End Bass build up = weak bass. Take a kick drum and bass line for instance. The kick is typically a consistent quick low note stab over and over again, and it is a note btw. But the bass synth or bass guitar lows are always moving around because the notes change. E1 is [&#8230;]]]></description>
		
		
		
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		<title>Too Much Recording Compression</title>
		<link>https://songworx.com/too-much-recording-compression</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Tue, 26 Apr 2016 20:48:10 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[mixing tips]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=50</guid>

					<description><![CDATA[After mixing a lot of home recorded material, the number one most difficult problem that I have the most trouble dealing with are over-compressed tracks. You would be surprised to know that many recording pro&#8217;s use little to no compression on most things when they record even for the biggest recording artists. If you&#8217;re doing [&#8230;]]]></description>
		
		
		
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		<title>How to Prepare Your Audio Tracks for Mixing</title>
		<link>https://songworx.com/how-to-prepare-audio-for-mixing</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Sun, 24 Apr 2016 06:20:40 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[preparing audio]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=294</guid>

					<description><![CDATA[99.9% of my mix work is with ProTools (in-the-box) and .1% on analog consoles. (with ProTools ) But It doesn&#8217;t matter what music program you use for writing and recording your music productions. Simply prepare the audio-files to be universal, useful on their own and not dependent on its session file. Next is how. * [&#8230;]]]></description>
		
		
		
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		<title>Sass Jordan . Dusk Til&#8217; Dawn</title>
		<link>https://songworx.com/sass-jordan</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Wed, 20 Apr 2016 23:22:59 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[featured credited works]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=1333</guid>

					<description><![CDATA[[mp3t track=&#8221;Sass Jordan 2.mp3&#8243; ind=&#8221;n&#8221; caption=&#8221;what i need&#8221; style=&#8221;bigger2&#8243; bold=&#8221;n&#8221;] &#160; Sass Jordan &#8220;Dusk Til&#8217; Dawn&#8221; This is Sass&#8217;s seventh record and she&#8217;s sold over a million records to date. I mixed this latest 10 song album remote mix style in my Los Angeles studio with record producer Derek Sharp who was in Montreal Canada [&#8230;]]]></description>
		
		
		
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		<title>How To Become a Mixing Engineer</title>
		<link>https://songworx.com/how-to-become-a-mixing-engineer</link>
		
		<dc:creator><![CDATA[CJ deVillar]]></dc:creator>
		<pubDate>Sat, 16 Apr 2016 23:36:09 +0000</pubDate>
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		<category><![CDATA[live broadcast mixing]]></category>
		<category><![CDATA[mixing tips]]></category>
		<guid isPermaLink="false">http://songworx.com/?p=751</guid>

					<description><![CDATA[Is there a guide on How To Become A Mixing Engineer? Can becoming a professional mixing engineer be any fun? Where do the best mixing engineers come from? These are a few of the questions I&#8217;ve received on the subject. First, is there a &#8220;how to become a mix engineer&#8221; guide ? No, I don&#8217;t [&#8230;]]]></description>
		
		
		
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