<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1514796653438919092</id><updated>2024-09-11T02:27:45.011+01:00</updated><category term="The Remains of the Day"/><category term="Doris Lessing"/><category term="Dubliners"/><category term="Foste passage to india"/><category term="Heart of Darkness"/><category term="James Joyce"/><category term="John Fowles"/><category term="Julian Barnes"/><category term="Kazuo Ishiguro"/><category term="Lawrence"/><category term="The French Lieutenant’s Woman"/><category term="The Golden Notebook Doris Lessing"/><category term="William Golding"/><category term="Woman in Love"/><category term="book"/><category term="golden notebook"/><category term="lord of the flies"/><category term="mrs. Dalloway to the lighthouse"/><title type='text'>Modern English Literature</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>31</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-1147661582439044336</id><published>2016-06-10T08:10:00.001+01:00</published><updated>2016-06-10T08:10:51.449+01:00</updated><title type='text'>Heart of Darkness-Book </title><content type='html'>The Nellie, a cruising yawl, swung to her anchor without
a flutter of the sails, and was at rest. The flood had made,
the wind was nearly calm, and being bound down the river,
the only thing for it was to come to and wait for the turn of
the tide.
The sea-reach of the Thames stretched before us like the
beginning of an interminable waterway. In the offing the
sea and the sky were welded together without a joint, and
in the luminous space the tanned sails of the barges drifting
up with the tide seemed to stand still in red clusters of
canvas sharply peaked, with gleams of varnished sprits. A
haze rested on the low shores that ran out to sea in vanishing
flatness. The air was dark above Gravesend, and farther
back still seemed condensed into a mournful gloom, brooding
motionless over the biggest, and the greatest, town on
earth.
The Director of Companies was our captain and our
host. We four affectionately watched his back as he stood
in the bows looking to seaward. On the whole river there
was nothing that looked half so nautical. He resembled a pilot,
which to a seaman is trustworthiness personified. It was
difficult to realize his work was not out there in the luminous
estuary, but behind him, within the brooding gloom.
Between us there was, as I have already said somewhere, 
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the bond of the sea. Besides holding our hearts together
through long periods of separation, it had the effect of making
us tolerant of each other’s yarns—and even convictions.
The Lawyer—the best of old fellows—had, because of his
many years and many virtues, the only cushion on deck,
and was lying on the only rug. The Accountant had brought
out already a box of dominoes, and was toying architecturally
with the bones. Marlow sat cross-legged right aft,
leaning against the mizzen-mast. He had sunken cheeks, a
yellow complexion, a straight back, an ascetic aspect, and,
with his arms dropped, the palms of hands outwards, resembled
an idol. The director, satisfied the anchor had good
hold, made his way aft and sat down amongst us. We exchanged
a few words lazily. Afterwards there was silence
on board the yacht. For some reason or other we did not
begin that game of dominoes. We felt meditative, and fit for
nothing but placid staring. The day was ending in a serenity
of still and exquisite brilliance. The water shone pacifically;
the sky, without a speck, was a benign immensity of unstained
light; the very mist on the Essex marsh was like a
gauzy and radiant fabric, hung from the wooded rises inland,
and draping the low shores in diaphanous folds. Only
the gloom to the west, brooding over the upper reaches,
became more sombre every minute, as if angered by the approach
of the sun.
And at last, in its curved and imperceptible fall, the sun
sank low, and from glowing white changed to a dull red
without rays and without heat, as if about to go out suddenly,
stricken to death by the touch of that gloom brooding 
  Heart of Darkness
over a crowd of men.
Forthwith a change came over the waters, and the serenity
became less brilliant but more profound. The old river in
its broad reach rested unruffled at the decline of day, after
ages of good service done to the race that peopled its banks,
spread out in the tranquil dignity of a waterway leading to
the uttermost ends of the earth. We looked at the venerable
stream not in the vivid flush of a short day that comes and
departs for ever, but in the august light of abiding memories.
And indeed nothing is easier for a man who has, as
the phrase goes, ‘followed the sea’ with reverence and affection,
that to evoke the great spirit of the past upon the lower
reaches of the Thames. The tidal current runs to and fro in
its unceasing service, crowded with memories of men and
ships it had borne to the rest of home or to the battles of the
sea. It had known and served all the men of whom the nation
is proud, from Sir Francis Drake to Sir John Franklin,
knights all, titled and untitled—the great knights-errant of
the sea. It had borne all the ships whose names are like jewels
flashing in the night of time, from the GOLDEN HIND
returning with her rotund flanks full of treasure, to be visited
by the Queen’s Highness and thus pass out of the gigantic
tale, to the EREBUS and TERROR, bound on other conquests—
and that never returned. It had known the ships
and the men. They had sailed from Deptford, from Greenwich,
from Erith— the adventurers and the settlers; kings’
ships and the ships of men on ‘Change; captains, admirals,
the dark ‘interlopers’ of the Eastern trade, and the commissioned
‘generals’ of East India fleets. Hunters for gold 
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or pursuers of fame, they all had gone out on that stream,
bearing the sword, and often the torch, messengers of the
might within the land, bearers of a spark from the sacred
fire. What greatness had not floated on the ebb of that river
into the mystery of an unknown earth! … The dreams of
men, the seed of commonwealths, the germs of empires.
The sun set; the dusk fell on the stream, and lights began
to appear along the shore. The Chapman light-house,
a three-legged thing erect on a mud-flat, shone strongly.
Lights of ships moved in the fairway—a great stir of lights
going up and going down. And farther west on the upper
reaches the place of the monstrous town was still marked
ominously on the sky, a brooding gloom in sunshine, a lurid
glare under the stars.
‘And this also,’ said Marlow suddenly, ‘has been one of
the dark places of the earth.’
He was the only man of us who still ‘followed the sea.’
The worst that could be said of him was that he did not represent
his class. He was a seaman, but he was a wanderer,
too, while most seamen lead, if one may so express it, a
sedentary life. Their minds are of the stay-at-home order,
and their home is always with them—the ship; and so is
their country—the sea. One ship is very much like another,
and the sea is always the same. In the immutability of
their surroundings the foreign shores, the foreign faces, the
changing immensity of life, glide past, veiled not by a sense
of mystery but by a slightly disdainful ignorance; for there
is nothing mysterious to a seaman unless it be the sea itself,
which is the mistress of his existence and as inscrutable as 
  Heart of Darkness
Destiny. For the rest, after his hours of work, a casual stroll
or a casual spree on shore suffices to unfold for him the secret
of a whole continent, and generally he finds the secret
not worth knowing. The yarns of seamen have a direct simplicity,
the whole meaning of which lies within the shell of
a cracked nut. But Marlow was not typical (if his propensity
to spin yarns be excepted), and to him the meaning of
an episode was not inside like a kernel but outside, enveloping
the tale which brought it out only as a glow brings
out a haze, in the likeness of one of these misty halos that
sometimes are made visible by the spectral illumination of
moonshine.
His remark did not seem at all surprising. It was just like
Marlow. It was accepted in silence. No one took the trouble
to grunt even; and presently he said, very slow—‘I was
thinking of very old times, when the Romans first came
here, nineteen hundred years ago—the other day…. Light
came out of this river since—you say Knights? Yes; but it
is like a running blaze on a plain, like a flash of lightning
in the clouds. We live in the flicker—may it last as long as
the old earth keeps rolling! But darkness was here yesterday.
Imagine the feelings of a commander of a fine—what d’ye
call ‘em?—trireme in the Mediterranean, ordered suddenly
to the north; run overland across the Gauls in a hurry; put
in charge of one of these craft the legionaries—a wonderful
lot of handy men they must have been, too—used to build,
apparently by the hundred, in a month or two, if we may
believe what we read. Imagine him here—the very end of
the world, a sea the colour of lead, a sky the colour of smoke, 
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a kind of ship about as rigid as a concertina— and going
up this river with stores, or orders, or what you like. Sandbanks,
marshes, forests, savages,—precious little to eat fit
for a civilized man, nothing but Thames water to drink. No
Falernian wine here, no going ashore. Here and there a military
camp lost in a wilderness, like a needle in a bundle of
hay—cold, fog, tempests, disease, exile, and death—death
skulking in the air, in the water, in the bush. They must have
been dying like flies here. Oh, yes—he did it. Did it very
well, too, no doubt, and without thinking much about it either,
except afterwards to brag of what he had gone through
in his time, perhaps. They were men enough to face the
darkness. And perhaps he was cheered by keeping his eye
on a chance of promotion to the fleet at Ravenna by and by,
if he had good friends in Rome and survived the awful climate.
Or think of a decent young citizen in a toga—perhaps
too much dice, you know—coming out here in the train of
some prefect, or tax-gatherer, or trader even, to mend his
fortunes. Land in a swamp, march through the woods, and
in some inland post feel the savagery, the utter savagery,
had closed round him—all that mysterious life of the wilderness
that stirs in the forest, in the jungles, in the hearts
of wild men. There’s no initiation either into such mysteries.
He has to live in the midst of the incomprehensible, which
is also detestable. And it has a fascination, too, that goes to
work upon him. The fascination of the abomination—you
know, imagine the growing regrets, the longing to escape,
the powerless disgust, the surrender, the hate.’
He paused.
  Heart of Darkness
‘Mind,’ he began again, lifting one arm from the elbow,
the palm of the hand outwards, so that, with his legs folded
before him, he had the pose of a Buddha preaching in European
clothes and without a lotus-flower—‘Mind, none of us
would feel exactly like this. What saves us is efficiency—the
devotion to efficiency. But these chaps were not much account,
really. They were no colonists; their administration
was merely a squeeze, and nothing more, I suspect. They
were conquerors, and for that you want only brute force—
nothing to boast of, when you have it, since your strength is
just an accident arising from the weakness of others. They
grabbed what they could get for the sake of what was to
be got. It was just robbery with violence, aggravated murder
on a great scale, and men going at it blind—as is very
proper for those who tackle a darkness. The conquest of the
earth, which mostly means the taking it away from those
who have a different complexion or slightly flatter noses
than ourselves, is not a pretty thing when you look into it
too much. What redeems it is the idea only. An idea at the
back of it; not a sentimental pretence but an idea; and an
unselfish belief in the idea—something you can set up, and
bow down before, and offer a sacrifice to. …’
He broke off. Flames glided in the river, small green
flames, red flames, white flames, pursuing, overtaking,
joining, crossing each other— then separating slowly or
hastily. The traffic of the great city went on in the deepening
night upon the sleepless river. We looked on, waiting
patiently—there was nothing else to do till the end of the
flood; but it was only after a long silence, when he said, in a 
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hesitating voice, ‘I suppose you fellows remember I did once
turn fresh-water sailor for a bit,’ that we knew we were fated,
before the ebb began to run, to hear about one of Marlow’s
inconclusive experiences.
‘I don’t want to bother you much with what happened to
me personally,’ he began, showing in this remark the weakness
of many tellers of tales who seem so often unaware of
what their audience would like best to hear; ‘yet to understand
the effect of it on me you ought to know how I got
out there, what I saw, how I went up that river to the place
where I first met the poor chap. It was the farthest point
of navigation and the culminating point of my experience.
It seemed somehow to throw a kind of light on everything
about me— and into my thoughts. It was sombre enough,
too—and pitiful— not extraordinary in any way—not very
clear either. No, not very clear. And yet it seemed to throw
a kind of light.
‘I had then, as you remember, just returned to London
after a lot of Indian Ocean, Pacific, China Seas—a regular
dose of the East—six years or so, and I was loafing about,
hindering you fellows in your work and invading your
homes, just as though I had got a heavenly mission to civilize
you. It was very fine for a time, but after a bit I did get
tired of resting. Then I began to look for a ship—I should
think the hardest work on earth. But the ships wouldn’t
even look at me. And I got tired of that game, too.
‘Now when I was a little chap I had a passion for maps. I
would look for hours at South America, or Africa, or Australia,
and lose myself in all the glories of exploration. At 
10 Heart of Darkness
that time there were many blank spaces on the earth, and
when I saw one that looked particularly inviting on a map
(but they all look that) I would put my finger on it and say,
‘When I grow up I will go there.’ The North Pole was one of
these places, I remember. Well, I haven’t been there yet, and
shall not try now. The glamour’s off. Other places were scattered
about the hemispheres. I have been in some of them,
and … well, we won’t talk about that. But there was one
yet—the biggest, the most blank, so to speak— that I had a
hankering after.
‘True, by this time it was not a blank space any more. It
had got filled since my boyhood with rivers and lakes and
names. It had ceased to be a blank space of delightful mystery—
a white patch for a boy to dream gloriously over. It
had become a place of darkness. But there was in it one river
especially, a mighty big river, that you could see on the
map, resembling an immense snake uncoiled, with its head
in the sea, its body at rest curving afar over a vast country,
and its tail lost in the depths of the land. And as I looked at
the map of it in a shop-window, it fascinated me as a snake
would a bird—a silly little bird. Then I remembered there
was a big concern, a Company for trade on that river. Dash
it all! I thought to myself, they can’t trade without using
some kind of craft on that lot of fresh water—steamboats!
Why shouldn’t I try to get charge of one? I went on along
Fleet Street, but could not shake off the idea. The snake had
charmed me.
‘You understand it was a Continental concern, that
Trading society; but I have a lot of relations living on the 
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Continent, because it’s cheap and not so nasty as it looks,
they say.
‘I am sorry to own I began to worry them. This was already
a fresh departure for me. I was not used to get things
that way, you know. I always went my own road and on my
own legs where I had a mind to go. I wouldn’t have believed
it of myself; but, then—you see—I felt somehow I must get
there by hook or by crook. So I worried them. The men said
‘My dear fellow,’ and did nothing. Then—would you believe
it?—I tried the women. I, Charlie Marlow, set the women
to work— to get a job. Heavens! Well, you see, the notion
drove me. I had an aunt, a dear enthusiastic soul. She wrote:
‘It will be delightful. I am ready to do anything, anything
for you. It is a glorious idea. I know the wife of a very high
personage in the Administration, and also a man who has
lots of influence with,’ etc. She was determined to make no
end of fuss to get me appointed skipper of a river steamboat,
if such was my fancy.
‘I got my appointment—of course; and I got it very quick.
It appears the Company had received news that one of their
captains had been killed in a scuffle with the natives. This
was my chance, and it made me the more anxious to go. It
was only months and months afterwards, when I made the
attempt to recover what was left of the body, that I heard
the original quarrel arose from a misunderstanding about
some hens. Yes, two black hens. Fresleven—that was the fellow’s
name, a Dane—thought himself wronged somehow in
the bargain, so he went ashore and started to hammer the
chief of the village with a stick. Oh, it didn’t surprise me 
12 Heart of Darkness
in the least to hear this, and at the same time to be told
that Fresleven was the gentlest, quietest creature that ever
walked on two legs. No doubt he was; but he had been a
couple of years already out there engaged in the noble cause,
you know, and he probably felt the need at last of asserting
his self-respect in some way. Therefore he whacked the old
nigger mercilessly, while a big crowd of his people watched
him, thunderstruck, till some man— I was told the chief’s
son—in desperation at hearing the old chap yell, made a
tentative jab with a spear at the white man— and of course
it went quite easy between the shoulder-blades. Then the
whole population cleared into the forest, expecting all
kinds of calamities to happen, while, on the other hand,
the steamer Fresleven commanded left also in a bad panic,
in charge of the engineer, I believe. Afterwards nobody
seemed to trouble much about Fresleven’s remains, till I got
out and stepped into his shoes. I couldn’t let it rest, though;
but when an opportunity offered at last to meet my predecessor,
the grass growing through his ribs was tall enough
to hide his bones. They were all there. The supernatural being
had not been touched after he fell. And the village was
deserted, the huts gaped black, rotting, all askew within the
fallen enclosures. A calamity had come to it, sure enough.
The people had vanished. Mad terror had scattered them,
men, women, and children, through the bush, and they had
never returned. What became of the hens I don’t know either.
I should think the cause of progress got them, anyhow.
However, through this glorious affair I got my appointment,
before I had fairly begun to hope for it.
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‘I flew around like mad to get ready, and before fortyeight
hours I was crossing the Channel to show myself to
my employers, and sign the contract. In a very few hours
I arrived in a city that always makes me think of a whited
sepulchre. Prejudice no doubt. I had no difficulty in finding
the Company’s offices. It was the biggest thing in the town,
and everybody I met was full of it. They were going to run
an over-sea empire, and make no end of coin by trade.
‘A narrow and deserted street in deep shadow, high
houses, innumerable windows with venetian blinds, a dead
silence, grass sprouting right and left, immense double
doors standing ponderously ajar. I slipped through one of
these cracks, went up a swept and ungarnished staircase, as
arid as a desert, and opened the first door I came to. Two
women, one fat and the other slim, sat on straw-bottomed
chairs, knitting black wool. The slim one got up and walked
straight at me— still knitting with downcast eyes—and
only just as I began to think of getting out of her way, as
you would for a somnambulist, stood still, and looked up.
Her dress was as plain as an umbrella-cover, and she turned
round without a word and preceded me into a waiting-room.
I gave my name, and looked about. Deal table in the middle,
plain chairs all round the walls, on one end a large shining
map, marked with all the colours of a rainbow. There was
a vast amount of red—good to see at any time, because one
knows that some real work is done in there, a deuce of a lot
of blue, a little green, smears of orange, and, on the East
Coast, a purple patch, to show where the jolly pioneers of
progress drink the jolly lager-beer. However, I wasn’t going 
14 Heart of Darkness
into any of these. I was going into the yellow. Dead in the
centre. And the river was there—fascinating—deadly—like
a snake. Ough! A door opened, ya white-haired secretarial
head, but wearing a compassionate expression, appeared,
and a skinny forefinger beckoned me into the sanctuary.
Its light was dim, and a heavy writing-desk squatted in
the middle. From behind that structure came out an impression
of pale plumpness in a frock-coat. The great man
himself. He was five feet six, I should judge, and had his
grip on the handle-end of ever so many millions. He shook
hands, I fancy, murmured vaguely, was satisfied with my
French. BON VOYAGE.
‘In about forty-five seconds I found myself again in the
waiting-room with the compassionate secretary, who, full
of desolation and sympathy, made me sign some document.
I believe I undertook amongst other things not to disclose
any trade secrets. Well, I am not going to.
‘I began to feel slightly uneasy. You know I am not used to
such ceremonies, and there was something ominous in the
atmosphere. It was just as though I had been let into some
conspiracy— I don’t know—something not quite right; and
I was glad to get out. In the outer room the two women
knitted black wool feverishly. People were arriving, and the
younger one was walking back and forth introducing them.
The old one sat on her chair. Her flat cloth slippers were
propped up on a foot-warmer, and a cat reposed on her lap.
She wore a starched white affair on her head, had a wart on
one cheek, and silver-rimmed spectacles hung on the tip of
her nose. She glanced at me above the glasses. The swift and 
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indifferent placidity of that look troubled me. Two youths
with foolish and cheery countenances were being piloted
over, and she threw at them the same quick glance of unconcerned
wisdom. She seemed to know all about them and
about me, too. An eerie feeling came over me. She seemed
uncanny and fateful. Often far away there I thought of these
two, guarding the door of Darkness, knitting black wool as
for a warm pall, one introducing, introducing continuously
to the unknown, the other scrutinizing the cheery and
foolish faces with unconcerned old eyes. AVE! Old knitter
of black wool. MORITURI TE SALUTANT. Not many of
those she looked at ever saw her again—not half, by a long
way.
‘There was yet a visit to the doctor. ‘A simple formality,’
assured me the secretary, with an air of taking an immense
part in all my sorrows. Accordingly a young chap wearing
his hat over the left eyebrow, some clerk I suppose—there
must have been clerks in the business, though the house
was as still as a house in a city of the dead— came from
somewhere up-stairs, and led me forth. He was shabby and
careless, with inkstains on the sleeves of his jacket, and his
cravat was large and billowy, under a chin shaped like the
toe of an old boot. It was a little too early for the doctor,
so I proposed a drink, and thereupon he developed a vein
of joviality. As we sat over our vermouths he glorified the
Company’s business, and by and by I expressed casually
my surprise at him not going out there. He became very
cool and collected all at once. ‘I am not such a fool as I look,
quoth Plato to his disciples,’ he said sententiously, emptied 
16 Heart of Darkness
his glass with great resolution, and we rose.
‘The old doctor felt my pulse, evidently thinking of something
else the while. ‘Good, good for there,’ he mumbled,
and then with a certain eagerness asked me whether I
would let him measure my head. Rather surprised, I said
Yes, when he produced a thing like calipers and got the
dimensions back and front and every way, taking notes
carefully. He was an unshaven little man in a threadbare
coat like a gaberdine, with his feet in slippers, and I thought
him a harmless fool. ‘I always ask leave, in the interests of
science, to measure the crania of those going out there,’ he
said. ‘And when they come back, too?’ I asked. ‘Oh, I never
see them,’ he remarked; ‘and, moreover, the changes take
place inside, you know.’ He smiled, as if at some quiet joke.
‘So you are going out there. Famous. Interesting, too.’ He
gave me a searching glance, and made another note. ‘Ever
any madness in your family?’ he asked, in a matter-of-fact
tone. I felt very annoyed. ‘Is that question in the interests
of science, too?’ ‘It would be,’ he said, without taking notice
of my irritation, ‘interesting for science to watch the
mental changes of individuals, on the spot, but …’ ‘Are you
an alienist?’ I interrupted. ‘Every doctor should be—a little,’
answered that original, imperturbably. ‘I have a little theory
which you messieurs who go out there must help me to
prove. This is my share in the advantages my country shall
reap from the possession of such a magnificent dependency.
The mere wealth I leave to others. Pardon my questions, but
you are the first Englishman coming under my observation
…’ I hastened to assure him I was not in the least typical. 
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‘If I were,’ said I, ‘I wouldn’t be talking like this with you.’
‘What you say is rather profound, and probably erroneous,’
he said, with a laugh. ‘Avoid irritation more than exposure
to the sun. Adieu. How do you English say, eh? Good-bye.
Ah! Good-bye. Adieu. In the tropics one must before everything
keep calm.’ … He lifted a warning forefinger…. ‘DU
CALME, DU CALME. ADIEU.’
‘One thing more remained to do—say good-bye to my
excellent aunt. I found her triumphant. I had a cup of tea—
the last decent cup of tea for many days—and in a room
that most soothingly looked just as you would expect a lady’s
drawing-room to look, we had a long quiet chat by the
fireside. In the course of these confidences it became quite
plain to me I had been represented to the wife of the high
dignitary, and goodness knows to how many more people
besides, as an exceptional and gifted creature— a piece of
good fortune for the Company—a man you don’t get hold
of every day. Good heavens! and I was going to take charge
of a two-penny-half-penny river-steamboat with a penny
whistle attached! It appeared, however, I was also one of the
Workers, with a capital— you know. Something like an emissary
of light, something like a lower sort of apostle. There
had been a lot of such rot let loose in print and talk just
about that time, and the excellent woman, living right in
the rush of all that humbug, got carried off her feet. She
talked about ‘weaning those ignorant millions from their
horrid ways,’ till, upon my word, she made me quite uncomfortable.
I ventured to hint that the Company was run
for profit.
18 Heart of Darkness
‘You forget, dear Charlie, that the labourer is worthy of
his hire,’ she said, brightly. It’s queer how out of touch with
truth women are. They live in a world of their own, and there
has never been anything like it, and never can be. It is too
beautiful altogether, and if they were to set it up it would go
to pieces before the first sunset. Some confounded fact we
men have been living contentedly with ever since the day of
creation would start up and knock the whole thing over.
‘After this I got embraced, told to wear flannel, be sure
to write often, and so on—and I left. In the street—I don’t
know why—a queer feeling came to me that I was an imposter.
Odd thing that I, who used to clear out for any part
of the world at twenty-four hours’ notice, with less thought
than most men give to the crossing of a street, had a moment—I
won’t say of hesitation, but of startled pause, before
this commonplace affair. The best way I can explain it to
you is by saying that, for a second or two, I felt as though,
instead of going to the centre of a continent, I were about to
set off for the centre of the earth.
‘I left in a French steamer, and she called in every blamed
port they have out there, for, as far as I could see, the sole
purpose of landing soldiers and custom-house officers. I
watched the coast. Watching a coast as it slips by the ship
is like thinking about an enigma. There it is before you—
smiling, frowning, inviting, grand, mean, insipid, or savage,
and always mute with an air of whispering, ‘Come and find
out.’ This one was almost featureless, as if still in the making,
with an aspect of monotonous grimness. The edge of a
colossal jungle, so dark-green as to be almost black, fringed 
Free eBooks at Planet eBook.com 19
with white surf, ran straight, like a ruled line, far, far away
along a blue sea whose glitter was blurred by a creeping
mist. The sun was fierce, the land seemed to glisten and
drip with steam. Here and there greyish-whitish specks
showed up clustered inside the white surf, with a flag flying
above them perhaps. Settlements some centuries old, and
still no bigger than pinheads on the untouched expanse of
their background. We pounded along, stopped, landed soldiers;
went on, landed custom-house clerks to levy toll in
what looked like a God-forsaken wilderness, with a tin shed
and a flag-pole lost in it; landed more soldiers—to take care
of the custom-house clerks, presumably. Some, I heard, got
drowned in the surf; but whether they did or not, nobody
seemed particularly to care. They were just flung out there,
and on we went. Every day the coast looked the same, as
though we had not moved; but we passed various places—
trading places—with names like Gran’ Bassam, Little Popo;
names that seemed to belong to some sordid farce acted in
front of a sinister back-cloth. The idleness of a passenger,
my isolation amongst all these men with whom I had no
point of contact, the oily and languid sea, the uniform sombreness
of the coast, seemed to keep me away from the truth
of things, within the toil of a mournful and senseless delusion.
The voice of the surf heard now and then was a positive
pleasure, like the speech of a brother. It was something natural,
that had its reason, that had a meaning. Now and then
a boat from the shore gave one a momentary contact with
reality. It was paddled by black fellows. You could see from
afar the white of their eyeballs glistening. They shouted, 
20 Heart of Darkness
sang; their bodies streamed with perspiration; they had faces
like grotesque masks—these chaps; but they had bone,
muscle, a wild vitality, an intense energy of movement, that
was as natural and true as the surf along their coast. They
wanted no excuse for being there. They were a great comfort
to look at. For a time I would feel I belonged still to
a world of straightforward facts; but the feeling would not
last long. Something would turn up to scare it away. Once,
I remember, we came upon a man-of-war anchored off the
coast. There wasn’t even a shed there, and she was shelling
the bush. It appears the French had one of their wars
going on thereabouts. Her ensign dropped limp like a rag;
the muzzles of the long six-inch guns stuck out all over the
low hull; the greasy, slimy swell swung her up lazily and let
her down, swaying her thin masts. In the empty immensity
of earth, sky, and water, there she was, incomprehensible,
firing into a continent. Pop, would go one of the six-inch
guns; a small flame would dart and vanish, a little white
smoke would disappear, a tiny projectile would give a feeble
screech—and nothing happened. Nothing could happen.
There was a touch of insanity in the proceeding, a sense of
lugubrious drollery in the sight; and it was not dissipated
by somebody on board assuring me earnestly there was a
camp of natives—he called them enemies!— hidden out of
sight somewhere.
‘We gave her her letters (I heard the men in that lonely
ship were dying of fever at the rate of three a day) and
went on. We called at some more places with farcical names,
where the merry dance of death and trade goes on in a still 
Free eBooks at Planet eBook.com 21
and earthy atmosphere as of an overheated catacomb; all
along the formless coast bordered by dangerous surf, as if
Nature herself had tried to ward off intruders; in and out of
rivers, streams of death in life, whose banks were rotting
into mud, whose waters, thickened into slime, invaded the
contorted mangroves, that seemed to writhe at us in the extremity
of an impotent despair. Nowhere did we stop long
enough to get a particularized impression, but the general
sense of vague and oppressive wonder grew upon me. It was
like a weary pilgrimage amongst hints for nightmares.
‘It was upward of thirty days before I saw the mouth of
the big river. We anchored off the seat of the government.
But my work would not begin till some two hundred miles
farther on. So as soon as I could I made a start for a place
thirty miles higher up.
‘I had my passage on a little sea-going steamer. Her captain
was a Swede, and knowing me for a seaman, invited me
on the bridge. He was a young man, lean, fair, and morose,
with lanky hair and a shuffling gait. As we left the miserable
little wharf, he tossed his head contemptuously at the shore.
‘Been living there?’ he asked. I said, ‘Yes.’ ‘Fine lot these
government chaps—are they not?’ he went on, speaking
English with great precision and considerable bitterness. ‘It
is funny what some people will do for a few francs a month.
I wonder what becomes of that kind when it goes upcountry?’
I said to him I expected to see that soon. ‘So-o-o!’ he
exclaimed. He shuffled athwart, keeping one eye ahead vigilantly.
‘Don’t be too sure,’ he continued. ‘The other day I
took up a man who hanged himself on the road. He was a 
22 Heart of Darkness
Swede, too.’ ‘Hanged himself! Why, in God’s name?’ I cried.
He kept on looking out watchfully. ‘Who knows? The sun
too much for him, or the country perhaps.’
‘At last we opened a reach. A rocky cliff appeared, mounds
of turned-up earth by the shore, houses on a hill, others
with iron roofs, amongst a waste of excavations, or hanging
to the declivity. A continuous noise of the rapids above
hovered over this scene of inhabited devastation. A lot of
people, mostly black and naked, moved about like ants. A
jetty projected into the river. A blinding sunlight drowned
all this at times in a sudden recrudescence of glare. ‘There’s
your Company’s station,’ said the Swede, pointing to three
wooden barrack-like structures on the rocky slope. ‘I will
send your things up. Four boxes did you say? So. Farewell.’
‘I came upon a boiler wallowing in the grass, then found
a path leading up the hill. It turned aside for the boulders,
and also for an undersized railway-truck lying there on
its back with its wheels in the air. One was off. The thing
looked as dead as the carcass of some animal. I came upon
more pieces of decaying machinery, a stack of rusty rails.
To the left a clump of trees made a shady spot, where dark
things seemed to stir feebly. I blinked, the path was steep.
A horn tooted to the right, and I saw the black people run.
A heavy and dull detonation shook the ground, a puff of
smoke came out of the cliff, and that was all. No change appeared
on the face of the rock. They were building a railway.
The cliff was not in the way or anything; but this objectless
blasting was all the work going on.
‘A slight clinking behind me made me turn my head. 
Free eBooks at Planet eBook.com 23
Six black men advanced in a file, toiling up the path. They
walked erect and slow, balancing small baskets full of earth
on their heads, and the clink kept time with their footsteps.
Black rags were wound round their loins, and the short ends
behind waggled to and fro like tails. I could see every rib,
the joints of their limbs were like knots in a rope; each had
an iron collar on his neck, and all were connected together
with a chain whose bights swung between them, rhythmically
clinking. Another report from the cliff made me think
suddenly of that ship of war I had seen firing into a continent.
It was the same kind of ominous voice; but these men
could by no stretch of imagination be called enemies. They
were called criminals, and the outraged law, like the bursting
shells, had come to them, an insoluble mystery from the
sea. All their meagre breasts panted together, the violently
dilated nostrils quivered, the eyes stared stonily uphill.
They passed me within six inches, without a glance, with
that complete, deathlike indifference of unhappy savages.
Behind this raw matter one of the reclaimed, the product
of the new forces at work, strolled despondently, carrying a
rifle by its middle. He had a uniform jacket with one button
off, and seeing a white man on the path, hoisted his weapon
to his shoulder with alacrity. This was simple prudence,
white men being so much alike at a distance that he could
not tell who I might be. He was speedily reassured, and
with a large, white, rascally grin, and a glance at his charge,
seemed to take me into partnership in his exalted trust. After
all, I also was a part of the great cause of these high and
just proceedings.
24 Heart of Darkness
‘Instead of going up, I turned and descended to the left.
My idea was to let that chain-gang get out of sight before
I climbed the hill. You know I am not particularly tender;
I’ve had to strike and to fend off. I’ve had to resist and to
attack sometimes—that’s only one way of resisting— without
counting the exact cost, according to the demands of
such sort of life as I had blundered into. I’ve seen the devil
of violence, and the devil of greed, and the devil of hot desire;
but, by all the stars! these were strong, lusty, red-eyed
devils, that swayed and drove men—men, I tell you. But as
I stood on this hillside, I foresaw that in the blinding sunshine
of that land I would become acquainted with a flabby,
pretending, weak-eyed devil of a rapacious and pitiless folly.
How insidious he could be, too, I was only to find out several
months later and a thousand miles farther. For a moment
I stood appalled, as though by a warning. Finally I descended
the hill, obliquely, towards the trees I had seen.
‘I avoided a vast artificial hole somebody had been digging
on the slope, the purpose of which I found it impossible
to divine. It wasn’t a quarry or a sandpit, anyhow. It was just
a hole. It might have been connected with the philanthropic
desire of giving the criminals something to do. I don’t know.
Then I nearly fell into a very narrow ravine, almost no more
than a scar in the hillside. I discovered that a lot of imported
drainage-pipes for the settlement had been tumbled in
there. There wasn’t one that was not broken. It was a wanton
smash-up. At last I got under the trees. My purpose was
to stroll into the shade for a moment; but no sooner within
than it seemed to me I had stepped into the gloomy circle 
Free eBooks at Planet eBook.com 25
of some Inferno. The rapids were near, and an uninterrupted,
uniform, headlong, rushing noise filled the mournful
stillness of the grove, where not a breath stirred, not a leaf
moved, with a mysterious sound—as though the tearing
pace of the launched earth had suddenly become audible.
‘Black shapes crouched, lay, sat between the trees leaning
against the trunks, clinging to the earth, half coming out,
half effaced within the dim light, in all the attitudes of pain,
abandonment, and despair. Another mine on the cliff went
off, followed by a slight shudder of the soil under my feet.
The work was going on. The work! And this was the place
where some of the helpers had withdrawn to die.
‘They were dying slowly—it was very clear. They were not
enemies, they were not criminals, they were nothing earthly
now— nothing but black shadows of disease and starvation,
lying confusedly in the greenish gloom. Brought from all
the recesses of the coast in all the legality of time contracts,
lost in uncongenial surroundings, fed on unfamiliar food,
they sickened, became inefficient, and were then allowed to
crawl away and rest. These moribund shapes were free as
air—and nearly as thin. I began to distinguish the gleam of
the eyes under the trees. Then, glancing down, I saw a face
near my hand. The black bones reclined at full length with
one shoulder against the tree, and slowly the eyelids rose
and the sunken eyes looked up at me, enormous and vacant,
a kind of blind, white flicker in the depths of the orbs,
which died out slowly. The man seemed young— almost
a boy—but you know with them it’s hard to tell. I found
nothing else to do but to offer him one of my good Swede’s 
26 Heart of Darkness
ship’s biscuits I had in my pocket. The fingers closed slowly
on it and held—there was no other movement and no other
glance. He had tied a bit of white worsted round his neck—
Why? Where did he get it? Was it a badge—an ornament—a
charm— a propitiatory act? Was there any idea at all connected
with it? It looked startling round his black neck, this
bit of white thread from beyond the seas.
‘Near the same tree two more bundles of acute angles
sat with their legs drawn up. One, with his chin propped
on his knees, stared at nothing, in an intolerable and appalling
manner: his brother phantom rested its forehead,
as if overcome with a great weariness; and all about others
were scattered in every pose of contorted collapse, as in
some picture of a massacre or a pestilence. While I stood
horror-struck, one of these creatures rose to his hands and
knees, and went off on all-fours towards the river to drink.
He lapped out of his hand, then sat up in the sunlight, crossing
his shins in front of him, and after a time let his woolly
head fall on his breastbone.
‘I didn’t want any more loitering in the shade, and I made
haste towards the station. When near the buildings I met a
white man, in such an unexpected elegance of get-up that in
the first moment I took him for a sort of vision. I saw a high
starched collar, white cuffs, a light alpaca jacket, snowy
trousers, a clean necktie, and varnished boots. No hat. Hair
parted, brushed, oiled, under a green-lined parasol held in
a big white hand. He was amazing, and had a penholder behind
his ear.
‘I shook hands with this miracle, and I learned he was the 
Free eBooks at Planet eBook.com 27
Company’s chief accountant, and that all the book-keeping
was done at this station. He had come out for a moment, he
said, ‘to get a breath of fresh air. The expression sounded
wonderfully odd, with its suggestion of sedentary desk-life.
I wouldn’t have mentioned the fellow to you at all, only it
was from his lips that I first heard the name of the man who
is so indissolubly connected with the memories of that time.
Moreover, I respected the fellow. Yes; I respected his collars,
his vast cuffs, his brushed hair. His appearance was
certainly that of a hairdresser’s dummy; but in the great demoralization
of the land he kept up his appearance. That’s
backbone. His starched collars and got-up shirt-fronts were
achievements of character. He had been out nearly three
years; and, later, I could not help asking him how he managed
to sport such linen. He had just the faintest blush, and
said modestly, ‘I’ve been teaching one of the native women
about the station. It was difficult. She had a distaste for the
work.’ Thus this man had verily accomplished something.
And he was devoted to his books, which were in apple-pie
order.
‘Everything else in the station was in a muddle—heads,
things, buildings. Strings of dusty niggers with splay feet
arrived and departed; a stream of manufactured goods,
rubbishy cottons, beads, and brass-wire set into the depths
of darkness, and in return came a precious trickle of ivory.
‘I had to wait in the station for ten days—an eternity. I
lived in a hut in the yard, but to be out of the chaos I would
sometimes get into the accountant’s office. It was built of
horizontal planks, and so badly put together that, as he bent 
28 Heart of Darkness
over his high desk, he was barred from neck to heels with
narrow strips of sunlight. There was no need to open the big
shutter to see. It was hot there, too; big flies buzzed fiendishly,
and did not sting, but stabbed. I sat generally on the floor,
while, of faultless appearance (and even slightly scented),
perching on a high stool, he wrote, he wrote. Sometimes he
stood up for exercise. When a truckle-bed with a sick man
(some invalid agent from upcountry) was put in there, he
exhibited a gentle annoyance. ‘The groans of this sick person,’
he said, ‘distract my attention. And without that it is
extremely difficult to guard against clerical errors in this
climate.’
‘One day he remarked, without lifting his head, ‘In the
interior you will no doubt meet Mr. Kurtz.’ On my asking
who Mr. Kurtz was, he said he was a first-class agent; and
seeing my disappointment at this information, he added
slowly, laying down his pen, ‘He is a very remarkable person.’
Further questions elicited from him that Mr. Kurtz
was at present in charge of a trading-post, a very important
one, in the true ivory-country, at ‘the very bottom of there.
Sends in as much ivory as all the others put together …’ He
began to write again. The sick man was too ill to groan. The
flies buzzed in a great peace.
‘Suddenly there was a growing murmur of voices and a
great tramping of feet. A caravan had come in. A violent
babble of uncouth sounds burst out on the other side of the
planks. All the carriers were speaking together, and in the
midst of the uproar the lamentable voice of the chief agent
was heard ‘giving it up’ tearfully for the twentieth time that 
Free eBooks at Planet eBook.com 29
day…. He rose slowly. ‘What a frightful row,’ he said. He
crossed the room gently to look at the sick man, and returning,
said to me, ‘He does not hear.’ ‘What! Dead?’ I asked,
startled. ‘No, not yet,’ he answered, with great composure.
Then, alluding with a toss of the head to the tumult in the
station-yard, ‘When one has got to make correct entries,
one comes to hate those savages—hate them to the death.’
He remained thoughtful for a moment. ‘When you see Mr.
Kurtz’ he went on, ‘tell him from me that everything here’—
he glanced at the deck—’ is very satisfactory. I don’t like
to write to him—with those messengers of ours you never
know who may get hold of your letter—at that Central
Station.’ He stared at me for a moment with his mild, bulging
eyes. ‘Oh, he will go far, very far,’ he began again. ‘He
will be a somebody in the Administration before long. They,
above—the Council in Europe, you know—mean him to
be.’
‘He turned to his work. The noise outside had ceased, and
presently in going out I stopped at the door. In the steady
buzz of flies the homeward-bound agent was lying finished
and insensible; the other, bent over his books, was making
correct entries of perfectly correct transactions; and fifty
feet below the doorstep I could see the still tree-tops of the
grove of death.
‘Next day I left that station at last, with a caravan of sixty
men, for a two-hundred-mile tramp.
‘No use telling you much about that. Paths, paths, everywhere;
a stamped-in network of paths spreading over the
empty land, through the long grass, through burnt grass, 
30 Heart of Darkness
through thickets, down and up chilly ravines, up and down
stony hills ablaze with heat; and a solitude, a solitude, nobody,
not a hut. The population had cleared out a long time
ago. Well, if a lot of mysterious niggers armed with all kinds
of fearful weapons suddenly took to travelling on the road
between Deal and Gravesend, catching the yokels right and
left to carry heavy loads for them, I fancy every farm and
cottage thereabouts would get empty very soon. Only here
the dwellings were gone, too. Still I passed through several
abandoned villages. There’s something pathetically childish
in the ruins of grass walls. Day after day, with the stamp and
shuffle of sixty pair of bare feet behind me, each pair under
a 60-lb. load. Camp, cook, sleep, strike camp, march. Now
and then a carrier dead in harness, at rest in the long grass
near the path, with an empty water-gourd and his long staff
lying by his side. A great silence around and above. Perhaps
on some quiet night the tremor of far-off drums, sinking,
swelling, a tremor vast, faint; a sound weird, appealing,
suggestive, and wild—and perhaps with as profound a
meaning as the sound of bells in a Christian country. Once
a white man in an unbuttoned uniform, camping on the
path with an armed escort of lank Zanzibaris, very hospitable
and festive— not to say drunk. Was looking after the
upkeep of the road, he declared. Can’t say I saw any road
or any upkeep, unless the body of a middle-aged negro,
with a bullet-hole in the forehead, upon which I absolutely
stumbled three miles farther on, may be considered as a
permanent improvement. I had a white companion, too, not
a bad chap, but rather too fleshy and with the exasperating 
Free eBooks at Planet eBook.com 31
habit of fainting on the hot hillsides, miles away from the
least bit of shade and water. Annoying, you know, to hold
your own coat like a parasol over a man’s head while he is
coming to. I couldn’t help asking him once what he meant
by coming there at all. ‘To make money, of course. What do
you think?’ he said, scornfully. Then he got fever, and had to
be carried in a hammock slung under a pole. As he weighed
sixteen stone I had no end of rows with the carriers. They
jibbed, ran away, sneaked off with their loads in the night—
quite a mutiny. So, one evening, I made a speech in English
with gestures, not one of which was lost to the sixty pairs
of eyes before me, and the next morning I started the hammock
off in front all right. An hour afterwards I came upon
the whole concern wrecked in a bush—man, hammock,
groans, blankets, horrors. The heavy pole had skinned his
poor nose. He was very anxious for me to kill somebody,
but there wasn’t the shadow of a carrier near. I remembered
the old doctor—’It would be interesting for science to watch
the mental changes of individuals, on the spot.’ I felt I was
becoming scientifically interesting. However, all that is to
no purpose. On the fifteenth day I came in sight of the big
river again, and hobbled into the Central Station. It was on
a back water surrounded by scrub and forest, with a pretty
border of smelly mud on one side, and on the three others
enclosed by a crazy fence of rushes. A neglected gap was all
the gate it had, and the first glance at the place was enough
to let you see the flabby devil was running that show. White
men with long staves in their hands appeared languidly
from amongst the buildings, strolling up to take a look at 
32 Heart of Darkness
me, and then retired out of sight somewhere. One of them,
a stout, excitable chap with black moustaches, informed
me with great volubility and many digressions, as soon as
I told him who I was, that my steamer was at the bottom of
the river. I was thunderstruck. What, how, why? Oh, it was
‘all right.’ The ‘manager himself’ was there. All quite correct.
‘Everybody had behaved splendidly! splendidly!’—’you
must,’ he said in agitation, ‘go and see the general manager
at once. He is waiting!’
‘I did not see the real significance of that wreck at once.
I fancy I see it now, but I am not sure—not at all. Certainly
the affair was too stupid—when I think of it— to be altogether
natural. Still … But at the moment it presented itself
simply as a confounded nuisance. The steamer was sunk.
They had started two days before in a sudden hurry up the
river with the manager on board, in charge of some volunteer
skipper, and before they had been out three hours they
tore the bottom out of her on stones, and she sank near the
south bank. I asked myself what I was to do there, now my
boat was lost. As a matter of fact, I had plenty to do in fishing
my command out of the river. I had to set about it the
very next day. That, and the repairs when I brought the pieces
to the station, took some months.
‘My first interview with the manager was curious. He
did not ask me to sit down after my twenty-mile walk that
morning. He was commonplace in complexion, in features,
in manners, and in voice. He was of middle size and of
ordinary build. His eyes, of the usual blue, were perhaps remarkably
cold, and he certainly could make his glance fall 
Free eBooks at Planet eBook.com 33
on one as trenchant and heavy as an axe. But even at these
times the rest of his person seemed to disclaim the intention.
Otherwise there was only an indefinable, faint expression
of his lips, something stealthy— a smile—not a smile—I
remember it, but I can’t explain. It was unconscious, this
smile was, though just after he had said something it got
intensified for an instant. It came at the end of his speeches
like a seal applied on the words to make the meaning of
the commonest phrase appear absolutely inscrutable. He
was a common trader, from his youth up employed in these
parts—nothing more. He was obeyed, yet he inspired neither
love nor fear, nor even respect. He inspired uneasiness.
That was it! Uneasiness. Not a definite mistrust—just uneasiness—nothing
more. You have no idea how effective such a
… a. … faculty can be. He had no genius for organizing, for
initiative, or for order even. That was evident in such things
as the deplorable state of the station. He had no learning,
and no intelligence. His position had come to him—why?
Perhaps because he was never ill … He had served three
terms of three years out there … Because triumphant health
in the general rout of constitutions is a kind of power in
itself. When he went home on leave he rioted on a large
scale—pompously. Jack ashore—with a difference— in externals
only. This one could gather from his casual talk. He
originated nothing, he could keep the routine going—that’s
all. But he was great. He was great by this little thing that
it was impossible to tell what could control such a man.
He never gave that secret away. Perhaps there was nothing
within him. Such a suspicion made one pause—for out there 
34 Heart of Darkness
there were no external checks. Once when various tropical
diseases had laid low almost every ‘agent’ in the station, he
was heard to say, ‘Men who come out here should have no
entrails.’ He sealed the utterance with that smile of his, as
though it had been a door opening into a darkness he had
in his keeping. You fancied you had seen things—but the
seal was on. When annoyed at meal-times by the constant
quarrels of the white men about precedence, he ordered an
immense round table to be made, for which a special house
had to be built. This was the station’s mess-room. Where
he sat was the first place—the rest were nowhere. One felt
this to be his unalterable conviction. He was neither civil
nor uncivil. He was quiet. He allowed his ‘boy’—an overfed
young negro from the coast—to treat the white men, under
his very eyes, with provoking insolence.
‘He began to speak as soon as he saw me. I had been very
long on the road. He could not wait. Had to start without
me. The up-river stations had to be relieved. There had been
so many delays already that he did not know who was dead
and who was alive, and how they got on—and so on, and so
on. He paid no attention to my explanations, and, playing
with a stick of sealing-wax, repeated several times that the
situation was ‘very grave, very grave.’ There were rumours
that a very important station was in jeopardy, and its chief,
Mr. Kurtz, was ill. Hoped it was not true. Mr. Kurtz was …
I felt weary and irritable. Hang Kurtz, I thought. I interrupted
him by saying I had heard of Mr. Kurtz on the coast.
‘Ah! So they talk of him down there,’ he murmured to himself.
Then he began again, assuring me Mr. Kurtz was the 
Free eBooks at Planet eBook.com 35
best agent he had, an exceptional man, of the greatest importance
to the Company; therefore I could understand his
anxiety. He was, he said, ‘very, very uneasy.’ Certainly he
fidgeted on his chair a good deal, exclaimed, ‘Ah, Mr. Kurtz!’
broke the stick of sealing-wax and seemed dumfounded by
the accident. Next thing he wanted to know ‘how long it
would take to’ … I interrupted him again. Being hungry,
you know, and kept on my feet too. I was getting savage.
‘How can I tell?’ I said. ‘I haven’t even seen the wreck yet—
some months, no doubt.’ All this talk seemed to me so futile.
‘Some months,’ he said. ‘Well, let us say three months before
we can make a start. Yes. That ought to do the affair.’ I flung
out of his hut (he lived all alone in a clay hut with a sort of
verandah) muttering to myself my opinion of him. He was
a chattering idiot. Afterwards I took it back when it was
borne in upon me startlingly with what extreme nicety he
had estimated the time requisite for the ‘affair.’
‘I went to work the next day, turning, so to speak, my
back on that station. In that way only it seemed to me
I could keep my hold on the redeeming facts of life. Still,
one must look about sometimes; and then I saw this station,
these men strolling aimlessly about in the sunshine of the
yard. I asked myself sometimes what it all meant. They wandered
here and there with their absurd long staves in their
hands, like a lot of faithless pilgrims bewitched inside a rotten
fence. The word ‘ivory’ rang in the air, was whispered,
was sighed. You would think they were praying to it. A taint
of imbecile rapacity blew through it all, like a whiff from
some corpse. By Jove! I’ve never seen anything so unreal in 
36 Heart of Darkness
my life. And outside, the silent wilderness surrounding this
cleared speck on the earth struck me as something great
and invincible, like evil or truth, waiting patiently for the
passing away of this fantastic invasion.
‘Oh, these months! Well, never mind. Various things
yhappened. One evening a grass shed full of calico, cotton
prints, beads, and I don’t know what else, burst into a
blaze so suddenly that you would have thought the earth
had opened to let an avenging fire consume all that trash.
I was smoking my pipe quietly by my dismantled steamer,
and saw them all cutting capers in the light, with their arms
lifted high, when the stout man with moustaches came tearing
down to the river, a tin pail in his hand, assured me that
everybody was ‘behaving splendidly, splendidly,’ dipped
about a quart of water and tore back again. I noticed there
was a hole in the bottom of his pail.
‘I strolled up. There was no hurry. You see the thing had
gone off like a box of matches. It had been hopeless from
the very first. The flame had leaped high, driven everybody
back, lighted up everything— and collapsed. The shed was
already a heap of embers glowing fiercely. A nigger was being
beaten near by. They said he had caused the fire in some
way; be that as it may, he was screeching most horribly. I saw
him, later, for several days, sitting in a bit of shade looking
very sick and trying to recover himself; afterwards he arose
and went out— and the wilderness without a sound took
him into its bosom again. As I approached the glow from
the dark I found myself at the back of two men, talking. I
heard the name of Kurtz pronounced, then the words, ‘take 
Free eBooks at Planet eBook.com 37
advantage of this unfortunate accident.’ One of the men
was the manager. I wished him a good evening. ‘Did you
ever see anything like it— eh? it is incredible,’ he said, and
walked off. The other man remained. He was a first-class
agent, young, gentlemanly, a bit reserved, with a forked little
beard and a hooked nose. He was stand-offish with the
other agents, and they on their side said he was the manager’s
spy upon them. As to me, I had hardly ever spoken to
him before. We got into talk, and by and by we strolled away
from the hissing ruins. Then he asked me to his room, which
was in the main building of the station. He struck a match,
and I perceived that this young aristocrat had not only a
silver-mounted dressing-case but also a whole candle all to
himself. Just at that time the manager was the only man
supposed to have any right to candles. Native mats covered
the clay walls; a collection of spears, assegais, shields, knives
was hung up in trophies. The business intrusted to this fellow
was the making of bricks— so I had been informed; but
there wasn’t a fragment of a brick anywhere in the station,
and he had been there more than a year—waiting. It seems
he could not make bricks without something, I don’t know
what—straw maybe. Anyway, it could not be found there
and as it was not likely to be sent from Europe, it did not
appear clear to me what he was waiting for. An act of special
creation perhaps. However, they were all waiting— all
the sixteen or twenty pilgrims of them—for something; and
upon my word it did not seem an uncongenial occupation,
from the way they took it, though the only thing that ever
came to them was disease— as far as I could see. They be-
38 Heart of Darkness
guiled the time by back-biting and intriguing against each
other in a foolish kind of way. There was an air of plotting
about that station, but nothing came of it, of course. It was
as unreal as everything else—as the philanthropic pretence
of the whole concern, as their talk, as their government, as
their show of work. The only real feeling was a desire to get
appointed to a trading-post where ivory was to be had, so
that they could earn percentages. They intrigued and slandered
and hated each other only on that account— but as to
effectually lifting a little finger—oh, no. By heavens! there is
something after all in the world allowing one man to steal a
horse while another must not look at a halter. Steal a horse
straight out. Very well. He has done it. Perhaps he can ride.
But there is a way of looking at a halter that would provoke
the most charitable of saints into a kick.
‘I had no idea why he wanted to be sociable, but as we
chatted in there it suddenly occurred to me the fellow was
trying to get at something— in fact, pumping me. He alluded
constantly to Europe, to the people I was supposed
to know there—putting leading questions as to my acquaintances
in the sepulchral city, and so on. His little eyes
glittered like mica discs— with curiosity—though he tried
to keep up a bit of superciliousness. At first I was astonished,
but very soon I became awfully curious to see what
he would find out from me. I couldn’t possibly imagine
what I had in me to make it worth his while. It was very
pretty to see how he baffled himself, for in truth my body
was full only of chills, and my head had nothing in it but
that wretched steamboat business. It was evident he took 
Free eBooks at Planet eBook.com 39
me for a perfectly shameless prevaricator. At last he got angry,
and, to conceal a movement of furious annoyance, he
yawned. I rose. Then I noticed a small sketch in oils, on a
panel, representing a woman, draped and blindfolded, carrying
a lighted torch. The background was sombre—almost
black. The movement of the woman was stately, and the effect
of the torchlight on the face was sinister.
‘It arrested me, and he stood by civilly, holding an empty
half-pint champagne bottle (medical comforts) with the
candle stuck in it. To my question he said Mr. Kurtz had
painted this—in this very station more than a year ago—
while waiting for means to go to his trading post. ‘Tell me,
pray,’ said I, ‘who is this Mr. Kurtz?’
‘The chief of the Inner Station,’ he answered in a short
tone, looking away. ‘Much obliged,’ I said, laughing. ‘And
you are the brickmaker of the Central Station. Every one
knows that.’ He was silent for a while. ‘He is a prodigy,’
he said at last. ‘He is an emissary of pity and science and
progress, and devil knows what else. We want,’ he began to
declaim suddenly, ‘for the guidance of the cause intrusted
to us by Europe, so to speak, higher intelligence, wide sympathies,
a singleness of purpose.’ ‘Who says that?’ I asked.
‘Lots of them,’ he replied. ‘Some even write that; and so HE
comes here, a special being, as you ought to know.’ ‘Why
ought I to know?’ I interrupted, really surprised. He paid no
attention. ‘Yes. Today he is chief of the best station, next year
he will be assistant-manager, two years more and … but I
dare-say you know what he will be in two years’ time. You
are of the new gang—the gang of virtue. The same people 
40 Heart of Darkness
who sent him specially also recommended you. Oh, don’t
say no. I’ve my own eyes to trust.’ Light dawned upon me.
My dear aunt’s influential acquaintances were producing
an unexpected effect upon that young man. I nearly burst
into a laugh. ‘Do you read the Company’s confidential correspondence?’
I asked. He hadn’t a word to say. It was great
fun. ‘When Mr. Kurtz,’ I continued, severely, ‘is General
Manager, you won’t have the opportunity.’
‘He blew the candle out suddenly, and we went outside.
The moon had risen. Black figures strolled about listlessly,
pouring water on the glow, whence proceeded a sound of
hissing; steam ascended in the moonlight, the beaten nigger
groaned somewhere. ‘What a row the brute makes!’ said
the indefatigable man with the moustaches, appearing near
us. ‘Serve him right. Transgression—punishment—bang!
Pitiless, pitiless. That’s the only way. This will prevent all
conflagrations for the future. I was just telling the manager
…’ He noticed my companion, and became crestfallen all at
once. ‘Not in bed yet,’ he said, with a kind of servile heartiness;
‘it’s so natural. Ha! Danger—agitation.’ He vanished. I
went on to the riverside, and the other followed me. I heard
a scathing murmur at my ear, ‘Heap of muffs—go to.’ The
pilgrims could be seen in knots gesticulating, discussing.
Several had still their staves in their hands. I verily believe
they took these sticks to bed with them. Beyond the fence
the forest stood up spectrally in the moonlight, and through
that dim stir, through the faint sounds of that lamentable
courtyard, the silence of the land went home to one’s very
heart—its mystery, its greatness, the amazing reality of its 
Free eBooks at Planet eBook.com 41
concealed life. The hurt nigger moaned feebly somewhere
near by, and then fetched a deep sigh that made me mend
my pace away from there. I felt a hand introducing itself
under my arm. ‘My dear sir,’ said the fellow, ‘I don’t want to
be misunderstood, and especially by you, who will see Mr.
Kurtz long before I can have that pleasure. I wouldn’t like
him to get a false idea of my disposition….’
‘I let him run on, this papier-mache Mephistopheles, and
it seemed to me that if I tried I could poke my forefinger
through him, and would find nothing inside but a little
loose dirt, maybe. He, don’t you see, had been planning to
be assistant-manager by and by under the present man, and
I could see that the coming of that Kurtz had upset them
both not a little. He talked precipitately, and I did not try
to stop him. I had my shoulders against the wreck of my
steamer, hauled up on the slope like a carcass of some big
river animal. The smell of mud, of primeval mud, by Jove!
was in my nostrils, the high stillness of primeval forest was
before my eyes; there were shiny patches on the black creek.
The moon had spread over everything a thin layer of silver—
over the rank grass, over the mud, upon the wall of
matted vegetation standing higher than the wall of a temple,
over the great river I could see through a sombre gap glittering,
glittering, as it flowed broadly by without a murmur.
All this was great, expectant, mute, while the man jabbered
about himself. I wondered whether the stillness on the face
of the immensity looking at us two were meant as an appeal
or as a menace. What were we who had strayed in here?
Could we handle that dumb thing, or would it handle us? 
42 Heart of Darkness
I felt how big, how confoundedly big, was that thing that
couldn’t talk, and perhaps was deaf as well. What was in
there? I could see a little ivory coming out from there, and I
had heard Mr. Kurtz was in there. I had heard enough about
it, too— God knows! Yet somehow it didn’t bring any image
with it— no more than if I had been told an angel or
a fiend was in there. I believed it in the same way one of
you might believe there are inhabitants in the planet Mars.
I knew once a Scotch sailmaker who was certain, dead sure,
there were people in Mars. If you asked him for some idea
how they looked and behaved, he would get shy and mutter
something about ‘walking on all-fours.’ If you as much
as smiled, he would—though a man of sixty— offer to fight
you. I would not have gone so far as to fight for Kurtz, but I
went for him near enough to a lie. You know I hate, detest,
and can’t bear a lie, not because I am straighter than the
rest of us, but simply because it appalls me. There is a taint
of death, a flavour of mortality in lies— which is exactly
what I hate and detest in the world— what I want to forget.
It makes me miserable and sick, like biting something rotten
would do. Temperament, I suppose. Well, I went near
enough to it by letting the young fool there believe anything
he liked to imagine as to my influence in Europe. I
became in an instant as much of a pretence as the rest of the
bewitched pilgrims. This simply because I had a notion it
somehow would be of help to that Kurtz whom at the time
I did not see—you understand. He was just a word for me. I
did not see the man in the name any more than you do. Do
you see him? Do you see the story? Do you see anything? 
Free eBooks at Planet eBook.com 43
It seems to me I am trying to tell you ya dream—making a
vain attempt, because no relation of a dream can convey the
dream-sensation, that commingling of absurdity, surprise,
and bewilderment in a tremor of struggling revolt, that notion
of being captured by the incredible which is of the very
essence of dreams….’
He was silent for a while.
‘… No, it is impossible; it is impossible to convey the lifesensation
of any given epoch of one’s existence—that which
makes its truth, its meaning—its subtle and penetrating essence.
It is impossible. We live, as we dream—alone. …’
He paused again as if reflecting, then added:
‘Of course in this you fellows see more than I could then.
You see me, whom you know. …’
It had become so pitch dark that we listeners could hardly
see one another. For a long time already he, sitting apart,
had been no more to us than a voice. There was not a word
from anybody. The others might have been asleep, but I was
awake. I listened, I listened on the watch for the sentence,
for the word, that would give me the clue to the faint uneasiness
inspired by this narrative that seemed to shape itself
without human lips in the heavy night-air of the river.
‘… Yes—I let him run on,’ Marlow began again, ‘and
think what he pleased about the powers that were behind
me. I did! And there was nothing behind me! There was
nothing but that wretched, old, mangled steamboat I was
leaning against, while he talked fluently about ‘the necessity
for every man to get on.’ ‘And when one comes out here,
you conceive, it is not to gaze at the moon.’ Mr. Kurtz was 
44 Heart of Darkness
a ‘universal genius,’ but even a genius would find it easier
to work with ‘adequate tools—intelligent men.’ He did
not make bricks—why, there was a physical impossibility
in the way—as I was well aware; and if he did secretarial
work for the manager, it was because ‘no sensible man rejects
wantonly the confidence of his superiors.’ Did I see it?
I saw it. What more did I want? What I really wanted was
rivets, by heaven! Rivets. To get on with the work—to stop
the hole. Rivets I wanted. There were cases of them down
at the coast— cases—piled up—burst—split! You kicked a
loose rivet at every second step in that station-yard on the
hillside. Rivets had rolled into the grove of death. You could
fill your pockets with rivets for the trouble of stooping
down— and there wasn’t one rivet to be found where it was
wanted. We had plates that would do, but nothing to fasten
them with. And every week the messenger, a long negro,
letter-bag on shoulder and staff in hand, left our station for
the coast. And several times a week a coast caravan came
in with trade goods—ghastly glazed calico that made you
shudder only to look at it, glass beads value about a penny
a quart, confounded spotted cotton handkerchiefs. And no
rivets. Three carriers could have brought all that was wanted
to set that steamboat afloat.
‘He was becoming confidential now, but I fancy my unresponsive
attitude must have exasperated him at last, for he
judged it necessary to inform me he feared neither God nor
devil, let alone any mere man. I said I could see that very
well, but what I wanted was a certain quantity of rivets—
and rivets were what really Mr. Kurtz wanted, if he had only 
Free eBooks at Planet eBook.com 45
known it. Now letters went to the coast every week. … ‘My
dear sir,’ he cried, ‘I write from dictation.’ I demanded rivets.
There was a way—for an intelligent man. He changed
his manner; became very cold, and suddenly began to talk
about a hippopotamus; wondered whether sleeping on
board the steamer (I stuck to my salvage night and day) I
wasn’t disturbed. There was an old hippo that had the bad
habit of getting out on the bank and roaming at night over
the station grounds. The pilgrims used to turn out in a body
and empty every rifle they could lay hands on at him. Some
even had sat up o’ nights for him. All this energy was wasted,
though. ‘That animal has a charmed life,’ he said; ‘but
you can say this only of brutes in this country. No man—
you apprehend me?—no man here bears a charmed life.’ He
stood there for a moment in the moonlight with his delicate
hooked nose set a little askew, and his mica eyes glittering
without a wink, then, with a curt Good-night, he strode
off. I could see he was disturbed and considerably puzzled,
which made me feel more hopeful than I had been for days.
It was a great comfort to turn from that chap to my influential
friend, the battered, twisted, ruined, tin-pot steamboat.
I clambered on board. She rang under my feet like an empty
Huntley &amp;amp; Palmer biscuit-tin kicked along a gutter; she was
nothing so solid in make, and rather less pretty in shape,
but I had expended enough hard work on her to make me
love her. No influential friend would have served me better.
She had given me a chance to come out a bit—to find
out what I could do. No, I don’t like work. I had rather laze
about and think of all the fine things that can be done. I 
46 Heart of Darkness
don’t like work—no man does—but I like what is in the
work— the chance to find yourself. Your own reality—for
yourself, not for others—what no other man can ever know.
They can only see the mere show, and never can tell what it
really means.
‘I was not surprised to see somebody sitting aft, on the
deck, with his legs dangling over the mud. You see I rather
chummed with the few mechanics there were in that station,
whom the other pilgrims naturally despised—on account
of their imperfect manners, I suppose. This was the foreman—a
boiler-maker by trade—a good worker. He was a
lank, bony, yellow-faced man, with big intense eyes. His aspect
was worried, and his head was as bald as the palm of
my hand; but his hair in falling seemed to have stuck to his
chin, and had prospered in the new locality, for his beard
hung down to his waist. He was a widower with six young
children (he had left them in charge of a sister of his to come
out there), and the passion of his life was pigeon-flying. He
was an enthusiast and a connoisseur. He would rave about
pigeons. After work hours he used sometimes to come over
from his hut for a talk about his children and his pigeons; at
work, when he had to crawl in the mud under the bottom of
the steamboat, he would tie up that beard of his in a kind of
white serviette he brought for the purpose. It had loops to
go over his ears. In the evening he could be seen squatted on
the bank rinsing that wrapper in the creek with great care,
then spreading it solemnly on a bush to dry.
‘I slapped him on the back and shouted, ‘We shall have
rivets!’ He scrambled to his feet exclaiming, ‘No! Rivets!’ 
Free eBooks at Planet eBook.com 47
as though he couldn’t believe his ears. Then in a low voice,
‘You … eh?’ I don’t know why we behaved like lunatics. I put
my finger to the side of my nose and nodded mysteriously.
‘Good for you!’ he cried, snapped his fingers above his head,
lifting one foot. I tried a jig. We capered on the iron deck. A
frightful clatter came out of that hulk, and the virgin forest
on the other bank of the creek sent it back in a thundering
roll upon the sleeping station. It must have made some of
the pilgrims sit up in their hovels. A dark figure obscured
the lighted doorway of the manager’s hut, vanished, then,
a second or so after, the doorway itself vanished, too. We
stopped, and the silence driven away by the stamping of our
feet flowed back again from the recesses of the land. The
great wall of vegetation, an exuberant and entangled mass
of trunks, branches, leaves, boughs, festoons, motionless in
the moonlight, was like a rioting invasion of soundless life,
a rolling wave of plants, piled up, crested, ready to topple
over the creek, to sweep every little man of us out of his little
existence. And it moved not. A deadened burst of mighty
splashes and snorts reached us from afar, as though an icthyosaurus
had been taking a bath of glitter in the great
river. ‘After all,’ said the boiler-maker in a reasonable tone,
‘why shouldn’t we get the rivets?’ Why not, indeed! I did
not know of any reason why we shouldn’t. ‘They’ll come in
three weeks,’ I said confidently.
‘But they didn’t. Instead of rivets there came an invasion,
an infliction, a visitation. It came in sections during
the next three weeks, each section headed by a donkey carrying
a white man in new clothes and tan shoes, bowing 
48 Heart of Darkness
from that elevation right and left to the impressed pilgrims.
A quarrelsome band of footsore sulky niggers trod on the
heels of the donkey; a lot of tents, camp-stools, tin boxes,
white cases, brown bales would be shot down in the courtyard,
and the air of mystery would deepen a little over the
muddle of the station. Five such instalments came, with
their absurd air of disorderly flight with the loot of innumerable
outfit shops and provision stores, that, one would
think, they were lugging, after a raid, into the wilderness
for equitable division. It was an inextricable mess of things
decent in themselves but that human folly made look like
the spoils of thieving.
‘This devoted band called itself the Eldorado Exploring
Expedition, and I believe they were sworn to secrecy. Their
talk, however, was the talk of sordid buccaneers: it ywas
reckless without hardihood, greedy without audacity, and
cruel without courage; there was not an atom of foresight
or of serious intention in the whole batch of them, and they
did not seem aware these things are wanted for the work of
the world. To tear treasure out of the bowels of the land was
their desire, with no more moral purpose at the back of it
than there is in burglars breaking into a safe. Who paid the
expenses of the noble enterprise I don’t know; but the uncle
of our manager was leader of that lot.
‘In exterior he resembled a butcher in a poor neighbourhood,
and his eyes had a look of sleepy cunning. He carried
his fat paunch with ostentation on his short legs, and during
the time his gang infested the station spoke to no one
but his nephew. You could see these two roaming about all 
Free eBooks at Planet eBook.com 49
day long with their heads close together in an everlasting
confab.
‘I had given up worrying myself about the rivets. One’s
capacity for that kind of folly is more limited than you
would suppose. I said Hang!—and let things slide. I had
plenty of time for meditation, and now and then I would
give some thought to Kurtz. I wasn’t very interested in him.
No. Still, I was curious to see whether this man, who had
come out equipped with moral ideas of some sort, would
climb to the top after all and how he would set about his
work when there.’
50 Heart of Darkness
II
‘One evening as I was lying flat on the deck of my steamboat,
I heard voices approaching—and there were the
nephew and the uncle strolling along the bank. I laid my
head on my arm again, and had nearly lost myself in a doze,
when somebody said in my ear, as it were: ‘I am as harmless
as a little child, but I don’t like to be dictated to. Am I the
manager—or am I not? I was ordered to send him there. It’s
incredible.’ … I became aware that the two were standing
on the shore alongside the forepart of the steamboat, just
below my head. I did not move; it did not occur to me to
move: I was sleepy. ‘It IS unpleasant,’ grunted the uncle. ‘He
has asked the Administration to be sent there,’ said the other,
‘with the idea of showing what he could do; and I was
instructed accordingly. Look at the influence that man must
have. Is it not frightful?’ They both agreed it was frightful,
then made several bizarre remarks: ‘Make rain and fine
weather—one man—the Council—by the nose’— bits of
absurd sentences that got the better of my drowsiness, so
that I had pretty near the whole of my wits about me when
the uncle said, ‘The climate may do away with this difficulty
for you. Is he alone there?’ ‘Yes,’ answered the manager; ‘he
sent his assistant down the river with a note to me in these
terms: ‘Clear this poor devil out of the country, and don’t
bother sending more of that sort. I had rather be alone than 
Free eBooks at Planet eBook.com 51
have the kind of men you can dispose of with me.’ It was
more than a year ago. Can you imagine such impudence!’
‘Anything since then?’ asked the other hoarsely. ‘Ivory,’
jerked the nephew; ‘lots of it—prime sort—lots—most annoying,
from him.’ ‘And with that?’ questioned the heavy
rumble. ‘Invoice,’ was the reply fired out, so to speak. Then
silence. They had been talking about Kurtz.
‘I was broad awake by this time, but, lying perfectly at
ease, remained still, having no inducement to change my
position. ‘How did that ivory come all this way?’ growled
the elder man, who seemed very vexed. The other explained
that it had come with a fleet of canoes in charge of an English
half-caste clerk Kurtz had with him; that Kurtz had
apparently intended to return himself, the station being by
that time bare of goods and stores, but after coming three
hundred miles, had suddenly decided to go back, which he
started to do alone in a small dugout with four paddlers,
leaving the half-caste to continue down the river with the
ivory. The two fellows there seemed astounded at anybody
attempting such a thing. They were at a loss for an adequate
motive. As to me, I seemed to see Kurtz for the first time. It
was a distinct glimpse: the dugout, four paddling savages,
and the lone white man turning his back suddenly on the
headquarters, yon relief, on thoughts of home—perhaps; setting
his face towards the depths of the wilderness, towards
his empty and desolate station. I did not know the motive.
Perhaps he was just simply a fine fellow who stuck to his
work for its own sake. His name, you understand, had not
been pronounced once. He was ‘that man.’ The half-caste, 
52 Heart of Darkness
who, as far as I could see, had conducted a difficult trip with
great prudence and pluck, was invariably alluded to as ‘that
scoundrel.’ The ‘scoundrel’ had reported that the ‘man’ had
been very ill—had recovered imperfectly…. The two below
me moved away then a few paces, and strolled back and
forth at some little distance. I heard: ‘Military post—doctor—two
hundred miles—quite alone now— unavoidable
delays—nine months—no news—strange rumours.’ They
approached again, just as the manager was saying, ‘No one,
as far as I know, unless a species of wandering trader— a
pestilential fellow, snapping ivory from the natives.’ Who
was it they were talking about now? I gathered in snatches
that this was some man supposed to be in Kurtz’s district,
and of whom the manager did not approve. ‘We will not
be free from unfair competition till one of these fellows is
hanged for an example,’ he said. ‘Certainly,’ grunted the
other; ‘get him hanged! Why not? Anything—anything can
be done in this country. That’s what I say; nobody here, you
understand, HERE, can endanger your position. And why?
You stand the climate—you outlast them all. The danger
is in Europe; but there before I left I took care to—’ They
moved off and whispered, then their voices rose again. ‘The
extraordinary series of delays is not my fault. I did my best.’
The fat man sighed. ‘Very sad.’ ‘And the pestiferous absurdity
of his talk,’ continued the other; ‘he bothered me enough
when he was here. ‘Each station should be like a beacon on
the road towards better things, a centre for trade of course,
but also for humanizing, improving, instructing.’ Conceive
you—that ass! And he wants to be manager! No, it’s—’ Here 
Free eBooks at Planet eBook.com 53
he got choked by excessive indignation, and I lifted my head
the least bit. I was surprised to see how near they were—
right under me. I could have spat upon their hats. They were
looking on the ground, absorbed in thought. The manager
was switching his leg with a slender twig: his sagacious relative
lifted his head. ‘You have been well since you came out
this time?’ he asked. The other gave a start. ‘Who? I? Oh!
Like a charm—like a charm. But the rest—oh, my goodness!
All sick. They die so quick, too, that I haven’t the time to
send them out of the country— it’s incredible!’ ‘Hm’m. Just
so,’ grunted the uncle. ‘Ah! my boy, trust to this—I say, trust
to this.’ I saw him extend his short flipper of an arm for a
gesture that took in the forest, the creek, the mud, the river—
seemed to beckon with a dishonouring flourish before
the sunlit face of the land a treacherous appeal to the lurking
death, to the hidden evil, to the profound darkness of its
heart. It was so startling that I leaped to my feet and looked
back at the edge of the forest, as though I had expected an
answer of some sort to that black display of confidence. You
know the foolish notions that come to one sometimes. The
high stillness confronted these two figures with its ominous
patience, waiting for the passing away of a fantastic
invasion.
‘They swore aloud together—out of sheer fright, I
believe—then pretending not to know anything of my existence,
turned back to the station. The sun was low; and
leaning forward side by side, they seemed to be tugging
painfully uphill their two ridiculous shadows of unequal
length, that trailed behind them slowly over the tall grass 
54 Heart of Darkness
without bending a single blade.
‘In a few days the Eldorado Expedition went into the patient
wilderness, that closed upon it as the sea closes over a
diver. Long afterwards the news came that all the donkeys
were dead. I know nothing as to the fate of the less valuable
animals. They, no doubt, like the rest of us, found what
they deserved. I did not inquire. I was then rather excited at
the prospect of meeting Kurtz very soon. When I say very
soon I mean it comparatively. It was just two months from
the day we left the creek when we came to the bank below
Kurtz’s station.
‘Going up that river was like traveling back to the earliest
beginnings of the world, when vegetation rioted on the
earth and the big trees were kings. An empty stream, a great
silence, an impenetrable forest. The air was warm, thick,
heavy, sluggish. There was no joy in the brilliance of sunshine.
The long stretches of the waterway ran on, deserted,
into the gloom of overshadowed distances. On silvery sandbanks
hippos and alligators sunned themselves side by side.
The broadening waters flowed through a mob of wooded
islands; you lost your way on that river as you would in a
desert, and butted all day long against shoals, trying to find
the channel, till you thought yourself bewitched and cut
off for ever from everything you had known once—somewhere—far
away—in another existence perhaps. There were
moments when one’s past came back to one, as it will sometimes
when you have not a moment to spare for yourself;
but it came in the shape of an unrestful and noisy dream,
remembered with wonder amongst the overwhelming re-
Free eBooks at Planet eBook.com 55
alities of this strange world of plants, and water, and silence.
And this stillness of life did not in the least resemble a peace.
It was the stillness of an implacable force brooding over an
inscrutable intention. It looked at you with a vengeful aspect.
I got used to it afterwards; I did not see it any more; I
had no time. I had to keep guessing at the channel; I had to
discern, mostly by inspiration, the signs of hidden banks; I
watched for sunken stones; I was learning to clap my teeth
smartly before my heart flew out, when I shaved by a fluke
some infernal sly old snag that would have ripped the life
out of the tin-pot steamboat and drowned all the pilgrims;
I had to keep a lookout for the signs of dead wood we could
cut up in the night for next day’s steaming. When you have
to attend to things of that sort, to the mere incidents of the
surface, the reality—the reality, I tell you—fades. The inner
truth is hidden—luckily, luckily. But I felt it all the same; I
felt often its mysterious stillness watching me at my monkey
tricks, just as it watches you fellows performing on your
respective tight-ropes for—what is it? half-a-crown a tumble—‘
‘Try to be civil, Marlow,’ growled a voice, and I knew
there was at least one listener awake besides myself.
‘I beg your pardon. I forgot the heartache which makes
up the rest of the price. And indeed what does the price
matter, if the trick be well done? You do your tricks very
well. And I didn’t do badly either, since I managed not to
sink that steamboat on my first trip. It’s a wonder to me
yet. Imagine a blindfolded man set to drive a van over a
bad road. I sweated and shivered over that business con-
56 Heart of Darkness
siderably, I can tell you. After all, for a seaman, to scrape
the bottom of the thing that’s supposed to float all the time
under his care is the unpardonable sin. No one may know
of it, but you never forget the thump—eh? A blow on the
very heart. You remember it, you dream of it, you wake up
at night and think of it—years after—and go hot and cold
all over. I don’t pretend to say that steamboat floated all the
time. More than once she had to wade for a bit, with twenty
cannibals splashing around and pushing. We had enlisted
some of these chaps on the way for a crew. Fine fellows—
cannibals—in their place. They were men one could work
with, and I am grateful to them. And, after all, they did
not eat each other before my face: they had brought along a
provision of hippo-meat which went rotten, and made the
mystery of the wilderness stink in my nostrils. Phoo! I can
sniff it now. I had the manager on board and three or four
pilgrims with their staves— all complete. Sometimes we
came upon a station close by the bank, clinging to the skirts
of the unknown, and the white men rushing out of a tumble-down
hovel, with great gestures of joy and surprise and
welcome, seemed very strange— had the appearance of being
held there captive by a spell. The word ivory would ring
in the air for a while—and on we went again into the silence,
along empty reaches, round the still bends, between the high
walls of our winding way, reverberating in hollow claps the
ponderous beat of the stern-wheel. Trees, trees, millions
of trees, massive, immense, running up high; and at their
foot, hugging the bank against the stream, crept the little
begrimed steamboat, like a sluggish beetle crawling on the 
Free eBooks at Planet eBook.com 57
floor of a lofty portico. It made you feel very small, very lost,
and yet it was not altogether depressing, that feeling. After
all, if you were small, the grimy beetle crawled on—which
was just what you wanted it to do. Where the pilgrims imagined
it crawled to I don’t know. To some place where they
expected to get something. I bet! For me it crawled towards
Kurtz—exclusively; but when the steam-pipes started leaking
we crawled very slow. The reaches opened before us and
closed behind, as if the forest had stepped leisurely across
the water to bar the way for our return. We penetrated deeper
and deeper into the heart of darkness. It was very quiet
there. At night sometimes the roll of drums behind the curtain
of trees would run up the river and remain sustained
faintly, as if hovering in the air high over our heads, till the
first break of day. Whether it meant war, peace, or prayer we
could not tell. The dawns were heralded by the descent of a
chill stillness; the wood-cutters slept, their fires burned low;
the snapping of a twig would make you start. Were were
wanderers on a prehistoric earth, on an earth that wore
the aspect of an unknown planet. We could have fancied
ourselves the first of men taking possession of an accursed
inheritance, to be subdued at the cost of profound anguish
and of excessive toil. But suddenly, as we struggled round
a bend, there would be a glimpse of rush walls, of peaked
grass-roofs, a burst of yells, a whirl of black limbs, a mass of
hands clapping. of feet stamping, of bodies swaying, of eyes
rolling, under the droop of heavy and motionless foliage.
The steamer toiled along slowly on the edge of a black and
incomprehensible frenzy. The prehistoric man was cursing 
58 Heart of Darkness
us, praying to us, welcoming us—who could tell? We were
cut off from the comprehension of our surroundings; we
glided past like phantoms, wondering and secretly appalled,
as sane men would be before an enthusiastic outbreak in a
madhouse. We could not understand because we were too
far and could not remember because we were travelling in
the night of first ages, of those ages that are gone, leaving
hardly a sign— and no memories.
‘The earth seemed unearthly. We are accustomed to look
upon the shackled form of a conquered monster, but there—
there you could look at a thing monstrous and free. It was
unearthly, and the men were—No, they were not inhuman.
Well, you know, that was the worst of it—this suspicion of
their not being inhuman. It would come slowly to one. They
howled and leaped, and spun, and made horrid faces; but
what thrilled you was just the thought of their humanity—
like yours—the thought of your remote kinship with this
wild and passionate uproar. Ugly. Yes, it was ugly enough;
but if you were man enough you would admit to yourself
that there ywas in you just the faintest trace of a response to
the terrible frankness of that noise, a dim suspicion of there
being a meaning in it which you—you so remote from the
night of first ages—could comprehend. And why not? The
mind of man is capable of anything—because everything
is in it, all the past as well as all the future. What was there
after all? Joy, fear, sorrow, devotion, valour, rage—who can
tell?— but truth—truth stripped of its cloak of time. Let the
fool gape and shudder—the man knows, and can look on
without a wink. But he must at least be as much of a man as 
Free eBooks at Planet eBook.com 59
these on the shore. He must meet that truth with his own
true stuff— with his own inborn strength. Principles won’t
do. Acquisitions, clothes, pretty rags—rags that would fly
off at the first good shake. No; you want a deliberate belief.
An appeal to me in this fiendish row—is there? Very
well; I hear; I admit, but I have a voice, too, and for good or
evil mine is the speech that cannot be silenced. Of course,
a fool, what with sheer fright and fine sentiments, is always
safe. Who’s that grunting? You wonder I didn’t go ashore
for a howl and a dance? Well, no—I didn’t. Fine sentiments,
you say? Fine sentiments, be hanged! I had no time. I had
to mess about with white-lead and strips of woolen blanket
helping to put bandages on those leaky steam-pipes—I
tell you. I had to watch the steering, and circumvent those
snags, and get the tin-pot along by hook or by crook. There
was surface-truth enough in these things to save a wiser
man. And between whiles I had to look after the savage who
was fireman. He was an improved specimen; he could fire
up a vertical boiler. He was there below me, and, upon my
word, to look at him was as edifying as seeing a dog in a parody
of breeches and a feather hat, walking on his hind-legs.
A few months of training had done for that really fine chap.
He squinted at the steam-gauge and at the water-gauge with
an evident effort of intrepidity—and he had filed teeth, too,
the poor devil, and the wool of his pate shaved into queer
patterns, and three ornamental scars on each of his cheeks.
He ought to have been clapping his hands and stamping his
feet on the bank, instead of which he was hard at work, a
thrall to strange witchcraft, full of improving knowledge. 
60 Heart of Darkness
He was useful because he had been instructed; and what he
knew was this—that should the water in that transparent
thing disappear, the evil spirit inside the boiler would get
angry through the greatness of his thirst, and take a terrible
vengeance. So he sweated and fired up and watched
the glass fearfully (with an impromptu charm, made of
rags, tied to his arm, and a piece of polished bone, as big
as a watch, stuck flatways through his lower lip), while the
wooded banks slipped past us slowly, the short noise was
left behind, the interminable miles of silence—and we crept
on, towards Kurtz. But the snags were thick, the water was
treacherous and shallow, the boiler seemed indeed to have a
sulky devil in it, and thus neither that fireman nor I had any
time to peer into our creepy thoughts.
‘Some fifty miles below the Inner Station we came upon
a hut of reeds, an inclined and melancholy pole, with the
unrecognizable tatters of what had been a flag of some sort
flying from it, and a neatly stacked wood-pile. This was unexpected.
We came to the bank, and on the stack of firewood
found a flat piece of board with some faded pencil-writing
on it. When deciphered it said: ‘Wood for you. Hurry up.
Approach cautiously.’ There was a signature, but it was illegible—not
Kurtz—a much longer word. ‘Hurry up.’ Where?
Up the river? ‘Approach cautiously.’ We had not done so.
But the warning could not have been meant for the place
where it could be only found after approach. Something was
wrong above. But what—and how much? That was the question.
We commented adversely upon the imbecility of that
telegraphic style. The bush around said nothing, and would 
Free eBooks at Planet eBook.com 61
not let us look very far, either. A torn curtain of red twill
hung in the doorway of the hut, and flapped sadly in our
faces. The dwelling was dismantled; but we could see a white
man had lived there not very long ago. There remained a
rude table—a plank on two posts; a heap of rubbish reposed
in a dark corner, and by the door I picked up a book. It had
lost its covers, and the pages had been thumbed into a state
of extremely dirty softness; but the back had been lovingly
stitched afresh with white cotton thread, which looked clean
yet. It was an extraordinary find. Its title was, AN INQUIRY
INTO SOME POINTS OF SEAMANSHIP, by a man
Towser, Towson—some such name—Master in his Majesty’s
Navy. The matter looked dreary reading enough, with
illustrative diagrams and repulsive tables of figures, and the
copy was sixty years old. I handled this amazing antiquity
with the greatest possible tenderness, lest it should dissolve
in my hands. Within, Towson or Towser was inquiring earnestly
into the breaking strain of ships’ chains and tackle,
and other such matters. Not a very enthralling book; but
at the first glance you could see there a singleness of intention,
an honest concern for the right way of going to work,
which made these humble pages, thought out so many years
ago, luminous with another than a professional light. The
simple old sailor, with his talk of chains and purchases,
made me forget the jungle and the pilgrims in a delicious
sensation of having come upon something unmistakably
real. Such a book being there was wonderful enough; but
still more astounding were the notes pencilled in the margin,
and plainly referring to the text. I couldn’t believe my 
62 Heart of Darkness
eyes! They were in cipher! Yes, it looked like cipher. Fancy a
man lugging with him a book of that description into this
nowhere and studying it—and making notes—in cipher at
that! It was an extravagant mystery.
‘I had been dimly aware for some time of a worrying noise,
and when I lifted my eyes I saw the wood-pile was gone, and
the manager, aided by all the pilgrims, was shouting at me
from the riverside. I slipped the book into my pocket. I assure
you to leave off reading was like tearing myself away
from the shelter of an old and solid friendship.
‘I started the lame engine ahead. ‘It must be this miserable
trader-this intruder,’ exclaimed the manager, looking
back malevolently at the place we had left. ‘He must be English,’
I said. ‘It will not save him from getting into trouble if
he is not careful,’ muttered the manager darkly. I observed
with assumed innocence that no man was safe from trouble
in this world.
‘The current was more rapid now, the steamer seemed
at her last gasp, the stern-wheel flopped languidly, and I
caught myself listening on tiptoe for the next beat of the
boat, for in sober truth I expected the wretched thing to
give up every moment. It was like watching the last flickers
of a life. But still we crawled. Sometimes I would pick out
a tree a little way ahead to measure our progress towards
Kurtz by, but I lost it invariably before we got abreast. To
keep the eyes so long on one thing was too much for human
patience. The manager displayed a beautiful resignation. I
fretted and fumed and took to arguing with myself whether
or no I would talk openly with Kurtz; but before I could 
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come to any conclusion it occurred to me that my speech
or my silence, indeed any action of mine, would be a mere
futility. What did it matter what any one knew or ignored?
What did it matter who was manager? One gets sometimes
such a flash of insight. The essentials of this affair lay deep
under the surface, beyond my reach, and beyond my power
of meddling.
‘Towards the evening of the second day we judged ourselves
about eight miles from Kurtz’s station. I wanted to
push on; but the manager looked grave, and told me the
navigation up there was so dangerous that it would be advisable,
the sun being very low already, to wait where we
were till next morning. Moreover, he pointed out that if the
warning to approach cautiously were to be followed, we
must approach in daylight— not at dusk or in the dark. This
was sensible enough. Eight miles meant nearly three hours’
steaming for us, and I could also see suspicious ripples at
the upper end of the reach. Nevertheless, I was annoyed beyond
expression at the delay, and most unreasonably, too,
since one night more could not matter much after so many
months. As we had plenty of wood, and caution was the
word, I brought up in the middle of the stream. The reach
was narrow, straight, with high sides like a railway cutting.
The dusk came gliding into it long before the sun had set.
The current ran smooth and swift, but a dumb immobility
sat on the banks. The living trees, lashed together by the
creepers and every living bush of the undergrowth, might
have been changed into stone, even to the slenderest twig,
to the lightest leaf. It was not sleep—it seemed unnatural, 
64 Heart of Darkness
like a state of trance. Not the faintest sound of any kind
could be heard. You looked on amazed, and began to suspect
yourself of being deaf— then the night came suddenly,
and struck you blind as well. About three in the morning
some large fish leaped, and the loud splash made me jump
as though a gun had been fired. When the sun rose there
was a white fog, very warm and clammy, and more blinding
than the night. It did not shift or drive; it was just there,
standing all round you like something solid. At eight or
nine, perhaps, it lifted as a shutter lifts. We had a glimpse
of the towering multitude of trees, of the immense matted
jungle, with the blazing little ball of the sun hanging
over it—all perfectly still—and then the white shutter came
down again, smoothly, as if sliding in greased grooves. I
ordered the chain, which we had begun to heave in, to be
paid out again. Before it stopped running with a muffled
rattle, a cry, a very loud cry, as of infinite desolation, soared
slowly in the opaque air. It ceased. A complaining clamour,
modulated in savage discords, filled our ears. The sheer unexpectedness
of it made my hair stir under my cap. I don’t
know how it struck the others: to me it seemed as though
the mist itself had screamed, so suddenly, and apparently
from all sides at once, did this tumultuous and mournful
uproar arise. It culminated in a hurried outbreak of almost
intolerably excessive shrieking, which stopped short,
leaving us stiffened in a variety of silly attitudes, and obstinately
listening to the nearly as appalling and excessive
silence. ‘Good God! What is the meaning—’ stammered at
my elbow one of the pilgrims— a little fat man, with san-
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dy hair and red whiskers, who wore sidespring boots, and
pink pyjamas tucked into his socks. Two others remained
open-mouthed a while minute, then dashed into the little
cabin, to rush out incontinently and stand darting scared
glances, with Winchesters at ‘ready’ in their hands. What
we could see was just the steamer we were on, her outlines
blurred as though she had been on the point of dissolving,
and a misty strip of water, perhaps two feet broad, around
her— and that was all. The rest of the world was nowhere,
as far as our eyes and ears were concerned. Just nowhere.
Gone, disappeared; swept off without leaving a whisper or
a shadow behind.
‘I went forward, and ordered the chain to be hauled in
short, so as to be ready to trip the anchor and move the
steamboat at once if necessary. ‘Will they attack?’ whispered
an awed voice. ‘We will be all butchered in this fog,’
murmured another. The faces twitched with the strain, the
hands trembled slightly, the eyes forgot to wink. It was very
curious to see the contrast of expressions of the white men
and of the black fellows of our crew, who were as much
strangers to that part of the river as we, though their homes
were only eight hundred miles away. The whites, of course
greatly discomposed, had besides a curious look of being
painfully shocked by such an outrageous row. The others
had an alert, naturally interested expression; but their
faces were essentially quiet, even those of the one or two
who grinned as they hauled at the chain. Several exchanged
short, grunting phrases, which seemed to settle the matter
to their satisfaction. Their headman, a young, broad-chest-
66 Heart of Darkness
ed black, severely draped in dark-blue fringed cloths, with
fierce nostrils and his hair all done up artfully in oily ringlets,
stood near me. ‘Aha!’ I said, just for good fellowship’s
sake. ‘Catch ‘im,’ he snapped, with a bloodshot widening of
his eyes and a flash of sharp teeth—’catch ‘im. Give ‘im to
us.’ ‘To you, eh?’ I asked; ‘what would you do with them?’
‘Eat ‘im!’ he said curtly, and, leaning his elbow on the rail,
looked out into the fog in a dignified and profoundly pensive
attitude. I would no doubt have been properly horrified,
had it not occurred to me that he and his chaps must be
very hungry: that they must have been growing increasingly
hungry for at least this month past. They had been engaged
for six months (I don’t think a single one of them had any
clear idea of time, as we at the end of countless ages have.
They still belonged to the beginnings of time—had no inherited
experience to teach them as it were), and of course,
as long as there was a piece of paper written over in accordance
with some farcical law or other made down the river,
it didn’t enter anybody’s head to trouble how they would
live. Certainly they had brought with them some rotten
hippo-meat, which couldn’t have lasted very long, anyway,
even if the pilgrims hadn’t, in the midst of a shocking hullabaloo,
thrown a considerable quantity of it overboard.
It looked like a high-handed proceeding; but it was really
a case of legitimate self-defence. You can’t breathe dead
hippo waking, sleeping, and eating, and at the same time
keep your precarious grip on existence. Besides that, they
had given them every week three pieces of brass wire, each
about nine inches long; and the theory was they were to 
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buy their provisions with that currency in riverside villages.
You can see how THAT worked. There were either no villages,
or the people were hostile, or the director, who like
the rest of us fed out of tins, with an occasional old he-goat
thrown in, didn’t want to stop the steamer for some more
or less recondite reason. So, unless they swallowed the wire
itself, or made loops of it to snare the fishes with, I don’t
see what good their extravagant salary could be to them. I
must say it was paid with a regularity worthy of a large and
honourable trading company. For the rest, the only thing to
eat—though it didn’t look eatable in the least—I saw in their
possession was a few lumps of some stuff like half-cooked
dough, of a dirty lavender colour, they kept wrapped in
leaves, and now and then swallowed a piece of, but so small
that it seemed done more for the looks of the thing than for
any serious purpose of sustenance. Why in the name of all
the gnawing devils of hunger they didn’t go for us—they
were thirty to five—and have a good tuck-in for once, amazes
me now when I think of it. They were big powerful men,
with not much capacity to weigh the consequences, with
courage, with strength, even yet, though their skins were no
longer glossy and their muscles no longer hard. And I saw
that something restraining, one of those human secrets that
baffle probability, had come into play there. I looked at them
with a swift quickening of interest— not because it occurred
to me I might be eaten by them before very long, though I
own to you that just then I perceived— in a new light, as it
were—how unwholesome the pilgrims looked, and I hoped,
yes, I positively hoped, that my aspect was not so— what 
68 Heart of Darkness
shall I say?—so—unappetizing: a touch of fantastic vanity
which fitted well with the dream-sensation that pervaded
all my days at that time. Perhaps I had a little fever, too. One
can’t live with one’s finger everlastingly on one’s pulse. I had
often ‘a little fever,’ or a little touch of other things— the
playful paw-strokes of the wilderness, the preliminary trifling
before the more serious onslaught which came in due
course. Yes; I looked at them as you would on any human
being, with a curiosity of their impulses, motives, capacities,
weaknesses, when brought to the test of an inexorable
physical necessity. Restraint! What possible restraint? Was
it superstition, disgust, patience, fear—or some kind of
primitive honour? No fear can stand up to hunger, no patience
can wear it out, disgust simply does not exist where
hunger is; and as to superstition, beliefs, and what you may
call principles, they are less than chaff in a breeze. Don’t
you know the devilry of lingering starvation, its exasperating
torment, its black thoughts, its sombre and brooding
ferocity? Well, I do. It takes a man all his inborn strength to
fight hunger properly. It’s really easier to face bereavement,
dishonour, and the perdition of one’s soul—than this kind
of prolonged hunger. Sad, but true. And these chaps, too,
had no earthly reason for any kind of scruple. Restraint!
I would just as soon have expected restraint from a hyena
prowling amongst the corpses of a battlefield. But there was
the fact facing me—the fact dazzling, to be seen, like the
foam on the depths of the sea, like a ripple on an unfathomable
enigma, a mystery greater—when I thought of it— than
the curious, inexplicable note of desperate grief in this sav-
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age clamour that had swept by us on the river-bank, behind
the blind whiteness of the fog.
‘Two pilgrims were quarrelling in hurried whispers as to
which bank. ‘Left.’ ‘no, no; how can you? Right, right, of
course.’ ‘It is very serious,’ said the manager’s voice behind
me; ‘I would be desolated if anything should happen to Mr.
Kurtz before we came up.’ I looked at him, and had not the
slightest doubt he was sincere. He was just the kind of man
who would wish to preserve appearances. That was his restraint.
But when he muttered something about going on
at once, I did not even take the trouble to answer him. I
knew, and he knew, that it was impossible. Were we to let go
our hold of the bottom, we would be absolutely in the air—
in space. We wouldn’t be able to tell where we were going
to—whether up or down stream, or across—till we fetched
against one bank or the other—and then we wouldn’t know
at first which it was. Of course I made no move. I had no
mind for a smash-up. You couldn’t imagine a more deadly
place for a shipwreck. Whether we drowned at once or not,
we were sure to perish speedily in one way or another. ‘I
authorize you to take all the risks,’ he said, after a short silence.
‘I refuse to take any,’ I said shortly; which was just the
answer he expected, though its tone might have surprised
him. ‘Well, I must defer to your judgment. You are captain,’
he said with marked civility. I turned my shoulder to him
in sign of my appreciation, and looked into the fog. How
long would it last? It was the most hopeless lookout. The
approach to this Kurtz grubbing for ivory in the wretched
bush was beset by as many dangers as though he had been 
70 Heart of Darkness
an enchanted princess sleeping in a fabulous castle. ‘Will
they attack, do you think?’ asked the manager, in a confidential
tone.
‘I did not think they would attack, for several obvious
reasons. The thick fog was one. If they left the bank in their
canoes they would get lost in it, as we would be if we attempted
to move. Still, I had also judged the jungle of both banks
quite impenetrable— and yet eyes were in it, eyes that had
seen us. The riverside bushes were certainly very thick; but
the undergrowth behind was evidently penetrable. However,
during the short lift I had seen no canoes anywhere in
the reach—certainly not abreast of the steamer. But what
made the idea of attack inconceivable to me was the nature
of the noise—of the cries we had heard. They had not the
fierce character boding immediate hostile intention. Unexpected,
wild, and violent as they had been, they had given
me an irresistible impression of sorrow. The glimpse of the
steamboat had for some reason filled those savages with unrestrained
grief. The danger, if any, I expounded, was from
our proximity to a great human passion let loose. Even extreme
grief may ultimately vent itself in violence—but more
generally takes the form of apathy….
‘You should have seen the pilgrims stare! They had no
heart to grin, or even to revile me: but I believe they thought
me gone mad— with fright, maybe. I delivered a regular
lecture. My dear boys, it was no good bothering. Keep
a lookout? Well, you may guess I watched the fog for the
signs of lifting as a cat watches a mouse; but for anything
else our eyes were of no more use to us than if we had been 
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buried miles deep in a heap of cotton-wool. It felt like it,
too—choking, warm, stifling. Besides, all I said, though it
sounded extravagant, was absolutely true to fact. What we
afterwards alluded to as an attack was really an attempt at
repulse. The action was very far from being aggressive—it
was not even defensive, in the usual sense: it was undertaken
under the stress of desperation, and in its essence was
purely protective.
‘It developed itself, I should say, two hours after the fog
lifted, and its commencement was at a spot, roughly speaking,
about a mile and a half below Kurtz’s station. We had
just floundered and flopped round a bend, when I saw an
islet, a mere grassy hummock of bright green, in the middle
of the stream. It was the ony thing of the kind; but as we
opened the reach more, I perceived it was the head of a long
sand-bank, or rather of a chain of shallow patches stretching
down the middle of the river. They were discoloured,
just awash, and the whole lot was seen just under the water,
exactly as a man’s backbone is seen running down the
middle of his back under the skin. Now, as far as I did see, I
could go to the right or to the left of this. I didn’t know either
channel, of course. The banks looked pretty well alike,
the depth appeared the same; but as I had been informed
the station was on the west side, I naturally headed for the
western passage.
‘No sooner had we fairly entered it than I became aware
it was much narrower than I had supposed. To the left of
us there was the long uninterrupted shoal, and to the right
a high, steep bank heavily overgrown with bushes. Above 
72 Heart of Darkness
the bush the trees stood in serried ranks. The twigs overhung
the current thickly, and from distance to distance a
large limb of some tree projected rigidly over the stream. It
was then well on in the afternoon, the face of the forest was
gloomy, and a broad strip of shadow had already fallen on
the water. In this shadow we steamed up—very slowly, as
you may imagine. I sheered her well inshore—the water being
deepest near the bank, as the sounding-pole informed
me.
‘One of my hungry and forbearing friends was sounding
in the bows just below me. This steamboat was exactly like
a decked scow. On the deck, there were two little teakwood
houses, with doors and windows. The boiler was in the foreend,
and the machinery right astern. yOver the whole there
was a light roof, supported on stanchions. The funnel projected
through that roof, and in front of the funnel a small
cabin built of light planks served for a pilot-house. It contained
a couch, two camp-stools, a loaded Martini-Henry
leaning in one corner, a tiny table, and the steering-wheel.
It had a wide door in front and a broad shutter at each side.
All these were always thrown open, of course. I spent my
days perched up there on the extreme fore-end of that roof,
before the door. At night I slept, or tried to, on the couch.
An athletic black belonging to some coast tribe and educated
by my poor predecessor, was the helmsman. He sported
a pair of brass earrings, wore a blue cloth wrapper from the
waist to the ankles, and thought all the world of himself.
He was the most unstable kind of fool I had ever seen. He
steered with no end of a swagger while you were by; but if 
Free eBooks at Planet eBook.com 73
he lost sight of you, he became instantly the prey of an abject
funk, and would let that cripple of a steamboat get the
upper hand of him in a minute.
‘I was looking down at the sounding-pole, and feeling
much annoyed to see at each try a little more of it stick out
of that river, when I saw my poleman give up on the business
suddenly, and stretch himself flat on the deck, without
even taking the trouble to haul his pole in. He kept hold on
it though, and it trailed in the water. At the same time the
fireman, whom I could also see below me, sat down abruptly
before his furnace and ducked his head. I was amazed. Then
I had to look at the river mighty quick, because there was a
snag in the fairway. Sticks, little sticks, were flying about—
thick: they were whizzing before my nose, dropping below
me, striking behind me against my pilot-house. All this
time the river, the shore, the woods, were very quiet— perfectly
quiet. I could only hear the heavy splashing thump of
the stern-wheel and the patter of these things. We cleared
the snag clumsily. Arrows, by Jove! We were being shot at!
I stepped in quickly to close the shutter on the landside.
That fool-helmsman, his hands on the spokes, was lifting
his knees high, stamping his feet, champing his mouth, like
a reined-in horse. Confound him! And we were staggering
within ten feet of the bank. I had to lean right out to swing
the heavy shutter, and I saw a face amongst the leaves on the
level with my own, looking at me very fierce and steady; and
then suddenly, as though a veil had been removed from my
eyes, I made out, deep in the tangled gloom, naked breasts,
arms, legs, glaring eyes— the bush was swarming with hu-
74 Heart of Darkness
man limbs in movement, glistening. of bronze colour. The
twigs shook, swayed, and rustled, the arrows flew out of
them, and then the shutter came to. ‘Steer her straight,’ I
said to the helmsman. He held his head rigid, face forward;
but his eyes rolled, he kept on lifting and setting down his
feet gently, his mouth foamed a little. ‘Keep quiet!’ I said in
a fury. I might just as well have ordered a tree not to sway
in the wind. I darted out. Below me there was a great scuffle
of feet on the iron deck; confused exclamations; a voice
screamed, ‘Can you turn back?’ I caught sight of a V-shaped
ripple on the water ahead. What? Another snag! A fusillade
burst out under my feet. The pilgrims had opened with
their Winchesters, and were simply squirting lead into that
bush. A deuce of a lot of smoke came up and drove slowly
forward. I swore at it. Now I couldn’t see the ripple or the
snag either. I stood in the doorway, peering, and the arrows
came in swarms. They might have been poisoned, but they
looked as though they wouldn’t kill a cat. The bush began
to howl. Our wood-cutters raised a warlike whoop; the report
of a rifle just at my back deafened me. I glanced over
my shoulder, and the pilot-house was yet full of noise and
smoke when I made a dash at the wheel. The fool-nigger
had dropped everything, to throw the shutter open and let
off that Martini-Henry. He stood before the wide opening,
glaring, and I yelled at him to come back, while I straightened
the sudden twist out of that steamboat. There was no
room to turn even if I had wanted to, the snag was somewhere
very near ahead in that confounded smoke, there was
no time to lose, so I just crowded her into the bank— right 
Free eBooks at Planet eBook.com 75
into the bank, where I knew the water was deep.
‘We tore slowly along the overhanging bushes in a whirl
of broken twigs and flying leaves. The fusillade below
stopped short, as I had foreseen it would when the squirts
got empty. I threw my head back to a glinting whizz that
traversed the pilot-house, in at one shutter-hole and out
at the other. Looking past that mad helmsman, who was
shaking the empty rifle and yelling at the shore, I saw vague
forms of men running bent double, leaping, gliding, distinct,
incomplete, evanescent. Something big appeared in
the air before the shutter, the rifle went overboard, and the
man stepped back swiftly, looked at me over his shoulder
in an extraordinary, profound, familiar manner, and fell
upon my feet. The side of his head hit the wheel twice, and
the end of what appeared a long cane clattered round and
knocked over a little camp-stool. It looked as though after
wrenching that thing from somebody ashore he had lost his
balance in the effort. The thin smoke had blown away, we
were clear of the snag, and looking ahead I could see that
in another hundred yards or so I would be free to sheer off,
away from the bank; but my feet felt so very warm and wet
that I had to look down. The man had rolled on his back and
stared straight up at me; both his hands clutched that cane.
It was the shaft of a spear that, either thrown or lunged
through the opening, had caught him in the side, just below
the ribs; the blade had gone in out of sight, after making a
frightful gash; my shoes were full; a pool of blood lay very
still, gleaming dark-red under the wheel; his eyes shone
with an amazing lustre. The fusillade burst out again. He 
76 Heart of Darkness
looked at me anxiously, gripping the spear like something
precious, with an air of being afraid I would try to take it
away from him. I had to make an effort to free my eyes from
his gaze and attend to the steering. With one hand I felt
above my head for the line of the steam whistle, and jerked
out screech after screech hurriedly. The tumult of angry
and warlike yells was checked instantly, and then from the
depths of the woods went out such a tremulous and prolonged
wail of mournful fear and utter despair as may be
imagined to follow the flight of the last hope from the earth.
There was a great commotion in the bush; the shower of arrows
stopped, a few dropping shots rang out sharply—then
silence, in which the languid beat of the stern-wheel came
plainly to my ears. I put the helm hard a-starboard at the
moment when the pilgrim in pink pyjamas, very hot and
agitated, appeared in the doorway. ‘The manager sends
me—’ he began in an official tone, and stopped short. ‘Good
God!’ he said, glaring at the wounded man.
‘We two whites stood over him, and his lustrous and
inquiring glance enveloped us both. I declare it looked as
though he would presently put to us some questions in an
understandable language; but he died without uttering a
sound, without moving a limb, without twitching a muscle.
Only in the very last moment, as though in response to
some sign we could not see, to some whisper we could not
hear, he frowned heavily, and that frown gave to his black
death-mask an inconeivably sombre, brooding, and menacing
expression. The lustre of inquiring glance faded swiftly
into vacant glassiness. ‘Can you steer?’ I asked the agent ea-
Free eBooks at Planet eBook.com 77
gerly. He looked very dubious; but I made a grab at his arm,
and he understood at once I meant him to steer whether or
no. To tell you the truth, I was morbidly anxious to change
my shoes and socks. ‘He is dead,’ murmured the fellow, immensely
impressed. ‘No doubt about it,’ said I, tugging like
mad at the shoe-laces. ‘And by the way, I suppose Mr. Kurtz
is dead as well by this time.’
‘For the moment that was the dominant thought. There
was a sense of extreme disappointment, as though I had
found out I had been striving after something altogether
without a substance. I couldn’t have been more disgusted if I
had travelled all this way for the sole purpose of talking with
Mr. Kurtz. Talking with … I flung one shoe overboard, and
became aware that that was exactly what I had been looking
forward to— a talk with Kurtz. I made the strange discovery
that I had never imagined him as doing, you know, but
as discoursing. I didn’t say to myself, ‘Now I will never see
him,’ or ‘Now I will never shake him by the hand,’ but, ‘Now
I will never hear him.’ The man presented himself as a voice.
Not of course that I did not connect him with some sort of
action. Hadn’t I been told in all the tones of jealousy and admiration
that he had collected, bartered, swindled, or stolen
more ivory than all the other agents together? That was not
the point. The point was in his being a gifted creature, and
that of all his gifts the one that stood out preeminently, that
carried with it a sense of real presence, was his ability to
talk, his words— the gift of expression, the bewildering, the
illuminating, the most exalted and the most contemptible,
the pulsating stream of light, or the deceitful flow from the 
78 Heart of Darkness
heart of an impenetrable darkness.
‘The other shoe went flying unto the devil-god of that river.
I thought, ‘By Jove! it’s all over. We are too late; he has
vanished— the gift has vanished, by means of some spear,
arrow, or club. I will never hear that chap speak after all’—
and my sorrow had a startling extravagance of emotion,
even such as I had noticed in the howling sorrow of these
savages in the bush. I couldn’t have felt more of lonely desolation
somehow, had I been robbed of a belief or had missed
my destiny in life. … Why do you sigh in this beastly way,
somebody? Absurd? Well, absurd. Good Lord! mustn’t a
man ever—Here, give me some tobacco.’ …
There was a pause of profound stillness, then a match
flared, and Marlow’s lean face appeared, worn, hollow, with
downward folds and dropped eyelids, with an aspect of
concentrated attention; and as he took vigorous draws at
his pipe, it seemed to retreat and advance out of the night in
the regular flicker of tiny flame. The match went out.
‘Absurd!’ he cried. ‘This is the worst of trying to tell. …
Here you all are, each moored with two good addresses,
like a hulk with two anchors, a butcher round one corner, a
policeman round another, excellent appetites, and temperature
normal—you hear—normal from year’s end to year’s
end. And you say, Absurd! Absurd be—exploded! Absurd!
My dear boys, what can you expect from a man who out of
sheer nervousness had just flung overboard a pair of new
shoes! Now I think of it, it is amazing I did not shed tears. I
am, upon the whole, proud of my fortitude. I was cut to the
quick at the idea of having lost the inestimable privilege of 
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listening to the gifted Kurtz. Of course I was wrong. The
privilege was waiting for me. Oh, yes, I heard more than
enough. And I was right, too. A voice. He was very little
more than a voice. And I heard—him—it—this voice—other
voices—all of them were so little more than voices—and
the memory of that time itself lingers around me, impalpable,
like a dying vibration of one immense jabber, silly,
atrocious, sordid, savage, or simply mean, without any kind
of sense. Voices, voices—even the girl herself—now—‘
He was silent for a long time.
‘I laid the ghost of his gifts at last with a lie,’ he began,
suddenly. ‘Girl! What? Did I mention a girl? Oh, she is out
of it—completely. They—the women, I mean— are out of
it—should be out of it. We must help them to stay in that
beautiful world of their own, lest ours gets worse. Oh, she
had to be out of it. You should have heard the disinterred
body of Mr. Kurtz saying, ‘My Intended.’ You would have
perceived directly then how completely she was out of it.
And the lofty frontal bone of Mr. Kurtz! They say the hair
goes on growing sometimes, but this— ah—specimen, was
impressively bald. The wilderness had patted him on the
head, and, behold, it was like a ball— an ivory ball; it had
caressed him, and—lo!—he had withered; it had taken him,
loved him, embraced him, got into his veins, consumed his
flesh, and sealed his soul to its own by the inconceivable
ceremonies of some devilish initiation. He was its spoiled
and pampered favourite. Ivory? I should think so. Heaps of
it, stacks of it. The old mud shanty was bursting with it. You
would think there was not a single tusk left either above or 
80 Heart of Darkness
below the ground in the whole country. ‘Mostly fossil,’ the
manager had remarked, disparagingly. It was no more fossil
than I am; but they call it fossil when it is dug up. It appears
these niggers do bury the tusks sometimes— but evidently
they couldn’t bury this parcel deep enough to save the gifted
Mr. Kurtz from his fate. We filled the steamboat with it,
and had to pile a lot on the deck. Thus he could see and enjoy
as long as he could see, because the appreciation of this
favour had remained with him to the last. You should have
heard him say, ‘My ivory.’ Oh, yes, I heard him. ‘My Intended,
my ivory, my station, my river, my—’ everything
belonged to him. It made me hold my breath in expectation
of hearing the wilderness burst into a prodigious peal of
laughter that would shake the fixed stars in their places. Everything
belonged to him— but that was a trifle. The thing
was to know what he belonged to, how many powers of
darkness claimed him for their own. That was the reflection
that made you creepy all over. It was impossible—it was not
good for one either—trying to imagine. He had taken a
high seat amongst the devils of the land— I mean literally.
You can’t understand. How could you?— with solid pavement
under your feet, surrounded by kind neighbours ready
to cheer you or to fall on you, stepping delicately between
the butcher and the policeman, in the holy terror of scandal
and gallows and lunatic asylums—how can you imagine
what particular region of the first ages a man’s untrammelled
feet may take him into by the way of solitude—utter
solitude without a policeman— by the way of silence—utter
silence, where no warning voice of a kind neighbour can be 
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heard whispering of public opinion? These little things
make all the great difference. When they are gone you must
fall back upon your own innate strength, upon your own
capacity for faithfulness. Of course you may be too much of
a fool to go wrong— too dull even to know you are being assaulted
by the powers of darkness. I take it, no fool ever
made a bargain for his soul with the devil; the fool is too
much of a fool, or the devil too much of a devil—I don’t
know which. Or you may be such a thunderingly exalted
creature as to be altogether deaf and blind to anything but
heavenly sights and sounds. Then the earth for you is only a
standing place—and whether to be like this is your loss or
your gain I won’t pretend to say. But most of us are neither
one nor the other. The earth for us is a place to live in, where
we must put up with sights, with sounds, with smells, too,
by Jove!—breathe dead hippo, so to speak, and not be contaminated.
And there, don’t you see? Your strength comes
in, the faith in your ability for the digging of unostentatious
holes to bury the stuff in— your power of devotion, not to
yourself, but to an obscure, back-breaking business. And
that’s difficult enough. Mind, I am not trying to excuse or
even explain—I am trying to account to myself for—for—
Mr. Kurtz—for the shade of Mr. Kurtz. This initiated wraith
from the back of Nowhere honoured me with its amazing
confidence before it vanished altogether. This was because it
could speak English to me. The original Kurtz had been educated
partly in England, and—as he was good enough to
say himself—his sympathies were in the right place. His
mother was half-English, his father was half-French. All 
82 Heart of Darkness
Europe contributed to the making of Kurtz; and by and by I
learned that, most appropriately, the International Society
for the Suppression of Savage Customs had intrusted him
with the making of a report, for its future guidance. And he
had written it, too. I’ve seen it. I’ve read it. It was eloquent,
vibrating with eloquence, but too high-strung, I think. Seventeen
pages of close writing he had found time for! But
this must have been before his—let us say—nerves, went
wrong, and caused him to preside at certain midnight dances
ending with unspeakable rites, which—as far as I
reluctantly gathered from what I heard at various times—
were offered up to him— do you understand?—to Mr. Kurtz
himself. But it was a beautiful piece of writing. The opening
paragraph, however, in the light of later information, strikes
me now as ominous. He began with the argument that we
whites, from the point of development we had arrived at,
‘must necessarily appear to them [savages] in the nature of
supernatural beings— we approach them with the might of
a deity,’ and so on, and so on. ‘By the simple exercise of our
will we can exert a power for good practically unbounded,’
etc., etc. From that point he soared and took me with him.
The peroration was magnificent, though difficult to remember,
you know. It gave me the notion of an exotic Immensity
ruled by an august Benevolence. It made me tingle with enthusiasm.
This was the unbounded power of eloquence—of
words—of burning noble words. There were no practical
hints to interrupt the magic current of phrases, unless a
kind of note at the foot of the last page, scrawled evidently
much later, in an unsteady hand, may be regarded as the ex-
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position of a method. It was very simple, and at the end of
that moving appeal to every altruistic sentiment it blazed at
you, luminous and terrifying, like a flash of lightning in a
serene sky: ‘Exterminate all the brutes!’ The curious part
was that he had apparently forgotten all about that valuable
postscriptum, because, later on, when he in a sense came to
himself, he repeatedly entreated me to take good care of ‘my
pamphlet’ (he called it), as it was sure to have in the future
a good influence upon his career. I had full information
about all these things, and, besides, as it turned out, I was to
have the care of his memory. I’ve done enough for it to give
me the indisputable right to lay it, if I choose, for an everlasting
rest in the dust-bin of progress, amongst all the
sweepings and, figuratively speaking, all the dead cats of
civilization. But then, you see, I can’t choose. He won’t be
forgotten. Whatever he was, he was not common. He had
the power to charm or frighten rudimentary souls into an
aggravated witch-dance in his honour; he could also fill the
small souls of the pilgrims with bitter misgivings: he had
one devoted friend at least, and he had conquered one soul
in the world that was neither rudimentary nor tainted with
self-seeking. No; I can’t forget him, though I am not prepared
to affirm the fellow was exactly worth the life we lost
in getting to him. I missed my late helmsman awfully— I
missed him even while his body was still lying in the pilothouse.
Perhaps you will think it passing strange this regret
for a savage who was no more account than a grain of sand
in a black Sahara. Well, don’t you see, he had done something,
he had steered; for months I had him at my back— a 
84 Heart of Darkness
help—an instrument. It was a kind of partnership. He
steered for me—I had to look after him, I worried about his
deficiencies, and thus a subtle bond had been created, of
which I only became aware when it was suddenly broken.
And the intimate profundity of that look he gave me when
he received his hurt remains to this day in my memory—
like a claim of distant kinship affirmed in a supreme
moment.
‘Poor fool! If he had only left that shutter alone. He had
no restraint, no restraint—just like Kurtz—a tree swayed by
the wind. As soon as I had put on a dry pair of slippers, I
dragged him out, after first jerking the spear out of his side,
which operation I confess I performed with my eyes shut
tight. His heels leaped together over the little doorstep; his
shoulders were pressed to my breast; I hugged him from behind
desperately. Oh! he was heavy, heavy; heavier than any
man on earth, I should imagine. Then without more ado I
tipped him overboard. The current snatched him as though
he had been a wisp of grass, and I saw the body roll over
twice before I lost sight of it for ever. All the pilgrims and
the manager were then congregated on the awning-deck
about the pilot-house, chattering at each other like a flock
of excited magpies, and there was a scandalized murmur at
my heartless promptitude. What they wanted to keep that
body hanging about for I can’t guess. Embalm it, maybe.
But I had also heard another, and a very ominous, murmur
on the deck below. My friends the wood-cutters were
likewise scandalized, and with a better show of reason—
though I admit that the reason itself was quite inadmissible. 
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Oh, quite! I had made up my mind that if my late helmsman
was to be eaten, the fishes alone should have him. He
had been a very second-rate helmsman while alive, but now
he was dead he might have become a first-class temptation,
and possibly cause some startling trouble. Besides, I was
anxious to take the wheel, the man in pink pyjamas showing
himself a hopeless duffer at the business.
‘This I did directly the simple funeral was over. We were
going half-speed, keeping right in the middle of the stream,
and I listened to the talk about me. They had given up Kurtz,
they had given up the station; Kurtz was dead, and the station
had been burnt—and so on—and so on. The red-haired
pilgrim was beside himself with the thought that at least this
poor Kurtz had been properly avenged. ‘Say! We must have
made a glorious slaughter of them in the bush. Eh? What
do you think? Say?’ He positively danced, the bloodthirsty
little gingery beggar. And he had nearly fainted when he
saw the wounded man! I could not help saying, ‘You made a
glorious lot of smoke, anyhow.’ I had seen, from the way the
tops of the bushes rustled and flew, that almost all the shots
had gone too high. You can’t hit anything unless you take
aim and fire from the shoulder; but these chaps fired from
the hip with their eyes shut. The retreat, I maintained—and
I was right—was caused by the screeching of the steam
whistle. Upon this they forgot Kurtz, and began to howl at
me with indignant protests.
‘The manager stood by the wheel murmuring confidentially
about the necessity of getting well away down the
river before dark at all events, when I saw in the distance 
86 Heart of Darkness
a clearing on the riverside and the outlines of some sort of
building. ‘What’s this?’ I asked. He clapped his hands in
wonder. ‘The station!’ he cried. I edged in at once, still going
half-speed.
‘Through my glasses I saw the slope of a hill interspersed
with rare trees and perfectly free from undergrowth. A long
decaying building on the summit was half buried in the
high grass; the large holes in the peaked roof gaped black
from afar; the jungle and the woods made a background.
There was no enclosure or fence of any kind; but there had
been one apparently, for near the house half-a-dozen slim
posts remained in a row, roughly trimmed, and with their
upper ends ornamented with round carved balls. The rails,
or whatever there had been between, had disappeared. Of
course the forest surrounded all that. The river-bank was
clear, and on the waterside I saw a white man under a hat
like a cart-wheel beckoning persistently with his whole arm.
Examining the edge of the forest above and below, I was
almost certain I could see movements—human forms gliding
here and there. I steamed past prudently, then stopped
the engines and let her drift down. The man on the shore
began to shout, urging us to land. ‘We have been attacked,’
screamed the manager. ‘I know—I know. It’s all right,’ yelled
back the other, as cheerful as you please. ‘Come along. It’s
all right. I am glad.’
‘His aspect reminded me of something I had seen—
something funny I had seen somewhere. As I manoeuvred
to get alongside, I was asking myself, ‘What does this fellow
look like?’ Suddenly I got it. He looked like a harlequin. His 
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clothes had been made of some stuff that was brown holland
probably, but it was covered with patches all over, with
bright patches, blue, red, and yellow—patches on the back,
patches on the front, patches on elbows, on knees; coloured
binding around his jacket, scarlet edging at the bottom of
his trousers; and the sunshine made him look extremely gay
and wonderfully neat withal, because you could see how
beautifully all this patching had been done. A beardless,
boyish face, very fair, no features to speak of, nose peeling,
little blue eyes, smiles and frowns chasing each other
over that open countenance like sunshine and shadow on
a wind-swept plain. ‘Look out, captain!’ he cried; ‘there’s a
snag lodged in here last night.’ What! Another snag? I confess
I swore shamefully. I had nearly holed my cripple, to
finish off that charming trip. The harlequin on the bank
turned his little pug-nose up to me. ‘You English?’ he asked,
all smiles. ‘Are you?’ I shouted from the wheel. The smiles
vanished, and he shook his head as if sorry for my disappointment.
Then he brightened up. ‘Never mind!’ he cried
encouragingly. ‘Are we in time?’ I asked. ‘He is up there,’ he
replied, with a toss of the head up the hill, and becoming
gloomy all of a sudden. His face was like the autumn sky,
overcast one moment and bright the next.
‘When the manager, escorted by the pilgrims, all of them
armed to the teeth, had gone to the house this chap came on
board. ‘I say, I don’t like this. These natives are in the bush,’ I
said. He assured me earnestly it was all right. ‘They are simple
people,’ he added; ‘well, I am glad you came. It took me
all my time to keep them off.’ ‘But you said it was all right,’ I 
88 Heart of Darkness
cried. ‘Oh, they meant no harm,’ he said; and as I stared he
corrected himself, ‘Not exactly.’ Then vivaciously, ‘My faith,
your pilot-house wants a clean-up!’ In the next breath he
advised me to keep enough steam on the boiler to blow the
whistle in case of any trouble. ‘One good screech will do
more for you than all your rifles. They are simple people,’
he repeated. He rattled away at such a rate he quite overwhelmed
me. He seemed to be trying to make up for lots
of silence, and actually hinted, laughing, that such was the
case. ‘Don’t you talk with Mr. Kurtz?’ I said. ‘You don’t talk
with that man—you listen to him,’ he exclaimed with severe
exaltation. ‘But now—’ He waved his arm, and in the twinkling
of an eye was in the uttermost depths of despondency.
In a moment he came up again with a jump, possessed himself
of both my hands, shook them continuously, while he
gabbled: ‘Brother sailor … honour … pleasure … delight
… introduce myself … Russian … son of an arch-priest …
Government of Tambov … What? Tobacco! English tobacco;
the excellent English tobacco! Now, that’s brotherly.
Smoke? Where’s a sailor that does not smoke?’
‘The pipe soothed him, and gradually I made out he had
run away from school, had gone to sea in a Russian ship;
ran away again; served some time in English ships; was
now reconciled with the arch-priest. He made a point of
that. ‘But when one is young one must see things, gather
experience, ideas; enlarge the mind.’ ‘Here!’ I interrupted.
‘You can never tell! Here I met Mr. Kurtz,’ he said, youthfully
solemn and reproachful. I held my tongue after that.
It appears he had persuaded a Dutch trading-house on the 
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coast to fit him out with stores and goods, and had started
for the interior with a light heart and no more idea of what
would happen to him than a baby. He had been wandering
about that river for nearly two years alone, cut off from everybody
and everything. ‘I am not so young as I look. I am
twenty-five,’ he said. ‘At first old Van Shuyten would tell me
to go to the devil,’ he narrated with keen enjoyment; ‘but I
stuck to him, and talked and talked, till at last he got afraid
I would talk the hind-leg off his favourite dog, so he gave me
some cheap things and a few guns, and told me he hoped he
would never see my face again. Good old Dutchman, Van
Shuyten. I’ve sent him one small lot of ivory a year ago, so
that he can’t call me a little thief when I get back. I hope he
got it. And for the rest I don’t care. I had some wood stacked
for you. That was my old house. Did you see?’
‘I gave him Towson’s book. He made as though he would
kiss me, but restrained himself. ‘The only book I had left,
and I thought I had lost it,’ he said, looking at it ecstatically.
‘So many accidents happen to a man going about alone, you
know. Canoes get upset sometimes—and sometimes you’ve
got to clear out so quick when the people get angry.’ He
thumbed the pages. ‘You made notes in Russian?’ I asked.
He nodded. ‘I thought they were written in cipher,’ I said.
He laughed, then became serious. ‘I had lots of trouble to
keep these people off,’ he said. ‘Did they want to kill you?’
I asked. ‘Oh, no!’ he cried, and checked himself. ‘Why did
they attack us?’ I pursued. He hesitated, then said shamefacedly,
‘They don’t want him to go.’ ‘Don’t they?’ I said
curiously. He nodded a nod full of mystery and wisdom. 
90 Heart of Darkness
‘I tell you,’ he cried, ‘this man has enlarged my mind.’ He
opened his arms wide, staring at me with his little blue eyes
that were perfectly round.’
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III
‘I looked at him, lost in astonishment. There he was before
me, in motley, as though he had absconded from a
troupe of mimes, enthusiastic, fabulous. His very existence
was improbable, inexplicable, and altogether bewildering.
He was an insoluble problem. It was inconceivable how he
had existed, how he had succeeded in getting so far, how
he had managed to remain— why he did not instantly disappear.
‘I went a little farther,’ he said, ‘then still a little
farther—till I had gone so far that I don’t know how I’ll ever
get back. Never mind. Plenty time. I can manage. You take
Kurtz away quick—quick—I tell you.’ The glamour of youth
enveloped his parti-coloured rags, his destitution, his loneliness,
the essential desolation of his futile wanderings. For
months—for years—his life hadn’t been worth a day’s purchase;
and there he was gallantly, thoughtlessly alive, to all
appearances indestructible solely by the virtue of his few
years and of his unreflecting audacity. I was seduced into
something like admiration— like envy. Glamour urged
him on, glamour kept him unscathed. He surely wanted
nothing from the wilderness but space to breathe in and
to push on through. His need was to exist, and to move onwards
at the greatest possible risk, and with a maximum of
privation. If the absolutely pure, uncalculating, unpractical
spirit of adventure had ever ruled a human being, it ruled 
92 Heart of Darkness
this bepatched youth. I almost envied him the possession of
this modest and clear flame. It seemed to have consumed all
thought of self so completely, that even while he was talking
to you, you forgot that it was he— the man before your
eyes—who had gone through these things. I did not envy
him his devotion to Kurtz, though. He had not meditated
over it. It came to him, and he accepted it with a sort of
eager fatalism. I must say that to me it appeared about the
most dangerous thing in every way he had come upon so
far.
‘They had come together unavoidably, like two ships
becalmed near each other, and lay rubbing sides at last. I
suppose Kurtz wanted an audience, because on a certain
occasion, when encamped in the forest, they had talked all
night, or more probably Kurtz had talked. ‘We talked of everything,’
he said, quite transported at the recollection. ‘I
forgot there was such a thing as sleep. The night did not
seem to last an hour. Everything! Everything! … Of love,
too.’ ‘Ah, he talked to you of love!’ I said, much amused. ‘It
isn’t what you think,’ he cried, almost passionately. ‘It was
in general. He made me see things—things.’
‘He threw his arms up. We were on deck at the time, and
the headman of my wood-cutters, lounging near by, turned
upon him his heavy and glittering eyes. I looked around,
and I don’t know why, but I assure you that never, never
before, did this land, this river, this jungle, the very arch of
this blazing sky, appear to me so hopeless and so dark, so
impenetrable to human thought, so pitiless to human weakness.
‘And, ever since, you have been with him, of course?’ 
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I said.
‘On the contrary. It appears their intercourse had been
very much broken by various causes. He had, as he informed
me proudly, managed to nurse Kurtz through two
illnesses (he alluded to it as you would to some risky feat),
but as a rule Kurtz wandered alone, far in the depths of the
forest. ‘Very often coming to this station, I had to wait days
and days before he would turn up,’ he said. ‘Ah, it was worth
waiting for!—sometimes.’ ‘What was he doing? exploring or
what?’ I asked. ‘Oh, yes, of course’; he had discovered lots of
villages, a lake, too—he did not know exactly in what direction;
it was dangerous to inquire too much—but mostly
his expeditions had been for ivory. ‘But he had no goods
to trade with by that time,’ I objected. ‘There’s a good lot
of cartridges left even yet,’ he answered, looking away. ‘To
speak plainly, he raided the country,’ I said. He nodded.
‘Not alone, surely!’ He muttered something about the villages
round that lake. ‘Kurtz got the tribe to follow him, did
he?’ I suggested. He fidgeted a little. ‘They adored him,’ he
said. The tone of these words was so extraordinary that I
looked at him searchingly. It was curious to see his mingled
eagerness and reluctance to speak of Kurtz. The man
filled his life, occupied his thoughts, swayed his emotions.
‘What can you expect?’ he burst out; ‘he came to them with
thunder and lightning, you know— and they had never
seen anything like it—and very terrible. He could be very
terrible. You can’t judge Mr. Kurtz as you would an ordinary
man. No, no, no! Now—just to give you an idea— I
don’t mind telling you, he wanted to shoot me, too, one 
94 Heart of Darkness
day— but I don’t judge him.’ ‘Shoot you!’ I cried ‘What for?’
‘Well, I had a small lot of ivory the chief of that village near
my house gave me. You see I used to shoot game for them.
Well, he wanted it, and wouldn’t hear reason. He declared
he would shoot me unless I gave him the ivory and then
cleared out of the country, because he could do so, and had
a fancy for it, and there was nothing on earth to prevent
him killing whom he jolly well pleased. And it was true, too.
I gave him the ivory. What did I care! But I didn’t clear out.
No, no. I couldn’t leave him. I had to be careful, of course,
till we got friendly again for a time. He had his second illness
then. Afterwards I had to keep out of the way; but I
didn’t mind. He was living for the most part in those villages
on the lake. When he came down to the river, sometimes
he would take to me, and sometimes it was better for me to
be careful. This man suffered too much. He hated all this,
and somehow he couldn’t get away. When I had a chance
I begged him to try and leave while there was time; I offered
to go back with him. And he would say yes, and then
he would remain; go off on another ivory hunt; disappear
for weeks; forget himself amongst these people— forget
himself—you know.’ ‘Why! he’s mad,’ I said. He protested
indignantly. Mr. Kurtz couldn’t be mad. If I had heard him
talk, only two days ago, I wouldn’t dare hint at such a thing.
… I had taken up my binoculars while we talked, and was
looking at the shore, sweeping the limit of the forest at each
side and at the back of the house. The consciousness of there
being people in that bush, so silent, so quiet—as silent and
quiet as the ruined house on the hill— made me uneasy. 
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There was no sign on the face of nature of this amazing tale
that was not so much told as suggested to me in desolate exclamations,
completed by shrugs, in interrupted phrases, in
hints ending in deep sighs. The woods were unmoved, like a
mask—heavy, like the closed door of a prison—they looked
with their air of hidden knowledge, of patient expectation,
of unapproachable silence. The Russian was explaining to
me that it was only lately that Mr. Kurtz had come down
to the river, bringing along with him all the fighting men
of that lake tribe. He had been absent for several months—
getting himself adored, I suppose— and had come down
unexpectedly, with the intention to all appearance of making
a raid either across the river or down stream. Evidently
the appetite for more ivory had got the better of the— what
shall I say?—less material aspirations. However he had got
much worse suddenly. ‘I heard he was lying helpless, and
so I came up—took my chance,’ said the Russian. ‘Oh, he is
bad, very bad.’ I directed my glass to the house. There were
no signs of life, but there was the ruined roof, the long mud
wall peeping above the grass, with three little square window-holes,
no two of the same size; all this brought within
reach of my hand, as it were. And then I made a brusque
movement, and one of the remaining posts of that vanished
fence leaped up in the field of my glass. You remember I told
you I had been struck at the distance by certain attempts at
ornamentation, rather remarkable in the ruinous aspect of
the place. Now I had suddenly a nearer view, and its first result
was to make me throw my head back as if before a blow.
Then I went carefully from post to post with my glass, and 
96 Heart of Darkness
I saw my mistake. These round knobs were not ornamental
but symbolic; they were expressive and puzzling, striking
and disturbing— food for thought and also for vultures if
there had been any looking down from the sky; but at all
events for such ants as were industrious enough to ascend
the pole. They would have been even more impressive, those
heads on the stakes, if their faces had not been turned to the
house. Only one, the first I had made out, was facing my way.
I was not so shocked as you may think. The start back I had
given was really nothing but a movement of surprise. I had
expected to see a knob of wood there, you know. I returned
deliberately to the first I had seen—and there it was, black,
dried, sunken, with closed eyelids—a head that seemed to
sleep at the top of that pole, and, with the shrunken dry lips
showing a narrow white line of the teeth, was smiling, too,
smiling continuously at some endless and jocose dream of
that eternal slumber.
‘I am not disclosing any trade secrets. In fact, the manager
said afterwards that Mr. Kurtz’s methods had ruined
the district. I have no opinion on that point, but I want you
clearly to understand that there was nothing exactly profitable
in these heads being there. They only showed that
Mr. Kurtz lacked restraint in the gratification of his various
lusts, that there was something wanting in him— some
small matter which, when the pressing need arose, could
not be found under his magnificent eloquence. Whether
he knew of this deficiency himself I can’t say. I think the
knowledge came to him at last—only at the very last. But
the wilderness had found him out early, and had taken on 
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him a terrible vengeance for the fantastic invasion. I think
it had whispered to him things about himself which he did
not know, things of which he had no conception till he
took counsel with this great solitude—and the whisper had
proved irresistibly fascinating. It echoed loudly within him
because he was hollow at the core…. I put down the glass,
and the head that had appeared near enough to be spoken
to seemed at once to have leaped away from me into inaccessible
distance.
‘The admirer of Mr. Kurtz was a bit crestfallen. In a hurried,
indistinct voice he began to assure me he had not
dared to take these—say, symbols—down. He was not
afraid of the natives; they would not stir till Mr. Kurtz gave
the word. His ascendancy was extraordinary. The camps of
these people surrounded the place, and the chiefs came every
day to see him. They would crawl…. ‘I don’t want to
know anything of the ceremonies used when approaching
Mr. Kurtz,’ I shouted. Curious, this feeling that came over
me that such details would be more intolerable than those
heads drying on the stakes under Mr. Kurtz’s windows. After
all, that was only a savage sight, while I seemed at one
bound to have been transported into some lightless region
of subtle horrors, where pure, uncomplicated savagery was
a positive relief, being something that had a right to exist—
obviously—in the sunshine. The young man looked at me
with surprise. I suppose it did not occur to him that Mr.
Kurtz was no idol of mine. He forgot I hadn’t heard any of
these splendid monologues on, what was it? on love, justice,
conduct of life—or what not. If it had come to crawling be-
98 Heart of Darkness
fore Mr. Kurtz, he crawled as much as the veriest savage
of them all. I had no idea of the conditions, he said: these
heads were the heads of rebels. I shocked him excessively by
laughing. Rebels! What would be the next definition I was
to hear? There had been enemies, criminals, workers—and
these were rebels. Those rebellious heads looked very subdued
to me on their sticks. ‘You don’t know how such a life
tries a man like Kurtz,’ cried Kurtz’s last disciple. ‘Well, and
you?’ I said. ‘I! I! I am a simple man. I have no great thoughts.
I want nothing from anybody. How can you compare me to
… ?’ His feelings were too much for speech, and suddenly he
broke down. ‘I don’t understand,’ he groaned. ‘I’ve been doing
my best to keep him alive, and that’s enough. I had no
hand in all this. I have no abilities. There hasn’t been a drop
of medicine or a mouthful of invalid food for months here.
He was shamefully abandoned. A man like this, with such
ideas. Shamefully! Shamefully! I—I— haven’t slept for the
last ten nights …’
‘His voice lost itself in the calm of the evening. The long
shadows of the forest had slipped downhill while we talked,
had gone far beyond the ruined hovel, beyond the symbolic
row of stakes. All this was in the gloom, while we down
there were yet in the sunshine, and the stretch of the river
abreast of the clearing glittered in a still and dazzling splendour,
with a murky and overshadowed bend above and
below. Not a living soul was seen on the shore. The bushes
did not rustle.
‘Suddenly round the corner of the house a group of men
appeared, as though they had come up from the ground. 
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They waded waist-deep in the grass, in a compact body,
bearing an improvised stretcher in their midst. Instantly, in
the emptiness of the landscape, a cry arose whose shrillness
pierced the still air like a sharp arrow flying straight to the
very heart of the land; and, as if by enchantment, streams
of human beings—of naked human beings—with spears in
their hands, with bows, with shields, with wild glances and
savage movements, were poured into the clearing by the
dark-faced and pensive forest. The bushes shook, the grass
swayed for a time, and then everything stood still in attentive
immobility.
‘Now, if he does not say the right thing to them we are
all done for,’ said the Russian at my elbow. The knot of men
with the stretcher had stopped, too, halfway to the steamer,
as if petrified. I saw the man on the stretcher sit up, lank
and with an uplifted arm, above the shoulders of the bearers.
‘Let us hope that the man who can talk so well of love
in general will find some particular reason to spare us this
time,’ I said. I resented bitterly the absurd danger of our
situation, as if to be at the mercy of that atrocious phantom
had been a dishonouring necessity. I could not hear a
sound, but through my glasses I saw the thin arm extended
commandingly, the lower jaw moving, the eyes of that
apparition shining darkly far in its bony head that nodded
with grotesque jerks. Kurtz—Kurtz—that means short in
German—don’t it? Well, the name was as true as everything
else in his life— and death. He looked at least seven feet long.
His covering had fallen off, and his body emerged from it
pitiful and appalling as from a winding-sheet. I could see 
100 Heart of Darkness
the cage of his ribs all astir, the bones of his arm waving. It
was as though an animated image of death carved out of old
ivory had been shaking its hand with menaces at a motionless
crowd of men made of dark and glittering bronze. I saw
him open his mouth wide—it gave him a weirdly voracious
aspect, as though he had wanted to swallow all the air, all
the earth, all the men before him. A deep voice reached me
faintly. He must have been shouting. He fell back suddenly.
The stretcher shook as the bearers staggered forward again,
and almost at the same time I noticed that the crowd of savages
was vanishing without any perceptible movement of
retreat, as if the forest that had ejected these beings so suddenly
had drawn them in again as the breath is drawn in a
long aspiration.
‘Some of the pilgrims behind the stretcher carried his
arms— two shot-guns, a heavy rifle, and a light revolver-carbine—
the thunderbolts of that pitiful Jupiter. The
manager bent over him murmuring as he walked beside his
head. They laid him down in one of the little cabins—just
a room for a bed place and a camp-stool or two, you know.
We had brought his belated correspondence, and a lot of
torn envelopes and open letters littered his bed. His hand
roamed feebly amongst these papers. I was struck by the fire
of his eyes and the composed languor of his expression. It
was not so much the exhaustion of disease. He did not seem
in pain. This shadow looked satiated and calm, as though
for the moment it had had its fill of all the emotions.
‘He rustled one of the letters, and looking straight in my
face said, ‘I am glad.’ Somebody had been writing to him 
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about me. These special recommendations were turning up
again. The volume of tone he emitted without effort, almost
without the trouble of moving his lips, amazed me. A voice!
a voice! It was grave, profound, vibrating, while the man
did not seem capable of a whisper. However, he had enough
strength in him— factitious no doubt—to very nearly make
an end of us, as you shall hear directly.
‘The manager appeared silently in the doorway; I stepped
out at once and he drew the curtain after me. The Russian,
eyed curiously by the pilgrims, was staring at the shore. I
followed the direction of his glance.
‘Dark human shapes could be made out in the distance,
flitting indistinctly against the gloomy border of the forest,
and near the river two bronze figures, leaning on tall spears,
stood in the sunlight under fantastic head-dresses of spotted
skins, warlike and still in statuesque repose. And from
right to left along the lighted shore moved a wild and gorgeous
apparition of a woman.
‘She walked with measured steps, draped in striped and
fringed cloths, treading the earth proudly, with a slight jingle
and flash of barbarous ornaments. She carried her head
high; her hair was done in the shape of a helmet; she had
brass leggings to the knee, brass wire gauntlets to the elbow,
a crimson spot on her tawny cheek, innumerable necklaces
of glass beads on her neck; bizarre things, charms, gifts of
witch-men, that hung about her, glittered and trembled at
every step. She must have had the value of several elephant
tusks upon her. She was savage and superb, wild-eyed and
magnificent; there was something ominous and stately in 
102 Heart of Darkness
her deliberate progress. And in the hush that had fallen
suddenly upon the whole sorrowful land, the immense wilderness,
the colossal body of the fecund and mysterious life
seemed to look at her, pensive, as though it had been looking
at the image of its own tenebrous and passionate soul.
‘She came abreast of the steamer, stood still, and faced
us. Her long shadow fell to the water’s edge. Her face had
a tragic and fierce aspect of wild sorrow and of dumb pain
mingled with the fear of some struggling, half-shaped resolve.
She stood looking at us without a stir, and like the
wilderness itself, with an air of brooding over an inscrutable
purpose. A whole minute passed, and then she made a
step forward. There was a low jingle, a glint of yellow metal,
a sway of fringed draperies, and she stopped as if her heart
had failed her. The young fellow by my side growled. The
pilgrims murmured at my back. She looked at us all as if
her life had depended upon the unswerving steadiness of
her glance. Suddenly she opened her bared arms and threw
them up rigid above her head, as though in an uncontrollable
desire to touch the sky, and at the same time the swift
shadows darted out on the earth, swept around on the river,
gathering the steamer into a shadowy embrace. A formidable
silence hung over the scene.
‘She turned away slowly, walked on, following the bank,
and passed into the bushes to the left. Once only her eyes
gleamed back at us in the dusk of the thickets before she
disappeared.
‘If she had offered to come aboard I really think I would
have tried to shoot her,’ said the man of patches, nervously. 
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‘I have been risking my life every day for the last fortnight
to keep her out of the house. She got in one day and kicked
up a row about those miserable rags I picked up in the storeroom
to mend my clothes with. I wasn’t decent. At least it
must have been that, for she talked like a fury to Kurtz for
an hour, pointing at me now and then. I don’t understand
the dialect of this tribe. Luckily for me, I fancy Kurtz felt
too ill that day to care, or there would have been mischief. I
don’t understand…. No—it’s too much for me. Ah, well, it’s
all over now.’
‘At this moment I heard Kurtz’s deep voice behind the
curtain: ‘Save me!—save the ivory, you mean. Don’t tell me.
Save ME! Why, I’ve had to save you. You are interrupting
my plans now. Sick! Sick! Not so sick as you would like to
believe. Never mind. I’ll carry my ideas out yet—I will return.
I’ll show you what can be done. You with your little
peddling notions—you are interfering with me. I will return.
I….’
‘The manager came out. He did me the honour to take
me under the arm and lead me aside. ‘He is very low, very
low,’ he said. He considered it necessary to sigh, but neglected
to be consistently sorrowful. ‘We have done all we could
for him—haven’t we? But there is no disguising the fact, Mr.
Kurtz has done more harm than good to the Company. He
did not see the time was not ripe for vigorous action. Cautiously,
cautiously—that’s my principle. We must be cautious
yet. The district is closed to us for a time. Deplorable! Upon
the whole, the trade will suffer. I don’t deny there is a remarkable
quantity of ivory—mostly fossil. We must save it, 
104 Heart of Darkness
at all events—but look how precarious the position is—and
why? Because the method is unsound.’ ‘Do you,’ said I, looking
at the shore, ‘call it ‘unsound method?‘ ‘Without doubt,’
he exclaimed hotly. ‘Don’t you?’ … ‘No method at all,’ I
murmured after a while. ‘Exactly,’ he exulted. ‘I anticipated
this. Shows a complete want of judgment. It is my duty to
point it out in the proper quarter.’ ‘Oh,’ said I, ‘that fellow—
what’s his name?—the brickmaker, will make a readable
report for you.’ He appeared confounded for a moment. It
seemed to me I had never breathed an atmosphere so vile,
and I turned mentally to Kurtz for relief—positively for relief.
‘Nevertheless I think Mr. Kurtz is a remarkable man,’
I said with emphasis. He started, dropped on me a heavy
glance, said very quietly, ‘he WAS,’ and turned his back on
me. My hour of favour was over; I found myself lumped
along with Kurtz as a partisan of methods for which the
time was not ripe: I was unsound! Ah! but it was something
to have at least a choice of nightmares.
‘I had turned to the wilderness really, not to Mr. Kurtz,
who, I was ready to admit, was as good as buried. And for
a moment it seemed to me as if I also were buried in a vast
grave full of unspeakable secrets. I felt an intolerable weight
oppressing my breast, the smell of the damp earth, the unseen
presence of victorious corruption, the darkness of an
impenetrable night…. The Russian tapped me on the shoulder.
I heard him mumbling and stammering something
about ‘brother seaman—couldn’t conceal— knowledge of
matters that would affect Mr. Kurtz’s reputation.’ I waited.
For him evidently Mr. Kurtz was not in his grave; I suspect 
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that for him Mr. Kurtz was one of the immortals. ‘Well!’
said I at last, ‘speak out. As it happens, I am Mr. Kurtz’s
friend—in a way.’
‘He stated with a good deal of formality that had we not
been ‘of the same profession,’ he would have kept the matter
to himself without regard to consequences. ‘He suspected
there was an active ill-will towards him on the part of these
white men that—’ ‘You are right,’ I said, remembering a certain
conversation I had overheard. ‘The manager thinks you
ought to be hanged.’ He showed a concern at this intelligence
which amused me at first. ‘I had better get out of the
way quietly,’ he said earnestly. ‘I can do no more for Kurtz
now, and they would soon find some excuse. What’s to stop
them? There’s a military post three hundred miles from here.’
‘Well, upon my word,’ said I, ‘perhaps you had better go if
you have any friends amongst the savages near by.’ ‘Plenty,’
he said. ‘They are simple people—and I want nothing, you
know.’ He stood biting his lip, then: ‘I don’t want any harm
to happen to these whites here, but of course I was thinking
of Mr. Kurtz’s reputation—but you are a brother seaman
and—’ ‘All right,’ said I, after a time. ‘Mr. Kurtz’s reputation
is safe with me.’ I did not know how truly I spoke.
‘He informed me, lowering his voice, that it was Kurtz
who had ordered the attack to be made on the steamer. ‘He
hated sometimes the idea of being taken away—and then
again…. But I don’t understand these matters. I am a simple
man. He thought it would scare you away—that you would
give it up, thinking him dead. I could not stop him. Oh, I
had an awful time of it this last month.’ ‘Very well,’ I said. 
106 Heart of Darkness
‘He is all right now.’ ‘Ye-e-es,’ he muttered, not very convinced
apparently. ‘Thanks,’ said I; ‘I shall keep my eyes
open.’ ‘But quiet-eh?’ he urged anxiously. ‘It would be awful
for his reputation if anybody here—’ I promised a complete
discretion with great gravity. ‘I have a canoe and three black
fellows waiting not very far. I am off. Could you give me
a few Martini-Henry cartridges?’ I could, and did, with
proper secrecy. He helped himself, with a wink at me, to a
handful of my tobacco. ‘Between sailors—you know—good
English tobacco.’ At the door of the pilot-house he turned
round—‘I say, haven’t you a pair of shoes you could spare?’
He raised one leg. ‘Look.’ The soles were tied with knotted
strings sandalwise under his bare feet. I rooted out an old
pair, at which he looked with admiration before tucking
it under his left arm. One of his pockets (bright red) was
bulging with cartridges, from the other (dark blue) peeped
‘Towson’s Inquiry,’ etc., etc. He seemed to think himself excellently
well equipped for a renewed encounter with the
wilderness. ‘Ah! I’ll never, never meet such a man again. You
ought to have heard him recite poetry— his own, too, it was,
he told me. Poetry!’ He rolled his eyes at the recollection of
these delights. ‘Oh, he enlarged my mind!’ ‘Good-bye,’ said
I. He shook hands and vanished in the night. Sometimes I
ask myself whether I had ever really seen him— whether it
was possible to meet such a phenomenon! …
‘When I woke up shortly after midnight his warning
came to my mind with its hint of danger that seemed, in
the starred darkness, real enough to make me get up for the
purpose of having a look round. On the hill a big fire burned, 
Free eBooks at Planet eBook.com 107
illuminating fitfully a crooked corner of the station-house.
One of the agents with a picket of a few of our blacks, armed
for the purpose, was keeping guard over the ivory; but deep
within the forest, red gleams that wavered, that seemed to
sink and rise from the ground amongst confused columnar
shapes of intense blackness, showed the exact position of
the camp where Mr. Kurtz’s adorers were keeping their uneasy
vigil. The monotonous beating of a big drum filled the
air with muffled shocks and a lingering vibration. A steady
droning sound of many men chanting each to himself some
weird incantation came out from the black, flat wall of the
woods as the humming of bees comes out of a hive, and had
a strange narcotic effect upon my half-awake senses. I believe
I dozed off leaning over the rail, till an abrupt burst of
yells, an overwhelming outbreak of a pent-up and mysterious
frenzy, woke me up in a bewildered wonder. It was cut
short all at once, and the low droning went on with an effect
of audible and soothing silence. I glanced casually into
the little cabin. A light was burning within, but Mr. Kurtz
was not there.
‘I think I would have raised an outcry if I had believed my
eyes. But I didn’t believe them at first—the thing seemed so
impossible. The fact is I was completely unnerved by a sheer
blank fright, pure abstract terror, unconnected with any
distinct shape of physical danger. What made this emotion
so overpowering was— how shall I define it?—the moral
shock I received, as if something altogether monstrous, intolerable
to thought and odious to the soul, had been thrust
upon me unexpectedly. This lasted of course the merest 
108 Heart of Darkness
fraction of a second, and then the usual sense of commonplace,
deadly danger, the possibility of a sudden onslaught
and massacre, or something of the kind, which I saw impending,
was positively welcome and composing. It pacified
me, in fact, so much that I did not raise an alarm.
‘There was an agent buttoned up inside an ulster and
sleeping on a chair on deck within three feet of me. The
yells had not awakened him; he snored very slightly; I left
him to his slumbers and leaped ashore. I did not betray Mr.
Kurtz—it was ordered I should never betray him— it was
written I should be loyal to the nightmare of my choice. I
was anxious to deal with this shadow by myself alone—and
to this day I don’t know why I was so jealous of sharing with
any one the peculiar blackness of that experience.
‘As soon as I got on the bank I saw a trail—a broad trail
through the grass. I remember the exultation with which I
said to myself, ‘He can’t walk—he is crawling on all-fours—
I’ve got him.’ The grass was wet with dew. I strode rapidly
with clenched fists. I fancy I had some vague notion of falling
upon him and giving him a drubbing. I don’t know. I
had some imbecile thoughts. The knitting old woman with
the cat obtruded herself upon my memory as a most improper
person to be sitting at the other end of such an affair.
I saw a row of pilgrims squirting lead in the air out of Winchesters
held to the hip. I thought I would never get back to
the steamer, and imagined myself living alone and unarmed
in the woods to an advanced age. Such silly things—you
know. And I remember I confounded the beat of the drum
with the beating of my heart, and was pleased at its calm 
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regularity.
‘I kept to the track though—then stopped to listen. The
night was very clear; a dark blue space, sparkling with dew
and starlight, in which black things stood very still. I thought
I could see a kind of motion ahead of me. I was strangely
cocksure of everything that night. I actually left the track
and ran in a wide semicircle (I verily believe chuckling to
myself) so as to get in front of that stir, of that motion I had
seen—if indeed I had seen anything. I was circumventing
Kurtz as though it had been a boyish game.
‘I came upon him, and, if he had not heard me coming, I
would have fallen over him, too, but he got up in time. He
rose, unsteady, long, pale, indistinct, like a vapour exhaled
by the earth, and swayed slightly, misty and silent before
me; while at my back the fires loomed between the trees,
and the murmur of many voices issued from the forest. I
had cut him off cleverly; but when actually confronting
him I seemed to come to my senses, I saw the danger in its
right proportion. It was by no means over yet. Suppose he
began to shout? Though he could hardly stand, there was
still plenty of vigour in his voice. ‘Go away—hide yourself,’
he said, in that profound tone. It was very awful. I glanced
back. We were within thirty yards from the nearest fire. A
black figure stood up, strode on long black legs, waving long
black arms, across the glow. It had horns—antelope horns,
I think—on its head. Some sorcerer, some witch-man, no
doubt: it looked fiendlike enough. ‘Do you know what you
are doing?’ I whispered. ‘Perfectly,’ he answered, raising his
voice for that single word: it sounded to me far off and yet 
110 Heart of Darkness
loud, like a hail through a speaking-trumpet. ‘If he makes a
row we are lost,’ I thought to myself. This clearly was not a
case for fisticuffs, even apart from the very natural aversion
I had to beat that Shadow—this wandering and tormented
thing. ‘You will be lost,’ I said—’utterly lost.’ One gets sometimes
such a flash of inspiration, you know. I did say the
right thing, though indeed he could not have been more irretrievably
lost than he was at this very moment, when the
foundations of our intimacy were being laid—to endure—
to endure—even to the end—even beyond.
‘I had immense plans,’ he muttered irresolutely. ‘Yes,’ said
I; ‘but if you try to shout I’ll smash your head with—’ There
was not a stick or a stone near. ‘I will throttle you for good,’
I corrected myself. ‘I was on the threshold of great things,’
he pleaded, in a voice of longing, with a wistfulness of tone
that made my blood run cold. ‘And now for this stupid
scoundrel—’ ‘Your success in Europe is assured in any case,’
I affirmed steadily. I did not want to have the throttling
of him, you understand—and indeed it would have been
very little use for any practical purpose. I tried to break the
spell—the heavy, mute spell of the wilderness— that seemed
to draw him to its pitiless breast by the awakening of forgotten
and brutal instincts, by the memory of gratified and
monstrous passions. This alone, I was convinced, had driven
him out to the edge of the forest, to the bush, towards
the gleam of fires, the throb of drums, the drone of weird
incantations; this alone had beguiled his unlawful soul beyond
the bounds of permitted aspirations. And, don’t you
see, the terror of the position was not in being knocked on 
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the head— though I had a very lively sense of that danger,
too—but in this, that I had to deal with a being to whom I
could not appeal in the name of anything high or low. I had,
even like the niggers, to invoke him—himself—his own exalted
and incredible degradation. There was nothing either
above or below him, and I knew it. He had kicked himself
loose of the earth. Confound the man! he had kicked the
very earth to pieces. He was alone, and I before him did not
know whether I stood on the ground or floated in the air.
I’ve been telling you what we said— repeating the phrases
we pronounced—but what’s the good? They were common
everyday words—the familiar, vague sounds exchanged on
every waking day of life. But what of that? They had behind
them, to my mind, the terrific suggestiveness of words
heard in dreams, of phrases spoken in nightmares. Soul! If
anybody ever struggled with a soul, I am the man. And I
wasn’t arguing with a lunatic either. Believe me or not, his
intelligence was perfectly clear—concentrated, it is true,
upon himself with horrible intensity, yet clear; and therein
was my only chance—barring, of course, the killing him
there and then, which wasn’t so good, on account of unavoidable
noise. But his soul was mad. Being alone in the
wilderness, it had looked within itself, and, by heavens! I tell
you, it had gone mad. I had—for my sins, I suppose—to go
through the ordeal of looking into it myself. No eloquence
could have been so withering to one’s belief in mankind as
his final burst of sincerity. He struggled with himself, too. I
saw it—I heard it. I saw the inconceivable mystery of a soul
that knew no restraint, no faith, and no fear, yet struggling 
112 Heart of Darkness
blindly with itself. I kept my head pretty well; but when I
had him at last stretched on the couch, I wiped my forehead,
while my legs shook under me as though I had carried half
a ton on my back down that hill. And yet I had only supported
him, his bony arm clasped round my neck—and he
was not much heavier than a child.
‘When next day we left at noon, the crowd, of whose
presence behind the curtain of trees I had been acutely conscious
all the time, flowed out of the woods again, filled the
clearing, covered the slope with a mass of naked, breathing,
quivering, bronze bodies. I steamed up a bit, then
swung down stream, and two thousand eyes followed the
evolutions of the splashing, thumping, fierce river-demon
beating the water with its terrible tail and breathing black
smoke into the air. In front of the first rank, along the river,
three men, plastered with bright red earth from head to
foot, strutted to and fro restlessly. When we came abreast
again, they faced the river, stamped their feet, nodded their
horned heads, swayed their scarlet bodies; they shook towards
the fierce river-demon a bunch of black feathers, a
mangy skin with a pendent tail—something that looked a
dried gourd; they shouted periodically together strings of
amazing words that resembled no sounds of human language;
and the deep murmurs of the crowd, interrupted
suddenly, were like the responses of some satanic litany.
‘We had carried Kurtz into the pilot-house: there was
more air there. Lying on the couch, he stared through the
open shutter. There was an eddy in the mass of human bodies,
and the woman with helmeted head and tawny cheeks 
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rushed out to the very brink of the stream. She put out her
hands, shouted something, and all that wild mob took up
the shout in a roaring chorus of articulated, rapid, breathless
utterance.
‘Do you understand this?’ I asked.
‘He kept on looking out past me with fiery, longing eyes,
with a mingled expression of wistfulness and hate. He made
no answer, but I saw a smile, a smile of indefinable meaning,
appear on his colourless lips that a moment after twitched
convulsively. ‘Do I not?’ he said slowly, gasping, as if the
words had been torn out of him by a supernatural power.
‘I pulled the string of the whistle, and I did this because
I saw the pilgrims on deck getting out their rifles with an
air of anticipating a jolly lark. At the sudden screech there
was a movement of abject terror through that wedged mass
of bodies. ‘Don’t! don’t you frighten them away,’ cried some
one on deck disconsolately. I pulled the string time after
time. They broke and ran, they leaped, they crouched, they
swerved, they dodged the flying terror of the sound. The
three red chaps had fallen flat, face down on the shore, as
though they had been shot dead. Only the barbarous and
superb woman did not so much as flinch, and stretched
tragically her bare arms after us over the sombre and glittering
river.
‘And then that imbecile crowd down on the deck started
their little fun, and I could see nothing more for smoke.
‘The brown current ran swiftly out of the heart of darkness,
bearing us down towards the sea with twice the speed
of our upward progress; and Kurtz’s life was running swiftly, 
114 Heart of Darkness
too, ebbing, ebbing out of his heart into the sea of inexorable
time. The manager was very placid, he had no vital anxieties
now, he took us both in with a comprehensive and satisfied
glance: the ‘affair’ had come off as well as could be wished. I
saw the time approaching when I would be left alone of the
party of ‘unsound method.’ The pilgrims looked upon me
with disfavour. I was, so to speak, numbered with the dead.
It is strange how I accepted this unforeseen partnership,
this choice of nightmares forced upon me in the tenebrous
land invaded by these mean and greedy phantoms.
‘Kurtz discoursed. A voice! a voice! It rang deep to the
very last. It survived his strength to hide in the magnificent
folds of eloquence the barren darkness of his heart. Oh, he
struggled! he struggled! The wastes of his weary brain were
haunted by shadowy images now—images of wealth and
fame revolving obsequiously round his unextinguishable
gift of noble and lofty expression. My Intended, my station,
my career, my ideas— these were the subjects for the occasional
utterances of elevated sentiments. The shade of the
original Kurtz frequented the bedside of the hollow sham,
whose fate it was to be buried presently in the mould of primeval
earth. But both the diabolic love and the unearthly
hate of the mysteries it had penetrated fought for the possession
of that soul satiated with primitive emotions, avid
of lying fame, of sham distinction, of all the appearances of
success and power.
‘Sometimes he was contemptibly childish. He desired to
have kings meet him at railway-stations on his return from
some ghastly Nowhere, where he intended to accomplish 
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great things. ‘You show them you have in you something
that is really profitable, and then there will be no limits to
the recognition of your ability,’ he would say. ‘Of course you
must take care of the motives— right motives—always.’ The
long reaches that were like one and the same reach, monotonous
bends that were exactly alike, slipped past the steamer
with their multitude of secular trees looking patiently after
this grimy fragment of another world, the forerunner of
change, of conquest, of trade, of massacres, of blessings. I
looked ahead—piloting. ‘Close the shutter,’ said Kurtz suddenly
one day; ‘I can’t bear to look at this.’ I did so. There
was a silence. ‘Oh, but I will wring your heart yet!’ he cried
at the invisible wilderness.
‘We broke down—as I had expected—and had to lie up
for repairs at the head of an island. This delay was the first
thing that shook Kurtz’s confidence. One morning he gave
me a packet of papers and a photograph— the lot tied together
with a shoe-string. ‘Keep this for me,’ he said. ‘This
noxious fool’ (meaning the manager) ‘is capable of prying
into my boxes when I am not looking.’ In the afternoon I
saw him. He was lying on his back with closed eyes, and
I withdrew quietly, but I heard him mutter, ‘Live rightly,
die, die …’ I listened. There was nothing more. Was he rehearsing
some speech in his sleep, or was it a fragment of a
phrase from some newspaper article? He had been writing
for the papers and meant to do so again, ‘for the furthering
of my ideas. It’s a duty.’
‘His was an impenetrable darkness. I looked at him as
you peer down at a man who is lying at the bottom of a prec-
116 Heart of Darkness
ipice where the sun never shines. But I had not much time
to give him, because I was helping the engine-driver to take
to pieces the leaky cylinders, to straighten a bent connecting-rod,
and in other such matters. I lived in an infernal
mess of rust, filings, nuts, bolts, spanners, hammers, ratchet-drills—things
I abominate, because I don’t get on with
them. I tended the little forge we fortunately had aboard; I
toiled wearily in a wretched scrap-heap—unless I had the
shakes too bad to stand.
‘One evening coming in with a candle I was startled to
hear him say a little tremulously, ‘I am lying here in the
dark waiting for death.’ The light was within a foot of his
eyes. I forced myself to murmur, ‘Oh, nonsense!’ and stood
over him as if transfixed.
‘Anything approaching the change that came over his features
I have never seen before, and hope never to see again.
Oh, I wasn’t touched. I was fascinated. It was as though a
veil had been rent. I saw on that ivory face the expression
of sombre pride, of ruthless power, of craven terror—of an
intense and hopeless despair. Did he live his life again in
every detail of desire, temptation, and surrender during
that supreme moment of complete knowledge? He cried in
a whisper at some image, at some vision—he cried out twice,
a cry that was no more than a breath:
‘The horror! The horror!’
‘I blew the candle out and left the cabin. The pilgrims
were dining in the mess-room, and I took my place opposite 
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the manager, who lifted his eyes to give me a questioning
glance, which I successfully ignored. He leaned back, serene,
with that peculiar smile of his sealing the unexpressed
depths of his meanness. A continuous shower of small flies
streamed upon the lamp, upon the cloth, upon our hands
and faces. Suddenly the manager’s boy put his insolent
black head in the doorway, and said in a tone of scathing
contempt:
‘Mistah Kurtz—he dead.’
‘All the pilgrims rushed out to see. I remained, and went
on with my dinner. I believe I was considered brutally callous.
However, I did not eat much. There was a lamp in
there—light, don’t you know—and outside it was so beastly,
beastly dark. I went no more near the remarkable man who
had pronounced a judgment upon the adventures of his
soul on this earth. The voice was gone. What else had been
there? But I am of course aware that next day the pilgrims
buried something in a muddy hole.
‘And then they very nearly buried me.
‘However, as you see, I did not go to join Kurtz there
and then. I did not. I remained to dream the nightmare
out to the end, and to show my loyalty to Kurtz once more.
Destiny. My destiny! Droll thing life is— that mysterious
arrangement of merciless logic for a futile purpose. The
most you can hope from it is some knowledge of yourself—
that comes too late—a crop of unextinguishable regrets. I
have wrestled with death. It is the most unexciting contest
you can imagine. It takes place in an impalpable greyness,
with nothing underfoot, with nothing around, without 
118 Heart of Darkness
spectators, without clamour, without glory, without the
great desire of victory, without the great fear of defeat, in a
sickly atmosphere of tepid scepticism, without much belief
in your own right, and still less in that of your adversary. If
such is the form of ultimate wisdom, then life is a greater
riddle than some of us think it to be. I was within a hair’s
breadth of the last opportunity for pronouncement, and I
found with humiliation that probably I would have nothing
to say. This is the reason why I affirm that Kurtz was a
remarkable man. He had something to say. He said it. Since
I had peeped over the edge myself, I understand better the
meaning of his stare, that could not see the flame of the
candle, but was wide enough to embrace the whole universe,
piercing enough to penetrate all the hearts that beat in the
darkness. He had summed up—he had judged. ‘The horror!’
He was a remarkable man. After all, this was the expression
of some sort of belief; it had candour, it had conviction,
it had a vibrating note of revolt in its whisper, it had the
appalling face of a glimpsed truth—the strange commingling
of desire and hate. And it is not my own extremity I
remember best— a vision of greyness without form filled
with physical pain, and a careless contempt for the evanescence
of all things—even of this pain itself. No! It is his
extremity that I seem to have lived through. True, he had
made that last stride, he had stepped over the edge, while
I had been permitted to draw back my hesitating foot. And
perhaps in this is the whole difference; perhaps all the wisdom,
and all truth, and all sincerity, are just compressed
into that inappreciable moment of time in which we step 
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over the threshold of the invisible. Perhaps! I like to think
my summing-up would not have been a word of careless
contempt. Better his cry—much better. It was an affirmation,
a moral victory paid for by innumerable defeats, by
abominable terrors, by abominable satisfactions. But it was
a victory! That is why I have remained loyal to Kurtz to the
last, and even beyond, when a long time after I heard once
more, not his own voice, but the echo of his magnificent
eloquence thrown to me from a soul as translucently pure
as a cliff of crystal.
‘No, they did not bury me, though there is a period of
time which I remember mistily, with a shuddering wonder,
like a passage through some inconceivable world that
had no hope in it and no desire. I found myself back in
the sepulchral city resenting the sight of people hurrying
through the streets to filch a little money from each other,
to devour their infamous cookery, to gulp their unwholesome
beer, to dream their insignificant and silly dreams.
They trespassed upon my thoughts. They were intruders
whose knowledge of life was to me an irritating pretence,
because I felt so sure they could not possibly know the
things I knew. Their bearing, which was simply the bearing
of commonplace individuals going about their business
in the assurance of perfect safety, was offensive to me like
the outrageous flauntings of folly in the face of a danger it
is unable to comprehend. I had no particular desire to enlighten
them, but I had some difficulty in restraining myself
from laughing in their faces so full of stupid importance. I
dareway I was not very well at that time. I tottered about 
120 Heart of Darkness
the streets—there were various affairs to settle—grinning
bitterly at perfectly respectable persons. I admit my behaviour
was inexcusable, but then my temperature was seldom
normal in these days. My dear aunt’s endeavours to ‘nurse
up my strength’ seemed altogether beside the mark. It was
not my strength that wanted nursing, it was my imagination
that wanted soothing. I kept the bundle of papers given
me by Kurtz, not knowing exactly what to do with it. His
mother had died lately, watched over, as I was told, by his
Intended. A clean-shaved man, with an official manner
and wearing gold-rimmed spectacles, called on me one day
and made inquiries, at first circuitous, afterwards suavely
pressing, about what he was pleased to denominate certain
‘documents.’ I was not surprised, because I had had two
rows with the manager on the subject out there. I had refused
to give up the smallest scrap out of that package, and I
took the same attitude with the spectacled man. He became
darkly menacing at last, and with much heat argued that
the Company had the right to every bit of information about
its ‘territories.’ And said he, ‘Mr. Kurtz’s knowledge of unexplored
regions must have been necessarily extensive and
peculiar— owing to his great abilities and to the deplorable
circumstances in which he had been placed: therefore—’ I
assured him Mr. Kurtz’s knowledge, however extensive, did
not bear upon the problems of commerce or administration.
He invoked then the name of science. ‘It would be an
incalculable loss if,’ etc., etc. I offered him the report on the
‘Suppression of Savage Customs,’ with the postscriptum
torn off. He took it up eagerly, but ended by sniffing at it 
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with an air of contempt. ‘This is not what we had a right to
expect,’ he remarked. ‘Expect nothing else,’ I said. ‘There
are only private letters.’ He withdrew upon some threat of
legal proceedings, and I saw him no more; but another fellow,
calling himself Kurtz’s cousin, appeared two days later,
and was anxious to hear all the details about his dear relative’s
last moments. Incidentally he gave me to understand
that Kurtz had been essentially a great musician. ‘There was
the making of an immense success,’ said the man, who was
an organist, I believe, with lank grey hair flowing over a
greasy coat-collar. I had no reason to doubt his statement;
and to this day I am unable to say what was Kurtz’s profession,
whether he ever had any—which was the greatest of
his talents. I had taken him for a painter who wrote for the
papers, or else for a journalist who could paint—but even
the cousin (who took snuff during the interview) could
not tell me what he had been—exactly. He was a universal
genius—on that point I agreed with the old chap, who thereupon
blew his nose noisily into a large cotton handkerchief
and withdrew in senile agitation, bearing off some family
letters and memoranda without importance. Ultimately
a journalist anxious to know something of the fate of his
‘dear colleague’ turned up. This visitor informed me Kurtz’s
proper sphere ought to have been politics ‘on the popular
side.’ He had furry straight eyebrows, bristly hair cropped
short, an eyeglass on a broad ribbon, and, becoming expansive,
confessed his opinion that Kurtz really couldn’t write
a bit—’but heavens! how that man could talk. He electrified
large meetings. He had faith—don’t you see?—he had the 
122 Heart of Darkness
faith. He could get himself to believe anything—anything.
He would have been a splendid leader of an extreme party.’
‘What party?’ I asked. ‘Any party,’ answered the other. ‘He
was an—an—extremist.’ Did I not think so? I assented. Did
I know, he asked, with a sudden flash of curiosity, ‘what it
was that had induced him to go out there?’ ‘Yes,’ said I, and
forthwith handed him the famous Report for publication, if
he thought fit. He glanced through it hurriedly, mumbling
all the time, judged ‘it would do,’ and took himself off with
this plunder.
‘Thus I was left at last with a slim packet of letters and
the girl’s portrait. She struck me as beautiful— I mean
she had a beautiful expression. I know that the sunlight
ycan be made to lie, too, yet one felt that no manipulation
of light and pose could have conveyed the delicate shade
of truthfulness upon those features. She seemed ready to
listen without mental reservation, without suspicion, without
a thought for herself. I concluded I would go and give
her back her portrait and those letters myself. Curiosity?
Yes; and also some other feeling perhaps. All that had been
Kurtz’s had passed out of my hands: his soul, his body, his
station, his plans, his ivory, his career. There remained only
his memory and his Intended— and I wanted to give that
up, too, to the past, in a way— to surrender personally all
that remained of him with me to that oblivion which is the
last word of our common fate. I don’t defend myself. I had
no clear perception of what it was I really wanted. Perhaps
it was an impulse of unconscious loyalty, or the fulfilment
of one of those ironic necessities that lurk in the facts of hu-
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man existence. I don’t know. I can’t tell. But I went.
‘I thought his memory was like the other memories of the
dead that accumulate in every man’s life—a vague impress
on the brain of shadows that had fallen on it in their swift
and final passage; but before the high and ponderous door,
between the tall houses of a street as still and decorous as
a well-kept alley in a cemetery, I had a vision of him on the
stretcher, opening his mouth voraciously, as if to devour all
the earth with all its mankind. He lived then before me; he
lived as much as he had ever lived—a shadow insatiable of
splendid appearances, of frightful realities; a shadow darker
than the shadow of the night, and draped nobly in the
folds of a gorgeous eloquence. The vision seemed to enter
the house with me—the stretcher, the phantom-bearers, the
wild crowd of obedient worshippers, the gloom of the forests,
the glitter of the reach between the murky bends, the
beat of the drum, regular and muffled like the beating of a
heart—the heart of a conquering darkness. It was a moment
of triumph for the wilderness, an invading and vengeful
rush which, it seemed to me, I would have to keep back
alone for the salvation of another soul. And the memory of
what I had heard him say afar there, with the horned shapes
stirring at my back, in the glow of fires, within the patient
woods, those broken phrases came back to me, were heard
again in their ominous and terrifying simplicity. I remembered
his abject pleading, his abject threats, the colossal
scale of his vile desires, the meanness, the torment, the tempestuous
anguish of his soul. And later on I seemed to see
his collected languid manner, when he said one day, ‘This 
124 Heart of Darkness
lot of ivory now is really mine. The Company did not pay
for it. I collected it myself at a very great personal risk. I am
afraid they will try to claim it as theirs though. H’m. It is a
difficult case. What do you think I ought to do—resist? Eh?
I want no more than justice.’ … He wanted no more than
justice—no more than justice. I rang the bell before a mahogany
door on the first floor, and while I waited he seemed
to stare at me out of the glassy panel— stare with that wide
and immense stare embracing, condemning, loathing all
the universe. I seemed to hear the whispered cry, ‘The horror!
The horror!’
‘The dusk was falling. I had to wait in a lofty drawingroom
with three long windows from floor to ceiling that
were like three luminous and bedraped columns. The bent
gilt legs and backs of the furniture shone in indistinct
curves. The tall marble fireplace had a cold and monumental
whiteness. A grand piano stood massively in a corner;
with dark gleams on the flat surfaces like a sombre and polished
sarcophagus. A high door opened—closed. I rose.
‘She came forward, all in black, with a pale head, floating
towards me in the dusk. She was in mourning. It was
more than a year since his death, more than a year since the
news came; she seemed as though she would remember and
mourn forever. She took both my hands in hers and murmured,
‘I had heard you were coming.’ I noticed she was
not very young—I mean not girlish. She had a mature capacity
for fidelity, for belief, for suffering. The room seemed
to have grown darker, as if all the sad light of the cloudy
evening had taken refuge on her forehead. This fair hair, 
Free eBooks at Planet eBook.com 125
this pale visage, this pure brow, seemed surrounded by an
ashy halo from which the dark eyes looked out at me. Their
glance was guileless, profound, confident, and trustful. She
carried her sorrowful head as though she were proud of that
sorrow, as though she would say, ‘I—I alone know how to
mourn for him as he deserves.’ But while we were still shaking
hands, such a look of awful desolation came upon her
face that I perceived she was one of those creatures that are
not the playthings of Time. For her he had died only yesterday.
And, by Jove! the impression was so powerful that
for me, too, he seemed to have died only yesterday—nay,
this very minute. I saw her and him in the same instant of
time—his death and her sorrow—I saw her sorrow in the
very moment of his death. Do you understand? I saw them
together—I heard them together. She had said, with a deep
catch of the breath, ‘I have survived’ while my strained
ears seemed to hear distinctly, mingled with her tone of
despairing regret, the summing up whisper of his eternal
condemnation. I asked myself what I was doing there, with
a sensation of panic in my heart as though I had blundered
into a place of cruel and absurd mysteries not fit for a human
being to behold. She motioned me to a chair. We sat
down. I laid the packet gently on the little table, and she put
her hand over it. … ‘You knew him well,’ she murmured, after
a moment of mourning silence.
‘Intimacy grows quickly out there,’ I said. ‘I knew him as
well as it is possible for one man to know another.’
‘And you admired him,’ she said. ‘It was impossible to
know him and not to admire him. Was it?’
126 Heart of Darkness
‘He was a remarkable man,’ I said, unsteadily. Then before
the appealing fixity of her gaze, that seemed to watch
for more words on my lips, I went on, ‘It was impossible not
to—’
‘Love him,’ she finished eagerly, silencing me into an appalled
dumbness. ‘How true! how true! But when you think
that no one knew him so well as I! I had all his noble confidence.
I knew him best.’
‘You knew him best,’ I repeated. And perhaps she did. But
with every word spoken the room was growing darker, and
only her forehead, smooth and white, remained illumined
by the inextinguishable light of belief and love.
‘You were his friend,’ she went on. ‘His friend,’ she repeated,
a little louder. ‘You must have been, if he had given
you this, and sent you to me. I feel I can speak to you—and
oh! I must speak. I want you—you who have heard his last
words— to know I have been worthy of him. … It is not
pride. … Yes! I am proud to know I understood him better
than any one on earth— he told me so himself. And since
his mother died I have had no one— no one—to—to—’
‘I listened. The darkness deepened. I was not even sure
whether he had given me the right bundle. I rather suspect
he wanted me to take care of another batch of his papers
which, after his death, I saw the manager examining under
the lamp. And the girl talked, easing her pain in the certitude
of my sympathy; she talked as thirsty men drink. I
had heard that her engagement with Kurtz had been disapproved
by her people. He wasn’t rich enough or something.
And indeed I don’t know whether he had not been a pauper 
Free eBooks at Planet eBook.com 127
all his life. He had given me some reason to infer that it was
his impatience of comparative poverty that drove him out
there.
‘… Who was not his friend who had heard him speak
once?’ she was saying. ‘He drew men towards him by what
was best in them.’ She looked at me with intensity. ‘It is the
gift of the great,’ she went on, and the sound of her low voice
seemed to have the accompaniment of all the other sounds,
full of mystery, desolation, and sorrow, I had ever heard—
the ripple of the river, the soughing of the trees swayed by
the wind, the murmurs of the crowds, the faint ring of incomprehensible
words cried from afar, the whisper of a
voice speaking from beyond the threshold of an eternal
darkness. ‘But you have heard him! You know!’ she cried.
‘Yes, I know,’ I said with something like despair in my
heart, but bowing my head before the faith that was in her,
before that great and saving illusion that shone with an unearthly
glow in the darkness, in the triumphant darkness
from which I could not have defended her— from which I
could not even defend myself.
‘What a loss to me—to us!’—she corrected herself with
beautiful generosity; then added in a murmur, ‘To the
world.’ By the last gleams of twilight I could see the glitter
of her eyes, full of tears—of tears that would not fall.
‘I have been very happy—very fortunate—very proud,’
she went on. ‘Too fortunate. Too happy for a little while.
And now I am unhappy for—for life.’
‘She stood up; her fair hair seemed to catch all the remaining
light in a glimmer of gold. I rose, too.
128 Heart of Darkness
‘And of all this,’ she went on mournfully, ‘of all his promise,
and of all his greatness, of his generous mind, of his
noble heart, nothing remains—nothing but a memory. You
and I—’
‘We shall always remember him,’ I said hastily.
‘No!’ she cried. ‘It is impossible that all this should be
lost— that such a life should be sacrificed to leave nothing—but
sorrow. You know what vast plans he had. I knew
of them, too—I could not perhaps understand—but others
knew of them. Something must remain. His words, at least,
have not died.’
‘His words will remain,’ I said.
‘And his example,’ she whispered to herself. ‘Men looked
up to him— his goodness shone in every act. His example—’
‘True,’ I said; ‘his example, too. Yes, his example. I forgot
that.’
‘But I do not. I cannot—I cannot believe—not yet. I cannot
believe that I shall never see him again, that nobody will
see him again, never, never, never.’
‘She put out her arms as if after a retreating figure,
stretching them back and with clasped pale hands across
the fading and narrow sheen of the window. Never see him!
I saw him clearly enough then. I shall see this eloquent
phantom as long as I live, and I shall see her, too, a tragic
and familiar Shade, resembling in this gesture another one,
tragic also, and bedecked with powerless charms, stretching
bare brown arms over the glitter of the infernal stream,
the stream of darkness. She said suddenly very low, ‘He died 
Free eBooks at Planet eBook.com 129
as he lived.’
‘His end,’ said I, with dull anger stirring in me, ‘was in
every way worthy of his life.’
‘And I was not with him,’ she murmured. My anger subsided
before a feeling of infinite pity.
‘Everything that could be done—’ I mumbled.
‘Ah, but I believed in him more than any one on earth—
more than his own mother, more than—himself. He needed
me! Me! I would have treasured every sigh, every word, every
sign, every glance.’
‘I felt like a chill grip on my chest. ‘Don’t,’ I said, in a
muffled voice.
‘Forgive me. I—I have mourned so long in silence—in
silence…. You were with him—to the last? I think of his
loneliness. Nobody near to understand him as I would have
understood. Perhaps no one to hear. …’
‘To the very end,’ I said, shakily. ‘I heard his very last
words….’ I stopped in a fright.
‘Repeat them,’ she murmured in a heart-broken tone. ‘I
want—I want—something—something—to—to live with.’
‘I was on the point of crying at her, ‘Don’t you hear them?’
The dusk was repeating them in a persistent whisper all
around us, in a whisper that seemed to swell menacingly
like the first whisper of a rising wind. ‘The horror! The horror!’
‘His last word—to live with,’ she insisted. ‘Don’t you understand
I loved him—I loved him—I loved him!’
‘I pulled myself together and spoke slowly.
‘The last word he pronounced was—your name.’
130 Heart of Darkness
‘I heard a light sigh and then my heart stood still, stopped
dead short by an exulting and terrible cry, by the cry of inconceivable
triumph and of unspeakable pain. ‘I knew it—I
was sure!’ … She knew. She was sure. I heard her weeping;
she had hidden her face in her hands. It seemed to me that
the house would collapse before I could escape, that the
heavens would fall upon my head. But nothing happened.
The heavens do not fall for such a trifle. Would they have
fallen, I wonder, if I had rendered Kurtz that justice which
was his due? Hadn’t he said he wanted only justice? But I
couldn’t. I could not tell her. It would have been too dark—
too dark altogether….’
Marlow ceased, and sat apart, indistinct and silent, in
the pose of a meditating Buddha. Nobody moved for a time.
‘We have lost the first of the ebb,’ said the Director suddenly.
I raised my head. The offing was barred by a black bank of
clouds, and the tranquil waterway leading to the uttermost
ends of the earth flowed sombre under an overcast sky—
seemed to lead into the heart of an immense darkness.</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/1147661582439044336/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2016/06/heart-of-darkness-book.html#comment-form' title='2 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/1147661582439044336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/1147661582439044336'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2016/06/heart-of-darkness-book.html' title='Heart of Darkness-Book '/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-6946702015334054275</id><published>2012-02-28T22:18:00.001+00:00</published><updated>2012-02-28T22:18:21.159+00:00</updated><title type='text'></title><content type='html'>&lt;h2&gt;

&lt;b&gt;Periods of English Literature&lt;/b&gt;&lt;/h2&gt;
&lt;b&gt;&lt;/b&gt;&lt;br /&gt;
&lt;h3&gt;

&lt;b&gt;A Note on the Naming of Periods:&lt;/b&gt;&lt;/h3&gt;
&lt;br /&gt;
&lt;br /&gt;
Periods in literature are named for rulers, historical events, intellectual or political or religious
movements, or artistic styles. Most literary periods therefore have multiple names. What&#39;s worse,
some of these names are debated. Is the later 17&lt;sup&gt;th&lt;/sup&gt; Century the Baroque era? The term &lt;i&gt;baroque&lt;/i&gt; is
an intractable term derived from art criticism, though it may usefully be applicable to some
writers as well. Is the early 17&lt;sup&gt;th&lt;/sup&gt; Century the Shakespearean era? Is it the Mannerist era? How
widely do we wish to apply the term Elizabethan period? Other questions arise. Does
Romanticism begin with Wordsworth? With Blake? In addition, Romanticism has various dates
according to the national literature we refer to. In the separate art forms -- music, painting, and
even some literary genres -- the dates may vary yet more. Recent histories of literature and the
latest &lt;i&gt;Norton Anthology of English Literature&lt;/i&gt; offer the latest examples of terms applied to
literary periods. My best advice is to use the relatively neutral names that refer to monarchs,
political periods, and whole centuries. Then when you wish to emphasize what you are talking
about, rather than by habitual use of the terms, use the more specialized artistic and intellectual
adjectives. In the following table, I attempt to categorize some of the references generally used by
English and American students of English literature, and to provide examples of chief works or
authors for each period. I&#39;ve avoided simply naming the Centuries, and I&#39;ve not taken terms like
&lt;i&gt;Victorian&lt;/i&gt; to refer merely to the rulers -- although I do prefer to date Queen Victoria&#39;s death, with
the changes it symbolized, as the start of the Modern era. Whereas Queen Victoria ruled from
1837 until her death in 1901, many scholars select 1830 as the beginning of the Victorian Period,
and for two good reasons. In 1830, the world&#39;s first public railway system opened between
Liverpool and Manchester, enhancing the trade and industrial development particular to the
Victorian era. Also in that year, the Reform Parliament opened, which was to pass the Reform
Bill of 1832, a bill which would far increase the power of the English middle class and thereby
affect British class structure. This list is far less detailed than it might be, and omits details for
periods surrounding the Renaissance.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;center&gt;
&lt;/center&gt;&lt;br /&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;8&quot; cellspacing=&quot;6&quot;&gt;
        
   



 








&lt;/table&gt;
&lt;table border=&quot;&quot; cellpadding=&quot;3&quot; frame=&quot;BOX&quot; style=&quot;width: 400px;&quot;&gt;&lt;tbody&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td colspan=&quot;4&quot;&gt;     &lt;b&gt;&lt;/b&gt;&lt;b&gt;Time Span, Terms, Movements, Examples&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td colspan=&quot;3&quot;&gt;                              &lt;b&gt;600-1200 Old English  (Anglo-Saxon) &lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;i&gt;Beowulf&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td colspan=&quot;3&quot;&gt;                              &lt;b&gt;1200-1500 Middle English&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;Geoffrey Chaucer&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td colspan=&quot;4&quot;&gt;                              &lt;b&gt;1500-1660 The English Renaissance&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1500-1558&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;Tudor Period&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;Humanist Era&lt;/td&gt;
&lt;td&gt;Thomas More, John Skelton&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1558-1603&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;Elizabethan Period&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;High Renaissance&lt;/td&gt;
&lt;td&gt;Edmund Spenser, 

Sir Philip Sidney,&lt;br /&gt;
William Shakespeare&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1603-1625&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;Jacobean Period&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;Mannerist Style (1590-1640)
other styles: Metaphysical
Poets; Devotional Poets&lt;/td&gt;
&lt;td&gt;Shakespeare, John Donne,
George Herbert, 

Emilia Lanyer&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1625-1649&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;Caroline Period&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;John Ford, John Milton&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1649-1660&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;The Commonwealth &amp;amp; The
Protectorate&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;Baroque Style, and later,
Rococo Style&lt;/td&gt;
&lt;td&gt;Milton, Andrew Marvell,
Thomas Hobbes&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1660-1700&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;The Restoration&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;John Dryden&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1700-1800&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;The Eighteenth Century&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;The Enlightenment;
Neoclassical Period; 

The Augustan Age&lt;/td&gt;
&lt;td&gt;Alexander Pope, 

Jonathan Swift, &lt;br /&gt;
Samuel Johnson&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1785-1830&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;Romanticism&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;The Age of Revolution&lt;/td&gt;
&lt;td&gt;William Wordsworth, 

S.T. Coleridge, Jane Austen, &lt;br /&gt;
the Brontës&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1830-1901&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;Victorian Period&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;Early, Middle and Late
Victorian &lt;/td&gt;
&lt;td&gt;Charles Dickens, George
Eliot, Robert Browning,
Alfred, Lord Tennyson&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;&lt;b&gt;1901-1960&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;b&gt;Modern Period&lt;/b&gt;&lt;/td&gt;
&lt;td&gt;The Edwardian Era 

(1901-1910); &lt;br /&gt;
The Georgian Era &lt;br /&gt;
(1910-1914)&lt;/td&gt;
&lt;td&gt;G.M. Hopkins, 

H.G. Wells, James Joyce,
D.H. Lawrence, &lt;br /&gt;
T.S. Eliot&lt;/td&gt;&lt;/tr&gt;
&lt;tr valign=&quot;TOP&quot;&gt;&lt;td&gt;1960- &lt;/td&gt;
&lt;td&gt;&lt;b&gt;Postmodern and
Contemporary Period &lt;/b&gt;&lt;/td&gt;
&lt;td&gt;&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;Ted Hughes, Doris Lessing, John Fowles, Don DeLillo, A.S. 
              Byatt &lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/6946702015334054275/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/periods-of-english-literature-note-on.html#comment-form' title='2 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/6946702015334054275'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/6946702015334054275'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/periods-of-english-literature-note-on.html' title=''/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-1859306940323307721</id><published>2012-02-17T11:14:00.002+00:00</published><updated>2012-03-21T18:04:52.004+00:00</updated><title type='text'>Lecture 9 - Ezra Pound</title><content type='html'>&lt;a href=&quot;http://videolectures.net/yaleengl310s07_hammer_lec09/&quot;&gt;
  &lt;img border=&quot;0/&quot; src=&quot;http://videolectures.net/yaleengl310s07_hammer_lec09/thumb.jpg&quot; /&gt;
  &lt;br /&gt;Lecture 9 - Ezra Pound&lt;/a&gt;&lt;br /&gt;
Langdon Hammer</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/1859306940323307721/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/lecture-9-ezra-pound.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/1859306940323307721'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/1859306940323307721'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/lecture-9-ezra-pound.html' title='Lecture 9 - Ezra Pound'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' 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src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-6257844279570262915</id><published>2012-02-17T11:11:00.000+00:00</published><updated>2012-02-17T11:11:09.044+00:00</updated><title type='text'>Lecture 7 - World War I Poetry in England</title><content type='html'>&lt;a href=&quot;http://videolectures.net/yaleengl310s07_hammer_lec07/&quot;&gt;http://videolectures.net/yaleengl310s07_hammer_lec07/&lt;/a&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/6257844279570262915/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' 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src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-3933796701642559142</id><published>2012-02-17T11:10:00.002+00:00</published><updated>2012-02-17T11:10:23.202+00:00</updated><title type='text'>Lecture 6 - William Butler Yeats (cont.</title><content type='html'>&lt;a href=&quot;http://videolectures.net/yaleengl310s07_hammer_lec06/&quot;&gt;http://videolectures.net/yaleengl310s07_hammer_lec06/&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/3933796701642559142/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' 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src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-3601213983390070772</id><published>2012-02-17T11:09:00.003+00:00</published><updated>2012-02-17T11:09:47.702+00:00</updated><title type='text'>Lecture 5 - William Butler Yeats (cont.)</title><content type='html'>&lt;a href=&quot;http://videolectures.net/yaleengl310s07_hammer_lec05/&quot;&gt;http://videolectures.net/yaleengl310s07_hammer_lec05/&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/3601213983390070772/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' 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src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-4353973721239567508</id><published>2012-02-17T10:54:00.001+00:00</published><updated>2012-02-17T10:54:24.110+00:00</updated><title type='text'>Lecture 4 - William Butler Yeats</title><content type='html'>&lt;a href=&quot;http://videolectures.net/yaleengl310s07_hammer_lec04/&quot;&gt;http://videolectures.net/yaleengl310s07_hammer_lec04/&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/4353973721239567508/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' 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src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-7904959626169789551</id><published>2012-02-17T10:51:00.003+00:00</published><updated>2012-02-17T10:51:58.914+00:00</updated><title type='text'>Lecture 2 - Robert Frost</title><content type='html'>&lt;a href=&quot;http://videolectures.net/yaleengl310s07_hammer_lec02/&quot;&gt;http://videolectures.net/yaleengl310s07_hammer_lec02/&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/7904959626169789551/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/lecture-2-robert-frost.html#comment-form' 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src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-8793348445983782633</id><published>2012-02-17T10:51:00.001+00:00</published><updated>2012-02-17T10:51:13.376+00:00</updated><title type='text'>Lecture 1 - Introduction to Modern Poetry</title><content type='html'>&lt;a href=&quot;http://videolectures.net/yaleengl310s07_hammer_lec01/&quot;&gt;http://videolectures.net/yaleengl310s07_hammer_lec01/&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/8793348445983782633/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' 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src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-3832789848454287061</id><published>2012-02-14T16:48:00.002+00:00</published><updated>2012-02-14T22:21:03.714+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="The Golden Notebook Doris Lessing"/><title type='text'>The Golden Notebook Doris Lessing</title><content type='html'>&lt;a href=&quot;http://www.scribd.com/doc/57356868/The-Golden-Notebook-Doris-Lessing&quot;&gt;http://www.scribd.com/doc/57356868/The-Golden-Notebook-Doris-Lessing&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/3832789848454287061/comments/default' title='Objavi komentare'/><link 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src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total><georss:featurename>London, Ujedinjeno Kraljevstvo</georss:featurename><georss:point>51.5081289 -0.128005</georss:point><georss:box>51.350006900000004 -0.443862 51.6662509 0.187852</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-4677128455760204526</id><published>2012-02-14T16:44:00.000+00:00</published><updated>2012-02-14T16:44:06.007+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Heart of Darkness"/><title type='text'>Heart of Darkness</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkOHYl5Xs66HUI6QOS8oY9PMO_AFMi-aWlE92QZpKJgPoJxmvNfvFJtCNjqUTEs9SvIPW3wrvsUEyEMWr0_v89JIZHAlIPUUE_kukENSx21o-X0_ts2FMbAR7ilPGBWSJorzIYLAi3A2SJ/s1600/Joseph-Conrad.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkOHYl5Xs66HUI6QOS8oY9PMO_AFMi-aWlE92QZpKJgPoJxmvNfvFJtCNjqUTEs9SvIPW3wrvsUEyEMWr0_v89JIZHAlIPUUE_kukENSx21o-X0_ts2FMbAR7ilPGBWSJorzIYLAi3A2SJ/s320/Joseph-Conrad.jpg&quot; width=&quot;234&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;a href=&quot;http://www.planetebook.com/Heart-of-Darkness.asp&quot;&gt;http://www.planetebook.com/Heart-of-Darkness.asp&lt;/a&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/4677128455760204526/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/heart-of-darkness.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/4677128455760204526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/4677128455760204526'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/heart-of-darkness.html' title='Heart of Darkness'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkOHYl5Xs66HUI6QOS8oY9PMO_AFMi-aWlE92QZpKJgPoJxmvNfvFJtCNjqUTEs9SvIPW3wrvsUEyEMWr0_v89JIZHAlIPUUE_kukENSx21o-X0_ts2FMbAR7ilPGBWSJorzIYLAi3A2SJ/s72-c/Joseph-Conrad.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-2490969524487350871</id><published>2012-02-14T16:40:00.002+00:00</published><updated>2012-02-14T22:28:44.826+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Lawrence"/><category scheme="http://www.blogger.com/atom/ns#" term="Woman in Love"/><title type='text'>Woman In Love</title><content type='html'>&lt;a href=&quot;http://www.planetebook.com/Women-In-Love.asp&quot;&gt;Women In Love&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/2490969524487350871/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/woman-in-love.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/2490969524487350871'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/2490969524487350871'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/woman-in-love.html' title='Woman In Love'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total><georss:featurename>Washington, DC, Sjedinjene Američke Države</georss:featurename><georss:point>38.8951118 -77.0363658</georss:point><georss:box>38.7962463 -77.1942943 38.993977300000005 -76.8784373</georss:box></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-2923091642430339636</id><published>2012-02-14T12:14:00.001+00:00</published><updated>2012-02-14T12:14:42.848+00:00</updated><title type='text'>Sons and Lovers By D. H. Lawrence, 1913</title><content type='html'>&lt;a href=&quot;http://www.planetebook.com/Sons-and-Lovers.asp&quot;&gt;Sons and Lovers By D. H. Lawrence, 1913 Book&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/2923091642430339636/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/sons-and-lovers-by-d-h-lawrence-1913.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/2923091642430339636'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/2923091642430339636'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/sons-and-lovers-by-d-h-lawrence-1913.html' title='Sons and Lovers By D. H. Lawrence, 1913'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-6949704558634932379</id><published>2012-02-13T22:47:00.001+00:00</published><updated>2012-02-13T22:47:36.757+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Dubliners"/><title type='text'>Dubliners</title><content type='html'>&lt;a href=&quot;http://www.planetebook.com/Dubliners.asp&quot;&gt;http://www.planetebook.com/Dubliners.asp&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/6949704558634932379/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/dubliners.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/6949704558634932379'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/6949704558634932379'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/dubliners.html' title='Dubliners'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-5204816435543396493</id><published>2012-02-13T22:46:00.000+00:00</published><updated>2012-02-13T22:46:07.199+00:00</updated><title type='text'>A Portrait of the Artist as a Young Man</title><content type='html'>&lt;a href=&quot;http://www.planetebook.com/A-Portrait-of-the-Artist-as-a-Young-Man.asp&quot;&gt;A Portrait of the Artist as a Young Man &lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/5204816435543396493/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/portrait-of-artist-as-young-man.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/5204816435543396493'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/5204816435543396493'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/portrait-of-artist-as-young-man.html' title='A Portrait of the Artist as a Young Man'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-691067182242950267</id><published>2012-02-13T22:40:00.000+00:00</published><updated>2012-02-13T22:40:20.679+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="book"/><category scheme="http://www.blogger.com/atom/ns#" term="The Remains of the Day"/><title type='text'>The Remains of the Day  BOOK</title><content type='html'>&lt;br /&gt;
THE REMAINS OF THE DAY&lt;br /&gt;
Kazuo Ishiguro&lt;br /&gt;
(First published in Great Britain, 1989)&lt;br /&gt;
I&#39;ve travelled the world twice over,&lt;br /&gt;
Met the famous: saints and sinners,&lt;br /&gt;
Poets and artists, kings and queens,&lt;br /&gt;
Old stars and hopeful beginners,&lt;br /&gt;
I&#39;ve been where no-one&#39;s been before,&lt;br /&gt;
Learned secrets from writers and cooks&lt;br /&gt;
All with one library ticket&lt;br /&gt;
To the wonderful world of books.&lt;br /&gt;
--JANICE JAMES.&lt;br /&gt;
In memory of Mrs Lenore Marshall.&lt;br /&gt;
Prologue: July 1956&lt;br /&gt;
Darlington Hall&lt;br /&gt;
IT seems increasingly likely that I really will undertake the expedition that has been&lt;br /&gt;
preoccupying my imagination now for some days. An expedition, I should say, which I will&lt;br /&gt;
undertake alone, in the comfort of Mr Farraday&#39;s Ford; an expedition which, as I foresee it,&lt;br /&gt;
will take me through much of the finest countryside of England to the West Country, and may&lt;br /&gt;
keep me away from Darlington Hall for as much as five or six days. The idea of such a&lt;br /&gt;
journey came about, I should point out, from a most kind suggestion put to me by Mr&lt;br /&gt;
Farraday himself one afternoon almost a fortnight ago, when I had been dusting the portraits&lt;br /&gt;
in the library. In fact, as I recall, I was up on the step-ladder dusting the portrait of Viscount&lt;br /&gt;
Wetherby when my employer had entered carrying a few volumes which he presumably&lt;br /&gt;
wished returned to the shelves. On seeing my person, he took the opportunity to inform me&lt;br /&gt;
that he had just that moment finalized plans to return to the United States for a period of five&lt;br /&gt;
weeks between August and September. Having made this announcement, my employer put&lt;br /&gt;
his volumes down on a table, seated himself on the /chaise-longue, /and stretched out his legs.&lt;br /&gt;
It was then, gazing up at me, that he said: &quot;You realize, Stevens, I don&#39;t expect you to be&lt;br /&gt;
locked up here in this house all the time I&#39;m away. Why don&#39;t you take the car and drive off&lt;br /&gt;
somewhere for a few days? You look like you could make good use of a break.&quot;&lt;br /&gt;
Coming out of the blue as it did, I did not quite know how to reply to such a&lt;br /&gt;
suggestion. I recall thanking him for his consideration, but quite probably I said nothing very&lt;br /&gt;
definite for my employer went on: &quot;I&#39;m serious, Stevens. I really think you should take a&lt;br /&gt;
break. I&#39;ll foot the bill for the gas. You fellows, you&#39;re always locked up in these big Houses&lt;br /&gt;
helping out, how do you ever get to see around this beautiful country of yours?&quot;&lt;br /&gt;
This was not the first time my employer had raised such a question; indeed, it seems to&lt;br /&gt;
be something which genuinely troubles him. On this occasion, in fact, a reply of sorts did&lt;br /&gt;
occur to me as I stood up there on the ladder; a reply to the effect that those of our profession,&lt;br /&gt;
although we did not see a great deal of the country in the sense of touring the countryside and&lt;br /&gt;
visiting picturesque sites, did actually &#39;see&#39; more of England than most, placed as we were in&lt;br /&gt;
houses where the greatest ladies and gentlemen of the land gathered. Of course, I could not&lt;br /&gt;
have expressed this view to Mr Farraday without embarking upon what might have seemed a&lt;br /&gt;
presumptuous speech. I thus contented myself by saying simply: &quot;It has been my privilege to&lt;br /&gt;
see the best of England over the years, sir, within these very walls.&quot;&lt;br /&gt;
Mr Farraday did not seem to understand this statement, for he merely went on: &quot;I mean&lt;br /&gt;
it, Stevens. It&#39;s wrong that a man can&#39;t get to see around his own country. Take my advice, get&lt;br /&gt;
out the house for a few days.&lt;br /&gt;
As you might expect, I did not take Mr Farraday&#39;s suggestion at all seriously that&lt;br /&gt;
afternoon, regarding it as just another instance of an American gentleman&#39;s unfamiliarity with&lt;br /&gt;
what was and what was not commonly done in England. The fact that my attitude to this same&lt;br /&gt;
suggestion underwent a change over the following days - indeed, that the notion of a trip to&lt;br /&gt;
the West Country took an ever increasing hold on my thoughts - is no doubt substantially&lt;br /&gt;
attributable to - and why should I hide it? - the arrival of Miss Kenton&#39;s letter, her first in&lt;br /&gt;
almost seven years if one discounts the Christmas cards. But let me make it immediately clear&lt;br /&gt;
what I mean by this; what I mean to say is that Miss Kenton&#39;s letter set off a certain chain of&lt;br /&gt;
ideas to do with professional matters here at Darlington Hall, and I would underline that it&lt;br /&gt;
was a preoccupation with these very same professional matters that led me to consider anew&lt;br /&gt;
my employer&#39;s kindly meant suggestion. But let me explain further.&lt;br /&gt;
The fact is, over the past few months, I have been responsible for a series of small&lt;br /&gt;
errors in the carrying out of my duties. I should say that these errors have all been without&lt;br /&gt;
exception quite trivial in themselves. Nevertheless, I think you will understand that to one not&lt;br /&gt;
accustomed to committing such errors, this development was rather disturbing, and I did in&lt;br /&gt;
fact begin to entertain all sorts of alarmist theories as to their cause. As so often occurs in&lt;br /&gt;
these situations, I had become blind to the obvious - that is, until my pondering over the&lt;br /&gt;
implications of Miss Kenton&#39;s letter finally opened my eyes to the simple truth: that these&lt;br /&gt;
small errors of recent months have derived from nothing more sinister than a faulty staff plan.&lt;br /&gt;
It is, of course, the responsibility of every butler to devote his utmost care in the&lt;br /&gt;
devising of a staff plan. Who knows how many quarrels, false accusations, unnecessary&lt;br /&gt;
dismissals, how many promising careers cut short can be attributed to a butler&#39;s slovenliness&lt;br /&gt;
at the stage of drawing up the staff plan? Indeed, I can say I am in agreement with those who&lt;br /&gt;
say that the ability to draw up a good staff plan is the cornerstone of any decent butler&#39;s skills.&lt;br /&gt;
I have myself devised many staff plans over the years, and I do not believe I am being unduly&lt;br /&gt;
boastful if I say that very few ever needed amendment. And if in the present case the staff&lt;br /&gt;
plan is at fault, blame can be laid at no one&#39;s door but my own. At the same time, it is only fair&lt;br /&gt;
to point out that my task in this instance had been of an unusually difficult order.&lt;br /&gt;
What had occurred was this. Once the transactions were over - transactions which had&lt;br /&gt;
taken this house out of the hands of the Darlington family after two centuries - Mr Farraday&lt;br /&gt;
let it be known that he would not be taking up immediate residence here, but would spend a&lt;br /&gt;
further four months concluding matters in the United States. In the meantime, however, he&lt;br /&gt;
was most keen that the staff of his predecessor - a staff of which he had heard high praise - be&lt;br /&gt;
retained at Darlington Hall. This &#39;staff&#39; he referred to was, of course, nothing more than the&lt;br /&gt;
skeleton team of six kept on by Lord Darlington&#39;s relatives to administer to the house up to&lt;br /&gt;
and throughout the transactions; and I regret to report that once the purchase had been&lt;br /&gt;
completed, there was little I could do for Mr Farraday to prevent all but Mrs Clements leaving&lt;br /&gt;
for other employment. When I wrote to my new employer conveying my regrets at the&lt;br /&gt;
situation, I received by reply from America instructions to recruit a new staff &#39;worthy of a&lt;br /&gt;
grand old English house&#39;. I immediately set about trying to fulfil Mr Farraday&#39;s wishes, but as&lt;br /&gt;
you know, finding recruits of a satisfactory standard is no easy task nowadays, and although I&lt;br /&gt;
was pleased to hire Rosemary and Agnes on Mrs Clements&#39; recommendation, I had got no&lt;br /&gt;
further by the time I came to have my first business meeting with Mr Farraday during the&lt;br /&gt;
short preliminary visit he made to our shores in the spring of last year. It was on that occasion&lt;br /&gt;
- in the strangely bare study of Darlington Hall - that Mr Farraday shook my hand for the first&lt;br /&gt;
time, but by then we were hardly strangers to each other; quite aside from the matter of the&lt;br /&gt;
staff, my new employer in several other instances had had occasion to call upon such qualities&lt;br /&gt;
as it may be my good fortune to possess and found them to be, I would venture, dependable.&lt;br /&gt;
So it was, I assume, that he felt immediately able to talk to me in a businesslike and trusting&lt;br /&gt;
way, and by the end of our meeting, he had left me with the administration of a not&lt;br /&gt;
inconsiderable sum to meet the costs of a wide range of preparations for his coming&lt;br /&gt;
residency. In any case, my point is that it was during the course of this interview, when I&lt;br /&gt;
raised the question of the difficulty of recruiting suitable staff in these times, that Mr&lt;br /&gt;
Farraday, after a moment&#39;s reflection, made his request of me; that I do my best to draw up a&lt;br /&gt;
staff plan - &#39;some sort of servants&#39; rota&#39; as he put it - by which this house might be run on the&lt;br /&gt;
present staff of four - that is to say, Mrs Clements, the two young girls, and myself. This&lt;br /&gt;
might, he appreciated, mean putting sections of the house &#39;under wraps&#39;, but would I bring all&lt;br /&gt;
my experience and expertise to bear to ensure such losses were kept to a minimum? Recalling&lt;br /&gt;
a time when I had had a staff of seventeen under me, and knowing how not so long ago a staff&lt;br /&gt;
of twenty-eight had been employed here at Darlington Hall, the idea of devising a staff plan&lt;br /&gt;
by which the same house would be run on a staff of four seemed, to say the least, daunting.&lt;br /&gt;
Although I did my best not to, something of my scepticism must have betrayed itself, for Mr&lt;br /&gt;
Farraday then added, as though for reassurance, that were it to prove necessary, then an&lt;br /&gt;
additional member of staff could be hired. But he would be much obliged, he repeated, if I&lt;br /&gt;
could &quot;give it a go with four&quot;.&lt;br /&gt;
Now naturally, like many of us, I have a reluctance to change too much of the old&lt;br /&gt;
ways. But there is no virtue at all in clinging as some do to tradition merely for its own sake.&lt;br /&gt;
In this age of electricity and modern heating systems, there is no need at all to employ the&lt;br /&gt;
sorts of numbers necessary even a generation ago. Indeed, it has actually been an idea of mine&lt;br /&gt;
for some time that the retaining of unnecessary numbers simply for tradition&#39;s sake - resulting&lt;br /&gt;
in employees having an unhealthy amount of time on their hands - has been an important&lt;br /&gt;
factor in the sharp decline in professional standards. Furthermore, Mr Farraday had made it&lt;br /&gt;
clear that he planned to hold only very rarely the sort of large social occasions Darlington&lt;br /&gt;
Hall had seen frequently in the past. I did then go about the task Mr Farraday had set me with&lt;br /&gt;
some dedication; I spent many hours working on the staff plan, and at least as many hours&lt;br /&gt;
again thinking about it as I went about other duties or as I lay awake after retiring. Whenever I&lt;br /&gt;
believed I had come up with something, I probed it for every sort of oversight, tested it&lt;br /&gt;
through from all angles. Finally, I came up with a plan which, while perhaps not exactly as&lt;br /&gt;
Mr Farraday had requested, was the best, I felt sure, that was humanly possible.&lt;br /&gt;
Almost all the attractive parts of the house could remain operative: the extensive&lt;br /&gt;
servants&#39; quarters - including the back corridor, the two still rooms and the old laundry - and&lt;br /&gt;
the guest corridor up on the second floor would be dust-sheeted, leaving all the main groundfloor&lt;br /&gt;
rooms and a generous number of guest rooms. Admittedly, our present team of four&lt;br /&gt;
would manage this programme only with reinforcement from some daily workers; my staff&lt;br /&gt;
plan therefore took in the services of a gardener, to visit once a week, twice in the summer,&lt;br /&gt;
and two cleaners, each to visit twice a week. The staff plan would, furthermore, for each of&lt;br /&gt;
the four resident employees mean a radical altering of our respective customary duties. The&lt;br /&gt;
two young girls, I predicted, would not find such changes so difficult to accommodate, but I&lt;br /&gt;
did all I could to see that Mrs Clements suffered the least adjustments, to the extent that I&lt;br /&gt;
undertook for myself a number of duties which you may consider most broad-minded of a&lt;br /&gt;
butler to do.&lt;br /&gt;
Even now, I would not go so far as to say it is a bad staff plan; after all, it enables a&lt;br /&gt;
staff of four to cover an unexpected amount of ground.&lt;br /&gt;
But you will no doubt agree that the very best staff plans are those which give clear&lt;br /&gt;
margins of error to allow for those days when an employee is ill or for one reason or another&lt;br /&gt;
below par. In this particular case, of course, I had been set a slightly extraordinary task, but I&lt;br /&gt;
had nevertheless not been neglectful to incorporate &#39;margins&#39; wherever possible. I was&lt;br /&gt;
especially conscious that any resistance there may be on the part of Mrs Clements, or the two&lt;br /&gt;
girls, to the taking on of duties beyond their traditional boundaries would be compounded by&lt;br /&gt;
any notion that their workloads had greatly increased. I had then, over those days of&lt;br /&gt;
struggling with the staff plan, expended a significant amount of thought to ensuring that Mrs&lt;br /&gt;
Clements and the girls, once they had got over their aversion to adopting these more &#39;eclectic&#39;&lt;br /&gt;
roles, would find the division of duties stimulating and unburdensome.&lt;br /&gt;
I fear, however, that in my anxiety to win the support of Mrs Clements and the girls, I&lt;br /&gt;
did not perhaps assess quite as stringently my own limitations; and although my experience&lt;br /&gt;
and customary caution in such matters prevented my giving myself more than I could actually&lt;br /&gt;
carry out, I was perhaps negligent over this question of allowing myself a margin.&lt;br /&gt;
It is not surprising then, if over several months, this oversight should reveal itself in&lt;br /&gt;
these small but telling ways. In the end, I believe the matter to be no more complicated than&lt;br /&gt;
this: I had given myself too much to do.&lt;br /&gt;
You may be amazed that such an obvious shortcoming to a staff plan should have&lt;br /&gt;
continued to escape my notice, but then you will agree that such is often the way with matters&lt;br /&gt;
one has given abiding thought to over a period of time; one is not struck by the truth until&lt;br /&gt;
prompted quite accidentally by some external event. So it was in this instance; that is to say,&lt;br /&gt;
my receiving the letter from Miss Kenton, containing as it did, along with its long, rather&lt;br /&gt;
unrevealing passages, an unmistakable nostalgia for Darlington Hall, and - I am quite sure of&lt;br /&gt;
this - distinct hints of her desire to return here, obliged me to see my staff plan afresh. Only&lt;br /&gt;
then did it strike me that there was indeed a role that a further staff member could crucially&lt;br /&gt;
play here; that it was, in fact, this very shortage that had been at the heart of all my recent&lt;br /&gt;
troubles.&lt;br /&gt;
And the more I considered it, the more obvious it became that Miss Kenton, with her&lt;br /&gt;
great affection for this house, with her exemplary professionalism - the sort almost impossible&lt;br /&gt;
to find nowadays - was Just the factor needed to enable me to complete a fully satisfactory&lt;br /&gt;
staff plan for Darlington Hall.&lt;br /&gt;
Having made such an analysis of the situation, It was not long before I found myself&lt;br /&gt;
reconsidering Mr Farraday&#39;s kind suggestion of some days ago.&lt;br /&gt;
For it had occurred to me that the proposed trip in the car could be put to good&lt;br /&gt;
professional use; that is to say, I could drive to the West Country and call on Miss Kenton in&lt;br /&gt;
passing, thus exploring at first hand the substance of her wish to return to employment here at&lt;br /&gt;
Darlington Hall. I have, I should make clear, reread Miss Kenton&#39;s recent letter several times,&lt;br /&gt;
and there is no possibility I am merely imagining the presence of these hints on her part.&lt;br /&gt;
For all that, I could not for some days quite bring myself to raise the matter again with&lt;br /&gt;
Mr Farraday. There were, in any case, various aspects to the matter I felt I needed to clarify to&lt;br /&gt;
myself before proceeding further. There was, for instance, the question of cost. For even&lt;br /&gt;
taking into account my employer&#39;s generous offer to &#39;foot the bill for the gas&#39;, the costs of such&lt;br /&gt;
a trip might still come to a surprising amount considering such matters as accommodation,&lt;br /&gt;
meals, and any small snacks I might partake of on my way. Then there was the question of&lt;br /&gt;
what sorts of costume were appropriate on such a journey, and whether or not it was worth&lt;br /&gt;
my while to invest in a new set of clothes. I am in the possession of a number of splendid&lt;br /&gt;
suits, kindly passed on to me over the years by Lord Darlington himself, and by various&lt;br /&gt;
guests who have stayed in this house and had reason to be pleased with the standard of service&lt;br /&gt;
here.&lt;br /&gt;
Many of these suits are, perhaps, too formal for the purposes of the proposed trip, or&lt;br /&gt;
else rather old-fashioned these days. But then there is one lounge suit, passed on to me in&lt;br /&gt;
1931 or 1932 by Sir Edward Blair - practically brand new at the time and almost a perfect fit -&lt;br /&gt;
which might well be appropriate for evenings in the lounge or dining room of any guest&lt;br /&gt;
houses where I might lodge. What I do not possess, however, is any suitable travelling clothes&lt;br /&gt;
- that is to say, clothes in which I might be seen driving the car - unless I were to don the suit&lt;br /&gt;
passed on by the young Lord Chalmers during the war, which despite being clearly too small&lt;br /&gt;
for me, might be considered ideal in terms of tone. I calculated finally that my savings would&lt;br /&gt;
be able to meet all the costs I might incur, and in addition, might stretch to the purchase of a&lt;br /&gt;
new costume. I hope you do not think me unduly vain with regard to this last matter; it is just&lt;br /&gt;
that one never knows when one might be obliged to give out that one is from Darlington Hall,&lt;br /&gt;
and it is important that one be attired at such times in a manner worthy of one&#39;s position.&lt;br /&gt;
During this time, I also spent many minutes examining the road atlas, and perusing&lt;br /&gt;
also the relevant volumes of Mrs Jane Symons&#39; _The Wonder of England__. If you are not&lt;br /&gt;
familiar with Mrs Symons&#39; books - a series running to seven volumes, each one concentrating&lt;br /&gt;
on one region of the British Isles - I heartily recommend them. They were written during the&lt;br /&gt;
thirties, but much of it would still be up to date - after all, I do not imagine German bombs&lt;br /&gt;
have altered our countryside so significantly. Mrs Symons was, as a matter of fact, a frequent&lt;br /&gt;
visitor to this house before the war; indeed, she was among the most popular as far as the staff&lt;br /&gt;
were concerned due to the kind appreciation she never shied from showing. It was in those&lt;br /&gt;
days, then, prompted by my natural admiration for the lady, that I had first taken to perusing&lt;br /&gt;
her volumes in the library whenever I had an odd moment. Indeed, I recall that shortly after&lt;br /&gt;
Miss Kenton&#39;s departure to Cornwall in 1936, myself never having been to that part of the&lt;br /&gt;
country, I would often glance through Volume III of Mrs Symons&#39; work, the volume which&lt;br /&gt;
describes to readers the delights of Devon and Cornwall, complete with photographs and - to&lt;br /&gt;
my mind even more evocative - a variety of artists&#39; sketches of that region. It was thus that I&lt;br /&gt;
had been able to gain some sense of the sort of place Miss Kenton had gone to live her&lt;br /&gt;
married life. But this was, as I say, back in the thirties, when as I understand, Mrs Symons&#39;&lt;br /&gt;
books were being admired in houses up and down the country. I had not looked through those&lt;br /&gt;
volumes for many years, until these recent developments led me to get down from the shelf&lt;br /&gt;
the Devon and Cornwall volume once more. I studied all over again those marvellous&lt;br /&gt;
descriptions and illustrations, and you can perhaps understand my growing excitement at the&lt;br /&gt;
notion that I might now actually undertake a motoring trip myself around that same part of the&lt;br /&gt;
country.&lt;br /&gt;
It seemed in the end there was little else to do but actually to raise the matter again&lt;br /&gt;
with Mr Farraday. There was always the possibility, of course, that his suggestion of a&lt;br /&gt;
fortnight ago may have been a whim of the moment, and he would no longer be approving of&lt;br /&gt;
the idea. But from my observation of Mr Farraday over these months, he is not one of those&lt;br /&gt;
gentlemen prone to that most irritating of traits in an employer - inconsistency. There was no&lt;br /&gt;
reason to believe he would not be as enthusiastic as before about my proposed motoring trip -&lt;br /&gt;
indeed, that he would not repeat his most kind offer to &#39;foot the bill for the gas&#39;.&lt;br /&gt;
Nevertheless, I considered most carefully what might be the most opportune occasion&lt;br /&gt;
to bring the matter up with him; for although I would not for one moment, as I say, suspect&lt;br /&gt;
Mr Farraday of inconsistency, it nevertheless made sense not to broach the topic when he was&lt;br /&gt;
preoccupied or distracted. A refusal in such circumstances may well not reflect my employer&#39;s&lt;br /&gt;
true feelings on the matter, but once having sustained such a dismissal, I could not easily&lt;br /&gt;
bring it up again. It was clear, then, that I had to choose my moment wisely.&lt;br /&gt;
In the end, I decided the most prudent moment in the day would be as I served&lt;br /&gt;
afternoon tea in the drawing room. Mr Farraday will usually have just returned from his short&lt;br /&gt;
walk on the downs at that point, so he is rarely engrossed in his reading or writing as he tends&lt;br /&gt;
to be in the evenings. In fact, when I bring in the afternoon tea, Mr Farraday is inclined to&lt;br /&gt;
close any book or periodical he has been reading, rise and stretch out his arms in front of the&lt;br /&gt;
windows, as though in anticipation of conversation with me.&lt;br /&gt;
As it was, I believe my judgement proved quite sound on the question of timing; the&lt;br /&gt;
fact that things turned out as they did is entirely attributable to an error of judgement in&lt;br /&gt;
another direction altogether.&lt;br /&gt;
That is to say, I did not take sufficient account of the fact that at that time of the day,&lt;br /&gt;
what Mr Farraday enjoys is a conversation of a light-hearted, humorous sort. Knowing this to&lt;br /&gt;
be his likely mood when I brought in the tea yesterday afternoon, and being aware of his&lt;br /&gt;
general propensity to talk with me in a bantering tone at such moments, it would certainly&lt;br /&gt;
have been wiser not to have mentioned Miss Kenton at all. But you will perhaps understand&lt;br /&gt;
that there was a natural tendency on my part, in asking what was after all a generous favour&lt;br /&gt;
from my employer, to hint that there was a good professional motive behind my request. So it&lt;br /&gt;
was that in indicating my reasons for preferring the West Country for my motoring, instead of&lt;br /&gt;
leaving it at mentioning several of the alluring details as conveyed by Mrs Symons&#39; volume, I&lt;br /&gt;
made the error of declaring that a former housekeeper of Darlington Hall was resident in that&lt;br /&gt;
region. I suppose I must have been intending to explain to Mr Farraday how I would thus be&lt;br /&gt;
able to explore an option which might prove the ideal solution to our present small problems&lt;br /&gt;
here in this house. It was only after I had mentioned Miss Kenton that I suddenly realized how&lt;br /&gt;
entirely inappropriate it would be for me to continue. Not only was I unable to be certain of&lt;br /&gt;
Miss Kenton&#39;s desire to rejoin the staff here, I had not, of course, even discussed the question&lt;br /&gt;
of additional staff with Mr Farraday since that first preliminary meeting over a year ago. To&lt;br /&gt;
have continued pronouncing aloud my thoughts on the future of Darlington Hall would have&lt;br /&gt;
been, to say the very least, presumptuous. I suspect, then, that I paused rather abruptly and&lt;br /&gt;
looked a little awkward. In any case, Mr Farraday seized the opportunity to grin broadly at me&lt;br /&gt;
and say with some deliberation: &quot;My, my, Stevens. A lady-friend. And at your age.&quot;&lt;br /&gt;
This was a most embarrassing situation, one in which Lord Darlington would never&lt;br /&gt;
have placed an employee. But then I do not mean to imply anything derogatory about Mr&lt;br /&gt;
Farraday; he is, after all, an American gentleman and his ways are often very different. There&lt;br /&gt;
is no question at all that he meant any harm; but you will no doubt appreciate how&lt;br /&gt;
uncomfortable a situation this was for me.&lt;br /&gt;
&quot;I&#39;d never have figured you for such a lady&#39;s man Stevens,&quot; he went on. &quot;Keeps the&lt;br /&gt;
spirit young, I guess. But then I really don&#39;t know it&#39;s right for me to be helping you with such&lt;br /&gt;
dubious assignations.&quot;&lt;br /&gt;
Naturally, I felt the temptation to deny immediately and unambiguously such&lt;br /&gt;
motivations as my employer was imputing to me, but saw in time that to do so could be to rise&lt;br /&gt;
to Mr Farraday&#39;s bait, and the situation would only become increasingly embarrassing. I&lt;br /&gt;
therefore continued to stand there awkwardly, waiting for my employer to give me permission&lt;br /&gt;
to undertake the motoring trip.&lt;br /&gt;
Embarrassing as those moments were for me, I would not wish to imply that I in any&lt;br /&gt;
way blame Mr Farraday, who is in no sense an unkind person; he was, I am sure, merely&lt;br /&gt;
enjoying the sort of bantering which in the United States, no doubt, is a sign of a good,&lt;br /&gt;
friendly understanding between employer and employee, indulged in as a kind of affectionate&lt;br /&gt;
sport. Indeed, to put things into a proper perspective, I should point out that just such&lt;br /&gt;
bantering on my new employer&#39;s part has characterized much of our relationship over these&lt;br /&gt;
months - though I must confess, I remain rather unsure as to how I should respond. In fact,&lt;br /&gt;
during my first days under Mr Farraday, I was once or twice quite astounded by some of the&lt;br /&gt;
things he would say to me. For instance, I once had occasion to ask him if a certain gentleman&lt;br /&gt;
expected at the house was likely to be accompanied by his wife.&lt;br /&gt;
&quot;God help us if she does come,&quot; Mr Farraday replied. &quot;Maybe you could keep her off&lt;br /&gt;
our hands, Stevens. Maybe you could take her out to one of those stables around Mr Morgan&#39;s&lt;br /&gt;
farm. Keep her entertained in all that hay. She may be just your type.&quot;&lt;br /&gt;
For a moment or two, I had not an idea what my employer was saying. Then I realized&lt;br /&gt;
he was making some sort of joke and endeavoured to smile appropriately, though I suspect&lt;br /&gt;
some residue of my bewilderment, not to say shock, remained detectable in my expression.&lt;br /&gt;
Over the following days, however, I came to learn not to be surprised by such remarks&lt;br /&gt;
from my employer, and would smile in the correct manner whenever I detected the bantering&lt;br /&gt;
tone in his voice. Nevertheless, I could never be sure exactly what was required of me on&lt;br /&gt;
these occasions.&lt;br /&gt;
Perhaps I was expected to laugh heartily; or indeed, reciprocate with some remark of&lt;br /&gt;
my own. This last possibility is one that has given me some concern over these months, and is&lt;br /&gt;
something about which I still feel undecided. For it may well be that in America, it is all part&lt;br /&gt;
of what is considered good professional service that an employee provide entertaining banter.&lt;br /&gt;
In fact, I remember Mr Simpson, the landlord of the Ploughman&#39;s Arms, saying once that&lt;br /&gt;
were he an American bartender, he would not be chatting to us in that friendly, but evercourteous&lt;br /&gt;
manner of his, but instead would be assaulting us with crude references to our vices&lt;br /&gt;
and failings, calling us drunks and all manner of such names, in his attempt to fulfil the role&lt;br /&gt;
expected of him by his customers. And I recall also some years ago, Mr Rayne, who travelled&lt;br /&gt;
to America as valet to Sir Reginald Mauvis, remarking that a taxi driver in New York&lt;br /&gt;
regularly addressed his fare in a manner which if repeated in London would end in some sort&lt;br /&gt;
of fracas, if not in the fellow being frogmarched to the nearest police station.&lt;br /&gt;
It is quite possible, then, that my employer fully expects me to respond to his&lt;br /&gt;
bantering in a like manner, and considers my failure to do so a form of negligence. This is, as&lt;br /&gt;
I say, a matter which has given me much concern. But I must say this business of bantering is&lt;br /&gt;
not a duty I feel I can ever discharge with enthusiasm. It is all very well, in these changing&lt;br /&gt;
times, to adapt one&#39;s work to take in duties not traditionally within one&#39;s realm; but bantering&lt;br /&gt;
is of another dimension altogether.&lt;br /&gt;
For one thing, how would one know for sure that at any given moment a response of&lt;br /&gt;
the bantering sort is truly what is expected? One need hardly dwell on the catastrophic&lt;br /&gt;
possibility of uttering a bantering remark only to discover it wholly inappropriate.&lt;br /&gt;
I did though on one occasion not long ago, pluck up the courage to attempt the&lt;br /&gt;
required sort of reply. I was serving Mr Farraday morning coffee in the breakfast room when&lt;br /&gt;
he had said to me: &quot;I suppose it wasn&#39;t you making that crowing noise this morning, Stevens?&quot;&lt;br /&gt;
My employer was referring, I realized, to a pair of gypsies gathering unwanted iron&lt;br /&gt;
who had passed by earlier making their customary calls. As it happened, I had that same&lt;br /&gt;
morning been giving thought to the dilemma of whether or not I was expected to reciprocate&lt;br /&gt;
my employer&#39;s bantering, and had been seriously worried at how he might be viewing my&lt;br /&gt;
repeated failure to respond to such openings. I therefore set about thinking of some witty&lt;br /&gt;
reply; some statement which would still be safely inoffensive in the event of my having&lt;br /&gt;
misjudged the situation. After a moment or two, I said: &quot;More like swallows than crows, I&lt;br /&gt;
would have said, sir. From the migratory aspect.&quot; And I followed this with a suitably modest&lt;br /&gt;
smile to indicate without ambiguity that I had made a witticism, since I did not wish Mr&lt;br /&gt;
Farraday to restrain any spontaneous mirth he felt out of a misplaced respectfulness.&lt;br /&gt;
Mr Farraday, however, simply looked up at me and said: &quot;I beg your pardon,&lt;br /&gt;
Stevens?&quot;&lt;br /&gt;
Only then did it occur to me that, of course, my witticism would not be easily&lt;br /&gt;
appreciated by someone who was not aware that it was gypsies who had passed by. I could&lt;br /&gt;
not see, then, how I might press on with this bantering; in fact, I decided it best to call a halt&lt;br /&gt;
to the matter and, pretending to remember something I had urgently to attend to, excused&lt;br /&gt;
myself, leaving my employer looking rather bemused.&lt;br /&gt;
It was, then, a most discouraging start to what may in fact be an entirely new sort of&lt;br /&gt;
duty required of me; so discouraging that I must admit I have not really made further attempts&lt;br /&gt;
along these lines. But at the same time, I cannot escape the feeling that Mr Farraday is not&lt;br /&gt;
satisfied with my responses to his various banterings. Indeed, his increased persistence of late&lt;br /&gt;
may even be my employer&#39;s way of urging me all the more to respond in a like-minded spirit.&lt;br /&gt;
Be that as it may, since that first witticism concerning the gypsies, I have not been able to&lt;br /&gt;
think of other such witticisms quickly enough.&lt;br /&gt;
Such difficulties as these tend to be all the more preoccupying nowadays because one&lt;br /&gt;
does not have the means to discuss and corroborate views with one&#39;s fellow professionals in&lt;br /&gt;
the way one once did. Not so long ago, if any such points of ambiguity arose regarding one&#39;s&lt;br /&gt;
duties, one had the comfort of knowing that before long some fellow professional whose&lt;br /&gt;
opinion one respected would be accompanying their employer to the house, and there would&lt;br /&gt;
be ample opportunity to discuss the matter. And of course, in Lord Darlington&#39;s days, when&lt;br /&gt;
ladies and gentlemen would often visit for many days on end, it was possible to develop a&lt;br /&gt;
good understanding with visiting colleagues. Indeed, in those busy days, our servants&#39; hall&lt;br /&gt;
would often witness a gathering of some of the finest professionals in England talking late&lt;br /&gt;
into the night by the warmth of the fire. And let me tell you, if you were to have come into our&lt;br /&gt;
servants&#39; hall on any of those evenings, you would not have heard mere gossip; more likely,&lt;br /&gt;
you would have witnessed debates over the great affairs preoccupying our employers upstairs,&lt;br /&gt;
or else over matters of import reported in the newspapers; and of course, as fellow&lt;br /&gt;
professionals from all walks of life are wont to do when gathered together, we could be found&lt;br /&gt;
discussing every aspect of our vocation.&lt;br /&gt;
Sometimes, naturally, there would be strong disagreements, but more often than not,&lt;br /&gt;
the atmosphere was dominated by a feeling of mutual respect. Perhaps I will convey a better&lt;br /&gt;
idea of the tone of those evenings if I say that regular visitors included the likes of Mr Harry&lt;br /&gt;
Graham, valet-butler to Sir James Chambers, and Mr John Donalds, valet to Mr Sydney&lt;br /&gt;
Dickenson. And there were others less distinguished, perhaps, but whose lively presence&lt;br /&gt;
made any visit memorable; for instance, Mr Wilkinson, valet-butler to Mr John Campbell,&lt;br /&gt;
with his well-known repertoire of impersonations of prominent gentlemen; Mr Davidson from&lt;br /&gt;
Easterly House, whose passion in debating a point could at times be as alarming to a stranger&lt;br /&gt;
as his simple kindness at all other times was endearing; Mr Herman, valet to Mr John Henry&lt;br /&gt;
Peters, whose extreme views no one could listen to passively, but whose distinctive bellylaugh&lt;br /&gt;
and Yorkshire charm made him impossible to dislike. I could go on. There existed in&lt;br /&gt;
those days a true camaraderie in our profession, whatever the small differences in our&lt;br /&gt;
approach. We were all essentially cut from the same cloth, so to speak. Not the way it is&lt;br /&gt;
today, when on the rare occasion an employee accompanies a guest here, he is likely to be&lt;br /&gt;
some newcomer who has little to say about anything other than Association Football, and who&lt;br /&gt;
prefers to pass the evening not by the fire of the servants&#39; hall, but drinking at the Ploughman&#39;s&lt;br /&gt;
Arms - or indeed, as seems increasingly likely nowadays, at the Star Inn.&lt;br /&gt;
I mentioned a moment ago Mr Graham, the valet-butler to Sir James Chambers. In&lt;br /&gt;
fact, some two months ago, I was most happy to learn that Sir James was to visit Darlington&lt;br /&gt;
Hall. I looked forward to the visit not only because visitors from Lord Darlington&#39;s days are&lt;br /&gt;
most rare now - Mr Farraday&#39;s circle, naturally, being quite different from his lordship&#39;s - but&lt;br /&gt;
also because I presumed Mr Graham would accompany Sir James as of old, and I would thus&lt;br /&gt;
be able to get his opinion on this question of bantering. I was, then, both surprised and&lt;br /&gt;
disappointed to discover a day before the visit that Sir James would be coming alone.&lt;br /&gt;
Furthermore, during Sir James&#39; subsequent stay, I gathered that Mr Graham was no&lt;br /&gt;
longer in Sir James&#39; employ; indeed that Sir James no longer employed any full-time staff at&lt;br /&gt;
all. I would like to have discovered what had become of Mr Graham, for although we had not&lt;br /&gt;
known each other well, I would say we had got on on those occasions we had met. As it was,&lt;br /&gt;
however, no suitable opportunity arose for me to gain such information. I must say, I was&lt;br /&gt;
rather disappointed, for I would like to have discussed the bantering question with him.&lt;br /&gt;
However, let me return to my original thread.&lt;br /&gt;
I was obliged, as I was saying, to spend some uncomfortable minutes standing in the&lt;br /&gt;
drawing room yesterday afternoon while Mr Farraday went about his bantering. I responded&lt;br /&gt;
as usual by smiling slightly - sufficient at least to indicate that I was participating in some way&lt;br /&gt;
with the good-humouredness with which he was carrying on - and waited to see if my&lt;br /&gt;
employer&#39;s permission regarding the trip would be forthcoming.&lt;br /&gt;
As I had anticipated, he gave his kind permission after not too great a delay, and&lt;br /&gt;
furthermore, Mr Farraday was good enough to remember and reiterate his generous offer to&lt;br /&gt;
&#39;foot the bill for the gas&#39;.&lt;br /&gt;
So then, there seems little reason why I should not undertake my motoring trip to the&lt;br /&gt;
West Country. I would of course have to write to Miss Kenton to tell her I might be passing&lt;br /&gt;
by; I would also need to see to the matter of the costumes. Various other questions concerning&lt;br /&gt;
arrangements here in the house during my absence will need to be settled. But all in all, I can&lt;br /&gt;
see no genuine reason why I should not undertake this trip.&lt;br /&gt;
Day One - Evening&lt;br /&gt;
Salisbury&lt;br /&gt;
TONIGHT, I find myself here in a guest house in the city of Salisbury.&lt;br /&gt;
The first day of my trip is now completed, and all in all, I must say I am quite&lt;br /&gt;
satisfied. This expedition began this morning almost an hour later than I had planned, despite&lt;br /&gt;
my having completed my packing and loaded the Ford with all necessary items well before&lt;br /&gt;
eight o&#39;clock. What with Mrs Clements and the girls also gone for the week, I suppose I was&lt;br /&gt;
very conscious of the fact that once I departed, Darlington Hall would stand empty for&lt;br /&gt;
probably the first time this century - perhaps for the first time since the day it was built. It was&lt;br /&gt;
an odd feeling and perhaps accounts for why I delayed my departure so long, wandering&lt;br /&gt;
around the house many times over, checking one last time that all was in order.&lt;br /&gt;
It is hard to explain my feelings once I did finally set off. For the first twenty minutes&lt;br /&gt;
or so of motoring, I cannot say I was seized by any excitement or anticipation at all. This was&lt;br /&gt;
due, no doubt, to the fact that though I motored further and further from the house, I&lt;br /&gt;
continued to find myself in surroundings with which I had at least a passing acquaintance.&lt;br /&gt;
Now I had always supposed I had travelled very little, restricted as I am by my responsibilities&lt;br /&gt;
in the house, but of course, over time, one does make various excursions for one professional&lt;br /&gt;
reason or another, and it would seem I have become much more acquainted with those&lt;br /&gt;
neighbouring districts than I had realized. For as I say, as I motored on in the sunshine&lt;br /&gt;
towards the Berkshire border, I continued to be surprised by the familiarity of the country&lt;br /&gt;
around me.&lt;br /&gt;
But then eventually the surroundings grew unrecognizable and I knew I had gone&lt;br /&gt;
beyond all previous boundaries. I have heard people describe the moment, when setting sail in&lt;br /&gt;
a ship, when one finally loses sight of the land. I imagine the experience of unease mixed with&lt;br /&gt;
exhilaration often described in connection with this moment is very similar to what I felt in&lt;br /&gt;
the Ford as the surroundings grew strange around me. This occurred just after I took a turning&lt;br /&gt;
and found myself on a road curving around the edge of a hill. I could sense the steep drop to&lt;br /&gt;
my left, though I could not see it due to the trees and thick foliage that lined the roadside. The&lt;br /&gt;
feeling swept over me that I had truly left Darlington Hall behind, and I must confess I did&lt;br /&gt;
feel a slight sense of alarm - a sense aggravated by the feeling that I was perhaps not on the&lt;br /&gt;
correct road at all, but speeding off in totally the wrong direction into a wilderness. It was&lt;br /&gt;
only the feelings of a moment, but it caused me to slow down. And even when I had assured&lt;br /&gt;
myself I was on the right road, I felt compelled to stop the car a moment to take stock, as it&lt;br /&gt;
were.&lt;br /&gt;
I decided to step out and stretch my legs a little and when I did so, I received a&lt;br /&gt;
stronger impression than ever of being perched on the side of a hill. On one side of the road,&lt;br /&gt;
thickets and small trees rose steeply, while on the other I could now glimpse through the&lt;br /&gt;
foliage the distant countryside.&lt;br /&gt;
I believe I had walked a little way along the roadside, peering through the foliage&lt;br /&gt;
hoping to get a better view, when I heard a voice behind me.&lt;br /&gt;
Until this point, of course, I had believed myself quite alone and I turned in some&lt;br /&gt;
surprise. A little further up the road on the opposite side, I could see the start of a footpath,&lt;br /&gt;
which disappeared steeply into the thickets. Sitting on the large stone that marked this spot&lt;br /&gt;
was a thin, white-haired man in a cloth cap, smoking his pipe. He called to me again and&lt;br /&gt;
though I could not quite make out his words, I could see him gesturing for me to join him. For&lt;br /&gt;
a moment, I took him for a vagrant, but then I saw he was just some local fellow enjoying the&lt;br /&gt;
fresh air and summer sunshine, and saw no reason not to comply.&lt;br /&gt;
&quot;Just wondering, sir,&quot; he said, as I approached, &quot;how fit your legs were.&quot;&lt;br /&gt;
&quot;I beg your pardon?&quot;&lt;br /&gt;
The fellow gestured up the footpath. &quot;You got to have a good pair of legs and a good&lt;br /&gt;
pair of lungs to go up there. Me, I haven&#39;t got neither, so I stay down here. But if I was in&lt;br /&gt;
better shape, I&#39;d be sitting up there. There&#39;s a nice little spot up there, a bench and everything.&lt;br /&gt;
And you won&#39;t get a better view anywhere in the whole of England.&quot;&lt;br /&gt;
&quot;If what you say is true,&quot; I said, &quot;I think I&#39;d rather stay here. I happen to be embarking&lt;br /&gt;
on a motoring trip during the course of which I hope to see many splendid views. To see the&lt;br /&gt;
best before I have properly begun would be somewhat premature.&quot;&lt;br /&gt;
The fellow did not seem to understand me, for he simply said again: &quot;You won&#39;t see a&lt;br /&gt;
better view in the whole of England. But I tell you, you need a good pair of legs and a good&lt;br /&gt;
pair of lungs.&quot; Then he added: &quot;I can see you&#39;re in good shape for your age, sir. I&#39;d say you&lt;br /&gt;
could make your way up there, no trouble. I mean, even I can manage on a good day.&quot;&lt;br /&gt;
I glanced up the path, which did look steep and rather rough.&lt;br /&gt;
&quot;I&#39;m telling you, sir, you&#39;ll be sorry if you don&#39;t take a walk up there. And you never&lt;br /&gt;
know. A couple more years and it might be too late&quot;- he gave a rather vulgar laugh - &quot;Better&lt;br /&gt;
go on up while you still can.&quot;&lt;br /&gt;
It occurs to me now that the man might just possibly have meant this in a humorous&lt;br /&gt;
sort of way; that is to say, he intended it as a bantering remark. But this morning, I must say, I&lt;br /&gt;
found it quite offensive and it may well have been the urge to demonstrate just how foolish&lt;br /&gt;
his insinuation had been that caused me to set off up the footpath.&lt;br /&gt;
In any case, I am very glad I did so. Certainly, it was quite a strenuous walk - though I&lt;br /&gt;
can say it failed to cause me any real difficulty - the path rising in zigzags up the hillside for a&lt;br /&gt;
hundred yards or so. I then reached a small clearing, undoubtedly the spot the man had&lt;br /&gt;
referred to. Here one was met by a bench - and indeed, by a most marvellous view over miles&lt;br /&gt;
of the surrounding countryside.&lt;br /&gt;
What I saw was principally field upon field rolling off into the far distance. The land&lt;br /&gt;
rose and fell gently, and the fields were bordered by hedges and trees. There were dots in&lt;br /&gt;
some of the distant fields which I assumed to be sheep. To my right, almost on the horizon, I&lt;br /&gt;
thought I could see the square tower of a church.&lt;br /&gt;
It was a fine feeling indeed to be standing up there like that, with the sound of summer&lt;br /&gt;
all around one and a light breeze on one&#39;s face. And I believe it was then, looking on that&lt;br /&gt;
view, that I began for the first time to adopt a frame of mind appropriate for the journey&lt;br /&gt;
before me. For it was then that I felt the first healthy flush of anticipation for the many&lt;br /&gt;
interesting experiences I know these days ahead hold in store for me. And indeed, it was then&lt;br /&gt;
that I felt a new resolve not to be daunted in respect to the one professional task I have&lt;br /&gt;
entrusted myself with on this trip; that is to say, regarding Miss Kenton and our present&lt;br /&gt;
staffing problems.&lt;br /&gt;
But that was this morning. This evening I find myself settled here in this comfortable&lt;br /&gt;
guest house in a street not far from the centre of Salisbury. It is, I suppose, a relatively modest&lt;br /&gt;
establishment, but very clean and perfectly adequate for my needs. The landlady, a woman of&lt;br /&gt;
around forty or so, appears to regard me as a rather grand visitor on account of Mr Farraday&#39;s&lt;br /&gt;
Ford and the high quality of my suit. This afternoon - I arrived in Salisbury at around three&lt;br /&gt;
thirty - when I entered my address in her register as &#39;Darlington Hall&#39;, I could see her look at&lt;br /&gt;
me with some trepidation, assuming no doubt that I was some gentleman used to such places&lt;br /&gt;
as the Ritz or the Dorchester and that I would storm out of her guest house on being shown&lt;br /&gt;
my room. She informed me that a double room at the front was available, though I was&lt;br /&gt;
welcome to it for the price of a single.&lt;br /&gt;
I was then brought up to this room, in which, at that point of the day, the sun was&lt;br /&gt;
lighting up the floral patterns of the wallpaper quite agreeably. There were twin beds and a&lt;br /&gt;
pair of good-sized windows overlooking the street. On inquiring where the bathroom was, the&lt;br /&gt;
woman told me in a timid voice that although it was the door facing mine, there would be no&lt;br /&gt;
hot water available until after supper. I asked her to bring me up a pot of tea, and when she&lt;br /&gt;
had gone, inspected the room further. The beds were perfectly clean and had been well made.&lt;br /&gt;
The basin in the corner was also very clean. On looking out of the windows, one saw on the&lt;br /&gt;
opposite side of the street a bakery displaying a variety of pastries, a chemist&#39;s shop and a&lt;br /&gt;
barber&#39;s. Further along, one could see where the street passed over a round-backed bridge and&lt;br /&gt;
on into more rural surroundings. I refreshed my face and hands with cold water at the basin,&lt;br /&gt;
then seated myself on a hard-backed chair left near one of the windows to await my tea.&lt;br /&gt;
I would suppose it was shortly after four o&#39;clock that I left the guest house and&lt;br /&gt;
ventured out into the streets of Salisbury. The wide, airy nature of the streets here give the city&lt;br /&gt;
a marvellously spacious feel, so that I found it most easy to spend some hours just strolling in&lt;br /&gt;
the gently warm sunshine. Moreover, I discovered the city to be one of many charms; time&lt;br /&gt;
and again, I found myself wandering past delightful rows of old timber-fronted houses, or&lt;br /&gt;
crossing some little stone footbridge over one of the many streams that flow through the city.&lt;br /&gt;
And of course, I did not fail to visit the fine cathedral, much praised by Mrs Symons in her&lt;br /&gt;
volume. This august building was hardly difficult for me to locate, its looming spire being&lt;br /&gt;
ever-visible wherever one goes in Salisbury. Indeed, as I was making my way back to this&lt;br /&gt;
guest house this evening, I glanced back over my shoulder on a number of occasions and was&lt;br /&gt;
met each time by a view of the sun setting behind that great spire.&lt;br /&gt;
And yet tonight, in the quiet of this room, I find that what really remains with me from&lt;br /&gt;
this first day&#39;s travel is not Salisbury Cathedral, nor any of the other charming sights of this&lt;br /&gt;
city, but rather that marvellous view encountered this morning of the rolling English&lt;br /&gt;
countryside. Now I am quite prepared to believe that other countries can offer more obviously&lt;br /&gt;
spectacular scenery. Indeed, I have seen in encyclopedias and the _National Geographic&lt;br /&gt;
Magazine__ breathtaking photographs of sights from various corners of the globe;&lt;br /&gt;
magnificent canyons and waterfalls, raggedly beautiful mountains. It has never, of course,&lt;br /&gt;
been my privilege to have seen such things at first hand, but I will nevertheless hazard this&lt;br /&gt;
with some confidence: the English landscape at its finest - such as I saw it this morning -&lt;br /&gt;
possesses a quality that the landscapes of other nations, however more superficially dramatic,&lt;br /&gt;
inevitably fail to possess. It is, I believe, a quality that will mark out the English landscape to&lt;br /&gt;
any objective observer as the most deeply satisfying in the world, and this quality is probably&lt;br /&gt;
best summed up by the term &#39;greatness&#39;. For it is true, when I stood on that high ledge this&lt;br /&gt;
morning and viewed the land before me, I distinctly felt that rare, yet unmistakable feeling -&lt;br /&gt;
the feeling that one is in the presence of greatness. We call this land of ours _Great__ Britain,&lt;br /&gt;
and there may be those who believe this a somewhat immodest practice. Yet I would venture&lt;br /&gt;
that the landscape of our country alone would justify the use of this lofty adjective.&lt;br /&gt;
And yet what precisely is this &#39;greatness&#39;? Just where, or in what, does it lie? I am quite&lt;br /&gt;
aware it would take a far wiser head than mine to answer such a question, but if I were forced&lt;br /&gt;
to hazard a guess, I would say that it is the very _lack__ of obvious drama or spectacle that&lt;br /&gt;
sets the beauty of our land apart. What is pertinent is the calmness of that beauty, its sense of&lt;br /&gt;
restraint. It is as though the land knows of its own beauty, of its own greatness, and feels no&lt;br /&gt;
need to shout it. In comparison, the sorts of sights offered in such places as Africa and&lt;br /&gt;
America, though undoubtedly very exciting, would, I am sure, strike the objective viewer as&lt;br /&gt;
inferior on account of their unseemly demonstrativeness.&lt;br /&gt;
This whole question is very akin to the question that has caused much debate in our&lt;br /&gt;
profession over the years: what is a &#39;great&#39; butler? I can recall many hours of enjoyable&lt;br /&gt;
discussion on this topic around the fire of the servants&#39; hall at the end of a day. You will&lt;br /&gt;
notice I say &#39;what&#39; rather than &#39;who&#39; is a great butler; for there was actually no serious dispute&lt;br /&gt;
as to the identity of the men who set the standards amongst our generation. That is to say, I&lt;br /&gt;
am talking of the likes of Mr Marshall of Charleville House, or Mr Lane of Bridewood. If you&lt;br /&gt;
have ever had the privilege of meeting such men, you will no doubt know of the quality they&lt;br /&gt;
possess to which I refer. But you will no doubt also understand what I mean when I say it is&lt;br /&gt;
not at all easy to define just what this quality is.&lt;br /&gt;
Incidentally, now that I come to think further about it, it is not quite true to say there&lt;br /&gt;
was no dispute as to _who__ were the great butlers.&lt;br /&gt;
What I should have said was that there was no serious dispute among professionals of&lt;br /&gt;
quality who had any discernment in such matters. Of course, the servants&#39; hall at Darlington&lt;br /&gt;
Hall, like any servants&#39; hall anywhere, was obliged to receive employees of varying degrees of&lt;br /&gt;
intellect and perception, and I recall many a time having to bite my lip while some employee -&lt;br /&gt;
and at times, I regret to say, members of my own staff - excitedly eulogized the likes of, say,&lt;br /&gt;
Mr Jack Neighbours.&lt;br /&gt;
I have nothing against Mr Jack Neighbours, who sadly, I understand, was killed in the&lt;br /&gt;
war. I mention him simply because his was a typical case.&lt;br /&gt;
For two or three years in the mid-thirties, Mr Neighbours&#39; name seemed to dominate&lt;br /&gt;
conversations in every servants&#39; hall in the land. As I say, at Darlington Hall too, many a&lt;br /&gt;
visiting employee would bring the latest tales of Mr Neighbours&#39; achievements, so that I and&lt;br /&gt;
the likes of Mr Graham would have to share the frustrating experience of hearing anecdote&lt;br /&gt;
after anecdote relating to him. And most frustrating of all would be having to witness at the&lt;br /&gt;
conclusion of each such anecdote otherwise decent employees shaking their heads in wonder&lt;br /&gt;
and uttering phrases like: &quot;That Mr Neighbours, he really is the best.&quot;&lt;br /&gt;
Now I do not doubt that Mr Neighbours had good organizational skills; he did, I&lt;br /&gt;
understand, mastermind a number of large occasions with conspicuous style. But at no stage&lt;br /&gt;
did he ever approach the status of a great butler. I could have told you this at the height of his&lt;br /&gt;
reputation, just as I could have predicted his downfall after a few short years in the limelight.&lt;br /&gt;
How often have you known it for the butler who is on everyone&#39;s lips one day as the&lt;br /&gt;
greatest of his generation to be proved demonstrably within a few years to have been nothing&lt;br /&gt;
of the sort? And yet those very same employees who once heaped praise on him will be too&lt;br /&gt;
busy eulogizing some new figure to stop and examine their sense of judgement. The object of&lt;br /&gt;
this sort of servants&#39; hall talk is invariably some butler who has come to the fore quite&lt;br /&gt;
suddenly through having been appointed by a prominent house, and who has perhaps&lt;br /&gt;
managed to pull off two or three large occasions with some success. There will then be all&lt;br /&gt;
sorts of rumours buzzing through servants&#39; halls up and down the country to the effect that he&lt;br /&gt;
has been approached by this or that personage or that several of the highest houses are&lt;br /&gt;
competing for his services with wildly high wages. And what has happened before a few&lt;br /&gt;
years have passed? This same invincible figure has been held responsible for some blunder, or&lt;br /&gt;
has for some other reason fallen out of favour with his employers, leaves the house where he&lt;br /&gt;
came to fame and is never heard of again. Meanwhile those same gossipers will have found&lt;br /&gt;
yet some other newcomer about whom to enthuse. Visiting valets, I have found, are often the&lt;br /&gt;
worst offenders, aspiring as they usually do to the position of butler with some urgency.&lt;br /&gt;
They it is who tend to be always insisting this or that figure is the one to emulate, or&lt;br /&gt;
repeating what some particular hero is said to have pronounced upon professional matters.&lt;br /&gt;
But then, of course, I hasten to add, there are many valets who would never dream of&lt;br /&gt;
indulging in this sort of folly - who are, in fact, professionals of the highest discernment.&lt;br /&gt;
When two or three such persons were gathered together at our servants&#39; hall - I mean of the&lt;br /&gt;
calibre of, say, Mr Graham, with whom now, sadly, I seem to have lost touch - we would have&lt;br /&gt;
some of the most stimulating and intelligent debates on every aspect of our vocation. Indeed,&lt;br /&gt;
today, those evenings ran amongst my fondest memories from those times.&lt;br /&gt;
But let me return to the question that is of genuine interest, this question we so&lt;br /&gt;
enjoyed debating when our evenings were not spoilt by chatter from those who lacked any&lt;br /&gt;
fundamental understanding of the profession; that is to say, the question &#39;_what__ is a great&lt;br /&gt;
butler?&#39;&lt;br /&gt;
To the best of my knowledge, for all the talk this question has engendered over the&lt;br /&gt;
years, there have been very few attempts within the profession to formulate an official&lt;br /&gt;
answer. The only instance that comes to mind is the attempt of the Hayes Society to devise&lt;br /&gt;
criteria for membership. You may not be aware of the Hayes Society, for few talk of it these&lt;br /&gt;
days. But in the twenties and the early thirties, it exerted a considerable influence over much&lt;br /&gt;
of London and the Home Counties. In fact, many felt its power had become too great and&lt;br /&gt;
thought it no bad thing when it was forced to close, I believe in 1932 or 1933.&lt;br /&gt;
The Hayes Society claimed to admit butlers of &#39;only the very first rank&#39;. Much of the&lt;br /&gt;
power and prestige it went on to gain derived from the fact that unlike other such&lt;br /&gt;
organizations which have come and gone, it managed to keep its numbers extremely low, thus&lt;br /&gt;
giving this claim some credibility. Membership, it was said, never at any point rose above&lt;br /&gt;
thirty and much of the time remained closer to nine or ten. This, and the fact that the Hayes&lt;br /&gt;
Society tended to be a rather secretive body, lent it much mystique for a time, ensuring that&lt;br /&gt;
the pronouncements it occasionally issued on professional matters were received as though&lt;br /&gt;
hewn on tablets of stone.&lt;br /&gt;
But one matter the Society resisted pronouncing on for some time was the question of&lt;br /&gt;
its own criteria for membership. Pressure to have these announced steadily mounted, and in&lt;br /&gt;
response to a series of letters published in _A Quarterly for the Gentleman&#39;s Gentleman__, the&lt;br /&gt;
Society admitted that a prerequisite for membership was that &#39;an applicant be attached to a&lt;br /&gt;
distinguished household&#39;. &#39;Though of course,&#39; the Society went on, &#39;this by itself is far from&lt;br /&gt;
sufficient to satisfy requirements.&#39; It was made clear, furthermore, that the Society did not&lt;br /&gt;
regard the houses of businessmen or the &#39;newly rich&#39; as &#39;distinguished&#39;, and in my opinion this&lt;br /&gt;
piece of out-dated thinking crucially undermined any serious authority the Society may have&lt;br /&gt;
achieved to arbitrate on standards in our profession. In response to further letters in _A&lt;br /&gt;
Quarterly__, the Society justified its stance by saying that while it accepted some&lt;br /&gt;
correspondents&#39; views that certain butlers of excellent quality were to be found in the houses&lt;br /&gt;
of businessmen, &#39;the assumption had to be that the houses of _true__ ladies and gentlemen&lt;br /&gt;
would not refrain long from acquiring the services of any such persons&#39;. One had to be guided&lt;br /&gt;
by the judgement of &#39;the true ladies and gentlemen&#39;, argued the Society, or else &#39;we may as&lt;br /&gt;
well adopt the proprieties of Bolshevik Russia&#39;. This provoked further controversy, and the&lt;br /&gt;
pressure of letters continued to build up urging the Society to declare more fully its&lt;br /&gt;
membership criteria. In the end, it was revealed in a brief letter to _A Quarterly__ that in the&lt;br /&gt;
view of the Society - and I will try and quote accurately from memory - &#39;the most crucial&lt;br /&gt;
criterion is that the applicant be possessed of a dignity in keeping with his position. No&lt;br /&gt;
applicant will satisfy requirements, whatever his level of accomplishments otherwise, if seen&lt;br /&gt;
to fall short in this respect.&#39;&lt;br /&gt;
For all my lack of enthusiasm for the Hayes Society, it is my belief that this particular&lt;br /&gt;
pronouncement at least was founded on a significant truth. If one looks at these persons we&lt;br /&gt;
agree are &#39;great&#39; butlers, if one looks at, say, Mr Marshall or Mr Lane, it does seem to me that&lt;br /&gt;
the factor which distinguishes them from those butlers who are merely extremely competent is&lt;br /&gt;
most closely captured by this word &#39;dignity&#39;.&lt;br /&gt;
Of course, this merely begs the further question: of what is &#39;dignity&#39; comprised? And it&lt;br /&gt;
was on this point that the likes of Mr Graham and I had some of our most interesting debates.&lt;br /&gt;
Mr Graham would always take the view that this &#39;dignity&#39; was something like a woman&#39;s&lt;br /&gt;
beauty and it was thus pointless to attempt to analyse it. I, on the other hand, held the opinion&lt;br /&gt;
that to draw such a parallel tended to demean the &#39;dignity&#39; of the likes of Mr Marshall.&lt;br /&gt;
Moreover, my main objection to Mr Graham&#39;s analogy was the implication that this &#39;dignity&#39;&lt;br /&gt;
was something one possessed or did not by a fluke of nature; and if one did not self-evidently&lt;br /&gt;
have it, to strive after it would be as futile as an ugly woman trying to make herself beautiful.&lt;br /&gt;
Now while I would accept that the majority of butlers may well discover ultimately that they&lt;br /&gt;
do not have the capacity for it, I believe strongly that this &#39;dignity&#39; is something one can&lt;br /&gt;
meaningfully strive for throughout one&#39;s career. Those &#39;great&#39; butlers like Mr Marshall who&lt;br /&gt;
have it, I am sure, acquired it over many years of self-training and the careful absorbing of&lt;br /&gt;
experience. In my view, then, it was rather defeatist from a vocational standpoint to adopt a&lt;br /&gt;
stance like Mr Graham&#39;s.&lt;br /&gt;
In any case, for all Mr Graham&#39;s scepticism, I can remember he and I spending many&lt;br /&gt;
evenings trying to put our fingers on the constitution of this &#39;dignity&#39;. We never came to any&lt;br /&gt;
agreement, but I can say for my part that I developed fairly firm ideas of my own on the&lt;br /&gt;
matter during the course of such discussions, and they are by and large the beliefs I still hold&lt;br /&gt;
today. I would like, if I may, to try and say here what I think this &#39;dignity&#39; to be.&lt;br /&gt;
You will not dispute, I presume, that Mr Marshall of Charleville House and Mr Lane&lt;br /&gt;
of Bridewood have been the two great butlers of recent times. Perhaps you might be&lt;br /&gt;
persuaded that Mr Henderson of Branbury Castle also falls into this rare category. But you&lt;br /&gt;
may think me merely biased if I say that my own father could in many ways be considered to&lt;br /&gt;
rank with such men, and that his career is the one I have always scrutinized for a definition of&lt;br /&gt;
&#39;dignity&#39;. Yet it is my firm conviction that at the peak of his career at Loughborough House,&lt;br /&gt;
my father was indeed the embodiment of &#39;dignity&#39;.&lt;br /&gt;
I realize that if one looks at the matter objectively, one has to concede my father&lt;br /&gt;
lacked various attributes one may normally expect in a great butler. But those same absent&lt;br /&gt;
attributes, I would argue, are every time those of a superficial and decorative order, attributes&lt;br /&gt;
that are attractive, no doubt, as icing on the cake, but are not pertaining to what is really&lt;br /&gt;
essential. I refer to things such as good accent and command of language, general knowledge&lt;br /&gt;
on wide-ranging topics such as falconing or newt-mating - attributes none of which my father&lt;br /&gt;
could have boasted. Furthermore, it must be remembered that my father was a butler of an&lt;br /&gt;
earlier generation who began his career at a time when such attributes were not considered&lt;br /&gt;
proper, let alone desirable in a butler.&lt;br /&gt;
The obsessions with eloquence and general knowledge would appear to be ones that&lt;br /&gt;
emerged with our generation, probably in the wake of Mr Marshall, when lesser men trying to&lt;br /&gt;
emulate his greatness mistook the superficial for the essence. It is my view that our generation&lt;br /&gt;
has been much too preoccupied with the &#39;trimmings&#39;; goodness knows how much time and&lt;br /&gt;
energy has gone into the practising of accent and command of language, how many hours&lt;br /&gt;
spent studying encyclopedias and volumes of &#39;Test Your Knowledge&#39;, when the time should&lt;br /&gt;
have been spent mastering the basic fundamentals.&lt;br /&gt;
Though we must be careful not to attempt to deny the responsibility which ultimately&lt;br /&gt;
lies with ourselves, it has to be said that certain employers have done much to encourage these&lt;br /&gt;
sorts of trends. I am sorry to say this, but there would appear to have been a number of houses&lt;br /&gt;
in recent times, some of the highest pedigree, which have tended to take a competitive attitude&lt;br /&gt;
towards each other and have not been above showing off to guests a butler&#39;s mastery of such&lt;br /&gt;
trivial accomplishments. I have heard of various instances of a butler being displayed as a&lt;br /&gt;
kind of performing monkey at a house party. In one regrettable case, which I myself&lt;br /&gt;
witnessed, it had become an established sport in the house for guests to ring for the butler and&lt;br /&gt;
put to him random questions of the order of, say, who had won the Derby in such and such a&lt;br /&gt;
year, rather as one might to a Memory Man at the music hall.&lt;br /&gt;
My father, as I say, came of a generation mercifully free of such confusions of our&lt;br /&gt;
professional values. And I would maintain that for all his limited command of English and his&lt;br /&gt;
limited general knowledge, he not only knew all there was to know about how to run a house,&lt;br /&gt;
he did in his prime come to acquire that &#39;dignity in keeping with his position&#39;, as the Hayes&lt;br /&gt;
Society puts it. If I try, then, to describe to you what I believe made my father thus&lt;br /&gt;
distinguished, I may in this way convey my idea of what &#39;dignity&#39; is.&lt;br /&gt;
There was a certain story my father was fond of repeating over the years. I recall&lt;br /&gt;
listening to him tell it to visitors when I was a child, and then later, when I was starting out as&lt;br /&gt;
a footman under his supervision. I remember him relating it again the first time I returned to&lt;br /&gt;
see him after gaining my first post as butler - to a Mr and Mrs Muggeridge in their relatively&lt;br /&gt;
modest house in Allshot, Oxfordshire.&lt;br /&gt;
Clearly the story meant much to him. My father&#39;s generation was not one accustomed&lt;br /&gt;
to discussing and analysing in the way ours is and I believe the telling and retelling of this&lt;br /&gt;
story was as close as my father ever came to reflecting critically on the profession he&lt;br /&gt;
practised. As such, it gives a vital clue to his thinking.&lt;br /&gt;
The story was an apparently true one concerning a certain butler who had travelled&lt;br /&gt;
with his employer to India and served there for many years maintaining amongst the native&lt;br /&gt;
staff the same high standards he had commanded in England. One afternoon, evidently, this&lt;br /&gt;
butler had entered the dining room to make sure all was well for dinner, when he noticed a&lt;br /&gt;
tiger languishing beneath the dining table. The butler had left the dining room quietly, taking&lt;br /&gt;
care to close the doors behind him, and proceeded calmly to the drawing room where his&lt;br /&gt;
employer was taking tea with a number of visitors. There he attracted his employer&#39;s attention&lt;br /&gt;
with a polite cough, then whispered in the latter&#39;s ear: &quot;I&#39;m very sorry, sir, but there appears to&lt;br /&gt;
be a tiger in the dining room. Perhaps you will permit the twelve-bores to be used?&quot;&lt;br /&gt;
And according to legend, a few minutes later, the employer and his guests heard three&lt;br /&gt;
gun shots. When the butler reappeared in the drawing room some time afterwards to refresh&lt;br /&gt;
the teapots, the employer had inquired if all was well.&lt;br /&gt;
&quot;Perfectly fine, thank you, sir,&quot; had come the reply. &quot;Dinner will be served at the usual&lt;br /&gt;
time and I am pleased to say there will be no discernible traces left of the recent occurrence&lt;br /&gt;
by that time.&quot;&lt;br /&gt;
This last phrase - &#39;no discernible traces left of the recent occurrence by that time&#39; - my&lt;br /&gt;
father would repeat with a laugh and shake his head admiringly. He neither claimed to know&lt;br /&gt;
the butler&#39;s name, nor anyone who had known him, but he would always insist the event&lt;br /&gt;
occurred just as he told it. In any case, it is of little importance whether or not this story is&lt;br /&gt;
true; the significant thing is, of course, what it reveals concerning my father&#39;s ideals. For when&lt;br /&gt;
I look back over his career, I can see with hindsight that he must have striven throughout his&lt;br /&gt;
years somehow to _become__ that butler of his story. And in my view, at the peak of his&lt;br /&gt;
career, my father achieved his ambition. For although I am sure he never had the chance to&lt;br /&gt;
encounter a tiger beneath the dining table, when I think over all that I know or have heard&lt;br /&gt;
concerning him, I can think of at least several instances of his displaying in abundance that&lt;br /&gt;
very quality he so admired in the butler of his story.&lt;br /&gt;
One such instance was related to me by Mr David Charles, of the Charles and Redding&lt;br /&gt;
Company, who visited Darlington Hall from time to time during Lord Darlington&#39;s days. It&lt;br /&gt;
was one evening when I happened to be valeting him, Mr Charles told me he had come across&lt;br /&gt;
my father some years earlier while a guest at Loughborough House - the home of Mr John&lt;br /&gt;
Silvers, the industrialist, where my father served for fifteen years at the height of his career.&lt;br /&gt;
He had never been quite able to forget my father, Mr Charles told me, owing to an incident&lt;br /&gt;
that occurred during that visit.&lt;br /&gt;
One afternoon, Mr Charles to his shame and regret had allowed himself to become&lt;br /&gt;
inebriated in the company of two fellow guests - gentlemen I shall merely call Mr Smith and&lt;br /&gt;
Mr Jones since they are likely to be still remembered in certain circles. After an hour or so of&lt;br /&gt;
drinking, these two gentlemen decided they wished to go for an afternoon drive around the&lt;br /&gt;
local villages - a motor car around this time still being something of a novelty. They&lt;br /&gt;
persuaded Mr Charles to accompany them, and since the chauffeur was on leave at that point,&lt;br /&gt;
enlisted my father to drive the car.&lt;br /&gt;
Once they had set off, Mr Smith and Mr Jones, for all their being well into their&lt;br /&gt;
middle years, proceeded to behave like schoolboys, singing coarse songs and making even&lt;br /&gt;
coarser comments on all they saw from the window. Furthermore, these gentlemen had&lt;br /&gt;
noticed on the local map three villages in the vicinity called Morphy, Saltash and Brigoon.&lt;br /&gt;
Now I am not entirely sure these were the exact names, but the point was they reminded Mr&lt;br /&gt;
Smith and Mr Jones of the music hall act, Murphy, Saltman and Brigid the Cat, of which you&lt;br /&gt;
may have heard. Upon noticing this curious coincidence, the gentlemen then gained an&lt;br /&gt;
ambition to visit the three villages in question - in honour, as it were, of the music hall&lt;br /&gt;
artistes. According to Mr Charles, my father had duly driven to one village and was on the&lt;br /&gt;
point of entering a second when either Mr Smith or Mr Jones noticed the village was Brigoon&lt;br /&gt;
- that is to say the third, not the second, name of the sequence. They demanded angrily that&lt;br /&gt;
my father turn the car immediately so that the villages could be visited &#39;in the correct order&#39;. It&lt;br /&gt;
so happened that this entailed doubling back a considerable way of the route, but, so Mr&lt;br /&gt;
Charles assures me, my father accepted the request as though it were a perfectly reasonable&lt;br /&gt;
one, and in general, continued to behave with immaculate courtesy.&lt;br /&gt;
But Mr Smith&#39;s and Mr Jones&#39; attention had now been drawn to my father and no&lt;br /&gt;
doubt rather bored with what the view outside had to offer, they proceeded to amuse&lt;br /&gt;
themselves by shouting out unflattering remarks concerning my father&#39;s &#39;mistake&#39;. Mr Charles&lt;br /&gt;
remembered marvelling at how my father showed not one hint of discomfort or anger, but&lt;br /&gt;
continued to drive with an expression balanced perfectly between personal dignity and&lt;br /&gt;
readiness to oblige. My father&#39;s equanimity was not, however, allowed to last. For when they&lt;br /&gt;
had wearied of hurling insults at my father&#39;s back, the two gentlemen began to discuss their&lt;br /&gt;
host - that is to say, my father&#39;s employer, Mr John Silvers. The remarks grew ever more&lt;br /&gt;
debased and treacherous so that Mr Charles - at least so he claimed - was obliged to intervene&lt;br /&gt;
with the suggestion that such talk was bad form. This view was contradicted with such energy&lt;br /&gt;
that Mr Charles, quite aside from worrying he would become the next focus of the&lt;br /&gt;
gentlemen&#39;s attention, actually thought himself in danger of physical assault. But then&lt;br /&gt;
suddenly, following a particularly heinous insinuation against his employer, my father&lt;br /&gt;
brought the car to an abrupt halt. It was what happened next that had made such an indelible&lt;br /&gt;
impression upon Mr Charles.&lt;br /&gt;
The rear door of the car opened and my father was observed to be standing there, a&lt;br /&gt;
few steps back from the vehicle, gazing steadily into the interior. As Mr Charles described it,&lt;br /&gt;
all three passengers seemed to be overcome as one by the realization of what an imposing&lt;br /&gt;
physical force my father was. Indeed, he was a man of some six feet three inches, and his&lt;br /&gt;
countenance, though reassuring while one knew he was intent on obliging, could seem&lt;br /&gt;
extremely forbidding viewed in certain other contexts. According to Mr Charles, my father&lt;br /&gt;
did not display any obvious anger. He had, it seemed, merely opened the door. And yet there&lt;br /&gt;
was something so powerfully rebuking, and at the same time so unassailable about his figure&lt;br /&gt;
looming over them that Mr Charles&#39; two drunken companions seemed to cower back like&lt;br /&gt;
small boys caught by the farmer in the act of stealing apples.&lt;br /&gt;
My father had proceeded to stand there for some moments, saying nothing, merely&lt;br /&gt;
holding open the door. Eventually, either Mr Smith or Mr Jones had remarked: &quot;Are we not&lt;br /&gt;
going on with the journey?&quot;&lt;br /&gt;
My father did not reply, but continued to stand there silently, neither demanding&lt;br /&gt;
disembarkation nor offering any clue as to his desires or intentions. I can well imagine how he&lt;br /&gt;
must have looked that day, framed by the doorway of the vehicle, his dark, severe presence&lt;br /&gt;
quite blotting out the effect of the gentle Hertfordshire scenery behind him. Those were, Mr&lt;br /&gt;
Charles recalls, strangely unnerving moments during which he too, despite not having&lt;br /&gt;
participated in the preceding behaviour, felt engulfed with guilt. The silence seemed to go on&lt;br /&gt;
interminably, before either Mr Smith or Mr Jones found it in him to mutter: &quot;I suppose we&lt;br /&gt;
were talking a little out of turn there. It won&#39;t happen again.&quot;&lt;br /&gt;
A moment to consider this, then my father had closed the door gently, returned to the&lt;br /&gt;
wheel and had proceeded to continue the tour of the three villages - a tour, Mr Charles assured&lt;br /&gt;
me, that was completed thereafter in near silence.&lt;br /&gt;
Now that I have recalled this episode, another event from around that time in my&lt;br /&gt;
father&#39;s career comes to mind which demonstrates perhaps even more impressively this&lt;br /&gt;
special quality he came to possess. I should explain here that I am one of two brothers - and&lt;br /&gt;
that my elder brother, Leonard, was killed during the Southern African War while I was still a&lt;br /&gt;
boy. Naturally, my father would have felt this loss keenly; but to make matters worse the&lt;br /&gt;
usual comfort a father has in these situations - that is, the notion that his son gave his life&lt;br /&gt;
gloriously for king and country - was sullied by the fact that my brother had perished in a&lt;br /&gt;
particularly infamous manoeuvre. Not only was it alleged that the manoeuvre had been a most&lt;br /&gt;
un-British attack on civilian Boer settlements, overwhelming evidence emerged that it had&lt;br /&gt;
been irresponsibly commanded with several floutings of elementary military precautions, so&lt;br /&gt;
that the men who had died - my brother among them - had died quite needlessly. In view of&lt;br /&gt;
what I am about to relate, it would not be proper of me to identify the manoeuvre any more&lt;br /&gt;
precisely, though you may well guess which one I am alluding to if I say that it caused&lt;br /&gt;
something of an uproar at the time, adding significantly to the controversy the conflict as a&lt;br /&gt;
whole was attracting. There had been calls for the removal, even the court-martialling, of the&lt;br /&gt;
general concerned, but the army had defended the latter and he had been allowed to complete&lt;br /&gt;
the campaign. What is less known is that at the close of the Southern African conflict, this&lt;br /&gt;
same general had been discreetly retired, and he had then entered business, dealing in&lt;br /&gt;
shipments from Southern Africa. I relate this because some ten years after the conflict, that is&lt;br /&gt;
to say when the wounds of bereavement had only superficially healed, my father was called&lt;br /&gt;
into Mr John Silvers&#39; study to be told that this very same personage - I will call him simply&lt;br /&gt;
&#39;the General&#39; - was due to visit for a number of days to attend a house party, during which my&lt;br /&gt;
father&#39;s employer hoped to lay the foundations of a lucrative business transaction. Mr Silvers,&lt;br /&gt;
however, had remembered the significance the visit would have for my father, and had thus&lt;br /&gt;
called him in to offer him the option of taking several days&#39; leave for the duration of the&lt;br /&gt;
General&#39;s stay.&lt;br /&gt;
My father&#39;s feelings towards the General were, naturally, those of utmost loathing; but&lt;br /&gt;
he realized too that his employer&#39;s present business aspirations hung on the smooth running of&lt;br /&gt;
the house party - which with some eighteen or so people expected would be no trifling affair.&lt;br /&gt;
My father thus replied to the effect that while he was most grateful that his feelings had been&lt;br /&gt;
taken in to account, Mr Silvers could be assured that service would be provided to the usual&lt;br /&gt;
standards.&lt;br /&gt;
As things turned out, my father&#39;s ordeal proved even worse than might have been&lt;br /&gt;
predicted. For one thing, any hopes my father may have had that to meet the General in&lt;br /&gt;
person would arouse a sense of respect or sympathy to leaven his feelings against him proved&lt;br /&gt;
without foundation.&lt;br /&gt;
The General was a portly, ugly man, his manners were not refined, and his talk was&lt;br /&gt;
conspicuous for an eagerness to apply military similes to a very wide variety of matters.&lt;br /&gt;
Worse was to come with the news that the gentleman had brought no valet, his usual man&lt;br /&gt;
having fallen ill. This presented a delicate problem, another of the house guests being also&lt;br /&gt;
without his valet, raising the question as to which guest should be allocated the butler as valet&lt;br /&gt;
and who the footman. My father, appreciating his employer&#39;s position, volunteered&lt;br /&gt;
immediately to take the General, and thus was obliged to suffer intimate proximity for four&lt;br /&gt;
days with the man he detested. Meanwhile, the General, having no idea of my father&#39;s&lt;br /&gt;
feelings, took full opportunity to relate anecdotes of his military accomplishments - as of&lt;br /&gt;
course many military gentlemen are wont to do to their valets in the privacy of their rooms.&lt;br /&gt;
Yet so well did my father hide his feelings, so professionally did he carry out his duties, that&lt;br /&gt;
on his departure the General had actually complimented Mr John Silvers on the excellence of&lt;br /&gt;
his butler and had left an unusually large tip in appreciation - which my father without&lt;br /&gt;
hesitation asked his employer to donate to a charity.&lt;br /&gt;
I hope you will agree that in these two instances I have cited from his career - both of&lt;br /&gt;
which I have had corroborated and believe to be accurate - my father not only manifests, but&lt;br /&gt;
comes close to being the personification itself, of what the Hayes Society terms &#39;dignity in&lt;br /&gt;
keeping with his position&#39;. If one considers the difference between my father at such moments&lt;br /&gt;
and a figure such as Mr Jack Neighbours even with the best of his technical flourishes, I&lt;br /&gt;
believe one may begin to distinguish what it is that separates a &#39;great&#39; butler from a merely&lt;br /&gt;
competent one. We may now understand better, too, why my father was so fond of the story&lt;br /&gt;
of the butler who failed to panic on discovering a tiger under the dining table; it was because&lt;br /&gt;
he knew instinctively that somewhere in this story lay the kernel of what true &#39;dignity&#39; is. And&lt;br /&gt;
let me now posit this: &#39;dignity&#39; has to do crucially with a butler&#39;s ability not to abandon the&lt;br /&gt;
professional being he inhabits. Lesser butlers will abandon their professional being for the&lt;br /&gt;
private one at the least provocation. For such persons, being a butler is like playing some&lt;br /&gt;
pantomime role; a small push, a slight stumble, and the facade will drop off to reveal the actor&lt;br /&gt;
underneath. The great butlers are great by virtue of their ability to inhabit their professional&lt;br /&gt;
role and inhabit it to the utmost; they will not be shaken out by external events, however&lt;br /&gt;
surprising, alarming or vexing. They wear their professionalism as a decent gentleman will&lt;br /&gt;
wear his suit: he will not let ruffians or circumstance tear it off him in the public gaze; he will&lt;br /&gt;
discard it when, and only when, he wills to do so, and this will invariably be when he is&lt;br /&gt;
entirely alone. It is, as I say, a matter of &#39;dignity&#39;.&lt;br /&gt;
It is sometimes said that butlers only truly exist in England. Other countries, whatever&lt;br /&gt;
title is actually used, have only manservants. I tend to believe this is true. Continentals are&lt;br /&gt;
unable to be butlers because they are as a breed incapable of the emotional restraint which&lt;br /&gt;
only the English race are capable of. Continentals - and by and large the Celts, as you will no&lt;br /&gt;
doubt agree - are as a rule unable to control themselves in moments of strong emotion, and are&lt;br /&gt;
thus unable to maintain a professional demeanour other than in the least challenging of&lt;br /&gt;
situations. If I may return to my earlier metaphor - you will excuse my putting it so coarsely -&lt;br /&gt;
they are like a man who will, at the slightest provocation, tear off his suit and his shirt and run&lt;br /&gt;
about screaming. In a word, &#39;dignity&#39; is beyond such persons. We English have an important&lt;br /&gt;
advantage over foreigners in this respect and it is for this reason that when you think of a&lt;br /&gt;
great butler, he is bound, almost by definition, to be an Englishman.&lt;br /&gt;
Of course, you may retort, as did Mr Graham whenever I expounded such a line&lt;br /&gt;
during those enjoyable discussions by the fire, that if I am correct in what I am saying, one&lt;br /&gt;
could recognize a great butler as such only after one had seen him perform under some severe&lt;br /&gt;
test. And yet the truth is, we accept persons such as Mr Marshall or Mr Lane to be great,&lt;br /&gt;
though most of us cannot claim to have ever scrutinized them under such conditions. I have to&lt;br /&gt;
admit Mr Graham has a point here, but all I can say is that after one has been in the profession&lt;br /&gt;
as long as one has, one is able to judge intuitively the depth of a man&#39;s professionalism&lt;br /&gt;
without having to see it under pressure. Indeed, on the occasion one is fortunate enough to&lt;br /&gt;
meet a great butler, far from experiencing any sceptical urge to demand a &#39;test&#39;, one is at a loss&lt;br /&gt;
to imagine any situation which could ever dislodge a professionalism borne with such&lt;br /&gt;
authority. In fact, I am sure it was an apprehension of this sort, penetrating even the thick haze&lt;br /&gt;
created by alcohol, which reduced my father&#39;s passengers into a shamed silence that Sunday&lt;br /&gt;
afternoon many years ago. It is with such men as it is with the English landscape seen at its&lt;br /&gt;
best as I did this morning: when one encounters them, one simply _knows__ one is in the&lt;br /&gt;
presence of greatness.&lt;br /&gt;
There will always be, I realize, those who would claim that any attempt to analyse&lt;br /&gt;
greatness as I have been doing is quite futile. &quot;You know when somebody&#39;s got it and you&lt;br /&gt;
know when somebody hasn&#39;t,&quot; Mr Graham&#39;s argument would always be. &quot;Beyond that there&#39;s&lt;br /&gt;
nothing much you can say.&quot; But I believe we have a duty not to be so defeatist in this matter.&lt;br /&gt;
It is surely a professional responsibility for all of us to think deeply about these things so that&lt;br /&gt;
each of us may better strive towards attaining &#39;dignity&#39; for ourselves.&lt;br /&gt;
Day Two - Morning&lt;br /&gt;
Salisbury&lt;br /&gt;
STRANGE beds have rarely agreed with me, and after only a short spell of somewhat&lt;br /&gt;
troubled slumber, I awoke an hour or so ago. It was then still dark, and knowing I had a full&lt;br /&gt;
day&#39;s motoring ahead of me, I made an attempt to return to sleep. This proved futile, and when&lt;br /&gt;
I decided eventually to rise, it was still so dark that I was obliged to turn on the electric light&lt;br /&gt;
in order to shave at the sink in the corner. But when having finished I switched it off again, I&lt;br /&gt;
could see early daylight at the edges of the curtains.&lt;br /&gt;
When I parted them just a moment ago, the light outside was still very pale and&lt;br /&gt;
something of a mist was affecting my view of the baker&#39;s shop and chemist&#39;s opposite. Indeed,&lt;br /&gt;
following the street further along to where it runs over the little round-backed bridge, I could&lt;br /&gt;
see the mist rising from the river, obscuring almost entirely one of the bridge-posts. There was&lt;br /&gt;
not a soul to be seen, and apart from a hammering noise echoing from somewhere distant, and&lt;br /&gt;
an occasional coughing in a room to the back of the house, there is still no sound to be heard.&lt;br /&gt;
The landlady is clearly not yet up and about, suggesting there is little chance of her serving&lt;br /&gt;
breakfast earlier than her declared time of seven thirty.&lt;br /&gt;
Now, in these quiet moments as I wait for the world about to awake, I find myself&lt;br /&gt;
going over in my mind again passages from Miss Kenton&#39;s letter. Incidentally, I should before&lt;br /&gt;
now have explained myself as regards my referring to &#39;Miss Kenton&#39;. &#39;Miss Kenton&#39; is&lt;br /&gt;
properly speaking &#39;Mrs Benn&#39; and has been for twenty years. However, because I knew her at&lt;br /&gt;
close quarters only during her maiden years and have not seen her once since she went to the&lt;br /&gt;
West Country to become &#39;Mrs Benn&#39;, you will perhaps excuse my impropriety in referring to&lt;br /&gt;
her as I knew her, and in my mind have continued to call her throughout these years.&lt;br /&gt;
Of course, her letter has given me extra cause to continue thinking of her as &#39;Miss&lt;br /&gt;
Kenton&#39;, since it would seem, sadly, that her marriage is finally to come to an end. The letter&lt;br /&gt;
does not make specific the details of the matter, as one would hardly expect it to do, but Miss&lt;br /&gt;
Kenton states unambiguously that she has now, in fact, taken the step of moving out of Mr&lt;br /&gt;
Benn&#39;s house in Helston and is presently lodging with an acquaintance in the nearby village of&lt;br /&gt;
Little Compton.&lt;br /&gt;
It is of course tragic that her marriage is now ending in failure. At this very moment,&lt;br /&gt;
no doubt, she is pondering with regret decisions made in the far-off past that have now left&lt;br /&gt;
her, deep in middle age, so alone and desolate. And it is easy to see how in such a frame of&lt;br /&gt;
mind, the thought of returning to Darlington Hall would be a great comfort to her.&lt;br /&gt;
Admittedly, she does not at any point in her letter state explicitly her desire to return;&lt;br /&gt;
but that is the unmistakable message conveyed by the general nuance of many of the&lt;br /&gt;
passages, imbued as they are with a deep nostalgia for her days at Darlington Hall. Of course,&lt;br /&gt;
Miss Kenton cannot hope by returning at this stage ever to retrieve those lost years, and it will&lt;br /&gt;
be my first duty to impress this upon her when we meet. I will have to point out how different&lt;br /&gt;
things are now - that the days of working with a grand staff at one&#39;s beck and call will&lt;br /&gt;
probably never return within our lifetime. But then Miss Kenton is an intelligent woman and&lt;br /&gt;
she will have already realized these things. Indeed, all in all, I cannot see why the option of&lt;br /&gt;
her returning to Darlington Hall and seeing out her working years there should not offer a&lt;br /&gt;
very genuine consolation to a life that has come to be so dominated by a sense of waste.&lt;br /&gt;
And of course, from my own professional viewpoint, it is clear that even after a break&lt;br /&gt;
of so many years, Miss Kenton would prove the perfect solution to the problem at present&lt;br /&gt;
besetting us at Darlington Hall. In fact, by terming it a &#39;problem&#39;, I perhaps overstate the&lt;br /&gt;
matter. I am referring, after all, to a series of very minor errors on my part and the course I am&lt;br /&gt;
now pursuing is merely a means of pre-empting any &#39;problems&#39; before one arises. It is true,&lt;br /&gt;
these same trivial errors did cause me some anxiety at first, but once I had had time to&lt;br /&gt;
diagnose them correctly as symptoms of nothing more than a straightforward staff shortage, I&lt;br /&gt;
have refrained from giving them much thought. Miss Kenton&#39;s arrival, as I say, will put a&lt;br /&gt;
permanent end to them.&lt;br /&gt;
But to return to her letter. It does at times reveal a certain despair over her present&lt;br /&gt;
situation - a fact that is rather concerning. She begins one sentence: &#39;Although I have no idea&lt;br /&gt;
how I shall usefully fill the remainder of my life... &#39; And again, elsewhere, she writes: &#39;The&lt;br /&gt;
rest of my life stretches out as an emptiness before me.&#39; For the most part, though, as I have&lt;br /&gt;
said, the tone is one of nostalgia. At one point, for instance, she writes: &#39;This whole incident&lt;br /&gt;
put me in mind of Alice White. Do you remember her? In fact, I hardly imagine you could&lt;br /&gt;
forget her. For myself, I am still haunted by those vowel sounds and those uniquely&lt;br /&gt;
ungrammatical sentences only she could dream up! Have you any idea what became of her?&#39;&lt;br /&gt;
I have not, as a matter of fact, though I must say it rather amused me to remember that&lt;br /&gt;
exasperating housemaid - who in the end turned out to be one of our most devoted. At another&lt;br /&gt;
point in her letter, Miss Kenton writes: &#39;I was so fond of that view from the second-floor&lt;br /&gt;
bedrooms overlooking the lawn with the downs visible in the distance. Is it still like that? On&lt;br /&gt;
summer evenings there was a sort of magical quality to that view and I will confess to you&lt;br /&gt;
now I used to waste many precious minutes standing at one of those windows just enchanted&lt;br /&gt;
by it.&#39;&lt;br /&gt;
Then she goes on to add: &#39;If this is a painful memory, forgive me. But I will never&lt;br /&gt;
forget that time we both watched your father walking back and forth in front of the&lt;br /&gt;
summerhouse, looking down at the ground as though he hoped to find some precious jewel he&lt;br /&gt;
had dropped there.&#39;&lt;br /&gt;
It is something of a revelation that this memory from over thirty years ago should have&lt;br /&gt;
remained with Miss Kenton as it has done with me.&lt;br /&gt;
Indeed, it must have occurred on just one of those summer evenings she mentions, for&lt;br /&gt;
I can recall distinctly climbing to the second landing and seeing before me a series of orange&lt;br /&gt;
shafts from the sunset breaking the gloom of the corridor where each bedroom door stood&lt;br /&gt;
ajar. And as I made my way past those bedrooms, I had seen through a doorway Miss&lt;br /&gt;
Kenton&#39;s figure, silhouetted against a window, turn and call softly: &#39;Mr Stevens, if you have a&lt;br /&gt;
moment.&#39; As I entered, Miss Kenton had turned back to the window. Down below, the&lt;br /&gt;
shadows of the poplars were falling across the lawn. To the right of our view, the lawn sloped&lt;br /&gt;
up a gentle embankment to where the summerhouse stood, and it was there my father&#39;s figure&lt;br /&gt;
could be seen, pacing slowly with an air of preoccupation - indeed, as Miss Kenton puts it so&lt;br /&gt;
well, &#39;as though he hoped to find some precious jewel he had dropped there&#39;.&lt;br /&gt;
There are some very pertinent reasons why this memory has remained with me, as I&lt;br /&gt;
wish to explain. Moreover, now that I come to think of it, it is perhaps not so surprising that it&lt;br /&gt;
should also have made a deep impression on Miss Kenton given certain aspects of her&lt;br /&gt;
relationship with my father during her early days at Darlington Hall.&lt;br /&gt;
Miss Kenton and my father had arrived at the house at more or less the same time -&lt;br /&gt;
that is to say, the spring of 1922 - as a consequence of my losing at one stroke the previous&lt;br /&gt;
housekeeper and under-butler. This had occurred due to these latter two persons deciding to&lt;br /&gt;
marry one another and leave the profession. I have always found such liaisons a serious threat&lt;br /&gt;
to the order in a house. Since that time, I have lost numerous more employees in such&lt;br /&gt;
circumstances. Of course, one has to expect such things to occur amongst maids and footmen,&lt;br /&gt;
and a good butler should always take this into account in his planning; but such marrying&lt;br /&gt;
amongst more senior employees can have an extremely disruptive effect on work.&lt;br /&gt;
Of course, if two members of staff happen to fall in love and decide to marry, it would&lt;br /&gt;
be churlish to be apportioning blame; but what I find a major irritation are those persons - and&lt;br /&gt;
housekeepers are particularly guilty here - who have no genuine commitment to their&lt;br /&gt;
profession and who are essentially going from post to post looking for romance. This sort of&lt;br /&gt;
person is a blight on good professionalism.&lt;br /&gt;
But let me say immediately I do not have Miss Kenton in mind at all when I say this.&lt;br /&gt;
Of course, she too eventually left my staff to get married, but I can vouch that during the time&lt;br /&gt;
she worked as housekeeper under me, she was nothing less than dedicated and never allowed&lt;br /&gt;
her professional priorities to be distracted.&lt;br /&gt;
But I am digressing. I was explaining that we had fallen in need of a housekeeper and&lt;br /&gt;
an under-butler at one and the same time and Miss Kenton had arrived - with unusually good&lt;br /&gt;
references, I recall - to take up the former post. As it happened, my father had around this&lt;br /&gt;
time come to the end of his distinguished service at Loughborough House with the death of&lt;br /&gt;
his employer, Mr John Silvers, and had been at something of a loss for work and&lt;br /&gt;
accommodation. Although he was still, of course, a professional of the highest class, he was&lt;br /&gt;
now in his seventies and much ravaged by arthritis and other ailments. It was not at all certain,&lt;br /&gt;
then, how he would fare against the younger breed of highly professionalized butlers looking&lt;br /&gt;
for posts. In view of this, it seemed a reasonable solution to ask my father to bring his great&lt;br /&gt;
experience and distinction to Darlington Hall.&lt;br /&gt;
As I remember it was one morning a little while after my father and Miss Kenton had&lt;br /&gt;
joined the staff, I had been in my pantry, sitting at the table going through my paperwork,&lt;br /&gt;
when I heard a knock on my door. I recall I was a little taken aback when Miss Kenton&lt;br /&gt;
opened the door and entered before I had bidden her to do so. She came in holding a large&lt;br /&gt;
vase of flowers and said with a smile: &quot;Mr Stevens, I thought these would brighten your&lt;br /&gt;
parlour a little.&quot;&lt;br /&gt;
&quot;I beg your pardon, Miss Kenton?&quot;&lt;br /&gt;
&quot;It seemed such a pity your room should be so dark and cold, Mr Stevens, when it&#39;s&lt;br /&gt;
such bright sunshine outside. I thought these would enliven things a little.&quot;&lt;br /&gt;
&quot;That&#39;s very kind of you, Miss Kenton.&quot;&lt;br /&gt;
&quot;It&#39;s a shame more sun doesn&#39;t get in here. The walls are even a little damp, are they&lt;br /&gt;
not, Mr Stevens?&quot;&lt;br /&gt;
I turned back to my accounts, saying: &quot;Merely condensation, I believe, Miss Kenton.&quot;&lt;br /&gt;
She put her vase down on the table in front of me, then glancing around my pantry&lt;br /&gt;
again said: &quot;If you wish, Mr Stevens, I might bring in some more cuttings for you.&quot;&lt;br /&gt;
&quot;Miss Kenton, I appreciate your kindness. But this is not a room of entertainment. I am&lt;br /&gt;
happy to have distractions kept to a minimum.&quot;&lt;br /&gt;
&quot;But surely, Mr Stevens, there is no need to keep your room so stark and bereft of&lt;br /&gt;
colour.&quot;&lt;br /&gt;
&quot;It has served me perfectly well thus far as it is, Miss Kenton, though I appreciate your&lt;br /&gt;
thoughts. In fact, since you are here, there was a certain matter I wished to raise with you.&quot;&lt;br /&gt;
&quot;Oh, really, Mr Stevens?&quot;&lt;br /&gt;
&quot;Yes, Miss Kenton, just a small matter. I happened to be walking past the kitchen&lt;br /&gt;
yesterday when I heard you calling to someone named William.&quot;&lt;br /&gt;
&quot;Is that so, Mr Stevens?&quot;&lt;br /&gt;
&quot;Indeed, Miss Kenton. I did hear you call several times for &#39;William&#39;. May I ask who it&lt;br /&gt;
was you were addressing by that name?&quot;&lt;br /&gt;
&quot;Why, Mr Stevens, I should think I was addressing your father. There are no other&lt;br /&gt;
Williams in this house, I take it.&quot;&lt;br /&gt;
&quot;It&#39;s an easy enough error to have made,&quot; I said with a small smile. &quot;May I ask you in&lt;br /&gt;
future, Miss Kenton, to address my father as &#39;Mr Stevens&#39;? If you are referring to him to a&lt;br /&gt;
third party, then you may wish to call him &#39;Mr Stevens senior&#39; to distinguish him from myself.&lt;br /&gt;
I&#39;m most grateful, Miss Kenton.&quot;&lt;br /&gt;
With that I turned back to my papers. But to my surprise, Miss Kenton did not take her&lt;br /&gt;
leave. &quot;Excuse me, Mr Stevens,&quot; she said after a moment.&lt;br /&gt;
&quot;Yes, Miss Kenton.&quot;&lt;br /&gt;
&quot;I am afraid I am not quite clear what you are saying. I have in the past been&lt;br /&gt;
accustomed to addressing under-servants by their Christian names and saw no reason to do&lt;br /&gt;
otherwise in this house.&quot;&lt;br /&gt;
&quot;A most understandable error, Miss Kenton. However, if you will consider the&lt;br /&gt;
situation for a moment, you may come to see the inappropriateness of someone such as&lt;br /&gt;
yourself talking &#39;down&#39; to one such as my father.&quot;&lt;br /&gt;
&quot;I am still not clear what you are getting at, Mr Stevens. You say someone such as&lt;br /&gt;
myself, but I am as far as I understand the housekeeper of this house, while your father is the&lt;br /&gt;
under-butler.&quot;&lt;br /&gt;
&quot;He is of course in title the under-butler, as you say. But I am surprised your powers of&lt;br /&gt;
observation have not already made it clear to you that he is in reality more than that. A great&lt;br /&gt;
deal more.&quot;&lt;br /&gt;
&quot;No doubt I have been extremely unobservant, Mr Stevens. I had only observed that&lt;br /&gt;
your father was an able under-butler and addressed him accordingly. It must indeed have been&lt;br /&gt;
most galling for him to be so addressed by one such as I.&quot;&lt;br /&gt;
&quot;Miss Kenton, it is clear from your tone you simply have not observed my father. If&lt;br /&gt;
you had done so, the inappropriateness of someone of your age and standing addressing him&lt;br /&gt;
as &#39;William&#39; should have been self-evident to you.&quot;&lt;br /&gt;
&quot;Mr Stevens, I may not have been a housekeeper for long, but I would say that in the&lt;br /&gt;
time I have been, my abilities have attracted some very generous remarks.&quot;&lt;br /&gt;
&quot;I do not doubt your competence for one moment, Miss Kenton. But a hundred things&lt;br /&gt;
should have indicated to you that my father is a figure of unusual distinction from whom you&lt;br /&gt;
may learn a wealth of things were you prepared to be more observant.&quot;&lt;br /&gt;
&quot;I am most indebted to you for your advice, Mr Stevens. So do please tell me, just&lt;br /&gt;
what marvellous things might I learn from observing your father?&quot;&lt;br /&gt;
&quot;I would have thought it obvious to anyone with eyes, Miss Kenton.&quot;&lt;br /&gt;
&quot;But we have already established, have we not, that I am particularly deficient in that&lt;br /&gt;
respect.&quot;&lt;br /&gt;
&quot;Miss Kenton, if you are under the impression you have already at your age perfected&lt;br /&gt;
yourself, you will never rise to the heights you are no doubt capable of. I might point out, for&lt;br /&gt;
instance, you are still often unsure of what goes where and which item is which.&quot;&lt;br /&gt;
This seemed to take the wind out of Miss Kenton&#39;s sails somewhat: Indeed, for a&lt;br /&gt;
moment, she looked a little upset. Then she said: &quot;I had a little difficulty on first arriving, but&lt;br /&gt;
that is surely only normal.&quot;&lt;br /&gt;
&quot;Ah, there you are, Miss Kenton. If you had observed my father who arrived in this&lt;br /&gt;
house a week after you did, you will have seen that his house knowledge is perfect and was so&lt;br /&gt;
almost from the time he set foot in Darlington Hall.&quot;&lt;br /&gt;
Miss Kenton seemed to think about this before saying a little sulkily: &quot;I am sure Mr&lt;br /&gt;
Stevens senior is very good at his job, but I assure you, Mr Stevens, I am very good at mine. I&lt;br /&gt;
will remember to address your father by his full title in future. Now, if you would please&lt;br /&gt;
excuse me.&quot;&lt;br /&gt;
After this encounter, Miss Kenton did not attempt to introduce further flowers into my&lt;br /&gt;
pantry, and in general, I was pleased to observe, she went about settling in impressively. It&lt;br /&gt;
was clear, furthermore, she was a housekeeper who took her work very seriously and in spite&lt;br /&gt;
of her youth, she seemed to have no difficulty gaining the respect of her staff.&lt;br /&gt;
I noticed too that she was indeed proceeding to address my father as &#39;Mr Stevens&#39;.&lt;br /&gt;
However, one afternoon perhaps two weeks after our conversation in my pantry, I was doing&lt;br /&gt;
something in the library when Miss Kenton came in and said: &quot;Excuse me, Mr Stevens. But if&lt;br /&gt;
you are searching for your dust-pan, it is out in the hall.&quot;&lt;br /&gt;
&quot;I beg your pardon, Miss Kenton?&quot;&lt;br /&gt;
&quot;Your dust-pan, Mr Stevens. You&#39;ve left it out here. Shall I bring it in for you?&quot;&lt;br /&gt;
&quot;Miss Kenton, I have not been using a dust-pan.&quot;&lt;br /&gt;
&quot;Ah, well, then forgive me, Mr Stevens. I naturally assumed you were using your dustpan&lt;br /&gt;
and had left it out in the hall. I am sorry to have disturbed you.&quot;&lt;br /&gt;
She started to leave, but then turned at the doorway and said: &quot;Oh, Mr Stevens. I&lt;br /&gt;
would return it myself but I have to go upstairs just now. I wonder if you will remember it?&quot;&lt;br /&gt;
&quot;Of course, Miss Kenton. Thank you for drawing attention to it.&quot;&lt;br /&gt;
&quot;It is quite all right, Mr Stevens.&quot;&lt;br /&gt;
I listened to her footsteps cross the hall and start up the great staircase, then proceeded&lt;br /&gt;
to the doorway myself. From the library doors, one has an unbroken view right across the&lt;br /&gt;
entrance hall to the main doors of the house. Most conspicuously, in virtually the central spot&lt;br /&gt;
of the otherwise empty and highly polished floor, lay the dustpan Miss Kenton had alluded to.&lt;br /&gt;
It struck me as a trivial, but irritating error; the dust-pan would have been conspicuous&lt;br /&gt;
not only from the five ground-floor doorways opening on to the hall, but also from the&lt;br /&gt;
staircase and the first-floor balconies.&lt;br /&gt;
I crossed the hall and had actually picked up the offending item before realizing its full&lt;br /&gt;
implication; my father, I recalled, had been brushing the entrance hall a half-hour or so&lt;br /&gt;
earlier. At first, I found it hard to credit such an error to my father. But I soon reminded&lt;br /&gt;
myself that such trivial slips are liable to befall anyone from time to time and my irritation&lt;br /&gt;
soon turned to Miss Kenton for attempting to create such unwarranted fuss over the incident.&lt;br /&gt;
Then, not more than a week later, I was coming down the back corridor from the&lt;br /&gt;
kitchen when Miss Kenton came out of her parlour and uttered a statement she had clearly&lt;br /&gt;
been rehearsing; this was something to the effect that although she felt most uncomfortable&lt;br /&gt;
drawing my attention to errors made by my staff, she and I had to work as a team, and she&lt;br /&gt;
hoped I would not feel inhibited to do similarly should I notice errors made by female staff.&lt;br /&gt;
She then went on to point out that several pieces of silver had been laid out for the dining&lt;br /&gt;
room which bore clear remains of polish. The end of one fork had been practically black. I&lt;br /&gt;
thanked her and she withdrew back into her parlour. It had been unnecessary, of course, for&lt;br /&gt;
her to mention that the silver was one of my father&#39;s main responsibilities and one he took&lt;br /&gt;
great pride in.&lt;br /&gt;
It is very possible there were a number of other instances of this sort which I have now&lt;br /&gt;
forgotten. In any case, I recall things reaching something of a climax one grey and drizzly&lt;br /&gt;
afternoon when I was in the billiard room attending to Lord Darlington&#39;s sporting trophies.&lt;br /&gt;
Miss Kenton had entered and said from the door: &quot;Mr Stevens, I have just noticed something&lt;br /&gt;
outside which puzzles me.&quot;&lt;br /&gt;
&quot;What is that, Miss Kenton?&quot;&lt;br /&gt;
&quot;Was it his lordship&#39;s wish that the Chinaman on the upstairs landing should be&lt;br /&gt;
exchanged with the one outside this door?&quot;&lt;br /&gt;
&quot;The Chinaman, Miss Kenton?&quot;&lt;br /&gt;
&quot;Yes, Mr Stevens. The Chinaman normally on the landing you will now find outside&lt;br /&gt;
this door.&quot;&lt;br /&gt;
&quot;I fear, Miss Kenton, that you are a little confused.&quot;&lt;br /&gt;
&quot;I do not believe I am confused at all, Mr Stevens. I make it my business to acquaint&lt;br /&gt;
myself with where objects properly belong in a house. The Chinamen, I would suppose, were&lt;br /&gt;
polished by someone then replaced incorrectly. If you are sceptical, Mr Stevens, perhaps you&lt;br /&gt;
will care to step out here and observe for yourself.&quot;&lt;br /&gt;
&quot;Miss Kenton, I am occupied at present.&quot;&lt;br /&gt;
&quot;But, Mr Stevens, you do not appear to believe what I am saying. I am thus asking you&lt;br /&gt;
to step outside this door and see for yourself.&quot;&lt;br /&gt;
&quot;Miss Kenton, I am busy just now and will attend to the matter shortly. It is hardly one&lt;br /&gt;
of urgency.&quot;&lt;br /&gt;
&quot;You accept then, Mr Stevens, that I am not in error on this point.&quot;&lt;br /&gt;
&quot;I will accept nothing of the sort, Miss Kenton, until I have had a chance to deal with&lt;br /&gt;
the matter. However, I am occupied at present.&quot;&lt;br /&gt;
I turned back to my business, but Miss Kenton remained in the doorway observing me.&lt;br /&gt;
Eventually, she said: &quot;I can see you will be finished very shortly, Mr Stevens. I will await you&lt;br /&gt;
outside so that this matter may be finalized when you come out.&quot;&lt;br /&gt;
&quot;Miss Kenton, I believe you are according this matter an urgency it hardly merits.&quot;&lt;br /&gt;
But Miss Kenton had departed, and sure enough, as I continued with my work, an&lt;br /&gt;
occasional footstep or some other sound would serve to remind me she was still there outside&lt;br /&gt;
the door. I decided therefore to occupy myself with some further tasks in the billiard room,&lt;br /&gt;
assuming she would after a while see the ludicrousness of her position and leave. However,&lt;br /&gt;
after some time had passed, and I had exhausted the tasks which could usefully be achieved&lt;br /&gt;
with the implements I happened to have at hand, Miss Kenton was evidently still outside.&lt;br /&gt;
Resolved not to waste further time on account of this childish affair, I contemplated departure&lt;br /&gt;
via the french windows. A drawback to this plan was the weather - that is to say, several large&lt;br /&gt;
puddles and patches of mud were in evidence - and the fact that one would need to return to&lt;br /&gt;
the billiard room again at some point to bolt the french windows from the inside. Eventually,&lt;br /&gt;
then, I decided the best strategy would be simply to stride out of the room very suddenly at a&lt;br /&gt;
furious pace. I thus made my way as quietly as possible to a position from which I could&lt;br /&gt;
execute such a march, and clutching my implements firmly about me, succeeded in propelling&lt;br /&gt;
myself through the doorway and several paces down the corridor before a somewhat&lt;br /&gt;
astonished Miss Kenton could recover her wits. This she did, however, rather rapidly and the&lt;br /&gt;
next moment I found she had overtaken me and was standing before me, effectively barring&lt;br /&gt;
my way.&lt;br /&gt;
&quot;Mr Stevens, that is the incorrect Chinaman, would you not agree?&quot;&lt;br /&gt;
&quot;Miss Kenton, I am very busy. I am surprised you have nothing better to do than stand&lt;br /&gt;
in corridors all day.&quot;&lt;br /&gt;
&quot;Mr Stevens, is that the correct Chinaman or is it not?&quot;&lt;br /&gt;
&quot;Miss Kenton, I would ask you to keep your voice down.&quot;&lt;br /&gt;
&quot;And I would ask you, Mr Stevens, to turn around and look at that Chinaman.&quot;&lt;br /&gt;
&quot;Miss Kenton, please keep your voice down. What would employees below think to&lt;br /&gt;
hear us shouting at the top of our voices about what is and what is not the correct Chinaman?&quot;&lt;br /&gt;
&quot;The fact is, Mr Stevens, all the Chinamen in this house have been dirty for some&lt;br /&gt;
time! And now, they are in incorrect positions!&quot;&lt;br /&gt;
&quot;Miss Kenton, you are being quite ridiculous. Now if you will be so good as to&lt;br /&gt;
let me pass.&quot;&lt;br /&gt;
&quot;Mr Stevens, will you kindly look at the Chinaman behind you?&quot;&lt;br /&gt;
&quot;If it is so important to you, Miss Kenton, I will allow that the Chinaman behind me&lt;br /&gt;
may well be incorrectly situated. But I must say I am at some loss as to why you should be so&lt;br /&gt;
concerned with these most trivial of errors.&quot;&lt;br /&gt;
&quot;These errors may be trivial in themselves, Mr Stevens, but you must yourself realize&lt;br /&gt;
their larger significance.&quot;&lt;br /&gt;
&quot;Miss Kenton, I do not understand you. Now if you would kindly allow me to pass.&quot;&lt;br /&gt;
&quot;The fact is, Mr Stevens, your father is entrusted with far more than a man of his age&lt;br /&gt;
can cope with.&quot;&lt;br /&gt;
&quot;Miss Kenton, you clearly have little idea of what you are suggesting.&quot;&lt;br /&gt;
&quot;Whatever your father was once, Mr Stevens, his powers are now greatly diminished.&lt;br /&gt;
This is what these &#39;trivial errors&#39; as you call them really signify and if you do not heed them, it&lt;br /&gt;
will not be long before your father commits an error of major proportions.&quot;&lt;br /&gt;
&quot;Miss Kenton, you are merely making yourself look foolish.&quot;&lt;br /&gt;
&quot;I am sorry, Mr Stevens, but I must go on. I believe there are many duties your father&lt;br /&gt;
should now be relieved of. He should not, for one, be asked to go on carrying heavily laden&lt;br /&gt;
trays. The way his hands tremble as he carries them into dinner is nothing short of alarming. It&lt;br /&gt;
is surely only a matter of time before a tray falls from his hands on to a lady or gentleman&#39;s&lt;br /&gt;
lap. And furthermore, Mr Stevens, and I am very sorry to say this, I have noticed your father&#39;s&lt;br /&gt;
nose.&quot;&lt;br /&gt;
&quot;Have you indeed, Miss Kenton?&quot;&lt;br /&gt;
&quot;I regret to say I have, Mr Stevens. The evening before last I watched your father&lt;br /&gt;
proceeding very slowly towards the dining room with his tray, and I am afraid I observed&lt;br /&gt;
clearly a large drop on the end of his nose dangling over the soup bowls. I would not have&lt;br /&gt;
thought such a style of waiting a great stimulant to appetite.&quot;&lt;br /&gt;
But now that I think further about it, I am not sure Miss Kenton spoke quite so boldly&lt;br /&gt;
that day. We did, of course, over the years of working closely together come to have some&lt;br /&gt;
very frank exchanges, but the afternoon I am recalling was still early in our relationship and I&lt;br /&gt;
cannot see even Miss Kenton having been so forward. I am not sure she could actually have&lt;br /&gt;
gone so far as to say things like: &#39;these errors may be trivial in themselves, but you must&lt;br /&gt;
yourself realize their larger significance&#39;. In fact, now that I come to think of it, I have a&lt;br /&gt;
feeling it may have been Lord Darlington himself who made that particular remark to me that&lt;br /&gt;
time he called me into his study some two months after that exchange with Miss Kenton&lt;br /&gt;
outside the billiard room.&lt;br /&gt;
By that time, the situation as regards my father had changed significantly following his&lt;br /&gt;
fall.&lt;br /&gt;
The study doors are those that face one as one comes down the great staircase. There is&lt;br /&gt;
outside the study today a glass cabinet displaying various of Mr Farraday&#39;s ornaments, but&lt;br /&gt;
throughout Lord Darlington&#39;s days, there stood at that spot a bookshelf containing many&lt;br /&gt;
volumes of encyclopedia, including a complete set of the _Britannica__. It was a ploy of Lord&lt;br /&gt;
Darlington&#39;s to stand at this shelf studying the spines of the encyclopedias as I came down the&lt;br /&gt;
staircase, and sometimes, to increase the effect of an accidental meeting, he would actually&lt;br /&gt;
pull out a volume and pretend to be engrossed as I completed my descent. Then, as I passed&lt;br /&gt;
him, he would say: &#39;Oh, Stevens, there was something I meant to say to you.&#39; And with that,&lt;br /&gt;
he would wander back into his study, to all appearances still thoroughly engrossed in the&lt;br /&gt;
volume held open in his hands. It was invariably embarrassment at what he was about to&lt;br /&gt;
impart which made Lord Darlington adopt such an approach, and even once the study door&lt;br /&gt;
was closed behind us, he would often stand by the window and make a show of consulting the&lt;br /&gt;
encyclopedia throughout our conversation.&lt;br /&gt;
What I am now describing, incidentally, is one of many instances I could relate to you&lt;br /&gt;
to underline Lord Darlington&#39;s essentially shy and modest nature. A great deal of nonsense&lt;br /&gt;
has been spoken and written in recent years concerning his lordship and the prominent role he&lt;br /&gt;
came to play in great affairs, and some utterly ignorant reports have had it that he was&lt;br /&gt;
motivated by egotism, or else arrogance. Let me say here that nothing could be further from&lt;br /&gt;
the truth. It was completely contrary to Lord Darlington&#39;s natural tendencies to take such&lt;br /&gt;
public stances as he came to do and I can say with conviction that his lordship was persuaded&lt;br /&gt;
to overcome his more retiring side only through a deep sense of moral duty.&lt;br /&gt;
Whatever may be said about his lordship these days - and the great majority of it is, as&lt;br /&gt;
I say, utter nonsense - I can declare that he was a truly good man at heart, a gentleman&lt;br /&gt;
through and through, and one I am today proud to have given my best years of service to.&lt;br /&gt;
On the particular afternoon to which I am referring, his lordship would still have been&lt;br /&gt;
in his mid-fifties; but as I recall, his hair had greyed entirely and his tall slender figure already&lt;br /&gt;
bore signs of the stoop that was to become so pronounced in his last years. He barely glanced&lt;br /&gt;
up from his volume as he asked: &quot;Your father feeling better now, Stevens?&quot;&lt;br /&gt;
&quot;I&#39;m glad to say he has made a full recovery, sir.&quot;&lt;br /&gt;
&quot;Jolly pleased to hear that. Jolly pleased.&quot;&lt;br /&gt;
&quot;Thank you, sir.&quot;&lt;br /&gt;
&quot;Look here, Stevens, have there been any -well - _signs__ at all? I mean signs to tell&lt;br /&gt;
us your father may be wishing his burden lightened somewhat? Apart from this business of&lt;br /&gt;
him falling, I mean.&quot;&lt;br /&gt;
&quot;As I say, sir, my father appears to have made a full recovery and I believe he is still a&lt;br /&gt;
person of considerable dependability. It is true one or two errors have been noticeable recently&lt;br /&gt;
in the discharging of his duties, but these are in every case very trivial in nature.&quot;&lt;br /&gt;
&quot;But none of us wish to see anything of that sort happen ever again, do we? I mean,&lt;br /&gt;
your father collapsing and all that.&quot;&lt;br /&gt;
&quot;Indeed not, sir.&quot;&lt;br /&gt;
&quot;And of course, if it can happen out on the lawn, it could happen anywhere. And at&lt;br /&gt;
any time.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;It could happen, say, during dinner while your father was waiting at table.&quot;&lt;br /&gt;
&quot;It is possible, sir.&quot;&lt;br /&gt;
&quot;Look here, Stevens, the first of the delegates will be arriving here in less than a&lt;br /&gt;
fortnight.&quot;&lt;br /&gt;
&quot;We are well prepared, sir.&quot;&lt;br /&gt;
&quot;What happens within this house after that may have considerable repercussions.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;I mean _considerable__ repercussions. On the whole course Europe is taking. In view&lt;br /&gt;
of the persons who will be present, I do not think I exaggerate. &quot;&lt;br /&gt;
&quot;No, sir.&quot;&lt;br /&gt;
&quot;Hardly the time for taking on avoidable hazards.&quot;&lt;br /&gt;
&quot;Indeed not, sir.&quot;&lt;br /&gt;
&quot;Look here, Stevens, there&#39;s no question of your father leaving us. You&#39;re simply being&lt;br /&gt;
asked to reconsider his duties.&quot; And it was then, I believe, that his lordship said as he looked&lt;br /&gt;
down again into his volume and awkwardly fingered an entry: &quot;These errors may be trivial in&lt;br /&gt;
themselves, Stevens, but you must yourself realize their larger significance. Your father&#39;s days&lt;br /&gt;
of dependability are now passing. He must not be asked to perform tasks in any area where an&lt;br /&gt;
error might jeopardize the success of our forthcoming conference.&quot;&lt;br /&gt;
&quot;Indeed not, sir. I fully understand.&quot;&lt;br /&gt;
&quot;Good. I&#39;ll leave you to think about it then, Stevens.&quot;&lt;br /&gt;
Lord Darlington, I should say, had actually witnessed my father&#39;s fall of a week or so&lt;br /&gt;
earlier. His lordship had been entertaining two guests, a young lady and gentleman, in the&lt;br /&gt;
summerhouse, and had watched my father&#39;s approach across the lawn bearing a much&lt;br /&gt;
welcome tray of refreshments. The lawn climbs a slope several yards in front of the&lt;br /&gt;
summerhouse, and in those days, as today, four flagstones embedded into the grass served as&lt;br /&gt;
steps by which to negotiate this climb. It was in the vicinity of these steps that my father fell,&lt;br /&gt;
scattering the load on his tray - teapot, cups, saucers, sandwiches, cakes - across the area of&lt;br /&gt;
grass at the top of the steps. By the time I had received the alarm and gone out, his lordship&lt;br /&gt;
and his guests had laid my father on his side, a cushion and a rug from the summerhouse&lt;br /&gt;
serving as pillow and blanket. My father was unconscious and his face looked an oddly grey&lt;br /&gt;
colour. Dr Meredith had already been sent for, but his lordship was of the view that my father&lt;br /&gt;
should be moved out of the sun before the doctor&#39;s arrival; consequently, a bath-chair arrived&lt;br /&gt;
and with not a little difficulty, my father was transported into the house. By the time Dr&lt;br /&gt;
Meredith arrived, he had revived considerably and the doctor soon left again making only&lt;br /&gt;
vague statements to the effect that my father had perhaps been &#39;over-working&#39;.&lt;br /&gt;
The whole episode was clearly a great embarrassment to my father, and by the time of&lt;br /&gt;
that conversation in Lord Darlington&#39;s study, he had long since returned to busying himself as&lt;br /&gt;
much as ever. The question of how one could broach the topic of reducing his responsibilities&lt;br /&gt;
was not, then, an easy one. My difficulty was further compounded by the fact that for some&lt;br /&gt;
years my father and I had tended - for some reason I have never really fathomed - to converse&lt;br /&gt;
less and less. So much so that after his arrival at Darlington Hall, even the brief exchanges&lt;br /&gt;
necessary to communicate information relating to work took place in an atmosphere of mutual&lt;br /&gt;
embarrassment.&lt;br /&gt;
In the end, I judged the best option to be to talk in the privacy of his room, thus giving&lt;br /&gt;
him the opportunity to ponder his new situation in solitude once I took my leave. The only&lt;br /&gt;
times my father could be found in his room were first thing in the morning and last thing at&lt;br /&gt;
night.&lt;br /&gt;
Choosing the former, I climbed up to his small attic room at the top of the servants&#39;&lt;br /&gt;
wing early one morning and knocked gently.&lt;br /&gt;
I had rarely had reason to enter my father&#39;s room prior to this occasion and I was&lt;br /&gt;
newly struck by the smallness and starkness of it. Indeed, I recall my impression at the time&lt;br /&gt;
was of having stepped into a prison cell, but then this might have had as much to do with the&lt;br /&gt;
pale early light as with the size of the room or the bareness of its walls. For my father had&lt;br /&gt;
opened his curtains and was sitting, shaved and in full uniform, on the edge of his bed from&lt;br /&gt;
where evidently he had been watching the sky turn to dawn. At least one assumed he had been&lt;br /&gt;
watching the sky, there being little else to view from his small window other than roof-tiles&lt;br /&gt;
and guttering. The oil lamp beside his bed had been extinguished, and when I saw my father&lt;br /&gt;
glance disapprovingly at the lamp I had brought to guide me up the rickety staircase, I quickly&lt;br /&gt;
lowered the wick. Having done this, I noticed all the more the effect of the pale light coming&lt;br /&gt;
into the room and the way it lit up the edges of my father&#39;s craggy, lined, still awesome&lt;br /&gt;
features.&lt;br /&gt;
&quot;Ah,&quot; I said, and gave a short laugh, &quot;I might have known Father would be up and&lt;br /&gt;
ready for the day.&quot;&lt;br /&gt;
&quot;I&#39;ve been up for the past three hours,&quot; he said, looking me up and down rather coldly.&lt;br /&gt;
&quot;I hope Father is not being kept awake by his arthritic troubles.&quot;&lt;br /&gt;
&quot;I get all the sleep I need.&quot;&lt;br /&gt;
My father reached forward to the only chair in the room, a small wooden one, and&lt;br /&gt;
placing both hands on its back, brought himself to his feet.&lt;br /&gt;
When I saw him stood upright before me, I could not be sure to what extent he was&lt;br /&gt;
hunched over due to infirmity and what extent due to the habit of accommodating the steeply&lt;br /&gt;
sloped ceilings of the room.&lt;br /&gt;
&quot;I have come here to relate something to you, Father.&quot;&lt;br /&gt;
&quot;Then relate it briefly and concisely. I haven&#39;t all morning to listen to you chatter.&quot;&lt;br /&gt;
&quot;In that case, Father, I will come straight to the point.&quot;&lt;br /&gt;
&quot;Come to the point then and be done with it. Some of us have work to be getting on&lt;br /&gt;
with.&quot;&lt;br /&gt;
&quot;Very well. Since you wish me to be brief, I will do my best to comply. The fact is,&lt;br /&gt;
Father has become increasingly infirm. So much so that even the duties of an under-butler are&lt;br /&gt;
now beyond his capabilities. His lordship is of the view, as indeed I am myself, that while&lt;br /&gt;
Father is allowed to continue with his present round of duties, he represents an ever-present&lt;br /&gt;
threat to the smooth running of this household, and in particular to next week&#39;s important&lt;br /&gt;
international gathering.&quot;&lt;br /&gt;
My father&#39;s face, in the half-light, betrayed no emotion whatsoever.&lt;br /&gt;
&quot;Principally,&quot; I continued, &quot;it has been felt that Father should no longer be asked to&lt;br /&gt;
wait at table, whether or not guests are present.&quot;&lt;br /&gt;
&quot;I have waited at table every day for the last fifty-four years,&quot; my father remarked, his&lt;br /&gt;
voice perfectly unhurried.&lt;br /&gt;
&quot;Furthermore, it has been decided that Father should not carry laden trays of any sort&lt;br /&gt;
for even the shortest distances. In view of these limitations, and knowing Father&#39;s esteem for&lt;br /&gt;
conciseness, I have listed here the revised round of duties he will from now on be expected to&lt;br /&gt;
perform.&quot;&lt;br /&gt;
I felt disinclined actually to hand to him the piece of paper I was holding, and so put it&lt;br /&gt;
down on the end of his bed. My father glanced at it then returned his gaze to me. There was&lt;br /&gt;
still no trace of emotion discernible in his expression, and his hands on the back of the chair&lt;br /&gt;
appeared perfectly relaxed. Hunched over or not, it was impossible not to be reminded of the&lt;br /&gt;
sheer impact of his physical presence - the very same that had once reduced two drunken&lt;br /&gt;
gentlemen to sobriety in the back of a car. Eventually, he said: &quot;I only fell that time because&lt;br /&gt;
of those steps. They&#39;re crooked. Seamus should be told to put those right before someone else&lt;br /&gt;
does the same thing.&quot;&lt;br /&gt;
&quot;Indeed. In any case, may I be assured Father will study that sheet?&quot;&lt;br /&gt;
&quot;Seamus should be told to put those steps right. Certainly before these gentlemen start&lt;br /&gt;
arriving from Europe.&quot;&lt;br /&gt;
&quot;Indeed. Well, Father, good morning.&quot;&lt;br /&gt;
That summer evening referred to by Miss Kenton in her letter came very soon after&lt;br /&gt;
that encounter - indeed, it may have been the evening of that same day. I cannot remember&lt;br /&gt;
just what purpose had taken me up on to the top floor of the house to where the row of guest&lt;br /&gt;
bedrooms line the corridor. But as I think I have said already, I can recall vividly the way the&lt;br /&gt;
last of the daylight was coming through each open doorway and falling across the corridor in&lt;br /&gt;
orange shafts. And as I walked on past those unused bedrooms, Miss Kenton&#39;s figure, a&lt;br /&gt;
silhouette against a window within one of them, had called to me.&lt;br /&gt;
When one thinks about it, when one remembers the way Miss Kenton had repeatedly&lt;br /&gt;
spoken to me of my father during those early days of her time at Darlington Hall, it is little&lt;br /&gt;
wonder that the memory of that evening should have stayed with her all of these years. No&lt;br /&gt;
doubt, she was feeling a certain sense of guilt as the two of us watched from our window my&lt;br /&gt;
father&#39;s figure down below. The shadows of the poplar trees had fallen across much of the&lt;br /&gt;
lawn, but the sun was still lighting up the far corner where the grass sloped up to the&lt;br /&gt;
Summerhouse. My father could be seen standing by those four stone steps, deep in thought. A&lt;br /&gt;
breeze was slightly disturbing his hair. Then, as we watched, he walked very slowly up the&lt;br /&gt;
steps. At the top, he turned and came back down, a little faster. Turning once more, my father&lt;br /&gt;
became still again for several seconds, contemplating the steps before him. Eventually, he&lt;br /&gt;
climbed them a second time, very deliberately. This time he continued on across the grass&lt;br /&gt;
until he had almost reached the summerhouse, then turned and came walking slowly back, his&lt;br /&gt;
eyes never leaving the ground.&lt;br /&gt;
In fact, I can describe his manner at that moment no better than the way Miss Kenton&lt;br /&gt;
puts it in her letter; it was indeed &#39;as though he hoped to find some precious jewel he had&lt;br /&gt;
dropped there.&#39;&lt;br /&gt;
But I see I am becoming preoccupied with these memories and this is perhaps a little&lt;br /&gt;
foolish. This present trip represents, after all, a rare opportunity for me to savour to the full&lt;br /&gt;
the many splendours of the English countryside, and I know I shall greatly regret it later if I&lt;br /&gt;
allow myself to become unduly diverted. In fact, I notice I have yet to record here anything of&lt;br /&gt;
my journey to this city - aside from mentioning briefly that halt on the hillside road at the very&lt;br /&gt;
start of it. This is an omission indeed, given how much I enjoyed yesterday&#39;s motoring.&lt;br /&gt;
I had planned the journey here to Salisbury with considerable care, avoiding almost&lt;br /&gt;
entirely the major roads; the route might have seemed necessarily circuitous to some, but then&lt;br /&gt;
it was one that enabled me to take in a fair number of the sights recommended by Mrs J.&lt;br /&gt;
Symons in her excellent volumes, and I must say I was well pleased with it. For much of the&lt;br /&gt;
time it took me through farmland, amidst the pleasant aroma of meadows, and often I found&lt;br /&gt;
myself slowing the Ford to a crawl to better appreciate a stream or a valley I was passing. But&lt;br /&gt;
as I recall, I did not actually disembark again until I was quite near Salisbury.&lt;br /&gt;
On that occasion, I was moving down a long, straight road with wide meadows on&lt;br /&gt;
either side of me. In fact, the land had become very open and flat at that point, enabling one to&lt;br /&gt;
see a considerable distance in all directions, and the spire of Salisbury Cathedral had become&lt;br /&gt;
visible on the skyline up ahead. A tranquil mood had come over me, and for this reason I&lt;br /&gt;
believe I was again motoring very slowly - probably at no more than fifteen miles per hour.&lt;br /&gt;
This was just as well, for I saw only just in time a hen crossing my path in the most leisurely&lt;br /&gt;
manner. I brought the Ford to a halt only a foot or two from the fowl, which in turn ceased its&lt;br /&gt;
journey, pausing there in the road in front of me. When after a moment it had not moved, I&lt;br /&gt;
resorted to the car horn, but this had no effect other than to make the creature commence&lt;br /&gt;
pecking at something on the ground. Rather exasperated, I began to get out and had one foot&lt;br /&gt;
still on the running board when I heard a woman&#39;s voice call: &quot;Oh, I do beg your pardon, sir.&quot;&lt;br /&gt;
Glancing round, I saw I had just passed on the roadside a farm cottage - from which a&lt;br /&gt;
young woman in an apron, her attention no doubt aroused by the horn, had come running.&lt;br /&gt;
Passing me, she swooped up the hen in her arms and proceeded to cradle it as she apologized&lt;br /&gt;
to me again. When I assured her no harm had been done, she said: &quot;I do thank you for&lt;br /&gt;
stopping and not running poor Nellie over. She&#39;s a good girl, provides us with the largest eggs&lt;br /&gt;
you&#39;ve ever seen. It&#39;s so good of you to stop. And you were probably in a hurry too.&quot;&lt;br /&gt;
&quot;Oh, I&#39;m not in a hurry at all,&quot; I said with a smile. &quot;For the first time in many a year,&lt;br /&gt;
I&#39;m able to take my time and I must say, it&#39;s rather an enjoyable experience. I&#39;m just motoring&lt;br /&gt;
for the pleasure of it, you see.&quot;&lt;br /&gt;
&quot;Oh, that&#39;s nice, sir. And you&#39;re on your way to Salisbury, I expect.&quot;&lt;br /&gt;
&quot;I am indeed. In fact, that&#39;s the cathedral we can see over there, isn&#39;t it? I&#39;m told it&#39;s a&lt;br /&gt;
splendid building.&quot;&lt;br /&gt;
&quot;Oh, it is, sir, it&#39;s very nice. Well, to tell you the truth, I hardly go into Salisbury&lt;br /&gt;
myself, so I couldn&#39;t really say what it&#39;s like at close quarters. But I tell you, sir, day in day out&lt;br /&gt;
we have a view of the steeple from here. Some days, it&#39;s too misty and it&#39;s like it&#39;s vanished&lt;br /&gt;
altogether. But you can see for yourself, on a fine day like this, it&#39;s a nice sight. &quot;&lt;br /&gt;
&quot;Delightful.&quot;&lt;br /&gt;
&quot;I&#39;m so grateful you didn&#39;t run over our Nellie, sir. Three years ago a tortoise of ours&lt;br /&gt;
got killed like that and on just about this very spot. We were all very upset over that.&quot;&lt;br /&gt;
&quot;How very tragic,&quot; I said, sombrely.&lt;br /&gt;
&quot;Oh, it was, sir. Some people say we farm people get used to animals being hurt or&lt;br /&gt;
killed, but that&#39;s just not true. My little boy cried for days. It&#39;s so good you stopped for Nellie,&lt;br /&gt;
sir. If you&#39;d care to come in for a cup of tea, now that you&#39;ve got out and everything, you&#39;d be&lt;br /&gt;
most welcome. It would set you on your way.&quot;&lt;br /&gt;
&quot;That&#39;s most kind, but really, I feel I should continue. I&#39;d like to reach Salisbury in&lt;br /&gt;
good time to take a look at the city&#39;s many charms.&quot;&lt;br /&gt;
&quot;Indeed, sir. Well, thank you again.&quot;&lt;br /&gt;
I set off again maintaining for some reason - perhaps because I expected further farm&lt;br /&gt;
creatures to wander across my path - my slow speed of before. I must say, something about&lt;br /&gt;
this small encounter had put me in very good spirits; the simple kindness I had been thanked&lt;br /&gt;
for, and the simple kindness I had been offered in return, caused me somehow to feel&lt;br /&gt;
exceedingly uplifted about the whole enterprise facing me over these coming days. It was in&lt;br /&gt;
such a mood, then, that I proceeded here to Salisbury.&lt;br /&gt;
But I feel I should return just a moment to the matter of my father; for it strikes me I&lt;br /&gt;
may have given the impression earlier that I treated him rather bluntly over his declining&lt;br /&gt;
abilities. The fact is, there was little choice but to approach the matter as I did - as I am sure&lt;br /&gt;
you will agree once I have explained the full context of those days. That is to say, the&lt;br /&gt;
important international conference to take place at Darlington Hall was by then looming&lt;br /&gt;
ahead of us, leaving little room for indulgence or &#39;beating about the bush&#39;. It is important to be&lt;br /&gt;
reminded, moreover, that although Darlington Hall was to witness many more events of equal&lt;br /&gt;
gravity over the fifteen or so years that followed, that conference of March 1923 was the first&lt;br /&gt;
of them; one was, one supposes, relatively inexperienced, and inclined to leave little to&lt;br /&gt;
chance. In fact, I often look back to that conference and, for more than one reason, regard it as&lt;br /&gt;
a turning point in my life. For one thing, I suppose I do regard it as the moment in my career&lt;br /&gt;
when I truly came of age as a butler. That is not to say I consider I became, necessarily, a&lt;br /&gt;
&#39;great&#39; butler; it is hardly for me, in any case, to make judgements of this sort. But should it be&lt;br /&gt;
that anyone ever wished to posit that I have attained at least a little of that crucial quality of&lt;br /&gt;
&#39;dignity&#39; in the course of my career, such a person may wish to be directed towards that&lt;br /&gt;
conference of March 1923 as representing the moment when I first demonstrated I might have&lt;br /&gt;
a capacity for such a quality. It was one of those events which at a crucial stage in one&#39;s&lt;br /&gt;
development arrive to challenge and stretch one to the limit of one&#39;s ability and beyond, so&lt;br /&gt;
that thereafter one has new standards by which to judge oneself. That conference was also&lt;br /&gt;
memorable, of course, for other quite separate reasons, as I would like now to explain.&lt;br /&gt;
The conference of 1923 was the culmination of long planning on the part of Lord&lt;br /&gt;
Darlington; indeed, in retrospect, one can see clearly how his lordship had been moving&lt;br /&gt;
towards this point from some three years or so before. As I recall, he had not been initially so&lt;br /&gt;
preoccupied with the peace treaty when it was drawn up at the end of the Great War, and I&lt;br /&gt;
think it is fair to say that his interest was prompted not so much by an analysis of the treaty,&lt;br /&gt;
but by his friendship with Herr Karl-Heinz Bremann.&lt;br /&gt;
Herr Bremann first visited Darlington Hall very shortly after the war while still in his&lt;br /&gt;
officer&#39;s uniform, and it was evident to any observer that he and Lord Darlington had struck&lt;br /&gt;
up a close friendship. This did not surprise me, since one could see at a glance that Herr&lt;br /&gt;
Bremann was a gentleman of great decency. He returned again, having left the German army,&lt;br /&gt;
at fairly regular intervals during the following two years, and one could not help noticing with&lt;br /&gt;
some alarm the deterioration he underwent from one visit to the next. His clothes became&lt;br /&gt;
increasingly impoverished - his frame thinner; a hunted look appeared in his eyes, and on his&lt;br /&gt;
last visits, he would spend long periods staring into space, oblivious of his lordship&#39;s presence&lt;br /&gt;
or, sometimes, even of having been addressed. I would have concluded Herr Bremann was&lt;br /&gt;
suffering from some serious illness, but for certain remarks his lordship made at that time&lt;br /&gt;
assuring me this was not so.&lt;br /&gt;
It must have been towards the end of 1920 that Lord Darlington made the first of a&lt;br /&gt;
number of trips to Berlin himself, and I can remember the profound effect it had on him. A&lt;br /&gt;
heavy air of preoccupation hung over him for days after his return, and I recall once, in reply&lt;br /&gt;
to my inquiring how he had enjoyed his trip, his remarking: &quot;Disturbing, Stevens. Deeply&lt;br /&gt;
disturbing. It does us great discredit to treat a defeated foe like this. A complete break with the&lt;br /&gt;
traditions of this country.&quot;&lt;br /&gt;
But there is another memory that has remained with me very vividly in relation to this&lt;br /&gt;
matter. Today, the old banqueting hall no longer contains a table and that spacious room, with&lt;br /&gt;
its high and magnificent ceiling, serves Mr Farraday well as a sort of gallery. But in his&lt;br /&gt;
lordship&#39;s day, that room was regularly required, as was the long table that occupied it, to seat&lt;br /&gt;
thirty or more guests for dinner; in fact, the banqueting hall is so spacious that when necessity&lt;br /&gt;
demanded it, further tables were added to the existing one to enable almost fifty to be seated.&lt;br /&gt;
On normal days, of course, Lord Darlington took his meals, as does Mr Farraday today, in the&lt;br /&gt;
more intimate atmosphere of the dining room, which is ideal for accommodating up to a&lt;br /&gt;
dozen. But on that particular winter&#39;s night I am recollecting the dining room was for some&lt;br /&gt;
reason out of use, and Lord Darlington was dining with a solitary guest - I believe it was Sir&lt;br /&gt;
Richard Fox, a colleague from his lordship&#39;s Foreign Office days - in the vastness of the&lt;br /&gt;
banqueting hall. You will no doubt agree that the hardest of situations as regards dinnerwaiting&lt;br /&gt;
is when there are just two diners present. I would myself much prefer to wait on just&lt;br /&gt;
one diner, even if he were a total stranger. It is when there are two diners present, even when&lt;br /&gt;
one of them is one&#39;s own employer, that one finds it most difficult to achieve that balance&lt;br /&gt;
between attentiveness and the illusion of absence that is essential to good waiting; it is in this&lt;br /&gt;
situation that one is rarely free of the suspicion that one&#39;s presence is inhibiting the&lt;br /&gt;
conversation.&lt;br /&gt;
On that occasion, much of the room was in darkness, and the two gentlemen were&lt;br /&gt;
sitting side by side midway down the table - it being much too broad to allow them to sit&lt;br /&gt;
facing one another - within the pool of light cast by the candles on the table and the crackling&lt;br /&gt;
hearth opposite. I decided to minimize my presence by standing in the shadows much further&lt;br /&gt;
away from table than I might usually have done. Of course, this strategy had a distinct&lt;br /&gt;
disadvantage in that each time I moved towards the light to serve the gentlemen, my&lt;br /&gt;
advancing footsteps would echo long and loud before I reached the table, drawing attention to&lt;br /&gt;
my impending arrival in the most ostentatious manner; but it did have the great merit of&lt;br /&gt;
making my person only partially visible while I remained stationary. And it was as I was&lt;br /&gt;
standing like that, in the shadows some distance from where the two gentlemen sat amidst&lt;br /&gt;
those rows of empty chairs, that I heard Lord Darlington talk about Herr Bremann, his voice&lt;br /&gt;
as calm and, gentle as usual, somehow resounding with intensity around those great walls.&lt;br /&gt;
&quot;He was my enemy,&quot; he was saying, &quot;but he always behaved like a gentleman. We&lt;br /&gt;
treated each other decently over six months of shelling each other. He was a gentleman doing&lt;br /&gt;
his job and I bore him no malice. I said to him: &#39;Look here, we&#39;re enemies now and I&#39;ll fight&lt;br /&gt;
you with all I&#39;ve got. But when this wretched business is over, we shan&#39;t have to be enemies&lt;br /&gt;
any more and we&#39;ll have a drink together.&#39; Wretched thing is, this treaty is making a liar out of&lt;br /&gt;
me. I mean to say, I told him we wouldn&#39;t be enemies once it was all over. But how can I look&lt;br /&gt;
him in the face and tell him that&#39;s turned out to be true?&quot;&lt;br /&gt;
And it was a little later that same night that his lordship said with some gravity,&lt;br /&gt;
shaking his head: &quot;I fought that war to preserve justice in this world. As far as I understood, I&lt;br /&gt;
wasn&#39;t taking part in a vendetta against the German race.&quot;&lt;br /&gt;
And when today one hears talk about his lordship, when one hears the sort of foolish&lt;br /&gt;
speculations concerning his motives as one does all too frequently these days, I am pleased to&lt;br /&gt;
recall the memory of that moment as he spoke those heartfelt words in the near-empty&lt;br /&gt;
banqueting hall.&lt;br /&gt;
Whatever complications arose in his lordship&#39;s course over subsequent years, I for one&lt;br /&gt;
will never doubt that a desire to see &#39;justice in this world&#39; lay at the heart of all his actions.&lt;br /&gt;
It was not long after that evening there came the sad news that Herr Bremann had shot&lt;br /&gt;
himself in a train between Hamburg and Berlin.&lt;br /&gt;
Naturally, his lordship was greatly distressed and immediately made plans to dispatch&lt;br /&gt;
funds and commiserations to Frau Bremann. However, after several days of endeavour, in&lt;br /&gt;
which I myself did my best to assist, his lordship was not able to discover the whereabouts of&lt;br /&gt;
any of Herr Bremann&#39;s family. He had, it seemed, been homeless for some time and his family&lt;br /&gt;
dispersed.&lt;br /&gt;
It is my belief that even without this tragic news, Lord Darlington would have set upon&lt;br /&gt;
the course he took; his desire to see an end to injustice and suffering was too deeply ingrained&lt;br /&gt;
in his nature for him to have done otherwise. As it was, in the weeks that followed Herr&lt;br /&gt;
Bremann&#39;s death, his lordship began to devote more and more hours to the matter of the crisis&lt;br /&gt;
in Germany. Powerful and famous gentlemen became regular visitors to the house - including,&lt;br /&gt;
I remember, figures such as Lord Daniels, Professor Maynard Keynes, and Mr H. G. Wells,&lt;br /&gt;
the renowned author, as well as others who, because they came &#39;off the record&#39;, I should not&lt;br /&gt;
name here - and they and his lordship were often to be found locked in discussion for hours&lt;br /&gt;
on end. Some of the visitors were, in fact, so &#39;off the record&#39; that I was instructed to make sure&lt;br /&gt;
the staff did not learn their identities, or in some cases, even glimpse them. However - and I&lt;br /&gt;
say this with some pride and gratitude - Lord Darlington never made any efforts to conceal&lt;br /&gt;
things from my own eyes and ears; I can recall on numerous occasions, some personage&lt;br /&gt;
breaking off in mid-sentence to glance warily towards my person, only for his lordship to say:&lt;br /&gt;
&#39;Oh, that&#39;s all right. You can say anything in front of Stevens, I can assure you.&#39;&lt;br /&gt;
Steadily, then, over the two years or so following Herr Bremann&#39;s death, his lordship,&lt;br /&gt;
together with Sir David Cardinal, who became his closest ally during that time, succeeded in&lt;br /&gt;
gathering together a broad alliance of figures who shared the conviction that the situation in&lt;br /&gt;
Germany should not be allowed to persist. These were not only Britons and Germans, but also&lt;br /&gt;
Belgians, French, Italians, Swiss; they were diplomats and political persons of high rank;&lt;br /&gt;
distinguished clergymen; retired military gentlemen; writers and thinkers. Some were&lt;br /&gt;
gentlemen who felt strongly, like his lordship himself, that fair play had not been done at&lt;br /&gt;
Versailles and that it was immoral to go on punishing a nation for a war that was now over.&lt;br /&gt;
Others, evidently, showed less concern for Germany or her inhabitants, but were of the&lt;br /&gt;
opinion that the economic chaos of that country, if not halted, might spread with alarming&lt;br /&gt;
rapidity to the world at large.&lt;br /&gt;
By the turn of 1922, his lordship was working with a clear goal in mind. This was to&lt;br /&gt;
gather under the very roof of Darlington Hall the most influential of the gentlemen whose&lt;br /&gt;
support had been won with a view to conducting an &#39;unofficial&#39; international conference - a&lt;br /&gt;
conference that would discuss the means by which the harshest terms of the Versailles treaty&lt;br /&gt;
could be revised. To be worthwhile, any such conference would have to be of sufficient&lt;br /&gt;
weight so that it could have a decisive effect on the &#39;official&#39; international conferences -&lt;br /&gt;
several of which had already taken place with the express purpose of reviewing the treaty, but&lt;br /&gt;
which had succeeded in producing only confusion and bitterness: Our Prime Minister of that&lt;br /&gt;
time, Mr Lloyd George, had called for another great conference to be held in Italy in the&lt;br /&gt;
spring of 1922, and initially his lordship&#39;s aim was to organize a gathering at Darlington Hall&lt;br /&gt;
with a view to ensuring a satisfactory outcome to this event. For all the hard work on his and&lt;br /&gt;
Sir David&#39;s part, however, this proved too harsh a deadline; but then with Mr George&#39;s&lt;br /&gt;
conference ending yet again in indecision, his lordship set his sights on a further great&lt;br /&gt;
conference scheduled to take place in Switzerland the following year.&lt;br /&gt;
I can remember one morning around this time bringing Lord Darlington coffee in the&lt;br /&gt;
breakfast room, and his saying to me as he folded _The Times__ with some disgust:&lt;br /&gt;
&quot;Frenchmen. Really, I mean to say, Stevens. Frenchmen.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;And to think we have to be seen by the world to be arm in arm with them. One wishes&lt;br /&gt;
for a good bath at the mere reminder.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;Last time I was in Berlin, Stevens, Baron Overath, old friend of my father, came up&lt;br /&gt;
and said: &#39;Why do you do this to us? Don&#39;t you see we can&#39;t go on like this?&#39; I was jolly well&lt;br /&gt;
tempted to tell him it&#39;s those wretched Frenchmen. It&#39;s not the English way of carrying on, I&lt;br /&gt;
wanted to say. But I suppose one can&#39;t do things like that. Mustn&#39;t speak ill of our dear allies.&quot;&lt;br /&gt;
But the very fact that the French were the most intransigent as regards releasing&lt;br /&gt;
Germany from the cruelties of the Versailles treaty made all the more imperative the need to&lt;br /&gt;
bring to the gathering at Darlington Hall at least one French gentleman with unambiguous&lt;br /&gt;
influence over his country&#39;s foreign policy. Indeed, I heard several times his lordship express&lt;br /&gt;
the view that without the participation of such a personage, any discussion on the topic of&lt;br /&gt;
Germany would be little more than an indulgence. He and Sir David accordingly set upon this&lt;br /&gt;
final crucial lap of their preparations and to witness the unswerving determination with which&lt;br /&gt;
they persevered in the face of repeated frustrations was a humbling experience; countless&lt;br /&gt;
letters and telegrams were dispatched and his lordship himself made three separate trips to&lt;br /&gt;
Paris within the space of two months. Finally, having secured the agreement of a certain&lt;br /&gt;
extremely illustrious Frenchman - I will merely call him &#39;M. Dupont&#39; - to attend the gathering&lt;br /&gt;
on a very strict &#39;off the record&#39; basis, the date for the conference was set. That is to say, for&lt;br /&gt;
that memorable March of 1923.&lt;br /&gt;
As this date grew ever nearer, the pressures on myself, though of an altogether more&lt;br /&gt;
humble nature than those mounting on his lordship, were nevertheless not inconsequential. I&lt;br /&gt;
was only too aware of the possibility that if any guest were to find his stay at Darlington Hall&lt;br /&gt;
less than comfortable, this might have repercussions of unimaginable largeness. Moreover,&lt;br /&gt;
my planning for the event was complicated by the uncertainty as to the numbers involved.&lt;br /&gt;
The conference being of a very high level, the participants had been limited to just eighteen&lt;br /&gt;
very distinguished gentlemen and two ladies - a German countess and the formidable Mrs&lt;br /&gt;
Eleanor Austin, at that time still resident in Berlin; but each of these might reasonably bring&lt;br /&gt;
secretaries, valets and interpreters, and there proved no way of ascertaining the precise&lt;br /&gt;
number of such persons to expect. Furthermore, it became clear that a number of the parties&lt;br /&gt;
would be arriving some time before the three days set aside for the conference, thus giving&lt;br /&gt;
themselves time to prepare their ground and gauge the mood of fellow guests, though their&lt;br /&gt;
exact arrival dates were, again, uncertain. It was clear then that the staff would not only have&lt;br /&gt;
to work extremely hard, and be at their most alert, they would also have to be unusually&lt;br /&gt;
flexible. In fact, I was for some time of the opinion that this huge challenge ahead of us could&lt;br /&gt;
not be surmounted without my bringing in additional staff from outside. However, this option,&lt;br /&gt;
quite aside from the misgivings his lordship was bound to have as regards gossip travelling,&lt;br /&gt;
entailed my having to rely on unknown quantities just when a mistake could prove most&lt;br /&gt;
costly. I thus set about preparing for the days ahead as, I imagine, a general might prepare for&lt;br /&gt;
a battle: I devised with utmost care a special staff plan anticipating all sorts of eventualities; I&lt;br /&gt;
analysed where our weakest points lay and set about making contingency plans to fall back&lt;br /&gt;
upon in the event of these points giving way; I even gave the staff a military-style &#39;pep-talk&#39;,&lt;br /&gt;
impressing upon them that, for all their having to work at an exhausting rate, they could feel&lt;br /&gt;
great pride in discharging their duties over the days that lay ahead. &quot;History could well be&lt;br /&gt;
made under this roof,&quot; I told them. And they, knowing me to be one not prone to exaggerated&lt;br /&gt;
statements, well understood that something of an extraordinary nature was impending.&lt;br /&gt;
You will understand then something of the climate prevailing around Darlington Hall&lt;br /&gt;
by the time of my father&#39;s fall in front of the summerhouse - this occurring as it did just two&lt;br /&gt;
weeks before the first of the conference guests were likely to arrive - and what I mean when I&lt;br /&gt;
say there was little room for any &#39;beating about the bush&#39;. My father did, in any case, rapidly&lt;br /&gt;
discover a way to circumvent the limitations on his effectiveness implied by the stricture that&lt;br /&gt;
he should carry no laden trays. The sight of his figure pushing a trolley loaded with cleaning&lt;br /&gt;
utensils, mops, brushes arranged incongruously, though always tidily, around teapots, cups&lt;br /&gt;
and saucers, so that it at times resembled a street-hawker&#39;s barrow, became a familiar one&lt;br /&gt;
around the house.&lt;br /&gt;
Obviously he still could not avoid relinquishing his waiting duties in the dining room,&lt;br /&gt;
but otherwise the trolley enabled him to accomplish a surprising amount. In fact, as the great&lt;br /&gt;
challenge of the conference drew nearer, an astonishing change seemed to come over my&lt;br /&gt;
father. It was almost as though some supernatural force possessed him, causing him to shed&lt;br /&gt;
twenty years; his face lost much of the sunken look of recent times, and he went about his&lt;br /&gt;
work with such youthful vigour that a stranger might have believed there were not one but&lt;br /&gt;
several such figures pushing trolleys about the corridors of Darlington Hall.&lt;br /&gt;
As for Miss Kenton, I seem to remember the mounting tension of those days having a&lt;br /&gt;
noticeable effect upon her. I recall, for instance, the occasion around that time I happened to&lt;br /&gt;
encounter her in the back corridor. The back corridor, which serves as a sort of backbone to&lt;br /&gt;
the staffs quarters of Darlington Hall, was always a rather cheerless affair due to the lack of&lt;br /&gt;
daylight penetrating its considerable length. Even on a fine day, the corridor could be so dark&lt;br /&gt;
that the effect was like walking through a tunnel. On that particular occasion, had I not&lt;br /&gt;
recognized Miss Kenton&#39;s footsteps on the boards as she came towards me, I would have been&lt;br /&gt;
able to identify her only from her outline. I paused at one of the few spots where a bright&lt;br /&gt;
streak of light fell across the boards and, as she approached, said: &quot;Ah, Miss Kenton.&quot;&lt;br /&gt;
&quot;Yes, Mr Stevens?&quot;&lt;br /&gt;
&quot;Miss Kenton, I wonder if I may draw your attention to the fact that the bed linen for&lt;br /&gt;
the upper floor will need to be ready by the day after tomorrow. &quot;&lt;br /&gt;
&quot;The matter is perfectly under control, Mr Stevens.&quot;&lt;br /&gt;
&quot;Ah, I&#39;m very glad to hear it. It just struck me as a thought, that&#39;s all.&quot;&lt;br /&gt;
I was about to continue on my way, but Miss Kenton did not move. Then she took one&lt;br /&gt;
step more towards me so that a bar of light fell across her face and I could see the angry&lt;br /&gt;
expression on it.&lt;br /&gt;
&quot;Unfortunately, Mr Stevens, I am extremely busy now and I am finding I have barely a&lt;br /&gt;
single moment to spare. If only I had as much spare time as you evidently do, then I would&lt;br /&gt;
happily reciprocate by wandering about this house reminding _you__ of tasks you have&lt;br /&gt;
perfectly well in hand.&quot;&lt;br /&gt;
&quot;Now, Miss Kenton, there is no need to become so bad tempered. I merely felt the&lt;br /&gt;
need to satisfy myself that it had not escaped your attention.&quot;&lt;br /&gt;
&quot;Mr Stevens, this is the fourth or fifth time in the past two days you have felt such a&lt;br /&gt;
need, it is most curious to see that you have so much time on your hands that you are able to&lt;br /&gt;
simply wander about this house bothering others with gratuitous comments.&quot;&lt;br /&gt;
&quot;Miss Kenton, if you for one moment believe I have time on my hands, that displays&lt;br /&gt;
more clearly than ever your great inexperience. I trust that in years to come, you will gain a&lt;br /&gt;
clearer picture of what occurs in a house like this.&quot;&lt;br /&gt;
&quot;You are perpetually talking of my &#39;great inexperience&#39;, Mr Stevens, and yet you&lt;br /&gt;
appear quite unable to point out any defect in my work. Otherwise I have no doubt you would&lt;br /&gt;
have done so long ago and at some length. Now, I have much to be getting on with and would&lt;br /&gt;
appreciate your not following me about and interrupting me like this. If you have so much&lt;br /&gt;
time to spare, I suggest it might be more profitably spent taking some fresh air.&quot;&lt;br /&gt;
She stamped past me and on down the corridor.&lt;br /&gt;
Deciding it best to let the matter go no further, I continued on my way.&lt;br /&gt;
I had almost reached the kitchen doorway when I heard the furious sounds of her&lt;br /&gt;
footsteps coming back towards me again.&lt;br /&gt;
&quot;In fact, Mr Stevens,&quot; she called, &quot;I would ask you from now on not to speak to me&lt;br /&gt;
directly at all.&quot;&lt;br /&gt;
&quot;Miss Kenton, whatever are you talking about?&quot;&lt;br /&gt;
&quot;If it is necessary to convey a message, I would ask you to do so through a messenger.&lt;br /&gt;
Or else you may like to write a note and have it sent to me. Our working relationship, I am&lt;br /&gt;
sure, would be made a great deal easier.&quot;&lt;br /&gt;
&quot;Miss Kenton.&quot;&lt;br /&gt;
&quot;I am extremely busy, Mr Stevens. A written note if the message is at all complicated.&lt;br /&gt;
Otherwise you may like to speak to Martha or Dorothy, or any members of the male staff you&lt;br /&gt;
deem sufficiently trustworthy. Now I must return to my work and leave you to your&lt;br /&gt;
wanderings.&quot;&lt;br /&gt;
Irritating as Miss Kenton&#39;s behaviour was, I could not afford to give it much thought,&lt;br /&gt;
for by then the first of the guests had arrived. The representatives from abroad were not&lt;br /&gt;
expected for a further two or three days, but the three gentlemen referred to by his lordship as&lt;br /&gt;
his &#39;home team&#39; - two Foreign Office ministers attending very much &#39;off the record&#39; and Sir&lt;br /&gt;
David Cardinal - had come early to prepare the ground as thoroughly as possible. As ever,&lt;br /&gt;
little was done to conceal anything from me as I went in and out of the various rooms in&lt;br /&gt;
which these gentlemen sat deep in discussion, and I thus could not avoid gaining a certain&lt;br /&gt;
impression of the general mood at this stage of the proceedings.&lt;br /&gt;
Of course, his lordship and his colleagues were concerned to brief each other as&lt;br /&gt;
accurately as possible on each one of the expected participants; but overwhelmingly, their&lt;br /&gt;
concerns centred one single figure - that of M. Dupont, the French gentleman - and on his&lt;br /&gt;
likely sympathies and antipathies. Indeed, at one point, I believe I came into the smoking&lt;br /&gt;
room and heard one of the gentlemen saying: &quot;The fate of Europe could actually hang on our&lt;br /&gt;
ability to bring Dupont round on this point.&quot;&lt;br /&gt;
It was in the midst of these preliminary discussions that his lordship entrusted me with&lt;br /&gt;
a mission sufficiently unusual for it to have remained in my memory to this day, alongside&lt;br /&gt;
those other more obviously unforgettable occurrences that were to take place during that&lt;br /&gt;
remarkable week. Lord Darlington called me into his study, and I could see at once that he&lt;br /&gt;
was in a state of some agitation. He seated himself at his desk and, as usual, resorted to&lt;br /&gt;
holding open a book - this time it was _Who&#39;s Who__ - turning a page to and fro.&lt;br /&gt;
&quot;Oh, Stevens,&quot; he began with a false air of nonchalance, but then seemed at a loss how&lt;br /&gt;
to continue. I remained standing there ready to relieve his discomfort at the first opportunity.&lt;br /&gt;
His lordship went on fingering his page for a moment, leaned forward to scrutinize an entry,&lt;br /&gt;
then said: &quot;Stevens, I realize this is a somewhat irregular thing to ask you to do.&quot;&lt;br /&gt;
&quot;Sir?&quot;&lt;br /&gt;
&quot;It&#39;s just that one has so much of importance on one&#39;s mind just now.&quot;&lt;br /&gt;
&quot;I would be very glad to be of assistance, sir.&quot;&lt;br /&gt;
&quot;I&#39;m sorry to bring up a thing like this, Stevens. I know you must be awfully busy&lt;br /&gt;
yourself. But I can&#39;t see how on earth to... make it go away.&quot;&lt;br /&gt;
I waited a moment- while Lord Darlington returned his attention to _Who&#39;s Who__.&lt;br /&gt;
Then he said, without looking up: &quot;You are familiar, I take it, with the facts of life.&quot;&lt;br /&gt;
&quot;Sir?&quot;&lt;br /&gt;
&quot;The facts of life, Stevens. Birds, bees. You are familiar, aren&#39;t you?&quot;&lt;br /&gt;
&quot;I&#39;m afraid I don&#39;t quite follow you, sir.&quot;&lt;br /&gt;
&quot;Let me put my cards on the table, Stevens. Sir David is a very old friend. And he&#39;s&lt;br /&gt;
been invaluable in organizing the present conference. Without him, I dare say, we&#39;d not have&lt;br /&gt;
secured M. Dupont&#39;s agreement to come.&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
&quot;However, Stevens, Sir David has his funny side. You may have noticed it yourself.&lt;br /&gt;
He&#39;s brought his son, Reginald, with him. To act as secretary. The point is, he&#39;s engaged to be&lt;br /&gt;
married. Young Reginald, I mean.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;Sir David has been attempting to tell his son the facts of life for the last five years.&lt;br /&gt;
The young man is now twenty-three.&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
&quot;I&#39;ll get to the point, Stevens. I happen to be the young man&#39;s godfather. Accordingly,&lt;br /&gt;
Sir David has requested that I convey to young Reginald the facts of life.&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
&quot;Sir David himself finds the task rather daunting and suspects he will not accomplish it&lt;br /&gt;
before Reginald&#39;s wedding day.&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
&quot;The point is, Stevens, I&#39;m terribly busy. Sir David should know that, but he&#39;s asked&lt;br /&gt;
me none the less.&quot; His lordship paused and went on studying his page.&lt;br /&gt;
&quot;Do I understand, sir,&quot; I said, &quot;that you wish me to convey the information to the&lt;br /&gt;
young gentleman?&quot;&lt;br /&gt;
&quot;If you don&#39;t mind, Stevens. Be an awful lot off my mind. Sir David continues to ask&lt;br /&gt;
me every couple of hours if I&#39;ve done it yet.&quot;&lt;br /&gt;
&quot;I see, sir. It must be most trying under the present pressures.&quot;&lt;br /&gt;
&quot;Of course, this is far beyond the call of duty, Stevens.&quot;&lt;br /&gt;
&quot;I will do my best, sir. I may, however, have difficulty finding the appropriate moment&lt;br /&gt;
to convey such information.&quot;&lt;br /&gt;
&quot;I&#39;d be very grateful if you&#39;d even try, Stevens. Awfully decent of you. Look here,&lt;br /&gt;
there&#39;s no need to make a song and dance of it. Just convey the basic facts and be done with it.&lt;br /&gt;
Simple approach is the best, that&#39;s my advice, Stevens.&quot;&lt;br /&gt;
&quot;Yes, sir. I shall do my best.&quot;&lt;br /&gt;
&quot;Jolly grateful to you, Stevens. Let me know how you get on.&quot;&lt;br /&gt;
I was, as you might imagine, a little taken aback by this request and ordinarily the&lt;br /&gt;
matter might have been one I would have spent some time pondering. Coming upon me as it&lt;br /&gt;
did, however, in the midst of such a busy period, I could not afford to let it preoccupy me&lt;br /&gt;
unduly, and I thus decided I should resolve it at the earliest opportunity. As I recall, then, it&lt;br /&gt;
was only an hour or so after being first entrusted with the mission that I noticed the young Mr&lt;br /&gt;
Cardinal alone in the library, sitting at one of the writing tables, absorbed in some documents.&lt;br /&gt;
On studying the young gentleman closely, one could, as it were, appreciate the difficulty&lt;br /&gt;
experienced by his lordship - and indeed, by the young gentleman&#39;s father. My employer&#39;s&lt;br /&gt;
godson looked an earnest, scholarly young man, and one could see many fine qualities in his&lt;br /&gt;
features; yet given the topic one wished to raise, one would have certainly preferred a lighterhearted,&lt;br /&gt;
even a more frivolous sort of young gentleman. In any case, resolved to bring the&lt;br /&gt;
whole matter to a satisfactory conclusion as quickly as possible, I proceeded further into the&lt;br /&gt;
library, and stopping a little way from Mr Cardinal&#39;s writing desk, gave a cough.&lt;br /&gt;
&quot;Excuse me, sir, but I have a message to convey to you.&quot;&lt;br /&gt;
&quot;Oh, really?&quot; Mr Cardinal said eagerly, looking up from his papers.&lt;br /&gt;
&quot;From Father?&quot;&lt;br /&gt;
&quot;Yes, sir. That is, effectively.&quot;&lt;br /&gt;
&quot;Just a minute.&quot;&lt;br /&gt;
The young gentleman reached down into the attaché case at his feet and brought out a&lt;br /&gt;
notebook and pencil. &quot;Fire away, Stevens.&quot;&lt;br /&gt;
I coughed again and set my voice into as impersonal a tone as I could manage.&lt;br /&gt;
&quot;Sir David wishes you to know, sir, that ladies and gentlemen differ in several key&lt;br /&gt;
respects.&quot;&lt;br /&gt;
I must have paused a little to form my next phrase, for Mr Cardinal gave a sigh and&lt;br /&gt;
said: &quot;I&#39;m only too aware of that, Stevens. Would you mind coming to the point?&quot;&lt;br /&gt;
&quot;You are aware, sir?&quot;&lt;br /&gt;
&quot;Father is perpetually underestimating me. I&#39;ve done extensive reading and&lt;br /&gt;
background work on this whole area.&quot;&lt;br /&gt;
&quot;Is that so, sir?&quot;&lt;br /&gt;
&quot;I&#39;ve thought about virtually nothing else for the past month.&quot;&lt;br /&gt;
&quot;Really, sir. In that case, perhaps my message is rather redundant.&quot;&lt;br /&gt;
&quot;You can assure Father I&#39;m very well briefed indeed. This attaché case&quot;- he nudged it&lt;br /&gt;
with his foot - &quot;is chock-full of notes on every possible angle one can imagine.&quot;&lt;br /&gt;
&quot;Is that so, sir?&quot;&lt;br /&gt;
&quot;I really think I&#39;ve thought through every permutation the human mind is capable of. I&lt;br /&gt;
wish you&#39;d reassure Father of that.&quot;&lt;br /&gt;
&quot;I will, sir.&quot;&lt;br /&gt;
Mr Cardinal seemed to relax a little. He prodded once more his attaché case - which I&lt;br /&gt;
felt inclined to keep my eyes averted from - and said: &quot;I suppose you&#39;ve been wondering why&lt;br /&gt;
I never let go of this case. Well, now you know. Imagine if the wrong person opened it.&quot;&lt;br /&gt;
&quot;That would be most awkward, sir.&quot;&lt;br /&gt;
&quot;That is, of course,&quot; he said, sitting up again suddenly, &quot;unless Father has come up&lt;br /&gt;
with an entirely new factor he wants me to think about.&quot;&lt;br /&gt;
&quot;I cannot imagine he has, sir.&quot;&lt;br /&gt;
&quot;No? Nothing more on this Dupont fellow?&quot;&lt;br /&gt;
&quot;I fear not, sir.&quot;&lt;br /&gt;
I did my best not to give away anything of my exasperation on discovering that a task&lt;br /&gt;
I had thought all but behind me was in fact still there unassaulted before me. I believe I was&lt;br /&gt;
collecting my thoughts for a renewed effort when the young gentleman suddenly rose to his&lt;br /&gt;
feet, and clutching his attaché case to his person, said: &quot;Well, I think I&#39;ll go and take a little&lt;br /&gt;
fresh air. Thanks for your help, Stevens.&quot;&lt;br /&gt;
It had been my intention to seek out a further interview with Mr Cardinal with&lt;br /&gt;
minimum delay, but this proved to be impossible, owing largely to the arrival that same&lt;br /&gt;
afternoon - some two days earlier than expected - of Mr Lewis, the American senator. I had&lt;br /&gt;
been down in my pantry working through the supplies sheets, when I had heard somewhere&lt;br /&gt;
above my head the unmistakable sounds of motor cars pulling up in the courtyard. As I&lt;br /&gt;
hastened to go upstairs, I happened to encounter Miss Kenton in the back corridor - the scene,&lt;br /&gt;
of course, of our last disagreement - and it was perhaps this unhappy coincidence that&lt;br /&gt;
encouraged her to maintain the childish behaviour she had adopted on that previous occasion.&lt;br /&gt;
For when I inquired who it was that had arrived, Miss Kenton continued past me, stating&lt;br /&gt;
simply: &quot;A message if it is urgent, Mr Stevens.&quot; This was extremely annoying, but, of course,&lt;br /&gt;
I had no choice but to hurry on upstairs.&lt;br /&gt;
My recollection of Mr Lewis is that of a gentleman of generous dimensions with a&lt;br /&gt;
genial smile that rarely left his face. His early arrival was clearly something of an&lt;br /&gt;
inconvenience to his lordship and his colleagues who had reckoned on a day or two more of&lt;br /&gt;
privacy for their preparations. However, Mr Lewis&#39; engagingly informal manner, and his&lt;br /&gt;
statement at dinner that the United States &quot;would always stand on the side of justice and didn&#39;t&lt;br /&gt;
mind admitting mistakes had been made at Versailles&quot; seemed to do much to win the&lt;br /&gt;
confidence of his lordship&#39;s &#39;home team&#39;; as dinner progressed, the conversation had slowly&lt;br /&gt;
but surely turned from topics such as the merits of Mr Lewis&#39; native Pennsylvania back to the&lt;br /&gt;
conference ahead, and by the time the gentlemen were lighting their cigars, some of the&lt;br /&gt;
speculations being offered appeared to be as intimate as those exchanged prior to Mr Lewis&#39;&lt;br /&gt;
arrival. At one point, Mr Lewis said to the company: &quot;I agree with you, gentlemen, our M.&lt;br /&gt;
Dupont can be very unpredictable. But let me tell you, there&#39;s one thing you can bet on about&lt;br /&gt;
him. One thing you can bet on for sure.&quot; He leaned forward and waved his cigar for emphasis.&lt;br /&gt;
&quot;Dupont hates Germans. He hated them before the war and he hates them now with a depth&lt;br /&gt;
you gentlemen here would find hard to understand.&quot; With that, Mr Lewis sat back in his chair&lt;br /&gt;
again, the genial smile returning fully to his face. &quot;But tell me, gentlemen,&quot; he continued,&lt;br /&gt;
&quot;you can hardly blame a Frenchman for hating the Germans, can you? After all, a Frenchman&lt;br /&gt;
has good cause to do so, hasn&#39;t he?&quot;&lt;br /&gt;
There was a moment of slight awkwardness as Mr Lewis glanced around the table.&lt;br /&gt;
Then Lord Darlington said: &quot;Naturally, some bitterness is inevitable. But then, of course, we&lt;br /&gt;
English also fought the Germans long and hard.&quot;&lt;br /&gt;
&quot;But the difference with you Englishmen&quot;, Mr Lewis said, seems to be that you don&#39;t&lt;br /&gt;
really hate the Germans any more. But the way the French see it, the Germans destroyed&lt;br /&gt;
civilization here in Europe and no punishment is too bad for them. Of course, that looks an&lt;br /&gt;
impractical kind of position to us in the United States, but what&#39;s always puzzled me is how&lt;br /&gt;
you English don&#39;t seem to share the view of the French. After all, like you say, Britain lost a&lt;br /&gt;
lot in that war too.&quot;&lt;br /&gt;
There was another awkward pause before Sir David said, rather uncertainly: &quot;We&lt;br /&gt;
English have often had a different way of looking at such things from the French, Mr Lewis.&quot;&lt;br /&gt;
[...]&lt;br /&gt;
Mr Lewis&#39; smile seemed to broaden slightly as he said this. He nodded to himself, as&lt;br /&gt;
though many things had now become clear to him, and drew on his cigar. It is possible this is&lt;br /&gt;
a case of hindsight colouring my memory, but I have a distinct feeling that it was at that&lt;br /&gt;
moment I first sensed something odd, something duplicitous perhaps, about this apparently&lt;br /&gt;
charming American gentleman.&lt;br /&gt;
But if my own suspicions were aroused at that moment, Lord Darlington evidently did&lt;br /&gt;
not share them. For after another second or two of awkward silence, his lordship seemed to&lt;br /&gt;
come to a decision.&lt;br /&gt;
&quot;Mr Lewis,&quot; he said, &quot;let me put it frankly. Most of us in England find the present&lt;br /&gt;
French attitude despicable. You may indeed call it a temperamental difference, but I venture&lt;br /&gt;
we are talking about something rather more. It is unbecoming to go on hating an enemy like&lt;br /&gt;
this once a conflict is over. Once you&#39;ve got a man on the canvas, that ought to be the end of&lt;br /&gt;
it. You don&#39;t then proceed to kick him. To us, the French behaviour has become increasingly&lt;br /&gt;
barbarous. &quot;&lt;br /&gt;
This utterance seemed to give Mr Lewis some satisfaction. He muttered something in&lt;br /&gt;
sympathy and smiled with contentment at his fellow diners through the clouds of tobacco&lt;br /&gt;
smoke by now hanging thickly across the table.&lt;br /&gt;
The next morning brought more early arrivals; namely, the two ladies from Germany -&lt;br /&gt;
who had travelled together despite what one would have imagined to have been the great&lt;br /&gt;
contrast in their backgrounds - bringing with them a large team of ladies-in-waiting and&lt;br /&gt;
footmen, as well as a great many trunks. Then in the afternoon, an Italian gentleman arrived&lt;br /&gt;
accompanied by a valet, a secretary, an &#39;expert&#39; and two bodyguards. I cannot imagine what&lt;br /&gt;
sort of place this gentleman imagined he was coming to in bringing the latter, but I must say it&lt;br /&gt;
struck something of an odd note to see in Darlington Hall these two large silent men staring&lt;br /&gt;
suspiciously in all directions a few yards from wherever the Italian gentleman happened to be.&lt;br /&gt;
Incidentally, the working pattern of these bodyguards, so it transpired over the following&lt;br /&gt;
days, entailed one or the other of them going up to sleep at unusual hours so as to ensure at&lt;br /&gt;
least one was on duty throughout the night. But when on first hearing of this arrangement I&lt;br /&gt;
tried to inform Miss Kenton of it, she once again refused to converse with me, and in order to&lt;br /&gt;
accomplish matters as quickly as possible I was actually obliged to write a note and put it&lt;br /&gt;
under the door of her parlour.&lt;br /&gt;
The following day brought several more guests and with two days yet to go to the start&lt;br /&gt;
of the conference, Darlington Hall was filled with people of all nationalities, talking in rooms,&lt;br /&gt;
or else standing around, apparently aimlessly, in the hall, in corridors and on landings,&lt;br /&gt;
examining pictures or objects. The guests were never less than courteous to one another, but&lt;br /&gt;
for all that, a rather tense atmosphere, characterized largely by distrust, seemed to prevail at&lt;br /&gt;
this stage. And reflecting this unease, the visiting valets and footmen appeared to regard one&lt;br /&gt;
another with marked coldness and my own staff were rather glad to be too busy to spend&lt;br /&gt;
much time with them.&lt;br /&gt;
It was around this point, in the midst of dealing with the many demands being made&lt;br /&gt;
on my attention, that I happened to glance out of a window and spotted the figure of the&lt;br /&gt;
young Mr Cardinal taking some fresh air around the grounds. He was clutching his attaché&lt;br /&gt;
case as usual and I could see he was strolling slowly along the path that runs the outer&lt;br /&gt;
perimeter of the lawn, deeply absorbed in thought. I was of course reminded of my mission&lt;br /&gt;
regarding the young gentleman and it occurred to me that an outdoor setting, with the general&lt;br /&gt;
proximity of nature, and in particular the example of the geese close at hand, would not be an&lt;br /&gt;
unsuitable setting at all in which to convey the sort of message I was bearing. I could see,&lt;br /&gt;
moreover, that if I were quickly to go outside and conceal my person behind the large&lt;br /&gt;
rhododendron bush beside the path, it would not be long before Mr Cardinal came by. I would&lt;br /&gt;
then be able to emerge and convey my message to him. It was not, admittedly, the most subtle&lt;br /&gt;
of strategies, but you will appreciate that this particular task, though no doubt important in its&lt;br /&gt;
way, hardly took the highest priority at that moment.&lt;br /&gt;
There was a light frost covering the ground and much of the foliage, but it was a mild&lt;br /&gt;
day for that time of the year. I crossed the grass quickly, placed my person behind the bush,&lt;br /&gt;
and before long heard Mr Cardinal&#39;s footsteps approaching. Unfortunately, I misjudged&lt;br /&gt;
slightly the timing of my emergence. I had intended to emerge while Mr Cardinal was still a&lt;br /&gt;
reasonable distance away, so that he would see me in good time and suppose I was on my way&lt;br /&gt;
to the summerhouse, or perhaps to the gardener&#39;s lodge. I could then have pretended to notice&lt;br /&gt;
him for the first time and have engaged him in conversation in an impromptu manner.&lt;br /&gt;
As it happened, I emerged a little late and I fear I rather startled the young gentleman,&lt;br /&gt;
who immediately pulled his attaché case away from me and clutched it to his chest with both&lt;br /&gt;
arms.&lt;br /&gt;
&quot;I&#39;m very sorry, sir.&quot;&lt;br /&gt;
&quot;My goodness - Stevens. You gave me a shock. I thought things were hotting up a bit&lt;br /&gt;
there.&quot;&lt;br /&gt;
&quot;I&#39;m very sorry, sir. But as it happens I have something to convey to you.&quot;&lt;br /&gt;
&quot;My goodness yes, you gave me quite a fright.&quot;&lt;br /&gt;
&quot;If I may come straight to the point, sir. You will notice the geese not far from us.&quot;&lt;br /&gt;
&quot;Geese?&quot; He looked around a little bewildered. &quot;Oh yes. That&#39;s what they are.&quot;&lt;br /&gt;
&quot;And likewise the flowers and shrubs. This is not, in fact, the best time of year to see&lt;br /&gt;
them in their full glory, but you will appreciate, sir, that with the arrival of spring, we will see&lt;br /&gt;
a change - a very special sort of change - in these surroundings.&quot;&lt;br /&gt;
&quot;Yes, I&#39;m sure the grounds are not at their best just now. But to be perfectly frank,&lt;br /&gt;
Stevens, I wasn&#39;t paying much attention to the glories of nature. It&#39;s all rather worrying. That&lt;br /&gt;
M. Dupont&#39;s arrived in the foulest mood imaginable. Last thing we wanted really.&quot;&lt;br /&gt;
&quot;M. Dupont has arrived here at this house, sir?&quot;&lt;br /&gt;
&quot;About half an hour ago. He&#39;s in the most foul temper.&quot;&lt;br /&gt;
&quot;Excuse me, sir. I must attend to him straight away.&quot;&lt;br /&gt;
&quot;Of course, Stevens. Well, kind of you to have come out to talk to me.&quot;&lt;br /&gt;
&quot;Please excuse me, sir. As it happened, I had a word or two more to say on the topic of&lt;br /&gt;
- as you put it yourself - the glories of nature. If you will indulge me by listening, I would be&lt;br /&gt;
most grateful. But I am afraid this will have to wait for another occasion. &quot;&lt;br /&gt;
&quot;Well, I shall look forward to it, Stevens. Though I&#39;m more of a fish man myself. I&lt;br /&gt;
know all about fish, fresh water and salt.&quot;&lt;br /&gt;
&quot;All living creatures will be relevant to our forthcoming discussion, sir. However, you&lt;br /&gt;
must now please excuse me. I had no idea M. Dupont had arrived.&quot;&lt;br /&gt;
I hurried back to the house to be met immediately by the first footman saying: &quot;We&#39;ve&lt;br /&gt;
been looking all over for you, sir. The French gentleman&#39;s arrived.&quot;&lt;br /&gt;
M. Dupont was a tall, elegant gentleman with a grey beard and a monocle.&lt;br /&gt;
He had arrived in the sort of clothes one often sees continental gentlemen wearing on&lt;br /&gt;
their holidays, and indeed, throughout his stay, he was to maintain diligently the appearance&lt;br /&gt;
of having come to Darlington Hall entirely for pleasure and friendship. As Mr Cardinal had&lt;br /&gt;
indicated, M. Dupont had not arrived in a good temper; I cannot recall now all the various&lt;br /&gt;
things that had upset him since his arrival in England a few days previously, but in particular&lt;br /&gt;
he had obtained some painful sores on his feet while sightseeing around London and these, he&lt;br /&gt;
feared, were growing septic. I referred his valet to Miss Kenton, but this did not prevent M.&lt;br /&gt;
Dupont snapping his fingers at me every few hours to say: &quot;Butler! I am in need of more&lt;br /&gt;
bandages.&quot;&lt;br /&gt;
His mood seemed much lifted on seeing Mr Lewis. He and the American senator&lt;br /&gt;
greeted each other as old colleagues and they were to be seen together for much of the&lt;br /&gt;
remainder of that day, laughing over reminiscences. In fact, one could see that Mr Lewis&#39;&lt;br /&gt;
almost constant proximity to M. Dupont was proving a serious inconvenience to Lord&lt;br /&gt;
Darlington, who was naturally keen to make close personal contact with this distinguished&lt;br /&gt;
gentleman before the discussions began. On several occasions I witnessed his lordship make&lt;br /&gt;
attempts to draw M. Dupont aside for some private conversation, only for Mr Lewis smilingly&lt;br /&gt;
to impose himself upon them with some remark like: &quot;Pardon me, gentlemen, but there&#39;s&lt;br /&gt;
something that&#39;s been greatly puzzling me,&quot; so that his lordship soon found himself having to&lt;br /&gt;
listen to some more of Mr Lewis&#39; jovial anecdotes. Mr Lewis apart, however, the other guests,&lt;br /&gt;
perhaps through awe, perhaps through a sense of antagonism, kept a wary distance from M.&lt;br /&gt;
Dupont, a fact that was conspicuous even in that generally guarded atmosphere, and&lt;br /&gt;
which seemed to underline all the more the feeling that it was M. Dupont who somehow held&lt;br /&gt;
the key to the outcome of the following days.&lt;br /&gt;
The conference began on a rainy morning during the last week of March 1923 in the&lt;br /&gt;
somewhat unlikely setting of the drawing room - a venue chosen to accommodate the &#39;off the&lt;br /&gt;
record&#39; nature of many of the attendances. In fact, to my eyes, the appearance of informality&lt;br /&gt;
had been taken to a faintly ludicrous degree. It was odd enough to see that rather feminine&lt;br /&gt;
room crammed full with so many stern, dark-jacketed gentlemen, sometimes sitting three or&lt;br /&gt;
four abreast upon a sofa; but such was the determination on the part of some persons to&lt;br /&gt;
maintain the appearance that this was nothing more than a social event that they had actually&lt;br /&gt;
gone to the lengths of having journals and newspapers open on their knees.&lt;br /&gt;
I was obliged during the course of that first morning to go constantly in and out of the&lt;br /&gt;
room, and so was unable to follow the proceedings at all fully. But I recall Lord Darlington&lt;br /&gt;
opening the discussions by formally welcoming the guests, before going on to outline the&lt;br /&gt;
strong moral case for a relaxing of various aspects of the Versailles treaty, emphasizing the&lt;br /&gt;
great suffering he had himself witnessed in Germany. Of course, I had heard these same&lt;br /&gt;
sentiments expressed by his lordship on many occasions before, but such was the depth of&lt;br /&gt;
conviction with which he spoke in this august setting that I could not help but be moved&lt;br /&gt;
afresh. Sir David Cardinal spoke next, and though I missed much of his speech, it seemed to&lt;br /&gt;
be more technical in substance, and quite frankly, rather above my head. But his general gist&lt;br /&gt;
seemed to be close to his lordship&#39;s, concluding with a call for a freezing of German&lt;br /&gt;
reparation payments and the withdrawal of French troops from the Ruhr region. The German&lt;br /&gt;
countess then began to speak, but I was at this point, for some reason I do not recollect,&lt;br /&gt;
obliged to leave the drawing room for an extended period. By the time I re-entered, the guests&lt;br /&gt;
were in open debate, and the discussion - with much talk of commerce and interest rates - was&lt;br /&gt;
quite beyond me.&lt;br /&gt;
M. Dupont, so far as I could observe, was not contributing to the discussions, and it&lt;br /&gt;
was hard to tell from his sullen demeanour if he was attending carefully to what was being&lt;br /&gt;
said or else deeply engrossed in other thoughts. At one stage, when I happened to depart the&lt;br /&gt;
room in the midst of an address by one of the German gentlemen, M. Dupont suddenly rose&lt;br /&gt;
and followed me out.&lt;br /&gt;
&quot;Butler,&quot; he said, once we were in the hall, &quot;I wonder if I could have my feet changed.&lt;br /&gt;
They are giving me so much discomfort now, I can hardly listen to these gentlemen.&quot;&lt;br /&gt;
As I recall, I had conveyed a plea to Miss Kenton for assistance - via a messenger,&lt;br /&gt;
naturally - and had left M. Dupont sitting in the billiard room awaiting his nurse, when the&lt;br /&gt;
first footman had come hurrying down the staircase in some distress to inform me that my&lt;br /&gt;
father had been taken ill upstairs.&lt;br /&gt;
I hurried up to the first floor and on turning at the landing was met by a strange sight.&lt;br /&gt;
At the far end of the corridor, almost in front of the large window, at that moment filled with&lt;br /&gt;
grey light and rain, my father&#39;s figure could be seen frozen in a posture that suggested he was&lt;br /&gt;
taking part in some ceremonial ritual. He had dropped down on to one knee and with head&lt;br /&gt;
bowed seemed to be pushing at the trolley before him, which for some reason had taken on an&lt;br /&gt;
obstinate immobility. Two chambermaids were standing at a respectful distance, watching his&lt;br /&gt;
efforts in some awe. I went to my father and releasing his hands from their grip on the edge of&lt;br /&gt;
the trolley, eased him down on to the carpet.&lt;br /&gt;
His eyes were closed, his face was an ashen colour, and there were beads of sweat on&lt;br /&gt;
his forehead. Further assistance was called, a bath-chair arrived in due course, and my father&lt;br /&gt;
was transported up to his room.&lt;br /&gt;
Once my father had been laid in his bed, I was a little uncertain as to how to proceed;&lt;br /&gt;
for while it seemed undesirable that I leave my father in such a condition, I did not really have&lt;br /&gt;
a moment more to spare. As I stood hesitating in the doorway, Miss Kenton appeared at my&lt;br /&gt;
side and said: &quot;Mr Stevens, I have a little more time than you at the moment. I shall, if you&lt;br /&gt;
wish, attend to your father. I shall show Dr Meredith up and notify you if he has anything&lt;br /&gt;
noteworthy to say.&quot;&lt;br /&gt;
&quot;Thank you, Miss Kenton,&quot; I said, and took my leave.&lt;br /&gt;
When I returned to the drawing room, a clergyman was talking about the hardships&lt;br /&gt;
being suffered by children in Berlin. I immediately found myself more than occupied&lt;br /&gt;
replenishing the guests with tea and coffee. A few of the gentlemen, I noticed, were drinking&lt;br /&gt;
spirits, and one or two, despite the presence of the two ladies, had started to smoke. I was, I&lt;br /&gt;
recall, leaving the drawing room with an empty teapot in my hand when Miss Kenton stopped&lt;br /&gt;
me and said: &quot;Mr Stevens, Dr Meredith is just leaving now.&quot;&lt;br /&gt;
As she said this, I could see the doctor putting on his mackintosh and hat in the hall&lt;br /&gt;
and so went to him, the teapot still in my hand. The doctor looked at me with a disgruntled&lt;br /&gt;
expression. &quot;Your father&#39;s not so good,&quot; he said. &quot;If he deteriorates, call me again&lt;br /&gt;
immediately.&quot;&lt;br /&gt;
&quot;Yes, sir. Thank you, sir.&quot;&lt;br /&gt;
&quot;How old is your father, Stevens?&quot;&lt;br /&gt;
&quot;Seventy-two, sir.&quot;&lt;br /&gt;
Dr Meredith thought about this, then said again: &quot;If he deteriorates, call me&lt;br /&gt;
immediately.&quot;&lt;br /&gt;
I thanked the doctor again and showed him out.&lt;br /&gt;
It was that evening, shortly before dinner, that I overheard the conversation between&lt;br /&gt;
Mr Lewis and M. Dupont. I had for some reason gone up to M. Dupont&#39;s room and was about&lt;br /&gt;
to knock, but before doing so, as is my custom, I paused for a second to listen at the door.&lt;br /&gt;
You may not yourself be in the habit of taking this small precaution to avoid knocking at&lt;br /&gt;
some highly inappropriate moment, but I always have been and can vouch that it is common&lt;br /&gt;
practice amongst many professionals. That is to say, there is no subterfuge implied in such an&lt;br /&gt;
action, and I for one had no intention of overhearing to the extent I did that evening.&lt;br /&gt;
However, as fortune would have it, when I put my ear to M. Dupont&#39;s door, I happened&lt;br /&gt;
to hear Mr Lewis&#39; voice, and though I cannot recall precisely the actual words I first heard, it&lt;br /&gt;
was the tone of his voice that raised my suspicions. I was listening to the same genial, slow&lt;br /&gt;
voice with which the American gentleman had charmed many since his arrival and yet it now&lt;br /&gt;
contained something unmistakably covert. It was this realization, along with the fact that he&lt;br /&gt;
was in M. Dupont&#39;s room, presumably addressing this most crucial personage, that caused me&lt;br /&gt;
to stop my hand from knocking, and continue to listen instead.&lt;br /&gt;
The bedroom doors of Darlington Hall are of a certain thickness and I could by no&lt;br /&gt;
means hear complete exchanges; consequently, it is hard for me now to recall precisely what I&lt;br /&gt;
overheard, just as, indeed, it was for me later that same evening when I reported to his&lt;br /&gt;
lordship on the matter. Nevertheless, this is not to say I did not gain a fairly clear impression&lt;br /&gt;
of what was taking place within the room. In effect, the American gentleman was putting&lt;br /&gt;
forward the view that M. Dupont was being manipulated by his lordship and other participants&lt;br /&gt;
at the conference; that M. Dupont had been deliberately invited late to enable the others to&lt;br /&gt;
discuss important topics in his absence; that even after his arrival, it was to be observed that&lt;br /&gt;
his lordship was conducting small private discussions with the most important delegates&lt;br /&gt;
without inviting M. Dupont. Then Mr Lewis began to report certain remarks his lordship and&lt;br /&gt;
others had made at dinner on that first evening after his arrival.&lt;br /&gt;
&quot;To be quite frank, sir,&quot; I heard Mr Lewis say, &quot;I was appalled at their attitude towards&lt;br /&gt;
your countrymen. They actually used words like &#39;barbarous&#39; and &#39;despicable&#39;. In fact, I noted&lt;br /&gt;
them in my diary only a few hours afterwards.&quot;&lt;br /&gt;
M. Dupont said something briefly which I did not catch, then Mr Lewis said again:&lt;br /&gt;
&quot;Let me tell you, sir, I was appalled. Are these words to use about an ally you stood shoulder&lt;br /&gt;
to shoulder with only a few years back?&quot;&lt;br /&gt;
I am not sure now if I ever proceeded to knock; it is quite possible, given the alarming&lt;br /&gt;
nature of what I heard, that I judged it best to withdraw altogether. In any case, I did not&lt;br /&gt;
linger long enough - as I was obliged to explain to his lordship shortly afterwards - to hear&lt;br /&gt;
anything that would give a clue as to M. Dupont&#39;s attitude to Mr Lewis&#39; remarks.&lt;br /&gt;
The next day, the discussions in the drawing room appeared to reach a new level of&lt;br /&gt;
intensity and by lunchtime, the exchanges were becoming rather heated. My impression was&lt;br /&gt;
that utterances were being directed accusingly, and with increasing boldness, towards the&lt;br /&gt;
armchair where M. Dupont sat fingering his beard, saying little. Whenever the conference&lt;br /&gt;
adjourned, I noticed, as no doubt his lordship did with some concern, that Mr Lewis would&lt;br /&gt;
quickly take M. Dupont away to some corner or other where they could confer quietly.&lt;br /&gt;
Indeed, once, shortly after lunch, I recall I came upon the two gentlemen talking rather&lt;br /&gt;
furtively just inside the library doorway, and it was my distinct impression they broke off&lt;br /&gt;
their discussion upon my approach.&lt;br /&gt;
In the meantime, my father&#39;s condition had grown neither better nor worse. As I&lt;br /&gt;
understood, he was asleep for much of the time, and indeed, I found him so on the few&lt;br /&gt;
occasions I had a spare moment to ascend to that little attic room. I did not then have a chance&lt;br /&gt;
actually to converse with him until that second evening after the return of his illness.&lt;br /&gt;
On that occasion, too, my father was sleeping when I entered. But the chambermaid&lt;br /&gt;
Miss Kenton had left in attendance stood up upon seeing me and began to shake my father&#39;s&lt;br /&gt;
shoulder.&lt;br /&gt;
&quot;Foolish girl!&quot; I exclaimed. &quot;What do you think you are doing?&quot;&lt;br /&gt;
&quot;Mr Stevens said to wake him if you returned, sir.&quot;&lt;br /&gt;
&quot;Let him sleep. It&#39;s exhaustion that&#39;s made him ill.&quot;&lt;br /&gt;
&quot;He said I had to, sir,&quot; the girl said, and again shook my father&#39;s shoulder.&lt;br /&gt;
My father opened his eyes, turned his head a little on the pillow, and looked at me.&lt;br /&gt;
&quot;I hope Father is feeling better now,&quot; I said.&lt;br /&gt;
He went on gazing at me for a moment, then asked: &quot;Everything in hand downstairs?&quot;&lt;br /&gt;
&quot;The situation is rather volatile. It is just after six o&#39;clock, so Father can well imagine&lt;br /&gt;
the atmosphere in the kitchen at this moment.&quot;&lt;br /&gt;
An impatient look crossed my father&#39;s face.&lt;br /&gt;
&quot;But is everything in hand?&quot; he said again.&lt;br /&gt;
&quot;Yes, I dare say you can rest assured on that. I&#39;m very glad Father is feeling better.&quot;&lt;br /&gt;
With some deliberation, he withdrew his arms from under the bedclothes and gazed&lt;br /&gt;
tiredly at the backs of his hands. He continued to do this for some time.&lt;br /&gt;
&quot;I&#39;m glad Father is feeling so much better,&quot; I said again eventually. &quot;Now really, I&#39;d&lt;br /&gt;
best be getting back. As I say, the situation is rather volatile.&quot;&lt;br /&gt;
He went on looking at his hands for a moment.&lt;br /&gt;
Then he said slowly: &quot;I hope I&#39;ve been a good father to you.&quot;&lt;br /&gt;
I laughed a little and said: &quot;I&#39;m so glad you&#39;re feeling better now.&quot;&lt;br /&gt;
&quot;I&#39;m proud of you. A good son. I hope I&#39;ve been a good father to you. I suppose I&lt;br /&gt;
haven&#39;t.&quot;&lt;br /&gt;
&quot;I&#39;m afraid we&#39;re extremely busy now, but we can talk again in the morning.&quot;&lt;br /&gt;
My father was still looking at his hands as though he were faintly irritated by them.&lt;br /&gt;
&quot;I&#39;m so glad you&#39;re feeling better now,&quot; I said again and took my leave.&lt;br /&gt;
On descending, I found the kitchen on the brink of pandemonium, and in general, an&lt;br /&gt;
extremely tense atmosphere amongst all levels of staff.&lt;br /&gt;
However, I am pleased to recall that by the time dinner was served an hour or so later,&lt;br /&gt;
nothing but efficiency and professional calm was exhibited on the part of my team.&lt;br /&gt;
It is always something of a memorable sight to see that magnificent banqueting hall&lt;br /&gt;
employed to its full capacity and that evening was no exception. Of course, the effect&lt;br /&gt;
produced by unbroken lines of gentlemen in evening suits, so outnumbering representatives of&lt;br /&gt;
the fairer sex, was a rather severe one; but then again, in those days, the two large chandeliers&lt;br /&gt;
that hang over the table still ran on gas - resulting in a subtle, quite soft light pervading the&lt;br /&gt;
room - and did not produce the dazzling brightness they have done ever since their&lt;br /&gt;
electrification. On that second and final dinner of the conference - most guests were expected&lt;br /&gt;
to disperse after lunch the following day - the company had lost much of the reserve that had&lt;br /&gt;
been noticeable throughout the previous days. Not only was the conversation flowing more&lt;br /&gt;
freely and loudly, we found ourselves serving out wine at a conspicuously increased rate. At&lt;br /&gt;
the close of dinner, which from a professional viewpoint had been executed without any&lt;br /&gt;
significant difficulties, his lordship rose to address his guests.&lt;br /&gt;
He opened by expressing his gratitude to all present that the discussions during the&lt;br /&gt;
previous two days, &#39;though at times exhilaratingly frank&#39;, had been conducted in a spirit of&lt;br /&gt;
friendship and the desire to see good prevail. The unity witnessed over the two days had been&lt;br /&gt;
greater than he could ever have hoped for, and the remaining morning&#39;s session of &#39;rounding&lt;br /&gt;
up&#39; would, he trusted, be rich in commitments on the part of participants concerning action&lt;br /&gt;
each would be taking before the important international conference in Switzerland. It was&lt;br /&gt;
around this point - and I have no idea if he had planned to do so beforehand - that his lordship&lt;br /&gt;
began to reminisce about his late friend, Herr Karl-Heinz Bremann. This was a little&lt;br /&gt;
unfortunate, the topic being one close to his lordship&#39;s heart and one he was inclined to&lt;br /&gt;
explicate at some length. It should also be said, perhaps, that Lord Darlington was never what&lt;br /&gt;
might be called a natural public speaker, and soon all those small sounds of restlessness that&lt;br /&gt;
betray that an audience&#39;s attention has been lost grew steadily around the room. Indeed, by the&lt;br /&gt;
time Lord Darlington had finally come round to bidding his guests rise and drink to &#39;peace and&lt;br /&gt;
justice in Europe&#39;, the level of such noises - perhaps on account of the liberal amounts of wine&lt;br /&gt;
that had been consumed - struck me as bordering on the ill-mannered.&lt;br /&gt;
The company had seated themselves again, and conversation was just beginning to&lt;br /&gt;
resume, when there came an authoritative rapping of knuckles upon wood and M. Dupont had&lt;br /&gt;
risen to his feet. At once, a hush fell over the room. The distinguished gentleman glanced&lt;br /&gt;
around the table with a look almost of severity. Then he said: &quot;I hope I am not trespassing&lt;br /&gt;
over a duty ascribed to someone else present here, but then I had heard no proposals for&lt;br /&gt;
anyone to give a toast in thanks to our host, the most honourable and kind Lord Darlington.&quot;&lt;br /&gt;
There was a murmur of approval. M. Dupont went on: &quot;Many things of interest have been&lt;br /&gt;
said in this house over the past days. Many important things.&quot; He paused, and there was now&lt;br /&gt;
utter stillness in the room. &quot;There has been much&quot;, he continued, &quot;which has implicitly or&lt;br /&gt;
otherwise _criticized__ - it is not so strong a word - _criticized__ the foreign policy of my&lt;br /&gt;
country.&quot; He paused again, looking rather stern. One might even have thought him to be&lt;br /&gt;
angry. &quot;We have heard in these two days several thorough and intelligent analyses of the&lt;br /&gt;
present very complex situation in Europe. But none of them, may I say, has fully&lt;br /&gt;
comprehended the reasons for the attitude France has adopted towards her neighbour.&lt;br /&gt;
However,&quot; - he raised a finger - &quot;this is not the time to enter into such debates. In fact, I&lt;br /&gt;
deliberately refrained from entering into such debates during these past days because I came&lt;br /&gt;
principally to listen. And let me say now that I have been impressed by certain of the&lt;br /&gt;
arguments I have heard here. But how impressed, you may be asking.&quot; M. Dupont took&lt;br /&gt;
another pause during which his gaze travelled in an almost leisurely manner around all the&lt;br /&gt;
faces fixed upon him. Then at last he said: &quot;Gentlemen - and ladies, pardon me - I have given&lt;br /&gt;
much thought to these matters and I wish to say here in confidence to you, that while there&lt;br /&gt;
remains between myself and many of those present differences of interpretation as to what is&lt;br /&gt;
really occurring in Europe at this moment, despite this, as to the main points that have been&lt;br /&gt;
raised in this house, I am convinced, gentlemen, convinced both of their justice and their&lt;br /&gt;
practicality.&quot; A murmur which seemed to contain both relief and triumph went around the&lt;br /&gt;
table, but this time M. Dupont raised his voice slightly and pronounced over it: &quot;I am happy to&lt;br /&gt;
assure you all here that I will bring what modest influence I have to encourage certain&lt;br /&gt;
changes of emphasis in French policy in accordance with much of what has been said here.&lt;br /&gt;
And I will endeavour to do so in good time for the Swiss conference.&quot;&lt;br /&gt;
There was a ripple of applause, and I saw his lordship exchange a look with Sir David.&lt;br /&gt;
M. Dupont held up his hand, though whether to acknowledge the applause or to stem it was&lt;br /&gt;
not clear.&lt;br /&gt;
&quot;But before I go on to thank our host, Lord Darlington, I have some small thing I&lt;br /&gt;
would wish to remove from my chest. Some of you may say it is not good manners to be&lt;br /&gt;
removing such things from one&#39;s chest at the dinner table.&quot; This brought enthusiastic laughter.&lt;br /&gt;
&quot;However, I am for frankness in these matters. Just as there is an imperative to express&lt;br /&gt;
gratitude formally and publicly to Lord Darlington, who has brought us here and made&lt;br /&gt;
possible this present spirit of unity and goodwill, there is, I believe, an imperative to openly&lt;br /&gt;
condemn any who come here to abuse the hospitality of the host, and to spend his energies&lt;br /&gt;
solely in trying to sow discontent and suspicion. Such persons are not only socially repugnant,&lt;br /&gt;
in the climate of our present day they are extremely dangerous.&quot; He paused again and once&lt;br /&gt;
more there was utter stillness. M. Dupont went on in a calm, deliberate voice: &quot;My only&lt;br /&gt;
question concerning Mr Lewis is this. To what extent does his abominable behaviour&lt;br /&gt;
exemplify the attitude of the present American administration? Ladies and gentlemen, let me&lt;br /&gt;
myself hazard a guess as to the answer, for such a gentleman capable of the levels of deceit he&lt;br /&gt;
has displayed over these past days should not be relied upon to provide a truthful reply. So, I&lt;br /&gt;
will hazard my guess. Of course, America is concerned about our debt payments to her in the&lt;br /&gt;
event of a freeze in German reparations. But I have over the last six months had occasion to&lt;br /&gt;
discuss this very matter with a number of very highly placed Americans, and it seems to me&lt;br /&gt;
that thinking in that country is much more far-sighted than that represented by their&lt;br /&gt;
countryman here. All those of us who care for the future well-being of Europe will take&lt;br /&gt;
comfort from the fact that Mr Lewis is now - how shall we put it? - hardly the influence he&lt;br /&gt;
once was. Perhaps you think me unduly harsh to express these things so openly. But the&lt;br /&gt;
reality is, ladies and gentlemen, I am being merciful. You see, I refrain from outlining just&lt;br /&gt;
what this gentleman has been saying to me - _about you all__. And with a most clumsy&lt;br /&gt;
technique, the audacity and crudeness of which I could hardly believe. But enough of&lt;br /&gt;
condemnations. It is time for us to thank. Join me then, please, ladies and gentlemen, in&lt;br /&gt;
raising your glasses to Lord Darlington.&quot;&lt;br /&gt;
M. Dupont had not once looked over in Mr Lewis&#39; direction during the course of this&lt;br /&gt;
speech, and indeed, once the company had toasted his lordship and were seated again, all&lt;br /&gt;
those present seemed to be studiously avoiding looking towards the American gentleman. An&lt;br /&gt;
uneasy silence reigned for a moment, and then finally Mr Lewis rose to his feet. He was&lt;br /&gt;
smiling pleasantly in his customary manner.&lt;br /&gt;
&quot;Well, since everyone&#39;s giving speeches, I may as well take a turn,&quot; he said, and it was&lt;br /&gt;
at once apparent from his voice that he had had a good deal to drink. &quot;I don&#39;t have anything to&lt;br /&gt;
say to the nonsense our French friend has been uttering. I just dismiss that sort of talk. I&#39;ve&lt;br /&gt;
had people try to put one over on me many times, and let me tell you, gentlemen, few people&lt;br /&gt;
succeed. Few people succeed.&quot; Mr Lewis came to a halt and for a moment seemed at a loss as&lt;br /&gt;
to how he should go on.&lt;br /&gt;
Eventually he smiled again and said: &quot;As I say, I&#39;m not going to waste my time on our&lt;br /&gt;
French friend over there. But as it happens, I do have something to say. Now we&#39;re all being&lt;br /&gt;
so frank, I&#39;ll be frank too. You gentlemen here, forgive me, but you are just a bunch of naive&lt;br /&gt;
dreamers. And if you didn&#39;t insist on meddling in large affairs that affect the globe, you would&lt;br /&gt;
actually be charming. Let&#39;s take our good host here. What is he? He is a gentleman. No one&lt;br /&gt;
here, I trust, would care to disagree. A classic English gentleman. Decent, honest, wellmeaning.&lt;br /&gt;
But his lordship here is an _amateur__.&quot; He paused at the word and looked around&lt;br /&gt;
the table. &quot;He is an amateur and international affairs today are no longer for gentlemen&lt;br /&gt;
amateurs. The sooner you here in Europe realize that the better. All you decent, well-meaning&lt;br /&gt;
gentlemen, let me ask you, have you any idea what sort of place the world is becoming all&lt;br /&gt;
around you? The days when you could act out of your noble instincts are over. Except 0f&lt;br /&gt;
course, you here in Europe don&#39;t yet seem to know it. Gentlemen like our good host still&lt;br /&gt;
believe it&#39;s their business to meddle in matters they don&#39;t understand. So much hog-wash has&lt;br /&gt;
been spoken here these past two days. Well-meaning, naive hog-wash. You here in Europe&lt;br /&gt;
need professionals to run your affairs. If you don&#39;t realize that soon you&#39;re headed for disaster.&lt;br /&gt;
A toast, gentlemen. Let me make a toast. To professionalism.&quot;&lt;br /&gt;
There was a stunned silence and no one moved.&lt;br /&gt;
Mr Lewis shrugged, raised his glass to all the company, drank and sat back down.&lt;br /&gt;
Almost immediately, Lord Darlington stood up.&lt;br /&gt;
&quot;I have no wish,&quot; his lordship said, &quot;to enter into a quarrel on this our last evening&lt;br /&gt;
together which we all deserve to enjoy as a happy and triumphant occasion. But it is out of&lt;br /&gt;
respect for your views, Mr Lewis, that I feel one should not simply cast them to one side as&lt;br /&gt;
though they were uttered by some soap-box eccentric. Let me say this. What you describe as&lt;br /&gt;
&#39;amateurism&#39;, sir, is what I think most of us here still prefer to call &#39;honour&#39;.&quot;&lt;br /&gt;
This brought a loud murmur of assent with several &#39;hear, hear&#39;s&#39; and some applause.&lt;br /&gt;
&quot;What is more, sir,&quot; his lordship went on, &quot;I believe I have a good idea of what you&lt;br /&gt;
mean by &#39;professionalism&#39;. It appears to mean getting one&#39;s way by cheating and manipulating.&lt;br /&gt;
It means ordering one&#39;s priorities according to greed and advantage rather than the desire to&lt;br /&gt;
see goodness and justice prevail in the world. If that is the &#39;professionalism&#39; you refer to, sir, I&lt;br /&gt;
don&#39;t much care for it and have no wish to acquire it.&quot;&lt;br /&gt;
This was met by the loudest burst of approval yet, followed by warm and sustained&lt;br /&gt;
applause. I could see Mr Lewis smiling at his wine glass and shaking his head wearily. It was&lt;br /&gt;
just around this stage that I became aware of the first footman beside me, who whispered:&lt;br /&gt;
&quot;Miss Kenton would like a word you, sir. She&#39;s just outside the door.&quot;&lt;br /&gt;
I made my exit as discreetly as possible just as his lordship, still on his feet, was&lt;br /&gt;
embarking on a further point.&lt;br /&gt;
Miss Kenton looked rather upset. &quot;Your father has become very ill, Mr Stevens,&quot; she&lt;br /&gt;
said. &quot;I&#39;ve called for Dr Meredith, but I understand he may be a little delayed.&quot;&lt;br /&gt;
I must have looked a little confused, for Miss Kenton then said: &quot;Mr Stevens, he really&lt;br /&gt;
is in a poor state. You had better come and see him.&quot;&lt;br /&gt;
&quot;I only have a moment. The gentlemen are liable to retire to the smoking room at any&lt;br /&gt;
moment.&quot;&lt;br /&gt;
&quot;Of course. But you must come now, Mr Stevens, or else you may deeply regret it&lt;br /&gt;
later.&quot;&lt;br /&gt;
Miss Kenton was already leading the way, and we hurried through the house up to my&lt;br /&gt;
father&#39;s small attic room. Mrs Mortimer, the cook, was standing over my father&#39;s bed, still in&lt;br /&gt;
her apron.&lt;br /&gt;
&quot;Oh, Mr Stevens,&quot; she said upon our entry, &quot;he&#39;s gone very poorly.&quot;&lt;br /&gt;
Indeed, my father&#39;s face had gone a dull reddish colour, like no colour I had seen on a&lt;br /&gt;
living being. I heard Miss Kenton say softly behind me: &quot;His pulse is very weak.&quot; I gazed at&lt;br /&gt;
my father for a moment, touched his forehead slightly, then withdrew my hand.&lt;br /&gt;
&quot;In my opinion,&quot; Mrs Mortimer said, &quot;he&#39;s suffered a stroke. I&#39;ve seen two in my time&lt;br /&gt;
and I think he&#39;s suffered a stroke.&quot; With that, she began to cry. I noticed she reeked&lt;br /&gt;
powerfully of fat and roast cooking. I turned away and said to Miss Kenton: &quot;This is most&lt;br /&gt;
distressing. Nevertheless, I must now return downstairs.&quot;&lt;br /&gt;
&quot;Of course, Mr Stevens. I will tell you when the doctor arrives. Or else when there are&lt;br /&gt;
any changes.&quot;&lt;br /&gt;
&quot;Thank you, Miss Kenton.&quot;&lt;br /&gt;
I hurried down the stairs and was in time to see the gentlemen proceeding into the&lt;br /&gt;
smoking room. The footmen looked relieved to see me, and I immediately signalled them to&lt;br /&gt;
get to their positions.&lt;br /&gt;
Whatever had taken place in the banqueting hall after my departure, there was now a&lt;br /&gt;
genuinely celebratory atmosphere amongst the guests. All around the smoking room,&lt;br /&gt;
gentlemen seemed to be standing in clusters laughing and clapping each other on the shoulder.&lt;br /&gt;
Mr Lewis, so far as I could ascertain, had already retired. I found myself making my way&lt;br /&gt;
through the guests, a bottle of port upon my tray. I had just finished serving a glass to a&lt;br /&gt;
gentleman when a voice behind me said: &quot;Ah, Stevens, you&#39;re interested in fish, you say.&quot;&lt;br /&gt;
I turned to find the young Mr Cardinal beaming happily at me. I smiled also and said:&lt;br /&gt;
&quot;Fish, sir?&quot;&lt;br /&gt;
&quot;When I was young, I used to keep all sorts of tropical fish in a tank. Quite a little&lt;br /&gt;
aquarium it was. I say, Stevens, are you all right?&quot;&lt;br /&gt;
I smiled again. &quot;Quite all right, thank you, sir.&quot;&lt;br /&gt;
&quot;As you so rightly pointed out, I really should come back here in the spring.&lt;br /&gt;
Darlington Hall must be rather lovely then. The last time I was here, I think it was winter then&lt;br /&gt;
too. I say, Stevens, are you sure you&#39;re all right there?&quot;&lt;br /&gt;
&quot;Perfectly all right, thank you, sir.&quot;&lt;br /&gt;
&quot;Not feeling unwell, are you?&quot;&lt;br /&gt;
&quot;Not at all, sir. Please excuse me.&quot;&lt;br /&gt;
I proceeded to serve port to some other of the guests. There was a loud burst of&lt;br /&gt;
laughter behind me and I heard the Belgian clergyman exclaim: &quot;That is really heretical!&lt;br /&gt;
Positively heretical!&quot; then laugh loudly himself. I felt something touch my elbow and turned&lt;br /&gt;
to find Lord Darlington.&lt;br /&gt;
&quot;Stevens, are you all right?&quot;&lt;br /&gt;
&quot;Yes, sir. Perfectly.&quot;&lt;br /&gt;
&quot;You look as though you&#39;re crying.&quot;&lt;br /&gt;
I laughed and taking out a handkerchief, quickly wiped my face. &quot;I&#39;m very sorry, sir.&lt;br /&gt;
The strains of a hard day.&quot;&lt;br /&gt;
&quot;Yes, it&#39;s been hard work.&quot;&lt;br /&gt;
Someone addressed his lordship and he turned away to reply. I was about to continue&lt;br /&gt;
further around the room when I caught sight of Miss Kenton through the open doorway,&lt;br /&gt;
signalling to me. I began to make my way towards the doors, but before I could reach them,&lt;br /&gt;
M. Dupont touched my arm.&lt;br /&gt;
&quot;Butler,&quot; he said, &quot;I wonder if you would find me some fresh bandages. My feet are&lt;br /&gt;
unbearable again.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot; As I proceeded towards the doors, I realized M. Dupont was following me.&lt;br /&gt;
I turned and said: &quot;I will come and find you, sir, just as soon as I have what is&lt;br /&gt;
required.&quot;&lt;br /&gt;
&quot;Please hurry, butler. I am in some pain.&quot;&lt;br /&gt;
&quot;Yes, sir. I&#39;m very sorry, sir.&quot;&lt;br /&gt;
Miss Kenton was still standing out in the hall where I had first spotted her. As I&lt;br /&gt;
emerged, she walked silently towards the staircase, a curious lack of urgency in her manner.&lt;br /&gt;
Then she turned and said: &quot;Mr Stevens, I&#39;m very sorry. Your father passed away about four&lt;br /&gt;
minutes ago.&quot;&lt;br /&gt;
&quot;I see.&quot;&lt;br /&gt;
She looked at her hands, then up at my face.&lt;br /&gt;
&quot;Mr Stevens, I&#39;m very sorry,&quot; she said. Then she added: &quot;I wish there was something I&lt;br /&gt;
could say.&quot;&lt;br /&gt;
&quot;There&#39;s no need, Miss Kenton.&quot;&lt;br /&gt;
&quot;Dr Meredith has not yet arrived.&quot; Then for a moment she bowed her head and a sob&lt;br /&gt;
escaped her. But almost immediately, she resumed her composure and asked in a steady&lt;br /&gt;
voice: &quot;Will you come up and see him?&quot;&lt;br /&gt;
&quot;I&#39;m very busy just now, Miss Kenton. In a little while perhaps.&quot;&lt;br /&gt;
&quot;In that case, Mr Stevens, will you permit me to close his eyes?&quot;&lt;br /&gt;
&quot;I would be most grateful if you would, Miss Kenton.&quot;&lt;br /&gt;
She began to climb the staircase, but I stopped her, saying: &quot;Miss Kenton, please don&#39;t&lt;br /&gt;
think me unduly improper in not ascending to see my father in his deceased condition just at&lt;br /&gt;
this moment. You see, I know my father would have wished me to carry on just now.&quot;&lt;br /&gt;
&quot;Of course, Mr Stevens.&quot;&lt;br /&gt;
&quot;To do otherwise, I feel, would be to let him down.&quot;&lt;br /&gt;
&quot;Of course, Mr Stevens.&quot;&lt;br /&gt;
I turned away, the bottle of port still on my tray, and re-entered the smoking room.&lt;br /&gt;
That relatively small room appeared to be a forest of black dinner jackets, grey hair and cigar&lt;br /&gt;
smoke. I wended my way past the gentlemen, searching for glasses to replenish. M. Dupont&lt;br /&gt;
tapped my shoulder and said: &quot;Butler, have you seen to my arrangements?&quot;&lt;br /&gt;
&quot;I am very sorry, sir, but assistance is not immediately available at this precise&lt;br /&gt;
moment.&quot;&lt;br /&gt;
&quot;What do you mean, butler? You&#39;ve run out of basic medical supplies?&quot;&lt;br /&gt;
&quot;As it happens, sir, a doctor is on his way.&quot;&lt;br /&gt;
&quot;Ah, very good! You called a doctor.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;Good, good.&quot;&lt;br /&gt;
M. Dupont resumed his conversation and I continued my way around the room for&lt;br /&gt;
some moments. At one point, the German countess emerged from the midst of the gentlemen&lt;br /&gt;
and before I had had a chance to serve her, began helping herself to some port from my tray.&lt;br /&gt;
&quot;You will compliment the cook for me, Stevens,&quot; she said.&lt;br /&gt;
&quot;Of course, madam. Thank you, madam.&quot;&lt;br /&gt;
&quot;And you and your team did well also.&quot;&lt;br /&gt;
&quot;Thank you most kindly, madam.&quot;&lt;br /&gt;
&quot;At one point during dinner, Stevens, I would have sworn you were at least three&lt;br /&gt;
people,&quot; she said and laughed.&lt;br /&gt;
I laughed quickly and said: &quot;I&#39;m delighted to be of service, madam.&quot;&lt;br /&gt;
A moment later, I spotted the young Mr Cardinal not far away, still standing on his&lt;br /&gt;
own, and it struck me the young gentleman might be feeling somewhat overawed in the&lt;br /&gt;
present company. His glass, in any case, was empty and so I started towards him. He seemed&lt;br /&gt;
greatly cheered at the prospect of my arrival and held out his glass.&lt;br /&gt;
&quot;I think it&#39;s admirable that you&#39;re a nature-lover, Stevens,&quot; he said, as I served him.&lt;br /&gt;
&quot;And I dare say it&#39;s a great advantage to Lord Darlington to have someone to keep an expert&lt;br /&gt;
eye on the activities of the gardener.&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir?&quot;&lt;br /&gt;
&quot;Nature, Stevens. We were talking the other day about the wonders of the natural&lt;br /&gt;
world. And I quite agree with you, we are all much too complacent about the great wonders&lt;br /&gt;
that surround us.&quot;&lt;br /&gt;
&quot;Yes, sir.&lt;br /&gt;
&quot;I mean, all this we&#39;ve been talking about. Treaties and boundaries and reparations and&lt;br /&gt;
occupations. But Mother Nature just carries on her own sweet way. Funny to think of it like&lt;br /&gt;
that, don&#39;t you think?&quot;&lt;br /&gt;
&quot;Yes, indeed it is, sir.&quot;&lt;br /&gt;
&quot;I wonder if it wouldn&#39;t have been better if the Almighty had created us all as - well -&lt;br /&gt;
as sort of plants. You know, firmly embedded in the soil. Then none of this rot about wars and&lt;br /&gt;
boundaries would have come up in the first place.&quot;&lt;br /&gt;
The young gentleman seemed to find this an amusing thought. He gave a laugh, then&lt;br /&gt;
on further thought laughed some more. I joined him in his laughter. Then he nudged me and&lt;br /&gt;
said: &quot;Can you imagine it, Stevens?&quot; and laughed again.&lt;br /&gt;
&quot;Yes, sir,&quot; I said, laughing also, &quot;it would have been a most curious alternative.&quot;&lt;br /&gt;
&quot;But we could still have chaps like you taking messages back and forth, bringing tea,&lt;br /&gt;
that sort of thing. Otherwise, how would we ever get anything done? Can you imagine it,&lt;br /&gt;
Stevens? All of us rooted in the soil? Just imagine it!&quot;&lt;br /&gt;
Just then a footman emerged behind me. &quot;Miss Kenton is wishing to have a word with&lt;br /&gt;
you, sir,&quot; he said.&lt;br /&gt;
I excused myself from Mr Cardinal and moved towards the doors. I noticed M. Dupont&lt;br /&gt;
apparently guarding them and as I approached, he said: &quot;Butler, is the doctor here?&quot;&lt;br /&gt;
&quot;I am just going to find out, sir. I won&#39;t be a moment.&quot;&lt;br /&gt;
&quot;I am in some pain.&quot;&lt;br /&gt;
&quot;I&#39;m very sorry, sir. The doctor should not be long now.&quot;&lt;br /&gt;
On this occasion, M. Dupont followed me out of the door. Miss Kenton was once&lt;br /&gt;
more standing out in the hall.&lt;br /&gt;
&quot;Mr Stevens,&quot; she said, &quot;Dr Meredith has arrived and gone upstairs.&quot;&lt;br /&gt;
She had spoken in a low voice, but M. Dupont behind me exclaimed immediately:&lt;br /&gt;
&quot;Ah, good!&quot;&lt;br /&gt;
I turned to him and said: &quot;If you will perhaps follow me, sir.&quot;&lt;br /&gt;
I led him into the billiard room where I stoked the fire while he sat down in one of the&lt;br /&gt;
leather chairs and began to remove his shoes.&lt;br /&gt;
&quot;I&#39;m sorry it is rather cold in here, sir. The doctor will not be long now.&quot;&lt;br /&gt;
&quot;Thank you, butler. You&#39;ve done well.&quot;&lt;br /&gt;
Miss Kenton was still waiting for me in the hallway and we ascended through the&lt;br /&gt;
house in silence. Up in my father&#39;s room, Dr Meredith was making some notes and Mrs&lt;br /&gt;
Mortimer weeping bitterly. She was still wearing her apron which, evidently, she had been&lt;br /&gt;
using to wipe away her tears; as a result there were grease marks all over her face, giving her&lt;br /&gt;
the appearance of a participant in a minstrel show. I had expected the room to smell of death,&lt;br /&gt;
but on account of Mrs Mortimer - or else her apron – the room was dominated by the smell of&lt;br /&gt;
roasting.&lt;br /&gt;
Dr Meredith rose and said: &quot;My condolences, Stevens. He suffered a severe stroke. If&lt;br /&gt;
it&#39;s any comfort to you, he wouldn&#39;t have suffered much pain. There was nothing in the world&lt;br /&gt;
you could have done to save him.&quot;&lt;br /&gt;
&quot;Thank you, sir.&quot;&lt;br /&gt;
&quot;I&#39;ll be on my way now. You&#39;ll see to arrangements?&quot;&lt;br /&gt;
&quot;Yes, sir. However, if I may, there is a most distinguished gentleman downstairs in&lt;br /&gt;
need of your attention.&quot;&lt;br /&gt;
&quot;Urgent?&quot;&lt;br /&gt;
&quot;He expressed a keen desire to see you, sir.&quot; I led Dr Meredith downstairs, showed&lt;br /&gt;
him into the billiard room, then returned quickly to the smoking room where the atmosphere,&lt;br /&gt;
if anything, had grown even more convivial.&lt;br /&gt;
Of course, it is not for me to suggest that I am worthy of ever being placed alongside&lt;br /&gt;
the likes of the &#39;great&#39; butlers of our generation, such as Mr Marshall or Mr Lane - though it&lt;br /&gt;
should be said there are those who, perhaps out of misguided generosity, tend to do just this.&lt;br /&gt;
Let me make clear that when I say the conference of 1923, and that night in particular,&lt;br /&gt;
constituted a turning point in my professional development, I am speaking very much in terms&lt;br /&gt;
of my own more humble standards. Even so, if you consider the pressures contingent on me&lt;br /&gt;
that night, you may not think I delude myself unduly if I go so far as to suggest that I did&lt;br /&gt;
perhaps display, in the face of everything, at least in some degree a &#39;dignity&#39; worthy of&lt;br /&gt;
someone like Mr Marshall - or come to that, my father. Indeed, why should I deny it? For all&lt;br /&gt;
its sad associations, whenever I recall that evening today, I find I do so with a large sense of&lt;br /&gt;
triumph.&lt;br /&gt;
Day Two - Afternoon&lt;br /&gt;
Mortimer&#39;s Pond, Dorset&lt;br /&gt;
IT would seem there is a whole dimension to the question &#39;what is a &#39;great&#39; butler?&#39; I have&lt;br /&gt;
hitherto not properly considered. It is, I must say, a rather unsettling experience to realize this&lt;br /&gt;
about a matter so close to my heart, particularly one I have given much thought to over the&lt;br /&gt;
years. But it strikes me I may have been a little hasty before in dismissing certain aspects of&lt;br /&gt;
the Hayes Society&#39;s criteria for membership. I have no wish, let me make clear, to retract any&lt;br /&gt;
of my ideas on &#39;dignity&#39; and its crucial link with &#39;greatness&#39;. But I have been thinking a little&lt;br /&gt;
more about that other pronouncement made by the Hayes Society - namely the admission that&lt;br /&gt;
it was a prerequisite for membership of the Society that &#39;the applicant be attached to a&lt;br /&gt;
distinguished household&#39;. My feeling remains, no less than before, that this represents a piece&lt;br /&gt;
of unthinking snobbery on the part of the Society. However, it occurs to me that perhaps what&lt;br /&gt;
one takes objection to is, specifically, the outmoded understanding of what a &#39;distinguished&lt;br /&gt;
household&#39; is, rather than to the general principle being expressed.&lt;br /&gt;
Indeed, now that I think further on the matter, I believe it may well be true to say it&lt;br /&gt;
_is__ a prerequisite of greatness that one &#39;be attached to a distinguished household&#39; - so long&lt;br /&gt;
as one takes &#39;distinguished&#39; here to have a meaning deeper than that understood by the Hayes&lt;br /&gt;
Society.&lt;br /&gt;
In fact, a comparison of how I might interpret &#39;a distinguished household&#39; with what&lt;br /&gt;
the Hayes Society understood by that term illuminates sharply, I believe, the fundamental&lt;br /&gt;
difference between the values of our generation of butlers and those of the previous&lt;br /&gt;
generation. When I say this, I am not merely drawing attention to the fact that our generation&lt;br /&gt;
had a less snobbish attitude as regards which employers were landed gentry and which were&lt;br /&gt;
&#39;business&#39;. What I am trying to say - and I do not think this an unfair comment - is that we&lt;br /&gt;
were a much more idealistic generation. Where our elders might have been concerned with&lt;br /&gt;
whether or not an employer was titled, or otherwise from one of the &#39;old&#39; families, we tended&lt;br /&gt;
to concern ourselves much more with the moral status of an employer. I do not mean by this&lt;br /&gt;
that we were preoccupied with our employers&#39; private behaviour. What I mean is that we were&lt;br /&gt;
ambitious, in a way that would have been unusual a generation before, to serve gentlemen&lt;br /&gt;
who were, so to speak, furthering the progress of humanity. It would have been seen as a far&lt;br /&gt;
worthier calling, for instance, to serve a gentleman such as Mr George Ketteridge, who,&lt;br /&gt;
however humble his beginnings, has made an undeniable contribution to the future well-being&lt;br /&gt;
of the empire, than any gentleman, however aristocratic his origin, who idled away his time in&lt;br /&gt;
clubs or on golf courses.&lt;br /&gt;
In practice, of course, many gentlemen from the noblest families have tended to devote&lt;br /&gt;
themselves to alleviating the great problems of the day, and so, at a glance, it may have&lt;br /&gt;
appeared that the ambitions of our generation differed little from those of our predecessors.&lt;br /&gt;
But I can vouch there was a crucial distinction in attitude, reflected not only in the sorts of&lt;br /&gt;
things you would hear fellow professionals express to each other, but in the way many of the&lt;br /&gt;
most able persons of our generation chose to leave one position for another. Such decisions&lt;br /&gt;
were no longer a matter simply of wages, the size of staff at one&#39;s disposal or the splendour of&lt;br /&gt;
a family name; for our generation, I think it fair to say, professional prestige lay most&lt;br /&gt;
significantly in the moral worth of one&#39;s employer.&lt;br /&gt;
I believe I can best highlight the difference between the generations by expressing&lt;br /&gt;
myself figuratively. Butlers of my father&#39;s generation, I would say, tended to see the world in&lt;br /&gt;
terms of a ladder - the houses of royalty, dukes and the lords from the oldest families placed at&lt;br /&gt;
the top, those of &#39;new money&#39; lower down and so on, until one reached a point below which&lt;br /&gt;
the hierarchy was determined simply by wealth - or the lack of it. Any butler with ambition&lt;br /&gt;
simply did his best to climb as high up this ladder as possible, and by and large, the higher he&lt;br /&gt;
went, the greater was his professional prestige. Such are, of course, precisely the values&lt;br /&gt;
embodied in the Hayes Society&#39;s idea of a &#39;distinguished household&#39;, and the fact that it was&lt;br /&gt;
confidently making such pronouncements as late as 1929 shows clearly why the demise of&lt;br /&gt;
that society was inevitable, if not long overdue. For by that time, such thinking was quite out&lt;br /&gt;
of step with that of the finest men emerging to the forefront of our profession. For our&lt;br /&gt;
generation, I believe it is accurate to say, viewed the world not as a ladder, but more as a&lt;br /&gt;
_wheel__.&lt;br /&gt;
Perhaps I might explain this further.&lt;br /&gt;
It is my impression that our generation was the first to recognize something which had&lt;br /&gt;
passed the notice of all earlier generations: namely that the great decisions of the world are&lt;br /&gt;
not, in fact, arrived at simply in the public chambers, or else during a handful of days given&lt;br /&gt;
over to an international conference under the full gaze of the public and the press. Rather,&lt;br /&gt;
debates are conducted, and crucial decisions arrived at, in the privacy and calm of the great&lt;br /&gt;
houses of this country.&lt;br /&gt;
What occurs under the public gaze with so much pomp and ceremony is often the&lt;br /&gt;
conclusion, or mere ratification, of what has taken place over weeks or months within the&lt;br /&gt;
walls of such houses. To us, then, the world was a wheel, revolving with these great houses at&lt;br /&gt;
the hub, their mighty decisions emanating out to all else, rich and poor, who revolved around&lt;br /&gt;
them. It was the aspiration of all those of us with professional ambition to work our way as&lt;br /&gt;
close to this hub as we were each of us capable. For we were, as I say, an idealistic generation&lt;br /&gt;
for whom the question was not simply one of how well one practised one&#39;s skills, but to _what&lt;br /&gt;
end__ one did so; each of us harboured the desire to make our own small contribution to the&lt;br /&gt;
creation of a better world, and saw that, as professionals, the surest means of doing so would&lt;br /&gt;
be to serve the great gentlemen of our times in whose hands civilization had been entrusted.&lt;br /&gt;
Of course, I am now speaking in broad generalizations and I would readily admit there&lt;br /&gt;
were all too many persons of our generation who had no patience for such finer&lt;br /&gt;
considerations. Conversely, I am sure there were many of my father&#39;s generation who&lt;br /&gt;
recognized instinctively this &#39;moral&#39; dimension to their work. But by and large, I believe these&lt;br /&gt;
generalizations to be accurate, and indeed, such &#39;idealistic&#39; motivations as I have described&lt;br /&gt;
have played a large part in my own career. I myself moved quite rapidly from employer to&lt;br /&gt;
employer during my early career - being aware that these situations were incapable of&lt;br /&gt;
bringing me lasting satisfaction - before being rewarded at last with the opportunity to serve&lt;br /&gt;
Lord Darlington.&lt;br /&gt;
It is curious that I have never until today thought of the matter in these terms; indeed,&lt;br /&gt;
that through all those many hours we spent discussing the nature of &#39;greatness&#39; by the fire of&lt;br /&gt;
our servants&#39; hall, the likes of Mr Graham and I never considered this whole dimension to the&lt;br /&gt;
question. And while I would not retract anything I have previously stated regarding the&lt;br /&gt;
quality of &#39;dignity&#39;, I must admit there is something to the argument that whatever the degree&lt;br /&gt;
to which a butler has attained such a quality, if he has failed to find an appropriate outlet for&lt;br /&gt;
his accomplishments he can hardly expect his fellows to consider him &#39;great&#39;. Certainly, it is&lt;br /&gt;
observable that figures like Mr Marshall and Mr Lane have served only gentlemen of&lt;br /&gt;
indisputable moral stature - Lord Wakeling, Lord Camberley, Sir Leonard Gray - and one&lt;br /&gt;
cannot help get the impression that they simply would not have offered their talents to&lt;br /&gt;
gentlemen of lesser calibre. Indeed, the more one considers it, the more obvious it seems:&lt;br /&gt;
association with a _truly__ distinguished household _is__ a prerequisite of &#39;greatness&#39;. A&lt;br /&gt;
&#39;great&#39; butler can only be, surely, one who can point to his years of service and say that he has&lt;br /&gt;
applied his talents to serving a great gentleman - and through the latter, to serving humanity.&lt;br /&gt;
As I say, I have never in all these years thought of the matter in quite this way; but&lt;br /&gt;
then it is perhaps in the nature of coming away on a trip such as this that one is prompted&lt;br /&gt;
towards such surprising new perspectives on topics one imagined one had long ago thought&lt;br /&gt;
through thoroughly. I have also, no doubt, been prompted to think along such lines by the&lt;br /&gt;
small event that occurred an hour or so ago - which has, I admit, unsettled me somewhat.&lt;br /&gt;
Having enjoyed a good morning&#39;s motoring in splendid weather, and having lunched&lt;br /&gt;
well at a country inn, I had just crossed the border into Dorset. It was then I had become&lt;br /&gt;
aware of a heated smell emanating from the car engine. The thought that I had done some&lt;br /&gt;
damage to my employer&#39;s Ford was, of course, most alarming and I had quickly brought the&lt;br /&gt;
vehicle to a halt.&lt;br /&gt;
I found myself in a narrow lane, hemmed in on either side by foliage so that I could&lt;br /&gt;
gain little idea of what was around me. Neither could I see far ahead, the lane winding quite&lt;br /&gt;
sharply twenty yards or so in front.&lt;br /&gt;
It occurred to me that I could not remain where I was for long without incurring the&lt;br /&gt;
risk of an oncoming vehicle coming round that same bend and colliding into my employer&#39;s&lt;br /&gt;
Ford. I thus started the engine again and was partially reassured to find that the smell seemed&lt;br /&gt;
not as powerful as before.&lt;br /&gt;
My best course, I could see, was to look for a garage, or else a large house of a&lt;br /&gt;
gentleman where there would be a good chance I might find a chauffeur who could see what&lt;br /&gt;
the matter was. But the lane continued to wind for some distance, and the high hedges on&lt;br /&gt;
either side of me also persisted, obscuring my vision so that though I passed several gates,&lt;br /&gt;
some of which clearly yielded on to driveways, I was unable to glimpse the houses&lt;br /&gt;
themselves. I continued for another half-mile or so, the disturbing smell now growing stronger&lt;br /&gt;
by the moment, until at last I came out on to a stretch of open road. I could now see some&lt;br /&gt;
distance before me, and indeed, ahead to my left there loomed a tall Victorian house with a&lt;br /&gt;
substantial front lawn and what was clearly a driveway converted from an old carriage track.&lt;br /&gt;
As I drew up to it, I was encouraged further to glimpse a Bentley through the open doors of a&lt;br /&gt;
garage attached to the main house.&lt;br /&gt;
The gate too had been left open and so I steered the Ford a little way up the drive, got&lt;br /&gt;
out and made my way to the back door of the house.&lt;br /&gt;
This was opened by a man dressed in his shirt sleeves, wearing no tie, but who, upon&lt;br /&gt;
my asking for the chauffeur of the house, replied cheerfully that I had &#39;hit the jackpot first&lt;br /&gt;
time&#39;. On hearing of my problem, the man without hesitation came out to the Ford, opened the&lt;br /&gt;
bonnet and informed me after barely a few seconds&#39; inspection: &quot;Water, guv. You need some&lt;br /&gt;
water in your radiator.&quot; He seemed to be rather amused by the whole situation, but was&lt;br /&gt;
obliging enough; he returned inside the house and after a few moments emerged again with a&lt;br /&gt;
jug of water and a funnel. As he filled the radiator, his head bent over the engine, he began to&lt;br /&gt;
chat amiably, and on ascertaining that I was undertaking a motoring tour of the area,&lt;br /&gt;
recommended I visit a local beauty spot, a certain pond not half a mile away.&lt;br /&gt;
I had had in the meantime more opportunity to observe the house; it was taller than it&lt;br /&gt;
was broad, comprising four floors, with ivy covering much of the front right up to the gables.&lt;br /&gt;
I could see from its windows, however, that at least half of it was dust-sheeted. I remarked on&lt;br /&gt;
this to the man once he had finished with the radiator and closed the bonnet.&lt;br /&gt;
&quot;A shame really,&quot; he said. &quot;It&#39;s a lovely old house. Truth is, the Colonel&#39;s trying to sell&lt;br /&gt;
the place off. He ain&#39;t got much use for a house this size now.&quot;&lt;br /&gt;
I could not help inquiring then how many staff were employed there, and I suppose I&lt;br /&gt;
was hardly surprised to be told there was only himself and a cook who came in each evening.&lt;br /&gt;
He was, it seemed, butler, valet, chauffeur and general cleaner. He had been the Colonel&#39;s&lt;br /&gt;
batman in the war, he explained; they had been in Belgium together when the Germans had&lt;br /&gt;
invaded and they had been together again for the Allied landing.&lt;br /&gt;
Then he regarded me carefully and said: &quot;Now I got it. I couldn&#39;t make you out for a&lt;br /&gt;
while, but now I got it. You&#39;re one of them top-notch butlers. From one of them big posh&lt;br /&gt;
houses.&quot;&lt;br /&gt;
When I told him he was not so far off the mark, he continued: &quot;Now I got it. Couldn&#39;t&lt;br /&gt;
make you out for a while, see, cause you talk almost like a gentleman. And what with you&lt;br /&gt;
driving an old beauty like this&quot; - he gestured to the Ford - &quot;I thought at first, here&#39;s a really&lt;br /&gt;
posh geezer. And so you are, guv. Really posh, I mean. I never learnt any of that myself, you&lt;br /&gt;
see. I&#39;m just a plain old batman gone civvy.&quot;&lt;br /&gt;
He then asked me where it was I was employed, and when I told him he leant his head&lt;br /&gt;
to one side with a quizzical look.&lt;br /&gt;
&quot;Darlington Hall,&quot; he said to himself. &quot;Darlington Hall. Must be a really posh place, it&lt;br /&gt;
rings a bell even to an idiot like yours truly. Darlington Hall. Hang on, you don&#39;t mean&lt;br /&gt;
_Darlington__ Hall, Lord Darlington&#39;s place?&quot;&lt;br /&gt;
&quot;It was Lord Darlington&#39;s residence until his death three years ago,&quot; I informed him.&lt;br /&gt;
&quot;The house is now the residence of Mr John Farraday, an American gentleman.&quot;&lt;br /&gt;
&quot;You really must be top-notch working in a place like that. Can&#39;t be many like you&lt;br /&gt;
left, eh?&quot; Then his voice changed noticeably as he inquired: &quot;You mean you actually used to&lt;br /&gt;
work for that Lord Darlington?&quot;&lt;br /&gt;
He was eyeing me carefully again. I said: &quot;Oh no, I am employed by Mr John&lt;br /&gt;
Farraday, the American gentleman who bought the house from the Darlington family.&quot;&lt;br /&gt;
&quot;Oh, so you wouldn&#39;t have known that Lord Darlington. Just that I wondered what he&lt;br /&gt;
was like. What sort of bloke he was.&quot;&lt;br /&gt;
I told the man that I would have to be on my way and thanked him emphatically for&lt;br /&gt;
his assistance. He was, after all, an amiable fellow, taking the trouble to guide me in reversing&lt;br /&gt;
out through the gateway, and before I parted, he bent down and recommended again that I&lt;br /&gt;
visit the local pond, repeating his instructions on how I would find it. &quot;It&#39;s a beautiful little&lt;br /&gt;
spot,&quot; he added. &quot;You&#39;ll kick yourself for missing it. In fact, the Colonel&#39;s doing a bit of&lt;br /&gt;
fishing there this minute.&quot;&lt;br /&gt;
The Ford seemed to be in fine form again, and since the pond in question was but a&lt;br /&gt;
small detour off my route, I decided to take up the batman&#39;s suggestion. His directions had&lt;br /&gt;
seemed clear enough, but once I had turned off the main road in an attempt to follow them, I&lt;br /&gt;
found myself getting lost down narrow, twisting lanes much like the one in which I had first&lt;br /&gt;
noticed the alarming smell. At times, the foliage on either side became so thick as practically&lt;br /&gt;
to blot out the sun altogether, and one found one&#39;s eyes struggling to cope with the sudden&lt;br /&gt;
contrasts of bright sunlight and deep shade. Eventually, however, after some searching, I&lt;br /&gt;
found a signpost to &#39;Mortimer&#39;s Pond&#39;, and so it was that I arrived here at this spot a little over&lt;br /&gt;
half an hour ago.&lt;br /&gt;
I now find myself much indebted to the batman, for quite aside from assisting with the&lt;br /&gt;
Ford, he has allowed me to discover a most charming spot which it is most improbable I&lt;br /&gt;
would ever have found otherwise. The pond is not a large one - a quarter of a mile around its&lt;br /&gt;
perimeter perhaps - so that by stepping out to any promontory, one can command a view of its&lt;br /&gt;
entirety. An atmosphere of great calm pervades here. Trees have been planted all around the&lt;br /&gt;
water just closely enough to give a pleasant shade to the banks, while here and there clusters&lt;br /&gt;
of tall reeds and bulrushes break the water&#39;s surface and its still reflection of the sky. My&lt;br /&gt;
footwear is not such as to permit me easily to walk around the perimeter - I can see even from&lt;br /&gt;
where I now sit the path disappearing into areas of deep mud - but I will say that such is the&lt;br /&gt;
charm of this spot that on first arriving, I was sorely tempted to do just that. Only the thought&lt;br /&gt;
of the possible catastrophes that might befall such an expedition, and of sustaining damage to&lt;br /&gt;
my travelling suit, persuaded me to content myself with sitting here on this bench. And so I&lt;br /&gt;
have done for the past half-hour, contemplating the progress of the various figures seated&lt;br /&gt;
quietly with their fishing rods at various points around the water. At this point, I can see a&lt;br /&gt;
dozen or so such figures, but the strong lights and shades created by the low-hanging branches&lt;br /&gt;
prevent me from making any of them out clearly and I have had to forgo the small game I had&lt;br /&gt;
been anticipating of guessing which of these fishermen is the Colonel at whose house I have&lt;br /&gt;
just received such useful assistance.&lt;br /&gt;
It is no doubt the quiet of these surroundings that has enabled me to ponder all the&lt;br /&gt;
more thoroughly these thoughts which have entered my mind over this past half-hour or so.&lt;br /&gt;
Indeed, but for the tranquillity of the present setting, it is possible I would not have thought a&lt;br /&gt;
great deal further about my behaviour during my encounter with the batman. That is to say, I&lt;br /&gt;
may not have thought further why it was that I had given the distinct impression I had never&lt;br /&gt;
been in the employ of Lord Darlington.&lt;br /&gt;
For surely, there is no real doubt that is what occurred. He had asked: &quot;You mean you&lt;br /&gt;
actually worked for that Lord Darlington?&quot; and I had given an answer which could mean little&lt;br /&gt;
other than that I had not. It could simply be that a meaningless whim had suddenly overtaken&lt;br /&gt;
me at that moment - but that is hardly a convincing way to account for such distinctly odd&lt;br /&gt;
behaviour. In any case, I have now come to accept that the incident with the batman is not the&lt;br /&gt;
first of its kind; there is little doubt it has some connection - though I am not quite clear of the&lt;br /&gt;
nature of it - with what occurred a few months ago during the visit of the Wakefields.&lt;br /&gt;
Mr and Mrs Wakefield are an American couple who have been settled in England -&lt;br /&gt;
somewhere in Kent, I understand - for some twenty years.&lt;br /&gt;
Having a number of acquaintances in common with Mr Farraday amidst Boston&lt;br /&gt;
society, they paid a short visit one day to Darlington Hall, staying for lunch and leaving&lt;br /&gt;
before tea. I now refer to a time only a few weeks after Mr Farraday had himself arrived at the&lt;br /&gt;
house, a time when his enthusiasm for his acquisition was at a height; consequently, much of&lt;br /&gt;
the Wakefields&#39; visit was taken up with my employer leading them on what might have&lt;br /&gt;
seemed to some an unnecessarily extensive tour of the premises, including all the dust-sheeted&lt;br /&gt;
areas. Mr and Mrs Wakefield, however, appeared to be as keen on the inspection as Mr&lt;br /&gt;
Farraday, and as I went about my business, I would often catch various American&lt;br /&gt;
exclamations of delight coming from whichever part of the house they had arrived at. Mr&lt;br /&gt;
Farraday had commenced the tour at the top of the house, and by the time he had brought his&lt;br /&gt;
guests down to inspect the magnificence of the ground-floor rooms, he seemed to be on an&lt;br /&gt;
elevated plane, pointing out details on cornicings and window frames, and describing with&lt;br /&gt;
some flourish &#39;what the English lords used to do&#39; in each room. Although of course I made no&lt;br /&gt;
deliberate attempt to overhear, I could not help but get the gist of what was being said, and&lt;br /&gt;
was surprised by the extent of my employer&#39;s knowledge, which, despite the occasional&lt;br /&gt;
infelicity, betrayed a deep enthusiasm for English ways. It was noticeable, moreover, that the&lt;br /&gt;
Wakefields - Mrs Wakefield in particular - were themselves by no means ignorant of the&lt;br /&gt;
traditions of our country, and one gathered from the many remarks they made that they too&lt;br /&gt;
were owners of an English house of some splendour.&lt;br /&gt;
It was at a certain stage during this tour of the premises - I was crossing the hall under&lt;br /&gt;
the impression that the party had gone out to explore the grounds - when I saw that Mrs&lt;br /&gt;
Wakefield had remained behind and was closely examining the stone arch that frames the&lt;br /&gt;
doorway into the dining room. As I went past, muttering a quiet &quot;excuse me, madam,&quot; she&lt;br /&gt;
turned and said: &quot;Oh, Stevens, perhaps you&#39;re the one to tell me. This arch here _looks__&lt;br /&gt;
seventeenth century, but isn&#39;t it the case that it was built quite recently? Perhaps during Lord&lt;br /&gt;
Darlington&#39;s time?&quot;&lt;br /&gt;
&quot;It is possible, madam.&quot;&lt;br /&gt;
&quot;It&#39;s very beautiful. But it is probably a kind of mock period piece done only a few&lt;br /&gt;
years ago. Isn&#39;t that right?&quot;&lt;br /&gt;
&quot;I&#39;m not sure, madam, but that is certainly possible.&quot;&lt;br /&gt;
Then, lowering her voice, Mrs Wakefield had said: &quot;But tell me, Stevens, what was&lt;br /&gt;
this Lord Darlington like? Presumably you must have worked for him.&quot;&lt;br /&gt;
&quot;I didn&#39;t, madam, no.&quot;&lt;br /&gt;
&quot;Oh, I thought you did. I wonder why I thought that.&quot;&lt;br /&gt;
Mrs Wakefield turned back to the arch and putting her hand to it, said: &quot;So we don&#39;t&lt;br /&gt;
know for certain then. Still, it looks to me like it&#39;s mock. Very skilful, but mock.&quot;&lt;br /&gt;
It is possible I might have quickly forgotten this exchange; however, following the&lt;br /&gt;
Wakefields&#39; departure, I took in afternoon tea to Mr Farraday in the drawing room and noticed&lt;br /&gt;
he was in a rather preoccupied mood. After an initial silence, he said: &quot;You know, Stevens,&lt;br /&gt;
Mrs Wakefield wasn&#39;t as impressed with this house as I believe she ought to have been.&quot;&lt;br /&gt;
&quot;Is that so, sir?&quot;&lt;br /&gt;
&quot;In fact, she seemed to think I was exaggerating the pedigree of this place. That I was&lt;br /&gt;
making it up about all these features going back centuries.&quot;&lt;br /&gt;
&quot;She kept asserting everything was &#39;mock&#39; this and &#39;mock&#39; that. She even thought you&lt;br /&gt;
were &#39;mock&#39;, Stevens.&quot;&lt;br /&gt;
&quot;Indeed, sir?&quot;&lt;br /&gt;
&quot;Indeed, Stevens. I&#39;d told her you were the real thing. A real old English butler. That&lt;br /&gt;
you&#39;d been in this house for over thirty years, serving a real English lord. But Mrs Wakefield&lt;br /&gt;
contradicted me on this point. In fact, she contradicted me with great confidence.&quot;&lt;br /&gt;
&quot;Is that so, sir?&quot;&lt;br /&gt;
&quot;Mrs Wakefield, Stevens, was convinced you never worked here until I hired you. In&lt;br /&gt;
fact, she seemed to be under the impression she&#39;d had that from your own lips. Made me look&lt;br /&gt;
pretty much a fool, as you can imagine.&quot;&lt;br /&gt;
&quot;It&#39;s most regrettable, sir.&quot;&lt;br /&gt;
&quot;I mean to say, Stevens, this is a genuine grand old English house, isn&#39;t it? That&#39;s what&lt;br /&gt;
I paid for. And you&#39;re a genuine old-fashioned English butler, not just some waiter pretending&lt;br /&gt;
to be one. You&#39;re the real thing, aren&#39;t you? That&#39;s what I wanted, isn&#39;t that what I have?&quot;&lt;br /&gt;
&quot;I venture to say you do, sir.&quot;&lt;br /&gt;
&quot;Then can you explain to me what Mrs Wakefield is saying? It&#39;s a big mystery to me.&quot;&lt;br /&gt;
&quot;It is possible I may well have given the lady a slightly misleading picture concerning&lt;br /&gt;
my career, sir. I do apologize if this caused embarrassment.&quot;&lt;br /&gt;
&quot;I&#39;ll say it caused embarrassment. Those people have now got me down for a braggart&lt;br /&gt;
and a liar. Anyway, what do you mean, you may have given her a &#39;slightly misleading&lt;br /&gt;
picture&#39;?&quot;&lt;br /&gt;
&quot;I&#39;m very sorry, sir. I had no idea I might cause you such embarrassment.&quot;&lt;br /&gt;
&quot;But dammit, Stevens, why did you tell her such a tale?&quot;&lt;br /&gt;
I considered the situation for a moment, then said: &quot;I&#39;m very sorry, sir. But it is to do&lt;br /&gt;
with the ways of this country.&quot;&lt;br /&gt;
&quot;What are you talking about, man?&quot;&lt;br /&gt;
&quot;I mean to say, sir, that it is not customary in England for an employee to discuss his&lt;br /&gt;
past employers.&quot;&lt;br /&gt;
&quot;OK, Stevens, so you don&#39;t wish to divulge past confidences. But does that extend to&lt;br /&gt;
you actually denying having worked for anyone other than me?&quot;&lt;br /&gt;
&quot;It does seem a little extreme when you put it that way, sir. But it has often been&lt;br /&gt;
considered desirable for employees to give such an impression. If I may put it this way, sir, it&lt;br /&gt;
is a little akin to the custom as regards marriages. If a divorced lady were present in the&lt;br /&gt;
company of her second husband, it is often thought desirable not to allude to the original&lt;br /&gt;
marriage at all. There is a similar custom as regards our profession, sir.&quot;&lt;br /&gt;
&quot;Well, I only wish I&#39;d known about your custom before, Stevens,&quot; my employer said,&lt;br /&gt;
leaning back in his chair. &quot;It certainly made me look like a chump.&quot;&lt;br /&gt;
I believe I realized even at the time that my explanation to Mr Farraday - though, of&lt;br /&gt;
course, not entirely devoid of truth - was woefully inadequate. But when one has so much else&lt;br /&gt;
to think about, it is easy not to give such matters a great deal of attention, and so I did, indeed,&lt;br /&gt;
put the whole episode out of my mind for some time. But now, recalling it here in the calm&lt;br /&gt;
that surrounds this pond, there seems little doubt that my conduct towards Mrs Wakefield that&lt;br /&gt;
day has an obvious relation to what has just taken place this afternoon.&lt;br /&gt;
Of course, there are many people these days who have a lot of foolish things to say&lt;br /&gt;
about Lord Darlington, and it may be that you are under the impression I am somehow&lt;br /&gt;
embarrassed or ashamed of my association with his lordship, and it is this that lies behind&lt;br /&gt;
such conduct. Then let me make it clear that nothing could be further from the truth. The great&lt;br /&gt;
majority of what one hears said about his lordship today is, in any case, utter nonsense, based&lt;br /&gt;
on an almost complete ignorance of the facts. Indeed, it seems to me that my odd conduct can&lt;br /&gt;
be very plausibly explained in terms of my wish to avoid any possibility of hearing any&lt;br /&gt;
further such nonsense concerning his lordship; that is to say, I have chosen to tell white lies in&lt;br /&gt;
both instances as the simplest means of avoiding unpleasantness. This does seem a very&lt;br /&gt;
plausible explanation the more I think about it; for it is true, nothing vexes me more these&lt;br /&gt;
days than to hear this sort of nonsense being repeated. Let me say that Lord Darlington was a&lt;br /&gt;
gentleman of great moral stature - a stature to dwarf most of these persons you will find&lt;br /&gt;
talking this sort of nonsense about him - and I will readily vouch that he remained that to the&lt;br /&gt;
last.&lt;br /&gt;
Nothing could be less accurate than to suggest that I regret my association with such a&lt;br /&gt;
gentleman. Indeed, you will appreciate that to have served his lordship at Darlington Hall&lt;br /&gt;
during those years was to come as close to the hub of this world&#39;s wheel as one such as I could&lt;br /&gt;
ever have dreamt. I gave thirty-five years&#39; service to Lord Darlington; one would surely not be&lt;br /&gt;
unjustified in claiming that during those years, one was, in the truest terms, &#39;attached to a&lt;br /&gt;
distinguished household&#39;.&lt;br /&gt;
In looking back over my career thus far, my chief satisfaction derives from what I&lt;br /&gt;
achieved during those years, and I am today nothing but proud and grateful to have been&lt;br /&gt;
given such a privilege.&lt;br /&gt;
Day Three - Morning&lt;br /&gt;
Taunton, Somerset&lt;br /&gt;
I LODGED last night in an inn named the Coach and Horses a little way outside the town of&lt;br /&gt;
Taunton, Somerset. This being a thatch-roofed cottage by the roadside, it had looked a&lt;br /&gt;
conspicuously attractive prospect from the Ford as I had approached in the last of the&lt;br /&gt;
daylight.&lt;br /&gt;
The landlord led me up a timber stairway to a small room, rather bare, but perfectly&lt;br /&gt;
decent. When he inquired whether I had dined, I asked him to serve me with a sandwich in&lt;br /&gt;
my room, which proved a perfectly satisfactory option as far as supper was concerned. But&lt;br /&gt;
then as the evening drew on, I began to feel a little restless in my room, and in the end&lt;br /&gt;
decided to descend to the bar below to try a little of the local cider.&lt;br /&gt;
There were five or six customers all gathered in a group around the bar - one guessed&lt;br /&gt;
from their appearance they were agricultural people of one sort or another - but otherwise the&lt;br /&gt;
room was empty. Acquiring a tankard of cider from the landlord, I seated myself at a table a&lt;br /&gt;
little way away, intending to relax a little and collect my thoughts concerning the day. It soon&lt;br /&gt;
became clear, however, that these local people were perturbed by my presence, feeling&lt;br /&gt;
something of a need to show hospitality. Whenever there was a break in their conversation,&lt;br /&gt;
one or the other of them would steal a glance in my direction as though trying to find it in&lt;br /&gt;
himself to approach me. Eventually one raised his voice and said to me: &quot;It seems you&#39;ve let&lt;br /&gt;
yourself in for a night upstairs here, sir.&quot;&lt;br /&gt;
When I told him this was so, the speaker shook his head doubtfully and remarked:&lt;br /&gt;
&quot;You won&#39;t get much of a sleep up there, sir. Not unless you&#39;re fond of the sound of old Bob&quot;&lt;br /&gt;
- he indicated the landlord - &quot;banging away down here right the way into the night. And then&lt;br /&gt;
you&#39;ll get woken by his missus shouting at him right from the crack of dawn.&quot;&lt;br /&gt;
Despite the landlord&#39;s protests, this caused loud laughter all round.&lt;br /&gt;
&quot;Is that indeed so?&quot; I said. And as I spoke, I was struck by the thought - the same&lt;br /&gt;
thought as had struck me on numerous occasions of late in Mr Farraday&#39;s presence - that some&lt;br /&gt;
sort of witty retort was required of me. Indeed, the local people were now observing a polite&lt;br /&gt;
silence, awaiting my next remark. I thus searched my imagination and eventually declared: &quot;A&lt;br /&gt;
local variation on the cock crow, no doubt.&quot; At first the silence continued, as though the local&lt;br /&gt;
persons thought I intended to elaborate further. But then noticing the mirthful expression on&lt;br /&gt;
my face, they broke into a laugh, though in a somewhat bemused fashion. With this, they&lt;br /&gt;
returned to their previous conversation, and I exchanged no further words with them until&lt;br /&gt;
exchanging good nights a little while later.&lt;br /&gt;
I had been rather pleased with my witticism when it had first come into my head, and I&lt;br /&gt;
must confess I was slightly disappointed it had not been better received than it was. I was&lt;br /&gt;
particularly disappointed, I suppose, because I have been devoting some time and effort over&lt;br /&gt;
recent months to improving my skill in this very area. That is to say, I have been&lt;br /&gt;
endeavouring to add this skill to my professional armoury so as to fulfil with confidence all&lt;br /&gt;
Mr Farraday&#39;s expectations with respect to bantering.&lt;br /&gt;
For instance, I have of late taken to listening to the wireless in my room whenever I&lt;br /&gt;
find myself with a few spare moments - on those occasions, say, when Mr Farraday is out for&lt;br /&gt;
the evening. One programme I listen to is called _Twice a Week or More__, which is in fact&lt;br /&gt;
broadcast three times each week, and basically comprises two persons making humorous&lt;br /&gt;
comments on a variety of topics raised by readers&#39; letters. I have been studying this&lt;br /&gt;
programme because the witticisms performed on it are always in the best of taste and, to my&lt;br /&gt;
mind, of a tone not at all out of keeping with the sort of bantering Mr Farraday might expect&lt;br /&gt;
on my part. Taking my cue from this programme, I have devised a simple exercise which I try&lt;br /&gt;
to perform at least once a day; whenever an odd moment presents itself, I attempt to formulate&lt;br /&gt;
three witticisms based on my immediate surroundings at that moment. Or, as a variation on&lt;br /&gt;
this same exercise, I may attempt to think of three witticisms based on the events of the past&lt;br /&gt;
hour.&lt;br /&gt;
You will perhaps appreciate then my disappointment concerning my witticism&lt;br /&gt;
yesterday evening. At first, I had thought it possible its limited success was due to my not&lt;br /&gt;
having spoken clearly enough. But then the possibility occurred to me, once I had retired, that&lt;br /&gt;
I might actually have given these people offence. After all, it could easily have been&lt;br /&gt;
understood that I was suggesting the landlord&#39;s wife resembled a cockerel - an intention that&lt;br /&gt;
had not remotely entered my head at the time. This thought continued to torment me as I tried&lt;br /&gt;
to sleep, and I had half a mind to make an apology to the landlord this morning. But his mood&lt;br /&gt;
towards me as he served breakfast seemed perfectly cheerful and in the end I decided to let&lt;br /&gt;
the matter rest.&lt;br /&gt;
But this small episode is as good an illustration as any of the hazards of uttering&lt;br /&gt;
witticisms. By the very nature of a witticism, one is given very little time to assess its various&lt;br /&gt;
possible repercussions before one is called to give voice to it, and one gravely risks uttering&lt;br /&gt;
all manner of unsuitable things if one has not first acquired the necessary skill and experience.&lt;br /&gt;
There is no reason to suppose this is not an area in which I will become proficient given time&lt;br /&gt;
and practice, but, such are the dangers, I have decided it best, for the time being at least, not to&lt;br /&gt;
attempt to discharge this duty in respect of Mr Farraday until I have practised further.&lt;br /&gt;
In any case, I am sorry to report that what the local people had themselves offered last&lt;br /&gt;
night as a witticism of sorts - the prediction that I would not have a good night owing to&lt;br /&gt;
disturbances from below - proved only too true. The landlord&#39;s wife did not actually shout, but&lt;br /&gt;
one could hear her talking incessantly both late into the night as she and her husband went&lt;br /&gt;
about their tasks, and again from very early this morning. I was quite prepared to forgive the&lt;br /&gt;
couple, however, for it was clear they were of diligent hard-working habits, and the noise, I&lt;br /&gt;
am sure, was all attributable to this fact. Besides, of course, there had been the matter of my&lt;br /&gt;
unfortunate remark. I thus gave no indication of having had a disturbed night when I thanked&lt;br /&gt;
the landlord and took my leave to explore the market town of Taunton.&lt;br /&gt;
Perhaps I might have done better to have lodged here in this establishment where I&lt;br /&gt;
now sit enjoying a pleasant mid-morning cup of tea. For indeed, the notice outside advertises&lt;br /&gt;
not only &#39;teas, snacks and cakes&#39;, but also &#39;clean, quiet, comfortable rooms&#39;. It is situated on&lt;br /&gt;
the high street of Taunton, very close to the market square, a somewhat sunken building, its&lt;br /&gt;
exterior characterized by heavy dark timber beams. I am at present sitting in its spacious tearoom,&lt;br /&gt;
oak-panelled, with enough tables to accommodate, I would guess, two dozen people&lt;br /&gt;
without a feeling of crowding. Two cheery young girls serve from behind a counter displaying&lt;br /&gt;
a good selection of cakes and pastries.&lt;br /&gt;
All in all, this is an excellent place to partake of morning tea, but surprisingly few of&lt;br /&gt;
the inhabitants of Taunton seem to wish to avail themselves of it. At present, my only&lt;br /&gt;
companions are two elderly ladies, sitting abreast one another at a table along the opposite&lt;br /&gt;
wall, and a man - perhaps a retired farmer - at a table beside one of the large bay windows. I&lt;br /&gt;
am unable to discern him clearly because the bright morning sunlight has for the moment&lt;br /&gt;
reduced him to a silhouette. But I can see him studying his newspaper, breaking off regularly&lt;br /&gt;
to look up at the passers-by on the pavement outside. From the way he does this, I had&lt;br /&gt;
thought at first that he was waiting for a companion, but it would seem he wishes merely to&lt;br /&gt;
greet acquaintances as they pass by.&lt;br /&gt;
I am myself ensconced almost at the back wall, but even across the distance of this&lt;br /&gt;
room, I can see clearly out into the sunlit street, and am able to make out on the pavement&lt;br /&gt;
opposite a signpost pointing out several nearby destinations. One of these destinations is the&lt;br /&gt;
village of Mursden. Perhaps &#39;Mursden&#39; will ring a bell for you, as it did for me upon my first&lt;br /&gt;
spotting it on the road atlas yesterday. In fact, I must say I was even tempted to make a slight&lt;br /&gt;
detour from my planned route just to see the village. Mursden, Somerset, was where the firm&lt;br /&gt;
of Giffen and Co. was once situated, and it was to Mursden one was required to dispatch one&#39;s&lt;br /&gt;
order for a supply of Giffen&#39;s dark candles of polish, &#39;to be flaked, mixed into wax and applied&lt;br /&gt;
by hand&#39;. For some time, Giffen&#39;s was undoubtedly the finest silver polish available, and it&lt;br /&gt;
was only the appearance of new chemical substances on the market shortly before the war that&lt;br /&gt;
caused demand for this impressive product to decline.&lt;br /&gt;
As I remember, Giffen&#39;s appeared at the beginning of the twenties, and I am sure I am&lt;br /&gt;
not alone in closely associating its emergence with that change of mood within our profession&lt;br /&gt;
- that change which came to push the polishing of silver to the position of central importance&lt;br /&gt;
it still by and large maintains today. This shift was, I believe, like so many other major shifts&lt;br /&gt;
around this period, a generational matter; it was during these years that our generation of&lt;br /&gt;
butlers &#39;came of age&#39;, and figures like Mr Marshall, in particular, played a crucial part in&lt;br /&gt;
making silver-polishing so central. This is not to suggest, of course, that the polishing of&lt;br /&gt;
silver - particularly those items that would appear at table - was not always regarded a serious&lt;br /&gt;
duty. But it would not be unfair to suggest that many butlers of, say, my father&#39;s generation&lt;br /&gt;
did not consider the matter such a key one, and this is evidenced by the fact that in those days,&lt;br /&gt;
the butler of a household rarely supervised the polishing of silver directly, being content to&lt;br /&gt;
leave it to, say, the under-butler&#39;s whims, carrying out inspections only intermittently. It was&lt;br /&gt;
Mr Marshall, it is generally agreed, who was the first to recognize the full significance of&lt;br /&gt;
silver - namely, that no other objects in the house were likely to come under such intimate&lt;br /&gt;
scrutiny from outsiders as was silver during a meal, and as such, it served as a public index of&lt;br /&gt;
a house&#39;s standards. And Mr Marshall it was who first caused stupefaction amongst ladies and&lt;br /&gt;
gentlemen visiting Charleville House with displays of silver polished to previously&lt;br /&gt;
unimagined standards. Very soon, naturally, butlers up and down the country, under pressure&lt;br /&gt;
from their employers, were focusing their minds on the question of silver-polishing. There&lt;br /&gt;
quickly sprang up, I recall, various butlers, each claiming to have discovered methods by&lt;br /&gt;
which they could surpass Mr Marshall - methods they made a great show of keeping secret, as&lt;br /&gt;
though they were French chefs guarding their recipes. But I am confident - as I was then - that&lt;br /&gt;
the sorts of elaborate and mysterious processes performed by someone like Mr Jack&lt;br /&gt;
Neighbours had little or no discernible effect on the end result. As far as I was concerned, it&lt;br /&gt;
was a simple enough matter: one used good polish, and one supervised closely. Giffen&#39;s was&lt;br /&gt;
the polish ordered by all discerning butlers of the time, and if this product was used correctly,&lt;br /&gt;
one had no fear of one&#39;s silver being second best to anybody&#39;s.&lt;br /&gt;
I am glad to be able to recall numerous occasions when the silver at Darlington Hall&lt;br /&gt;
had a pleasing impact upon observers. For instance, I recall Lady Astor remarking, not&lt;br /&gt;
without a certain bitterness, that our silver &#39;was probably unrivalled&#39;. I recall also watching Mr&lt;br /&gt;
George Bernard Shaw, the renowned playwright, at dinner one evening, examining closely the&lt;br /&gt;
dessert spoon before him, holding it up to the light and comparing its surface to that of a&lt;br /&gt;
nearby platter, quite oblivious to the company around him. But perhaps the instance I recall&lt;br /&gt;
with most satisfaction today concerns the night that a certain distinguished personage - a&lt;br /&gt;
cabinet minister, shortly afterwards to become foreign secretary - paid a very &#39;off the record&#39;&lt;br /&gt;
visit to the house. In fact, now that the subsequent fruits of those visits have become well&lt;br /&gt;
documented, there seems little reason not to reveal that I am talking of Lord Halifax.&lt;br /&gt;
As things turned out, that particular visit was simply the first of a whole series of such&lt;br /&gt;
&#39;unofficial&#39; meetings between Lord Halifax and the German Ambassador of that time, Herr&lt;br /&gt;
Ribbentrop. But on that first night, Lord Halifax had arrived in a mood of great wariness;&lt;br /&gt;
virtually his first words on being shown in were: &quot;Really, Darlington, I don&#39;t know what&lt;br /&gt;
you&#39;ve put me up to here. I know I shall be sorry.&quot;&lt;br /&gt;
Herr Ribbentrop not being expected for a further hour or so, his lordship had&lt;br /&gt;
suggested to his guest a tour of Darlington Hall - a strategy which had helped many a nervous&lt;br /&gt;
visitor to relax. However, as I went about my business, all I could hear for some time was&lt;br /&gt;
Lord Halifax, in various parts of the building, continuing to express his doubts about the&lt;br /&gt;
evening ahead, and Lord Darlington trying in vain to reassure him.&lt;br /&gt;
But then at one point I overheard Lord Halifax exclaiming: &quot;My goodness, Darlington,&lt;br /&gt;
the silver in this house is a delight.&quot; I was of course very pleased to hear this at the time, but&lt;br /&gt;
what was for me the truly satisfying corollary to this episode came two or three days later,&lt;br /&gt;
when Lord Darlington remarked to me: &quot;By the way, Stevens, Lord Halifax was jolly&lt;br /&gt;
impressed with the silver the other night. Put him into a quite different frame of mind&lt;br /&gt;
altogether.&quot; These were - I recollect it clearly - his lordship&#39;s actual words and so it is not&lt;br /&gt;
simply my fantasy that the state of the silver had made a small, but significant contribution&lt;br /&gt;
towards the easing of relations between Lord Halifax and Herr Ribbentrop that evening.&lt;br /&gt;
It is probably apt at this point to say a few words concerning Herr Ribbentrop. It is, of&lt;br /&gt;
course, generally accepted today that Herr Ribbentrop was a trickster: that it was Hitler&#39;s plan&lt;br /&gt;
throughout those years to deceive England for as long as possible concerning his true&lt;br /&gt;
intentions, and that Herr Ribbentrop&#39;s sole mission in our country was to orchestrate this&lt;br /&gt;
deception. As I say, this is the commonly held view and I do not wish to differ with it here. It&lt;br /&gt;
is, however, rather irksome to have to hear people talking today as though they were never for&lt;br /&gt;
a moment taken in by Herr Ribbentrop - as though Lord Darlington was alone in believing&lt;br /&gt;
Herr Ribbentrop an honourable gentleman and developing a working relationship with him.&lt;br /&gt;
The truth is that Herr Ribbentrop was, throughout the thirties, a well-regarded figure, even a&lt;br /&gt;
glamorous one, in the very best houses. Particularly around 1936 and 1937, I can recall all the&lt;br /&gt;
talk in the servants&#39; hall from visiting staff revolving around &#39;the German Ambassador&#39;, and it&lt;br /&gt;
was clear from what was said that many of the most distinguished ladies and gentlemen in this&lt;br /&gt;
country were quite enamoured of him. It is, as I say, irksome to have to hear the way these&lt;br /&gt;
same people now talk of those times, and in particular, what some have said concerning his&lt;br /&gt;
lordship. The great hypocrisy of these persons would be instantly obvious to you were you to&lt;br /&gt;
see just a few of their own guest lists from those days; you would see then not only the extent&lt;br /&gt;
to which Herr Ribbentrop dined at these same persons&#39; tables, but that he often did so as guest&lt;br /&gt;
of honour.&lt;br /&gt;
And then again, you will hear these same persons talking as though Lord Darlington&lt;br /&gt;
did something unusual in receiving hospitality from the Nazis on the several trips he made to&lt;br /&gt;
Germany during those years. I do not suppose they would speak quite so readily if, say, _The&lt;br /&gt;
Times__ were to publish even one of the guest lists of the banquets given by the Germans&lt;br /&gt;
around the time of the Nuremberg Rally. The fact is, the most established, respected ladies&lt;br /&gt;
and gentlemen in England were availing themselves of the hospitality of the German leaders,&lt;br /&gt;
and I can vouch at first hand that the great majority of these persons were returning with&lt;br /&gt;
nothing but praise and admiration for their hosts. Anyone who implies that Lord Darlington&lt;br /&gt;
was liaising covertly with a known enemy is just conveniently forgetting the true climate of&lt;br /&gt;
those times.&lt;br /&gt;
It needs to be said too what salacious nonsense it is to claim that Lord Darlington was&lt;br /&gt;
anti-Semitic, or that he had close association with organizations like the British Union of&lt;br /&gt;
Fascists. Such claims can only arise from complete ignorance of the sort of gentleman his&lt;br /&gt;
lordship was.&lt;br /&gt;
Lord Darlington came to abhor anti-Semitism; I heard him express his disgust on&lt;br /&gt;
several separate occasions when confronted with anti-Semitic sentiments. And the allegation&lt;br /&gt;
that his lordship never allowed Jewish people to enter the house or any Jewish staff to be&lt;br /&gt;
employed is utterly unfounded - except, perhaps, in respect to one very minor episode in the&lt;br /&gt;
thirties which has been blown up out of all proportion. And as for the British Union of&lt;br /&gt;
Fascists, I can only say that any talk linking his lordship to such people is quite ridiculous. Sir&lt;br /&gt;
Oswald Mosley, the gentleman who led the &#39;blackshirts&#39;, was a visitor at Darlington Hall on, I&lt;br /&gt;
would say, three occasions at the most, and these visits all took place during the early days of&lt;br /&gt;
that organization before it had betrayed its true nature. Once the ugliness of the blackshirts&#39;&lt;br /&gt;
movement became apparent - and let it be said his lordship was quicker than most in noticing&lt;br /&gt;
it - Lord Darlington had no further association with such people.&lt;br /&gt;
In any case, such organizations were a complete irrelevance to the heart of political&lt;br /&gt;
life in this country. Lord Darlington, you will understand, was the sort of gentleman who&lt;br /&gt;
cared to occupy himself only with what was at the true centre of things, and the figures he&lt;br /&gt;
gathered together in his efforts over those years were as far away from such unpleasant fringe&lt;br /&gt;
groups as one could imagine. Not only were they eminently respectable, these were figures&lt;br /&gt;
who held real influence in British life: politicians, diplomats, military men, clergy. Indeed,&lt;br /&gt;
some of the personages were Jewish, and this fact alone should demonstrate how nonsensical&lt;br /&gt;
is much of what has been said about his lordship.&lt;br /&gt;
But I drift. I was in fact discussing the silver, and how Lord Halifax had been suitably&lt;br /&gt;
impressed on the evening of his meeting with Herr Ribbentrop at Darlington Hall. Let me&lt;br /&gt;
make clear, I was not for a moment suggesting that what had initially threatened to be a&lt;br /&gt;
disappointing evening for my employer had turned into a triumphant one solely on account of&lt;br /&gt;
the silver. But then, as I indicated, Lord Darlington himself suggested that the silver might&lt;br /&gt;
have been at least a small factor in the change in his guest&#39;s mood that evening, and it is&lt;br /&gt;
perhaps not absurd to think back to such instances with a glow of satisfaction.&lt;br /&gt;
There are certain members of our profession who would have it that it ultimately&lt;br /&gt;
makes little difference what sort of employer one serves; who believe that the sort of idealism&lt;br /&gt;
prevalent amongst our generation - namely the notion that we butlers should aspire to serve&lt;br /&gt;
those great gentlemen who further the cause of humanity - is just high-flown talk with no&lt;br /&gt;
grounding in reality. It is of course noticeable that the individuals who express such&lt;br /&gt;
scepticism invariably turn out to be the most mediocre of our profession - those who know&lt;br /&gt;
they lack the ability to progress to any position of note and who aspire only to drag as many&lt;br /&gt;
down to their own level as possible - and one is hardly tempted to take such opinions&lt;br /&gt;
seriously. But for all that, it is still satisfying to be able to point to instances in one&#39;s career&lt;br /&gt;
that highlight very clearly how wrong such people are. Of course, one seeks to provide a&lt;br /&gt;
general, sustained service to one&#39;s employer, the value of which could never be reduced to a&lt;br /&gt;
number of specific instances - such as that concerning Lord Halifax. But what I am saying is&lt;br /&gt;
that it is these sorts of instances which over time come to symbolize an irrefutable fact;&lt;br /&gt;
namely that one has had the privilege of practising one&#39;s profession at the very fulcrum of&lt;br /&gt;
great affairs. And one has a right, perhaps, to feel a satisfaction those content to serve&lt;br /&gt;
mediocre employers will never know - the satisfaction of being able to say with some reason&lt;br /&gt;
that one&#39;s efforts, in however modest a way, comprise a contribution to the course of history.&lt;br /&gt;
But perhaps one should not be looking back to the past so much. After all, I still have&lt;br /&gt;
before me many more years of service I am required to give. And not only is Mr Farraday a&lt;br /&gt;
most excellent employer, he is an American gentleman to whom, surely, one has a special&lt;br /&gt;
duty to show all that is best about service in England. It is essential, then, to keep one&#39;s&lt;br /&gt;
attention focused on the present; to guard against any complacency creeping in on account of&lt;br /&gt;
what one may have achieved in the past. For it has to be admitted, over these last few months,&lt;br /&gt;
things have not been all they might at Darlington Hall. A number of small errors have&lt;br /&gt;
surfaced of late, including that incident last April relating to the silver. Most fortunately, it&lt;br /&gt;
was not an occasion on which Mr Farraday had guests, but even so, it was a moment of&lt;br /&gt;
genuine embarrassment to me.&lt;br /&gt;
It had occurred at breakfast one morning, and for his part, Mr Farraday - either through&lt;br /&gt;
kindness, or because being an American he failed to recognize the extent of the shortcoming -&lt;br /&gt;
did not utter one word of complaint to me throughout the whole episode. He had, upon seating&lt;br /&gt;
himself, simply picked up the fork, examined it for a brief second, touching the prongs with a&lt;br /&gt;
fingertip, then turned his attention to the morning headlines. The whole gesture had been&lt;br /&gt;
carried out in an absent-minded sort of way, but of course, I had spotted the occurrence and&lt;br /&gt;
had advanced swiftly to remove the offending item. I may in fact have done so a little too&lt;br /&gt;
swiftly on account of my disturbance, for Mr Farraday gave a small start, muttering: &quot;Ah,&lt;br /&gt;
Stevens.&quot;&lt;br /&gt;
I had continued to proceed swiftly out of the room, returning without undue delay&lt;br /&gt;
bearing a satisfactory fork. As I advanced again upon the table - and a Mr Farraday now&lt;br /&gt;
apparently absorbed in his newspaper - it occurred to me I might slip the fork on to the&lt;br /&gt;
tablecloth quietly without disturbing my employer&#39;s reading. However, the possibility had&lt;br /&gt;
already occurred to me that Mr Farraday was simply feigning indifference in order to&lt;br /&gt;
minimize my embarrassment, and such a surreptitious delivery could be interpreted as&lt;br /&gt;
complacency on my part towards my error - or worse, an attempt to cover it up.&lt;br /&gt;
This was why, then, I decided it appropriate to put the fork down on to the table with a&lt;br /&gt;
certain emphasis, causing my employer to start a second time, look up and mutter again: &quot;Ah,&lt;br /&gt;
Stevens.&quot;&lt;br /&gt;
Errors such as these which have occurred over the last few months have been,&lt;br /&gt;
naturally enough, injurious to one&#39;s self-respect, but then there is no reason to believe them to&lt;br /&gt;
be the signs of anything more sinister than a staff shortage. Not that a staff shortage is not&lt;br /&gt;
significant in itself; but if Miss Kenton were indeed to return to Darlington Hall, such little&lt;br /&gt;
slips, I am sure, would become a thing of the past. Of course, one has to remember there is&lt;br /&gt;
nothing stated specifically in Miss Kenton&#39;s letter - which, incidentally, I reread last night up&lt;br /&gt;
in my room before putting out the light - to indicate unambiguously her desire to return to her&lt;br /&gt;
former position. In fact, one has to accept the distinct possibility that one may have previously&lt;br /&gt;
- perhaps through wishful thinking of a professional kind - exaggerated what evidence there&lt;br /&gt;
was regarding such a desire on her part. For I must say I was a little surprised last night at&lt;br /&gt;
how difficult it was actually to point to any passage which clearly demonstrated her wish to&lt;br /&gt;
return.&lt;br /&gt;
But then again, it seems hardly worthwhile to speculate greatly on such matters now&lt;br /&gt;
when one knows one will, in all likelihood, be talking face to face with Miss Kenton within&lt;br /&gt;
forty-eight hours. Still, I must say, I did spend some long minutes turning those passages over&lt;br /&gt;
in my mind last night as I lay there in the darkness, listening to the sounds from below of the&lt;br /&gt;
landlord and his wife clearing up for the night.&lt;br /&gt;
Day Three - Evening&lt;br /&gt;
Moscombe, near Tavistock, Devon&lt;br /&gt;
I FEEL I should perhaps return a moment to the question of his lordship&#39;s attitude to Jewish&lt;br /&gt;
persons, since this whole issue of anti- Semitism, I realize, has become a rather sensitive one&lt;br /&gt;
these days. In particular, let me clear up this matter of a supposed bar against Jewish persons&lt;br /&gt;
on the staff at Darlington Hall. Since this allegation falls very directly into my own realm, I&lt;br /&gt;
am able to refute it with absolute authority. There were many Jewish persons on my staff&lt;br /&gt;
throughout all my years with his lordship, and let me say furthermore that they were never&lt;br /&gt;
treated in any way differently on account of their race. One really cannot guess the reason for&lt;br /&gt;
these absurd allegations - unless, quite ludicrously, they originate from that brief, entirely&lt;br /&gt;
insignificant few weeks in the early thirties when Mrs Carolyn Barnet came to wield an&lt;br /&gt;
unusual influence over his lordship.&lt;br /&gt;
Mrs Barnet, the widow of Mr Charles Barnet, was at that point in her forties - a very&lt;br /&gt;
handsome, some might say glamorous lady. She had a reputation for being formidably&lt;br /&gt;
intelligent, and in those days one often tended to hear of how she had humiliated this or that&lt;br /&gt;
learned gentleman at dinner over some important contemporary issue. For much of the&lt;br /&gt;
summer of 1932, she was a regular presence at Darlington Hall, she and his lordship often&lt;br /&gt;
spending hour after hour deep in conversation, typically of a social or political nature. And it&lt;br /&gt;
was Mrs Barnet, as I recall, who took his lordship on those &#39;guided inspections&#39; of the poorest&lt;br /&gt;
areas of London&#39;s East End, during which his lordship visited the actual homes of many of the&lt;br /&gt;
families suffering the desperate plight of those years.&lt;br /&gt;
That is to say, Mrs Barnet, in all likelihood, made some sort of contribution to Lord&lt;br /&gt;
Darlington&#39;s developing concern for the poor of our country and as such, her influence cannot&lt;br /&gt;
be said to have been entirely negative. But she was too, of course, a member of Sir Oswald&lt;br /&gt;
Mosley&#39;s &#39;blackshirts&#39; organization, and the very little contact his lordship ever had with Sir&lt;br /&gt;
Oswald occurred during those few weeks of that summer.&lt;br /&gt;
And it was during those same weeks that those entirely untypical incidents took place&lt;br /&gt;
at Darlington Hall which must, one supposes, have provided what flimsy basis exists for these&lt;br /&gt;
absurd allegations.&lt;br /&gt;
I call them &#39;incidents&#39; but some of these were extremely minor. For instance, I recall&lt;br /&gt;
overhearing at dinner one evening, when a particular newspaper had been mentioned, his&lt;br /&gt;
lordship remarking: &quot;Oh, you mean that Jewish propaganda sheet.&quot; And then on another&lt;br /&gt;
occasion around that time, I remember his instructing me to cease giving donations to a&lt;br /&gt;
particular local charity which regularly came to the door on the grounds that the management&lt;br /&gt;
committee was &#39;more or less homogeneously Jewish&#39;. I have remembered these remarks&lt;br /&gt;
because they truly surprised me at the time, his lordship never previously having shown any&lt;br /&gt;
antagonism whatsoever towards the Jewish race.&lt;br /&gt;
Then, of course, came that afternoon his lordship called me into his study. Initially, he&lt;br /&gt;
made rather general conversation, inquiring if all was well around the house and so on. Then&lt;br /&gt;
he said: &quot;I&#39;ve been doing a great deal of thinking, Stevens. A great deal of thinking. And I&#39;ve&lt;br /&gt;
reached my conclusion. We cannot have Jews on the staff here at Darlington Hall.&quot;&lt;br /&gt;
&quot;Sir?&quot;&lt;br /&gt;
&quot;It&#39;s for the good of this house, Stevens. In the interests of the guests we have staying&lt;br /&gt;
here. I&#39;ve looked into this carefully, Stevens, and I&#39;m letting you know my conclusion.&quot;&lt;br /&gt;
&quot;Very well, sir.&quot;&lt;br /&gt;
&quot;Tell me, Stevens, we have a few on the staff at the moment, don&#39;t we? Jews, I mean.&quot;&lt;br /&gt;
&quot;I believe two of the present staff members would fall into that category, sir.&quot;&lt;br /&gt;
&quot;Ah.&quot; His lordship paused for a moment, staring out of his window. &quot;Of course, you&#39;ll&lt;br /&gt;
have to let them go.&quot;&lt;br /&gt;
&quot;I beg your pardon, sir?&quot;&lt;br /&gt;
&quot;It&#39;s regrettable, Stevens, but we have no choice. There&#39;s the safety and well-being of&lt;br /&gt;
my guests to consider. Let me assure you, I&#39;ve looked into this matter and thought it through&lt;br /&gt;
thoroughly. It&#39;s in all our best interests.&quot;&lt;br /&gt;
The two staff members concerned were, in fact, both housemaids. It would hardly&lt;br /&gt;
have been proper, then, to have taken any action without first informing Miss Kenton of the&lt;br /&gt;
situation, and I resolved to do just this that same evening when I met her for cocoa in her&lt;br /&gt;
parlour. I should perhaps say a few words here concerning these meetings in her parlour at the&lt;br /&gt;
end of each day. These were, let me say, overwhelmingly professional in tone - though&lt;br /&gt;
naturally we might discuss some informal topics from time to time. Our reason for instituting&lt;br /&gt;
such meetings was simple: we had found that our respective lives were often so busy, several&lt;br /&gt;
days could go by without our having an opportunity to exchange even the most basic of&lt;br /&gt;
information. Such a situation, we recognized, seriously jeopardized the smooth running of&lt;br /&gt;
operations, and to spend fifteen minutes or so together at the end of the day in the privacy of&lt;br /&gt;
Miss Kenton&#39;s parlour was the most straightforward remedy. I must reiterate, these meetings&lt;br /&gt;
were predominantly professional in character; that is to say, for instance, we might talk over&lt;br /&gt;
the plans for a forthcoming event, or else discuss how a new recruit was settling in.&lt;br /&gt;
In any case, to return to my thread, you will appreciate I was not unperturbed at the&lt;br /&gt;
prospect of telling Miss Kenton I was about to dismiss two of her maids. Indeed, the maids&lt;br /&gt;
had been perfectly satisfactory employees and - I may as well say this since the Jewish issue&lt;br /&gt;
has become so sensitive of late - my every instinct opposed the idea of their dismissal.&lt;br /&gt;
Nevertheless, my duty in this instance was quite clear, and as I saw it, there was nothing to be&lt;br /&gt;
gained at all in irresponsibly displaying such personal doubts. It was a difficult task, but as&lt;br /&gt;
such, one that demanded to be carried out with dignity. And so it was that when I finally&lt;br /&gt;
raised the matter towards the end of our conversation that evening, I did so in as concise and&lt;br /&gt;
businesslike a way as possible, concluding with the words: &quot;I will speak to the two employees&lt;br /&gt;
in my pantry tomorrow morning at ten thirty. I would be grateful then, Miss Kenton, if you&lt;br /&gt;
would send them along. I leave it entirely to yourself whether or not you inform them&lt;br /&gt;
beforehand as to the nature of what I am going to say to them.&quot;&lt;br /&gt;
At this point, Miss Kenton seemed to have nothing to say in response. So I continued:&lt;br /&gt;
&quot;Well, Miss Kenton, thank you for the cocoa. It&#39;s high time I was turning in. Another busy&lt;br /&gt;
day tomorrow.&quot;&lt;br /&gt;
It was then that Miss Kenton said: &quot;Mr Stevens, I cannot quite believe my ears. Ruth&lt;br /&gt;
and Sarah have been members of my staff for over six years now. I trust them absolutely and&lt;br /&gt;
indeed they trust me. They have served this house excellently.&quot;&lt;br /&gt;
&quot;I am sure that is so, Miss Kenton. However, we must not allow sentiment to creep&lt;br /&gt;
into our judgement. Now really, I must bid you good night…&quot;&lt;br /&gt;
&quot;Mr Stevens, I am outraged that you can sit there and utter what you have just done as&lt;br /&gt;
though you were discussing orders for the larder. I simply cannot believe it. You are saying&lt;br /&gt;
Ruth and Sarah are to be dismissed on the grounds that they are Jewish?&quot;&lt;br /&gt;
&quot;Miss Kenton, I have just this moment explained the situation to you fully. His&lt;br /&gt;
lordship has made his decision and there is nothing for you and I to debate over.&quot;&lt;br /&gt;
&quot;Does it not occur to you, Mr Stevens, that to dismiss Ruth and Sarah on these grounds&lt;br /&gt;
would be simply _wrong__? I will not stand for such things. I will not work in a house in&lt;br /&gt;
which such things can occur.&quot;&lt;br /&gt;
&quot;Miss Kenton, I will ask you not to excite yourself and to conduct yourself in a&lt;br /&gt;
manner befitting your position. This is a very straight-forward matter. If his lordship wishes&lt;br /&gt;
these particular contracts to be discontinued, then there is little more to be said.&quot;&lt;br /&gt;
&quot;I am warning you, Mr Stevens, I will not continue to work in such a house. If my&lt;br /&gt;
girls are dismissed, I will leave also.&quot;&lt;br /&gt;
&quot;Miss Kenton, I am surprised to find you reacting in this manner. Surely I don&#39;t have&lt;br /&gt;
to remind you that our professional duty is not to our own foibles and sentiments, but to the&lt;br /&gt;
wishes of our employer.&quot;&lt;br /&gt;
&quot;I am telling you, Mr Stevens, if you dismiss my girls tomorrow, it will be wrong, a&lt;br /&gt;
sin as any sin ever was one and I will not continue to work in such a house.&quot;&lt;br /&gt;
&quot;Miss Kenton, let me suggest to you that you are hardly well placed to be passing&lt;br /&gt;
judgements of such a high and mighty nature. The fact is, the world of today is a very&lt;br /&gt;
complicated and treacherous place. There are many things you and I are simply not in a&lt;br /&gt;
position to understand concerning, say, the nature of Jewry. Whereas his lordship, I might&lt;br /&gt;
venture, is somewhat better placed to judge what is for the best. Now, Miss Kenton, I really&lt;br /&gt;
must retire. I thank you again for the cocoa. Ten thirty tomorrow morning. Send the two&lt;br /&gt;
employees concerned, please.&quot;&lt;br /&gt;
It was evident from the moment the two maids stepped into my pantry the following&lt;br /&gt;
morning that Miss Kenton had already spoken to them, for they both came in sobbing. I&lt;br /&gt;
explained the situation to them as briefly as possible, underlining that their work had been&lt;br /&gt;
satisfactory and that they would, accordingly, receive good references. As I recall, neither of&lt;br /&gt;
them said anything of note throughout the whole interview, which lasted perhaps three or four&lt;br /&gt;
minutes, and they left sobbing just as they had arrived.&lt;br /&gt;
Miss Kenton was extremely cold towards me for some days following the dismissal of&lt;br /&gt;
the employees. Indeed, at times she was quite rude to me, even in the presence of staff. And&lt;br /&gt;
although we continued our habit of meeting for cocoa in the evening, the sessions tended to be&lt;br /&gt;
brief and unfriendly. When there had been no sign of her behaviour abating after a fortnight or&lt;br /&gt;
so, I think you will understand that I started to become a little impatient. I thus said to her&lt;br /&gt;
during one of our cocoa sessions, in an ironic tone of voice: &quot;Miss Kenton, I&#39;d rather expected&lt;br /&gt;
you to have handed in your notice by now,&quot; accompanying this with a light laugh. I did, I&lt;br /&gt;
suppose, hope that she might finally relent a little and make some conciliatory response or&lt;br /&gt;
other, allowing us once and for all to put the whole episode behind us.&lt;br /&gt;
Miss Kenton, however, simply looked at me sternly and said: &quot;I still have every&lt;br /&gt;
intention of handing in my notice, Mr Stevens. It is merely that I have been so busy, I have&lt;br /&gt;
not had time to see to the matter.&quot;&lt;br /&gt;
This did, I must admit, make me a little concerned for a time that she was serious&lt;br /&gt;
about her threat. But then as week followed week, it became clear that there was no question&lt;br /&gt;
of her leaving Darlington Hall, and as the atmosphere between us gradually thawed, I suppose&lt;br /&gt;
I tended to tease her every now and again by reminding her of her threatened resignation.&lt;br /&gt;
For instance, if we were discussing some future large occasion to be held at the house,&lt;br /&gt;
I might put in: &quot;That is, Miss Kenton, assuming you are still with us at that stage.&quot; Even&lt;br /&gt;
months after the event, such remarks still tended to make Miss Kenton go quiet - though by&lt;br /&gt;
this stage, I fancy, this was due more to embarrassment than anger.&lt;br /&gt;
Eventually, of course, the matter came to be, by and large, forgotten.&lt;br /&gt;
But I remember it coming up one last time well over a year after the dismissal of the&lt;br /&gt;
two maids.&lt;br /&gt;
It was his lordship who initially revived the matter one afternoon when I was serving&lt;br /&gt;
his tea in the drawing room. By then, Mrs Carolyn Barnet&#39;s days of influence over his lordship&lt;br /&gt;
were well over - indeed, the lady had ceased to be a visitor at Darlington Hall altogether. It is&lt;br /&gt;
worth pointing out, furthermore, that his lordship had by that time severed all links with the&lt;br /&gt;
&#39;blackshirts&#39;, having witnessed the true, ugly nature of that organization.&lt;br /&gt;
&quot;Oh, Stevens,&quot; he had said to me. &quot;I&#39;ve been meaning to say to you. About that&lt;br /&gt;
business last year. About the Jewish maids. You recall the matter?&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
&quot;I suppose there&#39;s no way of tracing them now, is there? It was wrong what happened&lt;br /&gt;
and one would like to recompense them somehow.&quot;&lt;br /&gt;
&quot;I will certainly look into the matter, sir. But I am not at all certain it will be possible&lt;br /&gt;
to ascertain their whereabouts at this stage.&quot;&lt;br /&gt;
&quot;See what you can do. It was wrong, what occurred.&quot;&lt;br /&gt;
I assumed this exchange with his lordship would be of some interest to Miss Kenton,&lt;br /&gt;
and I decided it only proper to mention it to her - even at the risk of getting her angry again.&lt;br /&gt;
As it turned out, my doing so on that foggy afternoon I encountered her in the summerhouse&lt;br /&gt;
produced curious results.&lt;br /&gt;
I recall a mist starting to set in as I crossed the lawn that afternoon.&lt;br /&gt;
I was making my way up to the summerhouse for the purpose of clearing away the&lt;br /&gt;
remains of his lordship&#39;s taking tea there with some guests a little while earlier. I can recall&lt;br /&gt;
spotting from some distance - long before reaching the steps where my father had once fallen&lt;br /&gt;
- Miss Kenton&#39;s figure moving about inside the summerhouse. When I entered she had seated&lt;br /&gt;
herself on one of the wicker chairs scattered around its interior, evidently engaged in some&lt;br /&gt;
needlework. On closer inspection, I saw she was performing repairs to a cushion. I went about&lt;br /&gt;
gathering up the various items of crockery from amidst the plants and the cane furniture, and&lt;br /&gt;
as I did so, I believe we exchanged a few pleasantries, perhaps discussed one or two&lt;br /&gt;
professional matters. For the truth was, it was extremely refreshing to be out in the&lt;br /&gt;
summerhouse after many continuous days in the main building and neither of us was inclined&lt;br /&gt;
to hurry with our tasks. Indeed, although one could not see out far that day on account of the&lt;br /&gt;
encroaching mist, and the daylight too was rapidly fading by this stage, obliging Miss Kenton&lt;br /&gt;
to hold her needlework up to the last of it, I remember our often breaking off from our&lt;br /&gt;
respective activities simply to gaze out at the views around us. In fact, I was looking out over&lt;br /&gt;
the lawn to where the mist was thickening down around the poplar trees planted along the&lt;br /&gt;
cart-track, when I finally introduced the topic of the previous year&#39;s dismissals. Perhaps a little&lt;br /&gt;
predictably, I did so by saying: &quot;I was just thinking earlier, Miss Kenton. It&#39;s rather funny to&lt;br /&gt;
remember now, but you know, only this time a year ago, you were still insisting you were&lt;br /&gt;
going to resign. It rather amused me to think of it.&quot; I gave a laugh, but behind me Miss&lt;br /&gt;
Kenton remained silent. When I finally turned to look at her, she was gazing through the glass&lt;br /&gt;
at the great expanse of fog outside.&lt;br /&gt;
&quot;You probably have no idea, Mr Stevens,&quot; she said eventually, &quot;how seriously I really&lt;br /&gt;
thought of leaving this house. I felt so strongly about what happened. Had I been anyone&lt;br /&gt;
worthy of any respect at all, I dare say I would have left Darlington Hall long ago.&quot; She&lt;br /&gt;
paused for a while, and I turned my gaze back out to the poplar trees down in the distance.&lt;br /&gt;
Then she continued in a tired voice: &quot;It was cowardice, Mr Stevens. Simple cowardice. Where&lt;br /&gt;
could I have gone? I have no family. Only my aunt. I love her dearly, but I can&#39;t live with her&lt;br /&gt;
for a day without feeling my whole life is wasting away. I did tell myself, of course, I would&lt;br /&gt;
soon find some new situation. But I was so frightened, Mr Stevens. Whenever I thought of&lt;br /&gt;
leaving, I just saw myself going out there and finding nobody who knew or cared about me.&lt;br /&gt;
There, that&#39;s all my high principles amount to. I feel so ashamed of myself. But I just couldn&#39;t&lt;br /&gt;
leave, Mr Stevens. I just couldn&#39;t bring myself to leave.&quot;&lt;br /&gt;
Miss Kenton paused again and seemed to be deep in thought. I thus thought it&lt;br /&gt;
opportune to relate at this point, as precisely as possible, what had taken place earlier between&lt;br /&gt;
myself and Lord Darlington. I proceeded to do so and concluded by saying: &quot;What&#39;s done can&lt;br /&gt;
hardly be undone. But it is at least a great comfort to hear his lordship declare so&lt;br /&gt;
unequivocally that it was all a terrible misunderstanding. I just thought you&#39;d like to know,&lt;br /&gt;
Miss Kenton, since I recall you were as distressed by the episode as I was.&quot;&lt;br /&gt;
&quot;I&#39;m sorry, Mr Stevens,&quot; Miss Kenton said behind me in an entirely new voice, as&lt;br /&gt;
though she had just been jolted from a dream, &quot;I don&#39;t understand you.&quot; Then as I turned to&lt;br /&gt;
her, she went on: &quot;As I recall, you thought it was only right and proper that Ruth and Sarah be&lt;br /&gt;
sent packing. You were positively cheerful about it.&quot;&lt;br /&gt;
&quot;Now really, Miss Kenton, that is quite incorrect and unfair. The whole matter caused&lt;br /&gt;
me great concern, great concern indeed. It is hardly the sort of thing I like to see happen in&lt;br /&gt;
this house.&quot;&lt;br /&gt;
&quot;Then why, Mr Stevens, did you not tell me so at the time?&quot;&lt;br /&gt;
I gave a laugh, but for a moment was rather at a loss for an answer.&lt;br /&gt;
Before I could formulate one, Miss Kenton put down her sewing and said: &quot;Do you&lt;br /&gt;
realize, Mr Stevens, how much it would have meant to me if you had thought to share your&lt;br /&gt;
feelings last year? You knew how upset I was when my girls were dismissed. Do you realize&lt;br /&gt;
how much it would have helped me? Why, Mr Stevens, why, why, why do you always have&lt;br /&gt;
to _pretend__?&quot; I gave another laugh at the ridiculous turn the conversation had suddenly&lt;br /&gt;
taken. &quot;Really, Miss Kenton,&quot; I said, &quot;I&#39;m not sure I know what you mean. Pretend? Why,&lt;br /&gt;
really...&quot;&lt;br /&gt;
&quot;I suffered so much over Ruth and Sarah leaving us. And I suffered all the more&lt;br /&gt;
because I believed I was alone.&quot;&lt;br /&gt;
&quot;Really, Miss Kenton...&quot; I picked up the tray on which I had gathered together the used&lt;br /&gt;
crockery. &quot;Naturally, one disapproved of the dismissals. One would have thought that quite&lt;br /&gt;
self-evident.&quot;&lt;br /&gt;
She did not say anything, and as I was leaving I glanced back towards her. She was&lt;br /&gt;
again gazing out at the view, but it had by this point grown so dark inside the summerhouse,&lt;br /&gt;
all I could see of her was her profile outlined against a pale and empty background. I excused&lt;br /&gt;
myself and proceeded to make my exit.&lt;br /&gt;
Now that I have recalled this episode of the dismissing of the Jewish employees, I am&lt;br /&gt;
reminded of what could, I suppose, be called a curious corollary to that whole affair: namely,&lt;br /&gt;
the arrival of the housemaid called Lisa. That is to say, we were obliged to find replacements&lt;br /&gt;
for the two dismissed Jewish maids, and this Lisa turned out to be one of them.&lt;br /&gt;
This young woman had applied for the vacancy with the most dubious of references,&lt;br /&gt;
which spelt out to any experienced butler that she had left her previous situation under&lt;br /&gt;
something of a cloud. Moreover, when Miss Kenton and I questioned her, it became clear that&lt;br /&gt;
she had never remained in any position for longer than a few weeks. In general, her whole&lt;br /&gt;
attitude suggested to me that she was quite unsuitable for employment at Darlington Hall. To&lt;br /&gt;
my surprise, however, once we had finished interviewing the girl, Miss Kenton began to insist&lt;br /&gt;
we take her on. &quot;I see much potential in this girl,&quot; she continued to say in the face of my&lt;br /&gt;
protests. &quot;She will be directly under my supervision and I will see to it she proves good.&quot;&lt;br /&gt;
I recall we became locked in disagreement for some time, and it was perhaps only the&lt;br /&gt;
fact that the matter of the dismissed maids was so recent in our minds that I did not hold out&lt;br /&gt;
as strongly as I might against Miss Kenton. In any case, the result was that I finally gave way,&lt;br /&gt;
albeit by saying: &quot;Miss Kenton, I hope you realize that the responsibility for taking on this girl&lt;br /&gt;
rests squarely with yourself. There is no doubt as far as I am concerned that at this present&lt;br /&gt;
moment she is far from adequate to be a member of our staff. I am only allowing her to join&lt;br /&gt;
on the understanding that you will personally oversee her development.&quot;&lt;br /&gt;
&quot;The girl will turn out well, Mr Stevens. You will see.&quot;&lt;br /&gt;
And to my astonishment, during the weeks that followed, the young girl did indeed&lt;br /&gt;
make progress at a remarkable rate. Her attitude seemed to improve by the day, and even her&lt;br /&gt;
manner of walking and going about tasks - which during the first days had been so slovenly&lt;br /&gt;
that one had to avert one&#39;s eyes - improved dramatically.&lt;br /&gt;
As the weeks went on, and the girl appeared miraculously to have been transformed&lt;br /&gt;
into a useful member of staff, Miss Kenton&#39;s triumph was obvious. She seemed to take&lt;br /&gt;
particular pleasure in assigning Lisa some task or other that required a little extra&lt;br /&gt;
responsibility, and if I were watching, she would be sure to try and catch my eye with her&lt;br /&gt;
rather mocking expression. And the exchange we had that night in Miss Kenton&#39;s parlour over&lt;br /&gt;
cocoa was fairly typical of the sort of conversation we tended to have on the topic of Lisa.&lt;br /&gt;
&quot;No doubt, Mr Stevens,&quot; she said to me, &quot;you will be extremely disappointed to hear&lt;br /&gt;
Lisa has still not made any real mistake worth speaking of.&quot;&lt;br /&gt;
&quot;I&#39;m not disappointed at all, Miss Kenton. I&#39;m very pleased for you and for all of us. I&lt;br /&gt;
will admit, you have had some modest success regarding the girl thus far.&quot;&lt;br /&gt;
&quot;Modest success! And look at that smile on your face, Mr Stevens. It always appears&lt;br /&gt;
when I mention Lisa. That tells an interesting story in itself. A very interesting story indeed.&quot;&lt;br /&gt;
&quot;Oh, really, Miss Kenton. And may I ask what exactly?&quot;&lt;br /&gt;
&quot;It is very interesting, Mr Stevens. Very interesting you should have been so&lt;br /&gt;
pessimistic about her. Because Lisa is a pretty girl, no doubt about it. And I&#39;ve noticed you&lt;br /&gt;
have a curious aversion to pretty girls being on the staff.&quot;&lt;br /&gt;
&quot;You know perfectly well you are talking nonsense, Miss Kenton.&quot;&lt;br /&gt;
&quot;Ah, but I&#39;ve noticed it, Mr Stevens. You do not like pretty girls to be on the staff.&lt;br /&gt;
Might it be that our Mr Stevens fears distraction? Can it be that our Mr Stevens is flesh and&lt;br /&gt;
blood after all and cannot fully trust himself?&quot;&lt;br /&gt;
&quot;Really, Miss Kenton. If I thought there was one modicum of sense in what you are&lt;br /&gt;
saying I might bother to engage with you in this discussion. As it is, I think I shall simply&lt;br /&gt;
place my thoughts elsewhere while you chatter away.&quot;&lt;br /&gt;
&quot;Ah, but then why is that guilty smile still on your face, Mr Stevens?&quot;&lt;br /&gt;
&quot;It is not a guilty smile at all, Miss Kenton. I am slightly amused by your astonishing&lt;br /&gt;
capacity to talk nonsense, that is all.&quot;&lt;br /&gt;
&quot;It _is__ a guilty little smile you have on, Mr Stevens. And I&#39;ve noticed how you can&lt;br /&gt;
hardly bear to look at Lisa. Now it is beginning to become very clear why you objected so&lt;br /&gt;
strongly to her.&quot;&lt;br /&gt;
&quot;My objections were extremely solid, Miss Kenton, as you very well know. The girl&lt;br /&gt;
was completely unsuitable when she first came to us.&quot;&lt;br /&gt;
Now of course, you must understand we would never have carried on in such a vein&lt;br /&gt;
within the hearing of staff members. But just around that time, our cocoa evenings, while&lt;br /&gt;
maintaining their essentially professional character, often tended to allow room for a little&lt;br /&gt;
harmless talk of this sort - which did much, one should say, to relieve the many tensions&lt;br /&gt;
produced by a hard day.&lt;br /&gt;
Lisa had been with us for some eight or nine months - and I had largely forgotten her&lt;br /&gt;
existence by this point - when she vanished from the house together with the second footman.&lt;br /&gt;
Now, of course, such things are simply part and parcel of life for any butler of a large&lt;br /&gt;
household. They are intensely irritating, but one learns to accept them. In fact, as far as these&lt;br /&gt;
sorts of &#39;moonlight&#39; departures were concerned, this was among the more civilized. Aside&lt;br /&gt;
from a little food, the couple had taken nothing that belonged to the house, and furthermore,&lt;br /&gt;
both parties had left letters. The second footman, whose name I no longer recall, left a short&lt;br /&gt;
note addressed to me, saying something like: &#39;Please do not judge us too harshly. We are in&lt;br /&gt;
love and are going to be married.&#39; Lisa had written a much longer note addressed to &#39;the&lt;br /&gt;
Housekeeper&#39;, and it was this letter Miss Kenton brought into my pantry on the morning&lt;br /&gt;
following their disappearance. There were, as I recall, many misspelt, ill-formed sentences&lt;br /&gt;
about how much in love the couple were, how wonderful the second footman was, and how&lt;br /&gt;
marvellous the future was that awaited them both. One line, as I recall it, read something to&lt;br /&gt;
the effect of: &#39;We don&#39;t have money but who cares we have love and who wants anything else&lt;br /&gt;
we&#39;ve got one another that&#39;s all anyone can ever want.&#39; Despite the letter being three pages&lt;br /&gt;
long, there was no mention of any gratitude towards Miss Kenton for the great care she had&lt;br /&gt;
given the girl, nor was there any note of regret at letting all of us down.&lt;br /&gt;
Miss Kenton was noticeably upset. All the while I was running my eye over the young&lt;br /&gt;
woman&#39;s letter, she sat there at the table before me, looking down at her hands. In fact - and&lt;br /&gt;
this strikes one as rather curious - I cannot really recall seeing her more bereft than on that&lt;br /&gt;
morning. When I put the letter down on the table, she said: &quot;So, Mr Stevens, it seems you&lt;br /&gt;
were right and I was wrong.&quot;&lt;br /&gt;
&quot;Miss Kenton, there is nothing to upset yourself over,&quot; I said. &quot;These things happen.&lt;br /&gt;
There really is little the likes of us can ever do to prevent these things.&quot;&lt;br /&gt;
&quot;I was at fault, Mr Stevens. I accept it. You were right all along, as ever, and I was&lt;br /&gt;
wrong.&quot;&lt;br /&gt;
&quot;Miss Kenton, I really cannot agree with you. You did wonders with that girl. What&lt;br /&gt;
you managed with her proved many times over that it was in fact I who was in error. Really,&lt;br /&gt;
Miss Kenton, what has happened now might have happened with any employee. You did&lt;br /&gt;
remarkably well with her. You may have every reason to feel let down by her, but no reason&lt;br /&gt;
at all to feel any responsibility on your own part.&quot;&lt;br /&gt;
Miss Kenton continued to look very dejected.&lt;br /&gt;
She said quietly: &quot;You&#39;re very kind to say so, Mr Stevens. I&#39;m very grateful.&quot; Then she&lt;br /&gt;
sighed tiredly and said: &quot;She&#39;s so foolish. She might have had a real career in front of her. She&lt;br /&gt;
had ability. So many young women like her throw away their chances, and all for what?&quot;&lt;br /&gt;
We both looked at the notepaper on the table between us, and then Miss Kenton turned&lt;br /&gt;
her gaze away with an air of annoyance.&lt;br /&gt;
&quot;Indeed,&quot; I said. &quot;Such a waste, as you say.&quot;&lt;br /&gt;
&quot;So foolish. And the girl is bound to be let down. And she had a good life ahead of her&lt;br /&gt;
if only she&#39;d persevered. In a year or two, I could have had her ready to take on a&lt;br /&gt;
housekeeper&#39;s post in some small residence. Perhaps you think that far-fetched, Mr Stevens,&lt;br /&gt;
but then look how far I came with her in a few months. And now she&#39;s thrown it all away. All&lt;br /&gt;
for nothing.&quot;&lt;br /&gt;
&quot;It really is most foolish of her.&quot;&lt;br /&gt;
I had started to gather up the sheets of notepaper before me, thinking I might file them&lt;br /&gt;
away for reference. But then as I was doing so, I became a little uncertain as to whether Miss&lt;br /&gt;
Kenton had intended me to keep the letter, or if she herself wished to do so, and I placed the&lt;br /&gt;
pages back down on the table between the two of us. Miss Kenton, in any case, seemed far&lt;br /&gt;
away.&lt;br /&gt;
&quot;She&#39;s bound to be let down,&quot; she said again.&lt;br /&gt;
&quot;So foolish.&quot;&lt;br /&gt;
But I see I have become somewhat lost in these old memories. This had never been my&lt;br /&gt;
intention, but then it is probably no bad thing if in doing so I have at least avoided becoming&lt;br /&gt;
unduly preoccupied with the events of this evening - which I trust have now finally concluded&lt;br /&gt;
themselves. For these last few hours, it must be said, have been rather trying ones.&lt;br /&gt;
I find myself now in the attic room of this small cottage belonging to Mr and Mrs&lt;br /&gt;
Taylor.&lt;br /&gt;
That is to say, this is a private residence; this room, made so kindly available to me&lt;br /&gt;
tonight by the Taylors, was once occupied by their eldest son, now long grown and living in&lt;br /&gt;
Exeter. It is a room dominated by heavy beams and rafters, and the floorboards have no carpet&lt;br /&gt;
or rug to cover them, and yet the atmosphere is surprisingly cosy. And it is clear Mrs Taylor&lt;br /&gt;
has not only made up the bed for me, she has also tidied and cleaned; for aside from a few&lt;br /&gt;
cobwebs near the rafters, there is little to reveal that this room has been unoccupied for many&lt;br /&gt;
years. As for Mr and Mrs Taylor themselves, I have ascertained that they ran the village&lt;br /&gt;
greengrocery here from the twenties until their retirement three years ago. They are kind&lt;br /&gt;
people, and though I have on more than one occasion tonight offered remuneration for their&lt;br /&gt;
hospitality, they will not hear of it.&lt;br /&gt;
The fact that I am now here, the fact that I came to be to all intents and purposes at the&lt;br /&gt;
mercy of Mr and Mrs Taylor&#39;s generosity on this night, is attributable to one foolish,&lt;br /&gt;
infuriatingly simple oversight: namely, I allowed the Ford to run out of petrol. What with this&lt;br /&gt;
and the trouble yesterday concerning the lack of water in the radiator, it would not be&lt;br /&gt;
unreasonable for an observer to believe such general disorganization endemic to my nature. It&lt;br /&gt;
may be pointed out, of course, that as far as long-distance motoring is concerned, I am&lt;br /&gt;
something of a novice, and such simple oversights are only to be expected. And yet, when one&lt;br /&gt;
remembers that good organization and foresight are qualities that lie at the very heart of one&#39;s&lt;br /&gt;
profession, it is hard to avoid the feeling that one has, somehow, let oneself down again.&lt;br /&gt;
But it is true, I had been considerably distracted during the last hour or so of motoring&lt;br /&gt;
prior to the petrol running out. I had planned to lodge the night in the town of Tavistock,&lt;br /&gt;
where I arrived a little before eight o&#39;clock. At the town&#39;s main inn, however, I was informed&lt;br /&gt;
all the rooms were occupied on account of a local agricultural fair.&lt;br /&gt;
Several other establishments were suggested to me, but though I called at each, I was&lt;br /&gt;
met every time with the same apology. Finally, at a boarding house on the edge of the town,&lt;br /&gt;
the landlady suggested I motor on several miles to a roadside inn run by a relative of hers -&lt;br /&gt;
which, she assured me, was bound to have vacancies, being too far out of Tavistock to be&lt;br /&gt;
affected by the fair.&lt;br /&gt;
She had given me thorough directions, which had seemed clear enough at the time,&lt;br /&gt;
and it is impossible&#39;· to say now whose fault it was that I subsequently failed to find any trace&lt;br /&gt;
of this roadside establishment.&lt;br /&gt;
Instead, after fifteen minutes or so of motoring, I found myself out on a long road&lt;br /&gt;
curving across bleak, open moorland. On either side of me were what appeared to be fields of&lt;br /&gt;
marsh, and a mist was rolling across my path. To my left, I could see the last glow of the&lt;br /&gt;
sunset. The skyline was broken here and there by the shapes of barns and farmhouses some&lt;br /&gt;
way away over the fields, but otherwise, I appeared to have left behind all signs of&lt;br /&gt;
community.&lt;br /&gt;
I recall turning the Ford round at about this stage and doubling back some distance in&lt;br /&gt;
search of a turning I had passed earlier. But when I found it, this new road proved, if&lt;br /&gt;
anything, more desolate than the one I had left. For a time, I drove in near-darkness between&lt;br /&gt;
high hedges, then found the road beginning to climb steeply. I had by now given up hope of&lt;br /&gt;
finding the roadside inn and had set my mind on motoring on till I reached the next town or&lt;br /&gt;
village and seeking shelter there. It would be easy enough, so I was reasoning to myself, to&lt;br /&gt;
resume my planned route first thing in the morning. It was at this point, half-way up the hill&lt;br /&gt;
road, that the engine stuttered and I noticed for the first time that my petrol was gone.&lt;br /&gt;
The Ford continued its climb for several more yards, then came to a halt. When I got&lt;br /&gt;
out to assess my situation, I could see I had only a few more minutes of daylight left to me. I&lt;br /&gt;
was standing on a steep road bound in by trees and hedgerows; much further up the hill, I&lt;br /&gt;
could see a break in the hedges where a wide barred gate stood outlined against the sky. I&lt;br /&gt;
began to make my way up to it, supposing that a view from this gate would give me some&lt;br /&gt;
sense of my bearings; perhaps I had even hoped to see a farmhouse near by where I could&lt;br /&gt;
gain prompt assistance. I was a little disconcerted then by what eventually greeted my eyes.&lt;br /&gt;
On the other side of the gate a field sloped down very steeply so that it fell out of vision only&lt;br /&gt;
twenty yards or so in front of me. Beyond the crest of the field, some way off in the distance -&lt;br /&gt;
perhaps a good mile or so as the crow would fly - was a small village. I could make out&lt;br /&gt;
through the mist a church steeple, and around about it, clusters of dark-slated roofs; here and&lt;br /&gt;
there, wisps of white smoke were rising from chimneys.&lt;br /&gt;
One has to confess, at that moment, to being overcome by a certain sense of&lt;br /&gt;
discouragement. Of course, the situation was not by any means hopeless; the Ford was not&lt;br /&gt;
damaged, simply out of fuel. A walk down to the village could be accomplished in a half-hour&lt;br /&gt;
or so and there I could surely find accommodation and a can of petrol. And yet it was not a&lt;br /&gt;
happy feeling to be up there on a lonely hill, looking over a gate at the lights coming on in a&lt;br /&gt;
distant village, the daylight all but faded, and the mist growing ever thicker.&lt;br /&gt;
There was little to be gained in growing respondent, however. In any case, it would&lt;br /&gt;
have been foolish to waste the few remaining minutes of daylight. I walked back down to the&lt;br /&gt;
Ford where I packed a briefcase with some essential items. Then, arming myself with a&lt;br /&gt;
bicycle lamp, which cast a surprisingly good beam, I went in search of a path by which I&lt;br /&gt;
could descend to the village. But n&amp;amp;&#39; such path offered, itself, though I went some distance up&lt;br /&gt;
the hill, a good way past my gate. Then when I sensed that the road had ceased to climb, but&lt;br /&gt;
was beginning to curve slowly down in a direction /away /from the village - the lights of&lt;br /&gt;
which I could glimpse regularly through the foliage - I was overcome again by a sense of&lt;br /&gt;
discouragement. In fact, for a moment I wondered if my best strategy would not be to retrace&lt;br /&gt;
my steps to the Ford and simply sit in it until another motorist came by. By then, however, it&lt;br /&gt;
was very close to being dark, and I could see that if one were to attempt to hail a passing&lt;br /&gt;
vehicle in these circumstances, one might easily be taken for a highwayman or some such.&lt;br /&gt;
Besides, not a single vehicle had passed since I had got out of the Ford; In fact, I could not&lt;br /&gt;
really remember having seen another vehicle at all since leaving Tavistock. I resolved then to&lt;br /&gt;
return as far as the gate, and from there, descend the field, walking in as direct a line as&lt;br /&gt;
possible towards the lights of the village, regardless of whether or not there was a proper path.&lt;br /&gt;
It was not, in the end, too arduous a descent. A series of grazing fields, one alter the&lt;br /&gt;
next, led the way down to the village and by keeping close to the edge of each field as one&lt;br /&gt;
descended, one could be ensured of reasonable walking. Only once, with the village very&lt;br /&gt;
close, could I find no obvious way to gain access to the next field down, and I had to shine my&lt;br /&gt;
bicycle lamp to and fro along the hedgerow obstructing me. Eventually, I discovered a small&lt;br /&gt;
gap through which I proceeded to squeeze my person, but only at some cost to the shoulder of&lt;br /&gt;
my jacket and the turn-ups of my trousers. The last few fields, furthermore, became&lt;br /&gt;
increasingly muddy and I deliberately refrained from shining my lamp on to my shoes and&lt;br /&gt;
turn-ups for fear of further discouragement.&lt;br /&gt;
By and by I found myself on a paved path going down into the village, and it was&lt;br /&gt;
while descending this path that I met Mr Taylor, my kind host of this evening. He had&lt;br /&gt;
emerged out of a turning a few yards in front of me, and had courteously waited for me to&lt;br /&gt;
catch up, whereupon he had touched his cap and asked if he could be of any assistance to me.&lt;br /&gt;
I had explained my position as succinctly as possible, adding that I would be most gratified to&lt;br /&gt;
be guided towards a good inn.&lt;br /&gt;
At this, Mr Taylor had shaken his head, saying: &quot;I&#39;m afraid there&#39;s no inn as such in&lt;br /&gt;
our village, sir. John Humphreys usually takes in travellers at the Crossed Keys, but he&#39;s&lt;br /&gt;
having work done to the roof at the moment.&quot; Before this distressing piece of information&lt;br /&gt;
could have its full effect, however, Mr Taylor said: &quot;If you didn&#39;t mind roughing it a little, sir,&lt;br /&gt;
we could offer you a room and a bed for the night. It&#39;s nothing special, but the wife will see to&lt;br /&gt;
it everything&#39;s clean and comfortable enough in a basic sort of way.&lt;br /&gt;
I believe I uttered some words, perhaps in a rather half-hearted way, to the effect that I&lt;br /&gt;
could not inconvenience them to such an extent. To which Mr Taylor had said: &quot;I tell you, sir,&lt;br /&gt;
it would be an honour to have you. It&#39;s not often we get the likes of yourself passing through&lt;br /&gt;
Moscombe. And quite honestly, sir, I don&#39;t know what else you could do at this hour. The&lt;br /&gt;
wife would never forgive me if&#39;-I were to let you away into the night.&quot;&lt;br /&gt;
Thus it was that I came to accept the kind hospitality of Mr and Mrs Taylor. But when&lt;br /&gt;
I spoke earlier of this evening&#39;s events being &#39;trying&#39;, I was not referring simply to the&lt;br /&gt;
frustrations of running out of petrol and of having to make such an uncouth journey down into&lt;br /&gt;
the village. For what occurred subsequently - what unfolded once I sat down to supper with&lt;br /&gt;
Mr and Mrs Taylor and their neighbours - proved in its own way far more taxing on one&#39;s&lt;br /&gt;
resources than the essentially physical discomforts I had faced earlier. It was, I can assure&lt;br /&gt;
you, a relief indeed to be able at last to come up to this room and to spend some moments&lt;br /&gt;
turning over these memories of Darlington Hall from all those years ago.&lt;br /&gt;
The fact is, I have tended increasingly of late to indulge myself in such recollections.&lt;br /&gt;
And ever since the prospect of seeing Miss Kenton again first arose some weeks ago, I&lt;br /&gt;
suppose I have tended to spend much time pondering just why it was our relationship&lt;br /&gt;
underwent such a change.&lt;br /&gt;
For change it certainly did, around 1935 or 1936, after many years in which we had&lt;br /&gt;
steadily achieved a fine professional understanding. In fact, by the end, we had even&lt;br /&gt;
abandoned our routine of meeting over a cup of cocoa at the end of each day. But as to what&lt;br /&gt;
really caused such changes, just what particular chain of events was really responsible, I have&lt;br /&gt;
never quite been able to decide.&lt;br /&gt;
In thinking about this recently, it seems possible that that odd incident the evening&lt;br /&gt;
Miss Kenton came into my pantry uninvited may have marked a crucial turning point. Why it&lt;br /&gt;
was she came to my pantry I cannot remember with certainty. I have a feeling she may have&lt;br /&gt;
come bearing a vase of flowers &#39;to brighten things up&#39;, but then again, I may be getting&lt;br /&gt;
confused with the time she attempted the same thing years earlier at the start of our&lt;br /&gt;
acquaintanceship. I know for a fact she tried to introduce flowers to my pantry on at least&lt;br /&gt;
three occasions over the years, but perhaps I am confused in believing this to have been what&lt;br /&gt;
brought her that particular evening. I might emphasize, in any case, that notwithstanding our&lt;br /&gt;
years of good working relations, I had never allowed the situation to slip to one in which the&lt;br /&gt;
housekeeper was coming and going from my pantry all day. The butler&#39;s pantry, as far as I am&lt;br /&gt;
concerned, is a crucial office, the heart of the house&#39;s operations; not unlike a general&#39;s&lt;br /&gt;
headquarters during a battle, and it is imperative that all things in it are ordered - and left&lt;br /&gt;
ordered - in precisely the way I wish them to be. I have never been that sort of butler who&lt;br /&gt;
allows all sorts of people to wander in and out - with their queries and grumbles. If operations&lt;br /&gt;
are to be conducted in a smoothly co-ordinated way, it is surely obvious that the butler&#39;s&lt;br /&gt;
pantry must be the one place in the house where privacy and solitude are guaranteed.&lt;br /&gt;
As it happened, when she entered my pantry that evening, I was not in fact engaged in&lt;br /&gt;
professional matters. That is to say, it was towards the end of the day during a quiet week and&lt;br /&gt;
I had been enjoying a rare hour or so off duty. As I say, I am not certain if Miss Kenton&lt;br /&gt;
entered with her vase of flowers, but I certainly do recall her saying: &quot;Mr Stevens, your room&lt;br /&gt;
looks even less accommodating at night than it does in the day. That electric bulb is too dim,&lt;br /&gt;
surely, for you to be reading by.&quot;&lt;br /&gt;
&quot;It is perfectly adequate, thank you, Miss Kenton.&quot;&lt;br /&gt;
&quot;Really, Mr Stevens, this room resembles a prison cell. All one needs is a small bed in&lt;br /&gt;
the corner and one could well imagine condemned men spending their last hours here.&quot;&lt;br /&gt;
Perhaps I said something to this, I do not know.&lt;br /&gt;
In any case, I did not look up from my reading, and a few moments passed during&lt;br /&gt;
which I waited for Miss Kenton to excuse herself and leave. But then I heard her say: &quot;Now I&lt;br /&gt;
wonder what it could be you are reading there, Mr Stevens.&quot;&lt;br /&gt;
&quot;Simply a book, Miss Kenton.&quot;&lt;br /&gt;
&quot;I can see that, Mr Stevens. But what sort of book - that is what interests me.&quot;&lt;br /&gt;
I looked up to see Miss Kenton advancing towards me. I shut the book, and clutching&lt;br /&gt;
it to my person, rose to my feet.&lt;br /&gt;
&quot;Really, Miss Kenton,&quot; I said, &quot;I must ask you to respect my privacy.&quot;&lt;br /&gt;
&quot;But why are you so shy about your book, Mr Stevens? I rather suspect it may be&lt;br /&gt;
something rather racy.&quot;&lt;br /&gt;
&quot;It is quite out of the question, Miss Kenton, that anything &#39;racy&#39;, as you put it, should&lt;br /&gt;
be found on his lordship&#39;s shelves.&quot;&lt;br /&gt;
&quot;I have heard it said that many learned books contain the most racy of passages, but I&lt;br /&gt;
have never had the nerve to look. Now, Mr Stevens, do please allow me to see what it is you&lt;br /&gt;
are reading.&quot;&lt;br /&gt;
&quot;Miss Kenton, I must ask you to leave me alone. It is quite impossible that you should&lt;br /&gt;
persist in pursuing me like this during the very few moments of spare time I have to myself.&quot;&lt;br /&gt;
But Miss Kenton was continuing to advance and I must say it was a little difficult to&lt;br /&gt;
assess what my best course of action would be. I was tempted to thrust the book into the&lt;br /&gt;
drawer of my desk and lock it, but this seemed absurdly dramatic. I took a few paces back, the&lt;br /&gt;
book still held to my chest.&lt;br /&gt;
&quot;Please show me the volume you are holding, Mr Stevens,&quot; Miss Kenton said,&lt;br /&gt;
continuing her advance, &quot;and I will leave you to the pleasures of your reading. What on earth&lt;br /&gt;
can it be you are so anxious to hide?&quot;&lt;br /&gt;
&quot;Miss Kenton, whether or not you discover the title of this volume is in itself not of the&lt;br /&gt;
slightest importance to me. But as a matter of principle, I object to your appearing like this&lt;br /&gt;
and invading my private moments.&quot;&lt;br /&gt;
&quot;I wonder, is it a perfectly respectable volume, Mr Stevens, or are you in fact&lt;br /&gt;
protecting me from its shocking influences?&quot;&lt;br /&gt;
Then she was standing before me, and suddenly the atmosphere underwent a peculiar&lt;br /&gt;
change -almost as though the two of us had been suddenly thrust on to some other plane of&lt;br /&gt;
being altogether. I am afraid it is not easy to describe clearly what I mean here. All I can say&lt;br /&gt;
is that everything around us suddenly became very still; it was my impression that Miss&lt;br /&gt;
Kenton&#39;s manner also underwent a sudden change; there was a strange seriousness in her&lt;br /&gt;
expression, and it struck me she seemed almost frightened..&lt;br /&gt;
&quot;Please, Mr Stevens, let me see your book.&quot; She reached forward and began gently to&lt;br /&gt;
release the volume from my grasp. I, judged it best to look away while she did so, but with&lt;br /&gt;
her person positioned so closely, this could only be achieved by my twisting my head away at&lt;br /&gt;
a somewhat unnatural angle. Miss Kenton continued very gently to prise the book away,&lt;br /&gt;
practically one finger at a time. The process seemed to take a very long time - throughout&lt;br /&gt;
which I managed to maintain my posture - until finally I heard her say: &quot;Good gracious, Mr&lt;br /&gt;
Stevens, it isn&#39;t anything so scandalous at all.&lt;br /&gt;
Simply a sentimental love story.&quot;&lt;br /&gt;
I believe it was around this point that I decided there was no need to tolerate any more.&lt;br /&gt;
I cannot recall precisely what I said, but I remember showing Miss Kenton out of my pantry&lt;br /&gt;
quite firmly and the episode was thus brought to a close.&lt;br /&gt;
I suppose I should add a few words here concerning the matter of the actual volume&lt;br /&gt;
around which this small episode revolved. The book was, true enough, what might be&lt;br /&gt;
described as a &#39;sentimental romance&#39; - one of a number kept in the library, and also in several&lt;br /&gt;
of the guest bedrooms, for the entertainment of lady visitors. There was a simple reason for&lt;br /&gt;
my having taken to perusing such works; it was an extremely efficient way to maintain and&lt;br /&gt;
develop one&#39;s command of the English language. It is my view - I do not know if you will&lt;br /&gt;
agree - that in so far as our generation is concerned, there has been too much stress placed on&lt;br /&gt;
the professional desirability of good accent and command of language; that is to say, these&lt;br /&gt;
elements have been stressed sometimes at the cost of more important professional qualities.&lt;br /&gt;
For all that, it has never been my position that good accent and command of language are not&lt;br /&gt;
attractive attributes, and I always considered it my duty to develop them as best I could. One&lt;br /&gt;
straightforward means of going about this is simply to read a few pages of a well-written book&lt;br /&gt;
during odd spare moments one may have.&lt;br /&gt;
This had been my own policy for some years, and I often tended to choose the sort of&lt;br /&gt;
volume Miss Kenton had found me reading that evening simply because such works tend to&lt;br /&gt;
be written in good English, with plenty of elegant dialogue of much practical value to me. A&lt;br /&gt;
weightier book - a scholarly study, say - while it might have been more generally improving&lt;br /&gt;
would have tended to be couched in terms likely to be of more limited use in the course of&lt;br /&gt;
one&#39;s normal intercourse with ladies and gentlemen.&lt;br /&gt;
I rarely had the time or the desire to read any of these romances cover to cover, but so&lt;br /&gt;
far as I could tell, their plots were invariably absurd - indeed, sentimental - and I would not&lt;br /&gt;
have wasted one moment on them were it not for these aforementioned benefits. Having said&lt;br /&gt;
that, however, I do not mind confessing today - and I see nothing to be ashamed of in this -&lt;br /&gt;
that I did at times gain a sort of incidental enjoyment from these stories. I did not perhaps&lt;br /&gt;
acknowledge this to myself at the time, but as I say, what shame is there in it? Why should&lt;br /&gt;
one not enjoy in a light-hearted sort of way stories of ladies and gentlemen who fall in love&lt;br /&gt;
and express their feelings for each other, often &#39;in the most elegant phrases?&lt;br /&gt;
But when I say this, I do not mean to imply the stance I took over the matter of the&lt;br /&gt;
book that evening was somehow unwarranted. For you must understand, there was an&lt;br /&gt;
important principle at issue. The fact was, I had been &#39;off duty&#39; at that moment Miss Kenton&lt;br /&gt;
had come marching into my pantry. And of course, any butler who regards his vocation with&lt;br /&gt;
pride, any butler who aspires at all to a &#39;dignity in keeping with his position&#39;, as the Hayes&lt;br /&gt;
Society once put it, should never allow himself to be &#39;off duty&#39; in the presence of others. It&lt;br /&gt;
really was immaterial whether it was Miss Kenton or a complete stranger who had walked in&lt;br /&gt;
at that moment. A butler of any quality must be seen to /inhabit /his role, utterly and fully; he&lt;br /&gt;
cannot be seen casting it aside one moment simply to don it again the next as though it were&lt;br /&gt;
nothing more than a pantomime costume. There is one situation and one situation only in&lt;br /&gt;
which a butler who cares about his dignity may feel free to unburden himself of his role; that&lt;br /&gt;
is to say, when he is entirely alone. You will appreciate then that in the event of Miss Kenton&lt;br /&gt;
bursting in at a time when I had presumed, not unreasonably, that I was to be alone, it came to&lt;br /&gt;
be a crucial matter of principle, a matter indeed of dignity, that I did not appear in anything&lt;br /&gt;
less than my full and proper role.&lt;br /&gt;
However, it had not been my intention to analyse here the various facets of this small&lt;br /&gt;
episode from years ago. The main point about it was that it alerted me to the fact that things&lt;br /&gt;
between Miss Kenton and myself had reached - no doubt after a gradual process of many&lt;br /&gt;
months - an inappropriate footing. The fact that she could behave as she had done that&lt;br /&gt;
evening was rather alarming, and after I had seen her out of my pantry, and had had a chance&lt;br /&gt;
to gather my thoughts a little, I recall resolving to set about reestablishing our professional&lt;br /&gt;
relationship on a more proper basis. But as to just how much that incident contributed to the&lt;br /&gt;
large changes our relationship subsequently underwent, it is very difficult now to say. There&lt;br /&gt;
may well have been other more fundamental developments to account for what took place.&lt;br /&gt;
Such as, for instance, the matter of Miss Kenton&#39;s days off.&lt;br /&gt;
From the time she first arrived at Darlington Hall right up until perhaps a month or so&lt;br /&gt;
before that incident in my pantry, Miss Kenton&#39;s days off had followed a predictable pattern.&lt;br /&gt;
She would, once every six weeks, take two days off to visit her aunt in Southampton;&lt;br /&gt;
otherwise, following my own example, she would not really take days off as such unless we&lt;br /&gt;
were going through a particularly quiet time, in which case she might spend a day strolling&lt;br /&gt;
around the grounds and doing a little reading in her&#39; parlour. But then, as I say, the pattern&lt;br /&gt;
changed. She began suddenly to take full advantage of her contracted time off, disappearing&lt;br /&gt;
regularly from the house from early in the morning, leaving no information other than the&lt;br /&gt;
hour she might be expected back that night. Of course, she never took more time than her&lt;br /&gt;
entitlement, and thus I felt it improper to inquire further concerning these outings of hers. But&lt;br /&gt;
I suppose this change did perturb me somewhat, for I remember mentioning it to Mr Graham,&lt;br /&gt;
valet-butler to Sir James Chainbers - a good colleague who, incidentally, I seem now to have&lt;br /&gt;
lost touch with - as we sat talking by the fire one night during one of his regular visits to&lt;br /&gt;
Darlington Hall.&lt;br /&gt;
In fact, all I had said was something to the effect that the housekeeper had been &#39;a little&lt;br /&gt;
moody of late&#39;, and so had been rather surprised when Mr Graham nodded, leaned towards me&lt;br /&gt;
and said knowingly: &quot;I&#39;d been wondering how much longer it would be.&quot;&lt;br /&gt;
When I asked him what he meant, Mr Graham went on: &quot;Your Miss Kenton. I believe&lt;br /&gt;
she&#39;s now what? Thirty-three? Thirty-four? Missed out on the best of her mothering years, but&lt;br /&gt;
it&#39;s not too late yet.&quot;&lt;br /&gt;
&quot;Miss Kenton&quot;, I assured him, &quot;is a devoted professional. I happen to know for a fact&lt;br /&gt;
that she has no wish for a family.&quot;&lt;br /&gt;
But Mr Graham had smiled and shook his head, saying: &quot;Never believe a housekeeper&lt;br /&gt;
who tells. you she doesn&#39;t want a family. Indeed, Mr Stevens, I should think you and I could&lt;br /&gt;
sit here now and count up at least a dozen between us that once said as much, then got&lt;br /&gt;
married and left the profession. &quot;&lt;br /&gt;
I recall I dismissed Mr Graham&#39;s theory with some confidence that evening, but&lt;br /&gt;
thereafter, I must admit, I found it hard to keep out of my mind the possibility that the purpose&lt;br /&gt;
of these mysterious outings of Miss Kenton was to meet a suitor. This was indeed a disturbing&lt;br /&gt;
notion, for it was not hard to see that Miss Kenton&#39;s departure would constitute a professional&lt;br /&gt;
loss of some magnitude, a loss Darlington Hall would have some difficulty recovering from.&lt;br /&gt;
Furthermore, I was obliged to recognize certain other little signs which tended to support Mr&lt;br /&gt;
Graham&#39;s theory.&lt;br /&gt;
For instance, the collection of mail being one of my duties, I could not help noticing&lt;br /&gt;
that Miss Kenton had started to get letters on a fairly regular basis - once a week or so - from&lt;br /&gt;
the same correspondent, and that these letters bore a local postmark. I should perhaps point&lt;br /&gt;
out here that it would have been well nigh impossible for me not to have noticed such things,&lt;br /&gt;
given that throughout all her preceding years at the house, she had received very few letters&lt;br /&gt;
indeed.&lt;br /&gt;
Then there were other more nebulous signs to support Mr Graham&#39;s view.&lt;br /&gt;
For instance, although she continued to discharge her professional duties with all her&lt;br /&gt;
usual diligence, her general mood tended to undergo swings of a sort I had hitherto never&lt;br /&gt;
witnessed. In fact the times when she became extremely cheerful for days on end - and for no&lt;br /&gt;
observable reason - were almost as disturbing to me as her sudden, often prolonged sullen&lt;br /&gt;
spells. As I say, she remained utterly professional throughout it all, but then again, it was my&lt;br /&gt;
duty to think about the welfare of the house in the long term, and if indeed these signs tended&lt;br /&gt;
to support Mr Graham&#39;s notion that Miss Kenton was contemplating departing for romantic&lt;br /&gt;
purposes, I clearly had a responsibility to probe the matter further. I did then venture to ask&lt;br /&gt;
her one evening during one of our sessions over cocoa: &quot;And will you be going off again on&lt;br /&gt;
Thursday, Miss Kenton? On your day off, I mean.&quot;&lt;br /&gt;
I had half expected her to be angry at this inquiry, but on the contrary, it was almost as&lt;br /&gt;
though she had been long awaiting an opportunity to raise the very topic. For she said in&lt;br /&gt;
something of a relieved way: &quot;Dh, Mr Stevens, it&#39;s just someone I knew once when I was at&lt;br /&gt;
Granchester Lodge. As a matter of fact, he was the butler there at the time, but now he&#39;s left&lt;br /&gt;
service altogether and is employed by a business near by. He somehow learnt of my being&lt;br /&gt;
here and started writing to me, suggesting we renew our acquaintance. And that, Mr Stevens,&lt;br /&gt;
is really the long and short of it.&quot;&lt;br /&gt;
&quot;I see, Miss Kenton. No doubt, it is refreshing to leave the house at times.&quot;&lt;br /&gt;
&quot;I find it so, Mr Stevens.&quot;&lt;br /&gt;
There was a short silence. Then Miss Kenton appeared to make some decision and&lt;br /&gt;
went on: &quot;This acquaintance of mine. I remember when he was butler at Granchester Lodge,&lt;br /&gt;
he was full of the most marvellous ambitions. In fact, I imagine his ultimate dream would&lt;br /&gt;
have been to become butler of a house like this one. Oh, but when I think now of some of his&lt;br /&gt;
methods! Really, Mr Stevens, I can just imagine your face if you were to be confronted by&lt;br /&gt;
them now. It really is no wonder his ambitions remained unfulfilled.&quot;&lt;br /&gt;
I gave a small laugh. &quot;In my experience,&quot; I said, &quot;too many people believe themselves&lt;br /&gt;
capable of working at these higher levels without having the least idea of the exacting&lt;br /&gt;
demands involved. It is certainly not suited to just anybody.&quot;&lt;br /&gt;
&quot;So true. Really, Mr Stevens, what would you have said if you had observed him in&lt;br /&gt;
those days!&quot;&lt;br /&gt;
&quot;At these sorts of levels, Miss Kenton, the profession isn&#39;t for everybody. It is easy&lt;br /&gt;
enough to have lofty ambitions, but without certain qualities, a butler will simply not progress&lt;br /&gt;
beyond a certain point.&quot;&lt;br /&gt;
Miss Kenton seemed to ponder this for a moment, then said: &quot;It occurs to me you must&lt;br /&gt;
be a well-contented man, Mr Stevens. Here you are, after all, at the top of your profession,&lt;br /&gt;
every aspect of your domain well under control. I really cannot imagine what more you might&lt;br /&gt;
wish for in life.&quot;&lt;br /&gt;
I could think of no immediate response to this.&lt;br /&gt;
In the slightly awkward silence that ensued, Miss Kenton turned her gaze down into&lt;br /&gt;
the depths of her cocoa cup as if she had become engrossed by something she had noticed&lt;br /&gt;
there. In the end, after some consideration, I said: &quot;As far as I am concerned, Miss Kenton,&lt;br /&gt;
my vocation will not be fulfilled until I have done all I can to see&#39; his lordship through the&lt;br /&gt;
great tasks he has set himself. The day his lordship&#39;s work is complete, the day /he /is able to&lt;br /&gt;
rest on his laurels, content in the knowledge that he has done all anyone should ever&lt;br /&gt;
reasonably ask of him, only on that day, Miss Kenton, will I be able to call myself, as you put&lt;br /&gt;
it, a well-contented man.&quot;&lt;br /&gt;
She may have been a little puzzled by my words; or perhaps it was that they had for&lt;br /&gt;
some reason displeased her. In any case, her mood seemed to change at that point, and our&lt;br /&gt;
conversation rapidly lost the rather personal tone it had begun to adopt.&lt;br /&gt;
It was not so long afterwards that these meetings over cocoa in her parlour came to an&lt;br /&gt;
end. In fact, I recall quite clearly the very last time we met like that; I was wishing to discuss&lt;br /&gt;
with Miss Kenton a forthcoming event - a weekend gathering of distinguished persons from&lt;br /&gt;
Scotland. It is true the event was still a month or so away, but then it had always been our&lt;br /&gt;
habit to talk over such events from an early stage.&lt;br /&gt;
On this particular evening, I had been discussing various aspects of it for a little while&lt;br /&gt;
when I realized Miss Kenton was contributing very little; indeed, after a time, it became&lt;br /&gt;
perfectly obvious her thoughts were somewhere else altogether. I did on a few occasions say&lt;br /&gt;
things like: &quot;Are you with me, Miss Kenton?&quot; particularly if I had been making a lengthy&lt;br /&gt;
point, and though whenever I did so she would become a little more alert, within seconds I&lt;br /&gt;
could see her attention drifting again.&lt;br /&gt;
After several minutes of my talking and her contributing only statements such as, &#39;Of&lt;br /&gt;
course, Mr Stevens,&#39; or, &#39;I quite agree, Mr Stevens,&#39; I finally said to her: &quot;I am sorry, Miss&lt;br /&gt;
Kenton, but I see little point in our continuing. You simply do not seem to appreciate the&lt;br /&gt;
importance of this discussion.&quot;&lt;br /&gt;
&quot;I&#39;m sorry, Mr Stevens,&quot; she said, sitting up a little. &quot;It&#39;s simply that I&#39;m rather tired&lt;br /&gt;
this evening.&quot;&lt;br /&gt;
&quot;You are increasingly tired now, Miss Kenton. It used not to be an excuse you needed&lt;br /&gt;
to resort to.&quot;&lt;br /&gt;
To my astonishment, Miss Kenton responded to this in a sudden burst: &quot;Mr Stevens, I&lt;br /&gt;
have had a very busy week. I am very tired. In fact, I have been wishing for my bed for the&lt;br /&gt;
last three or four hours. I am very, very tired, Mr Stevens, can you not appreciate that?&quot;&lt;br /&gt;
It is not as though I had expected an apology from her, but the stridency of this reply&lt;br /&gt;
did, I must say, take me aback a little.&lt;br /&gt;
However, I decided not to get drawn into an unseemly argument with her and made&lt;br /&gt;
sure to pause for a telling moment or two before saying quite calmly: &quot;If that is how you feel&lt;br /&gt;
about it, Miss Kenton, there is no need at all for us to continue with these evening meetings. I&lt;br /&gt;
am sorry that all this time I had no idea of the extent to which they were inconveniencing&lt;br /&gt;
you.&quot;&lt;br /&gt;
&quot;Mr Stevens, I merely said that I was tired tonight.&quot;&lt;br /&gt;
&quot;No, no, Miss Kenton, it&#39;s perfectly under-standable. You have a busy life, and these&lt;br /&gt;
meetings are a quite unnecessary addition to your burden. There are many alternative options&lt;br /&gt;
for achieving the level of professional communication necessary without our meeting on this&lt;br /&gt;
basis.&quot;&lt;br /&gt;
&quot;Mr Stevens, this is quite unnecessary. I merely said…&quot;&lt;br /&gt;
&quot;I mean- it, Miss Kenton. In fact, I had been wondering for some time if we should not&lt;br /&gt;
discontinue these meetings, given how they prolong our already very busy days. The fact that&lt;br /&gt;
we have met here now for years is no reason in itself why we should not-seek a more&lt;br /&gt;
convenient arrangement from here on.&quot;&lt;br /&gt;
&quot;Mr Stevens, please, I believe these meetings are very useful... &quot;&lt;br /&gt;
&quot;But they are inconvenient for you, Miss Kenton. They tire you out. May I suggest that&lt;br /&gt;
from now on, we simply make a special point of communicating important information during&lt;br /&gt;
the course of the normal working day. Should we not be able to find each other readily, I&lt;br /&gt;
suggest we leave written messages at one another&#39;s doors. That seems to me a perfectly fine&lt;br /&gt;
solution. Now, Miss Kenton, I apologize for keeping you up so long. Thank you very kindly&lt;br /&gt;
for the cocoa.&quot;&lt;br /&gt;
Naturally - and why should I not admit this - I have occasionally wondered to myself&lt;br /&gt;
how things might have turned out in the long run had I not been so determined over the issue&lt;br /&gt;
of our evening meetings; that is to say, had I relented on those several occasions over the&lt;br /&gt;
weeks that followed when Miss Kenton suggested we reinstitute them. I only speculate over&lt;br /&gt;
this now because in the light of subsequent events, it could well be argued that in making my&lt;br /&gt;
decision to end those evening meetings ~once and for all, I was perhaps not entirely aware of&lt;br /&gt;
the full implications of what I was doing. Indeed, it might even be said that this small decision&lt;br /&gt;
of mine constituted something of a key turning point; that that decision set things on an&lt;br /&gt;
inevitable course towards what eventually happened.&lt;br /&gt;
But then, I suppose, when with the benefit of hindsight one begins to search one&#39;s past&lt;br /&gt;
for such &#39;turning points&#39;, one is apt to start seeing them everywhere. Not only my decision in&lt;br /&gt;
respect of our evening meetings, but also that episode in my pantry, if one felt so inclined,&lt;br /&gt;
could be seen as such a &#39;turning point&#39;. What would have transpired, one may ask, had one&lt;br /&gt;
responded slightly differently that evening she came in with her vase of flowers? And perhaps&lt;br /&gt;
- occurring as it did around the same time as these events - my encounter with Miss Kenton in&lt;br /&gt;
the dining room the afternoon&quot; she received the news of her aunt&#39;s death might be seen as yet&lt;br /&gt;
another &#39;turning point&#39; of sorts.&lt;br /&gt;
News of the death had arrived some hours earlier; indeed, I had myself knocked on the&lt;br /&gt;
door of her parlour that morning to hand her the letter.&lt;br /&gt;
I had stepped inside for a brief moment to discuss some professional matter, and I&lt;br /&gt;
recall we were seated at her table and in mid-conversation at the moment she opened the&lt;br /&gt;
letter. She became very still, but to her credit she remained composed, reading the letter&lt;br /&gt;
through at least twice.&lt;br /&gt;
Then she put the letter carefully back in its envelope and looked across the table to me.&lt;br /&gt;
&quot;It is from Mrs Johnson, a companion of my aunt. She says my aunt died the day&lt;br /&gt;
before yesterday.&quot; She paused a moment, then said: &quot;The funeral is to take place tomorrow. I&lt;br /&gt;
wonder if it might be possible for me to take the day off.&quot;&lt;br /&gt;
&quot;I am sure that could be arranged, Miss Kenton.&quot;&lt;br /&gt;
&quot;Thank you, Mr Stevens. Forgive me, but perhaps I may now have a few moments&lt;br /&gt;
alone.&quot;&lt;br /&gt;
&quot;Of course, Miss Kenton.&quot;&lt;br /&gt;
I made my exit, and &quot;it was not until after I had done so that it occurred to me I had&lt;br /&gt;
not actually offered her my condolences. I could well imagine the blow the news would be to&lt;br /&gt;
her, her aunt having been, to all intents and purposes, like a mother to her, and I paused out in&lt;br /&gt;
the corridor, wondering if I should go back, knock and make good my omission. But then it&lt;br /&gt;
occurred to me that if I were to do so, I might easily intrude upon her private grief.&lt;br /&gt;
Indeed, it was not impossible that Miss Kenton, at that very moment, and only a few&lt;br /&gt;
feet from me, was actually crying. The thought provoked a strange feeling to rise within me,&lt;br /&gt;
causing me to stand there hovering in the corridor for some moments. But eventually I judged&lt;br /&gt;
it best to await another opportunity to express my sympathy and went on my way.&lt;br /&gt;
As it turned out, I did not see her again until the afternoon, when, as I say, I came&lt;br /&gt;
across her in the dining room, replacing crockery into the sideboard. By this point, I had been&lt;br /&gt;
preoccupied for some hours with the matter of Miss Kenton&#39;s sorrow, having given particular&lt;br /&gt;
thought to the question of what I might best do or say to ease her burden a little. And when I&lt;br /&gt;
had heard her footsteps entering the dining room - I was busy with some task out in the hall - I&lt;br /&gt;
had waited a minute or so, then put down what I was doing and followed her in.&lt;br /&gt;
&quot;Ah, Miss Kenton,&quot; I said. &quot;And how might you be this afternoon?&quot;&lt;br /&gt;
&quot;Quite well, thank you, Mr Stevens.&quot;&lt;br /&gt;
&quot;Is everything in order?&quot;&lt;br /&gt;
&quot;Everything is quite in order, thank you.&quot;&lt;br /&gt;
&quot;I had been meaning to ask you if you were experiencing any particular problems with&lt;br /&gt;
the new recruits.&quot; I gave a small laugh. &quot;Various small difficulties are apt to arise when so&lt;br /&gt;
many new recruits arrive all at once. I dare say the best of us can often profit by a little&lt;br /&gt;
professional discussion at such times.&quot;&lt;br /&gt;
&quot;Thank you, Mr Stevens, but the new girls are very satisfactory to me.&quot;&lt;br /&gt;
&quot;You don&#39;t consider any changes necessary to the present staff plans on account of the&lt;br /&gt;
recent arrivals?&quot;&lt;br /&gt;
&quot;I don&#39;t think any such changes will be necessary, Mr Stevens. However, if I change&lt;br /&gt;
my view on this, I will let you know immediately.&quot;&lt;br /&gt;
She turned her attention back to the sideboard, and for a moment, I thought about&lt;br /&gt;
leaving the dining room. In fact, I believe I actually took a few steps towards the doorway, but&lt;br /&gt;
then I turned to her again and said: &quot;So, Miss Kenton, the new recruits are getting on well,&lt;br /&gt;
you say.&quot;&lt;br /&gt;
&quot;They are both doing very well, I assure you.&quot;&lt;br /&gt;
&quot;Ah, that is good to hear.&quot; I gave another short laugh. &quot;I merely wondered, because we&lt;br /&gt;
had established that neither girls had worked previously in a house of this size.&quot;&lt;br /&gt;
&quot;Indeed, Mr Stevens.&quot;&lt;br /&gt;
I watched her filling the sideboard and waited to see if she would say anything further.&lt;br /&gt;
When after several moments it became clear she would not, I said: &quot;As a matter of fact, Miss&lt;br /&gt;
Kenton, I have to say this. I have noticed one or two things have fallen in standard just&lt;br /&gt;
recently. I do feel you might be a little less complacent as regards new arrivals.&quot;&lt;br /&gt;
&quot;Whatever do you mean, Mr Stevens?&quot;&lt;br /&gt;
&quot;For my part, Miss Kenton, whenever new recruits arrive, I like to make doubly sure&lt;br /&gt;
all is well. I check all aspects of their work and try to gauge how they are conducting&lt;br /&gt;
themselves with other staff members. It is, after all, important to form a clear view of them&lt;br /&gt;
both technically and in terms of their impact on general morale. I regret to say this, Miss&lt;br /&gt;
Kenton, but I believe you have been a little remiss in these respects.&quot;&lt;br /&gt;
For a second, Miss Kenton looked confused.&lt;br /&gt;
Then she turned towards me and a certain strain was visible in her face.&lt;br /&gt;
&quot;I beg your pardon, Mr Stevens?&quot;&lt;br /&gt;
&quot;For instance, Miss Kenton, although the crockery is being washed to as high a&lt;br /&gt;
standard as ever, I have noticed it is being replaced on the kitchen shelves in a manner which,&lt;br /&gt;
while not obviously dangerous, would nevertheless over time result in more breakages than&lt;br /&gt;
necessary.&quot;&lt;br /&gt;
&#39;Is that so, Mr Stevens?&quot;&lt;br /&gt;
&quot;Yes, Miss Kenton. Furthermore, that little alcove outside the breakfast room has not&lt;br /&gt;
been dusted for some time. You will excuse me, but there are one or two other small things I&lt;br /&gt;
might mention.&quot;&lt;br /&gt;
&quot;You needn&#39;t press your point, Mr Stevens. I will, as you suggest, check the work of&lt;br /&gt;
the new maids.&quot;&lt;br /&gt;
&quot;It is not like you to have overlooked such obvious things, Miss Kenton.&quot;&lt;br /&gt;
Miss Kenton looked away from me, and again an expression crossed her face as&lt;br /&gt;
though she were trying to puzzle out something that had quite confused her. She did not look&lt;br /&gt;
upset so much as very weary. Then she closed the sideboard, said: &quot;Please excuse me, Mr&lt;br /&gt;
Stevens,&quot; and left the room.&lt;br /&gt;
But what is the sense in forever speculating what might have happened had such and&lt;br /&gt;
such a moment turned out differently? One could presumably drive oneself to distraction in&lt;br /&gt;
this way. In any case, while it is all very well to talk of &#39;turning points&#39;, one can surely only&lt;br /&gt;
recognize such moments in retrospect. Naturally, when one looks back to such instances&lt;br /&gt;
today, they may indeed take the appearance of being crucial, precious moments in one&#39;s life;&lt;br /&gt;
but of course, at the time, this was not the impression one had. Rather, it was as though one&lt;br /&gt;
had available a never-ending number of days, months, years in which to sort out the vagaries&lt;br /&gt;
of one&#39;s relationship with Miss Kenton; an infinite number of further opportunities in which to&lt;br /&gt;
remedy the effect of this or that misunderstanding. There was surely nothing to indicate at the&lt;br /&gt;
time that such evidently small incidents would render whole dreams forever irredeemable.&lt;br /&gt;
But I see I am becoming unduly introspective, and in a rather morose sort of way at&lt;br /&gt;
that. No doubt, this has to do with the late hour, and the trying nature of the events I have had&lt;br /&gt;
to endure this evening. No doubt, too, my present mood is not unconnected with the fact that&lt;br /&gt;
tomorrow – provided I am supplied with petrol by the local garage, as the Taylors assure me I&lt;br /&gt;
will be - I should arrive in Little Compton by lunch-time and will, presumably, see Miss&lt;br /&gt;
Kenton again after all these years. There is, of course, no reason at all to suppose our meeting&lt;br /&gt;
will be anything but cordial. In fact, I would expect our interview - aside from a few informal&lt;br /&gt;
exchanges quite proper in the circumstances - to be largely professional in character. That is&lt;br /&gt;
to say, it will be my responsibility to determine whether or not Miss Kenton has any interest,&lt;br /&gt;
now that her marriage, sadly, appears to have broken down and she is without a home, in&lt;br /&gt;
returning to her old post at Darlington Hall. I may as well say here that having reread her&lt;br /&gt;
letter again tonight, I am inclined to believe I may well have read more into certain of her&lt;br /&gt;
lines than perhaps was wise. But I would still maintain there is more than a hint of nostalgic&lt;br /&gt;
longing in certain parts of her letter, particularly when she writes such things as: &#39;I was so&lt;br /&gt;
fond of that view from the second-floor bedrooms overlooking the lawn with the downs&lt;br /&gt;
visible in the distance.&#39;&lt;br /&gt;
But then again, what is the purpose in endlessly speculating as to Miss Kenton&#39;s&lt;br /&gt;
present wishes when I will be able to ascertain these from her own person tomorrow? And in&lt;br /&gt;
any case, I have drifted considerably from the account I was giving of this evening&#39;s events.&lt;br /&gt;
These last few hours, let me say it, have proved unreasonably taxing ones. One would have&lt;br /&gt;
thought that having to abandon the Ford on some lonely hill, having to walk down to this&lt;br /&gt;
village in near-darkness by the unorthodox route one did, would be sufficient inconvenience&lt;br /&gt;
to befall one for a single evening. And my kind hosts, Mr and Mrs Taylor, would never, I am&lt;br /&gt;
certain, have knowingly put&#39; me through what I have just endured. But the fact is, once I had&lt;br /&gt;
sat down to supper at their table, once a number of their neighbours had come calling, a most&lt;br /&gt;
discomforting set of events began to unfold around me.&lt;br /&gt;
The room downstairs at the front of this cottage would appear to serve Mr and Mrs&lt;br /&gt;
Taylor as both dining room and general living quarters. It is a rather cosy room, dominated by&lt;br /&gt;
a large, roughly hewn table of the sort one might expect to see in a farmhouse kitchen, its&lt;br /&gt;
surface unvarnished and bearing many small marks left by choppers and breadknives. These&lt;br /&gt;
latter I could see quite clearly despite the fact that we were sitting in a low yellow light cast&lt;br /&gt;
by an oil lamp on a shelf in one corner.&lt;br /&gt;
&quot;It&#39;s not as though we don&#39;t have electricity out here, sir,&quot; Mr Taylor remarked to me at&lt;br /&gt;
one point, nodding towards the lamp. &quot;But something went wrong with the circuit and we&#39;ve&lt;br /&gt;
been without it now for almost two months. To tell you the truth, we don&#39;t miss it so much.&lt;br /&gt;
There&#39;s a few houses in the village that&#39;s never had electricity at all. Oil gives a warmer light.&quot;&lt;br /&gt;
Mrs Taylor had served us with- a good broth, which we had eaten with helpings of&lt;br /&gt;
crusty bread, and at that point, there had been little to suggest the evening held for me&lt;br /&gt;
anything more daunting than an hour or so of pleasant conversation before retiring to bed.&lt;br /&gt;
However, just as we had finished supper and Mr Taylor was pouring for me a glass of ale&lt;br /&gt;
brewed by a neighbour, we heard footsteps approaching on the gravel outside. To my ears,&lt;br /&gt;
there was something a little sinister in the sound of feet coming ever closer in the darkness up&lt;br /&gt;
to an isolated cottage, but neither my host nor hostess seemed to anticipate any menace. For it&lt;br /&gt;
was with curiosity and nothing else in his voice that Mr Taylor said: &quot;Hello, now who could&lt;br /&gt;
this be?&quot;&lt;br /&gt;
He had said this more or less to himself, but then we heard, as though in reply, a voice&lt;br /&gt;
call outside: &quot;It&#39;s George Andrews. Just happened to be walking by.&quot;&lt;br /&gt;
The next moment, Mrs Taylor was showing in a well-built man, perhaps in his fifties,&lt;br /&gt;
who judging from his dress had spent the day engaged in agricultural work. With a familiarity&lt;br /&gt;
which suggested he was a regular visitor, he placed himself on a small stool by the entrance&lt;br /&gt;
and removed his wellington boots with some effort, exchanging a few casual remarks with&lt;br /&gt;
Mrs Taylor as he did so. Then he came towards the table and stopped, standing to attention&lt;br /&gt;
before me as though reporting to an officer in the army.&lt;br /&gt;
&quot;The name&#39;s Andrews, sir,&quot; he said. &quot;A very good evening to you. I&#39;m very sorry to&lt;br /&gt;
hear about your mishap, but I hope you&#39;re not too put out to be spending the night here in&lt;br /&gt;
Moscombe.&quot;&lt;br /&gt;
I was a little puzzled as to how this Mr Andrews had come to hear of my &#39;mishap&#39;, as&lt;br /&gt;
he termed it. In any case, I replied with a smile that far from being &#39;putout&#39;, I felt extremely&lt;br /&gt;
indebted for the hospitality I was receiving. By this I had of course been referring to Mr and&lt;br /&gt;
Mrs Taylor&#39;s kindness, but Mr Andrews seemed to believe himself included by my expression&lt;br /&gt;
of gratitude, for he said immediately, holding up defensively his two large hands: &quot;Oh no, sir,&lt;br /&gt;
you&#39;re most welcome. We&#39;re very pleased to have you. It&#39;s not often the likes of yourself&lt;br /&gt;
comes through here. We&#39;re all very pleased you could stop by.&quot;&lt;br /&gt;
The way he said this seemed to suggest the whole village was aware of my &#39;mishap&#39;&lt;br /&gt;
and subsequent arrival at this cottage. In fact, as I was soon to discover, this was very close to&lt;br /&gt;
being the case; I can only imagine that in the several minutes after I had first been shown up&lt;br /&gt;
to this bedroom - while I was washing my hands and doing what I could to make good the&lt;br /&gt;
damage inflicted upon my jacket and trouser turn-ups - Mr and Mrs Taylor had conveyed&lt;br /&gt;
news of me to passers-by. In any case, the next few minutes saw the arrival of another visitor,&lt;br /&gt;
a man with an appearance much like that of Mr Andrews - that is to say, somewhat broad and&lt;br /&gt;
agricultural, and wearing muddy wellington boots, which he proceeded to remove in much the&lt;br /&gt;
way Mr Andrews had just done. Indeed, their similarity was such that I supposed them to be&lt;br /&gt;
brothers, until the newcomer introduced himself to me as, &quot;Morgan, sir, Trevor Morgan.&quot;&lt;br /&gt;
Mr Morgan expressed regret concerning my &#39;misfortune&#39;, assuring me all would be&lt;br /&gt;
well in the morning before going on to say how welcome I was in the village. Of course, I had&lt;br /&gt;
already heard similar sentiments a few moments earlier, but Mr Morgan actually said: &quot;It&#39;s a&lt;br /&gt;
privilege to have a gentleman like yourself here in Moscombe, sir.&quot;&lt;br /&gt;
Before I had had any time to think of a reply to this, there came the sound of more&lt;br /&gt;
footsteps on the path outside. Soon, a middle-aged couple were shown in, who were&lt;br /&gt;
introduced to me as Mr and Mrs Harry Smith.&lt;br /&gt;
These people did not look at all agricultural; she was a large, matronly woman who&lt;br /&gt;
rather reminded me of Mrs Mortimer, the cook at Darlington Hall through much of the&lt;br /&gt;
twenties and thirties. In contrast, Mr Harry Smith was a small man with a rather intense&lt;br /&gt;
expression that furrowed his brow. As they took their places around the table, he said to me:&lt;br /&gt;
&quot;Your car would be the vintage Ford up there on Thornley Bush Hill, sir?&quot;&lt;br /&gt;
&quot;If that is the hill road overlooking this village,&quot; I said. &quot;But I&#39;m surprised to hear&lt;br /&gt;
you&#39;ve seen it.&quot;&lt;br /&gt;
&quot;I&#39;ve not seen it myself, sir. But Dave Thornton passed it on his tractor a short while&lt;br /&gt;
ago as he was coming home. He was so surprised to see it sitting there, he actually stopped&lt;br /&gt;
and got out.&quot; At this point, Mr Harry Smith turned to address the others around the table.&lt;br /&gt;
&quot;Absolute beauty, it is. Said he&#39;d never seen anything like it. Put the car Mr Lindsay used to&lt;br /&gt;
drive completely in the shade!&quot;&lt;br /&gt;
This caused laughter around the table, which Mr Taylor next to me explained by&lt;br /&gt;
saying: &quot;That was a gent used to live in the big house not far from here, sir. He did one or two&lt;br /&gt;
odd things and wasn&#39;t appreciated around here.&quot;&lt;br /&gt;
This brought a general murmur of assent. Then someone said: &quot;Your health, sir,&quot;&lt;br /&gt;
lifting one of the tankards of ale Mrs Taylor had just finished distributing, and the next&lt;br /&gt;
moment I was being toasted by the whole company.&lt;br /&gt;
I smiled and said: &quot;I assure you the privilege is all mine.&quot;&lt;br /&gt;
&quot;You&#39;re very kind, sir,&quot; Mrs Smith said. &quot;That&#39;s the way a real gentleman is. That Mr&lt;br /&gt;
Lindsay was no gentleman. He may have had a lot of money, but he was never a gentleman.&quot;&lt;br /&gt;
Again, there was agreement all round. Then Mrs Taylor whispered something in Mrs&lt;br /&gt;
Smith&#39;s ear, causing the latter to reply: &quot;He said he&#39;d try to be along as soon as he could.&quot;&lt;br /&gt;
They both turned towards me with a self-conscious air, then Mrs Smith said: &quot;We told Dr&lt;br /&gt;
Carlisle you were here, sir. The doctor would be very pleased to make your acquaintance.&quot;&lt;br /&gt;
&quot;I expect he has patients to see,&quot; Mrs Taylor added apologetically. &quot;I&#39;m afraid we can&#39;t&lt;br /&gt;
say for certain he&#39;ll be able to call in before you&#39;d be wan ting to retire., sir.&quot;&lt;br /&gt;
It was then that Mr Harry Smith, the little man with the furrowed brow, leaned&lt;br /&gt;
forward again and said: &quot;That Mr Lindsay, he had it all wrong, see? Acting the way he did.&lt;br /&gt;
Thought he was so much better than us, and he took us all for fools. Well, I can tell you, sir,&lt;br /&gt;
he soon learnt otherwise. A lot of hard thinking and talking goes on in this place.&lt;br /&gt;
There&#39;s plenty· of good strong opinion around. and people here aren&#39;t shy about&lt;br /&gt;
expressing it. That&#39;s something your Mr Lindsay learnt quickly enough.&quot;&lt;br /&gt;
&quot;He was no gentleman,&quot; Mr Taylor said quietly.&lt;br /&gt;
&quot;He was no gentleman, that Mr Lindsay.&quot;&lt;br /&gt;
&quot;That&#39;s right, sir,&quot; Mr Harry Smith said. &quot;You could tell just watching him he was no&lt;br /&gt;
gentleman. All right, he had a fine house and good suits, but somehow you just knew. And so&lt;br /&gt;
it proved in good time.&quot;&lt;br /&gt;
There was a murmur of agreement, and for a moment all present seemed to be&lt;br /&gt;
considering whether or not it would be proper to divulge to me the tale concerning this local&lt;br /&gt;
personage. Then Mr Taylor broke the silence by saying: &quot;That&#39;s true what Harry says. You&lt;br /&gt;
can tell a true gentleman from a false one that&#39;s just dressed in finery. Take yourself, sir. It&#39;s&lt;br /&gt;
not just the cut of your clothes, nor is it even the fine way you&#39;ve got of speaking.&lt;br /&gt;
There&#39;s something else that marks you out as a gentleman. Hard to put your finger on&lt;br /&gt;
it, but it&#39;s plain for all to see that&#39;s got eyes.&quot;&lt;br /&gt;
This brought more sounds of agreement around the table.&lt;br /&gt;
&quot;Dr Carlisle shouldn&#39;t be long now, sir,&quot; Mrs Taylor put in. &quot;You&#39;ll enjoy talking with&lt;br /&gt;
him.&quot;&lt;br /&gt;
&quot;Dr Carlisle&#39;s got it too,&quot; Mr Taylor said. &quot;He&#39;s got it. He&#39;s a true gent, that one.&quot;&lt;br /&gt;
Mr Morgan, who had said little since his arrival, bent forward and said to me: &quot;What&lt;br /&gt;
do you suppose it is, sir? Maybe one that&#39;s got it can better say what it is. Here we are all&lt;br /&gt;
talking about who&#39;s got it and who hasn&#39;t, and we&#39;re none the wiser about what we&#39;re talking&lt;br /&gt;
about.&lt;br /&gt;
Perhaps you could enlighten us a bit, sir.&quot;&lt;br /&gt;
A silence fell around the table and I could sense all the faces turn to me. I gave a small&lt;br /&gt;
cough and said: &quot;It is hardly for me to pronounce upon qualities I may or may not possess.&lt;br /&gt;
However, as far as this particular question is concerned, one would suspect that the quality&lt;br /&gt;
being referred to might be most usefully termed &#39;dignity&#39;.&quot;&lt;br /&gt;
I saw little point in attempting to explain this statement further.&lt;br /&gt;
Indeed, I had merely given voice to the thoughts running through my mind while&lt;br /&gt;
listening to the preceding talk and it is doubtful I would have said such a thing had the&lt;br /&gt;
situation not suddenly demanded it of me.&lt;br /&gt;
My response, however, seemed to cause much satisfaction.&lt;br /&gt;
&quot;There&#39;s a lot of truth in what you say there, sir,&quot; Mr Andrews said, nodding, and a&lt;br /&gt;
number of other voices echoed this.&lt;br /&gt;
&quot;That Mr Lindsay could certainly have done with a little more dignity,&quot;&lt;br /&gt;
Mrs Taylor said. &quot;The trouble with his sort is they mistake acting high and mighty for&lt;br /&gt;
dignity.&quot;&lt;br /&gt;
&quot;Mind you,&quot; put in Mr Harry Smith, &quot;with all respect for what you say, sir, it ought to&lt;br /&gt;
be said. Dignity isn&#39;t just something gentlemen have.&lt;br /&gt;
Dignity&#39;s something every man and woman in this country can strive for and get.&lt;br /&gt;
You&#39;ll excuse me, sir, but like I said before, we don&#39;t stand on ceremony here when it comes&lt;br /&gt;
to expressing opinions. And that&#39;s my opinion for what it&#39;s worth. Dignity&#39;s not just something&lt;br /&gt;
for gentlemen.&quot;&lt;br /&gt;
I perceived, of course, that Mr Harry Smith and I were rather at cross purposes on this&lt;br /&gt;
matter, and that it would be far too complicated a task for me to explain myself more clearly&lt;br /&gt;
to these people. I thus judged it best simply to smile and say: &quot;Of course, you&#39;re quite&lt;br /&gt;
correct.&quot;&lt;br /&gt;
This had the immediate effect of dispelling the slight tension that had built in the room&lt;br /&gt;
while Mr Harry Smith had been speaking. And Mr Harry Smith himself seemed to lose all&lt;br /&gt;
inhibitions, for now he leaned forward and continued: &quot;That&#39;s what we fought Hitler for, after&lt;br /&gt;
all. If Hitler had had things his way, we&#39;d just be slaves now. The whole world would be a few&lt;br /&gt;
masters and millions upon millions of slaves. And I don&#39;t need to remind anyone here, there&#39;s&lt;br /&gt;
no dignity to be had in being a slave. That&#39;s what we fought for and that&#39;s what we won. We&lt;br /&gt;
won the right to be free citizens.&lt;br /&gt;
And it&#39;s one of the privileges of being born English that no matter who you are, no&lt;br /&gt;
matter if you&#39;re rich or poor, you&#39;re born free and you&#39;re born so that you can express your&lt;br /&gt;
opinion freely, and vote in your member of parliament or vote him out. That&#39;s what dignity&#39;s&lt;br /&gt;
really about, if you&#39;ll excuse me, sir.&quot;&lt;br /&gt;
&quot;Now now, Harry,&quot; Mr Taylor said. &quot;I can see you&#39;re warming up to one of your&lt;br /&gt;
political speeches.&quot;&lt;br /&gt;
This brought laughter. Mr Harry Smith smiled a little shyly, but went on: &quot;I&#39;m not&lt;br /&gt;
talking politics. I&#39;m just saying, that&#39;s all. You can&#39;t have dignity if you&#39;re a slave. But every&lt;br /&gt;
Englishman can grasp it if only he cares to. Because we fought for that right.&quot;&lt;br /&gt;
&quot;This may seem like a small, out of the way place we have here, sir,&quot; his wife said.&lt;br /&gt;
&quot;But we gave more than our share in the war. More than our share.&quot;&lt;br /&gt;
A solemnness hung in the air after she said this, until eventually Mr Taylor said to me:&lt;br /&gt;
&quot;Harry here does a lot of organizing for our local member. Give him half a chance and he&#39;ll&lt;br /&gt;
tell you everything that&#39;s wrong with the way the country&#39;s run.&quot;&lt;br /&gt;
&quot;Ah, but I was just saying what was /right /about the country this time.&quot;&lt;br /&gt;
&quot;Have you had much to do with politics yourself, sir?&quot; Mr Andrews asked.&lt;br /&gt;
&quot;Not directly as such,&quot; I said. &quot;And particularly not these days. More so before the war&lt;br /&gt;
perhaps.&quot;&lt;br /&gt;
&quot;It&#39;s just that I seem to remember a Mr Stevens who was a member of parliament a&lt;br /&gt;
year or two ago. Heard him on the wireless once or twice.&lt;br /&gt;
Had some very sensible things to say about housing. But that wouldn&#39;t be yourself,&lt;br /&gt;
sir?&quot;&lt;br /&gt;
&quot;Oh no,&quot; I said with a laugh. Now I am not at all sure what made me utter my next&lt;br /&gt;
statement; all I can say is that it seemed somehow called for in the circumstances in which I&lt;br /&gt;
found myself. For I then said: &quot;In fact, I tended to concern myself with international affairs&lt;br /&gt;
more than domestic ones. Foreign policy, that is to say.&quot;&lt;br /&gt;
I was a little taken aback by the effect this seemed to have upon my listeners. That is&lt;br /&gt;
to say, a sense of awe seemed to descend on them. I added quickly: &quot;I never held any high&lt;br /&gt;
office, mind you. Any influence I exerted was in a strictly unofficial capacity.&quot; But the hushed&lt;br /&gt;
silence remained for several more seconds.&lt;br /&gt;
&quot;Excuse me, sir,&quot; Mrs Taylor said eventually, &quot;but have you ever met Mr Churchill?&quot;&lt;br /&gt;
&quot;Mr Churchill? He did come to the house on a number of occasions. But to be quite&lt;br /&gt;
frank, Mrs Taylor, during the time I was most involved in great affairs, Mr Churchill was not&lt;br /&gt;
such a key figure and was not really expected to become one. The likes of Mr Eden and Lord&lt;br /&gt;
Halifax were more frequent visitors in those days.&quot;&lt;br /&gt;
&quot;But you have actually met Mr Churchill, sir?&lt;br /&gt;
What an honour to be able to say that.&quot;&lt;br /&gt;
&quot;I don&#39;t agree with many things Mr Churchill says,&quot; Mr Harry Smith said, &quot;but there&#39;s&lt;br /&gt;
no doubt about it, he&#39;s a great man. It must be quite something, sir, to be discussing matters&lt;br /&gt;
with his like.&quot;&lt;br /&gt;
&quot;Well, I must reiterate,&quot; I said, &quot;I didn&#39;t have a great deal to do with Mr Churchill. But&lt;br /&gt;
as you rightly point out, it&#39;s rather gratifying to have consorted with him. In fact, all in all, I&lt;br /&gt;
suppose I have been very fortunate, I would be the first to admit that. It has been my good&lt;br /&gt;
fortune, after all, to have consorted not just with Mr Churchill, but with many other great&lt;br /&gt;
leaders and men of influence - from America and from Europe. And when you think that it&lt;br /&gt;
was my good fortune to have had their ear on many great issues of the day, yes, when I think&lt;br /&gt;
back, I do feel a certain gratitude. It&#39;s a great privilege, after all, to have been given a part to&lt;br /&gt;
play, however small, on the world&#39;s stage.&quot;&lt;br /&gt;
&quot;Excuse me asking, sir,&quot; Mr Andrews said, &quot;but what sort of a man is Mr Eden? I&lt;br /&gt;
mean, at the personal level. I&#39;ve always had the impression he&#39;s a jolly decent sort. The sort&lt;br /&gt;
that can talk to anyone high or low, rich or poor. Am I right, sir?&quot;&lt;br /&gt;
&quot;I would say that is, by and large, an accurate picture. But of course I have not seen&lt;br /&gt;
Mr Eden in recent years, and he may have been much changed by pressures. One thing I have&lt;br /&gt;
witnessed is that public life can change people unrecognizably in a few short years.&quot;&lt;br /&gt;
&quot;I don&#39;t doubt that, sir,&quot; said Mr Andrews.&lt;br /&gt;
&quot;Even Harry here. Got himself involved with his politics a few years back and he&#39;s&lt;br /&gt;
never been the same man since.&quot;&lt;br /&gt;
There was laughter again, while Mr Harry Smith shrugged and allowed a smile to&lt;br /&gt;
cross his face. Then he said: &quot;It&#39;s true I&#39;ve put a lot into the campaigning work. It&#39;s only at a&lt;br /&gt;
local level, and I never meet anyone half as grand as the likes you associate with, sir, but in&lt;br /&gt;
my own small way I believe I&#39;m doing my part. The way I see it, England&#39;s a democracy, and&lt;br /&gt;
we in this village have suffered as much as anyone fighting to keep it that way. Now it&#39;s up to&lt;br /&gt;
us to exercise our rights, every one of us. Some fine young lads from this village gave their&lt;br /&gt;
lives to give us that privilege, and the way I see it, each one of us here now owes it to them to&lt;br /&gt;
play our part.&lt;br /&gt;
We&#39;ve all got strong opinions here, and it&#39;s our responsibility to get them heard. We&#39;re&lt;br /&gt;
out of the way, all right, a small village, we&#39;re none of us getting younger, and the village is&lt;br /&gt;
getting smaller. But the way I see it we owe it to the lads we lost from this village. That&#39;s&lt;br /&gt;
why, sir, I give so much of my time now to making sure our voice gets heard in high places.&lt;br /&gt;
And if it changes me, or sends me to an early grave, I don&#39;t mind.&quot;&lt;br /&gt;
&quot;I did warn you, sir,&quot; Mr Taylor said with a smile. &quot;There was no way Harry was&lt;br /&gt;
going to let an influential gentleman like yourself come through the village without giving&lt;br /&gt;
you his usual earful.&quot;&lt;br /&gt;
There was laughter again, but I said almost immediately: &quot;I think I understand your&lt;br /&gt;
position very well, Mr Smith. I can well understand that you wish the world to be a better&lt;br /&gt;
place and that you and your fellow residents here should have an opportunity to contribute to&lt;br /&gt;
the making of a better world. It is a sentiment to be applauded. I dare say it was a very similar&lt;br /&gt;
urge which led me to become involved in great affairs before the war. Then, as now, world&lt;br /&gt;
peace seemed something we had only the most fragile grasp of, and I wished to do my part.&quot;&lt;br /&gt;
&quot;Excuse me, sir,&quot; said Mr Harry Smith, &quot;but my point was a slightly different one. For&lt;br /&gt;
the likes of yourself, it&#39;s always been easy to exert your influence. You can count the most&lt;br /&gt;
powerful in the land as your friends. But the likes of us here, sir, we can go year in year out&lt;br /&gt;
and never even lay eyes on a real gentleman - other than maybe Dr Carlisle.&lt;br /&gt;
He&#39;s a first-class doctor, but with all respect, he doesn&#39;t have /connections /as such. It&lt;br /&gt;
gets easy for us here to forget our responsibility as citizens. That&#39;s why I work so hard at the&lt;br /&gt;
campaigning. Whether people agree or disagree - and I know there&#39;s not one soul in this room&lt;br /&gt;
now who&#39;d agree with everything I say - at least I&#39;ll get them thinking. At least I&#39;ll remind&lt;br /&gt;
them of their duty. This is a democratic country we&#39;re living in. We fought for it. We&#39;ve all&lt;br /&gt;
got to play our part.&quot;&lt;br /&gt;
&quot;I wonder what could have happened to Dr Carlisle,&quot; Mrs Smith said. &quot;I&#39;m sure the&lt;br /&gt;
gentleman could just about use some /educated /talk now.&quot;&lt;br /&gt;
This provoked more laughter.&lt;br /&gt;
&quot;In fact,&quot; I said, &quot;although it has been extremely enjoyable to meet you all, I must&lt;br /&gt;
confess I&#39;m beginning to feel rather exhausted... &quot;&lt;br /&gt;
&quot;Of course, sir,&quot; Mrs Taylor said, &quot;you must be very tired. Perhaps I&#39;ll fetch another&lt;br /&gt;
blanket for you. It&#39;s getting much chillier at night now.&quot;&lt;br /&gt;
&quot;No, I assure you, Mrs Taylor, I&#39;ll be most comfortable.&quot;&lt;br /&gt;
But before I could rise from the table, Mr Morgan said: &quot;I just wondered, sir, there&#39;s a&lt;br /&gt;
fellow we like to listen to on the wireless, his name&#39;s Leslie Mandrake. I just wondered if&lt;br /&gt;
you&#39;d happened to have met him.&quot;&lt;br /&gt;
I replied that I had not, and was about to make another attempt to retire only to find&lt;br /&gt;
myself detained by further inquiries regarding various persons I may have met. I was, then,&lt;br /&gt;
still seated at the table when Mrs Smith remarked: &quot;Ah, there&#39;s someone coming. I expect&lt;br /&gt;
that&#39;s the doctor at last.&quot;&lt;br /&gt;
&quot;I really ought to be retiring,&quot; I said. &quot;I feel quite exhausted.&quot;&lt;br /&gt;
&quot;But I&#39;m sure this is the doctor now, sir,&quot; said Mrs Smith. &quot;Do wait a few more&lt;br /&gt;
minutes.&quot;&lt;br /&gt;
Just as she said this, there came a knock and a voice said:&quot;&lt;br /&gt;
&quot;It&#39;s just me, Mrs -Taylor.&quot;&lt;br /&gt;
The gentleman who was shown in was still fairly young - perhaps around forty or so -&lt;br /&gt;
tall and thin; tail enough, in fact, that he was obliged to stoop to enter the doorway of the&lt;br /&gt;
cottage. No sooner had he bade us all a good evening than Mrs Taylor said to him: &quot;This is&lt;br /&gt;
our gentleman here, Doctor. His car&#39;s stuck up there on Thornley Bush and he&#39;s having to&lt;br /&gt;
endure Harry&#39;s speeches as a result.&quot;&lt;br /&gt;
The doctor came up to the table and held out his hand to me.&lt;br /&gt;
&quot;Richard Carlisle,&quot; he said with a cheerful smile as I rose to shake it.&lt;br /&gt;
&quot;Rotten bit of luck about your car. Still, trust you&#39;re being well looked after here.&lt;br /&gt;
Looked after rather too well, I imagine.&quot;&lt;br /&gt;
&quot;Thank you,&quot; I replied. &quot;Everyone has been most kind.&quot;&lt;br /&gt;
&quot;Well, nice to have you with us.&quot; Dr Carlisle seated himself almost directly across the&lt;br /&gt;
table from me. &quot;Which part of the country are you from?&quot;&lt;br /&gt;
&quot;Oxfordshire,&quot; I said, and indeed, it was no easy task to suppress the instinct to add&lt;br /&gt;
&quot;sir&quot;.&lt;br /&gt;
&quot;Fine part of the country. I have an uncle lives just outside Oxford.&lt;br /&gt;
Fine part of the country.&quot;&lt;br /&gt;
&quot;The gentleman was just telling us, Doctor,&quot; Mrs Smith said, &quot;he knows Mr&lt;br /&gt;
Churchill.&quot;&lt;br /&gt;
&quot;Is that so? I used to know a nephew of his, but I&#39;ve rather lost touch.&lt;br /&gt;
Never had the privilege of meeting the great man, though.&quot;&lt;br /&gt;
&quot;And not only Mr Churchill,&quot; Mrs Smith went on. &quot;He knows Mr Eden. And Lord&lt;br /&gt;
Halifax.&quot;&lt;br /&gt;
&quot;Really?&quot;&lt;br /&gt;
I could sense the doctor&#39;s eyes examining me closely. I was about to make some&lt;br /&gt;
appropriate remark, but before I could do so, Mr Andrews said to the doctor: &quot;Gentleman was&lt;br /&gt;
just telling us he&#39;s had a lot to do with foreign affairs in his time.&quot;&lt;br /&gt;
&quot;Is that so indeed?&quot;&lt;br /&gt;
It seemed to me that Dr Carlisle went on looking at me for an inordinate length of&lt;br /&gt;
time. Then he regained his cheerful manner and asked: &quot;Touring around for pleasure?&quot;&lt;br /&gt;
&quot;Principally,&quot; I said, and gave a small laugh. &quot;Plenty of nice country around here. Oh,&lt;br /&gt;
by the way, Mr Andrews, I&#39;m sorry not to have returned that saw yet.&quot;&lt;br /&gt;
&quot;No hurry at all, Doctor.&quot;&lt;br /&gt;
For a little time, the focus of attention left me and I was able to remain silent. Then,&lt;br /&gt;
seizing what seemed a suitable moment, I rose to my feet, saying: &quot;Please excuse me. It has&lt;br /&gt;
been a most enjoyable evening, but I really must now retire.&quot;&lt;br /&gt;
&quot;Such a pity you have to retire already, sir,&quot; Mrs Smith said. &quot;The doctor&#39;s only just&lt;br /&gt;
arrived.&quot;&lt;br /&gt;
Mr Harry Smith leaned across his wife and said to Dr Carlisle: &quot;I was hoping the&lt;br /&gt;
gentleman would have a few words to say about your ideas on the Empire, Doctor.&quot; Then&lt;br /&gt;
turning to me, he went on: &quot;Our doctor here&#39;s for all kinds of little countries going&lt;br /&gt;
independent. I don&#39;t have the learning to prove him wrong, though I know he is. But I&#39;d have&lt;br /&gt;
been interested to hear what the likes of yourself would have to say to him on the subject, sir.&quot;&lt;br /&gt;
Yet again, Dr Carlisle&#39;s gaze seemed to study me. Then he said: &quot;A pity, but we must&lt;br /&gt;
let the gentleman go off to bed. Had a tiring day, I expect.&quot;&lt;br /&gt;
&quot;Indeed,&quot; I said, and with another small laugh, began to make my way round the table.&lt;br /&gt;
To my embarrassment, everyone in the room, including Dr Carlisle, rose to their feet.&lt;br /&gt;
&quot;Thank you all very much,&quot; I said, smiling.&lt;br /&gt;
&quot;Mrs Taylor, I did enjoy a splendid supper. I wish you all a very good night.&quot;&lt;br /&gt;
There came a chorus of, &quot;Good night, sir,&quot; in reply. I had almost left the room when&lt;br /&gt;
the doctor&#39;s voice caused me to halt at the door.&lt;br /&gt;
&quot;I say, old chap,&quot; he said, and when I turned, I saw he had remained on his feet. &quot;I&lt;br /&gt;
have a visit to make in Stanbury first thing in the morning.&lt;br /&gt;
I&#39;d be happy to give you a lift up to your car. Save you the walk. And we can pick up a&lt;br /&gt;
can of petrol from Ted Hardacre&#39;s on the way.&quot;&lt;br /&gt;
&quot;That is most kind,&quot; I said. &quot;But I don&#39;t wish to put you to any trouble.&quot;&lt;br /&gt;
&quot;No trouble at all. Seven thirty all right for you?&quot;&lt;br /&gt;
&quot;That would be most helpful indeed.&quot;&lt;br /&gt;
&quot;Right then, seven thirty it is. Make sure your guest&#39;s up and breakfasted for seven&lt;br /&gt;
thirty, Mrs Taylor.&quot; Then turning back to me, he added: &quot;So we can have our talk after all.&lt;br /&gt;
Though Harry here won&#39;t have the satisfaction of witnessing my humiliation.&quot;&lt;br /&gt;
There was laughter, and another exchange of good nights before I was at last allowed&lt;br /&gt;
to ascend to the sanctuary of this room.&lt;br /&gt;
I trust I need hardly underline the extent of the discomfort I suffered tonight on&lt;br /&gt;
account of the unfortunate misunderstanding concerning my person. I can only say now that&lt;br /&gt;
in all honesty I fail to see how I might reasonably have prevented the situation developing as&lt;br /&gt;
it did; for by the stage I had become aware of what was occurring, things had gone so far I&lt;br /&gt;
could not have enlightened these people without creating much embarrassment all round. In&lt;br /&gt;
any case, regrettable as the whole business was, I do not see that any real harm has been done.&lt;br /&gt;
I will, after all, take my leave of these people in the morning and presumably never encounter&lt;br /&gt;
them again. There seems little point in dwelling on the matter.&lt;br /&gt;
However, the unfortunate misunderstanding aside, there are perhaps one or two other&lt;br /&gt;
aspects to this evening&#39;s events which warrant a few moments&#39; thought - if only because&lt;br /&gt;
otherwise they may come to niggle one throughout the coming days. For instance, there is the&lt;br /&gt;
matter of Mr Harry Smith&#39;s pronouncements on the nature of &#39;dignity&#39;. There is surely little in&lt;br /&gt;
his statements that merits serious consideration. Of course, one has to allow that Mr Harry&lt;br /&gt;
Smith was employing the word &#39;dignity&#39; in a quite different sense altogether from my own&lt;br /&gt;
understanding of it. Even so, even taken on their own terms, his statements were, surely, far&lt;br /&gt;
too idealistic, far too theoretical, to deserve respect. Up to a point, no doubt, there is some&lt;br /&gt;
truth in what he says: in a country such as ours, people may indeed have a certain duty to&lt;br /&gt;
think about great affairs and form their opinions. But life being what it is, how can ordinary&lt;br /&gt;
people truly be expected to have &#39;strong opinions&#39; on all manner of things - as Mr Harry Smith&lt;br /&gt;
rather fancifully claims the villagers here do? And not only are these expectations unrealistic,&lt;br /&gt;
I rather doubt if they are even desirable. There is, after all, a real limit to how much ordinary&lt;br /&gt;
people can learn and know, and to demand that each and everyone of them contribute &#39;strong&lt;br /&gt;
opinions&#39; to the great debates of the nation cannot, surely, be wise. It is, in any case, absurd&lt;br /&gt;
that anyone should presume to define a person&#39;s &#39;dignity&#39; in these terms.&lt;br /&gt;
As it happens, there is an instance that comes to mind which I believe illustrates rather&lt;br /&gt;
well the real limits of whatever truth may be contained in Mr Harry Smith&#39;s views. It is, as it&lt;br /&gt;
happens, an instance from my own experience, an episode that took place before the war,&lt;br /&gt;
around 1935.&lt;br /&gt;
As I recall, I was rung for late one night - it was past midnight - to the drawing room&lt;br /&gt;
where his lordship had been entertaining three gentlemen since dinner. I had, naturally, been&lt;br /&gt;
called to the drawing room several times already that night to replenish refreshments, and had&lt;br /&gt;
observed on these occasions the gentlemen deep in conversation over weighty issues. When I&lt;br /&gt;
entered the drawing room on this last occasion, however, all the gentlemen stopped talking&lt;br /&gt;
and looked at me. Then his lordship said: &quot;Step this way a moment, will you, Stevens?&lt;br /&gt;
Mr Spencer here wishes a word with you.&quot;&lt;br /&gt;
The gentleman in question went on gazing at me for a moment without changing the&lt;br /&gt;
somewhat languid posture he had adopted in his armchair.&lt;br /&gt;
Then he said: &quot;My good man, I have a question for you.&lt;br /&gt;
We need your help on a certain matter we&#39;ve been debating. T ell me, do you suppose&lt;br /&gt;
the debt situation regarding America is a significant factor in the present low levels of trade?&lt;br /&gt;
Or do you suppose this is a red herring and that the abandonment of the gold standard is at the&lt;br /&gt;
root of the matter?&quot;&lt;br /&gt;
I was naturally a little surprised by this, but then quickly saw the situation for what it&lt;br /&gt;
was; that is to say, it was clearly expected that I be baffled by the question. Indeed, in the&lt;br /&gt;
moment or so that it took for me to perceive this and compose a suitable response, I may even&lt;br /&gt;
have given the outward impression of struggling with the question, for I saw all the gentlemen&lt;br /&gt;
in the room exchange mirthful smiles.&lt;br /&gt;
&quot;I&#39;m very sorry, sir,&quot; I said, &quot;but I am unable to be of assistance on this matter.&quot;&lt;br /&gt;
I was by this point well on top of the situation, but the gentlemen went on laughing&lt;br /&gt;
covertly. Then Mr Spencer said: &quot;Then perhaps you will help us on another matter. Would&lt;br /&gt;
you say that the currency problem in Europe would be made better or worse if there were to&lt;br /&gt;
be an arms agreement between the French and the Bolsheviks?&quot;&lt;br /&gt;
&quot;I&#39;m very sorry, sir, but I am unable to be of assistance on this matter.&quot;&lt;br /&gt;
&quot;Oh dear,&quot; said Mr Spencer. &quot;So you can&#39;t help us here either.&quot;&lt;br /&gt;
There was more suppressed laughter before his lordship said: &quot;Very well, Stevens.&lt;br /&gt;
That will be all.&quot;&lt;br /&gt;
&quot;Please, Darlington, I have one more question to put to our good man here,&quot; Mr&lt;br /&gt;
Spencer said. &quot;I very much wanted his help on the question presently vexing many of us, and&lt;br /&gt;
which we all realize is crucial to how we should shape our foreign policy. My good fellow,&lt;br /&gt;
please come to our assistance. What was M. Laval really intending, by his recent speech on&lt;br /&gt;
the situation in North Africa? Are you also of the view that it was simply a ruse to scupper the&lt;br /&gt;
nationalist fringe of his own domestic party?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, but I am unable to assist in this matter.&quot;&lt;br /&gt;
&quot;You see, gentlemen,&quot; Mr Spencer said, turning to the others, &quot;our man here is unable&lt;br /&gt;
to assist us in these matters.&quot;&lt;br /&gt;
This brought fresh laughter, now barely suppressed.&lt;br /&gt;
&quot;And yet,&quot; Mr Spencer went on, &quot;we still persist with the notion that this nation&#39;s&lt;br /&gt;
decisions be left in the hands of our good man here and to the few million others like him. Is it&lt;br /&gt;
any wonder, saddled as we are with our present parliamentary system, that we are unable to&lt;br /&gt;
find any solution to our many difficulties? Why, you may as well ask a committee of the&lt;br /&gt;
mothers&#39; union to organize a war campaign.&quot;&lt;br /&gt;
There was open, hearty laughter at this remark, during which his lordship muttered:&lt;br /&gt;
&quot;Thank you, Stevens,&quot; thus enabling me to take my leave.&lt;br /&gt;
While of course this was a slightly uncomfortable situation, it was hardly the most&lt;br /&gt;
difficult, or even an especially unusual one to encounter in the course of one&#39;s duties, and you&lt;br /&gt;
will no doubt agree that any decent professional should expect to take such events in his&lt;br /&gt;
stride. I had, then, all but forgotten the episode by the following morning, when Lord&lt;br /&gt;
Darlington came into the billiard room while I was up on a step-ladder dusting portraits, and&lt;br /&gt;
said: &quot;Look here, Stevens, it was dreadful. The ordeal we put you through last night.&quot;&lt;br /&gt;
I paused in what I was doing and said: &quot;Not at all, sir. I was only too happy to be of&lt;br /&gt;
service.&quot;&lt;br /&gt;
&quot;It was quite dreadful. We&#39;d all had rather too good a dinner, I fancy.&lt;br /&gt;
Please accept my apologies.&quot;&lt;br /&gt;
&quot;Thank you, sir. But I am happy to assure you I was not unduly inconvenienced.&quot;&lt;br /&gt;
His lordship walked over rather wearily to a leather armchair, seated himself and&lt;br /&gt;
sighed. From my vantage point up on my ladder, I could see practically the whole of his long&lt;br /&gt;
figure caught in the winter sunshine pouring in through the french windows and streaking&lt;br /&gt;
much of the room. It was, as I recall it, one of those moments that brought home how much&lt;br /&gt;
the pressures of life had taken their toll on his lordship over a relatively small number of&lt;br /&gt;
years. His frame, always slender, had become alarmingly thin and somewhat misshapen, his&lt;br /&gt;
hair prematurely white, his face strained and haggard. For awhile, he sat gazing out of the&lt;br /&gt;
french windows towards the downs, then said again: &quot;It really was quite dreadful. But you&lt;br /&gt;
see, Stevens, Mr Spencer had a point to prove to Sir Leonard. In fact, if it&#39;s any consolation,&lt;br /&gt;
you did assist in demonstrating a very important point. Sir Leonard had been talking a lot of&lt;br /&gt;
that old-fashioned nonsense. About the will of the people being the wisest arbitrator and so&lt;br /&gt;
on. Would you believe it, Stevens?&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
&quot;We&#39;re really so slow in this country to recognize when a thing&#39;s outmoded. Other&lt;br /&gt;
great nations know full well that to meet the challenges of each new age means discarding&lt;br /&gt;
old, sometimes well-loved methods. Not so here in Britain. There&#39;s still so many talking like&lt;br /&gt;
Sir Leonard last night. That&#39;s why Mr Spencer felt the need to demonstrate his point. And I&lt;br /&gt;
tell you, Stevens, if the likes of Sir Leonard are made to wake up and think a little, then you&lt;br /&gt;
can take it from me your ordeal last night was not in vain.&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
Lord Darlington gave another sigh. &quot;We&#39;re always the last, Stevens.&lt;br /&gt;
Always the last to be clinging on to outmoded systems. But sooner or later, we&#39;ll need&lt;br /&gt;
to face up to the facts. Democracy is something for a bygone era. The world&#39;s far too&lt;br /&gt;
complicated a place now for universal suffrage and such like. For endless members of&lt;br /&gt;
parliament debating things to a standstill. All fine a few years ago perhaps, but in today&#39;s&lt;br /&gt;
world? What was it Mr Spencer said last night? He put it rather well.&quot;&lt;br /&gt;
&quot;I believe, sir, he compared the present parliamentary system to a committee of the&lt;br /&gt;
mothers&#39; union attempting to organize a war campaign.&quot;&lt;br /&gt;
&quot;Exactly, Stevens. We are, quite frankly, behind the times in this country. And it&#39;s&lt;br /&gt;
imperative that all forward-looking people impress this on the likes of Sir Leonard.&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
&quot;I ask you, Stevens. Here we are in the midst of a continuing crisis.&lt;br /&gt;
I&#39;ve seen it with my own eyes when I went north with Mr Whittaker.&lt;br /&gt;
People are suffering. Ordinary, decent working people are suffering terribly. Germany&lt;br /&gt;
and Italy have set their houses in order by acting.&lt;br /&gt;
And so have the wretched Bolsheviks in their own way, one supposes. Even President&lt;br /&gt;
Roosevelt, look at him, he&#39;s not afraid to take a few bold steps on behalf of his people. But&lt;br /&gt;
look at us here, Stevens. Year after year goes by, and nothing gets better. All we do is argue&lt;br /&gt;
and debate and procrastinate.&lt;br /&gt;
Any decent idea is amended to ineffectuality by the time it&#39;s gone half-way through the&lt;br /&gt;
various committees it&#39;s obliged to pass through.&lt;br /&gt;
The few people qualified to know what&#39;s what are talked to a standstill by ignorant&lt;br /&gt;
people all around them. What do you make of it, Stevens?&quot;&lt;br /&gt;
&quot;The nation does seem to be in a regrettable condition, sir.&quot;&lt;br /&gt;
&quot;I&#39;ll say. Look at Germany and Italy, Stevens.&lt;br /&gt;
See what strong leadership can do if it&#39;s allowed to act. None of this universal suffrage&lt;br /&gt;
nonsense there. If your house is on fire, you don&#39;t call the household into the drawing room&lt;br /&gt;
and debate the various options for escape for an hour, do you? It may have been all very well&lt;br /&gt;
once, but the world&#39;s a complicated place now. The man in the street can&#39;t be expected to&lt;br /&gt;
know enough about politics, economics, world commerce and what have you. And why&lt;br /&gt;
should he? In fact, you made a very good reply last night, Stevens. How did you put it?&lt;br /&gt;
Something to the effect that it was not in your realm? Well, why should it be?&lt;br /&gt;
It occurs to me in recalling these words that, of course, many of Lord Darlington&#39;s&lt;br /&gt;
ideas will seem today rather odd - even, at times, unattractive. But surely it cannot be denied&lt;br /&gt;
that there is an important element of truth in these things he said to me that morning in the&lt;br /&gt;
billiard room. Of course, it is quite absurd to expect any butler to be in a position to answer&lt;br /&gt;
authoritatively questions of the sort Mr Spencer had put to me that night, and the claim of&lt;br /&gt;
people like Mr Harry Smith that one&#39;s &#39;dignity&#39; is conditional on being able to do so can be&lt;br /&gt;
seen for the nonsense it is. Let us establish this quite clearly: a butler&#39;s duty is to provide good&lt;br /&gt;
service. It is not to meddle in the great affairs of the nation. The fact is, such great affairs will&lt;br /&gt;
always be beyond the understanding of those such as you and I, and those of us who wish to&lt;br /&gt;
make our mark must realize that we best do so by concentrating on what /is /within our realm;&lt;br /&gt;
that is to say, by devoting our attention to providing the best possible service to those great&lt;br /&gt;
gentlemen in whose hands the destiny of civilization truly lies. This may seem obvious, but&lt;br /&gt;
then one can immediately think of too many instances of butlers who, for a time anyway,&lt;br /&gt;
thought quite differently. Indeed, Mr Harry Smith&#39;s words tonight remind me very much of&lt;br /&gt;
the sort of misguided idealism which beset significant sections of our generation throughout&lt;br /&gt;
the twenties and thirties. I refer to that strand of opinion in the profession which suggested&lt;br /&gt;
that any butler with serious aspirations should make it his business to be forever reappraising&lt;br /&gt;
his employer - scrutinizing the latter&#39;s motives, analysing the implications of his views.&#39; Only&lt;br /&gt;
in this way, so the argument ran, could one be sure one&#39;s skills were being employed to a&lt;br /&gt;
desirable end. Although one sympathizes to some extent with the idealism contained in such&lt;br /&gt;
an argument, there can be little doubt that it is the result, like Mr Smith&#39;s sentiments tonight,&lt;br /&gt;
of misguided thinking. One need only look at the butlers who attempted to put such an&lt;br /&gt;
approach into practice, and one will see that their careers - and in some cases they were highly&lt;br /&gt;
promising careers - came to nothing as a direct consequence. I personally knew at least two&lt;br /&gt;
professionals, both of some ability, who went from one employer to the next, forever&lt;br /&gt;
dissatisfied, never settling anywhere, until they drifted from view altogether. That this should&lt;br /&gt;
happen is not in the least surprising. For it is, in practice, simply not possible to adopt such a&lt;br /&gt;
critical attitude towards an employer and at the same time provide good service.&lt;br /&gt;
It is not simply that one is unlikely to be able to meet the many demands of service at&lt;br /&gt;
the higher levels while one&#39;s attentions are being diverted by such matters; more&lt;br /&gt;
fundamentally, a butler who is forever attempting to formulate his own &#39;strong opinions&#39; on&lt;br /&gt;
his employer&#39;s affairs is bound to lack one quality essential in all good professionals: namely,&lt;br /&gt;
loyalty. Please do not misunderstand me here; I do not refer to the mindless sort of &#39;loyalty&#39;&lt;br /&gt;
that mediocre employers bemoan the lack of when they find themselves unable to retain the&lt;br /&gt;
services of high-calibre professionals. Indeed, I would be among the last to advocate&lt;br /&gt;
bestowing one&#39;s loyalty carelessly on any lady or gentleman who happens to employ one for a&lt;br /&gt;
time.&lt;br /&gt;
However, if a butler is to be of any worth to anything or anybody in life, there must&lt;br /&gt;
surely come a time when he ceases his searching; a time when he must say to himself: &#39;This&lt;br /&gt;
employer embodies all that I find noble and admirable. I will hereafter devote myself to&lt;br /&gt;
serving him.&#39;&lt;br /&gt;
This is loyalty /intelligently /bestowed. What is there &#39;undignified&#39; in this? One is&lt;br /&gt;
simply accepting an inescapable truth: that the likes of you and I will never be in a position to&lt;br /&gt;
comprehend the great affairs of today&#39;s world, and our best course will always be to put our&lt;br /&gt;
trust in an employer we judge to be wise and honourable, and to devote our energies to the&lt;br /&gt;
task of serving him to the best of our ability. Look at the likes of Mr Marshall, say, or Mr&lt;br /&gt;
Lane - surely two of the greatest figures in our profession. Can we imagine Mr Marshall&lt;br /&gt;
arguing with Lord Camberley over the latter&#39;s latest dispatch to the Foreign Office? Do we&lt;br /&gt;
admire Mr Lane any the less because we learn he is not in the habit of challenging Sir&lt;br /&gt;
Leonard Gray before each speech in the House of Commons? Of course we do not. What is&lt;br /&gt;
there &#39;undignified&#39;, what is there at all culpable in such an attitude? How can one possibly be&lt;br /&gt;
held to blame in any sense because, say, the passage of time has shown that Lord Darlington&#39;s&lt;br /&gt;
efforts were misguided, even foolish? Throughout the years I served him, it was he and he&lt;br /&gt;
alone who weighed up evidence and judged it best to proceed in the way he did, while I&lt;br /&gt;
simply confined myself, quite properly, to affairs within my own professional realm. And as&lt;br /&gt;
far as I am concerned, I carried out my duties to the best of my abilities, indeed to a standard&lt;br /&gt;
which many may consider &#39;first rate&#39;. It is hardly my fault if his lordship&#39;s life and work have&lt;br /&gt;
turned out today to look, at best, a sad waste - and it is quite illogical that I should feel any&lt;br /&gt;
regret or shame on my own account.&lt;br /&gt;
Day Four - Afternoon&lt;br /&gt;
Little Compton, Cornwall l HAVE finally arrived at Little Compton, and at this moment, am&lt;br /&gt;
sitting in the dining hall of the Rose Garden Hotel having recently finished lunch. Outside, the&lt;br /&gt;
rain is falling steadily.&lt;br /&gt;
The Rose Garden Hotel, while hardly luxurious, is certainly homely and comfortable,&lt;br /&gt;
and one cannot begrudge the extra expense of accommodating oneself here. It is conveniently&lt;br /&gt;
situated on one corner of the village square, a rather charming ivy-covered manor house&lt;br /&gt;
capable of housing, I would suppose, thirty or so guests. This &#39;dining hall&#39; where I now sit,&lt;br /&gt;
however, is a modern annexe built to adjoin the main building - a long, fiat room&lt;br /&gt;
characterized by rows of large windows on either side. On one side, the village square is&lt;br /&gt;
visible; on the other, the rear garden, from which this establishment presumably takes its&lt;br /&gt;
name. The garden, which seems well sheltered from the wind, has a number of tables&lt;br /&gt;
arranged about it, and when the weather is fine, I imagine it is a very pleasant place to partake&lt;br /&gt;
of meals or refreshments. In fact, I know that a little earlier, some guests had actually&lt;br /&gt;
commenced lunch out there, only to be interrupted by the appearance of ominous storm&lt;br /&gt;
clouds. When I was first shown in here an hour or so ago, staff were hurriedly stripping down&lt;br /&gt;
the garden tables - while their recent occupants, including one gentleman with a napkin still&lt;br /&gt;
tucked into his shirt, were standing about looking rather lost. Then, very soon afterwards, the&lt;br /&gt;
rain had come down with such ferocity that for a moment all the guests seemed to stop eating&lt;br /&gt;
just to stare out of the windows.&lt;br /&gt;
My own table is on the village square side of the room and I have thus spent much of&lt;br /&gt;
the past hour watching the rain falling on the square, and upon the Ford and one or two other&lt;br /&gt;
vehicles stationed outside. The rain has now steadied somewhat, but it is still sufficiently hard&lt;br /&gt;
as to discourage one from going out and wandering around the village. Of course, the&lt;br /&gt;
possibility has occurred to me that I might set off now to meet Miss Kenton; but then in my&lt;br /&gt;
letter, I informed her I would be calling at three o&#39;clock, and I do not think it wise to surprise&lt;br /&gt;
her by arriving any earlier. It would seem quite likely then, if the rain does not cease very&lt;br /&gt;
shortly, that I will remain here drinking tea until the proper time comes for me to set off. I&lt;br /&gt;
have ascertained from the young woman who served me lunch that the address where Miss&lt;br /&gt;
Kenton is presently residing is some fifteen minutes&#39; walk away, which implies I have at least&lt;br /&gt;
another forty minutes to wait.&lt;br /&gt;
I should say, incidentally, that I am not so foolish as to be unprepared for&lt;br /&gt;
disappointment. I am only too aware that I never received a reply from Miss Ken ton&lt;br /&gt;
confirming she would be happy about a meeting.&lt;br /&gt;
However, knowing Miss Kenton as I do, I am inclined to think that a lack of any letter&lt;br /&gt;
can be taken as agreement; were a meeting for any reason inconvenient, I feel sure she would&lt;br /&gt;
not have hesitated to inform me.&lt;br /&gt;
Moreover, I had stated in my letter the fact that I had made a reservation at this hotel&lt;br /&gt;
and that any last-minute message could be left for me here; that no such message was&lt;br /&gt;
awaiting me can, I believe, be taken as further reason to suppose all is well.&lt;br /&gt;
This present downpour is something of a surprise, since the day started with the bright&lt;br /&gt;
morning sunshine I have been blessed with each morning since leaving Darlington Hall. In&lt;br /&gt;
fact, the day had generally begun well with a breakfast of fresh farm eggs and toast, provided&lt;br /&gt;
for me by Mrs Taylor, and with Dr Carlisle calling by at seven thirty as promised, I was able&lt;br /&gt;
to take my leave of the Taylors - who continued not to hear of remuneration - before any&lt;br /&gt;
further embarrassing conversations had had a chance to develop.&lt;br /&gt;
&quot;I found a can of petrol for you,&quot; Dr Carlisle announced, as he ushered me into the&lt;br /&gt;
passenger seat of his Rover.&quot; I thanked him for his thoughtfulness but when I made inquiries&lt;br /&gt;
as to payment, I found that he, too, would hear none of it.&lt;br /&gt;
&quot;Nonsense, old boy. It&#39;s only a little bit I found at the back of my garage. But it&#39;ll be&lt;br /&gt;
enough for you to reach Crosby Gate and you can fill up good and proper there.&quot;&lt;br /&gt;
The village centre of Moscombe, in the morning sunshine, could be seen to be a&lt;br /&gt;
number of small shops surrounding a church, the steeple of which I had seen from the hill&lt;br /&gt;
yesterday evening. I had little chance to study the village, however, for Dr Carlisle turned his&lt;br /&gt;
car briskly into the driveway of a farmyard.&lt;br /&gt;
&quot;Just a little short cut,&quot; he said, as we made our way past barns and stationary farm&lt;br /&gt;
vehicles. There seemed to be no persons present anywhere, and at one point, when we were&lt;br /&gt;
confronted by a closed gate, the doctor said: &quot;Sorry - old chap, but if you wouldn&#39;t mind doing&lt;br /&gt;
the honours.&quot;&lt;br /&gt;
Getting out, I went to the gate, and as soon as I did so, a furious chorus of barking&lt;br /&gt;
erupted in one of the barns near by, so that it was with some relief that I rejoined Dr Carlisle&lt;br /&gt;
again in the front of his Rover.&lt;br /&gt;
We exchanged a few pleasantries as we climbed a narrow road between tall trees, he&lt;br /&gt;
inquiring after how I had slept at the Taylors and so forth.&lt;br /&gt;
Then he said quite abruptly: &quot;I say, I hope you don&#39;t think me very rude. But you aren&#39;t&lt;br /&gt;
a manservant of some sort, are you?&quot; I must confess, my overwhelming feeling on hearing&lt;br /&gt;
this was one of relief.&lt;br /&gt;
&quot;I am indeed, sir. In fact, I am the butler of Darlington Hall, near Oxford.&quot;&lt;br /&gt;
&quot;Thought so. All that about having met Winston Churchill and so on. I thought to&lt;br /&gt;
myself, well, either the chap&#39;s been lying his head off, or -then it occurred to me, there&#39;s one&lt;br /&gt;
simple explanation. &quot;&lt;br /&gt;
Dr Carlisle turned to me with a smile as he continued to steer the car up the steep&lt;br /&gt;
winding road. I said: &quot;It wasn&#39;t my intention to deceive anyone, sir. However…&quot;&lt;br /&gt;
&quot;Oh, no need to explain, old fellow. I can quite see how it happened. I mean to say,&lt;br /&gt;
you are a pretty impressive specimen. The likes of the people here, they&#39;re bound to take you&lt;br /&gt;
for at least a lord or a duke.&quot;&lt;br /&gt;
The doctor gave a hearty laugh. &quot;It must do one good to be mistaken for a lord every&lt;br /&gt;
now and then.&quot;&lt;br /&gt;
We travelled on in silence for a few moments.&lt;br /&gt;
Then Dr Carlisle said to me: &quot;Well, I hope you enjoyed your little stay with us here.&quot;&lt;br /&gt;
&quot;I did very much, thank you, sir.&quot;&lt;br /&gt;
&quot;And what did you make of the citizens of Moscombe? Not such a bad bunch, are&lt;br /&gt;
they?&quot;&lt;br /&gt;
&quot;Very engaging, sir. Mr and Mrs Taylor were extremely kind.&quot;&lt;br /&gt;
&quot;I wish you wouldn&#39;t call me &#39;sir&#39; like that all the time, Mr Stevens.&lt;br /&gt;
No, they&#39;re not such a bad bunch at all around here. As far as I&#39;m concerned, I&#39;d&lt;br /&gt;
happily spend the rest of my life out here.&quot; l thought I heard something slightly odd in the&lt;br /&gt;
way Dr Carlisle said this. There was, too, a curiously deliberate edge to the way he went on to&lt;br /&gt;
inquire again: &quot;So you found them an engaging bunch, eh?&quot;&lt;br /&gt;
&quot;Indeed, Doctor. Extremely congenia1.&quot;&lt;br /&gt;
&quot;So what were they all telling you about last night? Hope they didn&#39;t bore you silly&lt;br /&gt;
with all the village gossip.&quot;&lt;br /&gt;
&quot;Not at all, Doctor. As a matter of fact, the conversation tended to be rather earnest in&lt;br /&gt;
tone and some very interesting viewpoints were expressed. &quot;&lt;br /&gt;
&quot;Oh, you mean Harry Smith,&quot; the doctor said with a laugh. &quot;You shouldn&#39;t mind him.&lt;br /&gt;
He&#39;s entertaining enough to listen to for a while, but really, he&#39;s all in a muddle. At times&lt;br /&gt;
you&#39;d think he was some sort of Communist, then he comes out with something that makes&lt;br /&gt;
him sound true blue Tory. Truth is, he&#39;s all in a muddle.&quot;&lt;br /&gt;
&quot;Ah, that is very interesting to hear.&quot;&lt;br /&gt;
&quot;What did he lecture you on last night? The Empire? The National Health?&quot;&lt;br /&gt;
&quot;Mr Smith restricted himself to more general topics.&quot;&lt;br /&gt;
&quot;Oh? For instance?&quot;&lt;br /&gt;
I gave a cough. &quot;Mr Smith had some thoughts on the nature of dignity.&quot;&lt;br /&gt;
&quot;I say. Now that sounds rather philosophical for Harry Smith. How the devil did he get&lt;br /&gt;
on to that?&quot;&lt;br /&gt;
&quot;I believe Mr Smith was stressing the importance of his campaigning work in the&lt;br /&gt;
village.&quot;&lt;br /&gt;
&quot;Ah, yes?&quot;&lt;br /&gt;
&quot;He was impressing upon me the point that the residents of Moscombe held strong&lt;br /&gt;
opinions on all manner of great affairs.&quot;&lt;br /&gt;
&quot;Ah, yes. Sounds like Harry Smith. As you probably guessed, that&#39;s all nonsense, of&lt;br /&gt;
course. Harry&#39;s always going around trying to work everybody up over issues. But the truth is,&lt;br /&gt;
people are happier left alone.&quot;&lt;br /&gt;
We were silent again for a moment or two.&lt;br /&gt;
Eventually, I said: &quot;Excuse me for asking, sir. But may I take it Mr Smith is&lt;br /&gt;
considered something of a comic figure?&quot;&lt;br /&gt;
&quot;Hmm. That&#39;s taking it a little too far, I&#39;d say.&lt;br /&gt;
People do have a political conscience of sorts here. They feel they /ought /to have&lt;br /&gt;
strong feelings on this and that, just as Harry urges them to. But really, they&#39;re no different&lt;br /&gt;
from people anywhere. They want a quiet life. Harry has a lot of ideas about changes to this&lt;br /&gt;
and that, but really, no one in the village wants upheaval, even if it might benefit them. People&lt;br /&gt;
here want to be left alone to lead their quiet little lives. They don&#39;t want to be bothered with&lt;br /&gt;
this issue and that issue.&quot;&lt;br /&gt;
I was surprised by the tone of disgust that had entered the doctor&#39;s voice. But he&lt;br /&gt;
recovered himself quickly with a short laugh and remarked: &quot;Nice view of the village on your&lt;br /&gt;
side.&quot; Indeed, the village had become visible some way below us. Of course, the morning&lt;br /&gt;
sunshine gave it a very different aspect, but otherwise it looked much the same view as the&lt;br /&gt;
one I had first encountered in the evening gloom, and I supposed from this that we were now&lt;br /&gt;
close to the spot where I had left the Ford.&lt;br /&gt;
&quot;Mr Smith seemed to be of the view&quot;, I said, &quot;that a person&#39;s dignity rested on such&lt;br /&gt;
things. Having strong opinions and such.&quot;&lt;br /&gt;
&quot;Ah, yes, dignity. I was forgetting. Yes, so Harry was trying to tackle philosophical&lt;br /&gt;
definitions. My word. I take it, it was a lot of rot.&quot;&lt;br /&gt;
&quot;His conclusions were not necessarily those that compelled agreement, sir.&quot;&lt;br /&gt;
Dr Carlisle nodded, but seemed to have become immersed in his own thoughts. &quot;You&lt;br /&gt;
know, Mr Stevens,&quot; he said, eventually, &quot;when I first came out here, I was a committed&lt;br /&gt;
socialist. Believed in the best services for all the people and all the rest of it. First came here&lt;br /&gt;
in &#39;forty-nine. Socialism would allow people to live with dignity. That&#39;s what I believed when&lt;br /&gt;
I came out here. Sorry, you don&#39;t want to hear all this rot.&quot; He turned to me cheerily. &quot;What&lt;br /&gt;
about you, old chap?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir?&quot;&lt;br /&gt;
&quot;What do /you /think dignity&#39;s all about?&quot;&lt;br /&gt;
The directness of this inquiry did, I admit, take me rather by surprise.&lt;br /&gt;
&quot;It&#39;s rather a hard thing to explain in a few words, sir,&quot; I said. &quot;But I suspect it comes&lt;br /&gt;
down to not removing one&#39;s clothing in public.&quot;&lt;br /&gt;
&quot;Sorry. What does?&quot;&lt;br /&gt;
&quot;Dignity, sir.&quot;&lt;br /&gt;
&quot;Ah.&quot; The doctor nodded, but looked a little bemused. Then he said: &quot;Now, this road&lt;br /&gt;
should be familiar to you. Probably looks rather different in the daylight. Ah, is that it there?&lt;br /&gt;
My goodness, what a handsome vehicle!&quot;&lt;br /&gt;
Dr Carlisle pulled up just behind the Ford, got out and said again: &quot;My, what a&lt;br /&gt;
handsome vehicle.&quot; The next moment he had produced a funnel and a can of petrol and was&lt;br /&gt;
most kindly assisting me in filling the tank of the Ford. Any fears I had that some deeper&lt;br /&gt;
trouble was afflicting the Ford were laid to rest when I tried the ignition and heard the engine&lt;br /&gt;
come to life with a healthy murmur. At this point, I thanked Dr Carlisle and we took leave of&lt;br /&gt;
each other, though I was obliged to follow the back of his Rover along the twisting hill road&lt;br /&gt;
for a further mile or so before our routes separated.&lt;br /&gt;
It was around nine o&#39;clock that I crossed the border into Cornwall. This was at least&lt;br /&gt;
three hours before the rain began and the clouds were still all of a brilliant white. In fact,&lt;br /&gt;
many of the sights that greeted me this morning were among the most charming I have so far&lt;br /&gt;
encountered. It was unfortunate, then, that I could not for much of the time give to them the&lt;br /&gt;
attention they warranted; for one may as well declare it, one was in a condition of some&lt;br /&gt;
preoccupation with the thought that - barring some unseen complication - one would be&lt;br /&gt;
meeting Miss Kenton again before the day&#39;s end. So it was, then, that while speeding along&lt;br /&gt;
between large open fields, no human being or vehicle apparent for miles, or else steering&lt;br /&gt;
carefully through marvellous little villages, some no more than a cluster of a few stone&lt;br /&gt;
cottages, I found myself yet again turning over certain recollections from the past. And now,&lt;br /&gt;
as I sit here in Little Compton, here in the dining room of this pleasant hotel with a little time&lt;br /&gt;
on my hands, watching the rain splashing on the pavements of the village square outside, I am&lt;br /&gt;
unable to prevent my mind from continuing to wander along these same tracks.&lt;br /&gt;
One memory in particular has preoccupied me all morning - or rather, a fragment of a&lt;br /&gt;
memory, a moment that has for some reason remained with me vividly through the years. It is&lt;br /&gt;
a recollection of standing alone in the back corridor before the closed door of Miss Kenton&#39;s&lt;br /&gt;
parlour; I was not actually facing the door, but standing with my person half turned towards it,&lt;br /&gt;
transfixed by indecision as to whether or not I should knock; for at that moment, as I recall, I&lt;br /&gt;
had been struck by the conviction that behind that very door, just a few yards from me, Miss&lt;br /&gt;
Kenton was in fact crying. As I say, this moment has remained firmly embedded in my mind,&lt;br /&gt;
as has the memory of the peculiar sensation I felt rising within me as I stood there like that.&lt;br /&gt;
However, I am not at all certain now as to the actual circumstances which had led me to be&lt;br /&gt;
standing thus in the back corridor. It occurs to me that elsewhere in attempting to gather such&lt;br /&gt;
recollections, I may well have asserted that this memory derived from the minutes&lt;br /&gt;
immediately after Miss Kenton&#39;s receiving news of her aunt&#39;s death; that is to say, the&lt;br /&gt;
occasion when, having left her to be alone with her grief, I realized out in the corridor that I&lt;br /&gt;
had not offered her my condolences. But now, having thought further, I believe I may have&lt;br /&gt;
been a little confused about this matter; that in fact this fragment of memory derives from&lt;br /&gt;
events that took place on an evening at least a few months after the death of Miss Kenton&#39;s&lt;br /&gt;
aunt - the evening, in fact, when the young Mr Cardinal turned up at Darlington Hall rather&lt;br /&gt;
unexpectedly.&lt;br /&gt;
Mr Cardinal&#39;s father, Sir David Cardinal, had been for many years his lordship&#39;s&lt;br /&gt;
closest friend and colleague, but had been tragically killed in a riding accident some three or&lt;br /&gt;
four years prior to the evening I am now recalling. Meanwhile, the young Mr Cardinal had&lt;br /&gt;
been building something of a name for himself as a columnist, specializing in witty comments&lt;br /&gt;
on international affairs. Evidently, these columns were rarely to Lord Darlington&#39;s liking, for I&lt;br /&gt;
can recall numerous instances of his looking up from a journal and saying something like:&lt;br /&gt;
&quot;Young Reggie writing such nonsense again. Just as well his father&#39;s not alive to read this.&quot;&lt;br /&gt;
But Mr Cardinal&#39;s columns did not prevent him being a frequent visitor at the house; indeed,&lt;br /&gt;
his lordship never forgot that the young man was his godson and always treated him as kin. At&lt;br /&gt;
the same time, it had never been Mr Cardinal&#39;s habit to turn up to dinner without any prior&lt;br /&gt;
warning, and I was thus a little surprised when on answering the door that evening I found&lt;br /&gt;
him standing there, his briefcase cradled in both arms.&lt;br /&gt;
&quot;Oh, hello, Stevens, how are you?&quot; he said.&lt;br /&gt;
&quot;Just happened to be in a bit of a jam tonight and wondered if Lord Darlington would&lt;br /&gt;
put me up for the night.&quot;&lt;br /&gt;
&quot;It&#39;s very nice to see you again, sir. I shall tell his lordship you are here.&quot;&lt;br /&gt;
&quot;I&#39;d intended to stay at Mr Roland&#39;s place, but there seems to have been some&lt;br /&gt;
misunderstanding and they&#39;ve gone away somewhere. Hope it&#39;s not too inconvenient a time to&lt;br /&gt;
call. I mean, nothing special on tonight, is there?&quot;&lt;br /&gt;
&quot;I believe, sir, his lordship is expecting some gentlemen to call after dinner.&quot;&lt;br /&gt;
&quot;Oh, that&#39;s bad luck. I seem to have chosen a bad night. I&#39;d better keep my head low.&lt;br /&gt;
I&#39;ve got some pieces I have to work on tonight anyway.&quot; Mr Cardinal indicated his briefcase.&lt;br /&gt;
&quot;I shall tell his lordship you are- here, sir. You are, in any case, in good time to join&lt;br /&gt;
him for dinner.&quot;&lt;br /&gt;
&quot;Jolly good, I was hoping I might have been. But I don&#39;t expect Mrs Mortimer&#39;s going&lt;br /&gt;
to be very pleased with me.&quot;&lt;br /&gt;
I left Mr Cardinal in the drawing room and made my way to the study, where I found&lt;br /&gt;
his lordship working through some pages with a look of deep concentration. When I told him&lt;br /&gt;
of Mr Cardinal&#39;s arrival, a look of surprised annoyance crossed his face. Then he leaned back&lt;br /&gt;
in his chair as though puzzling something out.&lt;br /&gt;
&quot;Tell Mr Cardinal I&#39;ll be down shortly,&quot; he said finally. &quot;He can amuse himself for a&lt;br /&gt;
little while.&quot;&lt;br /&gt;
When I returned downstairs, I discovered Mr Cardinal moving rather restlessly around&lt;br /&gt;
the drawing room examining objects he must long ago have become familiar with. I conveyed&lt;br /&gt;
his lordship&#39;s message and asked him what refreshments I might bring him.&lt;br /&gt;
&quot;Oh, just some tea for now, Stevens. Who&#39;s his lordship expecting tonight?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, I&#39;m afraid I am unable to help you.&quot;&lt;br /&gt;
&quot;No idea at all?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir.&quot;&lt;br /&gt;
&quot;Hmm, curious. Oh, well. Better keep my head low tonight.&quot;&lt;br /&gt;
It was not long after this, I recall, that I went down to Miss Kenton&#39;s parlour. She was&lt;br /&gt;
sitting at her table, though there was nothing before her and her hands were empty; indeed,&lt;br /&gt;
something in her demeanour suggested she had been sitting there like that for some time prior&lt;br /&gt;
to my knocking.&lt;br /&gt;
&quot;Mr Cardinal is here, Miss Kenton,&quot; I said. &quot;He&#39;ll be requiring his usual room tonight.&quot;&lt;br /&gt;
&quot;Very good, Mr Stevens. I shall see to it before I leave.&quot;&lt;br /&gt;
&quot;Ah. You are going out this evening, Miss Kenton?&quot;&lt;br /&gt;
&quot;I am indeed, Mr Stevens.&quot;&lt;br /&gt;
Perhaps I looked a little surprised, for she went on: &quot;You will recall, Mr Stevens, we&lt;br /&gt;
discussed this a fortnight ago.&quot;&lt;br /&gt;
&quot;Yes, of course, Miss Kenton. I beg your pardon, it had just slipped my mind for the&lt;br /&gt;
moment.&quot;&lt;br /&gt;
&quot;Is something the matter, Mr Stevens?&quot;&lt;br /&gt;
&quot;Not at all, Miss Kenton. Some visitors are expected this evening, but there is no&lt;br /&gt;
reason why your presence will be required.&quot;&lt;br /&gt;
&quot;We did agree to my taking this evening off a fortnight ago, Mr Stevens.&quot;&lt;br /&gt;
&quot;Of course, Miss Kenton. I do beg your pardon.&quot;&lt;br /&gt;
I turned to leave, but then I was halted at the door by Miss Kenton saying: &quot;Mr&lt;br /&gt;
Stevens, I have something to tell you.&quot;&lt;br /&gt;
&quot;Yes, Miss Kenton?&quot;&lt;br /&gt;
&quot;It concerns my acquaintance. Who I am going to meet tonight.&quot;&lt;br /&gt;
&quot;Yes, Miss Kenton.&quot;&lt;br /&gt;
&quot;He has asked me to marry him. I thought you had a right to know that.&quot;&lt;br /&gt;
&quot;Indeed, Miss Kenton. That is very interesting.&quot;&lt;br /&gt;
&quot;l am still giving the matter thought.&quot;&lt;br /&gt;
&quot;Indeed.&quot;&lt;br /&gt;
She glanced down a second at her hands, but then almost immediately her gaze&lt;br /&gt;
returned to me. &quot;My acquaintance is to start a job in the West Country as of next month.&quot;&lt;br /&gt;
&quot;Indeed.&quot;&lt;br /&gt;
&quot;As I say, Mr Stevens, I am still giving the matter some thought.&lt;br /&gt;
However, I thought you should be informed of the situation.&quot;&lt;br /&gt;
&quot;I&#39;m very grateful, Miss Kenton. I do hope you have a pleasant evening.&lt;br /&gt;
Now if you will excuse me.&quot;&lt;br /&gt;
It must have been twenty minutes or so later that I encountered Miss Kenton again,&lt;br /&gt;
this time while I was busy with preparations for dinner.&lt;br /&gt;
In fact, I was half-way up the back staircase, carrying a fully laden tray, when I heard&lt;br /&gt;
the sound of angry footsteps rattling the floorboards somewhere below me. Turning, I saw&lt;br /&gt;
Miss Kenton glaring up at me from the foot of the stairs.&lt;br /&gt;
&quot;Mr Stevens, do I understand that you are wishing me to remain on duty this&lt;br /&gt;
evening?&quot;&lt;br /&gt;
&quot;Not at all, Miss Kenton. As you pointed out, you did notify me some time ago.&quot;&lt;br /&gt;
&quot;But I can see you are very unhappy about my going out tonight.&quot;&lt;br /&gt;
&quot;On the contrary, Miss Kenton.&quot;&lt;br /&gt;
&quot;Do you imagine that by creating so much commotion in the kitchen and by stamping&lt;br /&gt;
back and forth like this outside my parlour you will get me to change my mind?&quot;&lt;br /&gt;
&quot;Miss Kenton, the slight excitement in the kitchen is solely on account of Mr Cardinal&lt;br /&gt;
coming to dinner at the last moment. There is absolutely no reason why you should not go out&lt;br /&gt;
this evening.&quot;&lt;br /&gt;
&quot;I intend to go with or without your blessing, Mr Stevens, I wish to make this clear. I&lt;br /&gt;
made arrangements weeks ago.&quot;&lt;br /&gt;
&quot;Indeed, Miss Kenton. And once again, I would wish you a very pleasant evening.&quot;&lt;br /&gt;
At dinner, an odd atmosphere seemed to hang in the air between the two gentlemen.&lt;br /&gt;
For long moments, they ate in silence, his lordship in particular seeming very far away. At&lt;br /&gt;
one point, Mr Cardinal said: &quot;Something special tonight, sir?&quot;&lt;br /&gt;
&quot;Eh?&quot;&lt;br /&gt;
&quot;Your visitors this evening. Special?&quot;&lt;br /&gt;
&quot;Afraid I can&#39;t tell you, my boy. Strictly confidentia1.&quot;&lt;br /&gt;
&quot;Oh dear. I suppose this means I shouldn&#39;t sit in on it.&quot;&lt;br /&gt;
&quot;Sit in on what, my boy?&quot;&lt;br /&gt;
&quot;Whatever it is that&#39;s going to take place tonight.&quot;&lt;br /&gt;
&quot;Oh, it wouldn&#39;t be of any interest to you. In any case, confidentiality is of the utmost.&lt;br /&gt;
Can&#39;t have someone like you around. Oh no, that wouldn&#39;t do at all.&quot;&lt;br /&gt;
&quot;Oh, dear. This does sound very specia1.&quot;&lt;br /&gt;
Mr Cardinal was watching his lordship very keenly, but the latter simply went back to&lt;br /&gt;
his food without saying anything further.&lt;br /&gt;
The gentlemen retired to the smoking room for port and cigars. In the course of&lt;br /&gt;
clearing the dining room, and also in preparing the drawing room for the arrival of the&lt;br /&gt;
evening&#39;s visitors, I was obliged to walk repeatedly past the smoking room doors. It was&lt;br /&gt;
inevitable, then, that I would notice how the gentlemen, in contrast to their quiet mood at&lt;br /&gt;
dinner, had begun to exchange words with some urgency. A quarter of an hour later, angry&lt;br /&gt;
voices were being raised. Of course, I did not stop to, listen, but I could not avoid hearing his&lt;br /&gt;
lordship&#39;! shouting: &quot;But that&#39;s not your business, my boy! That&#39;s not your business!&quot;&lt;br /&gt;
I was in the dining room when the gentlemen eventually came out. They seemed to&lt;br /&gt;
have calmed themselves, and the only words exchanged as they walked across the hall were&lt;br /&gt;
his lordship&#39;s: &quot;Now remember, my boy. I&#39;m trusting you.&quot; To which Mr Cardinal muttered&lt;br /&gt;
with irritation: &quot;Yes, yes, you have my word.&quot; Then their footsteps separated, his lordship&#39;s&lt;br /&gt;
going towards his study, Mr Cardinal&#39;s towards the library.&lt;br /&gt;
At almost precisely eight thirty, there came the sound of motor cars pulling up in the&lt;br /&gt;
courtyard. I opened the door to a chauffeur, and past his shoulder I could see some police&lt;br /&gt;
constables dispersing to various points of the grounds. The next moment, I was showing in&lt;br /&gt;
two very distinguished gentlemen, who were met by his lordship in the hall and ushered&lt;br /&gt;
quickly into the drawing room. Ten minutes or so later came the sound of another car and I&lt;br /&gt;
opened the door to Herr Ribbentrop, the German Ambassador, by now no stranger to&lt;br /&gt;
Darlington Hall. His lordship emerged to meet him and the two gentlemen appeared to&lt;br /&gt;
exchange complicit glances before disappearing together into the drawing room. When a few&lt;br /&gt;
minutes later I was called in to provide refreshments, the four gentlemen were discussing the&lt;br /&gt;
relative merits of different sorts of sausage, and the atmosphere seemed on the surface at least&lt;br /&gt;
quite convivial.&lt;br /&gt;
Thereafter I took up my position out in the hall - the position near the entrance arch&lt;br /&gt;
that I customarily took up during important meetings - and was not obliged to move from it&lt;br /&gt;
again until some two hours later, when the back door bell was rung. On descending, I&lt;br /&gt;
discovered a police constable standing there with Miss Kenton, requesting that I verify the&lt;br /&gt;
latter&#39;s identity.&lt;br /&gt;
&quot;Just security, miss, no offence meant,&quot; the officer muttered as he wandered off again&lt;br /&gt;
into the night.&lt;br /&gt;
As I was bolting the door, I noticed Miss Kenton waiting for me, and said: &quot;I trust you&lt;br /&gt;
had a pleasant evening, Miss Kenton.&quot;&lt;br /&gt;
She made no reply, so I said again, as we were making our way across the darkened&lt;br /&gt;
expanse of the kitchen floor: &quot;I trust you had a pleasant evening, Miss Ken ton.&quot;&lt;br /&gt;
&quot;I did, thank you, Mr Stevens. &quot;I&#39;m pleased to hear that.&quot;&lt;br /&gt;
Behind me, Miss Kenton&#39;s footsteps came to a sudden halt, and I heard her say: &quot;Are&lt;br /&gt;
you not in the least interested in what took place tonight between my acquaintance and I, Mr&lt;br /&gt;
Stevens?&quot;&lt;br /&gt;
&quot;I do not mean to be rude, Miss Kenton, but I really must return upstairs without&lt;br /&gt;
further delay. The fact is, events of a global significance are taking place in this house at this&lt;br /&gt;
very moment.&quot;&lt;br /&gt;
&quot;When are they not, Mr Stevens? Very well, if you must be rushing off, I shall just tell&lt;br /&gt;
you that I accepted my acquaintance&#39;s proposal.&quot;&lt;br /&gt;
&quot;I beg your pardon, Miss Kenton?&quot;&lt;br /&gt;
&quot;His proposal of marriage.&quot;&lt;br /&gt;
&quot;Ah, is that so, Miss Kenton? Then may I offer you my congratulations.&quot;&lt;br /&gt;
&quot;Thank you, Mr Stevens. Of course, I will be happy to serve out my notice. However,&lt;br /&gt;
should it be that you are able to release me earlier, we would be very grateful. My&lt;br /&gt;
acquaintance begins his new job in the West Country in two weeks&#39; time.&quot;&lt;br /&gt;
&quot;I will do my best to secure a replacement at the earliest opportunity, Miss Kenton.&lt;br /&gt;
Now if you will excuse me, I must return upstairs.&quot;&lt;br /&gt;
I started to walk away again, but then when I had all but reached the doors out to the&lt;br /&gt;
corridor, I heard Miss Kenton say: &quot;Mr Stevens,&quot; and thus turned once more. She had not&lt;br /&gt;
moved, and consequently she was obliged to raise her voice slightly in addressing me, so that&lt;br /&gt;
it resonated rather oddly in the cavernous spaces of the dark and empty kitchen.&lt;br /&gt;
&quot;Am I to take it,&quot; she said, &quot;that after the many years of service I have given in this&lt;br /&gt;
house, you have no more words to greet the news of my possible departure than those you&lt;br /&gt;
have just uttered?&quot;&lt;br /&gt;
&quot;Miss Kenton, you have my warmest congratu-lations. But I repeat, there are matters&lt;br /&gt;
of global significance taking place upstairs and I must return to my post.&quot;&lt;br /&gt;
&quot;Did you know, Mr Stevens, that you have been a very important figure for my&lt;br /&gt;
acquaintance and I?&quot;&lt;br /&gt;
&quot;Really, Miss Kenton?&quot;&lt;br /&gt;
&quot;Yes, Mr Stevens. We often pass the time amusing ourselves with anecdotes about&lt;br /&gt;
you. For instance, my acquaintance is always wanting me to show him the way you pinch&lt;br /&gt;
your nostrils together when you put pepper on your food. That always gets him laughing.&quot;&lt;br /&gt;
&quot;Indeed.&quot;&lt;br /&gt;
&quot;He&#39;s also rather fond of your staff &#39;pep-talks&#39;. l must say, I&#39;ve become quite expert in&lt;br /&gt;
recreating them. I only have to do a few lines to have the pair of us in stitches.&quot;&lt;br /&gt;
&quot;Indeed, Miss Kenton. Now you will please excuse me.&quot;&lt;br /&gt;
I ascended to the hall and took up my position again. However, before five minutes&lt;br /&gt;
had passed, Mr Cardinal appeared in the doorway of the library and beckoned me over.&lt;br /&gt;
&quot;Hate to bother you, Stevens,&quot; he said. &quot;But I couldn&#39;t trouble you to fetch a little more&lt;br /&gt;
brandy, could I? The bottle you brought in earlier appears to be finished.&quot;&lt;br /&gt;
&quot;You are very welcome to whatever refreshments you care for, sir.&lt;br /&gt;
However, in view of the fact that you have your column to complete, I wonder if it is&lt;br /&gt;
entirely wise to partake further.&quot;&lt;br /&gt;
&quot;My column will be fine, Stevens. Do get me a little more brandy, there&#39;s a good&lt;br /&gt;
fellow.&quot;&lt;br /&gt;
&quot;Very well, sir.&quot;&lt;br /&gt;
When I returned to the library a moment later, Mr Cardinal was wandering around the&lt;br /&gt;
shelves, scrutinizing spines. I could see papers scattered untidily over one of the writing desks&lt;br /&gt;
nearby. As I approached, Mr Cardinal made an appreciative sound and slumped down into a&lt;br /&gt;
leather armchair. I went over to him, poured a little brandy and handed it to him.&lt;br /&gt;
&quot;You know, Stevens,&quot; he said, &quot;we&#39;ve been friends for some time now, haven&#39;t we?&quot;&lt;br /&gt;
&quot;Indeed, sir.&quot;&lt;br /&gt;
&quot;I always look forward to a little chat with you whenever I come here.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;Won&#39;t you care to join me in a little drink?&quot;&lt;br /&gt;
&quot;That&#39;s very kind of you, sir. But no, thank you, I won&#39;t.&quot;&lt;br /&gt;
&quot;l say, Stevens, are you all right there?&quot;&lt;br /&gt;
&quot;Perfectly all right, thank you, sir,&quot; I said with a small laugh.&lt;br /&gt;
&quot;Not feeling unwell, are you?&quot;&lt;br /&gt;
&quot;A little tired, perhaps, but I&#39;m perfectly fine, thank you, sir.&quot;&lt;br /&gt;
&quot;Well, then, you should sit down. Anyway, as I was saying. We&#39;ve been friends for&lt;br /&gt;
some time. So I really ought to be truthful with you. As you no doubt guessed, I didn&#39;t happen&lt;br /&gt;
by tonight just by accident. I had a tip-off, you see. About what&#39;s going on. Over there across&lt;br /&gt;
the hall at this very moment.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;l do wish you&#39;d sit down, Stevens. I want us to talk as friends, and you&#39;re standing&lt;br /&gt;
there holding that blasted tray looking like you&#39;re about to wander off any second.&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir.&quot;&lt;br /&gt;
I put down my tray and seated myself - in an appropriate posture - on the armchair Mr&lt;br /&gt;
Cardinal was indicating.&lt;br /&gt;
. &quot;That&#39;s better,&quot; Mr Cardinal said. &quot;Now, Stevens, I don&#39;t suppose the Prime Minister&lt;br /&gt;
is presently in the drawing room, is he?&quot;&lt;br /&gt;
&#39;The Prime Minister, sir?&quot;&lt;br /&gt;
&quot;Oh, it&#39;s all right, you don&#39;t have to tell me.&lt;br /&gt;
I understand you&#39;re in a tricky position.&quot; Mr Cardinal heaved a sigh, and looked&lt;br /&gt;
wearily towards his papers scattered over the desk. Then he said: &quot;l hardly need to tell you, do&lt;br /&gt;
I, Stevens, what I feel towards his lordship. I mean to say, he&#39;s been like a second father to&lt;br /&gt;
me. I hardly need to tell you, Stevens.&quot;&lt;br /&gt;
&quot;No, sir.&quot;&lt;br /&gt;
&quot;l care deeply for him.&quot;&lt;br /&gt;
&quot;Yes, sir.&quot;&lt;br /&gt;
&quot;And I know you do too. Care deeply for him. Don&#39;t you, Stevens?&quot;&lt;br /&gt;
&quot;I do indeed, sir.&quot;&lt;br /&gt;
&quot;Good. So we both know where we stand. But let&#39;s face facts. His lordship is in deep&lt;br /&gt;
waters. I&#39;ve watched him swimming further and further out and let me tell you, I&#39;m getting&lt;br /&gt;
very anxious. He&#39;s out of his depth, you see, Stevens.&quot;&lt;br /&gt;
&quot;Is that so, sir?&quot;&lt;br /&gt;
&quot;Stevens, do you know what is happening at this very moment as we sit here talking?&lt;br /&gt;
What&#39;s happening just several yards from us? Over in that room - and I don&#39;t need you to&lt;br /&gt;
confirm it - there is gathered at this moment the British Prime Minister, the Foreign Secretary&lt;br /&gt;
and the German Ambassador. His lordship has worked wonders to bring this meeting about,&lt;br /&gt;
and he believes - faithfully believes - he&#39;s doing something good and honourable. Do you&lt;br /&gt;
know why his lordship has brought these gentlemen here tonight? Do you know, Stevens,&lt;br /&gt;
what is going on here?&quot;&lt;br /&gt;
&quot;I&#39;m afraid not,&quot;&lt;br /&gt;
&quot;You&#39;re afraid not. Tell me, Stevens, don&#39;t you care at all? Aren&#39;t you curious? Good&lt;br /&gt;
God, man, something very crucial is going on in this house. Aren&#39;t you at all curious?&quot;&lt;br /&gt;
&quot;It is not my place to be curious about such matters, sir.&quot;&lt;br /&gt;
&quot;But you care about his lordship. You care deeply, you just told me that. If you care&lt;br /&gt;
about his lordship, shouldn&#39;t you be concerned? At least a little curious? The British Prime&lt;br /&gt;
Minister and the German Ambassador are brought together by your employer for secret talks&lt;br /&gt;
in the night, and you&#39;re not even curious?&quot;&lt;br /&gt;
&quot;I would not say I am not curious, sir. However, it is not my position to display&lt;br /&gt;
curiosity about such matters.&quot;&lt;br /&gt;
&quot;It&#39;s not your position? Ah, I suppose you believe that to be loyalty.&lt;br /&gt;
Do you? Do you think that&#39;s being loyal? To his lordship? Or to the Crown, come to&lt;br /&gt;
that?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, I fail to see what it is you are proposing.&quot;&lt;br /&gt;
Mr Cardinal sighed again and shook his head.&lt;br /&gt;
&quot;I&#39;m not proposing anything, Stevens. Quite frankly, I don&#39;t know what&#39;s to be done.&lt;br /&gt;
But you might at least be curious.&quot;&lt;br /&gt;
He was silent for a moment, during which time he seemed to be gazing emptily at the&lt;br /&gt;
area of carpet around my feet.&lt;br /&gt;
&quot;Sure you won&#39;t join me in a drink, Stevens?&quot; he said eventually.&lt;br /&gt;
&quot;No, thank you, sir.&quot;&lt;br /&gt;
&quot;&#39;I&#39;ll tell you this, Stevens. His lordship is being made a fool of.&lt;br /&gt;
I&#39;ve done a lot of investigating, I know the situation in Germany now as well as&lt;br /&gt;
anyone in this country, and I tell you, his lordship is being made a fool of.&quot;&lt;br /&gt;
I gave no reply, and Mr Cardinal went on gazing emptily at the floor.&lt;br /&gt;
After a while, he continued: &quot;His lordship is a dear, dear man. But the fact is, he is out&lt;br /&gt;
of his depth. He is being manoeuvred. The Nazis are manoeuvring him like a pawn. Have you&lt;br /&gt;
noticed this, Stevens? Have you noticed this is what has been happening for the last three or&lt;br /&gt;
four years at least?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, I have failed to notice any such development.&quot;&lt;br /&gt;
&quot;Haven&#39;t you even had a suspicion? The smallest suspicion that Herr Hitler, through&lt;br /&gt;
our dear friend Herr Ribbentrop, has been manoeuvring his lordship like a pawn, just as easily&lt;br /&gt;
as he manoeuvres any of his other pawns back in Berlin?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, I&#39;m afraid I have not noticed any such development.&quot;&lt;br /&gt;
&quot;But I suppose you wouldn&#39;t, Stevens, because you&#39;re not curious. You just let all this&lt;br /&gt;
go on before you and you never think to look at it for what it is.&quot;&lt;br /&gt;
Mr Cardinal adjusted his position in the armchair so that he was a little more upright,&lt;br /&gt;
and for a moment he seemed to be contemplating his unfinished work on the desk near by.&lt;br /&gt;
Then he said: &quot;His lordship is a gentleman. That&#39;s what&#39;s at the root of it. He&#39;s a gentleman,&lt;br /&gt;
and he fought a war with the Germans, and it&#39;s his instinct to offer generosity and friendship&lt;br /&gt;
to a defeated foe. It&#39;s his instinct.&lt;br /&gt;
Because he&#39;s a gentleman, a true old English gentleman. And you must have seen it,&lt;br /&gt;
Stevens. How could you not have seen it? The way they&#39;ve used it, manipulated it, turned&lt;br /&gt;
something fine and noble into something else - something they can use for their own foul&lt;br /&gt;
ends? You must have seen it, Stevens.&quot;&lt;br /&gt;
Mr Cardinal was once again staring at the floor. He remained silent for a few&lt;br /&gt;
moments, then he said: &quot;l remember coming here years ago, and there was this American chap&lt;br /&gt;
here. We were having a big conference, my father was involved in organizing it. I remember&lt;br /&gt;
this American chap, even drunker than I am now, he got up at the dinner table in front of the&lt;br /&gt;
whole company. And he pointed at his lordship and called him an amateur. Called him a&lt;br /&gt;
bungling amateur and said he was out of his depth. Well, I have to say, Stevens, that&lt;br /&gt;
American chap was quite right. It&#39;s a fact of life. Today&#39;s world is too foul a place for fine and&lt;br /&gt;
noble instincts. You&#39;ve seen it yourself, haven&#39;t you, Stevens? The way they&#39;ve manipulated&lt;br /&gt;
something fine and noble. You&#39;ve seen it yourself, haven&#39;t you?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, but I can&#39;t say I have.&quot;&lt;br /&gt;
&quot;You can&#39;t say you have. Well, I don&#39;t know about you, but I&#39;m going to do something&lt;br /&gt;
about it. If Father were alive, he would do something to stop it.&quot;&lt;br /&gt;
Mr Cardinal fell silent again and for a moment -perhaps it was to do with his having&lt;br /&gt;
evoked memories of his late father - he looked extremely melancholy. &quot;Are you content,&lt;br /&gt;
Stevens,&quot; he said finally, &quot;to watch his lordship go over the precipice just like that?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, I don&#39;t fully understand what it is you&#39;re referring to.&quot;&lt;br /&gt;
&quot;You don&#39;t understand, Stevens. Well, we&#39;re friends and so I&#39;ll put it to you frankly.&lt;br /&gt;
Over the last few years, his lordship has probably been the single most useful pawn Herr&lt;br /&gt;
Hitler has had in this country for his propaganda tricks. All the better because he&#39;s sincere and&lt;br /&gt;
honourable and doesn&#39;t recognize the true nature of what he&#39;s doing. During the last three&lt;br /&gt;
years alone, his lordship has been crucially instrumental in establishing links between Berlin&lt;br /&gt;
and over sixty of the most influential citizens of this country. It&#39;s worked beautifully for them.&lt;br /&gt;
Herr Ribbentrop&#39;s been able virtually to bypass our foreign office altogether. And as if their&lt;br /&gt;
wretched Rally and their wretched Olympic Games weren&#39;t enough, do you know what&lt;br /&gt;
they&#39;ve got his lordship working on now? Do you have any idea what is being discussed&lt;br /&gt;
now?&quot;&lt;br /&gt;
&quot;I&#39;m afraid not, sir.&quot;&lt;br /&gt;
&quot;His lordship has been trying to persuade the Prime Minister himself to accept an&lt;br /&gt;
invitation to visit Herr Hitler. He really believes there&#39;s a terrible misunderstanding on the&lt;br /&gt;
Prime Minister&#39;s part concerning the pres en t German regime.&quot;&lt;br /&gt;
&quot;I cannot see what there is to object to in that, sir. His lordship has always striven to&lt;br /&gt;
aid better understanding between nations.&quot;&lt;br /&gt;
&quot;And that&#39;s not all, Stevens. At this very moment, unless I am very much mistaken, at&lt;br /&gt;
this very moment, his lordship is discussing the idea of His Majesty himself visiting Herr&lt;br /&gt;
Hitler. It&#39;s hardly a secret our new king has always been an enthusiast for the Nazis. Well,&lt;br /&gt;
apparently he&#39;s now keen to accept Herr Hitler&#39;s invitation. At this very moment, Stevens, his&lt;br /&gt;
lordship is doing what he can to remove Foreign Office objections to this appalling idea.&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, but I cannot see that his lordship is doing anything other than that&lt;br /&gt;
which is highest and noblest. He is doing what he can, after all, to ensure that peace will&lt;br /&gt;
continue to prevail in Europe.&quot;&lt;br /&gt;
&quot;Tell me, Stevens, aren&#39;t you struck by even the remote possibility that I am correct?&lt;br /&gt;
Are you not, at least, /curious /about what I am saying?&quot;&lt;br /&gt;
&quot;I&#39;m sorry, sir, but I have to say that I have every trust in his lordship&#39;s good&lt;br /&gt;
judgement.&quot;&lt;br /&gt;
&quot;No one with good judgement could persist in believing anything Herr Hitler says&lt;br /&gt;
after the Rhineland, Stevens. His lordship is out of his depth. Oh dear, now I&#39;ve really&lt;br /&gt;
offended you.&quot;&lt;br /&gt;
&quot;Not at all, sir,&quot; I said, for I had risen on hearing the bell from the drawing room. &quot;I&lt;br /&gt;
appear to be required by the gentlemen. Please excuse me.&quot;&lt;br /&gt;
In the drawing room, the air was thick with tobacco smoke. Indeed, the distinguished&lt;br /&gt;
gentlemen continued to smoke their cigars, solemn expressions on their faces, not uttering a&lt;br /&gt;
word, while his lordship instructed me to bring up a certain exceptionally fine bottle of port&lt;br /&gt;
from the cellar.&lt;br /&gt;
At such a time of night, one&#39;s footsteps descending the back staircase are bound to be&lt;br /&gt;
conspicuous and: no doubt they were responsible for arousing Miss Kenton. For as I was&lt;br /&gt;
making my way along the darkness of the corridor, the door to her parlour opened and she&lt;br /&gt;
appeared at the threshold, illuminated by the light from within.&lt;br /&gt;
&quot;I am surprised to find you still down here, Miss Kenton,&quot; I said as I approached.&lt;br /&gt;
&quot;Mr Stevens, I was very foolish earlier on.&quot;&lt;br /&gt;
&quot;Excuse me, Miss Kenton, but I have not time to talk just now.&quot;&lt;br /&gt;
&quot;Mr Stevens, you mustn&#39;t take anything I said earlier to heart. I was simply being&lt;br /&gt;
foolish.&quot;&lt;br /&gt;
&quot;I have not taken anything you have said to heart, Miss Kenton. In fact, I cannot recall&lt;br /&gt;
what it is you might be referring to. Events of great importance are unfolding upstairs and I&lt;br /&gt;
can hardly stop to exchange pleasantries with you. I would suggest you retire for the night.&quot;&lt;br /&gt;
With that I hurried on, and it was not until I had all but reached the kitchen doors that&lt;br /&gt;
the darkness falling again in the corridor told me Miss Kenton had closed her parlour door.&lt;br /&gt;
It did not take me long to locate the bottle in question down in the cellar and to make&lt;br /&gt;
the necessary preparations for its serving. It was, then, only a few minutes after my short&lt;br /&gt;
encounter with Miss Kenton that I found myself walking down the corridor again on my&lt;br /&gt;
return journey, this time bearing a tray. As I approached Miss Kenton&#39;s door, I saw from the&lt;br /&gt;
light seeping around its edges that she was still within. And that was the moment, I am now&lt;br /&gt;
sure, that has remained so persistently lodged in my memory - that moment as I paused in the&lt;br /&gt;
dimness of the corridor, the tray in my hands, an ever-growing conviction mounting within&lt;br /&gt;
me that just a few yards away, on the other side of that door, Miss Kenton was at that moment&lt;br /&gt;
crying. As I recall, there was no real evidence to account for this conviction - I had certainly&lt;br /&gt;
not heard any sounds of crying - and yet I remember being quite certain that were I to knock&lt;br /&gt;
and enter, I would discover her in tears. I do not know how long I remained standing there; at&lt;br /&gt;
the time it seemed a significant period, but in reality, I suspect, it was only a matter of a few&lt;br /&gt;
seconds. For, of course, I was required to hurry upstairs to serve some of the most&lt;br /&gt;
distinguished gentlemen of the land and I cannot imagine I would have delayed unduly.&lt;br /&gt;
When I returned to the drawing room, I saw that the gentlemen were still in a rather&lt;br /&gt;
serious mood. Beyond this, however, I had little chance to gain any impression of the&lt;br /&gt;
atmosphere, for no sooner had I entered than his lordship was taking the tray from me, saying:&lt;br /&gt;
&quot;Thank you, Stevens, I&#39;ll see to it. That&#39;ll be all.&quot;&lt;br /&gt;
Crossing the hall again, I took up my usual position beneath the arch, and for the next&lt;br /&gt;
hour or so, until, that is, the gentlemen finally departed, no event occurred which obliged me&lt;br /&gt;
to move from my spot.&lt;br /&gt;
Nevertheless, that hour I spent standing there has stayed very vividly in my mind&lt;br /&gt;
throughout the years. At first, my mood was- I do not mind admitting it - somewhat downcast.&lt;br /&gt;
But then as I continued to stand there, a curious thing began to take place; that is to say, a&lt;br /&gt;
deep feeling of triumph started to well up within me. I cannot remember to what extent I&lt;br /&gt;
analysed this feeling at the time, but today, looking back on it, it does not seem so difficult to&lt;br /&gt;
account for. I had, after all, just come through an extremely trying evening, throughout which&lt;br /&gt;
I had managed to preserve a &#39;dignity in keeping with my position&#39; - and had done so,&lt;br /&gt;
moreover, in a manner even my father might have been proud of.&lt;br /&gt;
And there across the hall, behind the very doors upon which my gaze was then resting,&lt;br /&gt;
within the very room where I had just executed my duties, the most powerful gentlemen of&lt;br /&gt;
Europe were conferring over the fate of our continent. Who would doubt at that moment that I&lt;br /&gt;
had indeed come as close to the great hub of things as any butler could wish? I would&lt;br /&gt;
suppose, then, that as I stood there pondering the events of the evening - those that had&lt;br /&gt;
unfolded and those still in the· process of doing so - they appeared to me a sort of summary of&lt;br /&gt;
all that I had come to achieve thus far in my life. I can see few other explanations for that&lt;br /&gt;
sense of triumph I came to be uplifted by that night.&lt;br /&gt;
Day Six - Evening&lt;br /&gt;
Weymouth&lt;br /&gt;
THIS seaside town is a place I have thought of coming to for many years.&lt;br /&gt;
I have heard various people talk of having spent a pleasant holiday here, and Mrs&lt;br /&gt;
Symons too, in /The Wonder of England, /calls it a &#39;town that can keep the visitor fully&lt;br /&gt;
entertained for many days on end&#39;. In fact, she makes special mention of this pier, upon which&lt;br /&gt;
I have been promenading for the past half-hour, recommending particularly that it be visited&lt;br /&gt;
in the evening when it becomes lit up with bulbs of various colours. A moment ago, I learnt&lt;br /&gt;
from an official that the lights would be switched on &#39;fairly soon&#39;, and so I have decided to sit&lt;br /&gt;
down here on this bench and await the event. I have a good view from here of the sun setting&lt;br /&gt;
over the sea, and though there is still plenty of daylight left - it has been a splendid day - I can&lt;br /&gt;
see, here and there, lights starting to come on all along the shore. Meanwhile, the pier remains&lt;br /&gt;
busy with people; behind me, the drumming of numerous footsteps upon these boards&lt;br /&gt;
continues without interruption.&lt;br /&gt;
I arrived in this town yesterday afternoon, and have decided to remain a second night&lt;br /&gt;
here so as to allow myself this whole day to spend in a leisurely manner. And I must say, it&lt;br /&gt;
has been something of a relief not to be motoring; for enjoyable though the activity can be,&lt;br /&gt;
one can also get a little weary of it after a while. In any case, I can well afford the time to&lt;br /&gt;
remain this further day here; an early start tomorrow will ensure that I am back at Darlington&lt;br /&gt;
Hall by tea-time.&lt;br /&gt;
It is now fully two days since my meeting with Miss Kenton in the tea lounge of the&lt;br /&gt;
Rose Garden Hotel in Little Compton. For indeed, that was where we met Miss Kenton&lt;br /&gt;
surprising me by coming to the hotel. I had been whiling away some time after finishing my&lt;br /&gt;
lunch - I was, I believe, simply staring at the rain from the window by my table - when a&lt;br /&gt;
member of the hotel staff had come to inform me that a lady was wishing to see me at the&lt;br /&gt;
reception. I rose and went out into the lobby, where I could see no one I recognized. But then&lt;br /&gt;
the receptionist had said from behind her counter: &quot;The lady&#39;s in the tea lounge, sir.&quot;&lt;br /&gt;
Going in through the door indicated, I discovered a room filled with ill-matching&lt;br /&gt;
armchairs and occasional tables. There was no one else present other than Miss Kenton, who&lt;br /&gt;
rose as I entered, smiled and held out her hand to me.&lt;br /&gt;
&quot;Ah, Mr Stevens. How nice to see you again.&quot;&lt;br /&gt;
&quot;Mrs Benn, how lovely.&quot;&lt;br /&gt;
The light in the room was extremely gloomy on account of the rain, and so we moved&lt;br /&gt;
two armchairs up close to the bay window. And that was how Miss Kenton and I talked for&lt;br /&gt;
the next two hours or so, there in the , pool of grey light while the rain continued to fall&lt;br /&gt;
steadily on the square outside. She had, naturally, aged somewhat, but to my eyes at least, she&lt;br /&gt;
seemed to have done so very gracefully. Her figure remained slim, her posture as upright as&lt;br /&gt;
ever. She had maintained, too, her old way of holding her head in a manner that verged on the&lt;br /&gt;
defiant. Of course, with the bleak light falling on her face, I could hardly help but notice the&lt;br /&gt;
lines that had appeared here and there. But by and large the Miss Kenton I saw before me&lt;br /&gt;
looked surprisingly similar to the person who had inhabited my memory over these years.&lt;br /&gt;
That is to say, it was, on the whole, extremely pleasing to see her again.&lt;br /&gt;
For the first twenty or so minutes, I would say we exchanged the sort of remarks&lt;br /&gt;
strangers might; she inquired politely about my journey thus far, how I was enjoying my&lt;br /&gt;
holiday, which towns and landmarks I had visited and so on. As we continued to talk, I must&lt;br /&gt;
say I thought I began to notice further, more subtle changes which the years had wrought on&lt;br /&gt;
her. For instance, Miss Kenton appeared, somehow, /slower. /It is possible this was simply the&lt;br /&gt;
calmness that comes with age, and I did try hard for some time to see it as such. But I could&lt;br /&gt;
not escape the feeling that what I was really seeing was a weariness with life; the spark which&lt;br /&gt;
had once made her such a lively, and at times volatile person seemed now to have gone. In&lt;br /&gt;
fact, every now and then, when she was not speaking, when her face was in repose, I thought I&lt;br /&gt;
glimpsed something like sadness in her expression. But then again, I may well have been&lt;br /&gt;
mistaken about this.&lt;br /&gt;
After a little while, what little awkwardness as existed during the initial minutes of our&lt;br /&gt;
meeting had dissipated completely, and our conversation took a more personal turn. We spent&lt;br /&gt;
some time reminiscing about various persons from the past, or else exchanging any news we&lt;br /&gt;
had concerning them, and this was, I must say, most enjoyable. But it was not so much the&lt;br /&gt;
content of our conversation as the little smiles she gave at the end of utterances, her small&lt;br /&gt;
ironic inflexions here and there, certain gestures with her shoulders or her hands, which began&lt;br /&gt;
to recall unmistakably the rhythms and habits of our conversations from all those years ago.&lt;br /&gt;
It was around this point, also, that I was able to establish some facts concerning her&lt;br /&gt;
present circumstances. For instance, I learnt that her marriage was not in quite as parlous a&lt;br /&gt;
state as might have been supposed from her letter; that although she had indeed left her home&lt;br /&gt;
for a period of four or five days - during which time the letter I received had been composed -&lt;br /&gt;
she had returned home and Mr. Benn had been very pleased to have her back. &quot;It&#39;s just as well&lt;br /&gt;
one of us is sensible about these things,&quot; she said with a smile.&lt;br /&gt;
I am aware, of course, that such matters were hardly any of my business, and I should&lt;br /&gt;
make clear I would not have dreamt of prying into these areas were it not that I did have, you&lt;br /&gt;
might recall, important professional reasons for doing so; that is to say, in respect to the&lt;br /&gt;
present staffing problems at Darlington Hall. In any case, Miss Kenton did not seem to mind&lt;br /&gt;
at all confiding in me over these matters and I took this as a pleasing testimony to the strength&lt;br /&gt;
of the close working relationship we had once had.&lt;br /&gt;
For a little while after that, I recall, Miss Kenton went on talking more generally about&lt;br /&gt;
her husband, who is to retire soon, a little early on account of poor health, and of her&lt;br /&gt;
daughter, who is now married and expecting a child in the autumn. In fact, Miss Kenton gave&lt;br /&gt;
me her daughter&#39;s address in Dorset, and I must say, I was rather flattered to see how keen she&lt;br /&gt;
was that I call in on my return journey. Although I explained that it was unlikely I would pass&lt;br /&gt;
through that part of Dorset, Miss Kenton continued to press me, saying: &quot;Catherine&#39;s heard all&lt;br /&gt;
about you, Mr Stevens. She&#39;d be so thrilled to meet you.&quot;&lt;br /&gt;
For my own part, I tried to describe to her as best I could the Darlington Hall of today.&lt;br /&gt;
&#39;I attempted to convey to her what a genial employer Mr Farraday is; and I described the&lt;br /&gt;
changes to the house itself, the alterations and the dust-sheetings, as well as the present&lt;br /&gt;
staffing arrangements. Miss Kenton, I thought, became visibly happier when I talked about&lt;br /&gt;
the house and soon we were recollecting together various old memories, frequently laughing&lt;br /&gt;
over them.&lt;br /&gt;
Only once do I recall our touching upon Lord Darlington. We had been enjoying some&lt;br /&gt;
recollection or other concerning the young Mr Cardinal, so that I was then obliged to go on to&lt;br /&gt;
inform Miss Kenton of the gentleman&#39;s being killed in Belgium during the war. And I had&lt;br /&gt;
gone on to say: &quot;Of course, his lordship was very fond of Mr Cardinal and took it very badly.&quot;&lt;br /&gt;
I did not wish to spoil the pleasant atmosphere with unhappy talk, so tried to leave the&lt;br /&gt;
topic again almost immediately. But as I had feared, Miss Kenton had read of the&lt;br /&gt;
unsuccessful libel action, and inevitably, took the opportunity to probe me a little. As I recall,&lt;br /&gt;
I rather resisted being drawn in, though in the end I did say to her: &quot;The fact is, Mrs Benn,&lt;br /&gt;
throughout the war, some truly terrible things had been said about his lordship - and by /that&lt;br /&gt;
/newspaper in particular. He bore it all while the country remained in peril, but once the war&lt;br /&gt;
was over, and the insinuations simply continued, well, his lordship saw no reason to go on&lt;br /&gt;
suffering in silence. It&#39;s easy enough to see now, perhaps, all the dangers of going to court just&lt;br /&gt;
at that time, what with the climate as it was. But there you are. His lordship sincerely believed&lt;br /&gt;
he would get justice. Instead, of course, the newspaper simply increased its circulation. And&lt;br /&gt;
his lordship&#39;s good name was destroyed for ever. Really, Mrs Benn, afterwards, well, his&lt;br /&gt;
lordship was virtually an invalid. And the house became so quiet. I would take him tea in the&lt;br /&gt;
drawing room and, well... It really was most tragic to see.&quot;&lt;br /&gt;
&quot;I&#39;m very sorry, Mr Stevens. I had no idea things had been so bad.&quot;&lt;br /&gt;
&quot;Oh yes, Mrs Benn. But enough of this. I know you remember Darlington Hall in the&lt;br /&gt;
days when there were great gatherings, when it was filled with distinguished visitors. Now&lt;br /&gt;
that&#39;s the way his lordship deserves to be remembered.&quot;&lt;br /&gt;
As I say, that was the only time we mentioned Lord Darlington.&lt;br /&gt;
Predominantly, we concerned ourselves with very happy memories, and those two&lt;br /&gt;
hours we spent together in the tea lounge were, I would say, extremely pleasant ones. I seem&lt;br /&gt;
to remember various other guests coming in while we were talking, sitting down for a few&lt;br /&gt;
moments and leaving again, but they did not distract us in any way at all. Indeed, one could&lt;br /&gt;
hardly believe two whole hours had elapsed when Miss Kenton looked up at the clock on the&lt;br /&gt;
mantelshelf and said she would have to be returning home. On establishing that she would&lt;br /&gt;
have to walk in the rain to a bus stop a little way out of the village, I insisted on running her&lt;br /&gt;
there in the Ford, and so it was that after obtaining an umbrella from the reception desk, we&lt;br /&gt;
stepped outside together.&lt;br /&gt;
Large puddles had formed on the ground around where I had left the Ford, obliging me&lt;br /&gt;
to assist Miss Kenton a little to allow her to reach the passenger door. Soon, however, we&lt;br /&gt;
were, motoring down the village high street, and then the shops had gone and we found&lt;br /&gt;
ourselves in open country. Miss Kenton, who had been sitting quietly watching the passing&lt;br /&gt;
view, turned to me at this point, saying: &quot;What are you smiling to yourself about like that, Mr&lt;br /&gt;
Stevens?&quot;&lt;br /&gt;
&quot;Oh... You must excuse me, Mrs Benn, but I was just recalling certain things you&lt;br /&gt;
wrote in your letter. I was a little worried when I read them, but I see now I had little reason to&lt;br /&gt;
be.&quot;&lt;br /&gt;
&quot;Oh? What things in particular do you mean, Mr Stevens?&quot;&lt;br /&gt;
&quot;Oh, nothing in particular, Mrs Benn.&quot;&lt;br /&gt;
&quot;Oh, Mr Stevens, you really must tell me.&quot;&lt;br /&gt;
&quot;Well, for instance, Mrs Benn,&quot; I said with a laugh, &quot;at one point in your letter, you&lt;br /&gt;
write - now let me see - &#39;the rest of my life stretches out like an emptiness before me&#39;. Some&lt;br /&gt;
words to that effect.&quot;&lt;br /&gt;
&quot;Really, Mr Stevens,&quot; she said, also laughing a little. &quot;I couldn&#39;t have written any such&lt;br /&gt;
thing.&quot;&lt;br /&gt;
&quot;Oh, I assure you you did, Mrs Benn. I recall it very clearly.&quot;&lt;br /&gt;
&quot;Oh dear. Well, perhaps there are some days when I feel like that. But they pass&lt;br /&gt;
quickly enough. Let me assure you, Mr Stevens, my life does /not /stretch out emptily before&lt;br /&gt;
me. For one thing, we are looking forward to the grandchild. The first of a few perhaps.&quot;&lt;br /&gt;
&quot;Yes, indeed. That will be splendid for you.&quot; We drove on quietly for a few further&lt;br /&gt;
moments.&lt;br /&gt;
Then Miss Ken ton said: &quot;And what about you, Mr Stevens? What does the future hold&lt;br /&gt;
for you back at Darlington Hall?&quot;&lt;br /&gt;
&quot;Well, whatever awaits me, Mrs Benn, I know I&#39;m not awaited by emptiness. If only I&lt;br /&gt;
were. But oh no, there&#39;s work, work and more work.&quot;&lt;br /&gt;
We both laughed at this. Then Miss Kenton pointed out a bus shelter visible further up&lt;br /&gt;
the road. As we approached it, she said: &quot;Will you wait with me, Mr Stevens? The bus will&lt;br /&gt;
only be a few minutes.&quot;&lt;br /&gt;
The rain was still falling steadily as we got out of the car and hurried towards the&lt;br /&gt;
shelter. This latter - a stone construct complete with a tiled roof - looked very sturdy, as&lt;br /&gt;
indeed it needed to be, standing as it did in a highly exposed position against a background of&lt;br /&gt;
empty fields. Inside, the paint was peeling everywhere, but the place was clean enough. Miss&lt;br /&gt;
Ken ton seated herself on the bench provided, while I remained on my feet where I could&lt;br /&gt;
command a view of the approaching bus.&lt;br /&gt;
On the other side of the road, all I could see were more farm fields; a line of telegraph&lt;br /&gt;
poles led my eye over them into the far distance.&lt;br /&gt;
After we had been waiting in silence for a few minutes, I finally brought myself to&lt;br /&gt;
say: &quot;Excuse me, Mrs Benn. But the fact is we may not meet again for a long time. I wonder&lt;br /&gt;
if you would perhaps permit me to ask you something of a rather personal order. It is&lt;br /&gt;
something that has been troubling me for some time.&quot;&lt;br /&gt;
&quot;Certainly, Mr Stevens. We are old friends after all.&quot;&lt;br /&gt;
&quot;Indeed, as you say, we are old friends. I simply wished to ask you, Mrs Benn. Please -&lt;br /&gt;
do not reply if you feel you shouldn&#39;t. But the fact is, the letters I have had from you over the&lt;br /&gt;
years, and in particular the last letter, have tended to suggest that you are - how might one put&lt;br /&gt;
it?- rather unhappy. I simply wondered if you were being ill-treated in some way. Forgive me,&lt;br /&gt;
but as I say, it is something that has worried me for some time. I would feel foolish had I&lt;br /&gt;
come all this way and seen you and not at least asked you.&quot;&lt;br /&gt;
&quot;Mr Stevens, there&#39;s no need to be so embarrassed.&lt;br /&gt;
We&#39;re old friends, after all, are we not? In fact, I&#39;m very touched you should be so&lt;br /&gt;
concerned. And I can put your mind at rest on this matter absolutely. My husband does not&lt;br /&gt;
mistreat me at all in any way. He is not in the least a cruel or ill- tempered man.&quot;&lt;br /&gt;
&quot;I must say, Mrs Benn, that does take a load from my mind.&quot;&lt;br /&gt;
I leaned forward in to the rain, looking for signs of the bus.&lt;br /&gt;
&quot;I can see you are not very satisfied, Mr Stevens,&quot; Miss Kenton said.&lt;br /&gt;
&quot;Do you not believe me?&quot;&lt;br /&gt;
&quot;Oh, it&#39;s not that, Mrs Benn, not that at all.&lt;br /&gt;
It&#39;s just that the fact remains, you do not seem to have been happy over the years. That&lt;br /&gt;
is to say - forgive me - you have taken it on yourself to leave your husband on a number of&lt;br /&gt;
occasions. If he does not mistreat you, then, well... one is rather mystified as to the cause of&lt;br /&gt;
your unhappiness.&quot;&lt;br /&gt;
I looked out into the drizzle again. Eventually, I heard Miss Kenton say behind me:&lt;br /&gt;
&quot;Mr Stevens, how can I explain? I hardly know myself why I do such things. But it&#39;s true, I&#39;ve&lt;br /&gt;
left three times now.&quot; She paused a moment, during which time I continued to gaze out&lt;br /&gt;
towards the fields on the other side of the road. Then she said: &quot;I suppose, Mr Stevens, you&#39;re&lt;br /&gt;
asking whether or not I love my husband.&quot;&lt;br /&gt;
&quot;Really, Mrs Benn, I would hardly presume... &quot;&lt;br /&gt;
&quot;I feel I should answer you, Mr Stevens. As you say, we may not meet again for many&lt;br /&gt;
years. Yes, I do love my husband. I didn&#39;t at first. I didn&#39;t at first for a long time. When I left&lt;br /&gt;
Darlington Hall all those years ago, I never realized I was really, truly leaving. I believe I&lt;br /&gt;
thought of it as simply another ruse, Mr Stevens, to annoy you.&lt;br /&gt;
It was a shock to come out here and find myself &#39;J married. For a long time, I was very&lt;br /&gt;
unhappy, very unhappy indeed. But then year after year went by, there was the war, Catherine&lt;br /&gt;
grew up, and one day I realized I loved my husband. You spend so much time with someone,&lt;br /&gt;
you find you get used to him. He&#39;s a kind, steady man, and yes, Mr Stevens, I&#39;ve grown to&lt;br /&gt;
love him.&quot;&lt;br /&gt;
Miss Kenton fell silent again for a moment.&lt;br /&gt;
Then she went on: &quot;But that doesn&#39;t mean to say, of course, there aren&#39;t occasions now&lt;br /&gt;
and then - extremely desolate occasions - when you think to yourself: &#39;What a terrible mistake&lt;br /&gt;
I&#39;ve made with my life.&#39; And you get to thinking about a different life, a /better /life you might&lt;br /&gt;
have had. For instance, I get to thinking about a life I may have had with you, Mr Stevens.&lt;br /&gt;
And I suppose that&#39;s when I get angry over some trivial little thing and leave. But each time I&lt;br /&gt;
do so, I realize before long - my rightful place is with my husband. After all, there&#39;s no&lt;br /&gt;
turning back the clock now. One can&#39;t be forever dwelling on what might have been.&lt;br /&gt;
One should realize one has as good as most, perhaps better, and be grateful.&quot;&lt;br /&gt;
I do not think I responded immediately, for it took me a moment or two to fully digest&lt;br /&gt;
these words of Miss Kenton. Moreover, as you might appreciate, their implications were such&lt;br /&gt;
as to provoke a certain degree of sorrow within me. Indeed - why should I not admit it? - at&lt;br /&gt;
that moment, my heart was breaking. Before long, however, I turned to her and said with a&lt;br /&gt;
smile: &quot;You&#39;re very correct, Mrs Benn. As you say, it is too late to turn back the clock.&lt;br /&gt;
Indeed, I would not be able to rest if I thought such ideas were the cause of unhappiness for&lt;br /&gt;
you and your husband. We must each of us, as you point out, be grateful for what we /do&lt;br /&gt;
/have. And from what you tell me, Mrs Benn, you have reason to be contented. In fact I would&lt;br /&gt;
venture, what with Mr Benn retiring, and with grandchildren on the way, that you and Mr&lt;br /&gt;
Benn have some extremely happy years before you. You really mustn&#39;t let any more foolish&lt;br /&gt;
ideas come between yourself and the happiness you deserve.&quot;&lt;br /&gt;
&quot;Of course, you&#39;re right, Mr Stevens. You&#39;re so kind.&quot;&lt;br /&gt;
&quot;Ah, Mrs Benn, that appears to be the bus coming now.&quot;&lt;br /&gt;
I stepped outside and signalled, while Miss Kenton rose and came to the edge of the&lt;br /&gt;
shelter. Only as the bus pulled up did I glance at Miss Kenton and perceived that her eyes had&lt;br /&gt;
filled with tears. I smiled and said: &quot;Now, Mrs Benn, you must take good care of yourself.&lt;br /&gt;
Many say retirement is the best part of life for a married couple. You must do all you can to&lt;br /&gt;
make these years· happy ones for yourself and your husband. We may never meet again, Mrs&lt;br /&gt;
Benn, so I would ask you to take good heed of what I am saying.&quot;&lt;br /&gt;
&quot;I will, Mr Stevens, thank you. And thank you for the lift. It was so very kind of you.&lt;br /&gt;
It was so nice to see you again.&quot;&lt;br /&gt;
&quot;It was a great pleasure to see you again, Mrs Benn.&quot;&lt;br /&gt;
The pier lights have been switched on and behind me a crowd of people have just&lt;br /&gt;
given a loud cheer to greet this event. There is still plenty of daylight left - the sky over the&lt;br /&gt;
sea has turned a pale red - but it would seem that all these people who have been gathering on&lt;br /&gt;
this pier for the past half-hour are now willing night to fall. This confirms very aptly, I&lt;br /&gt;
suppose, the point, made by the man who until a little while ago was sitting here beside me on&lt;br /&gt;
this bench, and with whom I had my curious discussion. His claim was that for a great many&lt;br /&gt;
people, the evening was the best part of the day, the part they most looked forward to. And as&lt;br /&gt;
I say, there would appear to be some truth in this assertion, for why else would all these&lt;br /&gt;
people give a spontaneous cheer simply because the pier lights have come on?&quot;&lt;br /&gt;
Of course, the man had been speaking figuratively, but it is rather interesting to see his&lt;br /&gt;
words borne out so immediately at the literal level. I would suppose he had been sitting here&lt;br /&gt;
next to me for some minutes without my noticing him, so absorbed had I become with my&lt;br /&gt;
recollections of meeting Miss Kenton two days ago. In fact, I do not think I registered his&lt;br /&gt;
presence on the bench at all until he declared out loud: &quot;Sea air does you a lot of good.&quot;&lt;br /&gt;
I looked up and saw a heavily built man, probably in his late sixties, wearing a rather&lt;br /&gt;
tired tweed jacket, his shirt open at the neck. He was gazing out over the water, perhaps at&lt;br /&gt;
some seagulls in the far distance, and so it was not at all clear that he had been talking to me.&lt;br /&gt;
But since no one else responded, and since I could see no other obvious persons close by who&lt;br /&gt;
might do so, I eventually said: &quot;Yes, I&#39;m sure it does.&quot;&lt;br /&gt;
&quot;The doctor says it does you good. So I come up here as much as the weather will let&lt;br /&gt;
me.&quot;&lt;br /&gt;
The man went on to tell me about his various ailments, only very occasionally turning&lt;br /&gt;
his eyes away from the sunset in order to give me a nod or a grin. I really only started to pay&lt;br /&gt;
any attention at all when he happened to mention that until his retirement three years ago, he&lt;br /&gt;
had been a butler of a nearby house. On inquiring further, I ascertained that the house had&lt;br /&gt;
been a very small one in which he had been the only full-time employee. When I asked him if&lt;br /&gt;
he had ever worked with a proper staff under him, perhaps before the war, he replied: &quot;Oh, in&lt;br /&gt;
those days, I was just a footman. I wouldn&#39;t have had the know-how to be a butler in /those&lt;br /&gt;
/days. You&#39;d be surprised what it involved when you had those big houses you had then.&quot;&lt;br /&gt;
At this point, I thought it appropriate to reveal my identity, and although I am not sure&lt;br /&gt;
&#39;Darlington Hall&#39; meant anything to him, my companion seemed suitably impressed.&lt;br /&gt;
&quot;And here I was trying to explain it all to you,&quot; he said with a laugh.&lt;br /&gt;
&quot;Good job you told me when you did before I made a right fool of myself.&lt;br /&gt;
Just shows you never know who you&#39;re addressing when you start talking to a stranger.&lt;br /&gt;
So you had a big staff, I suppose. Before the war, I mean.&quot;&lt;br /&gt;
He was a cheerful fellow and seemed genuinely interested, so I confess I did spend a&lt;br /&gt;
little time telling him about Darlington Hall in former days. In the main, I tried to convey to&lt;br /&gt;
him some of the &#39;know-how&#39;, as he put it, involved in overseeing large events of the sort we&lt;br /&gt;
used often to have. Indeed, I believe I even revealed to him several of my professional&lt;br /&gt;
&#39;secrets&#39; designed to bring that extra bit out of staff, as well as the various &#39;sleights-of-hand&#39; -&lt;br /&gt;
the equivalent of a conjuror&#39;s - by which a butler could cause a thing to occur at just the right&lt;br /&gt;
time and place without guests even glimpsing the often large and complicated manoeuvre&lt;br /&gt;
behind the operation. As I say, my companion seemed genuinely interested, but after a time I&lt;br /&gt;
felt I had revealed enough and so concluded by saying: &quot;Of course, things are quite different&lt;br /&gt;
today under my present employer.&lt;br /&gt;
An American gentleman.&quot;&lt;br /&gt;
&quot;American, eh? Well, they&#39;re the only ones can afford it now. So you stayed on with&lt;br /&gt;
the house. Part of the package.&quot; He turned and gave me a grin.&lt;br /&gt;
&quot;Yes,&quot; I said, laughing a little. &quot;As you say, part of the package.&quot;&lt;br /&gt;
The man turned his gaze back to the sea again, took a deep breath and sighed&lt;br /&gt;
contentedly. We then proceeded to sit there together quietly for several moments.&lt;br /&gt;
&quot;The fact is, of course,&quot; I said after a while, &quot;I gave my best to Lord Darlington. I gave&lt;br /&gt;
him the very best I had to give, and now - well - I find I do not have a great deal more left to&lt;br /&gt;
give.&quot;&lt;br /&gt;
The man said nothing, but nodded, so I went on: &quot;Since my new employer Mr&lt;br /&gt;
Farraday arrived, I&#39;ve tried very hard, very hard indeed, to provide the sort of service I would&lt;br /&gt;
like him to have.&lt;br /&gt;
I&#39;ve tried and tried, but whatever I do I find I am far from reaching the standards I once&lt;br /&gt;
set myself. More and more errors are appearing in my work. Quite trivial in themselves - at&lt;br /&gt;
least so far. But they&#39;re of the sort I would never have made before, and I know what they&lt;br /&gt;
signify.&lt;br /&gt;
Goodness knows, I&#39;ve tried and tried, but it&#39;s no use. I&#39;ve given what/ /I had to give. I&lt;br /&gt;
gave it all to Lord Darlington.&quot;&lt;br /&gt;
&quot;Oh dear, mate. Here, you want a hankie? I&#39;ve got one somewhere. Here we are. It&#39;s&lt;br /&gt;
fairly clean. Just blew my nose once this morning, that&#39;s all.&lt;br /&gt;
&quot;Have a go, mate.&quot;&lt;br /&gt;
&quot;Oh dear, no, thank you, it&#39;s quite all right. I&#39;m very sorry, I&#39;m afraid the travelling has&lt;br /&gt;
tired me. I&#39;m very sorry.&quot;&lt;br /&gt;
&quot;You must have been very attached to this Lord whatever. And it&#39;s three years since he&lt;br /&gt;
passed away, you say? I can see you were very attached to him, mate.&quot;&lt;br /&gt;
&quot;Lord Darlington wasn&#39;t a bad man. He wasn&#39;t a bad man at all. And at least he had the&lt;br /&gt;
privilege of being able to say at the end of his life that he made his own mistakes. His lordship&lt;br /&gt;
was a courageous man. He chose a certain path in life, it proved to be a misguided one, but&lt;br /&gt;
there, he chose it, he can say that at least. As for myself, I cannot even claim that. You see, I&lt;br /&gt;
/trusted. /I trusted in his lordship&#39;s wisdom. All those years I served him, I trusted I was doing&lt;br /&gt;
something worthwhile. I can&#39;t even say I made my own mistakes. Really - one has to ask&lt;br /&gt;
oneself - what dignity is there in that?&quot;&lt;br /&gt;
&quot;Now, look, mate, I&#39;m not sure I follow everything you&#39;re saying. But if you ask me,&lt;br /&gt;
your attitude&#39;s all wrong, see? Don&#39;t keep looking back all the time, you&#39;re bound to get&lt;br /&gt;
depressed. And all right, you can&#39;t do your job as well as you used to. But it&#39;s the same for all&lt;br /&gt;
of us, see?&lt;br /&gt;
We&#39;ve all got to put our feet up at some point. Look at me. Been happy as a lark since&lt;br /&gt;
the day I retired. All right, so neither of us are exactly in our first flush of youth, but you&#39;ve&lt;br /&gt;
got to keep looking forward.&quot; And I believe it was then that he said: &quot;You&#39;ve got to enjoy&lt;br /&gt;
yourself. The evening&#39;s the best part of the day.&lt;br /&gt;
You&#39;ve done your day&#39;s work. Now you can put your feet up and enjoy it.&lt;br /&gt;
That&#39;s how I look at it. Ask anybody, they&#39;ll all tell you. The evening&#39;s the best part of&lt;br /&gt;
the day.&quot;&lt;br /&gt;
&quot;I&#39;m sure you&#39;re quite correct,&quot; I said. &quot;I&#39;m so sorry, this is so unseemly. I suspect I&#39;m&lt;br /&gt;
over-tired. I&#39;ve been travelling rather a lot, you see.&quot;&lt;br /&gt;
It is now some twenty minutes since the man left, but I have remained here on this&lt;br /&gt;
bench to await the event that has just taken place - namely, the switching on of the pier lights.&lt;br /&gt;
As I say, the happiness with which the pleasure-seekers gathering on this pier greeted this&lt;br /&gt;
small event would tend to vouch for the correctness of my companion&#39;s words; for a great&lt;br /&gt;
many people, the evening is the most enjoyable part of the day. Perhaps, then, there is&lt;br /&gt;
something to his advice that I should cease looking back so, much, that I should adopt a more&lt;br /&gt;
positive outlook and try to make the best of what remains of my day. After all, what can we&lt;br /&gt;
ever gain in forever looking back and blaming ourselves if our lives have not turned out quite&lt;br /&gt;
as we might have wished? The hard reality is, surely that for the likes of you and I there is&lt;br /&gt;
little choice other than to leave our fate, ultimately, in the hands of those great gentlemen at&lt;br /&gt;
the hub of this world what employ our services. What is the point in worrying oneself too&lt;br /&gt;
much about what one could or could not have done to control the course one&#39;s life took?&lt;br /&gt;
Surely it is enough that the likes of you and I at least try to make our small contribution count&lt;br /&gt;
for something true and worthy. And if some of us are prepared to sacrifice much in life in&lt;br /&gt;
order to pursue such aspirations, surely that is in itself, whatever the outcome, cause for pride&lt;br /&gt;
and contentment.&lt;br /&gt;
A few minutes ago, incidentally, shortly after the lights came on, I did turn on my&lt;br /&gt;
bench a moment to study more closely these throngs of people laughing and chatting behind&lt;br /&gt;
me. There are people of all ages strolling around this pier: families with children; couples,&lt;br /&gt;
young and elderly, walking arm in arm. There is a group of six or seven people gathered just a&lt;br /&gt;
little way behind me who have aroused my curiosity a little. I naturally assumed at first that&lt;br /&gt;
they were a group of friends out together for the evening. But as I listened to their exchanges,&lt;br /&gt;
it became apparent they were strangers who had just happened upon one another here on this&lt;br /&gt;
spot behind me. Evidently, they had all paused a moment for the lights coming on, and then&lt;br /&gt;
proceeded to fall into conversation with one another. As I watch them now, they are laughing&lt;br /&gt;
together merrily. It is curious how people can build such warmth among themselves so&lt;br /&gt;
swiftly. It is possible these particular persons are simply united by the anticipation of the&lt;br /&gt;
evening ahead. But, then, I rather fancy it has more to do with this skill of bantering.&lt;br /&gt;
Listening to them now, I can hear them exchanging one bantering remark after another. It is, I&lt;br /&gt;
would suppose, the way many people like to proceed. In fact, it is possible my bench&lt;br /&gt;
companion of a while ago expected me to banter with him - in which case, I suppose I was&lt;br /&gt;
something of a sorry disappointment. Perhaps it is indeed time I began to look at this whole&lt;br /&gt;
matter of bantering more enthusiastically. After all, when one thinks about it, it is not such a&lt;br /&gt;
foolish thing to indulge in - particularly if it is the case that in bantering lies the key to human&lt;br /&gt;
warmth.&lt;br /&gt;
It occurs to me, furthermore, that bantering is hardly an unreasonable duty for an&lt;br /&gt;
employer to expect a professional to perform. I have of course already devoted much time to&lt;br /&gt;
developing my bantering skills, but it is possible I have never previously approached the task&lt;br /&gt;
with the commitment I might have done. Perhaps, then, when I return to Darlington Hall&lt;br /&gt;
tomorrow - Mr Farraday will not himself be back for a further week - I will begin practising&lt;br /&gt;
with renewed effort. I should hope, then, that by the time of my employer&#39;s return, I shall be&lt;br /&gt;
in a position to pleasantly surprise him.&lt;br /&gt;
The End&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/691067182242950267/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/remains-of-day-book.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/691067182242950267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/691067182242950267'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/remains-of-day-book.html' title='The Remains of the Day  BOOK'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-1069451355772698647</id><published>2012-02-13T22:35:00.001+00:00</published><updated>2012-02-13T22:35:43.085+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Kazuo Ishiguro"/><category scheme="http://www.blogger.com/atom/ns#" term="The Remains of the Day"/><title type='text'>Kazuo Ishiguro</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Kazuo Ishiguro&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;One of the most distinguished
contemporary authors. He was born in Nagasaki in 1954, the year when the Lord
of the Flies came out. The family moved to England, he received a typical
English education, in a school in which he was the only non-English student.
Back then, England was very class conscious and his presence invoked curiosity.
He had the bi-cultural upbringing. That account for his sense of uprootedness. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;He thought of
himself as of homeless writer. &lt;/span&gt;&lt;/b&gt;He travelled to the United States and
Canada in 1974, he wrote a journal and he even tried to launch a musical
career, not successfully. He studied English and philosophy at Kent University.
He graduated with BA in 1978, he attended the course in creative writing with
Malcolm Bradbury and Angela Carter. He earned his MA degree in 1980 at the
University of East Anglia. He worked as a social worker and community worker.
He was very socially conscious. Writing came somewhat later. He helped the
homeless in London and in Scotland. His literary career begins in the 80s. He had
written some short stories before, but in 1981, he has one of his short stories
published in a volume introducing contemporary writers, it was an anthology. At
that point, Faber and Faber, the famous publishing house committed him to write
a novel. From that point on, his literary career begins to flourish, from 1982
with the Pale View of Hills, his first novel about the Japanese born woman
protagonist. She moves to English countryside, remembers the past involving the
nuclear devastation of Nagasaki. The relationship with her two daughters is
also one of the themes of the Novel. In 1986, An Artist of the Floating World
comes out, again it is about the Japanese painter obsessed with the past. The
protagonist is plagued by the guilt caused by his war time experiences. Both
novels received prestigious literary awards. Ishiguro attributes his success
with good timing. So, he demystifies himself as an artist. He was labelled an
Anglo-Japanese writer which was lucrative at the time. The Remains of the Day
came out in 1989 and was something completely different from his previous two
novels. Not only did it take place on the English soil but it also had an
English protagonist. Just like his preceding and succeeding novels, it deals
with personal history with emphasis on moulding one’s history in order to meet
the psychological needs of the character.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The Remains of the Day&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The protagonist of the Novel tries
to grow as a character throughout the novel, but he fails in his attempt. &lt;span style=&quot;background: yellow;&quot;&gt;Stevens, &lt;/span&gt;the protagonist of the novel, is the
head butler of the respectable old English house and estate called Darlington
Hall. His master was Lord Darlington. He remembers the past, before the WWII
and after it. At the beginning of the novel he makes a trip for a first time
after a long period of time of self imposed confinement on the estate. The
motive of the trip is a meeting with a woman who he had been in love with,
which is something he never admitted to himself. Miss Campton, is the former co
worker. The journey is not only physical, but also a mental journey, in which
he has a chance to come to terms with the past, in which he fails. During the
trip, he clearly sees the failure that his life was for the first time, but he
hides it behind the mask, the illusion of that he puts up in order to be able
to carry on with his life. Many critics agree that this novel was a perfection
of Ishiguro’s narrative techniques and a brilliant psychological portrait. He
is not a typical postmodernist writer, we do not have framing, but again, there
are elements of meta-fiction, combined with the interest in the past. Ishiguro
admitted that his literary model were 19&lt;sup&gt;th&lt;/sup&gt; century English and
Russian realist writers. He looks back to realism in much the similar way
Fowles does. Among the modernists, the one who exerted influence on Ishiguro
was E. M. Forster because of his exploration of Englishness. There was also
Henry James, because of his psychological approach. He also discusses this idea
of &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Englishness
in The Remains of the Day.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;What all of Ishiguro’s novels have
in common is&lt;b&gt; the first person narrator. &lt;/b&gt;These
narrators are &lt;span style=&quot;color: red;&quot;&gt;protagonists&lt;/span&gt; at the same time, so
we have internal viewpoint. The protagonists usually hide something from
themselves; they are people who do not have courage to be true to themselves.
They are usually very ordinary people, they are not artists or hyper sensitive
characters, they are well adjusted, down to earth conformists, of whom Stevens
is a perfect example. They have simple and limited perspective. They usually do
not see much beyond their own world, they do not dare to cross over to the big
world. They remain caught in their own microcosm. All characters, including &lt;span style=&quot;background: yellow;&quot;&gt;Stevens, try to reconstruct the past, usually their
own past, not to make it right, but to make it look better.&lt;/span&gt; Nostalgia is
the feeling of regret for the past that has never been. The moment of
remembrance is the very moment of modification when truth is left behind. At
the moment of remembrance, we are instantly altering the past, so remembrance,
again cannot be taken as reliable. What Stevens does is he beautifies his own
past. He rationalises his own mistakes providing comforting explanations in
order to avoid the unpleasant truth. The truth is that he has lead the
meaningless of life, pretending that his life had a meaning. He strived to be &lt;span style=&quot;background: yellow;&quot;&gt;an excellent butler, &lt;/span&gt;like his father was. He
does this, constructs this lie, to give his life a sense of purpose. Then also,
he explores the psychological mechanisms of repression, which is reflected in
the use of language not to create meaning, but to hide the real meaning, or to
suppress the unpleasant truth. The language serves the purpose of creating and
maintaining illusion. So we delude ourselves through language. That is what
Stevens does. That is the source or irony and sarcasm. We are at the same time&lt;span style=&quot;background: yellow;&quot;&gt; irritated by him and we feel sorry for him. &lt;/span&gt;Steven
claims to invoke in his memory the truth about the past, while it becomes very
clear to the reader early on that he is trying to conceal from himself and from
the reader the truth, because the truth is shameful, painful, threatening for
his personal integrity and his sense of dignity. The narrator reveals the truth
to the reader unintentionally, unconsciously. We recognise as readers that he
is beating around the bush all the time. He is more interested in the inner
then the outer. History and politics are very much present, but these are not
his primary concerns, which means that he is only interested in history and
politics only as a reflection of his own mind. Here they are a testing ground
for the character’s response. Ishiguro’s main concern is psychology, inner
mechanism of suppression of emotions, the idealisation of oneself,
self-deception, the way in which people protect themselves from the truth about
themselves, mostly through language.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Ishiguro is not postmodernist
overtly, as much as the form is concerned, &lt;span style=&quot;background: yellow;&quot;&gt;but
his concern for the use of language for the purpose of constructing one’s life,
makes him a postmodernist writer. Ishiguro &lt;/span&gt;shows how language is used by
the character to fictionalise his own past, which is exactly what Stevens does.
He is rewriting his own past, recreating himself in a more favourable light. We
all do that, suggests Ishiguro. Again we have the distinction between art and
life blurred in a new way. We are all artists. Language is not used to
construct reality. He points to that. It is not there as a meaningful tool of
creating reality or truth, it is only there to create somebody’s version of
reality. Unlike other postmodernists, Ishiguro does not experiment with form,
his novels do not contain inter-textuality, framing, etc. they are not meta
fictions, they do not discuss the nature of fiction, they are not concerned
with the art of writing of fiction. On the contrary, he tries to hide the elements
that could be experimental. Formally, he is quite unlike postmodernists, but
his themes are postmodernist. Ishiguro did not believe that the nature of
fiction was one of the burning issues of the late 20&lt;sup&gt;th&lt;/sup&gt; century. In
this sense, he is not postmodernist, which makes him totally opposite from
Barnes. However, his novels are experimental, in this quiet way.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The central theme deals with
psychological methods of suppression of feelings. Stevens suppresses his
feelings and uses psychological mechanisms of defence to keep unpleasant
memories at bay, to keep unacceptable desires at bay. That is the goal that is
why people repress contents they do not want to face. Stevens represses
knowledge about the past to protect himself from the painful memory of political
flirtation of Lord Darlington with fascism and Nazism and the fact that he,
Stevens accepted it passively. Silence is acceptance. He was a collaborator of
Nazis indirectly. He never condemn Lord Darlington’s behaviour. The fact that
he does not defend Lord Darlington shows that he knows very well right from
wrong. He poses here very unpleasant question of personal responsibility.
Throughout history, many people resorted to this type of repression. He is very
well aware of how wrong it was what Lord Darlington did. &lt;span style=&quot;background: yellow; color: red;&quot;&gt;Stevens is coward&lt;/span&gt;. This aspect dealt
with political repression.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Second thing he repn ressed was his
sexual desire. Just as he is unable to admit to himself that he was in a way
collaborating with the Nazis, another thing that he was in love with Miss
Kenton and that he wanted to sleep with her. He cannot admit this, because he
thinks sex was something dirty. He was brought up to think this way. What he
keeps at distance are his sexual attraction with Miss Kenton, his
disappointment with her engagement. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;He pretends to miss her only for professional reasons&lt;/span&gt;&lt;/b&gt;.
He masks his romantic and sexual interest in her as professional interest. Even
when he makes his trip, he does not admit his true motive. The reason is
completely different, but he persists in lying to himself. His view of right or
wrong political affiliation makes Stevens completely &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;identify with his master&lt;/span&gt;&lt;/b&gt;. As if he
does not have to think with his brain, and whatever Lord Darlington is doing,
with whom he identified himself, is right. The incident occurs on the estate
and Lord Darlington want two of his Jewish servants dismissed. This causes
serous confrontation between Stevens and Miss Kenton. She is a person who is
politically conscious, whereas Stevens is a coward, like unfortunately millions
of people. Majority of people would act in the way in which Stevens acted,
rather then in a way in which Miss Kenton acted. It is easier for him to
identify with Lord Darlington.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;There is also a trauma over his &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;father’s death&lt;/span&gt;&lt;/b&gt;,
but despite being devastated, he keeps on working and &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;he pretends to be OK&lt;/span&gt;&lt;/b&gt;. He wanted to
‘live up with the ideals of his profession’. He is not indifferent, but with
tremendous effort of will, he convinces himself he should be indifferent, so he
carries on with his work. There is also this element of competition between
father and son, another Freudian theme. On very rare occasions, Stevens does
tell the truth. That is a minor illustration of his ability to tell the truth.
When his car stops out of gas, he refuses to look at his shoes, which serves as
a symbol of his entire behaviour. He always chooses to look aside, rather then
confronting with the issues he has. Likewise, he is unable to comfort Miss &lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red;&quot;&gt;Kenton when her aunt dies.&lt;/span&gt;&lt;/i&gt;&lt;/b&gt; He does not know
how to do it. He &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;cannot face sadness and grief, he &lt;/span&gt;&lt;/b&gt;is person who has never grown
up entirely. Indirectly, if he managed to comfort Miss Kenton after her loss,
he would then also have to &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;acknowledge his own loss&lt;/span&gt;&lt;/b&gt;, which he is not prepared
to do.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He also has problem coming to terms
with his own sexuality. He is embarrassed with Faraday’s joke about his lady
friend. He permanently describes his relationship with Miss Kenton, whom he
always addresses with her family name, as strictly professional. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;He hates flowers&lt;/span&gt;&lt;/b&gt;,
which are a symbol of nature, that is a symbolical way of suggesting how he
resents any &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;natural
impulse&lt;/span&gt;&lt;/b&gt;. He is embarrassed in each of his encounters with attractive
women, so he is &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;completely
repressed in every way. The culmination is when he rejects Miss Kenton’s open
sexual invitation in the pantry.&lt;/span&gt;&lt;/b&gt; She plays the reversed gender role,
playing the role of seducer, to try to get somewhere with him. When she finds
him reading the love story, which he explains by his ambition to learn better
English. Stevens convinces himself that he is not interested, because it is
easier for him. He is afraid and that is a typical reaction for someone who is
afraid. He resents adventure and risk. There is also a scene with the couple
who eloped and resigned only to get married, which he resented explaining that
it was irresponsible act.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;There is the character called &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Reginald Cardinal &lt;/span&gt;&lt;/b&gt;who
tries to talk to Stevens and to explain that Lord Darlington was used by the
Nazis as a pawn. Stevens does not want to hear that and acknowledge this truth.
He simply rejects to see anything that is going on. He is furious with Reginald
for his &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;attempt
to confront him with the truth about Lord Darlington&lt;/span&gt;&lt;/b&gt;. Ishiguro shows
parallels between English and Japanese cultures, both of which are very
repressive, very authoritarian, very prone to be manipulated. He even claimed
they were easy targets of skilful political manipulators. Authoritarian
education creates obedient citizens, which can make them very vulnerable to
manipulation of totalitarian rules, who then become father substitutes. It
worked on the Balkans with Milosevic Tudjman and Izetbegović, all three of whom
were fathers of the nation. Reflections of all of these ideas are found here,
for Stevens, Lord Darlington is this father substitute. Stevens also totally
identifies with his upper class father substitute and symbolically and even
physically abandons his own father. He comes to indirectly support Nazism,
because he is completely naïve person and a coward. He fakes responsibility to
avoid thinking with his own head. He wants to become a gentleman like Lord
Darlington, he dresses above his class, which makes him a tragicomic character.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Stevens masks his repression as
professionalism, which is his excuse for everything. He is obsessed with
professional dignity, with being a perfect butler, is an excuse for himself for
being politically and sexually disengaged. He avoids every kind of
responsibility. He is furious about the decision of the housekeeper and the
under butler to get married and leave profession. The reason he is upset is
that they dared to do what he does not. He masks his disappointment with Miss
Kenton’s seeing someone as a purely professional disappointment. He says her
marriage would be a professional loss. When she surprises him in the pantry,
revealing her interest in him, he tries to reassert their ‘professional
relation in a more proper manner’. So the language he uses, very formal, stiff
and artificial, is a reflection of himself.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He exempts him from political
responsibility claiming that as a butler, it was not his job to think. He
believed he needed to agree with views of his master. There are very disturbing
conclusions here that make us seriously question democracy. In the early 30s
Stevens has to fire two Jewish maids, under the excuse of just following
orders. There is even a suggestion of homo erotic connection between Brehman,
German aristocrat and Lord Darlington.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;This is Ishiguro’s very subtle
criticism of stiffness and conventionality of British and also of Japanese
societies. As a result, these societies produced characters much like Stevens
is, cowards who are easy targets of authoritarian manipulators.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Unintentionally and ironically, his
words reveal just the things he is trying to hide. He only accomplishes to
speak of himself through what he says of others. He says Lord Darlington’s life
was a ‘sad waste’ and that the life of Miss Kenton was pervaded by the ‘sense
of waste’, which suggests it is Stevens’s life that was wasted. This is the
strategy most of us resort to. When he speaks of Miss Kenton’s nostalgia about
the past, it is his nostalgia. He also suggests that Miss Kenton regrets the
decision she made in the past, and it turns out he regrets his own decision.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;His obsession with the
clothes, suggest he wants to hide his true self.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; He has later inherited Lord
Darlington’s clothes. So symbolically, he becomes Lord Darlington. He also was
to be mistaken for a gentleman, but in the moment of crisis, he does not deny
his own identity.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The significance of the Journey&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Journey is his first attempt ever to
break out from the prison house in which he voluntarily confined himself. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;The journey is both
physical and psychological. &lt;/span&gt;&lt;/b&gt;In the struggle between his desire to
cast off this mask and his desire to keep it as something familiar, he succumbs
to the latter. So, he does not really change. The chance is only offered for a
brief moment of time and he is to frightened of the new to embrace it. He fails
in breaking free emotionally and physically. The political activist he meets
during the journey makes no impact on Stevens. He also fails to overcome his
sexual repression, when he finally meets Miss Kenton. This final encounter
turns out to be a disappointment, while Stevens is even strongly as before,
trying to keep up this pretence. In the end he sits on a bench next to a
retired butler. He concludes that he has given everything to Darlington, then
he masks his tears as fatigue, so he is back to the old pattern of behaviour.
He finally ironically tries to learn to banter, which is not part of his personality,
which means he never truly changes. That does not mark any kind of
transformation, he does so just because his new employer would like him to.
There is no development. It could not be taken as a sing of true, profound
change. This might be a criticism of the entire culture of suppression.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The concept of Englishness&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Ishiguro claims that this novel
reworks certain stereotypes and myths about England. He uses a lot of clichés
that people usually have about the English. Whether he reinforces or subverts
them is difficult to decide. Stevens’ politeness is only politeness on the
surface and it masks destructive political passivity. The myth of merry old
England is harmless nostalgia for the times that have never been, so Ishiguro
subverts them.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Historical personages appear in the
novel, who are at the same level with Stevens and other character, so again
there is a postmodernist element in the novel which is not exactly true
postmodernist work.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 115%; margin-bottom: 10.0pt;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/1069451355772698647/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/kazuo-ishiguro.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/1069451355772698647'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/1069451355772698647'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/kazuo-ishiguro.html' title='Kazuo Ishiguro'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-135858074944270533</id><published>2012-02-13T22:34:00.002+00:00</published><updated>2012-02-13T22:34:50.346+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Julian Barnes"/><title type='text'>Julian Barnes</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Julian Barnes&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Julian Barnes belongs to the
generation of British postmodernist writers, and postmodernism is not
exclusively literary phenomenon.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;Generally, postmodernism is a very paradoxical
phenomenon. It is never either/or, it is always both/and at the same time. The
contradiction would be the very second name of postmodernism.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Reflections on Postmodernism&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Postmodernists rejected the view
which culminated with realism, that literature was a reliable source of
universal truths, though such view was never before questioned. In the
tradition of postmodernism this assumption is questioned. There are no
universal truths, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;according to postmodernism, there is no one constant,
measurable reality, there are only realities. &lt;/span&gt;&lt;/b&gt;The very assumption &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;that art imitates
life is questionable; &lt;/span&gt;&lt;/b&gt;it could be that art imitates life. There is a
lot of scepticism, as a typical element of the postmodernist world view.
Postmodernists are also very sceptical about the modernist view that reality is
to be found in its inner rather then outer manifestation. So, there are no
clear definitions, there are no clear solutions. There is no realm that
contains objective reality and objective truth, according to postmodernist, and
in this context we speak of relativism, which is another typical postmodernist
trait. Modernists also believed in the cult of the genius, which they inherited
from the Romantics, according to which artists were the elite, hypersensitive
persons who can grasp the ultimate truth, which was another idea of modernists
that postmodernists rejected. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Modernists still pretended that their novels were not
constructs but that they somehow revealed the truth&lt;/span&gt;&lt;/b&gt;, which again the
postmodernist challenged. Even the notion of consciousness, personality, mind,
were rejected by the &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;postmodernists, who claimed that consciousness was rooted in
language which describes nothing but itself according to them. &lt;/span&gt;&lt;/b&gt;Postmodernist
literature is not only literature; they integrate philosophical, linguistic,
anthropological theories of the 20&lt;sup&gt;th&lt;/sup&gt; century, theories of human
sexuality, which reflects the eclectic nature of the postmodernist literature.
To postmodernists, language is another construct, a toy invented by human
beings, not necessary for the purpose of describing the outside phenomena, but
it is a play, signifier does not refer to the signified, but what we have is
the constant play of signifiers. Language refers back to itself, especially in
literature&lt;span style=&quot;color: red;&quot;&gt;. Per convention, when 10 people use the word
‘tree’ all ten of them may have a different image on their mind, which is the
reason there can never be true communication.&lt;/span&gt; According to
postmodernists, one needs to be very careful using the language. Human mind,
according to postmodernists, is not a constant, it remains in the state of
constant flux, which proves their notion that there is no such thing as
personality, because it is not a stabile phenomenon, just a set of moods, which
is never the same, even in the single day. They say it is a very delicate,
phantom like phenomenon called consciousness. Even our thinking is rooted in
language, according to postmodernists, which means it is unreliable, because
language itself is unreliable and provisory. We have the Post-Freudian approach
according to which, the unconscious is also rooted in language, which makes it
highly elusive, just as the reality is illusive. Our view of reality,
regardless of whether it is external or internal reality, is always subjective.
Postmodernism is on the other hand it is very liberating and creative, because
if there are just realities or truths all of them subjective, there are no
borders or rules as to how to create or write. Freedom involves great
possibilities, but also great pitfalls. Literature in postmodernism can by no
means claim to represent the truth, it can only present one or two or three
versions of the same story, which means that the author can deliberately play
with the idea and offer several solutions, or endings. Even the interpretation
of the work of art by the reader greatly depends on reader’s point of view,
education, social standing, making it again, highly subjective.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Flaubert’s Parrot&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Flaubert’s Parrot is almost a textbook example of a postmodernist
novel,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;of
the second half of the 20&lt;sup&gt;th&lt;/sup&gt; century, one of the major messages of
Flaubert’s parrot is that literature or art in general, cannot fully represent
life. They constantly draw attention to the limitations of art and literature,
reminding the reader that what he is reading is fiction, which is in a very
intricate way connected with the reality.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;In Flaubert’s Parrot, in Chapter 2 entitled Chronology, Barnes
offers us three different versions of Flaubert’s biography. &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;There is no text in the traditional
sense. Text is anything that someone writes, says, etc. So, even the past is
always highly subjective, and context is very important. For that reason, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;neither literature,
not history can claim to represent the truth&lt;/span&gt;&lt;/b&gt;. Postmodernists
completely abolish the old fashioned distinction to fiction and non fiction, to
them any discourse is equally reliable and equally unreliable as the rest of
them. There is also &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;inter-textuality,&lt;/span&gt;&lt;/b&gt; that is another characteristic
of postmodernist novels, present in Flaubert’s Parrot. It is not only open to
the literary discourse, with the plot, the characters, the story, the style,
etc, it makes only part of postmodernist novels. Alongside with the literary
discourse, there is also a scientific discourse, present in Flaubert’s Parrot
in the lectures on Gustave Flaubert given by literary critics some of whom
existed, while others are invented, there is also a biography, which is a third
kind of discourse, there is also exam, letters, etc. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;People not accustomed to postmodernism are
confused by this. &lt;/span&gt;&lt;/b&gt;They want to abolish distinction between fiction
and non-fiction. Sometimes we do not even know if these inserted texts really
existed, or if perhaps they were invented by the author. So, just as they &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;mix&lt;/span&gt;&lt;/b&gt; real
&lt;span style=&quot;color: red;&quot;&gt;personages with fictional characters, &lt;/span&gt;there is
also a &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;mixture
of real, authentic texts and texts invented by the author&lt;/span&gt;&lt;/b&gt;. The point
of that is to make the reader realise that it is &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;impossible to make the distinction between what
is real and what is fictitious.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;As we said, postmodernist literature
did not even attempt to assert itself as the source of reliable truth, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;they instead keep
reminding the reader constantly reminded of this unreliability. That is the
game that they play with the reader and themselves.&lt;/span&gt;&lt;/b&gt; They play with
this chaos very creatively, they draw attention to the disorder, unreliability,
relativity and to the absence of reliable answers. Just like modernists before
them, they keep betraying expectations of the reader. They combine many things,
and take a lot from modernists.&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt; Postmodernist novels, just like modernist novels before
them, get the readers confused, irritated and provoked. &lt;/span&gt;&lt;/b&gt;That is a
deliberate plan on the part of the postmodernist writer, because they believe
that when the reader is provoked or &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;irritated, maybe he or she will start thinking.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Barnes makes it clear that his
narrator Geoffrey Braithwaite does not know everything. Barnes ridicules his
own narrator, by showing that he knows very little, let alone the truth. His
narrator’s perspective is limited and subjective, which makes all answers
illusive, temporary, provisory and unreliable. Living means living with
uncertainty, which we have to come to terms with. That is one of the
provocative messages of the postmodernist literature, which could also lead to
a creative, liberating experience.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Themes&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;This issue of elusiveness of the
truth is one of the major themes of this novel. It is thematised through the
very figure of the narrator, who is widowed physician who is obsessed with
Flaubert’s fiction and his life. Geoffrey Braithwaite he believes in the
humanist illusions that the postmodernism rejects. He is taken by the author as
the example of the old way of thinking. This humanist view of the narrator is
reflected in his notion that education matters very much, that one can
accomplish anything if she or he desires it very much, that there are certain
universal truths applicable to all human beings, that history progresses, that
each historical period is more advanced then the previous. When Barnes makes
such a narrator, the reason he makes it that was is to ironise him. He makes
him question his own notions. One of the illusions in which the narrator
believes and which Barnes ridicules, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;is that if you want to learn something about your favourite
author, you can understand it better if you learn as much as you can about his
life. In order to ridicule this view, Barnes offers us in Chapter two three
different versions of Flaubert’s life.&lt;/span&gt;&lt;/b&gt; The author make it
deliberately obvious that such notion is ridiculous by giving two completely &lt;span style=&quot;color: red;&quot;&gt;opposed versions &lt;/span&gt;of the biography with the third &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;one being somewhere
in between. &lt;/span&gt;&lt;/b&gt;Indirectly, the author wants to suggest that it is
foolish to believe you could get much better insight into the work of art by
close study of artist’s life, just as it is ridiculous to believe that one’s
path to the truth has anything to do with minor facts or details that make no
difference at all, such as the fact of which of the stuffed parrots was the one
that Flaubert used briefly, as he was writing one of his short stories.&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt; So Flaubert’s
parrot becomes the symbol of the desire for the objective truth, &lt;/span&gt;&lt;/b&gt;which
Braithwaite pursues, but which keeps escaping. So Braithwaite concentrates on
one of Flaubert’s short stories “The Sacred Heart”, not even “Madame Bovary”,
his major work. He makes a journey to Rouanne and hears that there are two
stuffed parrots, and he tries to decide which one of the two was the one
Flaubert used and kept on his desk as he was writing his short story. So Barnes
ridicules this enterprise, making it apparent how impossible this task of
finding the real parrot really is, and the pursuit of the parrot really serves
as a symbol of Braithwaite’s humanist desire to grasp the objective truth and
to establish the exact amount of relation between reality and fiction. The novel
ends in Rouanne in France, just where it begun, with Braithwaite being unable
to identify the right parrot, finding that there could even be the third
parrot, indicating that his pursuit was impossible and even unnecessary. Barnes
ironises these humanist notions of the narrator, suggesting how pointless it is
to keep trying to find out anything about the parrot, or the life of the
author, suggesting the absence of reliable answers as the only reality. He
suggests this at the very end of the novel. The parrot is then the symbol of
illusiveness of the truth.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Another important &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;aspect is
meta-fictionality&lt;/span&gt;&lt;/b&gt;. All postmodernist novels have the element of meta
fiction. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;They
are not only fiction, they are fiction about writing fiction.&lt;/span&gt;&lt;/b&gt; That
is one of the recurrent themes. They remind us of how difficult it has become
to write books, so they write &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;books about impossibility of writing books. &lt;/span&gt;&lt;/b&gt;Sometimes
it is called self-referentiality. All of the postmodernist works are
self-referential, they all refer back to themselves, just as the language does.
Postmodernist novels draw attention back to themselves. Postmodernist writers
draw attention to the reader that what he or she is reading is a construct, a
work of fiction, they &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;keep reminding the reader of fictionality of fiction&lt;/span&gt;&lt;/b&gt;,
again connected with the view that art cannot imitate reality, which undermines
the Aristotelian notion of art as mimesis, so their works are anti-mimetic,
anti-illusionist, they make it impossible for the reader to identify with
characters. They are doing it to show that every creative act is a play. When
it is a play, it is both fictional and real. When they seem most playful on the
surface, they turn out to be very serious. That is the approach of
postmodernist artists.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;In chapter 7 titled Cross Channel,
there is section about the omniscient narrator and the unreliable partial
narrator in the postmodernist fiction. Barnes talks about this convention of
the narrator, ridiculing and ironising it. Barnes explains how it was merely a
formal device that even the artists of the old times did not believe in. He
also comments on the partial narrator of the postmodernist fiction. He claims
it was a “form of cubism”, the artifice is not reflection of reality. To draw
attention of postmodernist novels being very playful, Barnes draw attention to
the so-called authorial intrusion. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Other devices include framing and inter-textuality&lt;/span&gt;&lt;/b&gt;.
Barnes keeps a dialogue, a sort of debate on the literary issues, mentioning &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;the novel with two
endings to suggest that even that is an illusion, because there is always the
author who is behind. The true postmodernist novel will have to have a blank
page at the end, to let the reader decide what the ending would be. That would
be the true postmodernist novel, that would be the true freedom. &lt;/span&gt;&lt;/b&gt;That
is postmodernisms taken to the extreme. It demystifies literature as serious,
elevated business, reinforcing at the same time its importance.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Authorial intrusion: Throughout
Flaubert’s Parrot, the story is broken off, or delayed by the intrusion of
either the narrator or the author. In the realist tradition, authorial
intrusion also existed, reflected through the omniscient narrator, but now it
happens for the different purpose. When the realists did it, the purpose was to
uphold the illusion, not to dismantle it, as postmodernists do. These various
insertions about the search for the real parrot are interconnected with the
story of narrator’s life. Again the distinction here is abolished and very
vague. His search for the real parrot is inseparable from his life. Geoffrey
Braithwaite is obsessed with Flaubert and Madame Bovary, his major work. Barnes
indicates indirectly why this story of Madame Bovary is so interesting and
fascinating to Geoffrey Braithwaite, and as it turns out, there are &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;parallels between
the story of Madame Bovary and his life, &lt;/span&gt;&lt;/b&gt;in which he also had &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;an adulteress wife &lt;/span&gt;&lt;/b&gt;who
also committed suicide. He thinks that he might be responsible for the suicide
of his wife. &lt;u&gt;His profession was also the same as the profession of Madame
Bovary’s husband&lt;/u&gt;, namely, he was a physician and Madame Bovary’s husband
was apothecary. Not only that he identifies himself with the novel&lt;u&gt;, but he
also has a feeling that his life and his marriage are almost &lt;span style=&quot;color: red;&quot;&gt;a replica of Madame Bovary&lt;/span&gt;.&lt;/u&gt; &lt;b&gt;&lt;u&gt;&lt;span style=&quot;color: red;&quot;&gt;Life here imitates art&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;, which
is&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;i&gt;&lt;u&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 20.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;a complete postmodernist
inversion.&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;i&gt;&lt;u&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The &lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;private life of Geoffrey Braithwaite
is a copy of the book. Additional irony is when we look at different frames. By
studying Gustave Flaubert, Geoffrey Braithwaite hopes to be able to understand
his marriage better, which is another humanist illusion, because art can never
be pursued in therapeutic purposes. He thinks that if he somehow grasps better
Madame Bovary, he &lt;b&gt;&lt;u&gt;would find a key to
his own life and find out why his wife committed suicide,&lt;/u&gt;&lt;/b&gt; which is not
something he is aware of, he masks it as his own intellectual pursuit. It
enforces the belief that art does mingle with reality. It should not be taken
as a reality, but it does contain elements of reality, and it remains very
indefinite. There is another ironic juxtaposition, namely, the juxtaposition
between the life of Emma Bovary and the life of Madame Bovary’s English
translator whose name is Eleanor Marx, daughter of Karl Marx, in examination
paper in Chapter 14. This woman who translates Madame Bovary into English feels
the connection between herself and Emma Bovary. In the same Chapter, the first
exam question is the relationship between art and life, so in a way, Barnes
puts the reader in the role of a student, not a student of literature, but the
student of life. In introduction to the exam questions, it is said: “It has
become clear to the examiners in recent years that candidates are finding it
increasingly difficult to distinguish between art and life. Everyone claims to
understand the difference, but perceptions vary greatly. For some, life is rich
and creamy, made according to old peasant recipe, from nothing but natural
products, while art is a pallid commercial confection, consisting mainly of
artificial colourings and flavourings.” That is the traditional view. “For
others, art is the truer thing, full, bustly and emotionally satisfying, while
life is worse then the poorest novel, devoid of narrative, peopled by whores
and rogues, short on wit, long on unpleasant incidents and leading to a
painfully predictable ending. Adherence of the latter view tends to cite Logan
Smith “People say that life is the thing, but I prefer reading.” Candidates are
advised not to use this quotation. Consider the relationship between art and
life suggested by any two of the following statements or situations.” The text
is the discourse of exam.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;We are invited to think about this,
which is a major goal here. Another typical postmodernist technique applied
here, which we have also seen at work in the Golden Notebook, is framing, which
sums up to existence of several layers of the narrator. This again reinforces
the view that there is no clear distinction between art and life.&lt;span style=&quot;color: red;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The first narrative level &lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;is the story of the physician
Geoffrey Braithwaite, on that very level, already complications begin, because
various real personages make appearance, like Jean Paul Sartre who is there, in
addition to Enid Starky, one of the real, existing scholars specialising in
French literature, thee is also Christopher Rigs, a truly existing person. This
is a post modernism because it relativises Geoffrey Braithwaite as a fictional
character, because he appears together with real persons who are frequently
inserted.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The third level is that Geoffrey
Braithwaite, the fictional character is interested in Gustave Flaubert, dead,
but real writer of the 19&lt;sup&gt;th&lt;/sup&gt; century.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;So, the third level is the life of Gustave
Flaubert, his relationship with Louise Colette. There are other long dead
persons who come to voice, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;there is Flaubert himself speaking n the third version &lt;/span&gt;&lt;/b&gt;of
his biography, and his long dead lover, who was also a real person.
Occasionally they completely supplant the first level, the level of Geoffrey
Braithwaite, challenging what he knows about Flaubert’s life. We wonder who to
believe, which again means that we should not be too hasty that Flaubert or
Colette can offer the more reliable story. The final level is the level of
fictitious characters in Flaubert’s works, namely the world of Emma Bovary,
Felicity, and others, all of whom seem to Geoffrey Braithwaite as real as he is
himself. So much so, that he suspects and fears that his life and his marriage
had been anticipated in Flaubert’s Madame Bovary, which is particularly ironic,
because we know that both Braithwaite and Emma Bovary are fiction. Furthermore,
the novel Flaubert’s Parrot is the quest for the real parrot on which the
fiction was based and Geoffrey Braithwaite tries to establish the exact nature
of this connection. The answer is always complicated, Barnes deliberately
confuses the reader to show how difficult it is to distinguish between life and
fiction.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Next issue is the&lt;span style=&quot;color: red;&quot;&gt; inter-textuality. &lt;/span&gt;Barnes inserts the array of
different texts, which are not not necessarily traditionally associated with
literature, we have texts, excerpts from students’ guides, essays, letters,
portions of literary criticism, allusions to other works of art (modernist
technique taken to the extreme). Other literary works alluded to here include
Madame Bovary, French Lieutenant’s Woman and Lord of the Flies. So, this is no
longer a novel in a traditional sense, it includes different discourses in
text. It includes not only the main story, the story of Geoffrey Braithwaite,
which is by no means the most prominent one in the novel, but also the author’s
numerous theoretical discussions about the nature of literature, his dislike
for the coincidences. According to Aristotle, accidents in the work of art are
an indication of the incompetence of the artist.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;There is also a passage in which the
&lt;span style=&quot;color: red;&quot;&gt;narrator expresses his hatred to critics&lt;/span&gt;. He is
very disrespectful and provocative. It is to be found in Chapter 4 – Emma
Bovary’s eyes. In this Chapter, an excerpt is given from &lt;span style=&quot;background: yellow; color: red;&quot;&gt;Enid Starky’s &lt;/span&gt;critical overview of
Flaubert’s work. Barnes ridicules this as rubbish, because this kind of &lt;span style=&quot;background: yellow;&quot;&gt;information is not needed by anyone&lt;/span&gt;. Barnes
also mocks the halo of seriousness which surrounds literary critics. &lt;span style=&quot;background: yellow;&quot;&gt;He speaks of Enid Starky’s lecture and mocks her
manner of speech with French accent&lt;/span&gt;, &lt;span style=&quot;background: yellow;&quot;&gt;he
says this through the narrator, Geoffrey Braithwaite.&lt;/span&gt; He is not
irritated only with Enid Starky, he was first irritated with Flaubert, because
such literary genius failed to be consistent in describing the exact colour of
his most famous character’s eyes, but his anger soon shifted to Ms. Starky. He
relativises the distinction between the ordinary reader and the professional
critic. This passage, like many like it, has nothing to do with the action.
Everything is equally worthy to be present in the novel, both the main action
and the digression. In this particular Chapter he attack the attitude of
literary critics, whose approach to the books is obsolete.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Another thing he deliberately
abandons in the novel is chronology. There is no chronological sequence. The
author himself is no longer a presiding authority. Here, Barnes abandons the
norms of narrative, like chronology structure, the beginning, the middle and
the end. The author can no longer expect that his moral vision of the world is
binding by the reader, so he also gives up the didactic function of literature.
The moral relativism concerning all kinds of moral issues makes it increasingly
difficult to get anything of a message or a solution or a instruction from the
novel, they merely make moral inquiries, without preaching or advocating a
certain moral view. If they do preach, they preach in a way that ironises
preaching. The narrator, fails not only in finding the truth, but also in
trying to understand himself, both the truth and he himself, remain mysteries.
Geoffrey Braithwaite has lived through a traumatic experience, he is yet to
cope first with the infidelity of his wife and then with her suicide (which
could have also been a murder), because he does not find a straightforward way
to tell the story of his life.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Another typical postmodernist theme
is the view of history or the official historiography and its relation to
literature. Official history is no longer seen as the source of objective
truth, because it is rooted in language, just like any other discourse. Biography
is also a form of historiography. What we get to read in history books,
including biographies, are only somebody else’s versions, which are inevitably
subjective, and as such, they are unreliable as evidence of what has really
happened. We can never know exactly what the past was like. There is always the
aspect of personal perspective. He subverts the notion of scientific
objectivity, because any kind of intellectual work, reflect the attitudes, the
views and the values of its author. Literature, more then about anything else,
speaks about its author, just as the language speaks most of itself. This means
that social, moral and political prejudices, wherever they are, be it a work of
literature of a history, are unreliable. Context is everything in postmodernism.
Text is always embedded in some context. Historiographer in writing history,
just like the novelist in writing novels, presents only one of the possible
stories, based on what he or she has heard or read, often relying on equally
unreliable sources. He creates out of a chaotic mess of material, which he has
been able to gather about a certain historical period, to make it a meaningful
piece. So historiography is fictionalised and fiction is historicised, both
equally reliable and both equally unreliable. A lot of postmodernist novels
deal with history.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;In the end of the novel, the
narrator finds himself unable to reveal the exact truth of Flaubert’s life.
Illusiveness of the knowledge of the past is emphasised here.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Biographies in the Novel&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The first biography emphasises the
facts from Flaubert’s life. It focuses on Flaubert’s artistic, intellectual and
romantic strengths and his triumphs in professional and private life.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Biography No.2, focuses on Gustave’s
poor health, intellectual underdevelopment, his pitiful achievement as lover.
It focuses on his downfalls and his weaknesses. It notes problems with
alcoholism, problems in writing, romantic problems, etc. It even mentions how
he contracted syphilis.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Flaubert’s autobiography is a
compilation of Flaubert’s own thoughts on his experiences.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The narrator highlights our
inability to know the truth exactly. History is just another literary genre, in
the view of the narrator. History is something highly subjective presented to
be objective. Cross Channel – “The past is a distant receding coastline and we
are all in the same boat, along the stern rail there is a line of telescopes,
each brings the shore into focus at a given distance. If the boat is becalmed,
one of the telescopes will be in continual use, it will seem to tell the whole,
the unchanging truth. But this is an illusion and as the boat sets off again,
we return to our normal activities, scanning from one telescope to another.
Seeing the sharpness fade in one, waiting for the blur to clear in another, and
when the blur does clear, we imagine that we did it all by ourselves.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The Chapter “The Case Against”
enumerates a number of views contrasted again against the postmodernist view,
namely the view of constant progression of human race, the view of historical
progression, etc. “What makes us want to know the worst? Is it that we tire of
preferring to know the best? Does curiosity always hurdle self-interest, or is
it simply that our desire to know the worst is love’s favourite perversion?” This
is very philosophical. “For some this curiosity operates as baleful fantasy. ..
I loved Ellen and I wanted to know the worst. I never provoked her, I was
cautious and defensive, as is my habit. I didn’t even ask questions, but I
wanted to know the worst. Ellen never returned this caress. She was fond of me,
she would automatically agree as if the matter wasn’t worth discussing that she
loved me. But she unquestioningly believed the best about me, that was the
difference. She never searched for that sliding panel that opens the secret
chamber of the heart, the chamber where memory and corpses are kept. Sometimes
you find the panel, but it doesn’t open. Sometimes it opens but your gaze meets
nothing but a mouse skeleton, but at least you looked. That’s the real
distinction between people. Not between those who have secrets and those who
don’t, but between those who want to know everything and those who don’t. This
search is a sign of love.” Geoffrey Braithwaite has a very postmodernist
definition of love; he makes clear distinction of people who live in illusion
and those who do not. The Chapter continues with enumeration of various
accusations made against Gustave Flaubert, namely that he hated democracy and
humankind and that he did not believe in progress. On this third accusation,
Braithwaite says: “I cite the 20&lt;sup&gt;th&lt;/sup&gt; century in his defence”. Later he
says that literature is affected by politics (context), not vice versa. He
discusses all sorts of issues in small segments.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/135858074944270533/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/julian-barnes.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/135858074944270533'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/135858074944270533'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/julian-barnes.html' title='Julian Barnes'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-3958628468474800131</id><published>2012-02-13T22:34:00.000+00:00</published><updated>2012-02-13T22:34:12.106+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="John Fowles"/><category scheme="http://www.blogger.com/atom/ns#" term="The French Lieutenant’s Woman"/><title type='text'>John Fowles</title><content type='html'>&lt;br /&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;John Fowles&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;Tahoma&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Tahoma;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Biography&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Born in 1926 in the middle class family&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; in a place called Leigh at Sea.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He was living in a province which &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;suffocated him. &lt;/span&gt;&lt;/b&gt;He
then explained that his background might explained why he became something of a
&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;misanthrope
early on&lt;/span&gt;&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Unlike modernists, who were &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;always depressed by
the modern civilisation&lt;/span&gt;&lt;/b&gt;,&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;postmodernists are &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;depressed with
civilisation in general.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;During the WWII, he was evacuated to
Devon. He was educated at Bedford school; he served in the &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;army&lt;/span&gt;&lt;/b&gt; as the &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;lieutenant&lt;/span&gt;&lt;/b&gt; in the royal marines,
after the war,&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;in 1950, he graduated from &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Oxford,&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;in 1956 &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;he
married.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;From &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;1954 to 1963 he taught at the university of
Poitiers&lt;/span&gt;&lt;/b&gt; in France and in schools in Greece and England, becoming
the Head of the English department at the London College in Hampstead.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He as a scholarly career, which was
his official profession for quite a long time, with writing being his part time
activity for quite a while.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The situation abruptly changed in &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;1963&lt;/span&gt;&lt;/b&gt;
because the first novel came out under the title &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;The Collector&lt;/span&gt;&lt;/b&gt;. It was well received
and he then turned to full time writing.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;In &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;1965&lt;/span&gt;&lt;/b&gt; another novel becomes a
success; it is published under the title &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Magus&lt;/span&gt;&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;In 1965 Fowles retires in a small
town in Dorset, which is the setting of the French Lieutenant’s woman, so in
line with his dislike with mankind, he turns to solitude and nature. He
believes that the novelist has to live in a self-imposed exile. He is also an
active ecologist.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;In &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;1969 The French Lieutenant’s Woman&lt;/span&gt;&lt;/b&gt;
comes out, again it is filmed in 1981. The screenplay for the film version was
written by Harold Pinter. It is one of very few examples of &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;successful film
adaptation of a novel&lt;/span&gt;&lt;/b&gt;. He published a collection of stories under
the title The Ebony Tower in 1974 and in 1977 Daniel Martin, in 1985 A Maggot.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; tab-stops: 0cm; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The Collector&amp;nbsp; 1963&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; tab-stops: 0cm; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Magus&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp; &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;1965&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; tab-stops: 0cm; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;The French Lieutenant’s Woman
1969&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The
French Lieutenant’s Woman&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The French Lieutenant’s Woman was highly acclaimed and even
considered as one of the best books that came from England since the war.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;It is a mixture of&amp;nbsp; Victorian and postmodernist novel.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;What makes it a &lt;b&gt;&lt;u&gt;Victorian novel &lt;/u&gt;&lt;/b&gt;is the setting. It also offers a brilliant
picture of Victorian England, which is where the game begins.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He presents a panorama of various
social classes, typical of 19&lt;sup&gt;th&lt;/sup&gt; century England. Characters are also
typical of the Victorian novel. He perfectly recreates the style of writing of
the time. Again, it is not a historical novel, despite all that.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;It in not &lt;b&gt;&lt;u&gt;postmodernist novel &lt;/u&gt;&lt;/b&gt;when it comes &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;to the form. He imitates the form of Victorian
novels and recreates their style, but he does it ironically,&lt;/span&gt;&lt;/b&gt; so the
novel is an &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;ironic
commentary&lt;/span&gt;&lt;/b&gt; of what he decided to put in his novel.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The novel presupposes that the
reader should be well informed of the Victorian literature, values, gender
roles and manners.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;He wrote an essay about how he wrote this
novel, under the title “Notes on writing a novel”, which was based on a journal
he was keeping at the time. The initial idea came to him in a waking dream of a
woman standing alone on a deserted harbour wall gazing seaward, with her back
turned to the village.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;This vision came to him in the fall
of 1966. He began working on a story about the woman from his vision, and he
knew at the beginning that the woman from the vision was associated with a long
gone age.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He reduced the illusion breaking
comments by the narrator.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He also switched the order of the
endings, so that the conventional happy ending would not come last.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;u&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;.&lt;b&gt;Postmodernist method in French Lieutenant&#39;s Woman&lt;/b&gt;&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The postmodernist aspect of the novel is primarily reflected in the
role of the narrator&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;. &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;What is the role of the narrator?&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;On the one had, the narrator is the &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;omniscient narrator&lt;/span&gt;&lt;/b&gt;,
in line with the tradition of the literary realism (he stops the action,
discusses certain things, he was the construct, invention of the author, just
like the rest of them, he is outside the world of action, not outside the
novel, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;he also
refers to the characters in the third person, &lt;/span&gt;&lt;/b&gt;he takes the reader by
the hand, he sums up for the reader, he forms the opinion of the reader, leads
him almost physically and mentally. The viewpoint of the narrator is external
because the narrator looks at what happens to the characters and reports it, it
is external, Olympian viewpoint.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He serves the function of the
mediator between the protagonist and the reader. He may be similar to the
author, but it is not necessary.).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;On the other hand, Fowles
uses this tradition of the all knowing narrator, and plays with it in a typical
post modernist way,&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;
to &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;suggest t&lt;/span&gt;&lt;/b&gt;hat
such type of narrator was a convention as everything else, that he was made up
by the author just like the characters. As readers, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;we can never tell if he is ridiculing or
reinforces this tradition of the omniscient narrator. It turns out he is doing
both at the same time. Since these narrators are all knowing, they intervene,
they control the moves of their characters. But the twist that Fowles
deliberately does here, he makes his narrator the all-knowing, but also makes
him not intervene, not use his power.&lt;/span&gt;&lt;/b&gt; That is how Fowles plays with
the tradition of the omniscient narrator.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Fowles also applies the theory of
evolution to the social context. Sara would be a prototype of a free woman, she
anticipates new times. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Applying Darwin’s theory of evolution, she makes Sarah the
species who will successfully adapt to the coming times&lt;/span&gt;&lt;/b&gt;. Charles is
yet to become an emancipated men. On the other hand, Ernestina and most of the
other characters are doomed to extinction, they fail to adapt and adopt the new
norms.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Postmodernism is a very
playful phenomenon&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;.
On one occasion, Charles needs to make up his mind about whether he would meet
Sarah in Exiter or not. That is one of the moments where the narrator intrudes
on the action and addresses the reader. He says: look at him now. So he stops
the action and addresses the reader. The narrator suggest that he could make
Charles do what he wanted him to do, such as, go to his fiancée and forget all
about Sarah. Probably, he s&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;hould go to his fiancée, the narrator says, which is a
reflection of Fowles’ irony, here we have through the narrator Fowles speaking
and ironising the right and wrong of the time, suggesting that there is no
right and wrong, but simply right and wrong from the perspective of the
particular set of norms and conventions.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;According to Victorian norms, what
would be right for Charles to do would be to go to his fiancée and forget about
the mysterious woman. He should decide not to have an affair with her, because
it is right from the Victorian perspective. &lt;i&gt;“That
is what he should do, but he won’t, what can I do?”,&lt;/i&gt; says the narrator, “I&lt;i&gt; could intervene, but I won’t, I am just
here, I want to make my characters free&lt;/i&gt; (another paradox, how can we make
someone free, we can only grant freedom, which only means that they are not
free).”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;There is also an ending. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;At the end of the
nove&lt;/span&gt;&lt;/b&gt;l, Charles enters the house, sees Sarah and they have a &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;typical Victorian
happy ending&lt;/span&gt;&lt;/b&gt;. Another indication that Sarah has completely changed
and accepted the new times is reflected in the fact that Charles finds her
living in the house of the artists, Pre-Raphaelites (another postmodernist
element), who rejected Victorian morality, which reinforces the theory of
evolution applied on the social context. Fowles deliberately associates her,
the invented character of his fiction, to the Pre-Raphaelite artists who truly
existed, which is another postmodernist mix. There are fictitious characters,
functioning on the same level with true personages who truly existed in
history.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;As a result, we are confused and the
borderline between fiction and reality is very thin. In the traditional happy
ending, he is happy to have found her, they decide happily ever after as
husband and wife and miraculously, they even have a daughter, who is the child
of love, born from one sexual encounter they had.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;All of the sudden, the narrator
reappears, takes his watch, winds the hands of the watch backwards 15 minutes,
which suggests &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;narrator’s
unlimited control and power&lt;/span&gt;&lt;/b&gt;. We then see Charles re-entering the
house and we see&lt;b&gt; the whole episode
rerun, but with a different outcome&lt;/b&gt;. It is very 20&lt;sup&gt;th&lt;/sup&gt; century
like ending, more in tune with the expectations of the 20&lt;sup&gt;th&lt;/sup&gt; century
reader, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;who
feels the first type of ending to be sweet, but unrealistic.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;She decides to let him go, &lt;span style=&quot;color: red;&quot;&gt;they realise that their differences are too great to be
bridged,&lt;/span&gt; she is not very happy about the idea of marriage.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;She has simply found some model,
some way of life that appeals to her. She also decides not to tell him of the
child. This is much more realistic, much more down to earth ending.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;On his way out, Charles sees the
child, and it never occurs to him it could be his child. That is another
example of intervention in the name of non-intervention.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Charles is the character that
develops throughout the novel, he dares not to marry Ernestina, proving, in
line with the Darwin’s theory, that he will adapt to survive.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Sarah does not grow, we already find
her different at the beginning of the novel. Even her first appearance in the
novel establishes her as a rebel, with her back turned to the village. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Only her
circumstances change, and she finds her place, she finds her true, natural
environment, and she no longer seems to be an outcast.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/3958628468474800131/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/john-fowles.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/3958628468474800131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/3958628468474800131'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/john-fowles.html' title='John Fowles'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-2995522734949323303</id><published>2012-02-13T22:33:00.001+00:00</published><updated>2012-02-13T22:33:29.598+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Doris Lessing"/><category scheme="http://www.blogger.com/atom/ns#" term="golden notebook"/><title type='text'>Doris Lessing</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Doris Lessing&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;Tahoma&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Tahoma;&quot;&gt;&lt;br /&gt;
&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt;
&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;Tahoma&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: Tahoma;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Biography&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;She war born in Persia
in 1919 of British parents.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Her father was a banker,
becoming disillusioned, he had the family to move to a farm in Rhodesia, in
Africa, which is today’s Zimbabwe.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The father changes from&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; a banker to a farmer,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; which turned out to be a very bad move for the
family, but a very good move for Doris Lessing.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;She attended school in
Africa, and she did not like the school very much.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;She was a rather
introverted, imaginative and neurotic child, according to her own account. She
left school at 14 and became a nurse maid.That was a brief episode and she soon
decided to return to the farm with the family.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Generally speaking,
Doris Lessing &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;was formed by Africa&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;. She was also a
passionate reader. While on the farm, she wrote&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;
two novels,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; but thinking they were bad, she &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;destroyed
them&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;After this brief period
on the farm, she returned back to Salisbury and worked there for a while as a &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;telephone operator&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;. During that period she socialised a lot and made
a lot of friends. That way of life is described in one of her early novels, in
which Martha Quest portrays Doris Lessing.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;She marries for the
first time to a civil servant and gives birth to a son and a daughter. Soon the
marriage breaks up and she leaves the children behind.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;She marries for the
second time to a German officer named Lessing, who was a communist activist in
Africa. In the second marriage, she gives birth to a son. This second marriage
also fails very soon and she &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;decides to leave&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; Africa and go to
England with the son from the second marriage.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;She tries to establish
herself in London in the post-war years and it was the first time she lived in
Europe. By then, she had already &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;destroyed six novels&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;. So she was a prolific
writer but had no confidence. She did bring along one of her novels and dared
to publish it in &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;1950 under the title “The
Grass is Singing”.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; It was received well by the critics.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Some of her other works
during the 50s included a trilogy under the title:&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The Children of Violence.
&lt;/span&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Part
one&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;
appeared under the title Martha Quest in 1951,&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Part two &lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;under the title A Proper Marriage in 1954&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Part three&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; under the title A Ripple from the Storm.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;That is the same period
in which she joined the &lt;/span&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Communist Party&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; and she had already been involved in the leftist policy while
being in Rhodesia. She became disillusioned with the Communist Party and its
ideology, so she left the Party in 1956.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;In the next decade, the &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Golden Notebook&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; which was regarded as one of her most ambitious works, came out
in &lt;/span&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;1962.
&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;It
was a highly profound novel, which was not instantly recognised by the literary
critics.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;They claimed that literature could not be brought in connection with
history, linguistics, journalism, etc. and that the context in which the work
of art was created should be disregarded. &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;u&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;For that reasons, the critics of the time failed
to recognise its greatness&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;.
This is the novel that already announces post-modernism.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;This was a &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;new type of the novel&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, in many ways ahead of its time.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Doris Lessing was
disappointed by the failure of critics.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Wherein lies the value
of the book? The novel deals with a number of mutually related issues. &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;There are three or four interconnected major themes.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;One of the major ideas of the novel in general&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;is that everything is interconnected and that we should strive to
have a complete picture.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;A number of closely
related themes of the novel are:&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;the problems of writing &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;(which is what makes this novel a post-modernist
novel, the fact that the author problematic&amp;nbsp;
the phenomenon of art making, the position of artist, the relationship
between art and life, the search for an adequate form of expression);&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;political issues&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, or maybe political and social context, where society and
politics are seen quite contrary to Golding, as something that hinders the
development of the individual, emotional and artistic development of the
individual in both socialist or communist and capitalist systems&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;theme of madness or insanity&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, namely the experience of fragmentation of
personality and the idea that such condition might be creative, and finally,&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;the theme of feminism,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; the gender issue, the study of a woman who is
trying to live in a way women never lived before, namely, as a single mother
striving for artistic career, working for living, and problems that arise from
such a lifestyle, not only the problems imposed by the society, but also inner
problems resulting from individual’s upbringing.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;So, the value of the novel is in showing how complex life is&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 16pt;&quot;&gt;. &lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;One is always reflection
of the other. That is what the novel is about, that is what the title of the
novel is trying to suggest, namely that it is impossible to neatly separate all
of these separate aspects, because life in the &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;20&lt;sup&gt;th&lt;/sup&gt;
century has simply become too complex&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The troubles Anna Wulf
is facing as a writer or as an artist trying to write cannot be separated from
her identity as a woman and from her psychological problems. Those are tree
inseparable aspects of one problem, which again cannot be separated from her political
activism and her political views. So all of &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;these
aspects are intertwined, but we will try to deal with them separately.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Structure&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Doris Lessing liked to
emphasise that the novel &lt;b&gt;could not be
taken merely as a personal confession&lt;/b&gt;, as critics declared, because it is &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;a highly structured and carefully constructed novel&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;&amp;nbsp;Even from the point of view ofkjj technical
skill of writing, Doris Lessing invested a special effort into structuring the
novel properly, and the structure of the novel, again reflects these
interconnected themes. So, the structure itself adds to the themes, or
illustrates, or underlines them, namely that things cannot be separated. She
deliberately broke the novel into fragments and these fragments make implicit
statements about all of these main themes, such as alienation, fragmentation of
the individual, etc. The novel is an attempt to break the literary form, which
is similar to the effort of the modernists, just as much as it is an attempt to
break social norms. Both the form and the content are original and unusual. For
that reason the book was confusing to the critics of the 60s.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The central character is
&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Anna Wulf, &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;the writer who has not published for many years
and who is suffering from the so-called &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;writers’
block&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, who is in an artistic crisis.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Anna has already become
famous in the novel, she is already somewhat an established writer, and the
book that established her in the literary world is her novel &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;“Frontiers of the War&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;”, so &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;we
have a novel within a novel,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; which is a reflection of postmodernism already.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;This novel that has made
her known deals with the problem of racial issue in Africa during the WWII. So
that is the theme that Anna writes in the Golden Notebook. As a protagonist,
Anna Wulf feels that life has become too complex.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Much in a similar way in
which Virginia Woolf had said in her essay the Narrow Bridge of Art in the
early 20&lt;sup&gt;th&lt;/sup&gt; century &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;that life has become too
complex and that this complexity had to be reflected in the new type of
literatur&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;e and that the new type of literature should be the modernist
novel.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The problem Anna
experiences in the novel is that life has become so complex that it has become &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;impossible to record it in a single book&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, so she tries to break
these aspects of her experience into several books. She keeps &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;four different books,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; at almost the same time, and each book deals
with a different aspect of her life.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The four notebooks are
all written in the first person and then make up the greater portion of the
novel. They deal with Anna’s life during the period between 1950 and 1957. In
addition to these four notebooks, &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;there is a fifth one, in
the second part of the novel, and that is the Golden Notebook, and it is no
coincidence that it is the golden one, meant to suggest how precious it is.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; It was written by Anna
in 1957, as a kind of conclusion, it is only related to events that took place
in that year.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Besides these notebooks,
there are also &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;various sections of novel
within the novel,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; which is a typical &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;postmodernist element.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The Golden Notebook
begins with the novel within the novel, not with her reality, just like in
Hamlet, where we have a play within a play. In it, in this novel within a
novel, Anna is having a conversation with her friends Molly, Tommy and Richard,
who are her friends in her real life.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Then the notebooks
follow, with excerpts from the four notebooks, always in the same order, first
we have excerpts from the &lt;b&gt;black&lt;/b&gt;
notebook, followed by the &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;red&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; one, followed by the &lt;b&gt;yellow&lt;/b&gt; one, and finally followed by the
blue one (there is also a colour symbolism) after that, there is another
section of free women following, and then come the four notebooks again. That
is the general structure of the novel.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Altogether, we have four
sections of the Free Women, always followed by the sections from the notebooks,
always in the same order. After the last of the four repetitions, comes the
section called the Golden Notebook. After that, we have the final, fifth
section of the Fee Women, ending the novel.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;So the novel begins and ends with the novel within the novel&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The reader finds it very
&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;difficult to distinguish reality from fiction,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; which is a technique
typical for &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;postmodernism&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The relationship between
the sections of Fee Women, her novel and the notebooks which portray her
reality is of central importance because it determines both the structure and
the form, and the structure and the form reflect the main themes&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Postmodernists write in a very
playful, seemingly superficial way, their tone is disrespectful, they challenge
all notions inherited from modernism and preceding literary schools, they doubt
in the very existence of personality or absolute truth, objective truth. They
say it always &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;depends
on the point of view, so there is no universal truth&lt;/span&gt;&lt;/b&gt;, but there are &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;truths and
realities&lt;/span&gt;&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Theme of Insanity&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Lessing coins in her novel &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;the liberating
experience of madness&lt;/span&gt;&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Anna journeys deep into her
consciousness, she has to cast off her ego completely, and through that, she
gains a more complex vision.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;So madness can potentially be the source of great knowledge of
oneself and one’s environment.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The theme of madness recurs in her
novels. She goes to the edge and back. She is then rewarded with integration,
which she achieves after having surmounted fragmentation. While she experiences
disintegration and while suffering from the artistic block, she goes to
psychiatric sessions, which are unsuccessful, which is a criticism of organised
therapy. It is unsuccessful because &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;her therapist believes she needs to neutralise her painful
experiences.&lt;/span&gt;&lt;/b&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Anna disagrees&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;
with it, and she believes that all of her feelings may be a sign of courage,
sensitivity, superiority and that they might be constructive rather then
destructive, because it is these feelings that make us look beyond the surface.
She manages to achieve this new kind of unity taking enormous effort. She must
resolve several dualities, paradoxes; she needs to learn to cling to her
emotions, despite the difficulty of enduring the pain, rather then burying
them.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Theme of Politics&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Political system and society hinder
creative development of personality in both communism and capitalism.&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt; She shows that
everything is a construct and everything is ideology&lt;/span&gt;&lt;/b&gt;. That is the
realisation that Anna comes to.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Doris Lessing &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;was influenced by Marxist&lt;/span&gt;&lt;/b&gt; philosophy
and &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;communism,&lt;/span&gt;&lt;/b&gt;
just as is her protagonist Anna, who shares the political view of her maker and
her later disappointment.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Doris Lessing goes a step further
and suggests that there is &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;no essential difference between&lt;/span&gt;&lt;/b&gt; the communist
systems and modern democracies.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The literature of the west which
presents itself as free, is just as false. Western literary practices are just
as much connected with ideology and the rhetoric of freedom as the Russian
soc-realistic art.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The central question for her is how
to &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;oppose&lt;/span&gt;&lt;/b&gt;
the system, not communist system, but she, implanted in the western system,
tries to oppose it by using the language and literary conventions and practices
forged and shaped by the system, so for her, the central question is how to use
the system against itself.There is a blacklisted American writer named Nelson,
who appears in the Golden Notebook, who speaks in the novel about the American
kind of oppression, for which he claims is efficient because it works in a
subtle way. They, meaning the state apparatus, do not need prison and firing
squads to beat people and force them into obedience. &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;They work in the subtle way, they use the
rhetoric of freedom, but in reality, they have very subtle mechanisms of
preventing people from succeeding.&lt;/span&gt;&lt;/b&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Both systems use sate and unreal
jargon to keep people obedient.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Theme of Gender or Feminism&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Gender roles are a construct, like
everything else.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The gender roles (not sex roles, as
sex is a biological category) are something completely different, although they
are presented as something completely natural, so we see ideology at work
again. So gender roles are artificial constructs created for real men and real
women. But in order to be efficient, they are presented as natural,
unfortunately they are successfully sold to people as natural. Anna realises
her becoming conscious citizen in this sense. Male critics have tried to
discredit Doris Lessing and condemn the Golden Notebook as too narrow in scope.
It is all but narrow. They tried to claim that &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;the book is too concerned with feminism,&lt;/span&gt;&lt;/b&gt;
probably because they were provoked by a rather unflattering picture of men.
The truth is that feminism is only one of several issues and unfavourable
review of the book by male critics claimed that all of her uncertainties she experiences
in the novel, namely her artistic and intellectual crisis, her uncertainty
about her political beliefs, her unhappiness with her love life, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;were all the result
of her sexual frustration,&lt;/span&gt;&lt;/b&gt; deliberately trying to reduce it to all
that. With time, this view changed. Even those who admitted that the book was
interesting for her reflection on feminine experience, denied its artistic
quality. Women greeted the book, calling it the first “Tampax” in world
literature, because never were the menstruation and tampons mentioned in
literature.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The feminist issue here is reflected in the woman’s position in the
20&lt;sup&gt;th&lt;/sup&gt; century.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;
Anna changes as an individual, as an artist, as a political thinker, but also
as a woman.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;In her novel, all of her female and
male characters act as cripples, because they act in accordance with the
prescribed gender roles,&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The major idea is that gender roles are limiting and they had to be
redefined, along with the entire relationship between men and women.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Doris Lessing repeatedly &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;refused to be
classified as the feminist writer, she was never involved in organised
feminism. Still, the book is feminist because it focuses on female fears,&lt;/span&gt;&lt;/b&gt;
the fears that Anna has and how necessary it is to be reborn, how necessary it
is to oppose the traditional models, which starts with fighting oneself first,
which is what Anna comes to realise.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Another thing that she needs to
overcome &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;is this
typical female fear of being alone&lt;/span&gt;&lt;/b&gt; and finally, she needs to &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;overcome her
emotional dependence on men&lt;/span&gt;&lt;/b&gt;. She believes she needs to be dependent
on a man to love some man, as if to justify her own existence. So now, she
needs to view herself not through her attachment with some man, but through her
attachment to herself. That does not mean that the relationships should stop.
Only through confrontation with these fears, she arrives at the new position,
so her vision which is partly hinted at, at the end of the novel is a
transformation of gender roles. But the woman needs to work on herself, not
just blame it all on others, and with transformation of women, what comes as
the next necessary rtthing is the transformation of men as well and the society
as a whole. She examines these western values of competition, materialism,
individualism, which are seen as very negative things at times, and never
focuses exclusively on women.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/2995522734949323303/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/doris-lessing.html#comment-form' title='1 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/2995522734949323303'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/2995522734949323303'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/doris-lessing.html' title='Doris Lessing'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-3283800626824326622</id><published>2012-02-13T22:32:00.000+00:00</published><updated>2012-02-13T22:32:22.009+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="lord of the flies"/><category scheme="http://www.blogger.com/atom/ns#" term="William Golding"/><title type='text'>William Golding</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;William Golding&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Biography&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;From childhood on, he
was drawn to the unpleasant and the dark. &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He
had generally very pessimistic view of human ability.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;He wrote an
autobiographical piece under the title the Ladder and the Tree in which he
describes the house in which he was raised as being under the shadow of a &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;nearby&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;graveyard&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;At the age of seven, he
became fascinated with the ancient Egyptian civilization, its world view and
its mysticism.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;His first work entitled
Poems (1934) had a conventional, Georgian form, but the attitude reflected in
it was of the feeling of loss and satire.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Before having written
The Lord of the Flies,&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; he experienced two things
that affected his further work.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;First was that &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;he served in the navy during the WWII&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;and the second was that &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;he learned ancient Greek.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Golding’s novels
frequently involve a&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; change of perspective.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Lord of the Flies (1954)
is still his most popular work of art. This novel astonished, appalled and
consternated many people because it reflected what many understood in private.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;It revealed that men
enjoyed violence.&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; He was not modernist
himself in terms of form, but his pessimism and scepticism made him close to
modernists.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He wanted to show that aggression and violence were particularly
appealing to the humankind.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Scholars have competed in determining the form of the novel.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; (Is it an allegory, is
it a parable, is it a science fiction, it is a romance). We see it either as a
moral fable, or as a social fable.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Another important note
is that the title itself is highly suggestive; Lord of the Flies in Bible is
the devil. There are various contradictory interpretations of the novel.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The Lord of the Flies&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The story itself is&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; very simpl&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;e. On the surface, it is just a regular adventure story. The basis
is &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;a simple adventure story of a group of boys who
are trying to survive on the deserted island after the shipwreck, much like the
story of Robinson Crusoe or the Treasure Island.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;If we read it as a&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; moral fable,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; the novel concentrates on human psyche. It examines psychological
disintegration of characters; we have a group of boys who are seen as
representatives of various patterns of behaviour, various instincts and various
aspects of personality. All of them symbolize almost allegorically one of these
aspects. &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Each boy character stands
for a particular aspect of human behaviour.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Piggy&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;stands for intelligence,
reason and civilisation. &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Piggy, associated with pig is not negative quality, but just the opposite,
because pigs are believed to be intelligent animals. Glasses he wears reinforce
this symbolism; he is the character who analyses, looks under the surface of
things.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Jack&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; stands for &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;evil and destructive
instincts in human nature&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;. He stands for the darkest drives within human beings. He is also
very manipulative and charismatic person.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Ralph&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; symbolises a natural &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;born leader, politician,
statesman&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, capable of either good or bad, depending on a context in which
he is placed.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Simon&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; is a &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;saint – like figure. &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Simon stands for honesty
and decency; that is what makes him a saint–like figure. The author wants to
show that such decency and honesty in our world strikes us as something out of
place, something naïve. He is a Jesus like figure.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;The problem is that each
of the characters lacks some vital element, and &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;none
of them is a complete person.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;So, if we read the novel
as the &lt;b&gt;moral fable&lt;/b&gt;, the novel is not
about the devil (Beelzebub – The Lord of the Flies),&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;
though the title suggests it, it is about an unconscious level of the human
mind.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; The title and its suggestion to devil, suggests the dark,
immoral, most primitive drive of the human mind, which is present in each of us
and which is devastating when come to the surface.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Golding wants to show that some people are capable of acting morally&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, when put into extreme
situations they prove able to resist evil and take moral action. Simon, being a
saint like figure, proves capable to resist the instinct which he recognises in
himself and admit the evil in himself. That is one of the most important points
that Golding wants to make.&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; In order to act morally,
the first and the most important step is to recognise the evil in oneself &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;and admit it. &lt;u&gt;Denying
evil is no answer.&lt;/u&gt; That is what makes Simon a saint like figure.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Other characters do not
have the ability that Simon has, the ability of moral behaviour. All of the
other characters are not capable of that, because they do not consciously admit
the existence of the evil within themselves, they are unable to recognise it.
Instead, they try to rationalise it, &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;they
try to find justification&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; for it, &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;they try to blame the
other for it,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; they try to find the scapegoats. They find various kinds of
excuses for what is not excusable.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;When we look at Ralph,&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; who in contrast to Simon,
we find he lacks moral imagination. He is not capable of recognising his own
motives, he is motivated by selfishness, at times, blind selfishness, a&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;nd usually he places his personal interest above the interest of the
community and puts everyone in danger. That is exactly what political leaders
are often accused of, namely, of taking their own interest to be more important
then the interest of the community.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;This novel shows immense pessimism of its author.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; Establishing order in
the society has much to do with individual recognition. That is what
revolutions proved throughout the history. It one wants to reform the society
from above, such attempt will likely fail, because the true change &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;can only come from the individual.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; This is the point of
awareness raising campaigns of today. &lt;/span&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Society is just the sum of individuals;&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;one cannot change the society if individuals are not changed.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Individual reform
requires one’s own awareness of one’s own evil deep inside, inclination towards
savagery, inevitably leads to anarchy, chaos, deterioration. He has a very
positive view of society, unlike most modernists.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;To Golding, nature is opposed to culture&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, nature suggests &lt;/span&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;instincts, animalistic
drives, anarchic forces, while culture suggest civilisation, control of one’s
instincts, society, laws of behaviour.&lt;/span&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; Golding believed that &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;society&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;, no matter how faulty and imperfect, was the only true
environment for men.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;We see at the very
beginning that when boys are physically put into the nature, they automatically
&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;try to establish some form of the society;&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; unfortunately they fail
in their ‘project’. According to Golding, &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;the
society ensures that the evil would be kept in check,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; that is what the
government structure is there for.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;Looking at another aspect of the novel, namely the novel as a
social fable,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; the novel becomes a very harsh satire, anti utopian social
satire.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;What Golding presents in
the novel is not an utopia, he tricks the reader at the beginning into
believing it would turn out to be the utopia, but it turns out quite the
opposite, the so-called &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;dystopia&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;. &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The society created by the boys on the island symbolises the society
in general and the boys symbolise the human race in general.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;One interpretation would
also be that this island society stands for all primitive societies at the
beginning of their development, without the organised structures of state
apparatus..&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The reason adults were shocked with what they have seen on the
island is the result of their own inability to recognise this evil that resides
in all human beings, children and adults alike&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;. The ruin that the boys
bring upon themselves is universal.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;In the chapter Beast
from the Water, Golding offers not only different elements of human psyche, but
also&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; various possible elements of social system.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;In this case it is a
very dark social satire. It shows how intelligence (Piggy) and common sense
(Ralph) will always be overthrown by totalitarianism (Jack) or savagery
(Roger). It is a very pessimistic view. According to Golding, every kind of
system, including this parliamentarian system, seem to be inefficient. He also
suggests that totalitarian leaders, such as Jack, obviously have some
charismatic ability to appeal to the darkest in us.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The novel can be read as a dramatisation of an extreme political
scenario, which shows how democracy, a responsible kind of a system, which is
unfortunately boring to most people, can quickly be replaced by
totalitarianism. The charismatic, the totalitarian, the evil, always seem to be
more exciting to most people then the good. &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &#39;Times New Roman&#39;, serif; font-size: 12pt;&quot;&gt;When we look at the
context (1954) it must be brought in connection with &lt;/span&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;disillusionment of the author after the war.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/3283800626824326622/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/william-golding.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/3283800626824326622'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/3283800626824326622'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/william-golding.html' title='William Golding'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1514796653438919092.post-4911888895909568356</id><published>2012-02-13T22:31:00.000+00:00</published><updated>2012-02-13T22:31:05.511+00:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="James Joyce"/><title type='text'>James Joyce (1882-1941)</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;James Joyce&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 16.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Biography&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;James Joyce (1882-1941)&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;, Irish novelist, noted for his
experimental use of language in such works as &lt;i&gt;Ulysses&lt;/i&gt; (1922) and &lt;i&gt;Finnegans
Wake&lt;/i&gt; (1939).&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Joyce&#39;s technical innovations in the art of the novel
include &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;an
extensive use of interior monologue;&lt;/span&gt;&lt;/b&gt; &lt;span style=&quot;color: red;&quot;&gt;he used
a complex network of symbolic parallels drawn from the mythology, history, and
literature, and &lt;b&gt;created a unique
language of invented words, puns, and allusions.&lt;/b&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt;&quot;&gt;
&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;James Joyce was born in Dublin, on February 2,
1882,&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; as the
son of John Stanislaus Joyce, an impoverished gentleman, who had failed in a
distillery business and tried all kinds of professions, including politics and
tax collecting. Joyce&#39;s mother, Mary Jane Murray, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;was ten years younger than her husband.&lt;/span&gt;&lt;/b&gt;
She was an accomplished&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt; pianist&lt;/span&gt;&lt;/b&gt;, whose life was dominated by the Roman
Catholic Church. In spite of their poverty, the family struggled to maintain a
solid middle-class facade.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Joyce&#39;s first publication was an essay on Ibsen&#39;s play &lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red;&quot;&gt;When We Dead Awaken&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: red;&quot;&gt;.&lt;/span&gt;&lt;/b&gt;
It appeared in the &lt;i&gt;Fortnightly Review&lt;/i&gt;
in &lt;span style=&quot;color: red;&quot;&gt;1900.&lt;/span&gt; At this time he also began writing
lyric poems.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;After
graduation in 1902 the twenty-year-old Joyce went to Paris,&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; where he worked as a journalist,
teacher and in other occupations under difficult financial conditions. He spent
&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;a&lt;/span&gt;&lt;/b&gt; &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;year in France&lt;/span&gt;&lt;/b&gt;,
returning when a telegram arrived saying his mother was dying.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;Not long after her
death, Joyce was traveling again. He left Dublin in 1904 with &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Nora Barnacle, a
chambermaid who he married in 1931.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Joyce published &lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red;&quot;&gt;Dubliners&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: red;&quot;&gt; in 1914&lt;/span&gt;&lt;/b&gt;,&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt;&quot;&gt;
&lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;A Portrait of the Artist as a Young Man&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; in 1916&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;,
a play&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt; &lt;i&gt;Exiles&lt;/i&gt;in 1918&lt;/span&gt;&lt;/b&gt; and &lt;b&gt;&lt;i&gt;&lt;span style=&quot;color: red;&quot;&gt;Ulysses&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: red;&quot;&gt; in 1922&lt;/span&gt;&lt;/b&gt;.
In 1907 Joyce had published a collection of poems, &lt;i&gt;Chamber Music&lt;/i&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;At the outset of the First World War, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Joyce moved with his family to Zürich.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Next to Virginia Woolf, he is one of
the two most prominent modernist artists. He is a contemporary of Virginia
Woolf, both were &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;born&lt;/span&gt;&lt;/b&gt; and both &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;died&lt;/span&gt;&lt;/b&gt; in the &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;same years.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;His entire work represents a &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;rebellion&lt;/span&gt;&lt;/b&gt;
against tradition, namely against Catholicism, which was deeply rooted in
Ireland.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He had an offer just like Stephen
Dedalus and just like Dedalus, he refused because he was drawn to the art,
again, just like Dedalus, Joyce’s alter ego.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He was &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;under a strong influence of Henry Ibsen,&lt;/span&gt;&lt;/b&gt;
who promoted in his works a very modernist idea of the need of each individual
to break free from the tradition. That is something that appealed to James
Joyce, and he became a rebel breaking without mercy all ties with the
tradition. He was not afraid like Clarissa Dalloway to betray the expectations
of his family, his teachers, his society, probably because being a man, it was
easier to him. He felt himself constantly constraint by the norm and rules.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 3.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; tab-stops: 0cm;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;A Portrait of Artist as a Young Man&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;A Portrait of Artist as a Young Man
is Joyce’s &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;first
serious novel,&lt;/span&gt;&lt;/b&gt; where the technique of the stream of consciousness
and interior monologue are employed.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;A
Portrait of the Artist as a Young Man&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; tells the &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;story of Stephen Dedalus&lt;/span&gt;&lt;/b&gt;, a boy growing up in
Ireland at the end of the nineteenth century, as he gradually&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt; decides to cast
off all his social&lt;/span&gt;&lt;/b&gt;, familial, and religious constraints to live a
life devoted to the art of writing. As a young boy, Stephen&#39;s Catholic faith
and Irish nationality heavily influence him.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Stephen&#39;s
father, Simon, is inept with money, and the family&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt; sinks deeper and deeper into debt.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;After a summer spent in the company of his
Uncle Charles, Stephen learns that the family &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;cannot afford to send him back to Clongowes&lt;/span&gt;&lt;/b&gt;,
and that they will instead move to Dublin. Stephen starts attending a
prestigious day school called Belvedere, where he grows to excel as a writer
and as an actor in the student theater.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;His first sexual
experience&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;,
with a young&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;
Dublin prostitut&lt;/span&gt;&lt;/b&gt;e, unleashes &lt;span style=&quot;color: red;&quot;&gt;a storm of
guilt and shame &lt;/span&gt;in Stephen, as he tries to reconcile his physical
desires with the stern Catholic morality of his surroundings. For a while, he
ignores his religious upbringing, throwing himself with debauched a&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;bandon into a
variety of sins—masturbation, gluttony, and more visits to prostitutes,&lt;/span&gt;&lt;/b&gt;
among others.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Then,
&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;on a three-day
religious retreat&lt;/span&gt;&lt;/b&gt;, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;Stephen hears a trio of fiery sermons about sin&lt;/span&gt;&lt;/b&gt;, &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;judgment, and hell.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: red; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Deeply shaken&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;, the young man decides to (resolves
to= rededicate himself to a life of Christian piety.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Stephen
&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;begins attending
Mass every day&lt;/span&gt;&lt;/b&gt;, becoming a model of Catholic piety, abstinence, and
self-denial.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;-His
religious devotion is so pronounced that the &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;director of his school asks him to consider
entering the priesthood.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;After
briefly considering the offer, Stephen realizes that the austerity of the
priestly life is utterly incompatible with his love for sensual beauty.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;That
day, Stephen learns from his sister that the family will be moving, once again
for financial reasons. Stephen goes for a walk &lt;span style=&quot;color: red;&quot;&gt;on the
beach, where he observes a young girl &lt;/span&gt;wading in the tide. He is struck
by her beauty, and realizes&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;, in a moment of epiphany, that the love and desire of beauty
should not be a source of shame.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Stephen&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt; resolves to live
his life to the fullest, &lt;/span&gt;&lt;/b&gt;and vows not to be constrained by the
boundaries of his family, his nation, and his religion.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Stephen
moves on to the university, where he develops a number of strong friendships,
and is especially close with a young man &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;named Cranly&lt;/span&gt;&lt;/b&gt;. In a series of conversations with
his companions, Stephen works to formulate his theories about art.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;While
he is &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;dependent
on his friends as listeners&lt;/span&gt;,&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;he
is also&lt;b&gt; &lt;span style=&quot;color: red;&quot;&gt;determined
to create an independent existence&lt;/span&gt;&lt;/b&gt;, liberated from the expectations
of friends and family.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;He
becomes more and more &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;determined to free himself from all limiting pressures&lt;/span&gt;&lt;/b&gt;,
and eventually &lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;decides
to leave Ireland to escape them.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-bidi-font-size: 11.0pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Like
his namesake, the mythical Daedalus, Stephen hopes to build himself wings on
which he c&lt;b&gt;&lt;span style=&quot;color: red;&quot;&gt;an fly
above all obstacles and achieve a life as an artist.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; text-align: justify; text-justify: inter-ideograph;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://newenglishliterature.blogspot.com/feeds/4911888895909568356/comments/default' title='Objavi komentare'/><link rel='replies' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/james-joyce-1882-1941.html#comment-form' title='0 komentara'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/4911888895909568356'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1514796653438919092/posts/default/4911888895909568356'/><link rel='alternate' type='text/html' href='http://newenglishliterature.blogspot.com/2012/02/james-joyce-1882-1941.html' title='James Joyce (1882-1941)'/><author><name>NG</name><uri>http://www.blogger.com/profile/14812359341902101264</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPf7q4khyBFreZgQfQwfH043gpHW-v68ACmAbYKIARWMtwF_sEyKvmYBRWXG0FjLkpkOYb3yZ4bpZ1AVV5Kz-FkiFgjo3M6umoJ1wK4Q6TMyBfT9J2_GXhaRKVSA-9hA/s113/34034027_1876057975748281_2059540979978862592_n.png'/></author><thr:total>0</thr:total></entry></feed>