More Red Ink

Doing Charles Stross's Laundry with Style

noreply@blogger.com (martyhalpern) — Sat, 28 Jan 2012 00:45:00 +0000

Back in December 2010 I wrote a blog post entitled "Writing with Style (Sheets, That Is)," on my need, as an editor/copyeditor, for the author to provide a style sheet. This blog post was the result of a series of comments to a status update that Theodora Goss had posted on her Facebook page. In addition to Dora's and my comments, Robert Vardeman and Paul Witcover shared comments as well. And with their kind permissions, I included the FB comment stream in that blog post on style sheets. Dora then wrote a complementary blog post of her own, from her perspective on the subject in question. So with my post and hers, the reader is treated to the editor's and author's viewpoints regarding a single copyedit in a short story.

I won't overly bore you with repetitions from this blog post, should you choose to read it in its entirety, but as I mentioned in that post, in the nearly fifteen years that I have been in this business, I've only had two authors -- Michael A. Stackpole and Mark Teppo -- provide me with style sheets along with their manuscripts. That's two authors in nearly fifteen years. In fact, just this past September I worked on Michael's Of Limited Loyalty, the second volume in his Queen's Command series published by Night Shade Books, and once again he provided the publisher with an updated style sheet for his book.

The second post I want to reference was published on December 10, 2009, shortly after I finished work on Charles Stross's third Laundry Files novel, The Fuller Memorandum, for Ace Books. Entitled "Charles Stross: On Her Majesty's Occult Service," this rather extensive blog post covered my working relationship with Charlie Stross: how it all came together, including the genesis of The Atrocity Archives, the first Laundry Files volume, and the Hugo Award-winning novella "The Concrete Jungle." (Which, by the way, is still available online -- as a PDF doc or as a web page -- for your reading pleasure.)

As he did in 2009, Charlie again recommended me to Ace Books to proof, line edit, and copyedit his forthcoming (fourth) Laundry Files novel, The Apocalypse Codex. I have a distinct advantage over an in-house or other freelance editor because I have worked on the first three books in the series, allowing me to maintain consistency across all the volumes. And Charlie and I work well together: I ask a multitude of questions, and he answers, often with links to reference material; I make content suggestions, and he either accepts, rejects, or modifies said suggestions. Just as it should be, between editor and author. In fact, regarding my work on The Fuller Memorandum, Charlie informed me that upon reviewing the marked up (i.e. change tracked) manuscript from his publisher, he didn't have a single STET on any of my copyedits. No STETs means I done good -- very good. No STETs also takes a lot of stress off both the author and publisher, since there is no back-and-forth dickering necessary over changes: I'll give you those three copyedits for my one STET; this inevitably speeds up the production process, too. (I don't know if I'll be as lucky with the the work I did on the latest volume, which I delivered to Ace Books in December.)

In The Apocalypse Codex, our reluctant hero, Bob Howard, skilled in the techniques of applied computational demonology -- as well as all things IT geekery, plus PowerPoint slide shows and departmental time sheets -- is once again called upon to save the world from a diabolical fanatic who plans to open a portal to call forth a nightmare from the vast reaches of spacetime, at the cost of thousands of lives. Sounds like a typical Laundry Files novel, yes? But there the typical ends. The diabolical fanatic is a reverend; and Bob must team up with a couple of "external assets": Persephone "the Duchess" Hazard (code name: Bashful Incendiary) and Jonathan "Johnny" McTavish (code name: Johnny Prince).

[Update: Less than two hours since I published this post and I just realized I neglected to include something at this point. I said that this is where the typical ends. Well, not only does Bob team up with the Duchess and Johnny McTavish, but the story is written from each of their points of view. In fact, there are occasions where the story overlaps at times because we read, for example, Persephone's POV, and then Bob's POV, when they are both under attack in the New Life Church. Very cool. Now, back to the original blog post....]

I asked Charlie for a spoiler-free explanation of "external assets" and this is what he provided me:

Some history: during 1940–45 SOE was very much an informal organization staffed by independent-minded types who had no place in the regular MI5 hierarchy. Consequently, with the end of the war, bureaucratic infighting ensued and SOE was wound up by November 1945.

Now we have the Laundry, a [fictional] revenant division of SOE. But the Laundry is a peacetime organization, as bureaucratic (in its own way) as MI5/SIS. However, the threats the Laundry needs to deal with will from time to time require highly skilled operatives (wizards, in the terminology of the uninitiated) who can act autonomously. And it's also the case that most sorcerers of great power don't work well within a bureaucratic framework. So there is a mechanism for handling such operatives. The mechanism is designed to protect the organization from the depredations of loose cannons, while providing said loose cannons with [disposable] cannon fodder when they need backup. Within the Laundry in general, the high-level types are known as Mahogany Row; but to the security-cleared folks who work directly with them, they're External Assets.

And Bob is going to undergo an extremely hair-raising apprenticeship that will take him right out of the bureaucracy and give him more than enough rope to hang himself, when I get round to writing book number 5.

For those familiar with the Laundry Files series, Bob Howard's superior, DSS James Angleton (aka Eater of Souls), sits on Mahogany Row. 'Nuff said about that. I don't want to delve too much into TAC as I promised Charlie there wouldn't be any spoilers (well, at least not too many), as the book won't be published until July. So let me get back to the editing.

This was the first book I've edited or copyedited in which the publisher asked that I provide a style sheet! I was quite surprised, to say the least, especially since no style sheet was required for the previous title, The Fuller Memorandum. I always maintain a style sheet for every book that I work on. I keep a "running tab," so to speak, by chapter: I write down every person, organization, and place, every special word, word forms, and so on. I do this by chapter in case I have to reference back to a certain person/place/date/thing; in this way I can find its first appearance easily. But for Ace Books, I had to go beyond my typical style sheet. I first provided a list of my references, in order of preference; I then provided a list of "general rules" as follows:

American English spelling (except where noted below)

American English punctuation

But maintain British idioms and speech patterns, particularly collective nouns followed by a plural verb (e.g. the committee have)

Adverbs ending in "ly" that modify an adjective or participle require no hyphen

Blonde – feminine form ends in "e"

Comma preceding final "too"

Serial commas

Possessive "s" after all singular nouns/proper nouns ending in "s" (e.g. Barnes’s)

Signs: initial caps and italicized

Time: no hyphen when numerals are used; before noon/after noon designation in lowercase with periods (e.g. six thirty a.m./p.m.)

Titles with no ending periods (e.g. Mr and Dr)

Of course, there was another list of rules entitled "Rules Specific to The Apocalypse Codex." Even with all these rules, I'll be the first to admit that the four Laundry Files books are not perfect, but I've done my best to keep them as consistent as possible. Certainly not an easy task, and many times while working on TAC I had to open up the files for The Atrocity Archives and/or The Jennifer Morgue in search of a particular word form or phrase.

Charlie also uses an inordinate number of acronyms and organizations throughout each novel. In the first two books, I included a "Glossary of Abbreviations, Acronyms, and Organizations," but this was abandoned beginning with the first Ace title. So I essentially had to resurrect the glossary for this style guide. Here are just a few entries (not inclusive) under the heading "People, Organizations, etc. Specific to the Laundry Files":

Dansey House – Laundry HQ, being rebuilt

Dominique "Mo" O'Brien – Bob's wife; aka agent CANDID

Dunwich Village – secret Laundry training and R&R center

Field Support Engineering, or FSE (formerly Q Division in previous novels), aka Facilities

Gerald "Gerry" Lockhart – manager of external assets

New Annex – Bob's departmental offices

New Life Church – located in Colorado Springs; where Reverend Schiller will hold his lovefest

Other Place – magical realm where sorcerers go

Pinky and the Brain, or Pinky and Brains – Bob's former roommates, who work for Facilities

Raymond Schiller, Pastor or Reverend or Father – head of the Golden Promise Ministries

Sunningdale Park – HR civil service corporate training center

In addition, the style guide included a section strictly for acronyms, as well as two final sections entitled "Miscellaneous Proper Nouns" and "Miscellaneous Words, Word Forms, Neologisms, etc."

The most involved part was transcribing my own personal chapter-based style guide into a section-based style guide for Ace Books, being sure that I didn't overlook any critical entries. I submitted the edited manuscript to Ace Books by the due date, which was definitely a satisfying conclusion to this project. I would like to take this opportunity to thank Charles Stross for his support and referral, and for his continued faith in the quality of my work; I would also like to thank Michelle Kasper, Production Editor at Ace/Berkley Books, for yet another opportunity to contribute to the success of the Laundry Files series.

One last note: Charlie has based each of the four Laundry Files novels on the particular style of a British espionage/mystery novelist. The Atrocity Archives was written in the style of Len Deighton, and Charlie even included an Afterword -- entitled "Inside the Fear Factory" -- in which he spoke of Deighton at length, and in which he equated the spy novel with horror fiction. The second novel, The Jennifer Morgue, was written in the style of Ian Fleming -- "Howard; Bob Howard. Capital Laundry Services, import/export division." -- with a twist at the end as to the identity of the "good Bond girl." Volume three, The Fuller Memorandum, was written in the style of Anthony Price, a novelist with whom I was unfamiliar until I worked on TFM. Which brings us to the present, and The Apocalypse Codex. Does the fact that Bob Howard teams up with a pair of agents -- a female and a male, the Duchess and Johnny McTavish -- ring any literary bells? How about Peter O'Donnell, creator of the character Modesty Blaise, along with her right-hand-man, Willie Garvin.

(Belated) December Links & Things

noreply@blogger.com (martyhalpern) — Tue, 24 Jan 2012 23:36:00 +0000

Whoa... hard to believe that we're in week four of January and I still have yet to post my December links and things. I do have a lot of excuses, like the holidays (and recovery from same), multiple computer, software, and network issues (some good, including a new ASUS Zenbook; most not so good; but all very time consuming), as well as a huge project -- 271,000-plus words! -- I just proofed and copyedited for Night Shade Books (The Best Science Fiction and Fantasy of the Year, Volume Six, edited by Jonathan Strahan¹) that took far longer than I had anticipated. And I'm still dealing with the aftermath of my mother's passing: emails, phone calls, photocopying, meetings, forms to complete and notarize, and yet another trip to Southern California planned for next week.

But, as they say -- whoever "they" are -- that's life. And better that than the alternative, to be sure.

In fact, by the time I finish typing up and posting these December links it will be time to type up January's links... sigh....

I want to remind you that February 3 is the deadline to sign up for the last Alien Contact giveaway, hosted by SciFiChick.com. The giveaway is open to US residents (a print copy giveaway) and non-US residents (an ebook copy giveaway). So follow the link to SciFiChick.com, read my guest blog post entitled "Twenty-six Stories, Twenty-six Weeks..." and be sure to sign up for the giveaway.

And speaking of Alien Contact: Michael at The Mad Hatter's Bookshelf & Book Review blog just posted his December Reading Log, and he had these kind words to say about the anthology:

Alien Contact edited by Marty Halpern – Ranging from first contact and last contact to vacationers visiting an alien's home world and being, typically, obnoxious guests, Alien Contact compiles one of the most diverse collections of modern stories concerning the "other." Highly recommended....

Now, on to the links: This is my belated monthly wrap-up of December's Links & Things. You can receive these links in real time by following me on Twitter: @martyhalpern; or Friending me on Facebook (FB). Note, however, that not all of my tweeted/FB links make it into these month-end posts. There is a lot of content this time around, so please return for a second visit if you need to to take full advantage of all the links. Previous month-end posts are accessible via the "Links and Things" tag in the right column.

Since I'm encouraging you to follow me on Twitter, here are teasers from Angela James's (@angelajames) "10 things authors should know about Twitter": 1) When you start your tweet with the @ symbol... 2) If you have your tweets protected... 3) You should not, really ever, I mean never, query or pitch an editor or agent on Twitter... 4) Please don't use Twitter DMs (or Facebook messages) to do business... 5) Just because the editor/agent is on Twitter at 11pm on a Friday night... 6) When we say you should "engage" on Twitter... 7) You should be talking about other people's books... 8) And while we're on the subject of promotion... 9) It's a good idea to be mindful... and 10) Twitter should be fun. For all the details: Angela James's blog. (via @ColleenLindsay)

In 1963, at the ripe old age of sixteen, Bruce McAllister (1988 Hugo and Nebula awards finalist for "Dream Baby"; 2007 Hugo Award finalist for "Kin") sent out a 4-question mimeographed survey to 150 well-known authors to learn if "they consciously planted symbols in their work." Remember, this was long before the internet and email: the authors had to be tracked down, envelopes addressed and mailed, etc. He hoped the surveys would "settle a conflict with his English teacher by proving that symbols weren't lying beneath the texts they read like buried treasure awaiting discovery." Bruce has been sitting on 65 of those responses for all these years, and thanks to the Paris Review, we can now view many of these questionnaire responses from the likes of Jack Kerouac, Ayn Rand, Ralph Ellison, Ray Bradbury, John Updike, Saul Bellow, and Norman Mailer. This is amazing stuff! Not to be missed! The PR article was posted on December 5; on December 17, less than two weeks later, PR Online reported that they had 120,000 page views of the McAllister survey article -- the most page views they've ever had!

Ari Marmell (@mouseferatu) on the need for professional editing in a blog post entitled "Pro Means Pro": "I'm not going to identify the novel or the author. What I will say is that this was a self-published novel on Kindle, written by someone who has published multiple books with major publishers in the past, and whose past books I very much enjoyed....Formatting-wise, though? Error-wise? A disaster of brobdingnagian proportions....You want to be a pro? You want people to treat you as a pro, and the burgeoning field of modern self-publishing as a professional one? Act it." (via L. L. Soares's FB page)

"I can't plot my way out of a paper bag," begins Kameron Hurley (@KameronHurley) in blog post "Write Fast. Fail Hard." She goes on to say: "At some point, you have to make a choice. You can continue to focus on your strengths, and create the most epic worldbuilding/character wandering novel ever that you can never sell, or you can tuck those talents into your hindbrain and put them on autopilot while you actively concentrate on what you’re bad at."

Kay Kenyon (@kaykenyon) welcomes guest blogger Brian McDonald, an award-winning writer/director/producer, who shares with readers "What is the job of a storyteller?": "Notice that in the title for this piece, I said storyteller rather than writer. That is because it is my belief that we use the wrong verb to describe what we do....We know that stories existed long before anyone learned to write them down. We know that those cultures that were late in adopting written language had a long tradition of storytelling. Would you call people with no concept of writing 'writers'?... In my book The Golden Theme I explore the idea of why human beings tell stories. Why does every culture on earth tell stories? Because stories teach us to survive. This is why stories need conflict – because conflict is what we need to learn how to survive. No one needs to learn how to survive the good times." McDonald goes on to call the storyteller "a noble and important job."

A book I recently added to my own library is Rudy Rucker's (@rudytheelder) autobiography Nested Scrolls (Tor Books). io9 has posted an excerpt from Rucker's book entitled "The Death of Philip K. Dick and the Birth of Cyberpunk." Here's an excerpt from the excerpt: "I first met my fellow cyberpunks Sterling, Gibson, and Shiner in September of 1983 at a world science fiction convention in Baltimore.... Gibson was a remarkable guy, and I liked him immediately. He was tall, with an unusually thin and somewhat flexible-looking head. At one of the con parties, he told me he was high on some SF-sounding drug I'd never heard of. Perfect. He was bright, funny, intense, and with a comfortable Virginia accent.... I met the other canonical cyberpunk, John Shirley, two years later, in 1985, when he and I were both staying with Bruce and Nancy Sterling in Austin, Texas, in town for the North American science fiction convention, which was featuring a panel on cyberpunk. John was a trip. When I woke up on Sterling's couch in the morning, he'd be leaning over me, staring at my face. 'I'm trying to analyze the master's vibes,' he told me...." Not to be missed.²

James Gunn, Director of the Center for the Study of Science Fiction at the University of Kansas, has announced a new magazine, Ad Astra, which is now open for submissions. "We are looking for submissions that express the idea of gathering knowledge and sharing it with others as a central element of the story or article." Check the link for submission guidelines. (via Cynthia Ward's FB page)

From mediabistro.com's @ebooknewser: "John W. Campbell...is widely considered one of the giants of the Golden Age of Science Fiction. While he is not a famous author, he was the editor in chief of Analog SF Magazine. He held this post from late 1937 until his death in 1971....[This free ebook] is a collection of the editorials that Campbell wrote in most of the issues of Analog. But it's not a complete set, just the ones that were selected by Harry Harrison." This free ebook is available from the Internet Archive in a variety of formats, including PDF, Kindle, and mobi.

And mediabistro.com's @galleycat reports that the mysterious Voynich Manuscript is now available for viewing online courtesy of the Yale University Beinecke Rare Book and Manuscript Library. From the library: "Written in Central Europe at the end of the 15th or during the 16th century, the origin, language, and date of the Voynich Manuscript—named after the Polish-American antiquarian bookseller, Wilfrid M. Voynich, who acquired it in 1912—are still being debated as vigorously as its puzzling drawings and undeciphered text. Described as a magical or scientific text, nearly every page contains botanical, figurative, and scientific drawings of a provincial but lively character, drawn in ink with vibrant washes in various shades of green, brown, yellow, blue, and red."

From Reuters via Yahoo!news: Action Comics No. 1, which featured the debut of Superman, and with a cover price of 10-cents when it was published in 1938, has sold in an online auction for a record $2.16 million. U.S.-based ComicConnect described it as "the most important comic book in the history of comics.... What makes this copy so special...is it's the highest graded copy known to exist -- it's a 9.0 on a scale of one to 10." (via @AuthorAnswers)

SPACEdotcom reports that the U.S. Air Force Rapid Capabilities Office launched a secret robotic space plane, the X-37B, on March 5, 2011. The vehicle was boosted into Earth orbit from Cape Canaveral atop an Atlas 5 rocket. As of November 30 -- 270 days later -- the spacecraft was nearing an orbital flight record. When this flight finally does end, "it is designed to carry out an automatic guided-entry-and-wheels-down runway landing, likely at Vandenberg Air Force Base, with neighboring Edwards Air Force Base serving as a backup." The article links to a set of 20 very cool photos.

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Footnotes:

1. If I may be so bold as to promote myself, Jonathan Strahan (@Jonathan Strahan) sent out this tweet after receiving the page proofs copyedits:

Hats off to @martyhalpern for another topnotch copyedit job on the Best of the Year. Along with @lossrockhart an unsung hero of the series!

2. I personally know, and have visited with, Rudy Rucker; I interviewed him back in the '80s for a small 'zine; and I recently wrote about these meetings and interview in a blog post about PKD and Rudy Rucker, completely unrelated to Rucker's autobiography.

Close to the EDGE....

noreply@blogger.com (martyhalpern) — Fri, 20 Jan 2012 01:21:00 +0000

Kilian Melloy, Assistant Arts Editor for EDGE, poses some difficult questions for me in this Alien Contact interview, originally posted on EDGE:Boston.

When Kilian asked:

As a follow-up to last year's Is Anybody Out There? (which you co-edited with Nick Gevers for Daw Books), Alien Contact is a logical theme. Both books pose big philosophical questions. Is Anybody Out There? examined the paradox of why, if there is alien intelligence in the galaxy (as, mathematically, there ought to be) no extraterrestrial race has yet, to our knowledge, paid Earth a visit. Do you have a personal opinion on the best explanation for this conundrum?

I responded:

There are others who are far more qualified to respond to this question than I am... I would have to agree with Paul Davies¹, whose book The Eerie Silence: Renewing Our Search for Alien Intelligence (Houghton Mifflin Harcourt) was published nearly simultaneously with Is Anybody Out There? Davies states that focusing on radio signals for 50 years of the SETI project has been to no avail; we need to start thinking out of the box. One suggestion Davies makes is that ET might use biological organisms as a means of sending information, so we should dispatch retroviruses that would insert DNA into any found DNA-based organism. Coincidentally, the British edition of The Eerie Silence from Allen Lane Publishers is subtitled Are We Alone in the Universe?

You can read the full interview, including my response to this, the last question:

The collection includes a story by a well-known anti-gay writer, as well as one whose remarks on a blog got her disinvited as Guest of Honor from a convention a couple of years ago because some people saw her remarks as bigoted. When it comes to publishing a story by a writer who has generated such controversy, do you simply ignore his politics and rely on the quality of his work? Or do you have to weigh the political against the artistic when making your choices?

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Footnote:

1. My previous blog post, just prior to the publication of Is Anybody Out There? on Paul Davies and his book The Eerie Silence.

To the Core...

noreply@blogger.com (martyhalpern) — Wed, 11 Jan 2012 03:54:00 +0000

Keith Soltys reviews Alien Contact on his blog Core Dump 2.0. Here's the concluding paragraph to Keith's review, which I believe speaks to the heart (the core!) of Alien Contact:

Alien Contact is a strong anthology that showcases the diversity of modern SF. Given how central the idea of alien contact is to science fiction, you might think that all of the good ideas were taken long ago, but this anthology demonstrates clearly that that's not the case.

Keith isn't a book blogger, per se; his blog is subtitled "Things that interest me," in which he blogs "about science and technology, music, technical communication, computers and software, science fiction, and whatever else I feel like writing about." Hopefully his review of Alien Contact will reach a wider audience than just strictly book readers, and science fiction book readers at that.

Twenty-six Stories, Twenty-six Weeks...

noreply@blogger.com (martyhalpern) — Mon, 09 Jan 2012 03:08:00 +0000

...is the title of my guest blog post on SciFiChick.com, whom I would like to thank for providing me the opportunity -- and the space -- to share with a new group of readers some background on my Alien Contact anthology.

Here's an excerpt from my blog post:

By April 2011, I had finalized the story order for my Alien Contact anthology. So I was ready to announce the contents list. Most anthologists accomplish this by simply posting a list of the stories. SF news sites pick it up, as do SF bloggers and tweeters, and that's how readers learn of an anthology's contents. But a list is, well, a list — and boring.

I had already invested more than two years in putting together this anthology, and I was determined to maintain that energy level until the book was published. So, after a bit of brainstorming, I decided to blog about each of the stories — one story each week, in their order of appearance — over the course of twenty-six weeks, concluding by the end of October, just in time for the book's publication.

[...]

...if the reader thinks of Alien Contact as a DVD, then these twenty-six weeks of blog posts serve as the DVD extras....

Following my guest blog post is yet another Alien Contact giveaway: An opportunity for a US reader to win a signed/inscribed print edition, and for a non-US reader to win an ebook edition. The deadline to enter this giveaway is February 4. [Note: This is the final Alien Contact giveaway!]

Please check out SciFiChick.com, read my guest blog post while you're there, and be sure to sign up for the giveaway if you don't already own a copy of Alien Contact. (And if you don't, why not?)

Ommmmmmmmmmm....

noreply@blogger.com (martyhalpern) — Fri, 06 Jan 2012 06:52:00 +0000

Coming soon....

Grasping at Aliens

noreply@blogger.com (martyhalpern) — Wed, 28 Dec 2011 03:07:00 +0000

In previous blog posts I've mentioned the significant role that book review bloggers play in today's publishing wars -- by bringing titles that aren't always reviewed by the mainstream press to the attention of book readers and buyers. Take Alien Contact for example: it's an all-reprint anthology from independent press Night Shade Books, and even though the book contains stories by such "name" authors as Neil Gaiman, Stephen King, and Ursula K. Le Guin, to name only three, it hasn't gotten a great deal of attention amongst mainstream publications, with the exception of Library Journal and The Guardian.

That's why book review blogs are so important to an anthology like Alien Contact and to a publisher like Night Shade Books. A typical reader doesn't have access to Kirkus Reviews or Publishers Weekly -- mostly because these publications are designed for libraries and bookstores and are far too expensive. But what a typical reader does have access to are the hundreds (thousands?) of free online book review blogs, such as John Ottinger's "Grasping for the Wind science fiction & fantasy news & reviews" blog.

I mention this blog specifically because John recently reviewed my Alien Contact anthology.

What I appreciate in particular about this review is that John addresses each of the twenty-six stories in the anthology. He doesn't necessarily like, or even understand, all of the stories, but he gives equal attention to each, which allows the reader to assess the overall content and quality of the book as a whole. As the book's editor, I'm gratified to see every author mentioned, not just the most popular or well-known authors.

Here are just a couple (well, maybe three) of Ottinger's individual story reviews:

Karen Joy Fowler's "Face Value" is a tragic story of a man and wife team sent to an alien planet to make contact with the moth-like intelligence found there. Taki is the xenobiologist and Hesper, his wife, a poet. Taki thrives, but Hesper becomes more and more depressed until even her poet's soul is lost. Fowler's sad story is about transcendence and the place where beauty comes from. It's about relationship too. Taki and Hesper's inability to understand one another has its echo in Taki's inability to communicate with the natives. There is a haunting beauty to Fowler's story that will leave you pondering long after you read it.

I have to admit that I don't really get "Guerrilla Mural of Siren's Song" by Ernest Hogan. The story appears to be about a street artist who encounters sirens deep in the winds of Jupiter. It's also a love paean to a dead woman. Art and experience combine in an experiential tale of whirling emotions and unreliable narration. It's likely to be the favorite story in the anthology of people with a less analytical and more artistic bent than myself, but for me it was rather confusing.

"If Nudity Offends You" by Elizabeth Moon is another story I have read before. In this one, a court secretary, living in a trailer park, finds that her neighbors have been illegally tapping into her electricity. Most of the story is about her confrontation with these odd foreigners who wear no clothes in their trailer, talk funny, and seem slightly off. The whole story builds up to a surprise ending that makes you wonder if these foreigners were not just from a distant land, but from a different planet entirely. It's a close encounter that is discovered only after the fact.

John concludes his review with the following observation:

Alien Contact is a title that might be slightly misleading. This is not an anthology of first contacts but rather a collection of encounters with the other, what we choose to call the alien, the ineffable, the different and unknowable. Halpern's anthology is an excellent collection of tales that share a theme in common, but that manage to postulate widely different scenarios

As I said, these are only three of the twenty-six individual story reviews; you'll find John Ottinger's complete review on Grasping for the Wind.

Redux: Another Alien Contact Giveaway

noreply@blogger.com (martyhalpern) — Wed, 28 Dec 2011 00:31:00 +0000

Just a reminder that this current giveaway [there will be yet another after the new year] ends in 4 days for a print edition (US residents) and ebook edition (non-US residents) of my Alien Contact anthology. To be eligible FTW you only need to send a very, very brief email -- no blog comment required, no Facebook "Like," no retweeting -- just an email with either your mailing address (US residents) or your country (non-US residents).

Click on over to Mad Hatter's Review blog for the details on how to enter the giveaway for a copy of Alien Contact. The deadline is midnight, December 31st.

Happy New Year everyone! And happy reading

The Meaning of "Going Home"

noreply@blogger.com (martyhalpern) — Tue, 27 Dec 2011 23:31:00 +0000

This is a different type of blog post for me: I'm going to promote a contest, but not one of my own. And the subject of this contest is contrary to something I firmly believe: that we shouldn't analyze fiction to death (as is done in typical high school English Lit classes... gag!) but rather to simply enjoy the totality of the reading experience. But with that said....

This contest is sponsored by two of my favorite authors: my friend, Bruce McAllister, whose Hugo Award-nominated story "Kin graces the pages of my Alien Contact anthology; and Barry Malzberg, who co-edited (with Edward L. Ferman) one of the best SF anthologies ever, Final Stage¹.

First, the caveat: This contest is open to Facebook members only. If you are an FB user, then simply "friend" Bruce McAllister and you are good to go. If not, then just sign up for a free account and then search for -- and "friend" -- Bruce McAllister. FB is no big deal, it's not painful, and you don't have to use the app after you sign up -- other than for this contest, of course.

Bruce and Barry have co-written a story entitled "Going Home" that was published in the February 2012 issue of Asimov's Science Fiction. Now I realize we're still in 2011, but this particular issue has already been printed. In fact, the Asimov's website currently features this February issue. You may be an Asimov's subscriber, or you can find copies on the rack at Barnes & Noble, and certainly at your favorite SF specialty store, and online as well, including ebook editions. And Asimov's has donated 15 copies of the issue to Bruce McAllister for readers who wish to participate in this contest but for one reason or another are unable to obtain a copy.

Here's the issue, and the reason for the contest: Even though Bruce and Barry have co-written "Going Home," they do not agree on the story's meaning. According to Bruce's Facebook post on December 16:

The Asimov's issue with "Going Home" is out and should hit the stands soon. After a brief email exchange yesterday, however, Barry and I discovered we're not at all in agreement about what the story means. (Yeah, you'd think -- co-authors and everything -- but no....) So a contest: FREE copies of my novel Dream Baby and Barry Malzberg's John Campbell Award winner Beyond Apollo to the three readers out there who can come up with the most creative (read: insightful and/or deranged) interpretations of the story. 500 words max. Deadline -- March 15 [2012]. FB members only, yes. Winning entries (or excerpts) will be posted here with much fanfare. This should be fun.

So here's a chance for you to put those interpretive skills you honed in your English Lit class to good use, and possibly score a free copy of the award-nominated Dream Baby from Bruce and the award-winning Beyond Apollo from Barry. And, I assume, the authors will gladly sign/inscribe their respective books for the winners, too.

Courtesy of the authors, here's the opening paragraph to "Going Home":

Bob—
Arrogant as this sounds, I've decided I'm going to bring the Golden Age of Science Fiction back even if I have to do it single-handedly. It's been lost for a long time, and someone's got to bring it back, given what's happening. Yes, I know, Mitchell Litton has been known for three decades for his cynical, earthbound, ankle-biting, technophobic, earthbound novels—and I wrote them because they were my truth at the time (the alcohol, two divorces, Chiara's pregnancy at 16, my mother's and sister's deaths in the same year, the bankruptcy, and the awards nastiness), but I remember what it was like to be young and read those stories; and now that I'm facing, as we all are with the slow spread of this "Armageddon virus" that's taking the world, my own mortality, I see now that those stories held older and bigger truths than the ones I delivered. In any case, I want to be part of it again. Like going home, yes.

—from "Going Home" by Bruce McAllister and
Barry Malzberg, Asimov's Science Fiction, February 2012

As Bruce states on his Facebook page: "Finally, after 40 years, got to co-write a story with old friend and mentor Barry Malzberg."

---------------

Footnote:

1. If you should choose to track down a copy of the Ferman and Malzberg anthology Final Stage, be sure to seek out the reprint Penguin edition only -- not the original Charterhouse hardcover edition. There was some controversy regarding the hardcover edition because a number of the stories were revised and edited by the publisher's editor without Ferman's or Malzberg's -- or any of the affected authors -- knowledge or permission. The original texts of all the stories were restored in the Penguin reprint edition. Anthology historian Bud Webster has written a lengthy essay on the original Charterhouse edition entitled "Anthology 101: The (Non)Final Stage" that you'll find quite enlightening, with input from Ferman, Malzberg, Harlan Ellison, Robert Silverberg, and others.

Observed in the Wilds of San Francisco

noreply@blogger.com (martyhalpern) — Sun, 18 Dec 2011 00:25:00 +0000

I was hoping for a photograph or two from an indie bookstore, since the only pics I've seen so far of Alien Contact in the wild are at B&N stores....

So a special "thank you" to Jude Feldman at the best genre bookstore on the West Coast (and possibly even points farther):

Borderlands Books, 866 Valencia Street, San Francisco 94110

Note: When I asked Jude (via email) about the brown something in the top right corner of the photograph, she responded: "...the brown/black thing you're seeing in the background is a portion of a steampunk art piece that's mounted on the wall. It's called The Triparator and it was made by Dr. Alan Rorie."

Another Alien Contact Giveaway

noreply@blogger.com (martyhalpern) — Wed, 14 Dec 2011 07:30:00 +0000

If you read my guest blog post yesterday on determining story order, posted on The Mad Hatter's Bookshelf & Book Review blog, then you hopefully read at the end of the post that there would be a giveaway announced the next day for Alien Contact.

Well, today is that next day, and the giveaway has gone live. Please check out Mad Hatter's Review blog for a chance to win a copy of Alien Contact. The giveaway is open to both US and non-US residents, and the deadline is midnight, December 31st.

Happy New Year everyone! And happy reading!

Story Order (Or, Developing the TOC)

noreply@blogger.com (martyhalpern) — Tue, 13 Dec 2011 07:48:00 +0000

Are you the type of reader who picks a story at random to read in an anthology, or do you always begin at the beginning, and read the stories in the order that they have been presented? If the latter, have you ever thought about the actual order of the stories: Why did the editor begin the anthology with this particular story? Why is the longest story in the middle (or near the beginning, or toward the end)? Why are these other stories back to back, and why does the book end with this other story?

The Mad Hatter's Bookshelf and Book Review blog invited me to write a guest blog post, which I gladly accepted. And for my guest post I wrote about the process I went through to determine the story order -- the table of contents -- for my Alien Contact anthology. I had 26 stories to work with, and I had to place them in an order that would both intrigue and motivate the reader to continue reading, to finish the book, and hopefully result in a positive reading experience.

Here are a couple excerpts from my guest post:

...the readers who begin at the beginning--the introduction--and then read the stories in the order they are presented, these are the readers I must be concerned with. For them, the story order--the overall experience of reading the book in its entirety--is what makes, or breaks, the anthology.

[...]

As a group, these criteria affect the flow of the anthology. Place a lot of dark, depressing, overly long stories together and quite possibly I'll lose a lot of my readers. Each story needs to encourage the reader to want to move on to the next story, and the next, and so on, until the reader reaches the end of the book.

I specify the five criteria I use to assist me in determining story order, and I also provide some thoughts on a few specific stories.

Story order is something I take great pride in....

And check back at Mad Hatter's Review for yet another Alien Contact giveaway.

Observed in the Wilds of Akron

noreply@blogger.com (martyhalpern) — Fri, 09 Dec 2011 02:32:00 +0000

Alien Contact

Barnes & Noble, 4015 Medina Road, Akron, Ohio 44333.

This B&N staffer hamming it up in the pic just happens
to be my cousin, David Halpern.

Alien Contact Gets the Silver Treatment

noreply@blogger.com (martyhalpern) — Thu, 08 Dec 2011 03:54:00 +0000

When I posted the first review of my Alien Contact anthology, I noted the importance of online book reviewers/book bloggers and book review sites such as Goodreads: all critical resources to those who read and purchase books. There will be no shortage of reviews of Stephen King's 11/22/63 this holiday season. I even found copies of King's book at Costco. But what I want to learn more about are the lesser known indie/small press titles, and authors, and so I am especially grateful to those who review and support these types of books.

One such book reviewer is Steven Silver, who publishes his reviews under Silver Reviews, hosted online by SFSite. In Steven's most recent review, for Alien Contact, he writes:

...In 1898, H. G. Wells described that first contact as a Martian invasion of England's Horsell Common resulting in death and mayhem until the aliens are brought low. Murray Leinster wrote about a less dire alien contact in 1945, in which humans and aliens worked to ensure they wouldn't destroy each other. Editor Marty Halpern has now brought together twenty-six stories of alien contact in a book called, appropriately enough, Alien Contact.

[...]

Karen Joy Fowler is responsible for writing one of the strangest first contact stories ever published, the novel Sarah Canary, so the inclusion of her story "Face Value" is quite fitting, and quite different from her famous novel. In this story, as with so many other first contact stories, part of the puzzle that needs to be solved revolves around finding a means of communication between two different species, a theme which dates back to Leinster's "First Contact."

[...]

The stories Halpern has selected not only demonstrate the different slants authors can take on...alien contact, but also explore what it means to be alien in different ways and also depict numerous writing styles, with humor, drama, military, and nostalgia all playing a role. As these stories demonstrate, the science fiction genre provides a playground in which authors cane use the tropes and styles of a wide variety of other genres in crafting entertaining, as well as insightful, stories.

In his review, Steven mentions a number of other stories in the anthology, in addition to the story by Karen Joy Fowler. Please head on over to Silver Reviews for the full review of Alien Contact, which has been published by Night Shade Books.

November Links & Things

noreply@blogger.com (martyhalpern) — Tue, 06 Dec 2011 01:27:00 +0000

I've been rather quiet here of late, as I just completed work on a project for Penguin/Ace Books that I had been anticipating for a couple months. I'll provide a bit of a teaser here by saying that I've just finished "the laundry" -- neatly pressed. So, now that this project is behind me (and I hope to do a blog post about it soon), I plan on being a bit more visible here. Or, at least I hope to be a bit more visible here. One can never tell, especially these days. Regardless, please don't give up on me.

Onward: This is my monthly wrap-up of November's Links & Things. You can receive these links in real time by following me on Twitter: @martyhalpern. Note, however, that not all of my tweeted links make it into these month-end posts. Previous month-end posts are accessible via the "Links and Things" tag in the right column.

Ernest Hogan (@NestoHogan), a contributing author to the Alien Contact anthology ["Guerrilla Mural of a Siren's Song"], has recently written a blog post on La Bloga, entitled "Chicanonautica: The Lone Sci-Fi Chicano?" in which he wonders if he may just be the only Chicano science fiction writer. If you are a Chicano SF/Fantasy author, or know of an author, please let Ernesto know by posting a comment to his blog post.

Author Andrew Fox has informed me that his novel, The Good Humor Man, or Calorie 3501 (which I edited for Tachyon Publications) has been released in a variety of ebook formats. The link here is to the Kindle edition, but you'll find the ebook at Barnes & Noble, iTunes, and other online sellers. The novel was described by Kage Baker as "a Fahrenheit 451 for the post-millennium, told with Fox's magnificent evocation of place and twisted humor..." For more details, here's a link to my blog post from 19 February 2009 on the novel, and Tachyon Publications.

If you are a book reader and/or a book collector, then you undoubtedly are familiar with ABEBooks.com (@AbeBooks), which recently posted a concise history of Amazing Stories magazine. You can find lengthier, more detailed histories elsewhere online, but what makes this article special are the more than 25 full-color covers, including the first Amazing Stories Annual from 1927. The article falls short, however, by not mentioning that the "Amazing Stories" name has recently been acquired by Steve Davidson, who has formed an editorial board and commissioned cover art. Check out my September and October Links & Things posts for details.

Looking for fellow gamers for your game group? NeedGamers.com wants to help by being a registry for all flavors of gamer. (via @ProfBeard)

On November 7 I purchased the new Stephen King novel, 11/22/63. How could I not purchase a book in which time travel is used to try to prevent the Kennedy assassination? The week before the book was released, Wired Magazine featured an interview with King in which he set forth his "Rules for Time Travel." King and Wired discuss the "butterfly effect," alternate timelines, and more. At the end of the interview, when asked if he'll write about time travel again, King responds: "No, this is it. Absolutely not. No, that's done. It's like Apollo Creed says, 'Ain't gonna be no rematch.'" (via @io9)

Did you write your 50,000 words in November as a participant in the annual National Novel Writing Month (NaNoWriMo)? In support of NaNoWriMo, Susan J. Morris posted an entry on Amazon's Omnivoracious blog entitled "The Quick and Dirty Outline." Ms. Morris begins: "I have a love-hate relationship with outlines." After a few pros and cons, she writes: "There are as many different methods for outlining as there are authors out there. That being said here is one method I’ve used and recommend for quickly and efficiently turning your idea into an outline." Step 1: Find the Heart of Your Idea; Step 2: Expand on Your Idea; and Step 3: Put the Pieces In Order. Follow the link for the details behind the steps.

Deborah J. Ross (@DeborahJRoss) tackles "Critiquing Vs. Editing" in a November blog post: "The most useful things I find in critiques are reader reactions, comments like, 'I'm confused,' or 'This doesn't make sense,' or 'I don't believe this character would act this way.' Or, simply, 'Huh? You've got to be kidding!'...such comments tell me where there is a problem. The reader may be right about what the problem is, or what they object to may be the tip of an iceberg and the true problem lies elsewhere. In critique format, I really, really don't want to be told how to fix those problems, and I don't know any writers who do."

"What Inspires Sara Zarr" -- a blog post by, you guessed it, Sara Zarr (@sarazarr) in which she begins: "I'm inspired by failure. Which is a good thing, because right now I've got a first draft of a new book in front of me, and it feels like a massive pile of FAIL. (I should note: this is my book.)" You'll also want to check out the 70 comments. (via Deborah J. Ross's Facebook page)

At Broad Universe, Morgan Dempsey (@geardrops) discusses the subject: "What Makes YA?" If you are writing (or planning to write) a YA novel, you'll want to consider these points that Dempsey covers, in detail: 1) How Old? Old Enough (And then maybe a teensy bit older); 2) Subject Matters (But maybe not in the way you'd think...); 3) The Voice; 4) Take It to the Slushpile; 5) Are You Sure You're Writing YA?; 6) Do You Remember What It's Like to be Fifteen?; and 7) Stories Can, and Should, Be Simple. (via @ScapeZine)

A new blog, ePubSecrets (@ePUBSecrets), has been launched to, as the blog says, "help you with all things ePUB." This new site is the brainchild of David Blatner and Anne-Marie Concepcion, the people behind InDesignSecrets. If you are into DIY ePub, you'll find some worthwhile resources here. (via @ebooknewser)

Speaking of ebooks (and POD): Book buyers must now watch out for bogus, stolen material being sold as ebooks or POD -- this, according to a blog post from noted SF author Jerry Pournelle. The bogus publisher of note is Hephaestus Books (though the publisher could easily change names); what these guys do is scrape together information from, say Wikipedia, on hot or noteworthy authors, and then publish it under some bogus title on Amazon.com, B&N.com, etc. You, the reader, look for some new material by said author, and the next thing you know, you've been scammed, and at a very high price, too. Author John Scalzi (@scalzi) brought this to the attention of his army of followers in a blog post entitled "Beware the Wikipedia Scrapers"; Scalzi includes a link to Pournelle's post as well. (via @Pixelfish)

Unless you've been hiding out in a hobbit hole, you know that the current economy has resulted in a depressed job market. However, if you have the right stuff, there is hope: NASA is accepting applications for astronaut positions. You can apply here. Look for the heading "Astronaut Selection Resources," and then click on the link "Apply to be an Astronaut." And watch the cool one-and-a-half-minute vid. (via @boingboing)

Observed in the Wild

noreply@blogger.com (martyhalpern) — Wed, 30 Nov 2011 00:47:00 +0000

Alien Contact

Barnes & Noble, Eastridge Shopping Center, San Jose, California:

The Guardian Aliens

noreply@blogger.com (martyhalpern) — Fri, 25 Nov 2011 23:10:00 +0000

If you happen to reside in the United Kingdom -- and if you were to read the reviews section in today's issue of The Guardian -- you would have seen Keith Brooke's review of Alien Contact.

Keith Brooke is the mastermind behind infinity plus. Though the site hasn't been active since 2007 (it was launched in August 1997), the archives remain online, and if you are a fan and/or student of science fiction and fantasy, you need to have this site bookmarked for reference. As the website itself states: "more than 2.1 million words of fiction, 1000 book reviews and 100 interviews." And now, under the infinity plus banner, Keith is publishing infinity plus singles -- "science fiction, fantasy, horror and crime ebooks for Kindle, Nook and other e-readers."

Of course, not everyone resides in the U.K, and even those who do don't necessarily subscribe to The Guardian. So, the Alien Contact review can also be found on The Guardian online. Keith's review is short, but sweet, and concludes with: "As with any collection, it's easy to debate the editor's choices, but in most cases the selections are spot on, making this an anthology which, restrictive as the theme might appear, serves as an excellent snapshot of modern SF."

I like that: "serves as an excellent snapshot of modern SF."

"Angel" -- A Visitor of a Different Kind

noreply@blogger.com (martyhalpern) — Mon, 21 Nov 2011 21:41:00 +0000

The Creation of Adam by Michelangelo

On July 21, nearly halfway into my 26-week project to blog about each of the 26 stories included in Alien Contact, I introduced Story #12 -- Pat Cadigan's "Angel."

As with Jack Skillingstead's story "What You Are About to See," which was recently posted on the Night Shade Books website (ref: this blog post), when I posted my original blog about Story #12, I had Pat's permission at that time to reprint her story online in its entirety -- and I really wanted to do so, right here on More Red Ink. But io9.com had expressed an interest in a guest blog post from Pat, and, as a follow-up, I suggested they also post her story, "Angel," to which they agreed.

So, after much impatient waiting on my part, Pat Cadigan's very astute, very personal guest blog post -- entitled "Why Science Fiction Writers Love Meeting the Other" -- is now available on io9 for your reading pleasure.

In her guest blog post, Pat writes:

One of the first SF books I ever bought was an anthology called Invaders of Earth, edited by Groff Conklin.... Invaders of Earth was divided into three sections — invaders in the past, the present, and the future. I wish I could lay hands on that old book and name all the stories and authors.¹ I do remember Mildred Clingerman's "Minister Without Portfolio," in which a grandmother fails to recognise green-skinned people as aliens because she's colour-blind; there was also a story by Donald Wollheim about an attempted invasion by alien weather, and "The Greatest Tertian," told by Martians who uncover evidence on a dead Earth of its greatest hero, Sherk Oms.

Times sure have changed.

They've changed so much that if you were to put Conklin's Invaders of Earth side by side with Alien Contact, edited by Marty Halpern, you'd be tempted to think they were books from different planets. Which, of course, they are. The past isn't merely a different country — it's a whole different world.

There are nearly 1,500 words to this guest blog post; and if you enjoy reading speculative fiction, and alien contact stories in particular, you'll find much to appreciate in her essay.

And then, much to my delight, a few days later io9 graciously posted the full text of Pat's multi-award-nominated story "Angel." I still wish the story was here, on my blog, but I realize that the io9 website gets thousands (and thousands) of daily hits, which will definitely bring "Angel" -- and Pat Cadigan -- to the attention of a wider audience. I hope you enjoy the story as much as I do!

P.S. One of the commenters to Pat's guest blog post included the following quote, which impressed me enough to include it here, just in case you don't read those blog comments:

Did you ever notice how in the Bible, when ever God needed to punish someone, or make an example, or whenever God needed a killing, he sent an angel? Did you ever wonder what a creature like that must be like? A whole existence spent praising your God, but always with one wing dipped in blood. Would you ever really want to see an angel?

— The Prophecy, 1995, First Look Pictures

---------------

Footnote:

1 Courtesy of the Internet Speculative Fiction Database (ISFDB.org), here are the contents to Groff Conklin's Invaders of Earth; sadly the listing isn't broken down in the three groups -- past, present, and future -- to which Pat refers. However, the online listing does include four additional uncredited essays having to do with the past and future. One other comment: I'm presenting the stories here as they are listed on ISFDB; you'll note that they are not in any particular order, so I'm assuming this may be the order (the Introduction aside) in which the stories appear in the anthology:

Invaders of Earth, Groff Conklin, editor, Vanguard Press, 1952.

"The Waveries" (1945) by Fredric Brown

"Tiny and the Monster" (1947) by Theodore Sturgeon

"Castaway" (1941) by Robert Moore Williams

"Not Only Dead Men" (1942) by A. E. van Vogt

"The Man in the Moon" (1943) by Henry A. Norton

"Impulse" (1938) by Eric Frank Russell

"Minister Without Portfolio" (1952) by Mildred Clingerman

"Crisis" (1951) by Edward Grendon

"Angel's Egg" (1951) by Edgar Pangborn

"Pen Pal" (1951) by Milton Lesser

"Pictures Don't Lie" (1951) by Katherine MacLean

"An Eel by the Tail" (1951) by Allen Kim Lang [as by Allen K. Lang ]

"Invasion from Mars" (1938) by Howard Koch

"The Discord Makers" (1950) by Mack Reynolds

"Child of Void" (1949) by Margaret St. Clair

"This Star Shall Be Free" (1949) by Murray Leinster

"A Date to Remember" (1949) by William F. Temple

"Will You Walk a Little Faster?" (1951) by William Tenn

"The Greatest Tertian" by Anthony Boucher

"Top Secret" (1948) by Donald A. Wollheim [as by David Grinnell ]

"Enemies in Space" (1907) by Karl Grunert

"Storm Warning" (1942) by Donald A. Wollheim [as by Millard Verne Gordon ]

"Introduction" by Groff Conklin

Alien Contact -- Another Giveaway, Another Review

noreply@blogger.com (martyhalpern) — Fri, 18 Nov 2011 03:45:00 +0000

During the past three weeks, speculative fiction blog SF Signal has hosted a series of guest blog posts and interviews with some of the Alien Contact authors. I've been posting the links here on More Red Ink, but if you're just learning about this now, or you think you may have missed one of the guest posts or an interview or two -- SF Signal has graciously posted a recap, with links, of the entire series.

And, for the denouement, SF Signal is currently hosting an Alien Contact giveaway: a signed (by me) copy of the print edition for the winning U.S. resident, and a copy of the ebook edition (MOBI or EPUB) for the winning non-U.S. resident. The giveaway ends on November 22, so readers still have four more days to add their name to the proverbial hat. Details.

* * * *

Here's a recent review of Alien Contact that appeared in Library Journal:

Alien Contact. Night Shade. Dec. 2011. c.500p. ed. by Marty Halpern. ISBN 9781597802819. pap. $15.99. SF

From Paul McAuley's lyrically somber tale of zombielike aliens ("The Thought War") to Stephen Baxter's story of the last alien message to Earth ("Last Contact"), the 26 tales collected here demonstrate both the variety of alien-contact literature and the enduring popularity of this sf subgenre. VERDICT With strong stories from Neil Gaiman, Orson Scott Card, Mike Resnick, Pat Murphy, and other sf luminaries, this is a choice volume for sf fans and a good introduction to extraterrestial encounter stories.

— Library Journal Reviews, November 15, 2011

I'm hopeful that, with this positive review, my anthology will find its way to a lot of library shelves throughout the U.S.

Alien Contact was reviewed in LJ with a gaggle of other science fiction and fantasy titles, including two other anthologies also published by Night Shade Books. The reviews can be read in their entirety online on Reviews.LibraryJournal.com.

What You Are About to See...And Read...Now

noreply@blogger.com (martyhalpern) — Tue, 15 Nov 2011 23:09:00 +0000

What seems like so many months ago -- April, actually -- I was plotting the best ways to introduce to readers the 26 stories included in Alien Contact, my then forthcoming anthology. I had contacted all the authors for their assistance in promoting the book, with hopes that their schedule would allow for such participation. I asked the authors if they would be open to being interviewed and/or write a guest blog post and/or allow for the online publication of the complete content of their story. More than half of the authors responded with a "yes" on one or more of the options.

Then I had to find homes for these interviews and guest blog posts and stories. I didn't want to limit all of this material to More Red Ink. I have my share of readers, but there are other, more popular sites with readers numbering in the many thousands -- and I wanted to bring Alien Contact to the masses. Hallelujah!

So that's why SF Signal hosted all of the interviews and all (but one) of the guest blog posts. And though the complete text of five of the anthology stories were posted here on More Red Ink, I had worked out plans to have two additional stories posted elsewhere.

On September 16, when I first introduced Story #20 -- "What You Are About to See" by Jack Skillingstead -- I wrote: "I've probably read the story at least four or five times now, and each time the story still leaves me in awe. This is one of those stories that slithers in behind your eyeballs as you read, and tweaks the hell out of your mind." Jack had given me permission to post the story online, but I refrained from doing so, painful as it was, because the publisher, Night Shade Books, had agreed to post the story in its entirety on their website -- but not until after the book itself was published. (This is me, waiting...waiting...waiting....)

Finally, that time is now: "What You Are About to See" is approximately 5,100 words in length; it's not an overly long story, and if you are prepared to have snakes slithering in behind your eyeballs, and your mind rearranged, well, you merely need to click here... and begin reading....

[Note: If you are on Facebook, you can read this story on the Night Shade Books page: be sure to "Like" the page, and then click on the "Welcome" link in the left frame.]

SFSignal's Close Encounters Concludes: Nov. 14

noreply@blogger.com (martyhalpern) — Mon, 14 Nov 2011 20:36:00 +0000

SFSignal.com's close encounters with the contributing authors to Alien Contact concludes with Pat Cadigan and this final "Alien Contact" interview.

On Tuesday, October 25, SF Signal began a series of guest blog posts and interviews with some of the contributors to my Alien Contact anthology. If you've missed any of these interviews/blog posts, you may want to start here.

SFSignal's Close Encounters Continues: Nov. 10

noreply@blogger.com (martyhalpern) — Thu, 10 Nov 2011 21:06:00 +0000

SFSignal.com's close encounters with the contributing authors to Alien Contact continues with Bruce McAllister and the "Alien Contact" interview.

SFSignal's Close Encounters Continues: Nov. 9

noreply@blogger.com (martyhalpern) — Wed, 09 Nov 2011 21:54:00 +0000

SFSignal.com's close encounters with the contributing authors to Alien Contact continues with Jack Skillingstead and the "Alien Contact" interview.

SFSignal's Close Encounters Continues: Nov. 8

noreply@blogger.com (martyhalpern) — Tue, 08 Nov 2011 22:47:00 +0000

SFSignal.com's close encounters with the contributing authors to Alien Contact continues with Barbara Hambly, Executrix of the George Alec Effinger Estate, who chats about GAE and his talent for writing a story like "The Aliens Who Knew, I Mean, Everything."

SFSignal's Close Encounters Continues: Nov. 7

noreply@blogger.com (martyhalpern) — Mon, 07 Nov 2011 23:15:00 +0000

SFSignal.com's close encounters with the contributing authors to Alien Contact continues with Ernest Hogan and the "Alien Contact" interview.