<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><title>movies on north 35</title><description>movies of note</description><managingEditor>noreply@blogger.com (Unknown)</managingEditor><pubDate>Sun, 8 Sep 2024 01:22:12 +0400</pubDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">55</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">25</openSearch:itemsPerPage><link>http://ht-movies.blogspot.com/</link><language>en-us</language><itunes:explicit>no</itunes:explicit><itunes:keywords>movies,cinema,alternative</itunes:keywords><itunes:summary>movies from north 35</itunes:summary><itunes:subtitle>movies from north 35</itunes:subtitle><itunes:category text="TV &amp; Film"/><itunes:owner><itunes:email>noreply@blogger.com</itunes:email></itunes:owner><item><title>boxart for movies part 1</title><link>http://ht-movies.blogspot.com/2008/11/boxart-for-movies-part-1.html</link><category>distribution</category><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 24 Nov 2008 15:40:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-6943787615500739229</guid><description>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;div&gt;&lt;object type="application/x-shockwave-flash" data="http://cdn-www.expertvillage.com/player-demandstudio.swf?cacheBuster=-1674586796&amp;flv=94076_film-distribution-box-art" id="ev_player" width="491" height="424" &gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="movie" value="http://cdn-www.expertvillage.com/player-demandstudio.swf?cacheBuster=-1674586796&amp;flv=94076_film-distribution-box-art" /&gt;&lt;param name="wmode" value="transparent" /&gt;&lt;/object&gt;&lt;br/&gt;&lt;a href="http://www.expertvillage.com/video/75407_film-distribution-box-art.htm" target="_blank" style="color:#003399;font-size:12px;font-family:Sans-Serif;display:inline;padding:4px;"&gt;The Importance of Box Art for Movie Distribution&lt;/a&gt; -- powered by ExpertVillage.com&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Religulous (2008)</title><link>http://ht-movies.blogspot.com/2008/11/religulous-2008.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Sun, 16 Nov 2008 05:49:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-6355077868706515291</guid><description>&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.imdb.com/name/nm0153078/"&gt;Dir: Larry Charles (Borat)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.imdb.com/name/nm0005175/"&gt;Written by: Bill Maher&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.google.com/url?sa=t&amp;amp;source=web&amp;amp;ct=res&amp;amp;cd=1&amp;amp;url=http%3A%2F%2Fwww.lionsgate.com%2Freligulous%2F&amp;amp;ei=-2wfSY-CA5ja1gbo8rHqBg&amp;amp;usg=AFQjCNFODuxeFcEF1kGU4LdVIvoOYs1haA&amp;amp;sig2=wQUfsrvCc_m9yV845H56YQ"&gt;Official Site&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="475" height="395"&gt;&lt;param name="movie" value="http://www.ecranlarge.com/v/0B6B541A4F0C515655120E54"&gt;&lt;param name="wmode" value="transparent"&gt;&lt;embed src="http://www.ecranlarge.com/v/0B6B541A4F0C515655120E54" type="application/x-shockwave-flash" wmode="transparent" width="475" height="395"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;/div&gt;    &lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Good Dick 2008</title><link>http://ht-movies.blogspot.com/2008/11/good-dick-2008.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:28:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-8101121069577477016</guid><description>&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic; font-size: 85%;"&gt;fficial Selection Sundance Film Festival 2008&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic; font-size: 85%;"&gt;Official Selection - Edinburgh International Film Festival 2008&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic; font-size: 85%;"&gt;Official Selection Jackson Hole Film Festival&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic; font-size: 85%;"&gt;Official Selection Newport Beach Film Festival 2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic; font-size: 85%;"&gt;Director:   Marianna Palka &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Marianna Palka, Jason Ritter, Eric Edelstein, Mark Webber, Martin Starr, Tom Arnold  &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;embed src="http://www.filmannex.com/flash/flvplayer.swf" type="application/x-shockwave-flash" wmode="transparent" flashvars="file=http://www.filmannex.com/trailer_annex/gtpl/2538v1003b0fcc7081be6021eb31104b4290261c&amp;amp;repeat=true&amp;amp;displayheight=405&amp;amp;shuffle=false&amp;amp;linkfromdisplay=true" width="480" height="391"&gt;&lt;/embed&gt;&lt;/span&gt;&lt;/div&gt;   &lt;div class="post-footer"&gt; &lt;div&gt;&lt;script type="text/javascript"&gt;addthis_url='http://hamidandcompany.blogspot.com/2008/11/good-dick-2008.html'; addthis_title='Good Dick (2008)'; addthis_pub='htorkaman';&lt;/script&gt;&lt;script src="http://s7.addthis.com/js/addthis_widget.php?v=12" type="text/javascript"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Wayward Cloud</title><link>http://ht-movies.blogspot.com/2008/11/wayward-cloud.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:26:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-7912467703952893405</guid><description>&lt;div style="text-align: center;"&gt;&lt;p style="text-align: left;"&gt;&lt;strong style=""&gt;The Saddest Music in the World&lt;/strong&gt;&lt;em style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/em&gt;&lt;span style="font-weight: bold;"&gt;Dir. Tsai Ming-liang, Taiwan&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;   &lt;p class="media" id="preview"&gt;&lt;embed type="application/x-shockwave-flash" src="http://www.persis-intl.com/MUSIC/mediaplayer.swf" id="mpl" name="mpl" quality="high" allowscriptaccess="always" allowfullscreen="true" flashvars="&amp;amp;height=390&amp;amp;width=470&amp;amp;file=http://www.fileden.com/files/2007/3/13/880665/wayward.flv" width="470" height="390"&gt;&lt;/embed&gt;&lt;&lt;/p&gt;   &lt;script type="text/javascript"&gt;   gid('basics').style.display = 'block';   var so = new SWFObject('http://www.jeroenwijering.com/embed/mediaplayer.swf','mpl','470','255','8');   so.addParam('allowfullscreen','true');   so.addParam('allowscriptaccess','always');   so.addVariable('width','470');   so.addVariable('height','255');    so.addVariable('file','/upload/afraid.flv');   so.write('preview');  &lt;/script&gt;    &lt;/div&gt;    &lt;span style="font-style: italic; font-weight: bold; font-size: 85%;"&gt;this is re posted from Feb 2007, the original had some technical problems with the sound synchronization. well no more problems. &lt;a set="yes" linkindex="104" style="color: rgb(255, 153, 102);" href="http://hamidandcompany.blogspot.com/2007/02/wayward-cloud.html"&gt;to read the original review click here&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Nerve and The Will</title><link>http://ht-movies.blogspot.com/2008/11/nerve-and-will.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:24:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-3463457196359707757</guid><description>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;h3 class="post-title"&gt; &lt;/h3&gt;  &lt;div class="post-body"&gt; &lt;p&gt;&lt;a set="yes" linkindex="0" href="http://www.nybooks.com/index"&gt;&lt;img src="http://www.nybooks.com/images/logo-small.gif" alt="The New York Review of Books" width="470" border="0" height="43" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt; &lt;span style="font-size: 78%;"&gt;&lt;span style="font-style: italic;"&gt;back in May 2007, during &lt;/span&gt;&lt;a set="yes" linkindex="118" style="font-style: italic;" href="http://hamidandcompany.blogspot.com/2007/05/le-scaphandre-et-le-papillon.html"&gt;a post on Diving Bell and the Butterfly,&lt;/a&gt;&lt;span style="font-style: italic;"&gt; I promised a post on schnabel's other two movies.&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;By &lt;a linkindex="119" href="http://www.nybooks.com/authors/82"&gt;Sanford Schwartz&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;&lt;span style="font-weight: bold;"&gt;The Diving Bell and the Butterfl&lt;/span&gt;y, a film directed by Julian Schnabel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;span style="font-weight: bold;"&gt;Before &lt;/span&gt;&lt;st1:place st="on"&gt;&lt;st1:placename style="font-weight: bold;" st="on"&gt;Night&lt;/st1:placename&gt;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;st1:placetype st="on"&gt;&lt;span style="font-weight: bold;"&gt;Falls&lt;/span&gt;&lt;/st1:placetype&gt;&lt;/st1:place&gt;, a film directed by Julian Schnabel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;&lt;o:p style="font-weight: bold;"&gt; &lt;/o:p&gt;&lt;span style="font-weight: bold;"&gt;Basquiat&lt;/span&gt;, a film directed by Julian Schnabel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;&lt;span style="font-weight: bold;"&gt;The Diving Bell and the Butterfly: A Memoir of Life in Death&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;by Jean-Dominique Bauby, translated from the French by Jeremy Leggatt&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;Vintage, 132 pp., $12.95 (paper)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;&lt;span style="font-weight: bold;"&gt;C.V.J.: Nicknames of Maitre D's &amp;amp; Other Excerpts from Life&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;by Julian Schnabel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;Random House, 222 pp. (1987)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10px;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;  &lt;/p&gt;&lt;span style="color: rgb(0, 0, 0); font-size: 10px;"&gt;&lt;/span&gt;&lt;p style="color: rgb(0, 0, 0);" class="MsoNormal"&gt;  &lt;/p&gt;&lt;p&gt;For those of us who have followed Julian Schnabel's larger-than-life career as an artist for nearly thirty years, watching his new movie The Diving Bell and the Butterfly is a doubly extraordinary experience. It is a film that presents a nightmarish and almost unbearable medical case history that has been handled with humor, a lyrical deftness, and a remarkable absence of sentimentality; and if you have more than a passing sense of Schnabel the person and his work as a painter, your mind is running at the same time on a parallel track, one full of amazement and almost disbelief that, with no apparent training in theater arts or the directing of actors, or even a feeling for photography, he has turned himself into a sometime moviemaker—this is his third film—of such drive and sensitivity. The movie is about a patient's transformation of himself as he lies in a hospital bed; and it has been made by someone who, with a perhaps related kind of strength, is similarly extending himself.&lt;u1:p&gt;&lt;/u1:p&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;i&gt;&lt;u1:p&gt;&lt;/u1:p&gt;The Diving Bell and the Butterfly is based on the book of the same name by Jean-Dominique Bau&lt;/i&gt;&lt;/b&gt;by. The editor of the French fashion magazine Elle, Bauby suffered a stroke at the end of 1995, at forty-three, that left him paralyzed from head to toe and able only to use his mind, to hear from one ear (in a muffled way), to move his head a little (with a huge effort), to grunt out the letters of the alphabet (after considerable therapy), and most crucially to see from his left eye and to blink its lid. A victim of what is known as locked-in syndrome, Bauby learned how to communicate through a collaborative process. As someone read to him letters of the alphabet, he would, through blinking at the letter he needed, spell out words......&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;u1:p&gt;&lt;/u1:p&gt;&lt;br /&gt; &lt;p style="text-align: center; color: rgb(0, 0, 0);"&gt;  &lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;embed style="width: 400px; height: 326px; color: rgb(0, 0, 0);" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=7275892392322265677&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: left; color: rgb(0, 0, 0);"&gt;  &lt;/div&gt;  &lt;p&gt;Like&lt;b&gt;&lt;i&gt; Basquiat, Schnabel's 1996 film about the painter Jean-Michel Basquiat&lt;/i&gt;&lt;/b&gt;, and Before Night Falls, of 2000, about the exiled Cuban poet and novelist Reinaldo Arenas, The Diving Bell and the Butterfly is first and foremost a crisp, craftsmanly piece of work, stylish to the degree that the material calls for it and always driven by the needs of the story. Each of the movies, furthermore, is about an actual person of real accomplishment who came to an untimely death.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;u1:p&gt;&lt;/u1:p&gt;  &lt;p&gt;&lt;u1:p&gt;&lt;/u1:p&gt;And like The Diving Bell, Schnabel's earlier movies are graced by images of being on, by, or immersed in water. When Basquiat fantasizes about his future he looks up and sees, above the tops of city buildings, a sky that has become one big ocean wave with surfers carving down it. In Before Night Falls, Arenas's moments of wider understanding, whether concerning his artistic identity, his sexuality, or his political freedom, are inseparable from his being, respectively, in the rain, by a river, or diving into the sea....&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=6168302055918397453&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;&lt;br /&gt;&lt;/div&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 10px;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;p&gt;&lt;b&gt;&lt;i&gt;Before Night Falls&lt;/i&gt;&lt;/b&gt;, though, was a huge step forward. It, too, presents a person making his way through a distinct social milieu, in this case Castro's &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Cuba&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt; during the 1960s and 1970s, when individual liberties were first celebrated and soon eradicated. Based on Arenas's autobiography of the same title, the movie at its core is an urgent and affectionate portrait of a man who rose from a background of dirt-poor farmers in the hinterland to become an internationally recognized writer— and who was brutally punished for his views by Castro's regime and eventually died in New York, a decade after he was able to leave Cuba, of AIDS.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;u1:p&gt;&lt;/u1:p&gt;  &lt;p&gt;&lt;u1:p&gt;&lt;/u1:p&gt;Schnabel is as intimate and down-to-earth about Arenas's life as a homosexual, and about the texture of Hispanic Caribbean culture, as he is about the hospital world Jean-Dominique Bauby inhabits. But Before Night Falls is a richer and deeper movie than The Diving Bell and the Butterfly. It encompasses grittier and more tumultuous experiences and revolves around a person (played by Javier Bardem without, it seems, a false moment) who grows as we watch from a cautious kid to a lovely young man and then finally to a self-assured and hardly cautious lover and writer whose refusal to conform leads to imprisonment and torture.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-739799535229090423&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;&lt;br /&gt;&lt;/div&gt;&lt;p style="text-align: center;" class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="font-size: 10px;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;&lt;a linkindex="120" href="http://www.nybooks.com/articles/21050"&gt;Read the full review&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Ridley Scott's Blade Runner</title><link>http://ht-movies.blogspot.com/2008/11/ridley-scotts-blade-runner.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:23:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-3551455291419584283</guid><description>&lt;div style="text-align: center;"&gt;&lt;div class="post-body"&gt; &lt;p&gt;Based on Philip K. Dick's "Do Androids Dream of Electric Sheep"&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=4661820236885282180&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tears in the Rain&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=4176679811538561619&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;&lt;script type="text/javascript"&gt;addthis_url='http://hamidandcompany.blogspot.com/2008/01/ridley-scotts-blade-runner.html'; addthis_title='Ridley Scott's Blade Runner'; addthis_pub='htorkaman';&lt;/script&gt;&lt;script src="http://s7.addthis.com/js/addthis_widget.php?v=12" type="text/javascript"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Unbearable Lightness of Being (1988)</title><link>http://ht-movies.blogspot.com/2008/11/unbearable-lightness-of-being-1988.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:20:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-5744834956903097938</guid><description>&lt;div style="text-align: center;"&gt;&lt;dl class="body"&gt;&lt;dt class="post-head"&gt;&lt;br /&gt;&lt;/dt&gt;&lt;dd class="post-body"&gt;    &lt;div class="image-wrapper"&gt;        &lt;/div&gt;  &lt;div class="content-wrapper"&gt;&lt;div style="text-align: center;"&gt;Dir: Philip Kaufman&lt;br /&gt;&lt;br /&gt;&lt;script type="text/javascript"&gt;yfla.wrap("This multimedia content requires Flash version 9 and above.", "Upgrade Now.", "http:\/\/www.adobe.com\/shockwave\/download\/download.cgi?P1_Prod_Version=ShockwaveFlash", "&lt;embed style="\" type="\" src="\" docid="-8266494842572176427&amp;amp;hl=" flashvars="\" allowscriptaccess="\"&gt;&lt;/embed&gt; &lt;\/div&gt;&lt;\/embed&gt;");&lt;/script&gt;&lt;embed style="width: 400px; height: 326px;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-8266494842572176427&amp;amp;hl=en" flashvars="" allowscriptaccess="none"&gt;&lt;/embed&gt; &lt;/div&gt;&lt;noscript&gt;To view this multimedia content, please enable Javascript.&lt;/noscript&gt;&lt;/div&gt;    &lt;div class="foot"&gt;   &lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/dd&gt;&lt;/dl&gt;    &lt;div&gt;&lt;script type="text/javascript"&gt;addthis_url='http://hamidandcompany.blogspot.com/2007/11/unbearable-lightness-of-being-1988.html'; addthis_title='Unbearable Lightness of Being (1988)'; addthis_pub='htorkaman';&lt;/script&gt;&lt;script src="http://s7.addthis.com/js/addthis_widget.php?v=12" type="text/javascript"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Nuovo cinema Paradiso (1988)</title><link>http://ht-movies.blogspot.com/2008/11/nuovo-cinema-paradiso-1988.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:19:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-362679377537986585</guid><description>&lt;div style="text-align: center;"&gt;Dir: &lt;span style="color: rgb(192, 0, 0);"&gt;  &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(192, 0, 0);"&gt;&lt;/span&gt;&lt;a set="yes" linkindex="100" style="color: rgb(192, 0, 0);" href="http://www.imdb.com/name/nm0868153/"&gt;Giuseppe Tornatore&lt;/a&gt;&lt;br /&gt;&lt;dl class="body"&gt;&lt;dd class="post-body"&gt;    &lt;div class="image-wrapper"&gt;        &lt;/div&gt;  &lt;div class="content-wrapper"&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;script type="text/javascript"&gt;yfla.wrap("This multimedia content requires Flash version 9 and above.", "Upgrade Now.", "http:\/\/www.adobe.com\/shockwave\/download\/download.cgi?P1_Prod_Version=ShockwaveFlash", "&lt;embed style="\" type="\" src="\" docid="5257766134176459939&amp;amp;hl=" flashvars="\" allowscriptaccess="\"&gt;&lt;/embed&gt;  &lt;br /&gt;  &lt;\/div&gt;&lt;\/embed&gt;");&lt;/script&gt;&lt;embed style="width: 400px; height: 326px;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=5257766134176459939&amp;amp;hl=en" flashvars="" allowscriptaccess="none"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;/div&gt;&lt;noscript&gt;To view this multimedia content, please enable Javascript.&lt;/noscript&gt;&lt;/div&gt;    &lt;div class="foot"&gt;   &lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/dd&gt;&lt;/dl&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Wong Kar Wai</title><link>http://ht-movies.blogspot.com/2008/11/wong-kar-wai.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:17:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-7693084899705666442</guid><description>&lt;div style="text-align: center;"&gt;&lt;a set="yes" linkindex="99" style="color: rgb(255, 127, 0);" href="http://imdb.com/title/tt0212712/"&gt;2046 (2006)&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt; &lt;script type="text/javascript"&gt;yfla.wrap("This multimedia content requires Flash version 9 and above.", "Upgrade Now.", "http:\/\/www.adobe.com\/shockwave\/download\/download.cgi?P1_Prod_Version=ShockwaveFlash", "&lt;embed style="\" type="\" src="\" docid="-3575565329177714342&amp;amp;hl=" flashvars="\" allowscriptaccess="\"&gt;&lt;/embed&gt;  &lt;br /&gt;   &lt;br /&gt;   &lt;a style="\" href="\"&gt;Hong kong Express (1994)&lt;\/a&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;embed style="\" type="\" src="\" docid="-3614160790457804022&amp;amp;hl=" flashvars="\" allowscriptaccess="\"&gt;&lt;/embed&gt;  &lt;br /&gt;   &lt;br /&gt;    &lt;br /&gt;   &lt;\/embed&gt;");&lt;/script&gt;&lt;div class="content-wrapper"&gt;&lt;embed style="width: 400px; height: 326px;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-3575565329177714342&amp;amp;hl=en" flashvars="" allowscriptaccess="none"&gt;&lt;/embed&gt;
&lt;br /&gt;
&lt;br /&gt; &lt;a set="yes" linkindex="100" style="color: rgb(255, 127, 0);" href="http://imdb.com/title/tt0109424/"&gt;Hong kong Express (1994)&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt; &lt;embed style="width: 400px; height: 326px; visibility: visible;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-3614160790457804022&amp;amp;hl=en" flashvars="" allowscriptaccess="none"&gt;&lt;/embed&gt;
&lt;br /&gt;
&lt;br /&gt; &lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Laberinto del fauno, El (2006)</title><link>http://ht-movies.blogspot.com/2008/11/laberinto-del-fauno-el-2006.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:16:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-8628156590106873162</guid><description>&lt;div style="text-align: center;"&gt;&lt;div class="post-body"&gt; &lt;p&gt;&lt;a linkindex="188" href="http://imdb.com/title/tt0457430/"&gt;Pan's Labyrinth (International: English title)&lt;/a&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="info"&gt; &lt;h5&gt;Director: &lt;a linkindex="189" href="http://imdb.com/name/nm0868219/"&gt;Guillermo del Toro&lt;/a&gt;&lt;/h5&gt;&lt;h5&gt;Writer:&lt;a set="yes" linkindex="114" href="http://imdb.com/name/nm0868219/"&gt;Guillermo del Toro&lt;/a&gt; (screenplay)&lt;/h5&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=7401189602050755954&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;&lt;br /&gt;&lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;&lt;script type="text/javascript"&gt;addthis_url='http://hamidandcompany.blogspot.com/2007/08/laberinto-del-fauno-el-2006.html'; addthis_title='Laberinto del fauno, El (2006)'; addthis_pub='htorkaman';&lt;/script&gt;&lt;script src="http://s7.addthis.com/js/addthis_widget.php?v=12" type="text/javascript"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Festen 1998</title><link>http://ht-movies.blogspot.com/2008/11/festen-1998.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:15:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-8056416318120540073</guid><description>&lt;div style="text-align: center;"&gt; &lt;a set="yes" linkindex="199" href="http://imdb.com/title/tt0154420/"&gt;The Clebration (english title)&lt;/a&gt;&lt;br /&gt;&lt;div class="post-body"&gt;&lt;p&gt;Written and Directed by Thomas Vinterberg&lt;br /&gt;&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-5700277422853205109&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div&gt;&lt;script type="text/javascript"&gt;addthis_url='http://hamidandcompany.blogspot.com/2007/08/festen-1998.html'; addthis_title='Festen (1998)'; addthis_pub='htorkaman';&lt;/script&gt;&lt;script src="http://s7.addthis.com/js/addthis_widget.php?v=12" type="text/javascript"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Death Proof (2007)</title><link>http://ht-movies.blogspot.com/2008/11/death-proof-2007.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:14:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-5029748255970926938</guid><description>&lt;div style="text-align: center;"&gt;&lt;div class="post-body"&gt; &lt;p&gt;Dir: Qentin Tarantino&lt;br /&gt;&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-2332917050183488262&amp;amp;hl=en" id="VideoPlayback" quality="best" bgcolor="#ffffff" scale="noScale" salign="TL" flashvars="playerMode=embedded" align="middle"&gt;&lt;/embed&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div&gt;&lt;script type="text/javascript"&gt;addthis_url='http://hamidandcompany.blogspot.com/2007/07/death-proof-2007_14.html'; addthis_title='Death Proof (2007)'; addthis_pub='htorkaman';&lt;/script&gt;&lt;script src="http://s7.addthis.com/js/addthis_widget.php?v=12" type="text/javascript"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Paranoid Park (2006)</title><link>http://ht-movies.blogspot.com/2008/11/paranoid-park-2006.html</link><category>cannes</category><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:12:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-3816551826719502074</guid><description>&lt;div style="text-align: center;"&gt;&lt;div class="post-body"&gt; &lt;p&gt;Dir: Gus Van Zant&lt;br /&gt;&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=1267555251435650323&amp;amp;hl=en" id="VideoPlayback" quality="best" bgcolor="#ffffff" scale="noScale" salign="TL" flashvars="playerMode=embedded" align="middle"&gt;&lt;/embed&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div&gt;&lt;script type="text/javascript"&gt;addthis_url='http://hamidandcompany.blogspot.com/2007/07/paranoid-park-2006.html'; addthis_title='Paranoid Park (2006)'; addthis_pub='htorkaman';&lt;/script&gt;&lt;script src="http://s7.addthis.com/js/addthis_widget.php?v=12" type="text/javascript"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Crossing the Bridge (the sound of Istanbul)</title><link>http://ht-movies.blogspot.com/2008/11/crossing-bridge-sound-of-istanbul.html</link><category>cannes</category><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:11:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-3170481372039875618</guid><description>&lt;div style="text-align: center;"&gt;&lt;div class="post-body"&gt; &lt;p&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Directed by Fatih Akin&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=3604837724278945900&amp;amp;hl=en" id="VideoPlayback" quality="best" bgcolor="#ffffff" scale="noScale" salign="TL" flashvars="playerMode=embedded" align="middle"&gt;&lt;/embed&gt;&lt;/p&gt;  &lt;/div&gt;  &lt;div&gt;&lt;script type="text/javascript"&gt;addthis_url='http://hamidandcompany.blogspot.com/2007/07/across-bridge-sound-of-istanbul.html'; addthis_title='Crossing the Bridge (the sound of Istanbul)'; addthis_pub='htorkaman';&lt;/script&gt;&lt;script src="http://s7.addthis.com/js/addthis_widget.php?v=12" type="text/javascript"&gt;&lt;/script&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Persepolis 2007</title><link>http://ht-movies.blogspot.com/2008/11/persepolis-2007.html</link><category>cannes</category><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:08:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-7816692195296999362</guid><description>&lt;div style="text-align: center;" class="post-body"&gt; &lt;p&gt;Dir:  Marjane Satrapi -- Vincent Paronnaud&lt;br /&gt;&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-3596084137219380085&amp;amp;hl=en" id="VideoPlayback" quality="best" bgcolor="#ffffff" scale="noScale" salign="TL" flashvars="playerMode=embedded" align="middle"&gt;&lt;/embed&gt;&lt;/p&gt;  &lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>ENTRE LES MURS (THE CLASS), by Laurent CANTET</title><link>http://ht-movies.blogspot.com/2008/11/entre-les-murs-class-by-laurent-cantet.html</link><category>cannes</category><author>noreply@blogger.com (Unknown)</author><pubDate>Mon, 3 Nov 2008 12:05:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-4346143388482915022</guid><description>&lt;h3 class="post-title"&gt; &lt;/h3&gt;  &lt;div class="post-body"&gt; &lt;div style="text-align: center;"&gt;&lt;a set="yes" linkindex="72" href="http://www.festival-cannes.fr/en.html" title="Back to home, Festival de Cannes"&gt;                 &lt;img src="http://www.festival-cannes.fr/img/en/logo.gif" alt="Festival de Cannes" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a set="yes" linkindex="73" href="http://www.festival-cannes.fr/en/archives/ficheFilm/id/10804699.html"&gt;Palme d'Or, 08&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a linkindex="74" href="http://www.festival-cannes.fr/en.html" title="Back to home, Festival de Cannes"&gt;                &lt;/a&gt;   &lt;div id="left"&gt;&lt;embed type="application/x-shockwave-flash" src="http://persis-intl.com/MUSIC/mediaplayer.swf" id="mpl" name="mpl" quality="high" allowscriptaccess="always" allowfullscreen="true" flashvars="&amp;amp;height=404&amp;amp;width=509&amp;amp;file=http://www.fileden.com/files/2008/5/19/1920612/Entre%20les%20murs%20by%20Laurent%20Cantet%20-%20Cannes%202008%20-%20Golden%20Palm.flv" width="509" height="404"&gt;&lt;/embed&gt;   &lt;script type="text/javascript"&gt;   gid('basics').style.display = 'block';   var so = new SWFObject('http://www.jeroenwijering.com/embed/player.swf','mpl','400','250','8');   so.addParam('allowfullscreen','true');   so.addParam('allowscriptaccess','always');   so.addVariable('width','400');   so.addVariable('height','250');    so.addVariable('file','/upload/player.flv');   so.write('preview');  &lt;/script&gt;    &lt;pre id="embedcode"&gt;&lt;&lt;/pre&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Yume ( dreams ), Akira Kurosawa, 1990</title><link>http://ht-movies.blogspot.com/2008/04/yume-dreams-akira-kurosawa-1990_10.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Thu, 10 Apr 2008 12:43:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-1874358725400487195</guid><description>&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(102, 102, 204); font-weight: bold;font-family:arial;font-size:100%;"  &gt;the original theatrical trailer&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="left"&gt;&lt;embed type="application/x-shockwave-flash" src="http://persis-intl.com/MUSIC/mediaplayer.swf" id="mpl" name="mpl" quality="high" allowscriptaccess="always" allowfullscreen="true" flashvars="&amp;amp;height=360&amp;amp;width=480&amp;amp;file=http://www.fileden.com/files/2007/3/13/880665/ume.flv&amp;amp;backcolor=0xAAA6A5&amp;amp;frontcolor=0x636452&amp;amp;lightcolor=0xFFFFCC&amp;amp;screencolor=0xFFCCCC" height="360" width="480"&gt;&lt;/embed&gt;   &lt;script type="text/javascript"&gt;   gid('basics').style.display = 'block';   var so = new SWFObject('http://www.jeroenwijering.com/embed/player.swf','mpl','470','255','8');   so.addParam('allowfullscreen','true');   so.addParam('allowscriptaccess','always');   so.addVariable('width','470');   so.addVariable('height','255');    so.addVariable('file','/upload/afraid.flv');   so.write('preview');  &lt;/script&gt;    &lt;pre id="embedcode"&gt;&lt; &lt;span style="color: rgb(102, 102, 204);font-size:100%;" &gt; &lt;/span&gt;&lt;span style="color: rgb(102, 102, 204); font-weight: bold;font-family:arial;font-size:100%;"  &gt;from the crows segment&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/pre&gt;   &lt;div id="left"&gt;&lt;embed type="application/x-shockwave-flash" src="http://persis-intl.com/MUSIC/mediaplayer.swf" id="mpl" name="mpl" quality="high" allowscriptaccess="always" allowfullscreen="true" flashvars="&amp;amp;height=360&amp;amp;width=480&amp;amp;file=http://www.fileden.com/files/2007/3/13/880665/akira%20dreams.flv&amp;amp;backcolor=0xAAA6A5&amp;amp;frontcolor=0x636452&amp;amp;lightcolor=0xFFFFCC&amp;amp;screencolor=0xFFCCCC" height="360" width="480"&gt;&lt;/embed&gt;   &lt;script type="text/javascript"&gt;   gid('basics').style.display = 'block';   var so = new SWFObject('http://www.jeroenwijering.com/embed/player.swf','mpl','470','255','8');   so.addParam('allowfullscreen','true');   so.addParam('allowscriptaccess','always');   so.addVariable('width','470');   so.addVariable('height','255');    so.addVariable('file','/upload/afraid.flv');   so.write('preview');  &lt;/script&gt;    &lt;pre id="embedcode"&gt;&lt;&lt;span style="font-family:Georgia,serif;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/pre&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;    &lt;script charset="utf-8" src="http://feeds.feedburner.com/%7Es/blogspot/kOsn?i=http://hamidandcompany.blogspot.com/2008/04/yume-dreams-akira-kurosawa-1990.html" type="text/javascript"&gt;&lt;/script&gt;&lt;p class="feedburnerFlareBlock"&gt;&lt;a set="yes" linkindex="94" href="http://technorati.com/search/http://hamidandcompany.blogspot.com/2008/04/yume-dreams-akira-kurosawa-1990.html" class="first"&gt;&lt;/a&gt;&lt;a set="yes" linkindex="99" href="http://del.icio.us/post?v=4&amp;amp;partner=fb&amp;amp;url=http%3A%2F%2Fhamidandcompany.blogspot.com%2F2008%2F04%2Fyume-dreams-akira-kurosawa-1990.html&amp;amp;title=Yume+%28+dreams+%29+%2C+Akira+Kurosawa%2C+1990"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>David Cronnenberg's Naked Lunch</title><link>http://ht-movies.blogspot.com/2007/06/david-cronnenbergs-naked-lunch.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Sun, 17 Jun 2007 15:27:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-370913469219181934</guid><description>&lt;embed style="width:400px; height:326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=2847779170587202485&amp;hl=en" flashvars=""&gt; &lt;/embed&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Belle de Jour (1967)</title><link>http://ht-movies.blogspot.com/2007/04/bell-de-jour-1967.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Tue, 17 Apr 2007 10:47:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-5241974357843507526</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://ebimg.sv.publicus.com/apps/pbcsi.dll/bilde?Site=EB&amp;Date=20060629&amp;amp;Category=REVIEWS&amp;ArtNo=60620006&amp;amp;amp;Ref=AR&amp;Profile=1023&amp;amp;Maxw=438"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px;" src="http://ebimg.sv.publicus.com/apps/pbcsi.dll/bilde?Site=EB&amp;Date=20060629&amp;amp;Category=REVIEWS&amp;ArtNo=60620006&amp;amp;amp;Ref=AR&amp;Profile=1023&amp;amp;Maxw=438" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Dir: Luis Bunuel&lt;br /&gt;&lt;p&gt;"It is possibly the best-known erotic film of modern times, perhaps the best. That's because it understands eroticism from the inside-out--understands how it exists not in sweat and skin, but in the imagination. "Belle de Jour'' is seen entirely through the eyes of Severine, the proper 23-year-old surgeon's wife, played by &lt;a set="yes" href="http://rogerebert.suntimes.com/apps/pbcs.dll/classifieds?category=search1&amp;SearchType=1&amp;amp;q=Catherine%20Deneuve&amp;Class=%25&amp;amp;FromDate=19150101&amp;ToDate=20071231"&gt;Catherine Deneuve&lt;/a&gt;. Bunuel, who was 67 when the film was released, had spent a lifetime making sly films about the secret terrain of human nature, and he knew one thing most directors never discover: For a woman like Severine, walking into a room to have sex, the erotic charge comes not from who is waiting in the room, but from the fact that she is walking into it. Sex is about herself. Love of course is another matter.&lt;/p&gt;                             The subject of Severine's passion is always Severine.".....&lt;a href="http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19990725/REVIEWS08/907250301/1023"&gt;Read the full review on rogerebert.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=4001459820307281300&amp;amp;hl=en" id="VideoPlayback" quality="best" bgcolor="#ffffff" scale="noScale" salign="TL" flashvars="playerMode=embedded" align="middle"&gt;&lt;/embed&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Un Chien Andalou (The Andalousian Dog) 1929</title><link>http://ht-movies.blogspot.com/2007/04/un-chien-andalou-andalousian-dog-1929.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Sun, 15 Apr 2007 13:05:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-6589175438178951816</guid><description>The complete Surrealistic fantasy&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Dircted by Luis Bunuel &amp; Salvador Dali&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;No need to run out and rent this one the -- entire movie is here (15 minutes)&lt;br /&gt;&lt;br /&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=8252132449915756663&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>300, A Review (caution: contains spoilers)</title><link>http://ht-movies.blogspot.com/2007/04/300-review-caution-contains-spoilers.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Wed, 11 Apr 2007 15:53:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-3711382931125355060</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixyd_Yz7sTIV8BvMfDWnBdV125olLbdXYJ46Fog6UHCaxBLiGglk6zPRxF0VDEUCgXuczbnM53LNQODh5T-jUw2Gbr2oiVYRg-GLFwWrhyphenhyphenyoMPQ9R4CMX2jL7aWgdVxqW5jWkvVg/s1600-h/3001.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5052137947447575314" style="display: block; margin: 0px auto 10px; cursor: pointer; text-align: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixyd_Yz7sTIV8BvMfDWnBdV125olLbdXYJ46Fog6UHCaxBLiGglk6zPRxF0VDEUCgXuczbnM53LNQODh5T-jUw2Gbr2oiVYRg-GLFwWrhyphenhyphenyoMPQ9R4CMX2jL7aWgdVxqW5jWkvVg/s400/3001.jpg" border="0" /&gt;&lt;/a&gt;   &lt;br /&gt;  &lt;br /&gt;&lt;span style="font-style: italic"&gt;Caution: if you read the following you wont be able to sit through the movie.&lt;/span&gt;   &lt;br /&gt;  &lt;br /&gt;from IMDB   &lt;br /&gt;  &lt;br /&gt;Watched as a comedy, 300 is not bad, but they should have put in more funny scenes. I won't spoil anything, but we were all cracking up when the mutant ninjas appeared. It's as if the film makers were so scared that all the half-naked men might give the audience the wrong idea about the Spartans, that they turned the Hetero up to 11. At first I was offended, but the homo/xenophobia is so over-the-top, it becomes absurdly funny.   &lt;br /&gt;  &lt;br /&gt;Things I learned from the movie:   &lt;br /&gt;  &lt;br /&gt;1) Spartans are kind of like football players except that they all shave their chests and don't wear shirts.   &lt;br /&gt;  &lt;br /&gt;2) If anyone is effeminate, nonwhite, a lesbian, or physically unattractive, they are an enemy of freedom or a slave.   &lt;br /&gt;  &lt;br /&gt;3) Wearing underwear is only for evil people like hunchbacks and God-kings. The army of freedom goes commando.   &lt;br /&gt;  &lt;br /&gt;4) Throwing your only weapon is a good battle strategy, as is slowing time and teleporting from one location to another. (I knew this from other funny action movies though)   &lt;br /&gt;  &lt;br /&gt;5) The aesthetic style of perfume and car commercials from the early 90's is the new cutting edge of cinematography.   &lt;br /&gt;  &lt;br /&gt;6) Rhinos and elephants are easy to ship, easy to train, and easy to kill.   &lt;br /&gt;  &lt;br /&gt;7) Spartan cloaks never get dirty unless you are returning from a son-avenging murderous rampage. The cloaks can also summon wind if the wearer utters a corny line.   &lt;br /&gt;  &lt;br /&gt;8) &amp;quot;Well-written action movie&amp;quot; (or video game or comic book) still means laugh-out-loud cheesiness during every dramatic scene.   &lt;br /&gt;  &lt;br /&gt;So, while it doesn't quite top The Mummy Returns for unintentionally hilarious nonsensical action, it's a close second. I predict that this movie will score well with male gamers, adolescent boys, and ultra conservative patriarchs. I know it was based on a comic, &lt;span style="font-weight: bold; font-style: italic"&gt;but really, it's like an allegory for the War on Terror written by a confused twelve year old.&lt;/span&gt; If you're looking for quality even on par with the mediocre Gladiator, keep looking. 5/10   &lt;br /&gt;  &lt;br /&gt;P.S. Make sure you watch the credit roll for the multiple evil transsexual Asian roles (I thought transsexual Asian #3 did an excellent job).     </description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixyd_Yz7sTIV8BvMfDWnBdV125olLbdXYJ46Fog6UHCaxBLiGglk6zPRxF0VDEUCgXuczbnM53LNQODh5T-jUw2Gbr2oiVYRg-GLFwWrhyphenhyphenyoMPQ9R4CMX2jL7aWgdVxqW5jWkvVg/s72-c/3001.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Adventures of Baron Munchausen</title><link>http://ht-movies.blogspot.com/2007/04/adventures-of-baron-munchausen.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Tue, 10 Apr 2007 00:51:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-3828135401786295202</guid><description>Director Terry Gilliam&lt;br /&gt;&lt;div class="post-body"&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-3216634546870493959&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;             &lt;/div&gt;                 &lt;span class="post-author"&gt;&lt;/span&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Ninth Configuration</title><link>http://ht-movies.blogspot.com/2007/04/ninth-configuration.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Tue, 10 Apr 2007 00:41:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-3537923284688636383</guid><description>&lt;div class="post-body"&gt;       &lt;div style="text-align: center;"&gt;&lt;a set="yes" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy8WXZ05ctZ-2f37Y8UE3dHAdDMG_OsD0xGkf6jDkxFUAJg46gSr0Qt_ux_gkNi9ocGSBQfjC3Yz9BTpSxWrLwd9AmpdKz44pYM59f_iDwzgMo2nRHswS2IeHALK4Jmt7RV25f/s1600-h/ninth.gif"&gt;&lt;img style="cursor: pointer;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy8WXZ05ctZ-2f37Y8UE3dHAdDMG_OsD0xGkf6jDkxFUAJg46gSr0Qt_ux_gkNi9ocGSBQfjC3Yz9BTpSxWrLwd9AmpdKz44pYM59f_iDwzgMo2nRHswS2IeHALK4Jmt7RV25f/s400/ninth.gif" alt="" id="BLOGGER_PHOTO_ID_5043567989191320898" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 85%;"&gt;&lt;br /&gt;Written and Directed by William Peter Blatty (1980)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;"In order for life to have appeared spontaneously on earth, there first had to be hundreds of millions of protein molecules of the ninth configuration. But given the size of the planet Earth, do you know how long it would have taken for just one of these protein molecules to appear entirely by chance? Roughly ten to the two hundred and forty-third power billions of years. And I find that far, far more fantastic than simply believing in God."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;LEONARD MALTIN: "A metaphysical murder mystery, a gothic war movie and a cosmic love story. You have never seen anything quite like it."&lt;br /&gt;&lt;br /&gt;This odd but fascinating film is not for every taste but those willing to accept its challenging style will find themselves rewarded with a one-of-a-kind film that is both impassioned and inventive. Films like &lt;a href="http://www.allmovie.com/cg/avg.dll?p=avg&amp;sql=A35465"&gt;The Ninth Configuration&lt;/a&gt; are the reason the genre of "cult movie" was invented: its constantly twisting plot line incorporates elements of the psychological thriller, the social satire, the surrealist comedy and the allegorical tale without ever fully giving itself over to one style......&lt;a href="http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:35465%7ET1"&gt;Donald Guarisco Allmovie.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(192, 192, 192);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;William                  Peter Blatty’s &lt;/span&gt;&lt;em style="color: rgb(0, 0, 0);"&gt;The Ninth Configuration&lt;/em&gt;&lt;span style="color: rgb(0, 0, 0);"&gt; is a clever, theological drama disguised as a black comedy. This realization initially surprises us, since Blatty also wrote &lt;/span&gt;&lt;a style="color: rgb(0, 0, 0);" set="yes" href="http://uashome.alaska.edu/%7Ejndfg20/website/exorcist.htm"&gt;&lt;em&gt;The                  Exorcist&lt;/em&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;, which is probably the most disturbing horror                  film ever made, and he insists that &lt;/span&gt;&lt;em style="color: rgb(0, 0, 0);"&gt;The Ninth Configuration&lt;/em&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;                  is that film’s “true sequel.”  &lt;/span&gt;&lt;a style="color: rgb(0, 0, 0);" href="http://uashome.alaska.edu/%7Ejndfg20/website/ninth.htm"&gt;Daniel griffin Film as Art&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;b&gt;an awesome, magnificent, wonderful, outstanding movie&lt;/b&gt;, 13 March 2002&lt;br /&gt;&lt;img alt="10/10" src="http://i.imdb.com/images/showtimes/100.gif" height="12" width="102" /&gt;&lt;br /&gt;&lt;div class="small"&gt; Author: &lt;a href="http://imdb.com/user/ur1646689/comments"&gt;jflagan&lt;/a&gt; &lt;small&gt;from Ontario, Canada  &lt;a href="http://imdb.com/title/tt0081237/"&gt;IMDB&lt;/a&gt;&lt;/small&gt; &lt;/div&gt;&lt;br /&gt;&lt;span style="color: rgb(192, 192, 192);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;img style="visibility: visible;" src="http://www.moviemartyr.com/images/1980ninth02.jpg" id="imgPreview" height="160" width="361" /&gt;             &lt;/div&gt;                 &lt;span class="post-author"&gt;&lt;/span&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy8WXZ05ctZ-2f37Y8UE3dHAdDMG_OsD0xGkf6jDkxFUAJg46gSr0Qt_ux_gkNi9ocGSBQfjC3Yz9BTpSxWrLwd9AmpdKz44pYM59f_iDwzgMo2nRHswS2IeHALK4Jmt7RV25f/s72-c/ninth.gif" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>The Reflecting Skin</title><link>http://ht-movies.blogspot.com/2007/04/reflecting-skin.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Tue, 10 Apr 2007 00:36:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-7868686114529763548</guid><description>&lt;div style="text-align: left;"&gt;Written &amp; Directed: &lt;a href="http://en.wikipedia.org/wiki/Philip_Ridley"&gt;Philip Ridley&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;embed style="width:400px; height:326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=950955720162998054&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt; &lt;br /&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Bicycle Thief (Lardi Di Biciclette 1948)</title><link>http://ht-movies.blogspot.com/2007/04/bicycle-thief-lardi-di-biciclette-1948.html</link><author>noreply@blogger.com (Unknown)</author><pubDate>Tue, 10 Apr 2007 00:35:00 +0400</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-22268287.post-4608036833554198676</guid><description>Dir: Vittorio de Sica&lt;br /&gt;&lt;div class="post-body"&gt;&lt;embed style="width: 400px; height: 326px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=-4247931660631826642&amp;amp;hl=en" flashvars=""&gt;&lt;/embed&gt;              &lt;/div&gt;                 &lt;span class="post-author"&gt;&lt;/span&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item></channel></rss>