Music-a-k-o

Bob Dylan - Mercy On Us ["Oh Mercy" Studio Outtakes]

2009-11-13T16:19:00.004+01:00

These recordings have traded for years, and have appeared on several commercial bootlegs. The cover states the tracks to be remastered, and indeed they sound great. The package is a cardboard triptych with some beautiful "Oh Mercy" inspired graphics. The track list shown on the back cover is correct except for one thing... What Good Am I? has a misspelling and appears as "What Goog Am I?". Other than that typo, this is truly a stunning title. Highly recommended!

(reseña de bobsboots.com)

Louis Armstrong - When The Saints Go Marching In

2009-11-11T01:01:00.001+01:00

Top Secret Drum Corps

2009-10-30T22:50:00.001+01:00

El Ambigú: Misterios franceses, cuarta entrega (30 Octubre 2009)

2009-10-30T22:49:00.000+01:00

Bob Dylan - The Dylan's Root [1961 Gleason tape + Carnegie Chapter Hall Concert]

2009-10-30T12:50:00.005+01:00

East Orange NJ (Gleason Tape) Febrero - Marzo 1961

San Francisco Bay Blues (Jesse Fuller)
Jesus Met The Woman At The Well (Trad)
Gypsy Davey (Trad-Guthrie arr)
Pastures Of Plenty (Woody Guthrie)
Trail Of The Buffalo (Trad-Guthrie arr)
Jesse James (Trad)
Car Car (Woody Guthrie)
Southern Cannonball (Jimmie Rodgers)
Bring Me Back My Blue-Eyed Boy (Trad)
Remember Me (Scott Wiseman)

Carnegie Chapter Hall, NY 4 noviembre 1961

Pretty Peggy-O (Trad arr Dylan)
In The Pines (Leadbelly)
Gospel Plow (Trad)
1913 Massacre (Woody Guthrie)
Backwater Blues (Bessie Smith)
Young But Daily Growin' (Trad)
Fixin' To Die (White)

East Orange was recorded in the East Orange, New Jersey home of Bob & Sid Gleason, and is often referred to as the Gleason tape. It was recorded on amateur 1950's equipment, and the quality is far from what one could expect of modern recording processes ... however, it is still quite good, and far better than the vinyl that had been released for years. Chapter Hall was Dylan's first venture out of the coffee houses and onto a real concert stage. 53 tickets were sold at $2 each for the 200 seat hall. Historians differ on the actual head count, but it was most likely around 75 or so. Again, even though this is a line recording, the limitations of the mobile recording equipment available at the time is quite evident.

A wonderful 'must-have' CD for anyone interested in the beginnings of a legend. It contains the complete circulating tapes of two historic 1961 recordings. (...) Highly recommended.

(reseña de bobsboots.com)

Michel Petrucciani - 100 Hearts [1983]

2009-10-28T15:26:00.004+01:00

1. Turn Around
2. Three Forgotten Magic Words
3. Silence
4. St. Thomas
5. Pot Pouri [Medley]
6. 100 Hearts

If it were not for Michel Petrucciani's good taste, it is likely that his very impressive technique would dominate his solos. As it is, the pianist has been able to use his technique in surprising ways, avoiding the obvious and showing self-restraint while coming up with ingenious ideas in his improvisations. This solo album, his first for an American label, finds Petrucciani exploring pieces by Ornette Coleman, Charlie Haden, and Sonny Rollins, in addition to two of his own songs and a lengthy wandering medley that somehow incorporates "Someday My Prince Will Come," "All the Things You Are," "A Child Is Born," and Bill Evans' "Very Early" into a collage. A very impressive outing.

(reseña de allmusic.com)

Chet Baker Sings and Plays from the Film "Let's Get Lost" [SOUNDTRACK]

2009-10-26T12:06:00.005+01:00

1. Moon & Sand
2. Imagination
3. You're My Thrill
4. For Heaven's Sake
5. Ev'ry Time We Say
6. I Don't Stand a Ghost of a Chance With You
7. Daydream
8. Zingaro
9. Blame It on My Youth
10. My One and Only Love
11. Everything Happens to Me
12. Almost Blue

Loving You - Minnie Riperton

2009-10-26T11:52:00.001+01:00

Earl Hines And His Orchestra [Chronological Classics # 545: 1928 - 1932]

2009-10-24T14:27:00.004+02:00

1. Blues in Thirds (Hines)
2. Off Time Blues (Hines)
3. Chicago High Life (Hines)
4. A Monday Date (Hines)
5. Stowaway (Hines)
6. Chimes in Blues (Hines)
7. Panther Rag (Hines)
8. Just Too Soon (Hines)
9. Caution Blues (Hines)
10. A Monday Date (Hines)
11. I Ain't Got Nobody (Graham, Peyton, Williams)
12. Fifty-Seven Varieties (Hines)
13. Sweet Ella May (Robinson)
14. Everybody Loves My Baby (Palmer, Williams)
15. Good Little, Bad Little You (Green, Stept)
16. Good Little, Bad Little You (Green, Stept)
17. Have You Ever Felt That Way? (Castleton, Williams)
18. Beau Koo Jack (Armstrong, Hill, Melrose)
19. Sister Kate (Piron)
20. Chicago Rhythm (Brown)
21. Glad Rag Doll (Ager, Dougherty, Yellen)
22. Grand Piano Blues (Hines)
23. Blue Nights (Alvis)
24. Deep Forest (Foresythe, Hines, Razaf)

Dylan Mania. Mania, une collection obsessionnelle de Béatrice Ardisson [2009]

2009-10-18T15:21:00.003+02:00

Like A Rolling Stone - Medi & The Medicine Show Feat. Charlie Winston
Lay Lady Lay - Magnet Feat. Gemma Kays
The Man In Me – Vandaveer
Subterranean Homesick Blues - Minuscule Key
Don´t Think Twice It´s Alright - Kim
I´ll Be You´re Baby Tonight - French Connection 3
Just Like A Woman - Minimatic
I Want You - Automatiq
Ballad Of A Thin Man - Grand Panda Feat. Dawn
To Ramona - These United States
Subterranean Homesick Blues- Slumcats
Mr. Tambourine Man – Kumisolo
The Times They Are A-Changin' - Grs Club
Tombstone Blues - Hi-Fi Klub
Blowin´ In The Wind - Sheraff
Like a Rolling Stone - Grand David
Knockin On Heaven’s Door – Antony & The Johnsons

Janis Joplin - Greatest hits - 1973

2009-10-11T13:29:00.003+02:00

Otro momento feliz. He añadido la canción número 11, porke en el disco ke una vez poseí, ke era este mismo, venía esa pista como Bonnus Track. Espero ke sigais amando una buena voz al oirla.
Y ya sé ke el pearl anda por ahí suelto, pero necesitaba volver a oir Summertime con su voz y un poco de verdor humeante... Gracias a la vida!!!

MERCEDES SOSA Interpreta a Atahualpa Yupanqui

2009-10-11T13:05:00.003+02:00

Porque algunas veces parece ser ke naitsirc está pensando, oyendo, viendo las mismas cosas ke yo en espacios temporales mínimos, porque es una de las grandes voces del mundo, porque me recuerda esas cosas y seres inolvidables de mi pasado,esas cosas ke encabezarían mi lista de momentos felices, y, sobre todas las cosas, porque viene el diablo blanco y ¡¡Sas!! le come la patita a chikapumba a chikapumba a pumba chikapum.... Gracias a la vida!!

Baby, Won't You Make Up Your Mind - Miles Davis (2009)

2009-10-11T11:33:00.001+02:00

¿Alguien tiene esto?.****

Si es así y me hacen el favor déjenlo en sticks gracias de antemano o.

Spotify - Invitación

2009-10-08T17:03:00.003+02:00

Si aún no tienes cuenta y no recibes invitación invítate a ti mismo, no digo ná si no conoces Spotify todavía descúbrelo tú mismo https://www.spotify.com/es/get-started/.

Thin Wild Mercury Music - Bob Dylan [1965]

2009-10-07T15:14:00.005+02:00

If You Gotta Go, Go Now (1)
She Belongs To Me (1)
Visions Of Johanna (Seems Like A Freezeout) (2)
From A Buick 6 (3)
It's All Over Now, Baby Blue (1)
Medicine Sunday (Temporary Like Achilles) (5)
I Wanna Be Your Lover (5)
I'll Keep It With Mine (instr) (1)
Love Minus Zero/No Limit (1)
Can You Please Crawl Out Your Window (4)
Number One (instr) (5)
She's Your Lover Now (Glass Of Water) (6)
Jet Pilot (5)
Can You Please Crawl Out Your Window (5)
Visions Of Johanna (Seems Like A Freezeout) (5)
She's Your Lover Now (Glass Of Water) (6)
Miami Sales Message (7)
If You Gotta Go, Go Now (7)

Source / Venue:
(1) Bringing It All Back Home sessions
Studio A, NYC January 13-15, 1965
(2) CBS Music Row, Nashville, TN January 21, 1965
(3) Highway 61 Revisited sessions, NYC July 30, 1965
(4) Highway 61 Revisited sessions, NYC June 16, 1965
(5) Hawks sessions (The Band)
CBS studios, NYC Nov. 30-Dec. 1, 1965
(6) Hawks sessions (The Band)
New York, NYC January 21, 1966
(7) Levy's Recording Studio, London May 12, 1965

"Nice package, incredible material, and great sound. There is a 'vinyl noise' apparent at times, but this is surface noise from the alternate acetate, rather than a vinyl boot. The random song order could have been chosen better and put into a more chronological order. The photos and information are as good as any bootleg ever produced. Also see "The Lonesome Sparrow Sings". The track listing on the back uses the working titles of the songs as they appear on the vault masters. This can be a little misleading, as the songs were released under a different title. Some, however, are so different from the release version as to deserve a different title."

(reseña de bobsboots.com)

Oh Mercy - Bob Dylan [1989, disco orginal remasterizado en 2003, FLAC]

2009-10-05T20:43:00.007+02:00

1. Political World
2. Where Teardrops Fall
3. Everything Is Broken
4. Ring Them Bells
5. Man In The Long Black Coat
6. Most of the Time
7. What Good Am I?
8. Disease of Conceit
9. What Was It You Wanted?
10. Shooting Star.

A confident staunching of the flow, with an album that is accessible, authoritative and substantial. Attentively written, vocally distinctive, musically warm and produced with uncompromising professionalism, this cohesive whole is the nearest thing there is to a great Bob Dylan album of the 1980s. Daniel Lanois’ determination to wrest such an album out of Dylan, and the plangent panache his production spreads across a variable collection of material, made for something overrated at the time (understandably, after what had gone before); but it remains a singular, welcome item in Dylan’s huge back-catalogue. An honourable minor work, well-received by the public and reviewers, and marred only by the feeling that Dylan has one eye on that public approbation: that he is asking if this is the sort of album people want from him. It’s all just a little too careful, guarded and stiff to be great Bob Dylan. Standout tracks: ‘Where Teardrops Fall’, ‘Ring Them Bells’, ‘Most of the Time’, ‘What Was It You Wanted?’ Tracks recorded but not selected: ‘Dignity’ and ‘Series of Dreams’.
The making of the album is the subject of the fourth of the five main sections in Dylan’s vivid memoirs, Chronicles Volume One, including thoughts on how the album turned out and on what he might have done differently if making the album again.

(MICHEL GRAY, The Bob Dylan Encyclopedia, s. v. "Oh Mercy [1989]")

Oh Mercy was hailed as a comeback, not just because it had songs noticeably more meaningful than anything Bob Dylan had recently released, but because Daniel Lanois' production gave it cohesion. There was cohesion on Empire Burlesque, of course, but that cohesion was a little too slick, a little too commercial, whereas this record was filled with atmospheric, hazy production — a sound as arty as most assumed the songs to be. And Dylan followed suit, giving Lanois significant songs — palpably social works, love songs, and poems — that seemed to connect with his past. And, at the time, this production made it seem like the equivalent of his '60s records, meaning that its artiness was cutting edge, not portentous. Over the years, Oh Mercy hasn't aged particularly well, seeming as self-conscious as such other gauzy Lanois productions as So and The Joshua Tree, even though it makes more sense than the ersatz pizzazz of Burlesque. Still, the songs make Oh Mercy noteworthy; they find Dylan quietly raging against the materialism of President Reagan and accepting maturity, albeit with a slight reluctance. So, Oh Mercy is finally more interesting for what it tries to achieve than for what it actually does achieve. At its best, this is a collection of small, shining moments, with the best songs shining brighter than their production or the album's overall effect.

(reseña de STEPHEN THOMAS ERLEWINE en allmusicguide.com)

His seventh studio job of the decade is the third he didn't just churn out and thus the third to get hyped as a turnaround, but really, there is a difference. Daniel Lanois's understated care and easy beat suit his casual ways, and three or four songs might sound like something late at night on the radio, or after the great flood. All are modest and tuneful enough to make you forgive "Disease of Conceit," which is neither. So I forgive him. B.

(ROBERT CHRISTGAU, Consumer's Guide)

Mercedes Sosa - Canción de las simples cosas

2009-10-05T00:43:00.002+02:00

2009-10-01T01:06:00.001+02:00

Matthias Sturm-Blood And Thunde
Video dirigido por Tobias Stretch

Rokia Traoré - Tchamantché (2008)

2009-09-29T15:43:00.004+02:00

1. Koronoko
2. Yorodjan
3. Dunia
4. Kounandi
5. Aimer
6. Tounka
7. Dianfa
8. Tchamantché
9. Kolokani
10. A ou ni sou
11.The Man I Love *

Awesome Snare Drummers - Must See!!

2009-09-22T21:17:00.001+02:00

Electric Black Nite Crash - Bob Dylan [Hollywood Bowl, Los Angeles, 3 de septiembre de 1965]

2009-09-22T15:08:00.007+02:00

Set acústico:

She Belongs To Me
To Ramona
Gates of Eden
It's all Over Now Baby Blue
Desolation Row
Love Minus Zero / No Limit
Mr Tambourine Man
Set eléctrico:
I Don't Believe You
Tom Thumbs Blues
From A Buick Six
Maggie's Farm
Ballad Of A Thin Man
Like A Rolling Stone

Este bootleg contiene el segundo concierto que Dylan dió junto a Levon Helm y Robbie Robertson el 3 de septiembre de 1965 (el primero es el del 28 de agosto). Los demás músicos son Harvey Brookes (bajo) y Al Kooper (piano y órgano).

The first "real" release (non-CDR) from the recently surfaced Hollywood Bowl tape. If I may, the cover, a 1965 color close-up of Dylan's head in front of a microphone, is absolutely stunning. Quality is very good, not Guitars-Kissing good but complaining about a '65 performance w/the Hawks from a board or reel source is a bit ludicrous, no? The show provides a revealing look at Dylan at the height of his unique powers during the acoustic set, which is compelling and IMO a more inspired performance than the '65 UK shows or even the '64 acoustic sets, for that matter. May be heresy but I find this acoustic set better even than the '66 ones (I got my flame-proof jacket on). The electric set is a different story. You can sense the tentative, apprehensive nature of the performance, with the reins pulled back a bit and the confident, headlong burst into the fire that would characterize the '66 shows not yet in evidence. Still, we get a rare live "From a Buick Six" w/ some lyric variations and a chance to hear Dylan w/the Hawks in only their second live gig (1st Forest Hills) in very good sound, taken from the board or a reel source. In any case, this one's a must, as much as the '63 TownHall/Carnegie, '64 NYC Philharmonic, '65 Manchester & '66 Manchester are musts. A major link in understanding the chain. Nice package w/the previously mentioned cover and artwork all around. Essential. (Same quality as the intial CDR release Western Electric on Wild Wolf).

(reseña del Dylan e-zine Deep Beneath The Waves)

The newly surfaced Hollywood Bowl tape is every bit as fascinating as had been rumored. The acoustic set is breath-taking perfection. The electric set doesn't 'crash' quite as hard as it will in the year to follow, but that's what makes it so wonderful. It shows an artist testing the waters for the onslaught to come. The cover photo of Dylan behind an interview microphone is spellbinding. The back cover contains the surrealistic artwork 'Desolation Row' from the 1970 LP release 'Daddy Rollin' Stone'. The title comes from a rare 1971 LP 'Black Nite Crash'. The only other relation they share is an early '60s acoustic set followed by the crash. This show is both historic, and wonderful listening.

(reseña de www.BobsBoots.com)

Otras ediciones comerciales de este concierto:
Back In Hollywood Bowl 1965
From Newport to the Streets in LA
Ghost Of Electricity
Hollywood Bowl 1965

Hollywood Bowl Desk Tape 1965

Squaring The Circle
We Had Known A Lion
What Are You Trying To Say?

Syreeta/Stevie Wonder Presents Syreeta

2009-09-22T12:06:00.000+02:00

1. I Love Every Little Thing About You
2. Black Maybe
3. Keep Him Like He Is
4. Happiness
5. She's Leaving Home
6. What Love Has Joined Together
7. How Many Days
8. Baby Don't You Let Me Lose This
9. To Know You Is to Love You
10. I'm Goin' Left
11. Spinnin' and Spinnin'
12. Your Kiss Is Sweet
13. Come and Get This Stuff
14. Heavy Day
15. Cause We've Ended as Lovers
16. Just a Little Piece of You
17. Waitin' For the Postman
18. When Your Daddy's Not Around
19. I Wanna Be by Your Side
20. Universal Sound of the World (Your Kiss Is Sweet)

Wust el balad - (2008)

2009-09-20T22:48:00.010+02:00

1.Arablly.
3.Shams el nahar.
2.Wust el balad.
4.Antika.
5.Yemkem.
6.Helahop.
7.Ammina.
8.Magnoum.
9.Etkalemi.
10.kolelmahlla.

The Traveling Wilburys collection (2007)

2009-09-17T01:57:00.004+02:00

- Volume 1:
1. Handle with Care – 3:20
2. Dirty World – 3:30
3. Rattled – 3:00
4. Last Night – 3:48
5. Not Alone Any More – 3:24
6. Congratulations – 3:30
7. Heading for the Light – 3:37
8. Margarita – 3:15
9. Tweeter and the Monkey Man – 5:30
10. End of the Line – 3:30
11. Maxine – 2:49
12. Like A Ship – 3:30

- Volume 3:
1. She's My Baby – 3:14
2. Inside Out – 3:36
3. If You Belonged To Me – 3:13
4. Devil's Been Busy – 3:18
5. 7 Deadly Sins – 3:18
6. Poor House – 3:17
7. Where Were You Last Night? – 3:03
8. Cool Dry Place – 3:37
9. New Blue Moon – 3:21
10. You Took My Breath Away – 3:18
11. Wilbury Twist – 2:56
12. Nobody's Child - (Cy Coben, Mel Foree) – 3:28
13. Runaway - (Del Shannon, Max D. Crook) – 2:30

En Traveling Wilburys Vol. 1:

"Nelson Wilbury" - George Harrison
"Lefty Wilbury" - Roy Orbison
"Otis Wilbury" - Jeff Lynne
"Charlie T. Wilbury Jr." - Tom Petty
"Lucky Wilbury" - Bob Dylan

En Traveling Wilburys Vol. 3:

"Spike Wilbury" - George Harrison
"Clayton Wilbury" - Jeff Lynne
"Muddy Wilbury" - Tom Petty
"Boo Wilbury" - Bob Dylan

Roy Hargrove Big Band - Emergence (2009)

2009-09-16T10:27:00.000+02:00

01. Velera 4:14
02. Ms. Garvey, Ms. Garvey 5:33
03. My Funny Valentine 6:00
04. Mambo For Roy 6:37
05. Requiem 13:36
06. September In The Rain 6:59
07. Roy Hargrove Big Band with Roberta Gambarini — Everytime We Say Goodbye 5:56
08. La puerta 3:29
09. Roy Allan 5:51
10. Tschpiso 7:17
11. Trust 4:26

Performer: Roy Hargrove
Engineer: Al Schmitt; Steve Genewick
Producer: Larry Clothier; Roy Hargrove
Distributor: Universal Distribution
Personnel: Roy Hargrove (vocals, trumpet, flugelhorn); Justin Robinson, Bruce Williams (alto, flute, reeds); Keith Loftis, Norbert Stachel (tenor, flute, reeds); Jason Marshall (baritone, flute, reeds); Saul Rubin (guitar); Ambrose Akinmusire, Darren Barrett, Greg Gisbert, Frank Greene (trumpet); Saunders Sermons, Vincent Chandler, Jason Jackson (trombone); Max Siegel (bass trombone); Gerald Clayton (piano); Danton Boller (bass instrument); Montez Coleman (drums); Rolando Guerrero (percussion). Audio Mixer: Al Schmitt.