Music Hits Corner

Pearl Jam - Vitalogy

2010-12-28T14:35:00.000-08:00

Vitalogy reaffirms the Seattle quintet's status as the principled, proudly confused voice of a generation. On their third album, they've found their footing as a raw, forward-looking '90s rock act that fearlessly tackles the Biggest Questions.

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Lead track "Spin the Black Circle" celebrates the healing power of Eddie Vedder's LP collection, but it is overshadowed by such masterstrokes as "Immortality" (which can be read, right or wrong, as a reaction to Kurt Cobain's suicide), the Lennonesque "Tremor Christ" and a thrilling anthem for the pro-choice movement, "Whipping

With the release of Vitalogy, Pearl Jam takes on a new direction toward obscurity. After the two extremely popular, rock anthem, grunge records, "Ten" and "Vs.," Eddie Vedder and company have made a rather impressive attempt at growing beyond the grunge roots that made them what they are today. This record is amazing, and main-stream enough. But, you can feel the winds of change coming in the new material.

There are some extremely strong songs on Vitalogy. The first single off the record, called "Spin the Black Circle" was rather punk-rock, very different than most Pearl Jam. The B-Side was the better of the two tracks on the single. "Tremor Christ" ended up being the bigger radio song in the long run, as the single did not do all that well. It was strange to see what they released as singles from the record. Next was "Not For You," a rock anthem, very Pearl Jam. It's B-Side is a non-album, improv track called "Outta My Mind." The final single released was a great song called "Immortality," Its B-Side, a cover of "Rearview Mirror" from "Vs.," by a band called "The Frogs."

The strange thing about the record is the songs that weren't released as singles. "Betterman," "Corduroy," and maybe even "Nothingman" were great songs that found their way the radio even without the backing of Epic Records. They are some of the strongest songs on the LP, they could have easily done better than they did with a little marketing.

Though, it does seem, that Pearl Jam does some of this to themselves. A band, troubled for some time, with internal shake-ups, squabbles, and an ongoing battle with Ticketmaster, seemed to be allergic to the limelight. This record came out in the middle of the aforementioned strife in the band's history. But, even though all of this was going on in the life of the band, they managed to create a rather high quality piece of the work.

This record is a pivot point in the band's history. It is a must-have for any Pearl Jam fan, and a great record for anyone who likes grunge era music. Pearl Jam is one of a mere few bands who still remain and are active beyond the days of grunge. Their brilliant evolution is the only reason they have survived into the twenty-first century. This album is the beginning of said evolution.

Ten (Deluxe Edition) (2CD/1 DVD) [Extra tracks, Original recording remastered]

2010-12-28T09:58:00.000-08:00

Ten, the debut album that sold 12 million copies and introduced the world to Pearl Jam in 1991, will be reissued in four (4) new and expanded editions on March 24, 2009. The reissue of Ten serves as the launch of a planned two-year catalogue re-release campaign leading up to the band's 20th anniversary in 2011.

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Each Ten package will include two versions of the album: the remastered version of the original album PLUS an accompanying remixed version done by the band's long-time producer, Brendan O'Brien (Bruce Springsteen,AC/DC, Audioslave).

"The band loved the original mix of Ten, but were also interested in what it would sound like if I were to deconstruct and remix it," says producer Brendan O'Brien. "The original Ten sound is what millions of people bought, dug and loved, so I was initially hesitant to mess around with that.After years of persistent nudging from the band, I was able to wrap my head around the idea of offering it as a companion piece to the original - giving a fresh take on it,a more direct sound."

Deluxe Edition (2 CD plus DVD):
Disc 1: original Ten tracklisting digitally remastered (original mix)
Disc 2: original Ten tracklisting digitally remastered and remixed by Brendan O'Brien, plus six bonus tracks:"Brother," "Just a Girl,""State of Love and Trust," "Breath and a Scream," "2,000 Mile Blues" and "Evil Little Goat"
DVD of Pearl Jam's previously unreleased 1992 MTV Unplugged performance including never before seen bonus performance of "Oceans" with 5.1 surround sound audio remix.

Remaster the original 1991 album to perfection,add a second disc which features a great 2008 Brendan O'Brein remix that strips away the dated reverb of the original mix and makes Eddie Vedder's vocals clearer and more upfront,gives the guitars additional bite and edge and adds kick and punch to the bass and drums.Include outtakes and demos,"Brother" being the standout with the slowed-down "State Of Love And Trust" being a close second.Contain all of the 1992 "MTV Unplugged" performance (availble for the first time on DVD)and compliment it with stellar picture and sound quality.(BTW, all discs were mastered by the talented Bob Ludwig.)Finish off with a nostalgic,colorful booklet and you've got a great,entertaining package worth its high price.Bravo!

Jeremy chords and Tablature by Pearl Jam

2010-12-28T09:45:00.000-08:00

D C

At home, drawing pictures of mountain tops
G D C
With him on top lemin yellow sun, arms raised in a v
G
And the dead lay in pools of maroon below
Am G
Daddy didnt give attention
Am C Em Dm
Oh, to the fact that mommy didnt care
Am C Em G
King jeremy the wicked...oh, ruled his world...
Bm G A Bm
Jeremy spoke in class today... (2x)

D C
Clearly I remember pickin on the boy
G
Seemed so harmless, a little fun
Am Dm
Ooh, but we unleashed a lion...
C Em G
Gnashed his teeth and bit the recess ladys breast...
G
How can I forget?
D G
And he hit me with a surprise left
G
My jaw left hurtin...ooh, dropped wide open
Am C Em G
Just like the day...oh, like the day I heard

Am G
Daddy didnt give affection, no...
Am C Em
Dm
And the boy was something that mommy wouldnt wear
Am C Em G
King jeremy the wicked...oh, ruled his world
Bm G A Bm
Jeremy spoke in class today... (3x)
D C Em
Woo... (14x)
D C D Em
Try to forget this...try to forget this...
D C D Em
Try to erase this...try to erase this...
C Em G
from the blackboard...
Bm G A Bm
Jeremy spoke in class today... (2x)
Bm G
Jeremy spoke in, spoke in... (2x)
Bm G A Bm
Jeremy spoke in class today...

JEREMY - Pearl Jam

My apologies for mistakes. No guitar in front of me.

OPening riff is played on twelve string. This is the way I play it on a six
string. (Repeat twice).
H* H*
I----------------------I----------------------I--------------------------I
I----------------------I----------------------I--------------------------I
I----------------------I-----------12---------I--------------------------I
I---------------7----5-I--12-------12---------I-------------7----5-------I
I--0---5H7--0-----0----I--12------------------I--0--5H7--0----0----------I
I----------------------I----------------------I--------------------------I

H* H*
I----------------------I
I----------------------I
I----------------------I
I--12------------------I
I--12------12----------I
I----------12----------I

The main riff behind the lyrics is always

At home, drawing pictures of mountaintops...
I---------------------I----------------------------I
I---------------------I----------------------------I
I---------------------I----------------------------I
I--------------7---5--I--------------7----------5--I
I---0--5H7--0----0----I---0--5H7--0-----0---5H7----I
I---------------------I----------------------------I

The following chords are arranged for one guitar (If you aren't in a band)

Daddy didn't give attention
A G/A D/A
I----------------I----------------------I------------------------------I
I----------------I--10-------8----------I------------------------------I
I----------------I--9--------7----------I---7--------------------------I
I----------------I--7--------5----------I---4--------------------------I
I----0--5H7--0---I--0--------0----------I---0------------0---5H7----0--I
I----------------I----------------------I------------------------------I

To the fact that mommy didn't care--->

D/A A A G/A
I-------------------I-----------------------------I---------------I
I----------2--------I-----------------------------I--10-------8---I
I-7--------2--------I-----------------------------I--8--------7---I
I-4--------2--------I-----------------------------I--7--------5---I
I-0--------0--------I------------------0---5H7--0-I--0--------0---I
I-------------------I-----------------------------I---------------I

King Jeremy the wicked ruled his world

D/A D/A A
I----------------------I-------------------I------------------------I
I----------------------I----------2--------I------------------------I
I---7------------------I--7-------2--------I------------------------I
I---4------------------I--4-------2--------I------------------------I
I---0-------0--5H7---0-I--0-------0--------I-------------0--5H7--0--I
I----------------------I-------------------I------------------------I

The chorus goes:

F Dm E F A
Jeremy's spoken cla-ass today

Rhythm fill at end of line is:

I----12--------------------I----------------12-----------I
I---------12----------12---I---12h14p12----------12------I
I----------------14--------I------------14-----------14--I
I--------------------------I-----------------------------I
I--------------------------I-----------------------------I
I--------------------------I-----------------------------I

The chords during the end of the song repeat F--G--A. (Sometimes Am)
I don't know exactly how the solos go at the end, but I could figure it out I
suppose if everyone desired.

The end riff is played on a twelve-string bass, as many people pointed out. Here
it's arranged for a six-string guitar.

I--------------------------I---------------------------I
I---------8-----------7----I---------3-----------5-----I
I-------9----------7-----7-I-------4----------5-----5--I
I--------------------------I---------------------------I
I---0----------0-----------I---0----------0------------I
I--------------------------I---------------------------I

I--------------------------I---------------------------I
I---------0-----------1----I--------0------------1-----I
I-------0----------2-----2-I------0-----------2-----2--I
I--------------------------I---------------------------I
I---0-----------0----------I---0----------0------------I
I--------------------------I---------------------------I

Repeat the first three the second time through and end with:

H* H*
I--------------------------------------I
I-------------1------------------------I
I--------2------------------------12---I
I-------------------------12------12---I
I---0-------------0-------12-----------I
I--------------------------------------I

H* - harmonic
h,H - hammer-on
p - pull off

Pearl Jam - Ten

2010-12-28T09:36:00.000-08:00

The album, named after the Jersey number of basketball star, Mookie Blaylock, has been considered as being among the finest and most influential albums written during the 90s, and with reason. Before 91, Michael Jackson was atop the charts, the king of pop.

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It was not until the rise of Nirvana, and subsequently Pearl Jam, that the 'King' was dethrowned. Armed with epic, sweeping hard rock anthems and the bleedingly powerful vocals from Eddie Veddar, Pearl Jam found itself atop the charts themselves.

I admit, I hated 'Ten' for the first full year of it's release. It took some time to sink in. I was too accustomed to Weird Al, Madonna and 'Sweet Dreams'... I was still submerged in the 80s, and the blistering power of Pearl Jam was simply too much for me. Yet as I grew familiar with the Seattle quintet, so did my appreciation of their music. It was not until 93's "VS" that I realized that Pearl Jam had become my favorite band of all-time. I have been ardently following their career ever since.

Song by song review:

1. Once - With a profoundly suspenseful and edgy guitar to backdrop the first emergence of Eddie's vocals, this song is immediately famous. Plus it's got a haunting oceanic intro to boot...

2. Even Flow - Arguably Pearl Jam's most famous song, Even Flow is easily deserving of such status. It explodes into a narrative about a Homeless man, and manages to maintain the ripping intensity for 5 solid minutes.

3. Alive - Another contender for the most famous song by Pearl Jam, this song roars for nearly 6 minutes. Starting somewhat slow, this song builds to a climactic guitar solo that rivals any Zeppelin or The Who.

4. Why Go - Similar to "Even Flow" in it's blinding energy, this song is a standout among standouts. A guttural, hypnotic guitar underscores Eddie's portrayal of a conflicted girl's tortuous homelife.

5. Black - Originally slated to be Pearl Jam's fourth single from the album, following 'Alive', 'Even Flow', and 'Jeremy', this could have become the biggest. A six minute operatic of love and loss, this song is among the most moving in Pearl Jam's catalogue. Deep, gentle guitars accentuate Eddie's somewhat subdued singing.

6. Jeremy - Spawned one of the most famous music video's of all time, coming in at #6 in Rolling Stone Magazine's list of 'best videos of all time'. This song carries a strength in every stroke of the strings, that you can't help but be emotionally drained and exhilerated by the end of this harrowing, disturbing epic.

7. Oceans - One of the two best songs Pearl Jam ever wrote, the other being track 11 of the same album. This song is beautiful beyong comparison, with guitar and drumwork that match the songs title. As we lilt through this song of reunion, we glide along the waves that Eddie so poignantly describes.

8. Porch - Perhaps the most forgettable song on this album, Porch somewhat departs from the overall feel that the rest of the album creates. This is not to say that it is a bad song, as we find Eddie at what could be his angriest. Nearly rapping his way through a lot of lyrics in under 4 minutes, this song is not without it's merit.

9. Garden - Underappreciated, this song is quietly suspenseful in it's beginning, until the pressure is too much, and the floodgates open. The tumultuous uprising is textured and melodic, yet like the tide goes down once more before a climactic finale.

10. Deep - Just like the title, this song opens with a gaping guitar slide and solo that breaks down the barrier between subtlety and power. Truly deserving to be placed in this perfect album.

11. Release - Eddie Vedder's personal tribute to his dad. The guitar matches his soulful wails, begging for the love of a lost father. Finishing out with the same melody that began 'Once', this CD leaves you the way it left you, only now you are an elevated human being.

Man, I love these guys...

Pearl Jam - rearviewmirror (Greatest Hits 1991-2003)

2010-12-28T09:24:00.000-08:00

In an era when pop nihilism fulfilled its dark promise all too regularly, Pearl Jam not only survived, but thrived to become one of rock's greatest bands. This 33-track double-disc career retrospective documents the arc of a career that went from arena and radio triumphs in the early 90's (while Nirvana's promise imploded in the wake of hype, Pearl Jam's crowd-pleasing fame only burgeoned) to the uncompromising, core audience-focused tack that carried the band into the 21st century.

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Shrewdly compiled by the band into an "Up" disc that chronicles the band's driving, Stone Gossard-Mike McCready fueled hard rock dramatics (including such early career landmarks as "Jeremy," "Alive" and "Even Flow" alongside more aggressive fare like "Go" and "Spin the Black Circle") and a "Down" side that focuses more on Eddie Vedder's brooding, often dark ballads ("Elderly Woman Behind The Counter In A Small Town," "Yellow Ledbetter," their unlikely hit cover of the oldie "Last Kiss"), it's a collection that underscores both the band's range and musical integrity. Though centered largely on the band's pre-Vitalogy studio era and containing no new material, longtime producer/collaborator Brendan O'Brien contributes remixes of "Once," "Alive" and "Black" that offer new insights on the familiar, while non-album tracks like "Man of the Hour" and "State of Love and Trust" considerably enhance the overall listening perspective here.

Pearl Jam Tabs for song: Last Kiss

2010-12-28T09:07:00.000-08:00

Pearl Jam- Last kiss

(chorus):
(G) Oh, where,Oh where can (Em) my baby be
(C)The lord took her (D) away from me
(G)She´s gone to heaven so I´ve (Em) got to be good
(C)So I can see my baby when I (D) leave this (G) world

(G) Whe were out on a date on my (Em) daddies car
(C) We hadn´t driven (D) very far
(G) There in the road (Em) straight ahead
(C) A car was stopped (D) the engine was dead
(G) I couldn´t stop so I (Em) swerved to the right
(C) I´ll never forget the (D) sound that night
(G) The screaming tires the (Em) bustin glass
(C) the painfull scream that (D) I heard (G) last.

(Chorus again)

When I woke up, the rain was pouring down
There were people standing all around
Something warm going through my eyes,
But somehow I found my baby that night
I lift up her head, she looked at me and said:
Hold me darling just a little while.
I heald her close, I kissed her our last kiss
I found the love that I knew I had missed
But now she´s gone even know I held her thight
I lost my love, my life that night.

(Chorus again)

Woh (4x) (Same chords)

Ohh (4x) (Same chords)

Backspacer

2010-12-28T09:02:00.000-08:00

This is Pearl Jam's best album of the 2000s. Continuing where Pearl Jam left off, the band matches the energy of their last outing with better, tighter songs. The lyrics (notably, all are credited to Vedder) are exceptional. No longer bound by anti-Bush righteous rage, Vedder seems to feel freed to sing songs with more empathy and positive energy. There are still plenty of songs about troubled souls and surfing, but the overall tone is warmer and filled more with empathy than anger.

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The band's playing is excellent as always, and Brendan O'Brien's return to the fold is welcome - this album, even more than the Ten Redux cd, is proof positive that O'Brien is THE man to produce Pearl Jam's albums. He adds a few touches of keyboards and strings here and there to augment the standard guitar/bass/drums rock format, and the result is a sound perfectly suited to Pearl Jam's strongest batch of songs in years.

Pearl Jam fans who have been waiting for a new great album but weren't quite convinced by their previous cd should give this one a shot, and fans who have stuck with the band all these years will not be disappointed. This is Pearl Jam for 2009 and beyond.

Jump Back: The Best of the Rolling Stones 1971-1993

2010-12-28T08:52:00.000-08:00

Jump Back: The Best Of The Rolling Stones: `71-`93 was released only in the UK on November 22, 1993. It was the *18th* compilation album released in the UK. It was also the first release of the Stones new contract with Virgin Records. None of the songs appear on either Hot Rocks or More Hot Rocks.

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The album seems mis-titled because it does not include any of the single releases from 1989-1993 and in fact does not include *16* UK single releases from this time period. It was an attempt to release the most the most popular of the Stones hits since they left Decca (London in the US) in 1971. A better title would have been "Some Stones Hits '71-`89", but then who would have bought an album with an ambiguous title and the last hit 4 years earlier....other than those rabid Stones fans, anyway? Well, this is what happens when you have such a huge catalog of hits and you try to do a greatest hits album. Look at all the stuff that had to be left off of the 2002 release 40 Licks. If they ever release the entire Stones catalog as a box set it will have to come in a trunk that comes with a dolly to get it out of the store.

These songs are the most popular from the Rolling Stones Records releases. Here are the original UK release dates of each song (US release and re-release dates were often different during this period):
4-16-71 & 6-29-84 Brown Sugar
4-16-71 Bitch
4-23-71 Wild Horses (on Sticky Fingers - not released as a single)
4-14-72 Tumbling Dice
8-21-73 Angie
7-26-74 It's Only Rock `n' Roll
4-16-78 Hot Stuff
4-16-78 Fool To Cry
5-19-78 Miss You
8-29-78 & 6-1-82 Beast Of Burden
9-14-78 Respectable
6-20-80 Emotional Rescue
8-14-81 & 2-11-83 Start Me Up
12-1-81 Waiting On A Friend
11-1-83 Undercover Of The Night
3-4-86 Harlem Shuffle
8-17-89 Mixed Emotions
10-24-89 Rock And A Hard Place

Here are the 16 UK single releases that were NOT on the album. Ruby Tuesday, Highwire, Terrifying, Almost Hear You Sigh, Jumpin' Jack Flash, One Hit (To The Body), She Was Hot, Let's Spend The Night Together, Time Is On My Side, Going To A Go Go, If I Was A Dancer, Honky Tonk Women, Out Of Time, I Don't Know Why, Sad Day, Street Fighting Man

This information comes from "It's Only Rock And Roll: The Ultimate Guide To The Rolling Stones" by Karnbach and Bernson and from my own collection.

Rolling Stones Time Is On My Side Lyrics And Chord

2010-12-28T08:43:00.000-08:00

Intro:

organ and guitar [US LP take]; organ [US 45, UK LP take]:

Bb Dm G7 C7
/ / / / / / / / / / / / / / / /

Verse 1:

F Bb C
Time is on my side, yes it is (2x)
Dm C7 Dm G7
Now you always say that you want to be free
C Bb
But you'll come runnin' back (3x)
C7
To me

Verse 2:

Time is on my side, yes it is (2x)
You're searchin' for good times, but just wait and see
But you'll come runnin' back (3x)
To me

Bridge (spoken):

Bb7
Go ahead, baby, go ahead
F7
Go ahead and lay it on the town
Bb7 F7
And baby, do anything your heart desires

Remember I'll always be around
Bb7 Dm
And I know, I know, like I told you so many times before
G7
You're gonna come back, yeah, you're gonna come back baby
C7
Knockin', yeah, knockin' right on my door

Verse 3:

Time is on my side, yes it is (2x)
'Cause I got the real love, the kind that you need
But you'll come runnin' back (3x)
To me

Coda:

F Bb C
Time, time, time, is on my side, yes it is

The Rolling Stones - Hot Rocks 1964-1971

2010-12-28T08:15:00.000-08:00

It's the rare greatest-hits album that takes on a life of its own. Generally, best-of collections are superceded by updated retrospectives. Hot Rocks is one of the rare exceptions to the rule.

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Originally released in 1972, it instantly became the Stones intro of choice, elbowing aside Big Hits, High Tide and Green Grass and Through the Past Darkly. Why? It happened to hit the racks when Mick and company were at their creative peak. The 21 tracks found here represent seven years of dizzying growth. From "Time is on My Side" through "Satisfaction" and "Let's Spend the Night Together," on to Sticky Fingers's "Brown Sugar" and "Wild Horses," Hot Rocks never lets up. The likes of Sucking in the '70s and Jump Back come and go, but this Stones overview will not be moved.

Everybody knows that 1964-1971 were the golden years for the Stones, and this compilation, which deftly selected the hits from that era, is damn good stuff. All the landmark material is accounted for--Get Off Of My Cloud, Paint It Black, Let's Spend The Night Together, Gimme Shelter, Jumpin' Jack Flash, Street Fighting Man, Sympathy For The Devil, a live cut of Midnight Rambler, and of course, (I Can't Get No) Satisfaction. Although this will not satisfy diehard fans and I wish a few other songs were included (Stray Cat Blues, the Ya-Ya version of Carol, Sister Morphine, She's A Rainbow, 2000 Man) everything here is grade-A gritty blues rock. The second disc could very well stand alone, it's that good.

This is one of those few, special, greatest hits sets that is, in every way, perfect! Most best of's always leave off important tracks and have moments of worthless filler. Others are made obsolete by better, more complete sets. Not Hot Rocks. Merely because it covers only the best, most famous, and most influential songs of the 7 years when the Stones were at their peak, mountains above the rest of rock and roll. (except the Beatles, Dylan, and Hendrix). Sure Not Fade Away, The Last Time, and 2000 Light Years (among others) were fine, but how can you say they aren't dwarfed by the looming presence of every song on this album? (Which includes Time is on my Side, Satisfaction, Paint it Black, Let's Spend the Night Together, Jumpin' Jack Flash, Sympathy for the Devil, and Brown sugar)

In conclusion this is a perfect sampler of everything that was great and magical about the Rolling Stones, and remains great and magical today. Words can not describe the greatness of the songs in this album, so I can only say this, I can only say that you are not a rock and roll fan until you are Stones fan. So for everybody who wishes to sink their teeth into the glory days of the Rolling Stones, Hot Rocks is the place to begin. (Note: While you're at it, get Exile on Main Street and Get Yer Ya-Ya's Out as well.)

Now for those who already who need a reason to buy this again.

Most everyone who collects music knows how badly one can be screwed out of well-earned money by remasters. (i.e the Ozzy Osbourne "remasters" released this year) Not this time around. You will never Rolling Stones recordings that sound so fresh and clear. New musical bits are brought to the surface for the first time in years. (Most notably on Honky Tonk Woman where horns and new guitar licks can be heard for the first time) And all those classic old songs now sound sharper and more distinct than ever. You can hear those wonderful guitar riffs, drums, and bass licks (oh those wonderful Bill Wyman bass licks) like never before. (i.e. Brian Jones' sitar on Paint it Black is at last brought to the front of the mix, and you can actually hear two different guitars on Midnight Rambler). It gets even better for those that have bought SACD players, for on the SACD layer it sounds even more incredible. It almost sounds as if you are sitting there in the studio watching the Stones make the master takes. And for those that think this isn't worth buying, because all these songs are on other discs, think about this; you won't be hearing the original Brown Sugar and Wild Horses sounding so good for a while.

So in conclusion anybody who is anybody owes it to themselves to buy the new version of Hot Rocks. New fans get a sampler of some of the greatest music ever made, and the older fans get the best sounding glory-day Stones you'll ever hear. The Rolling Stones Remasters is one of the best (if not the best) of its kind. It is definetely worth checking out. And Hot Rocks ain't a bad place to start. Get it today!

Disc 1
1. Time Is On My Side 3:00
2. Heart Of Stone 2:49
3. Play With Fire 2:13
4. (I Can't Get No) Satisfaction 3:42
5. As Tears Go By 2:45
6. Get Off of My Cloud 2:55
7. Mother's Little Helper 2:46
8. 19th Nervous Breakdown 3:56
9. Paint It, Black 3:22 $0.99
10. Under My Thumb 3:42 $0.99
11. Ruby Tuesday 3:16 $0.99
12. Let's Spend The Night Together 3:35

Disc 2
1. Jumpin' Jack Flash 3:42
2. Street Fighting Man 3:15
3. Sympathy For The Devil 6:17
4. Honky Tonk Women 2:59
5. Gimme Shelter 4:30
6. Midnight Rambler 9:14
7. You Can't Always Get What You Want 7:29
8. Brown Sugar 3:49
9. Wild Horses