<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-364771623036006302</atom:id><lastBuildDate>Sun, 01 Sep 2024 13:49:00 +0000</lastBuildDate><title>Music Industry Today</title><description>This blog covers topics from all over the music industry, from concert promotion to new music releases, to up and coming artists.</description><link>http://srogers7d.blogspot.com/</link><managingEditor>noreply@blogger.com (Sarah Rogers)</managingEditor><generator>Blogger</generator><openSearch:totalResults>33</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-4999399897706945958</guid><pubDate>Wed, 30 Jan 2013 05:26:00 +0000</pubDate><atom:updated>2013-01-29T21:26:07.316-08:00</atom:updated><title>A Look Forward...</title><description>I began this blog over a year ago as an assignment for school. With this post, I will finish my last assignment, and will be completing my Master&#39;s Degree. Over the last year, I have covered a number of topics, largely centered around Social Media as a marketing tool, and now I feel it&#39;s time to take a look forward. &amp;nbsp;What is going to happen to the industry as we move forward and technology continues to improve? Will there still be CD&#39;s in five years? &amp;nbsp;Will artists continue to become more accessible? What role will Social Media play in all of this? &amp;nbsp;The answers to these last two questions will play a vital role in whether or not the industry will thrive or die. The technological progress of the industry has allowed fans to form a stronger connection with artists than ever before. &amp;nbsp;Celebrities make themselves available via Twitter and Facebook, and allow fans sneak peaks of new music, videos, and the latest news. &amp;nbsp;If artists continue to keep Social Media as a central part of their marketing tactics, I think we will continue to see the industry survive the downward slope of physical album sales. &amp;nbsp;Digital music is cheap to obtain, and can cheaply be promoted, especially with Facebook&#39;s new &quot;&lt;a href=&quot;http://money.cnn.com/2012/10/03/technology/social/facebook-promoted-posts/index.html&quot;&gt;Promote&lt;/a&gt;&quot; feature, which allows users to pay to have their statuses featured and promoted. At the end of the day, the connection between the artist and the fan, whether in concert or via a Facebook &quot;like&quot;, is what really drives the industry.</description><link>http://srogers7d.blogspot.com/2013/01/a-look-forward.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-3835374507036993463</guid><pubDate>Fri, 18 Jan 2013 04:45:00 +0000</pubDate><atom:updated>2013-01-17T20:45:28.955-08:00</atom:updated><title>Mark Tremonti&#39;s Social Media Success.</title><description>By now, you are probably expecting me to talk about how much of a social media genius I think Dave Grohl is. &amp;nbsp;Well, I&#39;m going to give you a short break this time. While there are a lot of new things happening with him and his Sound City Movie, I have someone else I want to talk about today. &amp;nbsp;Mark Tremonti, best known as guitarist for Mega-Rock band Creed, has become increasingly present in the social media world. &amp;nbsp;For a man with a&amp;nbsp;&lt;a href=&quot;http://www.celebritynetworth.com/richest-celebrities/rock-stars/mark-tremonti-net-worth/&quot;&gt;net worth of $25 million&lt;/a&gt;, this is somewhat surprising. &amp;nbsp;It seems that a general rule has been that the more famous you become, the less accessible you are. Mark has somewhat managed to fly below the radar of celebrity outside of the music industry, and this may play to the advantage of his fans. Mark has a history of taking time to visit with fans before and after shows, and from personal experience I have never seen him rush off to the bus like so many others. &amp;nbsp;He is always willing to stay and chat, regardless of time. &amp;nbsp;This is a quality that he has taken over to the social media world as he is constantly updating fans via his&amp;nbsp;&lt;a href=&quot;http://www.facebook.com/MarkTremonti?fref=ts&quot;&gt;Facebook&lt;/a&gt;. &amp;nbsp;He kept fans updated throughout the recording of his solo album, and has been quick to provide photos of himself and his Alter Bridge bandmates. He also frequently provides guitar tutorial videos to the &lt;a href=&quot;http://fret12.com/artist_mt.html&quot;&gt;Fret 12&lt;/a&gt;&amp;nbsp;website to teach his technique and show fans how to play songs he has written.&amp;nbsp; Mark&#39;s utilization of Social Media helped to launch the debut single off his solo album to win many radio station &quot;Cage Matches&quot; vs other artists who are more popular on mainstream radio. I think that Mark&#39;s willingness to seek out a connection to his fans has proved to help him achieve a great deal of success, and with a new Alter Bridge album in the works, and a Tremonti Project tour scheduled, I see no signs that Mark plans to slow down any time soon.&lt;br /&gt;
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Tremonti &quot;You Waste Your Time&quot; Video&lt;br /&gt;
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Alter Bridge &quot;Blackbird&quot; (voted in a fan poll as best guitar solo against greats such as Slash and Jimmy Page, further proof that social media promotion gets results!)&lt;/div&gt;
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Creed &quot;Higher&quot;&lt;/div&gt;
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</description><link>http://srogers7d.blogspot.com/2013/01/mark-tremontis-social-media-success.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-2872065570189218033</guid><pubDate>Mon, 10 Dec 2012 04:08:00 +0000</pubDate><atom:updated>2012-12-09T20:18:13.725-08:00</atom:updated><title>Is Facebook the Best Way to Connect with Your Audience?</title><description>How many times a day do you check your Facebook? &amp;nbsp;For many people, this answer is several times a day. &amp;nbsp;Some people do it from their phone without even realizing it. &amp;nbsp;It seems as though we all flock to Facebook to keep up with the lives of our family and friends, and now more than ever, we are using it to form a connection with celebrities. &amp;nbsp;By simply clicking that little &quot;Like&quot; button, fans can feel as though they are in the inner circle of their favorite artists&#39; lives. So it stands to reason that if you want to get information out to your fans, post it on your Facebook page. &amp;nbsp;Does this same ring true for a company launching a new campaign? &amp;nbsp;Absolutely. &amp;nbsp;The world seemingly revolves around Facebook and other social media giants like Twitter, so it is wise to utilize a channel that reaches around the world and touches millions and millions of consumers.&lt;br /&gt;
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Not so long ago, it seemed as though you never knew what was happing with an artist or band that you liked, then out of nowhere, they had a new album coming out and tour dates posted. &amp;nbsp;Now, you know months in advance that they are writing, what studio they will record in, and who their producer will be, all thanks to social media. &amp;nbsp;Hard rockers &lt;a href=&quot;http://www.facebook.com/pages/Sevendust/25493613958&quot;&gt;Sevendust&lt;/a&gt;&amp;nbsp;provided all of this information prior to heading in to the studio to record their next release. &amp;nbsp;They followed it up by posting videos of the happenings in the studio and to give little glimpses into the new tunes as they were being recorded. They posted the album cover along with the release date to their Facebook page, and will often post the day of a concert to let fans know where they can find a VIP ticket waiting for them. They have long held a reputation for being highly fan oriented, but Social Media have allowed them to expand on this reputation, and they are taking full advantage.&lt;br /&gt;
&lt;br /&gt;
Another band making the most of the Social media world are up and comers &lt;a href=&quot;http://www.facebook.com/likeastormofficial&quot;&gt;Like A Storm&lt;/a&gt;. The trio of brothers from New Zealand have found a great deal of success opening for bands such as Creed and Alter Bridge, but have gained a loyal fan base by constantly staying in touch with their fans via social media, and giving the fans opportunities to vote for where they would like to see the band play, and help to plan the tour in some way with these votes. &amp;nbsp;This approach to Facebook has help to develop and maintain a deep connection with fans who in turn share news of Like a storm with their friends and have helped the band to gain momentum as they make their push for their big break.&lt;br /&gt;
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&lt;br /&gt;</description><link>http://srogers7d.blogspot.com/2012/12/is-facebook-best-way-to-connect-with.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-8851784659382325853</guid><pubDate>Mon, 26 Nov 2012 15:28:00 +0000</pubDate><atom:updated>2012-11-26T07:34:18.819-08:00</atom:updated><title>The New &quot;Live&quot; Event</title><description>A few weeks ago, I touched base on the changing face of the music industry. Today, I&#39;m going to discuss a little more about how concerts are changing. Fans no longer have to buy tickets to see their favorite band live. &amp;nbsp;More and more, it is becoming common to see live broadcasts of concert events being streamed online for fans world-wide to view. I&#39;m once again going to use my go-to guys, the Foo Fighters, as my example. Dave and the crew have been known to frequent the European music festival scene, and a few years ago, it was just tough luck for the U.S. based fans who had to miss these epic performances. &amp;nbsp;On their last touring cycle, many of their performances were streamed live online, and suddenly, those of us in the U.S. had the best seat in the house.&amp;nbsp;&lt;a href=&quot;http://www.youtube.com/watch?v=qf4wywF3PSk&quot;&gt;Their full performance at Reading Festival 2012&lt;/a&gt;&amp;nbsp;served as a major treat for fans who missed their short U.S. run in 2011. My blog is seriously going to suffer for examples now that these guys are going on hiatus.&lt;br /&gt;
&lt;br /&gt;
Now, what does this approach mean for traditional concert promoters? &amp;nbsp;Is this going to hurt us? Absolutely not. &amp;nbsp;I feel that this new channel is going to become an invaluable tool for marketing future performances. &amp;nbsp;By streaming shows live online, you give fans who couldn&#39;t afford a ticket, or didn&#39;t get to the ticket booth fast enough a second chance to see their favorite band. &amp;nbsp;When they know that you are there to help them out, they will be more loyal to you in the future. You also give fans who are skeptic about an artist a chance to check things out before they go pay their hard earned money for a ticket to see them live. &amp;nbsp;You&#39;re providing families with children a chance to watch a show that may not be suitable for smaller fans up close and personal, so that the kids can enjoy the performance without being trampled in a mosh pit. &amp;nbsp;Live streams also provide a preview of the venue for someone who has never attended an event there before. &amp;nbsp;The Rave in Milwaukee, WI live streams many of their shows, helping to promote both themselves, and the artists the book. &amp;nbsp;They keep these shows posted to their&amp;nbsp;&lt;a href=&quot;http://www.youtube.com/user/TheRaveUSA?feature=watch&quot;&gt;Youtube Account&lt;/a&gt;&amp;nbsp;which provides a chance for those in attendance to relive the events of the night.&lt;br /&gt;
Their live stream&amp;nbsp;of rock veterans Sevendust provided a chance for many fans to catch their performance on a very short tour they did just before going back into the recording studio.&lt;br /&gt;
&lt;br /&gt;
One final perk to the ever-prevailing digital method of concert promotion is the fact that you can get any information you want out to your target market for FREE. &amp;nbsp;With a simple Youtube account, you can record any message and post it online, where it can be viral with a few days, spreading your news world wide. &amp;nbsp;Of course, you want that message to be interesting, in order for it to have maximum impact. &amp;nbsp;This tour announcement from the Foo Fighters may leave you with a few ideas on how to accomplish this.&lt;br /&gt;
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&lt;br /&gt;</description><link>http://srogers7d.blogspot.com/2012/11/the-new-live-event.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-8786448117731258176</guid><pubDate>Fri, 16 Nov 2012 04:50:00 +0000</pubDate><atom:updated>2012-11-15T20:50:35.402-08:00</atom:updated><title>Business Plan Experts Part 2</title><description>After my first posting on Business Plan experts, I took some time to stop and examine my own business plan. &amp;nbsp;I looked at the qualities of a entrepreneur as presented by Carl Schramm to see how many of those qualities I currently possess. &amp;nbsp;I&#39;ve worked in numerous industries, held positions that I didn&#39;t enjoy for bosses who were less than stellar, and have been considered an outsider at my place of work on more than one occasion. &amp;nbsp;I have learned that the hard questions are the ones that must be asked first, and answers must be given. &amp;nbsp;I have taken those qualities, and applied them to the position that I currently hold in a quest to make myself the best leader possible, and have been rewarded with respect from the employees that I supervise, and praise from my superiors. &amp;nbsp;In regards to Schramm&#39;s philosophy that a business plan quickly becomes outdated, I have taken a closer look at my own business plan, and have discovered ways to make it more timeless and easily adaptable. I have given it specific detail in some areas, and left others vague in order to allow for necessary change should I discover that getting my business plan into the right hands takes longer than I had originally anticipated.&lt;br /&gt;
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I have also taken steps to heed the advice of Dr. Steven Gedeon, who believes that the Executive summary and qualifications are the most important parts of a business plan. To me this made sense, as they tell the majority of the story about the business and who will be running it. When composing these sections I will make every effort to ensure that I have perfected them both. I have developed a clear vision of the business, and know the best way to overcome my competition.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://bpexpertviews.blogspot.com/&quot;&gt;http://bpexpertviews.blogspot.com&lt;/a&gt;</description><link>http://srogers7d.blogspot.com/2012/11/business-plan-experts-part-2.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-7544914802035028608</guid><pubDate>Mon, 29 Oct 2012 01:25:00 +0000</pubDate><atom:updated>2012-10-28T18:25:39.774-07:00</atom:updated><title>Business Plan Experts</title><description>






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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
PhD Economist Carl Schramm is the past President and CEO of
Ewing Marion Kauffman Foundation.&amp;nbsp; He has
several interesting views on the Entrepreneur and business plans.&amp;nbsp; In regards to the entrepreneur, he feels that
the main characteristics are that of someone who has worked in many industries,
in jobs that they have not enjoyed, and in multiple places in the world.&amp;nbsp; He also notes that many entrepreneurs will
have worked in startups, will not be afraid to ask hard questions, and will be
considered somewhat of an outsider.&amp;nbsp; I
think that many of these characteristics make sense, and would prove to be true
of many Entrepreneurs, as these traits and experiences will have allowed them
to form a very clear picture of what they want out of their business.&amp;nbsp; In regards to the business plan, Schramm
believes that it is an item that becomes quickly out of date, and that one
should not stick solely to it.&amp;nbsp; This I
absolutely agree with, as I feel that it is impossible to predict the future,
and therefore impossible to know if your business plan will be 100% correct and
appropriate indefinitely.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Dr. Steven Gedeon is an award-winning expert in business
plan writing and professor of Entrepreneurship at Ted Rogers School of Management.&amp;nbsp; He has founded many organizations and has
several excellent view on business plans, the critical questions you must ask
yourself, and what the most important part of the business plan is.&amp;nbsp; Gedeon knows that you must ask yourself what
your business is and who you are selling to.&amp;nbsp;
He also knows that you must have a clear vision of your price point and
who your competitors are when developing your business plan. He believes that
the Executive Summary is and qualifications of the management team are the most
important parts of the business plan, and that the key component of the plan is
its credibility.&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;a href=&quot;http://bpexpertviews.blogspot.com/&quot;&gt;http://bpexpertviews.blogspot.com&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/10/business-plan-experts.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-934140475258426475</guid><pubDate>Mon, 15 Oct 2012 03:21:00 +0000</pubDate><atom:updated>2012-10-14T20:21:10.835-07:00</atom:updated><title>Today&#39;s Digital Landscape</title><description>I&#39;m sure by now, most of you have realized that the landscape of the music industry has drastically changed. &amp;nbsp;This is no longer an industry that is firmly based in brick and mortar, mom and pop, stores where everyone runs on Tuesday to pick up the latest albums from their favorite artists. These days, people simply hop on their computer at midnight, open their iTunes, and click but now, and they have those same albums within a matter of minutes. &amp;nbsp;In other cases, they log onto a torrent site, and get the album for free weeks, or even months before its scheduled release. This is a digital world that we live in, and the landscape is changing at a rapid pace. &amp;nbsp;People have gone from buying music in stores, to ordering CDs online, to purchasing digital albums, and never touching a physical copy of the release. &amp;nbsp;The concert promotion world is making this digital transition as well. &amp;nbsp;









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&lt;!--StartFragment--&gt;&lt;span style=&quot;color: #646553; font-family: &amp;quot;Times New Roman&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-no-proof: yes;&quot;&gt;Artists and venues are partnering with online sites to stream
live performances that give fans who can&#39;t attend a chance to feel like they
are there.&amp;nbsp; Is this going to become the
new norm?&amp;nbsp; Will promoters in the future
have to partner with streaming sites to broadcast their shows?&amp;nbsp; I for one actually hope to see this trend
become more popular and affordable enough for all concert venues to be able to
provide this to fans, especially since the economy prevents some from being able
to afford the joy of a live music event.&amp;nbsp;
Nothing would make me happier than to promote live events that include a
webcast so that all of my potential customers can feel included in the event,
and may be more likely to attend an event that I promote in the future.&amp;nbsp;&lt;/span&gt;&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/10/todays-digital-landscape.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-8143000883316911599</guid><pubDate>Sat, 29 Sep 2012 21:29:00 +0000</pubDate><atom:updated>2012-09-29T14:29:29.128-07:00</atom:updated><title>Foo Fighters Master the art of Social Media Marketing</title><description>Now, I&#39;m sure I&#39;ve probably made it abundantly clear by now, the foo Fighters are my favorite band. &amp;nbsp;But I&#39;m not just a fan because of their music, I&#39;m a fan of the genius behind their marketing techniques. &amp;nbsp;If an up and coming band were to ask me how they should go about marketing their latest release or promoting their tour, I would tell them to go check out every possible Social Media account held by the Foo Fighters. &amp;nbsp;They use their sense of humor to produce promotional videos, release them via various Social Media outlets, and watch the fans go wild. &amp;nbsp;The band released little snippets of songs from last year&#39;s release &lt;i&gt;Wasting Light&lt;/i&gt;&amp;nbsp;on Facebook and Twitter before the release of the album, and posted photos and videos from the studio while recording it. &amp;nbsp;They personalize their Facebook posts to the cities that they visit while on tour, to bring the experience home to the fans. &amp;nbsp;I think that debut of &lt;i&gt;Wasting Light&lt;/i&gt;&amp;nbsp;at number one on the Billboard charts only goes to prove that the band is doing something right. &amp;nbsp;The are reaching out and making a connection with fans, and doing it the right way. &amp;nbsp;The more artists that get on board with this style of marketing, the more I think we will see a resurgence in album sales, and perhaps a new breath of life in the music industry.&lt;br /&gt;
&amp;nbsp;&lt;a href=&quot;http://jsdsgn.com/foo-fighters-rocking-the-social-media-world/&quot;&gt;http://jsdsgn.com/foo-fighters-rocking-the-social-media-world/&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.daily49er.com/opinion/the-foo-fighters-set-a-good-example-for-other-mainstream-artists-1.2538867#.UGdiiUL4ufQ&quot;&gt;http://www.daily49er.com/opinion/the-foo-fighters-set-a-good-example-for-other-mainstream-artists-1.2538867#.UGdiiUL4ufQ&lt;/a&gt;</description><link>http://srogers7d.blogspot.com/2012/09/foo-fighters-master-art-of-social-media.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-79636211752342438</guid><pubDate>Sun, 26 Aug 2012 22:21:00 +0000</pubDate><atom:updated>2012-08-26T15:21:46.125-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;br /&gt;
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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a
music group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The
judge in the case watched the movie and then ruled that the title was relevant
to the movie in that it described the main character’s chances of surviving his
battle with cancer. The ruling was that there was no similarity to the music
group, even though the name was the same.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://lawschoolinteractive.com/entertainment-law/&quot;&gt;http://lawschoolinteractive.com/entertainment-law/&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/  &lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_2966.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-1775029818139678401</guid><pubDate>Sun, 26 Aug 2012 19:59:00 +0000</pubDate><atom:updated>2012-08-26T12:59:16.314-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;!--StartFragment--&gt;

&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_9479.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-8026241417824673668</guid><pubDate>Sun, 26 Aug 2012 19:59:00 +0000</pubDate><atom:updated>2012-08-26T12:59:08.064-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;br /&gt;
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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_8830.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-1312531253889106988</guid><pubDate>Sun, 26 Aug 2012 19:59:00 +0000</pubDate><atom:updated>2012-08-26T12:59:01.748-07:00</atom:updated><title>Industry Expert Blog</title><description>






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  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;19&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
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&lt;!--StartFragment--&gt;

&lt;br /&gt;
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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_1316.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-7247800369883791530</guid><pubDate>Sun, 26 Aug 2012 19:58:00 +0000</pubDate><atom:updated>2012-08-26T12:58:24.900-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;br /&gt;
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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_2795.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-5838249350524038976</guid><pubDate>Sun, 26 Aug 2012 19:58:00 +0000</pubDate><atom:updated>2012-08-26T12:58:18.927-07:00</atom:updated><title>Industry Expert Blog</title><description>






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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_1330.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-5355964948009936186</guid><pubDate>Sun, 26 Aug 2012 19:58:00 +0000</pubDate><atom:updated>2012-08-26T12:58:11.431-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;br /&gt;
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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_7748.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-6425015801867797571</guid><pubDate>Sun, 26 Aug 2012 19:58:00 +0000</pubDate><atom:updated>2012-08-26T12:58:05.490-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;br /&gt;
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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_2987.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-1717075283084931077</guid><pubDate>Sun, 26 Aug 2012 19:57:00 +0000</pubDate><atom:updated>2012-08-26T12:57:57.514-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;!--StartFragment--&gt;

&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_4398.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-7199330709633328121</guid><pubDate>Sun, 26 Aug 2012 19:57:00 +0000</pubDate><atom:updated>2012-08-26T12:57:51.387-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;br /&gt;
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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_3384.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-2402300924802939693</guid><pubDate>Sun, 26 Aug 2012 19:57:00 +0000</pubDate><atom:updated>2012-08-26T12:57:46.472-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;!--StartFragment--&gt;

&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_9279.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-6077669347729889335</guid><pubDate>Sun, 26 Aug 2012 19:57:00 +0000</pubDate><atom:updated>2012-08-26T12:57:41.671-07:00</atom:updated><title>Industry Expert Blog</title><description>






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&lt;br /&gt;
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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog_26.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-4189934000728819722</guid><pubDate>Sun, 26 Aug 2012 19:57:00 +0000</pubDate><atom:updated>2012-08-26T12:57:21.248-07:00</atom:updated><title>Industry Expert Blog</title><description>






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I found these podcasts to be mostly
informative as to what is required to break into entertainment law, and what
qualities are most useful in this field of law. The ASU law blog commented on
the copyright infringement case filed last year by the tattoo artist who
designed and tattooed Mike Tyson’s face tattoo against Warner Brothers.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The suit was filed over the tattoo seen on Ed
Helm’s face in The Hangover 2, which is the same as the one Mike Tyson
has.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The artist was trying to block the
opening of the movie, but the hosts of the podcast state that the case will
likely be settled as parody and rule that the tattoo is fair use. As we know
now, the movie did open on time, which served as a major strike against the
tattoo artist. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;In the law school
interactive podcast, Larry Zerner uses Charlie Sheen’s contractual issues with
Two and a Half Men as an example of entertainment law at work. The law school
interactive podcast featured three entertainment lawyers who spoke about their
definition of entertainment law, and what is encompassed under this field.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;They also state that traditional law school
may not fully prepare a student for entertainment law.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;One tip that I thought was very good to hear
was that an entertainment lawyers ability to negotiate will be one of their
most powerful assets. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
Another case discussed in these
podcasts was a trademark case for a suit filed by Eastland Music Group over the
movie 50/50.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The group represents a music
group that uses the same name.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;The judge
in the case watched the movie and then ruled that the title was relevant to the
movie in that it described the main character’s chances of surviving his battle
with cancer. The ruling was that there was no similarity to the music group,
even though the name was the same.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.entertainmentlawupdate.com/&quot;&gt;http://www.entertainmentlawupdate.com/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&quot;&gt;http://best.arclg.com/2012/03/podcast-introduction-to-arc-law-group.html&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 200%;&quot;&gt;
&lt;a href=&quot;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&quot;&gt;http://www.sportsandentertainmentlawblog.com/2011/05/the-asu-sports-entertainment-law-podcast-ep-3/&lt;/a&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;</description><link>http://srogers7d.blogspot.com/2012/08/industry-expert-blog.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-3823447567553729152</guid><pubDate>Sat, 04 Aug 2012 23:05:00 +0000</pubDate><atom:updated>2012-08-04T16:09:31.407-07:00</atom:updated><title>Legal Controversy in the Industry Today</title><description>Several lawsuits have been filed recently against record labels that have allegedly taken millions from artists by mislabeling digital music sales as &quot;sales&quot; instead of &quot;licenses&quot;. &amp;nbsp;Sales carry a much lower royalty rate than licenses, and artists claim to be losing massive amounts of money from this process. A lawsuit filed by Eminem against Aftermath records has brought the most light to this situation, after his legal team provided audits that showed that Aftermath had claimed more than $3 million in royalties that should have gone to Eminem. &amp;nbsp;The judge ruled that digital music should be considered a license. &amp;nbsp;This means that millions of artists could stand to gain a significant amount of money from labels that have not been treating digital sales as such.&lt;br /&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
I personally think that this decision is great for artists, as I have long felt that for the most part artists do not get enough from the sales of their music. &amp;nbsp;Treating digital sales as a license will mean higher earnings and hopefully a repayment to artists that have lost a significant amount of money from this situation.&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;a href=&quot;http://musiciancoaching.com/music-news-2012/lawsuits-sesac-columbia-records-march-4/&quot;&gt;http://musiciancoaching.com/music-news-2012/lawsuits-sesac-columbia-records-march-4/&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;a href=&quot;http://www.nytimes.com/2011/03/28/business/media/28eminem.html?_r=1&amp;amp;pagewanted=all&quot;&gt;http://www.nytimes.com/2011/03/28/business/media/28eminem.html?_r=1&amp;amp;pagewanted=all&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
Another possible major lawsuit that is being discussed is that of Music industry groups such as the RIAA and the IFPI filing an anti-trust suit against good for not prioritizing its search results to make legal music sites top matches and make piracy sites appear lower in order to make it more cumbersome for users to find piracy sites. &amp;nbsp;Google has already taken steps to cooperate with anti-piracy efforts by removing over 5 million copyright-infring sites from its results, but apparently the music industry does not feel they are doing enough. &amp;nbsp;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
In this situation, I hope that the industry doesn&#39;t file suit. Google has shown that they will work with the industry to fix what they can. &amp;nbsp;If Google periodically goes through and removes sites that are serious offenders from its results, and continues working with the industry to improve its search results, I see no reason for the industry to even threaten this suit. &amp;nbsp;I personally feel this makes the music industry look like they are trying to bully everyone.&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;a href=&quot;http://www.digitaltrends.com/music/music-industry-considers-lawsuit-against-google-over-piracy-search-results/&quot;&gt;http://www.digitaltrends.com/music/music-industry-considers-lawsuit-against-google-over-piracy-search-results/&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
And now for a topic that I have been following very closely. &amp;nbsp;Lamb of God frontman Randy Blythe&#39;s legal saga in the Czech Republic has seen major developments in the last few weeks. His last hearing saw his bail doubled, and he was finally released after 5 weeks of incarceration. &amp;nbsp;He still faces charges in the death of a fan in 2010, which could land him in prison for up to 10 years if he is convicted. &amp;nbsp;Evidence in the case suggests that it may have been a security guard at the venue and not Blythe that pushed the fan, and Blythe maintains that he never attacked anyone. &amp;nbsp;I will continue to follow the developments in this story, but for now I am happy that Blythe is able to return to the U.S. and resume his tour with his band, which had previously been canceled due to his incarceration, but will not commence in October.&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;a href=&quot;http://www.eonline.com/news/335296/lamb-of-god-singer-randy-blythe-bails-out-of-jail-still-faces-fan-death-charges&quot;&gt;http://www.eonline.com/news/335296/lamb-of-god-singer-randy-blythe-bails-out-of-jail-still-faces-fan-death-charges&lt;/a&gt;&lt;/div&gt;</description><link>http://srogers7d.blogspot.com/2012/08/legal-controversy-in-industry-today.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-8577214680721974967</guid><pubDate>Mon, 16 Jul 2012 16:15:00 +0000</pubDate><atom:updated>2012-07-16T09:34:05.865-07:00</atom:updated><title>Lamb Of God Frontman Being Held in Czech Republic for Manslaughter</title><description>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Lamb of God Frontman Randy Blythe was arrested on June 27&lt;sup&gt;th&lt;/sup&gt;
at the airport in Prague as his band was arriving to play a show in the city
for a possible Manslaughter charge.&amp;nbsp; The
alleged incident occurred in 2010 while the band was touring in the Czech
Republic, as a fan climbed on stage multiple times and was repeatedly blocked
by security.&amp;nbsp; Blythe was alleged to have
pushed the fan back into the crowd on one attempt, when the fan hit his head,
suffered a brain hemmorage that left him in a coma, and eventually led to his
death. Since his arrest, video evidence has been released that may possibly
clear Blythe in the incident.&amp;nbsp; The video
shows a security guard throwing the fan to the floor.&amp;nbsp; Czech authorities have argued that the
sequence of songs in the video does not line up with the set list from the show
in question.&amp;nbsp; I find it strange that
neither the promoter of the show, nor anyone associated with the band were
notified of the incident at the time that it occurred, and that no one
associated with the band was made aware of the situation in any manner until
Blythe was arrested.&amp;nbsp; I feel horrible for
the family of the fan that died, but I have not seen anything that indicates
that Blythe should be held solely responsible for the death. Randy posted bail
to the tune of $200,000 USD but will not be release until at least July 19,
when he will go before a 3 judge panel to have his bail either upheld or annulled.
Keep in mind that a formal charge has not yet been filed. While I am the first
to admit that I am very unfamiliar with the Czech legal system, this process
seem highly flawed, to say the least. This is a story that I will be following
very closely, and will hoping for Blythe’s exoneration in this incident.&amp;nbsp; I feel that the fan had no business rushing
the stage in the first place, and while it is tragic that he died, the
responsibility for his actions should be place only on him.&amp;nbsp;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;a href=&quot;http://loudwire.com/randy-blythe-bail-hearing-court-date-can-remain-imprisoned-for-6-months-if-denied/&quot;&gt;http://loudwire.com/randy-blythe-bail-hearing-court-date-can-remain-imprisoned-for-6-months-if-denied/&lt;/a&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
</description><link>http://srogers7d.blogspot.com/2012/07/lamb-of-god-frontman-being-held-in.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-332989269110910870</guid><pubDate>Sun, 17 Jun 2012 21:47:00 +0000</pubDate><atom:updated>2012-06-17T14:49:13.261-07:00</atom:updated><title>Interview with Jacob Yowell</title><description>I recently interviewed Jacob Yowell of local band 8 Balls and a Box to discuss the challenges of being your own booking agent. &amp;nbsp;Here is what he had to say on the subject.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;What have you found
to be the most difficult aspect of a negotiation when booking a gig?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The most
difficult thing I’ve seen is that when you’re not big enough for everyone to
know who you are, it’s harder to get everything you want out of a deal.&amp;nbsp; You sort of have to kind of prove yourself
with maybe a less than perfect deal a few times before you have real pull.&amp;nbsp; Anyone can talk, and some people are very
good at talking themselves up, but I’ve found that backing up your talk, and
being a man of your word, and delivering more than you say you will are the
real keys to being successful.&amp;nbsp; I’ve found
that the second time you deal with someone about booking a gig is a lot easier
than the first, it’s a lot easier to get what you want.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Has there been any
particular experience that was especially trying or made you feel like you
would not be able to successfully negotiate a deal?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I have not
really had any experience where I thought we couldn’t reach a deal.&amp;nbsp; It’s all about being flexible, and sometimes
dealing with a less than perfect deal to get your name out there, at least at
first.&amp;nbsp; After that, once you’ve proven
yourself, it becomes a lot easier because you sort of have a record of
successes (and maybe a failure or two) to show to someone and say, “look at
what we’ve done.&amp;nbsp; This is what we can
offer you, and what we can deliver.”&amp;nbsp; And
then it becomes easier to get what you want out of a deal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;What about an
experience that made you feel as though your skills as a negotiator were
particularly strong?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; There have
been two times that come to mind here.&amp;nbsp;
Both have been gigs where a certain price to be paid for the gig had
been established, and we came in and did what we do, played the shows, they
were very successful, and we ended up getting paid more than the price we had
settled on.&amp;nbsp; That felt good because we exceeded
the expectations of the club owner, and in turn, we were well taken care
of.&amp;nbsp; Then when it was time to set up the
next gig there, we were able to work out more money from the start, because the
last time had gone well.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;What do you feel is
the key to successfully negotiating an agreement for a gig?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I think
that knowing what you’re worth, knowing what you can deliver on, having
confidence in yourself and what you can do, along with a certain amount of
humility, are the two biggest things.&amp;nbsp;
You have to have a certain bottom line, for instance, you won’t settle
for less than a certain amount for a gig, whatever that number may be, based on
what you know you can bring to the club owner or whomever you may be working
with.&amp;nbsp; And you also have to take into
consideration that the club owner may not have seen you before, or may not have
heard of you, and therefore doesn’t know what you can bring.&amp;nbsp; You may think you’re the greatest musician in
the world, but they may not know that, so you have to have a certain amount of
humility to say, I’ll give some slack the first time we’re here, to show what
we can do.&amp;nbsp; You have to be confident
without being arrogant, and let the performance speak for you, and then the
next time you deal with that person, you can press harder for more because you
have shown that you will hold up your end of the bargain.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;What advice would you
offer to anyone entering your industry who feels that they are not a
particularly strong negotiator?&amp;nbsp; How will
this help them to achieve success?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Just do
it.&amp;nbsp; The first couple of times it can be
nerve wracking, but like anything in life, the more you practice and do
something, the easier it becomes.&amp;nbsp; Be
confident in your abilities to get done what you say you will, and working out
the details will become easy.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;</description><link>http://srogers7d.blogspot.com/2012/06/i-recently-interviewed-jacob-yowell-of.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-364771623036006302.post-6101038313361837145</guid><pubDate>Mon, 07 May 2012 01:47:00 +0000</pubDate><atom:updated>2012-05-06T18:47:27.815-07:00</atom:updated><title>Gun N&#39; Roses and the Rock and Roll Hall of Fame</title><description>By now we have all heard about the recent spectacle and drama surrounding Guns N&#39; Roses being inducted into the Rock and Roll Hall of Fame. &amp;nbsp;In case you haven&#39;t here is the short version, Fans have been hoping for years that a GNR induction would lead to a long awaited reunion of the original lineup. With the announcement of their addition to the Class of 2012, fans hopes were sparked that the former bandmates would be able to put aside their differences and play together one more time. &amp;nbsp;Axl Rose then shattered these hopes for fans by writing a public letter to the Hall of Fame declining his induction and stating that he would not be attending. &amp;nbsp;Fans were now left with no hope for a reunion, and little hope that they would even get to see a performance from some of the original members. &amp;nbsp;The night of the induction, original members Slash, Duff McKagan, and Steven Adler showed up with other former members Matt Sorum and Gilby Clarke to accept their induction, then surprised the crowd by performing three songs with Alter Bridge frontman Myles Kennedy on vocals, the crowd seemed to forget the most hated man of the hour (F- Axl was a commonly shouted phrase by fans that night), and went wild for the semi-reunion led by Kennedy&#39;s spot on vocals. &amp;nbsp;While I was personally thrilled, as I&#39;m a big fan of Kennedy, and had called that he would end up singing with them at the ceremony to many friends, what I have to wonder, is what impact will this have on the current Guns N&#39; Roses lineup? They&#39;ve been selling tickets like crazy for their recent US tour, but will this incident leave a sour taste in the mouths of fans for the next run? Will Axl&#39;s refusal to bury the hatchet to give the fans their biggest wish leave fans feeling betrayed by the temperamental frontman? I suppose only time will tell, but I know that I for one would not step foot into a GNR show after such childish behavior. On the other hand, I would definitely tip my hat to the rest of the band for coming together and trying to make something really cool happen for fans.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.hollywoodreporter.com/news/guns-n-roses-perform-rock-and-roll-hall-of-fame-myles-kennedy-axl-rose-312396&quot;&gt;http://www.hollywoodreporter.com/news/guns-n-roses-perform-rock-and-roll-hall-of-fame-myles-kennedy-axl-rose-312396&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.nytimes.com/2012/04/16/arts/music/rock-and-roll-hall-of-fame-inducts-guns-n-roses-beastie-boys-and-red-hot-chili-peppers.html&quot;&gt;http://www.nytimes.com/2012/04/16/arts/music/rock-and-roll-hall-of-fame-inducts-guns-n-roses-beastie-boys-and-red-hot-chili-peppers.html&lt;/a&gt;</description><link>http://srogers7d.blogspot.com/2012/05/gun-n-roses-and-rock-and-roll-hall-of.html</link><author>noreply@blogger.com (Sarah Rogers)</author><thr:total>0</thr:total></item></channel></rss>