<?xml version="1.0" encoding="UTF-8" standalone="no"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-5795540</atom:id><lastBuildDate>Fri, 25 Oct 2024 08:48:23 +0000</lastBuildDate><category>the lisps</category><category>video</category><category>#newmusical</category><category>shameless self-promotion</category><category>music is free</category><category>the future</category><category>composition</category><category>musical theater</category><category>Savoir Faire</category><category>FUTURITY</category><category>science fiction</category><category>tour</category><category>art</category><category>electronic 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theater</category><category>improvisation</category><category>intelligence</category><category>john oswald</category><category>labels</category><category>love</category><category>luke winslow-king</category><category>manifesto</category><category>mcluhan</category><category>mixtape</category><category>music as drama</category><category>my dad</category><category>nico muhly</category><category>noise</category><category>nonprofit</category><category>nordic larp</category><category>not a review</category><category>parson redheads</category><category>participatory theater</category><category>pedagogy</category><category>philosophy</category><category>poetry</category><category>princeton</category><category>proposals</category><category>recordings</category><category>rhythm</category><category>riaa boycott</category><category>sadie plant</category><category>scary mansion</category><category>shinkoyo</category><category>sohorep</category><category>speculative fiction</category><category>surveillance</category><category>sustainability</category><category>syllabus</category><category>the fancy</category><category>the pipettes</category><category>the subway band</category><category>traditional</category><category>vague angels</category><category>velvet underground</category><category>vote</category><category>world music</category><title>music is free now</title><description>Website of composer, lyricist and playwright César Alvarez.</description><link>http://musicisfreenow.blogspot.com/</link><managingEditor>noreply@blogger.com (César)</managingEditor><generator>Blogger</generator><openSearch:totalResults>202</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><language>en-us</language><itunes:explicit>no</itunes:explicit><itunes:image href="http://photos1.blogger.com/blogger2/3796/707/1600/musicisfreeBG.jpg"/><itunes:keywords>experimental,music,iPod,mashup,criticism,philoshopy,new,york,composer</itunes:keywords><itunes:summary>Music is Free Now is the (mostly) audio blog of composer César Alvarez. Experimental compositions, improvisations, mashups, conceptual projects, and music from his band The Lisps.</itunes:summary><itunes:subtitle>Music is Free Now is the (mostly) audio blog of composer César Alvarez. Experimental compositions, improvisations, mashups, conceptual projects, and music from his band The Lisps.</itunes:subtitle><itunes:category text="Music"/><itunes:category text="Arts"><itunes:category text="Performing Arts"/></itunes:category><itunes:category text="Technology"><itunes:category text="Podcasting"/></itunes:category><itunes:category text="Society &amp; Culture"><itunes:category text="Philosophy"/></itunes:category><itunes:author>César Alvarez</itunes:author><itunes:owner><itunes:email>cesar@cesaralvarez.net</itunes:email><itunes:name>César Alvarez</itunes:name></itunes:owner><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-1509333315081559728</guid><pubDate>Mon, 29 Jun 2020 16:11:00 +0000</pubDate><atom:updated>2020-06-29T12:11:19.451-04:00</atom:updated><title/><atom:summary type="text">For up to date music, and information about César Alvarez please visit cesaralvarez.net

This site is no longer active.
</atom:summary><link>http://musicisfreenow.blogspot.com/2020/06/for-up-to-date-music-and-information.html</link><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-7077737141370707456</guid><pubDate>Thu, 26 Oct 2017 15:53:00 +0000</pubDate><atom:updated>2017-10-26T12:00:44.936-04:00</atom:updated><title>César Alvarez and Sarah Benson talk FUTURITY on NPR (The Leonard Lopate Show)</title><atom:summary type="text">


&amp;nbsp;photo credit: Ben Arons courtesy of Soho Rep/Ars Nova








</atom:summary><link>http://musicisfreenow.blogspot.com/2017/10/cesar-alvarez-and-sarah-benson-on-npr.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5eXcV-TBbNEWHK8IOwSQ04AgeKzYWwSHsIkfJCmgpwNqAJltC7mUyPrZgwraTSjQjtNbXQsPsk_cs8xAxeo4SpHNr_WQM8QXcx4RappIR2qksp5m5lV5So67Lv3kPtmj_GQic/s72-c/02_Steambrain_BenAronsPhotography.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-7700613464310630938</guid><pubDate>Wed, 27 Sep 2017 02:23:00 +0000</pubDate><atom:updated>2017-11-13T14:33:40.091-05:00</atom:updated><title>Working in the Theatre: Polyphone</title><atom:summary type="text">The American Theater Wing made a mini-documentary about Polyphone, which is a festival for new musicals I founded with Joanna Settle in 2015 at The University of the Arts in Philadelphia.




Watch on Vimeo
Watch on YouTube</atom:summary><link>http://musicisfreenow.blogspot.com/2017/09/working-in-theatre-polyphone.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOjSJAmTZqaIxt5wtsvQS8SOfcUATht78wysE-Tss2ZM3b2oNI9Q5znlmCecF_oHm8-z_cq6w6l372QXhABu4TDYyRD1AUrg6KFDMOjqMJoyuAYYPIz9IXbkWIPsrAdQkDzMHg/s72-c/polyphone+doc+embed+shot.tiff" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-4887665904248731547</guid><pubDate>Tue, 26 Sep 2017 20:32:00 +0000</pubDate><atom:updated>2017-11-13T14:36:19.890-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#newmusical</category><category domain="http://www.blogger.com/atom/ns#">#smallhat</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">nordic larp</category><category domain="http://www.blogger.com/atom/ns#">participatory theater</category><category domain="http://www.blogger.com/atom/ns#">science fiction</category><title>Musical Theatre of the Future</title><atom:summary type="text">In February 2017 I went to Norway to talk to experimental LARP designers about making a participatory space musical. I got to share a lot of my beliefs about musicals, participatory theater and transforming the civic sphere with art. You can watch:




Watch it on YouTube
Also check out Lizzie Stark's primer on Nordic Larp HERE.</atom:summary><link>http://musicisfreenow.blogspot.com/2017/09/musical-theatre-of-future.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Uw_gUxnqG9y6k9tk_hiiZTTnYpe6muJ6TFGm-J2gb8jK0gH8oibnsBO5308X_ExipNIUVWO9Rb8PgC9DwKH8DsiF0SdAnlXVzicS1gqDF03BfyDYVS-A6ovoZbnMaBnjP4wZ/s72-c/nordic+larp+talk+embed+shot.tiff" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-8982735930838464699</guid><pubDate>Thu, 09 Mar 2017 16:41:00 +0000</pubDate><atom:updated>2017-03-09T11:41:55.989-05:00</atom:updated><title>The Skin of Our Teeth at Theatre for a New Audience</title><atom:summary type="text">

Eric Farber and Fred Epstein | Photo by Henry Grossman&amp;nbsp;



Photo by Henry Grossman



Photo by Henry Grossman

I wrote original music including 4 songs for TFANA's production of The Skin of Our Teeth by Thornton Wilder.&amp;nbsp;This play summons the eternal story of how humans endure total catastrophe. After working on it for months I feel like I finally arrived at its key insight: that our </atom:summary><link>http://musicisfreenow.blogspot.com/2017/03/the-skin-of-our-teeth-at-theatre-for.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv2YyaA9qFlPxYUGddgIgX7crrVHwxsz1mw6jWY8gi8RSFNqxLjrBwqeJRlbc_iNSnhBogY5IvBS5oNhcfaXTICcA0_RBJjgsbbio27J7YAZ36JZ9u0szID-CvUGffFrJNC3Cm/s72-c/Skin+Dino+Photo.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-961196193507670242</guid><pubDate>Thu, 09 Mar 2017 15:38:00 +0000</pubDate><atom:updated>2017-03-09T10:38:11.115-05:00</atom:updated><title>NOISE</title><atom:summary type="text">

Jenna Rush | Photo by Eric Wolfe





Photo by Eric Wolfe



Photo by Eric Wolfe

NOISE was inspired by a little piece of critical theory, which proposes that music, as the organization of noise, was the earliest expression of civilization. And if music precedes all forms of political economy, it follows that we should be able to make a musical which designs a new and better society.   Right?</atom:summary><link>http://musicisfreenow.blogspot.com/2017/03/noise.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnDDE_nxBBNXIkKav80YyH4nQM4V7PUT2rvW15Jo7a9JwU24XMx2x34ovpIO2cEsa9yyjlG01Vjv1swjcFzDkUJTZLxKMKS1KmKgMouTeDsNi09oTa8WXTGZ5VRxyMpQrjSWjQ/s72-c/Jenna_Cropped.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-73888953500601536</guid><pubDate>Fri, 19 Aug 2016 20:01:00 +0000</pubDate><atom:updated>2016-09-20T11:07:11.992-04:00</atom:updated><title>The Elementary Spacetime Show</title><atom:summary type="text">

photo by Eric Wolfe











“The universe doesn’t care if you live. It just doesn’t want you to die as the result of a false impression."

The Elementary Spacetime Show
Music, Book and Lyrics by César Alvarez
Directed by Andrew Neisler
Choreography by Sonya Tayeh and Ben Hobbs
September 10-24, 2016

Co-presented by The University of the Arts and FringeArts
TICKETS AND INFO HERE

REVIEWS:
The</atom:summary><link>http://musicisfreenow.blogspot.com/2016/08/the-elementary-spacetime-show.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAmhjxVXfif-aKhTIC7DYwicYIBuYG_UjksUQX9MVp8UIxWfWYvjSMEADwXpy3StaS2DvJsVEr1p18yQ0WZCcSFg-cVaHTmzDfyO5apvQhpkD5SQtNNLDE8GIvKzxu5SfMz4gg/s72-c/Alvarez_160527_low-res-1200x801.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-8311842121372370670</guid><pubDate>Tue, 24 Nov 2015 20:14:00 +0000</pubDate><atom:updated>2016-07-27T12:15:52.832-04:00</atom:updated><title>FUTURITY</title><atom:summary type="text">

Sometimes you come up with an idea, and you work on it for eight years. And a bunch of wonderful people start to believe in you, and help you, and it grows and grows and grows. And you see it slowly turn into the thing that you always wanted it to be. It is an incredible feeling. When you finally see it fully-formed it makes all the heartaches,&amp;nbsp;stomach aches,&amp;nbsp;and difficulties you </atom:summary><link>http://musicisfreenow.blogspot.com/2015/11/futurity.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFsk_vlejxlxYa3aOOcRCcTwhkU9ogGEpFdZKDBEWyicJz_ftVNDzRRJI-kOWOjDxPyM8fuvmNIjslhJEwhpiCDTNVi9tibrZYM6822iGiQfD91wNWsfp1T3_YyKN_VTWiw2cE/s72-c/Futurity_Web_Brain.png" width="72"/><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-1122094477426660142</guid><pubDate>Fri, 13 Mar 2015 01:42:00 +0000</pubDate><atom:updated>2015-03-12T21:43:52.693-04:00</atom:updated><title>Washeteria</title><atom:summary type="text">

&amp;nbsp;



This is a song from my episode of Washeteria:
 A site specific, immersive theater piece for children. Louisa Thompson 
designed a fantastical laundromat inside an former auto parts store 
in Brooklyn. I wrote a mini-musical for the piece. My episode (Directed by the luminous Annie Tippe) is called Consuela and the Great Genie of The Laundry Bag. It's about a woman trapped inside a </atom:summary><link>http://musicisfreenow.blogspot.com/2015/03/washeteria.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivtmtrLwaOa4ySLHCqJUz_v0PZZ4u9EG_MWRwD8Y0Guf2bTwZEYnMvswFPQIYUg8c7wzCF3nqnHOcp_9gqimEU_aSFQ8AwwzRELmhPFmUhEae8MbRJDCsrUgElZEgWDcHJYL4_/s72-c/WASH-after-620x383.jpeg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-1330844461962172902</guid><pubDate>Tue, 14 Oct 2014 21:27:00 +0000</pubDate><atom:updated>2014-10-14T17:29:10.321-04:00</atom:updated><title>Ursula K Le Guin on Science Fiction</title><atom:summary type="text">
"Truth is a matter of the imagination" - Ursula K Le Guin


Image Credit - The Left Hand of Darkness by David Lane








I recently read Ursula K Le Guin's legendary novel&amp;nbsp;The Left Hand of Darkness. In the introduction she lays out a really compelling meditation on the role of science fiction in culture. &amp;nbsp;As we are ever more altered by our technology, it bears repeating that the </atom:summary><link>http://musicisfreenow.blogspot.com/2014/10/ursula-k-le-guin-on-science-fiction.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXsZKToY-NMzFGmSa3Nop7ymKkgXoDRGsA6Zb03JZXBbzV4d7B-H1Qn0he0zyxUaWw0C_50v5ytGy9a7c22gQIS80hqWq08A5Q9-uzEnTDWSYRyH5qykentjCQ4v5gYGWNtmFy/s72-c/the-left-hand-of-darkness-david-lane+(1).jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-6477483343059015282</guid><pubDate>Fri, 26 Sep 2014 06:10:00 +0000</pubDate><atom:updated>2017-11-13T14:39:07.892-05:00</atom:updated><title>The Universe is a Small Hat - BABYCASTLES RESIDENCY</title><atom:summary type="text">


The Universe is a Small Hat is a multiplayer immersive musical that tells the story of a space colony leaving earth in order to devise a more rational society. I've been developing this piece for two years now, and it isn't quite like anything I've ever created or experienced. Part game, part performance, part social experiment, part Utopian concept album, part party. We can't make the piece </atom:summary><link>http://musicisfreenow.blogspot.com/2014/09/the-universe-is-small-hat-babycastles.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCl37CIo_wz6r_B8plvYHs3MnH0XMW9tP9FQIakfLqZjdOxtu-VVW5aQKAPgxMRaY8xIWDLSihTsrit7eQJfnamvHDW4HVVEL4NkHHW49PiTca_j9vThEgea1QgQm0W9qaujv2/s72-c/Torus.png" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-4248352488752938930</guid><pubDate>Fri, 26 Sep 2014 05:42:00 +0000</pubDate><atom:updated>2014-09-26T01:43:30.156-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">composition</category><category domain="http://www.blogger.com/atom/ns#">demo</category><category domain="http://www.blogger.com/atom/ns#">nytimes</category><category domain="http://www.blogger.com/atom/ns#">sohorep</category><title>An Octoroon</title><atom:summary type="text">


From left, Chris Myers, Danny Wolohan and Amber Gray. Credit Pavel Antonov&amp;nbsp;






Composing for Branden Jacobs-Jenkins' An&amp;nbsp;Octoroon at Soho Rep this past spring was one of the most exhilarating artistic experiences of my life. The song I wrote for the end was meant to be a moment of healing or reflection after the intense discomfort and insane melodrama that the play intentionally </atom:summary><link>http://musicisfreenow.blogspot.com/2014/09/an-octoroon.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG3QYyHIl4Ag2CwtJKNe_VGMqGpQTrhKIv_lqqY35wdkzY51A4simw5DpjKN50LMJ4oIDZNys2VV4P_o7qGTCHu6O2qqOiIAMGyKUZZJuWZOWNzBSo61eyRxhyphenhyphenKVFmo_5ti1yX/s72-c/jpoctoroon-articleLarge-v2.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-8830201667966497792</guid><pubDate>Tue, 16 Jul 2013 23:08:00 +0000</pubDate><atom:updated>2014-09-26T02:10:57.627-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#newmusical</category><category domain="http://www.blogger.com/atom/ns#">auto-tune</category><category domain="http://www.blogger.com/atom/ns#">game design</category><category domain="http://www.blogger.com/atom/ns#">immersive theater</category><category domain="http://www.blogger.com/atom/ns#">musical as drama</category><category domain="http://www.blogger.com/atom/ns#">new york times</category><category domain="http://www.blogger.com/atom/ns#">post-scarcity</category><category domain="http://www.blogger.com/atom/ns#">science fiction</category><category domain="http://www.blogger.com/atom/ns#">theater</category><title>The Universe is a Small Hat - 1st Play Test</title><atom:summary type="text">Engineering meaningful participatory theater.

Photos by Nora Mericicki from the Berkeley Rep Ground Floor workshop/playtest June 21, 2013.&amp;nbsp;



The Witness Training. Safiya Fredericks (background) as The Founder and audience member/colonist Melissa Nigro







During my time in The Civilians R and D Group&amp;nbsp;and the Berkeley Rep Ground Floor Program I have been studying how to turn the </atom:summary><link>http://musicisfreenow.blogspot.com/2013/07/the-universe-is-small-hat.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWRpmd2y3dwyM72g2zQTr4he2vlareMO3g71oHXWOTtQk_hiycfhpluQJoVmzMM5aZEZtol9DAZPlG7V4rcL7WHqJWWKD2WsKwSrbh9HDiK9xwkNb_KMAO3xlIgY_mzN1HP0Zl/s72-c/groundfloor-mr-8276.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-7113300557394511764</guid><pubDate>Wed, 15 May 2013 03:34:00 +0000</pubDate><atom:updated>2013-05-15T10:22:11.166-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#newmusical</category><category domain="http://www.blogger.com/atom/ns#">concert</category><category domain="http://www.blogger.com/atom/ns#">Dave Malloy</category><category domain="http://www.blogger.com/atom/ns#">musical as drama</category><category domain="http://www.blogger.com/atom/ns#">musical theater</category><category domain="http://www.blogger.com/atom/ns#">not a review</category><category domain="http://www.blogger.com/atom/ns#">opera</category><category domain="http://www.blogger.com/atom/ns#">song</category><category domain="http://www.blogger.com/atom/ns#">theater</category><title>Natasha, Pierre and The Great Comet of 1812</title><atom:summary type="text">14 Reasons I Love Dave Malloy's Opera based on War and Peace.



Phillipa Soo as Natasha in NATASHA PIERRE AND THE GREAT COMET OF 1812, Photo By Chad Batka




You get perogies and vodka.



Dave uses bass clarinet, english
 horn, and gut rumbling club music all in the same piece.



One scene inside of the opera is a hilarious parody of an opera.



A bunch of the actors, and almost all of the </atom:summary><link>http://musicisfreenow.blogspot.com/2013/05/natasha-pierre-and-great-comet-1812.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC0kbGfZkGxwpFY0lnhyphenhyphenN4pwlcH5olrBIXvT_QKER8GRzWDlOwCAcwwGCVj1ICFTKccHAyEs1rpfa6aLdpP532P5idI4GJPJIZnjAHzn0MYntj-eIGWPKK8ad5u_d4QD5U0Cc5/s72-c/Phillipa+Soo+as+Natasha+in+NATASHA+PIERRE+AND+THE+GREAT+COMET+OF+1812,+Photo+By+Chad+Batka.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-1982712995475755478</guid><pubDate>Mon, 01 Apr 2013 17:05:00 +0000</pubDate><atom:updated>2013-04-01T13:05:23.304-04:00</atom:updated><title>It's Better With a Band</title><atom:summary type="text">


The Lisps and I are featured in the April 2013 cover story of American Theatre Magazine. The article, by Rob Weinert-Kendt, offers some nuanced insight into the emerging musical. Here's an excerpt:





It’s a funny thing, what’s happened to the word “musical.” Like “novel,” this simple adjective has grown into a giant noun encompassing an entire art form. But even as the term has inflated, </atom:summary><link>http://musicisfreenow.blogspot.com/2013/04/its-better-with-band.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0ARfgYs74n9A-UFi5GzuEN0hqHPt1ApM-6SrDBohOt1bpQPKrrnDosDF7HB2MKITjrEtK0yplFpTQm4aL0DlMllvMwyjRUk_cgcXw4GpK59QXtMou0SddVGNC5yP-_D3eU-Gw/s72-c/544092_10151519046829216_1750167438_n.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-5781789212985595986</guid><pubDate>Sun, 03 Feb 2013 20:24:00 +0000</pubDate><atom:updated>2013-05-14T23:15:43.170-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#newmusical</category><category domain="http://www.blogger.com/atom/ns#">Brecht</category><category domain="http://www.blogger.com/atom/ns#">composition</category><category domain="http://www.blogger.com/atom/ns#">musical as drama</category><category domain="http://www.blogger.com/atom/ns#">musical theater</category><category domain="http://www.blogger.com/atom/ns#">shameless self-promotion</category><category domain="http://www.blogger.com/atom/ns#">the lisps</category><title>The Good Person of Szechwan</title><atom:summary type="text">



It's been an absolute revelation working with the cast and creative team on this show. I wrote 7 songs for the production and the other members of the Lisps will be on stage rocking every night.
Here's a demo/download of one of my songs from the show:




La MaMa presents the Foundry Theatre&amp;nbsp;production&amp;nbsp;of&amp;nbsp;
Bertolt Brecht's The Good Person of Szechwan.
Directed by Lear </atom:summary><link>http://musicisfreenow.blogspot.com/2013/02/the-good-person-of-szechwan.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg66l_wVRFCNAXz06zdF4R1ePZEZowwJRIq6RtYB9DNgnN1KTIDGaOTC90lT7nGZHZbm1b0vLqdXJqXPHtb2HbKdZV2Kg1G-09_iMcLrhh_7ZysgjxfiD9FafMQOVAdCFmZxue3/s72-c/good+person.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-8421409708743242264</guid><pubDate>Sun, 23 Sep 2012 20:50:00 +0000</pubDate><atom:updated>2013-05-14T23:16:06.244-04:00</atom:updated><title>Album Release</title><atom:summary type="text">

Image by Emily Orling

After years of sweat, love, heartburn and emotional upheaval we've finally carved this joyful and unwieldy beast onto actual vinyl. Come out and enjoy heaps of recriminating banter and&amp;nbsp;cacophonous&amp;nbsp;merriment as we tell you the unlikely story of a Civil War soldier trying to save the world with a steam powered super brain. We are even going to cart out some of the</atom:summary><link>http://musicisfreenow.blogspot.com/2012/09/album-release.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOMLbgdMkYhoxAerKdRTbcS5l2uasRY-XMqQ2KICnahfEqcsBjj5O6i7CqcnxIkAL4vCa5NUlTTUGqvo5lqxMOAkHm0Hnnht9AN4IPadhpy5wmJeyM0FYyBGq6nwmlurKsBLsH/s72-c/FUTURITY_COVERART_WEB.jpg" width="72"/><thr:total>1</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-2016598264316226780</guid><pubDate>Thu, 24 May 2012 19:35:00 +0000</pubDate><atom:updated>2012-05-24T15:35:13.134-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">ancient music</category><category domain="http://www.blogger.com/atom/ns#">electronic music</category><category domain="http://www.blogger.com/atom/ns#">music is free</category><category domain="http://www.blogger.com/atom/ns#">ontology</category><category domain="http://www.blogger.com/atom/ns#">video</category><category domain="http://www.blogger.com/atom/ns#">world music</category><title>Ancient Music for the Future</title><atom:summary type="text">Here are 3 videos that have been hacking my own thoughts about music. All of them have a distinctive non-western approach to melody, harmony and rhythm, and they are each incredibly catchy. My jazz training has given me a feeling that chord changes are "the bones" of a song, but the more I look outside of western music the more I realize how melodic and rhythmic exploration inside of more static </atom:summary><link>http://musicisfreenow.blogspot.com/2012/05/ancient-music-for-future.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://img.youtube.com/vi/wk5c-VsKn1E/default.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-6453770299144124920</guid><pubDate>Wed, 15 Feb 2012 03:16:00 +0000</pubDate><atom:updated>2012-02-14T22:16:34.915-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#newmusical</category><category domain="http://www.blogger.com/atom/ns#">Ada Lovelace</category><category domain="http://www.blogger.com/atom/ns#">artificial intelligence</category><category domain="http://www.blogger.com/atom/ns#">events</category><category domain="http://www.blogger.com/atom/ns#">FUTURITY</category><category domain="http://www.blogger.com/atom/ns#">shameless self-promotion</category><category domain="http://www.blogger.com/atom/ns#">theater</category><title>World Premiere</title><atom:summary type="text">





Tickets and show times&amp;nbsp;HERE

</atom:summary><link>http://musicisfreenow.blogspot.com/2012/02/world-premiere.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIggA47sVxYEaE5lNDEry39T2_7YNXypis-VmMlGFXrqjgjMHct2AmfpeLlqtdhxoHVssIhk_OsuY7ttMgoiqRj2gxvXx2xEhzRVetHQzmOad14jYLikIrQ_U-ne4ZX_iDVGJw/s72-c/FUT_FLYERS_5.5X8.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-6829566409724191514</guid><pubDate>Sat, 03 Dec 2011 15:10:00 +0000</pubDate><atom:updated>2013-05-14T23:18:08.731-04:00</atom:updated><title>In Defense of The Musical</title><atom:summary type="text">

Hedwig Illustration by Alex Kittle



"It is nonsense to say what a musical should or should not be. It should be anything it wants to be, and if you don't like it you don't have to go to it. There is only one absolutely indispensable element that a musical must have. It must have music. And there is only one thing that it has to be – it has to be good."&amp;nbsp;



- Oscar Hammerstein II*&amp;nbsp;

</atom:summary><link>http://musicisfreenow.blogspot.com/2011/12/in-defense-of-musical.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHjGI3bVaNq06voZNLqR4R3xo0kj9mJEIdQUaObX3zJF_BSVFZ1v4Gx4ha4M3m7jgPgJqsW9nJAs1zXUMH8f7begoi2XKtSav7Gozr11xBb_ArUzSjgtSR1C6kwq_dr6Nu9ea7/s72-c/hedwig.jpg" width="72"/><thr:total>2</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-4998940664770440153</guid><pubDate>Thu, 01 Dec 2011 21:30:00 +0000</pubDate><atom:updated>2011-12-04T13:38:42.247-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#newmusical</category><category domain="http://www.blogger.com/atom/ns#">camp</category><category domain="http://www.blogger.com/atom/ns#">dorky post</category><category domain="http://www.blogger.com/atom/ns#">musical theater</category><category domain="http://www.blogger.com/atom/ns#">recordings</category><category domain="http://www.blogger.com/atom/ns#">theater</category><title>27 Cast Albums, Six Words Each</title><atom:summary type="text">



I listened to all of these cast albums in about a month. Here's a 6-word observation about each one.

1. Sweeney Todd&amp;nbsp;- (Angela Lansbury, Len Cariou) - This musical is a masterpiece. Period.

2. Sweeney Todd&amp;nbsp;- (Michael Cerveris, Patti LuPone) - Stripping it down is often best.

3. Urinetown - Songs should approach narrative more obliquely.

4. Avenue Q - The most obvious things are </atom:summary><link>http://musicisfreenow.blogspot.com/2011/11/27-cast-albums-six-words-each.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja0aHqRD3TAo4hgkw1psuySOHmCsRj3K4lJDvzOwcCS-iS4iMOX-QwUSag_QfXxbMkTQpQ8ntiNJM9XPeGeFS7pAJwuQKvY54oduGSCP1BYhIFYkGg2vE1ilw3-Bs0PiXG8lOl/s72-c/sonheim_hirschfeld+INVERT.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-2368866999784091566</guid><pubDate>Mon, 28 Nov 2011 19:10:00 +0000</pubDate><atom:updated>2013-05-14T23:20:13.548-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#newmusical</category><category domain="http://www.blogger.com/atom/ns#">Ada Lovelace</category><category domain="http://www.blogger.com/atom/ns#">FUTURITY</category><category domain="http://www.blogger.com/atom/ns#">musical theater</category><category domain="http://www.blogger.com/atom/ns#">shameless self-promotion</category><title>This Machine Creates Peace</title><atom:summary type="text">

FUTURITY at HERE by Sam Hough



Dear Friends, Family, and Readers,

Since 2007 I've been working on a musical called FUTURITY. Some of you have seen it and many of you have heard me yammering on about it. In a few months it will World Premiere and run for 5 weeks at American Repertory Theater in Cambridge, MA. This is a HUMUNGOUS deal for me, my band, and everyone that's been working on the </atom:summary><link>http://musicisfreenow.blogspot.com/2011/11/this-machine-creates-peace.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEgQNulE8TouIL0FpBt8Bn6oNgeTQwgik2VkXaYxwChUD10ufWomY1EQFr49sikncqIRCUN27rp-poXsth-uUxodAWw9LteCjn4ffa9dknioWvBYCoobW-m5IZPRl80bE6Kegb/s72-c/here_still_0.jpg" width="72"/><thr:total>0</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-5186664538876996164</guid><pubDate>Sun, 13 Nov 2011 20:23:00 +0000</pubDate><atom:updated>2011-11-19T10:38:44.668-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">economics</category><category domain="http://www.blogger.com/atom/ns#">electronic music</category><category domain="http://www.blogger.com/atom/ns#">Mathematics</category><category domain="http://www.blogger.com/atom/ns#">music is free</category><category domain="http://www.blogger.com/atom/ns#">ontology</category><title>Ontology of vibration: economics, music and number</title><atom:summary type="text">

Photo Cred

This is a podcast by Marcus Schmickler


"Is it possible to approach developments in music by its relationships with money? Can we gain insight into societies by means of their relationship to music? Music serves as a mirror, as a prophecy for society because it reflects developments faster than anything that materializes.&amp;nbsp;

There is an obvious simultaneity between music and </atom:summary><link>http://musicisfreenow.blogspot.com/2011/11/ontology-of-vibration-economics-music.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHtZO0tuNISlXFRzGTL8y3c-QcWoIK3zaMSEDoN6fSHcBXzU_mvpfruSHXWoWtV1-HL-75gXiA0i7Rianz6ZX4SFv-TW2yF3CEf3xz94k4zhBwf3W8LSsX3g61Vqh1KbkwDrmL/s72-c/audio_visualization.jpg" width="72"/><thr:total>1</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-2043522211915249974</guid><pubDate>Fri, 11 Nov 2011 18:52:00 +0000</pubDate><atom:updated>2013-05-14T23:18:27.809-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">#newmusical</category><category domain="http://www.blogger.com/atom/ns#">music as drama</category><category domain="http://www.blogger.com/atom/ns#">musical theater</category><category domain="http://www.blogger.com/atom/ns#">opera</category><category domain="http://www.blogger.com/atom/ns#">science fiction</category><category domain="http://www.blogger.com/atom/ns#">speculative fiction</category><category domain="http://www.blogger.com/atom/ns#">the future</category><category domain="http://www.blogger.com/atom/ns#">theater</category><title>List of Sci-Fi Musicals, Operas and Plays</title><atom:summary type="text">


photo of Via Galactica by John Michael Cox



Musicals:
Rocky Horror Show by Richard O'Brien (1972)
Via Galactica&amp;nbsp;by Christopher Gore, Judith Ross and&amp;nbsp;Galt MacDermot (1972)
Time by Dave Clark, David Soames, Jeff Daniels, and&amp;nbsp;David Pomeranz (1986)
Starmites by Barry Keating and Stuart Ross (1987)
Return to the Forbidden Planet by Bob Carlton (1989)
Metropolis by Joe Brooks and </atom:summary><link>http://musicisfreenow.blogspot.com/2011/11/list-of-sci-fi-musicals-operas-and.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx54zusiI8u80YC1f8A-uHLXSuMmpq0OgGbJG36eWgmNhXwkT5FPySQfzzZRWZboYyZw-yJJoaGjRMn8Qa-uOKgxFG7wiRXadIj34nlOjDu46liLZGNO4smmpEDBDSytU7MA9n/s72-c/viagalactica2.jpg" width="72"/><thr:total>2</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-5795540.post-3254543260417554519</guid><pubDate>Mon, 31 Oct 2011 21:26:00 +0000</pubDate><atom:updated>2015-06-03T15:42:55.092-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Bloomfield College</category><category domain="http://www.blogger.com/atom/ns#">education</category><category domain="http://www.blogger.com/atom/ns#">electronic music</category><category domain="http://www.blogger.com/atom/ns#">pedagogy</category><category domain="http://www.blogger.com/atom/ns#">syllabus</category><title>An Alternative Pedagogy for the 21st Century Musician</title><atom:summary type="text">


Student group - Fara Enclave (photo by César Alvarez)





In 2008 I was asked to teach a single course in the Music Tech division of the&amp;nbsp;Creative Arts and Technology Department at Bloomfield College called "Digital Audio Engineering 1." I approached the class as a composer, producer and sound artist assuming that most of my students would be primarily interested in figuring out the </atom:summary><link>http://musicisfreenow.blogspot.com/2011/10/alternative-pedagogy-for-21st-century.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjL75VJV2q7CfEHxgOpTb6QvrIfsoLrJoKmngqdEkdzLr_nkPu4KT_EKPP21yo0jC63dFqu6D766hm6iTOid_cbvevTPKJrSXxf-7Nbijkofu2-KZcGc6rPUYS8UEk1ejSMdXn/s72-c/IMG_5170.JPG" width="72"/><thr:total>3</thr:total><author>cesar@cesaralvarez.net (César Alvarez)</author></item></channel></rss>