Created From Silence – a four piece acoustic band from Scotland.

Formed in late 2008, when singer/songwriter Colin Taylor advertised for musicians on his MySpace page. He attracted first keyboard player Will Marshall and Rowan Petch on bass. Lastly, Will’s old friend Sandy Harley completed the line up on the drums. They have won WestSound Live 2009.

They have just been played on BBC Radio 6 by Tom Robinson and are performing at this years Wickerman Festival

Live 3 track demo which can be heard at on their MySpace page.

Here is a thread in the forums for Created from Silence.

He was born William Edward John in Cullendale, Arkansas, moving with his family to Detroit, Michigan when he was four.

Although barely over 5 feet in height his singing voice was moving. He achieved popularity amongst R&B fans in the 1950s and early 1960s and had already had 3 R&B top tens before the age of 18. He is most famous for the song “Fever” which was an important recording for him. It was his first record to cross over to the white market and enter Billboard’s Top 100 pop charts, where it debuted at position 50 in July 1956 and peaked at the 24th spot. Peggy Lee reworked the lyrics and recorded it in May of 1958. Her version rose to 8th position on the pop charts in August 1958 and quickly became a classic. Since then, “Fever” has been recorded by artists from nearly every musical genre, including pop, rock ‘n’ roll, country, folk, and soul in addition to R&B and jazz. Another of my favorites of his is “Need Your Love So Bad” which was covered by the original Fleetwood Mac and was a big hit in Europe.

Willie suffered from alcoholism and was known to carry a gun. In 1965 he was convicted of manslaughter for a stabbing in Seattle,and was sentenced to a 10-year prison term. He died under mysterious circumstances in Washington State Prison in 1968. He was just 30 years old at the time.

Although his life was short, his musical abilities were well respected by other artists like Jerry Butler, B.B. King and James Brown who recorded a tribute album Thinking Of Little Willie John… And A Few Other Nice Things. He also inspired Stevie Wonder and the Beatles.

Check out these new, up and coming acts that have had their music recorded and produced at Whitelight along with other established artists.

They include:

• Mozez who is about to release yet another album.
• Michael Arkk a renowned reggae musician who released an album “Easier Said”
• Zemmy a promising and talented singer, also winner of the Shure Creative Awards 2009
• Frank Joshua
• T’Rese

Some mp3 samples are displayed and rotated on the site.

I particularly like Zemmy.

The recording studio combines the best in digital and analogue technologies. It is spacious with plenty of daylight. It has been acoustically treated and has an open natural sound with accurate monitoring.

Whitelight Production is owned and run by Tony White. Tony is a multi-instrumentalist, playing acoustic and electric guitars, keyboards, bass , drums and percussion.

Tony started working with members of funk/soul band Rokoto after college. He also played live and in the studio with reggae band Exiles Intact, who’s members work with everyone from Finlay Quaye to William Orbit and Gnarls Barkley. At this time he did a lot of session work and played on records by top Jamaican artists such as Admiral Tibet.

He then moved to London. Tony toured the Gospel circuit, playing drums and guitar with top Gospel vocal group Channels of Praise which featured both Mozez and Michael Arkk. During this time he also formed a band with Argentinian keyboard maestro Natalio Faingold (Joan Armatrading) and drummer Errol Kennedy from eighties superstars Imagination. He also worked with The Fingertips – the band of the legendary ‘Fast’ Freddie Horton, managed by Dave Robinson of Stiff Records, with whom he recorded an album and played various venues including Wembley Arena as well as doing live Radio One sessions and many TV appearances. During this time he, along with Trevor White Bentley, composed and recorded music for BBC and Channel 4 television.

Since setting up his own studio some ten years ago Tony has created everything from dance, hip hop and RnB to rock, pop, reggae and jazz. Through the late nineties he had a string of dance and underground garage releases. His work has also featured on chill-out compilation albums from Hed Kandi and The Acid Lounge. Tony is comfortable within a huge range of musical genres and all these influences are present in a fluid and creative production style. Now working with a fantastic group of artists and writers he is getting Whitelight Production geared for mainstream success.

Cheltenham-born bohemian Brian Jones placed an advertisement on 2 May 1962 in the Jazz News inviting musicians to audition for a new R&B group. Ian Stewart was the first to respond, later singer Mick Jagger and his Dartford schoolmate, Keith Richards, joined. Later still, Bill Wyman on bass because he had a spare VOX AC30 guitar amp and cigarettes and they finally persuaded jazz-influenced Charlie Watts to join them.

Brian Jones was inspired by the blues, particularly Elmore James and Robert Johnson, and had named two of his four illegitimate sons Julian in tribute to the jazz saxophonist Julian “Cannonball” Adderley. Jagger and Richards loved the blues too, notably Jimmy Reed, Muddy Waters, and Howlin’ Wolf.

Jones was the leader – promoting the band and negotiating with venues – and he was more animated and engaging a performer than Jagger. While acting as manager, Jones received £5 more than the other members, which did not sit well with the rest of the band.

He played:

• Slide guitar on “I Wanna Be Your Man”, “Little Red Rooster”, and “No Expectations”
• Sitar on “Street Fighting Man” and “Paint It Black”; organ on “Let’s Spend the Night Together,” “Complicated,” and “2000 Man”
• Marimba on “Under My Thumb,” “Out Of Time” and “Yesterday’s Papers”
• Recorder on “Ruby Tuesday” and “All Sold Out”
• Saxophone on “Child of the Moon”;
• Appalachian dulcimer on “I Am Waiting” and “Lady Jane”
• Accordion on “Backstreet Girl”
• Saxophone, and oboe on “Dandelion”
• Harpsichord on “Lady Jane”
• Mellotron on “She’s A Rainbow”, “We Love You”, “Stray Cat Blues” and “2000 Light Years from Home”
• The autoharp on “You Got the Silver” – his final recording as a Rolling Stone

With Keith Richards, he performed “guitar weaving” from listening to Jimmy Reed albums – both of them playing rhythm and lead guitar without clear boundaries between the two roles.

His ability with a wide variety of instruments is evident on albums Aftermath (1966), Between the Buttons (1967) and Their Satanic Majesties Request (1967). Jones appears less frequently on Beggars Banquet (1968) and only briefly on Let it Bleed (1969).

Andrew Loog Oldham’s arrival as manager marked the beginning of Jones’s estrangement from the band. And this coupled with the toll from days on the road, the fame and the feeling of being alienated from the group resulted in Jones’s overindulgence in alcohol and other drugs. He frequently used LSD, pills, cannabis, and he drank heavily.

To the public it appeared as if Jones had left voluntarily however the rest of the band had asked to him to leave. Jones released a statement on 9 June 1969 saying, amongst other things, that “I no longer see eye-to-eye with the others over the discs we are cutting”. Jones was replaced by 20-year-old guitarist Mick Taylor (formerly of John Mayall’s Bluesbreakers).

At around midnight on the night of 2-3 July 1969, Jones was discovered motionless at the bottom of his swimming pool at Cotchford Farm in East Sussex.

He was 27; Jimi Hendrix, Janis Joplin, and Jim Morrison found their own drug-related deaths at the same age within two years (Morrison dying two years to the day after Jones). The coincidence of ages has been described as the “27 Club”.

Painter/novelist Brion Gysin first heard the Master Musicians of Joujouka, Sufi trance musicians from Morrocco at a festival in 1950. Entranced with the music’s sound, he was later led to the village by Moroccan painter Mohamed Hamri. Gysin, along with Hamri, brought Brian Jones to hear the village music in 1968. Jones recorded them and in 1971, Brian Jones Presents the Pipes of Pan at Joujouka, was released posthumously. It is a world music classic.

Bless you, Brian

The Beatles were a rock and pop band from Liverpool (in Lancashire as it was then but not now), England that formed in 1960. During their career, the group primarily consisted of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals). They officially split in 1970, so they were, I suppose, a sixties band!

What can I say about the Beatles that hasn’t already been said. Nothing. So I’ll just have to tell you a few things.

They are a band whose songs have made me cry the most.

• My favourite Beatle is Ringo – not for his singing abilities, I just like him the most. His childhood featured numerous hospital visits, in 1947 he contracted appendicitis which caused him to fall in to a coma. At the age of 13, he was brought to hospital with chronic-pleurisy which caused him to be admitted to a sanatorium for two years. He had seen the last of his school days. Lucky fella.

• The first time that Lennon, who was still with The Beatles, had performed in public without the other Beatles was on on 11 December 1968 with The Dirty Mac consisting of Eric Clapton, Keith Richards and Mitch Mitchell. Lennon put together the band for The Rolling Stones’ TV special entitled The Rolling Stones Rock and Roll Circus. The Dirty Mac recorded a rendition of the Lennon-penned Beatles track “Yer Blues”.

• Paul McCartney can be heard swearing on Hey Jude. (Some people say it’s John).

• George Harrison is the only Beatle to have published an autobiography, with I Me Mine in 1980.

One of the many amazing things about the Beatles is that at the height of their fame, the group spent the early part of 1968 in Rishikesh, Uttar Pradesh, India, studying transcendental meditation. Ringo, uncertain of the effect of Indian food on his sensitive stomach, left with suitcases full of baked beans.

Well, it’s hard to do justice to anything in a blog post and especially hard to do justice to the Beatles. But I still love them.

If you want to talk, share or chat about the Beatles I’ve opened a forum where you can do that here.

Peter Green (born Peter Allen Greenbaum, 29 October 1946, in Bethnal Green, London) was the founder of the band Fleetwood Mac.

Green inspired B. B. King to say, “He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats.”

In 1967, Green decided to leave Mayall’s Bluesbreakers after appearing on just one album (just as Clapton had done) and form his own blues band.

He was a heavy blues player, adored by his fans, who saw Fleetwood Mac as more edgy and faithful to the blues than The Rolling Stones.

Their self-titled debut album was a huge success in the UK and reached #4 in the charts. It also featured hit single “Black Magic Woman”, written by Green. The song was later covered by Santana and became a worldwide smash.

He could offer more than the blues: “Albatross” (Fleetwood Mac’s first number one hit), “The Green Manalishi” (almost heavy metal), “Man of the World” (although when Green sings “I wish I never was born” you believe him) and “Oh Well” (a riff to die for).

Peter Green was very uncomfortable with all the acclaim and as his mental stability deteriorated. He quit Fleetwood Mac in 1970 and faded into obscurity, taking on a succession of menial jobs and selling his trademark 1959 Sunburst Gibson Les Paul Standard to Irish guitarist Gary Moore.

Green was diagnosed with schizophrenia in the mid 70s and he spent time in psychiatric hospitals undergoing electroconvulsive therapy.

There was a resurgence in the late 70s and early 80s but then suffered a relapse in 1984 a lived a tramp like existence for a further 6 years until being rescued by his brother.

Green has appeared on stage as recently as 2003 but now lives in Sweden where he has said that the medication he takes to treat his psychological problems makes it hard for him to concentrate and saps his desire to pick up a guitar.

Blues guitar hero. Not forgotten.

If you want to discuss further the first and best incarnation of Fleetwood Mac, join the forum here!

This is my first movie. I will get better. I just love to listen to this instrumental to hear a freshly-strung stratocaster being seduced by an outrageously talented blues-man at the top of his game. No overdubs here this is just one Stevie Ray even though it sounds like two!

It’s so simple – here are the chords: Em G Am Em Bm Am G F C D Em

Now why didn’t I think of that?

More chat, news, views about Jimi Hendrix in the forum here!

Pink Floyd are possibly unique amongst bands as having lost it’s central character – not once but twice – and still kept going. This is why I chose the picture of the short-lived 5 man set up (from 1968) when Dave Gilmore was brought in to help with live performances as Syd Barrett’s behaviour and playing became increasingly erratic.

Barrett was the major songwriter and performed on the first album, A Piper at the Gates of Dawn. His eventual replacement by Gilmore saw the creative mantel pass to other members of the band, both together and individually, with Waters eventually emerging as the dominant songwriter.

Their early stuff with Barrett was great psychedelia. And through the 70s they began to re-find their feet with albums like “Atom Heart Mother” (cows and wind instruments) and “Meddle” (”Across the Universe” inspired). Then later on their two mega-selling releases “Dark Side of the Moon” and “Wish You Were Here”.

Maybe I am alone in enjoying the “Pink Floyd The Wall” film and they still had it going on with that double album. But the last Waters-inspired album “The Final Cut” wasn’t too well-received and Waters announced in December 1985 that he was departing Pink Floyd, describing the band as “a spent force”.

But in 1986 Gilmour and Mason began recording a new Pink Floyd album “A Momentary Lapse of Reason” and then with Wright in 1994 , The Division Bell. A bitter legal dispute ensued in the late-eighties with Waters claiming that the name “Pink Floyd” should have been put to rest.

On 2nd July 2005, the band reunited once again for a one-off performance at the London Live 8 concert. There was something very appealing in seeing four old men playing together live for the first time in two decades and for once, not hiding behind light shows and pyrotechnics as they had in the past.

Christopher Maurice Brown was born May 5, 1989. One of two children, he was raised in the small town of Tappahannock, Virginia, son of Joyce Hawkins and Clinton Brown. Brown was influenced by the artists his parents played, such as Michael Jackson and Sam Cooke.

Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist artist. His paintings include some of the world’s best known and most expensive pieces.

Van Gogh cut off the lobe of his left ear during a seizure on 24 December 1888. Brown recently stated: “I am still going to keep it so my younger fans can continue to listen to my music, but I got a couple of joints on there that’s for some of the older people.” Van Gogh’s Portrait of Dr. Gachet was sold for 82.5 million US dollars. It’s current whereabouts are unknown. Chris’s second studio album, Exclusive, sold nearly 300,000 copies in its first week domestically, 140,000 copies more than his debut album.