<?xml version="1.0" encoding="UTF-8" standalone="no"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-3986271498201320792</atom:id><lastBuildDate>Sat, 04 Apr 2026 23:19:12 +0000</lastBuildDate><title>Music Theory at Louisiana Tech University</title><description>This blog was created for students in the first year sequence of music theory courses. The primary purpose is to improve communication between the instructor and students as well as encourage peer to peer learning.</description><link>http://musictheoryatlatech.blogspot.com/</link><managingEditor>noreply@blogger.com (Randall Sorensen)</managingEditor><generator>Blogger</generator><openSearch:totalResults>35</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><language>en-us</language><itunes:explicit>no</itunes:explicit><itunes:subtitle>This blog was created for students in the first year sequence of music theory courses. The primary purpose is to improve communication between the instructor and students as well as encourage peer to peer learning.</itunes:subtitle><itunes:category text="Education"><itunes:category text="Higher Education"/></itunes:category><itunes:owner><itunes:email>noreply@blogger.com</itunes:email></itunes:owner><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-4319724457541484227</guid><pubDate>Thu, 15 May 2008 00:13:00 +0000</pubDate><atom:updated>2008-05-14T19:14:00.397-05:00</atom:updated><title>PAC</title><description>what must be present to make a perfect authentic cadence?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/pac.html</link><author>noreply@blogger.com (kristen)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-8927522107648393213</guid><pubDate>Tue, 13 May 2008 13:23:00 +0000</pubDate><atom:updated>2008-05-13T08:24:30.751-05:00</atom:updated><title>7th chords</title><description>When hearing 7&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_0"&gt;th&lt;/span&gt; chords what is the &lt;span class="blsp-spelling-corrected" id="SPELLING_ERROR_1"&gt;difference&lt;/span&gt; between the half diminished and the fully diminished 7&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_2"&gt;th&lt;/span&gt; chords</description><link>http://musictheoryatlatech.blogspot.com/2008/05/7th-chords_13.html</link><author>noreply@blogger.com (kristen)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-7669573925890354521</guid><pubDate>Tue, 13 May 2008 13:22:00 +0000</pubDate><atom:updated>2008-05-13T08:23:30.715-05:00</atom:updated><title>7th chords</title><description>When hearing 7th chords what is the difference between a dominant 7th and a major 7th</description><link>http://musictheoryatlatech.blogspot.com/2008/05/7th-chords.html</link><author>noreply@blogger.com (kristen)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-8550680979833434177</guid><pubDate>Tue, 13 May 2008 04:00:00 +0000</pubDate><atom:updated>2008-05-12T23:01:46.206-05:00</atom:updated><title>Cadences</title><description>is there any way to get a PAC without using a I chord ?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/cadences.html</link><author>noreply@blogger.com (Daniel C.)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-4235214648985863898</guid><pubDate>Sun, 11 May 2008 00:26:00 +0000</pubDate><atom:updated>2008-05-10T19:28:28.872-05:00</atom:updated><title>Intervals</title><description>I still can not figure out how to reconize intervals whats a good study method besides just playing them myself and/or having some one else play them for me?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/intervals.html</link><author>noreply@blogger.com (kristen)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-1184537236844004070</guid><pubDate>Fri, 09 May 2008 01:07:00 +0000</pubDate><atom:updated>2008-05-08T20:09:31.876-05:00</atom:updated><title>Eb instruments still</title><description>&lt;div style="text-align: center;"&gt;&lt;span style="font-family: arial; font-weight: bold; color: rgb(204, 0, 0);"&gt;I'm sorry yall. I'm still so confused. When &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold; color: rgb(204, 0, 0);"&gt;I'm in concert pitch, do I transpose Eb&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial; font-weight: bold; color: rgb(204, 0, 0);"&gt; instruments up or down a Perfect 5th?&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;</description><link>http://musictheoryatlatech.blogspot.com/2008/05/eb-instruments-still.html</link><author>noreply@blogger.com (laura beth)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-3183750476483258239</guid><pubDate>Thu, 08 May 2008 21:14:00 +0000</pubDate><atom:updated>2008-05-08T16:17:14.125-05:00</atom:updated><title>Suspensions</title><description>Here's my dumb question: Okay I missed the day suspensions were introduced and I've been a bit confused ever since, which notes are you looking at to find the interval for the suspension? Are you looking at the other note in the bass cleff (the presumed tenor) or soprano/'alto' note?&lt;br /&gt;&lt;br /&gt;(I usually just found whatever one worked and went with it but it'd be nice to know if there's a rule about that I've been retarded about.)</description><link>http://musictheoryatlatech.blogspot.com/2008/05/suspensions.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-855303653684807762</guid><pubDate>Thu, 08 May 2008 02:55:00 +0000</pubDate><atom:updated>2008-05-07T21:59:37.038-05:00</atom:updated><title>singing ascending minor intervals</title><description>Any ideas on singing minor intervals</description><link>http://musictheoryatlatech.blogspot.com/2008/05/singing-ascending-minor-intervals.html</link><author>noreply@blogger.com (Daniel C.)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-1506573981384196808</guid><pubDate>Thu, 08 May 2008 01:53:00 +0000</pubDate><atom:updated>2008-05-07T20:55:27.749-05:00</atom:updated><title>Eb instruments</title><description>&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-family: arial; color: rgb(51, 204, 0);"&gt;Okay...so how do I know which octave&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial; color: rgb(51, 204, 0);"&gt; I'm suppose to transpose to when &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-family: arial; color: rgb(51, 204, 0);"&gt;I'm in concert pitch?&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;</description><link>http://musictheoryatlatech.blogspot.com/2008/05/eb-instruments.html</link><author>noreply@blogger.com (laura beth)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-3187528896398110671</guid><pubDate>Thu, 08 May 2008 00:14:00 +0000</pubDate><atom:updated>2008-05-07T19:16:02.488-05:00</atom:updated><title>Transposition</title><description>What would get if your concert pitch is an Eb, and you have to transpose to a tenor sax?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/transposition_07.html</link><author>noreply@blogger.com (Dillon Fox)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-5822348906217556209</guid><pubDate>Wed, 07 May 2008 18:26:00 +0000</pubDate><atom:updated>2008-05-07T13:27:44.741-05:00</atom:updated><title>Transpositon</title><description>What is the best way to transpose the key signatures to concert pitch? And vice versa?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/transpositon.html</link><author>noreply@blogger.com (kristen)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-3522054153337211966</guid><pubDate>Wed, 07 May 2008 02:30:00 +0000</pubDate><atom:updated>2008-05-06T21:32:20.234-05:00</atom:updated><title>Minor intervals</title><description>Does anybody have any ideas for hearing minor sixes and sevens?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/minor-intervals.html</link><author>noreply@blogger.com (Dillon Fox)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-6968799045631207178</guid><pubDate>Wed, 07 May 2008 00:15:00 +0000</pubDate><atom:updated>2008-05-06T19:17:31.718-05:00</atom:updated><title>Transposition</title><description>&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-family: arial; color: rgb(255, 204, 51);"&gt;Let's try this again...What is the best way to&lt;br /&gt; remember the interval of transposition?&lt;br /&gt;Or is there even an easy way???&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;</description><link>http://musictheoryatlatech.blogspot.com/2008/05/transposition_06.html</link><author>noreply@blogger.com (laura beth)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-6613728989734390580</guid><pubDate>Wed, 07 May 2008 00:15:00 +0000</pubDate><atom:updated>2008-05-06T19:15:43.589-05:00</atom:updated><title>Transposition</title><description></description><link>http://musictheoryatlatech.blogspot.com/2008/05/transposition.html</link><author>noreply@blogger.com (laura beth)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-8386809876605334553</guid><pubDate>Tue, 06 May 2008 17:03:00 +0000</pubDate><atom:updated>2008-05-06T12:21:13.713-05:00</atom:updated><title>PAC progressions</title><description>would it be incorrect to, instead of doing a I-V-I progression as the cadence, to do a I-IV-V-I as a PAC or can a PAC only be approached by a I chord?&lt;br /&gt;&lt;br /&gt;Bobby</description><link>http://musictheoryatlatech.blogspot.com/2008/05/pac-progressions.html</link><author>noreply@blogger.com (bobg321)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-2752084293027870817</guid><pubDate>Mon, 05 May 2008 05:18:00 +0000</pubDate><atom:updated>2008-05-05T00:19:48.723-05:00</atom:updated><title>Harmonic Rhythm</title><description>What is the defintion of harmonic rhythm and how many chords are there typically per measure?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/harmonic-rhythm.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-1243308951575693930</guid><pubDate>Fri, 02 May 2008 17:09:00 +0000</pubDate><atom:updated>2008-05-02T12:29:05.710-05:00</atom:updated><title>Half Cadences!!!</title><description>&lt;span style="color:#33ccff;"&gt;How do half cadences typically end?&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#33ccff;"&gt;What do half cadences function like?&lt;/span&gt;</description><link>http://musictheoryatlatech.blogspot.com/2008/05/half-cadences.html</link><author>noreply@blogger.com (Woda)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-5832742813139709740</guid><pubDate>Fri, 02 May 2008 14:30:00 +0000</pubDate><atom:updated>2008-05-02T09:31:42.408-05:00</atom:updated><title>Resolution of Tendency Tones</title><description>What is the proper way to resolve scale degree 4 and 7? which chords have both of these pitches?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/resolution-of-tendency-tones.html</link><author>noreply@blogger.com (Randall Sorensen)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-5937125717262672393</guid><pubDate>Fri, 02 May 2008 14:29:00 +0000</pubDate><atom:updated>2008-05-02T09:30:27.083-05:00</atom:updated><title>Perfect vs imperfect Authentic Cadences</title><description>What is the difference between perfect authentic and imperfect authentic cadences?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/perfect-vs-imperfect-authentic-cadences.html</link><author>noreply@blogger.com (Randall Sorensen)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-8610446013575792064</guid><pubDate>Fri, 02 May 2008 14:29:00 +0000</pubDate><atom:updated>2008-05-02T09:29:38.097-05:00</atom:updated><title>Authentic Cadence</title><description>What 2 chords are needed for an authentic cadence?</description><link>http://musictheoryatlatech.blogspot.com/2008/05/authentic-cadence.html</link><author>noreply@blogger.com (Randall Sorensen)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-3309204450190369917</guid><pubDate>Mon, 14 Apr 2008 16:13:00 +0000</pubDate><atom:updated>2008-04-14T11:15:16.291-05:00</atom:updated><title>4th Species Suggestions</title><description>An excellent way to start a fourth species counterpoint exercise is to begin with a rest to set up a tied over pitch resulting in a suspension. Review the excellent examples handed out in class from Salzer and Schacters book Counterpoint in Composition. Use the cantus firmi to write your own fourth species melody.</description><link>http://musictheoryatlatech.blogspot.com/2008/04/4th-species-suggestions.html</link><author>noreply@blogger.com (Randall Sorensen)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-2431497859827211119</guid><pubDate>Mon, 14 Apr 2008 16:11:00 +0000</pubDate><atom:updated>2008-04-14T11:12:56.911-05:00</atom:updated><title>Transpostion Question</title><description>If an instrument plays a ? it sounds its ?.&lt;br /&gt;&lt;br /&gt;If a Bb trumpet plays a ? it sounds a ?.</description><link>http://musictheoryatlatech.blogspot.com/2008/04/transpostion-question.html</link><author>noreply@blogger.com (Randall Sorensen)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-5547944731536479477</guid><pubDate>Fri, 11 Apr 2008 04:42:00 +0000</pubDate><atom:updated>2008-04-10T23:44:25.592-05:00</atom:updated><title>counterpoint</title><description>what type of counterpoint uses a mixture of all the species of counterpoint?</description><link>http://musictheoryatlatech.blogspot.com/2008/04/counterpoint.html</link><author>noreply@blogger.com (Daniel C.)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-8408339672829487434</guid><pubDate>Sat, 05 Apr 2008 17:10:00 +0000</pubDate><atom:updated>2008-04-05T12:11:30.537-05:00</atom:updated><title>chords</title><description>In tonal music what is the functions of the predominant chords.</description><link>http://musictheoryatlatech.blogspot.com/2008/04/chords.html</link><author>noreply@blogger.com (peacefulmusic)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3986271498201320792.post-3715870673668822282</guid><pubDate>Tue, 01 Apr 2008 12:56:00 +0000</pubDate><atom:updated>2008-04-01T07:57:07.806-05:00</atom:updated><title>Question of the Day April 1</title><description>What are the numeric names for the three common suspensions? How are these numbers determined?</description><link>http://musictheoryatlatech.blogspot.com/2008/04/question-of-day-april-1.html</link><author>noreply@blogger.com (Randall Sorensen)</author><thr:total>5</thr:total></item></channel></rss>