música visual

Wingdings Love Letter | Scott Fitzpatrick

2012-05-22T20:31:00.000+02:00

Scott Fitzpatrick

Found at: venuspluton!com

Audiovisual Mappings [21.05.2012, Barcelona]

2012-05-20T13:01:00.002+02:00

This talk will address how graphical representations of sound can change the way we hear, and how audio can trick our eyes into seeing strange things. Fredrik Olofsson will demonstrate some audiovisual perception tricks and experiments he has made using the programming language SuperCollider. Simple sounds and simple graphics interconnected and combined quickly become complex and fun phenomena.

Fredrik Olofsson was trained as a composer at the Royal University College of Music in Stockholm. As part of MusicalFieldsForever he has exhibited interactive art at museums and galleries. He currently teaches at the University of Arts of Berlin and is a frequent contributor within the SuperCollider open source community. He is also one of the founding members of TOPLAP, a collective that popularized the use of live coding.

21.05.2012, 18:00h
Escola Superior de Música de Catalunya (ESMUC), aula 349. Edifici l’Auditori.
Entrada lliure / Entrada libre / Free admission

More information at L'ull cec

HEMISPHERE - Entretien avec Ulf Langheinrich

2012-05-15T17:57:00.000+02:00

Ulf Langheinrich, membre du duo Granular Synthesis, présente l'expérience HEMISPHERE.

I 'watched' Hemisphere several years ago at STRP Festival, it's not my favourite piece by Ulf Langheinrich, but I really like his work and he was one half of Granular Synthesis, the authors of the AMAZING Modell 5 (you can find some videos online, but they are not match to the real experience).

Frame rate/myth █ | Amila Hrustic

2012-05-14T10:51:00.000+02:00

Sound: Tirriddiliu
Video: Amila Hrustic

Video-wave-test | particle at rest

2012-05-13T10:48:00.000+02:00

particle at rest

ToR Version Test | Jason Irla

2012-05-12T10:47:00.000+02:00

Jason Irla

Attack on Silence | bacteriasleep / Mark Fell

2012-05-11T10:46:00.000+02:00

bacteriasleep
Mark Fell

LOOM | Jan Willem Deiman

2012-05-10T12:11:00.000+02:00

Jan Willem Deiman

Found at: Triangulation Blog

Heapsort audibilization | Andrzej Rutkowski

2012-05-09T14:50:00.000+02:00

Andrzej Rutkowski

John Whitney | Arabesque

2012-05-08T14:48:00.001+02:00

John Whitney

Colors of Noise

2012-05-07T20:43:00.000+02:00

White noise

Blue Noise

Purple noise

Pink noise

Brown noise

Gray noise

_blank

More about colors of noise in Wikipedia and in Rane.

Loudthings Excerpt | Telcosystems

2012-05-06T11:19:00.000+02:00

Loudthings is an audiovisual account of an expedition into the inside world of the computer. Using a set of elementary instructions such as modulation, masking, and feedback, Telcosystems programmed a self-organizing network of algorithmic processes for the creation of spatial image and sound. The result is a non-referential world which strains the senses; an exploration along the borders of human perception, through worlds of multiplying and mushrooming clouds of light and sound, through worlds of mesmerizing spatiality and interfering landscapes.

Telcosystems

Badlands | Don Ritter

2012-05-05T11:10:00.001+02:00

Don Ritter

Because of Norman McLaren | Boris Firquet

2012-05-03T16:20:00.000+02:00

My dad showed me the experimental works of McLaren when i was 8 or 9 years old. Guess what? I became a video artist.

Boris Firquet

Synthesizer Synesthesia | E. Richardson

2012-05-02T16:16:00.001+02:00

Image: Errol F Richardson.
Sound: Dutch Motese.

Oh, the early Nineties...

2012-05-01T16:48:00.000+02:00

Nothing Compares 2U (1990), Sinéad O'Connor

Been Caught Stealing (1990), Jane's Addiction

Wicked Game (1991), Chris Isaak

Smells Like a Teen Spirit (1991), Nirvana

More than Words, Extreme

Under the Bridge (1992), Red Hot Chili Peppers

Everything's Ruined (1992), Faith No More

Walking in my Shoes (1993), Depeche Mode

Man-Size (1994), PJ Harvey

Closer (1994), Nine Inch Nails

Undone – The Sweater Song (1994), Weezer

A Girl Like You (1994), Edwyn Collins

SYNCHROMY - MC LAREN / IMMERSSIVE VERSION

2012-04-30T09:57:00.000+02:00

This is a laboratory test about adapting "Synchromy", a classic animation movie from Canadian animation filmmaker Norman Mc Laren, for an immerssive dome display (Labodome).

This test was made for the SAT Society for Art and Technology in montreal, 21-07-2011.

The adaption process was made by Antoine Saint Maur.

LEV/VITTUS | Paul Prudence

2012-04-29T12:08:00.000+02:00

Short promotional teaser clip of collaborative live AV performance with the Spanish Composer and electronic musician Ramón Prada for LEV 2012 [Laboratorio de Electrónica Visual] which takes place on April 27-28th 2012 across a variety of venues in Gijon, Spain.

The work interweaves classical composition incorporating live piano and viola with field recordings and abstract electronic tones and rhythms. For the video I've used live sound analysis combined with time-line triggers, often shifting the connections between musical voices and abstract visual signifiers in the hope of creating non-predictable synchronies. These shifts are also triggered by rhythmic aspects of the composition.

Paul Prudence

Color Glitch | reaktorplayer

2012-04-29T12:03:00.000+02:00

reaktorplayer

Northbound - Southbound | Ashley Perry

2012-04-28T12:08:00.001+02:00

Sunset over the 'Metropolitan' ring road on the western edge of Melbourne.

Ashley Perry

Line Cheddam | Yoshi Sodeoka

2012-04-28T11:59:00.000+02:00

Yoshi Sodeoka

inTra _ Trailer | idrioema

2012-04-27T16:48:00.000+02:00

Essentiality, substance understood as something basic and independent in the existence, which is below of other potential realities and is therefore a primary source of activity.

In this regard, for the present composition have been used visual programming codes that use as raw material only the pixels of the screen being influenced by the size and therefore the space and by the time, being their actions determined by different levels of speed.

Similarly, the sound was achieved using only sine-wave frequencies, that follow the images moving in space with variables intensity for the creation of rhythms and micro-tonal ephemeral structures.

Not a surface on which to draw, but a surface with which to draw; an expanse of apparently white from which to get a glimpse of many different light gradations.

Trailer for audio-video composition i n T r a
Total lenght: 70 minutes.
Available as cd (audio) + dvd PAL (video & audio ac3) in printed digipack.

idrioema

Pitch to Rhythm :: Rhythm to Pitch | Andrew Lucia with Christopher Lee and Matthew Lake

2012-04-26T14:15:00.000+02:00

Inspired by two early works of Karlheinz Stockhausen, the authors visualize tonal and rhythmic sonic principles utilized by the composer in the pieces Elektronische Musik Studie II and Kontakte. Recognizing frequency as an objective attribute of sonic structure, our studies were inspired by notions of perceptual rhythm and pitch manipulation present in Kontakte and generative material aspects of additive synthesis explored in Elektronische Musik Studie II. Approaching this topic with backgrounds in architecture, the authors’ interests lie largely in visualizing the nested spatial and phenomenal potentials of the works.

More information

Authors: Andrew Lucia with Christopher Lee and Matthew Lake Published in Leonardo Music Journal Number 20, MIT press. Link to abstract and article.

Please wait... | Patrick Arnold

2012-04-25T16:55:00.000+02:00

Patrick Arnold

Music visualizations as a means for discovery | Megan Adams

2012-04-24T15:47:00.000+02:00

The basic idea behind information visualization (InfoVis) is that it takes an otherwise stagnant data set of facts and numbers and transforms into an imagery filled with visual patterns and elements. While this idea is certainly not new it has been regenerated from the cartographer days to a more modern means to express and exchange information for a variety of purposes. Specifically using visualizations for music has yielded some interesting concepts that transpose the senses from ears to eyes.

Megan Adams

Complete text at Masters of Media