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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;A0MHQ3o-fSp7ImA9WhRRGEw.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357</id><updated>2011-12-02T10:50:32.455+01:00</updated><category term="Bellinzani Paolo Benedetto" /><category term="Uccellini Marco" /><category term="Finger Gottfried" /><category term="Barsanti Francesco" /><category term="Werrecore Hermann Matthias" /><category term="Eccles Solomon" /><category term="Corelli Arcangelo" /><category term="Banister John" /><category term="Falconieri Andrea" /><category term="Purcell Daniel" /><category term="Pepusch Johann Crhistoph" /><category term="Fontana G. Battista" /><category term="Telemann Georg Philipp" /><category term="Purcell Henry" /><category term="Anonimo XVIII" /><category term="Castello Dario" /><category term="Falconiero Andrea" /><category term="Pandolfi Mealli Giovanni Antonio" /><title>MusicAntica</title><subtitle type="html">Early Music Transcriptions</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://earlymus.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://earlymus.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>30</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/Musicantica" /><feedburner:info uri="musicantica" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;A0MBSX05cCp7ImA9WhZRFUg.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-8929040313784965983</id><published>2011-03-01T22:58:00.004+01:00</published><updated>2011-04-12T00:04:18.328+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-04-12T00:04:18.328+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Falconieri Andrea" /><category scheme="http://www.blogger.com/atom/ns#" term="Falconiero Andrea" /><title>Falconieri | Il Primo Libro di Canzoni, Sinfonie, Alemane etc</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/LOH2An0CdvM70GETiBu4_ydVnxg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LOH2An0CdvM70GETiBu4_ydVnxg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Andrea &lt;/span&gt;Falconieri (1585 -1656)&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;IL PRIMO LIBRO DI CANZONE, SINFONIE, FANTASIE&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Capricci, Brandi, Correnti, Gagliarde, Alemane, Volte&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;per Violini, e Viole, overo altro Stromento ò uno,&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;due e trè con il Basso Continuo&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Napoli, Paolini &amp;amp; Ricci, 1650&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;ISBN 978-1-4466-0941-5&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;FORMATO A4&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;Anteprima | Preview&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/Falconieri_incipit.pdf" target="_blank"&gt;INCIPITS&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.lulu.com/content/content_download_redirect.php?contentId=10257205&amp;amp;version=1"&gt;Battalla de Barabaso yerno de Satanas&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;&lt;u&gt;BOOK&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;
&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;PARTITURA | SCORE&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.lulu.com/product/a-copertina-morbida/il-primo-libro-di-canzone-sinfonie-fantasie-etc---complete-edition/14930924" target="_blank"&gt;Partitura &amp;nbsp;| full score&lt;/a&gt;&amp;nbsp;(180 pagg)&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;PARTI | PARTS&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.lulu.com/product/a-copertina-morbida/il-primo-libro-di-canzone-sinfonie-fantasie-etc---canto-i---part/14930947" target="_blank"&gt;Canto I&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.lulu.com/product/a-copertina-morbida/il-primo-libro-di-canzone-sinfonie-fantasie-etc---canto-ii---part/14930958?productTrackingContext=product_view/recently_viewed/left/4" target="_blank"&gt;Canto II&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.lulu.com/content/libro-a-copertina-morbida/il-primo-libro-di-canzone-sinfonie-fantasie-etc---basso---part/10201137" target="_blank"&gt;Basso&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.lulu.com/product/a-copertina-morbida/il-primo-libro-di-canzone-sinfonie-fantasie-etc---continuo-part/14930973?productTrackingContext=product_view/recently_viewed/left/3" target="_blank"&gt;Basso Continuo&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;(tot. pagg. 305)&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;&lt;u&gt;EBOOK download (low cost)&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;
&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;PARTITURA | SCORE&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/126422626-andrea-falconieri-il-primo-libro-completo" target="_blank"&gt;Partitura | full score&lt;/a&gt;&amp;nbsp;(A4 - 180 pagg)&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;PARTI | PARTS&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/130649858-andrea-falconieri-il-primo-libro-" target="_blank"&gt;Parti staccate | separate parts&lt;/a&gt; (A4 - 305 pagg)&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;PARTITURA E PARTI | SCORE &amp;amp; PARTS&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;a href="http://tinypay.me/~A3sVXUe"&gt;Partitura e parti | score &amp;amp; parts&amp;nbsp;(A4 - 485 pagg)&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;...&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;CONTENUTO | CONTENT&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;i&gt;IL PRIMO LIBRO&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;i&gt;DI CANZONE, SINFONIE, FANTASIE,&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;i&gt;Capricci, Brandi, Correnti, Gagliarde, Alemane, Volte&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;i&gt;per Violini, e Viole, overo altro Stromento à uno,&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;i&gt;due e trè con il Basso Continuo&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;i&gt;Napoli, Paolini &amp;amp; Ricci, 1650&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;TAVOLA&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;à tre&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;1 &amp;nbsp; &amp;nbsp;LAustria, Canzona fatta per il Serenissimo D. Giovanni dAustria&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;2 &amp;nbsp; &amp;nbsp;Brando dAbril&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;3 &amp;nbsp; &amp;nbsp;LEroica&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;4 &amp;nbsp; &amp;nbsp;La Mirandola&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;5 &amp;nbsp; &amp;nbsp;La Carilla corrente&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;6 &amp;nbsp; &amp;nbsp;Sinfonia seconda&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;7 &amp;nbsp; &amp;nbsp;Gallarda&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;8 &amp;nbsp; &amp;nbsp;La Dichosa fantasia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;9 &amp;nbsp; &amp;nbsp;Tiple&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;10 &amp;nbsp;Linfante Arcibizzarra&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;11 &amp;nbsp;Sinfonia terza&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;12 &amp;nbsp;Fantasia echa para el muy Reverendo Padre Falla&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;13 &amp;nbsp;La Valente&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;14 &amp;nbsp;Alemana detta la Ciriculia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;15 &amp;nbsp;Passacalle&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;16 &amp;nbsp;Canciona dicha la Preciosa, echa para Don Enrico Butler&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; &amp;nbsp; &amp;nbsp;Su Gallarda&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;17 &amp;nbsp;Sinfonia quarta&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;18 &amp;nbsp;LErmosa Celia, Corriente&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;19 &amp;nbsp;Sinfonia dicha la Gerarda&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;20 &amp;nbsp;Battaglia de Barabaso yerno de Satanas&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;21 &amp;nbsp;Sinfonia detta la Buonhora&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;22 &amp;nbsp;Rinen, y pelean entre Berzebillo con Satanasillo, y Caruf, y Pantul&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;23 &amp;nbsp;Bayle de los dichos Diabolos&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;24 &amp;nbsp;Buelta dicha la Emperatriz &lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;25 &amp;nbsp;Folias echa para mi Señora Doña Tarolilla de Carallenos &lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;26 &amp;nbsp;Fantasia detta la Portia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;27 &amp;nbsp;La Xaveria Buelta echa para el Señor Conde Xaverio&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;28 &amp;nbsp;Canciona dicha la Hermosa Iacinta&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;29 &amp;nbsp;La Bella Lisarda, Corrente&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;30 &amp;nbsp;Canciona dicha la Ennamorada&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;31 &amp;nbsp;La Murroya, Corriente echa para el Señor D. Ferdinando Murroya&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;à due&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;32 &amp;nbsp;La Borga, echa para el Señor D. Marquien de Borga&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;33 &amp;nbsp;La Gioiosa Fantasia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;34 &amp;nbsp;La Mala Spina, Corrente&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;35 &amp;nbsp;La Parlera&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;36 &amp;nbsp;Gallarda darroyo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;37 &amp;nbsp;LAmata Aurelia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;38 &amp;nbsp;La Desiderata&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;39 &amp;nbsp;La Bella Marchesetta&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;40 &amp;nbsp;La Diamantina&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;41 &amp;nbsp;La Duchesella, Corrente&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;42 &amp;nbsp;La Maraviglia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;43 &amp;nbsp;Capriccio Bisbetico&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;44 &amp;nbsp;LOrlando Brando&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;45 &amp;nbsp;La Belisa, Corrente&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;à una&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;46 &amp;nbsp;Brando dicho el Melo&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;47 &amp;nbsp;Corriente dicha la Cuella&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;48 &amp;nbsp;Alemana dicha Villega&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;49 &amp;nbsp;Corriente dicha la Mota, echa para Don Pedro dela Mota&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;50 &amp;nbsp;La Monarcha&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;51 &amp;nbsp;Il Spiritillo Brando&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;52 &amp;nbsp;Corrente detta LAvellina&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;53 &amp;nbsp;La Prudenza, Corrente&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;54 &amp;nbsp;La Suave Melodia&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;55 &amp;nbsp;Il Roffo, Brando&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;56 &amp;nbsp;La Benedetta&lt;/div&gt;&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-8929040313784965983?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/qEaO_9gpZtk" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8929040313784965983?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8929040313784965983?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/qEaO_9gpZtk/falconieri-il-primo-libro-di-canzoni.html" title="Falconieri | Il Primo Libro di Canzoni, Sinfonie, Alemane etc" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2011/03/falconieri-il-primo-libro-di-canzoni.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DE8FQX4_eyp7ImA9Wx9aEEw.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-1335979564767435204</id><published>2011-02-28T22:58:00.000+01:00</published><updated>2011-03-01T23:00:10.043+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-03-01T23:00:10.043+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Falconieri Andrea" /><category scheme="http://www.blogger.com/atom/ns#" term="Falconiero Andrea" /><title>Falconieri | Battalla de Barabaso yerno de Satanas</title><content type="html">
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&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Andrea &lt;/span&gt;Falconieri (1585 -1656)&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;b&gt;Battalla de Barabaso yerno de Satanas&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;à due violini, basso e basso continuo&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;from two violins, bass &amp;amp; continuo&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;da | from&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&amp;nbsp;IL PRIMO LIBRO DI CANZONE, SINFONIE, FANTASIE&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Capricci, Brandi, Correnti, Gagliarde, Alemane, Volte&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;per Violini, e Viole, overo altro Stromento ò uno,&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;due e trè con il Basso Continuo&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Napoli, Paolini &amp;amp; Ricci, 1650&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;PARTITURA E PARTI | SCORE &amp;amp; PARTS&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;&lt;u&gt;EBOOK download (FREE)&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;b&gt;&lt;u&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;FALCONIERI - IL PRIMO LIBRO di Canzone, Sinfonie etc&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;Complete edition - book | low cost ebook&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;is AVAILABLE&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;&lt;a href="http://earlymus.blogspot.com/2011/03/falconieri-il-primo-libro-di-canzoni.html"&gt;Il Primo Libro - complete edition&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-weight: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left;"&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-1335979564767435204?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/-laXr_52DG8" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1335979564767435204?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1335979564767435204?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/-laXr_52DG8/falconieri-battalla-de-barabaso-yerno.html" title="Falconieri | Battalla de Barabaso yerno de Satanas" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2011/03/falconieri-battalla-de-barabaso-yerno.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEcMQng6fCp7ImA9Wx9bEkw.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-4786899701615897619</id><published>2010-08-19T00:07:00.011+02:00</published><updated>2011-02-20T15:28:03.614+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-02-20T15:28:03.614+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Barsanti Francesco" /><title>Barsanti | Sonate a Flauto o Violino Solo con Basso</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kuJEA8hnYb9TWM6DAQ-kD0WXSak/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kuJEA8hnYb9TWM6DAQ-kD0WXSak/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kuJEA8hnYb9TWM6DAQ-kD0WXSak/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kuJEA8hnYb9TWM6DAQ-kD0WXSak/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://static.lulu.com/product/a-copertina-morbida/barsanti-sonate-a-flauto-o-violino-solo-con-basso/14929773/thumbnail/320" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.lulu.com/product/a-copertina-morbida/barsanti-sonate-a-flauto-o-violino-solo-con-basso/14929773/thumbnail/320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://static.lulu.com/product/item/sonata-prima---for-recorder-and-bc/10659375/thumbnail/320" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt; &lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Francesco Barsanti (1690 - 1772)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;6 SONATE PER FLAUTO O VIOLINO SOLO CON BASSO&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;per flauto dolce e b.c | for recorder or violin and b.c.&lt;/span&gt;&lt;br /&gt;
&lt;i&gt;"Sonate a flauto o violino solo con basso, per violone, o cembalo, dedicate all'Eccellenza di My Lord Riccardo conte di Burlington, e Cork, barone Clifford di Landestrough, e Gran Tesoriere del Regno d'Irlanda da Francesco Barsanti"&lt;/i&gt;&lt;br /&gt;
presso l'autore - Londra, 1724&lt;br /&gt;
&lt;br /&gt;
ISBN&amp;nbsp;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-family: 'Lucida Grande', Arial, Geneva, sans-serif; font-size: 13px;"&gt;978-1-4466-1601-7&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;. partitura | score (book-ebook)&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;. partitura e parti | score and parts (e-book)&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;links:&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;div style="font-weight: bold;"&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif; font-weight: bold;"&gt;PREVIEW | ANTEPRIMA:&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/barsanti_son_prew.pdf"&gt;Preview | Anteprima&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;(with 1 sonata and incipits)&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;SCORE &amp;amp; PARTS | PARTITURA E PARTI:&lt;/b&gt;&lt;/span&gt;&lt;a href="http://www.tradebit.it/filedetail.php/105822622-francesco" style="font-weight: bold;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;a href="http://tinypay.me/~v5yxdwn"&gt;&lt;b&gt;EBOOK download (score &amp;amp; parts)&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/105822622-francesco"&gt;&lt;/a&gt;alternative link&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/105822622-francesco"&gt;&lt;b&gt;EBOOK download (score &amp;amp; parts)&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;SCORE &amp;nbsp;| PARTITURA:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/105822622-francesco"&gt;&lt;/a&gt;&lt;a href="http://www.lulu.com/product/a-copertina-morbida/barsanti-sonate-a-flauto-o-violino-solo-con-basso/14929773" style="font-weight: bold;"&gt;BOOK&amp;nbsp;(score only)&lt;/a&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;
&lt;div style="font-weight: bold;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-4786899701615897619?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/i6z8rmyGa1s" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/4786899701615897619?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/4786899701615897619?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/i6z8rmyGa1s/barsanti-sonate-flauto-o-violino-solo.html" title="Barsanti | Sonate a Flauto o Violino Solo con Basso" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/08/barsanti-sonate-flauto-o-violino-solo.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUEDQ3s-cCp7ImA9WhZRFkQ.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-1277349560144172172</id><published>2010-07-30T10:19:00.023+02:00</published><updated>2011-04-13T13:21:12.558+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-04-13T13:21:12.558+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Pandolfi Mealli Giovanni Antonio" /><title>Pandolfi Mealli | Sonate per violino op 3 e op 4 - complete edition</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/hnRN5aC0jdZ37z0CRODX1_6jsZo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hnRN5aC0jdZ37z0CRODX1_6jsZo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;img border="0" src="http://static.lulu.com/product/a-copertina-morbida/pandolfi-mealli-sonate-per-violino-op-3-op-4/14929523/thumbnail/320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Giovanni Antonio Pandolfi Mealli (ca 1620 - ca 1669)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Sonate per violino e basso opera III &amp;amp; opera IV&lt;br /&gt;
&lt;i&gt;Sonate a violino solo per chiesa e camera...&lt;/i&gt;&lt;br /&gt;
&lt;i&gt; Innsbruck, M. Wagner, 1660&lt;/i&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Complete edition&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;PARTITURA E PARTI | SCORE AND PARTS&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;ISBN&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-family: 'Lucida Grande', Arial, Geneva, sans-serif; font-size: 13px;"&gt;978-1-4466-1562-1&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;div style="font-style: normal; font-weight: bold;"&gt;&lt;a href="http://www.blogger.com/goog_864152437"&gt; &lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;&lt;span style="font-family: inherit; font-size: small;"&gt;PREVIEW | ANTEPRIMA:&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div style="font-style: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/mealli_score_prew.pdf"&gt;Preview | Anteprima&lt;/a&gt;&lt;/span&gt; (score - incipits)&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;SCORE &amp;amp; PARTS | PARTITURA E PARTI S:&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;b&gt;&lt;a href="http://tinypay.me/~RyaLZ8J"&gt;EBOOK download (score &amp;amp; parts)&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;alternative link:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;div&gt;&lt;div style="font-style: normal;"&gt;&lt;b&gt;&lt;a href="http://www.tradebit.it/filedetail.php/107768142-pandolfi-mealli-sonate-op-3-e-op"&gt;EBOOK download (score &amp;amp; parts)&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit; font-weight: normal;"&gt;formato | format: A4&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-style: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;SCORE | PARTITURA:&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b style="font-style: normal;"&gt;&lt;a href="http://www.lulu.com/product/a-copertina-morbida/pandolfi-mealli-sonate-per-violino-op-3-op-4/14929523"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;BOOK &amp;nbsp;(score)&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;b style="font-style: normal;"&gt;&lt;a href="http://www.lulu.com/product/a-copertina-morbida/pandolfi-mealli-%7C-sonate-per-violino-op-3-op-4/12661893"&gt;&lt;/a&gt;&lt;/b&gt;&lt;i&gt;formato | format: Us letter&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-style: normal;"&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a name='more'&gt;&lt;/a&gt;Contenuto | content&lt;/div&gt;&lt;div style="font-family: inherit; font-style: normal; font-weight: bold;"&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;b&gt;SONATE OPERA TERZA&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
SONATE à violino solo, PER CHIESA E CAMERA. DI D. GIO. ANTONIO PANDOLFI MEALLI MUSICO DEL SERENISSIMO FERDINANDO CARLO ARCIDUCA D'AUSTRIA, &amp;amp;c. Consacrate All'Altezza di Madama Serenissima l'Arciduchessa Regnante ANNA D'AUSTRIA, ETC&lt;br /&gt;
OPERA TERZA ANNO M.DC.LX INSPRUCH.&lt;br /&gt;
Appresso MICHELE WAGNER.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sonata Prima “La Stella”&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Al Molto Illustre e Molto Reverendo Padre D. Benedetto Stella Monaco Cistercense e Priore di S. Gio. Battista di Perugia&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Sonata Seconda “La Cesta”&lt;br /&gt;
Sonata Terza “La Melana”&lt;br /&gt;
Sonata Quarta “La Castella”&lt;br /&gt;
Sonata Quinta “La Clemente”&lt;br /&gt;
Sonata Sesta “La Sabbatina”&amp;nbsp; &amp;nbsp;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
SONATE OPERA QUARTA&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
SONATE à violino solo, PER CHIESA E CAMERA. DI D. GIO. ANTONIO PANDOLFI MEALLI MUSICO DEL SERENISSIMO FERDINANDO CARLO ARCIDUCA D'AUSTRIA, &amp;amp;c. &lt;br /&gt;
Consacrate All'Altezza del Serenissimo Arciduca SIGISMONDO FRANCESCO D'AUSTRIA, ETC&lt;br /&gt;
OPERA QUARTA&lt;br /&gt;
ANNO M.DC.LX INSPRUCH.&lt;br /&gt;
Appresso MICHELE WAGNER.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sonata Prima “La Bernabea”&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Al molto Illustre &amp;amp; molto Reverendo Sig. D. Joseffo Bernabei mio Signore singularissimo&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Sonata Seconda “La Viviana”&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Al molto Illustre &amp;amp; Reverendissimo Sig. Abbate Antonio Viviani mio Signore singularissimo&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Sonata Terza “La Monella Romanesca”&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Al Signor Filippo Bombaglia, Musico del Altezza Serenissima di Inspruch, e mio Signore singularissimo&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Sonata Quarta “La Biancuccia”&lt;/b&gt;&lt;i&gt;&lt;br /&gt;
Al molto Illustre Signore Gio. Giacomo Biancucci, mio Signore singularissimo&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Sonata Quinta “La Stella”&lt;/b&gt;&lt;i&gt;&lt;br /&gt;
Al Molto Illustre &amp;amp; Molto Reverendo Padre D. Benedetto Stella, Monaco Cistercense, &amp;amp; Priore meritissimo di S. Gio. Batt. di Perugia&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;Sonata Sesta “La Vinciolina”&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Alla molto Illustre Signora Teodora Vincioli mia Signora singularissima&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: small; font-weight: normal;"&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;iframe allowfullscreen="" frameborder="0" height="344" src="http://www.youtube.com/embed/Kd-XeIjPFAE?fs=1" width="425"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-1277349560144172172?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/aA9iWjvnxTQ" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1277349560144172172?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1277349560144172172?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/aA9iWjvnxTQ/pandolfi-mealli-sonate-per-violino-op-3.html" title="Pandolfi Mealli | Sonate per violino op 3 e op 4 - complete edition" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/Kd-XeIjPFAE/default.jpg" height="72" width="72" /><feedburner:origLink>http://earlymus.blogspot.com/2010/07/pandolfi-mealli-sonate-per-violino-op-3.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0EFQH86fCp7ImA9Wx9QEE0.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-1112965093642739372</id><published>2010-05-11T02:26:00.004+02:00</published><updated>2010-12-22T08:06:51.114+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-12-22T08:06:51.114+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Uccellini Marco" /><title>Marco Uccellini | Aria sopra la Bergamasca</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/S78zB7V1HHmC0Bi24SWi8e6nB-c/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S78zB7V1HHmC0Bi24SWi8e6nB-c/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;span style="font-weight: bold;"&gt;Marco Uccellini (1603-1680)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Aria Quinta&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;SOPRA LA BERGAMASCA&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;a due canti e basso&lt;/span&gt;&lt;br /&gt;
(due violini e b.c.)&lt;br /&gt;
da | from&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Sonate Arie et Correnti, A 2 e 3 Per Sonare con diversi Instromenti&amp;nbsp;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;di Don Marco Uccellini&lt;/i&gt;&lt;br /&gt;
&lt;i&gt; dedicate all'Altezza Serenissima del Signor Duca di Modona&lt;/i&gt;&lt;br /&gt;
Libro III -&amp;nbsp; Alessandro Vincenti, Venezia,1642&lt;br /&gt;
&lt;i&gt; &lt;/i&gt;&lt;br /&gt;
PARTITURA E PARTI | SCORE &amp;amp; PARTS&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-1112965093642739372?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/sCesVFNbhco" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1112965093642739372?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1112965093642739372?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/sCesVFNbhco/marco-uccellini-aria-sopra-la.html" title="Marco Uccellini | Aria sopra la Bergamasca" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/05/marco-uccellini-aria-sopra-la.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0AEQHc6fCp7ImA9Wx9QEE0.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-915297637843628105</id><published>2010-05-10T00:16:00.005+02:00</published><updated>2010-12-22T08:08:21.914+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-12-22T08:08:21.914+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Corelli Arcangelo" /><title>Corelli | Sonata prima from Op V - recorder &amp; bc</title><content type="html">
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&lt;span style="font-weight: bold;"&gt;Arcangelo Corelli (1653 - 1716)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;SONATA PRIMA&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;for recorder and b.c.&lt;/span&gt;&lt;br /&gt;
from&lt;br /&gt;
SIX SOLOS FOR A FLUTE AND A BASS&lt;br /&gt;
&lt;br /&gt;
OP 5&lt;br /&gt;
Walsh and Hare, London, 1702 &lt;br /&gt;
for treble recorder and continuo&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;"..six solos for a flute and bass by Archangelo Corelli Being the second part of his fifth opera&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;containing preludes, allmands, corrants, jiggs, sarabands, gavotts, with the spanish folly.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;The whole exactly transpos'd and made fitt for a flute and a bass with the aprobation&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;of severall eminent masters.." &lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;SCORE&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato ebook | letter&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif; font-size: 21px; font-weight: bold;"&gt;&lt;a href="http://www.lulu.com/content/content_download_redirect.php?contentId=8778499&amp;amp;version=1"&gt;free download ebook&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
COMPLETE SCORE OP.V FOR TREBLE RECORDER AND CONTINUO IS AVAILABLE:&lt;br /&gt;
&lt;a href="http://earlymus.blogspot.com/2010/03/corelli-six-solos-for-flute-bass-with.html"&gt;Corelli | op V complete&lt;/a&gt;&lt;br /&gt;
&lt;/br&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-915297637843628105?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/4N-LImVhPmU" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/915297637843628105?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/915297637843628105?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/4N-LImVhPmU/corelli-sonata-prima-from-op-v-recorder.html" title="Corelli | Sonata prima from Op V - recorder &amp; bc" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/05/corelli-sonata-prima-from-op-v-recorder.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0QDRXc5eSp7ImA9Wx9VEkU.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-3907291603527018537</id><published>2010-05-09T23:37:00.002+02:00</published><updated>2011-01-29T09:22:54.921+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-29T09:22:54.921+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Telemann Georg Philipp" /><title>Telemann | Trio in C minor for recorder, oboe &amp; b.c TWV 42:c2</title><content type="html">
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&lt;span style="font-weight: bold;"&gt;Georg Philipp Telemann (1681 - 1767)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;TRIOSONATA IN DO MIN PER FLAUTO DOLCE, OBOE &amp;amp; CONTINUO&lt;/span&gt;&lt;br /&gt;
TRIO IN C MINOR FOR TREBLE RECORDER, OBOE,&amp;nbsp; &amp;amp; CONTINUO&lt;br /&gt;
TWV 42:c2&lt;br /&gt;
da | from&lt;br /&gt;
&lt;i&gt;Essercizii Musici overo Dodeci Soli e Dodeci Trii à diversi stromenti&lt;/i&gt;&lt;br /&gt;
&lt;i&gt; &lt;/i&gt;presso l'autore, Amburgo, 1740&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura e parti | score and parts&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-3907291603527018537?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/mbNQdoDVHUo" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/3907291603527018537?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/3907291603527018537?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/mbNQdoDVHUo/telemann-trio-in-c-minor-for-recorder.html" title="Telemann | Trio in C minor for recorder, oboe &amp; b.c TWV 42:c2" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/05/telemann-trio-in-c-minor-for-recorder.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0QER30-eCp7ImA9Wx9VEkU.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-8287319172030296212</id><published>2010-04-24T03:22:00.003+02:00</published><updated>2011-01-29T09:21:46.350+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-29T09:21:46.350+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Barsanti Francesco" /><title>Barsanti | Sonata Prima - for recorder or violin &amp; b.c.</title><content type="html">
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&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Francesco Barsanti (1690 - 1772)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;SONATA PRIMA&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;for recorder or violin and b.c.&lt;/span&gt;&lt;br /&gt;
from&lt;br /&gt;
Sonate a flauto o violino solo con basso per violone, o cembalo&lt;br /&gt;
presso l'autore - Londra, 1724&lt;br /&gt;
&lt;br /&gt;
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SONATE A FLAUTO O VIOLINO SOLO CON BASSO&lt;br /&gt;
COMPLETE EDITION - score &amp;amp; parts - AVAILABLE:&lt;br /&gt;
&lt;a href="http://earlymus.blogspot.com/2010/08/barsanti-sonate-flauto-o-violino-solo.html"&gt;Barsanti - Sonate a flauto e violino solo con basso, London, 1724&lt;/a&gt;&lt;br /&gt;
&lt;/BR&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-8287319172030296212?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/8VODsk8j-yw" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8287319172030296212?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8287319172030296212?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/8VODsk8j-yw/barsanti-sonata-prima-for-recorder-or.html" title="Barsanti | Sonata Prima - for recorder or violin &amp; b.c." /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/04/barsanti-sonata-prima-for-recorder-or.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0MNRn46cCp7ImA9Wx9VEkU.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-8147064679112048628</id><published>2010-04-23T22:56:00.005+02:00</published><updated>2011-01-29T09:24:57.018+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-29T09:24:57.018+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Bellinzani Paolo Benedetto" /><title>Bellinzani | Sonata Prima for recorder and continuo</title><content type="html">
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&lt;span style="font-weight: bold;"&gt;Paolo Benedetto Bellinzani (1690 - 1757)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;SONATA PRIMA&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;for recorder and b.c.&lt;/span&gt;&lt;br /&gt;
from&lt;br /&gt;
&lt;span class="LHtmlTextView content_description" id="" title=""&gt;Sonate a flauto solo con cembalo, o violoncello Bortoli &lt;br /&gt;
Venezia, 1720&lt;/span&gt;for treble recorder and continuo&lt;br /&gt;
opera terza &lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura e parti | score and parts&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato ebook&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.lulu.com/content/content_download_redirect.php?contentId=8700129&amp;amp;version=1"&gt;Ebook download - FREE&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/BR&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-8147064679112048628?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/3t1jOZFhfk8" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8147064679112048628?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8147064679112048628?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/3t1jOZFhfk8/paolo-benedetto-bellinzani-1690-1757.html" title="Bellinzani | Sonata Prima for recorder and continuo" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/04/paolo-benedetto-bellinzani-1690-1757.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0ECSX05eip7ImA9Wx9VE0U.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-3169600312419718189</id><published>2010-04-03T01:51:00.015+02:00</published><updated>2011-01-30T11:01:08.322+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-30T11:01:08.322+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Pepusch Johann Crhistoph" /><title>Pepusch | Triosonata for recorder, violin and Bc</title><content type="html">
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&lt;span style="font-weight: bold;"&gt;Johann Christoph Pepusch (&lt;/span&gt;&lt;span class="LHtmlTextView content_description" id="" title=""&gt;1667 – 1752&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;TRIOSONATA IN SOL |&amp;nbsp; G&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;for recorder, violin and b.c.&lt;/span&gt;&lt;br /&gt;
flauto dolce, violino e continuo&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura e parti | score and parts&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato ebook - A4&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-weight: bold;"&gt;Paolo Benedetto Bellinzani (1690 - 1757)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;SONATA XII - FOLLIA&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;for recorder and b.c.&lt;/span&gt;&lt;br /&gt;
from&lt;br /&gt;
&lt;span class="LHtmlTextView content_description" id="" title=""&gt;Sonate a flauto solo con cembalo, o violoncello Bortoli &lt;br /&gt;
Venezia, 1720&lt;/span&gt;for treble recorder and continuo&lt;br /&gt;
opera terza &lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura e parti | score and parts&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato ebook&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.lulu.com/content/e-book/bellinzani-%7C-sonata-xii---follia/8582826"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/95572456-bellinzani-pdf"&gt;Ebook download&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/prewBellinzaniFollia.pdf"&gt;Anteprima | Preview&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/br&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-4056761506707478249?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/2XLoneXnLtI" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/4056761506707478249?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/4056761506707478249?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/2XLoneXnLtI/bellinzani-sonata-xii-follia-for.html" title="Bellinzani | Sonata XII - Follia for recorder and b.c." /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/03/bellinzani-sonata-xii-follia-for.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEUHQXw9eip7ImA9Wx9VE0U.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-393151929831339402</id><published>2010-03-29T07:54:00.005+02:00</published><updated>2011-01-30T11:10:30.262+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-30T11:10:30.262+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Corelli Arcangelo" /><title>Corelli | Follia - recorder and bc</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kWDpkK81yhaGyE46sOwz8HLRP6E/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kWDpkK81yhaGyE46sOwz8HLRP6E/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kWDpkK81yhaGyE46sOwz8HLRP6E/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kWDpkK81yhaGyE46sOwz8HLRP6E/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://static.lulu.com/items/volume_67/8528000/8528753/1/preview/320_8528753.jpg?8528753-1269331233" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.lulu.com/items/volume_67/8528000/8528753/1/preview/320_8528753.jpg?8528753-1269331233" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Arcangelo Corelli (1653 - 1716)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;FOLLIA&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;for recorder and b.c.&lt;/span&gt;&lt;br /&gt;
from&lt;br /&gt;
SIX SOLOS FOR A FLUTE AND A BASS&lt;br /&gt;
&lt;br /&gt;
OP 5&lt;br /&gt;
Walsh and Hare, London, 1702 &lt;br /&gt;
for treble recorder and continuo&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;"..six solos for a flute and bass by Archangelo Corelli Being the second part of his fifth opera&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;containing preludes, allmands, corrants, jiggs, sarabands, gavotts, with the spanish folly.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;The whole exactly transpos'd and made fitt for a flute and a bass with the aprobation&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;of severall eminent masters.." &lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura e parti | score and parts&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato ebook&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/corelliopV.PREW.jpg"&gt;Anteprima | Preview&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/95580703-corelli-follia-opv-for-recorder-and-continuo"&gt;download ebook&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
COMPLETE SCORE OP.V FOR TREBLE RECORDER AND CONTINUO IS AVAILABLE:&lt;br /&gt;
&lt;a href="http://earlymus.blogspot.com/2010/03/corelli-six-solos-for-flute-bass-with.html"&gt;Corelli | op V complete&lt;/a&gt;&lt;/div&gt;&lt;br/&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-393151929831339402?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/yMNAEkwQb3g" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/393151929831339402?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/393151929831339402?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/yMNAEkwQb3g/corelli-follia-recorder-adn-bc.html" title="Corelli | Follia - recorder and bc" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/03/corelli-follia-recorder-adn-bc.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEQGRHs6eSp7ImA9Wx9VE0U.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-1732439997606929093</id><published>2010-03-23T15:29:00.006+01:00</published><updated>2011-01-30T11:12:05.511+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-30T11:12:05.511+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Telemann Georg Philipp" /><title>Telemann | Concerto - quartetto TWV 43:G6 recorder,oboe,violin and bc</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/A0xmRZCz0U6gzVM6hLDfOwW9zPg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/A0xmRZCz0U6gzVM6hLDfOwW9zPg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Georg Philipp Telemann (1681 - 1767)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;CONCERTO&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;b&gt;TWV 43:G6&lt;/b&gt;&lt;br /&gt;
&lt;span id="" title=""&gt;per flauto dolce, violino, oboe e basso e continuo | for recorder, oboe, violin and continuo.&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura e parti | score and parts&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato A4&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/telem_conc4_prew.pdf"&gt;Anteprima | Preview&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/95601709-telemtwv53g6full-pdf"&gt;ebook pdf&amp;nbsp; | score and parts&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.lulu.com/content/e-book/telemann---concerto-a-4-%7C-flauto-oboe-violino-e-bc/8107440"&gt;ebook | score only (free download) &lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br/&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-1732439997606929093?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/Dpji4ppaMgY" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1732439997606929093?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1732439997606929093?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/Dpji4ppaMgY/telemann-concerto-quartetto-twv-43g6.html" title="Telemann | Concerto - quartetto TWV 43:G6 recorder,oboe,violin and bc" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/03/telemann-concerto-quartetto-twv-43g6.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkMGQH4_cCp7ImA9Wx5TFEo.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-8163800670962734844</id><published>2010-03-20T01:28:00.009+01:00</published><updated>2010-07-30T10:27:01.048+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-07-30T10:27:01.048+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Pandolfi Mealli Giovanni Antonio" /><title>Pandolfi Mealli | La Castella - for recorder - with orig. version for violin</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/bGWDMa5zVYIRusJMVEkCDoosbRk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bGWDMa5zVYIRusJMVEkCDoosbRk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Giovanni Antonio Pandolfi Mealli (ca 1620 - ca 1669)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Sonata quarta&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;LA CASTELLA&lt;/span&gt;&lt;br /&gt;
da&amp;nbsp;&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;i&gt;Sonate a Violino Solo Per Chiesa e Camera&lt;/i&gt;&lt;br /&gt;
Opera Terza &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;br /&gt;
Michele Wagner, Innsbruck, 1660&lt;br /&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;br /&gt;
&lt;span style="font-size: small;"&gt;Contenuto | content&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;Versione originale | original version: violino e basso | violin and continuo&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;Versione per flauto dolce in do | recorder version in C&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;Versione per flauto in sol | recorder version in G&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;PARTITURA E PARTI | SCORE AND PARTS&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0cm; text-align: left;"&gt;&lt;a href="http://www.blogger.com/goog_864152437"&gt; &lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/mealli_castella_vl_fl.PREW.jpg"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;Anteprima | Preview&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/95599513-pandolfi-mealli-sonata-la-castella-violino-o"&gt;ebook download&lt;/a&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://earlymus.blogspot.com/2010/07/pandolfi-mealli-sonate-per-violino-op-3.html"&gt;Available: Pandolfi Mealli - Sonate per violino op 3 &amp;amp; op 4 - complete &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-8163800670962734844?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/JAoSaeeBLJA" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8163800670962734844?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8163800670962734844?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/JAoSaeeBLJA/pandolfi-mealli-la-castella-for.html" title="Pandolfi Mealli | La Castella - for recorder - with orig. version for violin" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/03/pandolfi-mealli-la-castella-for.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEQDQnY5fip7ImA9Wx9VE0U.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-6660367475259260356</id><published>2010-03-11T03:13:00.009+01:00</published><updated>2011-01-30T11:12:53.826+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-30T11:12:53.826+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Telemann Georg Philipp" /><title>Telemann | quartetto TWV 53:g4</title><content type="html">
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&lt;span style="font-weight: bold;"&gt;Georg Philipp Telemann (1681 - 1767)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;QUARTETTO PER FLAUTO DOLCE, VIOLINO, VIOLA E CONTINUO&lt;/span&gt;&lt;br /&gt;
QUARTET FOR TREBLE RECORDER, VIOLIN, VIOL &amp;amp; CONTINUO&lt;br /&gt;
in sol minore | in G minor TWV 53:g4&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura e parti | score and parts&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato A4 ebook&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/telemann_twv53g4_g-1_PREW.jpg"&gt;Anteprima | Preview&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/95599519-telemann-quartetto-twv-53-g4-flauto-dolce"&gt;Download ebook&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br/&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-6660367475259260356?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/TuXVL0z-WGo" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/6660367475259260356?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/6660367475259260356?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/TuXVL0z-WGo/telemann-quartetto-twv-53g4.html" title="Telemann | quartetto TWV 53:g4" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/03/telemann-quartetto-twv-53g4.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEMFQ3o6eyp7ImA9Wx9VE0U.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-2426704585573345807</id><published>2010-03-04T01:46:00.005+01:00</published><updated>2011-01-30T11:13:32.413+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-30T11:13:32.413+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Corelli Arcangelo" /><title>Corelli | Six solos for a flute &amp; bass with the follia - op V</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/i1UOpztEqpnSCZ3h-7TT9brvJTs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/i1UOpztEqpnSCZ3h-7TT9brvJTs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;span style="font-weight: bold;"&gt;Arcangelo Corelli (1653 - 1716)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;SIX SOLOS FOR A FLUTE AND A BASS&lt;/span&gt;&lt;br /&gt;
WITH THE FOLLIA&lt;br /&gt;
OP 5&lt;br /&gt;
Walsh and Hare, London, 1702 &lt;br /&gt;
for treble recorder and continuo&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura&amp;nbsp; | score&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;"..six solos for a flute and bass by Archangelo Corelli Being the second part of his fifth opera&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;containing preludes, allmands, corrants, jiggs, sarabands, gavotts, with the spanish folly.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;The whole exactly transpos'd and made fitt for a flute and a bass with the aprobation&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;of severall eminent masters.."&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&lt;/i&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;div style="font-weight: normal;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-weight: normal;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;b&gt;formato letter&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/corelliprew.pdf"&gt;Anteprima | Preview&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif; font-size: 16px;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/96925618-corelli-six-solos-for-a-flute"&gt;Ebook &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.lulu.com/content/libro-a-copertina-morbida/six-solos-for-a-flute-and-a-bass-with-the-follia/8442120"&gt;Book &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br/&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-2426704585573345807?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/-8OZphMOl-g" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/2426704585573345807?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/2426704585573345807?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/-8OZphMOl-g/corelli-six-solos-for-flute-bass-with.html" title="Corelli | Six solos for a flute &amp; bass with the follia - op V" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/03/corelli-six-solos-for-flute-bass-with.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEQMQ38_eCp7ImA9WxFREEo.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-848063765905975244</id><published>2010-01-16T00:38:00.004+01:00</published><updated>2010-04-24T03:26:22.140+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-24T03:26:22.140+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Fontana G. Battista" /><title>Fontana | Sonata prima a violino e basso</title><content type="html">
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&lt;/div&gt;&lt;a href="http://static.lulu.com/items/volume_67/8215000/8215351/1/preview/320_8215351.jpg?8215351-1263598373" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.lulu.com/items/volume_67/8215000/8215351/1/preview/320_8215351.jpg?8215351-1263598373" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Giovanni Battista Fontana (1571-1630)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;SONATA PRIMA&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;a violino e basso&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt; &lt;/span&gt;&lt;br /&gt;
per il Violino, o Cornetto, Fagotto,Chitarrone, Violoncino o simile altro Istromento&lt;br /&gt;
Bartolomeo Magni,Venezia,1641 &lt;br /&gt;
violino e basso&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: Times New Roman,serif; font-size: 100%;"&gt;partitura da esecuzione | score &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;a href="http://www.lulu.com/content/content_download_redirect.php?contentId=8215351&amp;amp;version=1"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;download (free)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&amp;nbsp;&lt;noscript&gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;A HREF="http://ws.amazon.com/widgets/q?ServiceVersion=20070822&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;MarketPlace=US&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;ID=V20070822%2FUS%2Fmusicantica-20%2F8014%2F1563ad05-7359-49f3-abf5-797943e63ea2&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;Operation=NoScript"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Amazon.com Widgets&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/A&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&lt;/noscript&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-848063765905975244?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/2kNVpAIE_h4" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/848063765905975244?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/848063765905975244?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/2kNVpAIE_h4/fontana-sonata-prima-violino-e-basso.html" title="Fontana | Sonata prima a violino e basso" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/01/fontana-sonata-prima-violino-e-basso.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEMCRXk8fyp7ImA9Wx9VE0U.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-6368255054882737949</id><published>2010-01-09T02:12:00.009+01:00</published><updated>2011-01-30T11:14:24.777+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-30T11:14:24.777+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Telemann Georg Philipp" /><title>Telemann | Concerti per due flauti  TWV 51:B1 &amp; TWV 52:a2</title><content type="html">
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&lt;span style="font-weight: bold;"&gt;Georg Philipp Telemann (1681 - 1767)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;CONCERTI PER DUE FLAUTI DOLCI E ARCHI&lt;/span&gt;&lt;br /&gt;
CONCERTS FOR TWO RECORDERS &amp;amp; STRINGS&lt;br /&gt;
in sib | Bflat major TWV 51: B1&lt;br /&gt;
in la min | A min TWV&amp;nbsp; 52:a2&lt;br /&gt;
&lt;span id="" title=""&gt;per due flauti dolci, due violini, viola, basso e continuo | concert for two recorders, two violins, viol, bass and continuo.&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura&amp;nbsp; | score&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato letter&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.tradebit.it/usr/musichele/pub/9003/telemann_concerti_2fl_prew.pdf"&gt;Anteprima | Preview&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.tradebit.it/filedetail.php/96522307-telemann-concerti-per-due-flauti-twv"&gt;e book &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br/&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-6368255054882737949?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/8OWPwSKHy_M" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/6368255054882737949?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/6368255054882737949?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/8OWPwSKHy_M/telemann-concerti-per-due-flauti-twv.html" title="Telemann | Concerti per due flauti  TWV 51:B1 &amp; TWV 52:a2" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/01/telemann-concerti-per-due-flauti-twv.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A08NSXo8eip7ImA9WxFQFU4.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-1493761737823454993</id><published>2010-01-04T16:02:00.005+01:00</published><updated>2010-05-11T03:04:58.472+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-05-11T03:04:58.472+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Castello Dario" /><title>Castello | Sonata Prima a sopran solo</title><content type="html">
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&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;a href="http://static.lulu.com/items/volume_67/8164000/8164690/1/preview/320_8164690.jpg?8164690-1263226332" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://static.lulu.com/items/volume_67/8164000/8164690/1/preview/320_8164690.jpg?8164690-1263226332" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Dario Castello (1590ca-1630ca)&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;SONATA PRIMA&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;a sopran solo&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span id="" title=""&gt;a Sonate Concertate in stil Moderno, Libro Secondo, Magni,Venezia,1644 &lt;/span&gt;&lt;br /&gt;
violino e basso&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: Times New Roman,serif; font-size: 100%;"&gt;partitura e parti | score &amp;amp; parts&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;a href="http://www.lulu.com/content/content_download_redirect.php?contentId=8164690&amp;amp;version=1"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;download (free)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;noscript&gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;A HREF="http://ws.amazon.com/widgets/q?ServiceVersion=20070822&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;MarketPlace=US&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;ID=V20070822%2FUS%2Fmusicantica-20%2F8014%2F1563ad05-7359-49f3-abf5-797943e63ea2&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;Operation=NoScript"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Amazon.com Widgets&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/A&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&lt;/noscript&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-1493761737823454993?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/i7jDeVNr7p0" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1493761737823454993?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/1493761737823454993?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/i7jDeVNr7p0/castello-sonata-prima-sopran-solo.html" title="Castello | Sonata Prima a sopran solo" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/01/castello-sonata-prima-sopran-solo.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A04NSXYzfCp7ImA9WxFQFU4.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-9004461555997200194</id><published>2010-01-02T15:07:00.005+01:00</published><updated>2010-05-11T03:06:38.884+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-05-11T03:06:38.884+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Werrecore Hermann Matthias" /><title>Werrecore | Andand'a Spasso - da "La Bataglia Taliana"</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kVXcD9gazon_1eHu-9PHQlW0g3U/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kVXcD9gazon_1eHu-9PHQlW0g3U/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
Matthias Hermann Werrecore&lt;br /&gt;
&lt;span style="font-size: 130%; font-weight: bold;"&gt;Andand' a spasso&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;villotta&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;da |from&lt;/span&gt;&lt;span style="font-size: 130%; font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;La Bataglia Taliana&lt;/span&gt;&lt;span style="font-size: 130%; font-weight: bold;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
con alcune villotte piacevole&lt;br /&gt;
appresso Antonio Gardane, Venezia, 1549&lt;br /&gt;
&lt;br /&gt;
partitura | score&amp;nbsp; -&amp;nbsp; quattro voci | four voices&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: Times New Roman,serif; font-size: 100%;"&gt;formato A4&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Times New Roman,serif; font-size: 100%;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;a href="http://www.lulu.com/content/content_download_redirect.php?contentId=8156185&amp;amp;version=1"&gt;score - free download&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;LA BATAGLIA TALIANA (full score)&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt; is available:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;a href="http://earlymus.blogspot.com/2009/11/matthias-hermann-werrecore-la-bataglia.html"&gt;LA BATAGLIA TALIANA con alcune villotte piacevole&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-9004461555997200194?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/hCb_AzvxtZo" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/9004461555997200194?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/9004461555997200194?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/hCb_AzvxtZo/werrecore-andanda-spasso-da-la-bataglia.html" title="Werrecore | Andand'a Spasso - da &quot;La Bataglia Taliana&quot;" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/01/werrecore-andanda-spasso-da-la-bataglia.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUYEQ34yfSp7ImA9Wx9VE0U.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-5161429458452231424</id><published>2010-01-02T15:01:00.009+01:00</published><updated>2011-01-30T11:25:02.095+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-30T11:25:02.095+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Anonimo XVIII" /><title>An Italian ground | from The Division Flute</title><content type="html">
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&lt;span style="font-weight: bold;"&gt;Anonimo inglese&lt;/span&gt;&lt;br /&gt;
AN ITALIAN GROUND&lt;br /&gt;
flauto dolce e basso | recorder &amp;amp; bass &lt;br /&gt;
&lt;br /&gt;
&lt;span id="" title=""&gt;An italian ground&lt;br /&gt;
from &lt;span style="font-weight: bold;"&gt;the second part of the Division Flute&lt;/span&gt;,&lt;br /&gt;
Walsh, London, 1708. &lt;/span&gt;&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura  e parte | score &amp;amp; part&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato A4&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;a href="http://www.lulu.com/content/e-book/telemann---concerto-sib-%7C-bdur---two-recorders-strings/8121160"&gt;&lt;/a&gt;&lt;a href="http://www.lulu.com/content/e-book/an-italian-ground-%7C-from-the-division-flute/8156137"&gt;score - free download&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;br /&gt;
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&lt;span style="font-weight: bold;"&gt;John Banister &lt;/span&gt;&lt;span id="" title=""&gt;(1630–1679)&lt;/span&gt;&lt;br /&gt;
A DIVISION ON A GROUND&lt;br /&gt;
flauto dolce e basso | recorder &amp;amp; bass&lt;br /&gt;
&lt;br /&gt;
&lt;span id="" title=""&gt;A division on a ground&lt;br /&gt;
from &lt;span style="font-weight: bold;"&gt;the first part of the Division Flute&lt;/span&gt;,&lt;br /&gt;
Walsh, London, 1706. &lt;/span&gt;&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: Times New Roman,serif; font-size: 100%;"&gt;partitura  e parte | score &amp;amp; part&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: Times New Roman,serif; font-size: 100%;"&gt;formato A4&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Times New Roman,serif; font-size: 100%;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;a href="http://www.lulu.com/content/e-book/telemann---concerto-sib-%7C-bdur---two-recorders-strings/8121160"&gt;&lt;/a&gt;&lt;a href="http://www.lulu.com/content/e-book/banister-%7C-a-division-on-a-ground---from-division-flute/8156087"&gt;score - free download&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-style: normal; font-weight: bold; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;THE DIVISION FLUTE COMPLETE EDITION is available:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;span style="font-size: 130%;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;a href="http://www.lulu.com/content/libro-a-copertina-morbida/division-flute/8105000"&gt;THE DIVISION FLUTE&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: Times New Roman,serif;"&gt;&lt;span style="font-size: 100%;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-8944028836705623366?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/wPvyu_5wMWI" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8944028836705623366?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/8944028836705623366?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/wPvyu_5wMWI/banister-division-on-ground-from.html" title="Banister | A division on a Ground - from Division Flute" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2010/01/banister-division-on-ground-from.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUcGRXo7eSp7ImA9Wx5RF08.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-7845687193794162391</id><published>2010-01-01T10:00:00.015+01:00</published><updated>2010-08-25T09:57:04.401+02:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-08-25T09:57:04.401+02:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Werrecore Hermann Matthias" /><title>Werrecore | La Bataglia Taliana</title><content type="html">
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&amp;nbsp;Matthias Hermann Werrecore&lt;br /&gt;
&lt;span style="font-size: 130%; font-weight: bold;"&gt;La Bataglia Taliana&lt;/span&gt;&lt;br /&gt;
con alcune villotte piacevole&lt;br /&gt;
appresso Antonio Gardane, Venezia, 1549&lt;br /&gt;
&lt;br /&gt;
partitura | score&lt;br /&gt;
quattro voci | four voices&lt;br /&gt;
&lt;br /&gt;
ISBN 978-1-4452-3894-4&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-style: italic;"&gt;contenuto&lt;/span&gt;:&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;La bataglia taliana&lt;/span&gt;&lt;br /&gt;
Signori et cavalieri&lt;br /&gt;
El gran duca milanese&lt;br /&gt;
O signori italiani&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Villotte&lt;/span&gt;&lt;br /&gt;
Horsù horsù compagni&lt;br /&gt;
Cantar voglio una canzon&lt;br /&gt;
Hoimè de cha vo morì&lt;br /&gt;
Andand'a spasso&lt;br /&gt;
Una leggiadr'et bella&lt;br /&gt;
Et infra l'aprile&lt;br /&gt;
Sent'in quest'un romore&lt;br /&gt;
Hor via di buona voglia&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Matthias Hermann Werrecore&lt;/span&gt;&lt;br /&gt;
Compositore fiammingo, di cui si ignora la nascita. Fu attivo a Milano, come maestro di cappella presso il Duomo tra il 1522 e il 1552 , successore di Franchino Gaffurio. Oltre alla nota Bataglia Taliana a quattro voci scrisse almeno sei mottetti e altre composizioni sacre. La sua morte è collocabile dopo il 1574.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;La bataglia Taliana&lt;/span&gt;&lt;br /&gt;
La composizione  celebra la Battaglia di Pavia del 1525, in cui il Duca Francesco Sforza, schierato contro Francesco I di Valois a fianco della Lega comandata dall’Imperatore Carlo V, riconquistò la città di Milano perduta dieci anni prima dal padre Massimiliano nella battaglia Melegnano, quest'ultima celebrata invece da Clément Jannequin  ne La guerre (o  bataille de Meregnan).&lt;br /&gt;
Non è del tutto infondata l'ipotesi che lo stesso Werrecore potesse essere presente sul campo di battaglia come testimone oculare dell'evento.&lt;br /&gt;
La Bataglia Taliana costituisce quindi il secondo esempio di battaglia vocale dopo l'esordio di Jannequin: lo stesso Werrecore riutilizza elementi vocali e musicali della precedente composizione, anche con probabili intenzioni ironiche. La vicinanza temporale tra le due composizioni e l'aspetto storico-celebrativo che le caratterizzano contribuirono a renderle, al tempo, assai celebri, sino ad essere identificate genericamente come “battaglia italiana” e “battaglia franzese”.&lt;br /&gt;
La Bataglia Taliana è volta alla spettacolarizzazione e all'effetto, con ricorso frequente di onomatopee ed effetti vocali ed espressioni linguistiche proprie di altri paesi, in riferimento alla composizione assai disparata delle milizie, spesso mercenarie,  presenti in campo&lt;br /&gt;
&lt;div a="" ad="" al="" all="" alla="" altri="" anche="" anni="" aspetto="" assai="" bataglia="" bataille="" battaglia="" campo="" caratterizzano="" carlo="" celebra="" celebrata="" celebrativo="" che="" comandata="" come="" composizione="" composizioni="" con="" contribuirono="" contro="" costituisce="" cui="" da="" dal="" de="" del="" dell="" della="" delle="" di="" dieci="" disparata="" dopo="" duca="" due="" e="" ed="" effetti="" elementi="" esempio="" esordio="" espressioni="" essere="" fianco="" francesco="" frequente="" genericamente="" guerre="" i="" identificate="" il="" imperatore="" in="" infondata="" intenzioni="" invece="" ipotesi="" jannequin="" l="" la="" le="" lega="" linguistiche="" lo="" massimiliano="" ment="" milano="" musicali="" ne="" nella="" non="" o="" oculare="" onomatopee="" padre="" pavia="" perduta="" potesse="" precedente="" presente="" presenti="" prima="" probabili="" proprie="" quest="" quindi="" ricorso="" riferimento="" riutilizza="" schierato="" secondo="" sino="" spesso="" spettacolarizzazione="" stesso="" sul="" taliana="" temporale="" testimone="" tra="" tutto="" ultima="" valois="" vicinanza="" vocale="" vocali="" volta="" werrecore=""&gt;&lt;br /&gt;
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&lt;span style="font-size: small;"&gt;&lt;a href="http://books.google.it/books?id=aoLefdkCvTsC&amp;amp;lpg=PA56&amp;amp;pg=PA56#v=thumbnail&amp;amp;q=&amp;amp;f=true"&gt;Anteprima | Preview&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1538899907304533357-7845687193794162391?l=earlymus.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/Musicantica/~4/Ttd647p9auI" height="1" width="1"/&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/7845687193794162391?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1538899907304533357/posts/default/7845687193794162391?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Musicantica/~3/Ttd647p9auI/matthias-hermann-werrecore-la-bataglia.html" title="Werrecore | La Bataglia Taliana" /><author><name>Michele</name><uri>http://www.blogger.com/profile/12826064313917865061</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><feedburner:origLink>http://earlymus.blogspot.com/2009/11/matthias-hermann-werrecore-la-bataglia.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D08HRnk9cCp7ImA9Wx9RGUk.&quot;"><id>tag:blogger.com,1999:blog-1538899907304533357.post-6809664033321790115</id><published>2009-12-28T16:37:00.015+01:00</published><updated>2010-12-21T16:37:17.768+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-12-21T16:37:17.768+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Banister John" /><category scheme="http://www.blogger.com/atom/ns#" term="Finger Gottfried" /><category scheme="http://www.blogger.com/atom/ns#" term="Purcell Daniel" /><category scheme="http://www.blogger.com/atom/ns#" term="Anonimo XVIII" /><category scheme="http://www.blogger.com/atom/ns#" term="Eccles Solomon" /><category scheme="http://www.blogger.com/atom/ns#" term="Pepusch Johann Crhistoph" /><category scheme="http://www.blogger.com/atom/ns#" term="Purcell Henry" /><title>THE DIVISION FLUTE | Complete edition</title><content type="html">
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AAVV - English masters&lt;br /&gt;
&lt;span style="font-size: large; font-weight: bold;"&gt;THE DIVISION FLUTE&lt;/span&gt;&lt;br /&gt;
&lt;span id="" title=""&gt;A collection of divisions upon several excellent grounds for the flute (recorder)&lt;/span&gt;&lt;br /&gt;
COMPLETE EDITION&lt;br /&gt;
first part 1706 &amp;amp; second part 1708&lt;br /&gt;
&lt;span id="" title=""&gt;Walsh, London&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-style: normal; font-weight: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;partitura  e parte con basso | score &amp;amp; flute part with ground bass&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
ISBN 978-1-4452-5330-5&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-style: normal; margin-bottom: 0cm; text-align: left;"&gt;&lt;div style="font-weight: normal;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;formato A4&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;b&gt;Contenuto | Content:&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: small;"&gt;First Part -1706&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-weight: normal;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;  &lt;span style="font-family: inherit;"&gt;Readings Ground&lt;/span&gt;&lt;br style="font-family: inherit;" /&gt; &lt;span style="font-family: inherit;"&gt; Pauls Steeple&lt;/span&gt;&lt;br style="font-family: inherit;" /&gt; &lt;span style="font-family: inherit;"&gt; Faronells G&lt;/span&gt;round&lt;br /&gt;
Old Simon the King&lt;br /&gt;
Tollets Ground&lt;br /&gt;
Green Sleeves to a Ground&lt;br /&gt;
Johney Cock thy Beavor&lt;br /&gt;
Division on a Ground&lt;br /&gt;
A Division on a ground by Mr Eccles&lt;br /&gt;
A Division on a Ground by Mr Finger&lt;br /&gt;
A Division on a Ground by Mr Jn° Banister&lt;br /&gt;
A Division on a Ground by Mr Banister&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Second Part -1708&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-weight: normal;"&gt;&lt;span style="font-family: 'Times New Roman', serif; font-size: 100%;"&gt;  A Division to a Ground by Mr Solomon Eccles&lt;br /&gt;
A Ground by Mr Finger&lt;br /&gt;
A Division on a Ground&lt;br /&gt;
A Division on a Ground by Mr Solomon Eccles&lt;br /&gt;
A Division on a Ground&lt;br /&gt;
An Italian Ground&lt;br /&gt;
Chacone by Mr Morgan&lt;br /&gt;
A Chacone&lt;br /&gt;
A Division by Mr Hills&lt;br /&gt;
Division by Mr Gorton&lt;br /&gt;
Prelude by Mr Pepusch&lt;br /&gt;
Prelude by Mr Pepusch&lt;br /&gt;
Prelude by Mr D. Purcell&lt;br /&gt;
Prelude by Mr Finger&lt;br /&gt;
Cibell by Mr Henr. Purcell&lt;br /&gt;
Cibell by Mr Henr. Purcell&lt;br /&gt;
Cibell by Sign.r Baptist&lt;br /&gt;
Cibell&lt;br /&gt;
Cibell by Mr King&lt;br /&gt;
Cibell by Mr King&lt;br /&gt;
Cibell by Mr O&lt;br /&gt;
Cibell by Mr Clark&lt;br /&gt;
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&lt;br /&gt;
&lt;span style="font-weight: bold;"&gt;Anonimo inglese XVIII sec&lt;/span&gt;&lt;br /&gt;
GREEN SLEEVES TO A GROUND&lt;br /&gt;
&lt;br /&gt;
&lt;span id="" title=""&gt;Green Sleeves to a Ground,&lt;br /&gt;
from &lt;span style="font-weight: bold;"&gt;the first part of the Division Flute&lt;/span&gt;,&lt;br /&gt;
Walsh, London, 1706. &lt;/span&gt;&lt;br /&gt;
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