My Silay Heritage

A Hundred Year Old House Made New

noreply@blogger.com (merlmd) — Mon, 21 Aug 2023 12:48:00 +0000

If you grew up in Silay like I did, you would remember the days of Lenten week processions and walking past the big houses, where the senior family members (and smaller kids) would be sitting in their balconaje watching their "carosas" pass by. One of these houses is that of Jose "Pitong" Ledesma, built in 1917 and now at more than a hundred years old.

Lolo Pitong was my grandfather's first cousin and they were quite close, almost like brothers, until politics separated them in the early 60s. This estrangement resulted in the 4th generation (3rd cousins) not really knowing of each other's existence. But being the oldest "apo" I knew, and I did meet some cousins who spent summer in Silay, even attending my 6th birthday party. And then, nada. Although I have always wondered why we were no longer in contact with the family in Mckinley St., it was of no consequence to me since I was just a child. My Lolo Angel's house in Plaridel St. was only one corner and a street away, and even though Lolo chose to break relations, my Dad was still in contact with some cousins. Of course, blood can be thicker than water, and many years later as adults, we did reconnect, realizing (not too late, thank God) that hey, we really came from one ascendant.

But the house always intrigued me. I have very little memory of Lolo Pitong and Lola Anit and growing up, I don't remember it being open except during Holy Week processions. All their children have homes of their own, except for Tita K, so I guess that's why it looked closed up. I was able to enter the house already as an adult and a doctor, to visit Tita K. To my surprise, it was not a very big house compared to the other ancestral houses I have been to on this street, but I was always aware that it was a very important house. I can imagine how it was in the old days, visited by prominent and influential people from inside and outside the province, with so many big decisions being made. It has been so quiet for so long that having it renovated and refurbished was like a sleeping "giant" being awakened. If you want to see how it looks like today, visit https://www.negrosseasonofculture.com/2022/12/faith-family-food.html. This house has had a colorful past and history. It is now time for it to create new memories for the future generation.

BEFORE

AFTER

Disclaimer: First photo retrieved from Wikipedia commons and the rest with permission from Nicholas Ledesma Jr.

Hawaiian-Philippine Company, A Hundred Years in Silay

noreply@blogger.com (merlmd) — Tue, 27 Jul 2021 02:00:00 +0000

Hawaiian-Philippine Company or HPCO as it is commonly called today was founded in 1918 by corporate members of the Hawaiian Sugar Planters' Association who decided to erect a central in Silay, not just to minimize cost but provide locals with work too. Sugar cane planters from surrounding areas were contracted and grinding began January 15, 1921. It was established in 1918 and is currently owned by Jardine-Davis, a U.S. Company.

By 1929, the central has redeemed its initial capital indebtedness and continues to operate successfully until today. Many hacienderos in the province mill at HPCO, not only those belonging to the Silay-Saravia Association, but other districts as well. Aside from refined sugar, muscovado is produced too. The steam locomotives used in transporting the sugar canes are still fully functional.


image retrieved from Wikipedia:https://en.m.wikipedia.org/wiki/File:Hawiian_Philippine_Company_Loco_1984_%283212583114%29.jpg

Location: Brgy. Hawaiian, Silay 6116, Silay City, Negros Occidental

Silay Stories: Lost Love, Lost Years

noreply@blogger.com (merlmd) — Sat, 29 Jun 2019 08:43:00 +0000

This is another Silay story about a lost love. This time, it is a story that is close to my heart.

Once upon a time, a handsome young boy fell in love with a beautiful young girl. This boy began to court the girl and not long after, he asked for her hand in marriage. The boy's family was well placed in local society and so, it was not hard for him to get permission from the girl's parents. The engagement period was going to be a short one, because the girl being modest and conservative, believed that a long one only make people gossip. But before we go on with the story, bear in mind that this was an age where an individual's behavior is judged by strict moral codes, and blood relationships are of utmost importance.

In those days where most engagements and marriages were typically arranged by families, this particular one was without doubt based on true love. At least this was what I gathered from the storyteller. Boy sees Girl, Girl meets Boy and love happens. It would have ended in a happily ever after, if not for a singular but life-changing event.

One day, a few weeks before the wedding day, the fiance asked his bride-to-be for a postponement, giving as his reason something about family health problems. The girl reluctantly agreed (remember, she did not like long engagements) but her intuition told her that there must be more that meets the eye, and so she did some sleuthing. Her happy world came tumbling down with what she found out. It was revealed to her that her father (well known for falling into financial embarrassment) borrowed a substantial amount of money from her fiance. This of course angered his family, and his sisters now objected to the marriage abhorring the idea of becoming related to such a family of ill repute. Knowing all these, the girl was so ashamed, and out of delicadeza, decided to break the engagement. She met with her fiance and apologized for her father's actions. Her fiance refused to take back the ring he gave her, asking for just more time to turn his family around. But she was not to be convinced. Mustering what little pride she had left, she told him that although she cared for him very much, she firmly believes that this incident will always create a wall between their families, and she did not have the confidence that she will be strong enough to bear it all. She also did not have the courage to face his family especially his sisters. His was an aristocratic family, while hers (although of good lineage) was on the verge of bankruptcy...it was a relationship doomed from the start.

And so because they were good children, with their hearts broken, they parted ways, never to meet again.

It was years later that this girl, now a woman and who by the standards of those bygone days was already an "old maid", finally got married, this time to someone she hardly knew. It was not a love match, but more of a marriage of convenience. She will be the first among her sisters to get married and her security will be guaranteed as her betrothed was an eligible bachelor, a lawyer and a businessman. She told herself, love will come later.

But...all her life, she kept this secret of a love lost deep inside her, never forgetting. In her twilight years, she finally shared her little secret to her first grandchild. Why she shared it, no one knows...maybe it was her way to keep alive that which she has forever lost.

Do I know this woman? Of course...

A Flying Saucer in Silay City

noreply@blogger.com (merlmd) — Mon, 27 Jun 2016 07:00:00 +0000

Did you know that there is a flying saucer in Silay City?

No?

Well, there is one, but it's not the extra-terrestrial kind.

I am talking about El Ideal's Bakery and Refreshment's grilled cheese sandwich, which was aptly named flying saucer simply because it looked like one! This was one of my comfort food since childhood, something that I always looked forward to whenever I went over to my grandparent's house during weekends. When I went to Manila for college, it was something I sorely missed...no other grilled cheese sandwich could quite compare to the flying saucer of El Ideal. And so, when it disappeared from the menu sometime in the late 80's or early 90"s, it was like losing a part of my childhood. Their reason was that the vintage sandwich maker they were using could not be repaired anymore and it was no longer sold by the store that used to sell it. It took quite sometime for me to get over my disappointment that my beloved flying saucer will never be back...ever again.

Then a small miracle happened! Mark Sanchez, (the original owner's great grandson) who now manages El Ideal knew of my flying saucer longing, and while on a family trip to Iloilo City, surprisingly found the rounded grilled sandwich makers being sold in one market stall there.

And viola!

A really mouth-watering flying saucer sandwich. It is different from your ordinary grilled cheese because the bread is generously buttered on the outside with melted cheese inside sealed with crisp edges. The bread is not flat but toasted/fluffy. Yummylicious!

Now that they have several of these sandwich makers available, maybe El Ideal can now make several varieties of flying saucers aside from just cheese, like ham and cheese, bologna and cheese, pepperoni and cheese or maybe eggs too. Meanwhile for cheese lovers like me, this flying saucer is enough to satisfy my comfort food craving.

El Ideal Bakery and Refreshment
Rizal St., Silay City
Telephone number: (034) 4954430

Silay, The Home Of The Dulce Gatas

noreply@blogger.com (merlmd) — Tue, 22 Sep 2015 14:02:00 +0000

I grew up in Silay surrounded by food, from simple fares to not so very simple ones. Every Sunday, our breakfast in my paternal grandparents' house would consist of tsokolate (made from cacao tablea and fresh carabao's milk), fried rice, scrambled eggs, vienna sausage, homemade chorizo recado and bas-oy ( an Ilonggo soup made of minced beef, tomatoes, onions...etc). Meanwhile, next door was my grand-aunt's home where there was always some kind of food cooking in her kitchen, from pinangat, lumpia sariwa, homemade ice cream made of coconut, vanilla or cheese, but best of all was the Dulce Gatas (literally means milk candy). This Silay specialty was something "to die for" so to speak.

Before the advent of specialty cakes and donuts, there were the desserts and pastries made from family recipes. My grand-aunt's contribution to the world of sweets was her unbeatable Dulce Gatas. These days there are so many "dulce gatas" sold in the market yet little is known of it's origins, but I believe that the original recipe comes from Silay. It is a common fact that when people buy, they would always ask if the dulce gatas was made in Silay. Of course most sellers would say yes, but this is largely unconfirmed unless it is from a reputable store.

To my family, there was only one maker of dulce gatas that we knew of, and that was my grand-aunt, Lola Unding Lopez Gamboa. I remember her cooking this in a really huge cauldron, constantly stirring for hours and never stopping until it is ready to be poured into medium sized milk cans (the metal ones for baby powdered milk), then cooled and ready to be delivered to those who made the orders. The grandkids (us) would be eagerly waiting for the cauldron to cool so that we can get all the left over milk stuck at the bottom. Sometimes, the naughtier of us would take swipes with our spoons at the milk cans causing my grand-aunt to start shouting at us to get out of the kitchen! She had orders almost everyday and sometimes would run out of carabao's milk, so we got no freebies. In the late 70's this grand-aunt moved to Bacolod and just when I thought goodbye dulce gatas, I learned that there was another Silaynon making it but in bar and candy form. Since then, I have tried all the dulce gatas made and sold in Silay but frankly and without bias, my Lola Unding's Dulce Gatas was the milkiest, creamiest and smoothest that I have ever tasted. It literally melted in your mouth! In her old age, she gave my mom her recipe with her secret ingredient, Karo Syrup, the one which gave her dulce gatas a different consistency. Once in a "blue moon" when we are able to source the carabao's milk, we would make Lola's dulce gatas at home.

I am sharing her recipe, although I cannot guarantee that it would turn out exactly the same, because you see, there is a rhythm to the stirring that my Lola taught us that comes with practice, but once you get it, you will have the best dulce gatas in the whole wide world.

Lola Unding's Dulce Gatas de Silay

Ingredients: 3 cups Carabao's milk, unadulterated (if unavailable, you can substitute cow's full cream milk) and 1 cup refined sugar

Cook over low heat
Watch that it won't overflow and start mixing slowly to prevent curdling
Continue mixing until it becomes thick and sticky
Transfer to a container (fills up about 3/4 of a baby's milk can)
Once done, you can pour Karo syrup on top

Note: It is a slow and laborious process since it has to be cooked over low heat and you have to continue mixing until done. (slow cooking and constant stirring).

GOOD LUCK! (and please let me know how it turns out)

Ann Legaspi-Co, In Her Mother's Footsteps

noreply@blogger.com (merlmd) — Mon, 17 Nov 2014 07:30:00 +0000

When I was a little girl, there was only one person from whom we would order our birthday cakes - Tita Maguit Jalandoni-Legaspi. She made the best mocha and chiffon cakes I have ever tasted and of course, her unrivaled Mocha Sans Rival par excellence. From the time Tita Maguit passed on, the cake making business in Silay was reduced to commercial ones and there was no one who made cakes that tasted as good. Our birthday cakes were never the same again.

And so, when I saw some remodeling being done on a commercial space besides Tita Maguit's house and then this sign came up, I excitedly told my mom...it's back!

Ann Legaspi-Co has inherited her mother's cake making abilities and through her, her mother's legacy lives on. Ann has not only continued to make her mom's cakes and Sans Rival, but has added her own versions, like her delicious Frozen Brazos, which to me is the best in Negros.

Sans Rival

Ann's Frozen Brazos unlike the regular Brazo de Mercedes, is not too sweet. The custard filling is creamy but not too rich in taste so that one never gets tired of eating it. I love that it is now available in smaller servings at the Silay store.

Talking about the store...Ann Co Cakes is eye candy not just for cake and dessert lovers but for art enthusiasts as well. Ann is married to Charlie Co, well-known Bacolod artist, sculptor and painter, and her store and decor reflects this relationship. Even some artist friends helped out!

Wall art and sculpture by Charlie Co

wall art by Charlie Co

Rest room wall art

In Silay, heritage is not just about our ancestral houses and history...it's also about CAKES!

Ann Co Cakes is located at Margarita Bldg., Rizal Street, Silay City, Negros Occidental with contact number: 0917 301 0938

Disclosure: All pictures in this page is courtesy of Ann Legaspi-Co.

1st Familia Ledesma Grand Reunion - Now A Reality

noreply@blogger.com (merlmd) — Tue, 21 May 2013 06:40:00 +0000

Over a year ago Ramon Severino Conlu, Jr., the researcher behind The Ledesma Genealogy Book, created a Facebook Group, the Familia Ledesma of Jaro, Iloilo. The group’s on-line membership grew from an initial few hundreds to more than a thousand in a few month's time. That was when Ramon and other members like Ekoy Golez, Mardi Mapa Suplido, Ging Palanca and Marie Silva Vallejo began entertaining the idea that a grand reunion could very well happen. A series of monthly meetings were started and the adhoc committee proposed for a three-day affair. Several dates were mentioned but the most feasible was May 24 to 26, 2013. The people in the organizing team knew that it was going to be an ambitious project considering that the Ledesmas are generally not the social type. But then, if not now...when?

And so this weekend, Ledesmas from all over the country and abroad will converge at the Bacolod Pavilion Resort and Hotel in Bacolod City, Philippines, for our first ever grand reunion where we will meet and get to know each other, bond and celebrate our common ancestry, heritage and legacy. What was then a dream is now a reality. Welcome to all!

Non Sibi Sed Cunctis
(Not for oneself, but for all)

Schedule of Activities

Day 1 (May 24) – Bacolod Pavillon Hotel, Bacolod City
8:00 a.m. to 5:00 p.m. - Registration
Opening of Familia Ledesma Exhibit

2:00 p.m. SHARP – Ledesma Heritage Tour (Optional): For 30 people on a first come, first served basis. ***Cost: P500 per person. Children not needing a seat - entrance fees only.
Heritage Homes/Museum include Bernardino Jalandoni and Ysabel Ledesma House, Maria Golez House (RCBC), Manuel Hofilena House, The Ruins in Talisay.
Added attractions: Negros Forest Reserve, San Diego Pro-Cathedral Ledesma Oral History and Trivia

7:00 p.m.- FIESTA FAMILIA: Family Party - Cocktails, Live Band (at the Poolside).

Day 2 (May 25) – Bacolod Pavillon Hotel Convention Hall, Bacolod City
8:00 a.m. - Registration
9:00 a.m. - Opening Program/Welcome Messages
10:30 a.m. - Picture taking per branch (wear reunion t-shirt and ID)
12:00 p.m. - Lunch (Food Booths)
2:00 p.m. - Games/Interaction Activities
5:00 p.m. - Break
6:00 p.m. - Dinner Buffet – 300/person 13 yrs and above; 100/kid 6-12 yrs; free 5 yrs and below.
7:00 p.m. – Special Prizes to the following attendees:

the oldest
traveled the longest distance to the reunion
the farthest generation from his/her Ledesma brother ancestor and
brings a photo of the oldest Ledesma ancestor.

7:30 p.m. - ESPECTACULO DE VARIEDAD: The Ledesma Variety Show (featuring Star Magic Singer/Actor Markki Ledesma Stroem, Joey Benin (formerly of Side A Band) and Bing Ledesma Benin and many more…with RJ Ledesma as emcee: 2012 Aliw Awards Best Male Emcee.

Day 3 (May 26) – Silay City (Transportation to be announced)
11:00 a.m. - MISA: Holy Mass at San Diego Pro-Cathedral, Silay City

With Cagayan de Oro Archbishop Antonio J. Ledesma (main celebrant), Rev. Fr. Ceferino B. Ledesma & other Ledesma priests
Tribute to Don Jose “Pepe” del Rosario Ledesma who initiated the move to construct the church in 1925. He also shouldered 90% of the construction costs.

12:30 p.m. - Lunch Buffet: Sen. Jose C. Locsin Cultural and Civic Center, Silay City

Video Presentation and highlights of the reunion

2:00 p.m. - Awarding Ceremony and Closing Program

---------------------------------------------------------------------------------------------------------------------

To the steering committee members especially our vice-chair, Rafael "Paeng" de Paula Golez, our indefatigable over-all coordinator Ramon Severino Conlu, Jr., and our creative and vibrant event coordinator, Marinette Golez Adelfin-Torrejon...words will never be enough to describe your efforts and commitment to this reunion. I call it your "labor of love". MADAMO GID NGA SALAMAT!

Patag: History and Nature's Bounty

noreply@blogger.com (merlmd) — Tue, 15 Jan 2013 04:00:00 +0000

On the foothills of Mt. Silay (also known as Mt. Mandalagan) lies the village of Patag, the site of the Japanese military's last stand in Western Visayas during World War II. In 1945, U.S. military forces landed in Negros Island. The occupying forces of the Nagano Detachment of the Japanese Imperial Army retreated to Silay and proceeded up Mt. Silay to Patag where they were prepared to make a stand. My father (they had moved from the city to the haciendas to avoid the Japanese) would tell me stories of how they can hear the passing of the trains filled with the fully armed soldiers. To say that it was scary was an understatement. The Japanese were defeated by military forces of the Philippine Commonwealth and soldiers of the U.S. 40th Infantry Division with help from the local guerrilla fighters. To honor all those who died in that battle, the Japanese government built a Friendship Shrine as a memorial. Not to be outdone, there is also a WWII memorial dedicated to the Filipino and American soldiers.

Today Barangay Patag is often visited by tourists, nature lovers and adventure enthusiasts. There is an old hospital there built in the late 50's that was meant for tuberculous patients, which has since been converted into a camping ground and a hostel with a swimming pool and seminar/training facilities. This is also the jump off point of the hike going to Tinagong Dagat, so called because during the rainy season, a hidden lake appears adding to the enchantment of the place.

http://www.flickr.com/photos/75268427@N00/111942651

http://discovernegros.tumblr.com/image/961434484

Patag boasts of many beautiful waterfalls, the most well-known is Pulang Tubig, a variety of flora and fauna, like the Philippines spotted deer and sulfur geysers or sulfataras.

I hate to admit this but I have gone to Patag only thrice in my lifetime which is a bit embarassing since I am a Silay resident. The first time, to be part of a tree-planting activity many years ago when the place was in danger of losing all it's trees. The second time was an adventure trip to the old hospital and water reservoirs. We could see the city from the hospital then. The most recent visit came about when I decided to tag along my mom's group who had an outing there. It was during this last trip that I saw why Patag has become a must-see destination for eco-tourists and trekkers. The vegetation has become lush, the trees have grown tall and strong (hey, maybe one of those was mine!) and the atmosphere was cool and fresh. The clouds were breathtakingly low that I reached out to touch them. The place was completely different from what it was 20 years ago. Now, the old hospital was surrounded with trees and the city could no longer be seen from there. The whole valley had experienced a rebirth!

I am not a mountain person (send me to the beach anytime!) and I always seem to get bitten by bees and bugs when I am there, so you won't see me going back anytime soon unless I get invited to one of the many beautiful vacation and resthouses that have sprouted all over the place, some of which had swimming pools. But to all those who love fresh mountain air, Patag is the place to be.

How to get there:

By Public Transport: From Bacolod City Proper take any jeepney that will have the Northbound sign or Bata Libertad/ Mandalagan Libertad to get to the North Terminal. When there, take any Silay Bacolod jeepney or the Ceres bus or any bus that would pass by Silay. Get down at the Silay City Public Market, ask locals from the area where the jeepneys going to Patag are parked, or if you have a big group, ask the drivers if you can rent the whole jeep. Price varies but you can always negotiate based on the usual per person charge.

Important note: It is not advisable to rent or get a jeepney from Bacolod since the drivers may not be familiar with the route and terrain.

Silay Heritage Mini-tour for Bloggers

noreply@blogger.com (merlmd) — Sun, 28 Oct 2012 17:29:00 +0000

Last October 21, 2012, sixteen food and travel bloggers from all over the country who were here for the Masskara Festival, came on a mini-tour of Silay, organized by the Negrense Blogging Society, Inc. This side trip was made possible with the free use of the new Merci bus courtesy of it's CEO, Mr. Jonathan Lo. We were only going to do a half-day tour because the bloggers were scheduled to watch the Masskara street dancing in the afternoon. The short itinerary included visiting the two lifestyle museums of the city, the Bernardino Jalandoni House (Pink House) and the Yves Gaston House (Balay Negrense). We stopped for a while for some photo-ops at the Maria Ledesma Golez House, now a bank, the RCBC and the Lope Severino Building, half of which is now a hotel and the other half, commercial stores.

Next stop was the Jose Gamboa Ancestral House which was used in part for the iconic movie, Oro, Plata, Mata. This house is not open to the public but it's current owner, Mr. Buddy Jison was very kind to allow access to his ancestral home. In fact, he personally welcomed and showed us around, giving us some history about the house.


photo of Jose Gamboa House courtesy of Maricar Dabao of Viaje Negrense

The next ancestral house we visited was that of Dr. Jose C. Locsin, Silay's most notable son. This house is also a private home but it's occupants, Neil Solomon "Solo" Locsin and Tita Charet Locsin willingly opened it's doors to us. Solo is Dr. Locsin's grandson and also a consultant of the city, responsible for many of it's current historical and cultural projects. The house is beautifully preserved and is one of the biggest in the city. It is also a house which has witnessed history happen within it's walls.

photo of Dr. Jose C. Locsin Ancestral House courtesy of Neil Solomon Locsin

We were served with homemade tsokolate and biscocho, a traditional Silay merienda, at the Locsin house and from there, we finished our short tour passing by the Lacson house for some food tasting of original Silay recipes and then on to the San Diego Cathedral for a quick view of the church and the ruins of the original church behind it.

To our blogger friends...hasta la vista! See you next year and we promise to give you a more comprehensive tour of my beloved Silay...where life is indeed sweeter and the past is forever!

Silay Marathon 2012: Mt. Patag Eco-Adventure Trail Endurance Challenge

noreply@blogger.com (merlmd) — Fri, 26 Oct 2012 16:07:00 +0000

Silay is not only about arts, culture and heritage but eco-tourism and sports as well. One important sport event that has caught national attention is the Silay City Marathon which first began in the late 90's as a 5K and 15K run and eventually evolving into a half marathon by the year 2000. For the first time this year, it will be full marathon with a distinctive feature: a non-stop ascending route that ends on top of a mountain. To bring attention to the city's forest preservation and eco-tourism efforts, the Silay Marathon 2012 is aptly called the Mt. Patag Eco Adventure Endurance Trail Challenge. It will be a 34k / 42K (solo) and 42k (relay) marathon to be held on November 3, 2012.

For inquries please contact Dr. Bob Ledesma 0947-7896317 and Boyet Rentoy 0928-9084888.

I Am Proud To be A Silaynon

noreply@blogger.com (merlmd) — Wed, 04 Jul 2012 15:14:00 +0000

The theme of celebration for Silay City's 55th Charter Anniversary last June 12, 2012 was ‘I AM PROUD TO BE A SILAYNON’.

This theme is a celebration of togetherness and achievements in all levels of Silaynon endeavor according to Mayor Jose "Oti" L. Montelibano. Here is a short documentary about Silay's past, a project of the city's Tourism Office in tandem with the PIO. Watch it and know the reason why I am very proud to be a Silaynon.

Researcher/Director/Editor: Neil Solomon Lopez Locsin

Videographer/Artistic Director: Gary Lake Liza

Audio Visual Presentation by Leo Vision Multimedia Company / Leo Vision's Facebook page

Silay City Charter Day Celebration: Hugyaw Kansilay!

noreply@blogger.com (merlmd) — Fri, 08 Jun 2012 16:42:00 +0000

Silay City became a city on June 12, 1957 by virtue of Republic Act 1621. The city then has 2 main fiestas, the Charter Day Celebration every June 12 of the year, and the Feast of San Diego de Alcala, it's patron saint, every November 13. But frankly, I don't remember any merrymaking or commemoration of the Charter Day when I was growing up. To me and for most Silaynons of my generation, the parish church's fiesta was always the one that the people celebrate.

However in the last 20 years or so, the Silay Charter Day Celebration has gradually taken over the parish fiesta as the primary festival of the city in terms of scope and grandeur. For the June festivities, the city government has week-long events that focus on the rich culture and history of Silay, while the November fiesta has activities that highlight the religious aspect of the celebration. For the last 4 years, Hugyaw Silay, Inc., an NGO whose objective is the promotion of tourism, culture and arts of the city, has been managing the charter celebrations of the city. The main features are the Lin-ay Sang Silay and the Hugyaw Kansilay Streetdancing Competition.

I am more interested in the street-dancing competition because the first and last time I saw it was when it was first introduced in the 90's. This event disappeared for a while until it was again revived in 2008 by the current city administration. The present-day competition is bigger and more dramatic depicting the ‘Legend of Silay’ through dancing, using a lively original musical composition of "Hugyaw Silay" and colorful costumes. The costumes must be made of indigenous materials. Each group is led by a maiden who represents Kansilay, a main character in the legend of how Silay got its name. Other characters of the folklore like the fairy, Diwata and the warrior, Lawaan are also represented.

The video above was taken during the opening of Panaad Sa Negros 2012 last April. Source: YouTube of Silay City Public Information Office.

‘Hugyaw Kansilay Festival’ of Silay City was chosen by the Department of Tourism as the official entry of Negros Occidental in the Kasadyahan Regional Cultural Competition in Iloilo City last January 2, 2012.

Adaptive Reuse of Silay's Ancestral Houses

noreply@blogger.com (merlmd) — Sun, 20 May 2012 17:32:00 +0000

Silay City is full of heritage houses but most of them are still residential homes, lived in by the descendants of the original owners or bought by others who continue to live in them. There are few however that have been converted to museums or offices. This action is called adaptive reuse, referring to the process of reusing an old site or building for a purpose other than which it was built or designed for.

Among the first of those ancestral houses for adaptive reuse was that of Maria Ledesma Golez which was bought by Rizal Commercial Banking Corporation or RCBC in 1992. I remember attending birthday parties in this house, going up the stairs at the left anterior part of the building. In fact, I have some memory of the living quarters upstairs and I still have a picture of myself at the age of 5 or 6 years at their balcony. The first floor used to be a soda fountain where they sold really good siopao. RCBC remodeled the interiors of the first floor into their Silay branch while the second floor is used as a storage area. The exteriors have been preserved well.

The next two ancestral houses were bought by the Silay City government and converted into offices. These are the Angel Araneta Ledesma Ancestral House which is used as the Arts and Culture Office of the city and the Armin Jalandoni Ancestral House which is now the Sangguniang Panglungsod building. These are both found in Plaridel Street, where I and my cousins would stroll on weekend afternoons. This street has been renamed to Generoso Gamboa Street.

Another heritage structure that has been converted is the Lope Severino Building which is now owned by two separate individuals. The left wing of the building was bought by an Indian businessman while the right wing was bought by the Baldevia family. Both owners converted their properties for commercial use. The second floor of the Baldevia side is a pension house with function rooms available for rent while the other side is rented by a religious group.

A few old buildings that were dilapidated or structurally unsafe were completely rebuilt like the Cine Silay now known as the Jison Building and the North Elementary School Gabaldon building. In the past Silay's main street was lined with beautiful buildings. They were used as commercial areas in the first level and residential areas in the second. Many of these buildings are still there, having withstood the test of time with new owners and a new life. But there were a few which were burned to the ground in the late 60's or early 70's and nobody will remember them...like the other Severino house fronting that of the Lope Severino building, the Hofileña building besides it (now with a new building rented by Mang Inasal), the house of the Lecaros family where Rising Drugstore used to be and one that I vaguely remember, the building besides The Bernardino Jalandoni house which their family also owned.

I hope that when architects are hired to plan for new buildings in Silay, they will always consider the aesthetics of a heritage city in mind. They can create modern day structures without sacrificing the old world charm of Silay.

Silay Honors Mr. Ramon Hofileña And His Ancestral House

noreply@blogger.com (merlmd) — Wed, 16 May 2012 17:08:00 +0000

Who doesn't know Ramon Hofileña? So many people have written about him that he is easily the most recognizable name when it comes to arts and cultural history in the Province of Negros Occidental. Although he lived abroad for a period of time, his love for Silay lured him back home. He took it upon himself to bring to Silay art exhibits and workshops of artists like Manuel Rodriguez Sr., Lamberto Hechanova, Vicente Manansala and Hernando Ocampo. I remember participating in one of those printmaking workshops during my high school days. Ramon also single-handingly conducts the Annual Cultural Tour of Negros which is now on it's 38th year. His ancestral house where he continues to live in to this day is preserved with much love and you can see this in the way Ramon talks about his beloved home. He regales his guests with stories and the memories that goes with each and every furniture and fixture, all precious antiques. The second floor is where you can find even more art treasures - paintings of Luna, Hidalgo, Amorsolo, Manansala and even a sketch done by the young Rizal as well as a painting by Goya and Picasso. There is however one painter whom Ramon to this day talks about with sadness and regret...Conrado Judith, an unknown but very talented Silaynon painter who due to illness and poverty passed away early. His few works which Ramon was able to acquire are displayed right along those famous ones.

His love and passion for the arts, culture, history and heritage prompted him to open his family home, the Manuel S. Hofileña Ancestral House (c.1934) in 1962 to the public. This was fifty years ago and last May 3, 2012, the city gave honor to this man who unselfishly gave his time and talent for the promotion of Silay as the seat of culture and arts of the the province of Negros Occidental. Today, Ramon is busier than ever.

While before people usually make an appointment to see his house, they now come at anytime of the day and almost every day. He says he misses having his siesta but he cannot find it in his heart to refuse their request. Listening to him say that during the short program, I suddenly realized that there will never be another like this man, indefatigable in his mission to bring culture to the people. In fact right after his speech, he went on to give his guests a tour of his house.

Although I have seen his house so many times before and heard his stories, there always seems to be something new to learn and discover about Ramon, his home and it's history. He is always enthusiastic and is a master story-teller. It is obvious that he loves doing this. It is also because of this love and passion that he and a group of like-minded Silaynons fought for the preservation of the heritage houses in the main highway around the plaza. These houses was up for appropriation and then demolition because of a road widening project in the 70's. The group won the fight. Today, those houses have withstood the test of time and the shortsightedness of government. Silay has been declared a heritage city since then because of the work of this group of individuals. Without them, the city would have lost it's old world charm. And while he lives and breathes, Ramon Hofileña continues to be at the forefront in the efforts to preserve the history and heritage of his beloved Silay.

Silay Stories: The House With The "Maldicion"

noreply@blogger.com (merlmd) — Sun, 01 Apr 2012 08:46:00 +0000

This story is another Silay family secret. Sometime in the 50's an affluent family in Silay put a "maldicion" or curse on one of their daughters for marrying a man they did not approved of. It is said that the father placed a big handwritten notice in front of their house stating the name of the daughter and that she is "cursed and will never be allowed to come back and step inside the house for as long as she lives". This happened so long ago but the story never really died. It would come up in conversations but somehow as the years past, people forgot which of the old houses in Silay put up this "maldicion". Of course, the elders who saw it for themselves still remember the story vividly. In fact my mother was one of those who saw and asked about it when she first came to Silay, but was left wondering till today because nobody really told her anything except to say that a father was displeased with the marriage of his daughter. I myself don't remember this story and became curious after some people mentioned it. After a little sleuthing, I found out the names of the maligned daughter and what happened to her. She settled in Manila and from what I heard led a comfortable and happy life. Indeed the daughter never came back to Silay although she and her family would occasionally visit Bacolod where her husband has relatives. I don't know if she ever reconciled with her parents. My version only tells the simple facts. I really do not know the complete story and if ever there was anyone who does, it would be the relatives of the family and present owners of the house. However, they are very private persons and would not be the type to talk about family secrets. The people of the stories are long gone and the house itself has long been empty and recently, it was sold to a Chinese businessman who bought it for it's hardwood. The owners of the house did not sign the MOA with the NHI and NCCA and therefore is not listed among the protected heritage homes of the city. The last family who lived there (pro bono according to stories) were known tikoy makers until the mother died and they too left the place. Although I used to pass by this house everyday going to work, I never really paid much attention to it. Now that it is almost gone, I suddenly had this urge to immortalize it, even if only on paper.

photo above courtesy of Maricar Dabao


photo taken last week

going....(taken today)

Update: As of this morning, the second floor has been taken down.

Addendum:

Someone informed me that the signage had the word "Kamatayan" written before the maldicion...that's scary!

According to a reliable source, the daughter is still alive, albeit elderly and yes, she was eventually forgiven but only after the husband died.

Muscovado Mills

noreply@blogger.com (merlmd) — Mon, 12 Mar 2012 08:57:00 +0000

Before the existence of the modern sugar centrals in Negros Island, there were the Mucovado mills. When I was little, it was not uncommon to see the "simborio" or smokestack of the old muscovado (brown) sugar mill found in large sugar plantations of the province. In the farms surrounding Silay City alone, from a distance I think I saw about 3 or 4 of them, grey stone structures which stood alone and imposing in the middle of unending fields of green. I remember asking my dad what they were and his simple answer was "old sugar mills". It was much later that I learned that they were part of a century-old technology of milling sugar, and were actually the smokestack or chimney part of the muscovado mill. In the old days, almost every plantation had it's own muscovado mill. It must have been cost-effected if not energy-efficient since most of the owners had really large plantations. Some smaller landowners also had mills but these were primitive in type and less efficiently run. Today, however, these antique structures are not very visible anymore in the province. I can only guess that perhaps many have been destroyed to give way to modernization. I believe that LGU's, historical or heritage groups should document the few left standing in their respective areas so that these could be preserved and protected for it's important historical value in the evolution of Negros sugar. Among the many cities and municipalities of Negros, La Carlota City still has a relatively intact Muscovado mill in Hacienda Canman-ug, although this is no longer functional.

Location: Hda. Canman-ug, La Carlota City

(all photos above were taken from http://members.virtualtourist.com/m/p/m/1fcc5d/)

Silay City has immortalized the muscovado simborio as there is a replica of it as one enters the city in the south boundary. This picture is the background of this blog. Of course, it is a stylized version but the symbolism for the city does not escape the viewer. Silay, after all has one of the biggest group of families who migrated from Iloilo and who became big landowners of sugar plantations.

So it was a very pleasant surprise to know that there was one right in my backdoor. A FB friend and a Silaynon took a picture of the ruins of a muscovado simborio that is still standing in Hda. Fortuna. It is ironic that nobody who lived in that area nor the owners of the farm has mentioned this or gave it much importance. I think this relic from the past should be properly documented.

Location: Hda. Fortuna, Silay CIty

Photos courtesy of Mr. Edwin Estrobo Mijares

Who knows how many more unseen ruins are still in existence around the city? Maybe like the WWII pillboxes, this too could be included in our Silay walking tours.

PUREZA, The Story of Negros Sugar - Remember...Learn...Act

noreply@blogger.com (merlmd) — Wed, 08 Feb 2012 08:40:00 +0000

Last Monday, I wrote about the first ever documentary film on the sugar industry in Negros, PUREZA. Last night I attended the premier showing and came out of the movie house feeling sad and in deep thoughts. I was unusually silent, which is so uncharacteristic for someone who is normally garrulous. Driving alone on my way home, I felt the profound effect of the film on me. The film started with the story of the sacada, moving on to the beginnings and evolution of the sugar industry, it's ups and downs, to the present time and the future. It is a disturbing documentary because it is brutally honest and courageous that needs to be seen and heard if we want to save the lives of those dependent on the sugar industry. It definitely stirred in me dormant memories of a time I would rather not remember. You see, my family became victims too of those dark days. We lost our home of 27 years because of the sugar crisis. How? Well, after years of being leased, my father decided to manage their family's small farm in Cadiz City. This was in the early 70's when they were having many problems with the lessee. Unfortunately just as my Dad was beginning to get the farm running and profitable, my youngest brother had his accident which put him in the hospital and rehabilitation for a year. My dad had to travel to and from Iloilo where my brother was confined, as well as manage the farm. To make matters worst, the sugar industry took a sudden downturn. It is to my Dad's credit that we did not lose the farm unlike many others who faced foreclosure. That's because instead of the farm, he put up our house and 1000 square meter lot as collateral for the crop loan from PNB. Years later, when we moved to a smaller home in a smaller lot, an interested buyer bought our old house for Php550,000 (actual arrears was Php600,000) which was paid directly to PNB. The loan principal was only Php120,000! When the Sugar Restitution Bill was finally passed, PNB refunded us back Php90,000. By the time my brother was finally able to come home, my parents were jobless, the farm unplanted while my other brother and I struggled to continue our studies in Manila. Although life was hard, it wasn't bad maybe because my parents raised us to live simple lives. We did not have the same kind of lifestyle as those others in Negros (of course, we were never as rich). We never owned a brand-new car (second-hand was good enough for us), never travelled except to visit our maternal grandparents in Manila (taking a boat, at that), never bought branded things, never spent more than we needed. If there were things we wanted, we saved for it. We did enjoy dining out once in a while, watching movies and going to the beach as a family. I think our biggest luxury at that time was our education (we went to good schools), and books. Until today, we have books that we have not yet read. Looking back, I realize that even if we had to do away with many things, our lifestyle did not drastically change...we just simplified our life some more. But after seeing PUREZA, I told myself that is nothing compared to the life of the workers in the haciendas. For us who live a relatively comfortable life, seeing the life of the sacada can be gut-wrenching. This is what I felt when I saw the documentary. Somehow, I forgot that I have seen similar living conditions years before and at that time, my reaction was the same. How could I forget? Was it because it was not in our farm? To be honest, I have been to our farm only 3 times in my lifetime...and I did not even walk around. Since it has always been leased (except for those few years that my Dad worked on it), we had no relationship with the families who lived and worked there. I can only remember Tyo Kisin who was a trusted foreman of my grandfather and some of his children. Or maybe because then I thought I was judging this by my standards and I convinced myself that it is all about perception. After all, when a family friend once said that he was feeling sorry for the sacadas because they were working barefooted in the fields...my Dad told him "they are used to that kind of life, so it's not a sacrifice for them; now if it were you doing that kind of work...that is a different story". This is not to say that the farm workers and the sacadas do not deserve better...they do and they should. What I am trying to say here is that solving the plight of the sacada is not the solution to the problem...it's just that it is the one that is visible to those who are critical of the industry. However, like what the documentary says, the sugar industry has to shape up...or else. There are economic, political and bigger social issues involved. But once you solve the bigger problems, the sacada's life will also improve. It is not going to be easy as there are so many stakeholders involved and market forces to overcome. The people interviewed gave many opinions and they all agree on one thing, it is partially our fault. Putting blame aside and the fact that we only have till 2015, I hope this documentary film once it is shown to the concerned public will be the catalyst that will mobilize all stakeholders as one force to save the sugar industry. I pray that whatever gains this film makes won't stop after watching it. This film was not meant to entertain but to inform. It is not enough to just watch and talk about it. There is still time.

To Director Jay Abello and his team, to Mr. Joey Gaston, SRA Chair Gina Martin, Agnes Villar....Madamo nga salamat, Bravo!!!

Important UPDATE: PUREZA will be shown at Rockwell on May 31, 2012. For those living in MetroManila, I hope you can get to see it or better yet, don't miss it!

PUREZA - A Sober Look At Our Sugar Heritage

noreply@blogger.com (merlmd) — Mon, 30 Jan 2012 17:32:00 +0000

Sugar is the lifeblood of Silay and the rest of Occidental Negros. It is in Silay City that Hawaiian Philippines Company, one of the biggest sugar centrals in the country is located. In fact, a few months ago, I wrote about the last remaining steam locomotives or iron dinosaurs still being used there today. But that is not the topic of this post... Sugar is and how this industry has affected the lives of the Negrense a.k.a Negrosanon.

On February 7, 2012, a full-length documentary film on the sugar industry of the island of Negros will be shown at SM Cinema, Bacolod. The title is “Pureza: The Story of Negros Sugar”, produced and directed by award winning cinematographer Jay Abello, himself a scion of rich landowners from Silay and Isabela. The documentary traces the history of the Negros sugar industry and seeks to explain why the sugar industry today has "plunged from its proverbial pedestal into its inglorious present state". This however isn't the first Filipino film made about the sugar industry, although it is the first ever documentary. Remember Behn Cervantes' "Sakada" in 1976? I remember how I negatively reacted to a preview written in The Varsitarian (UST's school paper) to the point where I even wrote the author about my displeasure. I believed then that it gave an unfair portrayal of the situation in Negros. Of course that was probably because I was isolated from life in the haciendas. My grandfather was a small landowner who had his farm leased out and my exposure to hacienda life was meeting Tyo Kisin, the trusted farmhand who came to Silay once in a while to give updates to my grandfather on how the farm was being managed by the lessee. But as I matured and became more involved with social issues, I realized that my perception was far from reality. And when I eventually saw the movie Sakada much later in life, I belatedly knew that indeed it did show a lot truths. How silly I must have sounded to the author (I remember he was a law student) of that article. If I had the chance to meet him again, I would say...mea culpa. And I would not be making that same mistake.

At present the small farm our grandfather left the family is still being leased, however for this crop year the lessee has informed us that he will no longer renew his contract. Why? For many reasons but mainly because he lacks workers and the high costs of fertilizers makes it unprofitable for him. The outlook for the sugar industry for the next 5 years is not good and for small landowners like us, that is really bad news. To be fair, during the last 30 years or so, the sugar industry has undergone a lot of good changes. Still, that seems to be not enough. Perhaps this documentary film may serve as a wake-up call for people who have the capacity, resources and power to make a difference for the survival of the sugar industry.

The film is produced by Bonfire Productions and Negros Pureza Foundation with support from the National Commission for Culture and the Arts.

Executive Producers J. ABELLO, JOEY GASTON
Producers FIONA BORRES, AGNES VILLAR
Director J. ABELLO
Writers JET ORBIDA, CHECCS OSMEÑA
Editor FIONA BORRES
Director of Photography J. ABELLO
Asst. Director LOVELLE BELLOCILLO
Visual FX Supervisor RICHARD FRANCIA
Sound Engineers ALBERT MICHAEL IDIOMA, ALEX TOMBOC
Music PEARLSHA ABUBAKAR
Researchers IHVONIE SEVILLENO, KAT VALENCIA

Showtime:

February 7, 6:30pm – Premier at SM City Bacolod Cinema 3 (by invitation only)
February 11 – Free screening at Robinsons Place Bacolod as part of the Bacollywood: Cinema Rehiyon 2012
February 17 - Regular screening at SM City Bacolod

Metro Manila showing: to be announced. Please check the Pureza page on Facebook for updates.

Silay Stories: Remembering Idad Buang

noreply@blogger.com (merlmd) — Wed, 18 Jan 2012 06:56:00 +0000

Everyone who lived in Silay in the 50's up to early 70's knew of her. She would go around Silay in a black baro't saya, a veil, face fully made up and would kneel on the houses' stairs or doorsteps and start chanting in a singsong voice. What you thought sounded like latin prayers were really more like incoherent words. The "chant" would take about 2 to 3 minutes after which she is given money and then she quietly leaves to go to the next house. This happens in my Grandfather's house at least once a week. We all called her "Idad Buang". The children were all a little bit scared of her because she looked like an old witch with her black hair and clothes. She never says a word except for her chanting and although she rarely looks at people, when she does, she had a really scary look. I remember the househelp would use her to scare us everytime we start being unruly. But who exactly was she? Was she really crazy as everyone thought? Was she a beggar? What was her story? The story I later learned was that she was not the crazy woman beggar we all believed. It seems that she was not really destitute (funny that people thought that, when she was always neatly dressed) and that the reason why she went around houses and doing the things she did was because of a vow or panata. And it was not to all houses in Silay that she went to because although she regularly came to my ancestral home, I don't remember her going to my grand aunt's home behind us. I also noticed that she usually went to houses with balconies and where she can kneel on the 3rd or 4th step. People said that she was quite sane and functioned normally as soon as she finishes her "rounds". According to them, she looked quite different once she changes to her ordinary clothes. To this day nobody really knows why she made that vow and nobody has really claimed that she was their family. I still don't know who she was...nobody bothered to know who she was then and on hindsight, I could have asked her but was too afraid for fear that she would put a hex on me if I even dared talk to her (...talk about the househelp's conditioning). One day, she just stopped coming to my grandpa's house and we all assumed that she must have passed away. I remember that there were other "crazy" people around Silay in those days, but for sure, there was no one quite like Idad Buang.

Silay Stories: The Woman Who Never Spoke Again

noreply@blogger.com (merlmd) — Fri, 13 Jan 2012 11:12:00 +0000

Silay, just like small cities elsewhere has its share of stories...open ones, hidden ones and the not-so-secret kind that everyone knows a little something of but is not usually talked about. The story I am about to tell you is of the last kind. It was talked about in whispers by our old folks but as kids, we were never really interested. I became curious about it when I started getting interested in the history of our heritage houses and in the course of my research, I learned more about this story our grandparents used to talk about. Of course, I dare not write about it, thinking this was a not to be talked about secret...but someone did and he was family! This story was mentioned in passing in an article written by Teddy Boy Locsin about his summers in Silay in the April 2009 issue of Rogue Magazine. He writes, "like the woman with the long black hair who still lives in what is left of the best example of antebellum architecture and had spoken to no one since her parents had refused her marriage to someone poor—not even to her parents on their deathbed". Well, now I can finally write my own version of that story, not because Mr. Locsin wrote about it, but because the main character has passed on. The woman of Mr. Locsin's summers eventually became the old woman with long white hair. I later found out through our genealogy book that she was a second cousin of my father from his father's side, making her my aunt, but I never knew her. In fact, I have never seen her. It was my son who mentioned her existence since he saw an old woman with long white hair in a wheelchair when he attended a friend's 18th birthday dinner, whose family happened to be living at the back of the main house. He of course did not know that she was a relative, and when he mentioned to me that he saw her...I was so excited! He gave me a puzzled look and so I told him our version of the story.

The woman who lived there was an only child of affluent parents. Like most parents during that time, they tried to manage her life to what they deemed was best for her. This daughter fell in love with a young man, studying to be a dentist. He was not poor but he was not in the same level as her family...besides the family wanted her to marry within their own family circle. In spite of her parents opposition, the girl continued to see this young man. When it reached a point where she was not allowed to go out of the house alone, she locked herself in her room but continued to communicate with him through letters and notes via her best friend who was their common cousin. According to a nephew's version, typical of young love, she and her boyfriend made a vow to wait for each other even how long it takes or until her parents moved on to the next life. What was ironic was the fact that her father died in 1950 and her mother, in 1954...but by that time it was too late for her (she was 36). You see, time changes things and after many years of playing the waiting game, the boyfriend and the bestfriend/cousin/confidante developed feelings for each other. Eventually these two got married (maybe two or three years before the her father died in 1950 which, if you do your math, was a very late marriage in that era) and began a family. Perhaps even more devastating for this aunt of ours was the fact that they lived one house away from hers across the street. She could see them from her balcony and second floor window. So it's no wonder that this poor lady lost most of her rational mind. It is said that she had her second floor removed (probably in the 60's) after her parents died. Some says it's because she wanted a more modern home but I think it's because she just did not want to see that house across the street anymore. But those in the know says that it was not her decision but of those who were entrusted to care for her. I don't exactly remember what the original house looked like, paying not much attention to it since it's facade was more or less covered with trees and other foliage, but when the second floor was removed, one can't help but notice because suddenly it did not look quite right.

And thus, this is my family's version of the story about the woman who never spoke again. We, who are not privy to the complete story may never know what really happened and there are manyr versions, but all have one thing in common...a young woman in love, undesirable lover, parental objection to the relationship and a broken vow. Last September 2, 2011, she passed away. She would have been 97 years old in 3 weeks time. She outlived both her lover and best friend. She was always seen writing and left behind hundreds of notebooks where it is said she wrote her life story and rewrites this again and again for fear that the writing would fade and her story will disappear forever. When I asked if the notes can be read, I was told that you need to use a lens to read the writing because beautiful though it is, it was very small. I hope someone in her immediate family will have the patience to decipher the writing. It will give us an insight to the person that she was.

Tita (I can finally call you that), Rest in Joyful Peace...

Christmas Offering at the Silay Public Plaza

noreply@blogger.com (merlmd) — Sun, 18 Dec 2011 10:54:00 +0000

Every year for the past 5 years, the Silay Public Plaza is turned into a mini museum showing Christmas-themed exhibits of the different barangays and public schools in the city. This is the Silay City Christmas Village, which has won a national award from the Department of Tourism and Association of Tourism Officers of the Philippines as Outstanding Festival – Cultural Category. This year, the San Diego Pro-Cathedral Parish Council participated in the switch on ceremony last December 9, 2011. The pictures below are only some of the displays, which include 16 Christmas archs, 21 five-foot tall angels, life-size Belen characters, 40-foot tall Christmas tree. These will be displayed for the public until the New Year. For those who want a guided tour, please contact the City Tourism Office at the Jose C Locsin Cultural and Civic Center fronting the City Hall.

A replica of the steam locomotive 6 of HPCO

Silay's Original Christmas Village

noreply@blogger.com (merlmd) — Sun, 11 Dec 2011 18:06:00 +0000

Before the Christmas lights on ceremony and the Christmas Village and Angels display participated by the different barangays and schools, there was the first and original Christmas display of Lola Josefit Lacson who was the best friend of my grand-aunt, Lola Siday and the grandmother of the city mayor now, Mayor Jose "Oti" Montelibano. This original Christmas village was displayed in the Lacson ancestral home fronting the plaza every year beginning the 3rd week of December. It was a replica of the town of Bethlehem and showed Mary and Joseph as they traveled to the town, up to the birth of Jesus. It is the story of the nativity in miniature. After Lola Josefit died in the 80's the tradition stopped and I think the area was made into a restaurant, (The Food Basket) but this display was resumed in the mid 90's. My son was about 4 or 5, when it was put up again and you can imagine my excitement upon seeing it...I felt like I found a lost friend! I was so happy that my son could experience this. And so, today the tradition continues, and children and adults alike come to view this display with much awe and enjoyment.

all photos by Romeo Miguel Ledesma

This Christmas display has brought much happiness to many children of Silay. As one of those children, I can still remember the feeling of anticipation while waiting for the display to be opened to the public. Somehow even after all this time, people never get tired of looking at it...there is always some variation or design every year, although as a small child I thought it was huge (grin). I don't know about the others but I know it brings peace to my heart every time I see it. Maybe because it tells me that no matter what happens or changes there are to my beloved city, this is something that will always be there. The antique figurines are probably between 50-70 years old now and they are marvelously preserved. I pray the family will continue the tradition for many years to come because while there will always be Christmas activities, events and presentations sponsored by the city...it can never replace this Nativity village display. It was and always will be part of Christmas memories in Silay.

The Church in Silay: San Diego Pro-Cathedral

noreply@blogger.com (merlmd) — Sat, 26 Nov 2011 07:47:00 +0000

In December 25, 1994, Most Reverend Camilo D. Gregorio, DD, then Bishop of the Diocese of Bacolod, declared San Diego Parish Church as a pro-cathedral. What is the difference between a cathedral and a pro-cathedral? According to Wikipedia, the church of a diocesan bishop is a cathedral like the San Sebastian Church while a parish church temporarily serving as the cathedral of a diocese is known as a "pro-cathedral". Why then of all churches in the diocese was the Church of San Diego chosen? This church is the second biggest in the Diocese of Bacolod, next to the San Sebastian Cathedral. This is the reason why San Diego Church was declared as a pro-cathedral...to function as a cathedral in case something happens to the San Sebastian Cathedral. Of course, we pray that would never happen, although a fire did damage the entire second floor of the Palacio Episcopal (Bishop's Palace) in 1985. Thinking about this now, perhaps this incident prompted the declaration for the San Diego Church?

Ruins of the Spanish Colonial Church in Silay made of coral/limestones

The first church in Silay was a temporary structure made of bamboo poles, amakan (bamboo slats), nipa (a local palm) and cogon grass. Eventually, a more permanent structure was built, made of coral stone but this too fell into ruin by fire. It's ruins is found at the back of the present church. A bigger church made of bricks and cement was built perpendicular to the old church but this remained unfinished and unfurnished, lacking seats and pews. As the community grew, there began a clamor for a better place of worship and one Silay resident, Don Jose del Rosario Ledesma and his family offered to shoulder the expenses to build a new church. The designer picked was an Italian architect, Lucio Bernasconi who made a design based on Romanesque/Renaissance influence. The high arch of the facade is Romanesque, but the twin bell towers and the dome is Renaissance. Building of the church began in 1925 and before it was completed, contributions from the parishioners were accepted so that it would become everyone's church and not just funded by the Ledesma family (although by this time it was 75% completed). The new San Diego Parish Church was completed and inaugurated in 1927. It's distinctive dome with it's big cross lighted at night could be seen from the sea and serves as a beacon to seafarers. The original clock in one of the towers (donated in 1938 by the Montelibano family), the bells and the church's original iron fence and gates are still in existence to this day. The clock was repaired in 2005 and the fence repainted in the same year too. The statues of the 12 apostles placed on the pillars of the fence were added features in the mid '90s. Pedestrian entrances were also added at the left and right front gates aside from the ones in the front middle gate.

photo credit: Christian Sangoyo of LakadPilipinas

Prayer Room and Grotto

The ruins of the old Church have also been put to good use. Ever since I can remember the grotto of Our Lady of Lourdes with an area for saying mass on her feast day and an elevated area at it's left side (which could have been part of the old church) has always been there. We used to play in this area. Perhaps this was built in the early 60's? And the prayer room? This was built on the elevated area sometime in the 1990's and I believe the Silay Parish is one of the first, if not the first who built one among all the other churches in the diocese. Here the Blessed Sacrament is exposed from 6 AM to 6 PM daily.

In spite of only 2 regular priests assigned to minister to our big parish, we are able to hold twice daily masses and 7 Sunday masses in the pro-cathedral...quiet a feat, I must say.

Daily Masses Mon-Sat: 6:00 AM/ 5:00 PM
Sunday Masses: 5:00, 6:00, 8:00, 9:30 AM
4:00, 5:15, 6:30 PM

Silay's Patron Saint: St. Didacus of Alcala And His Rightful Place In The Altar

noreply@blogger.com (merlmd) — Thu, 24 Nov 2011 05:55:00 +0000

The Patron Saint of Silay is San Diego de Alcala (St. Didacus in English) but not much was known about him. I for one grew up not knowing who San Diego was, except perhaps that he was a friar wearing a brown habit by looking at his huge statue right there in the main altar. That was how I always remembered him...so it was a small shock to see him relegated to the pulpit at the left side of the church when I came home in 1980 (in his place was a statue of the Risen Christ). I still wonder to this day how they managed to put poor San Diego inside it.

photo by Antonio Abong

The next parish priest took pity on our patron saint and decided to place him back on an altar niche...the right side altar this time. The tall statue can barely fit though. The picture below is blurry, but you can clearly see that it is still the Risen Christ in the main altar...

Then in 2005, after many consultations and finally putting it to vote, San Diego was back to his rightful place and that is in the main altar. Of course, there were some dissenting opinions especially in the light of Vatican II...but the San Diego Church was built before Vatican II and the head of the commission of liturgy ruled that the statues or icons of the patron saint in pre-Vatican II churches should be placed in the main altar.

Retrieved from http://www.flickr.com/photos/jedwin_apo_ni_san_pedro/4660214269/in/photostream

And the Risen Christ? Church authorities placed the statue in the the church mortuary which I think is appropriate enough...after all, death brings about eternal life.

But who is San Diego or St. Didacus? San Diego de Alcala became a member of the Third Order of St. Francis at a very young age and eventually took his solemn vows as a lay brother of the Franciscan Order. It was only in recent years that the parish first began a massive information campaign on San Diego. Researches were done and a play was written about the life of this relatively unknown saint and was shown during the fiesta in 2005. Prayer stampitas were also given out and people were encouraged to attend the novena masses. All that effort paid off because today the Feast of San Diego is a week long celebration actively participated not only by church volunteers but by the community as well.

PRAYER OF THE CHURCH

Almighty and eternal God, who in Thy wonderful condescension hast chosen the weak of this world top confound the strong, mercifully grant to our lowliness, that through the pious intercession of Thy holy confessor St. Didacus, we may deserve to be raised to eternal glory in heaven. Through Christ our Lord. Amen

Another Side of Silay: An Hacienda Life Tour

noreply@blogger.com (merlmd) — Sun, 20 Nov 2011 16:39:00 +0000

The Philippine Blog Awards-Visayas held in Silay City has just been concluded but the fun did not end there. It is good that Mayor Jose "Oti" Montelibano is tech-savvy and was very supportive of the whole event. He even honored us with his presence, prompting PBA president, Juned Sonido to comment that this is the first time that an LGU has shown real interest and support to bloggers.


Photo of Mayor Jose "Oti" Montelibano taken for PBA Facebook page

Silay City also scheduled a free tour for the participants the next day. This was a "different" kind of tour which Mr. Ver Pacete, Silay Tourism Officer called...The Hacienda Life Tour. The group coming from Bacolod was picked up early Sunday morning by the Silay City buses and as they reached Silay, they picked up participants who were booked in Silay inns. First stop was Hda. Adela, owned by the Unson family. Unfortunately, I was not able to go on this leg of the tour because I was busy in church helping with the San Diego de Alcala feast day celebrations. From their stories, I gathered that they were shown first hand the simple life of the mamumugon or farm laborer. As most of them have never set foot on an hacienda, it was a real eye-opener and a humbling experience. They were given a sample of folklore chants and composition (luwa and composo) by the Asosasyon sang mga Mangunguma (AMA), the farmworkers' association that preserves these old traditions.

Next place they went to was Hda. Maquina, owned by the Jalandoni family. This is where Fresh Start Organics Farm, one of the sponsors of the event is located. The group was met by the farm owner, Ramon "Chin-Chin" Uy Jr., who is married to Francine Jalandoni Marañon, daughter of one of the owners of the hacienda. Here they were shown and explained on organic farming methods like the conversion of biodegradable waste into processed compost and fed to nightcrawlers. It is the waste of these nightcrawlers that is used as fertilizer! From there, the group proceeded to Balay Negrense where a sumptuous organic lunch prepared by Fresh Start's Chef Ronnie Guance was waiting for us (I joined the group by this time).

photo by Maricar Dabao of Viaje Negrense

Photo by Maricar Dabao of Viaje Negrense

photo by Glady Tomulto of Experience Negros

The lunch was so good! You can read about it here in Republica Negrense where blogger Mark Magallanes described it with gusto! The next and last place to go to was the Balaring Mangrove Park, but because lunch was so leisurely, meaning extending to native coffee (latte or cappucino, anyone?) post-lunch and a demo on how to make a piaya while the afternoon breeze made most of us sleepy plus the fact that the Manila group will be flying out by 5 pm, it was decided that this part of the tour be cancelled since a trip to the park and back will take about 2 hours. There will be a next time :) I had to leave too because my mom was patiently waiting for me at the newly blessed Katilingban (Community) Center of our parish church. I regret not being able to join the tour because this tour showed a different perspective of the city that I love. Frankly I know all about Silay's rich history on culture and arts, the families who built the homes and mansions and the food handed down through generations. I even know many of the family secrets. But I doubt if I know anything about hacienda life. There are also the skills and crafts that made Silay famous in the past but are slowly disappearing like the pottery shops of Barangay Guinhalaran which in my childhood used to line both sides of the highway for about a kilometer long. Now it is down to about 2 or 3 shops only. It would be interesting to know why this is fast disappearing.

I am happy that the Tourism Office is reinventing Silay to include stories, sights and adventures off the beaten path because it is a fact that Silay has everything for everyone. Silay's heritage is more than just its history...it's the continuing saga of the people who live and die here...like I said in previous posts the demographics of the city is changing, slowly but surely...the future belongs to the now. All in all, it was a day well spent and as a Silaynon, I was quite proud of my city and our gracious Mayor and Tourism Officer...Thank you Mayor Oti and Mr. Ver Pacete!