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		<title>NYPL Blogs: Poetry Month</title>

		<link>/node/90260</link>

		<description />

		<language>en</language>
    	<atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/NYPLBlogsPoetryMonth" /><feedburner:info uri="nyplblogspoetrymonth" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item>
		<title>Booktalking "A Light in the Attic" by Shel Silverstein</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/NwVBV67Xgvw/booktalking-light-attic-shel-silverstein</link>

		<dc:creator>Miranda J. McDermott, Grand Concourse</dc:creator>

	<description>&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/search?q=Silverstein%2C+Shel&amp;amp;search_category=author&amp;amp;t=author"&gt;Shel Silverstein&lt;/a&gt;'s poems are humorous; no one can deny this.&lt;/p&gt;
&lt;p&gt;In &amp;quot;How Not to Have to Dry the Dishes,&amp;quot; kids learn how to avoid this onerous chore. Silverstein's advice? Drop one onto the floor. The illustration includes a huge dish that is covering a girl's entire body.&lt;/p&gt;

&lt;p&gt;The poem about babysitter, &amp;quot;The Sitter&amp;quot; is quite unexpected.&lt;/p&gt;

&lt;p&gt;Mrs. McTwitter the baby-sitter&lt;/p&gt;
&lt;p&gt;I think she's a little bit crazy.&lt;/p&gt;
&lt;p&gt;She thinks a baby-sitter's supposed&lt;/p&gt;
&lt;p&gt;To sit upon the baby.&lt;/p&gt;

&lt;p&gt;&amp;quot;Rock N' Roll Band&amp;quot; is about all of the things you do in a rock band: wear spangly things, be cheered by a crowd, sign autographs, have long hair, and simply enjoy the fame.&lt;/p&gt;
&lt;p&gt;Librarians and bibliophiles everywhere will love the poem: &amp;quot;Blame.&amp;quot; A goat ate the book that I wrote for you, so I wrote another one. If you do not like it, it is the goat's fault. There is an illustration of a goat seated in front of a book with a bite taken out of it, looking so happy.&lt;/p&gt;
&lt;p&gt;&amp;quot;Snake problem.&amp;quot; There is one word for this poem: priceless.&lt;/p&gt;

&lt;p&gt;It's not that I don't care for snakes&lt;/p&gt;
&lt;p&gt;But oh what do you do&lt;/p&gt;
&lt;p&gt;When a 24-foot python says...&lt;/p&gt;
&lt;p&gt;I love you?&lt;/p&gt;

&lt;p&gt;&amp;quot;Bear in There&amp;quot; is about a polar bear who likes to be in the Frigidaire because it is cold.&lt;/p&gt;

&lt;p&gt;He's nibbling the noodles&lt;/p&gt;
&lt;p&gt;He's munching the rice&lt;/p&gt;
&lt;p&gt;He's slurping the soda.&lt;/p&gt;
&lt;p&gt;He's licking the ice.&lt;/p&gt;

&lt;p&gt;&amp;quot;Overdues&amp;quot; is about a library book that is 42 years overdue and the elderly borrower cannot pay the fine. The old man is illustrated clutching a library book to his chest, looking anxious and stressed-out.&lt;/p&gt;
&lt;p&gt;&amp;quot;Tired&amp;quot; is about working hard, not having enough time to accomplish what you want to, supervising the work of arts, catching your own food, and breathing&amp;mdash;exhausting!&lt;/p&gt;
&lt;p&gt;&amp;quot;Little Abigail and the Beautiful Pony&amp;quot; is a tale true to my own heart. I totally know what this poem is about because I was horse-crazy as a kid, and I still am.&lt;/p&gt;

&lt;p&gt;And her parents said,&lt;/p&gt;
&lt;p&gt;&amp;quot;Well, you can't have a pony&lt;/p&gt;
&lt;p&gt;But you can have a nice butter pecan&lt;/p&gt;
&lt;p&gt;Ice cream cone when we get home.&amp;quot;&lt;/p&gt;

&lt;p&gt;Well, young Abigail DID die of a broken heart when her parents did not buy her a pony. This is a cautionary tale to parents everywhere who deny their kids what they desire.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;a href="http://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=light+in+the+attic&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=tlight+in+the+attic"&gt;A Light in the Attic&lt;/a&gt; &lt;/em&gt;by &lt;a href="http://www.shelsilverstein.com/indexSite.html"&gt;Shel Silverstein&lt;/a&gt;, 1974&lt;/p&gt;
&lt;p&gt;I was introduced to the work of Shel Silverstein by my mother when I was a kid because she was such a big fan of his. When I showed the kids in the summer camp his books last year, they were enthralled. I opened the book and flipped through the pages, and the kids told me which poems they would like me to read based on the illustrations, which Shel Silverstein drew. They immediately became excited and happy about the poetry, and it was great to see kids get engaged with literature.&lt;/p&gt;
&lt;ul&gt;
    &lt;li&gt;&lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;q=poem*&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;Poetry books&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=keyword&amp;amp;q=silverstein+shel&amp;amp;searchOpt=catalogue"&gt;Books by Shel Silverstein&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/NwVBV67Xgvw" height="1" width="1"/&gt;</description>
	
				<comments>http://www.nypl.org/blog/2013/04/10/booktalking-light-attic-shel-silverstein#comments</comments>	
		<pubDate>Wed, 10 Apr 2013 08:36:43 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2013/04/10/booktalking-light-attic-shel-silverstein</feedburner:origLink></item>
	<item>
		<title>Booktalking "Cat Poems" by Dave Crawley</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/DLOhOvTV63A/booktalking-cat-poems-dave-crawley</link>

		<dc:creator>Miranda J. McDermott, Grand Concourse</dc:creator>

	<description>&lt;p&gt;&lt;em&gt;&lt;a href="http://catalog.nypl.org/search~S1?/tcat+poems/tcat+poems/1%2C1%2C3%2CB/frameset&amp;amp;FF=tcat+poems&amp;amp;3%2C%2C3"&gt;&lt;/a&gt;&lt;/em&gt;I love the cat breed illustrations on the inside of the front and back covers of this book. All of the cats look so happy! The book is full of poems that indicate the nature of cats, and anyone who has experience with cats or who has lived with cats knows &lt;em&gt;exactly &lt;/em&gt;what Crawley is talking about in these cat poems.&lt;/p&gt;

&lt;p&gt;In the poem &amp;quot;Brand X,&amp;quot; a cat was acting for a commercial for cat food. Wouldn't you know it? When asked to choose between the brand the manufacturers were selling and the &amp;quot;other brand,&amp;quot; the independent-thinking cat chose the &amp;quot;other brand!&amp;quot; I do not know how much name-brand cat food that cat will sell!&lt;/p&gt;
&lt;p&gt;In the poem &amp;quot;Sleeper,&amp;quot; readers see cats sleeping in multiple locations in almost any position (they are so flexible!) Cats sleep sixteen hours a day: twice as much as human beings! No wonder they seem lazy to us. They are not lazy; they are simply predators, and they can afford to sleep so much in the wild because not many animals are hunting them. However, prey animals such as horses sleep very little since they need to keep alert to avoid being eaten; horses sleep only two hours per day.&lt;/p&gt;
&lt;p&gt;The poem &amp;quot;Grocery Store Cat&amp;quot; delighted me. I am always amazed by the laid-back city cats that seem so at ease amongst strangers in the city streets. Once, on my way to work, I saw a beautiful long-haired gray kitten who was so friendly that she let me pet her! Adorable!&lt;/p&gt;
&lt;p&gt;The poem &amp;quot;Seventeen Cats&amp;quot; is about a cat-loving boy. Honestly, everyone was calling me a cat lady when I had seven cats (but it was really more like four cats and a few fur balls). I was simply cat sitting for a feline family until the kittens stopped nursing and I could find them homes. It was definitely a lot of work to take care of them... but fun, too!&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;a href="http://catalog.nypl.org/search~S1?/tcat+poems/tcat+poems/1%2C1%2C3%2CB/frameset&amp;amp;FF=tcat+poems&amp;amp;3%2C%2C3"&gt;Cat Poems&lt;/a&gt;&lt;/em&gt; by &lt;a href="http://catalog.nypl.org/search~S1?/aCrawley%2C+Dave./acrawley+dave/-3%2C-1%2C0%2CB/exact&amp;amp;FF=acrawley+dave&amp;amp;1%2C3%2C"&gt;Dave Crawley&lt;/a&gt;, 2005&lt;/p&gt;
&lt;ul&gt;
    &lt;li&gt;&lt;a href="http://www.cfainc.org/"&gt;Cat Fanciers' Association&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href="http://catalog.nypl.org/search~S1/?searchtype=d&amp;amp;searcharg=cat*&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;searchlimits=&amp;amp;searchorigarg=aCrawley%2C+Dave."&gt;Books about cats&lt;/a&gt;&lt;/li&gt;
    &lt;li&gt;&lt;a href="http://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=cat+poems&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xcat+poems%26SORT%3DD"&gt;Cat poetry books&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/DLOhOvTV63A" height="1" width="1"/&gt;</description>
	
		<category>Children's Literature</category>
<category>Poetry</category>
<category>Animals</category>
		<comments>http://www.nypl.org/blog/2013/04/08/booktalking-cat-poems-dave-crawley#comments</comments>	
		<pubDate>Mon, 08 Apr 2013 07:06:01 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2013/04/08/booktalking-cat-poems-dave-crawley</feedburner:origLink></item>
	<item>
		<title>Check it out: YA Novels in Verse!</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/-TKNzFf1zG0/celebrate-poetry-month-ya-novels-verse</link>

		<dc:creator>Lindsy Serrano, Mulberry Street Branch Library</dc:creator>

	<description>&lt;p&gt;I can't say that I've always been the biggest poetry fan.  But lately I've been getting into novels in verse, which have been popping up all over the YA Fiction scene for awhile now.  &lt;a href="http://nypl.bibliocommons.com/search?q=%22Hopkins%2C+Ellen%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Ellen Hopkins&lt;/a&gt; is the queen of this and if you've never read her work before, do yourself a favor and check out &lt;a href="http://nypl.bibliocommons.com/item/show/19168437052_crank"&gt;&lt;em&gt;Crank&lt;/em&gt;&lt;/a&gt; as soon as possible.  You will be hooked... freaked out... and hooked.  &lt;/p&gt;

&lt;p&gt;I made a &lt;a href="http://nypl.bibliocommons.com/list/show/92164351_kinds/163925221_poetry_month_novels_in_verse"&gt;book list&lt;/a&gt; of my top ten favorite books in verse.   They range from angsty love stories to harrowing stories of teens in abusive situations.  One of the newest books on this list is &lt;em&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/19758755052_the_lightning_dreamer"&gt;The Lightning Dreamer: Cuba's Greatest Abolitionist&lt;/a&gt;&lt;/em&gt; by Margarita Engle.  It is the true story of Gertrudis Gomez de Avellaneda, a Cuban revoluntionary and feminist writer who spent her life fighting injustices in turn of the century Cuba.  Take a look and check out a poetry book today!&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/-TKNzFf1zG0" height="1" width="1"/&gt;</description>
	
		<category>Teen and Young Adult Literature</category>
<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2013/04/03/celebrate-poetry-month-ya-novels-verse#comments</comments>	
		<pubDate>Wed, 03 Apr 2013 13:34:35 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2013/04/03/celebrate-poetry-month-ya-novels-verse</feedburner:origLink></item>
	<item>
		<title>Poesía para cada día</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/KHu-XkJglvM/una-poesia-para-cada-dia</link>

		<dc:creator>Alexandra Gomez, Central Collection Development</dc:creator>

	<description>&lt;p&gt;Abril es el Mes Nacional de la Poesia.&amp;nbsp;Te invito&amp;nbsp;a celebrar con poes&amp;iacute;as, escogidas&amp;nbsp;al azar, para&amp;nbsp;adornar tu d&amp;iacute;a, y llevar a cualquier lugar...&lt;/p&gt;

&lt;p&gt;&amp;iquest;Que es la poes&amp;iacute;a?&lt;/p&gt;
&lt;p&gt;&amp;iquest;Es acaso poes&amp;iacute;a el arte de expresar lo que se siente- con palabras elocuentes?&lt;/p&gt;
&lt;p&gt;&amp;iquest;O&amp;nbsp;es espejo del sentimiento emotivo- que se refleja a la luz del pensamiento reflexivo?&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;iquest;Es poes&amp;iacute;a el arte de rimar la expresi&amp;oacute;n - del momento de&amp;nbsp;inspiraci&amp;oacute;n&amp;mdash; al ritmo del coraz&amp;oacute;n?&lt;/p&gt;
&amp;iquest;Qu&amp;eacute; es poes&amp;iacute;a?
&lt;p&gt;&amp;iquest;Qu&amp;eacute; es poes&amp;iacute;a? &amp;mdash; dices mientras clavas&lt;br /&gt;
en mi pupila tu pupila azul.&lt;br /&gt;
&amp;iquest;Qu&amp;eacute; es poes&amp;iacute;a? &amp;iquest;Y t&amp;uacute; me lo preguntas?&lt;br /&gt;
Poes&amp;iacute;a... eres t&amp;uacute;.&lt;br /&gt;
&amp;mdash;&lt;a href="http://nypl.bibliocommons.com/search?t=author&amp;amp;q=Bécquer,%20Gustavo%20Adolfo&amp;amp;commit=Search&amp;amp;searchOpt=catalogue&amp;amp;plang=spa&amp;amp;circ=CIRC&amp;amp;sort%5bfield%5d=PUBLISHED_DATE&amp;amp;sort%5btype%5d=BIB_FIELDS&amp;amp;sort%5bdirection%5d=descending"&gt;Gustavo Adolfo B&amp;eacute;cquer (1836-1870)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;La siguiente&amp;nbsp;lista ofrece una breve seleccion de obras po&amp;eacute;ticas escritas por&amp;nbsp;destacados poetas y tambi&amp;eacute;n, incluye recopilaciones&amp;nbsp;por distinguidos autores internacionales. De cualquier&amp;nbsp;forma que interpretemos la poes&amp;iacute;a, estas obras po&amp;eacute;ticas nos transportar&amp;aacute;n a un viaje alrededor del mundo desde el pasado hasta el presente para encontrar la respuesta.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/18042122052_100_poemas"&gt;&lt;em&gt;100 poemas&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Alberti%2C+Rafael%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Rafael Alberti&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;L&amp;aacute;grimas en tu pa&amp;ntilde;uelo. Mira c&amp;oacute;mo sube al cielo.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/17989722052_antologa_potica"&gt;&lt;em&gt;Antolog&amp;iacute;a po&amp;eacute;tica&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Diego%2C+Gerardo%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Gerardo Diego&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;El poeta m&amp;aacute;s grande del mundo &amp;mdash; es el aburrimiento,&lt;br /&gt;
y el novelista m&amp;aacute;s profundo &amp;mdash; el viento.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/17989695052_antologa_potica"&gt;&lt;em&gt;Antolog&amp;iacute;a po&amp;eacute;tica&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Perucho%2C+Juan%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Juan Perucho&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;A los prados de la primavera &amp;mdash; para coger violetas he venido;&lt;br /&gt;
he encontrado tan dulces los prados que en ellos, cuando llegue la noche, dormir&amp;eacute;.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/17990603052_cntico_(1936)"&gt;&lt;em&gt;C&amp;aacute;ntico (1936)&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Guill%C3%A9n%2C+Jorge%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Jorge Guill&amp;eacute;n&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;&amp;iexcl;Tres, cuatro, cinco, siete! Una mano de Hacedor.&lt;br /&gt;
Supremo palpa el Billete. Con j&amp;uacute;bilo creador.&amp;quot;&lt;/p&gt;
&lt;em&gt;&lt;span&gt;&lt;a title="De corazon a corazon - [una devoción diaria] (Paperback)" target="_parent" href="http://nypl.bibliocommons.com/item/show/19771801052_de_corazon_a_corazon"&gt;&lt;span&gt;De corazon a corazon&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;
&lt;span&gt;&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Rice%2C+Helen+Steiner%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Helen Steiner Rice&lt;/a&gt; &lt;/span&gt;
&lt;span&gt;Palabras de aliento e inspiraci&amp;oacute;n en verso.&lt;/span&gt;

&lt;em&gt;&lt;span&gt;&lt;a title="The FSG Book of Twentieth-century Latin American Poetry - An Anthology (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/19520724052_the_fsg_book_of_twentieth-century_latin_american_poetry"&gt;&lt;span&gt;The FSG Book of Twentieth-century Latin American Poetry&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span&gt;: An Anthology &lt;/span&gt;&lt;/em&gt;
&lt;span&gt;Ochenta hasta cuatro autores espa&amp;ntilde;oles, portugueses, el ladino, el spanglish, y varias lenguas ind&amp;iacute;genas, tambi&amp;eacute;n traducciones al ingl&amp;eacute;s presentan una variedad de poemas latinoamericanos del siglo veinte.&lt;/span&gt;
&amp;nbsp;
&lt;p&gt;&lt;a title="El cisne en la sombra - antología de poesía modernista (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/17861908052_el_cisne_en_la_sombra"&gt;&lt;/a&gt;&lt;a title="El cisne en la sombra - antología de poesía modernista (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/17861908052_el_cisne_en_la_sombra"&gt;&lt;em&gt;El cisne en la sombra: Antolog&amp;iacute;a de poes&amp;iacute;a modernista&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot; &amp;mdash; y en la oscura lejan&amp;iacute;a se escuch&amp;oacute; una sinfon&amp;iacute;a &amp;mdash; desparramada en mil notas:&lt;br /&gt;
eran las primeras gotas&amp;hellip;llov&amp;iacute;a.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;a title="En verso y prosa - antología (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/18586650052_en_verso_y_prosa"&gt;En verso y prosa:&amp;nbsp;antolog&amp;iacute;a&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Mistral%2C+Gabriela%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Gabriela Mistral&lt;/a&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;quot;Do&amp;ntilde;a Primavera &amp;mdash; de manos gloriosas, haz que por la vida &amp;mdash; derramemos rosas.&amp;quot;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;a title="Gran antología de la poesía amorosa hispanoamericana - poemas del corazón para decir te quiero (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/18356581052_gran_antologa_de_la_poesa_amorosa_hispanoamericana"&gt;&lt;em&gt;Gran antolog&amp;iacute;a de la poes&amp;iacute;a amorosa hispanoamericana: Poemas del coraz&amp;oacute;n para decir te quiero&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;Sabe, as&amp;iacute; toda la gente &amp;mdash; todo lo que a mi me pasa:&lt;br /&gt;
t&amp;uacute; est&amp;aacute;s conmigo si vuelan &amp;mdash; palomas sobre mi casa.&amp;quot;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;span&gt;
&lt;a href="http://nypl.bibliocommons.com/item/show/17989770052_la_realidad_y_el_deseo"&gt;&lt;span&gt;La realidad y el deseo &lt;/span&gt;&lt;span&gt;(1924-1962)&lt;/span&gt;&lt;/a&gt;
&lt;/span&gt;
&lt;span&gt;&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Cernuda%2C+Luis%22&amp;amp;search_category=author&amp;amp;t=author"&gt;&lt;span&gt;Cernuda, Luis&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;
&lt;span&gt;&amp;iquest;Y mi vida? Dime, mi vida, &amp;iquest;Qu&amp;eacute; es, si no eres t&amp;uacute;? &lt;/span&gt;
&amp;nbsp;
&lt;p&gt;&lt;a title="Matar a Platón ; seguido de Escribir (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/17822753052_matar_a_platn_seguido_de_escribir"&gt;&lt;em&gt;Matar a Plat&amp;oacute;n; seguido de Escribir&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Maillard%2C+Chantal%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Chantal Maillard&lt;/a&gt; &amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;quot;&amp;iquest;Es poes&amp;iacute;a el verso que describe fr&amp;iacute;amente aquello que acontece?&lt;br /&gt;
Pero &amp;iquest;qu&amp;eacute; es lo que acontece?&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a title="Mujeres poetas enamoradas (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/17957780052_mujeres_poetas_enamoradas"&gt;&lt;em&gt;Mujeres poetas enamoradas&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;&amp;hellip;amores- halagaron el alma adormecida,&lt;br /&gt;
y la ilusi&amp;oacute;n su manto de colores &amp;mdash; tendi&amp;oacute; en el horizonte de mi vida.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a title="Poesía colonial hispanoamericana, siglos XVI y XVII (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/17174277052_poesa_colonial_hispanoamericana,_siglos_xvi_y_xvii"&gt;&lt;em&gt;Poes&amp;iacute;a colonial hispanoamericana, siglos XVI y XVII&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;&amp;iexcl;Qu&amp;eacute; dulzura tan grande en primavera, embebecida verla en pensamientos,&lt;br /&gt;
un cerco al oro crespo entretejiendo!&amp;quot;&lt;/p&gt;
&lt;em&gt;&lt;span&gt;&lt;a title="Plegarias al vacío - antes y después del año 2000 (Paperback)" target="_parent" href="http://nypl.bibliocommons.com/item/show/19677151052_plegarias_al_vaco"&gt;&lt;span&gt;Plegarias al vac&amp;iacute;o&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;
&lt;span&gt;&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Peralta+Lantigua%2C+C%C3%A9sar+F.%22&amp;amp;search_category=author&amp;amp;t=author"&gt;&lt;span&gt;C&amp;eacute;sar F. Peralta Lantigua.&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;
&lt;span&gt;Un vista en versos al mundo moderno a trav&amp;eacute;s en dos etapas: antes y despu&amp;eacute;s el 2000.&lt;/span&gt;
&amp;nbsp;
&lt;em&gt;&lt;span&gt;&lt;a title="Prostíbulo de la palabra - Brothel of the word (Paperback)" target="_parent" href="http://nypl.bibliocommons.com/item/show/19773385052_prostbulo_de_la_palabra"&gt;&lt;span&gt;Prost&amp;iacute;bulo de la palabra&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span&gt;:&lt;/span&gt;&lt;span&gt; &lt;span&gt;Brothel of the word&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;
&lt;span&gt;&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Pastoriza+Iyodo%2C+Benito%22&amp;amp;search_category=author&amp;amp;t=author"&gt;&lt;span&gt;Benito Pastoriza Iyodo&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;
&lt;span&gt;Poemarios biling&amp;uuml;es que abordan la perspectiva f&amp;iacute;sica, ling&amp;uuml;&amp;iacute;stica y espiritual para explorar cuestiones que afectan a la humanidad. &lt;/span&gt;
&amp;nbsp;
&lt;span&gt;
&lt;a title="Un beso nada más y otros poemas de amor (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/19753817052_un_beso_nada_ms_y_otros_poemas_de_amor"&gt;&lt;span&gt;Un beso nada m&amp;aacute;s y otros poemas de amor&lt;/span&gt;&lt;br /&gt;
&lt;/a&gt;
&lt;/span&gt;

&lt;span&gt;&lt;span lang="ES"&gt;Una selecci&amp;oacute;n de poemas por varios destacados poetas hispanos. &amp;ldquo;Con un CD para escuchar, so&amp;ntilde;ar y enamorarte&amp;rdquo;-Cubierta&lt;/span&gt;&lt;/span&gt;

&amp;nbsp;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/18355527052_veinte_poemas_de_amor_y_una_cancin_desesperada"&gt;&lt;em&gt;Veinte poemas de amor y una canci&amp;oacute;n desesperada&lt;/em&gt;&lt;em&gt;: y, Cien sonetos de amor&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Neruda%2C+Pablo%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Pablo Neruda&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;Pero se van ti&amp;ntilde;endo &amp;mdash; con tu amor mis palabras.&lt;br /&gt;
Todo lo ocupas tu,&amp;nbsp;todo lo ocupas.&amp;quot;&lt;/p&gt;
&lt;span&gt;&lt;a title="Witness - The Selected Poems of Mario Benedetti (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/19477677052_witness"&gt;&lt;span&gt;&lt;/span&gt;&lt;em&gt;&lt;span&gt;Witness&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;em&gt;&lt;span&gt;:&lt;/span&gt;&lt;span&gt; The Selected Poems of Mario Benedetti &lt;/span&gt;&lt;/em&gt;
&lt;span&gt;&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22Benedetti%2C+Mario%22&amp;amp;search_category=author&amp;amp;t=author"&gt;&lt;span&gt;Mario Benedetti&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;
&lt;span&gt;Poemas en ingles y espa&amp;ntilde;ol que transmiten la musicalidad, nostalgia e iron&amp;iacute;a que categorizan la obras del gran Benedetti.&lt;/span&gt;

&lt;p&gt;&lt;a title="y también poemas (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/17500239052_y_tambin_poemas"&gt;&lt;/a&gt;&lt;a title="y también poemas (Book)" target="_parent" href="http://nypl.bibliocommons.com/item/show/17500239052_y_tambin_poemas"&gt;&lt;em&gt;Y tambi&amp;eacute;n poemas&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a target="_parent" href="http://nypl.bibliocommons.com/search?q=%22G%C3%B3mez+Bola%C3%B1os%2C+Roberto%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Roberto G&amp;oacute;mez Bola&amp;ntilde;os&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;Si para so&amp;ntilde;ar un sue&amp;ntilde;o &amp;mdash; preciso ser so&amp;ntilde;ador,&lt;br /&gt;
so&amp;ntilde;ar&amp;eacute; con el ensue&amp;ntilde;o &amp;mdash; de so&amp;ntilde;ar sue&amp;ntilde;o de amor.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://es.e-stories.org/"&gt;E-stories&lt;/a&gt;, &lt;a href="http://www.masqueletras.org/"&gt;masqueletras&lt;/a&gt;, y&amp;nbsp;&lt;a href="http://elalmahispana.org/rincon_poetico/index.php"&gt;El Alma latina&lt;/a&gt;&amp;nbsp;son algunos&amp;nbsp;portales&amp;nbsp;interactivos&amp;nbsp;que nos dan la oportunidad de&amp;nbsp;compartir obras po&amp;eacute;ticas.&lt;/p&gt;
&lt;p&gt;Algunas de estas y otras obras tambi&amp;eacute;n pueden estar disponibles en diferentes formatos. Para m&amp;aacute;s informaci&amp;oacute;n s&amp;iacute;rvase comunicarse con el bibliotecario de su biblioteca local. Tambi&amp;eacute;n puede seguirnos por &amp;iexcl;&lt;a href="https://twitter.com/#!/search/realtime/nypl%20espanol"&gt;Twitter&lt;/a&gt;!&lt;/p&gt;
&lt;p&gt;Para informaci&amp;oacute;n sobre eventos favor de visitar: &lt;a target="_blank" href="http://www.nypl.org/events/calendar?keyword=spanish"&gt;Eventos en Espa&amp;ntilde;ol &lt;/a&gt;&lt;/p&gt;
&lt;em&gt;Especial agradecimiento a los Bibliotecarios Vilma Alvarez, Jos&amp;eacute; Oliveras y Jeanette&amp;nbsp;Rodriguez por su generosa colaboraci&amp;oacute;n editorial.&lt;/em&gt;
&amp;nbsp;
&lt;p&gt;M&amp;aacute;s &lt;a href="http://www.nypl.org/voices/blogs/blog-channels/espanol"&gt;Blog en Espa&amp;ntilde;ol&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/KHu-XkJglvM" height="1" width="1"/&gt;</description>
	
		<category>Spanish Literature</category>
<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2013/04/03/una-poesia-para-cada-dia#comments</comments>	
		<pubDate>Wed, 03 Apr 2013 11:53:27 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2013/04/03/una-poesia-para-cada-dia</feedburner:origLink></item>
	<item>
		<title>Haiku Redux</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/FJuWpoqIcws/haiku-redux</link>

		<dc:creator>Jay Barksdale, Stephen A. Schwarzman Building, General Research Division</dc:creator>

	<description>&lt;p&gt;Fang and I were very, very lucky during the hurricane.  We were out of power for only 24 hours, during which I wrote the three haiku below: &amp;quot;On the Advantages of the Absence of Electricity.&amp;quot;&lt;/p&gt;

&lt;p&gt;Haiku is one of the more accessible poetic forms (have you ever tried writing a sestina?), at least for the likes of me.  There are, of course, &lt;a href="http://catalog.nypl.org/search~S97?/dhaiku/dhaiku/1%2C17%2C103%2CB/exact&amp;amp;FF=dhaiku&amp;amp;1%2C40%2C/indexsort=-"&gt;books&lt;/a&gt; galore of and about them, but a short and sweet &lt;a href="http://www.nypl.org/blog/2011/04/12/readers-den-april-2011-basho"&gt;blog post&lt;/a&gt;, with far better H than those of yours truly, was written last year by my most excellent colleague, Sherri Liberman of the Mulberry Branch.  &lt;a href="http://www.nypl.org/blog/2011/03/29/haikus-winter-and-some-summer-talk-spring-writers-club"&gt;Here is another&lt;/a&gt;, from the teens of the Grand Central Branch.&lt;/p&gt;
&lt;p&gt;&lt;span class="inline inline-right"&gt;&lt;a href="http://digitalgallery.nypl.org/nypldigital/id?1213044" title="[Liseurs (effet de lumière).], Digital ID 1213044, New York Public Library"&gt;&lt;/a&gt;&lt;/span&gt;Happy Haikuing!&lt;/p&gt;
&lt;p&gt;I&lt;/p&gt;
&lt;p&gt;A novel read slow&lt;br /&gt;
by candlelight glows richly,&lt;br /&gt;
every word burnished.&lt;/p&gt;
&lt;p&gt;II&lt;/p&gt;
&lt;p&gt;Youthful neighbor, fit,&lt;br /&gt;
cannot play exercise tape.&lt;br /&gt;
We say ha ha ha.&lt;/p&gt;
&lt;p&gt;III&lt;/p&gt;
&lt;p&gt;Schoenberg in the dark:&lt;br /&gt;
slow, sepulcral, soft, far-out,&lt;br /&gt;
and &lt;em&gt;more&lt;/em&gt; beautiful.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/FJuWpoqIcws" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2013/01/16/haiku-redux#comments</comments>	
		<pubDate>Wed, 16 Jan 2013 05:50:35 -0500</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2013/01/16/haiku-redux</feedburner:origLink></item>
	<item>
		<title>Looking for Something Lost: Mark Van Doren in the Village</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/PES1mP8B2vQ/looking-something-lost-mark-van-doren</link>

		<dc:creator>John Flood, Grand Central Branch Library</dc:creator>

	<description>&lt;p&gt;&lt;span class="inline inline-center"&gt;&lt;a title="The seven sleepers, and other poems., Digital ID 496018, New York Public Library" href="http://digitalgallery.nypl.org/nypldigital/id?496018"&gt;&lt;/a&gt;&lt;/span&gt;&lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;q=mark%20van%20doren&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;Mark Van Doren&lt;/a&gt; edited and published &lt;em&gt;&lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=keyword&amp;amp;q=an+anthology+of+world+poetry&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;An Anthology of World Poetry&lt;/a&gt;&lt;/em&gt; in 1929. Amazingly, this enabled him to buy the house at &lt;a href="https://maps.google.com/maps?q=393+Bleecker+Street&amp;amp;oe=utf-8&amp;amp;client=firefox-a&amp;amp;channel=fflb&amp;amp;hnear=393+Bleecker+St,+New+York,+10014&amp;amp;gl=us&amp;amp;t=m&amp;amp;z=16"&gt;393 Bleecker Street&lt;/a&gt;. Van Doren was a poet himself and a playwright and a greatly admired professor at Columbia University.&lt;/p&gt;

&lt;p&gt;Mark Van Doren's birthday is June 13.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.nypl.org/collections/articles-databases/jstor"&gt;JSTOR&lt;/a&gt; and the &lt;a href="http://www.poetryfoundation.org"&gt;Poetry Foundation&lt;/a&gt; are collaborating to digitize, preserve, and extend access to &lt;em&gt;Poetry&lt;/em&gt;. You can access pageviews of all issues of &lt;a href="http://www.poetryfoundation.org/poetrymagazine/"&gt;&lt;em&gt;Poetry&lt;/em&gt;&lt;/a&gt; magazine going back to 1912.&lt;/p&gt;
&lt;p&gt;Here is a poem of his published in the &lt;a href="http://www.poetryfoundation.org/poetrymagazine/browse/111/4#20598375"&gt;January 1968 issue&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;quot;Looking for Something Lost&amp;quot;&lt;/p&gt;
&lt;p&gt;Looking for something lost is mind&lt;br /&gt;
And matter playing a game. &lt;em&gt;(&lt;/em&gt;&lt;a href="http://www.poetryfoundation.org/poetrymagazine/browse/111/4#20598375"&gt;&lt;em&gt;read more...&lt;/em&gt;&lt;/a&gt;&lt;em&gt;)&lt;/em&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/PES1mP8B2vQ" height="1" width="1"/&gt;</description>
	
		<category>Greenwich Village</category>
<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2012/06/13/looking-something-lost-mark-van-doren#comments</comments>	
		<pubDate>Wed, 13 Jun 2012 10:35:36 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/06/13/looking-something-lost-mark-van-doren</feedburner:origLink></item>
	<item>
		<title>Before You Become a Poet, Work in a Bar: John Masefield in the Village</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/jsWYEWUTpEc/before-you-become-poet</link>

		<dc:creator>John Flood, Grand Central Branch Library</dc:creator>

	<description>&lt;p&gt;&lt;span class="inline inline-right"&gt;&lt;a href="http://digitalgallery.nypl.org/nypldigital/id?1663556" title="John Masefield, Digital ID 1663556, New York Public Library"&gt;&lt;/a&gt;&lt;/span&gt;Before he was the Poet Laureate of the United Kingdom, &lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=keyword&amp;amp;q=john+masefield&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;John Masefield&lt;/a&gt; scrubbed floors in a saloon at &lt;a href="https://maps.google.com/maps?q=Greenwich+Avenue+and+Sixth+Avenue&amp;amp;oe=utf-8&amp;amp;client=firefox-a&amp;amp;channel=fflb&amp;amp;hnear=6th+Ave+%26+Greenwich+Ave,+New+York,+10011&amp;amp;gl=us&amp;amp;t=m&amp;amp;z=16"&gt;Greenwich Avenue and Sixth Avenue&lt;/a&gt; in the Village.&lt;/p&gt;
&lt;p&gt;My guess, that's good training to be a poet or a writer of any kind. &lt;/p&gt;

&lt;p&gt;His birthday is June 1.&lt;/p&gt;
&lt;p&gt;Here's the first part of one of his &lt;a href="http://www.poetryfoundation.org/poem/242552"&gt;poems&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;&amp;quot;Sea Fever&amp;quot;&lt;/p&gt;
&lt;p&gt;I must go down to the seas again,&lt;br /&gt;
to the lonely sea and the sky,&lt;br /&gt;
And all I ask is a tall ship&lt;br /&gt;
and a star to steer her by;&lt;br /&gt;
And the wheel's kick and the wind's song&lt;br /&gt;
and the white sail's shaking,&lt;br /&gt;
And a grey mist on the sea's face, and&lt;br /&gt;
a grey dawn breaking&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/jsWYEWUTpEc" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
<category>English and American Literature</category>
<category>Greenwich Village</category>
		<comments>http://www.nypl.org/blog/2012/05/30/before-you-become-poet#comments</comments>	
		<pubDate>Wed, 30 May 2012 11:30:21 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/05/30/before-you-become-poet</feedburner:origLink></item>
	<item>
		<title>Reclaiming My West Indian Roots, with Poetry</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/iowqqORQacQ/reclaiming-my-west-indian-roots-poetry</link>

		<dc:creator>Ann-Marie Nicholson, Schomburg Center for Research in Black Culture</dc:creator>

	<description>&lt;p&gt;As a young girl growing up in Jamaica &amp;mdash; and later in Brooklyn, NY &amp;mdash; I often heard the poetry of &lt;a href="http://www.louisebennett.com"&gt;Louise Bennett&lt;/a&gt; (Jamaicans affectionately call her &amp;quot;Miss Lou&amp;quot;) permeate the air. One of my earliest recollections of Miss Lou&amp;rsquo;s lyricism was hearing the term &lt;em&gt;mout amassi &lt;/em&gt;(big mouth).  The term comes from the title of one of her &lt;a href="http://louisebennett.com/newsdetails.asp?NewsID=9"&gt;most popular poems&lt;/a&gt; about a young lady, Liza, who loves to gossip and chat.&lt;/p&gt;

&lt;p&gt;To be called a &amp;quot;mout amassi&amp;quot; was far from a compliment and the nickname could follow one around for a lifetime. Adults used it on adults and children alike. Children used it on each other, often eliciting uncontrollable laughter.&lt;/p&gt;
&lt;p&gt;I have more fond memories of how Miss Lou&amp;rsquo;s poetry reverberated throughout my youth and the many phrases that I&amp;mdash;as well as my fellow islanders&amp;mdash;eagerly adapted to tease as well as to assert my identity.&lt;/p&gt;
&lt;p&gt;Many years removed from my childhood, it would take a long time before I returned to my roots. It wasn&amp;rsquo;t until I was in grad school getting my master&amp;rsquo;s in English Literature, with a focus on postcolonial literature, that I ventured beyond the poetry of the Romantics and the Harlem Renaissance.  In one of my classes, Caribbean Literature, my professor further exposed me to Anglophone, Francophone, and Hispanaphone writers and poets, like: Derek Walcott, Olive Senior, Kamau Brathwaite, Aim&amp;eacute; C&amp;eacute;saire, and Reinaldo Arenas. The lyricism of these poets &amp;mdash; from varied backgrounds and languages &amp;mdash; spoke to me and my cultural identity. I realized, albeit not too late, that the reason these poets resonated with me was because I had never really forgotten my roots &amp;mdash; they just needed to be watered and restored.&lt;/p&gt;
&lt;p&gt;Below are a few West Indian poets whose works capture and transcend their shared cultural heritage:&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/108204191_derek_walcott"&gt;Derek Walcott&lt;/a&gt;&lt;/strong&gt;, born in 1930, is from &lt;a href="http://maps.google.com/maps?q=Saint+Lucia&amp;amp;oe=utf-8&amp;amp;client=firefox-a&amp;amp;hnear=St+Lucia&amp;amp;gl=us&amp;amp;t=m&amp;amp;z=10"&gt;Saint Lucia&lt;/a&gt;.  He won the &lt;a href="http://www.nobelprize.org/nobel_prizes/literature/laureates/1992/"&gt;Nobel Prize in Literature in 1992&lt;/a&gt; for his epic poem, &lt;em&gt;Omeros&lt;/em&gt; &amp;mdash; based on Homer&amp;rsquo;s &lt;em&gt;The Iliad&lt;/em&gt; and &lt;em&gt;The Odyssey&lt;/em&gt;.  Walcott is currently a professor of poetry at the University of  Essex.&amp;nbsp;&lt;/p&gt;




&lt;p&gt;&lt;strong&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/108204383_kamau_brathwaite"&gt;Kamau Brathwaite&lt;/a&gt; &lt;/strong&gt;was born in Barbados in 1930. He is currently a Professor of Comparative Literature at &lt;a href="http://en.wikipedia.org/wiki/New_York_University" title="New York University"&gt;New York University&lt;/a&gt;.&lt;/p&gt;




&lt;p&gt;&lt;strong&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/108205321_martin_carter"&gt;Martin Carter&lt;/a&gt;&amp;nbsp;&lt;/strong&gt;(d. 1997)&amp;nbsp;was a Guyanese poet, whose work came to &lt;span&gt;symbolize&lt;/span&gt; post-colonial nationalism.&lt;/p&gt;




&lt;p&gt;&lt;strong&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/108205474_grace_nichols"&gt;Grace Nichols&lt;/a&gt;&lt;/strong&gt; was born in Guyana. Grace Nichols lives in England with the poet John Agard and their daughter Kalera. &lt;a href="http://www.bbc.co.uk/learningzone/clips/grace-nichols-even-tho/1365.html"&gt;Watch her talk about one of her poems on bbc.co.uk&lt;/a&gt;.&lt;/p&gt;



&lt;p&gt;&lt;strong&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/108205981_john_agard"&gt;John Agard&lt;/a&gt; &lt;/strong&gt;was born in Guyana and currently resides in England.&lt;/p&gt;




&lt;p&gt;&lt;strong&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/108206251_olive_senior"&gt;Olive Senior&lt;/a&gt;&lt;/strong&gt; was born in Jamaica. She currently resides in Toronto, Canada.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/iowqqORQacQ" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
<category>Caribbean literature</category>
		<comments>http://www.nypl.org/blog/2012/04/24/reclaiming-my-west-indian-roots-poetry#comments</comments>	
		<pubDate>Tue, 24 Apr 2012 12:53:14 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/04/24/reclaiming-my-west-indian-roots-poetry</feedburner:origLink></item>
	<item>
		<title>Nature Poems for Poetry Month</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/LzBLpOPkrXo/nature-poems-poetry-month</link>

		<dc:creator>Melissa Cardinali, Central Collection Development</dc:creator>

	<description>&lt;p&gt;In New York City, there is a lot to celebrate during the month of April, National Poetry Month. It feels like poems fill the air as the weather warms, flowers bloom, animals come out of hiding, and, of course, Earth Day arrives! &amp;nbsp;No worries if you missed it yesterday, this post will help you and your children celebrate our Earth (and her fantastic creatures!) with a few recommendations from NYPL's vast collection of poetry for young people.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/19524078052_outside_your_window"&gt;&lt;em&gt;Outside Your Window: A First Book of Nature&lt;/em&gt;&lt;/a&gt;&amp;nbsp;by&amp;nbsp;&lt;a href="http://nypl.bibliocommons.com/search?t=author&amp;amp;search_category=author&amp;amp;q=davies%2C+nicola&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;Nicola Davies&lt;/a&gt;.&amp;nbsp;Inspire your children to go outside and observe the nature around them with this beautiful collection of 50 poems divided by season.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/19429023052_in_the_sea"&gt;&lt;em&gt;In the Sea&lt;/em&gt;&lt;/a&gt; by David Elliot. A recent collection of oceanic poems from the author of &lt;a href="http://nypl.bibliocommons.com/item/show/18541693052_in_the_wild"&gt;&lt;em&gt;In the Wild&lt;/em&gt;&lt;/a&gt; and &lt;a href="http://nypl.bibliocommons.com/item/show/17796244052_on_the_farm"&gt;&lt;em&gt;On the Farm&lt;/em&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Discover the inner workings of the bee community with Douglas Florian's&amp;nbsp;&lt;a href="http://nypl.bibliocommons.com/item/show/19471506052_unbeelievables"&gt;&lt;em&gt;unBEElievables&lt;/em&gt;&lt;/a&gt;. Each poem is enhanced by supporting information &amp;mdash; almost too good to &amp;quot;bee&amp;quot; true!&amp;nbsp;&amp;nbsp;Florian's&amp;nbsp;&lt;a href="http://nypl.bibliocommons.com/item/show/18265489052_poetrees"&gt;&lt;em&gt;Poetrees&lt;/em&gt;&lt;/a&gt;&amp;nbsp;is a creative introduction to 13 different tree species and their parts.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/19077665052_the_hound_dogs_haiku"&gt;&lt;em&gt;The Hound Dog's Haiku and Other Poems for Dog Lovers&lt;/em&gt;&lt;/a&gt; by &lt;a href="http://nypl.bibliocommons.com/search?commit=Search&amp;amp;q=rosen%2C+michael&amp;amp;searchOpt=catalogue&amp;amp;search_category=author&amp;amp;t=author&amp;amp;genre=Poetry"&gt;Michael Rosen&lt;/a&gt;. Woodcut illustrations accompany each haiku about a different dog breed.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/18224408052_the_tree_that_time_built"&gt;&lt;em&gt;The Tree that Time Built&lt;/em&gt;&lt;/a&gt;&amp;nbsp;selected by Mary Ann Hoberman and Linda Winston; illustrated by Barbara Fortin. An&amp;nbsp;anthology from some of our favorite poets which celebrates the natural world, especially the connection among living things. A rich resource with glossary and explanatory notes, great for middle school readers, budding scientists and classroom use.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Newbery Honor artist&amp;nbsp;&lt;a href="http://nypl.bibliocommons.com/search?t=author&amp;amp;search_category=author&amp;amp;q=sidman%2C+joyce&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;Joyce Sidman's&lt;/a&gt;&amp;nbsp;&lt;a href="http://nypl.bibliocommons.com/item/show/19077281052_swirl_by_swirl"&gt;&lt;em&gt;Swirl by Swirl: Spirals in Nature&lt;/em&gt;&lt;/a&gt;&amp;nbsp;is a beautiful homage to this curious shape, found many places in nature. Written in free-verse; be sure to check out the endnotes for additional information.&amp;nbsp;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/LzBLpOPkrXo" height="1" width="1"/&gt;</description>
	
		<category>Children's Literature</category>
<category>Earth Sciences</category>
		<comments>http://www.nypl.org/blog/2012/04/23/nature-poems-poetry-month#comments</comments>	
		<pubDate>Mon, 23 Apr 2012 11:37:52 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/04/23/nature-poems-poetry-month</feedburner:origLink></item>
	<item>
		<title>Poetry Writing With Adult New Readers, Strategy 1: The List Poem</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/4Lo8lNuw2Fs/poetry-writing-adult-new-readers-list-poem</link>

		<dc:creator>Hilary Schenker, Seward Park Library</dc:creator>

	<description>&lt;p&gt;&lt;em&gt;&lt;span&gt;&lt;a title="Erasmus of Rotterdam., Digital ID 1232986, New York Public Library" href="http://digitalgallery.nypl.org/nypldigital/id?1232986"&gt;&lt;/a&gt;You have not crossed the bridges I have crossed.&lt;/span&gt;&lt;br /&gt;
You have not listened to the music I have listened to.&lt;br /&gt;
You have not been in the top of the World Trade Center the way I have been there.&lt;br /&gt;
You have not seen the waves I have seen.&lt;br /&gt;
You have not fallen from horses the way I have fallen.&lt;br /&gt;
You have not felt the guns on your neck the way I have felt them.&lt;br /&gt;
You have not been in the sea with a big storm in a little boat the way I have been.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&amp;mdash;Excerpt from &amp;quot;Don&amp;rsquo;t Give Me Advice,&amp;quot; by Luis Marin, Tompkins Square CRW&lt;/p&gt;
&lt;p&gt;This month is &lt;a href="http://www.poets.org/npm/"&gt;National Poetry Month&lt;/a&gt;, and here at the &lt;a href="http://www.nypl.org/events/classes/crw"&gt;Center for Reading and Writing&lt;/a&gt; (CRW) some students are experiencing poetry for the first time. Writing a poem for the first time can be intimidating, but there are many possible ways to get started. In this post I&amp;rsquo;ll talk about just one of them, which is a list poem.&lt;/p&gt;

Defining a Poem
&lt;p&gt;The first step when introducing poetry to students is to define poetry. Show what a poem looks like on a page. Explain that a poem is usually short, and that each line has a fixed length. It uses carefully-chosen language to express a feeling, and sometimes uses rhythm, rhyme, or repetition. One CRW student defined a poem as &amp;quot;few words, big meaning.&amp;quot;&lt;/p&gt;
Writing a List Poem
&lt;p&gt;A list poem is a poem in which each line begins the same way. List poems are wonderful for beginning writers especially, because the start of each line is provided, creating a comfortable way in (at least I have this part that I can write, and know I&amp;rsquo;m spelling it correctly). A list poem can be simple and powerful. One student, who struggles with depression, wrote a poem in which each line begins, &amp;quot;I love&amp;quot; followed by one thing that makes her feel happy.&lt;/p&gt;
5 Tips for Writing a Successful List Poem:
&lt;p&gt;Read poems together as a group, to get students familiar with the sounds and rhythms of it. After reading a poem, ask if there is any line that students like or find interesting. Ask why they like it, what makes it stand out. Keep your ear open for things students say&amp;mdash;does something sound like a list poem? &amp;quot;Every morning I...&amp;quot; &amp;quot;I want to read...&amp;quot; &amp;quot;If I had a million dollars I&amp;rsquo;d...&amp;quot; &amp;quot;I love the way...&amp;quot; The possibilities are endless.&lt;/p&gt;
&lt;p&gt;When students are ready to begin writing, here are some tips to keep in mind:&lt;/p&gt;
1. &lt;em&gt;Be specific&lt;/em&gt;
&lt;p&gt;Help students bring their poems to life by including specific details. In other words, show, don&amp;rsquo;t tell. &amp;quot;I wake up early,&amp;quot; becomes, &amp;quot;I wake up at 3:00 am every morning to go to work.&amp;quot; Instead of &amp;quot;I cook Chinese food&amp;quot; help the student write, &amp;quot;I cook catfish with spicy sauce.&amp;quot;&lt;/p&gt;
2. &lt;em&gt;Five senses&lt;/em&gt;
&lt;p&gt;Can you see this poem? Can you hear it? Smell it? Feel it? Taste it? Is this poem bringing a world to life? If not, think about describing with the five senses.&lt;/p&gt;
3. &lt;em&gt;Order &lt;/em&gt;
&lt;p&gt;Pay attention to the order of the list. Does it have a beginning? A middle? An end? Does it need an additional line to bring it to a close?&lt;/p&gt;
4. &lt;em&gt;Word Choice&lt;/em&gt;
&lt;p&gt;Think about word choice. Could another word be more effective? Sometimes beginning writers want to use the word &amp;quot;beautiful,&amp;quot; but write &amp;quot;nice&amp;quot; instead because it is easier to spell. Help the writer actualize the poem in her mind.&lt;/p&gt;
5. &lt;em&gt;Edit&lt;/em&gt;
&lt;p&gt;Don&amp;rsquo;t be afraid to edit. 'Make it Messy' is a good mantra for first drafts. They should have crossed out parts and additions. Are any items in the list extraneous? Are there unnecessary repetitions? Help students build the confidence to edit themselves. &lt;br /&gt;
&lt;br /&gt;
Happy poetry writing to all! I&amp;rsquo;ll leave you with this list poem by Joseph, a student at the Tompkins Square CRW. The title is, &amp;quot;She Is Full of Life:&amp;quot;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;When she smiles, life comes out of her. &lt;/em&gt;&lt;br /&gt;
&lt;em&gt;When she walks down the street, she has a smile on her face,&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;people all around her look at her and see life. &lt;/em&gt;&lt;br /&gt;
&lt;em&gt;When she comes into a room, she brightens up the room itself. &lt;/em&gt;&lt;br /&gt;
&lt;em&gt;When people see her, they are also happy to see her smiling. &lt;/em&gt;&lt;br /&gt;
&lt;em&gt;She makes the day.&lt;/em&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/4Lo8lNuw2Fs" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2012/04/18/poetry-writing-adult-new-readers-list-poem#comments</comments>	
		<pubDate>Wed, 18 Apr 2012 14:18:07 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/04/18/poetry-writing-adult-new-readers-list-poem</feedburner:origLink></item>
	<item>
		<title>A Poem A Day</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/fL5eNbcMHhs/poem-day</link>

		<dc:creator>Sylviane A. Diouf, Curator of Digital Collections, Schomburg Center for Research in Black Culture</dc:creator>

	<description>&lt;p&gt;April is National Poetry Month, and I promised myself to read a poem a day. Some poets of the black experience immediately came to mind: Langston Hughes, Gwendolyn Brooks, Claude McKay, Sonia Sanchez, Audrey Lorde, to name a few. But then I decided to venture unto new territory and immerse myself into recent works.&lt;/p&gt;

&lt;p&gt;I selected four great poets &amp;mdash; and distinguished scholars training new generations &amp;mdash; who published collections in 2010 and 2011. I found history, current events and the future in their works; and grace, beauty, heartache, struggles and joy.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.nypl.org/blog/2011/11/17/nikky-finney-wins-national-book-award-poetry"&gt;Nikky Finney&lt;/a&gt;, a dear friend of the Schomburg Center said it, of course much better, in an interview with the &lt;a href="http://nikkyfinney.net/documents/winner_interview.pdf"&gt;National Book Foundation&lt;/a&gt;. &amp;quot;I am incredibly drawn to history; personal history, American history, Southern history, family history, the history of a community, the history of secrets, the history that has gone missing, the history that has been told by the lion hunter but not the lion, the history of pencils, of loss, of tenderness, the history of what the future just might be if we would only... I believe our many beautiful ways of saying and communicating and the telling of our stories has been taken for granted and we can't let that happen. All of us who make something with our hands and hearts must step into every arena that we possibly can and bring with us the most eloquent, charged, radical (radical only means grabbing it by the root), tender, truthful words spilling from our arms. Our children deserve this from us.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/106072943_african-american_poets"&gt;Nikky Finney&lt;/a&gt;, 2011 National Book Award for Poetry, Provost&amp;rsquo;s Distinguished Service Professor of English at the University of Kentucky&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.nationalbook.org/nba2011_p_finney.html#.T2s-4nkbvzU"&gt;Finney&lt;/a&gt; at the National Book Award Ceremony&lt;/p&gt;

&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/106073814_terrance_hayes"&gt;Terrance Hayes&lt;/a&gt;, 2010 National Book Award for Poetry, Professor of Creative Writing at Carnegie Mellon University&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.nationalbook.org/nba2010_p_hayes.html#.T3MxvdkbvzV"&gt;Hayes&lt;/a&gt; reading from &lt;em&gt;Lighthead&lt;/em&gt;&lt;/p&gt;


&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/106073796_thomas_sayers_ellis"&gt;Thomas Sayers Ellis&lt;/a&gt;, Assistant Professor of Creative Writing at Sarah Lawrence College&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=aQSWSK67sc8"&gt;Ellis&lt;/a&gt; reading &amp;quot;All their Stanzas Look Alike&amp;quot;&lt;/p&gt;


&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/list/show/87525574_nypl_schomburg_center/106074961_tracy_k_smith"&gt;Tracy K. Smith&lt;/a&gt;, 2012 Pulitzer Prize for Poetry, Assistant Professor of Creative Writing at Princeton University&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.uctv.tv/search-details.aspx?showID=15430"&gt;Smith&lt;/a&gt; reads some of her poems&lt;/p&gt;


&lt;p&gt;On April 17, come celebrate National Poetry Month at the &lt;strong&gt;Schomburg Center&lt;/strong&gt; with &lt;a href="http://www.nypl.org/locations/tid/64/node/159125?lref=64%2Fnode%2F132394"&gt;Yusef Komunyakaa&lt;/a&gt;, Distinguished Senior Poet at New York University.&lt;/p&gt;
&lt;p&gt;What else can you do? &lt;a href="http://www.poets.org/page.php/prmID/94"&gt;The Academy of American Poets&lt;/a&gt; &amp;mdash; which inaugurated the National Poetry Month in 1996 &amp;mdash; shares some ideas.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/fL5eNbcMHhs" height="1" width="1"/&gt;</description>
	
		<category>African American Studies</category>
<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2012/04/02/poem-day#comments</comments>	
		<pubDate>Mon, 02 Apr 2012 08:01:12 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/04/02/poem-day</feedburner:origLink></item>
	<item>
		<title>A Poet's Poet: Gregory Corso</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/5vFsTV9NkxI/poets-poet-gregory-corso</link>

		<dc:creator>John Flood, Grand Central Branch Library</dc:creator>

	<description>&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;q=gregory%20corso&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;Gregory Corso&lt;/a&gt; was born at &lt;a href="http://en.wikipedia.org/wiki/Saint_Vincent%27s_Catholic_Medical_Center"&gt;St. Vincent's Hospital&lt;/a&gt;&amp;nbsp;in New York City. His family lived near &lt;a href="http://maps.google.com/maps?q=Bleecker+and+MacDougal&amp;amp;oe=utf-8&amp;amp;client=firefox-a&amp;amp;hnear=Bleecker+St+%26+MacDougal+St,+New+York,+10012&amp;amp;t=m&amp;amp;z=16"&gt;Bleecker and MacDougal&lt;/a&gt;&amp;nbsp;streets at the time of his birth.&lt;/p&gt;
&lt;p&gt;His birthday is March 26.&lt;/p&gt;

&lt;p&gt;His famous poem &amp;quot;Marriage&amp;quot; can be found &lt;a href="http://www.english.illinois.edu/maps/poets/a_f/corso/onlinepoems.htm"&gt;online&lt;/a&gt;, but I'll quote his epitaph here:&lt;/p&gt;
&lt;p&gt;Spirit&lt;br /&gt;
is Life&lt;br /&gt;
It flows thru&lt;br /&gt;
the death of me&lt;br /&gt;
endlessly&lt;br /&gt;
like a river&lt;br /&gt;
unafraid&lt;br /&gt;
of becoming&lt;br /&gt;
the sea&lt;/p&gt;
&lt;p&gt;This marks his grave in Rome, at the foot of&amp;nbsp;&lt;a href="http://exhibitions.nypl.org/biblion/node/1450"&gt;Percy Bysshe Shelley's&amp;nbsp;grave.&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/5vFsTV9NkxI" height="1" width="1"/&gt;</description>
	
		<category>Greenwich Village</category>
<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2012/03/23/poets-poet-gregory-corso#comments</comments>	
		<pubDate>Fri, 23 Mar 2012 13:38:58 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/03/23/poets-poet-gregory-corso</feedburner:origLink></item>
	<item>
		<title>First Fig: Edna St. Vincent Millay in the Village</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/1FhqLJ3YjbM/first-fig</link>

		<dc:creator>John Flood, Grand Central Branch Library</dc:creator>

	<description>&lt;p&gt;The house is &lt;a href="http://ny.curbed.com/places/75-12-bedford-street"&gt;for sale again&lt;/a&gt;, apparently &amp;mdash; One of the most famous in Greenwich Village, &lt;a href="http://maps.google.com/maps?q=75+Bedford+Street+new+york+ny&amp;amp;hl=en&amp;amp;ll=40.731332,-74.005054&amp;amp;spn=0.00752,0.011619&amp;amp;sll=40.73138,-74.004848&amp;amp;sspn=0.001888,0.002905&amp;amp;hnear=75+Bedford+St,+New+York,+10014&amp;amp;t=m&amp;amp;z=17"&gt;75 1/2 Bedford Street&lt;/a&gt;, otherwise known as the &lt;a href="http://thevillager.com/villager_54/narrowhousewide.html"&gt;skinniest house in New York&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Formerly, it was the home of &lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;q=edna%20st%20vincent%20millay&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;poet Edna St. Vincent Millay&lt;/a&gt;. Her birthday is February 22.&lt;/p&gt;

&lt;p&gt;Perhaps Millay's fate was to live in the Village. How many people are named after a hospital, after all? Born in Maine, she was named for the &lt;a href="http://en.wikipedia.org/wiki/Saint_Vincent%27s_Catholic_Medical_Center"&gt;Village institution&lt;/a&gt; that saved her uncle's life.&lt;/p&gt;
&lt;p&gt;In later life, Millay lived in upstate New York &amp;mdash;&amp;nbsp;in Austerlitz, at &lt;a href="http://www.millaysociety.org/"&gt;Steepletop&lt;/a&gt;, which is preserved in her memory.&lt;/p&gt;
&lt;p&gt;Three hundred and sixty-five of her poems are available from &lt;a href="http://www.nypl.org/collections/articles-databases/columbia-grangers-world-poetry"&gt;Columbia Granger's World of Poetry&lt;/a&gt;, but here are two samples of her work.&lt;/p&gt;
&lt;p&gt;&lt;span class="inline inline-right"&gt;&lt;a title="Edna St. Vincent Millay, Digital ID th-36128, New York Public Library" href="http://digitalgallery.nypl.org/nypldigital/dgkeysearchresult.cfm?num=0&amp;amp;word=edna%20st%20vincent%20millay&amp;amp;s=1&amp;amp;notword=&amp;amp;d=&amp;amp;c=&amp;amp;f=&amp;amp;k=0&amp;amp;lWord=&amp;amp;lField=&amp;amp;sScope=&amp;amp;sLevel=&amp;amp;sLabel=&amp;amp;sort=&amp;amp;imgs=20&amp;amp;pNum="&gt;&lt;/a&gt;&lt;/span&gt;This appears etched on the wall of the Manhattan terminal of the Staten Island Ferry:&lt;/p&gt;
&lt;p&gt;We were very tired, we were very merry &amp;mdash;&lt;br /&gt;
We had gone back and forth all night on the ferry.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp; &amp;quot;Recuerdo&amp;quot;&lt;/p&gt;
&lt;p&gt;But her best known poem is:&lt;/p&gt;
&lt;p&gt;My candle burns at both ends;&lt;br /&gt;
It will not last the night;&lt;br /&gt;
But ah, my foes, and oh, my friends &amp;mdash;&lt;br /&gt;
It gives a lovely light.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp; &amp;quot;First Fig&amp;quot;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/1FhqLJ3YjbM" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
<category>Greenwich Village</category>
		<comments>http://www.nypl.org/blog/2012/02/17/first-fig#comments</comments>	
		<pubDate>Fri, 17 Feb 2012 09:24:16 -0500</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/02/17/first-fig</feedburner:origLink></item>
	<item>
		<title>Life is a Stream: Amy Lowell in the Village</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/Jlgz8lXh_oU/amy-lowell</link>

		<dc:creator>John Flood, Grand Central Branch Library</dc:creator>

	<description>&lt;p&gt;&lt;span class="inline-right"&gt;&lt;a title="Amy Lowell, 1874-1925, Digital ID 102851, New York Public Library" href="http://digitalgallery.nypl.org/nypldigital/id?102851"&gt;&lt;/a&gt;&lt;/span&gt;Amy Lowell was a poet who lived for a time at &lt;a href="http://maps.google.com/maps?q=61+Washington+Square+nyc&amp;amp;hl=en&amp;amp;client=firefox-a&amp;amp;hnear=61+Washington+Square+N,+New+York,+10011&amp;amp;t=m&amp;amp;z=16"&gt;61 Washington Square&lt;/a&gt;&amp;nbsp;in New York City. February 9 is her birthday.&lt;/p&gt;

&lt;p&gt;Here is a short selection from her work:&lt;/p&gt;

&lt;p&gt;Life is a stream&lt;br /&gt;
On which we strew&lt;br /&gt;
Petal by petal the flower of our heart.&lt;/p&gt;

&lt;p&gt;&amp;quot;&lt;a href="http://www.columbiagrangers.org/poem/00000203572/00000203572/00000203572P01/?q="&gt;Petals&lt;/a&gt;,&amp;quot; from &lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;q=dome%20of%20many-coloured%20glass&amp;amp;commit=Search&amp;amp;searchOpt=catalogue"&gt;&lt;em&gt;Dome of Many-Coloured Glass&lt;/em&gt; (1912)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;658 of her poems are available though &lt;a href="http://www.nypl.org/collections/articles-databases/columbia-grangers-world-poetry"&gt;Columbia Granger's World of Poetry&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;She was postumously awarded the &lt;a href="http://www.pulitzer.org/awards/1926"&gt;Pulitzer Prize for Poetry in 1926&lt;/a&gt;.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/Jlgz8lXh_oU" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
<category>Greenwich Village</category>
		<comments>http://www.nypl.org/blog/2012/02/09/amy-lowell#comments</comments>	
		<pubDate>Thu, 09 Feb 2012 06:21:00 -0500</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/02/09/amy-lowell</feedburner:origLink></item>
	<item>
		<title>Joining the Club: The Poetry of David Shapiro</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/kz8uQkv8Y9M/joining-club</link>

		<dc:creator>Jeremy Czerw, Battery Park City</dc:creator>

	<description>&lt;p&gt;Perhaps it's because audiences for poetry are a bit smaller than some of the other genres I'm drawn to, but whenever I finally get around to reading a poet others have recommended to me, it seems like knocking on the door to a little club of sorts. When the poet is as interesting as&amp;nbsp;&lt;a href="http://nypl.bibliocommons.com/item/show/17669095052_new_and_selected_poems,_1965-2006"&gt;David Shapiro&lt;/a&gt;, one hopes to return to that door again and again. &amp;nbsp;&lt;/p&gt;

&lt;p&gt;Shapiro is one of many distinguished contributors to the new journal&amp;nbsp;&lt;em&gt;Bridge&lt;/em&gt;, which promises &amp;quot;collaborations between poets, visual artists, musicians, and accountants.&amp;quot; &amp;nbsp;A &lt;a href="http://poetryproject.org/program-calendar/bridge-collaboration-journalissue-1.html"&gt;reading from Issue One&lt;/a&gt;&amp;nbsp;takes place Monday, February 13 at the &lt;a href="http://poetryproject.org/"&gt;Poetry Project&lt;/a&gt;.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/kz8uQkv8Y9M" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2012/02/03/joining-club#comments</comments>	
		<pubDate>Fri, 03 Feb 2012 11:28:32 -0500</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2012/02/03/joining-club</feedburner:origLink></item>
	<item>
		<title>Mr. Flood's Party</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/chv9GAElWb0/mr-floods-party</link>

		<dc:creator>John Flood, Grand Central Branch Library</dc:creator>

	<description>&lt;p&gt;&lt;span class="inline"&gt;&lt;a href="http://digitalgallery.nypl.org/nypldigital/id?2006485" fcksavedurl="http://digitalgallery.nypl.org/nypldigital/id?2006485" title="Portrait of Edwin Arlington Robinson. By Lilla Cabot Perry. On exhibition at the Braus Galleries, New York., Digital ID 2006485, New York Public Library"&gt;&lt;/a&gt;&lt;/span&gt; If you are of a certain age, you may be familiar with &lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=keyword&amp;amp;q=Edwin Arlington Robinson"&gt;Edwin Arlington Robinson&lt;/a&gt; from a Simon and Garfunkel song, &lt;a href="http://nypl.bibliocommons.com/item/show/17914790052_sounds_of_silence"&gt;&amp;quot;Richard Cory&lt;/a&gt;.&amp;quot; The words of the song were changed somewhat from what Robinson wrote but it still ended with the same shocking, brutal conclusion. Here&amp;rsquo;s the whole poem:&lt;/p&gt;

&lt;p&gt;&lt;span&gt; Whenever Richard Cory went down town,&lt;br /&gt;
We people on the pavement looked at him:&lt;br /&gt;
He was a gentleman from sole to crown,&lt;br /&gt;
Clean favored, and imperially slim.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;And he was always quietly arrayed,&lt;br /&gt;
And he was always human when he talked;&lt;br /&gt;
But still he fluttered pulses when he said,&lt;br /&gt;
&amp;quot;Good-morning,&amp;quot; and he glittered when he walked.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;And he was rich&amp;mdash;yes, richer than a king&amp;mdash;&lt;br /&gt;
And admirably schooled in every grace:&lt;br /&gt;
In fine, we thought that he was everything&lt;br /&gt;
To make us wish that we were in his place.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;So on we worked, and waited for the light,&lt;br /&gt;
And went without the meat, and cursed the bread;&lt;br /&gt;
And Richard Cory, one calm summer night,&lt;br /&gt;
Went home and put a bullet through his head.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/item/show/13107881052_the_children_of_the_night" fcksavedurl="http://nypl.bibliocommons.com/item/show/13107881052_the_children_of_the_night"&gt;&lt;span&gt;&amp;quot;Children of the Night&amp;quot; (1910)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Edwin Arlington Robinson grew up in Gardiner,  Maine, but spent part of his career in the Village, residing at &lt;a href="http://maps.google.com/maps?q=51+Washington+Square+South&amp;amp;oe=utf-8&amp;amp;client=firefox-a&amp;amp;hnear=51+Washington+Square+S,+New+York,+10012&amp;amp;gl=us&amp;amp;t=m&amp;amp;z=16&amp;amp;vpsrc=0"&gt;51   Washington Square South&lt;/a&gt;, &lt;a href="http://maps.google.com/maps?q=121+Washington+Place&amp;amp;hl=en&amp;amp;sll=40.730474,-73.998718&amp;amp;sspn=0.014992,0.026221&amp;amp;vpsrc=0&amp;amp;gl=us&amp;amp;hnear=121+Washington+Pl,+Manhattan,+New+York+10014&amp;amp;t=m&amp;amp;z=17"&gt;121 Washington Place&lt;/a&gt; and &lt;a href="http://maps.google.com/maps?q=28+W.+8th+Street&amp;amp;oe=utf-8&amp;amp;client=firefox-a&amp;amp;hnear=28+W+8th+St,+New+York,+10011&amp;amp;gl=us&amp;amp;t=m&amp;amp;z=16&amp;amp;vpsrc=0"&gt;28 W. 8th Street&lt;/a&gt;. December 22 is his birthday.&lt;br /&gt;
&lt;br /&gt;
The other Edwin Arlington Robinson poem that made an impression on me, for obvious reasons, was &lt;a href="http://www.poetryfoundation.org/poem/174245" fcksavedurl="http://www.poetryfoundation.org/poem/174245"&gt;&amp;quot;Mr. Flood&amp;rsquo;s Party.&amp;quot;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;My parties are nothing like Mr. Flood's.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/chv9GAElWb0" height="1" width="1"/&gt;</description>
	
				<comments>http://www.nypl.org/blog/2011/12/19/mr-floods-party#comments</comments>	
		<pubDate>Mon, 19 Dec 2011 11:43:47 -0500</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2011/12/19/mr-floods-party</feedburner:origLink></item>
	<item>
		<title>Made of Stories</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/0irJnyRrsXA/made-stories</link>

		<dc:creator>John Flood, Grand Central Branch Library</dc:creator>

	<description>&lt;p&gt;&lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=&amp;amp;searchOpt=catalogue&amp;amp;q=muriel%20rukeyser"&gt;Muriel Rukeyser&lt;/a&gt;, poet and activist, was born on December 15, 1913.&lt;/p&gt;
&lt;p&gt;She lived in &lt;a href="http://westbeth.org/wordpress/about/"&gt;Westbeth&lt;/a&gt; at &lt;a href="http://maps.google.com/maps?q=Bethune+and+West+Streets&amp;amp;hnear=West+St+%26+Bethune+St,+New+York,+10014&amp;amp;gl=us&amp;amp;t=m&amp;amp;z=16&amp;amp;vpsrc=0"&gt;Bethune and West Streets&lt;/a&gt;&amp;nbsp;in the West Village.&lt;/p&gt;
&lt;p&gt;Her &lt;a href="http://en.wikiquote.org/wiki/Muriel_Rukeyser"&gt;words&lt;/a&gt; will tell you more about her than anything I can write:&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;a href="http://www.columbiagrangers.org/poem/16580000000/16580002000"&gt;&amp;quot;To be a Jew in the Twentieth Century&amp;quot;&lt;/a&gt; (1944)&lt;/strong&gt;&lt;br /&gt;
To be a Jew in the twentieth century&lt;br /&gt;
Is to be offered a gift. If you refuse,&lt;br /&gt;
Wishing to be invisible, you choose&lt;br /&gt;
Death of the spirit, the stone insanity.&lt;br /&gt;
Accepting, take full life. Full agonies:&lt;br /&gt;
Your evening deep in labyrinthine blood&lt;br /&gt;
Of those who resist, fail, and resist; and God&lt;br /&gt;
Reduced to a hostage among hostages.&lt;br /&gt;
The gift is torment. Not alone the still&lt;br /&gt;
Torture, isolation; or torture of the flesh.&lt;br /&gt;
That may come also. But the accepting wish,&lt;br /&gt;
The whole and fertile spirit as guarantee&lt;br /&gt;
For every human freedom, suffering to be free,&lt;br /&gt;
Daring to live for the impossible.&lt;/p&gt;
&lt;p&gt;And the brilliant:&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.nypl.org/blog/2011/09/13/library-way"&gt;The Universe is made of stories, not of atoms&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Her &lt;a href="http://www.nypl.org/archives/546"&gt;papers can be found in the Berg Collection&lt;/a&gt;.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/0irJnyRrsXA" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
<category>Greenwich Village</category>
		<comments>http://www.nypl.org/blog/2011/12/12/made-stories#comments</comments>	
		<pubDate>Mon, 12 Dec 2011 05:21:42 -0500</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2011/12/12/made-stories</feedburner:origLink></item>
	<item>
		<title>Winter is an Etching: An Artistic Quotation</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/Qsx63GPgrxg/winter-etching-artistic-quotation</link>

		<dc:creator>Jessica Cline, Mid-Manhattan Library, Art and Picture Collections</dc:creator>

	<description>&lt;p&gt;Every November, the searches for Stanley Horowitz on &lt;a href="https://www.google.com/search?q=Stanley+Horowitz"&gt;Google&lt;/a&gt; gain momentum. Horowitz, a poet, published a tranquil 18 word poem in the November 1983 issue of &lt;a href="http://catalog.nypl.org/record=b11801534~S1"&gt;&lt;em&gt;Reader&amp;rsquo;s Digest&lt;/em&gt;&lt;/a&gt; magazine, page 109. Some years later the poem was posted to a list of autumn quotations on the Internet, sandwiched between poetry giants like John Keats and Robert Frost, and it has been used ubiquitously all over the web ever since.&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.flickr.com/photos/jenny-pics/5086361685/"&gt;&lt;/a&gt;&lt;em&gt;Winter is an etching, spring a watercolor, summer an oil painting and autumn a mosaic of them all.&amp;nbsp;&amp;mdash;&amp;nbsp;&lt;/em&gt;Stanley Horowitz&amp;nbsp;&lt;/p&gt;
&lt;p&gt;As one of my regular patrons, Horowitz was interested to know how many websites his poem is quoted on. A search of his name and the first line of the poem retrieved around 1,630,000 results. His lines about the seasons are being used in many interesting ways, from &lt;a href="http://griefbuddy.com/node/601"&gt;grief counseling&lt;/a&gt; to &lt;a href="http://www.tohonochulpark.org/wordpress/wp-content/themes/cognoblue/images/PDFs_edu/DLCMoorish.pdf"&gt;public&amp;nbsp;parks&lt;/a&gt;, from a &lt;a href="http://www.judyjacobsnassau.com/"&gt;legislative seat&lt;/a&gt; to a&amp;nbsp;&lt;a href="http://www.sunstar.com.ph/davao/varied-colors-autumn"&gt;Philippine newspaper&lt;/a&gt;,&amp;nbsp;and by many other locations across the world. Most call the words &amp;ldquo;inspirational.&amp;rdquo;&lt;/p&gt;



&lt;p&gt;His poem has been illustrated with images on &lt;a href="http://www.flickr.com/photos/jenny-pics/5086361685/"&gt;Flickr&lt;/a&gt;&amp;nbsp;(to the left is one by photographer Jenny Downing), as a starting point for &lt;a href="http://www.bellechantelle.com/2011/09/winter-is-etching-spring-watercolor.html"&gt;fall fashion blogs&lt;/a&gt;, and are certainly on the minds of many lunching in &lt;a href="http://www.bryantpark.org/"&gt;Bryant Park&lt;/a&gt; on a crisp November day. He has even been quoted in a book titled &lt;em&gt;365 Prescriptions for the Soul&lt;/em&gt; by &lt;a href="http://catalog.nypl.org/search~S1/?searchtype=a&amp;amp;searcharg=siegel%2C+bernie+s.&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=asiegel%2C+bernie"&gt;Dr. Bernie S. Siegel&lt;/a&gt;. All are unaware that the man who has touched them with his words of beauty is across the street on the third floor of&amp;nbsp;&lt;a href="http://www.nypl.org/locations/mid-manhattan-library"&gt;Mid-Manhattan Library&lt;/a&gt;, looking up paintings in books to inspire his new project &amp;mdash;&amp;nbsp;an entire book of poems about the seasons. For all of those websites that don't really know who or where the quote came from &amp;mdash; Horowitz is here in New York. Look for him at the Library.&lt;/p&gt;
&lt;p&gt;Well, Horowitz, now you can expect a return of 1,630,001 results. And thank you for letting me inspire others with your poem.&amp;nbsp;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/Qsx63GPgrxg" height="1" width="1"/&gt;</description>
	
		<category>Art</category>
<category>Quotations</category>
<category>Poetry</category>
		<comments>http://www.nypl.org/blog/2011/11/15/winter-etching-artistic-quotation#comments</comments>	
		<pubDate>Tue, 15 Nov 2011 10:45:01 -0500</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2011/11/15/winter-etching-artistic-quotation</feedburner:origLink></item>
	<item>
		<title>Slam Poetry in NYC</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/KvedxNgq6TE/slam-poetry-nyc</link>

		<dc:creator>Charlie Radin, Summer Intern</dc:creator>

	<description>&lt;p&gt;Slam Poetry is alive and well in New York City and beyond. Check out this slam the NYPL and Urban Word hosted at the &lt;a href="/locations/bronx-library-center"&gt;Bronx Library Center&lt;/a&gt;, featuring the &lt;a href="http://www.youtube.com/watch?v=XqGUl2Mykzg"&gt;Precision Poetry Drill Team&lt;/a&gt;. &amp;nbsp;With so many of the Urban Word visiting poets coming from the Slam tradition, I want to take a moment and discuss the art form and point you towards exciting Slam events, videos, and resources in New York City.&lt;/p&gt;


&lt;p&gt;The history of slam poetry is complicated, almost as complicated as trying to find the first Ray&amp;rsquo;s Pizza in New York. However, most agree that the first Poetry Slams were held at the &lt;a href="http://www.greenmilljazz.com/"&gt;Green Mill Jazz Club&lt;/a&gt; in Chicago, IL, circa 1984. Slam is a freewheeling, ever-evolving form. Everyone from hip hop emcees to punk rockers have tried their hand at Slamming.&lt;/p&gt;
&lt;p&gt;The best way to define slam to is to leave it to two prolific poets. &lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=keyword&amp;amp;q=Saul%20Williams"&gt;Saul Williams&lt;/a&gt; rhymes, &amp;ldquo;We are determined, to be the channelers of these changing frequencies into songs, paintings, writings, dance, photography, carpentry, love, and LOVE.&amp;rdquo; Rapper and occasional poet &lt;a href="http://nypl.bibliocommons.com/search?q=%22Common%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Common&lt;/a&gt; says, &amp;lsquo;I sing a song for the hero unsung, with faces on the mirror of the revoluSHUN...&amp;rdquo; &amp;nbsp;Slam is yet one more way that creative people are expressing themselves. As soon as someone defines it, someone else comes along and changes the game.&lt;/p&gt;
&lt;p&gt;In a typical Slam, poets are given a fixed amount of time (usually 3 minutes) to perform their poem. Other than that, nothing is out of bounds. You just need to rock the crowd with your words. Props are thought to detract from the poetry, and are almost never allowed. Check out Saul Williams absolutely throwing down in &lt;a href="http://www.youtube.com/watch?v=jzY2-GRDiPM"&gt;this clip&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Urban Word NYC holds a Slam Tournament throughout the Winter and Spring, culminating in a final Slam at the historic Apollo Theater in Harlem, with prizes and celebrity judges and performers. The tournament is free and open to everyone. Visit &lt;a href="http://www.urbanwordnyc.org/uwnyc/"&gt;UrbanWordNYC&lt;/a&gt; on the web for more details.&lt;/p&gt;
&lt;p&gt;If you can&amp;rsquo;t wait until next year to start slamming, the &lt;a href="http://www.nuyorican.org/poetryslam.php"&gt;Nuyorican Poetry Cafe&lt;/a&gt; has been hosting Open Slams for twenty years, and they are going strong. They host Open Slams every Wednesday and Friday night. &amp;nbsp;For more information, visit &lt;a href="http://www.nuyorican.org/poetryslam.php"&gt;nuyorican.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;NYPL also hosts poetry slams throughout the year. Check our calendar of events at &lt;a href="http://www.nypl.org/events"&gt;nypl.org/events&lt;/a&gt;, and select &amp;ldquo;Literature, Poetry, and Writing&amp;rdquo; from the Event Topics menu.&lt;/p&gt;
&lt;p&gt;Step up to the microphone and get started!&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/KvedxNgq6TE" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
<category>Performing Arts</category>
		<comments>http://www.nypl.org/blog/2011/08/18/slam-poetry-nyc#comments</comments>	
		<pubDate>Thu, 18 Aug 2011 07:33:02 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2011/08/18/slam-poetry-nyc</feedburner:origLink></item>
	<item>
		<title>Further Reading: Activism Through Poetry</title>
	
		<link>http://feedproxy.google.com/~r/NYPLBlogsPoetryMonth/~3/faVqc22yCzs/further-reading-activism-through-poetry</link>

		<dc:creator>Charlie Radin, Summer Intern</dc:creator>

	<description>&lt;p&gt;&lt;a href="http://www.poets.org/viewmedia.php/prmMID/5672"&gt;Slam poetry&lt;/a&gt; is a new and unique development in modern literature. Activism through poetry, however, has been around for as long as the art form itself has. I&amp;rsquo;ve never had a cup of coffee and talked shop with any of the Urban Word Masterpoets, but I&amp;rsquo;d love to. I want to share some of the history and tradition of activism in &lt;a href="http://www.nypl.org/blog/subject/819"&gt;African-American art and culture&lt;/a&gt;. Best of all, books and CDs of all of the artists mentioned here are available at your &lt;a href="/locations"&gt;local NYPL&lt;/a&gt;. If a library doesn&amp;rsquo;t have a copy on the shelf, you can always request materials be sent to your local branch at &lt;a href="http://catalog.nypl.org"&gt;catalog.nypl.org&lt;/a&gt; or &lt;a href="http://nypl.biblicommons.com "&gt;nypl.biblicommons.com&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Let&amp;rsquo;s get in the mood for some poetry and movement with this &lt;a href="http://en.wikipedia.org/wiki/Haka"&gt;traditional Maori warrior chant&lt;/a&gt;, the &lt;a href="http://www.youtube.com/watch?v=3TXRiA1G2F4&amp;amp;feature=related"&gt;&lt;em&gt;Haka&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://ic.galegroup.com/ic/bic1/person/actionWin?limiter=&amp;amp;displayGroups=&amp;amp;query=&amp;amp;prodId=BIC1&amp;amp;action=e&amp;amp;windowstate=normal&amp;amp;catId=GALE%7C00000000MPQT&amp;amp;scanId=&amp;amp;display-query=&amp;amp;mode=view&amp;amp;userGroupName=nypl&amp;amp;jsid=964b15aaa2bec8b2e9c143e67ebb91a0"&gt;Langston Hughes&lt;/a&gt; is the grandfather of slam poetry. He meshed Harlem and social activism into his poetry in a brave new way in the first half of the twentieth century, which definitely did not make him popular with the establishment. His poem, &amp;ldquo;&lt;a href="http://www.columbiagrangers.org/poem/00000047700/00000047700/00000047700P01/?q="&gt;The Negro Speaks of Rivers&lt;/a&gt;,&amp;rdquo; is partially inscribed on a medallion in the entrance to the auditorium at the NYPL Schomburg Center for Black Culture. He was instrumental in putting forth the view that art was for people of all races, cultures and social classes, and that it should reflect their individual experiences. Among hundreds of holdings at NYPL, &amp;ldquo;The Negro Speaks of Rivers,&amp;rdquo; is available in &lt;a href="http://nypl.bibliocommons.com/item/show/18041805052_the_negro_speaks_of_rivers"&gt;this beautiful, illustrated 2009 edition&lt;/a&gt; at your local branch location.&lt;/p&gt;
&lt;p&gt;If you&amp;rsquo;ve ever watched Def Poetry Jam, listened to &lt;a href="http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=keyword&amp;amp;q=Mos Def"&gt;Mos Def&lt;/a&gt;, &lt;a href="http://nypl.bibliocommons.com/search?q=%22common%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Common&lt;/a&gt;, or &lt;a href="http://nypl.bibliocommons.com/search?q=%22saul+williams%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Saul Williams&lt;/a&gt;, chances are you&amp;rsquo;ve heard of &lt;a href="http://nypl.bibliocommons.com/search?q=%22public+enemy%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Public Enemy&lt;/a&gt;, the iconic Long Island hip hop group. They grew up as a musical group right alongside slam poetry. They introduced the Golden Age of hip hop. They made thoughtful, politically aware lyrics an essential part of any hip hop artist&amp;rsquo;s repertoire. They were even one of the first acts to release an mp3-only album. But, have you ever sat down and given &lt;a href="http://nypl.bibliocommons.com/item/show/17178389052_fear_of_a_black_planet"&gt;&lt;em&gt;Fear of A Black Planet&lt;/em&gt;&lt;/a&gt; or &lt;a href="http://nypl.bibliocommons.com/item/show/17122209052_it_takes_a_nation_of_millions_to_hold_us_back"&gt;&lt;em&gt;It Takes A Nation Of Millions To Hold Us Back&lt;/em&gt;&lt;/a&gt;, a full spin? If you have never listened to these classic albums, NYPL has you covered.&lt;/p&gt;
&lt;p&gt;Art and revolutionary thinking were never more closely intertwined than in the case of the next two musicians, &lt;a href="http://nypl.bibliocommons.com/search?q=%22Fela%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Fela Kuti&lt;/a&gt; and &lt;a href="http://nypl.bibliocommons.com/search?q=%22sun+ra%22&amp;amp;search_category=author&amp;amp;t=author"&gt;Sun Ra&lt;/a&gt;. Fela Kuti took on the establishment in Nigeria, and his &lt;a href="http://en.wikipedia.org/wiki/Afrobeat"&gt;afrobeat&lt;/a&gt; band was his army, growing to eighty or more members at its height. His music caused riots against the government and protested the behavior of the Nigerian army. He went as far as to establish a commune for his entire group and community, and declare it a sovereign nation from Nigeria. His political career would culminate with an attempt to run for the presidency of Nigeria in one of their only free elections of the twentieth century. His funeral, in 1997, was attended by over one million of his African brothers and sisters. Check out his iconic album &lt;a href="http://nypl.bibliocommons.com/item/show/17839490052_zombie"&gt;&lt;em&gt;Zombie&lt;/em&gt;&lt;/a&gt;, at NYPL.&lt;/p&gt;
&lt;p&gt;Finally, a musician whose art and activism still invite confusion. Sun Ra believed, as a result of a vision he may or may not have had in the 1930s, that African-Americans had come from Saturn, and to Saturn they would return. In the 1950s and '60s, when activists wanted to carve out a space for African Americans within American society, Sun Ra stated that African Americans were higher beings, cosmic people who belonged to their own planet. He reiterated this belief for fifty years, until his death in 1993. Musically, he was a prodigious jazz musician, and progenitor of the use of electronic keyboards. He dabbled and recorded in everything from free jazz to dixieland and swing. Hundreds of musicians played in his bands. The best place to start to understand his music and philosophy is to listen to the man himself. Check out his 1974 creation myth film, &lt;a href="http://nypl.bibliocommons.com/item/show/17645663052_space_is_the_place"&gt;&lt;em&gt;Space is the Place&lt;/em&gt;&lt;/a&gt;, available on DVD from NYPL.&lt;/p&gt;
&lt;p&gt;The NYPL collection is loaded with biographies and further works of all of these artists. Further, this post barely scratches the surface of the history of social activism&amp;rsquo;s connection to art. NYPL has dozens of works from Sun Ra, Public Enemy, Langston Hughes, and many more just like them. Enjoy!&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/NYPLBlogsPoetryMonth/~4/faVqc22yCzs" height="1" width="1"/&gt;</description>
	
		<category>Poetry</category>
<category>Music</category>
<category>African American Studies</category>
		<comments>http://www.nypl.org/blog/2011/08/16/further-reading-activism-through-poetry#comments</comments>	
		<pubDate>Tue, 16 Aug 2011 10:02:33 -0400</pubDate>
	<feedburner:origLink>http://www.nypl.org/blog/2011/08/16/further-reading-activism-through-poetry</feedburner:origLink></item>
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