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  <channel>
    <title>NYPL Blogs: The Ticketless Traveler</title>
    <link>/node/113435</link>
    <description></description>
    <language>en</language>
    <item>
  <title>Summer Reading—It's in the Maps</title>
  <link>https://www.nypl.org/blog/2020/06/29/summer-reading-maps</link>
  <dc:creator>Nancy Kandoian, Lionel Pincus and Princess Firyal Map Division, Stephen A. Schwarzman Building</dc:creator>
  <description>&lt;p&gt;Let’s face it: we are not all book-readers. For whatever reason, some of us don’t easily get absorbed by fiction plots and characters or by long form nonfiction concepts and exposition. Maybe our attention spans or the patterns of our lives don’t lend themselves to that kind of reading. But that doesn’t mean we don’t read a lot.  Whether it’s cereal boxes, blog posts or news feeds, magazine or newspaper articles, recipes, or other kinds of instructions, reading is usuallly still a big part of the lives of those of us who don’t often read whole books. So don’t feel sheepish if someone asks what books are on your summer reading list—just remind them that the library has a lot to offer beyond books for recreation and edification during what we like to think of as the lazy days of summer (and all through the year!).&lt;/p&gt;

&lt;p&gt;Come to the Library online, or when available, in person, for such non-book reading pleasures as &lt;a href=&quot;/collections/articles-databases/flipster&quot;&gt;magazines&lt;/a&gt; and &lt;a href=&quot;/collections/articles-databases/newspaper-source-ebsco&quot;&gt;newspapers&lt;/a&gt;; &lt;a href=&quot;https://digitalcollections.nypl.org/search/index?utf8=%E2%9C%93&amp;amp;keywords=sheet+music#&quot;&gt;sheet music&lt;/a&gt;; &lt;a href=&quot;/blog/2020/06/10/vintage-recipes-modern-cooks&quot;&gt;recipes&lt;/a&gt;, &lt;a href=&quot;/blog/2019/01/23/crafts-with-library&quot;&gt;DIY advice&lt;/a&gt;, and &lt;a href=&quot;/blog/2013/10/23/around-world-travel-guides&quot;&gt;travel guidance&lt;/a&gt; (often in books, but you can simply dip into them); and my favorite—&lt;a href=&quot;https://digitalcollections.nypl.org/search/index?utf8=%E2%9C%93&amp;amp;keywords=maps#&quot;&gt;maps&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;You don’t have to know how to read maps in a technical way in order to derive enjoyment from them. Seeing familiar names and features might help you indulge in nostalgia for places where you’ve spent time in the past or spur you to see those familiar places in a new way. The broad concept of literacy encompasses visual and spatial literacy, and becoming comfortable with maps by looking at maps of places you know is an ideal way to develop that sense. On the other hand, you might want to immerse yourself in explorations of unfamiliar territories to visualize them through the mapmaker’s lens of design, labels, colors, and symbols, to better understand events, issues, or trends. &lt;/p&gt;

&lt;p&gt;Here are some suggestions of maps to read as inspiration for summer recreational activity:&lt;/p&gt;

&lt;h3&gt;Getting Close to Nature&lt;/h3&gt;

&lt;p&gt;Here’s a beauty of a Central Park map to read and explore:&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://digitalcollections.nypl.org/items/4ee14540-3569-0134-fa82-00505686a51c&quot;&gt;&lt;img alt=&quot;Map of the Central Park, 1873&quot; src=&quot;https://images.nypl.org/index.php?id=56633708&amp;amp;t=w&quot; /&gt;&lt;/a&gt; NYPL Digital Collections, Image ID: 56633708&lt;/p&gt;

&lt;p&gt;A companion publication, &lt;a href=&quot;https://catalog.nypl.org/record=b13671999~S1&quot;&gt;Central Park, the plant list of 1873&lt;/a&gt;, is a guide to vegetation in the park. For more recent information on trees in the park, you might want to request this &lt;a href=&quot;https://catalog.nypl.org/record=b19797462~S1&quot;&gt;Central Park, New York City&lt;/a&gt; 2010 map, with tree legend, when you are able to come to the Library. Or right now, check out this &lt;a href=&quot;https://www.nycgovparks.org/facilities/great-trees&quot; rel=&quot;nofollow&quot;&gt;online map of great trees in NYC Parks&lt;/a&gt;, or this &lt;a href=&quot;https://tree-map.nycgovparks.org/tree-map&quot; rel=&quot;nofollow&quot;&gt;interactive inventory map of NYC street trees&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Hiking&lt;/h3&gt;

&lt;p&gt;See how the “foot paths” of yesteryear correspond to hiking trails of today. Note that there were railroads that made it possible for folks to come from the city to work or play in and around the tourist mountain houses of the Catskills, as seen on this 1884 map. It focuses on a few of those hotels and the surrounding trails near Kaaterskill Clove.&lt;/p&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;7ccd01b0-c913-0133-2a7a-00505686a51c&quot; href=&quot;http://digitalcollections.nypl.org/items/7ccd01b0-c913-0133-2a7a-00505686a51c&quot;&gt;&lt;img alt=&quot;Map of all points of interest within four miles of the Catskill Mountain House, Hotel Kaaterskill, and Laurel House, with roads and foot paths, 1884&quot; data-id=&quot;5860959&quot; src=&quot;https://images.nypl.org/index.php?id=5860959&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;NYPL Digital Collections, Image ID: 5860959&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;The Library also has a 2010 map of &lt;a href=&quot;https://catalog.nypl.org/record=b18802944~S1&quot;&gt;Catskill Trails&lt;/a&gt;. See what other trail maps worldwide are available in NYPL’s &lt;a href=&quot;/locations/divisions/map-division&quot;&gt;Lionel Pincus and Princess Firyal Map Division&lt;/a&gt; by searching the &lt;a href=&quot;https://catalog.nypl.org/&quot;&gt;catalog&lt;/a&gt; with SUBJECTS:&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;Hiking &lt;/li&gt;
	&lt;li&gt;Trails &lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Add a place name to your search if you wish, and LIMIT to MATERIAL TYPE Map.&lt;/p&gt;

&lt;p&gt;Right now you can view current trail maps for the New York area online by going to the site of the &lt;a href=&quot;https://www.nynjtc.org/view/map-list&quot; rel=&quot;nofollow&quot;&gt;New York/New Jersey Trail Conference&lt;/a&gt;, which includes this &lt;a href=&quot;https://www.nynjtc.org/sites/default/files/NYNJTC_KaaterskillFalls&amp;amp;NorthSouthLake_Map2017.pdf&quot; rel=&quot;nofollow&quot;&gt;map of an area overlapping the coverage of the 1884 map above&lt;/a&gt;. &lt;/p&gt;

&lt;p&gt;You can also go to the website of the New York City Department of Parks &amp;amp; Recreation for &lt;a href=&quot;https://www.nycgovparks.org/places-to-go/hiking&quot; rel=&quot;nofollow&quot;&gt;maps of recommended hiking trails in NYC parks&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;Cooling Off by the Water&lt;/h3&gt;

&lt;p&gt;Imagine when &lt;a href=&quot;https://digitalcollections.nypl.org/items/c3ed9bf6-63ee-bc33-e040-e00a18061179&quot;&gt;Coney Island&lt;/a&gt; was more of an excursion from the city than it is today. Reading this 1879 map, with places of interest and routes and modes of travel laid out, was a good way to plan your trip there, whether by horsecar, rail, or steamboat. Reading it today is, of course, a trip back in time.&lt;/p&gt;

&lt;div&gt;
	&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
		&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;c3ed9bf6-63ee-bc33-e040-e00a18061179&quot; href=&quot;http://digitalcollections.nypl.org/items/c3ed9bf6-63ee-bc33-e040-e00a18061179&quot;&gt;&lt;img alt=&quot;Taunton&amp;#039;s map of Coney Island with routes there and back by boat and rail, 1879&quot; data-id=&quot;4050464&quot; src=&quot;https://images.nypl.org/index.php?id=4050464&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

			&lt;figcaption class=&quot;digcol-caption&quot;&gt;NYPL Digital Collections, Image ID: 4050464&lt;/figcaption&gt;
		&lt;/figure&gt;
	&lt;/div&gt;

	&lt;p&gt;For more recent maps of waterfront access around New York City, here are a couple of suggested paper maps to request onsite in the Map Division:&lt;/p&gt;

	&lt;ul&gt;
		&lt;li&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b16686581~S1&quot;&gt;H₂O access, East &amp;amp; Harlem Rivers&lt;/a&gt;&lt;/li&gt;
		&lt;li&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b15990372~S1&quot;&gt;H₂O access, the lower Hudson&lt;/a&gt;&lt;/li&gt;
	&lt;/ul&gt;

	&lt;p&gt;For current and historical nautical charts online of coastal locations all around the country, start at this &lt;a href=&quot;https://oceanservice.noaa.gov/facts/find-charts.html&quot; rel=&quot;nofollow&quot;&gt;page of links from the National Ocean Service&lt;/a&gt;.&lt;/p&gt;

	&lt;h3&gt;Biking&lt;/h3&gt;

	&lt;p&gt;In the late 19th century heyday of the sport as a transportation mode, Philadelphians with bicycles might make a trip to cool off by the water by following this 1897 route map to Atlantic City, New Jersey. Reading it today could inspire the planning of a present-day iteration of the two-wheeled ride.&lt;/p&gt;

	&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
		&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;5ab07ce0-bbdc-0134-d0c0-00505686a51c&quot; href=&quot;http://digitalcollections.nypl.org/items/5ab07ce0-bbdc-0134-d0c0-00505686a51c&quot;&gt;&lt;img alt=&quot;Baist&amp;#039;s guide map of the famous bicycle, rail road &amp;amp; excursion routes, Philadelphia to Atlantic City, 1897&quot; data-id=&quot;57206426&quot; src=&quot;https://images.nypl.org/index.php?id=57206426&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

			&lt;figcaption class=&quot;digcol-caption&quot;&gt;NYPL Digital Collections, Image ID:  57206426&lt;/figcaption&gt;
		&lt;/figure&gt;
	&lt;/div&gt;

	&lt;p&gt;You might like to see what other cycling maps are available in the Map Division, including more recent publications. Search the &lt;a href=&quot;https://catalog.nypl.org/&quot;&gt;catalog&lt;/a&gt; with these SUBJECTS:&lt;/p&gt;

	&lt;ul&gt;
		&lt;li&gt;Bicycle touring &lt;/li&gt;
		&lt;li&gt;Bicycle trails &lt;/li&gt;
		&lt;li&gt;Cycling&lt;/li&gt;
	&lt;/ul&gt;

	&lt;p&gt;You can add a place name to the search if you have a geographic focus, and then LIMIT to MATERIAL TYPE Map. An example of what you might find is this 2015 &lt;a href=&quot;https://catalog.nypl.org/record=b22029788~S1&quot;&gt;Denver Bike Map&lt;/a&gt;. Closer to home, and for immediate viewing, go directly to the city website for the &lt;a href=&quot;https://www1.nyc.gov/html/dot/downloads/pdf/bikemap-2020.pdf&quot; rel=&quot;nofollow&quot;&gt;NYC Bike Map 2020&lt;/a&gt;.&lt;/p&gt;

	&lt;h3&gt;More on reading maps&lt;/h3&gt;

	&lt;ul&gt;
		&lt;li&gt;Browse NYPL’s Digital Collections for &lt;a href=&quot;https://digitalcollections.nypl.org/search/index?utf8=%E2%9C%93&amp;amp;keywords=maps#&quot;&gt;more maps to read&lt;/a&gt; online.  &lt;/li&gt;
		&lt;li&gt;If you’d like to go beyond spontaneous and self-guided map reading to take advantage of some direction in understanding the components of a map, a place you can start is one of our earlier blog posts on the “&lt;a href=&quot;/blog/2011/01/06/elements-cartography&quot;&gt;Elements of Cartography&lt;/a&gt;,” which illustrates several common elements as seen on antique maps.   &lt;/li&gt;
		&lt;li&gt;To help you delve further and get the most out of a map, the National Archives has developed &lt;a href=&quot;https://www.archives.gov/education/lessons/worksheets/map.html&quot; rel=&quot;nofollow&quot;&gt;a set of incisive questions&lt;/a&gt; to help you analyze a map as a document.  &lt;/li&gt;
		&lt;li&gt;Another blog post, on &lt;a href=&quot;/blog/2020/06/11/teaching-american-history-nypl-digital-collections-revolutionary-new-york&quot;&gt;teaching American history with NYPL Digital Collections&lt;/a&gt;, includes an instructive example comparing two maps from the revolutionary era in New York—reading maps to add context to other historical documents.  &lt;/li&gt;
		&lt;li&gt;To help you read maps with a focused eye on the intent of the mapmaker, take a look at an in-depth online exhibition posted by Boston Public Library’s Norman B. Leventhal Map &amp;amp; Education Center, &lt;a href=&quot;https://www.leventhalmap.org/event/bending_lines/&quot; rel=&quot;nofollow&quot;&gt;Bending Lines&lt;/a&gt;.  &lt;/li&gt;
		&lt;li&gt;And finally, if you’d like to read a book about maps, there are many available for downloading or borrowing from the Branch Libraries. For a few suggestions, see “&lt;a href=&quot;/blog/2020/06/03/books-for-map-enthusiasts&quot;&gt;10 Books for Map Enthusiasts to Read at Home&lt;/a&gt;.”&lt;/li&gt;
	&lt;/ul&gt;

	&lt;p&gt; &lt;/p&gt;
&lt;/div&gt;
</description>
  <category>Recreation and Sports</category>
  <comments>https://www.nypl.org/blog/2020/06/29/summer-reading-maps#comments</comments>
  <pubDate>Mon, 29 Jun 2020 11:42:46 -0400</pubDate>
</item>
<item>
  <title>Babylon Berlin : A Reading List</title>
  <link>https://www.nypl.org/blog/2018/05/18/babylon-berlin-reading-recommendation-list</link>
  <dc:creator>Marianna Vertsman, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21522708~S97&quot;&gt;&lt;img alt=&quot;Babylon Berlin book cover&quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=1250187044&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;Certain TV dramas allow vievers to indulge in that unfullfilled longing for a perilous, reckless and glamorous life they never had, while  educating them about a historically significant time period. Based on a series of novels written by &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aKutscher%2C+Volker%2C+1962-+author./akutscher+volker+1962+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=akutscher+volker+1962+author&amp;amp;1%2C7%2C&quot;&gt;Volker Kutscher&lt;/a&gt;, the series &lt;span&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21267133~S1&quot;&gt;Babylon Berlin&lt;/a&gt;&lt;/em&gt; offers a didactive &lt;/span&gt;escape from reality. &lt;br /&gt;
	&lt;br /&gt;
	Set against the political turmoil of the &lt;a href=&quot;https://catalog.nypl.org/record=b21074948~S1&quot;&gt;Weimar Republic&lt;/a&gt;, the story has all the ingredients of a great noir. An intense, damaged police detective is introduced to Berlin though his encounters with rampant corruption, political conspiracies, conniving Russian revolutionaries, ruthless criminal gangs, beguiling widows, feminist flappers, and one very determined femme fatale. &lt;br /&gt;
	 &lt;/p&gt;

&lt;p&gt;Clad in &lt;span&gt;fedoras, cloche hats, and trenchcoats, unflinching  characters &lt;/span&gt; continuously betray each other while escaping death by drowing , poison gas, and explosives. When not plotting the next assasination, revolutionaries and detectives attend wild Jazz Age parties&lt;span&gt;.&lt;/span&gt; &lt;br /&gt;
	&lt;br /&gt;
	&lt;span&gt;Co-written and co-directed by Tom Tykwer, Henk Handloegten and Achim von Borries, the show features 5,000 extras, 300 shooting locations, and is made for a budget of $40 million. While the  nonstop action and beautiful cinematography will secure your space on the the edge of your couch, the titles below will provide factual information on this fascinating historical period. &lt;/span&gt;&lt;br /&gt;
	&lt;br /&gt;
	For a full German immersion experience, check out some of our cookbooks and travel guides, too. If you can&#039;t get to the library, you can always borrow our ebooks, while chewing on a brawurtst . This blog would not be complete without mentioning one very special item in ourcollections, a book titled &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20247684~S97&quot;&gt;Schottenfreude: German Words for the Human Condition &lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;

&lt;h2&gt;Berlin In History&lt;strong&gt; &lt;/strong&gt;&lt;/h2&gt;

&lt;p&gt;
  &lt;img alt=&quot;Berlin Metropolis book cover&quot; title=&quot;Berlin &quot; height=&quot;205&quot; width=&quot;185&quot; style=&quot;float:left&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/berlin_0.jpg&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17721665~S1&quot;&gt;Before the Deluge; A Portrait of Berlin in the 1920&#039;s&lt;/a&gt; &lt;/em&gt;by Otto Friedrich &lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20832932~S48&quot;&gt;&lt;em&gt;Berlin Metropolis 1918-1933&lt;/em&gt;&lt;/a&gt;&lt;em&gt; &lt;/em&gt;edited by Olaf Peters&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21200591~S48&quot;&gt;&lt;em&gt;Berlin Calling : A Story of Anarchy  Music, the Wall, and the Birth of the New Berlin&lt;/em&gt;&lt;/a&gt; by Paul Hoskenos&lt;/p&gt;

&lt;div&gt;
	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20309984~S1&quot;&gt;Berlin:  A Portrait of a City Throught the Centuries&lt;/a&gt; &lt;/em&gt;by Rory McLean&lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b11879342~S97&quot;&gt;&lt;em&gt;Berlin/New York: Like and Unlike: Essays on Architecture and Srt from 1870 to the Present&lt;/em&gt;&lt;/a&gt; edited by Joseph Paul Kleinhues and Christina Rathgeber &lt;/div&gt;
&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17498547~S97&quot;&gt;Berlin&lt;/a&gt; &lt;/em&gt;by David Clay Large&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21207988~S97&quot;&gt;Walking in Berlin: A  Flaneur in the Capital&lt;/a&gt; &lt;/em&gt;by Franz Hessel &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19633314~S97&quot;&gt;Hitler&#039;s Berlin: Abused cit&lt;/a&gt;y &lt;/em&gt;by Thomas Friedrich&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17888804~S1&quot;&gt;&lt;em&gt;Home Fires Burning: Food, Politics, and Everyday Life in World War I Berlin&lt;/em&gt;&lt;/a&gt;&lt;em&gt; &lt;/em&gt;by Belinda J. Davis &lt;/div&gt;

&lt;div&gt;
	&lt;div&gt;
		&lt;div&gt; &lt;/div&gt;
	&lt;/div&gt;
&lt;/div&gt;

&lt;h2&gt;Berlin in Fiction&lt;/h2&gt;

&lt;div&gt;
  &lt;img alt=&quot;Berlin Alexanderplatz book cover&quot; title=&quot;Berlin Alexanderplatz&quot; height=&quot;250&quot; width=&quot;175&quot; style=&quot;float:left&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/berlina.jpg&quot; /&gt;&lt;/div&gt;

&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21488833~S97&quot;&gt;&lt;em&gt;Berlin Alexanderplatz&lt;/em&gt;&lt;/a&gt;&lt;em&gt; &lt;/em&gt;by Alfred Dolbin&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;http://Every man dies alone / Hans Fallada ; translated by Michael Hofmann ; afterword by Geoff Wilke&quot; rel=&quot;nofollow&quot;&gt;Every Man  Dies Alone&lt;/a&gt; &lt;/em&gt;by Hans Fallada &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17387679~S97&quot;&gt;The Berlin Stories&lt;/a&gt; &lt;/em&gt;by Christopher Isherwood&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20521672~S1&quot;&gt;Fatherland : a novel&lt;/a&gt; &lt;/em&gt;by Robert Harris&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17602533~S1&quot;&gt;Laughter in the Dark&lt;/a&gt; &lt;/em&gt;by Vladimir Nabokov &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;
	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20008252~S1&quot;&gt;Berlin Stories&lt;/a&gt; &lt;/em&gt;by Robert Walser (ebook) &lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;
&lt;/div&gt;

&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17141848~S97&quot;&gt;&lt;em&gt;&lt;span&gt;T&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17141848~S97&quot;&gt;hree Comrades&lt;/a&gt; &lt;/em&gt;by Erich Maria Remarque&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21044037~S1&quot;&gt;Berlin Noir&lt;/a&gt; &lt;/em&gt;by Philip Kerr &lt;br /&gt;
	 &lt;/div&gt;

&lt;h2&gt;Weimar Republic&lt;/h2&gt;

&lt;div&gt;
  &lt;img alt=&quot;Weimar Germany Promise and Tragedy book cover&quot; title=&quot;weimer germany&quot; height=&quot;223&quot; width=&quot;154&quot; style=&quot;float:left&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/weimargermany.jpg&quot; /&gt;&lt;/div&gt;

&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17094360~S48&quot;&gt;&lt;em&gt;Voluptuous Panic: The Erotic World of Weimar Berlin&lt;/em&gt;&lt;/a&gt; by Mel Gordon &lt;/div&gt;

&lt;div&gt;
	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21418954~S48&quot;&gt;&lt;em&gt;Fairy Tales and Fables from Weimar Days: Collected Utopian Tales&lt;/em&gt;&lt;/a&gt; edited and translated by Jack Zipes &lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17704340~S48&quot;&gt;Weimar Germany: Promise and Tragedy&lt;/a&gt; &lt;/em&gt;by Eric D. Weit &lt;/div&gt;
&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21001852~S48&quot;&gt;Walter Benjamin and Bertolt Brecht : the Story of a Friendship&lt;/a&gt; &lt;/em&gt;by Erdmut Wizisla &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19673599~S48&quot;&gt;Cool Conduct: the Culture of Distance in Weimar Germany&lt;/a&gt; &lt;/em&gt;by Helmut Lethen (ebook) &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;
	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19673613~S48&quot;&gt;Culture and Inflation in Weimar Germany&lt;/a&gt; &lt;/em&gt;by Bernd Widdig (ebook) &lt;/div&gt;

	&lt;div&gt;
		&lt;div&gt; &lt;/div&gt;
	&lt;/div&gt;
&lt;/div&gt;

&lt;h2&gt;German History&lt;/h2&gt;

&lt;div&gt;
  &lt;img alt=&quot;The Oxford Handbook of Modern German History book cover&quot; title=&quot;Oxford Handbook of Modern German History&quot; width=&quot;164&quot; style=&quot;float:left&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/oxfordgerman.jpg&quot; /&gt;&lt;/div&gt;

&lt;div&gt;
	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18313999~S97&quot;&gt;Germania: in Wayward Pursuit of the Germans and Their History&lt;/a&gt; &lt;/em&gt;by Simon Winder &lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17528601~S48&quot;&gt;The Coming of the Third Reich&lt;/a&gt; &lt;/em&gt;by Richard J Evans &lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21009294~S1&quot;&gt;The House by the Lake: One House, Five Families, and a Hundred Years of German Histor&lt;/a&gt;y&lt;/em&gt; by Thomas Harding &lt;/p&gt;
&lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20776683~S48&quot;&gt;The Oxford Handbook of Modern German History&lt;/a&gt; &lt;/em&gt;edited by Helmut Walser Smith&lt;/div&gt;

&lt;div&gt;
	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20844566~S48&quot;&gt;Germany Since 1789:  A Nation Forged and Renewed &lt;/a&gt; &lt;/em&gt;by David G. Williamson &lt;/div&gt;
&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17262432~S48&quot;&gt;Events that Changed Germany&lt;/a&gt; &lt;/em&gt;by Frank W. Thackeray &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17053777~S48&quot;&gt;The Long Ride of Major von Schill: a Journey through German History and Memory&lt;/a&gt; &lt;/em&gt;by Sam A. Mustafa &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17945755~S48&quot;&gt;Dreams and Delusions: the Drama of German History&lt;/a&gt; &lt;/em&gt;by Fritz Stern &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20932143~S97&quot;&gt;The Habsburg Empire: a New History&lt;/a&gt;&lt;/em&gt; by Pieter M. Judson &lt;br /&gt;
	 &lt;/div&gt;

&lt;h2&gt;New Titles in German History&lt;/h2&gt;

&lt;div&gt;
	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21366559~S97&quot;&gt;Stormtroopers: A New History of Hitler&#039;s Brownshirts&lt;/a&gt;  &lt;/em&gt;by Daniel Siemens &lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21286963~S97&quot;&gt;Hitler&#039;s Monsters: A Supernatural History of the Third Reich&lt;/a&gt; &lt;/em&gt;by  Eric Kurlander &lt;/p&gt;
&lt;/div&gt;

&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21318913~S97&quot;&gt;The Third Reich: A History of Nazy Germany&lt;/a&gt;  &lt;/em&gt;by Thomas Childers &lt;/div&gt;

&lt;div&gt;
	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21504003~S97&quot;&gt;The Law of Blood: Thinking and Acting as a Nazi&lt;/a&gt; &lt;/em&gt;by Johann Chapoutot &lt;br /&gt;
		 &lt;/div&gt;

	&lt;h2&gt;German Food&lt;/h2&gt;

	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21301615~S1&quot;&gt;The Wurst! The Very Best of German Food&lt;/a&gt; &lt;/em&gt;by Otto Wolff&lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21078183~S97&quot;&gt;&lt;em&gt;Classic German Baking: the Very Best Recipes for Traditional Favorites, From Pfeffernüsse to Streuselkuchen&lt;/em&gt;&lt;/a&gt; by Luisa Weiss &lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19646920~S97&quot;&gt;My Berlin Kitchen: a Love Story, with Recipes&lt;/a&gt; &lt;/em&gt;by Luisa Weiss &lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20284177~S97&quot;&gt;Das Cookbook: German cooking, California Style&lt;/a&gt; &lt;/em&gt;by Hans Rockenwagner &lt;/div&gt;

	&lt;div&gt;
		&lt;div&gt; &lt;/div&gt;

		&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20500982~S97&quot;&gt;New German Cooking: Recipes for Classics Revisited&lt;/a&gt; &lt;/em&gt;by Jeremy and Jessica Nolen with Drew Lazor&lt;br /&gt;
			 &lt;/div&gt;

		&lt;h2&gt;Travel&lt;/h2&gt;

		&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20907251~S97&quot;&gt;Germany&lt;/a&gt;  &lt;/em&gt;by Andrea Shulte-Peevers &lt;/div&gt;

		&lt;div&gt; &lt;/div&gt;

		&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21408056~S97&quot;&gt;&lt;em&gt;Rick Steves Germany 2018&lt;/em&gt;&lt;/a&gt;&lt;em&gt; &lt;/em&gt;by Rick Steves &lt;/div&gt;

		&lt;div&gt;
			&lt;div&gt; &lt;/div&gt;

			&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21123102~S97&quot;&gt;Frommer&#039;s Germany&lt;/a&gt; &lt;/em&gt;by Rachel Glassberg &lt;/div&gt;

			&lt;div&gt; &lt;/div&gt;

			&lt;div&gt;&lt;em&gt;E&lt;a href=&quot;https://catalog.nypl.org/record=b20907238~S97&quot;&gt;yewitness travel Germany&lt;/a&gt; &lt;/em&gt;by Joanna Egert-Romanowska &lt;/div&gt;
		&lt;/div&gt;

		&lt;div&gt; &lt;/div&gt;

		&lt;div&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21132564~S97&quot;&gt;Berlin&lt;/a&gt; &lt;/em&gt;by Andrea Shulte-Peevers &lt;/div&gt;
	&lt;/div&gt;

	&lt;div&gt;
		&lt;p&gt; &lt;/p&gt;
	&lt;/div&gt;
&lt;/div&gt;
</description>
  <category>Fiction</category>
  <comments>https://www.nypl.org/blog/2018/05/18/babylon-berlin-reading-recommendation-list#comments</comments>
  <pubDate>Fri, 18 May 2018 10:54:41 -0400</pubDate>
</item>
<item>
  <title>Travel Around the World in 80 Checkouts</title>
  <link>https://www.nypl.org/blog/2018/04/04/80-checkouts-books-movies-music-world-languages-collection</link>
  <dc:creator>Marianna Vertsman, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;div class=&quot;digcol-image align-left align-left inline inline&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;https://digitalcollections.nypl.org/items/5e66b3e8-897b-d471-e040-e00a180654d7&quot; href=&quot;http://digitalcollections.nypl.org/items/https://digitalcollections.nypl.org/items/5e66b3e8-897b-d471-e040-e00a180654d7&quot;&gt;&lt;img alt=&quot;Model of Trylon and Perisphere&quot; data-id=&quot;1684345&quot; src=&quot;https://images.nypl.org/index.php?id=1684345&amp;amp;t=w&quot; width=&quot;300px&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Model of Trylon and Perisphere with airplane; NYPL Digital Collections; Image ID: 1684345&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;As a librarian working with the World Languages Collection, I consider myself an Ambassador of Global Cultural Heritage. Over the years working with our multilingual collections, I have fallen in love with a number of international authors and, despite encountering striking differences in circumstances and perspectives across many translated books, I am always struck by the universality of human experiences.&lt;/p&gt;

&lt;p&gt;In addition to providing a much-needed perspective on my own life, foreign literature can always be used as a conversation opener in our multicultural city. Below is an extensive list of my recommendations and a link for each book or film; I hope these will challenge you to embark on your own international journeys and make new friends along the way.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://nypl.overdrive.com/media/450893&quot; rel=&quot;nofollow&quot;&gt;&lt;img alt=&quot;Broken Glass book cover&quot; src=&quot;https://img1.od-cdn.com/ImageType-100/6852-1/%7B5D0A1310-64B5-4B96-9D0C-AE3266040347%7DImg100.jpg&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;My favorite books from the World Languages Collection include two autobiographical novels from Russia and a tale from an unreliable narrator from Congo. &lt;/p&gt;

&lt;p&gt;The first, &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20599842~S1&quot;&gt;Bury Me Behind a Baseboard&lt;/a&gt;,&lt;/em&gt; has been a bestseller since its initial publication more than 20 years ago. In addition to having a cult following in Russia, the novel was published in Germany, Italy, France, Poland, Israel, China, and Taiwan. This unforgettable story of a boy and his overbearing grandmother will resonate with any readers familiar with dysfunctional families.&lt;/p&gt;

&lt;p&gt;The second, written by &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aGonsales+Gal{u02B9}ego%2C+Ruben+David./agonsales+galego+ruben+david/-3%2C-1%2C0%2CB/exact&amp;amp;FF=agonsales+galego+ruben+david&amp;amp;1%2C5%2C&quot;&gt;Ruben Gallego Gonzales&lt;/a&gt;, documents a totalitarian state&#039;s indifference to individual human life—&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17861537~S1&quot;&gt;White on Black&lt;/a&gt;&lt;/em&gt;&lt;span&gt; details a  childldhood spent in Soviet oprhanages for disabled children. &lt;/span&gt;Translated into mulitpe languages, &lt;em&gt;White on Black&lt;/em&gt; can be requested from the Mid-Manhattan Library in &lt;a href=&quot;https://catalog.nypl.org/record=b17861537~S1&quot;&gt;English&lt;/a&gt;,&lt;a href=&quot;https://catalog.nypl.org/record=b18079849~S1&quot;&gt; Russian&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/record=b17170285~S1&quot;&gt;Spanish&lt;/a&gt;, and &lt;a href=&quot;https://catalog.nypl.org/record=b17116986~S1&quot;&gt;Polish&lt;/a&gt;.  &lt;br /&gt;
	&lt;br /&gt;
	&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20041898~S98&quot;&gt;Broken Glass&lt;/a&gt;&lt;/em&gt; is written by &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aMabanckou%2C+Alain%2C+1966-+author./amabanckou+alain+1966+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=amabanckou+alain+1966+author&amp;amp;1%2C12%2C&quot;&gt;Alain Mabanckou&lt;/a&gt;, a Congolese recipient of Académie Française&#039;s grand prix for lifetime achievement., and it&#039;s everything a great novel should be: &lt;span&gt;entertaining, thought-provoking, and deeply moving. &lt;/span&gt;A denizen of a shady Brazzaville bar, the narrator, nicknamed Broken Glass, is on a mission  to secure his place in a literary canon. A&lt;span&gt;rmed with a truly encyclopedic learning and fueled by red wine  and &quot;bicycle chicken,&quot; he takes &lt;/span&gt;us on a wild ride through history.  &lt;/p&gt;

&lt;h2&gt;Recommended Authors&lt;/h2&gt;

&lt;p&gt;
  &lt;img alt=&quot;Days of Abandonment book cover&quot; title=&quot;Days of Abandonment &quot; height=&quot;192&quot; width=&quot;132&quot; style=&quot;float:right&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/daysofabandonment1.jpg&quot; /&gt;In the past few years I have enjoyed reading translations of Argentinean &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aAndahazi%2C+Federico%2C+1963-+author./aandahazi+federico+1963+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=aandahazi+federico+1963+author&amp;amp;1%2C5%2C&quot;&gt;Federico Andahazi&lt;/a&gt; , Hungarian&lt;a href=&quot;https://catalog.nypl.org/record=b20800289~S1&quot;&gt; László Krasznahorkai&lt;/a&gt;, and Korean &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aSin%2C+Ky{u014F}ng-suk./asin+kyong+suk/1%2C2%2C16%2CB/exact&amp;amp;FF=asin+kyong+suk&amp;amp;1%2C12%2C/indexsort=-&quot;&gt;Kyung-sook Shin&lt;/a&gt;. I also believe that books written by &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aKlima+Ivan/aklima+ivan/1%2C3%2C77%2CB/exact&amp;amp;FF=aklima+ivan&amp;amp;1%2C74%2C/indexsort=-&quot;&gt;Ivan Klima&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/record=b18164860~S1&quot;&gt;Tove Jansson&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aAbe%2C+Kobo%2C+1924-1993./aabe+kobo+1924+1993/-3%2C5%2C0%2CB/exact&amp;amp;FF=aabe+kobo+1924+1993&amp;amp;1%2C56%2C/limit?&quot;&gt;Kōbō Abe&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aLispector%2C+Clarice%2C+author./alispector+clarice+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=alispector+clarice+author&amp;amp;1%2C7%2C&quot;&gt;Clarice Lispector&lt;/a&gt;, and &lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=a&amp;amp;searcharg=Amado+Jorge&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=aAmado+Jorge&quot;&gt;Jorge Amado&lt;/a&gt; deserve a wider audience, as well.&lt;br /&gt;
	&lt;br /&gt;
	A couple of years ago, I finally read popular &lt;a href=&quot;https://catalog.nypl.org/search~S1?/tNeapolitan./tneapolitan/-3%2C-1%2C0%2CB/frameset&amp;amp;FF=tneapolitan&amp;amp;1%2C1%2C&quot;&gt;Neopolitan novels&lt;/a&gt; from &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aFerrante%2C+Elena%2C+author./aferrante+elena+author/-3,-1,0,B/browse&quot;&gt;Elena Ferrante&lt;/a&gt;, and you can request them in &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aFerrante%2C+Elena%2C+author./aferrante+elena+author/-3,-1,0,B/browse&quot;&gt;Mandarin&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aFerrante%2C+Elena%2C+author./aferrante+elena+author/-3%2C-1%2C0%2CB/frameset&amp;amp;FF=aferrante+elena+author&amp;amp;1%2C%2C43&quot;&gt;French&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/record=b20946442~S1&quot;&gt;Spanish&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/record=b20587477~S1&quot;&gt;Polish&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/record=b21399689~S1&quot;&gt;Hebrew&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/record=b19723846~S1&quot;&gt;Italian&lt;/a&gt;, and &lt;a href=&quot;https://catalog.nypl.org/search~S1?/tAmica+geniale+%28Novel%29.+English/tamica+geniale+novel+english/-3%2C-1%2C0%2CB/exact&amp;amp;FF=tamica+geniale+novel+english&amp;amp;1%2C2%2C&quot;&gt;English&lt;/a&gt;. After you complete the series, I highly recommend Ferrante&#039;s &lt;a href=&quot;https://catalog.nypl.org/record=b20775974~S1&quot;&gt;Days of Abandonment&lt;/a&gt;; I can&#039;t think of any other modern writer that addresses the immediate aftermath of marital dissolution with such unrestrained candor. &lt;/p&gt;

&lt;p&gt;My neglected masterpiece award goes to author &lt;a href=&quot;http://Aluísio Azevedo&quot; rel=&quot;nofollow&quot;&gt;Aluísio Azevedos&lt;/a&gt; for &lt;a href=&quot;https://catalog.nypl.org/record=b13266496~S1&quot;&gt;&lt;em&gt;O Cortiço&lt;/em&gt;&lt;/a&gt;, translated as &lt;a href=&quot;http://Aluísio Azevedo&quot; rel=&quot;nofollow&quot;&gt;&lt;em&gt;Slum&lt;/em&gt;&lt;/a&gt;, or &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b11594977~S1&quot;&gt;Brazilian Tenement&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;

&lt;h2&gt;Current and Upcoming Reads&lt;/h2&gt;

&lt;p&gt;
  &lt;img alt=&quot;Three Daughters of Eve book cover&quot; title=&quot;Three Daughters of Eve&quot; height=&quot;175&quot; width=&quot;124&quot; style=&quot;float:left&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/eve1.jpg&quot; /&gt;For current reading, I&#039;m back to Russian novels, reading a bestseller as bizzare and enticing as its title: &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21375138~S1&quot;&gt;iPhuck 10&lt;/a&gt;.&lt;/em&gt; It&#039;s the latest savage satire from a bad boy of Russian literature, &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aPelevin%2C+Viktor/apelevin+viktor/1%2C2%2C72%2CB/frameset&amp;amp;FF=apelevin+viktor&amp;amp;36%2C%2C59&quot;&gt;Victor Pelevin&lt;/a&gt;. &lt;br /&gt;
	&lt;br /&gt;
	I am next looking forward to reading: &lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21130836~S97&quot;&gt;2084 : the end of the world&lt;/a&gt;&lt;/em&gt;, a dystopian novel by Algerian writer &lt;a href=&quot;https://catalog.nypl.org/search~S97?/aSansal%2C+Boualem%2C+author./asansal+boualem+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=asansal+boualem+author&amp;amp;1%2C4%2C&quot;&gt;Boualem Sansal&lt;/a&gt;&lt;/li&gt;
	&lt;li&gt;the newly translated &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20851859~S1&quot;&gt;Oblivion&lt;/a&gt;&lt;/em&gt; by &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aLebedev%2C+Serge{u012D}%2C+1981-/alebedev+sergei+1981/-3,-1,0,B/browse&quot;&gt;Segei Lebedev&lt;/a&gt;&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21366619~S97&quot;&gt;Three  Daughers of Eve&lt;/a&gt; &lt;/em&gt;by &lt;a href=&quot;https://catalog.nypl.org/record=b21366619~S97&quot;&gt;Elif &lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21366619~S97&quot;&gt;Shafak&lt;/a&gt; &lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;In the near future, l am determined to get a hold of the &lt;a href=&quot;https://catalog.nypl.org/record=b21252219~S1&quot;&gt;The llustrious House of Ramires&lt;/a&gt; by &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aQueir{u00F3}s%2C+E{u00E7}a+de%2C+1845-1900.+author./aqueiros+eca+de+1845+1900+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=aqueiros+eca+de+1845+1900&amp;amp;1%2C144%2C&quot;&gt;José Maria de Eça de Queirós&lt;/a&gt;; plan to read a book by frequently requested  Algerian author&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aMosteghanemi%2C+Ahlem%2C+1953-/amosteghanemi+ahlem+1953/1%2C2%2C19%2CB/exact&amp;amp;FF=amosteghanemi+ahlem+1953+author&amp;amp;1%2C2%2C&quot;&gt; Ahlam Mosteghanemil&lt;/a&gt;; and, by summer, I might get to &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19781160~S1&quot;&gt;My Struggle&lt;/a&gt;,&lt;/em&gt; a multi-volume autobiographical opus by &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aKnausg{u00E5}rd%2C+Karl+Ove%2C+1968-+author./aknausgard+karl+ove+1968+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=aknausgard+karl+ove+1968+author&amp;amp;1%2C20%2C&quot;&gt;Karl Ove Knausgaard. &lt;/a&gt;

&lt;/p&gt;&lt;h2&gt;Film Recommendations&lt;/h2&gt;

&lt;p&gt;
  &lt;img alt=&quot;Relatos Salvages (Wild Tales) DVD cover&quot; title=&quot;Wild Tales &quot; height=&quot;199&quot; width=&quot;160&quot; style=&quot;float:right&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/relatossalvages1.jpg&quot; /&gt;

&lt;/p&gt;&lt;p&gt;My favorite film from the World Languages Collection is an Academy Award nominee from Argentina, &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20622397~S1&quot;&gt;Relatos Salvages&lt;/a&gt; (Wild Tales), &lt;/em&gt;which&lt;span&gt; catches up with characters each on the verge of an approaching&lt;/span&gt; nervous breakdown. Other contenders for my favorite Spanish-spoken film are from some of the industry&#039;s most highly-regarded filmmakers: Pedro Almodóvar&#039;s &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17163896~S1&quot;&gt;Volver&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17178226~S1&quot;&gt;El laberinto del fauno&lt;/a&gt; (Pan&#039;s Labyrinth), &lt;/em&gt;an earlier film from &lt;em&gt;The Shape of Water&lt;/em&gt; writer-director Guillermo del Toro, Alejandro Gonzáles Iñnáritu&#039;s &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17821840~S1&quot;&gt;Amores Perros&lt;/a&gt;&lt;/em&gt; and Alfonso Cuaron&#039;s &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17836928~S1&quot;&gt;Y Tu Mamá También&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;Under-the-radar Russian movies that I have liked include the eerie &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19747069~S1&quot;&gt;Silent Souls&lt;/a&gt; &lt;/em&gt;(directed by Aleksei Fedorchenko), gloomy &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20591409~S1&quot;&gt;Leviathan&lt;/a&gt; &lt;/em&gt;(Andrey Zvyagintsev), brutal &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20998905~S1&quot;&gt;The Major&lt;/a&gt; &lt;/em&gt;and brilliant &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20998896~S1&quot;&gt;The Fool&lt;/a&gt; &lt;/em&gt;(both by Yuri Bykov). &lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20998897~S97&quot;&gt;French Village&lt;/a&gt;&lt;/em&gt; is a well-researched period drama television series from France, starring the stunning, flawless &lt;a href=&quot;http://www.imdb.com/name/nm1109153/&quot; rel=&quot;nofollow&quot;&gt;Audrey Fleurot&lt;/a&gt; as a bored housewife, hopelessly in love with a charismatic Nazi sociopath played by &lt;a href=&quot;http://www.imdb.com/name/nm0759898/&quot; rel=&quot;nofollow&quot;&gt;Richard Sammel&lt;/a&gt;. Some of my favorite French movies in our collections include comedies &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17927885~S1&quot;&gt;The Dinner Game&lt;/a&gt;&lt;/em&gt; (directed by Francis Veber), &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18106896~S1&quot;&gt;The Class&lt;/a&gt;&lt;/em&gt; (Laurent Cantet), &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb21208909__Spenny%20pincher__Orightresult__U__X4;jsessionid=6BAF3F6ABBAD19FD31A2D862D1F36109?lang=eng&amp;amp;suite=def&quot;&gt;Penny Pincher&lt;/a&gt;&lt;/em&gt; (Fred Cavayé) and &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17722491~S1&quot;&gt;The Closet&lt;/a&gt;&lt;/em&gt; (Veber), plus drama &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18804480~S1&quot;&gt;Leaving&lt;/a&gt;&lt;/em&gt; by director Catherine Corsini.  &lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20006616~S1&quot;&gt;Cesare deve morire&lt;/a&gt;&lt;/em&gt; &lt;em&gt;(Caesar Must Die)&lt;/em&gt; is an unforgettable Italian documentary filmed in a maximum security prison, about the staging of a production of &lt;em&gt;Julius Caesar&lt;/em&gt;. &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17725837~S1&quot;&gt;Golden Door&lt;/a&gt;&lt;/em&gt; (directed by Emanuele Crialese) follows a Sicilian immigrant family on a journey to the land of giant onions, rivers of milk, and incomprehensible immigration policies. And the Italian thriller &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17225668~S1&quot;&gt;I&#039;m Not Scared&lt;/a&gt;&lt;/em&gt; (Gabriele Salvatores) should not be watched alone. &lt;/p&gt;

&lt;p&gt;Among my favorite Scandinavian movies in our collections:&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;Norwegian &lt;em&gt;&lt;a href=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9781681431970&amp;amp;erroroverride=1&quot; rel=&quot;nofollow&quot;&gt;Kitchen Stories&lt;/a&gt;&lt;/em&gt; from director Ben Hamer&lt;/li&gt;
	&lt;li&gt;Danish drama &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17221985~S1&quot;&gt;After the Wedding&lt;/a&gt;&lt;/em&gt;, directed by Susanne Bier&lt;/li&gt;
	&lt;li&gt;Icelandic award-winning drama &lt;em&gt;&lt;a href=&quot;http://33333245697749&quot; rel=&quot;nofollow&quot;&gt;Rams&lt;/a&gt;&lt;/em&gt;, from Grímur Hákonorson&lt;/li&gt;
	&lt;li&gt;Swedish coming-of-age tale &lt;a href=&quot;https://catalog.nypl.org/record=b17879691~S1&quot;&gt;My Life as a Dog&lt;/a&gt;, an early film from director Lasse Hallström &lt;/li&gt;
&lt;/ul&gt;

&lt;h2&gt;Additional Film Suggestions&lt;/h2&gt;

&lt;p&gt;
  &lt;img alt=&quot;Woman in the Dunes &quot; title=&quot;Woman in the Dunes&quot; height=&quot;183&quot; width=&quot;139&quot; style=&quot;float:left&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/womaninthedunes1.jpg&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;From Japan:&lt;/strong&gt;&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;My favorite &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aKurosawa%2C+Akira%2C+1910-1998./akurosawa+akira+1910+1998/-3%2C-1%2C0%2CB/exact&amp;amp;FF=akurosawa+akira+1910+1998&amp;amp;1%2C61%2C&quot;&gt;Akira Kurosawa&lt;/a&gt; film, &lt;a href=&quot;https://catalog.nypl.org/record=b18045115~S1&quot;&gt;&lt;em&gt;Dodes&#039;ka-den&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;
	&lt;li&gt;A brilliant film on the subject of resignation, &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21069655~S1&quot;&gt;Suna no onna&lt;/a&gt;&lt;/em&gt; (&lt;em&gt;The Woman in the Dunes&lt;/em&gt;), based on the novel by the great &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aAbe%2C+K{u014D}b{u014D}%2C+1924-1993/aabe+kobo+1924+1993/-3,-1,0,B/browse&quot;&gt;Kobo Abe,&lt;/a&gt; and directed by Hiroshi Teshigahara&lt;/li&gt;
	&lt;li&gt;The animated films of &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aMiyazaki%2C+Hayao%2C+1941-+%28OCoLC%29fst00320033/amiyazaki+hayao+1941+ocolc+fst00320033/-3%2C0%2C0%2CB/exact&amp;amp;FF=amiyazaki+hayao+1941+film+director+screenwriter&amp;amp;1%2C2%2C/indexsort=-&quot;&gt;Hayao &lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aMiyazaki%2C+Hayao%2C+1941-+%28OCoLC%29fst00320033/amiyazaki+hayao+1941+ocolc+fst00320033/-3%2C0%2C0%2CB/exact&amp;amp;FF=amiyazaki+hayao+1941+film+director+screenwriter&amp;amp;1%2C2%2C/indexsort=-&quot;&gt;Miyazaki,&lt;/a&gt; which continue to enchant audiences of all ages, including my top three: &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21399064~S1&quot;&gt;Spirited Awa&lt;/a&gt;y&lt;/em&gt;, &lt;a href=&quot;https://catalog.nypl.org/record=b17580681~S1&quot;&gt;&lt;em&gt;Princess Mononoke&lt;/em&gt;, &lt;/a&gt;and &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18277872~S1&quot;&gt;My Neighbor Totoro&lt;/a&gt;&lt;/em&gt; &lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;strong&gt;Also: &lt;/strong&gt;&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17165209~S1&quot;&gt;Casa de Areia&lt;/a&gt; (The House of Sand)&lt;/em&gt;, a Brazilian film in our collection&lt;/li&gt;
	&lt;li&gt;&lt;span&gt;The d&lt;/span&gt;elighfully bizzare Chinese comedy, &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20998145~S1&quot;&gt;Mermaid&lt;/a&gt;&lt;/em&gt;, about a community of merfolk fighting against a greedy developer&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;http://My Neighbor Totoro&quot; rel=&quot;nofollow&quot;&gt;The Square&lt;/a&gt;&lt;/em&gt;, 2017 Cannes Palme d’Or winner from Swedish director Ruben Östlund.&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19108825~S1&quot;&gt;&lt;em&gt;Quest for Fire&lt;/em&gt;,&lt;/a&gt; one of the most remarkable films in the World Languages Collection, whose language is classified as &quot;Undetermined&quot;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;Films by &lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=a&amp;amp;searcharg=Mehta+Deepa&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=aMehta+deepa&quot;&gt;Deepa Mehta&lt;/a&gt; have been on my watchlist for a few weeks, including &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20646928~S1&quot;&gt;NH10&lt;/a&gt;&lt;/em&gt;, a frequently requested thriller that will keep on the edge of your couch. For a light and charming reflection on serendipity, request Mehta&#039;s &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20286538~S97&quot;&gt;The Lunchbox&lt;/a&gt;&lt;/em&gt;. In the film, an unusual mix-up by a usually efficient &lt;em&gt;dabbawalla&lt;/em&gt;, popular lunchbox delivery system in Mumbai, results in an epistolary exchange between a widower and a neglected wife. As they get to know each other, both decide that drastic changes must free them from a lonely and unfulfilled existence.&lt;/p&gt;

&lt;h2&gt;Music Selections&lt;/h2&gt;

&lt;p&gt;
  &lt;img alt=&quot;Everything is Illuminated soundtrack cover&quot; title=&quot;Everything is Illuminated &quot; height=&quot;184&quot; width=&quot;146&quot; style=&quot;float:left&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/everythingisilluminated1.jpg&quot; /&gt;&lt;a href=&quot;http://www.bbc.co.uk/programmes/b006qnmr&quot; rel=&quot;nofollow&quot;&gt;My desert island disc &lt;/a&gt;collection includes &lt;a href=&quot;https://catalog.nypl.org/record=b17945061~S1&quot;&gt;Djavan ao vivo&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/record=b18632381~S1&quot;&gt; &lt;em&gt;Bom tempo&lt;/em&gt;&lt;/a&gt; by Sergio Mendes, and the assorted works of &lt;a href=&quot;https://catalog.nypl.org/record=b20889536~S1&quot;&gt;Gilberto Gil&lt;/a&gt; and &lt;a href=&quot;http://paulinhomoska.com.br&quot; rel=&quot;nofollow&quot;&gt;Paulinho Mosca &lt;/a&gt;. Also: Brazilian-born, Paris-based singer &lt;a href=&quot;https://catalog.nypl.org/record=b21174988~S1&quot;&gt;Flavia Coehlo&lt;/a&gt;, who has travelled many of the world&#039;s roads, and whose collaboration with Senegalese musician &lt;a href=&quot;https://catalog.nypl.org/search~S98?/aL{u00F4}%2C+Cheikh.++Performer./alo+cheikh+prf/-3%2C-1%2C0%2CB/exact&amp;amp;FF=alo+cheikh+prf&amp;amp;1%2C2%2C&quot;&gt;Cheikh &lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S98?/aL{u00F4}%2C+Cheikh.++Performer./alo+cheikh+prf/-3%2C-1%2C0%2CB/exact&amp;amp;FF=alo+cheikh+prf&amp;amp;1%2C2%2C&quot;&gt;Lô&lt;/a&gt; results in &lt;a href=&quot;https://www.youtube.com/watch?v=a-B4Q5_I_mI&quot; rel=&quot;nofollow&quot;&gt;a very addictive musical composition&lt;/a&gt;. The music of &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aPiazzolla%2C+Astor./apiazzolla+astor/-3%2C-1%2C0%2CB/exact&amp;amp;FF=apiazzolla+astor&amp;amp;1%2C639&quot;&gt;Astor Piazzolla&lt;/a&gt; suits many of my moods and, in the past few weeks, I have been listening to &lt;a href=&quot;https://catalog.nypl.org/record=b20842954~S1&quot;&gt;Buika&lt;/a&gt;, queen of flamenco, jazz, and anything else that comes her way.&lt;br /&gt;
	&lt;br /&gt;
	T&lt;span&gt;o release my inner Cinderella , I turn to popular Lebanase singer &lt;a href=&quot;https://catalog.nypl.org/search~S98?/a{u02BB}Ajram%2C+N{u0101}ns{u012B}./aajram+nansi/-3%2C-1%2C0%2CB/frameset&amp;amp;FF=aajram+nansi&amp;amp;1%2C1%2C&quot;&gt;Nancy  Ajram&lt;/a&gt;, and know that my taste for &lt;a href=&quot;https://en.wikipedia.org/wiki/Henri_Salvador&quot; rel=&quot;nofollow&quot;&gt;Henry Salvador&lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aGainsbourg%2C+Serge./againsbourg+serge/-3%2C-1%2C0%2CB/exact&amp;amp;FF=againsbourg+serge&amp;amp;1%2C31%2C&quot;&gt;Serge Gainsbourg&lt;/a&gt;, and &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aDassin%2C+Joe%2C+1938-1980.++Performer./adassin+joe+1938+1980+prf/-3%2C-1%2C0%2CB/exact&amp;amp;FF=adassin+joe+1938+1980+prf&amp;amp;1%2C3%2C&quot;&gt;Joe Dassin &lt;/a&gt;definitely shows my age. (In addition to singing, Joe Dassin wrote a book of short stories, and World Languages has a copy in&lt;a href=&quot;https://catalog.nypl.org/record=b20169399~S1&quot;&gt; Russian&lt;/a&gt;.) &lt;a href=&quot;https://catalog.nypl.org/record=b20029553~S1&quot;&gt;Zaz&lt;/a&gt;, &lt;/span&gt;&lt;a href=&quot;http://www.coeurdepirate.com/en/&quot; rel=&quot;nofollow&quot;&gt;Cœur de pirate&lt;/a&gt; and&lt;a href=&quot;https://www.vevo.com/watch/stromae/racine-carree-live-(full-concert)/BET671500018&quot; rel=&quot;nofollow&quot;&gt; Stomae&lt;/a&gt; are members of the new generation of talented francophone performers. &lt;br /&gt;
	&lt;br /&gt;
	&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aGogol+Bordello+%28Musical+group%29%2C+composer%2C+performer./agogol+bordello+musical+group+composer+performer/-3,-1,0,B/browse&quot;&gt;Gogol Bordello&lt;/a&gt; is a &lt;span&gt;band known for its effortless blend of gypsy punk and irreverant lyrics—you might remember the band&#039;s irresistible &lt;/span&gt;&lt;span&gt;Ukrainian-born , Brazilian-based &lt;a href=&quot;http://www.imdb.com/name/nm1778479/&quot; rel=&quot;nofollow&quot;&gt;frontman&lt;/a&gt; &lt;/span&gt;&lt;span&gt;from the film  &lt;a href=&quot;https://catalog.nypl.org/record=b17446955~S97&quot;&gt;&lt;em&gt;Everything is Illuminated&lt;/em&gt;.&lt;/a&gt;  Gogol Bordello&#039;s latest release, &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21312376~S97&quot;&gt;Seekers and Finders&lt;/a&gt;&lt;/em&gt;, reminds us that some things are illuminated for all those who actively seek to understand the world. &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span&gt;We invite you to share the titles of your favorite works of world literature, international movies, and world musicians in the comments below!&lt;/span&gt;&lt;/p&gt;
</description>
  <category>Music</category>
  <comments>https://www.nypl.org/blog/2018/04/04/80-checkouts-books-movies-music-world-languages-collection#comments</comments>
  <pubDate>Wed, 04 Apr 2018 16:08:56 -0400</pubDate>
</item>
<item>
  <title>Are You a True Francophile? Quiz & Book Recommendations</title>
  <link>https://www.nypl.org/blog/2017/10/26/francophile-quiz-books</link>
  <dc:creator>Marianna Vertsman, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;p&gt;
  &lt;img alt=&quot;Pictures of France  &quot; title=&quot;France Alexandra Jaxtas &quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/bonjour_2_0_0.jpg&quot; /&gt;&lt;/p&gt;

&lt;p&gt;                 &lt;/p&gt;

&lt;p&gt;Photo courtesy of Alexandra Jakstas&lt;/p&gt;

&lt;p&gt;Not all &lt;a href=&quot;http://www.telegraph.co.uk/news/worldnews/europe/france/11738718/QUIZ-How-French-are-you.html&quot; rel=&quot;nofollow&quot;&gt;Francophiles&lt;/a&gt; have to be seasoned with authentic &lt;a href=&quot;http://www.foodnetwork.com/recipes/emeril-lagasse/herbs-de-provence-recipe.html&quot; rel=&quot;nofollow&quot;&gt;Herbes de Provence&lt;/a&gt; and hardened in battle with &lt;a href=&quot;https://catalog.nypl.org/search~S97?/dFrench+language+--+Grammar+--+Handbooks%2C+manuals%2C/dfrench+language+grammar+handbooks+manuals+etc/-3%2C-1%2C0%2CB/exact&amp;amp;FF=dfrench+language+grammar+handbooks+manuals+etc&amp;amp;1%2C3%2C&quot;&gt;French grammar&lt;/a&gt;. Take our Francophile quiz below and find out if you are enamored with Gallic ways !&lt;/p&gt;

&lt;p&gt;Do you avoid fat-free and gluten-free products, but rarely refuse a glass of&lt;a href=&quot;https://catalog.nypl.org/record=b21088307~S1&quot;&gt; &lt;/a&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Appellation_d%27origine_contr%C3%B4l%C3%A9e&quot; rel=&quot;nofollow&quot;&gt;fine&lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21088307~S1&quot;&gt; &lt;/a&gt;wine? &lt;/p&gt;

&lt;p&gt;When your opinion is challenged in a conversation, do you tend to get &lt;a href=&quot;https://catalog.nypl.org/record=b20582665~S1&quot;&gt;argumentative&lt;/a&gt;?&lt;/p&gt;

&lt;p&gt;Do you lean towards the philosophical teachings of &lt;a href=&quot;http://us.zadig-et-voltaire.com/us/?gclid=CPjqhILYp9QCFRhWDQodrrcCNw&quot; rel=&quot;nofollow&quot;&gt;Zadig &amp;amp; Voltaire&lt;/a&gt; about as much as those of &lt;a href=&quot;https://catalog.nypl.org/search~S97?/aVoltaire/avoltaire/1%2C5%2C65%2CB/exact&amp;amp;FF=avoltaire+1694+1778&amp;amp;1%2C50%2C/indexsort=-&quot;&gt;Voltaire&lt;/a&gt;?  &lt;/p&gt;

&lt;p&gt;Do you believe that all children should be instructed in the fine art of &lt;a href=&quot;https://catalog.nypl.org/record=b19426490~S1&quot;&gt;rhetoric&lt;/a&gt; ?  &lt;/p&gt;

&lt;p&gt;Do you consider a trip to the supermarket to be a proper occasion for exhibiting your impeccable sense of &lt;a href=&quot;https://catalog.nypl.org/record=b19791501~S1&quot;&gt;fashion&lt;/a&gt;?&lt;/p&gt;

&lt;p&gt;Would you be willing  to sit through a&lt;a href=&quot;https://catalog.nypl.org/record=b19974856~S97&quot;&gt; three-hour lunch &lt;/a&gt;?&lt;/p&gt;

&lt;p&gt;Are you familiar with one of the following TV shows: &lt;a href=&quot;https://catalog.nypl.org/record=b20998897~S1&quot;&gt;French Village &lt;/a&gt;  &lt;a href=&quot;https://catalog.nypl.org/record=b20244199~S1&quot;&gt;Spirals&lt;/a&gt;,  &lt;a href=&quot;https://catalog.nypl.org/record=b20026414~S1&quot;&gt;Returned &lt;/a&gt; , &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb21135502__SVersailles__P0%2C1__Orightresult__X7?lang=eng&amp;amp;suite=def&quot;&gt;Versailles &lt;/a&gt; ,Forgotten Girls , Bureau of Sexist Affairs , &lt;a href=&quot;https://catalog.nypl.org/record=b20823049~S1&quot;&gt;Kaboul Kitchen&lt;/a&gt; , Resistance ,Spin,&lt;a href=&quot;https://catalog.nypl.org/record=b20823045~S1&quot;&gt; Antigone 34&lt;/a&gt; , Elite Squad , Dead Beautiful or Reborn?&lt;/p&gt;

&lt;p&gt;If you’ve answered in the affirmative to many of these questions, it’s our pleasure to tell you that you are vraiment Francophile! A great number of readers fell  under the spell of mellifluous language, without ever achieving desired fluency. Some Francophiles were seduced by the promise of artistic fulfillment, without ever setting a foot in &lt;a href=&quot;/blog/2015/12/22/love-letter-paris&quot;&gt;Paris&lt;/a&gt;. The Library invites all our Francophile patrons to develop a habit of taking home random promising titles from our extensive circulating  collection. In addition to the tiles on French history and culture,  &lt;a href=&quot;/locations/mid-manhattan-library&quot;&gt;Mid-Manhattan&#039;s &lt;/a&gt; World Languages Collection contains a great number of books and films in &lt;a href=&quot;https://catalog.nypl.org/search~S97?/dFrance/dfrance/1%2C4025%2C9707%2CB/limit&quot;&gt;French&lt;/a&gt;. This post will discuss a number of recent titles on the history, culture and cuisine of &lt;a href=&quot;https://catalog.nypl.org/search~S97?/dfrance+history/dfrance+history/1%2C313%2C1020%2CB/exact&amp;amp;FF=dfrance+history&amp;amp;1%2C17%2C/indexsort=-&quot;&gt;France&lt;/a&gt;. &lt;/p&gt;

&lt;p&gt;.&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21054701~S97&quot;&gt;&lt;img alt=&quot;When Paris &quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9781442253322&amp;amp;erroroverride=1&quot; width=&quot;150&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;History buffs often suffer from the notion that they missed all the fun in life due to a grave misfortune of being born at the wrong  time and place. Reading &lt;strong&gt; &lt;a href=&quot;https://catalog.nypl.org/record=b21054701~S97&quot;&gt;When Paris sizzled: the 1920s Paris of Hemingway , Chanel , Cocteau, Cole Porter , Josephine Baker, and their friends&lt;/a&gt; &lt;/strong&gt;will do little to disabuse any ardent Francophile from a belief that &lt;a href=&quot;/blog/2015/12/22/love-letter-paris&quot;&gt;Paris&lt;/a&gt; in 1920&#039;s was the most exciting place and time be alive. &lt;span&gt;Until time travel is invented, immersing yourself in this book is the next best thing to being alive during those tantalizing and irreverent years. &lt;/span&gt;Sizzling with intellectual effervescence, the period &lt;span&gt;between &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/dWorld+War%2C+1914-1918+--+Armistices./dworld+war+1914+1918+armistices/-3%2C-1%2C0%2CB/exact&amp;amp;FF=dworld+war+1914+1918+armistices&amp;amp;1%2C8%2C&quot;&gt;Armistice &lt;/a&gt;&lt;span&gt;and &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/dStock+Market+Crash%2C+1929./dstock+market+crash+1929/-3%2C-1%2C0%2CB/exact&amp;amp;FF=dstock+market+crash+1929&amp;amp;1%2C8%2C&quot;&gt;Wall Street Crash of 1929&lt;/a&gt;&lt;span&gt;  is known as &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b12340040~S1&quot;&gt;Les Années Folles&lt;/a&gt;&lt;span&gt; . &lt;/span&gt;&lt;span&gt;By 1923 the &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18708788~S97&quot;&gt;Lost Generation&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;of American expatiates residing in &lt;a href=&quot;/blog/2015/12/22/love-letter-paris&quot;&gt;Paris&lt;/a&gt;&lt;/span&gt;&lt;span&gt; amounted to thirty thousand. &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/dBaker%2C+Josephine%2C+1906-1975/dbaker+josephine+1906+1975/1%2C8%2C19%2CB/exact&amp;amp;FF=dbaker+josephine+1906+1975&amp;amp;1%2C9%2C&quot;&gt;Josephine Baker&lt;/a&gt;&lt;span&gt;, &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/aHemingway+Earnest/ahemingway+earnest/-3%2C0%2C0%2CB/exact&amp;amp;FF=ahemingway+ernest+1899+1961&amp;amp;1%2C100%2C/indexsort=-&quot;&gt; Earnest Hemingway&lt;/a&gt;&lt;span&gt;, &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20776202~S97&quot;&gt;Cole Porter&lt;/a&gt;&lt;span&gt; and &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/astein+gertrude/astein+gertrude/1%2C2%2C42%2CB/exact&amp;amp;FF=astein+gertrude+1874+1946&amp;amp;1%2C41%2C/indexsort=-&quot;&gt;Gertrude Stein&lt;/a&gt;&lt;span&gt; were&lt;/span&gt;&lt;span&gt; among them. &lt;/span&gt;&lt;span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97/?searchtype=a&amp;amp;searcharg=+McAuliffe+Mary&amp;amp;searchscope=97&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=t+McAuliffe+Mary&quot;&gt;Mary McAuliffe &lt;/a&gt; paints the lives of creative and glamorous visionaries of that era against a broad &lt;/span&gt;historical and economic panorama of that decade. &lt;a href=&quot;https://catalog.nypl.org/record=b19799874~S97&quot;&gt;Le Corbusier&lt;/a&gt; , &lt;a href=&quot;https://catalog.nypl.org/record=b17641835~S97&quot;&gt;Kiki,&lt;/a&gt; &lt;a href=&quot;https://catalog.nypl.org/search~S97?/dStravinsky/dstravinsky/1%2C29%2C119%2CB/exact&amp;amp;FF=dstravinsky+igor+1882+1971&amp;amp;1%2C53%2C/indexsort=-&quot;&gt;Stravinsky,&lt;/a&gt; &lt;a href=&quot;https://catalog.nypl.org/search~S97?/dStravinsky/dstravinsky/1%2C29%2C119%2CB/exact&amp;amp;FF=dstravinsky+igor+1882+1971&amp;amp;1%2C53%2C/indexsort=-&quot;&gt;Diaghilev &lt;/a&gt;, &lt;a href=&quot;https://catalog.nypl.org/search~S97?/dPicasso+Pablo/dpicasso+pablo/1%2C37%2C177%2CB/exact&amp;amp;FF=dpicasso+pablo+1881+1973&amp;amp;1%2C55%2C/indexsort=-&quot;&gt;Picasso &lt;/a&gt;,&lt;a href=&quot;https://catalog.nypl.org/search~S97/?searchtype=d&amp;amp;searcharg=Ravel&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=dPicasso+Pablo&quot;&gt; Ravel&lt;/a&gt; and &lt;a href=&quot;https://catalog.nypl.org/record=b21054925~S97&quot;&gt;Coco Chanel&lt;/a&gt; are among the cult figures that fundamentally redefined art, fashion and architecture. Apart from listing the objective achievements of our cultural icons, this author ensures that everyone&#039;s amorous pursuits and amusing exploits are duly preserved for the posterity. Her authority on this historical  period is not limited to the encyclopedic knowledge of the artistic milieu .While &lt;a href=&quot;https://catalog.nypl.org/record=b19639427~S97&quot;&gt;Charles De Galle &lt;/a&gt;and &lt;a href=&quot;https://catalog.nypl.org/search~S1?/dClemenceau+Georges/dclemenceau+georges/1%2C23%2C140%2CB/exact&amp;amp;FF=dclemenceau+georges+1841+1929&amp;amp;1%2C112%2C&quot;&gt;Georges Clemenceau &lt;/a&gt;mingled with creative elites , leaders of automobile industry, &lt;a href=&quot;https://group.renault.com/en/&quot; rel=&quot;nofollow&quot;&gt;Renault &lt;/a&gt;and &lt;a href=&quot;http://www.citroen.com/en&quot; rel=&quot;nofollow&quot;&gt;Citroen&lt;/a&gt; , were engaged in intense business rivalry. &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-right align-right inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20974562~S1&quot;&gt;&lt;img alt=&quot;F is for France &quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9781250087737&amp;amp;erroroverride=1&quot; width=&quot;150&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
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&lt;p&gt;&lt;span&gt;Almost a hundred years after Les Années Folles 85 million tourists visit&lt;a href=&quot;https://catalog.nypl.org/search~S97?/dfrance+history/dfrance+history/1%2C355%2C1448%2CB/limit&quot;&gt; France &lt;/a&gt;every year. &lt;/span&gt;&lt;span&gt;If you are planning a trip to the most popular destination in the entire world , take along &lt;strong&gt; &lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20974562~S1&quot;&gt;F is &lt;/a&gt;&lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20974562~S1&quot;&gt;for France : a curious cabinet of French wonders &lt;/a&gt;.&lt;/strong&gt;This pithy little volume will introduce a novice Francophile to French history and culture in alphabetically arranged bits and pieces. After reading an entry on &lt;em&gt;Fashion &lt;/em&gt;, some readers might be surprised to find out that the word describing the fabric of our most significant contribution to the world of fashion, a ubiquitous pair of jeans, hails from a beautiful historical town of &lt;a href=&quot;http://about-france.com/cities/nimes.htm&quot; rel=&quot;nofollow&quot;&gt;Nîmes&lt;/a&gt;&lt;a href=&quot;http://about-france.com/cities/nimes.htm&quot; rel=&quot;nofollow&quot;&gt; &lt;/a&gt;. In addition to amusing historical anecdotes and tales of peculiar customs , this book contains a good number of practical tips. &lt;span&gt;All tourist heading for France anticipate gustatory satisfaction. First-time visitors will &lt;/span&gt;benefit from reading &lt;span&gt; essays dedicated to &lt;/span&gt;&lt;em&gt;Salade Nicoise, Snails, Frogs , Cheese, Garlic , Galette De Rois, Oysters, Baguette ,Champaign, Absinthe, Wine and Tart.&lt;/em&gt; &lt;em&gt; Beef&lt;/em&gt;&lt;span&gt; familiarizes readers with an endless variety of French beef cuts .&lt;/span&gt; A chapter titled &lt;em&gt;Brains&lt;/em&gt; explains the appeal of &lt;a href=&quot;http://www.regions-of-france.com/regions/champagne_ardenne/food-gastronomy/andouillettes-troyes/&quot; rel=&quot;nofollow&quot;&gt;andouillette&lt;/a&gt; and &lt;a href=&quot;http://www.cuisineetvinsdefrance.com/,fromage-de-tete,44534.asp&quot; rel=&quot;nofollow&quot;&gt;fromage de tête&lt;/a&gt; , &lt;span&gt;delicacies that many American travelers might consider a bit too bizarre to try. &lt;/span&gt;Did you know that 30 percent of English words are derived from French ? A fascinating chapter dedicated to the &lt;em&gt;Language &lt;/em&gt;contains a list of French words with no single-word equivalents in English. Equally gripping  is a list of French &lt;span&gt;words and &lt;/span&gt;phrases with no  conceptual equivalent in English. You might be able to identify a visceral reaction of &lt;a href=&quot;http://pimediaonline.co.uk/science-tech/lappel-du-vide-the-call-of-the-void/&quot; rel=&quot;nofollow&quot;&gt;L’appel du vide&lt;/a&gt;  and intensely guarded&lt;em&gt; mon jardin prive&lt;/em&gt;. &lt;/p&gt;

&lt;p&gt;&lt;span&gt;Budding Francophiles are secretly intimidated by a rumor that French are inhospitable to tourists. If you intend on reading  only one book prior to your visit to France, make it a &lt;/span&gt;&lt;strong&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20918762~S1&quot;&gt;The Bonjour effect : the secret codes of French conversation revealed.&lt;/a&gt;&lt;/strong&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;With a publication of this volume by &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aBarlow%2C+Julie%2C+1968-+author./abarlow+julie+1968+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=abarlow+julie+1968+author&amp;amp;1%2C2%2C&quot;&gt;Julie Barlow and Jean-Benoît Nadeau&lt;/a&gt;  &lt;span&gt;combat against cultural myopia is as informative ,as it is entertaining. &lt;/span&gt;&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20918762~S1&quot;&gt;&lt;img alt=&quot;The Bonjour Effect &quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9781250051851&amp;amp;erroroverride=1&quot; width=&quot;150&quot; /&gt;&lt;/a&gt;

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&lt;p&gt;French-speaking couple from Canada, &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aBarlow%2C+Julie%2C+1968-+author./abarlow+julie+1968+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=abarlow+julie+1968+author&amp;amp;1%2C2%2C&quot;&gt;Julie Barlow and Jean-Benoît Nadeau&lt;/a&gt;, experienced perplexing French cultural codes while residing in &lt;a href=&quot;/blog/2015/12/22/love-letter-paris&quot;&gt;Paris.&lt;/a&gt; Julie quickly understood that&lt;span&gt; if you don&#039;t greet , you don&#039;t exist&lt;/span&gt;&lt;span&gt;. Rules of proper conduct indicate that prior to addressing a bus operators, supermarket employee, sales representative ,neighbors, parents on the public playground ,or anyone else you wish to converse with , you must acknowledge their presence. Fail &lt;/span&gt;&lt;span&gt;to utter that &lt;/span&gt;&lt;em&gt;Bonjour , &lt;/em&gt;&lt;span&gt;and you will be immediately perceived as&lt;/span&gt;&lt;em&gt; mal élevé&lt;/em&gt;&lt;span&gt; , a French equivalent of someone who was &lt;em&gt;raised in a barn&lt;/em&gt;.  &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;Authors of this book offer readers a number of astute observations on the key concepts that shape French national psyche. Their discussion of widespread cultural phobia of&lt;em&gt; faute&lt;/em&gt; is particularly insightful. &lt;em&gt;Faute &lt;/em&gt;is roughly equivalent to a combination of &quot;responsibility&quot;, &quot;wrongdoing &quot;and &quot;blameworthiness&quot;.  French&lt;em&gt; faute &lt;/em&gt;of any sort, including that of now knowing an answer to a question at work, is commonly associated with oversight and irresponsibility. &lt;span&gt;Even a hint of accusation implies &lt;/span&gt;&lt;span&gt;personal responsibility and a threat of &lt;/span&gt;humiliation, ridicule and loss of current position in a social hierarchy. &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aBarlow%2C+Julie%2C+1968-+author./abarlow+julie+1968+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=abarlow+julie+1968+author&amp;amp;1%2C2%2C&quot;&gt;Authors&lt;/a&gt; of &lt;a href=&quot;https://catalog.nypl.org/record=b20918762~S1&quot;&gt;Bonjour Effect&lt;/a&gt; believe that such widespread aversion to&lt;em&gt; faute&lt;/em&gt; naturally results in commonly observed French unwillingness to admit responsibility for any errors or misjudgments. &lt;/p&gt;

&lt;p&gt;Explanations of possible root causes of such obligatory perfectionism are scattered throughout several chapters of this excellent book. &lt;span&gt;An chapter titled &lt;/span&gt;&lt;em&gt;Know-It-Alls &lt;/em&gt;&lt;span&gt; reveals French educational system&#039;s focus on history, literature and art.&lt;/span&gt; &lt;span&gt;Upon enrolling their daughters into a public school in Paris, authors learned that all young children are graded on eloquence and cohesiveness of their public speeches. School&#039;s emphasis on rhetoric and philosophy results in a widespread habit of discussing complex issues in an intelligent manner. As a consequence of such comprehensive and competitive educational system many conversations in France resemble a formal &lt;a href=&quot;/blog/2017/04/04/thank-you-arguing&quot;&gt;debate&lt;/a&gt;. During a dinner party in Paris a&lt;/span&gt;&lt;span&gt;uthors witnessed a number of conversations between couples. While discussing  the latest film or current election, both spouses openly debated fine points till the conclusion of an evening. American &lt;/span&gt;&lt;span&gt;couples that publicly disagree on issues would be advised to visit a marriage counselor. French couples public arguments display their undying commitment to each other&#039;s intellectual development and personal growth. Hopeless romantics should take notice and adjust their expectations accordingly. &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span&gt;In a chapter titled &lt;/span&gt;&lt;em&gt;Finding the Yes in Non &lt;/em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aBarlow%2C+Julie%2C+1968-+author./abarlow+julie+1968+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=abarlow+julie+1968+author&amp;amp;1%2C2%2C&quot;&gt;Julie Barlow and Jean-Benoît Nadeau&lt;/a&gt;&lt;span&gt; highlights additional&lt;/span&gt; cultural differences in communication styles. An&lt;span&gt; initial denial of a request ,or a refusal to agree with your point of view , might simply mean that a person is wishing to engage you in a conversation. &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aBarlow%2C+Julie%2C+1968-+author./abarlow+julie+1968+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=abarlow+julie+1968+author&amp;amp;1%2C2%2C&quot;&gt;Authors &lt;/a&gt;seem to emphasize the fact that all communication in France presupposes willing to participate in a prolonged verbal combat . A clear winner in an ensuing  battle of the wits must display impressive breath of general knowledge ,superior mastery of language  and &lt;em&gt;esprit&lt;/em&gt;. &lt;em&gt;Esprit  &lt;/em&gt;is form of high-spirited wit , commonly reserved for public sphere. To better understand the concept of esprit , readers can watch  &lt;a href=&quot;https://catalog.nypl.org/record=b19909252~S1&quot;&gt;Ridicule &lt;/a&gt;, &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17759584~S1&quot;&gt;Molière&lt;/a&gt;, or any other &lt;a href=&quot;https://catalog.nypl.org/search~S1?/hComedy+films./hcomedy+films/1%2C27%2C0%2CB/limit&quot;&gt;French comedy&lt;/a&gt; available at&lt;a href=&quot;/locations/mid-manhattan-library&quot;&gt; Mid-Manhattan &lt;/a&gt;library.&lt;/p&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-right align-right inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21085533~S1&quot;&gt;&lt;img alt=&quot;France a modern history &quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9781250096838&amp;amp;erroroverride=1&quot; width=&quot;150&quot; /&gt;&lt;/a&gt;

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&lt;div&gt;
	&lt;p&gt;After reading about the rigors of French educational system in &lt;span&gt;T&lt;a href=&quot;https://catalog.nypl.org/record=b20918762~S1&quot;&gt;he Bonjour effect: the secret codes of French conversation revealed&lt;/a&gt; &lt;/span&gt;Franchophiles might feel an urgent need to refresh their knowledge of &lt;a href=&quot;https://catalog.nypl.org/search~S1?/dFrance+--+History+--+1789-/dfrance+history+1789/-3,-1,0,B/browse&quot;&gt;modern French History. &lt;/a&gt; &lt;strong&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21085533~S97&quot;&gt;France : a modern history from the Revolution to the war with terror &lt;/a&gt;by&lt;a href=&quot;https://catalog.nypl.org/availlim/search~S97?/aFenby+Jonathan/afenby+jonathan/1%2C2%2C12%2CB/exact&amp;amp;FF=afenby+jonathan&amp;amp;1%2C10%2C/indexsort=-&quot;&gt; Jonathan Fenby&lt;/a&gt;&lt;/strong&gt; is a perfect volume for the task.&lt;span&gt; A recent Gallup Poll found French &lt;/span&gt;&lt;span&gt;to be amount the &lt;/span&gt;&lt;a href=&quot;http://www.newyorker.com/culture/richard-brody/glad-to-be-unhappy-the-french-case&quot; rel=&quot;nofollow&quot;&gt;most depressed people &lt;/a&gt;&lt;span&gt;on earth.&lt;/span&gt;&lt;span&gt; As a foreign correspondent, &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aFenby%2C+Jonathan%2C+author./afenby+jonathan+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=afenby+jonathan+author&amp;amp;1%2C5%2C&quot;&gt;Jonathan Fenby&lt;/a&gt;&lt;span&gt; is particularly sensitive to a country&#039;s current political mood.&lt;/span&gt;&lt;span&gt; His latest book on France traces historical roots of current national crisis of security and confidence to the country&#039;s unresolved conflict between it&#039;s &lt;/span&gt;&lt;span&gt;progressive image and a conservative reality behind many of it&#039;s institutions and policies. According to &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aFenby%2C+Jonathan%2C+author./afenby+jonathan+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=afenby+jonathan+author&amp;amp;1%2C7%2C&quot;&gt;Jonathan Fenby&lt;/a&gt; France has been an &quot;unfinished republic&quot; since the days o&lt;a href=&quot;https://catalog.nypl.org/record=b20285163~S97&quot;&gt;f French Revolution &lt;/a&gt;.Despite the facts that &lt;/span&gt;&lt;span&gt;&lt;a href=&quot;https://www.timeout.com/newyork/bastille-day&quot; rel=&quot;nofollow&quot;&gt;Bastille Day&lt;/a&gt; is the nation&#039;s most popular holiday and  &lt;a href=&quot;https://www.youtube.com/watch?v=4K1q9Ntcr5g&quot; rel=&quot;nofollow&quot;&gt;La Marseillaise &lt;/a&gt;is the country&#039;s  national anthem , not all of it&#039;s citizens condone&lt;/span&gt; revolutionary spirit of rebellion. &lt;span&gt;While&lt;/span&gt;&lt;span&gt; discussing  &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=d&amp;amp;searcharg=France+--+History+--+Revolution%2C+1789-1799.&amp;amp;searchscope=97&amp;amp;sortdropdown=r&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=dFrance+--+History+--+Revolution%2C+1789-1799.&quot;&gt;French Revolution&lt;/a&gt;&lt;span&gt; of 1789 , author states that &quot;Modern totalitarian terrorist state had been born in a terrible perversion of the ideal of perfectibility of mankind &quot;.  A number of eminent &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/aBerlin%2C+Isaiah%2C+Sir./aberlin+isaiah+sir/-3%2C-1%2C0%2CB/exact&amp;amp;FF=aberlin+isaiah+sir&amp;amp;1%2C13%2C&quot;&gt;th&lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17289648~S1&quot;&gt;inkers&lt;/a&gt; find the &lt;span&gt;very notion  of &quot;perfectibility of humankind&quot; to be utterly incoherent. As described in this book and countless other volumes , &lt;a href=&quot;https://catalog.nypl.org/search~S97/d?France+History+Revolution%2C+1789-1799&amp;amp;search_code=a&quot;&gt;French Revolution&lt;/a&gt; is an  example  of &lt;a href=&quot;https://catalog.nypl.org/search~S1?/dFrance+--+History+--+Reign+of+Terror%2C+1793-1794+-/dfrance+history+reign+of+terror+1793+1794/1%2C30%2C2149%2CB/exact&amp;amp;FF=dfrance+history+reign+of+terror+1793+1794&amp;amp;1%2C2042%2C/limit?&quot;&gt;practical consequences &lt;/a&gt;that always  follow grandiose utopian experiments. &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aFenby%2C+Jonathan%2C+author./afenby+jonathan+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=afenby+jonathan+author&amp;amp;1%2C7%2C&quot;&gt;Jonathan Fenby&#039;s&lt;/a&gt; is willing  to confront unpleasant historical facts . In a time when &quot;impresonal&quot; style of narrative and popular history is becoming  increasingly fashionable , this author&#039;s ability to pass a  stern and sober judgment on the key political figures is very refreshing. T&lt;/span&gt;&lt;span&gt;his is what he has to say about an infamous French leader &quot;Impassive and mediocre , prejudiced and without ideas of his own, subject to influence of the last person he had spoken to .&quot;&lt;/span&gt;

	&lt;/p&gt;&lt;p&gt; &lt;/p&gt;

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		&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot; style=&quot;text-align:center; float:left&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21078207~S1&quot;&gt;&lt;img alt=&quot;Ritz Paris Culinary School &quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9781419721489&amp;amp;erroroverride=1&quot; style=&quot;border:0px&quot; width=&quot;150&quot; /&gt;&lt;/a&gt;

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		&lt;p&gt;&lt;span&gt;To denote the significance of &lt;a href=&quot;https://catalog.nypl.org/search~S1?/dCooking%2C+French./dcooking+french/-3%2C-1%2C0%2CB/exact&amp;amp;FF=dcooking+french&amp;amp;1%2C1539%2C&quot;&gt;French food&lt;/a&gt; in the history of human achievement, &lt;a href=&quot;http://en.unesco.org/&quot; rel=&quot;nofollow&quot;&gt;UNESCO&lt;/a&gt; , an organization with headquarters in &lt;a href=&quot;/blog/2015/12/22/love-letter-paris&quot;&gt;Paris&lt;/a&gt;, placed &lt;a href=&quot;http://frenchfoodintheus.org/1082&quot; rel=&quot;nofollow&quot;&gt;French Gastronomic Meal&lt;/a&gt; on the &lt;/span&gt;&lt;a href=&quot;http://www.unesco.org/culture/ich/en/decisions/5.COM/6.14&quot; rel=&quot;nofollow&quot;&gt;List of  Intangible Cultural Heritage of Humanity&lt;/a&gt;&lt;span&gt; . Readers that dream &lt;/span&gt;&lt;span&gt;of achieving culinary perfection and impeccable presentation befitting a proper gastronomic meal, must reach for &lt;/span&gt;&lt;span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21078207~S1&quot;&gt;Escoffier Ritz, Paris : 100 step-by-step recipes from the Ritz Paris Culinary School&lt;/a&gt;. &lt;/span&gt;&lt;a href=&quot;http://www.escoffier-society.com/biography.php&quot; rel=&quot;nofollow&quot;&gt;August Escoffier&lt;/a&gt; , known as the &quot;king of chefs and chef of kings&#039;&#039;, loaned  his name to the famed Parisian culinary institution of &lt;a href=&quot;http://www.ritzescoffier.com/en-GB&quot; rel=&quot;nofollow&quot;&gt;Ecole Ritz Escolfier&lt;/a&gt; . Every single page of this exquisitely &lt;span&gt;designed cookbook oozes polished sophistication and savoir-faire. Readers with a  friend that frequents Ritz and graciously invites them to share a gourmet meal at her tastefully decorated brownstone, should consider this volume to be &lt;/span&gt;&lt;span&gt;a perfect gift. Just don&#039;t judge this book by it&#039;s cover, as it contains clear instructions , complete list of ingredients in both metric systems , and pictures  of every single dish.  &lt;/span&gt;
	&lt;/p&gt;&lt;/div&gt;
&lt;/div&gt;

&lt;div&gt; &lt;/div&gt;

&lt;div&gt;
	&lt;p&gt;
  &lt;img alt=&quot;French Comfort Food &quot; title=&quot;French Comfort Food&quot; height=&quot;194&quot; width=&quot;173&quot; style=&quot;float:right&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/frenchcomfortfood.jpg&quot; /&gt;

	&lt;/p&gt;&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;strong&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20279325~S97&quot;&gt;French Comfort Food&lt;/a&gt;&lt;/strong&gt;&lt;span&gt; contains a great number of bucolic landscapes, but fails to provide a picture for most of it&#039;s dishes. It&#039;s redeemed by very comforting regional recipes . Elegant  &lt;/span&gt;&lt;span&gt;Knitting Needle Spirals with Pistou, Apple Brandy Cream Sauce with Normandy Pork Chop and Rillettes De Saumon are easy to prepare &lt;/span&gt;&lt;span&gt;Roasted Chicken with Orange and Black Olives is bursting with regional flavors of&lt;a href=&quot;https://catalog.nypl.org/record=b21079120~S97&quot;&gt; Provence&lt;/a&gt; .Penultimate French comfort food, Onion Soup, is correctly prepared with &lt;a href=&quot;http://www.huffingtonpost.com/2013/11/14/gruyere-recipe-comfort-food_n_4269658.html&quot; rel=&quot;nofollow&quot;&gt;Gruyere&lt;/a&gt; . Anyone with a French press  and an appreciation of rich and complex flavor of &lt;a href=&quot;http://www.wine-searcher.com/regions-calvados&quot; rel=&quot;nofollow&quot;&gt;Calvados&lt;/a&gt;  will find an excellent recipe for an apre-dinner drink. &lt;/span&gt;

	&lt;/p&gt;&lt;div&gt;
		&lt;p&gt; &lt;/p&gt;

		&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21055254~S1&quot;&gt;&lt;img alt=&quot;Light French&quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9782080202994&amp;amp;erroroverride=1&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

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		&lt;p&gt;&lt;span&gt;Franchophiles that wish to indulge in rich and satysfying meals and fit into that &lt;/span&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Bon_chic_bon_genre&quot; rel=&quot;nofollow&quot;&gt; bon chic bon genre  &lt;/a&gt;&lt;span&gt;outfit from &lt;/span&gt;&lt;a href=&quot;http://haussmann.galerieslafayette.com/en/&quot; rel=&quot;nofollow&quot;&gt;Galerie Lafayette&lt;/a&gt;&lt;span&gt; , should pay attention to  a cookbook written by Dr. &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/availlim/search~S1?/aCohen%2C+Jean-Michel%2C+author./acohen+jean+michel+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=acohen+jean+michel+author&amp;amp;1%2C2%2C&quot;&gt;Jean-Michelle Cohen&lt;/a&gt;&lt;span&gt; .The publication of &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21055254~S1&quot;&gt; &lt;strong&gt;Light French recipes&lt;/strong&gt; &lt;span&gt;: a Parisian diet cookbook / Dr. Jean-Michel Cohen, France&#039;s foremost nutrition expert ; photography by Bernard Radvaner ; photo styling by Géraldine Sauvage&lt;/span&gt;&lt;/a&gt;&lt;span&gt;  might solve a major dilemma for those Francophiles that are torn between their ardent  passion for &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/dCooking%2C+French./dcooking+french/-3%2C-1%2C0%2CB/exact&amp;amp;FF=dcooking+french&amp;amp;1%2C1522%2C&quot;&gt;French cuisine&lt;/a&gt;&lt;span&gt; and their enthusiastic admiration of &lt;/span&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=d&amp;amp;searcharg=Fashion+France+&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;availlim=1&amp;amp;searchlimits=&amp;amp;searchorigarg=dFashion+France+&quot;&gt;French fashion&lt;/a&gt;&lt;span&gt;. Along with a recipe for low- fat rillettes and a sensible recommendation to simply limit yourself to a small portion of this delicacy, this book contains numerous light versions of traditional French dishes . A recipe for&lt;/span&gt;&lt;a href=&quot;http://www.seriouseats.com/2015/02/how-to-makethe-best-coq-au-vin-chicken-braised-in-red-wine.html&quot; rel=&quot;nofollow&quot;&gt; Coq Au Vin &lt;/a&gt;&lt;span&gt; appears rather parched and fails to specify how exactly a chicken should be browned. Still, any health-conscious cookbook that recommends &lt;/span&gt;&lt;a href=&quot;http://www.pbs.org/food/recipes/kouign-amann/&quot; rel=&quot;nofollow&quot;&gt;Breton pastry&lt;/a&gt;&lt;span&gt; , potato and ham salad from Piedmont, cassoulet and foie gras, should get an instant stamp of approval from a health-conscious Francophile. &lt;/span&gt;

		&lt;/p&gt;&lt;p&gt; &lt;/p&gt;

		&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21159103~S1&quot;&gt;&lt;img alt=&quot;Duck Season &quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9780062309419&amp;amp;erroroverride=1&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

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		&lt;p&gt;A lifelong Francophile, &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aMcAninch%2C+David%2C+author./amcaninch+david+author/-3%2C-1%2C0%2CB/exact&amp;amp;FF=amcaninch+david+author&amp;amp;1%2C2%2C&quot;&gt;David McAnich &lt;/a&gt;finally lived his dream of settling in France for an extended holiday. Recently published &lt;a href=&quot;https://catalog.nypl.org/record=b21159103~S1&quot;&gt; &lt;strong&gt;Duck season : eating , drinking and other misadventures in Gascony-France&#039;s last best place &lt;/strong&gt;&lt;/a&gt; contains an account of his delicious months in &lt;a href=&quot;http://www.map-france.com/department-Gers/&quot; rel=&quot;nofollow&quot;&gt;Gers&lt;/a&gt;, a region of France where ducks outnumber people by the ratio of twenty to one. Inhabitants of &lt;a href=&quot;https://www.nytimes.com/2017/03/15/travel/gascony-food-restaurants-france.html?_r=0&quot; rel=&quot;nofollow&quot;&gt;Gascogne &lt;/a&gt; are deeply attached to a habit of having long and relaxing meals. A typical meal in&lt;a href=&quot;http://www.map-france.com/department-Gers/&quot; rel=&quot;nofollow&quot;&gt; Gers &lt;/a&gt;will include duck rillettes, duck sausage , duck skin cracklings, &lt;a href=&quot;http://nymag.com/restaurants/articles/wine/sommelier/armagnac.htm&quot; rel=&quot;nofollow&quot;&gt;Armagnac&lt;/a&gt;-flambeed duck tenderloins, skewed duck hearts with chanterelles , duck carpaccio, duck-confit Shepard&#039;s pie and &lt;a href=&quot;https://catalog.nypl.org/record=b18041942~S97&quot;&gt;foie gras&lt;/a&gt;.The most essential and indispensable ingredient from that region is known as the &quot;balm for the wounds of the soul&quot;. The  use of that magic ingredient ,duck fat, is becoming increasingly common in &lt;a href=&quot;https://fatworks.myshopify.com/collections/single-jar/products/pasture-raised-duck-fat-8-oz&quot; rel=&quot;nofollow&quot;&gt;this country. &lt;/a&gt;In addition to consuming every part of the duck, Gascons drink wine, &lt;a href=&quot;http://nymag.com/restaurants/articles/wine/sommelier/armagnac.htm&quot; rel=&quot;nofollow&quot;&gt;Armagnac&lt;/a&gt; , eat cheese, and rarely skip desert. Despite such lack of dietary restrictions, Gers has twice the national average of residents over the age of ninety. Author&#039;s passion for cooking regional specialties led him to a peculiar and very exclusive cooking club . After amusing misadventures and &lt;span&gt;number of&lt;/span&gt; gargantuan meals David McAnnich achieved a noticeable  improvement in cooking techniques.  While browsing  through his list of  mouthwatering  recipes and learning about warm welcome the author and his family received from eccentric inhabitants of Gers , it is very tempting to  place a trip Gascogne on a personal  bucket list. &lt;/p&gt;

		&lt;figure class=&quot;catalog-image caption caption caption align-right align-right inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20279094~S97&quot;&gt;&lt;img alt=&quot;How to be a Parsisian&quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?UserID=NYPL49807&amp;amp;Password=CC68707&amp;amp;Return=1&amp;amp;Type=S&amp;amp;Value=9780385538657&amp;amp;erroroverride=1&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

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		&lt;p&gt;&lt;span&gt;Readers that wonder how French women stay slim among the  constant temptation of&lt;/span&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Rillettes&quot; rel=&quot;nofollow&quot;&gt; rillettes&lt;/a&gt;&lt;span&gt; and baguettes , will not find an answers to that question in&lt;strong&gt; &lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20279094~S1&quot;&gt;How to be Parisian wherever you are : love, style, and bad habits / Anne Berest, Audrey Diwan, Sophie Mas, Caroline De Maigret&lt;/a&gt;&lt;/strong&gt;&lt;span&gt; .Written by a model , film producer and two writers, this volume is saturated with&lt;/span&gt;&lt;span&gt; famed Parisian savoir-faire. &lt;/span&gt;&lt;span&gt;Far from perfect , P&lt;/span&gt;&lt;span&gt;arisienne is a perfect example of someone who is &quot;&lt;/span&gt;&lt;a href=&quot;https://www.thoughtco.com/bien-dans-sa-peau-1371117&quot; rel=&quot;nofollow&quot;&gt;bien dans sa peau&lt;/a&gt;&lt;span&gt; &quot;, confident and at ease with herself. The o&lt;/span&gt;&lt;span&gt;verall advice of this book is focused on carefully cultivated unpredictability, &lt;/span&gt;&lt;span&gt;self-assertive mischief in dating, &lt;/span&gt;&lt;span&gt;well-groomed &lt;/span&gt;&lt;em&gt;au naturel look  &lt;/em&gt;&lt;span&gt;and tireless dedication to a luxurious &lt;a href=&quot;https://catalog.nypl.org/record=b21190253~S97&quot;&gt;simplify of style.&lt;/a&gt;  R&lt;/span&gt;&lt;span&gt;eaders can decide if authors preemptive&lt;/span&gt;&lt;span&gt; admission of snobbery invalidates possible charges of smug affectation, excessive artifice and lack of sincerity in personal relations. &lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;

		&lt;div&gt;Other recent titles that should be on your &lt;strong&gt;Francophile&#039;s Reading List:   &lt;/strong&gt;&lt;/div&gt;
	&lt;/div&gt;
&lt;/div&gt;

&lt;div&gt;&lt;span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21051493~S1&quot;&gt;When in French : love in a second language / Lauren Collins&lt;/a&gt; ( see a &lt;a href=&quot;/blog/2017/03/01/aint-nothin-book-love-thang-reading-list-open-book-night&quot;&gt;review &lt;/a&gt;by &lt;a href=&quot;/blog/author/778&quot;&gt;Elizabeth Waters&lt;/a&gt; ) &lt;/span&gt;&lt;/div&gt;

&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21301403~S1&quot;&gt;A brief history of France /Cecil Jenkins&lt;/a&gt;&lt;/div&gt;

&lt;div&gt;
	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21054933~S1&quot;&gt;A cook&#039;s Tour of France : Regional French Recipes &lt;/a&gt;&lt;/div&gt;

	&lt;div&gt;&lt;span&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20844711~S1&quot;&gt;Paris in Winter an illustrated memoir David Coggins &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;

&lt;div&gt;
	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21124627~S1&quot;&gt;Fairy tales for the disillusioned: enchanted stories from the French decadent tradition edited and translated by Gretchen Schultz and Lewis Seifert &lt;/a&gt;&lt;/div&gt;

	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20650186~S48&quot;&gt;French cinema : from its beginnings to the present / Rémi Fournier Lanzoni&lt;/a&gt;&lt;/div&gt;

	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21078580~S97&quot;&gt;Les Parisiennes : how the women of Paris lived, loved, and died under Nazi occupation / Anne Sebba&lt;/a&gt;&lt;/div&gt;

	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21079120~S97&quot;&gt;Seeking Provence: old myths, new paths/Nicholas Woodsworth&lt;/a&gt;&lt;/div&gt;

	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20809011~S1&quot;&gt;Paris at war, 1939-1944 / David Drake&lt;/a&gt;&lt;/div&gt;

	&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19941576~S97&quot;&gt;The whole fromage:adventures in the delectable world of French cheese/Kathe Lison &lt;/a&gt;&lt;/div&gt;

	&lt;div&gt;
		&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21009274~S1&quot;&gt;I&#039;m supposed to protect you from all this : a memoir / Nadja Spiegelman&lt;/a&gt;&lt;/div&gt;

		&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b21078614~S1&quot;&gt;My (part-time) Paris life : how running away brought me home / Lisa Anselmo&lt;/a&gt;&lt;/div&gt;

		&lt;div&gt;See this &lt;a href=&quot;https://www.facebook.com/midmanhattanlibrary/videos/1637744462906381/&quot; rel=&quot;nofollow&quot;&gt;video &lt;/a&gt;of Lisa Anselmo&#039;s appearance at &lt;a href=&quot;https://www.facebook.com/midmanhattanlibrary/videos/1637744462906381/&quot; rel=&quot;nofollow&quot;&gt;Mid-Manhattan&lt;/a&gt; library&lt;/div&gt;

		&lt;div&gt;
			&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20997930~S97&quot;&gt;The little pleasures of Paris / by Leslie Jonath ; illustrations by Lizzy Stewart&lt;/a&gt;&lt;/div&gt;

			&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20971332~S1&quot;&gt;Markets of Provence : food, antiques, crafts, and more / text and photographs by Marjorie R. Williams&lt;/a&gt;&lt;/div&gt;

			&lt;div&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19903933~S1&quot;&gt;The French market cookbook : vegetarian recipes from my Parisian kitchen / Clotilde Dusoulier&lt;/a&gt;&lt;/div&gt;

			&lt;div&gt; &lt;/div&gt;

			&lt;div&gt;
				&lt;div&gt;For a selection on books about &lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=d&amp;amp;searcharg=Paris+%28France%29+--+Guidebooks.&amp;amp;searchscope=97&amp;amp;sortdropdown=r&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=dParis+%28France%29+--+Guidebooks.&quot;&gt;Paris&lt;/a&gt;, please see  &lt;strong&gt;&lt;a href=&quot;/blog/2015/12/22/love-letter-paris&quot;&gt;Paris, je t&#039;aime! A Love Letter to Paris&lt;/a&gt;.  &lt;/strong&gt;New French fiction is discussed in  &lt;strong&gt;&lt;a href=&quot;/blog/2017/03/16/albertine-prize-finalists&quot;&gt;Translated French Fiction: Announcing the Albertine Prize Finalists&lt;/a&gt;,&lt;/strong&gt; by &lt;span&gt;&lt;a href=&quot;/blog/author/20&quot;&gt;Lynn Lobash.&lt;/a&gt; Don&#039;t &lt;/span&gt;forget to  share your favorite French reads in a comments section below  !&lt;/div&gt;
			&lt;/div&gt;
		&lt;/div&gt;
	&lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt; &lt;/div&gt;
&lt;/div&gt;
</description>
  <category>Area and Cultural Studies</category>
  <comments>https://www.nypl.org/blog/2017/10/26/francophile-quiz-books#comments</comments>
  <pubDate>Thu, 26 Oct 2017 13:37:32 -0400</pubDate>
</item>
<item>
  <title>Books for Railroad Travel</title>
  <link>https://www.nypl.org/blog/2016/09/07/books-railroad-travel</link>
  <dc:creator>Hyacinth Persad</dc:creator>
  <description>&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;510d47e1-7d98-a3d9-e040-e00a18064a99&quot; href=&quot;http://digitalcollections.nypl.org/items/510d47e1-7d98-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;Willeybrook Bridge and Train&quot; data-id=&quot;G91F017_148F&quot; src=&quot;https://images.nypl.org/index.php?id=G91F017_148F&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Willeybrook Bridge and Train. Image ID: G91F017_148F&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;On a recent summer Saturday morning I boarded Amtrak&#039;s Silverstar train from New York&#039;s Penn Station bound for Miami, Florida. As I was boarding the train the person who would be my attendant said, &quot;there she is,&quot; with my paperwork already in her hand. This welcoming greeting made for a pleasant journey from the start. She showed me my compartment or &lt;em&gt;roomette,&lt;/em&gt; gave me bottled water and said that there was a cafe car where hot meals would be available for purchase, and that I should ask if I needed anything else. I was impressed with the two, comfortably-cushioned chairs facing each other near the window in my roomette. The attendant told me that she would turn down my bed that night, but I asked her to show me how since I hadn’t planned on turning in early. I watched her turn down the bed in the &lt;em&gt;roomette&lt;/em&gt; across the corridor from me and I was confident that I would convert the two cushioned chairs into a bed. In the meantime I settled in for the ride, gaping through the windows.&lt;/p&gt;

&lt;p&gt;I had a few book titles loaded on my smartphone and tablet, but didn&#039;t get around to reading much. When approaching station stops I saw commercial buildings and traffic. After the train left a station and rolled along through the vast, verdant landscape, I also wanted to hear the train whistle, and I did many times throughout the trip as it neared stations and rail crossings. Another thing I remember was that as the train approached some station stops it would reverse to get to the station. I was captivated by how many trees there are across the country, especially in Virginia where the landscape went on forever.&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20256852__Sunformed%20landscape%20stamm__Orightresult__U__X2?lang=eng&amp;amp;suite=def&quot;&gt;&lt;img alt=&quot;Unformed Landscape&quot; height=&quot;200px&quot; src=&quot;//images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=1590511409&quot; width=&quot;undefined&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;During my train trip, I never got around to reading the print paperback I had with me, &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sunformed%20landscape%20stamm__Orightresult__U?lang=eng&amp;amp;suite=def&quot;&gt;&lt;em&gt;Unformed Landscape&lt;/em&gt;&lt;/a&gt;, by Peter Stamm. It is a work of fiction woven around travel, mostly by ship but also by train in and around Norway.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17810342__Sghost%20train%20theroux__Orightresult__U__X2?lang=eng&amp;amp;suite=def&quot;&gt;&lt;img alt=&quot;Ghost Train&quot; height=&quot;200px&quot; src=&quot;//images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780618418879&quot; width=&quot;undefined&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&quot;An aimless joy is a pure joy,” is a Yeats quote that Paul Theroux uses in his nonfiction book, &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sghost%20train%20theroux__Orightresult__U?lang=eng&quot;&gt;Ghost Train&lt;/a&gt;.&lt;/em&gt; It is an apt description of travel, especially for the way Theroux traveled through Central Asia and India. When his train travel had to be broken up, he took whatever was available, ferries, buses and cars before boarding the next train. And he did not necessarily get on the next available train. Sometimes, he would lay over for a number of days.This would mean meeting all kinds of people, and oftentimes he depended on their kindnesses. This observation resonates with me as I think, generally, about my own travels and the various kindnesses and incivilities I have encountered. Theroux is known for a wide body of fiction and nonfiction works, and is also a travel writer. His own friendliness and that of others combined with his observation and candor when making notes, and writing about those experiences, make for an engaging read. In this book he retraced the trip he made thirty years earlier. My interest in more of Theroux’s books on railroad travel has been piqued by this one.&lt;/p&gt;

&lt;p&gt;Here are three more of Paul Theroux&#039;s nonfiction books on railroad travel that are on my reading list:&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sgreat%20railway%20bazaar__Orightresult__U?lang=eng&amp;amp;suite=def&quot;&gt;&lt;img alt=&quot;Great Railway Bazaar&quot; height=&quot;300px&quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0618658947&quot; width=&quot;undefined&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;em&gt;The Great Railway Bazaar&lt;/em&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19791781__Slast%20train%20to%20zona%20verde__Orightresult__U__X7?lang=eng&amp;amp;suite=def&quot;&gt;&lt;img alt=&quot;Last Train to Zona Verde&quot; height=&quot;300px&quot; src=&quot;//images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780618839339&quot; width=&quot;undefined&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;em&gt;The Last Train To Zona Verde &lt;/em&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;figure class=&quot;catalog-image caption caption caption inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20501608__Sold%20patagonian%20express__Orightresult__U__X1?lang=eng&amp;amp;suite=def&quot;&gt;&lt;img alt=&quot;The Old Patagonia Express&quot; height=&quot;300px&quot; src=&quot;https://odrcovers.cachefly.net/cover/buid/e586516da5b2a5e5c548c611a9123c08/ph.jpg&quot; width=&quot;undefined&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;em&gt;The Old Patagonian Express&lt;/em&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Strains%20zoellner__Orightresult__U?lang=eng&amp;amp;suite=def&quot;&gt;&lt;img alt=&quot;Train&quot; height=&quot;200px&quot; src=&quot;//images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780670025282&quot; width=&quot;undefined&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;For a history of railroads in the United States and around the world, read &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Strains%20zoellner__Orightresult__U?lang=eng&amp;amp;suite=def&quot;&gt;&lt;em&gt;Train&lt;/em&gt;&lt;/a&gt; by Tom Zoellner. He gives us some details about his railroad travel in each of the countries he visits. Additionally, he weaves each country’s history and politics together and shows how it influenced the development of its railway system.&lt;/p&gt;

&lt;p&gt;See the library&#039;s catalog for a more extensive list of &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Stheroux%2C%20paul__Orightresult__U?lang=eng&amp;amp;suite=def&quot;&gt;Paul Theroux&#039;s&lt;/a&gt; fiction and non-fiction works.&lt;/p&gt;

&lt;p&gt;If you have any suggestions for books on railroad travel, please leave them in the comments section.&lt;/p&gt;
</description>
  <category>Travel writing</category>
  <comments>https://www.nypl.org/blog/2016/09/07/books-railroad-travel#comments</comments>
  <pubDate>Wed, 07 Sep 2016 15:38:04 -0400</pubDate>
</item>
<item>
  <title>Around the World in 80 Episodes: International TV Series</title>
  <link>https://www.nypl.org/blog/2016/06/10/international-television-dvds</link>
  <dc:creator>Marianna Vertsman, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;p&gt;
  &lt;img height=&quot;300&quot; width=&quot;300&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/InternationalSeries.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img alt=&quot;World Languages DVD Collection Mid-Manhattan&quot; height=&quot;300&quot; width=&quot;225&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/IMG_1219 (1).JPG&quot; /&gt;&lt;/p&gt;

&lt;p&gt;Do you ever wonder what the rest of the world is watching on TV? If you do, we invite you to browse through Mid-Manhattan&#039;s World Languages collection. Located on the first floor of &lt;a href=&quot;http://www.nypl.org/locations/mid-manhattan-library&quot;&gt;Mid-Manhattan&lt;/a&gt; library, our DVD collection is arranged alphabetically, according to the language.&lt;/p&gt;

&lt;p&gt;TV series from the United Kingdom, Australia, New Zealand and Canada are located in our general TV series section. If you don&#039;t believe in serendipitous finds, or don&#039;t have time to visit us, feel free to &lt;a href=&quot;http://www.nypl.org/help/borrowing-materials#1&quot;&gt;request&lt;/a&gt; titles mentioned in this post.&lt;/p&gt;

&lt;p&gt;After watching a great number of International TV series, I am happy to recommend a few favorites. &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20823049~S97&quot;&gt;Kaboul Kitchen&lt;/a&gt;&lt;/em&gt; is the most unusual sitcom, addressing serious issues under the guise of comedy. The prize for the most eerie setting goes to &lt;a href=&quot;https://catalog.nypl.org/record=b20538122~S1&quot;&gt;&lt;em&gt;Fortitude&lt;/em&gt;&lt;/a&gt;. The best political drama in any language, including English, is &lt;em&gt;Borden&lt;/em&gt;. The best transporting experiences are offered by the &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20910555~S97&quot;&gt;Executioner&lt;/a&gt;&lt;/em&gt; and &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20855808~S97&quot;&gt;Last Kingdom&lt;/a&gt;&lt;/em&gt;. The most intense and charismatic detective is &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19076634~S1&quot;&gt;Luther&lt;/a&gt;&lt;/em&gt;. If you can watch one recent Nordic Noir, let it be the &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20244186~S1&quot;&gt; Bridge&lt;/a&gt;&lt;/em&gt;. It would be a crime to miss French &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20244196~S1&quot;&gt;Spiral&lt;/a&gt;&lt;/em&gt; and British &lt;a href=&quot;https://catalog.nypl.org/record=b20169621~S1&quot;&gt;&lt;em&gt;Broadchurch&lt;/em&gt;&lt;/a&gt;. I am grateful to &lt;a href=&quot;http://www.nypl.org/blog/author/778&quot;&gt;Elizabeth Waters&lt;/a&gt; for her suggestions. She is very fond of &lt;a href=&quot;https://catalog.nypl.org/record=b20006864~S1&quot;&gt;Inspector Montalbano&lt;/a&gt; and recommends the Italian TV series &lt;a href=&quot;https://catalog.nypl.org/record=b17472198~S1&quot;&gt;&lt;em&gt;The Best of Youth&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Far from being exhaustive and representative, this post lists a fraction of international titles available to our patrons. Please feel free to share your personal recommendations in the comments section. All the titles in this blog contain links to the first season of the shows.&lt;/p&gt;

&lt;h2&gt;Chinese&lt;/h2&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;221&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/nirvanasmall.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20869840~S1&quot;&gt;Lang ya bang: Nirvana in Fire &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	This complex and intricate historical drama received an Outstanding Television Drama Award. Set in the 4 th century, the story centers around the fate of young man involved in hostilities between warring feudal Northern Wei and Southern Liang Dynasties.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20910555~S1&quot;&gt;Dao xia liu ren: The executioner &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	When a political conspiracy threatens to murder a newborn baby, an infants life is at the mercy of two strangers. Will the unlikely partnership between a renowned midwife Fa Yui-hung and executioner Yip Sheung-luk be strong enough to protect an innocent child ? This historical drama is set during the reign of Chenghua Emperor in the Ming Dynasty and has enough action, intrigue, and romance to keep you busy for 26 episodes.&lt;/p&gt;

&lt;h2&gt;Danish&lt;/h2&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;224&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/borgensmall.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20283245~S97&quot;&gt;Borgen&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	To witness democracy in action you can wait for November, or simply watch &lt;a href=&quot;https://catalog.nypl.org/record=b20283245~S1&quot;&gt;Borgen&lt;/a&gt; now. This immensely popular political drama is often compared to our &lt;a href=&quot;https://catalog.nypl.org/record=b18984276~S97&quot;&gt;West Wing&lt;/a&gt;. &lt;a href=&quot;https://catalog.nypl.org/record=b20283245~S1&quot;&gt;Borgen&lt;/a&gt;, translated as &lt;em&gt;castle&lt;/em&gt;, (the nickname for the Dutch Parliament Building), follows the political struggles and personal life of the first female prime minister.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20728736~S1&quot;&gt;Rejseholdet = Unit one&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	Unit One is an elite mobile police unit, dispatched to the most difficult murder investigations. Each episode of this crime series deals with a specific homicide that will be solved by the end of the segment.&lt;/p&gt;

&lt;h2&gt;Dutch&lt;/h2&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20590648~S97&quot;&gt;Salamander &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	When 66 safety deposit boxes in a small private bank in Brussels are burglarized, the owners of sensitive documents are very alarmed. While the management of the bank does not wish for the police to be involved, police inspector Paul Gerard wishes to find the culprit responsible for the heist that threatens to bring down a number of important public figures.&lt;/p&gt;

&lt;h2&gt;Finnish&lt;/h2&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;212&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/private1.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20864886~S1&quot;&gt;&lt;em&gt;Private Eye Vares&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
	Created by bestselling Finnish crime author Reijo Maki, this serial is set in Turku. Vares is a scruffy and charming private detective, who should not be underestimated.&lt;/p&gt;

&lt;h2&gt;French&lt;/h2&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;213&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/spiralsmall.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20244196~S97&quot;&gt;Spiral&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	Infinitely addictive, Spiral examines the French criminal justice system. Judges, attorneys, prosecutors, and other officers of the law are shown to be dedicated, but prone to errors of judgment. While grisly crimes, high speed chases, love triangles, betrayal of loyalties, and courtroom drama are the usual components of any police procedural, Spiral succeeds in examining the aftermath and effects of violent crime on victims, perpetrators, and members of law enforcement. In addition to Judge Roban, the most memorable judge on television, you will meet a self-destructive and fearless female detective, conscientious prosecutor, and an attorney whose beauty is well matched by her ruthless ambition and masterful eloquence.&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;210&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/returnedsmall.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20802630~S97&quot;&gt;The Returned&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	The inexplicable return of several deceased people shocks an isolated Alpine mountain community. Unaware of the fact that they have been missing for a while, the newly returned are determined to reclaim their past lives. A gruesome murder committed in town signals a possible unwelcome return of a serial killer.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20823045~S97&quot;&gt;Antigone 34: The Complete Series &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	Antigone 34 will introduce viewers to the underbelly of beautiful Montpellier, the capital of Languedoc-Roussillon region of France. With a visage and a physique of a comic book heroine, a female detective in this short series has to find a way to work with outsiders.&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;215&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/LQ_SY445_.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://https://catalog.nypl.org/record=b20646926~S97&quot;&gt;&lt;em&gt;Li&#039;l Quinquin&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
	Unless you are a frequent visitor to &lt;a href=&quot;https://catalog.nypl.org/record=b17843031~S97&quot;&gt;Bretagne&lt;/a&gt; this mini-series will strike you as impossibly bizarre. A series of grotesque crimes are investigated by a detective with painful facial tics and his equally eccentric partner. A group of local kids on summer break follows the quirky pair. Don&#039;t expect any rational explanations for actions or resolutions of any kind. Expect to see a funeral you are unlikely to forget.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19319813~S48&quot;&gt;Carlos &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	This French/German serialized movie is based on the life of the Venezuelan-born Marxist revolutionary terrorist Ilich Ramirez Sachez, commonly known as Carlos.&lt;/p&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;202&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/kabulkitchensmall.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20823049~S1&quot;&gt;Kaboul Kitchen &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	What does Afghanistan need the most in the year 2005? A French restaurant, &lt;em&gt;bien sûr&lt;/em&gt;! This sitcom is loosely based on the experiences of an actual proprietor of the only French restaurant in Kabul. This very unique show manages to be funny and thoughtful, deserving everyone&#039;s attention and my prize for the best international comedy.&lt;/p&gt;

&lt;h2&gt;German&lt;/h2&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;214&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Bukow_small.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20591395~S1&quot;&gt;Bukow &amp;amp; König&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	Police inspector Alexander Bukow and criminal profiler Katrin König work as a team in the German city of Rostock. A criminal profiler, as well as a detective, Konig is asked to investigate Bukow, a detective with a very suspicious past.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20733130~S97&quot;&gt;&lt;em&gt;Marie&#039;s Mind for Murder&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;
	After the death of her father, a policeman in the same force, Inspector Marie Bland retired from the department. While consulting on a difficult case, she is joined forces with an unlikely partner, a ladies&#039; man without passion for analytics.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20792551~S1&quot;&gt;Deutschland 83&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	A spy thriller set during the Cold War, &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20792551~S97&quot;&gt;Deutschland 83&lt;/a&gt;&lt;/em&gt; remains true to the spirit and look of the early &#039;80s. Martin Rauch, a young East German joins the army on the other side of the wall, in an attempt to gain some insight into the NATO strategy.&lt;/p&gt;

&lt;h2&gt;Hebrew&lt;/h2&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;212&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/prisonersofwar.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20225088~S1&quot;&gt;Prisoners of War &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	The original inspiration for &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19668979~S97&quot;&gt;Homeland&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20225088~S1&quot;&gt;Prisoners of War&lt;/a&gt;&lt;/em&gt; is the winner of Israel&#039;s Academy Award for Best Television Drama. The show centers around experience of several soldiers, returning home after being held as hostages for a number of years.&lt;/p&gt;

&lt;h2&gt;Italian&lt;/h2&gt;

&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;206&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/montablanocut_.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20006864~S97&quot;&gt;Il commissario Montalbano = Detective Montalbano&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
	Our most popular Italian crime drama is set in the fictional Sicilian town of Vigata. The series follows the exploits of the irascible but ultimately lovable police inspector Salvo Montalbano. The depictions of the many layers of Sicilian society, from destitute refugees to the immensely wealthy, as well as Montalbano&#039;s personal and professional relationships, add depth to this crime series adapted from &lt;a href=&quot;https://catalog.nypl.org/record=b20907502~S97&quot;&gt;Andrea Camilleri&#039;s&lt;/a&gt; novels.&lt;/p&gt;

&lt;div&gt;
	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20728729~S97&quot;&gt;Inspector Manara&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Upon his involuntary transfer from Milan to a sleepy Tuscan town, inspectors Guido Manara expects to be bored. Shortly after Guido&#039;s arrival, a librarian is savagely murdered. Delighted by a dashing policeman, town&#039;s female population is eager to avenge the librarian. While a great number of women are willing to assist Inspector Manara in his investigations, things grow quite complicated, as his former flame happens to be a chief of forensics.&lt;/p&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;223&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/bestofyouth.jpg&quot; alt=&quot;&quot; /&gt;

	&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17472198~S1&quot;&gt;La meglio gioventù = The best of youth &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Originally shown as a mini-series on Italian television in 2003, &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17472198__Sla%20meglio%20gioventu__Orightresult__U__X7?lang=eng&amp;amp;suite=def&quot; target=&quot;_blank&quot;&gt;The Best of Youth / La meglio gioventù&lt;/a&gt;&lt;/em&gt; is re-edited for theatrical release. This beautifully crafted drama shows the human side of forty years of Italian history, as it follows the lives of two brothers and their friends and family, starting with their high school days in Rome in the early 1960s.&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20728717~S97&quot;&gt;Don Matteo&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		After spending some time away from his town, enterprising and slightly meddlesome Don Matteo solves crimes local police is incapable of solving. Bicycling through town in his habit, he always happens to be in the right place at a wrong time.&lt;/p&gt;

	&lt;h2&gt;Swedish&lt;/h2&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;222&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/bridge.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;http://Luther. [Season one] [videorecording] / series created and written by Neil Cross Handsome brooding&quot; rel=&quot;nofollow&quot;&gt;Bron = The bridge&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		If you can only watch one Nordic Noir series from this list, let it be the &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20244186~S1&quot;&gt;Bridge&lt;/a&gt;.&lt;/em&gt; This Swedish/ Danish masterpiece deserves accolades for being the most uncommon detective and the most realistic portrayal of camaraderie in a workplace.&lt;em&gt; &lt;a href=&quot;https://catalog.nypl.org/record=b20244186~S1&quot;&gt; Bridge&lt;/a&gt;&lt;/em&gt; is an outstanding and rare example of entertainment that allows for a nuanced view of life. Saga Noren, a Swedish detective with unmentioned, but clearly pronounced version of Aspergers&#039; syndrome, must learn to cooperate with a deeply troubled Danish colleague. There is not a single false note in this show, so don&#039;t expect a happy end.&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20876460~S97&quot;&gt;Beck&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		This Swedish television series is based on crime novels of &lt;a href=&quot;https://catalog.nypl.org/search~S97?/a+Sjowall++Maj/asjowall+maj/1%2C5%2C20%2CB/exact&amp;amp;FF=asjowall+maj+1935&amp;amp;1%2C13%2C/indexsort=-&quot;&gt;Maj Sjowall &lt;/a&gt;and &lt;a href=&quot;https://catalog.nypl.org/search~S97?/aWahl{u00F6}{u00F6}%2C+Per%2C+1926-1975%2C+author./awahloo+per+1926+1975+author/1%2C2%2C9%2CB/exact&amp;amp;FF=awahloo+per+1926+1975+author&amp;amp;1%2C7%2C&quot;&gt;Per Wahloo.&lt;/a&gt; Unlike his handsome and impulsive partner, Martin Beck is not concerned with appearances. Unlike proper, but eccentric Beck, Gunwale refuses to play by the rules. The good cop, bad cop routine works for this pair of seasoned detectives.&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20490225~S97&quot;&gt;Irene Huss &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Married mother of two teens, Irene is dealing with parenting, marriage, crime, and private investigator assignments from a neighbor.&lt;/p&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;210&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/wallander.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19764203~S97&quot;&gt;&lt;em&gt;Henning Mankell&#039;s Wallander&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
		Want to meet a man that is handsome, intelligent, emotionally complex, and dedicated to his work? Watch &lt;a href=&quot;https://catalog.nypl.org/record=b19764202~S97&quot;&gt;&lt;em&gt;Henning Mankell&#039;s Wallander&lt;/em&gt;&lt;/a&gt;. While there is a number of Wallanders out there, most viewers seem to prefer the original Swedish version. Ignore &lt;a href=&quot;http://blogs.indiewire.com/leonardmaltin/the-two-faces-of-wallander&quot; rel=&quot;nofollow&quot;&gt;reviews&lt;/a&gt; that reflect a shallow, but deeply ingrained Hollywood stereotypes of an &quot;ideal&quot; good looking male protagonist. &lt;a href=&quot;http://www.imdb.com/name/nm0377631/?ref_=tt_ov_st_sm&quot; rel=&quot;nofollow&quot;&gt;Krister Henriksson&lt;/a&gt; was a very handsome man, is a very a handsome man, and will always be a very handsome man.&lt;/p&gt;

	&lt;h2&gt;British&lt;/h2&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;225&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/FortitudeSmall.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20538122~S97&quot;&gt;Fortitude&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Fortitude receives my prize for the most unusual geographical setting. Filmed in Iceland, this glacial town of unspecified remote location is populated by scientists and absconders of all walks of life. No one is allowed to die in Fortitude, as it&#039;s impossible to be buried in permafrost. The Governor of Fortitude is very eager to attract investors for her glacier hotel project. When several inhabitants of Fortitude are savagely murdered, those plans have to be put on ice.&lt;/p&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;200&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Broadchurchsmall_0.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20169621~S1&quot;&gt;Broadchurch&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Intensively atmospheric, &lt;em&gt;Broadchurch&lt;/em&gt; examines the effects of tragedy on an isolated community. Tensions are brewing after a young boy body is found on the beach. It seems like everyone living in this community is hiding a trauma from the past or suffers from a deep character flaw. Confusing dead-ends, deviations from police protocol, brooding anti-social investigator and stunning cinematography seem to be the standard for any foreign police procedural. This show is distinguished by an exceptionally talented cast. After finding a great TV series, I am always fearful of the disappointing second season. Happy to report that the second season consisted of superb courtroom drama, supported by very memorable performances by &lt;a href=&quot;http://www.imdb.com/name/nm0001399/&quot; rel=&quot;nofollow&quot;&gt;Marianne Jean-Baptiste&lt;/a&gt; and &lt;a href=&quot;http://www.imdb.com/name/nm0001648/?ref_=fn_al_nm_1&quot; rel=&quot;nofollow&quot;&gt;Charlotte Rampling&lt;/a&gt;.&lt;/p&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;199&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/blacksailssmall.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20499072~S1&quot;&gt;Black Sails&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		A prequel to Stevenson&#039;s &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20297993~S97&quot;&gt;Treasure Island&lt;/a&gt;&lt;/em&gt;, this show is not suitable for young audiences. Put your kids to bed and watch a show that finally portrays pirates as brutish, manipulative, and scheming cutthroats.&lt;/p&gt;

	&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19835424~S97&quot;&gt;&lt;em&gt;The Bletchley Circle&lt;/em&gt; &lt;/a&gt;&lt;br /&gt;
		Four female former Nazi code-breakers figure out how to apply their skills to solving a series of murders in post-war London. Susan, a housewife dedicated to supporting her husband and children, is beginning to recognize patterns connecting the killings of young women. This inspires her to return to her code breaking past friends Millie, Lucy and Jean. After failing to convince the police to follow up on her calculations, the four friends take matters into their own hands.&lt;/p&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;203&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/luther_0.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19076634~S97&quot;&gt;Luther &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Impossibly handsome, fiercely intelligent, brooding and intensely independent, this British detective is simply irresistible. Completely dedicated to fighting crime, Luther is often tempted to use unorthodox methods of investigation. He perseveres, despite personal problems and a number of law enforcement officers that wish him ill.&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17666041~S97&quot;&gt;House of Cards &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		The original &lt;em&gt;House of Cards&lt;/em&gt; includes charming and Machiavellian Francis Urguhart. It&#039;s always a pleasure to watch him wreak havoc all over Parliament.&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20207586~S97&quot;&gt;Death in the Paradise &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Sunshine and warm turquoise waves do not appeal to a British detective in charge of a murder on a tiny island in the Caribbean. He just wants to get back to rainy England. Unfortunately his superiors exiled him to Paradise for an indefinite period of time.&lt;/p&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;212&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Hinterland_-_season_1_DVD.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20231963~S97&quot;&gt;Hinterland &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		&lt;em&gt;Y Gwyll&lt;/em&gt;, titled &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20231963~S1&quot;&gt;Hinterland&lt;/a&gt;&lt;/em&gt; in its English edition, is a great addition to the Celtic Noir genre. Filmed around a beautiful coastal town of Aberystwyth, this Welsh import is a refreshing alternative to a typical metropolitan series with glamorous, over-groomed detectives and international intrigue. I was pleasantly surprised by the refreshing idea of casting ordinary people for the roles of ordinary people. DCI Mathias, recently transferred from London, is seeking redemption after a family tragedy. As all crimes in the area are explained by deep dark secrets from the past, DCI Mathias gets into considerable trouble by attempting to uncover long-buried secrets.&lt;/p&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;210&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/lastkingdom(1).jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20855808~S1&quot;&gt;Last Kingdom &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		This historical drama is based on the series of books by &lt;a href=&quot;https://catalog.nypl.org/record=b20758620~S48&quot;&gt;Bernard &lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20758620~S48&quot;&gt;Cornwel&lt;/a&gt;l. If you like shaggy-haired, battle-scarred Norse warriors, doing the usual burning and pillaging, you will enjoy this show. There are wise blind men, beautiful maidens, but no dragons.&lt;/p&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;218&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Peaky_Blindersmall.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20282570~S1&quot;&gt;Peaky Blinders &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Peaky Blinders is a period costume drama, best compared to &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19335299~S1&quot;&gt;Boardwalk Empire&lt;/a&gt;&lt;/em&gt;. Recent war veteran and young leader of a crime family is attempting to improve their fortunes by engaging in illegal activity in Birmingham. According to a recent &lt;a href=&quot;http://www.thetimes.co.uk/article/heady-days-for-cap-sales-thanks-to-peaky-blinders-2698xck98&quot; rel=&quot;nofollow&quot;&gt;article in the Sunday &lt;em&gt;Times&lt;/em&gt; of London&lt;/a&gt;, the show is responsible for the increasing sales of a specific flat hat, traditionally worn by &lt;a href=&quot;https://catalog.nypl.org/record=b20282570~S48&quot;&gt;Peaky Blinders&lt;/a&gt;. The article features a picture of &lt;a href=&quot;https://catalog.nypl.org/record=b19076634~S97&quot;&gt;Luther&lt;/a&gt;, who might just be a fan of this show.&lt;/p&gt;

	&lt;h2&gt;New Zealand&lt;/h2&gt;

	&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img height=&quot;215&quot; width=&quot;150&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/topofthelakesmall_.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

	&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20006600~S1&quot;&gt;Top of the Lake &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;
		Directed by &lt;a href=&quot;https://catalog.nypl.org/search~S97?/acampion+jane/acampion+jane/1%2C4%2C11%2CB/exact&amp;amp;FF=acampion+jane+1954&amp;amp;1%2C8%2C/indexsort=-&quot;&gt;Jane Campion&lt;/a&gt;, Top of the Lake is intensely atmospheric. While on a leave to care for her ill mother, detective Griffin uncovers secrets related to disappearance of a twelve year old girl. Despite beautiful cinematography and fine acting, this show feels a bit contrived and predictable. A number of characters lack depth and complexity.&lt;/p&gt;
&lt;/div&gt;
</description>
  <category></category>
  <comments>https://www.nypl.org/blog/2016/06/10/international-television-dvds#comments</comments>
  <pubDate>Fri, 10 Jun 2016 14:27:01 -0400</pubDate>
</item>
<item>
  <title>Around the World in 80 Cookbooks</title>
  <link>https://www.nypl.org/blog/2016/01/26/around-world-cookbooks</link>
  <dc:creator>Marianna Vertsman, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;p&gt;
  &lt;img alt=&quot;International Night &quot; title=&quot;International Night &quot; height=&quot;275&quot; width=&quot;208&quot; style=&quot;float:right&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/internationalnypl.jpg&quot; /&gt;&lt;/p&gt;

&lt;p&gt;The idea for this list of cookbooks arranged by a country was inspired by an event that takes place at a local elementary &lt;a href=&quot;http://059m.r9tech.org/&quot; rel=&quot;nofollow&quot;&gt;public school&lt;/a&gt;. During an annual &lt;em&gt;International Night &lt;/em&gt;students, teachers and administrators celebrate diverse student body by serving dishes prepared by student&#039;s parents . For a number of years , I was a participant, occasionally cooking and always sampling scrumptious and exotic dishes from Hungary, Morocco, Ireland, Malta, Albania, Nigeria , and a great number of other countries.&lt;/p&gt;

&lt;p&gt;If you are bored with cooking the same few dishes , or wish to challenge yourself, you can use this list of cookbooks from twenty five countries.&lt;/p&gt;

&lt;p&gt;The presence or absence of a particular country is determined by current availably of reading materials that can be borrowed . While I would have loved to include cookbooks from Ethiopia, Nigeria, Russia, Hungary, Australia, Dominican Republic, Columbia, Argentina and South Africa, and a few other countries, the following list will keep any aspiring cook occupied, until such books became easily available. For an excellent guide to regional cuisine and general food and travel titles please see the &lt;a href=&quot;/blog/2015/07/31/ticketless-traveler-cookbooks&quot;&gt;The Ticketless Traveler: Food and Cooking Edition&lt;/a&gt;.&lt;/p&gt;

&lt;h2&gt;Spain&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19995871~S97&quot;&gt;&lt;img alt=&quot; recipes and traditions &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780811875011&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19995871~S97&quot;&gt;Spain: Recipes and Traditions from the Verdant Hills of the Basque Country to the Coastal Waters of Andalusia&lt;/a&gt;&lt;/em&gt; / Jeff Koehler&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17439216~S97&quot;&gt;&lt;em&gt;The Cuisines Of Spain: Exploring Regional Home Cooking&lt;/em&gt;&lt;/a&gt; / Teresa Barrenechea&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18194130~S1&quot;&gt;&lt;em&gt;Tapas: Sensational Small Plates From Spain&lt;/em&gt;&lt;/a&gt; / by Joyce Goldstein&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Portugal, Azores, Madeira&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20784611~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;authentic Portuguese Cooking &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781624141942&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20784611~S97&quot;&gt;Authentic Portuguese cooking: 185 classic Mediterranean-style recipes of the Azores, Madeira and continental Portugal&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;http://The new Portuguese table: exciting flavors from Europe&amp;#039;s western coast / David Leite ; photographs by Nuno&quot;&gt;The New Portuguese Table: Exciting Flavors from Europe&#039;s Western Coast&lt;/a&gt; &lt;/em&gt;/ David Leite ; photographs by Nuno&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Greece&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20299077~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot; Lessons On Food, Life And Longevity From The Greek Island &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781623362959&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20299077~S97&quot;&gt;Ikaria: Lessons On Food, Life, And Longevity From The Greek Island Where People Forget To Die&lt;/a&gt; &lt;/em&gt;/ Diane Kochilas&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20540163~S97&quot;&gt;&lt;em&gt;The Islands Of Greece: Recipes From Across The Greek Seas&lt;/em&gt;&lt;/a&gt; / Rebecca Seal&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19275311~S97&quot;&gt;&lt;em&gt;Kokkari: Contemporary Greek Flavors&lt;/em&gt;&lt;/a&gt; / by Erik Cosselmon and Janet Fletcher&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17634508~S97&quot;&gt;&lt;em&gt;The Philosopher&#039;s Kitchen: Recipes From Ancient Greece And Rome For The Modern Cook&lt;/em&gt;&lt;/a&gt; / Francine Segan&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Italy&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19750689~S48&quot;&gt;&lt;em&gt;&lt;img alt=&quot;nigelissima&quot; src=&quot;https://images.btol.com/contentcafe/jacket.aspx?userid=contentcafeclient&amp;amp;password=client&amp;amp;return=t&amp;amp;type=l&amp;amp;value=9780770437015&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19750689~S48&quot;&gt;&lt;em&gt;Nigellissima: Easy Italian-inspired Recipes&lt;/em&gt;&lt;/a&gt; / Nigella Lawson&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20809643~S48&quot;&gt;&lt;em&gt;Saveur Italian Comfort Food&lt;/em&gt;&lt;/a&gt; / the editors of Saveur ; editor-in-chief, Adam Sachs&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780127~S48&quot;&gt;&lt;em&gt;Lidia&#039;s Mastering The Art Of Italian Cuisine: Everything You Need To Know To Be A Great Italian Cook&lt;/em&gt;&lt;/a&gt; / Lidia Mattichio Bastianich&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20549804~S48&quot;&gt;&lt;em&gt;Patsy&#039;s Italian Family Cookbook&lt;/em&gt;&lt;/a&gt; / Sal J. Scognamillo&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Sweden&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19330375~S97&quot;&gt;&lt;img alt=&quot;Traditional Swedish Cooking &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781616081362&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19330375~S97&quot;&gt;Traditional Swedish cooking&lt;/a&gt;&lt;/em&gt; / Caroline Hofberg ; translation by Monika Romare&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18754360~S97&quot;&gt;Swedish Breads and Pastries&lt;/a&gt; &lt;/em&gt;/ Jan Hedh ; photography by Klas Andersson&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20299007~S97&quot;&gt;&lt;em&gt;Under The Walnut Tree&lt;/em&gt;&lt;/a&gt; / Anna Bergenström, Fanny Bergenström ; translated by Susanne Lomander&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Iceland&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20284465~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;cooking Iceland &quot; src=&quot;https://images.btol.com/contentcafe/jacket.aspx?userid=contentcafeclient&amp;amp;password=client&amp;amp;return=t&amp;amp;type=l&amp;amp;value=9781607744986&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;http://ilsstaff.nypl.org/record=b20284465~S1&quot;&gt;North: The New Nordic Cuisine of Iceland&lt;/a&gt; &lt;/em&gt;/ Gunnar Karl Gíslason and Jody Eddy&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;France&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17886119~S1&quot;&gt;&lt;em&gt;&lt;img alt=&quot;la Bonne Cuisine De Mademe E. Sain-agne&quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=1580086055&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17886119~S1&quot;&gt;&lt;em&gt;La Bonne Cuisine De Madame E. Saint-ange: The Original Companion For French Home Cooking &lt;/em&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20279325~S1&quot;&gt;&lt;em&gt;French Comfort Food&lt;/em&gt;&lt;/a&gt; / Hillary Davis ; photographs by Steven Rothfeld&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20754617~S48&quot;&gt;&lt;em&gt;Bistronomy: Recipes From The Best New Paris Bistros&lt;/em&gt;&lt;/a&gt; / Jane Sigal&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20642562~S48&quot;&gt;&lt;em&gt;In A French Kitchen: Tales And Traditions Of Everyday Home Cooking In France&lt;/em&gt;&lt;/a&gt; / Susan Herrmann Loomis&lt;/p&gt;

&lt;h2&gt; &lt;/h2&gt;

&lt;h2&gt;Great Britain&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19683320~S1&quot;&gt;&lt;em&gt;&lt;img alt=&quot;jamie Oliver&amp;#039;s Great Britain &quot; src=&quot;https://images.btol.com/contentcafe/jacket.aspx?userid=contentcafeclient&amp;amp;password=client&amp;amp;return=t&amp;amp;type=l&amp;amp;value=9781401324780&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19683320~S1&quot;&gt;&lt;em&gt;Jamie Oliver&#039;s Great Britain&lt;/em&gt;&lt;/a&gt; / photography by &quot;Lord&quot; David Loftus&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17273790~S97&quot;&gt;Taste: The Story of Britain Through Its Cooking&lt;/a&gt;&lt;/em&gt; / Kate Colquhoun&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20299013~S97&quot;&gt;Roast: A Very British Cookbook&lt;/a&gt;&lt;/em&gt; / Marcus Verberne&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19986899~S97&quot;&gt;Tom Kerridge&#039;s Proper Pub Food&lt;/a&gt;&lt;/em&gt; / by Tom Kerridge&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17149983~S1&quot;&gt;&lt;em&gt;Cooking With The Two Fat Ladies&lt;/em&gt;&lt;/a&gt; / by Jennifer Paterson and Clarissa Dickson Wright&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Ireland&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20195335~S97&quot;&gt;&lt;img alt=&quot;Irish Country Cooking &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781454911043&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20195335~S97&quot;&gt;Irish Country Cooking: More Than 100 Recipes for Today&#039;s Table&lt;/a&gt;&lt;/em&gt; / the Irish Countrywomen&#039;s Association&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20552446~S97&quot;&gt;Clodagh&#039;s Irish Kitchen&lt;/a&gt;&lt;/em&gt; / Clodagh McKenna&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19966544~S97&quot;&gt;Kevin Dundon&#039;s Modern Irish Food: More Than 100 Recipes for Easy Comfort Food&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;India&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20754485~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;easy Indian Cookbook &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781848992450&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20754485~S97&quot;&gt;&lt;em&gt;Easy Indian Cookbook: The Step-by-step Guide To Deliciously Easy Indian Food At Home&lt;/em&gt;&lt;/a&gt; / Manju Malh&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19588097~S97&quot;&gt;&lt;em&gt;Vegan Indian Cooking: 140 Simple And Healthy Vegan Recipes&lt;/em&gt;&lt;/a&gt; / Anupy Singla&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780129~S97&quot;&gt;&lt;em&gt;Vegetarian India: A Journey Through The Best Of Indian Home Cooking&lt;/em&gt;&lt;/a&gt; / Madhur Jaffrey&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20754589~S97&quot;&gt;&lt;em&gt;Made In India: Recipes From An Indian Family Kitchen&lt;/em&gt;&lt;/a&gt; / Meera Sodha&lt;/p&gt;

&lt;h2&gt;Peru&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780087~S97&quot;&gt;&lt;img alt=&quot;The Fire of Peru &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780544454309&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780412~S97&quot;&gt;Lima the cookbook: Peruvian Home Cooking&lt;/a&gt; &lt;/em&gt;/ Virgilio Martinez &amp;amp; Luciana Bianch&lt;/p&gt;

&lt;p&gt;​&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780087~S97&quot;&gt;The Fire of Peru: Recipes and Stories from My Peruvian Kitchen&lt;/a&gt;&lt;/em&gt; / Ricardo Zarate &amp;amp; Jenn Garbee&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19823444~S97&quot;&gt;&lt;em&gt;The Everything Peruvian Cookbook&lt;/em&gt;&lt;/a&gt; / Morena Cuadra and Morena Escardó&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17181731~S1&quot;&gt;Primicias de Cocina Peruana&lt;/a&gt; &lt;/em&gt;/ Rodolfo Hinostroza&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Jamaica&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17492835~S97&quot;&gt;&lt;img alt=&quot;Lucinda&amp;#039;s authentic Jamaican Kitchen &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0471749354&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17492835~S97&quot;&gt;Lucinda&#039;s Authentic Jamaican Kitchen&lt;/a&gt;&lt;/em&gt; / Lucinda Scala Quinn&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17678118~S97&quot;&gt;Jerk from Jamaica: Barbecue Caribbean Style&lt;/a&gt;&lt;/em&gt; / Helen Willinsky&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Puerto Rico&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20224977~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;cocina Tropical &quot; src=&quot;https://images.btol.com/contentcafe/jacket.aspx?userid=contentcafeclient&amp;amp;password=client&amp;amp;return=t&amp;amp;type=l&amp;amp;value=0789327430&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20224977~S97&quot;&gt;Cocina Tropical: The Classic &amp;amp; Contemporary Flavors Of Puerto Rico&lt;/a&gt;&lt;/em&gt; / Jose Santaella&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20519852~S97&quot;&gt;&lt;em&gt;Puerto Rican Cuisine In America: Nuyorican And Bodega Recipes&lt;/em&gt;&lt;/a&gt; / Oswald Rivera&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17327357~S1&quot;&gt;Puerto Rico, Sabor Criollo&lt;/a&gt;&lt;/em&gt; / Wilo Benet&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Cuba&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20299034~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;cuban Table &quot; src=&quot;https://images.btol.com/contentcafe/jacket.aspx?userid=contentcafeclient&amp;amp;password=client&amp;amp;return=t&amp;amp;type=l&amp;amp;value=9781250036087&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20299034~S97&quot;&gt;&lt;em&gt;The Cuban Table: A Celebration Of Food, Flavors, And History&lt;/em&gt;&lt;/a&gt; / Ana Sofia Pelaez&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17197057~S97&quot;&gt;&lt;em&gt;A Taste Of Old Cuba: More Than 150 Recipes For Delicious, Authentic, And Traditional Dishes Highlighted With Reflections And Reminiscenses&lt;/em&gt;&lt;/a&gt; / Maria Josefa Lluria de O&#039;Higgins&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17788833~S97&quot;&gt;&lt;em&gt;A Taste Of Cuba&lt;/em&gt;&lt;/a&gt; / Beatriz Llamas&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Mexico&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20480418~S97&quot;&gt;&lt;img alt=&quot;Cantina &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781742703992&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20480418~S97&quot;&gt;Cantina: Recipes from a Mexican Kitchen&lt;/a&gt; &lt;/em&gt;/ Paul Wilson&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20593776~S97&quot;&gt;The Best Mexican Recipes: Kitchen-Tested Recipes Put the Real Flavors of Mexico Within Reach&lt;/a&gt;&lt;/em&gt; / by the editors at America&#039;s Test Kitchen&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17763763~S97&quot;&gt;The Art of Mexican Cooking: Traditional Mexican Cooking for Aficionados&lt;/a&gt;&lt;/em&gt; / Diana Kennedy&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Brazil&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20493115~S97&quot;&gt;&lt;img alt=&quot;Brazilian Food &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781770854727&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20493115~S97&quot;&gt;Brazilian Food&lt;/a&gt; &lt;/em&gt;/ by Thiago Castanho &amp;amp; Luciana Bianchi&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18355956~S97&quot;&gt;The Brazilian Kitchen: 100 Classic And Contemporary Recipes For The Home Cook&lt;/a&gt;&lt;/em&gt; / Leticia Moreinos Schwartz&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17652127~S97&quot;&gt;Cooking the Brazilian Way: Culturally Authentic Foods Including Low-Fat and Vegetarian Recipes&lt;/a&gt;&lt;/em&gt; / by Alison Behnke and Karin L. Duro&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Morocco&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19640213~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot; A Culinary Journey&quot; src=&quot;https://images.btol.com/contentcafe/jacket.aspx?userid=contentcafeclient&amp;amp;password=client&amp;amp;return=t&amp;amp;type=l&amp;amp;value=9780811877381&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19640213~S97&quot;&gt;&lt;em&gt;Morocco: A Culinary Journey With Recipes From The Spice-scented Markets Of Marrakech To The Date-filled Oasis Of Zagora &lt;/em&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19377370~S97&quot;&gt;&lt;em&gt;Mourad: New Moroccan&lt;/em&gt;&lt;/a&gt; / Mourad Lahlou ; With Susie Heller, Steve Siegelman, And Amy Vogler&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20790064~S97&quot;&gt;&lt;em&gt;Postcards From Marrakesh: Recipes From The Heart Of Morocco&lt;/em&gt;&lt;/a&gt; / Andy Harris ; photography by David Loftus&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19737602~S97&quot;&gt;&lt;em&gt;A Month In Marrakesh: Recipes From The Heart Of Morocco&lt;/em&gt;&lt;/a&gt; / text by Andy Harris&lt;/p&gt;

&lt;h2&gt;Lebanon&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20598804~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;rose Water &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0762454865&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20598804~S97&quot;&gt;&lt;em&gt;Rose Water And Orange Blossoms: Fresh &amp;amp; Classic Recipes From My Lebanese Kitchen&lt;/em&gt;&lt;/a&gt; / by Maureen Abood&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19698287~S97&quot;&gt;&lt;em&gt;The Lebanese Kitchen&lt;/em&gt;&lt;/a&gt; / Salma Hage&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Turkey&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20804198~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;essential Turkish &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=1617691720&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20804198~S97&quot;&gt;&lt;em&gt;Essential Turkish Cuisine&lt;/em&gt;&lt;/a&gt; / Engin Akin ; photography by Helen Cathcart&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19647923~S97&quot;&gt;&lt;em&gt;Turkey: More Than 100 Recipes With Tales From The Road&lt;/em&gt;&lt;/a&gt; / Leanne Kitchen&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Senegal&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20844648~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot; Modern Senegalese Recepies From The Source To The Bowl &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781891105555&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20844648~S97&quot;&gt;&lt;em&gt;Senegal: Modern Senegalese Recipes From The Source To The Bowl&lt;/em&gt;&lt;/a&gt;&lt;em&gt; /Pierre Thiam &lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17051284~S98&quot;&gt;&lt;em&gt;Yolele! Recipes From The Heart Of Senegal&lt;/em&gt;&lt;/a&gt; / by Pierre Thiam ; photography by Adam Bartos&lt;/p&gt;

&lt;h2&gt; &lt;/h2&gt;

&lt;h2&gt; &lt;/h2&gt;

&lt;h2&gt; &lt;/h2&gt;

&lt;h2&gt;Korea&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20598114~S1&quot;&gt;&lt;em&gt;&lt;img alt=&quot;korean Cooking &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780544129894&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20598114~S1&quot;&gt;&lt;em&gt;Maangchi&#039;s Real Korean Cooking: Authentic Dishes For The Home Cook&lt;/em&gt;&lt;/a&gt; / Maangchi with Lauren Chattman&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19025630~S97&quot;&gt;&lt;em&gt;The Kimchi Chronicles: Korean Cooking For An American Kitchen&lt;/em&gt;&lt;/a&gt; / Marja Vongerichten&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17984990~S97&quot;&gt;&lt;em&gt;The Korean Table: From Barbecue To Bibimbap: 100 Easy-to-prepare Recipes&lt;/em&gt;&lt;/a&gt; / Taekyung Chung and Debra Samuels&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Japan&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780130~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;donabe &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781607746997&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780130~S97&quot;&gt;&lt;em&gt;Donabe: Classic And Modern Japanese Clay Pot Cooking&lt;/em&gt;&lt;/a&gt; / Naoko Takei Moore and Kyle Connaughton&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19982113~S97&quot;&gt;&lt;em&gt;Japanese Soul Cooking: Ramen, Tonkatsu, Tempura, And More From The Streets And Kitchens Of Tokyo And Beyond&lt;/em&gt;&lt;/a&gt; / Tadashi Ono and Harris Salat&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19736718~S97&quot;&gt;&lt;em&gt;Hiroko&#039;s American Kitchen: Cooking With Japanese Flavors&lt;/em&gt;&lt;/a&gt; / Hiroko Shimbo&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Thailand&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780172~S97&quot;&gt;&lt;img alt=&quot;True Thai &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0847846237&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20780172~S1&quot;&gt;True Thai: Real Flavors for Every Table&lt;/a&gt;&lt;/em&gt; / Hong Thaimee&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20622318~S1&quot;&gt;&lt;em&gt;Nong&#039;s Thai Kitchen: 84 Classic Recipes That are Quick, Healthy and Delicious&lt;/em&gt;&lt;/a&gt; / Nongkran Daks&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20299168~S97&quot;&gt;New Thai Food: Recipes for Home&lt;/a&gt;&lt;/em&gt; / Martin Boetz&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20195330~S97&quot;&gt;Simple Thai Food: Classic Recipes From the Thai Home Kitchen&lt;/a&gt;&lt;/em&gt; / Leela Punyaratabandhu&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;Vietnam&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20252106~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;the Banh Mi Handbook &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781607745334&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20252106~S97&quot;&gt;&lt;em&gt;The Banh Mi Handbook: Recipes For Crazy-delicious Vietnamese Sandwiches&lt;/em&gt;&lt;/a&gt; / Andrea Quynhgiao Nguyen&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20299057~S1&quot;&gt;&lt;em&gt;The Slanted Door: Modern Vietnamese Food&lt;/em&gt;&lt;/a&gt; / Charles Phan with Janny Hu&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20536075~S97&quot;&gt;&lt;em&gt;Eating Vịêt Nam: Dispatches From A Blue Plastic Table&lt;/em&gt;&lt;/a&gt;&lt;em&gt; / Graham Holliday&lt;/em&gt;&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h2&gt;China&lt;/h2&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20754284~S97&quot;&gt;&lt;em&gt;&lt;img alt=&quot;phoenix Claw And Jade Tree &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780385344685&quot; width=&quot;150px&quot; /&gt;&lt;/em&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20754284~S97&quot;&gt;&lt;em&gt;Phoenix Claws And Jade Trees: Essential Techniques Of Authentic Chinese Cooking&lt;/em&gt;&lt;/a&gt; / Kian Lam Kho&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20750483~S97&quot;&gt;&lt;em&gt;Chinatown Kitchen: From Noodles To Nuoc Cham: Delicious Dishes From Southeast Asian Ingredients&lt;/em&gt;&lt;/a&gt; / Lizzie Mabbott&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19698350~S97&quot;&gt;&lt;em&gt;Every Grain Of Rice: Simple Chinese Home Cooking&lt;/em&gt;&lt;/a&gt; / Fuchsia Dunlop&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20540024~S97&quot;&gt;&lt;em&gt;The Food Of Taiwan: Recipes From The Beautiful Island&lt;/em&gt;&lt;/a&gt; / Cathy Erway ; photography by Pete Lee&lt;/p&gt;
</description>
  <category>Food</category>
  <comments>https://www.nypl.org/blog/2016/01/26/around-world-cookbooks#comments</comments>
  <pubDate>Tue, 26 Jan 2016 11:55:18 -0500</pubDate>
</item>
<item>
  <title>Famous Literary Locales, Visualized</title>
  <link>https://www.nypl.org/blog/2016/01/25/literary-locales</link>
  <dc:creator>Gwen Glazer, Communications</dc:creator>
  <description>&lt;p&gt;&lt;em&gt;&lt;span&gt;This is one of a &lt;a href=&quot;http://www.nypl.org/voices/blogs/blog-channels/nypl-labs/public-domain&quot;&gt;series of blog posts&lt;/a&gt; related to the &lt;a href=&quot;http://www.nypl.org/publicdomain&quot;&gt;NYPL Public Domain Release&lt;/a&gt;: discover the collections and find inspiration for using them in your own research, teaching, and creative practice. &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;The New York Public Library recently threw open the doors to our digital collections, making 180,000 public-domain available to the public for free—and it’s opened up huge rabbit holes that you can’t help but fall down.&lt;/p&gt;

&lt;p&gt;In Readers Services, we went hunting for images that evoke our favorite literary scenes, and oh the places you can go…&lt;/p&gt;

&lt;p&gt;Here are some of our favorites.&lt;/p&gt;

&lt;h2&gt;John Steinbeck’s &lt;a href=&quot;http://digitalcollections.nypl.org/collections/farm-security-administration-photographs?filters%5brights%5d=pd&amp;amp;keywords=#/?tab=filter&quot;&gt;Dust Bowl America&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;ba309cea-902c-4288-e040-e00a18066c61&quot; href=&quot;http://digitalcollections.nypl.org/items/ba309cea-902c-4288-e040-e00a18066c61&quot;&gt;&lt;img alt=&quot;dust bowl&quot; data-id=&quot;3999709&quot; src=&quot;https://images.nypl.org/index.php?id=3999709&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Photograph of Dust Bowl refugees along a highway near Bakersfield, Calif., 1935. Image ID: 3999709&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;Gelatin silver prints from the &lt;a href=&quot;http://digitalcollections.nypl.org/collections/farm-security-administration-photographs#/?tab=navigation&quot;&gt;Farm Security Administration Photographs&lt;/a&gt; collection show scenes from the era of &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S%28grapes%20wrath%29%20%28steinbeck%29__Orightresult__U?lang=eng&quot;&gt;&lt;em&gt;The Grapes of Wrath&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;

&lt;h2&gt;Edith Wharton’s &lt;a href=&quot;http://digitalcollections.nypl.org/search/index?filters%5brights%5d%5b%5d=pd&amp;amp;filters%5broot-collection%5d=077c29f0-c612-012f-f4fa-58d385a7bc34&amp;amp;keywords=floor+plan#/?scroll=162&quot;&gt;New York City&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;510d47db-a1c9-a3d9-e040-e00a18064a99&quot; href=&quot;http://digitalcollections.nypl.org/items/510d47db-a1c9-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;NYC apartments&quot; data-id=&quot;1238851&quot; src=&quot;https://images.nypl.org/index.php?id=1238851&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Various NYC apartment buildings, 1908. Image ID: 1238851&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;When Lily Bart fell from grace in &lt;em&gt;The House of Mirth&lt;/em&gt;, she did it in the elegant apartment buildings of Golden Age New York. Roam their interiors via the &lt;a href=&quot;http://digitalcollections.nypl.org/search/index?filters%5brights%5d%5b%5d=pd&amp;amp;filters%5broot-collection%5d=077c29f0-c612-012f-f4fa-58d385a7bc34&amp;amp;keywords=floor+plan#/?scroll=162&quot;&gt;Apartment Houses of the Metropolis Collection&lt;/a&gt;.&lt;/p&gt;

&lt;h2&gt;Eloise’s &lt;a href=&quot;http://digitalcollections.nypl.org/items/bcb737e9-bdaf-80f1-e040-e00a180630eb&quot;&gt;Plaza Hotel&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;bcb737e9-bdaf-80f1-e040-e00a180630eb&quot; href=&quot;http://digitalcollections.nypl.org/items/bcb737e9-bdaf-80f1-e040-e00a180630eb&quot;&gt;&lt;img alt=&quot;plaza&quot; data-id=&quot;4016503&quot; src=&quot;https://images.nypl.org/index.php?id=4016503&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Detail of a menu at the Plaza Hotel, 1933. Image ID: 4016503&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;A detail shot from a menu at the Plaza Hotel—home of Kay Thompson’s indomitable little girl &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S%28eloise%20plaza%29%20%28kay%20thompson%29__Orightresult__U?lang=eng&amp;amp;suite=def&quot;&gt;Eloise&lt;/a&gt;, who likes to “scamper to the Terrace room where those debutantes are prancing around.”&lt;/p&gt;

&lt;h2&gt;Catherine the Great’s &lt;a href=&quot;http://digitalcollections.nypl.org/collections/collection-of-the-dresses-of-different-nations-antient-sic-and-modern#/?tab=about&amp;amp;scroll=9&quot;&gt;Moscow&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;510d47e4-7f13-a3d9-e040-e00a18064a99&quot; href=&quot;http://digitalcollections.nypl.org/items/510d47e4-7f13-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;moscow&quot; data-id=&quot;1638335&quot; src=&quot;https://images.nypl.org/index.php?id=1638335&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Jean-Baptiste Le Prince print of a gentlewoman in Moscow, 1768.&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;Gentlewomen such as &lt;a href=&quot;http://digitalcollections.nypl.org/items/510d47e4-7f13-a3d9-e040-e00a18064a99&quot;&gt;this one&lt;/a&gt; may have roamed the streets of Moscow during the era of Catherine the Great, the subject of much literary fiction.&lt;/p&gt;

&lt;h2&gt;Oliver Twist’s &lt;a href=&quot;http://digitalcollections.nypl.org/items/85944de0-f036-0132-ebb2-58d385a7b928&quot;&gt;London&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;85944de0-f036-0132-ebb2-58d385a7b928&quot; href=&quot;http://digitalcollections.nypl.org/items/85944de0-f036-0132-ebb2-58d385a7b928&quot;&gt;&lt;img alt=&quot;opera&quot; data-id=&quot;5266918&quot; src=&quot;https://images.nypl.org/index.php?id=5266918&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;“After the opera” print, London, 1840. Image ID: 5266918&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;Charles Dickens&#039;s serialized tale of the streetwise orphan was published serially, starting in 1837; this print depicts&lt;br /&gt;
	“the lamplit colonnade of a theatre, where elegantly dressed patrons of the opera are seen departing after a performance... while a shabbily dressed man approaches a well-dressed trio, probably soliciting business for a hansom cab.”&lt;/p&gt;

&lt;h2&gt;Dracula’s &lt;a href=&quot;http://digitalcollections.nypl.org/items/510d47e1-ceb2-a3d9-e040-e00a18064a99&quot;&gt;Transylvania&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;510d47e1-ceb2-a3d9-e040-e00a18064a99&quot; href=&quot;http://digitalcollections.nypl.org/items/510d47e1-ceb2-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;transylvania&quot; data-id=&quot;1503428&quot; src=&quot;https://images.nypl.org/index.php?id=1503428&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Map of Transilvania, Walachia, Moldavia, Bulgaria, Bessarab, 1681. Image ID: 1503428&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;Adorn your wall with an art print of this 1681 map of Transylvania and its environs—where Bram Stoker’s &lt;em&gt;Dracula&lt;/em&gt; roamed two centuries later.&lt;/p&gt;

&lt;h2&gt;Sir Walter Scott’s &lt;a href=&quot;http://digitalcollections.nypl.org/items/510d47db-9ff7-a3d9-e040-e00a18064a99&quot;&gt;Edinburgh&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;510d47db-9ff7-a3d9-e040-e00a18064a99&quot; href=&quot;http://digitalcollections.nypl.org/items/510d47db-9ff7-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;edinburgh&quot; data-id=&quot;EM3952&quot; src=&quot;https://images.nypl.org/index.php?id=EM3952&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Engraving by William Woolnoth, ca. 1800. Image ID: EM3952&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;The Scottish novelist wrote a series of novels in the early 19th century that center on the Old Tollbooth Prison in Edinburgh. This landscape, looking toward civilization, may echo what he saw. &lt;/p&gt;

&lt;h2&gt;Salem of &lt;em&gt;&lt;a href=&quot;http://68677&quot; rel=&quot;nofollow&quot;&gt;The Crucible&lt;/a&gt;&lt;/em&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;510d47d9-a1a0-a3d9-e040-e00a18064a99&quot; href=&quot;http://digitalcollections.nypl.org/items/510d47d9-a1a0-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;crucible&quot; data-id=&quot;68677&quot; src=&quot;https://images.nypl.org/index.php?id=68677&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Old Witch House, Salem, Mass., 1898-1931. Image ID: 68677&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;The caption on this postcard reads, “where victims of witchcraft were condemned, 1692”—the setting for Arthur Miller&#039;s iconic play about the Salem witch hysteria.&lt;/p&gt;

&lt;h2&gt;Baudelaire’s &lt;a href=&quot;http://digitalcollections.nypl.org/items/510d47da-4184-a3d9-e040-e00a18064a99&quot;&gt;Paris&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;510d47da-4184-a3d9-e040-e00a18064a99&quot; href=&quot;http://digitalcollections.nypl.org/items/510d47da-4184-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;paris&quot; data-id=&quot;1105551&quot; src=&quot;https://images.nypl.org/index.php?id=1105551&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;View of Paris, 1861. Image ID: 1105551&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;The French poet’s notion of modernity was formed in Paris, presumably on streets that looked much like this pencil drawing.&lt;/p&gt;

&lt;h2&gt;Jules Verne’s &lt;a href=&quot;http://digitalcollections.nypl.org/items/627ee792-a1ac-31ea-e040-e00a18062c1f&quot;&gt;flying machines&lt;/a&gt;&lt;/h2&gt;

&lt;div class=&quot;digcol-image align-center align-center&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;627ee792-a1ac-31ea-e040-e00a18062c1f&quot; href=&quot;http://digitalcollections.nypl.org/items/627ee792-a1ac-31ea-e040-e00a18062c1f&quot;&gt;&lt;img alt=&quot;flying&quot; data-id=&quot;1693495&quot; src=&quot;https://images.nypl.org/index.php?id=1693495&amp;amp;t=w&quot; width=&quot;100%&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Drawing of dirigibles, 1901. Image ID: 1693495&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S%28around%20world%2080%20days%29__Orightresult__U?lang=eng&quot;&gt;&lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;/a&gt; featured an array of &lt;a href=&quot;http://www.nypl.org/blog/2016/01/11/public-domain-images-sibl&quot;&gt;flying machines&lt;/a&gt;... perhaps some like these dirigibles drawn by Albert Guillaume “inspirée par les expériences de Santos-Dumont (1901).”&lt;/p&gt;

&lt;p&gt;What other book and image pairings can you think of?&lt;/p&gt;

&lt;p&gt;Have trouble reading standard print? Many of these titles are available in &lt;a href=&quot;http://www.nypl.org/printdisabilities&quot; target=&quot;_blank&quot;&gt;formats for patrons with print disabilities.&lt;/a&gt;

&lt;/p&gt;&lt;p&gt;&lt;em&gt;Staff picks are chosen by NYPL staff members and are not intended to be comprehensive lists. We&#039;d love to hear your ideas too, so leave a comment and tell us what you’d recommend. And check out our &lt;a href=&quot;http://www.nypl.org/staffpicks/&quot;&gt;Staff Picks browse tool&lt;/a&gt; for more recommendations!&lt;/em&gt;
&lt;/p&gt;</description>
  <category>Book list</category>
  <comments>https://www.nypl.org/blog/2016/01/25/literary-locales#comments</comments>
  <pubDate>Mon, 25 Jan 2016 11:55:28 -0500</pubDate>
</item>
<item>
  <title>Paris, je t'aime! A Love Letter to Paris</title>
  <link>https://www.nypl.org/blog/2015/12/22/love-letter-paris</link>
  <dc:creator>Marianna Vertsman, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img alt=&quot;Paris&quot; title=&quot;Paris &quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/ParisAlexandra.jpg&quot; /&gt;
	&lt;figcaption&gt;&lt;a href=&quot;http://alexandraluba.tumblr.com/post/132594056013/at-tour-eiffel&quot; rel=&quot;nofollow&quot;&gt;Rainy day in Paris. November 2015&lt;/a&gt;. Image Courtesy of Alexandra Jakstas&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;Literature, fine arts, photography, as well as every other form of creative self-expression has conditioned the world to equate Paris with romance. A few years ago cinematography contributed yet another film to the subject heading of &lt;a href=&quot;https://catalog.nypl.org/search~S97?/dParis+%28France%29+--+Drama./dparis+france+drama/-3,-1,0,B/browse&quot;&gt; Paris ( France ) - Drama&lt;/a&gt;. &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SParis, je t&amp;#039;aime&quot;&gt;&lt;em&gt;Paris, je t&#039;aime&lt;/em&gt;&lt;/a&gt; is a melange of loosely connected vignettes, representing eighteen arrondissements of La Ville Lumière.&lt;/p&gt;

&lt;p&gt;The most poignant and affecting episode of this film involves a letter carrier from Denver. Carol is in Paris for the first time and on her own. While she is eager to practice her diligently learned conjugations, most of her attempts to engage Parisians in conversation are unsuccessful. Carol consoles herself by looking at art and fantasizing of delivering mail to the inhabitants of charming homes, located on the quaint cobblestones streets. On the fifth day of her vacation Carol has an epiphany. Savoring a baguette sandwich on a bench of a lovely park, she is gripped by a previously unencountered and overwhelming moment of &lt;em&gt;joie de vivre&lt;/em&gt;. Carol joyfully confesses her love for Paris and is convinced that her feelings are reciprocated.&lt;/p&gt;

&lt;p&gt;If you&#039;ve never visited Paris, you might be tempted to dismiss this scene as mawkish and contrived. It would be disingenuous for me to do so, because my personal love affair with Paris commenced in a similar tragicomic manner. I did not expect  Paris of my childhood dreams to be matched by reality and landed at &lt;a href=&quot;https://www.google.com/url?sa=t&amp;amp;rct=j&amp;amp;q=&amp;amp;esrc=s&amp;amp;source=web&amp;amp;cd=1&amp;amp;cad=rja&amp;amp;uact=8&amp;amp;ved=0ahUKEwjRqP-998DJAhWGXD4KHRKBBpcQFggdMAA&amp;amp;url=http%3A%2F%2Fwww.aeroportsdeparis.fr%2Fen&amp;amp;usg=AFQjCNF_N19tuh3p2Bc3ou3BWbNa4aM-Ww&quot; rel=&quot;nofollow&quot;&gt;Paris-Charles-de-Gaulle&lt;/a&gt; with a strong sense of foreboding. Just like Carol, I was smitten with the city&#039;s visual grandeur, mesmerized by the simple elegance of style Parisians possess, enamored with everyone&#039;s ability to enjoy life. I felt intensely alive after emerging from the &lt;a href=&quot;http://www.catacombes.paris.fr/en/homepage-catacombs-official-website&quot; rel=&quot;nofollow&quot;&gt; Catacombs&lt;/a&gt;, determined to live a life of modest significance after visiting &lt;a href=&quot;http://www.pere-lachaise.com/perelachaise.php?lang=en&quot; rel=&quot;nofollow&quot;&gt;Père-Lachaise&lt;/a&gt;. In his poem In &quot;&lt;a href=&quot;https://catalog.nypl.org/record=b17124114~S97&quot;&gt;Paris with You&lt;/a&gt;,&quot; &lt;a href=&quot;https://catalog.nypl.org/search~S1?/aFenton+James/afenton+james/1%2C9%2C57%2CB/exact&amp;amp;FF=afenton+james+1949&amp;amp;1%2C42%2C&quot;&gt; &lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17124114~S97&quot;&gt;James Fento&lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aFenton+James/afenton+james/1%2C9%2C57%2CB/exact&amp;amp;FF=afenton+james+1949&amp;amp;1%2C42%2C&quot;&gt;n&lt;/a&gt; substitutes the world ‘Paris’ for &quot;love.&quot; To fully comprehend the magical revivifying effect Parisian &quot;love&quot; could have on your life, you must experience Paris. If you haven&#039;t  already done so ,  visit Paris for the pleasure of feeling intensely alive.&lt;/p&gt;

&lt;p&gt;The following list of books about Paris includes works of history, travelogues, esoteric guides , as well as books with lots of pictures. All of the materials in this list are available at the &lt;a href=&quot;/locations/mid-manhattan-library&quot;&gt;Mid-Manhattan Library&lt;/a&gt;. If you are as determined as Carol to learn French, you are welcome to check out a few volumes in&lt;a href=&quot;https://catalog.nypl.org/search~S97?/aMoli{u00E8}re%2C+1622-1673./amoliere+1622+1673/-3%2C2%2C0%2CB/exact&amp;amp;FF=amoliere+1622+1673&amp;amp;1%2C82%2C/limit?&quot;&gt; &lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S48?/aMoliere+/amoliere/1%2C3%2C62%2CB/exact&amp;amp;FF=amoliere+1622+1673&amp;amp;1%2C56%2C/limit?&quot;&gt;la langue de Molière&lt;/a&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/aMoli{u00E8}re%2C+1622-1673./amoliere+1622+1673/-3%2C2%2C0%2CB/exact&amp;amp;FF=amoliere+1622+1673&amp;amp;1%2C82%2C/limit?&quot;&gt;.&lt;/a&gt; They are available at&lt;a href=&quot;/locations/mid-manhattan-library&quot;&gt; Mid-Manhattan&#039;s&lt;/a&gt; World Languages Collection. Anyone learning French can benefit from NYPL&#039;s&lt;a href=&quot;/collections/articles-databases/mango-languages&quot;&gt; Mango Languages&lt;/a&gt;, a self-paced language learning tool, available to all NYPL patrons. For a excellent selection of travel guides consult the &lt;a href=&quot;/blog/2013/10/23/around-world-travel-guides&quot;&gt;Around the World with Travel Guides post&lt;/a&gt;.&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18311922~S1&quot;&gt;&lt;img alt=&quot;Paris Metro &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780143116394&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SParis Underground: The Maps, Stations, And Design Of The Métro&quot;&gt;&lt;em&gt;Paris Underground: The Maps, Stations, And Design Of The Métro&lt;/em&gt;&lt;/a&gt; by Mark Ovenden&lt;/p&gt;

&lt;p&gt;It would be impossible to get lost in Paris with this informed and captivating volume. This book focuses on social history of Paris Metro and contains beautiful illustrations of Art Nouveau stations and Art Deco signage.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20030344~S1&quot;&gt;&lt;img alt=&quot;Food Lover&amp;#039;s Guide to Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780761173380&quot; style=&quot;border:0px&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SThe Food Lover&amp;#039;s Guide To Paris: The Best Restaurants, Bistros, Cafés, Markets, Bakeries, And More&quot;&gt;&lt;em&gt;The Food Lover&#039;s Guide To Paris: The Best Restaurants, Bistros, Cafés, Markets, Bakeries, And More&lt;/em&gt;&lt;/a&gt; by Patricia Wells&lt;/p&gt;

&lt;p&gt;Visiting a country with an infinite varieties of cheese? You need this newly revised edition of a classic guide to food in Paris.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19432391~S1&quot;&gt;&lt;img alt=&quot;Paris vs. New York &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780143120254&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SParis Versus New York: A Tally Of Two Cities&quot;&gt;&lt;em&gt;Paris Versus New York: A Tally Of Two Cities&lt;/em&gt;&lt;/a&gt; by Vahram Muratyan&lt;/p&gt;

&lt;p&gt;The differences between New York and Paris displayed in a graphic format.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20832842~S1&quot;&gt;&lt;img alt=&quot;Unexpected Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9782080202376&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SUnexpected Paris: A Contemporary Portrait: A Photographic Journal&quot;&gt;&lt;em&gt;Unexpected Paris: A Contemporary Portrait: A Photographic Journal&lt;/em&gt;&lt;/a&gt; by by Nicolas Guilbert&lt;/p&gt;

&lt;p&gt;This new book is painfully self-aware, but not without a number of spontaneous and enjoyable images.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;http://ilsstaff.nypl.org/record=b20792101~S48&quot;&gt;&lt;img alt=&quot;Brassai&quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9782080201683&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SBrassaï: For The Love Of Paris&quot;&gt;&lt;em&gt;Brassaï: For The Love Of Paris&lt;/em&gt;&lt;/a&gt; by Agnès de Gouvion Saint-Cyr&lt;/p&gt;

&lt;p&gt;Hungarian-born photographer celebrates the beauty of Paris.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b16005963~S1&quot;&gt;&lt;img alt=&quot;We&amp;#039;ll Always Have Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0226473783&quot; style=&quot;border:0px&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SWe&amp;#039;ll Always Have Paris: American Tourists In France Since 1930&quot;&gt;&lt;em&gt;We&#039;ll Always Have Paris: American Tourists In France Since 1930&lt;/em&gt;&lt;/a&gt; by Harvey Levenstein&lt;/p&gt;

&lt;p&gt;Humorous and scholarly book on the history of our love affair with France.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20540061~S1&quot;&gt;&lt;img alt=&quot;Five Nights in Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780062296252&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SFive Nights in Paris: After Dark in the City of Light&quot;&gt;Five Nights in Paris: After Dark in the City of Light&lt;/a&gt; by John Baxter&lt;/p&gt;

&lt;p&gt;This very unusual guidebook will not disappoint your senses. John Baxter invites all visitors to Paris to devote each single night of a trip to the pleasure of one of your senses.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b19698129~S1&quot;&gt;&lt;img alt=&quot;Every Woman&amp;#039;s guide to Romance in Paris&quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780757002342&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SEvery Woman&amp;#039;s Guide To Romance In Paris&quot;&gt;&lt;em&gt;Every Woman&#039;s Guide To Romance In Paris&lt;/em&gt;&lt;/a&gt; by Caroline O&#039;Connell&lt;/p&gt;

&lt;p&gt;A personal tour of this authors favorite romantic spots, with many off the beaten path.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17324474~S1&quot;&gt;&lt;img alt=&quot;Quiet Corners of Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=1892145502&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=keyword&amp;amp;q=Quiet Corners Of Paris: Unexpected Hideaways, Secret Courtyards, Hidden Gardens&quot; rel=&quot;nofollow&quot;&gt;&lt;em&gt;Quiet Corners Of Paris: Unexpected Hideaways, Secret Courtyards, Hidden Gardens&lt;/em&gt;&lt;/a&gt; by Jean-Christophe Napias&lt;/p&gt;

&lt;p&gt;This directory of quite and quaint corners is conveniently organized by each individual arrondissement.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption caption caption caption caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18978101~S1&quot;&gt;&lt;img alt=&quot;The Most Beautiful Walk in the World &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780061998546&quot; style=&quot;border:0px&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SThe most beautiful walk in the world: a pedestrian in Paris&quot;&gt;The Most Beautiful Walk in the World: A Pedestrian in Paris&lt;/a&gt;&lt;/em&gt; by John Baxter&lt;/p&gt;

&lt;p&gt;John Baxter is the ideal tour guide you never had. He has that rare gift of being able to bring history to life without any references to dry and boring facts.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20641741~S48&quot;&gt;&lt;img alt=&quot;Paris Style Guide &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780062385871&quot; style=&quot;border:0px&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SThe Paris Style Guide: Shop, Eat, Sleep&quot;&gt;The Paris Style Guide: Shop, Eat, Sleep&lt;/a&gt;&lt;/em&gt; by Elodie Rambaud&lt;/p&gt;

&lt;p&gt;Want a special light bulb from Paris to illuminate your life ? Paris Style Guide will direct you to the right boutique. Leather suppliers, ceramics, kitchenware, a basket specialists and a great number of bric-à-brac stores have the potential of transforming any dwelling into a chic Parisian apartment.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20784694~S48&quot;&gt;&lt;img alt=&quot;Bright Lights Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780425280706&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SBright Lights Paris&quot;&gt;Bright Lights Paris&lt;/a&gt;&lt;/em&gt; by Angie Niles&lt;/p&gt;

&lt;p&gt;If you want to shop and dine like a native Parisian, this guide is for you. Young women from each arrondissement have their own style and myriad of boutiques and cafes that cater to their needs. If you must know which cafe in Le Marais is currently in vogue, or which boutique is popular is Saint-Germain-des-Pres, read this book.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20776685~S1&quot;&gt;&lt;img alt=&quot;Paris to the Moon &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780375758232&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sparis to the moon&quot;&gt;&lt;em&gt;Paris To The Moon&lt;/em&gt;&lt;/a&gt; by Adam Gopnik&lt;/p&gt;

&lt;p&gt;While on a temporary assignment in Paris, the author shares his impressions of the city. He is frequently juxtaposing the cultural differences between his true home in New York and his Paris.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20825645~S1&quot;&gt;&lt;img alt=&quot;The Only Street In Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780393242379&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SThe Only Street In Paris: Life On The Rue Des Martyrs&quot;&gt;&lt;em&gt;The Only Street In Paris: Life On The Rue Des Martyrs&lt;/em&gt;&lt;/a&gt; by Elaine Sciolino&lt;/p&gt;

&lt;p&gt;Former bureau chief of &lt;em&gt;The New York Times&lt;/em&gt; and an author of &lt;a href=&quot;https://catalog.nypl.org/record=b18885802~S1&quot;&gt;&lt;em&gt;La Seduction: How the French Play the Game of Life&lt;/em&gt;&lt;/a&gt;, Elaine Sciolino wrote a love letter to her neighborhood in Paris.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;//catalog.nypl.org/record=b20809077~S1&quot; rel=&quot;nofollow&quot;&gt;&lt;img alt=&quot;The Other Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780374299323&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SThe Other Paris&quot;&gt;&lt;em&gt;The Other Paris&lt;/em&gt;&lt;/a&gt; by Luc Sante&lt;/p&gt;

&lt;p&gt;After writing about &lt;a href=&quot;http://Low life: lures and snares of old New York / Luc Sante&quot;&gt; New York&lt;/a&gt;, Luc Sante acquired an encyclopedic knowledge of the seedier side of Paris, while in residence at NYPL&#039;s &lt;a href=&quot;/help/about-nypl/fellowships-institutes/center-for-scholars-and-writers/fellowships-at-the-cullman-center&quot;&gt;Cullman Center&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b14912985~S1&quot;&gt;&lt;img alt=&quot;Parisians  &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0789206501&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sparisians turnley&quot;&gt;&lt;em&gt;Parisians&lt;/em&gt;&lt;/a&gt; photographs by Peter Turnley; forewords by Edouard Boubat and Robert Doisneau; text by Adam Gopnik and Peter Turnley&lt;/p&gt;

&lt;p&gt;Mosaic of images that impressed the author.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17905597~S1&quot;&gt;&lt;img alt=&quot;One Thousand Buildings of Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=1579123163&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;http://nypl.bibliocommons.com/search?t=smart&amp;amp;search_category=keyword&amp;amp;q=One Thousand Buildings Of Paris&quot; rel=&quot;nofollow&quot;&gt;&lt;em&gt;One Thousand Buildings Of Paris&lt;/em&gt;&lt;/a&gt; photography by Jorg Brockmann and James Driscoll; text by Kathy Borrus&lt;/p&gt;

&lt;p&gt;Brief descriptions of architecturally significant structures of Paris.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17313764~S48&quot;&gt;&lt;img alt=&quot;Into a Paris Quartier &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0792272668&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SInto A Paris Quartier: Reine Margot&amp;#039;s Chapel And Other Haunts Of St.-Germain&quot;&gt;&lt;em&gt;Into A Paris Quartier: Reine Margot&#039;s Chapel And Other Haunts Of St.-Germain&lt;/em&gt;&lt;/a&gt; by Diane Johnson&lt;/p&gt;

&lt;p&gt;An American in Paris offers personal recollections of the self-appointed intellectuals of the Left Bank.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20037300~S1&quot;&gt;&lt;img alt=&quot;How Paris Became Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781608195916&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sow Paris Became Paris: The Invention Of The Modern City&quot;&gt;&lt;em&gt;How Paris Became Paris: The Invention Of The Modern City&lt;/em&gt;&lt;/a&gt; by Joan DeJean&lt;/p&gt;

&lt;p&gt;Detailed examination of the urban planning that transformed a 17th century Paris into the magnificent city we know today.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18321539~S1&quot;&gt;&lt;img alt=&quot; an adventure history of Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780393067248&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SParisians: An Adventure History Of Paris&quot;&gt;&lt;em&gt;Parisians: An Adventure History Of Paris&lt;/em&gt;&lt;/a&gt; by Graham Robb&lt;/p&gt;

&lt;p&gt;Written for the pleasure of thinking about Paris, this vividly imagined and well-researched episodic history features the lives of famous and infamous Parisians.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17835303~S1&quot;&gt;&lt;img alt=&quot;Seven Ages of Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0679454810&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SSeven Ages Of Paris&quot;&gt;&lt;em&gt;Seven Ages Of Paris&lt;/em&gt;&lt;/a&gt; by Alistair Horne&lt;/p&gt;

&lt;p&gt;A celebrated historian follows the history of Paris from Caesar to de Gaulle.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17842699~S1&quot;&gt;&lt;img alt=&quot;Paris Capital of the World &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=0674008871&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SParis: Capital Of The World&quot;&gt;&lt;em&gt;Paris: Capital Of The World&lt;/em&gt;&lt;/a&gt; by Patrice Higonnet; translated by Arthur Goldhammer&lt;/p&gt;

&lt;p&gt;Not a factual history, but a fascinating account of city&#039;s rich mythology.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b18885820~S1&quot;&gt;&lt;img alt=&quot;Paris to the Past &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780393078947&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SParis To The Past: Traveling Through French History By Train&quot;&gt;&lt;em&gt;Paris To The Past: Traveling Through French History By Train&lt;/em&gt;&lt;/a&gt; by Ina Caro&lt;/p&gt;

&lt;p&gt;Not enough time to visit the rest of France? Intensely passionate and knowledgeable about French history, Ina Caro offers an opportunity for a number of day trips back into the past.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption caption caption caption caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780316224512&quot; rel=&quot;nofollow&quot;&gt;&lt;img alt=&quot;Blood Royal &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9780316224512&quot; style=&quot;border:0px&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SBlood Royal: A True Tale of Crime and Detection in Medieval Paris&quot;&gt;Blood Royal: A True Tale of Crime and Detection in Medieval Paris&lt;/a&gt;&lt;/em&gt; by Eric Jager&lt;/p&gt;

&lt;p&gt;When mad kind&#039;s lustful and scheming brother is brutally slain in the middle of Paris, there is no shortage of suspects. The task of locating the guilty party is entrusted to the provost of Paris, Guillaume de Tignonville. Authors meticulous knowledge of medieval Paris transports the readers into the narrow dangerous alleys, putrid smell of rotting copses of criminals on display terrify the witnesses and jog their memory.&lt;/p&gt;

&lt;p&gt;While the science of detection is frequently attributed to a fictional character, the leading protagonist of this historical account of true crime in 14 century Paris exhibits amazing powers of deduction and skillful use of forensic evidence.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b17610457~S48&quot;&gt;&lt;img alt=&quot;Paris a Secret History &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=1596913231&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SParis: The Secret History&quot;&gt;&lt;em&gt;Paris: The Secret History&lt;/em&gt;&lt;/a&gt; by Andrew Hussey&lt;/p&gt;

&lt;p&gt;If you would like to know how the other half of Paris managed to survive throughout famines, poverty, pestilence and political upheaval, this book will kep you informed.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://catalog.nypl.org/record=b20593783~S1&quot;&gt;&lt;img alt=&quot;A Passion for Paris &quot; src=&quot;https://images.btol.com/ContentCafe/Jacket.aspx?UserID=ContentCafeClient&amp;amp;Password=Client&amp;amp;Return=T&amp;amp;Type=L&amp;amp;Value=9781250043153&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;&lt;/figure&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SA Passion for Paris: Romanticism and Romance in the City of Light&quot;&gt;A Passion for Paris: Romanticism and Romance in the City of Light&lt;/a&gt;&lt;/em&gt; by David Downie&lt;/p&gt;

&lt;p&gt;This fascinating travelogue of Paris focuses on the nature of the city&#039;s eternal romantic appeal. If you wish to revel in the lives and loves of the famous Parisians of the last two hundred years, this book is a perfect guide to the capital of romance.&lt;/p&gt;
</description>
  <category>History of Europe</category>
  <comments>https://www.nypl.org/blog/2015/12/22/love-letter-paris#comments</comments>
  <pubDate>Tue, 22 Dec 2015 15:15:54 -0500</pubDate>
</item>
<item>
  <title>Reader's Den: A Walk in the Woods by Bill Bryson, Part 2</title>
  <link>https://www.nypl.org/blog/2015/08/31/readers-den-walk-woods-part-2</link>
  <dc:creator>Melissa Scheurer, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;p&gt;Hi Reader’s Den!  It’s taking me longer to read Bill Bryson’s&lt;em&gt; &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(A Walk in the Woods)&quot;&gt;A Walk in the Woods&lt;/a&gt;&lt;/em&gt; than to hike the AT.  That’s the Appalachian Trail to the uninitiated... something I learned while reading this month’s selection.  To be honest I still have about 80 pages to go.  But it is the end of the month and time waits for nobody, so here I am posting some discussion topics.&lt;/p&gt;

&lt;p&gt;Bill Bryson humorously recounts his own hike along large sections of the Appalachian Trail, describing its flora, fauna, and history. Which aspect of the book appealed to you more, the the humor or the history?&lt;/p&gt;

&lt;p&gt;The longest hike I’ve done was about four hours and I thought that was long! What reasons does Bill Bryson give for wanting to hike over 2,000 miles on the AT? What do you think motivated Katz to join him?&lt;/p&gt;

&lt;div class=&quot;digcol-image align-right align-right inline inline&quot;&gt;
	&lt;figure class=&quot;caption caption caption digcol-image&quot;&gt;&lt;a data-url=&quot;510d47d9-a7fd-a3d9-e040-e00a18064a99&quot; href=&quot;http://digitalcollections.nypl.org/items/510d47d9-a7fd-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;Lookout Mountain from Tennessee River&quot; data-id=&quot;62484&quot; src=&quot;https://images.nypl.org/index.php?id=62484&amp;amp;t=w&quot; width=&quot;300px&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;digcol-caption&quot;&gt;Lookout Mountain from Tennessee River. Image ID: 62484&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;“Every step was a struggle. The hardest part was coming to terms with the constant dispiriting discovery that there is always more hill.” And yet they keep going.  What motivates people to keep going when there is no end in sight?&lt;/p&gt;

&lt;p&gt; &quot;Good old Katz. Good old anyone with a pulse and a willingness to go walking with me.&quot;  Who would be your ideal companion for walking the AT? How do you think a shared experience of this kind changes a friendship?&lt;/p&gt;

&lt;p&gt; Who was your favorite trail character?&lt;/p&gt;

&lt;p&gt; “In America, alas, beauty has become something you drive to, and nature an either/or proposition—either you ruthlessly subjugate it….or you deify it, treat it as something holy and remote, a thing apart…”  Is it possible for people and nature to coexist to their mutual benefit?&lt;/p&gt;

&lt;p&gt; Coincidentally, on September 3 author &lt;a href=&quot;http://www.nypl.org/events/programs/2015/08/18/bears-backyard-big-animals-sprawling-suburbs-and-new-urban-jungle-ed&quot;&gt;Edward Ricciuti will be at Mid-Manhattan Library discussing his book&lt;/a&gt;, &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Bears in the Backyard)&quot;&gt;&lt;em&gt;Bears in the Backyard&lt;/em&gt;&lt;/a&gt;, which explores the increasing intersection between humans and wild animals.&lt;/p&gt;

&lt;p&gt;Stay tuned for more reading suggestions.&lt;/p&gt;

&lt;p&gt;In the meantime check out this post from a few years ago on &lt;a href=&quot;http://www.nypl.org/blog/2011/07/11/ticketless-traveler-woods&quot;&gt;local hiking resources&lt;/a&gt;.&lt;/p&gt;
</description>
  <category>Nonfiction</category>
  <comments>https://www.nypl.org/blog/2015/08/31/readers-den-walk-woods-part-2#comments</comments>
  <pubDate>Mon, 31 Aug 2015 11:42:41 -0400</pubDate>
</item>
<item>
  <title>Travel: A Reading List from Open Book Night</title>
  <link>https://www.nypl.org/blog/2015/08/24/travel-reading-open-book-night</link>
  <dc:creator>Lori Salmon, Art &amp;amp; Architecture Collection, Stephen A. Schwarzman Building</dc:creator>
  <description>&lt;p&gt;&lt;span&gt;On Friday, August 14, 2015, &lt;a href=&quot;http://www.nypl.org/locations/mid-manhattan-library&quot;&gt;Mid-Manhattan Library&lt;/a&gt; hosted an intimate Open Book Night chat on the theme of travel. Books and destinations from around the world were discussed without the fuss of reserving airline tickets, hotels, cars, or even cruises. All types of travel were considered, and some new traveling recommendations were picked up along the way.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;We began our journey with one bibliophile’s suggestion of Mark Twain’s travelogues, from which many learned that this American author and humorist was quite the globetrotter. Taking readers on train excursions from Marseilles to Paris, France, to pilgrimages of the Holy Land, to boat rides on the muddy waterways of the Mississippi, Twain’s records of his direct experiences include &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17508591?lang=eng&quot;&gt;&lt;em&gt;The Innocents Abroad&lt;/em&gt;&lt;/a&gt;&lt;span&gt; (1869), &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19554029?lang=eng&quot;&gt;&lt;em&gt;Roughing It&lt;/em&gt; &lt;/a&gt;&lt;span&gt; (&lt;/span&gt;&lt;span&gt;1872), &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18352638?lang=eng&quot;&gt;&lt;em&gt;A Tramp Abroad&lt;/em&gt;&lt;/a&gt;&lt;span&gt; (1880), &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18352638?lang=eng&quot;&gt;&lt;em&gt;Life on the Mississippi&lt;/em&gt; &lt;/a&gt;&lt;span&gt;(1883), and &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18352638?lang=eng&quot;&gt;&lt;em&gt;Following the Equator&lt;/em&gt;&lt;/a&gt;&lt;span&gt; (1897).&lt;/span&gt;&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb14292510?lang=eng&quot;&gt;&lt;img alt=&quot;Invisible Cities&quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=0156453800&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb14292510?lang=eng&quot;&gt;&lt;em&gt;Invisible Cities&lt;/em&gt; &lt;/a&gt;(1974)&lt;/span&gt; by Italo Calvino might be labeled a travelogue too. Here the author describes places that don’t necessarily exist on any map, but draw new representations in our minds. The story begins with a conversation between the two characters, Kublai Khan and Marco Polo. They are sitting in a garden, where the youthful Venetian explorer is entertaining the aging Mongol ruler with tales of the cities he has seen while journeying to the far reaches of Khan’s vast empire.&lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;After passing these fictional sites, one could escape into the Italian cultural movement of the 14th to the 17th centuries to discuss&lt;/span&gt; &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20231930?lang=eng&quot;&gt;The Ugly Renaissance: Sex, Greed, Violence and Depravity in an Age of Beauty&lt;/a&gt;&lt;/em&gt; (2013) by Alexander Lee, fantasizing about what it was like to live in the debaucheries of Italy behind the dazzling artworks of Michelangelo, Raphael, and Botticelli.&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-right align-right inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19322005?lang=eng&quot;&gt;&lt;img alt=&quot;1,000 Places to See Before You Die&quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=9780761163374&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;So, where does one go from there? &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19322005?lang=eng&quot;&gt;&lt;em&gt;1,000 Places to See Before You Die&lt;/em&gt;&lt;/a&gt; (2011) by Patricia Schultz, recommended by an enthusiastic library patron who had just come back from India, is the ultimate guidebook for the traveler who wants to get a snippet on cities defined by Schultz as awe-inspiring for one reason or another. Shultz’s list, which has since been turned into &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17281561?lang=eng&quot;&gt;a documentary television series&lt;/a&gt;, is supposed to win over the most avid traveler at heart. Please be generous in adding to this extensive index to make 1,001 places or more to explore!&lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;This same patron commented on how he admired many people on his travels, because they seemed to be happier than people living in the United States, despite less &lt;/span&gt;&lt;span&gt;favorable living situations. NYPL team member Elizabeth suggested reading &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17733549?lang=eng&quot;&gt;&lt;em&gt;Geography of Bliss: One Grump’s Search for the Happiest Places in the World&lt;/em&gt;&lt;/a&gt; (2008) by Eric Weiner. In this book, Weiner travels the globe in an attempt to understand what makes some people and places happier than others. His starting point is the&lt;a href=&quot;http://worlddatabaseofhappiness.eur.nl/hap_nat/nat_fp.php?mode=1&quot; rel=&quot;nofollow&quot;&gt; World Database of Happiness&lt;/a&gt;.&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20633279?lang=eng&quot;&gt;&lt;img alt=&quot; A New American Journey&quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=KC72927&amp;amp;password=CC14647&amp;amp;Value=9781451659160&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;Hey, you never know, but you might even consider settings comprised of mountains, deserts, or grasslands for your next haven. Elizabeth also suggested &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19322005?lang=eng&quot;&gt;&lt;em&gt;The Oregon Trail: A New American Journey&lt;/em&gt;&lt;/a&gt; (2015) by journalist Rinker Buck, even though it sounds far grittier than any serene space for contemplation. This book reminds me of The Oregon Trail, a computer game I played in elementary school, in which players hit up the general store for supplies before packing up their covered wagons for a demanding journey from Independence, Missouri, to Oregon’s Willamette Valley on the Oregon Trail. In Buck’s memoir, the journalist takes his brother on a carefully plotted 2,000 something mile adventure, just like settlers journeying westward in the Great Migration of 1843.&lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;But if your mule-drawn vehicle has a broken wheel, perhaps &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17159515?lang=eng&quot;&gt;&lt;em&gt;A Walk in the Woods: Rediscovering America on the Appalachian Trail&lt;/em&gt;&lt;/a&gt; (2007) by Bill Bryson, is a better situation. Leaving the wagon on the side of road, readers can put on their backpacks for a hike of all time from the Peach State of Georgia to the mining town of Centralia, Pennsylvania.&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-right align-right inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20253427?lang=eng&quot;&gt;&lt;img alt=&quot;A History of New York in 101 Objects&quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=9781476728773&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;Last, but not least, &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20253427?lang=eng&quot;&gt;&lt;em&gt;A History of New York in 101&lt;/em&gt; &lt;em&gt;Objects&lt;/em&gt;&lt;/a&gt; (2014) by Sam Roberts encourages readers from all walks of life to look at the Big Apple a little differently. Similarly, taking a walk around town or feeling inspired about your future excursion can begin with a book and little sense of adventure.&lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;Thank you to all our book lovers who attended this program. Please make a book suggestion related to travel literature if you can in the comments section below, and we hope you won’t miss our next &lt;a href=&quot;http://www.nypl.org/events/calendar?keyword=%22open+book+night%22&amp;amp;location=45&amp;amp;type=&amp;amp;topic=&amp;amp;audience=&amp;amp;series=&amp;amp;date_op=GREATER_EQUAL&amp;amp;date1=04%2F13%2F2015&quot;&gt;Open Book Night&lt;/a&gt;, to share recommendations with other readers at the Mid-Manhattan Library. The complete 2015 schedule is listed below. We meet on the second Friday of the month at 6 p.m. in the Corner Room on the First Floor. We’d love to see you there!     &lt;/span&gt;&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;September 11, 2015 - New York&lt;/span&gt;&lt;span&gt;​&lt;/span&gt;&lt;/li&gt;
	&lt;li&gt;&lt;span&gt;&lt;span&gt;October 9, 2015 - The Occult&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
	&lt;li&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;November 13, 2015  - Thanksgiving&lt;/span&gt;​&lt;/li&gt;
	&lt;li&gt;&lt;span&gt;&lt;span id=&quot;docs-internal-guid-819f7c8f-5d1c-5952-053d-909d4d3e2926&quot;&gt;December 11, 2015 - Food and Cooking&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
</description>
  <category>Book list</category>
  <comments>https://www.nypl.org/blog/2015/08/24/travel-reading-open-book-night#comments</comments>
  <pubDate>Mon, 24 Aug 2015 11:34:41 -0400</pubDate>
</item>
<item>
  <title>August in the Reader's Den: A Walk in the Woods by Bill Bryson, Part 1</title>
  <link>https://www.nypl.org/blog/2015/08/06/readers-den-walk-woods-1</link>
  <dc:creator>Elizabeth Waters, AskNYPL</dc:creator>
  <description>&lt;p&gt;&lt;em&gt;&lt;span id=&quot;docs-internal-guid-c79e67c6-04c4-f7cd-d88d-cdabe15d0d06&quot;&gt;&quot;All over America today people would be dragging themselves to work, stuck in traffic jams, wreathed in exhaust smoke. I was going for a walk in the woods. I was more than ready for this.&quot;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;span id=&quot;docs-internal-guid-c79e67c6-04c5-878f-c22c-4a136c3b9522&quot;&gt;“So woods are spooky.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17159515?lang=eng&quot;&gt;&lt;img alt=&quot;A Walk in the Woods&quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=9780307279460&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;Welcome back to the Reader’s Den!  This August we’re making a virtual escape from the hot and steamy New York summer with Bill Bryson’s classic travelogue, &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SA%20Walk%20in%20the%20Woods:%20Rediscovering%20America%20on%20the%20Appalachian%20Trail__Orightresult__U?lang=eng&quot;&gt;A Walk in the Woods: Rediscovering America on the Appalachian Trail&lt;/a&gt;&lt;/em&gt;, originally published in 1996.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://www.nypl.org/blog/2014/12/29/readers-den-book-discussion-schedule-2015&quot;&gt;Our reading list this year&lt;/a&gt; includes books featuring heroes, superheroes, and antiheroes. “So how exactly does &lt;em&gt;A Walk in the Woods&lt;/em&gt; fit into this theme?” you might ask. Well, as a not particularly fit fortysomething myself, I have to admire the heroic effort put forth by Bill Bryson and his ill-prepared hiking companion Katz, who slowly but surely walked hundreds of miles on the Appalachian Trail. Isn’t perseverance a kind of heroism?  And doesn&#039;t it require courage to take a risk and embrace a new experience? But perhaps we could also ask: Where does heroism end and foolhardiness begin?&lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-c79e67c6-04cc-dfa8-9976-1953b0bde2aa&quot;&gt;Why would anyone wish to hike more than 2,000 miles over rugged terrain, carrying all needed supplies on their back? Bill Bryson got the idea when he stumbled upon a section of the Appalachian Trail near his home in New Hampshire:&lt;/span&gt;&lt;/p&gt;

&lt;blockquote&gt;
	&lt;p&gt;&lt;span id=&quot;docs-internal-guid-c79e67c6-04cc-dfa8-9976-1953b0bde2aa&quot;&gt;&quot;It seemed such an extraordinary notion&lt;/span&gt;&lt;span&gt;—that I could set off from home and walk 1,800 miles through woods to Georgia, or turn the other way and clamber over the rough and stony White Mountains to the fabled prow of Mount Katahdin, floating in forest 450 miles to the north in a wilderness few have seen. A little voice in my head said: ‘Sounds neat! Let&#039;s do it!’&quot;&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img alt=&quot;Earl Shaffer &quot; title=&quot; Earl Shaffer&quot; height=&quot;294&quot; width=&quot;200&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/3704935232_490baba282_o.jpg&quot; /&gt;
	&lt;figcaption&gt;June 3, 1948: Earl Shaffer&lt;br /&gt;
		Photo: National Museum of &lt;br /&gt;
		American History Smithsonian Institution&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;As we learn in &lt;em&gt;A Walk in the Woods&lt;/em&gt;, the first thru-hiker, or person to hike the entire length of the Appalachian Trail (AT), was &lt;/span&gt;&lt;a href=&quot;http://americanhistory.si.edu/documentsgallery/exhibitions/appalachian_trail_1.html&quot; rel=&quot;nofollow&quot;&gt;Earl V. Shaffer&lt;/a&gt;, a World War II veteran who walked over 2,000 miles from Georgia to Maine over four months in 1948. There were no trail guides at the time, so Shaffer had to rely on his considerable experience as an outdoorsman, often bushwhacking through overgrown sections of the trail. Shaffer describes his hike in &lt;em&gt;&lt;a href=&quot;https://www.goodreads.com/book/show/154881.Walking_with_Spring&quot; rel=&quot;nofollow&quot;&gt;Walking with Spring: The First Solo Thru-Hike of the Legendary Appalachian Trail&lt;/a&gt;&lt;/em&gt;. Bryson and Katz embarked on their walk on a well-maintained trail, armed with (not always satisfactory) guides and advice passed on by hikers famliar with the AT. What they didn’t have at the beginning were Shaffer’s wilderness skills, which makes for some entertaining reading. On a more serious note, as Bryson describes his walk, he also explores the human and natural history of the AT and its environs. &lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-c79e67c6-0503-6277-6a13-fa671edf70da&quot;&gt;&lt;a href=&quot;http://www.nypl.org/blog/author/80&quot;&gt;Melissa Scheurer&lt;/a&gt; is my co-blogger this month in the Reader&#039;s Den. We hope that you’ll join us for an informative and frequently hilarious trek on the Appalachian Trail in the company of Bill Bryson and his unforgettable trail companion, Stephen Katz. We&#039;ll be posting discussion questions later this month, but please feel free to make comments about the book below. We&#039;d love to know what you think about &lt;em&gt;A Walk in the Woods&lt;/em&gt;!&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span&gt;You can request a copy of &lt;em&gt;A Walk in the Woods&lt;/em&gt; from the library. It&#039;s available as a &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17159515?lang=eng&quot;&gt;book&lt;/a&gt;, &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19325074?lang=eng&quot;&gt;e-book&lt;/a&gt;, or &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(walk in the woods)&quot;&gt;audiobook&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span&gt;And if you&#039;re interested in doing some actual hiking in the New York City area, this &lt;a href=&quot;http://www.nypl.org/blog/2011/07/11/ticketless-traveler-woods&quot;&gt;Ticketless Traveler post&lt;/a&gt; lists some great resources.&lt;/span&gt;&lt;/p&gt;
</description>
  <category>Memoirs and Diaries</category>
  <comments>https://www.nypl.org/blog/2015/08/06/readers-den-walk-woods-1#comments</comments>
  <pubDate>Fri, 07 Aug 2015 10:54:45 -0400</pubDate>
</item>
<item>
  <title>The Ticketless Traveler: Food and Cooking Edition</title>
  <link>https://www.nypl.org/blog/2015/07/31/ticketless-traveler-cookbooks</link>
  <dc:creator>Lauren Lampasone, Senior Librarian, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;figure class=&quot;catalog-image caption align-right inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18969624?lang=eng&quot;&gt;&lt;img alt=&quot;Try This&quot; src=&quot;https://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=0061881783&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;Whether your desire is to visit a faraway locale for a taste of the local delicacies, or just to shake up your weeknight cooking with some new, unfamiliar spices, there is so much inspiration to be found at the library.&lt;/p&gt;
&lt;!--break--&gt;

&lt;p&gt;When learning about an unfamiliar place, why not start by trying the country&#039;s &lt;a href=&quot;https://en.wikipedia.org/wiki/Category:Cuisine_by_nationality&quot;&gt;traditional cuisine&lt;/a&gt; or &lt;a href=&quot;http://en.wikipedia.org/wiki/National_dish&quot;&gt;national dish&lt;/a&gt;? Have you ever eaten &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19710043?lang=eng&quot;&gt;phở&lt;/a&gt;, &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(biryani)&quot;&gt;biryani&lt;/a&gt;, &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(currywurst)&quot;&gt;currywurst&lt;/a&gt;, &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19654559?lang=eng&quot;&gt;pepperpot&lt;/a&gt;, &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb13935042?lang=eng&quot;&gt;poutine&lt;/a&gt;? Have you visited the regions that celebrate these dishes, been to restaurants that serve them in major cities, or tried cooking them yourself at home? Better yet: does your grandma make them for you (and can I come over)?&lt;/p&gt;

&lt;p&gt;After reading some of these cookbooks, I know that even if I can&#039;t travel to these particular places any time soon, I can content myself with the kinds of recipes that can take me there.&lt;/p&gt;

&lt;h2&gt;General Food and Travel&lt;/h2&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(The Food Traveler&#039;s Handbook: How to Find Cheap, Safe and Delicious Food Anywhere in the World)&quot;&gt;&lt;em&gt;The Food Traveler&#039;s Handbook: How to Find Cheap, Safe and Delicious Food Anywhere in the World&lt;/em&gt;&lt;/a&gt; by Jodi Ettenberg&lt;br /&gt;
	The author has celiac disease but she doesn&#039;t let that prevent her from making the most of her travels around the world. This guidebook will build up your confidence, help you locate the best foods while overcoming language and cultural barriers, and avoid foodborne illness too.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SAn Economist Gets Lunch&quot;&gt;&lt;em&gt;An Economist Gets Lunch: New Rules for Everyday Foodies&lt;/em&gt;&lt;/a&gt; by Tyler Cowen&lt;br /&gt;
	An almost-too-rational look at the economics of eating. The author provides insights on how to find the best tasting (which can also be the cheapest) food in an unfamiliar community. (Cowen and Ettenberg both suggest chatting up your cab driver.)&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__STry This: Traveling the Globe Without Leaving the Table&quot;&gt;&lt;em&gt;Try This: Traveling the Globe Without Leaving the Table&lt;/em&gt;&lt;/a&gt; by Danyelle Freeman&lt;br /&gt;
	The author wrote this book &quot;for anyone who&#039;s ever looked at a menu and had a question.&quot; She walks you through the basics of 14 varied cuisines, providing some history, culture, and trivia behind their flavors, and clues you in on appropriate table settings and manners too.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SEating Out in Five Languages&quot;&gt;&lt;em&gt;Eating Out in Five Languages&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;
	English, French, German, Italian and Spanish translations of food and drink terms. Useful phrases for those on special diets, and even tells you how to complain in the local tongue.&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SA Fork in the Road: Tales of Food and Travel&quot;&gt;&lt;em&gt;A Fork in the Road: Tales of Food and Travel&lt;/em&gt;&lt;/a&gt; by Anik See&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SAll Around the World Cookbook&quot;&gt;&lt;em&gt;All Around the World Cookbook&lt;/em&gt;&lt;/a&gt; by Sheila Lukins&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SAround the World in 80 Dinners: The Ultimate Culinary Adventure&quot;&gt;&lt;em&gt;Around the World in 80 Dinners: The Ultimate Culinary Adventure&lt;/em&gt;&lt;/a&gt; by Cheryl Alters Jamison&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SCindy&#039;s Supper Club: Meals from Around the World to Share with Family and Friends&quot;&gt;&lt;em&gt;Cindy&#039;s Supper Club: Meals from Around the World to Share with Family and Friends&lt;/em&gt;&lt;/a&gt; by Cindy Pawlcyn&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SFood Journeys of a Lifetime: 500 Extraordinary Places to Eat Around the Globe&quot;&gt;&lt;em&gt;Food Journeys of a Lifetime: 500 Extraordinary Places to Eat Around the Globe&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SFrommer&#039;s 500 Places for Food and Wine Lovers&quot;&gt;&lt;em&gt;Frommer&#039;s 500 Places for Food and Wine Lovers&lt;/em&gt;&lt;/a&gt; by Holly Hughes&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SIn Her Kitchen: Stories and Recipes from Grandmas Around the World&quot;&gt;&lt;em&gt;In Her Kitchen: Stories and Recipes from Grandmas Around the World&lt;/em&gt;&lt;/a&gt; by Gabriele Galimberti&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SStreet Food Exploring the World&#039;s Most Authentic Tastes&quot;&gt;&lt;em&gt;Street Food: Exploring the World&#039;s Most Authentic Tastes&lt;/em&gt;&lt;/a&gt; by Tom Kime&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SSusan Feniger&#039;s Street Food: Irresistibly Crispy, Creamy, Crunchy, Spicy, Sticky, Sweet Recipes&quot;&gt;&lt;em&gt;Susan Feniger&#039;s Street Food: Irresistibly Crispy, Creamy, Crunchy, Spicy, Sticky, Sweet Recipes&lt;/em&gt;&lt;/a&gt; by Susan Feniger&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SUltimate Food Journeys: The World&#039;s Best Dishes and Where to Eat Them&quot;&gt;&lt;em&gt;Ultimate Food Journeys: The World&#039;s Best Dishes and Where to Eat Them&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sworld on a plate&quot;&gt;The World on a Plate: 40 Cuisines, 100 Recipes, and the Stories Behind Them&lt;/a&gt; &lt;/em&gt;by Mina Holland&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SWorld&#039;s Best Street Food&quot;&gt;World&#039;s Best Street Food&lt;/a&gt; &lt;/em&gt;by Lonely Planet&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SWhat I Eat: Around the World in 80 Diets&quot;&gt;&lt;em&gt;What I Eat: Around the World in 80 Diets&lt;/em&gt;&lt;/a&gt; by Peter Menzel and Faith D&#039;Aluisio&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SWhere Chefs Eat: A Guide to Chefs&#039; Favourite Restaurants&quot;&gt;&lt;em&gt;Where Chefs Eat: A Guide to Chefs&#039; Favourite Restaurants&lt;/em&gt;&lt;/a&gt; by Joe Warwick&lt;/li&gt;
&lt;/ul&gt;

&lt;h2&gt;Regional Cookbooks&lt;/h2&gt;

&lt;p&gt;What faraway lands will your kitchen transport you to? The titles below are mainly books you will be able to check out and take home or access online. Yellow markers indicate e-books that are available to download. You can find even more in the noncirculating research materials in the catalog. Follow the subject headings &quot;Cooking, (country)&quot; or &quot;COOKING / Regional &amp;amp; Ethnic / (cuisine)&quot; and let your taste buds be your guide.&lt;/p&gt;

&lt;p&gt;Does your favorite regional cookbook need to be added to the map? Leave your suggestions in the comments.&lt;/p&gt;

&lt;p align=&quot;center&quot;&gt;&lt;iframe src=&quot;https://www.google.com/maps/d/u/0/embed?mid=zDiaaUQs5xHY.k50YEV_PVDmo&quot; width=&quot;640&quot; height=&quot;480&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;
</description>
  <category>Geography</category>
  <comments>https://www.nypl.org/blog/2015/07/31/ticketless-traveler-cookbooks#comments</comments>
  <pubDate>Fri, 31 Jul 2015 15:04:07 -0400</pubDate>
</item>
<item>
  <title>Salute to Narrative Nonfiction: Travel and Adventure</title>
  <link>https://www.nypl.org/blog/2015/04/27/narrative-nonfiction-travel</link>
  <dc:creator>Lynn Lobash, Manager of Reader Services</dc:creator>
  <description>&lt;p&gt;Narrative or creative nonfiction is somewhat newly recognized genre. Naturally, as librarians we have a great appreciation for the research, the primary source documents and interviews, but it is the narrative, the skillful pacing, the phrasing, and the insight that make it read like a thriller that set these books apart from other nonfiction. For this week&#039;s readers advisory practice we decided to pay tribute to the talented authors who do this well. We received such a strong response to the call out for favorites that we divided the list into four categories: journalism and social science, travel and adventure, science, and memoir. This is the travel and adventure edition of our salute to great narrative nonfiction.&lt;/p&gt;

&lt;p align=&quot;center&quot;&gt;&lt;iframe frameborder=&quot;0&quot; height=&quot;315&quot; scrolling=&quot;no&quot; src=&quot;//www.nypl.org/browse/recommendations/lists/widget/411499837&quot; width=&quot;550&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;

&lt;p&gt;Isak Dinesen&#039;s (Karen Blixen) &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17873595?lang=eng&quot;&gt;&lt;em&gt;&lt;u&gt;Out of Africa&lt;/u&gt;&lt;/em&gt;&lt;/a&gt; brings you to her coffee plantation in British colonial Kenya. I found myself longing to lounge around her house and soak in the atmosphere first person. More recently, Philip Hoare&#039;s &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20133814?lang=eng&quot;&gt;&lt;em&gt;&lt;u&gt;The Sea Inside&lt;/u&gt;&lt;/em&gt;&lt;/a&gt; took twists and turns with whales and birds around the globe and traveled through time to discuss man&#039;s relationship with the sea. Swimming, biking, boat riding… it is all very cathartic. &lt;em&gt;—Jessica Cline, Mid-Manhattan&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17176882?lang=eng&quot;&gt;&lt;em&gt;&lt;u&gt;The Wild Trees&lt;/u&gt;&lt;/em&gt;&lt;/a&gt; by Richard Preston takes us into the heights of the Redwoods and the peculiar lives of a group of driven climbers. &lt;em&gt;—Jeremy Megraw, Billy Rose Theatre Division&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;I love the travelogues of Paul Theroux, particularly &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17094666?lang=eng&quot;&gt;&lt;em&gt;&lt;u&gt;The Great Railway Bazaar&lt;/u&gt;&lt;/em&gt;&lt;/a&gt;, which I read during a trip through Southeast Asia, and ignited a passion for train travel. The passages about the Trans-Siberian Express, the landscape around Lake Baikal, and especially Theroux&#039;s interactions with staff and passengers are priceless glimpses into a bizarre, hermetically-sealed universe. &lt;em&gt;—Sherri Machlin, Mulberry Street&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;A great getting lost in the woods tale is &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17159515?lang=eng&quot;&gt;&lt;em&gt;&lt;u&gt;A Walk in the Woods&lt;/u&gt;&lt;u&gt;: Rediscovering America on the Appalachian Trail&lt;/u&gt;&lt;/em&gt;&lt;/a&gt; by Bill Bryson. In between laughing until my eyes teared up, I enjoyed the fascinating history of the beginnings of this monumental tribute to the great outdoors and volunteerism and the story of what it took to actually get the trail finished as Bill Bryson attempts to walk the trail from start to finish. &lt;em&gt;—Maura Muller, Volunteers Office&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;I used Bill Bryson’s &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17824986?lang=eng&quot;&gt;&lt;em&gt;&lt;u&gt;In A Sunburned Country&lt;/u&gt;&lt;/em&gt;&lt;/a&gt; as a travel guide when I stayed in Australia for a month and I saw things I never would have thought to without his book (like a dual pet shop/porn shop). His audiobooks are high entertainment as well. &lt;em&gt;—Leslie Tabor, Assoc. Dir. Neighborhood Libraries&lt;/em&gt;&lt;/p&gt;
</description>
  <category>Nonfiction</category>
  <comments>https://www.nypl.org/blog/2015/04/27/narrative-nonfiction-travel#comments</comments>
  <pubDate>Mon, 27 Apr 2015 10:27:13 -0400</pubDate>
</item>
<item>
  <title>Mango Languages: Travel the World</title>
  <link>https://www.nypl.org/blog/2015/04/13/mango-languages</link>
  <dc:creator>Miranda McDermott, Harry Belafonte 115th Street Library</dc:creator>
  <description>&lt;p style=&quot;text-align:center&quot;&gt;
  &lt;img alt=&quot;mango logo&quot; title=&quot;mango logo&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/logo-ee0afed14e0327ef6ccf9ea3e4255b14.png&quot; /&gt;&lt;/p&gt;

&lt;p&gt;Want to learn a new language? Do you know that we have a service that provides visual and auditory instruction for 64 different languages? &lt;a href=&quot;http://www.nypl.org/collections/articles-databases/mango-languages&quot;&gt;Mango Languages&lt;/a&gt; is great for tourists who want to master conversation basics for travel to a different country. Just choose a language, pick a conversation topic, and start learning. Users can put their mouse over the foreign words to see a phonetic pronunciation, and they can hear the pronunciation if they use earphones. I have used Mango many times for ESOL classes in order to facilitate English-language learning.&lt;/p&gt;

&lt;p&gt;First-time users can pick the Quick Start option; it is not necessary to create an account to use the database, but customers must log in to the database through nypl.org and enter their library card number and PIN (personal identification number). Users must access nypl.org, go to Research, then Articles &amp;amp; Databases, then either type in Mango in the search field, or click on M, and scroll down to Mango Languages. Click on the database, and select the Quick Start option. The database is also accessible remotely by users (outside of the library) indicated by the house icon next to the database.&lt;/p&gt;

&lt;h2&gt;Top Languages to Learn&lt;/h2&gt;

&lt;p&gt;The most popular languages that users learn from the database are Spanish, French, English, Russian, Chinese (Mandarin) and Italian.&lt;/p&gt;

&lt;h3&gt;Scottish Gaelic&lt;/h3&gt;

&lt;p&gt;Scottish Gaelic is an interesting language to learn. I love the spelling and sounds of the words. I lived in Edinburgh for five months, and the country is lovely and fascinating.&lt;/p&gt;

&lt;h3&gt;Spanish for Librarians&lt;/h3&gt;

&lt;p&gt;Are you a librarian who wants to learn Spanish in order to communicate with your customers better? Mango has a Spanish for Librarians (in the Spanish, Latin America section) course just for you.&lt;/p&gt;

&lt;h3&gt;English for Speakers of Other Languages&lt;/h3&gt;

&lt;p&gt;The library holds &lt;a href=&quot;http://www.nypl.org/events/classes/esol&quot;&gt;ESOL Classes&lt;/a&gt; that can be useful for customers, but this database also offers lessons for speakers of 18 other languages. For example, Russian speakers can choose the English for Russian Speakers course.&lt;/p&gt;

&lt;h2&gt;Specialty Courses You Can Take&lt;/h2&gt;

&lt;p&gt;Specialty courses include Flamenco Dancing, Endangered Languages, Legal, Horse Race in Siena, Oktoberfest, Soccer Celebration, St. Patrick’s Day, Superstition, Wine and Cheese, and Zodiac to help users who are travelling for particular reasons.&lt;/p&gt;

&lt;h2&gt;Other Languages to Learn&lt;/h2&gt;

&lt;p&gt;This is not a complete list of the languages that one can learn from using Mango, but it gives customers an idea of the variety of lessons that are offered through the database.&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;Arabic&lt;/li&gt;
	&lt;li&gt;Bengali&lt;/li&gt;
	&lt;li&gt;Cherokee (Native American)&lt;/li&gt;
	&lt;li&gt;Chinese, Mandarin&lt;/li&gt;
	&lt;li&gt;Finnish&lt;/li&gt;
	&lt;li&gt;Hawaiian&lt;/li&gt;
	&lt;li&gt;Hindi&lt;/li&gt;
	&lt;li&gt;Icelandic&lt;/li&gt;
	&lt;li&gt;Latin&lt;/li&gt;
	&lt;li&gt;Pirate&lt;/li&gt;
	&lt;li&gt;Swahili&lt;/li&gt;
	&lt;li&gt;Tagalog&lt;/li&gt;
	&lt;li&gt;Turkish&lt;/li&gt;
	&lt;li&gt;Ukrainian&lt;/li&gt;
	&lt;li&gt;Vietnamese&lt;/li&gt;
&lt;/ul&gt;

&lt;h2&gt;Movies on Mango&lt;/h2&gt;

&lt;p&gt;Mango even shows foreign films with subtitles in the language of your choice! It currently offers seven movies, including &lt;a href=&quot;https://catalog.nypl.org/search~S97/?searchtype=t&amp;amp;searcharg=diary+of+anne&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=dlanguage+learn&quot;&gt;The Diary of Anne Frank&lt;/a&gt;. You can relax and enjoy your favorite film while learning another language.&lt;/p&gt;

&lt;p&gt;Mango is Great!&lt;/p&gt;

&lt;p&gt;Use Mango today to facilitate learning another language. It’s free and easy to use, and it is accessible from home with the user’s library card number and PIN. Learn about another culture and make any international travel more fun and interesting! The library also has books, CDs and DVDs to help people acquire new languages.&lt;/p&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;a href=&quot;http://www.nypl.org/events/calendar?keyword=conversation&amp;amp;location=&amp;amp;type=&amp;amp;topic=&amp;amp;audience=&amp;amp;series=&amp;amp;date_op=GREATER_EQUAL&amp;amp;date1=03%2F03%2F2015&quot;&gt;Conversation classes&lt;/a&gt; (English, Italian, etc.)&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;http://www.nypl.org/help/community-outreach/immigrant-services/citizenship&quot;&gt;Citizenship Resources&lt;/a&gt;&lt;/li&gt;
	&lt;li&gt;&lt;a href=&quot;http://www1.nyc.gov/site/idnyc/index.page&quot; rel=&quot;nofollow&quot;&gt;ID NYC&lt;/a&gt; - call 311 to make an appointment&lt;/li&gt;
&lt;/ul&gt;
</description>
  <category>Language and Literature</category>
  <comments>https://www.nypl.org/blog/2015/04/13/mango-languages#comments</comments>
  <pubDate>Mon, 13 Apr 2015 11:40:20 -0400</pubDate>
</item>
<item>
  <title>Let's Go! Road Trip Picks For Kids</title>
  <link>https://www.nypl.org/blog/2015/04/08/road-trip-picks-kids</link>
  <dc:creator>Tessa Hamilton, School Outreach Librarian</dc:creator>
  <description>&lt;p&gt;There is a certain time of the year when families decide to take a vacation. For many of us who come from large families, the only way we were able to visit new places was by driving. I reminisce a lot about the holidays, spending quality time with loved ones, and going on road trips to visit other family members, many of whom live in various parts of the United States.&lt;/p&gt;

&lt;p&gt;Here are some great titles for children to enjoy while on a family road trip.&lt;/p&gt;

&lt;h2&gt;Travel Picks For Kids&lt;/h2&gt;

&lt;p&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Road Trip A.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Walk Two Moons.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/The Watsons Go to Birmingham--1963.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Not for Parents- The Travel Book.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/The Everything Family Guide to Budget Travel.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Road Trip_0.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17125641?lang=eng&quot;&gt;Road Trip&lt;/a&gt; &lt;/em&gt;by Roger Eschbacher (Book - 2006)&lt;br /&gt;
	A family piles into their car to head for a family reunion, embarking on a road trip that includes songs, games, food, roadside attractions, and restful motels.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19650930?lang=eng&quot;&gt;&lt;em&gt;Walk Two Moons&lt;/em&gt;&lt;/a&gt; by Sharon Creech (Paperback - 2012)&lt;br /&gt;
	After her mother leaves home suddenly, thirteen-year-old Sal and her grandparents take a car trip retracing her mother&#039;s route. Along the way, Sal recounts the story of her friend Phoebe, whose mother also left.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20011900?lang=eng&quot;&gt;&lt;em&gt;The Watsons Go to Birmingham—1963&lt;/em&gt;&lt;/a&gt; by Christopher Paul Curtis (Paperback - 2013)&lt;br /&gt;
	The ordinary interactions and everyday routines of the Watsons, an African American family living in Flint, Michigan, are drastically changed after they go to visit Grandma in Alabama in the summer of 1963.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19641515?lang=eng&quot;&gt;Not for Parents The Travel Book&lt;/a&gt; &lt;/em&gt;by&lt;em&gt; &lt;/em&gt;Michael DuBois (Book - 2011)&lt;br /&gt;
	Takes the inquisitive, data-hungry explorer on a tour of 200 countries. Packed with iconic images, evocative stories and informative facts and stats. In-the-know info on capital cities, language, currency, epic events, hideous histories, food, festivals and wildlife.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18224731?lang=eng&quot;&gt;&lt;em&gt;The Everything Family Guide to Budget Travel&lt;/em&gt;&lt;/a&gt; by Kelly Merritt (Book - 2011)&lt;br /&gt;
	Taking a fun family vacation doesn&#039;t have to break the bank! Discover historic sites, scenic areas, and fun-filled attractions right in your own backyard.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19721365?lang=eng&quot;&gt;Road Trip&lt;/a&gt;&lt;/em&gt; by Jim Paulsen (Book - 2013)&lt;br /&gt;
	A father and son embark on a road trip to a distant animal shelter to save a homeless Border collie puppy.&lt;/p&gt;

&lt;p&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Weekend Mischief.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/National Geographic Kids Ultimate U.S. Road Trip Atlas.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Sesame Street- Elmo&amp;#039;s Travel Songs &amp;amp; Games.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/The Berenstain Bears.jpg&quot; alt=&quot;&quot; /&gt;
  &lt;img height=&quot;125&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/Let&amp;#039;s Camp and Car Songs image.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Weekend Mischief: Poems)&quot;&gt;Weekend Mischief: Poems&lt;/a&gt; &lt;/em&gt;by Rob Jackson (Book - 2010)&lt;br /&gt;
	Describes the weekend of a young boy in a collection of poems.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19687228?lang=eng&quot;&gt;National Geographic Kids Ultimate U.S. Road Trip Atlas [maps, Games, Activities, and More for Hours of Backseat Fun!]&lt;/a&gt;&lt;/em&gt; by Crispin Boyer(Paperback - 2012)&lt;br /&gt;
	Learn about amazing facts, sites, and activities related to each state in the U.S.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Sesame Street Elmo&amp;#039;s Travel Songs and Games)&quot;&gt;Sesame Street Elmo&#039;s Travel Songs and Games&lt;/a&gt;&lt;/em&gt; (DVD - 2011)&lt;br /&gt;
	Elmo and Abby are so excited to go to the zoo, but it will take a while to get there. To help pass the time, they play stimulating travel games featuring the alphabet, counting, and shapes and rhyming along with exciting songs.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(The Berenstain Bears: Bears Take A Car Trip)&quot;&gt;&lt;em&gt;The Berenstain Bears: &lt;/em&gt;&lt;em&gt;Bears Take A Car Trip&lt;/em&gt;&lt;/a&gt; (DVD - 2005)&lt;br /&gt;
	The cubs are excited about going on a family trip, until they find out the destination is not Grizzlyland, but a tour of Bear Country&#039;s National Parks.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Let&amp;#039;s Go: Travel, Camp and Car Songs;)&quot;&gt;&lt;em&gt;Let&#039;s Go: Travel, Camp and Car Songs&lt;/em&gt;&lt;/a&gt; by Susie Tallman (Music CD - 2000)&lt;br /&gt;
	Let’s Go! takes you and your children on an adventure through music: you’ll explore the woods, star gaze on a cowboy’s range, dig for clams in San Francisco Bay, yodel with an ostrich on a mountain and visit 22 other traditional-now-hip places.&lt;/p&gt;
</description>
  <category>Travel writing</category>
  <comments>https://www.nypl.org/blog/2015/04/08/road-trip-picks-kids#comments</comments>
  <pubDate>Wed, 08 Apr 2015 11:44:58 -0400</pubDate>
</item>
<item>
  <title>Travels as an Armchair Detective: Mysteries with a Sense of Place</title>
  <link>https://www.nypl.org/blog/2014/08/22/travels-armchair-detective-mysteries</link>
  <dc:creator>Elizabeth Waters, AskNYPL</dc:creator>
  <description>&lt;p&gt;&lt;span id=&quot;docs-internal-guid-0ca16153-cfe0-9e91-1e52-40cc2429c0ef&quot;&gt;Summer&#039;s almost gone, and I haven’t been able to travel very far out of the city, so I’ve been doing the next best thing, vicariously experiencing far flung locales, and occasionally time periods, in the company of some of my favorite sleuths. Enjoy visiting these detectives&#039; beats from your couch, in the park, on a beach, on the  subway, or &lt;a href=&quot;https://twitter.com/search?q=%23ireadeverywhere&amp;amp;src=tyah&quot; rel=&quot;nofollow&quot;&gt;anywhere else you like to read&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19599385?lang=eng&quot;&gt;&lt;img alt=&quot;Bruno, Chief of Police&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=0307271463&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;150px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;The Périgord, France&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;Recently, I made a brief but delightful visit to the Périgord region in the southwest of France in the company of Benoit Corrèges, aka &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19599385?lang=eng&quot;&gt;Bruno, Chief of Police&lt;/a&gt;&lt;/em&gt;&lt;span&gt; of the fictional town of Saint Denis. When we first meet Bruno he is surveying his beloved town and preparing to thwart hygiene inspectors from Paris, come to enforce E.U. regulations that do not allow for the sale of home produced cheeses and other regional delicacies at the town’s centuries-old market. The peace of Bruno&#039;s tight-knit rural community is soon shattered by the brutal murder of an Algerian war veteran, which might be a modern hate crime or might be rooted much further back in the town’s history. While reading the novel, I could almost taste the Bergerac wine, truffle omelettes, and other Périgord specialties that Bruno, an accomplished cook, prepares for his friends. Martin Walker, the author of the Bruno novels, is an award-winning journalist who spends part of each year in the Périgord, and both his local and political knowledge inform the &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(Walker, Martin, 1947 January 23)&quot;&gt;&lt;em&gt;Bruno, Chief of Police&lt;/em&gt; series&lt;/a&gt;. After reading, I felt I had not only a sense of the sights, people, history, and flavors of the region, but also some insight into the concerns of the community and into the local, national, and European-level politics at play there today. I look forward to catching up with the rest of the series and to a future physical trip to the Périgord!&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-0ca16153-cfe5-aa6b-7191-2c5eba01482d&quot;&gt;Writing about his favorite fictional detectives for the &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;http://www.huffingtonpost.com/martin-walker/my-favorite-fictional-det_1_b_3635439.html&quot; rel=&quot;nofollow&quot;&gt;Huffington Post&lt;/a&gt;&lt;/em&gt; last summer, Martin Walker observed, &quot;But of all the genres, the detective story seems the most durable, perhaps because the tales are less about crime, more about character.&quot; He also noted that “Almost as important as the characters is the place.” Like his own character Bruno,  Chief of Police, most of Walker’s  favorite fictional sleuths operate in very distinctive settings, such as &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(ian rankin)&quot;&gt;Raymond Chandler’s Philip Marlowe&lt;/a&gt; in 1940’s Los Angeles, &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(ian rankin)&quot;&gt;Donna Leon’s Guido Brunetti&lt;/a&gt; in Venice, &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(ian rankin)&quot;&gt;Philip Kerr’s Bernie Gunther&lt;/a&gt; in Nazi Berlin, &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(ian rankin)&quot;&gt;Georges Simenon’s Inspector Maigret&lt;/a&gt; in 1930s Paris and &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(ian rankin)&quot;&gt;Ian Rankin’s Inspector Rebus&lt;/a&gt; in Edinburgh, to name a few. Many of Walker&#039;s favorite sleuths are also among mine, and looking at his list reminds me of how important setting and cultural and historical insight are when I&#039;m choosing a mystery to read. A good plot, and interesting, well-developed characters are key, but learning something about the history, society, and culture of a place as I’m trying to unravel a mystery along with the detective greatly enhances the reading experience for me. &lt;/p&gt;

&lt;p&gt;&lt;span&gt;After a trip to the Périgord with Bruno, here are twelve more mystery series that will make you feel like you&#039;ve visited another place and maybe even learned something while you were there:&lt;/span&gt;&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(faceless killers)&quot;&gt;&lt;img alt=&quot;Faceless Killers&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=9781595586100&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;115px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;Ystad, Sweden&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;I once met someone who had planned an entire vacation based on the settings of Henning Mankell’s dark and gripping &lt;a href=&quot;http://www.nypl.org/browse/recommendations/lists/nypl_mid_manhattan/125225122&quot;&gt;Wallander series&lt;/a&gt;. The official &lt;/span&gt;&lt;span&gt;&lt;em&gt;Visit Sweden&lt;/em&gt; website even includes a section on &quot;&lt;a href=&quot;http://www.visitsweden.com/sweden/Regions--Cities/Southern-Sweden/Wallanders-Ystad/&quot; rel=&quot;nofollow&quot;&gt;Wallander&#039;s Ystad&lt;/a&gt;&quot; to help you follow in the dour inspector&#039;s footsteps. I have yet to travel in Sweden, but after reading the series, I felt almost as if I really had been to Ystad and its envrirons. Kurt Wallander, the obsessive and talented poiceman who is much more successful at solving crimes than tending to his personal relationships, is certainly a complex and memorable character. But one of the aspects of Mankell’s Wallander series that I found most fascinating was the insight into how newly open borders after the breakup of the Soviet Union and increased immigration have affected Swedish society. &lt;/span&gt;&lt;span&gt;The Wallander series begins with &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(faceless killers)&quot;&gt;Faceless Killers&lt;/a&gt;, &lt;/em&gt;&lt;span&gt;originally published in Swedish in 1991. &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span id=&quot;docs-internal-guid-0ca16153-d5f2-3e33-aa73-39cbc76271ec&quot;&gt;For a detailed look at Scandinavian crime fiction authors, see Jeremy Megraw’s post &lt;/span&gt;&lt;a href=&quot;http://www.nypl.org/blog/2013/01/14/scandinavian-crime-fiction&quot;&gt;A Cold Night’s Death&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20249572?lang=eng&quot;&gt;&lt;img alt=&quot;Death at La Fenice&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=0802194133&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;Venice, Italy&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(brunetti cookbook)&quot;&gt;Donna Leon’s Guido Brunetti series&lt;/a&gt; takes place in Venice, Italy. Commissario Brunetti loves his native city, his family, his wife’s cooking, reading &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(brunetti cookbook)&quot;&gt;Tacitus&lt;/a&gt; on his balcony while sipping a glass of wine or grappa. He hates crime, corruption, and entrenched privilege. While he’s nearly always able to solve the crime, he may not always be able to bring the culprit to justice. These atmospheric and wryly cynical mysteries make you feel like you’re walking the streets (or &lt;/span&gt;&lt;span&gt;&lt;em&gt;calle&lt;/em&gt;) of Venice with Brunetti . The series begins with &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(brunetti cookbook)&quot;&gt;Death at La Fenice&lt;/a&gt;, &lt;/em&gt;originally published in 1991.&lt;span&gt;  Bonus: the descriptions of Brunetti’s meals are so mouthwatering that they inspired &lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(brunetti cookbook)&quot;&gt;a cookbook&lt;/a&gt;&lt;span&gt;, published in 2010.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(shape of water)&quot;&gt;&lt;img alt=&quot;The Shape of Water&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=9780142004715&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;Sicily&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(shape of water)&quot;&gt;Andrea Camilleri’s Inspector Montalbano series&lt;/a&gt;, translated by Stephen Sartarelli, is set in the fictional town of Vigàta in southwestern Sicily, which is based on the author’s hometown, Porto Empedocle. The character of Montalbano is a classic,  the honest detective working within a corrupt system, and who, like Brunetti further north in Venice, is something of an epicure. He&#039;s also &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18841019?lang=eng&quot;&gt;synesthetic&lt;/a&gt;, and he&#039;s&lt;/span&gt;&lt;strong&gt; &lt;/strong&gt;&lt;span&gt;quite moody, as he suffers from &lt;a href=&quot;http://en.wikipedia.org/wiki/Meteoropathy&quot; rel=&quot;nofollow&quot;&gt;meteoropathy&lt;/a&gt;. Within the confines of entertaining crime novels, Camilleri manages to comment meaningfully on contemporary issues affecting Sicily and Italy, such as political corruption and the influence of the Mafia, all while conjuring the atmosphere of a Sicilian town by the sea. The series begins with &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(shape of water)&quot;&gt;&lt;em&gt;The Shape of Water&lt;/em&gt;&lt;/a&gt; ,first published in Italian in 1994.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;div&gt;
	&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(murder in the marais)&quot;&gt;&lt;img alt=&quot;Murder in the Marais&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=1569471592&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;catalog-caption&quot;&gt;Paris&lt;/figcaption&gt;
	&lt;/figure&gt;

	&lt;p&gt;&lt;span&gt;Perhaps a coffee at a Parisian cafe is more to your taste. Private investigator Aimée Leduc lives in a historic and somewhat decrepit apartment right at the center of Paris on the &lt;/span&gt;&lt;span&gt;Î&lt;/span&gt;&lt;span&gt;le St. Louis, but &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(murder in the marais)&quot;&gt;Cara Black’s mystery series&lt;/a&gt; takes the reader through many neighborhoods of Paris not on the typical tourist itinerary, such as Belleville and Clichy, as well as frequently visited areas like the Latin Quarter and Monmartre. Aimée’s cases bring her into contact with all echelons of French society, from clandestine immigrants to influential politicians and business leaders. The series begins with &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(murder in the marais)&quot;&gt;Murder in the Marais&lt;/a&gt; &lt;/em&gt;(1999) .&lt;/span&gt;

	&lt;/p&gt;&lt;p&gt; &lt;/p&gt;

	&lt;p&gt; &lt;/p&gt;

	&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18089744?lang=eng&quot;&gt;&lt;img alt=&quot;The Chalk Circle Man&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=0143115952&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

		&lt;figcaption class=&quot;catalog-caption&quot;&gt;Paris&lt;/figcaption&gt;
	&lt;/figure&gt;

	&lt;p&gt;The &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(Vargas, Fred)&quot;&gt;Commissaire Adamsberg novels&lt;/a&gt; by Fred Vargas, translated from the French by Siân Reynolds, offer another look at Paris through the eyes of an eccentric police officer, Jean-Baptiste Adamsberg, who does not rely on deductive reasoning alone to solve cases. Adamsberg works in Paris but hails from a small village in the Pyrénées, and his cases sometimes take him to other regions of France, such as Normandy in &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17353953?lang=eng&quot;&gt;This Night&#039;s Foul Work&lt;/a&gt;&lt;/em&gt; and &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19792038?lang=eng&quot;&gt;&lt;em&gt;The Ghost Riders of Ordebec&lt;/em&gt;&lt;/a&gt;. Vargas is an archaeologist and historian by training, so in addition to enjoying quirky characters and vivid settings, you will also find yourself learning a bit of Medieval history along the way. The series begins with &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18089744?lang=eng&quot;&gt;The Chalk Circle Man&lt;/a&gt;, &lt;/em&gt;originally published in French in 1991 .&lt;/p&gt;

	&lt;p&gt; &lt;/p&gt;

	&lt;div&gt; &lt;/div&gt;

	&lt;div&gt;
		&lt;div&gt;
			&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(wife of the gods)&quot;&gt;&lt;img alt=&quot;Wife of the Gods&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=1400067596&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

				&lt;figcaption class=&quot;catalog-caption&quot;&gt;Ghana&lt;/figcaption&gt;
			&lt;/figure&gt;

			&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(wife of the gods)&quot;&gt;Kwei Quartey&#039;s Darko Dawson series&lt;/a&gt; is set in Accra, Ghana, &quot;a city of noise and chaos.&quot; Inspector Dawson is one of crime fiction’s devoted family men, not a loner cop. He’s doesn&#039;t kowtow to authority or respect political connections, and his investigations take him to the inner city slums of Accra, to a rural village in the Volta region, and to coastal oil rigs at Cape Three Points. in addition to describing the people and places of Ghana in these mysteries, the author provides a glossary to explain important Ghanaian terms and customs to the reader. The series begins with &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(wife of the gods)&quot;&gt;Wife  of the Gods&lt;/a&gt; &lt;/em&gt;(2009), which examines Trokosi, a system of ritual servitude in which young teenage girls are sent to live with fetish priests to bring good fortune to their families.&lt;/p&gt;

			&lt;p&gt; &lt;/p&gt;
		&lt;/div&gt;

		&lt;div&gt; &lt;/div&gt;

		&lt;div&gt;
			&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(no 1 ladies detective agency)&quot;&gt;&lt;img alt=&quot;No. 1 Ladies&amp;#039; Detective Agency&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=1400031346&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

				&lt;figcaption class=&quot;catalog-caption&quot;&gt;Botswana&lt;/figcaption&gt;
			&lt;/figure&gt;

			&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(no 1 ladies detective agency)&quot;&gt;Alexander McCall Smith’s No. 1 Ladies’ Detective Agency series&lt;/a&gt;&lt;span&gt;, featuring the wise and kind-hearted Precious Ramotswe, offers gentler mysteries on the whole, with more corruption,  dishonesty, and communication miscues to be dealt with than actual murder. McCall Smith clearly delights in describing the landscape, history, and customs of Botswana and draws his characters with great warmth. I can almost picture the road from Gaborone to Mochudi although I’ve never been there. Who wouldn’t want to have a soothing cup of rooibos tea with Mma Ramotswe? The Series begins with &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(no 1 ladies detective agency)&quot;&gt;The No. 1 Ladies’ Detective Agency&lt;/a&gt; &lt;/em&gt;(1998).&lt;/p&gt;

			&lt;p&gt; &lt;/p&gt;
		&lt;/div&gt;
	&lt;/div&gt;

	&lt;p&gt; &lt;/p&gt;
&lt;/div&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(Silence of the Rain)&quot;&gt;&lt;img alt=&quot;The Silence of the  Rain&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=0805068899&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;Rio De Janeiro&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;Inspector Espinosa, the philosophizing (his &lt;a href=&quot;http://plato.stanford.edu/entries/spinoza/&quot; rel=&quot;nofollow&quot;&gt;name&lt;/a&gt; is no accident), book loving detective created by &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(december heat)&quot; target=&quot;_blank&quot;&gt;Luiz Alfredo Garcia-Roza&lt;/a&gt;, lives and works in the Copacabana section of Rio. The first book in the series, &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(december heat)&quot; target=&quot;_blank&quot;&gt;The Silence of the Rain&lt;/a&gt;&lt;/em&gt;, introduces the reader to the quirky detective, a divorced cop who lives in an apartment that has been taken over by his books, seems to exist mainly on microwaved meals, and has a tendency to ruminate over his cases and to become romantically interested in some of his female witnesses. The local color, however, is not strongly in evidence until the second book, &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(december heat)&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;December Heat&lt;/em&gt;&lt;/a&gt;, where the the city of Rio de Janeiro is more vividly described, becoming an important presence in the novels. &lt;em&gt;The Silence of the Rain &lt;/em&gt;was first published in 1997 in Portuguese, English translation by Benjamin Moser.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(death of a red heroine)&quot;&gt;&lt;img alt=&quot;Death of a  Red Heroine&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=1569476969&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;Shanghai, 1990s&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;Shanghai born writer and translator &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(death of a red heroine)&quot;&gt;Qiu &lt;/a&gt;&lt;/span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(death of a red heroine)&quot;&gt; Xiaolong&lt;/a&gt;&lt;span&gt;, who has lived in the United States since 1988, writes the &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(death of a red heroine)&quot;&gt;Inspector Chen series&lt;/a&gt; set in Shanghai in the 1990s. Chief Inspector Chen Cao, police officer, poet and translator, must navigate the rapidly changing political and economic landscape in China as he works at solving murder cases with the help of Sergeant Yu, a survivor of the Cultural Revolution. The mysteries themselves are almost secondary in these books, which offer a vivid portrait of an entrenched&lt;/span&gt; party bureaucracy and a &lt;span&gt; society in flux, with some prospering and others left behind by new capitalist initiatives. The reader can also savor a &lt;/span&gt;taste of China’s literary heritage when Inspector Chen quotes from great classical poets. The series begins with &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(death of a red heroine)&quot;&gt;&lt;em&gt;Death of a Red Heroine&lt;/em&gt;&lt;/a&gt; (2000).&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(Coroner&amp;#039;s Lunch)&quot;&gt;&lt;img alt=&quot;The Coroner&amp;#039;s Lunch&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=1569473765&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;Laos, mid 1970s&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(coroners lunch)&quot;&gt;Colin Cotterill’s Dr. Siri Paiboun series&lt;/a&gt; takes the reader to Laos after the communist takeover in 1975. Retired &lt;/span&gt;septuagenarian &lt;span&gt;physician Siri Paiboun is forced to become the nation’s coroner as he is the only qualified person who has not fled or been killed. This eccentric sleuth brings a sense of humor to his work and uses both his forensic and shamanic skills to solve murder cases with the help of his two faithful assistants, Nurse Dtui (Fatty) and developmentally challenged Geung.&lt;/span&gt;&lt;span&gt; In addition to evocative descriptions of the people and locales in Laos, Cotteril interweaves political and folk history into these mysteries featuring a charming and unique detective. The series begins with &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(coroners lunch)&quot;&gt;The Coroner’s Lunch&lt;/a&gt; &lt;/em&gt;(2004)&lt;span&gt;.&lt;/span&gt;

&lt;/p&gt;&lt;p&gt; &lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17631119?lang=eng&quot;&gt;&lt;img alt=&quot;Berlin Noir&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=0140231706&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;110px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;Berlin, 1930s -  1940s&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;When we first meet Philip Kerr’s cynical, wisecracking detective Bernie Gunther in &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(philip kerr)&quot;&gt;March Violets&lt;/a&gt;&lt;/em&gt;, it’s 1936 in Berlin, and the former police inspector is  trying to make a living as a private investigator without running afoul of the Nazis or completely compromising his humanity, an impossible task. As the series continues in &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(philip kerr)&quot;&gt;The Pale Criminal&lt;/a&gt;&lt;/em&gt;, Bernie is forced to join the S.S. although he continues to refuse to register as a member the Nazi party. In &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(philip kerr)&quot;&gt;A German Requiem&lt;/a&gt;&lt;/em&gt;, Bernie travels to Vienna in 1947 to conduct an investigation while coping with the personal and national aftermath of war. These three novels comprise Kerr’s original &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17631119?lang=eng&quot;&gt;&lt;em&gt;Berlin Noir&lt;/em&gt;&lt;/a&gt; trilogy, completed in 1991. He returned to the  character in 2006, adding &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(philip kerr)&quot;&gt;six more novels to the series&lt;/a&gt; so far, filling in more of Bernie Gunther&#039;s experiences before and after the war.  Bernie’s (or Kerr&#039;s) gift for colorful description brings the Berlin of this era darkly yet vividly to life.&lt;/p&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;catalog-image caption caption caption align-left align-left inline inline&quot;&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(Janissary Tree)&quot;&gt;&lt;img alt=&quot;The Janissary Tree&quot; src=&quot;http://contentcafe2.btol.com/ContentCafe/Jacket.aspx?&amp;amp;userID=NYPL49807&amp;amp;password=CC68707&amp;amp;Value=9780312426132&amp;amp;content=M&amp;amp;Return=1&amp;amp;Type=M&quot; width=&quot;115px&quot; /&gt;&lt;/a&gt;

	&lt;figcaption class=&quot;catalog-caption&quot;&gt;Istanbul, 19th c&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;&lt;span&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(janissary tree)&quot;&gt;Jason Goodwin’s investigator Yashim&lt;/a&gt;&lt;/span&gt;&lt;span&gt; solves mysteries for the Ottoman court in mid-19th century Istanbul. Because Yashim is a eunuch, he is allowed access to some forbidden parts of the city, such as the harem, where he discusses cases and borrows French books from the valide sultan, the sultan’s mother. Before creating investigator Yashim, Goodwin wrote a history of the Ottoman Empire, &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20218072?lang=eng&quot;&gt;The Lords of the Horizon&lt;/a&gt;&lt;/em&gt;&lt;span&gt;, and some of this historical knowledge is imparted as Yashim goes about his investigations. The sights and sounds of 19th century Istanbul are lovingly recreated in these engaging mysteries, and the descriptions of Yashim’s cooking will make you want to race to nearest Turkish restaurant. The series begins with &lt;/span&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__St:(janissary tree)&quot;&gt;The Janissary Tree&lt;/a&gt; &lt;/em&gt;&lt;span&gt;(2006).&lt;/span&gt;

&lt;/p&gt;&lt;p&gt; &lt;/p&gt;

&lt;p&gt;Who are your favorite fictonal sleuths and where do they do their detecting? Please share your suggestions for further armchair detective travels below.&lt;/p&gt;
</description>
  <category>Mysteries, Crime, Thrillers</category>
  <comments>https://www.nypl.org/blog/2014/08/22/travels-armchair-detective-mysteries#comments</comments>
  <pubDate>Fri, 22 Aug 2014 17:25:45 -0400</pubDate>
</item>
<item>
  <title>Around The World in 80+ Children's Books</title>
  <link>https://www.nypl.org/blog/2014/07/22/around-world-childrens-books</link>
  <dc:creator>Marianna Vertsman, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;div style=&quot;text-align:center&quot;&gt;
	&lt;figure class=&quot;caption caption caption&quot;&gt;
  &lt;img title=&quot;Around the world with picture books &quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/collageblog80_1.jpg&quot; alt=&quot;&quot; /&gt;
		&lt;figcaption&gt;&lt;/figcaption&gt;
	&lt;/figure&gt;
&lt;/div&gt;

&lt;p&gt;Summer is here and with it comes the joy of getting away from it all. While we research our destinations with some assistance from &lt;a href=&quot;/blog/2013/10/23/around-world-travel-guides&quot;&gt;guidebooks&lt;/a&gt;, children don&#039;t really have that option. Unless you are lucky enough to travel to a small number of selected destinations covered by the wonderful &lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/tNot+for+parents./tnot+for+parents/-3%2C-1%2C0%2CB/exact&amp;amp;FF=tnot+for+parents&amp;amp;1%2C12%2C&quot;&gt;Lonely Planet Not For Parents Guides&lt;/a&gt;&lt;/em&gt;, your younger traveling companions will be deprived of any guidance. This does not have to be the case. Books on this list offer young travelers a great opportunity to explore new cultures through a colorful world of illustrated picture books . They can introduce  children to the rich cultural heritage  of your international destinations.&lt;/p&gt;

&lt;p&gt;Even if your pilgrimage to a dream destination is entirely imaginary, picture books  can offer kids an introduction to a wonderful world of armchair travel. If you can&#039;t take your child to another country, visiting cultural institutions and ethnic neighborhoods throughout New York City can have similar benefits. How lucky are we to reside in a city that offers unparalleled opportunities for cultural exploration? &lt;a href=&quot;http://www.mocanyc.org/&quot; rel=&quot;nofollow&quot;&gt; The Museum of the Chinese in America &lt;/a&gt; or&lt;a href=&quot;http://asiasociety.org/arts/asia-society-museum&quot; rel=&quot;nofollow&quot;&gt; Asia Society&lt;/a&gt; could be visited in conjunction with your favorite &lt;a href=&quot;http://www.explorechinatown.com/GUI/Content.aspx-Page=Discover.htm&quot; rel=&quot;nofollow&quot;&gt;Chinatown landmark &lt;/a&gt; or &lt;a href=&quot;http://www.chinatownicecreamfactory.com/&quot; rel=&quot;nofollow&quot;&gt;Chinatown Ice Cream Factory&lt;/a&gt;. A trip to &lt;a href=&quot;http://www.elmuseo.org/&quot; rel=&quot;nofollow&quot;&gt;El Museo del Barrio&lt;/a&gt; can be combined can with a quick lunch at &lt;a href=&quot;http://www.yelp.com/biz/cuchifritos-new-york-2&quot; rel=&quot;nofollow&quot;&gt;Cuchifritos&lt;/a&gt; or &lt;a href=&quot;http://www.yelp.com/biz/cabana-restaurant-new-york&quot; rel=&quot;nofollow&quot;&gt;Cabana&lt;/a&gt;. New Yorkers have always been known for their special appreciation of cultural differences. Let&#039;s keep this tradition going!&lt;/p&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/3valerieblog_0.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;My criterion for inclusion was rather narrow, as this list was originally compiled for a specific class of students at &lt;a href=&quot;http://059m.r9tech.org/&quot; rel=&quot;nofollow&quot;&gt;PS 59, Beekman Hill International&lt;/a&gt;. Located in close proximity to the United Nations, Beekman Hill  is a perfect microcosm of a vibrant global village. In selecting books for a specific location ,  I attempted to cover that country&#039;s customs, folklore, traditions, cuisine, art, fashion, cultural attitudes to childhood, as well as famous historical figures. Artistic and literary merits of the book, as well as its current availability were taken into consideration. Given a wide variety of children&#039;s reading levels, as well as the indisputable appeal of picture books to readers of all ages, I would recommend this list to children from kindergarten all the way to middle school.&lt;/p&gt;

&lt;p&gt;Many versions of the story of Cinderella (Persia, China, Egypt, Korea, South Africa, the Caribbean, Mexico, Ireland, India, France and Russia) are part of this reading list. Reading several versions of this familiar fairytale can help kids identify differences in another country&#039;s way of life, while simultaneously affirming our cross-cultural bond of being human.&lt;/p&gt;

&lt;p&gt;There is a separate list of nonfiction titles that readers may find helpful while traveling with a child. Travel, or the promise of it in the future, offers unique educational opportunities. International travel can introduce a child to the splendors of past and present civilizations. It can foster an appreciation of cultural differences and offer a newfound perspective on life at home. A better understanding of foreign relations is an added benefit of international travel.&lt;/p&gt;

&lt;p&gt;We would love to receive book recommendations for this list from readers of all ages.&lt;/p&gt;

&lt;p&gt;Have a nice trip! Bon Voyage! Счастливого пути ! 잘다녀오십시오! Hyvää matkaa!    よい旅を    Καλό ταξίδι! Góða ferð سفر خوش&lt;/p&gt;

&lt;h2&gt;Selected Children&#039;s Travel Nonfiction&lt;/h2&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;325&quot; width=&quot;325&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/smallercollage.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19821053?lang=eng&quot;&gt;Where on Earth ? The Ultimate Atlas of What&#039;s Where in the World&lt;/a&gt;&lt;/em&gt;&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19966814?lang=eng&quot;&gt;Maps&lt;/a&gt;&lt;/em&gt; by Aleksandra Misielinska&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xif+the+world+were+a+village&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xif+the+world+were+a+village&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=if+the+world+were+a+village/1%2C25%2C25%2CB/frameset&amp;amp;FF=Xif+the+world+were+a+village&amp;amp;searchscope=1&amp;amp;SO&quot;&gt;If the World Were a Village&lt;/a&gt;&lt;/em&gt; by David Smith&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17587676?lang=eng&quot;&gt;How People Live&lt;/a&gt;&lt;/em&gt; by Penelope Arlon&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XChildren+just+like+me&amp;amp;searchscope=1&amp;amp;SORT=DZ/XChildren+just+like+me&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Children+just+like+me/1%2C83%2C83%2CB/frameset&amp;amp;FF=XChildren+just+like+me&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Children Just Like Me: Celebrations!&lt;/a&gt;&lt;/em&gt; By Barnabas and Anabel Kindersley&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xlife+like+mine+how+children&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xlife+like+mine+how+children&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=life+like+mine+how+children/1%2C21%2C21%2CB/frameset&amp;amp;FF=Xlife+like+mine+how+children&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;4%2C4%2C&quot;&gt;A Life like Mine: How Children Live around the World&lt;/a&gt;&lt;/em&gt; by DK Publishing and UNICEF&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xhungry+planet+what+the+world+eats&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xhungry+planet+what+the+world+eats&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=hungry&quot;&gt;Hungry Planet: What the World Eats&lt;/a&gt;&lt;/em&gt; by Peter Menzel&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18708864?lang=eng&quot;&gt;Me on the Map&lt;/a&gt;&lt;/em&gt; by Joan Sweeney&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19077363?lang=eng&quot;&gt;National Geographic Kid&#039;s Beginners World Atlas&lt;/a&gt;&lt;/em&gt;&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb16310470?lang=eng&quot;&gt;From Mud Huts to Skyscrapers : Architecture for Children&lt;/a&gt;&lt;/em&gt; by Christine Paxmann&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19900914?lang=eng&quot;&gt;History Year by Year&lt;/a&gt;&lt;/em&gt; by Peter Chrisp&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19776964?lang=eng&quot;&gt;A City Through Time&lt;/a&gt;&lt;/em&gt; by Steve Noon&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;107&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/pmagic.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;h3&gt;Australia&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17242233?lang=eng&quot;&gt;Possum Magic&lt;/a&gt;&lt;/em&gt; by Mem Fox&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17630374?lang=eng&quot;&gt;The Quinkins&lt;/a&gt;&lt;/em&gt; by Persy Trizese&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Caribbean Islands&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;107&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/caribbeancinderella.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb15442759?lang=eng&quot;&gt;Caribbean Dream&lt;/a&gt;&lt;/em&gt; by Rachel Isadora&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb15442759?lang=eng&quot;&gt;Cendrillon : A Caribbean Cinderella&lt;/a&gt;&lt;/em&gt; by Robert San Souci&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xcendrillon+cinderella+caribbean&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xcendrillon+cinderella+caribbean&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=cendrillon+cinderella+caribbean/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xcendrillon+cinderella+caribbean&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1&quot;&gt; &lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;China&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17695462?lang=eng&quot;&gt;Yeh-Shen: The Chinese Cinderella&lt;/a&gt;&lt;/em&gt; by Ai-Ling Loui&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18269801?lang=eng&quot;&gt;Magic Paintbrush&lt;/a&gt;&lt;/em&gt; by Julia Donaldson&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18152905?lang=eng&quot;&gt;Dim Sum for Everyone!&lt;/a&gt;&lt;/em&gt; By Grace Lin&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tliang+and+the+magic+paint/tliang+and+the+magic+paint/1%2C1%2C5%2CB/frameset&amp;amp;FF=tliang+and+the+magic+paintbrush&amp;amp;1%2C%2C5/indexsort=-&quot;&gt;Liang and the Magic Paintbrush&lt;/a&gt;&lt;/em&gt; by Demi&lt;/li&gt;
&lt;/ul&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;77&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/dimsum.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=grandfather+tang%27s+story&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=tgrandfather+tang%27s+story&quot;&gt;Grandfather Tang&#039;s Story&lt;/a&gt;&lt;/em&gt; by Anne Tompert&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tlon+po+po/tlon+po+po/1%2C2%2C8%2CB/frameset&amp;amp;FF=tlon+po+po+a+red+riding+hood+story+from+china&amp;amp;1%2C%2C5/indexsort=-&quot;&gt;Lon Po Po: A Red Riding-Hood Story from China&lt;/a&gt;&lt;/em&gt; by Ed Young&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18135424?lang=eng&quot;&gt;Boy Dumplings&lt;/a&gt;&lt;/em&gt; by Ying Chang Compestine&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17217791?lang=eng&quot;&gt;Tikki Tikki Tembo&lt;/a&gt;&lt;/em&gt; by Arlene Mosel&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18049182?lang=eng&quot;&gt;Chinese Children&#039;s Favorite Stories&lt;/a&gt;&lt;/em&gt; by Mingmei Yip&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;144&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/wall.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;h3&gt;Czech Republic&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=three+golden+keys&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=tthree+golden+keys&quot;&gt;Three Golden Keys&lt;/a&gt;&lt;/em&gt; by Peter Sis&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=wall+peter+sis+&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xwall+peter+sis+%26SORT%3DD&quot;&gt;The Wall: Growing Up Behind the Iron Curtain&lt;/a&gt;&lt;/em&gt; by Peter Sis&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Cuba&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20158702?lang=eng&quot;&gt;Martina the Beautiful Cockroach&lt;/a&gt;&lt;/em&gt; by Carmen Agra Deedy&lt;/li&gt;
&lt;/ul&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;87&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/martina.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Denmark&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/azwerger+l/azwerger+l/1%2C43%2C43%2CB/frameset&amp;amp;FF=azwerger+lisbeth+ill&amp;amp;18%2C18%2C/indexsort=r&quot;&gt;Andersen&#039;s Fairy Tales&lt;/a&gt;&lt;/em&gt; by Lisbeth Zwerger&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/aandersen+hans+christian/aandersen+hans+christian/-3%2C0%2C0%2CB/frameset&amp;amp;FF=aandersen+h+c+hans+christian+1805+1875&amp;amp;44%2C%2C212/indexsort=r&quot;&gt;Hans Christian Andersen&#039;s Fairy Tales&lt;/a&gt;&lt;/em&gt;&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/Xugly+duckling+jerry+&amp;amp;searchscope=97&amp;amp;SORT=DZ/Xugly+duckling+jerry+&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=ugly+duckling+jerry+/1%2C8%2C8%2CB/frameset&amp;amp;FF=Xugly+duckling+jerry+&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;3%2C3%2C&quot;&gt;Ugly Duckling&lt;/a&gt;&lt;/em&gt; by Jerry Pinkney&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97/?searchtype=X&amp;amp;searcharg=fat+cat+a+danish+&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xwall+peter+sis+%26SORT%3DDZ&quot;&gt;Fat Cat: a Danish Folktale&lt;/a&gt;&lt;/em&gt; by Margaret Reed McDonald&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Egypt&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;86&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/ahmed).jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/aLattimore%2C+Deborah+Nourse./alattimore+deborah+nourse/-3%2C-1%2C0%2CB/frameset&amp;amp;FF=alattimore+deborah+nourse&amp;amp;7%2C%2C7&quot;&gt;Winged Cat&lt;/a&gt;&lt;/em&gt; by Deborah Lattimore&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/X(mummies+made+in+egypt)&amp;amp;searchscope=1&amp;amp;SORT=D/X(mummies+made+in+egypt)&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=(mummies+made+in+egypt)/1%2C12%2C12%2CB/frameset&amp;amp;FF=X(mummies+made+in+egypt)&amp;amp;searchsco&quot;&gt;Mummies made in Egypt&lt;/a&gt;&lt;/em&gt; by Aliki&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/twho+was+king+tut+/twho+was+king+tut/1%2C2%2C2%2CB/frameset&amp;amp;FF=twho+was+king+tut&amp;amp;1%2C1%2C/indexsort=-&quot;&gt;Who was King Tut?&lt;/a&gt;&lt;/em&gt; by Roberta Edwards&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97/?searchtype=t&amp;amp;searcharg=day+of+ahmed%27s+secret+&amp;amp;searchscope=97&amp;amp;sortdropdown=r&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=tday+of+ahmed%27s+secret+&quot;&gt;The Day of Ahmed&#039;s Secret&lt;/a&gt;&lt;/em&gt; by Florence H. Parry&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;Hands around the Library : protecting Egypts treasured books &lt;/em&gt; by Susan L. Roth and Karen Leggett Abouraya&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;England&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;131&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/boybear(2).jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xthis+is+london+miroslav+&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xthis+is+london+miroslav+&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=this+is+london+miroslav+/1%2C5%2C5%2CB/frameset&amp;amp;FF=Xthis+is+london+miroslav+&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;2%2C2%2C&quot;&gt;This is London&lt;/a&gt;&lt;/em&gt; by Miroslaw Sasek&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xdick+whittington+and+his+cat&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xdick+whittington+and+his+cat&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=dick+whittington+and+his+cat/1%2C32%2C32%2CB/frameset&amp;amp;FF=Xdick+whittington+and+his+cat&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Dick Whittington and His Cat&lt;/a&gt;&lt;/em&gt; by Margaret Hodges&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xrobin+hood+and+the+golden+arrow&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xrobin+hood+and+the+golden+arrow&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=robin+hood+and+the+golden+arrow/1%2C3%2C3%2CB/frameset&amp;amp;FF=Xrobin+hood+and+the+golden+arrow&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Robin Hood and the Golden Arrow&lt;/a&gt;&lt;/em&gt; by Robert San Soci&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xa:(egan+tim)&amp;amp;searchscope=1&amp;amp;SORT=D/Xa:(egan+tim)&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=a%3A(egan+tim)/1%2C27%2C27%2CB/frameset&amp;amp;FF=Xa:(egan+tim)&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;6%2C6%2C&quot;&gt;Dodsworth in London Egan Tim&lt;/a&gt;&lt;/em&gt;&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xboy+bear+bard+baron&amp;amp;searchscope=1&amp;amp;SORT=D/Xboy+bear+bard+baron&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBKEY=boy+bear+bard+baron/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xboy+bear+bard+baron&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;2%2C2%2C&quot;&gt;The Boy, the Bear, the Baron, the Bard&lt;/a&gt;&lt;/em&gt; by Gregory Rogers&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xmadeline+in+london&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xmadeline+in+london&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=madeline+in+london/1%2C35%2C35%2CB/frameset&amp;amp;FF=Xmadeline+in+london&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;3%2C3%2C&quot;&gt;Madeline in London&lt;/a&gt;&lt;/em&gt; by Ludwig Bemelmans&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/acooney+barbara/acooney+barbara/1%2C2%2C110%2CB/frameset&amp;amp;FF=acooney+barbara+1917+2000+ill&amp;amp;8%2C%2C73/indexsort=-&quot;&gt;Chanticleer and the Fox&lt;/a&gt;&lt;/em&gt; by Barbara Cooney&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/awilliams+marcia/awilliams+marcia/1%2C7%2C21%2CB/frameset&amp;amp;FF=awilliams+marcia+1945&amp;amp;11%2C%2C11/indexsort=-&quot;&gt;Tales from Shakespeare&lt;/a&gt;&lt;/em&gt; by Marcia Williams&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/X?williams+marcia+chaucer&amp;amp;SORT=D&amp;amp;searchscope=1&quot;&gt;Chaucer&#039;s Canterbury Tales&lt;/a&gt;&lt;/em&gt; by Marcia Williams&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=hodges+margaret+george+dragon&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=ahodges+margaret+george+dragon&quot;&gt;Saint George and the Dragon&lt;/a&gt;&lt;/em&gt; by Margaret Hodges&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/amorpurgo+michael/amorpurgo+michael/1%2C3%2C61%2CB/frameset&amp;amp;FF=amorpurgo+michael&amp;amp;5%2C%2C56/indexsort=-&quot;&gt;Beowulf&lt;/a&gt;&lt;/em&gt; by Michael Morpurgo&lt;/li&gt;
&lt;/ul&gt;

&lt;h3&gt; &lt;/h3&gt;

&lt;h3&gt;Ethiopia&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XLion%27s+whiskers+ephiopian&amp;amp;searchscope=1&amp;amp;SORT=DZ/XLion%27s+whiskers+ephiopian&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Lion%27s+whiskers+ephiopian/1%2C3179%2C3179%2CB/frameset&amp;amp;FF=XLion%27s+whiskers+ephiopian&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;5%2C5%2C&quot;&gt;Lion&#039;s Whiskers: an Ethiopian Folktale&lt;/a&gt;&lt;/em&gt; by Nancy Raines Day&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xbest+beekeeper+of+&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xbest+beekeeper+of+&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=best+beekeeper+of+/1%2C3%2C3%2CB/frameset&amp;amp;FF=Xbest+beekeeper+of+&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Best Beekeeper of Lalibela: A Tale From Africa&lt;/a&gt;&lt;/em&gt; by Cristina Kessler&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Finland&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xprincess+mouse+a+tale+of+finland&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xprincess+mouse+a+tale+of+finland&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=princess+mouse+a+tale+of+finland/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xprincess+mouse+a+tale+of+finland&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;The Princess Mouse: A Tale of Finland&lt;/a&gt;&lt;/em&gt; by Aaron Shepard&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;France&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;100&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/catfrance.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tThis+is+Paris+/tthis+is+paris/1%2C2%2C4%2CB/frameset&amp;amp;FF=tthis+is+paris&amp;amp;2%2C%2C3/indexsort=-&quot;&gt;This is Paris&lt;/a&gt;&lt;/em&gt; by Miroslav Sasek&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XKoopmans+Loek&amp;amp;searchscope=1&amp;amp;SORT=D/XKoopmans+Loek&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBKEY=Koopmans+Loek/1%2C4%2C4%2CB/frameset&amp;amp;FF=XKoopmans+Loek&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;4%2C4%2C&quot;&gt;Cinderella&lt;/a&gt;&lt;/em&gt; by Charles Perrault (illustrated by Loek Koopmans )&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=beauty+and+the+beast+eilenberg&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xking%27s+day+aliki%26SORT%3DD&quot;&gt;Beauty and the Beast&lt;/a&gt;&lt;/em&gt; by Max Eilenberg&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xzat+cat&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xzat+cat&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=zat+cat/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xzat+cat&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Zat Cat : A Haute Couture Tail&lt;/a&gt;&lt;/em&gt; by Chesley McLaren&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aSanvoisin%2C+Eric%2C+author./asanvoisin+eric+author/-3%2C-1%2C0%2CB/frameset&amp;amp;FF=asanvoisin+eric&amp;amp;1%2C1%2C&quot;&gt;Ink Drinker series&lt;/a&gt;&lt;/em&gt; by Erik Sanvoisin&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=cat+walked+across+france&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xcat+walked+across+france%26SORT%3DD&quot;&gt;Cat Who Walked Across France&lt;/a&gt;&lt;/em&gt; by Banks Kate&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xadele+and+simon&amp;amp;searchscope=1&amp;amp;SORT=D/Xadele+and+simon&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=adele+and+simon/1%2C36%2C36%2CB/frameset&amp;amp;FF=Xadele+and+simon&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;1%2C1%2C&quot;&gt;Adele and Simon&lt;/a&gt;&lt;/em&gt; by McClintock Barbara&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=everybody+bonjour&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xcat+walked+across+france%26SORT%3DDZ&quot;&gt;Everybody Bonjour!&lt;/a&gt;&lt;/em&gt; By Leslie Kimmelman&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=picasso+and+minou&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=apicasso+and+minou&quot;&gt;Picasso and Minou&lt;/a&gt;&lt;/em&gt; by P. I. Maltbie&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aladen+nina/aladen+nina/1%2C3%2C19%2CB/frameset&amp;amp;FF=aladen+nina&amp;amp;15%2C%2C16&quot;&gt;When Pigasso Meet Mootisse&lt;/a&gt;&lt;/em&gt; by Nina Laden&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb11711978?lang=eng&quot;&gt;Mirette on the High Wire&lt;/a&gt;&lt;/em&gt; by Emily Arnold McCully&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/achall+marsha/achall+marsha/1%2C1%2C7%2CB/frameset&amp;amp;FF=achall+marsha+wilson&amp;amp;1%2C%2C7/indexsort=-&quot;&gt;Bonaparte&lt;/a&gt;&lt;/em&gt; by Marsha Willson Chall&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/Xstone+soup+marcia+brown&amp;amp;searchscope=97&amp;amp;SORT=DZ/Xstone+soup+marcia+brown&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;SUBKEY=stone+soup+marcia+brown/1%2C12%2C12%2CB/frameset&amp;amp;FF=Xstone+soup+marcia+brown&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;2%2C2%2C&quot;&gt;Stone Soup&lt;/a&gt;&lt;/em&gt; by Marcia Brown&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97/?searchtype=X&amp;amp;searcharg=inside+outside+book+of+paris+&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xinside+outside+book+of+paris+%26SORT%3DDZ&quot;&gt;Inside-Outside Book of Paris&lt;/a&gt;&lt;/em&gt; by Roxie Munro&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xpuss+in+boots+marcellino&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xpuss+in+boots+marcellino&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=puss+in+boots+marcellino/1%2C3%2C3%2CB/frameset&amp;amp;FF=Xpuss+in+boots+marcellino&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;2%2C2%2C&quot;&gt;Puss in Boots&lt;/a&gt;&lt;/em&gt; by Fred Marcellino&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aBjork+Christian/abjork+christian/-3%2C0%2C0%2CB/frameset&amp;amp;FF=abjork+christina+1938&amp;amp;6%2C%2C16/indexsort=-&quot;&gt;Linnea in Monet&#039;s Garden&lt;/a&gt;&lt;/em&gt; by Christina Bjork&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tCrictor/tcrictor/1%2C1%2C4%2CB/frameset&amp;amp;FF=tcrictor&amp;amp;2%2C%2C4/indexsort=-&quot;&gt;Crictor&lt;/a&gt;&lt;/em&gt; by Tony Ungerer&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aTitus+Eve/atitus+eve/1%2C1%2C25%2CB/frameset&amp;amp;FF=atitus+eve&amp;amp;5%2C%2C25/indexsort=-&quot;&gt;Anatole&lt;/a&gt;&lt;/em&gt; by Eve Titus&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aTitus+Eve/atitus+eve/1%2C1%2C25%2CB/frameset&amp;amp;FF=atitus+eve&amp;amp;6%2C%2C25/indexsort=-&quot;&gt;Anatole and the Cat&lt;/a&gt;&lt;/em&gt; by Eve Titus&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=come+fly+with+me+satomi&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=tcome+fly+with+me&quot;&gt;Come Fly with Me&lt;/a&gt;&lt;/em&gt; by Satomi Ichikawa&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aIchikawa%2C+Satomi./aichikawa+satomi/-3%2C-1%2C0%2CB/frameset&amp;amp;FF=aichikawa+satomi&amp;amp;17%2C%2C23&quot;&gt;La La Rose&lt;/a&gt;&lt;/em&gt; by Satomi Ichikawa&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=Belinda+in+Paris+&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchori&quot;&gt;Belinda in Paris&lt;/a&gt;&lt;/em&gt; by Amy Young&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xking%27s+day+aliki&amp;amp;searchscope=1&amp;amp;SORT=D/Xking%27s+day+aliki&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBKEY=king%27s+day+aliki/1%2C3%2C3%2CB/frameset&amp;amp;FF=Xking%27s+day+aliki&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;2%2C2%2C&quot;&gt;The King&#039;s Day : Louis XIV of France&lt;/a&gt;&lt;/em&gt; by Aliki&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tinvention+of+hugo+cabret+/tinvention+of+hugo+cabret/1%2C6%2C10%2CB/frameset&amp;amp;FF=tinvention+of+hugo+cabret+a+novel+in+words+and+pictures&amp;amp;1%2C%2C&quot;&gt;Invention of Hugo Cabret&lt;/a&gt;&lt;/em&gt; by Brian Selznick&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;

&lt;/p&gt;&lt;h3&gt;Germany&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;83&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/blau_0.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aJanisch+Heinz/ajanisch+heinz/1%2C1%2C18%2CB/frameset&amp;amp;FF=ajanisch+heinz&amp;amp;5%2C%2C18/indexsort=-&quot;&gt;Fantastic Adventures of Baron Munchausen&lt;/a&gt;&lt;/em&gt; by Heinz Janisch&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/XZelinsky+Paul+Rump&amp;amp;searchscope=97&amp;amp;SORT=D/XZelinsky+Paul+Rump&amp;amp;searchscope=97&amp;amp;SORT=D&amp;amp;SUBKEY=Zelinsky+Paul+Rump/1%2C14898%2C14898%2CB/frameset&amp;amp;FF=XZelinsky+Paul+Rump&amp;amp;searchscope=97&amp;amp;SORT=D&amp;amp;10%2C10%2C&quot;&gt;Rumpelstiltskin&lt;/a&gt;&lt;/em&gt; by Paul O. Zelinsky&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/XRapunzel+Zelinsky&amp;amp;searchscope=97&amp;amp;SORT=DZ/XRapunzel+Zelinsky&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Rapunzel+Zelinsky/1%2C9%2C9%2CB/frameset&amp;amp;FF=XRapunzel+Zelinsky&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Rapunzel&lt;/a&gt;&lt;/em&gt; by Paul O. Zelinsky&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/XZwerger+Pied+Piper&amp;amp;searchscope=97&amp;amp;SORT=DZ/XZwerger+Pied+Piper&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Zwerger+Pied+Piper/1%2C519%2C519%2CB/frameset&amp;amp;FF=XZwerger+Pied+Piper&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;6%2C6%2C&quot;&gt;Pied Piper of Hamelin&lt;/a&gt;&lt;/em&gt; by Donna Diamond&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/XHansel+Lesser&amp;amp;searchscope=97&amp;amp;SORT=DZ/XHansel+Lesser&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Hansel+Lesser/1%2C4%2C4%2CB/frameset&amp;amp;FF=XHansel+Lesser&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;2%2C2%2C&quot;&gt;Hansel and Gretel&lt;/a&gt;&lt;/em&gt; by Rika Lesser&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S48/?searchtype=X&amp;amp;searcharg=Twelve+Dancing+Princesses+Mayer&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=XTwelve+Dancing+Princesses+Mayer%26SORT%3DDZ&quot;&gt;Twelve Dancing Princesses&lt;/a&gt;&lt;/em&gt; by Marianna Mayer&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/XCoppelia+Margot+Fontein&amp;amp;searchscope=97&amp;amp;SORT=DZ/XCoppelia+Margot+Fontein&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Coppelia+Margot+Fontein/1%2C426%2C426%2CB/frameset&amp;amp;FF=XCoppelia+Margot+Fontein&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Coppelia&lt;/a&gt;&lt;/em&gt; by Margot Fontein&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/aHoffmann%2C+E.+T.+A.+%28Ernst+Theodor+Amadeus%29%2C+1776-1822/ahoffmann+e+t+a+ernst+theodor+amadeus+1776+1822/1%2C1%2C54%2CB/frameset&amp;amp;FF=ahoffmann+e+t+a+ernst+theodor+amadeus+1776+1822&amp;amp;30%2C%2C54/indexsort=-&quot;&gt;The Nutrcracker and the Mouse King&lt;/a&gt;&lt;/em&gt; by Hoffmann E.T.A&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;

&lt;/p&gt;&lt;h3&gt;Greece&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;112&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/what&amp;#039;syourangle.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xsemolina+semolinus&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xsemolina+semolinus&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=semolina+semolinus/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xsemolina+semolinus&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;2%2C2%2C&quot;&gt;Mr. Semolina-Semolinus: A Greek Folktale&lt;/a&gt;&lt;/em&gt; by Anthony L Manna&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XWhat%27s+your+angle+&amp;amp;searchscope=1&amp;amp;SORT=D/XWhat%27s+your+angle+&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=What%27s+your+angle+/1%2C4%&quot;&gt;What&#039;s Your Angle, Pythagoras? A Math Adventure&lt;/a&gt;&lt;/em&gt; by Julie Ellis&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XDiogenes+Usher&amp;amp;searchscope=1&amp;amp;SORT=DZ/XDiogenes+Usher&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Diogenes+Usher/1%2C2%2C2%2CB/frames&quot;&gt;Diogenes&lt;/a&gt;&lt;/em&gt; by M. D. Usher&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/acoats+lucy/acoats+lucy/1%2C1%2C5%2CB/frameset&amp;amp;FF=acoats+lucy&amp;amp;2%2C%2C5/indexsort=-&quot;&gt;Hero&#039;s Spear&lt;/a&gt;&lt;/em&gt; by Lucy Coats&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xgreek+myths+for+young+children+williams&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xgreek+myths+for+young+children+williams&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=greek+myths+for+young+children+williams/1%2C32000%2C32000%2CB/frameset&amp;amp;FF=Xgreek+myths+for+young+children+williams&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;D&#039;Aulaires Book of Greek Myths&lt;/a&gt;&lt;/em&gt; by Ingri and Edgar Parin D&#039;Aulaire&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=amazing+greek+myths+of+wonder+&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=aamazing+greek+myths+of+wonder+&quot;&gt;Amazing Greek Myths of Wonder and Blunders&lt;/a&gt;&lt;/em&gt; by Mike Townsend&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XGods+and+Aliki&amp;amp;searchscope=1&amp;amp;SORT=D/XGods+and+Aliki&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBKEY=Gods+and+Aliki/1%2C3%2C3%2CB/frameset&amp;amp;FF=XGods+and+Aliki&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;1%2C1%2C&quot;&gt;The Gods and Goddesses of the Olympus&lt;/a&gt;&lt;/em&gt; by Aliki&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=pandora+burleigh&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=XGods+and+Aliki%26SORT%3DD&quot;&gt;Pandora&lt;/a&gt;&lt;/em&gt; by Robert Burleigh&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xking+midas+and+the+golden&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xking+midas+and+the+golden&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=king+midas+and+the+golden/1%2C16%2C16%2CB/frameset&amp;amp;FF=Xking+midas+and+the+golden&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;2%2C2%2C&quot;&gt;King Midas and the Golden Touch&lt;/a&gt;&lt;/em&gt; by Charlotte Craft&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Holland&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XCow+fell+canal&amp;amp;searchscope=1&amp;amp;SORT=DZ/XCow+fell+canal&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Cow+fell+canal/1%2C5%2C5%2CB/frameset&amp;amp;FF=XCow+fell+canal&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;2%2C2%2C&quot;&gt;The Cow Who Fell in the Canal&lt;/a&gt;&lt;/em&gt; by Phillis Krasilovky&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=melanie+martin+goes+dutch&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xbonne+appetit+bertie%26SORT%3DDZ&quot;&gt;Melanie Martin Goes Dutch: The Private Diary of my Almost Bummer Summer with Cecily, Matt the Brat and Vincent Van Go Go Go&lt;/a&gt;&lt;/em&gt; by Carol Weston&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xsea+men+yolen&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xsea+men+yolen&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=sea+men+yolen/1%2C32000%2C32000%2CB/frameset&amp;amp;FF=Xsea+men+yolen&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;6%2C6%2C&quot;&gt;Sea Man&lt;/a&gt;&lt;/em&gt; by Jane Yolen&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Iceland&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tproblem+with+chickens/tproblem+with+chickens/1%2C1%2C2%2CB/frameset&amp;amp;FF=tproblem+with+chickens&amp;amp;2%2C%2C2/indexsort=-&quot;&gt;The Problem with Chickens&lt;/a&gt;&lt;/em&gt; by Bruce McMillan&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;India&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;80&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/roadtomumbai.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97/?searchtype=X&amp;amp;searcharg=gifts+of+wali&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xroad+to+mumbai%26SORT%3DDZ&quot;&gt;Gifts of Wali Dad: A Tale of India and Pakistan&lt;/a&gt;&lt;/em&gt; by Aaron Shepard&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/Xrikki+tikki+tavi+pinkey&amp;amp;searchscope=97&amp;amp;SORT=DZ/Xrikki+tikki+tavi+pinkey&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=rikki+tikki+tavi+pinkey/1%2C60%2C60%2CB/frameset&amp;amp;FF=Xrikki+tikki+tavi+pinkey&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;3%2C3%2C&quot;&gt;Rikki-Tikki-Tavi&lt;/a&gt;&lt;/em&gt; by Jerry Pinkney&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=no+pumpkin+story+no+dinner&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xbrucker+meredith%26SORT%3DDZ&quot;&gt;No Dinner! Story of the Old Woman and the Pumpkin&lt;/a&gt;&lt;/em&gt; by Jessica Souhami&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/Xone+grain+of+rice&amp;amp;searchscope=97&amp;amp;SORT=DZ/Xone+grain+of+rice&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=one+grain+of+rice/1%2C5%2C5%2CB/frameset&amp;amp;FF=Xone+grain+of+rice&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;One Grain of Rice&lt;/a&gt;&lt;/em&gt; by Demi&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/Xroad+to+mumbai&amp;amp;searchscope=97&amp;amp;SORT=DZ/Xroad+to+mumbai&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=road+to+mumbai/1%2C5%2C5%2CB/frameset&amp;amp;FF=Xroad+to+mumbai&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;The Road to Mumbai&lt;/a&gt;&lt;/em&gt; by Ruth Jeyaveeran&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Iran&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;80&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/persia.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=king+and+the+three+thieves&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=aking+and+the+three+thieves&quot;&gt;The King and the Three Thieves: A Persian Tale&lt;/a&gt;&lt;/em&gt; by Kristin Balouch&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17351011?lang=eng&quot;&gt;Persian Cinderella&lt;/a&gt;&lt;/em&gt; by Shirley Climo&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/anadimi/anadimi/1%2C7%2C9%2CB/frameset&amp;amp;FF=anadimi+suzan&amp;amp;1%2C%2C2&quot;&gt;The Rich Man and the Parrot&lt;/a&gt;&lt;/em&gt; by Suzan Nadimi&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xrumi+poet+devi+&amp;amp;searchscope=1&amp;amp;SORT=D/Xrumi+poet+devi+&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=rumi+poet+devi+/1%2C15146%2C15146%2CB/frameset&amp;amp;FF=Xrumi+poet+devi+&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;16%2C16%2C&quot;&gt;Rumi: Persian Poet, Whirling Dervish&lt;/a&gt;&lt;/em&gt; by Demi&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Ireland&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;100&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/irelandjpg.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=pirate+queen+McCully&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=tpirate+queen+&quot;&gt;Pirate Queen&lt;/a&gt;&lt;/em&gt; by Emily Arnold McCully&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=fiona%27s+luck&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xfiona%27s+luck%26SORT%3DD&quot;&gt;Fiona&#039;s Luck&lt;/a&gt;&lt;/em&gt; by Teresa Bateman&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xjamie+o%27rourke+and+big+&amp;amp;searchscope=1&amp;amp;SORT=D/Xjamie+o%27rourke+and+big+&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=jamie+o%27rourke+and+big+/1%2C3%2C3%2CB/frameset&amp;amp;FF=Xjamie+o%27rourke+and+big+&amp;amp;searchscope=1&amp;amp;SORT=D&quot;&gt;Jamie O&#039;Rourke and the Big Potato&lt;/a&gt;&lt;/em&gt; by Tomie De Paola&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=king+with+horses+ears&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=tfiona%27s+luck&quot;&gt;The King with Horses Ears and other Irish folktales&lt;/a&gt;&lt;/em&gt; by Batt Burnes&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/ttales+from+old+ireland/ttales+from+old+ireland/1%2C1%2C2%2CB/frameset&amp;amp;FF=ttales+from+old+ireland&amp;amp;2%2C%2C2/indexsort=-&quot;&gt;Tales from Old Ireland&lt;/a&gt;&lt;/em&gt; by Malachi Doyle&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=irish+cinderlad&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=ttales+from+old+ireland&quot;&gt;Irish Cinderlad&lt;/a&gt;&lt;/em&gt; by Shirley Climo&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tbrave+margaret/tbrave+margaret/1%2C1%2C2%2CB/frameset&amp;amp;FF=tbrave+margaret+an+irish+adventure&amp;amp;2%2C%2C2/indexsort=-&quot;&gt;Brave Margaret: An Irish Adventure&lt;/a&gt;&lt;/em&gt; by Robert San Souci&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Israel&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xfirst+rain+herman&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xfirst+rain+herman&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=first+rain+herman/1%2C16%2C16%2CB/frameset&amp;amp;FF=Xfirst+rain+herman&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;2%2C&quot;&gt;First Rain&lt;/a&gt;&lt;/em&gt; by Clarlotte Herman&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xchicken+man+&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xchicken+man+&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=chicken+man+/1%2C260%2C260%2CB/frameset&amp;amp;FF=Xchicken+man+&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Chicken Man&lt;/a&gt;&lt;/em&gt; by Michelle Edwards&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Italy&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;136&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/madeline.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XOlivia+goes+to+Venice&amp;amp;searchscope=1&amp;amp;SORT=DZ/XOlivia+goes+to+Venice&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Olivia+goes+to+Venice/1%2C2%2C2%2CB/frameset&amp;amp;FF=XOlivia+goes+to+Venice&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Olivia goes to Venice&lt;/a&gt;&lt;/em&gt; by Ian Falconer&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xdolphin+grand+canal&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xdolphin+grand+canal&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=dolphin+grand+canal/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xdolphin+grand+canal&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;There&#039;s a Dolphin in the Grand Canal&lt;/a&gt;&lt;/em&gt; by John Bemelmans Marciano&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=madeline+and+the+cats+of+rome&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xdolphin+grand+canal%26SORT%3DDZ&quot;&gt;Madeline and the Cats of Rome&lt;/a&gt;&lt;/em&gt; by John Bemelmans Marciano&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xtortoise+who+loved+snakes&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xtortoise+who+loved+snakes&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=tortoise+who+loved+snakes/1%2C32000%2C32000%2CB/frameset&amp;amp;FF=Xtortoise+who+loved+snakes&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Aldabra or the Tortoise Who Loved Snakes&lt;/a&gt;&lt;/em&gt; by Silvana Ganfoldi&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xpinoccio+carlo+collodi&amp;amp;searchscope=1&amp;amp;SORT=D/Xpinoccio+carlo+collodi&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBKEY=pinoccio+carlo+collodi/1%2C21364%2C21364%2CB/frameset&amp;amp;FF=Xpinoccio+carlo+collodi&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;10%2C10%2C&quot;&gt;Pinocchio&lt;/a&gt;&lt;/em&gt; by Carlo Collodi&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xitalian+folktales+calvino&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xitalian+folktales+calvino&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=italian+folktales+calvino/1%2C4%2C4%2CB/frameset&amp;amp;FF=Xitalian+folktales+calvino&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;4%2C4%2C&quot;&gt;Italian Folktales&lt;/a&gt;&lt;/em&gt; by Italo Calvino&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17621452?lang=eng&quot;&gt;Gabriella&#039;s Song&lt;/a&gt;&lt;/em&gt; by Candace Fleming&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=Sanderson+ruth+Gatto&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=XPappa+Gatto%26SORT%3DD&quot;&gt;Pappa Gatto: An Italian Fairy Tale&lt;/a&gt;&lt;/em&gt; by Ruth Sanderson&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XTomasso+and+the+missing+line&amp;amp;searchscope=1&amp;amp;SORT=DZ/XTomasso+and+the+missing+line&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Tomasso+and+the+missing+line/1%2C32000%2C3&quot;&gt;Tomasso and the Missing Line&lt;/a&gt;&lt;/em&gt; by Matteo Pericolli&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Japan&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17931726?lang=eng&quot;&gt;Three Samurai Cats: a Story from Japan&lt;/a&gt;&lt;/em&gt; by Eric Kimmel&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17207264?lang=eng&quot;&gt;Yoko&#039;s Paper Cranes&lt;/a&gt;&lt;/em&gt; by Rosemary Wells&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20023859?lang=eng&quot;&gt;Funny Little Woman&lt;/a&gt;&lt;/em&gt; by Arlene Mosel&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17420023?lang=eng&quot;&gt;Sumo Mouse&lt;/a&gt;&lt;/em&gt; by David Wisknievsky&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17987678?lang=eng&quot;&gt;Origami Master&lt;/a&gt;&lt;/em&gt; by Nathaniel Lachenmeyer&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17315464?lang=eng&quot;&gt;The Hungriest Boy in the World&lt;/a&gt;&lt;/em&gt; by Lensey Namioka&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Kenya&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;85&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/cows.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xmama+panya%27s+pancakes&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xmama+panya%27s+pancakes&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=mama+panya%27s+pancakes/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xmama+panya%27s+pancakes&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Mama Panya&#039;s Pancakes&lt;/a&gt;&lt;/em&gt; by Mary and Richard Chamberlin&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xplanting+the+trees+of+kenya&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xplanting+the+trees+of+kenya&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=planting+the+trees+of+kenya/1%2C3%2C3%2CB/frameset&amp;amp;FF=Xplanting+the+trees+of+kenya&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Planting the Trees of Kenya: The Story of Wangari Maathai&lt;/a&gt;&lt;/em&gt; by Claire A. Nivola&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/X14+cows+for+america&amp;amp;searchscope=1&amp;amp;SORT=DZ/X14+cows+for+america&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=14+cows+for+america/1%2C5%2C5%2CB/frameset&amp;amp;FF=X14+cows+for+america&amp;amp;searchscope=1&amp;amp;SOR&quot;&gt;14 Cows for America&lt;/a&gt;&lt;/em&gt; by Carmen Agra Deedy&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Korea&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xkorean+cinderella&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xkorean+cinderella&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=korean+cinderella/1%2C8%2C8%2CB/frameset&amp;amp;FF=Xkorean+cinderella&amp;amp;sea&quot;&gt;Korean Cinderella&lt;/a&gt;&lt;/em&gt; by Shirley Climo&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17807138?lang=eng&quot;&gt;Bee-Bim Bop!&lt;/a&gt;&lt;/em&gt; By Linda Sue Park&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19651575?lang=eng&quot;&gt;Where on Earth is my Bagel?&lt;/a&gt;&lt;/em&gt; By Francis Park&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Mali&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17466029?lang=eng&quot;&gt;I Lost My Tooth in Africa&lt;/a&gt;&lt;/em&gt; by Penda Diakite&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Mexico&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;87&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/frida.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aWinter+Jonah/awinter+jonah/1%2C3%2C38%2CB/frameset&amp;amp;FF=awinter+jonah&amp;amp;12%2C%2C23/indexsort=-&quot;&gt;Frida&lt;/a&gt;&lt;/em&gt; by Jonah Winter&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XCinderella+mexican&amp;amp;searchscope=1&amp;amp;SORT=D/XCinderella+mexican&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=Cinderella+mexican/1%2C4%2C4%2CB/frameset&amp;amp;FF=XCinderella+mexican&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;1%2C1%2C&quot;&gt;Adelita : A Mexican Cinderella Story&lt;/a&gt;&lt;/em&gt; by Tomie de Paola&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Morocco&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xmy+fathers+shop+&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xmy+fathers+shop+&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=my+fathers+shop+/1%2C15%2C15%2CB/frameset&amp;amp;FF=Xmy+fathers+shop+&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;My Father&#039;s Shop&lt;/a&gt;&lt;/em&gt; by Satomi Ichikawa&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17523813?lang=eng&quot;&gt;The Bachelor and the Bean: A Jewish Moroccan Folk Tale&lt;/a&gt;&lt;/em&gt; by Shelley Fowles&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;New Zealand&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb15820996?lang=eng&quot;&gt;Lighthouse Keeper&#039;s Christmas&lt;/a&gt;&lt;/em&gt; by Ronda Armitage&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Norway&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;143&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/trolls.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17570439?lang=eng&quot;&gt;D&#039;Aulaire Book of Trolls&lt;/a&gt;&lt;/em&gt; by Ingri and Edgar Parin D&#039;Aulaire&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17727459?lang=eng&quot;&gt;Terrible Troll-Bird&lt;/a&gt;&lt;/em&gt; by Ingri and Edgar Parin D&#039;Aulaire&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Philippines&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18041792?lang=eng&quot;&gt;Tuko and the Birds&lt;/a&gt;&lt;/em&gt; by Shirley Climo&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17475730?lang=eng&quot;&gt;Pedro and the Monkey&lt;/a&gt;&lt;/em&gt; by Robert San Soci&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;

&lt;h3&gt;Russia&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;121&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/vasilisa.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/Xmy+mother+is+the+most+beautiful+&amp;amp;searchscope=97&amp;amp;SORT=DZ/Xmy+mother+is+the+most+beautiful+&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=my+mother+is+the+most+beautiful+/1%2C9%2C9%2CB/frameset&amp;amp;FF=Xmy+mother+is+the+most+beautiful+&amp;amp;searchscope=97&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;My Mother is the Most Beautiful Woman in the World&lt;/a&gt;&lt;/em&gt; by Becky Reyner&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S96/?searchtype=i&amp;amp;searcharg=0399234829&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=i0399234829&quot;&gt;Philipok&lt;/a&gt;&lt;/em&gt; by Leo Tolstoy (illustrated by Gennady Spirin)&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=babushka%27s+doll&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=ibabushka%27s+doll&quot;&gt;Babushka&#039;s Doll&lt;/a&gt;&lt;/em&gt; by Patricia Pollacco&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xbabushka+baby+yaga&amp;amp;searchscope=1&amp;amp;SORT=D/Xbabushka+baby+yaga&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=babushka+baby+yaga/1%2C18935%2C18935%2CB/frameset&amp;amp;FF=Xbabushka+baby+yaga&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;2%2C2%2C&quot;&gt;Babushka Baba Yaga&lt;/a&gt;&lt;/em&gt; by Patricia Pollacco&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=tale+of+the+firebird&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=tbabushka%27s+doll&quot;&gt;The Tale of the Firebird&lt;/a&gt;&lt;/em&gt; by Gennady Spirin&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tsea+kings+daugher/tsea+kings+daugher/-3%2C0%2C0%2CB/frameset&amp;amp;FF=tsea+kings+daughter+a+russian+legend&amp;amp;2%2C%2C2/indexsort=-&quot;&gt;The Sea King&#039;s Daughter: a Russian Legend&lt;/a&gt;&lt;/em&gt; by Aaron Shepard&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=baba+yaga+and+vasilisa+the+brave&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=ttale+of+the+firebird&quot;&gt;Baba Yaga and Vasilisa the Brave&lt;/a&gt;&lt;/em&gt; by Marianna Mayer&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=X&amp;amp;searcharg=peter+and+the+wolf+vagin+&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xpeter+and+the+wolf+vagin+%26SORT%3DD&quot;&gt;Peter and the Wolf&lt;/a&gt;&lt;/em&gt; by Vladimir Vagin&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Scotland&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/aSasek%2C+M.+%28Miroslav%29%2C+1916-1980./asasek+m+miroslav+1916+1980/1%2C2%2C46%2CB/frameset&amp;amp;FF=asasek+m+miroslav+1916+1980&amp;amp;12%2C%2C45/indexsort=-&quot;&gt;This is Edinburgh&lt;/a&gt;&lt;/em&gt; by Miloslav Sasek&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XCold+Feet+Cynthia+deFelice&amp;amp;searchscope=1&amp;amp;SORT=D/XCold+Feet+Cynthia+deFelice&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBKEY=Cold+Feet+Cynthia+deFelice/1%2C4%2C4%2CB/frameset&amp;amp;FF=XCold+Feet+Cynthia+deFelice&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;2%2C2%2C&quot;&gt;Cold Feet&lt;/a&gt;&lt;/em&gt; by Cynthia DeFelice&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18535036?lang=eng&quot;&gt;Wee Gillis&lt;/a&gt;&lt;/em&gt; by Munro Leaf&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;South Africa&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;144&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/motherofmonsters.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1/?searchtype=t&amp;amp;searcharg=soccer+fence&amp;amp;searchscope=1&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=dTales+--+South+Africa.&quot;&gt;Soccer Fence : A story of Friendship , Hope and Apartheid in South Africa&lt;/a&gt;&lt;/em&gt; by Phild Bildner&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xmufaro%27s+beautiful+daughers&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xmufaro%27s+beautiful+daughers&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=mufaro%27s+beautiful+daughers/1%2C16398%2C16398%2CB/frameset&amp;amp;FF=Xmufaro%27s+beautiful+daughers&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;5%2C5%2C&quot;&gt;Mufaro&#039;s Beautiful Daughters&lt;/a&gt;&lt;/em&gt; by John Steptoe&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xnelson+mandela+kadir+nelson&amp;amp;searchscope=1&amp;amp;SORT=D/Xnelson+mandela+kadir+nelson&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;extended=0&amp;amp;SUBKEY=nelson+mandela+kadir+nelson/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xnelson+mandela+kadir+nelson&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;1%2C1%2C&quot;&gt;Nelson Mandela&lt;/a&gt;&lt;/em&gt; by Kadir Nelson&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xmother+of+monsters+story+of+south&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xmother+of+monsters+story+of+south&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=mother+of+monsters+story+of+south/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xmother+of+monsters+story+of+south&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;A Mother of Monsters : A Story from South Africa&lt;/a&gt;&lt;/em&gt; by Fran Parnell&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Spain&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xstory+of+ferdinand&amp;amp;searchscope=1&amp;amp;SORT=D/Xstory+of+ferdinand&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;SUBKEY=story+of+ferdinand/1%2C123%2C123%2CB/frameset&amp;amp;FF=Xstory+of+ferdinand&amp;amp;searchscope=1&amp;amp;SORT=D&amp;amp;8%2C8%2C&quot;&gt;The Story of Ferdinand&lt;/a&gt;&lt;/em&gt; by Munro Leaf&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xbeautiful+butterfly+spain+judy&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xbeautiful+butterfly+spain+judy&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=beautiful+butterfly+spain+judy/1%2C2%2C2%2CB/frameset&amp;amp;FF=Xbeautiful+butterfly+spain+judy&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;The Beautiful Butterfly: A Folktale from Spain&lt;/a&gt;&lt;/em&gt; by Judy Sierra&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Sweden&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;129&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/pippi.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tronia+the+robbers+daugher/tronia+the+robbers+daugher/-3%2C0%2C0%2CB/frameset&amp;amp;FF=tronia+the+robbers+daughter&amp;amp;4%2C%2C4&quot;&gt;Ronia, the Robbers Daugher&lt;/a&gt;&lt;/em&gt; by Astrid Lindgren&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97?/alindgren+astrid/alindgren+astrid/1%2C2%2C43%2CB/frameset&amp;amp;FF=alindgren+astrid+1907+2002&amp;amp;11%2C%2C42/indexsort=r&quot;&gt;Pippi Long Stocking&lt;/a&gt;&lt;/em&gt; by Astrid Lindgren&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xtomten+lindgren&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xtomten+lindgren&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=tomten+lindgren/1%2C9%2C9%2CB/frameset&amp;amp;FF=Xtomten+lindgren&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;6%2C6%2C&quot;&gt;Tomten&lt;/a&gt;&lt;/em&gt; by Astrid Lindgren&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/Xmio+my+son&amp;amp;searchscope=1&amp;amp;SORT=DZ/Xmio+my+son&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=mio+my+son/1%2C32%2C32%2CB/frameset&amp;amp;FF=Xmio+my+son&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Mio, My Son&lt;/a&gt;&lt;/em&gt;&lt;em&gt; &lt;/em&gt;by Astrid Lindgren&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/twonderful+adventures+of+nills/twonderful+adventures+of+nills/-3%2C0%2C0%2CB/exact&amp;amp;FF=twonderful+adventures+of+nils&amp;amp;1%2C5&quot;&gt;Wonderful Adventures of Nills&lt;/a&gt;&lt;/em&gt; by Selma Lagerlof&lt;/li&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/tnail+soup+/tnail+soup/1%2C2%2C2%2CB/frameset&amp;amp;FF=tnail+soup+a+swedish+folk+tale&amp;amp;1%2C1%2C/indexsort=-&quot;&gt;Nail Soup&lt;/a&gt; &lt;/em&gt;by Harve Zemach&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Tibet&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S97/?searchtype=X&amp;amp;searcharg=Tenzin%27s+deer&amp;amp;searchscope=97&amp;amp;sortdropdown=-&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=Xmy+mother+is+the+most+beautiful+%26SORT%3DDZ&quot;&gt;Tenzin&#039;s Deer&lt;/a&gt;&lt;/em&gt; by Barbara Soros&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Ukraine&lt;/h3&gt;

&lt;figure class=&quot;caption caption caption&quot; style=&quot;float:right&quot;&gt;
  &lt;img height=&quot;85&quot; width=&quot;100&quot; class=&quot;media-element file-default&quot; src=&quot;https://live-cdn-www.nypl.org/s3fs-public/mitten.jpg&quot; alt=&quot;&quot; /&gt;
	&lt;figcaption&gt;&lt;/figcaption&gt;
&lt;/figure&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18159729?lang=eng&quot;&gt;Mitten: A Ukrainian Folktale &lt;/a&gt;&lt;/em&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt; &lt;/p&gt;

&lt;h3&gt;Vietnam&lt;/h3&gt;

&lt;ul&gt;
	&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://catalog.nypl.org/search~S1?/XKeller+Holly+Dream&amp;amp;searchscope=1&amp;amp;SORT=DZ/XKeller+Holly+Dream&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=Keller+Holly+Dream/1%2C2%2C2%2CB/frameset&amp;amp;FF=XKeller+Holly+Dream&amp;amp;searchscope=1&amp;amp;SORT=DZ&amp;amp;1%2C1%2C&quot;&gt;Grandfather&#039;s Dream&lt;/a&gt;&lt;/em&gt; by Holly Keller&lt;/li&gt;
&lt;/ul&gt;
</description>
  <category>Area and Cultural Studies</category>
  <comments>https://www.nypl.org/blog/2014/07/22/around-world-childrens-books#comments</comments>
  <pubDate>Tue, 22 Jul 2014 14:52:52 -0400</pubDate>
</item>
<item>
  <title>In Praise of Unconventional Travel</title>
  <link>https://www.nypl.org/blog/2014/03/20/praise-unconventional-travel</link>
  <dc:creator>Tyler Smith, Library Manager, Tompkins Square Library</dc:creator>
  <description>&lt;p&gt;&lt;span class=&quot;inline inline inline-left inline-left&quot;&gt;&lt;a href=&quot;http://digitalcollections.nypl.org/items/510d47da-926f-a3d9-e040-e00a18064a99&quot;&gt;&lt;img alt=&quot;&quot; height=&quot;400&quot; src=&quot;https://images.nypl.org/index.php?id=407623&amp;amp;t=w&quot; style=&quot;float:left&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;span class=&quot;caption caption caption&quot;&gt;Will man travel in space? Image ID: 407623&lt;/span&gt;&lt;/span&gt; I once heard it said that no one ever got drunk by reading the label on a bottle of wine. This is an apt metaphor for the difference between studying another region of the world versus experiencing it firsthand. What does it mean to become drunk on another culture, to internalize the experience of a different place to such an extent that it alters you?&lt;/p&gt;&lt;p&gt;It seems such a waste of money and opportunity when someone&#039;s vacation resembles a pale imitation of the &lt;a href=&quot;http://en.wikipedia.org/wiki/Grand_Tour&quot; rel=&quot;nofollow&quot;&gt;Grand Tour&lt;/a&gt;, an excuse to trek from one tourist trap to the next while luxuriating in a vague sense of Old World prestige. Travel should involve a sincere desire to know and understand other peoples and cultures, to gain some context for our own subjective place in the world.&lt;/p&gt;&lt;p&gt;Allow me to acknowledge, as a sort of disclaimer, that travel is not cheap, and you can certainly learn a great deal through research. The strangely persistent &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18219485?lang=eng&quot;&gt;conspiracy theories&lt;/a&gt; about the authorship of Shakespeare&#039;s plays usually cite Shakespeare&#039;s humble origins and claim that he had too little experience of the world to write about it so perceptively. &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17787088?lang=eng&quot;&gt;Anthony Burgess&lt;/a&gt; counters that no writer takes these claims seriously because writers understand how deeply we can experience other places through reading, writing, and conversation. I often cringe when someone proudly lists the countries that he or she has visited, as though having traveled extensively is proof of erudition rather than mere privilege. I hope not to give that impression.&lt;/p&gt;&lt;p&gt;I have left the U.S. three times in the past fifteen years. I would like to share my reasons for choosing each destination and describe some of my more memorable experiences.&lt;/p&gt;&lt;h2&gt;China&lt;/h2&gt;&lt;p&gt;Like many children of the 1980s, I grew up on a steady diet of kung fu movies starring &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(chan, jackie)&quot;&gt;Bruce Lee&lt;/a&gt; and &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(chan, jackie)&quot;&gt;Jackie Chan&lt;/a&gt;. I wish I could tell you that my interest in China grew out of less typically adolescent interests. I began studying &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19789042?lang=eng&quot;&gt;Mandarin Chinese&lt;/a&gt; in tenth grade and started attending &lt;a href=&quot;http://en.wikipedia.org/wiki/Shi_Deru&quot; rel=&quot;nofollow&quot;&gt;Master Shawn Liu&lt;/a&gt;&#039;s martial arts school at around the same time. A few years later, Master Liu had arranged a three-week trip to China, beginning the August after my high school graduation. Six other Americans would join us, though Master Liu and I were the only two acquainted beforehand.&lt;/p&gt;&lt;p&gt;I have come to view knowing someone (not just a tour guide) and speaking at least a bit of the language as indispensable when traveling. Deserved or not, Americans have acquired a reputation for knowing nothing of other cultures and then rudely demanding accommodation when they arrive overseas. (We in New York know that oblivious tourists can originate in any corner of the globe.) Besides being useful if you want to accomplish something as simple as ordering food on your own, proving this assumption wrong can be very satisfying. After arriving back in Beijing toward the end of our trip, I would meet two Chinese businessmen. One of them told me he spoke a bit of English and then asked if I spoke Chinese. His companion immediately interjected, &quot;&lt;em&gt;Bu, ta bu shuo zhongwen&lt;/em&gt;.&quot; (No, he doesn&#039;t speak Chinese.) I replied, &quot;&lt;em&gt;Wo hui shuo i diar&lt;/em&gt;.&quot; (I can speak a little.) My new friend turned to his companion and triumphantly pumped his fist in the air as he repeated what I had said.&lt;/p&gt;&lt;p&gt;As for the rest of the trip, we did our share of touristy sightseeing. We saw the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18751973?lang=eng&quot;&gt;Great Wall&lt;/a&gt;, &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17357724?lang=eng&quot;&gt;Tiananmen Square&lt;/a&gt;, and the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19021493?lang=eng&quot;&gt;terra cotta warriors&lt;/a&gt; in Xian. While enjoyable and sometimes even moving, these were sights rather than experiences. I will always much more vividly remember riding into &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18063035?lang=eng&quot;&gt;Chen Village&lt;/a&gt; and having a small crowd form around our van because many of them had never seen westerners before. I have always enjoyed feeling as though I have arrived in as foreign a place as possible, unreachable and disconnected from my ordinary life. We had come to visit Master Liu&#039;s old friend Chen Xiaowang, the 19th-generation &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17864510?lang=eng&quot;&gt;Chen Style Tai Chi&lt;/a&gt; master. There were no tourists and few gift shops in this place.&lt;/p&gt;&lt;p&gt;At the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17755024?lang=eng&quot;&gt;Shaolin Temple&lt;/a&gt;, we learned forms from &lt;a href=&quot;http://en.wikipedia.org/wiki/Shi_De_Yang&quot; rel=&quot;nofollow&quot;&gt;Shi Deyang&lt;/a&gt;, the Temple&#039;s martial arts headmaster, and we were the first westerners to practice in the personal courtyard of the abbot, the &lt;a href=&quot;http://en.wikipedia.org/wiki/Shi_Suxi&quot; rel=&quot;nofollow&quot;&gt;Grandmaster Shi Suxi&lt;/a&gt;.&lt;/p&gt;&lt;div style=&quot;text-align:center&quot;&gt;&lt;figure class=&quot;caption caption caption&quot;&gt;&lt;img alt=&quot;&quot; class=&quot;media-element file-default&quot; height=&quot;290&quot; src=&quot;https://www.nypl.org/sites/default/files/masterliu.jpg&quot; width=&quot;550&quot; /&gt;&lt;figcaption&gt;Master Liu, third from left, with Shi DeYang, fourth from left&lt;/figcaption&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;During our first stay in Beijing, we practiced with the Chinese National Sanshou Team. (Sanshou is a Chinese fighting style involving kickboxing and takedowns.) &lt;a href=&quot;http://www.youtube.com/watch?v=2XX-9r0D3-8&quot; rel=&quot;nofollow&quot;&gt;Scott Sheely&lt;/a&gt; and I, being the two young men in our group, each sparred with a Chinese team member. Scott had been on the U.S. National Sanshou Team, and he was paired with an up and coming Chinese fighter. These two men were peers, and heavy blows were exchanged. I was a little nervous when my opponent turned out to be a three-time national champion, but it was actually the best-case scenario. He was a nice guy with nothing to prove to an 18-year-old kid and, as an experienced fighter, he instinctively read my facial expressions and body language. He took it easy on me, but perhaps not wanting to deprive me of an authentic experience, he did give me one good kick to the thigh. If you&#039;ve never received a world-class roundhouse kick, both the sound and sensation are reminiscent of an ax splitting wood.&lt;/p&gt;&lt;p&gt;What started as a three-week trip turned into a month for Master Liu and me when the pilots at Northwest Airlines &lt;a href=&quot;http://www.nytimes.com/1998/08/29/us/northwest-pilots-strike-as-talks-fail-on-contract.html&quot; rel=&quot;nofollow&quot;&gt;went on strike&lt;/a&gt;. Our companions had acquired new tickets home through other airlines. This extra week was a major highlight and a welcome respite from a whirlwind trip. We got tickets to the &lt;a href=&quot;http://www.nytimes.com/1998/07/10/movies/turandot-to-be-staged-in-beijing-s-forbidden-city.html&quot; rel=&quot;nofollow&quot;&gt;first ever performance&lt;/a&gt; of the opera &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19481292?lang=eng&quot;&gt;Turandot&lt;/a&gt; in the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17794915?lang=eng&quot;&gt;Forbidden City&lt;/a&gt;. We no longer had to coordinate the movements of eight people wherever we went, and the two of us could blend in somewhat better. We spent relaxed evenings wandering dodgy side streets in Beijing and eating traditional foods sold by sidewalk vendors. Again, this lent the trip a far different character than it would have had if I had been alone or relying on a nine-to-five tour guide, and I will always remember China as my first experience of the larger world.&lt;/p&gt;&lt;h2&gt;Russia&lt;/h2&gt;&lt;p&gt;&lt;span&gt;I developed a fascination with &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19965422?lang=eng&quot;&gt;Russia&lt;/a&gt; at the age of twelve when I read &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17426656?lang=eng&quot;&gt;Nicholas and Alexandra&lt;/a&gt;&lt;/em&gt;&lt;span&gt; by Robert K. Massie. Vivid descriptions of the last Tsar&#039;s final years with his family, their tragic fate at the end of the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17680911?lang=eng&quot;&gt;Revolution&lt;/a&gt;, and of course, &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19697212?lang=eng&quot;&gt;Rasputin&lt;/a&gt; the Mad Monk, left me with a lasting sense of a unique, almost fantastical history and culture. Because my high school did not offer &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18234859?lang=eng&quot;&gt;Russian&lt;/a&gt; classes, I enrolled in a university course a couple of nights per week in ninth grade and eventually took additional courses when I was actually in college.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;I finally traveled to Russia for two weeks in 2008. I had acquired Russian friends through social media and other online venues for language study, and I was to go to &lt;a href=&quot;http://en.wikipedia.org/wiki/Orenburg&quot; rel=&quot;nofollow&quot;&gt;Orenburg&lt;/a&gt; on a guest visa (rather than a tourist visa which requires regular &quot;check ins&quot; at a hotel or hostel). &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Despite my opening remarks, some things can only be experienced firsthand. When I disembarked for my layover in &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19775615?lang=eng&quot;&gt;Moscow&lt;/a&gt;&lt;span&gt;, I was surprised on some level that everyone at the airport was speaking Russian. Despite my courses, despite having met real live Russians and watched any number of Russian films, it was odd to me that Russians were speaking Russian in Russia. Incidentally, this was the first thing that my Russian professor, Dr. Mozur, asked me about when I returned. He was an Air Force linguist and worked as a translator for Reagan and Gorbachev, and he had had the same experience.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Orenburg is a beautiful city. My friend Andrei, an Orenburg native, agreed that it was a good opportunity to observe &quot;pure life&quot; in Russia rather than international, tourist-centered areas in Moscow or &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19775616?lang=eng&quot;&gt;St. Petersburg&lt;/a&gt;. The only other Americans I encountered (or that anyone knew of) were the Mormon missionaries who offered free English classes. There were a few small museums, and I was present for the city&#039;s 265th birthday celebration, but most of all, I savored the sensation of having been transported, mind and body, to a wholly new environment. Everything from language to architecture, &lt;a href=&quot;http://abcnews.go.com/International/Technology/stray-dogs-master-complex-moscow-subway-system/story?id=10145833&quot; rel=&quot;nofollow&quot;&gt;stray animals&lt;/a&gt;, and personal style were different. I continually reflected on just how much people are influenced, knowingly or not, by their culture&#039;s celebrities and advertisers. People could tell immediately that I was a foreigner due to my clothing and mannerisms. As my friend Olesya put it, &quot;Just...everything is different.&quot; Among many Russians, the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17936768?lang=eng&quot;&gt;mullet&lt;/a&gt; is still a socially acceptable hairstyle, and clothing choices would not be out of place in early 1980s America. I say that without condescension. It was fascinating and refeshing. Paradoxically, you can sometimes feel most at home when everything around you is unfamiliar.&lt;/span&gt;&lt;/p&gt;&lt;div style=&quot;text-align:center&quot;&gt;&lt;figure class=&quot;caption caption caption&quot;&gt;&lt;img alt=&quot;&quot; class=&quot;media-element file-default&quot; height=&quot;413&quot; src=&quot;https://www.nypl.org/sites/default/files/lake.jpg&quot; width=&quot;550&quot; /&gt;&lt;figcaption&gt;Sol Iletsk&lt;/figcaption&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;I could go on at length about any number of beautiful experiences I had in and around Orenburg. We watched the sun set over the salt lakes at &lt;a href=&quot;http://en.wikipedia.org/wiki/Sol-Iletsk&quot; rel=&quot;nofollow&quot;&gt;Sol Iletsk&lt;/a&gt;, traveled the countryside near the border with &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19592988?lang=eng&quot;&gt;Kazakhstan&lt;/a&gt;, and visted a church where priests were killed during the Soviet anti-religious purges. I love museums as much as the next person, but museums are a substitute for lived experiences, and I would not trade a single day I spent in Orenburg for a private tour of the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19319123?lang=eng&quot;&gt;Hermitage&lt;/a&gt;.&lt;/p&gt;&lt;h2&gt;Uzbekistan&lt;/h2&gt;&lt;p&gt;This is when I started getting some strange looks and incredulous questions, from friends, U.S. Customs agents, and Uzbeks themselves. &quot;Why would you come to our (certain part of human anatomy) of the world?&quot; During the 2012 presidential campaign, Herman Cain famously referred to the leader of &quot;&lt;a href=&quot;https://www.youtube.com/watch?v=zmkvtfEEFT0&quot; rel=&quot;nofollow&quot;&gt;Ubeki-beki-beki-beki-stan-stan&lt;/a&gt;&quot; as an example of an obscure, irrelevant piece of trivia used by journalists to unfairly stump candidates. Uzbekistan has been ruled by the same man, Islam Karimov, since the fall of the Soviet Union, and has been of great strategic importance during the Afghan war. To understate matters a bit, controversy surrounds their economic and human rights policies, with the Karimov regime accused of torturing suspected Islamist militants, in some cases allegedly boiling them alive. I strongly recommend the book &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17259384?lang=eng&quot;&gt;Dirty Diplomacy&lt;/a&gt;&lt;/em&gt; by former British Ambassador Craig Murray, who claims that he was railroaded after objecting to intelligence gained through torture and used to bolster George W. Bush&#039;s foreign policy. Whatever your political views or feelings about the author (a self-described &quot;scotch-drinking, skirt-chasing, dictator-busting and thoroughly un-repentant ambassador stuck on the frontline of the War Against Terror&quot;), the book is a fascinating inside look at the cultural and political landscape of a region poorly understood by most of the rest of the world. Uzbekistan is an important place, is what I&#039;m trying to say.&lt;/p&gt;&lt;p&gt;You might still reasonably ask why I would want to visit. &lt;em&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18213287?lang=eng&quot;&gt;The Possessed&lt;/a&gt;&lt;/em&gt; represents a good starting point and a far more lighthearted read than Murray&#039;s memoir. Fortunately, a people and their government are not synonymous, and Uzbekistan is home to an immensely complex culture, a mostly Muslim nation strongly imprinted with Russian culture after many decades of colonization. Part of my fascination with Russia emanates from its history as a sprawling, multi-ethnic empire. Many ethnic Russians left Uzbekistan and other former Soviet republics after the fall of the USSR, but you still see a multitude of races and ethnicities living together and improvising a shared patchwork of language and lifestyle in the wake of relatively recent and staggering geopolitical upheaval.&lt;/p&gt;&lt;p&gt;My friends are great examples, children of an Uzbek father and a Russian mother whose union caused a bit of a scandal among the more traditional Muslim side of the family during the first years after their marriage. The older generation eventually decided to make things work for the sake of their grandchildren. Their situation represents one of countless personal and societal adjustments still being made as a result of government actions beyond the control of any individual. Some want to use the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb17235935?lang=eng&quot;&gt;Uzbek&lt;/a&gt; language more often in day-to-day life, but people are slow to catch on after using Russian for so long. Aside from such weighty political and religious issues, I was intrigued by more mundane cultural quirks, such as the fact that &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb16519870?lang=eng&quot;&gt;Tashkent&lt;/a&gt;, the capital of Uzbekistan, is brimming with unlicensed cabs. One has only to stop at the street corner and hold up a hand, and a driver will quickly pull up to the curb and negotiate a price (an absurdly cheap price by New York standards).&lt;/p&gt;&lt;p&gt;Perhaps my most uniquely Uzbek experience occurred late one evening as I started back to my rented apartment in Tashkent. As I walked out of my friends&#039; apartment complex and approached the sidewalk, I noticed soldiers lining the streets and turning away pedestrians. I decided to walk along the back alley to avoid the closed street, but when I had gone one block, I discovered another soldier blocking the alleyway. He was very friendly and apologetically admonished me, &quot;&lt;em&gt;Brat, brat, nelzya&lt;/em&gt;!&quot; (Brother, brother, it&#039;s not allowed.) Having no other option, I returned to my friends&#039; apartment and told them what had happened. &quot;Ah, Karimov is on the way to the airport. No one is allowed along the route.&quot; They actually close down a swath of the city for the man to go to the airport. The official motto of Uzbekistan translates to &quot;Everything we do is for mankind,&quot; but many Uzbeks tweak the language and say that, rather &quot;Everything we do is for a man (and we all know which man).&quot;&lt;/p&gt;&lt;p&gt;I would be remiss if I didn&#039;t mention that there is more to see in Uzbekistan than postcolonial adaptation and an oppressive government. I ate some of the best food I have ever had, and people were unfailingly polite. We visited the city of &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb11866289?lang=eng&quot;&gt;Khiva&lt;/a&gt;, parts of which are five thousand years old.&lt;/p&gt;&lt;div style=&quot;text-align:center&quot;&gt;&lt;figure class=&quot;caption caption caption&quot;&gt;&lt;img alt=&quot;&quot; class=&quot;media-element file-default&quot; height=&quot;667&quot; src=&quot;https://www.nypl.org/sites/default/files/khiva.jpg&quot; width=&quot;500&quot; /&gt;&lt;figcaption&gt;Khiva&lt;/figcaption&gt;&lt;/figure&gt;&lt;/div&gt;&lt;p&gt;I don&#039;t mean to sound as though I&#039;m passing judgement on any travel plans that don&#039;t live up to my arbitrary standards regarding what is interesting, informed or informative. Every trip I have described was taken for fun rather than any academic or business purpose, and as you may have noticed, each one did, in fact, involve sight-seeing. I do want to see St. Petersburg and the Hermitage the next time I take a trip, and I&#039;m sure that a candlelit dinner in &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb20040798?lang=eng&quot;&gt;Paris&lt;/a&gt; with a view of the &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb19618474?lang=eng&quot;&gt;Eiffel Tower&lt;/a&gt; could be a deeply meaningful experience. If I&#039;m advocating for anything, it would be a conscious, applied sense of curiosity about any country you plan to visit, which will provide you with any number of meaningful moments above and beyond anything you may have planned in advance.&lt;/p&gt;</description>
  <category>Travel writing</category>
  <comments>https://www.nypl.org/blog/2014/03/20/praise-unconventional-travel#comments</comments>
  <pubDate>Thu, 20 Mar 2014 17:07:47 -0400</pubDate>
</item>
<item>
  <title>Around the World with Travel Guides</title>
  <link>https://www.nypl.org/blog/2013/10/23/around-world-travel-guides</link>
  <dc:creator>Lauren Lampasone, Senior Librarian, Stavros Niarchos Foundation Library (SNFL)</dc:creator>
  <description>&lt;p&gt;&lt;span class=&quot;inline inline inline-right inline-right&quot;&gt;&lt;a href=&quot;http://digitalgallery.nypl.org/nypldigital/id?1543514&quot; title=&quot;May century foreign travel number., Digital ID 1543514, New York Public Library&quot;&gt;&lt;img alt=&quot;May century foreign travel number., Digital ID 1543514, New York Public Library&quot; height=&quot;300&quot; src=&quot;https://images.nypl.org/?id=1543514&amp;amp;t=w&quot; title=&quot;May century foreign travel number., Digital ID 1543514, New York Public Library&quot; width=&quot;218&quot; /&gt;&lt;/a&gt;&lt;/span&gt;In &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(europe 5 dollars day)&quot;&gt;&lt;em&gt;Europe on 5 Wrong Turns a Day&lt;/em&gt;&lt;/a&gt;, Doug Mack takes a decades old travel guide and puts it to the modern-day test. Arthur Frommer&#039;s 1963 edition of &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(europe 5 dollars day)&quot;&gt;&lt;em&gt;Europe on 5 Dollars a Day&lt;/em&gt;&lt;/a&gt; (we still have several of these in our collections available for your perusal) was the book that got regular Americans, including Mack&#039;s mother, excited about crossing the Atlantic for the first time. Mack decides to use it without consulting any other guides to get a better sense of how much has changed, both in terms of recommended places to go and the price points (spoiler alert: nothing costs $5 anymore), as well as the overall cultural assumptions of Americans going abroad.&lt;/p&gt;
&lt;!--break--&gt;

&lt;p&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Travel_guide&quot; rel=&quot;nofollow&quot;&gt;The travel guide&lt;/a&gt; can be a lens through which we see and experience other cultures and histories. Throughout &lt;em&gt;Wrong Turns&lt;/em&gt;, Mack is conflicted about what he thinks he might be missing as a result of sticking exclusively to an outdated book. He also becomes overwhelmed by kitsch and tourist bait. He yearns to experience the great sights and tributes to history, but somehow without the cheapening effect of witnessing it all as just another tourist, snapping the same photos as everyone else. Towards the end of his grand tour, he seeks out suggestions online on forums and from his social media circle. But this strategy isn&#039;t quite met with success, either. In the end he finds the value in being a little lost, and not always being comfortable, as some of the most eye-opening and rewarding parts of travel.&lt;/p&gt;

&lt;p&gt;If you are planning a trip, or want to go somewhere new but aren&#039;t sure where, you have to start with a guide book. I&#039;m not just saying that as a librarian! There are so many different publishers of guide books, and they all have their own style and tone. Take out a few and decide which one best matches your personality, budget and sense of wanderlust.&lt;/p&gt;

&lt;p&gt;Better yet, download them to your e-reader of choice. Chances are you will want to take your favorite guide with you. Since books can weigh down your luggage (and you wouldn&#039;t want to leave a library book in a hotel room halfway around the world) e-books are convenient and easy to carry. You can also &lt;a href=&quot;http://www.nypl.org/blog/2012/02/29/i-love-reading-bookmark-post&quot;&gt;highlight and make notes&lt;/a&gt; of what you want to do. Kindles and other e-ink readers are great for reading, but a tablet device will be better for viewing photographs and maps.&lt;/p&gt;

&lt;p&gt;&lt;span class=&quot;inline inline inline-right inline-right&quot;&gt;&lt;a href=&quot;http://digitalgallery.nypl.org/nypldigital/id?1518005&quot; title=&quot;Weighing in., Digital ID 1518005, New York Public Library&quot;&gt;&lt;img alt=&quot;Weighing in., Digital ID 1518005, New York Public Library&quot; height=&quot;245&quot; src=&quot;https://images.nypl.org/?id=1518005&amp;amp;t=w&quot; title=&quot;Weighing in., Digital ID 1518005, New York Public Library&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/span&gt;Whatever you do, get the current year edition if possible when looking at listings and reviews, or else double-check online before you make plans.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(berlitz)&quot;&gt;&lt;strong&gt;Berlitz&lt;/strong&gt;&lt;/a&gt; / &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(berlitz)&quot;&gt;e-books&lt;/a&gt;&lt;br /&gt;
	&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Insight Guides)&quot;&gt;&lt;strong&gt;Insight Guides&lt;/strong&gt;&lt;/a&gt; / &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S%28Insight%20Guides%29__Ff%3Afacetmediatype%3Az%3Az%3AE-BOOK%3A%3A__Orightresult__X0?lang=eng&amp;amp;suite=def&quot;&gt;e-Books&lt;/a&gt;&lt;br /&gt;
	Known for its &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(berlitz language)&quot;&gt;language courses and learning tools&lt;/a&gt;, Berlitz also offers guides and pocket guides to many countries.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Blue Guides)&quot;&gt;&lt;strong&gt;Blue Guides&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	For the scholarly traveler who wants to know more about the art and architecture of a place than the standard guides provide, with basic travel information kept to a minimum. The first guide was &lt;a href=&quot;http://hdl.handle.net/2027/uc1.$b263254&quot; rel=&quot;nofollow&quot;&gt;&lt;em&gt;London and its Environs&lt;/em&gt;&lt;/a&gt;, published in 1918 and available online through HathiTrust.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Cadogan Guides)&quot;&gt;&lt;strong&gt;Cadogan Guides&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	Provides slightly more depth and historical background than standard guides.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Eyewitness Travel)&quot;&gt;&lt;strong&gt;DK Eyewitness Travel&lt;/strong&gt;&lt;/a&gt; / &lt;a href=&quot;http://www.nypl.org/collections/articles-databases/gale-virtual-reference-library&quot;&gt;e-books available through GVRL&lt;/a&gt;&lt;br /&gt;
	Highly visual guides with extensive color photos and illustrations, these guides are well suited to kids and young adults.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(fodor)&quot;&gt;&lt;strong&gt;Fodor&#039;s&lt;/strong&gt;&lt;/a&gt; / &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S%28fodor%29__Ff%3Afacetmediatype%3Az%3Az%3AE-BOOK%3A%3A__Orightresult__X0?lang=eng&amp;amp;suite=def&quot;&gt;e-Books&lt;/a&gt;&lt;br /&gt;
	Random House&#039;s line of travel guides, written by locals and covering travel thematically as well as geographically.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Frommer&amp;#039;s Guides)&quot;&gt;&lt;strong&gt;Frommer&#039;s Guides&lt;/strong&gt;&lt;/a&gt; / &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S%28Frommer%27s%20Guides%29__Ff%3Afacetmediatype%3Az%3Az%3AE-BOOK%3A%3A__Orightresult__X0?lang=eng&amp;amp;suite=def&quot;&gt;e-books&lt;/a&gt;&lt;br /&gt;
	The grandfather of budget travel, as detailed above. In the essay &quot;&lt;a href=&quot;http://search.proquest.com/docview/117486985?accountid=35635&quot; rel=&quot;nofollow&quot;&gt;Eating and Sleeping With Arthur Frommer&lt;/a&gt;,&quot; available through &lt;a href=&quot;http://www.nypl.org/collections/articles-databases/proquest-historical-newspapers-new-york-times-1851-2006-w-index-1851-&quot;&gt;New York Times (1851-2009)&lt;/a&gt; and her collection &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Wallflower at the Orgy)&quot;&gt;&lt;em&gt;Wallflower at the Orgy&lt;/em&gt;&lt;/a&gt;, Nora Ephron wrote a critical profile of the man, who is still &lt;a href=&quot;http://www.frommers.com/blog/&quot; rel=&quot;nofollow&quot;&gt;blogging about travel on his website&lt;/a&gt; 50 years later.&lt;/p&gt;

&lt;p&gt;&lt;br /&gt;
	Written and updated by Harvard students, and geared toward the youthful and low-budget traveler (when hostels and dance clubs are your priorities). Guides also feature a &quot;Beyond Tourism&quot; chapter that lists volunteer, study, and work opportunities abroad.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Lonely Planet)&quot;&gt;&lt;strong&gt;Lonely Planet&lt;/strong&gt;&lt;/a&gt; / &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SLonely%20Planet__Ff%3Afacetmediatype%3Az%3Az%3AE-BOOK%3A%3A__Orightresult__U__X0?lang=eng&amp;amp;suite=def&quot;&gt;e-books&lt;/a&gt;&lt;br /&gt;
	The largest travel guide publisher. Covers most countries in Europe, Asia, Africa, and the Americas, clearly and comprehensively with low and mid-price recommendations.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Michelin Green Guides)&quot;&gt;&lt;strong&gt;Michelin Green Guides&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	Tourist guides with history, customs, art and culture of a place, along with highly respected recommendations and star ratings. Like the Red Guides, there is a three-star system for recommending sights: &quot;worth a trip&quot; to &quot;worth a detour,&quot; and &quot;interesting.&quot;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Michelin Red Guides)&quot;&gt;&lt;strong&gt;Michelin Red Guides&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	Covers restaurants and hotels; bestows their famous stars to the very best. Begun in France &lt;a href=&quot;http://en.wikipedia.org/wiki/Michelin_Guide&quot; rel=&quot;nofollow&quot;&gt;as a guide for motorists&lt;/a&gt;, sponsored by the tire company.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Moon Handbooks)&quot;&gt;&lt;strong&gt;Moon Handbooks&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	Geared toward the outdoorsy independent traveler, Moon started with guides to Asia and now provides ample coverage of the Americas and much of the globe.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(National Geographic Traveler)&quot;&gt;&lt;strong&gt;National Geographic Traveler&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	Travel guides full of the gorgeous photography you would expect from NatGeo. Why even bother with the plane ticket? Most guides include suggested walking/driving tours.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Not For Tourists)&quot;&gt;&lt;strong&gt;Not For Tourists&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	While designed for residents and workers in a particular city, these guides can still be useful to tourists. Includes recommended businesses, restaurants and sights in addition to the essentials like grocery stores, parking lots, banks, and pharmacies.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(Rick Steves)&quot;&gt;&lt;strong&gt;Rick Steves&lt;/strong&gt;&lt;/a&gt; / &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S%28Rick%20Steves%29__Ff%3Afacetmediatype%3Az%3Az%3AE-BOOK%3A%3A__Orightresult__X0?lang=eng&amp;amp;suite=def&quot;&gt;e-books&lt;/a&gt;&lt;br /&gt;
	An American everyman and fixture on PBS stations (you can also see him on &lt;a href=&quot;http://www.hulu.com/rick-steves-europe&quot; rel=&quot;nofollow&quot;&gt;Hulu&lt;/a&gt; and &lt;a href=&quot;http://www.youtube.com/ricksteves&quot; rel=&quot;nofollow&quot;&gt;YouTube&lt;/a&gt;), Rick Steves takes a easygoing and pragmatic approach to traveling Europe. His books are constantly being revised and sights re-rated (zero to three pyramids, with three being &quot;can&#039;t miss.&quot;) Rick Steves also publishes a book on general travel skills called &lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(blue guide)&quot;&gt;&lt;em&gt;Europe Through the Back Door&lt;/em&gt;&lt;/a&gt;. See also &lt;a href=&quot;https://browse.nypl.org/iii/encore/record/C__Rb18055268?lang=eng&quot;&gt;&lt;em&gt;Travel as a Political Act&lt;/em&gt;&lt;/a&gt;, Steves&#039;s non-guide book about why he thinks Americans should travel.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__SRough%20Guides__Ff%3Afacetfields%3Atitle%3Atitle%3ATitle%3A%3A__Orightresult__U__X0?lang=eng&amp;amp;suite=def&quot;&gt;&lt;strong&gt;Rough Guides&lt;/strong&gt;&lt;/a&gt; / &lt;a href=&quot;http://www.nypl.org/collections/articles-databases/gale-virtual-reference-library&quot;&gt;e-books available through GVRL&lt;/a&gt;&lt;br /&gt;
	A British series, with a slightly different perspective than American guides. Initially geared towards backpackers, now covers all budgets. Greater context on historical sights. (Rough Guide also publishes guides to culture and technology that display in these search results.)&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__Sa:(Time Out Guides Ltd)&quot;&gt;&lt;strong&gt;Time Out&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	Another British series (New Yorkers might be familiar with &lt;em&gt;Time Out New York&lt;/em&gt; though) with an emphasis on entertainment, youth culture, and the best places to eat and drink.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;https://browse.nypl.org/iii/encore/search/C__S(wallpaper city guide)&quot;&gt;&lt;strong&gt;Wallpaper* City Guide&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	Recommendations from the magazine of the same name, which is focused on design, fashion, and entertainment.&lt;/p&gt;

&lt;h2&gt;&lt;span class=&quot;inline inline inline-left inline-left&quot;&gt;&lt;a href=&quot;http://digitalgallery.nypl.org/nypldigital/id?1518053&quot; title=&quot;About to land., Digital ID 1518053, New York Public Library&quot;&gt;&lt;img alt=&quot;About to land., Digital ID 1518053, New York Public Library&quot; height=&quot;247&quot; src=&quot;https://images.nypl.org/?id=1518053&amp;amp;t=w&quot; title=&quot;About to land., Digital ID 1518053, New York Public Library&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/span&gt;On the Web&lt;/h2&gt;

&lt;p&gt;&lt;a href=&quot;http://en.wikivoyage.org/wiki/Main_Page&quot; rel=&quot;nofollow&quot;&gt;&lt;strong&gt;Wikivoyage&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	Part of the Wikimedia Foundation family, a worldwide travel guide that anyone can edit.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://travel.state.gov&quot; rel=&quot;nofollow&quot;&gt;&lt;strong&gt;Travel.State.Gov&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	After they send you your passport, be sure to check back here for foreign entry requirements, travel warnings and more from the U.S. Department of State. The Special Circumstances sections of some Country Specific Information documents contain information about attitudes, harassment, or arrests relating to &lt;a href=&quot;http://travel.state.gov/travel/cis_pa_tw/lgbt/lgbt_5887.html&quot; rel=&quot;nofollow&quot;&gt;LGBT travelers&lt;/a&gt;. &lt;a href=&quot;http://travel.state.gov&quot; rel=&quot;nofollow&quot;&gt;Travel.State.Gov&lt;/a&gt; content is also available through the free &lt;a href=&quot;http://www.travel.state.gov/travel/travel_5852.html&quot; rel=&quot;nofollow&quot;&gt;Smart Traveler App&lt;/a&gt; for iOS and Android.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://www.nypl.org/collections/articles-databases/mango-languages&quot;&gt;&lt;strong&gt;Mango Languages&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;
	If you are going to a place where you don&#039;t speak the language, make sure to take a few lessons on &lt;a href=&quot;http://www.nypl.org/blog/2013/10/10/bring-it-home-mango-languages&quot;&gt;Mango&lt;/a&gt; before you set sail (or be a procrastinator like me and take a last minute German lesson &lt;a href=&quot;http://www.mangolanguages.com/mobile-apps/&quot; rel=&quot;nofollow&quot;&gt;on your iPhone&lt;/a&gt; over breakfast, err... &lt;span class=&quot;short_text&quot; id=&quot;result_box&quot;&gt;&lt;span class=&quot;hps&quot;&gt;Frühstück&lt;/span&gt;&lt;/span&gt;.)&lt;/p&gt;

&lt;p&gt;Where are you going, and what guide is taking you there?&lt;/p&gt;
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  <category>Reference</category>
  <comments>https://www.nypl.org/blog/2013/10/23/around-world-travel-guides#comments</comments>
  <pubDate>Wed, 23 Oct 2013 06:06:04 -0400</pubDate>
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