NECTARINE

ZURKER - THE SOCIAL NETWORKING SITE THAT VALUES USERS TIME :

2012-10-04T03:40:00.002+01:00

ZURKER - THE SOCIAL NETWORKING SITE THAT VALUES USERS TIME :

Spending time with social networking sites started as hobby for many people and grown as their life for majority. These sites helped many to find their lost friends and life partners. All it happened on late nineties with launch of sites like classmates.com, bolt.com, advogato etc. and flourished with Orkut and Facebook and as everyone knows now the major share is handled by Facebook with a massive 900 million users.As per Nielsens figures an average American Facebook user spends around 7 hours / month !

What make every one spend more time on social networking sites ? A survey shows that most of them seems online friendships from social networking sites are 'cool and interesting'. some says that they are more comfort to chat with strangers than face-to-face and some feels more confident in online communication. Millions of people get pleasured with Facebook by playing games, planning events, receive news keep in touch with families and friends. They feel they get every thing they need to keep them happy in Facebook or similar social networking sites

But as every coin has two sides, some users feel lonely , some believes online friendships are superficial. What makes people think like that ? A recent Reuters survey on Facebook users found that 34 % of users spend less time than they did before six months and this 34 % finds Facebook as 'boring , not relevant or not useful and some are concerned of privacy. As per U.S.Com score data shows that there is a mass decline of usage by young people in America. 42 % of decline within the age group 12 - 17 and a 25 % with the age group 18 - 24. Young people who are the back bone of success for any thing is being reduced for Facebook in America, which is considered as a matter of concern by the stake holders. Yes, the desktop usage of Facebook is reducing in its most ripened market America.

The question is what the users gain from these hours spend ? Is your answer is nothing rather than mere pleasure,you can visit Zurker , a social networking site you earn for the time you spend with it. Yes Zurker the new social networking site which values users time . Every social networking sites grow with the number of users, more members more growth. This is what users have been done for other social networking sites, adding friends and made them grow and become giants in the market. But who earned from that ? none of the users gain a penny. All gone to the owners. Thats the major difference of Zurker from other similar sites. members can earn shares for adding new members. In the beginning users are provided with V-shares, that is virtual shares, in near future which can be converted to actual shares. Yes in Zurker each and every one will be an owner. Really a fare deal.

Zurker started on January 2012 and is on its very early stage, but a sure bet of success. Now Zurker is at the beta stage a need an invitation to join.Here is one for you.

Canon EOS 6D - A 20.2-megapixel DSLR featuring a full-frame sensor and compact design.

2012-10-02T23:36:00.000+01:00

Canon EOS 6D

Your entry into the full-frame world

A 20.2-megapixel DSLR featuring a full-frame sensor and compact design. Ideal for portrait photography and travel, offering tight control over depth of field and a large choice of wide-angle EF lenses.

Full-frame 20.2-megapixel sensor

Tough, lightweight construction

Max ISO 25,600 (expandable to ISO 102,400)

11-point AF sensitive down to -3EV

GPS* records your location

Wi-Fi** file transfer and remote control

Full-HD video

20.2-megapixel full-frame CMOS sensor

At the heart of the EOS 6D is a 20-megapixel full-frame CMOS sensor and a powerful DIGIC 5+ image processor. Together these deliver images that are packed with detail and clarity. Colours are reproduced accurately whilst tonal gradation is subtle and natural.

The full-frame advantage

Enjoy access to wide-angle EF lenses and discover new approaches to landscape, interiors and street photography. The extra control over depth of field provided by the full-frame sensor is perfect for adding impact to your portraits.

Designed to travel

Lightweight enough to go everywhere with you and strong enough to withstand the rigors of travel photography. Simple controls and intuitive ergonomics make the EOS 6D quick and easy to use.

Powerful low-light performance

When light levels get low, the EOS 6D keeps delivering superb photography. ISO sensitivity extends from ISO 100 up to ISO 25,600 (expandable to L:50, H1:51,200, H2:102,400) and an 11-point autofocus system is responsive down to -3EV. That’s sensitive enough to operate under moonlight.

Compose pictures with ease

Work intuitively with the EOS 6D’s bright full-frame viewfinder. A 1,040,000-dot 7.6 cm (3.0”) Clear View II LCD screen makes Live View shooting of stills and Full-HD video a pleasure.

Creative features designed for you

Preserve detail in both highlights and shadows with the EOS 6D’s high dynamic range (HDR) shooting mode, and create composite images with its multiple-exposure facility. ±5 stop exposure compensation and ±3-stop auto exposure bracketing allow flexibility and fine tuning of exposure.

GPS tracks your every movement

Built-in GPS determines your exact location and geotags each image file with the information. In GPS Logger mode a record of your route is recorded as you move around, even when the camera is switched off.

Wi-Fi for unparalleled connectivity

Shoot remotely from alternative viewpoints: connect and control your EOS 6D using your PC, Mac or smartphone. Images can be transferred wirelessly and shared with family and friends.

Full-HD Video

Shoot Full-HD video at 1080p resolution, taking advantage of fast-aperture lenses and full manual control to achieve cinematic effects.

Expected in UK Market by December 2012

Price approximately £1780 for body only.

source : http://www.canon.ie/For_Home/Product_Finder/Cameras/Digital_SLR/EOS_6D/

SIGMA APO Macro 180mm F2.8 EX DG OS HSM

2012-09-05T22:05:00.000+01:00

APO Macro 180mm F2.8 EX DG OS HSM

This is the world's first 180mm macro lens incorporating a magnification ratio of 1:1 and a large

maximum aperture of F2.8. It benefits from Sigma's original Optical Stabilizer function and the wide F2.8 aperture allows faster shutter speeds for narrow depth of field, enabling photographers to emphasize the subject. Three FLD ("F" Low Dispersion) glass elements provide excellent correction for color aberrations. This lens incorporates Sigma's floating inner focusing system. This minimizes aberrations which occur as shooting distances change, and enables stable rendering of the image from infinity to 1:1 magnification. The Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even at the maximum aperture. Equipped with Sigma's own propriety OS (Optical Stabilizer) system, this lens offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible*, enabling handheld close-up photography. The incorporation of HSM (Hyper Sonic Motor) ensures quiet and high speed autofocus as well as full-time manual focus capability. This lens has a rounded 9 blade diaphragm creating an attractive blur to the out of focus areas of the image. At 1:1 magnification, this lens has a focusing distance of 47cm/18.5in, which is a greater working distance than shorter focal length macro lenses. This is advantageous when taking pictures of highly sensitive subjects such as butterflies and insects. Attaching Sigma’s optional Tele Converter's allows photographers' to shoot with an even greater working distance or with a magnification ratio larger than 1:1.

Designed for use with full frame digital SLR cameras. May also be used with smaller APS-c size

sensors with a corresponding effective increase in focal length to about 260mm with most

cameras

Focuses down to 1:1 magnification ratio at its closest working distance of 18.5 inches

Optical Stabilizer allows for hand held photography

A lens hood, front & rear lens caps are included with the lens

Estimated Price : $ 1700

Source : http://www.sigmaphoto.com/

World’s most compact and lightweight DSLR rig

2012-09-04T23:23:00.000+01:00

Please go to edelkrone.com/the-pocket-rig for more info! Price : $ 339.99

Nexus Q - GOOGLE's SOCIAL STREAMING MEDIA PLAYER..

2012-07-01T17:42:00.000+01:00

Canon EOS 650D

2012-07-01T13:06:00.000+01:00

Canon has announced a new DSLR to sit in its entry-level lineup with a number of exciting features. Here we take a closer look at the Canon EOS 650D.

Canon EOS 650D sensor

Although 18 million pixels is a familiar number from other Canon DSLRs, the company claims that the sensor is an all-new design. It's a hybrid CMOS sensor, which means that it is capable with both contrast and phase detection autofocusing - a first for any Canon camera.

Canon EOS 650D processor

The Digic 5 processor found on the Canon 650D/4Ti is the same type as those found on several other Canon cameras, most noticeably those at the higher end of its range, including the 5D Mark III and the 1DX. This is an example of technology from more expensive models trickling down throughout the range. The super fast processor enables you to make Full HD video recordings in a number of frame rates and should boost the low noise performance when shooting at high sensitivities.

Canon EOS 650D autofocus

All nine of the Canon EOS 650D's autofocus points are cross-type, which should make for quicker and more accurate focusing. The sensor also incorporates pixels dedicated to autofocusing, which is useful when shooting video and using Live View. Phase detection autofocus is quick, but less accurate, whereas contrast detection is slower but more accurate. Using a combination of the two should provide the best of both worlds.

Canon EOS 650 touchscreen

We've seen touchscreens appearing on several cameras for a while, but until now it's always been restricted to compacts and compact system cameras (CSCs). For those used to mobile phones, a touchscreen is very attractive and, when used in combination with the physical buttons that all remain on the 650D, speeds up certain operations, such as setting the autofocus point. The screen is also fully articulated, which is handy for shooting from awkward angles.

Canon EOS 650D sensitivity

The sensitivity range of the Canon EOS 650D/4Ti is ISO 100 to ISO 12,800, which is one more step than its predecessor, the Canon EOS 600D. What's more, Canon claims that thanks to the Digic 5 processor, noise is kept to a minimum and true blacks can be seen even at high sensitivities.

Canon EOS beginner range

With the introduction of the 650D, the two-year old Canon EOS 550D will be discontinued, leaving the beginner range with the Canon EOS 1100D, theEOS 600D and the 650D at the top of the entry-level range.

Canon EOS 650D Scene Intelligent Auto

Canon claims that this mode has been improved from preceding models, and is designed to appeal to consumers coming from mobile phones and compact cameras. It works by judging the scene in front of the camera to provide the most appropriate settings for capturing the best image.

Canon EOS 650D HDR

Designed for tackling tricky lighting conditions, the Canon 650D's HDR Backlight Control mode is a fully automated operation, an important distinction to be made between it and the HDR mode found on the more advanced 5D Mark III.

Canon EOS 650D HD video

The Canon 650D comes equipped with Full HD video recording in a variety of frame rates. For the first time in any Canon EOS camera, continuous autofocus is also available when shooting in video mode - great news for those wanting to shoot moving subjects.

Canon EOS 650D price and availability

The Canon EOS 650D price will be around £800 (about $1,238) in the UK and €950 in Europe with a kit lens.

source : http://asia.cnet.com

SAMSUNG Galaxy S3 -Review by MATT WARMAN

2012-05-29T10:05:00.000+01:00

By Matt Warman, Consumer Technology Editor source : The telegraph

Canon EOS-1D C

2012-05-21T08:56:00.000+01:00

A groundbreaking multimedia camera that excels at both stills and movie shooting, EOS-1D C brings 4k movies and advanced video functions like Canon Log Gamma to a high performance DSLR body.

Features

4k movies
1080p at 50/60fps; Canon Log Gamma
Uncompressed HDMI output at Full HD 8bit 4.2.2
18.1 MP Full Frame CMOS
Up to 12fps and 14fps stills
61 point AF system
ISO range 100-25600
Dual DIGIC 5+ processors
Clear View II 8.1cm (3.2”) LCD
EF and EF Cine lens compatible

Superb 4k movies, stunning stills – one camera

4k movies
Digital cinema standard 4096 x 2160 (4k) movies are recorded to a CF cards at 24fps in M-JPEG (8bit 4.2.2) format, producing outstanding movie image quality suitable for the cinema industry.

Advanced video functions
Advanced video functions include Full HD (1080p) capture at variable frame rates up to 50 or 60fps – ideal for fast moving action or slow motion – plus custom control of exposure, audio and compression and Super 35mm crop option. Built-in Canon Log Gamma delivers neutral image quality with wide dynamic range (800%) for maximum freedom in post-production. An uncompressed HDMI output allows recording of 1920x1080 footage at 8bits 4.2.2 to external recorders to suit different workflows. A headphone socket is included to monitor the manually adjustable audio levels.

18.1 MP Full Frame CMOS sensor
A Canon 18.1 MP Full Frame CMOS sensor delivers stunning performance, producing exceptional low noise, high-resolution images of photo agency quality, even in the darkest conditions. It also gives optimum results from wide-angle lenses and greater control over depth of field.

Super high-speed stills
Capture every second of the action with up to 12fps continuous stills shooting (14fps in Super High speed shooting mode) in bursts of up to 180 large JPEG images (38 RAW).

Huge ISO range
An exceptionally wide ISO range of 100 to 25600 for movies and 100-51200 for stills– expandable up to an incredible ISO 204800 – means shooting need never stop from the brightest conditions right through to near darkness.

61 point AF system
A high-precision 61 point AF system features 41 high sensitivity cross type sensors, for fast, accurate focusing of fast moving subjects – whatever the lighting conditions, plus 5 dual cross type centre AF points for added precision.

Dual “DIGIC 5+” processors
Canon’s latest generation Dual “DIGIC 5+” processors deliver the fastest and most advanced image processing to date for best-in-class image quality.

Large, anti-reflective LCD
A high-resolution 1,040k-dot 3.2” Clear View II LCD screen, allows easy, accurate review of images and video. Superbly durable, an anti-reflective, hardened glass structure prevents reflections even in the brightest sunlight.

EF lens compatible
Compatible with the full range of Canon EF lenses, including EF Cinema lenses, as well as EX Speedlites and many other existing EOS accessories.

Product Specification

IMAGE SENSOR
Type	36 x 24 mm CMOS
Effective Pixels	Approx. 18.10 megapixels
Total Pixels	Approx. 19.3 megapixels
Aspect Ratio	Stills: 3.2 Movies : 16:9 (4K, Super 35mm, Full HD, HD) 4:3 (SD)
Low-Pass Filter	Built-in/Fixed with fluorine coating
Sensor Cleaning	EOS integrated cleaning system
Colour Filter Type	Primary Colour

IMAGE PROCESSOR
Type	Dual "DIGIC 5+"

LENS
Lens Mount	EF including limted support for EF cine zooms(excludes EF-S lenses)
Focal Length	Equivalent to 1.0x the focal length of the lens

FOCUSING
Type	TTL-CT-SIR with a dedicated CMOS sensor
AF System/ Points	61 Point / 41 f/4 cross-type AF points inc 5 dual cross type at f/2.8 The number of cross-type AF points will differ depending on the lens.
AF Working Range	EV -2 - 18 (at 23°C & ISO100)
AF Modes	One Shot AI Servo
AF Point Selection	Automatic selection: 61 point AF Manual selection: Single point AF (61, 41 cross type only, 15 or 9 points selectable) Manual selection: Spot AF Manual selection: AF point Expansion 4 points (up, down, left, right) Manual selection: AF point Expansion surrounding 8 points Manual selection: Zone AF AF points can be selected separately for vertical and horizontal shooting
Selected AF Point Display	Superimposed in viewfinder
AF Lock	Locked when shutter button is pressed half way in One Shot AF mode or AF-ON button is pressed.
AF Assist Beam	Emitted by optional dedicated Speedlite
Manual Focus	Selected on lens, default in Live View Mode
AF Microadjustment	AF Menu +/- 20 steps ( wide and tele setting for Zooms) Adjust all lenses by same amount Adjust up to 40 lenses individually Adjustments remembered for lens by serial number

EXPOSURE CONTROL
Metering Modes	TTL full aperture metering with 252 zone from 100,000-pixel RGB AE senssor (1) Evaluative metering (linked to all AF point) (2) Partial metering (approx. 6.5% of viewfinder at centre) (3) Spot metering: Center spot metering (approx. 2.5% viewfinder) AF point-linked spot metering Multi/Spot metering (Max 8 spot metering entries) (4) Center weighted average metering
Metering Range	EV 0 - 20 (at 23°C with 50mm f/1.4 lens ISO100)
AE Lock	Auto: In One-shot AF mode with evaluative metering exposure is locked when focus is achieved. Manual: By AE lock button in P, TV and AV modes.
Exposure Compensation	'+/-5 EV in 1/3 or 1/2 stop increments (can be combined with AEB).
AEB	2, 3, 5 or 7 Shots +/-3 EV 1/3 or 1/2 stop increments
ISO Sensitivity*	Auto (100-51200), 100-51200 (in 1/3-stop or whole stop increments) (movie 100- 25600) ISO can be expanded to L: 50, H1 102400, H2 204800

SHUTTER
Type	Electronically-controlled focal-plane shutter
Speed	30-1/8000 sec (1/2 or 1/3 stop increments) + Bulb (Shutter speed range available varies according to shooting mode)

WHITE BALANCE
Type	Auto white balance with the imaging sensor
Settings	AWB, Daylight, Shade, Cloudy, Tungsten, White Fluorescent light, Flash, Custom, Colour Temperature Setting. White balance compensation: 1. Blue/Amber +/-9 2. Magenta/ Green +/-9.
Custom White Balance	Yes, 5 setting can be registered
WB Bracketing	'+/-3 levels in single level increments 3 bracketed images per shutter release. Selectable Blue/Amber bias or Magenta/ Green bias.

VIEWFINDER
Type	Pentaprism
Coverage (Vertical/Horizontal)	Approx. 100%
Magnification	Approx. 0.76x¹
Eyepoint	Approx. 20mm (from eyepiece lens centre)
Dioptre Correction	'-3 to +1 m-1 (dioptre)
Focusing Screen	Interchangeable (12 types, optional). Standard Focusing Screen Ec-CV
Mirror	Quick-return half mirror (Transmission: reflection ratio of 40:60, no mirror cut-off with EF600mm f/4 or shorter)
Viewfinder Information	AF information: AF points, focus confirmation light, AF status indicator Exposure information: Metering mode, shooting mode, AE lock, shutter speed, aperture, exposure compensation, ISO speed (always displayed), exposure level, exposure warning Flash information: Flash ready, FP flash, FE lock, flash exposure level Image information: White balance correction, highlight-tone priority (D+), maximum burst (2-digit display), CF card information, JPEG/RAW indicator, battery check icon. Composition information Grid, electronic level
Depth of Field Preview	Yes, with Depth of Field preview button.
Eyepiece Shutter	Built in

LCD MONITOR
Type	8.11cm (3.2") Clear View II TFT, approx. 1040K dots
Coverage	Approx. 100%
Viewing Angle (Horizontally/Vertically)	Approx. 170°
Coating	Anti-reflection and Solid Structure
Brightness Adjustment	Adjustable to one of seven levels
Display Options	(1) Quick Control Screen (2) Camera settings (3) Dual Axis Electronic Level

FLASH
Modes	E-TTL II Auto Flash, Metered Manual
X-Sync	1/250sec (EX series Speedlites only)
Flash Exposure Compensation	'+/- 3EV in 1/2 or 1/3 increments
Flash Exposure Bracketing	Yes, with compatible External Flash
Flash Exposure Lock	Yes
Second Curtain Synchronisation	Yes
HotShoe/ PC Terminal	Yes/ No
External Flash Compatibility	E-TTL II with EX series Speedlites, wireless multi-flash support
External Flash Control	Via camera menu screen

SHOOTING
Modes	Program AE, Shutter priority AE, Aperture priority AE, Manual, Custom (x3)
Picture Styles	Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined (x3)
Colour Space	sRGB and Adobe RGB
Image Processing	Highlight Tone Priority Auto Lighting Optimizer (4 settings) Long exposure noise reduction High ISO speed noise reduction (4 settings) Auto Correction of Lens Peripheral illumination Chromatic aberration correction Distortion correction Resize to M1, M2 or S RAW image processing - during image Playback only Multiple exposure Canon Log
Drive Modes	Single, Continuous L, Continuous H, 14fps Super high speed, Self timer (2s, 10s), Silent single shooting
Continuous Shooting	Max. Approx. 12fps. (speed maintained for up to 180 images (JPEG)¹ or 38 images (RAW))² (with UDMA card)³, 14fps with mirror locked up and exposure and AF locked on first frame

LIVE VIEW MODE
Type	Electronic viewfinder with image sensor
Coverage	Approx. 100% (horizontally and vertically)
Frame Rate	30 fps
Focusing	Manual Focus (Magnify the image 5x or 10x at any point on screen) Autofocus: Quick mode, Live mode, Live Face detection mode
Metering	Real-time evaluative metering with image sensor Active metering time can be changed
Display Options	Grid overlay (x3), Histogram, Aspect ratios

FILE TYPE
Still Image Type	JPEG: 10 compression options (Exif 2.3 compliant) / Design rule for Camera File system (2.0), RAW: RAW, sRAW (14bit, Canon original RAW 2nd edition), Digital Print Order Format [DPOF] Version 1.1 compliant
RAW+JPEG Simultaneous Recording	Yes, any combination of RAW + JPEG possible, separate formats to separate cards possible
Image Size	JPEG: (L) 5184x3456, (M1) 4608x3072, (M2) 3456x2304, (S1) 2592x1728, RAW: (RAW) 5184x3456 (M-RAW), (S_RAW)
Movie Type	MOV Video: 4K - MJPEG, FULL HD/ HD/SD - H.264 Intra frame / inter frame, Uncompressed 8bit 4.2.2 via HDMI Sound: Linear PCM, recording level can be manually adjusted by user
Movie Size	4096 x 2160 (23.976 fps) 1920 x 1080 (59.94, 50, 29.97, 25, 23.976 fps) intra or inter frame 1280 x 720 (59.94, 50 fps) intra or inter frame 640 x 480 (25, 30 fps) inter frame
Movie Length	Max duration; capacity of card
Folders	New folders can be manually created and selected
File Numbering	(1) Consecutive numbering (2) Auto reset (3) Manual reset

OTHER FEATURES
Custom Functions	31 Custom Functions with 99 settings
Metadata Tag	User copyright information (can be set in camera)
LCD Panel / Illumination	Yes / Yes
Water/ Dust Resistance	Yes
Sound Memo	Up to 30sec per image - 48Khz or 8Khz
Intelligent Orientation Sensor	Yes
Playback Zoom	1.5x - 10x, Pixel level magnification
Display Formats	(1) Single image with information (2 levels) (2) Single image (3) 4 image index (4) 9 image index (5) Magnified view (6) Movie edit
Slide Show	Image selection: All images, by Date, by Folder, Movies, Stills, Rating Playback time: 1/2/3/5/10 or 20 seconds Repeat: On/Off
Histogram	Brightness: Yes RGB: Yes
Highlight Alert	Yes
Image Erase/Protection	Erase: Single image, All images in folder, Checkmarked images, unprotected images Protection: Erase protection of one image at a time
Menu Categories	(1) Shooting menu (x4) (2) AF Menu (x5) (3) Playback menu (x3) (4) Setup menu (x4) (5) Custom Functions menu (x7) (6) My Menu
Menu Languages	25 Languages English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese
Firmware Update	Update possible by the user.

INTERFACE
Computer	Hi-Speed USB
Other	Video output (PAL/ NTSC) (integrated with USB terminal), HDMI mini output (HDMI-CEC compatible), Extension system terminal (for WFT-E6/ GP-E1), External microphone (Stereo mini jack), Headphone socket (Stereo mini jack), RJ-45(gigabyte ethernet)

DIRECT PRINT
Canon Printers	Canon Compact Photo Printers and PIXMA Printers supporting PictBridge
PictBridge	Yes

STORAGE
Type	2x CompactFlash Type I/II (incompatible with Microdrive) (UDMA 7 compatible)

SUPPORTED OPERATING SYSTEM
PC & Macintosh	Windows XP (SP2/SP3) / Vista inc SP1 (excl. Starter Edition) / 7 (excl. Starter Edition) OS X v10.6-10.7

SOFTWARE
Browsing & Printing	ImageBrowser EX
Image Processing	Digital Photo Professional
Other	PhotoStitch, EOS Utility (inc. Remote Capture, WFT utility), Picture Style Editor Requires optional accessory - TBC

POWER SOURCE
Batteries	Rechargeable Li-ion Battery LP-E4N (supplied), 1xCR2025 for date & settings
Battery Life	Approx.xxxx (at 23°C)¹ TBC Approx. xxx (at 0°C) TBC
Battery Indicator	6 levels + percentage
Power Saving	Power turns off after 1, 2, 4, 8, 15, 30mins or Off.
Power Supply & Battery Chargers	AC Adapter Kit ACK-E4, Battery charger LC-E4n, Car Battery charger cable CG-570 (use with LC-E4)

PHYSICAL SPECIFICATIONS
Body Materials	Magnesium Alloy body covers
Operating Environment	0 – 45 °C, 85% or less humidity
Dimensions (WxHxD)	158x 163.6x 82.7mm
Weight (Body Only)	Approx. TBC

ACCESSORIES
Viewfinder	Eyecup Eg, Eg-series Dioptric Adjustment Lens with Rubber Frame Eg, Anti Fog Eyepiece Eg, Focusing Screens Ec, Angle Finder C
Wireless File Transmitter	Wireless File Transmitter WFT-E6
Lenses	All EF lenses including limited support for EF Cine zooms (excludes EF-S lenses)
Flash	Canon Speedlites (220EX, 270EX, 270EX II, 320EX, 420EX, 430EX, 430EX II, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT)
Remote Controller/ Switch	Remote control with N3 type contact, Wireless Controller LC-5
Other	Hand Strap E2, GP-E1 GPS reciever, GP-E2 GPS reciever

source : www.canon.ie

RH-1 "Ultra" Anamorphic Lens

2012-04-02T08:30:00.000+01:00

Double field of view than normal wide angle lenses - New ANAMORPHIC lens for Canon 7D, 5D mark ii & mark iii

Pea Sized Cam-DSLR Replica

2012-03-06T11:51:00.000+00:00

Weight : 11grams.
Dimension : 30x27x27mm (1.2×1.1×1.1 inches)

Photos @ 1600 × 1200 resolution

Video @ 640 × 480 resolution,30 frames / second in AVI format

Audio : Mono

Connects to computer through USB 1.1

Battery life : 36 minutes or so while shooting video.

Memory : Micro SD up to 32 gigs

2 Mega Pixel Sensor

All this specs is about a real cute small camera, from Thanko-Tokyo based USB accessory maker, named MAME-CAM.A miniature replica of DSLR.

Mame means PEA in Japanese..

No Gaming..

Available @ $95 from Thanko in Japan and out side Japan from Geek Stuff 4 U

Isn't it COOOl...

Canon EOS 5D Mark III - Now Its Your Turn Now..

2012-03-03T20:29:00.000+00:00

Canon EF 8-15mm f/4L Fisheye USM

2010-09-10T22:39:00.000+01:00

Canon EF 8-15mm f/4L Fisheye USM

A versatile fisheye zoom lens offering a choice of full frame or circular image. The EF 8-15mm f/4L Fisheye USM is part of Canon’s high performance L series lenses and delivers fantastic image quality, even with such a wide angle view.

Features

Circular or full frame Fisheye zoom lens
Part of Canon’s acclaimed L series
Durable and rugged design
Quiet and fast autofocus
Full-time manual focusing
Easier lens cleaning

A zoom lens that offers a unique perspective

Circular or full frame Fisheye zoom lens There’s no need to buy two specialist lenses when the EF 8-15mm f/4L Fisheye USM offers, either full frame or circular fisheye images when used with cameras with a 24x36mm (full frame) sensor. For photographers shooting with DSLR’s with a smaller sensor, full frame fisheye images are possible. With a 180 diagonal field of view, capturing the whole scene in a single image has never been easier. L-series quality The L-series is Canon's flagship professional lens range, representing the best in precision-designed EF optics. L-series lenses combine superior performance with superlative handling, and are highly resistant to dust and moisture. Fast, quiet auto focus A ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive extremely rapid auto focus with near-silent operation. A high-speed CPU and optimised AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF mode. Enhanced image quality with SWC coating Designed for use in digital photography, Canon’s patented Subwavelength structure coating helps minimise the ghosting and flare caused by internal reflections. By eliminating the cause, the coating reduces reflections and helps to deliver crisp, clear images. Easier lens cleaning The foremost and rearmost lens surfaces are treated with a Fluorine Coating which enables the easier cleaning of the lens surface compared to existing coatings. ON SALE From JAN 2011 Source:Canon.ie

Pentax 645D

2010-07-20T14:11:00.001+01:00

PENTAX 645D
PENTAX's First Medium-Format Digital SLR Camera:

HOYA CORPORATION PENTAX Imaging Systems Division announced the launch of the PENTAX 645D lens-interchangeable, medium-format digital SLR camera. Thanks to the incorporation of a large image sensor, equal in performance to professional-standard digital camera backs, this high-performance model delivers super-high-resolution images with approximately 40 effective megapixels. It also offers outstanding dependability and superb operability and maneuverability to make outdoor shooting effortless and comfortable for demanding photographers.

The PENTAX 645D has been developed to provide super-high-resolution images produced by large image sensors — something previously available only on professional models — to serious landscape and outdoor photographers. It combines exceptional image quality with excellent maneuverability and outstanding reliability to simplify professional-level outdoor shooting. Thanks to the incorporation of a large, high-performance image sensor (measuring 44mm by 33mm) and PENTAX-original image-processing technology, it produces extra-sharp, super-high-resolution images with approximately 40 effective megapixels. It features remarkable durability and dependability, thanks to its lightweight but solidly built body featuring a magnesium-steel-alloy frame, reinforced glass LCD panel protectors and a reliable dustproof, weather-resistant construction. In addition, it is designed to be compatible with the majority of the existing PENTAX 645 system, so that current PENTAX 645-series camera users can take advantage of their valuable assets, including high-performance smc PENTAX 645 interchangeable lenses.

Major Features

Unprecedented image quality

Super-high-resolution images made possible by approximately 40 effective megapixels
1.The PENTAX 645D incorporates a high-performance CCD image sensor produced by Kodak. It measures 44mm by 33mm, and is approximately 1.7 times larger than its 35mm-format counterparts. Thanks to approximately 40 effective megapixels, it assures a wide dynamic range to faithfully reproduce the prevailing ambience and the sense of depth in super-high-resolution images that are rich in gradation and truthful in texture description. In order to bring out the full potential of the lens and the image sensor and assure the highest level of image-resolving power, the CCD unit is designed with no low-pass filters.

2.High-performance, high-speed PRIME II imaging engine
The PENTAX 645D features the acclaimed, PENTAX-original PRIME (PENTAX Real Image Engine) II as its imaging engine. Thanks to its high-speed data-processing capacity and new algorithm exclusively programmed for medium-format digital SLR cameras, this high-performance imaging engine produces super-high-quality images rich in gradation and faithful in color reproduction, while allowing speedy data transmission of large-volume image data — even RAW-format images as large as some 50MB per file.

3.14-bit A/D converter for faithful conversion of image data to digital signals
The PENTAX 645D features a high-performance A/D converter, which faithfully converts the large volume of analog image data output by the large CCD image sensor to digital signals carrying an extensive amount of image data, including resolution and gradation.

Solid, maneuverable body
The PENTAX 645D’s main frame is made of lightweight but strong magnesium-steel alloy, while the chassis is made of diecast aluminum to minimize the expansion and extension caused by heat and also to optimize kinematic accuracy and thermal stability. The LCD panels — one on the camera’s top panel, another on the back panel — are covered with tempered glass plates for extra protection. The PENTAX 645D’s body is also designed to be a compact and highly maneuverable medium-format camera, despite the incorporation of such dependable features as a dust-proof, weather-resistant construction with 70 special seals, outstanding cold-resistant performance to assure solid operation at a temperature as low as –10°C, and a newly designed shutter unit with a top shutter speed of 1/4000 second that can withstand as many as 50,000 shutter releases.

Dual SD/SDHC memory card slots
The PENTAX 645D has a pair of memory card slots for the recording of images on both SD and SDHC memory cards. This dual-slot design gives the photographer extra data-storage options: for instance, recorded images can be assigned to different cards according to recording format (such as RAW or JPEG), or one of the cards can be used as the backup of the other. The settings for each memory card slot can be easily made by dedicated button.

Dependable DR II mechanism to minimize dust spots
The PENTAX 645D comes equipped with the highly dependable DR (Dust Removal) II mechanism, which effectively minimizes annoying dust spots on recorded images, even when the lenses are changed in dust-prone outdoor settings. By shifting UV/IR-cut filters placed in front of the CCD image sensor at supersonic speed using a piezoelectric element, this mechanism effectively and efficiently shakes dust off the image sensor. Thanks to the user-friendly dust-alert system, the photographer can check at a quick glance for dust adhering to the image sensor prior to the actual shooting.

Newly designed, high-precision 11-point wide-frame AF sensor
The PENTAX 645D’s new SAFOX IX + wide-frame autofocus system features 11 sensor points (with nine cross-type sensors positioned in the middle) to assure the extra-high-precision focusing demanded of medium-format digital SLR cameras. To develop this sophisticated AF system, the entire optical system was redesigned, at the same time with the addition of the new functionality to analyze and make use of the light sources data in the field of view.

Advanced 77-segment multi-pattern metering
The PENTAX 645D employs a state-of-the-art, 77-segment multi-pattern metering system to assure super-high-accuracy light metering. The exposure accuracy is further enhanced by collecting such additional data as image orientation (horizontal or vertical) and the distance to and magnification of the subject using the sensors installed inside the camera body, with the obtained data incorporated into exposure calculations.

Large, easy-to-see optical viewfinder
Incorporated in the PENTAX 645D’s finder unit, a trapezoid-shaped glass prism not only assures an approximately 98% field of view, but also greatly contributes to the downsizing of the camera body. Coupled with a bright, easy-to-focus Natural-Bright-Matte focusing screen, the PENTAX 645D’s viewfinder offers a large, clear view of the subject.

Custom Image function to create desired visual effects with ease
The PENTAX 645D’s Custom Image function lets the user easily control an image’s finishing touches to more precisely reflect the user’s creative intentions, or to more faithfully reproduce the ambience of the scene. The user can select one of eight modes, including the new Reversal Film mode designed to create images with the colors that are typical of reversal film. In addition, all parameters — such as saturation, hue, contrast, sharpness, key, and highlight/shadow contrast — can be easily adjusted to desired levels, so that the photographer can shoot images with great ease.

Versatile, multi-mode exposure system for faithful reproduction of creative intentions

Hyper Program function
The PENTAX 645D's Hyper Program function allows the user to instantly switch from Programmed AE mode to Shutter- or Aperture-Priority AE mode with a simple turn of the electric dials positioned around the grip. A single push of the green button shifts the exposure mode back to the original Programmed AE mode.

Hyper Manual function
When shooting in the Metered Manual mode, the PENTAX 645D's Hyper Manual mode lets the user to instantly set the proper exposure for the subject with a single push of the green button.

Sensitivity-Priority mode
The unique Sensitivity-Priority (Sv) mode automatically selects the optimum combination of aperture and shutter speed for the user-selected sensitivity. The sensitivity can be shifted swiftly by electronic dial on the back panel. The variable amount of the ISO could be configured to either 1/2 or 1/3 steps per click.

Shutter/Aperture-Priority mode
Taking full advantage of the unique capability of digital cameras for the automatic shifting of sensitivity at any time, the Shutter/Aperture-Priority (TAv) mode automatically selects the most appropriate sensitivity for the user-selected aperture/shutter-speed combination. It allows the user to effortlessly experiment with a greater range of photographic expressions.

Large, easy-to-view 3.0-inch LCD monitor with approximately 921,000 dots
Positioned on the camera’s back panel, a large 3.0-inch color LCD monitor with approximately 921,000 dots provides a clear, bright view of onscreen images and menus. Since its wide-view design allows quick, effortless confirmation of the monitor image from approximately 170 degrees both horizontally and vertically, the photographer has little difficulty shooting images from low and high angles. The LCD monitor is also treated with exclusive AR (Anti-Reflection) coating to minimize reflections on the screen, even in the outdoor locations under bright sunshine.

Long battery life
The PENTAX 645D is powered by a large-capacity, rechargeable lithium-ion battery, which can capture approximately 800 images* when fully charged.
* Under testing conditions prescribed by PENTAX, when using a rechargeable D-LI90 lithium-ion battery with no flash.

Other features

HDR (high dynamic range) function to create one composite image with an extra-wide gradation range from three images with different exposures

Dynamic-Range Expansion function to compensate for both whitewashed (excessively overexposed) and blacked-out (excessively underexposed) areas

Digital Level function for easy checking of the image’s levels

Automatic compensation of distortion and lateral chromatic aberration (available in combination with the D FA 645- and FA 645- series lenses)

Versatile white-balance control system, including the CTE mode designed to emphasize the dominant color components of the captured images, which works especially well with such scene like sunset.

Mirror shock/operation-noise reduction function to assure smooth, quiet operation of the mirror during shooting

Attachment of copyright credits on recorded images

Compatible with the SDM (Supersonic Direct-drive Motor) autofocus mechanism, designed to assure smooth, quiet operation using the supersonic motor installed inside SDM lenses

HDMI terminal (for type C mini connectors) for high-resolution image data output

User-friendly, color-classified control buttons/switches, based on the color universal design concept

PENTAX Digital Camera Utility 4 software package, including a RAW-data processing application (based on the popular SILKYPIX RAW-data processing engine developed by Ichikawa Soft Laboratory) and browser application

Source : pentax.jp

Vivitar V3800N Film SLR Camera

2010-07-19T13:37:00.000+01:00

V3800N SLR Camera

An SLR (Single Lens Reflex) camera for film enthusiasts. Exceptional quality and timeless design make this camera a truly desirable item for any professional or amateur photographer.

Supplied with a high quality 50mm f1.7 or 28-70mm f3.4 Vivitar lens (shown with 50mm lens).

Our V3800N film camera is a classic film cameraallowing to learn the basics of photography and experience the magic of traditional film without any interference. It is also the most affordable SLR (Single Lens Reflex) camera money can buy, and although it's not equipped in any automated features apart from a simple light meter, it allows to achieve professional results and explore photography in a creative way.

Getting the correct exposure
The proper combination of aperture and shutter speed is what you need to get the correct exposure. V3800N measures the light through the lens and indicates the correct exposure with a green dot in the viewfinder. If you see a red plus or minus sign, it means you have to adjust the aperture or shutter speed.
Technical Specs.
Type    : 35mm Single Lens Reflex Camera
Negative Size : 24 x 36 mm
ISO    : 50-3200
Shutter    : Vertically running metal focal plane shutter
Shutter speed : 1/2000 1s and "B" - continuous
Shutter Release : Mechanical
Film rewind : Film rewind crank
Lens : Vivitar 50mm f:1.7-22 or 28-70mm f:3.4-22
Lens Mount : PK Mount
Exposure Metering : Through-the-lens, full- aperture, center weighted light metering with SPD cell; Manual exposure with LED display; metering range EV 2-19 (with ISO100 film and 50 mm f/1.4 lens); ISO25-3200 film speed range; exposure meter switch activated by pressing shutter release button halfway in.
     TIPS
Here are three tips to measure the exposure correctly:
1. Look for something middle toned in the subject area to meter and use that suggested setting, making sure once again that it is also in the same light as your subject.
2. Meter off the palm of your hand, making sure that it too is in the same light as your subject. Then, open up one stop (your palm is one stop lighter than a gray card so you have to add light to make your exposure correct).
3. Or meter off a gray card in the same light as your subject. Gray card is simply a piece of paper with 18% grey tint.

What do you do if your gray card or hand cannot be held in the same light as your subject (maybe you are under a shade tree)? Well, you could take a spot meter reading metering off your subject without the meter being influenced by other areas of light. Then recompose and shoot.

Understanding ISO and film sensitivity
The first step in getting good results is to set your camera for the correct speed of the film you are using. The film ISO speed is a number that indicates the relative sensitivity of the film to light. The higher the number, the more sensitive or "faster" the film; the lower the number, the less sensitive or "slower" the film. For example, a film with a speed of ISO 200 is twice as light-sensitive or fast as a film with a speed of ISO 100. Similarly, and ISO 200 film is only half as fast as a film with a speed of ISO 400. Your film carton (and the film cartridge) will tell you the speed of your film.

Remember to set your ISO correctly!
In order to set your camera to measure the light correctly, you need to set the ISO dial to match the sensitivity of the film you're using. In order to do that you need to pull the dial next to the shutter release button and adjust it so it displays the correct value.

Tips on taking sharp photographs
Vivitar V3800N features a focusing device called a "rangefinder". The circular area at the center of the viewfinder gives an indication that the scene is either out of focus or in focus. If the subject is out of focus, you will see that the image is "broken" as if you were looking through a cracked glass, along the thin diagonal line which you can find in the very centre of the viewfinder. If your subject is in focus the two "halves" of the image will be aligned seamlessly.

Use a tripod
If you are taking a photograph at night or in dim light, the most reliable way to make sure your photographs are sharp is to use a tripod. Place your tripod on hard surface and if it's a light tripod you can use a weight to make it more sturdy. Some tripods have a hook at the bottom of the central column where you can hang a bag to add weight to the tripod. You can use a standard remote release cord with Vivitar V3800N, you need to attach it to the shutter button, there is a thread inside the button.

Shutter speed
There is a general rule of thumb - if you are using a 50mm lens then your shutter speed should be 1/50s or less to avoid blurred images. If you're using 100mm lens, it is 1/100s. So, 1 second divided by your focal length gives you a rough idea of the shutter speed required. If your subject is in fast motion (like a car or an animal) you need to make sure your shutter speed is as low as possible, around 1/1000s or less. You can use this shutter speed only on a sunny day or use a high speed film.

Loading and handling the film
Loading the film
If you already have film in the camera, use the dial on the left to roll it back into the cartridge. Pull out the metal lever and turn it in the direction indicated by the arrow until you can feel the film turning loose inside the cartridge. Pull the dial towards you to open the back cover. Once the back cover is open, in order to load a new film, you need to insert the film cartridge at a slant with the flat end facing up and the bottom end entering the camera first. Make sure the film is correctly aligned and stretched slightly and the film perforations are engaged with the sprockets, close the back cover until it clicks shut.

Handling film:
1. If the film rewind lever is stuck and you can't rewind the film, it means it's stretched across the shutter and prepared for another exposure. You need to press a small black button on the bottom of the camera to release the film.
2. Store your film in your fridge and never leave your film in direct sunlight.
3. When you are loading the film make sure you don't touch the shutter curtain inside the camera.
4. Ask if your film is safe while crossing any security checkpoints equipped with X-ray machines.
5. Always store your film in the lightproof container provided.
6. And always remember to rewind the film before you open the back cover!

Advanced tips
You don't have to rely on the light meter only. Here are some tips.
For example, the suggested exposure for KODACHROME ISO 64 Film is 1/60 at f/16 or an equivalent shutter-aperture combination. This simple daylight exposure guideline works because it is based on the relatively constant light from the sun plus the sky on sunny days. Sometimes called the "f/16" rule, the exposure for a frontlighted, average subject in bright sun (distinct shadows) is f/16 at a shutter speed that matches the film speed. You should decrease exposure by one stop for bright sun on light snow or sand, and increase exposure by one stop for an average subject in weak or hazy sun (soft shadows). There is an additional stop increase for cloudy bright conditions (no shadows), and another for heavy overcast or open shade. Increase exposure by one stop (either a slower shutter step or larger lens opening) from the normal for sidelighting, and two stops for backlighting.

Depth of field
The larger the aperture the smaller the depth of field. If you're shooting a portrait and you want the background to be blurred, you can use large aperture, for example f2.8. If you're shooting a landscape and you want sharp objects in the foreground as well as in the background, set your aperture to f22. The aperture stays fully open until you press the shutter button so you can only see the effect of the large aperture, but you can also preview the depth of field with your Vivitar V3800N by pressing a button just under the lens on the right hand side.

Source : vivitar.com

Samyang 8mm f/3.5 Fish-eye

2010-07-18T08:21:00.000+01:00

Samyang 8mm f/3.5 Aspherical IF MC Fish-eye

Samyang 8mm f/3.5 Aspherical IF MC Fish-eye is the highest quality wide angle lens. The lens is produced for cameras with the APS-C sensor.
The construction of the lens is based on 10 elements placed in 7 optical groups.
Thanks to using the aspherical hybrid lens and the newest generation multilayer anti – reflection coutings, the optical parameters are maintained on the highest possible level.
The aperture consists of six diaphragms and can be close to f/22. A built-in lens hood was also used here. The lens offers a 180 degrees field of view for APS-C cameras.

The 8mm Samyang is a diagonal lens of the „fish-eye" type. Thanks to this, the perceived world changes totally.All one has to do is to connect it to the body of the camera to discover a different reality.The traces of the perspective become another centem of the artistic expression. Now only your imagination can limit you.

Similary to his older brother, the portrait lens – Samyang 85mm, fish-eye was very well evaluated by portals publishing independent tests and opinions.
Below several interesting fragments:

The test in LENSTIP.com

„The fastening of the 8mm and visual field of 180 degrees whichwas used in Samyang suggests the use of stereographical imaging. This is interesting news. Such an imaging
in photography gives the most pleasant effects to our eyes, because in the corners of the visual field the shapes are kept best of all imagings and the straight line curves are moderate as for ."
The low price of Samyang cannot be perceived in the quality of execution. The lens begins with a metallic bayonet, behind which we will find the ring to change the aperture. It is not especially wide, but allows comfortable work.”
The view emerging is without the doubt very nice to our eye. On the maximum relative opening almost 34 lpmm is reached, what means a image of a full usefullness. The brighter Sigma 2,8/10 was eden sharper (on the less packed Canon 20D matrix it gave the result of over 36 lpmm), however, we cannot forget that it is almost 3 times more expensive than Samyang. A small closing causes that the images from Samyang are much sharper. The differences between Sigma and Samyang are minimal. What we can see on the edge of the frame is astonishing. Our experience with object lenses is not big, but Samyang makes a really great impression.”
“We wre very curious of this test. Not so long ago, we were positively surprised by Samyang f/1.4 which in the areas of maximum relative opening could were sometimes much better than renowned producers. Now Samyang 8 mm f/3.5 is on the market which uses a very difficult in execution stereographical imaging and it uses it well!
Most of all we get a high quality images, both in the center of the image and on the edges.

The test in swiatobrazu.pl :

” Samyang 8 mm f/3.5 Fisheye is an lens which positively surprises with the image quality from the lens stop F5.6. The most optimum, if we take into consideration the amount of details recorded by the camera, are diaphragm values in the range from f/8.0 to f/11.”
“A similar situation to the evaluation of image sharpness is with the aberration control, where Samyang positively surprises - again. One does not need to look for the traces of aberration in the center of the image, where it is clear and free of purple discolourations. Only near the edges of the image one can find it, but even with the lens stop fully opened, the intensity of discolouration is small"
“Samyang 8 mm f/3.5 Fisheye is an object lens belonging to a small family of object lenses in which the way of imaging of our sorroundings is different than the one we are already used to. The characteristic form which the sorrounding take while photographing comes from distortion, which in fish eye is not corrected. During our test Samyang 8mm f/3.5 fish Ele presented itself as a good construction free to compete with other producers like Sigma or Nikon. The optical parameters of the object lens cause that with a small amount of money we can receive a very good optics which will supplement our set of glasses and allow receiving interesting effects on our photos."

The test on Canon-board forum :

„Firstly – the construction of the glass – what can I say, it’s a TANK! Small, yet very heavy. The fish eye by Canon 15mm is nothing compared to this one! This glass made by Samyang is a strong and heavy metallic construction."
"Adjusting the sharpness – it is totally different here than in the previous model 85 1.4. Adjusting the sharpness does not require thorough precision. One can easily adjust it „by feeling it” – using the length scale on the object lens. The depth of focus is so big that it is really hard not to make a sharp photo. The loss of AF is not an obstacle here. It’s a huge plus.”
„I will say just this – the glass on the f=3.5 lens stop opened vignettes very little. The sharpness in my opinion is acceptable from the full opening, and after closing on 5.6 it is very nice both in the center and the edges.”

official site SAMYANG

Tamron SP 70-300MM F/4-5.6 DI VC USD

2010-07-17T08:33:00.001+01:00

TAMRON SP 70-300MM F/4-5.6 DI VC USD

FULL-SIZE PREMIUM TELE ZOOM

President and CEO of Tamron Morio Ono of optical equipment manufacturer Tamron Co., Ltd., announced another advance in Tamron's pursuit of high resolution images in the telephoto lens category with the development of a 70-300mm F/4-5.6 telephoto zoom lens featuring image stabilization––VC (Vibration Compensation) and an ultrasonic auto-focus drive –– USD (Ultrasonic Silent Drive). The SP AF70-300mm F4-5.6 Di VC USD (Model A005) high-resolution DSLR telephoto zoom lens has been produced first for the Nikon mount, with the development of compatible mounts for Canon and Sony3 to follow.

This new telephoto zoom lens is designed for digital SLR cameras and can be used with both full-frame sensor as well as AF 35mm film cameras with a zoom range of 70-300mm; and with APS-C sensor cameras where the angle of view will change the zoom range equal to 109-465mm4.

With superior optical performance, Tamron’s own USD (Ultrasonic Silent Drive) and VC (Vibration Compensation), the SP 70-300mm F4-5.6 Di VC USD (Model A005) provides the performance of a high-end premium telephoto zoom that is appealing to a broad spectrum of photography enthusiasts.

Unparalleled optical performance in a fast and steady telephoto zoom lens

In the pursuit to achieve the most outstanding image resolution in the 70-300mm class, Tamron’s 60th Anniversary lens - the SP AF70-300mm F4-5.6 Di VC USD (Model A005) - utilizes an advanced optical design that features an LD (Low Dispersion) and an XLD (Extra Low Dispersion) lens element made from specialized materials that prevent chromatic aberration. As a result, the SP AF70-300mm Di VC USD boasts sharper contrast and greater descriptive performance than all others in its class.

In addition, it is the first Tamron lens sporting a USD (Ultrasonic Silent Drive), Tamron’s very own ultrasonic auto-focus drive mechanism. This USD mechanism delivers fast focusing, making it a perfect telephoto zoom choice for photographing sports, racing, and other fast-moving subjects. The lens also boasts Tamron’s proprietary VC (Vibration Compensation) image stabilization to assist in hand-held shooting, not only at long focal length ranges where blurring is common, but also under low-lit conditions, dramatically enhancing photographic freedom.

This combination of best in class image resolution, Ultrasonic Silent Drive and Vibration Compensation is a new achievement of Tamron technology, culminating in the production of a premium 70-300mm telephoto zoom lens.

Product Features

New optical system optimized for digital cameras achieves top resolution in the 70-300mm class with specialized glass elements including an XLD (Extra Low Dispersion) lens element
This lens’ advanced optical design employs a sophisticated XLD (Extra Low Dispersion) lens element made from specialized high-grade glass that has lower dispersive properties than standard LD lenses (where refraction causes the dispersion of white light into spectral hues). The dispersive properties of the XLD lens are at a level similar to fluorite, and in combination with LD elements make for an optimal optical design that delivers best in class resolution with advanced axial chromatic and magnification aberration correction - major inhibitors of image quality enhancement. The result is a lens that delivers sharp contrast and better descriptive performance throughout the entire zoom range.

Fast focusing with USD (Ultrasonic Silent Drive), Tamron's ultrasonic autofocus driveThe lens is equipped with Tamron’s first-ever ultrasonic auto-focus drive USD (Ultrasonic Silent Drive). It achieves faster focusing making this telephoto lens perfect for photography of sports, motor racing, and other fast-moving subjects. With advanced motor technology and newly developed software, Tamron's USD delivers precise and noiseless focusing at turbo speed.

USD (Ultrasonic Silent Drive)
Tamron’s USD works with the high-frequency ultrasonic vibrations that are produced by a ring called a ‘stator’. Energy from the vibrations is used to rotate an attached metallic ring known as the ‘rotor’. Piezoelectric ceramic, an element that produces ultrasonic vibrations when voltage of a specific frequency is applied is arranged in a ring formation on the stator. This electrode configuration of piezoelectric ceramic causes two ultrasonic vibrations to occur in the stator.

By effectively combining these two ultrasonic vibrations, it is possible to convert the energy from the vibrations that produced simple motion into energy known as ‘deflective traveling waves’, which then moves around the circumference (rotation direction) of the ring.

With the USD, the friction between these deflective traveling waves created on the metallic surface of the stator and the surface of the rotor produce force, causing the rotor to rotate. The focusing ring lens, which is linked to the rotor, is thus moved, creating a fast and smooth auto-focus drive.

Equipped with Tamron’s VC (Vibration Compensation) image stabilization

The SP 70-300mm F4-5.6 Di VC USD employs Tamron’s esteemed image stabilization mechanism–VC (Vibration Compensation) seen in both the AF18-270mm Di II VC (Model B003) and SP AF17-50mm F/2.8 XR Di II VC (Model B005). With VC, the photographer has the freedom to shoot at a shutter speed that is an extra four stops slower without having to worry about blurring. This makes capturing handheld, evening, night, and interior shots much easier.

VC (Vibration Compensation)
Tamron’s VC mechanism employs a three-coil system, whereby three driving coils activate the shake-compensating VC lens group electromagnetically via three steel balls. The VC lens elements are held in place only by contact with the steel balls, achieving smooth movement with little friction. This provides a stable viewfinder image with excellent tracking performance that eliminates the blur from camera shake for cleaner, crisper shots.

Full time manual focus at your fingertips
Auto-focus has many benefits but sometimes the photographer needs the control of manual focus. Full time manual offers just that: the crossover from auto-focus to manual focus by simply adjusting the focus ring, allowing the photographer to make adjustments on the fly. This feature helps the lens produce impressive results even in telephoto situations where the depth of field is narrow.

Better balance and consistent length with internal focusing
When focusing, the internal elements of the lens move and the lens’ external size does not change. This offers better balance and easier telephoto shots. Moreover, the barrel is not subject to stray light entering from external helicoids that can negatively affect images. And because the external elements do not move, it makes it easier to utilize polarizing filters and the flower shape hood to control the amount of light that enters the lens.

Enjoyable photography for a wide range of enthusiasts, from those using traditional film cameras, to digital SLRs with full-frame or APS-C size sensors
With a full-frame digital or 35mm SLR, portrait and medium telephoto shots can be achieved on the wider 70mm end of the range and spectacular telephoto shots at the longer 300mm side. When using an ASP-C sensor camera the angle of view changes, giving it the equivalent range of 109-465mm for bold ultra-telephoto shots. And with a maximum magnification ratio 1:4, the lens can be used to explore in the realm of semi-macro photography.

Focal length on Various Format Cameras:

Focal length range for DSLRs with full-size sensors and 35mm film format SLRs	70mm	200mm	300mm
Focal length range for DSLRs with APS-C-size sensors *Tamron's conversion value is 1.55x	Angle of view equivalent to approx. 109mm	Angle of view equivalent to approx. 310mm	Angle of view equivalent to approx. 465mm

Uncompromising countermeasures to reduce ghosting and flare
Digital photography requires extreme precision, which is why Tamron incorporates new BBAR (Broad-Band Anti Reflection) multilayer coatings that reduce reflection into the lens elements. This ensures excellent performance in all photographic conditions and enhances light transmission on both long and short wavelengths. In addition, Tamron applies internal surface coatings on cemented surfaces of lens elements to make images sharper with better color reproduction and balance.

Simple yet beautiful exterior design
Tamron adopted a simple design with a smooth silhouette to ensure that this lens fits well with various SLR cameras. The exquisite textured paint gives a well-crafted finish to the exterior.

Flower-shaped hood with excellent stray light shielding properties–a standard accessory
The flower-shaped hood has been designed specifically to block out damaging light rays and ensures clear, sharp descriptive performance.

1. XLD-Extra Low Dispersion lens is made from specialized high-grade glass that has lower dispersive properties than standard LD lenses.
2. USD-Ultrasonic Silent Drive is Tamron’s proprietary ultrasonic motor drive.
3. The Sony mount is not equipped with the VC image stabilization mechanism, as anti-shake functionality is included in the body of Sony digital SLR cameras. Consequently, the name of the Sony mounted lens, SP 70-300mm F4-5.6 Di USD, does not include the VC description.
4. Tamron’s conversion 1.55x

Specifications
SP AF70-300mm F4-5.6 Di VC USD
Model Name	A005
Focal Length	70-300mm
Maximum Aperture	F/4-5.6
Minimum Aperture	F/32-45
Angle Of View	34° 21' - 8° 15'
Lens Construction	17 elements / 12 groups
MFD (Minimum Focus Distance)	59.1"
Diaphragm Blades	9
Filter Size	Ø62mm
Size (Diameter x Length)	Ø3.2 in. x 5.6 in.*
Weight	27.0 oz*
Max. Mag. Ratio	1:4 (at f=300mm: MFD 1.5m)
Standard Accessory	Flower-Shaped hood
Compatible Mount	Canon, Nikon, Sony**
specifications based on Nikon mount *The Sony mount does not include the VC image stabilization functionality, as the body of Sony digital SLR cameras contains built-in image stabilization functionality source : tamron.com

Aigo Ge-Kiln F210

2010-07-16T09:12:00.000+01:00

Ge-Kiln F210
On 10^th June, 2010, aigo published the world's first Ge-Kiln style digital camera F210 at Beijing International Exhibition Center, presenting a new concept of consumer digital product to worldwide customers. Ge-Kiln style digital camera, as a combination of the profound Chinese culture and the modern digital technology, attracts the world's attention since the moment of publication.

What is Ge Kiln?

In Chinese language, "Ge" means old brother, so Ge Kiln is also called the Old Brother Kiln. It was invented by the Song Dynasty craftsman Zhang Shengyi in Liutian County, Zhejiang Province. It is said that Zhang Shengyi accidentally cooled the kiln prematurely when the porcelains were still too hot. The sudden cooling made the glaze cracked into pieces. He had to fill the cracks will different colored glaze, thus created a new type of glaze.
The most distinguished feature of Ge kiln ware would be its crackling patterns. The surface of the glaze displays natural patterns such as ice-crackles, fine crackles, or fish egg crackles and so forth. The areas enclosed within the cracks can vary from the size of large chunks of ice to speckles as small as fish eggs. The actual crackle lines also vary in width and can be filled in with different colors such as black, gold or red. This effect is sometimes referred to as "gold and iron threads". The crackling in the glaze is caused by differences in the degree of expansion of various parts of the glaze. This was originally an imperfection in technology, but was taken advantage of by porcelain artisans and made into added aesthetic element.
Ge kiln wares are simple yet elegant. They are indicative of the literary and aesthetic pursuits of the Song Dynasty ruling class, whose members spent on ceramic production techniques whatever was necessary to obtain pieces that satisfied fully their aesthetic desires. Even ceramic daily use utensils were so carefully and beautifully crafted as to appear ornamental rather than functional.

What is Ge-Kiln style digital camera?

aigo ge-kiln style digital camera F210 is special for its casing which looks quite like traditional Chinese ge kiln. It realizes the combination of traditional Chinese ge kiln culture and modern digital technology.
At present, all the digital camera brands pay attention to product design, continuously putting forward new concepts on appearance design. Dimension, color, thickness, screen size have all come to the focus of ID designers and outlook design more and more influences the consumer choice. aigo, as a famous Chinese consumer product brand, highly values the traditional Chinese culture and desires to embody the Chinese ge-kiln culture with their high-tech digital products. aigo tried out hundreds of times and finally found the way to present the pattern similar to ge kiln on digital products. The pattern on digital camera forms naturally and each digital camera is endowed with a unique pattern.

Features of Ge-Kiln style digital camera

a. A combination of Chinese culture and digital technology product
As has been put forward, aigo F210 is a combination of traditional Chinese ge kiln culture and modern digital technology product. For a long time, digital products impress us with their modern elements, including the metallic texture, the varnished case and the unified appearance. However, aigo Ge-Kiln style digital camera brings forward a brand new concept for modern industrial design. aigo's patented technology makes the digital camera more elegant and aesthetic. In a sense, it is a renaissance of the ancient porcelain culture.
b. Unique appearance
The patterns on Ge-Kiln style digital camera form in a natural manner. Although the appearances of these digital cameras are all quite similar to ge kiln, they are all different from each other. Thus, the tradition that digital products of one model are of unified appearance is broken. Each Ge-kiln style digital camera has its unique appearance, symbolizing your unique identity.
c. Excellent performances
aigo Ge-Kiln style digital camera is the most advanced in the aspect of technology, thus providing you excellent customer experience. aigo F210 is of 12 mega pixel CCD image sensor and can take a photo up to 12MB. The 2.7 inch LCD screen displays the images more vividly and clearly. Panorama modes and intelligent anti-shake function enable you to take photos of high quality. aigo Ge-Kiln style digital camera is of slim size. It is only 17mm in thickness. aigo F210 provides you aesthetic enjoyment and excellent performances.

Source:en.aigo.com

Rollei CL-350

2010-07-15T11:13:00.000+01:00

With its Compactline 350, Rollei presents a new all-round talent for photography beginners. This versatile compact camera boasts 12 megapixels, 30 different shooting modes, 5x optical zoom, 16:9 video format and a 28 mm wide-angle lens. Priced at just under €100, it offers a host of interesting features, making it the perfect camera for taking on holiday and for snapshots.

The 28 mm wide-angle lens is ideal for taking shots of landscapes and architecture, and also portraits,sports and night shots turn out brilliantly thanks to the wide range of shooting modes. Using the high-speed multi-shot function that shoots up to 30 pictures a second it is possible to capture even the

shortest of holiday moments on the 2.7 inch colour display.

The manual light sensitivity setting means that the camera can be perfectly adjusted to the prevailing lighting conditions. With a maximum resolution of 12 megapixels (4000x3000 pixels), ISO sensitivity can be set to a maximum of ISO 3200.

Rollei’s new entry-level camera records holiday videos in 16:9 video format and a maximal resolution of 720x400. The YouTube-ready function provides a convenient feature for uploading home videos easily to the Internet and sharing them with friends.

The camera has a USB port and TV output. Its supports SD cards with up to 4 GB and memory cards in SDHC format with capacities of up to 32 GB.

The CL-350 will be available in silver, violet, red, pink and an aluminium/titanium look.

90 years of ROLLEI

HIGHLIGHTS

12 Megapixels

Rollei 5x Optical Apogon Zoom

28 mm Wide Angle

2.7“ Colour-TFT-LCD (6.85 cm)

Digital Image Stabilization

Sensitivity ISO 3200, ISO 6400 (1280x960)

Up to 30fps high-speed serial picture

VIDEO-FUNCTION

Video with YouTube Ready functionality

Resolution Video: 720x400 (16:9) | 640x480 | 320x240

Data Format Movie: Motion-JPEG (AVI)

TV-out (NTSC/PAL)

EASY HANDLING

30 shooting modes incl. night-shot-mode and sport

Date and clock index

Smile - Detection

Slot for SD-Cards 4 GB up to SDHC-Cards 32 GB

Connectors: USB 2.0 Full Speed | TV-out (NTSC/PAL)

Dimension: 90.1 x 58,3 x 22,5 mm

Weight: 120 g (without battery and memory card)

Source : rollei.com

Linhof M 679cs

2010-07-14T09:22:00.000+01:00

Linhof M 679cs –
your decision for your future

A photographer who wants to be successful in these days requires optimum software–his creativity–and optimum hardware – his equipment. Linhof has again improved their camera system M 679cs without changing the complete compatibility.With this compact view camera system every advanced photographer is free to select either analogue or digital imaging. CCD-chip backs for fast shooting, scan backs for utmost resolution or rollfilm for classic photography. Without any complicated modifications the photographer can change from digital to analogue imaging. All commonly used digital backs and medium format rollfilm backs for 6x6 to 6x9 cm can be adapted without any problem.

The Linhof M 679cs was designed to meet all requirements of applied photography. The system includes all controlling elements for the professional photographer, control of perspective, control of depth-of-field, most precise control of image composing. Easy handling is guaranteed.

The Linhof system is designed to meet all future requirements. The latest innovations in digital backs, lenses and shutters have already been integrated. The system will accept further modules and accessories without the need of modifications.

The integrated panorama bench holder now features a stepless lateral levelling of 10 degrees each side by means of self-aligning micro drives. Practically all photographic problems can now be solved without the need of an additional tripod head. Even the smallest correction of the image composition can easily be handled with this integrated panorama bench holder.

Perspective control, avoiding converging lines, use of Scheimpflug rule for
depth-of-field control, Anti Scheimflug for obtaining extreme un-sharpness: Images which can only be produced by using a professional view camera system. This is the chance for the photographer to express his own way of creating images.

The Linhof M 679cs offers now micro drives for lateral and horizontal shifts at the lens standard.The result: perspective controls are decisively facilitated.

PERFECT WORK FLOW
HIGH-END DIGITAL

An image is the imagination of the brain. The decision for the right camera is the choice of the photographer. The proof of quality is genuine applied photography – digital.The M 679cs not only assists in assembling image data but also helps to create your image with your complete photographic know-how. The Linhof M 679cs offers the freedom to use your favourite digital back.A carefully designed series of adapters permit the use of all commonly available backs.An extensive range of accessories gives room to follow up creative ideas.In order to achieve optimum professional quality the photographer can select special digital lenses for small chip sizes with extreme optical resolution thus guaranteeing images without color fringes. In combination with electronic shutters all different controls of chip backs can be used.

GREAT OPERATING COMFORT
DESIGNED FOR YOUR CREATIVITY

The Linhof M 679cs is an all-metal (light alloy) camera with precise scales, zero clickstops, integrated clamping systems – a real Linhof. Self-aligning micro drives with full shift and tilt for control of depth-of-field, control of perspective and image composition make for ease of workflow for the photographer. The cropping correction facility is the latest positive amendment.

THE PROFESSIONAL CAMERA SYSTEM LINHOF M 679cs

The Linhof M 679cs offers compatibility to professional medium format techniques, digital or analogue with a complete range of accessories. Special adapters for rollfilm backs and digital backs are the basic links in an universal system. Furthermore: High efficiency lenses in mechanical and electronic shutters, different compendiums, a Polaroid back as well as various viewing aids for optimum image control.

TECHNICAL DATA M 679cs
Overall camera dimensions in basic position Length : 170 mm,width:153
mm,height:294 mm with integrated panorama bench holder 6.7 x 6.0 x11.6“

Weight Approximately : 4.500 g with integrated bench holder

Maximum camera extension of non-adjusted camera in normal position (lens to film plane) : 326 mm / 12.8“

Minimum camera extension with wide-angle bellows lensboard (lens to film plane) : 53 mm with recessed,40mm with double recessed lensboard, 35mm with triple recessed lensboard

Indirect parallel adjustment (up/down), maximum extension : 168 mm / 6.6“

and tilting angle of the optical bench of 30°

Indirect vertical parallel shift (up/down) minimum extension and tilting angle of optical bench 30° :38mm/1.5“ (limitations with focal lengths of less than 47mm)
Indirect horizontal parallel shift maximum extension : (lateral shift left/right) 168 mm / 6.6“

Indirect horizontal parallel shift minimum extension : (lateral shift left/right) 38 mm / 1.5" (limitations with focal lengths of less than 47 mm)

Direct cropping correction lens standard : Lateral shift right - left 20 mm, Vertical shift 20 mm

Direct cropping correction rear standard : Lateral shift right - left 20 mm, Vertical shift 20 mm

Panorama bench holder : Tilting front 45°, rear tilting 45°

Panorama rotation 360°, lateral levelling 10° each side

Tilts of front and rear standard to optical bench : 30° each front and rear

Front standard / Rear standard : Vertical axis swing +/- 30°

Tilting around the horizontal axis front 18° / 12°

Tilting around the horizontal axis rear 12° / 18°

Source:linhof.de

Carl Zeiss Distagon T* 2,8/25 ZF.2

2010-07-13T12:34:00.001+01:00

ZF.2 version of Distagon T* 2,8/25

A Broad Perspective

The Distagon T* 2,8/25 is now available in the ZF.2 version for digital SLR cameras with an F bayonet.One of the most exciting features of the lenses from the ZF.2 series is that they support all the key modes such as shutter priority, aperture priority and program mode.

Wide-angle lenses open up a scene by providing maximum depth of field: Think of a dragonfly landing on a water lily with dozens of blossoms behind its iridescent body all in crisp perspective, or rocks, moss and crevices forming patterns and formations that extend to the horizon. The Distagon T* 2,8/25 from Carl Zeiss can help you create these kinds of unusual images – and not only in the realm of nature photography.

Thanks to its electronic interface (CPU), the ZF.2 range of lenses supports all the essential modes such as shutter priority, aperture priority and program mode as well as manual mode, even with non-AI camera bodies. This makes a ZF.2 lens easy to use even under the most hectic conditions.

Capture it All—the New ZEISS Wide-angle Lens with Electronic Interface

Carl Zeiss presents the Distagon T* 2,8/25 ZF.2 for F bayonet mount

OBERKOCHEN/Germany, 08.06.2010.

Wide-angle lenses capture a large depth of field: A dragonfly that lands on a water lily while you can clearly make out the numerous blossoms behind its shimmering body; rocks, moss and cracks which create designs and formations extending to the horizon.

The Distagon T* 2,8/25 lens from Carl Zeiss can create such unusual perspectives—in more than just nature photography. Now this popular and time-tested wide-angle lens is also available in a ZF.2 version for single-lens digital reflex cameras with F bayonet. With its very small focal distance, this newcomer to the ZF.2 lens series offers all the creative possibilities of manual focusing in photography. The ZF.2 has an electronic interface (CPU) that supports all exposure modes of the camera like shutter priority, aperture priority and program mode, as well as manual mode (even with camera bodies without AI-coupling lever).

The Distagon T* 2,8/25 ZF.2 is therefore ideal for photo enthusiasts who value creative, high-quality images alongside the comfort of automatic exposure control. You no longer have to manually set the data for focal length and speed in the cameras menu because the lens passes on these parameters to the camera. In addition to standard data such as lens manufacturer, date and metering mode, lens data such as the correct aperture value is also automatically saved. Thus, the ZF.2 lens is easy to use, even under tough situations. Martin Klottig, Marketing Manager for the Camera Lens Division of Carl Zeiss AG explains: “Often, you’ll find that you’re pressed for time to capture that perfect shot, for example when photographing animals. The Distagon T* 2,8/25 ZF.2 enables the photographer to hold on to just the

right moment and take unique shots with confidence each time.”

The new Distagon T* 2,8/25 ZF.2 is available at a retail price of 755,46 € (excluding VAT). The ZF.2 lenses come in eight additional focal lengths, 3,5/18, 2,8/21, 2/28, 2/35, 1,4/50, 1,4/85, and the two macros 2/50 and 2/100.

ZF.2 lenses support all key modes (e.g. aperture priority, shutter priority, program AE or manual exposure settings) on camera models equipped with an electronic interface (e.g. current Nikon DSLR cameras). To do so, simply lock the aperture ring in the largest f-stop (e.g. 16) shown in orange.

On camera models without an electronic interface, the aperture is manually set on the lens aperture ring. With some camera models, it is possible to set in the menu whether the lens should be selected using the setting dial on the camera or the aperture ring on the lens. Please note that, for technical reasons, there is no halfway notch between the largest (e.g. 16) and second largest (e.g. 11) f-stop.The focused distance is not transmitted to the camera body.

For details regarding metering modes and further functions, please check the camera´s manual. The ZF.2 lenses accord to the Nikon AI-P standard (manual focus lenses with CPU).

source: zeiss.com

Fuji Finepix F100fd

2010-07-12T10:10:00.001+01:00

FinePix F100fd,Combining a 12 Megapixel 8th Generation Super CCD with a powerful Fujinon 5x wide

angle optical zoom lens, a 2.7" high-resolution 230,000 pixel wide angle view LCD, the FinePix F100fd is one of the most sophisticated compact digital cameras Fujifilm has ever produced.It offers the most advanced technologies available, including Wide Dynamic Range, Dual Image Stabilisation, Face Detection 3.0 Technology with automatic red-eye removal and ISO settings of up to an unprecedented ISO 12800 - so missing great shots is not an option.

Design

Elegance and Style

The graceful curves and slim arc design belie the complex electronics within the F100fd’s tough metal exterior. The unusual bowed design moulds perfectly into your hands and at a depth of only 23.4mm, it’s a perfect fit for a pocket or handbag and is available in two classic colours, Silver and Black

NEW! Wide Dynamic Range

Dynamic Range, or the gradations of light that exist between bright and dark in any scene, can be easily detected by the human eye, but not by most cameras. Fujifilm first expanded the dynamic range capture functionality on the professional imaging side with its FinePix S3 Pro digital camera.The technology, now perfected in the EISA Award-winning FinePix S5 Pro, has been brought to the consumer in the FinePix F100fd.Through a combination of advances in Fujifilm's new Super CCD HR VIII sensor and RP (Real Photo) Processor III, this wide dynamic range dramatically broadens tonal capability and guarantees exceptional rendition of photos with both bright highlights and dark shadows.This expansion of sensitivity captures greater detail, and subtle nuances of brightness and tonality that bring the photo closer to what the human eye actually sees, helping to avoid the 'white sky' effect caused by the loss of ine highlight detail.

Powerful and versatile

Highly regarded by both photographic and broadcasting professionals, FUJINON supplies the high-precision "eye" for FinePix. Using an aspherical lens to efficiently collect light at the focal point, the lens can deliver high-performance and phenomenal clarity within an image.Despite the compact size of the FinePix F100fd, there are no compromises with optical clarity and speed of operation. The lens is both robust and reliable.

Streamlined `Graphical User Interface’

Ultimate control is at your fingertips with the F100fd’s streamlined `Graphical User Interface’.The intuitive icon based interface confirms shooting modes, scene positions, or control settings with brief explanations on the LCD screen. Easy-to-read icon and text description of the selected mode help you choose and confirm the optimum setting for best results. This takes much of the guesswork out of digital camera operation. With less to worry about, you'll have more fun with your picture taking!

2.7” High resolution LCD Screen

A camera of this class demands the very best TFT LCD, and at a generous size of 2.7" and a resolution of 230,000 pixels, you can't get much better.Sensing ambient light, the LCD automatically adjusts brightness for optimum viewing indoors or outdoors. Manual control can provide additional brightness.Unlike other inferior cameras, the LCD is protected by a scratch resistant, reinforced acrylic protective shield, so even if loose in a pocket, the LCD has its own in-built protection.The extra-large LCD makes it easy to frame your photos and playback the results to friends in brilliant, rich colour.

Convenient xD , SD and SDHC compatibility

The FinePix F100fd features an xD/SD compatible slot, allowing the use of either xD Picture Card, SD or SDHC media to store and transfer your photos.This will give you the flexibility to buy the card you want, use cards from previous cameras, or choose the media that fits with your other desktop devices like laptops, PDAs or card readers.

Internal memory

The FinePix F100fd makes it possible for you to get that picture even if your memory card is full. The 57MB of internal memory built into this compact model provides enough storage for up to 88 photographs, (at 2MP setting), and ensures that you will never have to miss that special shot.Think of it as your internal insurance policy for photo opportunities. With that said, the main storage for images on the F100fd should be an additional memory card, which will allow you to accommodate almost as many images as you like.

Features

Real Photo Technology

The secret to the FinePix F100fd's class-leading image quality is Fujifilm's unique Real Photo Technology (RPT). The guiding principles behind RPT are simple; to set the highest possible standards for overall image quality, to expand digital photography opportunities and to give users fewer wasted shots.With the human eye as the ideal, Real Photo Technology cameras are designed from the ground up to capture 'real' photographs with stunning quality - giving you the power to capture the moment exactly as the eye sees it, no matter how challenging the shooting conditions.

NEW Faster Face Detection 3.0

The FinePix F100fd is also equipped with Fujifilm's proprietary Face Detection 3.0 technology featuring automatic red-eye removal.As with the original version of Face Detection, it can detect up to 10 human faces in a scene in as little as .035 seconds, even if the subjects are in motion.Now the FinePix F100fd is able to identify faces at much more extreme camera angles than before.It does not matter if the faces are moving, tilted, turned or out of the center of the frame, he expanded range of Face Detection 3.0 will find faces in an instant and optimise the focus and exposure to deliver the perfect portrait.After the shot is taken, the system instantly corrects red-eye as fast as 0.1 second and then saves both the original and the corrected image file automatically.

Say goodbye to red eye for good

Red-eye is the single biggest reason why the best portraits are ruined. The FinePix F100fd is among the first of Fujifilm's compact digital cameras to offer automatic red eye removal, advancing the company's acclaimed Face Detection system one step further. The FinePix F100fd uses the system to find and instantly correct any red eye from every face in the frame.The FinePix F100fd red eye removal system is not confused by lips or red coloured jewellery, as some other systems can be, as it works in tandem with Fujifilm's Face Detection system to identify eyes and nothing else. Letting the camera do this retouching is so much quicker and easier than struggling at

home with a paintbrush on a PC!

No more blurred images

The FinePix F100fd features Fujifilm's Dual Image Stabilisation mode, which combines a mechanically estabilised Super CCD sensor with high ISO sensitivities, (up to an amazing ISO 12,800), for total anti-blur protection.

The combination of these technologies reduces the blurring effect of both hand-shake and subject movement even further to provide the highest quality digital pictures yet, with sharp, clean and clear results no matter what the shooting conditions.

Intelligent Flash

This camera continues the Fujifilm tradition of offering the user choice about lighting, and those who prefer to use flash will benefit from Fujifilm's Intelligent Flash system.For those occasions when flash is required, Fujifilm's Intelligent Flash system sets the power output to achieve natural foreground illumination with balanced background exposure.Avoiding both the messy background blur of 'slow-sync' flash, and the stark contrast of conventional flash, Intelligent Flash results in visibly more pleasing, natural looking photos.

Dual Shot Mode

In this selectable mode, the FinePix F100fd quickly shoots two images in rapid succession – one with the flash and one without – and saves both. This convenient function lets users perform a comparison at their convenience and select the most pleasing image.

Portrait Enhancer

The FinePix F100fd features a powerful automatic retouching system which gives skin tones a silky-smooth texture.Mimicking a professional photo studio setting, by using Face Detection and preset camera settings, Portrait Enhancer minimises fine lines and small skin blemishes for smooth, natural looking portraits.Once they've seen the beautiful skin tones produced by the Portrait Enhancer, the loved ones in your life will never again hide their faces whenever you get your camera out!

Special Scene Modes

The FinePix F100fd has 16 pre-programmed scenes, including a special underwater scene mode for use with a special underwater casing and a Blog mode that automatically reduces the size of copied images for easy posting to a Blog, Web page or email attachment.

Simply choose a Scene Position that suits the situation and you have the ideal settings for everything from shutter speed and exposure to white balance at your fingertips ready to capture the image.

The display of helpful descriptions of each mode and Scene Position make it simple to explore the versatility of the F100fd when faced with any photo opportunity.

Continuous Shooting Mode

The F100fd allows you to shoot up to 12 frames in a burst* (at 5 frames per second), even if the subject is moving. This fantastic mode therefore gives you 5 times the chance of capturing that one special moment.

*at 3MP or lower

Movie Capture

When a still image isn't sufficient, the FinePix F100 fd’s movie mode, at 30 frames per second, captures movie clips with sound that are limited in length only by the size of memory card used.

Playback features

Thanks to Fujifilm's proprietary Super CCD technology delivering a stunning 12 megapixel resolution, you are able to crop and enlarge any part of your captured image without experiencing any loss of quality.

Once you’ve captured your group portrait you can use the handy ‘Zoom Up’ feature, which allows you to detect faces in playback mode so that you can check them one by one and ensure that you have captured the image as you intended it.

If you spy a priceless expression amongst your group portrait that stands out from the crowd, then simply select the built in ‘Cropping’ function, which will allow you to automatically crop and save the selected portrait in the camera.

There’s no waiting for high-resolution images to load during play back. The FinePix F100fd can display images at full resolution at 10 frames per second.

Micro thumbnail view

The 2.7-inch LCD screen allows you to view your images comfortably. It displays your pictures in a number of alternative ways and enables you to navigate up to 100 thumbnail images in a 10 x 10 array.

In addition you can bring your photos to life by creating your own slide shows by selecting to show images of close up portraits, or view multiple images in a scrapbook style. You can even add a soundtrack to further enhance your image viewing pleasure.

Source:Digital.fujifilm.ie

Sony A 900

2010-07-11T09:07:00.000+01:00

A900 Digital SLR camera

Incredible full-frame imaging with superb responses and pro handling

24.6 megapixels full-frame with 3" Xtra Fine LCD, 5fps, HDMI™, SteadyShot INSIDE.

Incredible full-frame image quality

Ultra-bright optical viewfinder with 100% field view

Razor-sharp shooting responses

Pro-style features and handling

The ultimate choice when it matters most

The A900 opens up new creative horizons with the exquisite quality of full-frame imaging. The world’s highest resolution 24.6MP full-frame DSLR teams a super-bright optical viewfinder with peerless handling and pro-style features for ultimate control.

Say no to camera shake

Keep things crisp and even. SteadyShot INSIDE reduces camera shake when you’re shooting handheld. It’s great for atmospheric, low-light scenes without flash as well as high-zoom shots when you haven’t got a tripod handy. And it works with all your α lens collection, too.

It’s all in the detail

The high-resolution CMOS sensor assures detail-packed pictures with excellent contrast and gorgeous colours. Exmor technology cuts noise while signals are converted to digital form. The result? Flawlessly beautiful images.

Enjoy a brighter outlook

Take a look through the bright optical viewfinder. You’ll be amazed by an exceptionally clear view of your subject, with 100% field coverage… so what you see is exactly what you shoot.

Beautiful images, razor-sharp responses

The BIONZ processor inside your α camera is the key to its lightning-fast shooting responses. This powerful processing engine handles large amounts of digital information from the camera’s sensor, delivering beautiful, low noise images, frame after frame.

Look closely: you’ve never seen anything like it

Don’t miss those vital details. The Xtra Fine LCD screen gives you an incredible view of all your shots, with superb colour reproduction and contrast. It’s ideal for checking correct focus and exposure when you’re reviewing pictures after shooting.

Features DSLR-A900

Ultra-high resolution 24.6 effective megapixel 35mm full-frame CMOS sensor with Exmor™

technology plus on-chip A/D conversion and dual noise reduction for flawless, detail packed images

Ultra-bright optical pentaprism viewfinder with 100% field coverage

Advanced new Dual BIONZ image processor utilises performance of 24.6 effective megapixel full-frame sensor for ultimate imaging performance

SteadyShot INSIDE optical image stabilisation offers 2.5-4.0 steps anti-shake performance with α-mount lenses or Konica Minolta a-mount lenses

5fps continuous shooting at full resolution 24.6 megapixels

Photo quality 3.0-inch Xtra Fine 921k dot resolution LCD screen for critical shot evaluation

Fast, high-accuracy 9-point centre cross AF with 10 focus assist points and F2.8 sensor

Rugged magnesium body with aluminium alloy chassis and controls sealed against dust and moisture

High sensitivity up to ISO6400 (in expanded ISO range) with high-ISO noise reduction for clearer low-light shooting

Secondary top-mounted display panel

Canon EF 500mm f/4.0L IS USM

2010-07-10T08:50:00.000+01:00

EF 500mm f/4.0L IS USM Features
Diagonal Angle of View: 5° Lens Construction (elements/groups): 17/13 Closest Focusing Distance (m): 4.5 Focus adjustment: Inner focusing system with USM Filter Diameter (mm): 52 Rear Drop-in

Next-generation super telephoto L-series lens with an Image Stabilizer, it's one of the world's best lenses for wildlife and nature photography

This 500mm super telephoto lens with Image Stabilizer system and large aperture of f/4 is sure to have wide appeal. Its newly designed optical system consists of 17 elements in 13 groups, including one fluorite lens and two UD lenses. These have eliminated all kinds of aberrations to achieve a level of image quality previously impossible to attain. With ring USM and an improved drive algorithm, its autofocus is the fastest in the world (when used with the EOS-3). The large f/4 aperture permits the use of autofocus when using an extender. The lens's closest focusing distance has been reduced to only 4.5m/ 14.8ft., and it is equipped with full-time mechanical manual focus, a focus preset function, and an AF Stop function. The use of a magnesium alloy for the lens barrel minimizes weight and the lens offers superior dust-proof and moisture-proof performance.

Canon EF 400mm f/2.8L IS USM

2010-07-09T09:05:00.000+01:00

EF 400mm f/2.8L IS USM

Features
Focal length and maximum aperture: 400mm 1:2.8 Lens Construction (elements/groups): 17/13 Diagonal Angle of View: 6°10' Focus adjustment: Inner focusing system with USM Closest Focusing Distance (m): 3 Filter Diameter (mm): 52 Rear Drop-in

Super telephoto L-series lens with an Image Stabilizer for use in track and field sports as well as low-light nature and wildlife photography

The next generation The EF 400mm f/2.8 L IS USM is a new generation super telephoto 400mm lens with a large aperture ratio of f/2.8 and first rate imaging performance. With image stabilization effective over two shutter speeds this lens stands out. You can have reliable capabilities when used for fashion photography performed indoors and at night. The optical system includes one fluorite and two UD lenses that eliminate secondary spectrum, for ultra high contrast and image quality. Its fast too With ring USM drive, inner focusing and an improved drive algorithm, its autofocusing is the fastest in the world (when used with the EOS-3). Closest focusing distance has been reduced to 3m/ 9.8 ft., it is also equipped with a full time manual focus mechanism that does not consume electric power. It offers both focus preset and AF Stop functions. This lens is 700g/ 1.5 lb. lighter than its predecessor due to the use of a magnesium alloy for its barrel and other external parts. It offers superior dust-proof and moisture-proof performance even under harsh conditions.

Source:Canon.ie

NIKKOR 105mm f/2D AF DC

2010-07-08T08:49:00.002+01:00

Key Features:

Fast, medium telephoto lens with Defocus-image Control

Large maximum aperture allows shooting in dim light

Rounded diaphragm opening makes out of focus elements appear more natural

RF (rear focus) technology for fast AF operation

Mount Type : Nikon F-Bayonet
Focal Length : 105mm
Maximum Aperture : 2
Minimum Aperture ; 16
Maximum Angle of View (DX-format) : 15°20'
Maximum Angle of View (FX-format) : 23°20'
Maximum Reproduction Ratio : 0.13x
Lens (Elements) : 6
Lens (Groups) : 6
Compatible Format(s) : FX
DX
FX in DX Crop Mode
35mm Film
Diaphragm Blades : 9
Distance Information : Yes
Super Integrated Coating : Yes
Autofocus : Yes
Minimum Focus Distance : 3ft.
Focus Mode : Auto,Manual
Rear Focusing : Yes
De-Focus Control : Yes
Filter Size : 72mm
Accepts Filter Type : Screw-on
Dimensions(Approx.) : 3.1x4.4 in. (Diameter x Length)
79x111mm (Diameter x Length)
Weight(Approx.) : 22.6 oz. (640g)
Lens Case : CL-38
Lens Hood : Built-in