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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel xmlns:atom="http://www.w3.org/2005/Atom"><title>New Museum Six Degrees</title><link>http://www.newmuseum.org/</link><description>The most recent posts created by the New Museum.</description><language>en-us</language><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/NewMuseumBlog" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="newmuseumblog" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><title>Writing the Canon: Notes on Art Education in Egypt</title><link>http://www.newmuseum.org/blog/view/writing-the-canon-notes-on-art-education-in-egypt</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/writing-the-canon-notes-on-art-education-in-egypt</guid><description>&lt;p&gt;Six Degrees encompasses critical essays, in-depth research, and diverse opinions about the arts and its contexts from practitioners around the world, as well as dispatches by New Museum staff. In this essay, Omar Kholeif, curator, writer, and Senior Editor of Ibraaz.org, reflects on his involvement in &lt;span class="caps"&gt;MASS&lt;/span&gt; Alexandria in relation to the current state of arts education in Egypt.&lt;/p&gt;&lt;h4&gt;Writing the Canon:...&lt;/h4&gt;</description><dc:creator /><pubDate>Mon, 20 May 2013 14:59:02 -0400</pubDate></item><item><title>Museum as Hub: Reflections on the 2013 Conference by Natasha Marie Llorens</title><link>http://www.newmuseum.org/blog/view/museum-as-hub-reflections-on-the-2013-conference-by-natasha-llorens</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/museum-as-hub-reflections-on-the-2013-conference-by-natasha-llorens</guid><description>&lt;p&gt;On April 12–13, 2013, the Museum as Hub hosted a conference to mark the sixth anniversary of the Hub initiative. The conference aimed, in part, to consider strategies for the next phase of the project, while also reflecting more broadly on the rapidly shifting global context it inhabits. Through four panels that featured curators from Hub partnering institutions, as well as those from significa...&lt;/p&gt;</description><dc:creator /><pubDate>Tue, 07 May 2013 11:26:26 -0400</pubDate></item><item><title>On Instituting A New Space For Thought</title><link>http://www.newmuseum.org/blog/view/on-instituting-a-new-space-for-thought</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/on-instituting-a-new-space-for-thought</guid><description>&lt;p&gt;In the late spring of 2012, curators Sarah Rifky and Jens Maier-Rothe had both planned to be in Beirut. A fortunate turn of events kept them in Cairo a little longer than planned and founding Beirut, an art initiative and exhibition space located in a three-story 1940s villa in the Agouza neighborhood of Giza . In this residence, the initiative affords thinkers, artists, artworks, and even othe...&lt;/p&gt;</description><dc:creator /><pubDate>Thu, 14 Feb 2013 13:28:29 -0500</pubDate></item><item><title>Six Degrees: A Roundup of Archive Initiatives</title><link>http://www.newmuseum.org/blog/view/six-degrees-a-roundup-of-archive-initiatives</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/six-degrees-a-roundup-of-archive-initiatives</guid><description>&lt;p&gt;It’s January—the time of year when contemporary art periodicals publish their “Best of the Year” selections, summarizing what has happened or what is to come. These annual reflections often present an array of projects but rarely develop an idea or concept. To start 2013, this posting plays off this impulse to collectively reflect with a roundup of international contemporary art initiatives tha...&lt;/p&gt;</description><dc:creator /><pubDate>Fri, 25 Jan 2013 11:07:43 -0500</pubDate></item><item><title>What's Art Got To Do With It? </title><link>http://www.newmuseum.org/blog/view/what-s-art-got-to-do-with-it</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/what-s-art-got-to-do-with-it</guid><description>&lt;p&gt;Brazilianification is a term that was coined to describe the process in which the middle class disappears and the gulf between the upper and lower classes widens. On my recent trip to São Paulo , I found vital signs of a reversed Brazilianification—prosperity percolating through the lower strata of Brazilian society. It was quite a different energy from fourteen years ago when I briefly lived t...&lt;/p&gt;</description><dc:creator /><pubDate>Thu, 10 Jan 2013 10:36:40 -0500</pubDate></item><item><title>Museum as Hub: ENDNOTES: Was it a Question of Power?</title><link>http://www.newmuseum.org/blog/view/museum-as-hub-endnotes-was-it-a-question-of-power</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/museum-as-hub-endnotes-was-it-a-question-of-power</guid><description>&lt;p&gt;&lt;em&gt;O my body, make of me always a man who questions!&lt;/em&gt;&lt;br /&gt;—Frantz Fanon, &lt;em&gt;Black Skin, White Masks&lt;/em&gt;&lt;/p&gt;&lt;p&gt;There is a passage in Bessie Head’s 1974 autobiographical novel, &lt;em&gt;A Question of Power&lt;/em&gt;, in which a teacher hides in the toilet from the principal in order to take a few sips of his brandy. The blissful few sips turn into a few more, leading to intoxication. The hiding becomes reversed as the now drunk teacher o...&lt;/p&gt;</description><dc:creator /><pubDate>Thu, 03 Jan 2013 11:29:10 -0500</pubDate></item><item><title>Museum as Hub: Interview with Beta-Local by Ruba Katrib</title><link>http://www.newmuseum.org/blog/view/museum-as-hub-interview-with-beta-local-by-ruba-katrib</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/museum-as-hub-interview-with-beta-local-by-ruba-katrib</guid><description>&lt;p&gt;Beta-Local is a nonprofit center for contemporary art initiated in 2009 and located in the heart of Old San Juan, Puerto Rico. I met the three cofounders, Beatriz Santiago Muñoz, Michy Marxuach, and Tony Cruz in 2010 in their storefront space, which was filled with long tables and chairs, surrounded by bookshelves packed to the brim, sofas, and a small kitchen. While Beta-Local doesn’t exhibit ...&lt;/p&gt;</description><dc:creator /><pubDate>Mon, 17 Dec 2012 10:56:49 -0500</pubDate></item><item><title>Whirlwind at Art Basel Miami</title><link>http://www.newmuseum.org/blog/view/whirlwind-at-art-basel-miami</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/whirlwind-at-art-basel-miami</guid><description>&lt;p&gt;Every December, Art Basel Miami and the hundreds of satellite events can be equally illuminating and frustrating. There are many ways to skin an art fair—and in this post, New Museum’s Gary Carrion-Murayari, Curator, and Karen Wong, Deputy Director, share some highlights.&lt;/p&gt;&lt;h4&gt;Gary Carrion-Murayari&lt;/h4&gt;&lt;p&gt;A forty-eight hour visit to Miami is an arduous and less-than-productive proposition—a few hours at the ...&lt;/p&gt;</description><dc:creator /><pubDate>Thu, 13 Dec 2012 10:10:52 -0500</pubDate></item><item><title>Museum as Hub: Archiving Roberto Chabet</title><link>http://www.newmuseum.org/blog/view/archiving-roberto-chabet</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/archiving-roberto-chabet</guid><description>&lt;p&gt;This past summer, Asia Art Archive, Hong Kong, launched The Chabet Archive, comprised of over eight thousand documents that span fifty years of work by pioneering artist Roberto Chabet . Perhaps best known for his inquisitive, conceptual compositions of readymades and common materials, Chabet conveys a sense of resourcefulness and ingenuity in his work that presents an alternative to representa...&lt;/p&gt;</description><dc:creator /><pubDate>Tue, 04 Dec 2012 11:01:10 -0500</pubDate></item><item><title>A Prompt for Architectural Theory</title><link>http://www.newmuseum.org/blog/view/a-prompt-for-architectural-theory</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/a-prompt-for-architectural-theory</guid><description>&lt;p&gt;Following a lively exchange on the topic of networks during an &lt;span class="caps"&gt;IDEAS&lt;/span&gt; CITY: Istanbul panel, Kickstarter cofounder Yancey Strickler closed with a jarring prompt. “Perhaps,” he considered aloud, “networks are a new religion.” Much as the nuclear age had its obsession with science, he argued, our age too has its demigods. From the internet entrepreneur whose creation has raised more funds for creat...&lt;/p&gt;</description><dc:creator /><pubDate>Wed, 21 Nov 2012 11:20:03 -0500</pubDate></item><item><title>Museum as Hub: Introducing de_sitio</title><link>http://www.newmuseum.org/blog/view/introducing-de-sitio</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/introducing-de-sitio</guid><description>&lt;p&gt;In 2011, Amanda Echeverría, Catalina Lozano, and Daniela Pérez cofounded de_sitio, a nonprofit platform based in Mexico City committed to supporting the development of contemporary art projects. The platform is the product of a unique combination of curatorial and managerial practices. Before her work as an independent curator, Lozano was responsible for Gasworks Residency Program in London. Pé...&lt;/p&gt;</description><dc:creator /><pubDate>Fri, 16 Nov 2012 10:30:57 -0500</pubDate></item><item><title>IDEAS CITY: Istanbul Workshops or A Byzantine Experience</title><link>http://www.newmuseum.org/blog/view/ideas-city-istanbul-workshops-or-a-byzantine-experience</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/ideas-city-istanbul-workshops-or-a-byzantine-experience</guid><description>&lt;p&gt;How to write about an event in another city when my memory has been interrupted by a devastating event in my own city? Is there a connection between out-of-control urban transformation in Istanbul and an out-of-control climate in New York?&lt;/p&gt;&lt;p&gt;The workshops—our final events for &lt;span class="caps"&gt;IDEAS&lt;/span&gt; CITY: Istanbul—were held at &lt;span class="caps"&gt;SALT&lt;/span&gt; Galata, a cultural and research center in the heart of Istanbul. &lt;span class="caps"&gt;SALT&lt;/span&gt; was a crucial ...&lt;/p&gt;</description><dc:creator /><pubDate>Thu, 08 Nov 2012 10:49:04 -0500</pubDate></item><item><title>IDEAS CITY: Istanbul—Tossing Adjectives</title><link>http://www.newmuseum.org/blog/view/ideas-city-istanbul-tossing-adjectives</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/ideas-city-istanbul-tossing-adjectives</guid><description>&lt;p&gt;The New Museum took its movable project, &lt;span class="caps"&gt;IDEAS&lt;/span&gt; &lt;span class="caps"&gt;CITY&lt;/span&gt;, to Istanbul—invited there by the Istanbul Design Biennial and sponsored by Audi Urban Future Initiative. We hosted a keynote address by Amanda Burden, Commissioner of the New York City Department of City Planning, two panels devoted to the topic of Untapped Capital , and two workshops in collaboration with &lt;span class="caps"&gt;SALT&lt;/span&gt; Galata. A final panel was devot...&lt;/p&gt;</description><dc:creator /><pubDate>Tue, 06 Nov 2012 11:25:17 -0500</pubDate></item><item><title>IDEAS CITY: Istanbul or "How to obtain a building permit for Central Park?"</title><link>http://www.newmuseum.org/blog/view/ideas-city-istanbul-or-how-to-obtain-a-building-permit-for-central-park</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/ideas-city-istanbul-or-how-to-obtain-a-building-permit-for-central-park</guid><description>&lt;p&gt;New York is a truly “global city” and Istanbul is rapidly becoming one as numerous figures indicate. Istanbul is one of the twenty most visited cities in the world, ranked ninth in terms of international meetings organized there and first for both real estate investment and development in Europe. Both of these metropolises are two of the few nodal hubs that knit the global economy together. &lt;/p&gt;&lt;p&gt;Glo...&lt;/p&gt;</description><dc:creator /><pubDate>Mon, 05 Nov 2012 15:04:41 -0500</pubDate></item><item><title>IDEAS CITY: Istanbul—Amanda Burden's Keynote</title><link>http://www.newmuseum.org/blog/view/ideas-city-istanbul-amanda-burden-s-keynote</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/ideas-city-istanbul-amanda-burden-s-keynote</guid><description>&lt;p&gt;As the design community descended upon Istanbul for its inaugural Design Biennial, the New Museum presented &lt;span class="caps"&gt;IDEAS&lt;/span&gt; CITY: Istanbul—a three-day conference exploring the future of cities around the globe with the belief that arts and culture are a driving force behind the vitality of urban centers. &lt;/p&gt;&lt;p&gt;Turkey shares its Asian border with five countries, its European border with two, and is embraced by ...&lt;/p&gt;</description><dc:creator /><pubDate>Tue, 23 Oct 2012 16:57:32 -0400</pubDate></item><item><title>Museum as Hub: Reflections on “Edificio Metálico” at TEOR/éTica in Costa Rica</title><link>http://www.newmuseum.org/blog/view/reflections-on-edificio-metalico-at-teor-etica-in-costa-rica</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/reflections-on-edificio-metalico-at-teor-etica-in-costa-rica</guid><description>&lt;p&gt;As part of a conversation supported by the Museum as Hub initiative, I was invited to share some images and thoughts about the exhibition “Edificio Metálico,” which offer insight into the exhibition and raise questions that will drive TEOR/éTica’s future program.&lt;/p&gt;&lt;p&gt;I was recently appointed Associate Artistic Director of TEOR/éTica, an art space in San José, Costa Rica, started in 1999 by Virginia ...&lt;/p&gt;</description><dc:creator /><pubDate>Thu, 18 Oct 2012 10:48:46 -0400</pubDate></item><item><title>Art &amp; Science in DC</title><link>http://www.newmuseum.org/blog/view/art-science-in-dc</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/art-science-in-dc</guid><description>&lt;p&gt;One of the themes of the New Museum’s recent exhibition “Ghosts in the Machine” was the complicated and ongoing relationship between artists and scientists working in a variety of fields. The exhibition considered works by artists like Stan VanDerBeek who embraced shifts in technology and anticipated our current digitally saturated world. Others included initiatives such as Experiments in Art a...&lt;/p&gt;</description><dc:creator /><pubDate>Wed, 10 Oct 2012 17:06:32 -0400</pubDate></item><item><title>Museum as Hub: New Residents in the Copan: An Interview with Pivô</title><link>http://www.newmuseum.org/blog/view/new-residents-in-the-copan-an-interview-with-pivo</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/new-residents-in-the-copan-an-interview-with-pivo</guid><description>&lt;p&gt;The symbolism of São Paulo’s Copan Building is incongruous. Like so many historic landmarks, the events it has survived are at odds with the vision upon which it was founded. Built between 1957 and 1966 by Oscar Niemeyer, the Copan is an emblem of Brazil’s modern project—which was interrupted by the country’s turbulence and political events. Modeled after Le Corbusier’s famous concept of “Unité...&lt;/p&gt;</description><dc:creator /><pubDate>Wed, 03 Oct 2012 15:26:04 -0400</pubDate></item><item><title>_Five Car Stud_ Still Gripping</title><link>http://www.newmuseum.org/blog/view/five-car-stud-still-gripping</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/five-car-stud-still-gripping</guid><description>&lt;p&gt;&lt;span class="body-img body-image-right"&gt;&lt;br /&gt;&lt;span class="caption"&gt;Edward Kienholz, &lt;em&gt;Five Car Stud&lt;/em&gt;, 1969–72. Installation view: &amp;#8220;Five Car Stud 1969–1972, Revisited,&amp;#8221; Los Angeles County Museum of Art, 2011–12&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;The Louisiana is one of my favorite museums of modern art. At the end of the summer, I had a chance to visit this glorious and romantic setting for art, architecture, and nature overlooking the Øresund Sound, thirty minutes outside of Copenhagen. So it was a...&lt;/p&gt;</description><dc:creator /><pubDate>Thu, 20 Sep 2012 11:26:24 -0400</pubDate></item><item><title>“Silver” for the US Pavilion in Venice</title><link>http://www.newmuseum.org/blog/view/silver-for-the-us-pavilion-in-venice</link><guid isPermaLink="true">http://www.newmuseum.org/blog/view/silver-for-the-us-pavilion-in-venice</guid><description>&lt;p&gt;As the London 2012 Olympics came to a close, the tamer 13th Venice Architecture Biennale, curated by English architect David Chipperfield, opened in late August. The various national pavilions jostled each other for the Golden Lion—the award for the presentation that best exemplifies the theme of “Common Ground.”&lt;/p&gt;&lt;p&gt;&lt;span class="body-img body-image-right"&gt;&lt;br /&gt;&lt;span class="caption"&gt;“Spontaneous Interventions,” 2012. Exhibition view: US Pavilion, 13th Venice Archit...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><dc:creator /><pubDate>Thu, 13 Sep 2012 10:28:01 -0400</pubDate></item></channel></rss>
