<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1841656454155268745</id><updated>2026-09-19T13:40:04.364+02:00</updated><category term="Exhibitions"/><category term="Berlin"/><category term="Publications"/><category term="London"/><category term="The Opera"/><category term="Song for Coal"/><category term="Manchester"/><category term="Song for Armageddon"/><category term="From An"/><category term="The Fireworks"/><category term="VLADA"/><category term="Talks"/><category term="Courageous"/><category term="Towards A Free Society"/><category term="Explaining Urbanism to Wild Animals"/><category 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term="Maxpool_yart"/><category term="Memorial to a Murdered Cyclist"/><category term="Moonie Wedding"/><category term="Moscow"/><category term="Mumbai"/><category term="New York"/><category term="Newcastle"/><category term="Newlyn"/><category term="Odessa"/><category term="Parks Hotels and Palaces"/><category term="Pelt"/><category term="Penis Fruit"/><category term="Project for the River Medlock"/><category term="Pune"/><category term="Real Life and Postcard Views"/><category term="Ride Across Lake Constance"/><category term="Romeo and Juliet"/><category term="Rotterdam"/><category term="Salvia Pratenis"/><category term="Sapporo"/><category term="Slovenian Journalist"/><category term="Sparkle Snare"/><category term="Spent Matches"/><category term="Swansong"/><category term="TV"/><category term="The Activist&#39;s Dilema"/><category term="The Carousel"/><category term="The Four Horsemen"/><category term="The Jesus Prayer"/><category term="The Land of Green Tomatoes"/><category term="The Two Ways"/><category term="Trauma Centre"/><category term="Twinkle"/><category term="Two Kisses"/><category term="Two Leprechauns"/><category term="Two Options"/><category term="Umeå"/><category term="Vilnius"/><category term="Welcome Sign"/><category term="Werkseinstllungen"/><category term="Zossen"/><category term="Zwei Kommoden"/><category term="Zürich"/><title type='text'>News</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://croweandrawlinson.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>188</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-3797101308103902959</id><published>2026-07-14T11:06:00.000+02:00</published><updated>2026-07-14T11:06:00.122+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Girl with the Dragon Tattoo"/><category scheme="http://www.blogger.com/atom/ns#" term="Talks"/><title type='text'>Artist Talk, KINDL, 18 July</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-xZfF01_u9fCUhlNVQb0PUBNmvIoech1E1om6OwgBdgtxZXaYvANSWGQXliys65Fc3xbbAiGWNdazYHBzlsY-3cjGo4e3dQ72cG4qXwygpI4lWrOraMMG96mIcnE-EulEa4lr2TrovSW_jdBxELgSwNlouW12qrHPWz-UJTbYkgOlUSjY1XvH1avCnxg/s1000/An+Intimacy+with+Strangers_AA_2026_Jens+Ziehe_2.webp&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;750&quot; data-original-width=&quot;1000&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-xZfF01_u9fCUhlNVQb0PUBNmvIoech1E1om6OwgBdgtxZXaYvANSWGQXliys65Fc3xbbAiGWNdazYHBzlsY-3cjGo4e3dQ72cG4qXwygpI4lWrOraMMG96mIcnE-EulEa4lr2TrovSW_jdBxELgSwNlouW12qrHPWz-UJTbYkgOlUSjY1XvH1avCnxg/s320/An+Intimacy+with+Strangers_AA_2026_Jens+Ziehe_2.webp&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;This coming Saturday, 18 July,&amp;nbsp; Nick is going to be giving a gallery 
tour at KINDL, Berlin in connection with the current 
show, &lt;i&gt;An Intimacy with Strangers&lt;/i&gt;. Curated by Simon Faithfull and 
featuring the work of&amp;nbsp; Peggy Atherton, David Claerbout, Marcus Coates, 
Nick Crowe &amp;amp; Ian Rawlinson, Tacita Dean, Folke Köbberling, Giuseppe 
Penone, Pope.L, Nika Radić, Jessica Segall, Uýra Sodoma, Zheng Bo, this 
group exhibition explores the relationships and entanglements between 
human and non-human life.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The talk with be in English and, as this is 
taking place as part of the celebrations for the 10th anniversary of the
 opening of KINDL, the event is free.&amp;nbsp;Image fotocredit: Jens Ziehe.&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3797101308103902959'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3797101308103902959'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2026/07/artist-talk-kindl-18-july.html' title='Artist Talk, KINDL, 18 July'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-xZfF01_u9fCUhlNVQb0PUBNmvIoech1E1om6OwgBdgtxZXaYvANSWGQXliys65Fc3xbbAiGWNdazYHBzlsY-3cjGo4e3dQ72cG4qXwygpI4lWrOraMMG96mIcnE-EulEa4lr2TrovSW_jdBxELgSwNlouW12qrHPWz-UJTbYkgOlUSjY1XvH1avCnxg/s72-c/An+Intimacy+with+Strangers_AA_2026_Jens+Ziehe_2.webp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-1158786341263425367</id><published>2026-07-01T10:57:00.000+02:00</published><updated>2026-07-01T10:57:00.110+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Dahme/Mark"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Maxpool_yart"/><title type='text'>Kunst von Hier</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVPmetMcSer6nlbWtjj-F0bUL-cEWKGT0XObJsROkiIszJX7-jZCFIgqUtJ7JWyjtzOuPrb-vczS6WMb01FtM81eNbCCDZszXf7FmX4F-pBjkFFV_iFZYooTgBMVI1MlKe9_tGS6B79H2G2yg1rQEc93cWbDbPtRDC6CsnuBkz6lnrKgO_9hUwd1S1Ox8/s2782/maxpool_yart.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1565&quot; data-original-width=&quot;2782&quot; height=&quot;211&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVPmetMcSer6nlbWtjj-F0bUL-cEWKGT0XObJsROkiIszJX7-jZCFIgqUtJ7JWyjtzOuPrb-vczS6WMb01FtM81eNbCCDZszXf7FmX4F-pBjkFFV_iFZYooTgBMVI1MlKe9_tGS6B79H2G2yg1rQEc93cWbDbPtRDC6CsnuBkz6lnrKgO_9hUwd1S1Ox8/w375-h211/maxpool_yart.png&quot; width=&quot;375&quot; /&gt;&lt;/a&gt;&lt;/div&gt;We are taking part in the second edition of &lt;b&gt;Kunst von Hier&lt;/b&gt; at the Heimatmuseum in Dahme/Mark. This time the show has a theme, namely the 100th anniversary of the opening of the Freibad (open air swimming pool) in Dahme. Our contribution to the show is a short animation entitled &lt;i&gt;Maxpool_yart&lt;/i&gt;, which features the Holy Roman Emperor, Maximillian I, drifting around in what appears to be a pool of blood.&amp;nbsp; The show opens on July 3 and runs through to September 13.&amp;nbsp; More infos from &lt;a href=&quot;https://www.dahme.de/verzeichnis/objekt.php?mandat=51075&quot; target=&quot;_blank&quot;&gt;the Heimatmuseum.&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;simple-translate-dark-theme&quot; id=&quot;simple-translate&quot;&gt;&lt;div&gt;&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;background-image: url(&amp;quot;moz-extension://6082a85f-8a58-4c90-aea3-abf91e6da1aa/icons/512.png&amp;quot;); height: 22px; left: 15px; top: 279px; width: 22px;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;simple-translate-panel &quot; style=&quot;font-size: 13px; height: 200px; left: 0px; top: 0px; width: 300px;&quot;&gt;&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden;&quot;&gt;&lt;div class=&quot;simple-translate-move&quot; draggable=&quot;true&quot;&gt;&lt;/div&gt;&lt;div class=&quot;simple-translate-result-contents&quot;&gt;&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;&lt;/p&gt;&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/1158786341263425367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/1158786341263425367'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2026/07/kunst-von-hier.html' title='Kunst von Hier'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVPmetMcSer6nlbWtjj-F0bUL-cEWKGT0XObJsROkiIszJX7-jZCFIgqUtJ7JWyjtzOuPrb-vczS6WMb01FtM81eNbCCDZszXf7FmX4F-pBjkFFV_iFZYooTgBMVI1MlKe9_tGS6B79H2G2yg1rQEc93cWbDbPtRDC6CsnuBkz6lnrKgO_9hUwd1S1Ox8/s72-w375-h211-c/maxpool_yart.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-7874405210186026215</id><published>2026-06-17T10:36:00.000+02:00</published><updated>2026-06-21T07:03:13.747+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="VLADA"/><title type='text'>VLADA showing in Bildräume der Solidarität</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrsWeLbF4AC7Gq5xuh7lAasItbGCniX_ZFXYv9ztj3_wGQyR8eeDYeEvs-r-UVurS9WuJ_tU8wfd_MxN_MCsG9pyrYYw9ydSeIeV3I5b6wUPMa8UftmStDoa10WW4Rm4e2DLKvRZBsIFZmjw9nW3LjvSk-XEOn77mavR6ZxxPpQXLfN5pVRw1EgwXhNhk/s3000/BildraumederSolidaritat_instapost.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;3000&quot; data-original-width=&quot;2250&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrsWeLbF4AC7Gq5xuh7lAasItbGCniX_ZFXYv9ztj3_wGQyR8eeDYeEvs-r-UVurS9WuJ_tU8wfd_MxN_MCsG9pyrYYw9ydSeIeV3I5b6wUPMa8UftmStDoa10WW4Rm4e2DLKvRZBsIFZmjw9nW3LjvSk-XEOn77mavR6ZxxPpQXLfN5pVRw1EgwXhNhk/s320/BildraumederSolidaritat_instapost.jpg&quot; width=&quot;240&quot; /&gt;&lt;/a&gt;&lt;/div&gt;This June we&#39;re delighted showing the latest version of &lt;a href=&quot;https://www.croweandrawlinson.net/vlada&quot; target=&quot;_blank&quot;&gt;VLADA &lt;/a&gt;in Bildräume der Solitarität at &lt;a href=&quot;https://www.villaheike.org/&quot; target=&quot;_blank&quot;&gt;Villa Heike&lt;/a&gt;, Berlin.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In a time of increasing social inequality, ecological crises, and political polarization, the question of solidarity is becoming more urgent once again. Where do people stand up for others or for a cause? Where do alliances and shared goals emerge? And when does an expression of solidarity actually become solidarity? The exhibition Image Bildräume der Solidarität (Image Spaces of Solidarity) brings together artistic works that approach these questions in different ways. They render solidarity visible, examine its conditions, or understand themselves as part of solidaristic processes. In doing so, the focus shifts from representation to relation: toward networks, forms of cohesion, and resistance that unfold between people, images, and institutions. As an exhibition space, Bildräume der Solidarität is also conceived as a social space. Emerging from an open call, the project – alongside the presentation of the works – creates situations of encounter and exchange: with the participating artists as well as with the audience. Within these constellations, solidarity is tested as something that develops through dialogue and takes shape in collective thinking. The decision to bring together 32 positions was deliberate, driven by the impulse to make the breadth and polyphony of the submissions visible. The resulting density of the exhibition space is intentional – a productive overload that allows each work its own space while also enabling unforeseen connections to emerge.&lt;br /&gt;&lt;br /&gt;With contributions by: Alternative Monument, Swen Bernitz, Nora Bibel, Nick Crowe &amp;amp; Ian Rawlinson, Michael Danner, Wael Eskandar, Eva Gjaltema, Rainer Görß &amp;amp; Ania Rudolph, Jonas Gottfriedsen, Marie Gutierrez Oliva, Hannes Jung, Monika Keiler x Kiosk of Solidarity, Michel Kekulé, Lorenz Kienzle, Kodac Ko, Silke Koch, Aylin Kolkiran, Coco Kühn, Lilli Kuschel, Dana Lorenz &amp;amp; Sophia Kesting, Sina Niemeyer, Monique Petermann, Zoe Popp, Ceren Saner, Rea Schenk, Shur collective, Joanna Szproch, Joshua Tarelle Reid, Tobias Trutwin, Mirjana Vrbaski, Simon Winkler, Martina Zaninelli &amp;amp; Thomas Jakobs.&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;simple-translate-dark-theme&quot; id=&quot;simple-translate&quot;&gt;&lt;div&gt;&lt;div class=&quot;simple-translate-button isShow&quot; style=&quot;background-image: url(&amp;quot;moz-extension://6082a85f-8a58-4c90-aea3-abf91e6da1aa/icons/512.png&amp;quot;); height: 22px; left: 527px; top: 81px; width: 22px;&quot;&gt;&lt;/div&gt;&lt;div class=&quot;simple-translate-panel &quot; style=&quot;font-size: 13px; height: 200px; left: 0px; top: 0px; width: 300px;&quot;&gt;&lt;div class=&quot;simple-translate-result-wrapper&quot; style=&quot;overflow: hidden;&quot;&gt;&lt;div class=&quot;simple-translate-move&quot; draggable=&quot;true&quot;&gt;&lt;/div&gt;&lt;div class=&quot;simple-translate-result-contents&quot;&gt;&lt;p class=&quot;simple-translate-result&quot; dir=&quot;auto&quot;&gt;&lt;/p&gt;&lt;p class=&quot;simple-translate-candidate&quot; dir=&quot;auto&quot;&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/7874405210186026215'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/7874405210186026215'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2026/06/vlada-showing-in-bildraumer-der.html' title='VLADA showing in Bildräume der Solidarität'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrsWeLbF4AC7Gq5xuh7lAasItbGCniX_ZFXYv9ztj3_wGQyR8eeDYeEvs-r-UVurS9WuJ_tU8wfd_MxN_MCsG9pyrYYw9ydSeIeV3I5b6wUPMa8UftmStDoa10WW4Rm4e2DLKvRZBsIFZmjw9nW3LjvSk-XEOn77mavR6ZxxPpQXLfN5pVRw1EgwXhNhk/s72-c/BildraumederSolidaritat_instapost.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-3401744261201456646</id><published>2026-06-05T12:01:00.000+02:00</published><updated>2026-06-05T12:39:34.488+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Basel"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Prints"/><category scheme="http://www.blogger.com/atom/ns#" term="The Activist&#39;s Dilema"/><category scheme="http://www.blogger.com/atom/ns#" term="Werkseinstllungen"/><title type='text'>REVOLUTION in Basel</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSapy16sQ7Fj_XqKyHMIX5vtXMROA-fETbcLw4OC40szD5FZiL23FAr1cP8Oj_OcQPbWGQTyLalLUiPH-HEmyXQ1RBe2SD-4wbu3RLcOw3g2npfN19FQnzdZJVjd964dlo_XHykk7zKWfq7-lrkQdR5KectuwGtJRQG8tGUGn2ZG9h-isMP3zUNrZqkA/s1748/Revolution-Karte-front-final.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1748&quot; data-original-width=&quot;1240&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSapy16sQ7Fj_XqKyHMIX5vtXMROA-fETbcLw4OC40szD5FZiL23FAr1cP8Oj_OcQPbWGQTyLalLUiPH-HEmyXQ1RBe2SD-4wbu3RLcOw3g2npfN19FQnzdZJVjd964dlo_XHykk7zKWfq7-lrkQdR5KectuwGtJRQG8tGUGn2ZG9h-isMP3zUNrZqkA/w227-h320/Revolution-Karte-front-final.jpg&quot; width=&quot;227&quot; /&gt;&lt;/a&gt;&lt;/div&gt;Opening on 13 June in Basel is a group show at &lt;a href=&quot;https://www.instagram.com/celeste_eliot_kunstsalon/&quot; target=&quot;_blank&quot;&gt;Celeste &amp;amp; Eliot Kunstsalon&lt;/a&gt;, this marking the third time we&#39;ve exhibited with them. The exhibition&amp;nbsp;insists we are not living in apocalyptical times,
 but rather in revolutionary ones. However, this is not just a political
 revolution, but also a technological, economic, environmental, even 
an&amp;nbsp;emotional one. Though change and uncertainty may be scary, they 
present opportunities for evolution and improvement.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The exhibition includes work from Douglas Argüelles, Kenia 
Arguiñao, Françoise Bassand, Nick Crowe &amp;amp; lan Rawlinson, Thabiso 
Phepeng,&amp;nbsp;Ninigi Tiger and&amp;nbsp;José Angel Vincench. We are showing a new briquette work entitled &lt;i&gt;Werkseinstellungen&lt;/i&gt; and our animated film, &lt;i&gt;The Activist&#39;s Dilema &lt;/i&gt;will also be receiving its world premiere.&amp;nbsp; To celebrate this fact we&#39;ve produced a short-run edition of 10 prints taken from one of the photographs that make up the animation. It&#39;s available &lt;a href=&quot;https://www.croweandrawlinson.net/shop/p/theactivistsdilema&quot; target=&quot;_blank&quot;&gt;in the shop.&lt;/a&gt;&lt;p&gt;&lt;/p&gt;&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; style=&quot;width: 100%;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td height=&quot;30&quot; style=&quot;line-height: 30px;&quot; width=&quot;30&quot;&gt;&lt;br /&gt;&lt;/td&gt;
                      &lt;td valign=&quot;top&quot; width=&quot;350&quot;&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3401744261201456646'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3401744261201456646'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2026/06/revolution-in-basel.html' title='REVOLUTION in Basel'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSapy16sQ7Fj_XqKyHMIX5vtXMROA-fETbcLw4OC40szD5FZiL23FAr1cP8Oj_OcQPbWGQTyLalLUiPH-HEmyXQ1RBe2SD-4wbu3RLcOw3g2npfN19FQnzdZJVjd964dlo_XHykk7zKWfq7-lrkQdR5KectuwGtJRQG8tGUGn2ZG9h-isMP3zUNrZqkA/s72-w227-h320-c/Revolution-Karte-front-final.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-4305188589248023218</id><published>2026-04-09T11:33:00.004+02:00</published><updated>2026-04-09T11:35:05.946+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="How to Start a Movement"/><title type='text'>Democracy and Climate</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUFdSNyN7N5XxrsCBz3IT0c57CQmpVFdTnsXAWkvks_LGscyeCQsxY9DcWj2f0ezRdzdP2NbM1EIAKf9QXG_4o1FYdWZ7yQ6CTfmmNDWAz1CgBZSaw1zUYLIxKo7rwFevrPhCvigWCPg_AoN07LBrOa1frFayCrkk0QkDjgYU-Q5Oo01kT_pPY9dH97EE/s993/dk%20online%20flyer.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;700&quot; data-original-width=&quot;993&quot; height=&quot;341&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUFdSNyN7N5XxrsCBz3IT0c57CQmpVFdTnsXAWkvks_LGscyeCQsxY9DcWj2f0ezRdzdP2NbM1EIAKf9QXG_4o1FYdWZ7yQ6CTfmmNDWAz1CgBZSaw1zUYLIxKo7rwFevrPhCvigWCPg_AoN07LBrOa1frFayCrkk0QkDjgYU-Q5Oo01kT_pPY9dH97EE/w483-h341/dk%20online%20flyer.jpg&quot; width=&quot;483&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&amp;nbsp;Really happy to be showing our work &#39;&lt;i&gt;How to Start a Movement&lt;/i&gt;&#39; in this show at Global Gallery 3000, Gallery for Sustainable Art.&amp;nbsp; Its one of our Sustainable Aesthetics pieces and this will be only its second outing.&amp;nbsp; So looking forward to showing alongside&lt;b&gt;&amp;nbsp;&lt;/b&gt;Tom Albrecht, 
Alfred Banze, Thomas Behling, Carsten Borck, Felicitas Butt, Ute Diez, 
Stephan Groß, Gosia Hejnat, TrashmaidBerlin, Chuu Wai, Carina Persch, 
Lioba von den Driesh and Ran You.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;The
 climate crisis is unquestionably one of the greatest challenges of our 
time. At the same time, democracy is threatened by authoritarian 
tendencies. Authoritarian systems tend to prioritize short-term economic
 interests over ecological responsibility. A&amp;nbsp;stable democracy, on the 
other hand, enables discussions about sustainable&amp;nbsp;solutions.&amp;nbsp;Through&amp;nbsp;engagement
 and participation, citizens can exert pressure for effective climate 
policy. Thus, a strong democracy protects not only freedom but also the 
future of our planet.&lt;/p&gt;&lt;p&gt;The show opens 10 April at 7pm at &lt;b&gt;Group Global 3000, Gallery for Sustainable Art&lt;/b&gt;, Leuschnerdamm 19, 10999 Berlin and runs until 15 May 2026, open every Tuesday and Friday, 17.00 - 20.00 Uhr. As you can see from the above image there is a programme of talks and events to accompany the show.&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/4305188589248023218'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/4305188589248023218'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2026/04/democracy-and-climate.html' title='Democracy and Climate'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUFdSNyN7N5XxrsCBz3IT0c57CQmpVFdTnsXAWkvks_LGscyeCQsxY9DcWj2f0ezRdzdP2NbM1EIAKf9QXG_4o1FYdWZ7yQ6CTfmmNDWAz1CgBZSaw1zUYLIxKo7rwFevrPhCvigWCPg_AoN07LBrOa1frFayCrkk0QkDjgYU-Q5Oo01kT_pPY9dH97EE/s72-w483-h341-c/dk%20online%20flyer.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-7291770228404573503</id><published>2026-03-23T11:39:00.000+01:00</published><updated>2026-03-23T11:39:54.525+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Girl with the Dragon Tattoo"/><title type='text'>An Intimacy with Strangers</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtPonkhdv8SXM-ILJYLMyMu7lVXIUpU74STy0DpnK1r-lNBNzdSR0kPzo_kympI1Yruca5Y_TO0qShVWRrkHtkkHvgcSHS2OopekEhvcPFXbmqwuURzKvNPfo61_Lu6X2DKNPmdhydN3ZPWEgoR2lekt5Yhl4sS1X2uhNY8e6MMUBb1yp5LWiccalDkkk/s1532/photo_2026-03-16_10-56-21.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;740&quot; data-original-width=&quot;1532&quot; height=&quot;184&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtPonkhdv8SXM-ILJYLMyMu7lVXIUpU74STy0DpnK1r-lNBNzdSR0kPzo_kympI1Yruca5Y_TO0qShVWRrkHtkkHvgcSHS2OopekEhvcPFXbmqwuURzKvNPfo61_Lu6X2DKNPmdhydN3ZPWEgoR2lekt5Yhl4sS1X2uhNY8e6MMUBb1yp5LWiccalDkkk/w379-h184/photo_2026-03-16_10-56-21.jpg&quot; width=&quot;379&quot; /&gt;&lt;/a&gt;&lt;/div&gt;Curated by Simon Faithfull and featuring the work of&amp;nbsp;&amp;nbsp;&lt;strong style=&quot;white-space: pre-wrap;&quot;&gt;Peggy Atherton, David Claerbout, Marcus Coates, Nick Crowe &amp;amp; Ian Rawlinson, Tacita Dean, Folke Köbberling, Giuseppe Penone, Pope.L, Nika Radić, Jessica Segall, Uýra Sodoma, Zheng Bo, &lt;/strong&gt;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;this group exhibition explores the relationships and entanglements between human and non-human life.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;Our existence depends on all the other living beings on this planet – on those who produce the air we breathe, the food we eat and the materials essential to life. Photographic works, videos, and objects present moments of contact, care, and desire between the different inhabitants of Earth, or ‘planetmates,’ as biologist Lynn Margulis put it.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;We are going to be showing our work &#39;&lt;b&gt;Girl with the Dragon Tattoo&lt;/b&gt;&#39; which was produced in an unintended collaboration with a wasp. The work was previously shown at our SUNDAY presentation with WirWir, Berlin.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;An Intimacy with Strangers is at Kindl, Berlin from &lt;br /&gt;22.03.2026 - 26.07.2026&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href=&quot;https://www.kindl-berlin.com/visit&quot;&gt;Opening hours&lt;br /&gt;&lt;/a&gt;Wed, 12:00 – 20:00&lt;br /&gt;Thu – Sun, 12:00 – 18:00&lt;br /&gt;&lt;a href=&quot;https://www.kindl-berlin.com/visit&quot;&gt;KINDL – Centre for Contemporary Art&lt;br /&gt;Am Sudhaus 3&lt;br /&gt;12053 Berlin&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;sqs-block html-block sqs-block-html&quot; data-block-type=&quot;2&quot; data-border-radii=&quot;{&amp;quot;topLeft&amp;quot;:{&amp;quot;unit&amp;quot;:&amp;quot;px&amp;quot;,&amp;quot;value&amp;quot;:0.0},&amp;quot;topRight&amp;quot;:{&amp;quot;unit&amp;quot;:&amp;quot;px&amp;quot;,&amp;quot;value&amp;quot;:0.0},&amp;quot;bottomLeft&amp;quot;:{&amp;quot;unit&amp;quot;:&amp;quot;px&amp;quot;,&amp;quot;value&amp;quot;:0.0},&amp;quot;bottomRight&amp;quot;:{&amp;quot;unit&amp;quot;:&amp;quot;px&amp;quot;,&amp;quot;value&amp;quot;:0.0}}&quot; data-sqsp-block=&quot;text&quot; id=&quot;block-422d666919e75ef3d1f2&quot;&gt;&lt;div class=&quot;sqs-block-content&quot;&gt;




















  
  



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    &lt;p id=&quot;diskurs-intimacy&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;u&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/7291770228404573503'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/7291770228404573503'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2026/03/an-intimacy-with-strangers.html' title='An Intimacy with Strangers'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtPonkhdv8SXM-ILJYLMyMu7lVXIUpU74STy0DpnK1r-lNBNzdSR0kPzo_kympI1Yruca5Y_TO0qShVWRrkHtkkHvgcSHS2OopekEhvcPFXbmqwuURzKvNPfo61_Lu6X2DKNPmdhydN3ZPWEgoR2lekt5Yhl4sS1X2uhNY8e6MMUBb1yp5LWiccalDkkk/s72-w379-h184-c/photo_2026-03-16_10-56-21.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-7463327372243919264</id><published>2026-01-21T12:26:00.000+01:00</published><updated>2026-01-21T12:26:05.516+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Song for Armageddon"/><category scheme="http://www.blogger.com/atom/ns#" term="Talks"/><title type='text'></title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAcnn5ce4r8mYxntaUjefbajDzZmtPHHzrmoJVln-gmU_ubup9Aj8BOthD6HEuL0S55_Oxav8-jB4AAECCW5HiwB6otLseiFwPEh9iBZ1aj_n0_XFUz1rHXpXAROXSGPHDCZ_JwT2CH5nuo-jK1dJVmBUf5M_B_1hFUHsgiE6fdVqd5vh7mL7FIu_DnD8/s3840/Web%20Graphic_ExhibitPage.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1280&quot; data-original-width=&quot;3840&quot; height=&quot;150&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAcnn5ce4r8mYxntaUjefbajDzZmtPHHzrmoJVln-gmU_ubup9Aj8BOthD6HEuL0S55_Oxav8-jB4AAECCW5HiwB6otLseiFwPEh9iBZ1aj_n0_XFUz1rHXpXAROXSGPHDCZ_JwT2CH5nuo-jK1dJVmBUf5M_B_1hFUHsgiE6fdVqd5vh7mL7FIu_DnD8/w449-h150/Web%20Graphic_ExhibitPage.jpg&quot; width=&quot;449&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;In conjunction with the ISAC Museum special exhibition &lt;a data-msys-clicktrack=&quot;0&quot; href=&quot;https://isac.uchicago.edu/megiddoimagined&quot; rel=&quot;nofollow noopener noreferrer&quot; target=&quot;_blank&quot; title=&quot;https://isac.uchicago.edu/megiddoimagined&quot;&gt;&lt;em&gt;&lt;em&gt;Megiddo: A City Unearthed, A Past Imagined&lt;/em&gt;&lt;/em&gt;&lt;/a&gt;,
 (on view through March 15, 2026) we are delighted to be taking part in a a cross-disciplinary 
conversation on how complex archaeological, artistic, and scientific 
ideas are translated into compelling narratives and images for the media
 and wider public.&lt;/p&gt;&lt;p&gt;The discussion will center on press coverage of
 ISAC’s excavations at Megiddo (1925–1939), long imagined as the site of
 biblical Armageddon; our film &lt;a data-msys-clicktrack=&quot;0&quot; href=&quot;https://www.croweandrawlinson.net/song-for-armageddon&quot; rel=&quot;nofollow noopener noreferrer&quot; target=&quot;_blank&quot; title=&quot;https://www.croweandrawlinson.net/song-for-armageddon&quot;&gt;&lt;em&gt;&lt;em&gt;Song for Armageddon &lt;/em&gt;&lt;/em&gt;&lt;/a&gt;(2017) and the &lt;a data-msys-clicktrack=&quot;0&quot; href=&quot;https://thebulletin.org/doomsday-clock/#nav_menu&quot; rel=&quot;nofollow noopener noreferrer&quot; target=&quot;_blank&quot; title=&quot;https://thebulletin.org/doomsday-clock/#nav_menu&quot;&gt;Doomsday Clock&lt;/a&gt;,
 housed at the University of Chicago’s Harris School of Public Policy, 
whose 2026 setting will be announced on January 27. Drawing on these 
three projects, the discussion will explore different ways we give form to
 abstract threats and existential anxieties, shaping how we imagine 
apocalypse, reckon with “the end,” and envision the possibility of 
tomorrow.&lt;/p&gt;&lt;p&gt;Program Speakers:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Nick Crowe and Ian Rawlinson, British artists and creators of the film &lt;em&gt;&lt;em&gt;Song for Armageddon&lt;/em&gt;&lt;/em&gt;.&lt;/li&gt;&lt;li&gt;Daniel
 Holz, Professor, Departments of Physics, Astronomy &amp;amp; Astrophysics, 
the Enrico Fermi Institute, and the Kavli Institute for Cosmological 
Physics; Chair of the Science and Security Board of the Bulletin of the 
Atomic Scientists (which sets the hands of the Doomsday Clock); 
Director, UChicago Existential Risk Laboratory.&lt;/li&gt;&lt;li&gt;Kiersten Neumann, Curator, ISAC Museum, and curator of &lt;em&gt;&lt;em&gt;Megiddo: A City Unearthed, A Past Imagined&lt;/em&gt;&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;This is a free online event and takes place on Thursday 22 January at 6pm GMT.&amp;nbsp; Tickets can be reserved at&lt;br /&gt;&lt;a href=&quot;https://www.eventbrite.com/e/translating-the-end-of-times-art-science-and-the-media-of-apocalypse-tickets-1924239204259?aff=oddtdtcreator&quot;&gt;&lt;br /&gt;https://www.eventbrite.com/e/translating-the-end-of-times-art-science-and-the-media-of-apocalypse-tickets-1924239204259?aff=oddtdtcreator&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/7463327372243919264'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/7463327372243919264'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2026/01/in-conjunction-with-isac-museum-special.html' title=''/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAcnn5ce4r8mYxntaUjefbajDzZmtPHHzrmoJVln-gmU_ubup9Aj8BOthD6HEuL0S55_Oxav8-jB4AAECCW5HiwB6otLseiFwPEh9iBZ1aj_n0_XFUz1rHXpXAROXSGPHDCZ_JwT2CH5nuo-jK1dJVmBUf5M_B_1hFUHsgiE6fdVqd5vh7mL7FIu_DnD8/s72-w449-h150-c/Web%20Graphic_ExhibitPage.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-710624840941746208</id><published>2025-12-05T12:11:00.000+01:00</published><updated>2026-06-05T10:32:58.940+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="KeK!°!!"/><category scheme="http://www.blogger.com/atom/ns#" term="Publications"/><title type='text'>The Kek!°!! Report, 2025</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip37_Q2RNH6-JTBi0o_TzmocCe_ZYhFS6wIbnTvv9sZMSA1MLTLe6B8gWxgjBawUfFAUZ4C0HQsQxMtMyvt1xDNxQYyDSIQJXeMtUxa1slOhPZCzKabvSjIlqhmqA_3sXrv9mQ5tLz8deiQpsjgLZuhRedr2umw7-VdCeWY8qKwC14ea-cAciEh4J9h4o/s940/Screenshot%202026-06-05%20at%2009.04.15%20(2).png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;940&quot; data-original-width=&quot;668&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip37_Q2RNH6-JTBi0o_TzmocCe_ZYhFS6wIbnTvv9sZMSA1MLTLe6B8gWxgjBawUfFAUZ4C0HQsQxMtMyvt1xDNxQYyDSIQJXeMtUxa1slOhPZCzKabvSjIlqhmqA_3sXrv9mQ5tLz8deiQpsjgLZuhRedr2umw7-VdCeWY8qKwC14ea-cAciEh4J9h4o/s320/Screenshot%202026-06-05%20at%2009.04.15%20(2).png&quot; width=&quot;227&quot; /&gt;&lt;/a&gt;&lt;/div&gt;We are duly proud to announce that the second iteration of &lt;b&gt;The Kek!°!! Report&lt;/b&gt; has now been published. Whereas the 2024 Report was based on th&lt;i&gt;e&amp;nbsp;&amp;nbsp;Kek!°!!&lt;/i&gt; performance we made for Vorbrenner in Innsbruck, this 2025 publication turns its focus to the live-work extravanganza that was&lt;i&gt; Kek!°!! Legends&lt;/i&gt;&amp;nbsp;and documents moments from our six day 
durational performance at Kottishop, Berlin during the summer of 2025.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;True to the spirit of &lt;i&gt;KeK!°!!&lt;/i&gt; we converted Kottishop into a briquette 
production facility complete with its own livestream TV studio.  We also
 lived in the gallery for the duration of the exhibition. The 
report features pictures of our Dodo costume, Karl Marx mask as well as 
German, Italian and English language excerpts from Karl Marx’s &lt;em&gt;Fragment on Machines &lt;/em&gt;alongside
 screen grabs of our conversations with chat from the Twitch streams. 
The perfect companion for your travels through late-capitalism. Like is predecessor this is a short-run publication with only 50 copies available.&amp;nbsp; &lt;a href=&quot;https://www.croweandrawlinson.net/shop/p/the-kek-report-2025&quot; target=&quot;_blank&quot;&gt;Get yours at the shop.&lt;/a&gt;&lt;p&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/710624840941746208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/710624840941746208'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/12/the-kek-report-2025.html' title='The Kek!°!! Report, 2025'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip37_Q2RNH6-JTBi0o_TzmocCe_ZYhFS6wIbnTvv9sZMSA1MLTLe6B8gWxgjBawUfFAUZ4C0HQsQxMtMyvt1xDNxQYyDSIQJXeMtUxa1slOhPZCzKabvSjIlqhmqA_3sXrv9mQ5tLz8deiQpsjgLZuhRedr2umw7-VdCeWY8qKwC14ea-cAciEh4J9h4o/s72-c/Screenshot%202026-06-05%20at%2009.04.15%20(2).png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-6037862315873840522</id><published>2025-10-06T12:25:00.067+02:00</published><updated>2025-10-30T12:47:05.313+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Chicago"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Song for Armageddon"/><title type='text'>Song for Armageddon at ISAC Museum in Chicago</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNQr9668SdBLRe3P54bZP05AwdE7-pB_apwiQeEXt8LDaZI1rReA5mEmrFdUu1J50yXjD7Gcvgip2ZH8M2-zjGuxY2psnNUT_t1RS14GSze6vCOQGiM-dPmYWz97tjJD0E7zGUw1OWIjEsIN2rveVr19apZKu-giwOnav0-t7AOERjfH0Y1mOeYewyhYU/s1080/IMG_3813_crop.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1080&quot; data-original-width=&quot;1080&quot; height=&quot;382&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNQr9668SdBLRe3P54bZP05AwdE7-pB_apwiQeEXt8LDaZI1rReA5mEmrFdUu1J50yXjD7Gcvgip2ZH8M2-zjGuxY2psnNUT_t1RS14GSze6vCOQGiM-dPmYWz97tjJD0E7zGUw1OWIjEsIN2rveVr19apZKu-giwOnav0-t7AOERjfH0Y1mOeYewyhYU/w382-h382/IMG_3813_crop.jpg&quot; width=&quot;382&quot; /&gt;&lt;/a&gt;&lt;/div&gt;We are currently showing our 2017 film &lt;i&gt;Song for Armageddon&lt;/i&gt; at the Institute for the Study of Ancient Cultures Museum at the University of Chicago. It&#39;s a show we are very happy to be part of as its title &#39;&lt;a href=&quot;https://isac.uchicago.edu/megiddoimagined&quot; target=&quot;_blank&quot;&gt;Megiddo: A City Unearthed, A Past Imagined&lt;/a&gt;&#39; hints at the complex relationship which the University of Chicago has with the site. The archaeological expeditions that took place at Megiddo one hundred years ago were sent from the University so they have played a large role in bringing the history of the site into the modern consciousness. Early 20th Century archaeology however sat somewhere between academic research and grave robbing - the finding of shiny trinkets was at least as important as the confirmation of biblical place names or any broader archaeological research into the physical history of the site. Indeed the large trench which the University expedition dug out of one side of the Tel arguably destroyed more information than it retrieved. It was this trench that we used in our film to frame the rising of the sun over the Jezreel Valley, an event which occurs three times in the 52 minute duration of &lt;i&gt;Song for Armageddon&lt;/i&gt;. So for us it&#39;s a great context to have the film screened and we are very grateful to ISAC for the careful and precise installation of the work... including sourcing the same type chairs to view the film as we used at Megiddo! The show continues at ISAC up to 15 March 2026.&lt;p&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/6037862315873840522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/6037862315873840522'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/10/song-for-armageddon-at-isac-museum-in.html' title='Song for Armageddon at ISAC Museum in Chicago'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNQr9668SdBLRe3P54bZP05AwdE7-pB_apwiQeEXt8LDaZI1rReA5mEmrFdUu1J50yXjD7Gcvgip2ZH8M2-zjGuxY2psnNUT_t1RS14GSze6vCOQGiM-dPmYWz97tjJD0E7zGUw1OWIjEsIN2rveVr19apZKu-giwOnav0-t7AOERjfH0Y1mOeYewyhYU/s72-w382-h382-c/IMG_3813_crop.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-7271442922439451132</id><published>2025-09-06T11:00:00.008+02:00</published><updated>2025-09-15T19:36:16.086+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Rust Drawings"/><title type='text'></title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBhzMxW9QVFTyhDr-wRpT-2qBO5YQg4mGW8kngvR4U4R4j46T6sW_qI1Tj4QOorTxt2oxjnjr8SfYGt4dHZRAaRMroiDTKp5jSrWx4r14B7kRSn6zmBbgZbaxUlnK9nqmiy97o7MXqWnI6Pqrar7SnxwK0OV96nPd2cbZ6r3tO7Zo_D1evftEKpLE1i1w/s2818/RustDrawing8_IMG_3373.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2818&quot; data-original-width=&quot;2402&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBhzMxW9QVFTyhDr-wRpT-2qBO5YQg4mGW8kngvR4U4R4j46T6sW_qI1Tj4QOorTxt2oxjnjr8SfYGt4dHZRAaRMroiDTKp5jSrWx4r14B7kRSn6zmBbgZbaxUlnK9nqmiy97o7MXqWnI6Pqrar7SnxwK0OV96nPd2cbZ6r3tO7Zo_D1evftEKpLE1i1w/s320/RustDrawing8_IMG_3373.jpg&quot; width=&quot;273&quot; /&gt;&lt;/a&gt;&lt;/div&gt;We&#39;re currently showing one of our Rust Drawings (Rust Drawing #8) at SCHAU FENSTER, Berlin as part of their 15 year anniversary exhibition. And we&#39;re not alone! Over 300 artists who&#39;ve shown with them in an action packed decade and a half turned up on 5 September to hand over works for an massive wall installation. The show runs till 29 September 2025. If you&#39;re in Berlin, then go see.&lt;p&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/7271442922439451132'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/7271442922439451132'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/09/were-currently-showing-on-our-rust.html' title=''/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBhzMxW9QVFTyhDr-wRpT-2qBO5YQg4mGW8kngvR4U4R4j46T6sW_qI1Tj4QOorTxt2oxjnjr8SfYGt4dHZRAaRMroiDTKp5jSrWx4r14B7kRSn6zmBbgZbaxUlnK9nqmiy97o7MXqWnI6Pqrar7SnxwK0OV96nPd2cbZ6r3tO7Zo_D1evftEKpLE1i1w/s72-c/RustDrawing8_IMG_3373.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-4312798798652684448</id><published>2025-06-17T14:00:00.001+02:00</published><updated>2025-06-17T14:00:00.128+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Basel"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Memorial to a Murdered Cyclist"/><title type='text'></title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMLU-HjDpu-sr8lzNl51TEVpDkT0L8rM6cw6WqbCuF6E4UB60WDOr8wnE7EcX-ePwj8YQEttsCPO7gGjWJjqEH7PwqUyv54AbidU2lIcuRsjDsJc_UD5BbdJy5hBSbX-9uwkuhtLKrM0pd-Iyfjqk5I8MAp_LMY9g6t1zYWkW5KJlDYtuReFWTO__k-_4/s1000/MtaMC_6_web2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS5pfw9QaQF5tFG18fwFpMgpwvcL_vA5KZIz_GoQhJYbqqmsHCnZW5J-UHMGRQjC7nuT3BdwIxwFiV6r_SgCaHUJUk4SNCg3SrgDjnw2UmEr0Bxb8P_KcihTtTHmB2ikLhpjkBSH-kvDiix-W2tiQutLgkHLacjOWR6APgNH7EtNOI8_4ix56KM5cNCVU/s1494/MtaMC_6_web.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1494&quot; data-original-width=&quot;1000&quot; height=&quot;445&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS5pfw9QaQF5tFG18fwFpMgpwvcL_vA5KZIz_GoQhJYbqqmsHCnZW5J-UHMGRQjC7nuT3BdwIxwFiV6r_SgCaHUJUk4SNCg3SrgDjnw2UmEr0Bxb8P_KcihTtTHmB2ikLhpjkBSH-kvDiix-W2tiQutLgkHLacjOWR6APgNH7EtNOI8_4ix56KM5cNCVU/w298-h445/MtaMC_6_web.jpg&quot; width=&quot;298&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size: small;&quot;&gt;We very happy to be participating in &#39;All Tomorrows&#39;, a show at Celeste &amp;amp; Eliot Kunstsalon in Basel. For the exhbition we are showing a new work&lt;strong&gt;, &lt;em&gt;&lt;strong&gt;Memorial to a Murdered Cyclist&lt;/strong&gt;&lt;/em&gt;&lt;/strong&gt;.&amp;nbsp; Like our VLADA project this work has a clear relationship to the  war in Ukraine, although it takes a 
somewhat different approach to the subject. Whereas VLADA was built  
from many thousands of uploaded video clips &lt;em&gt;&lt;strong&gt;Memorial to a Murdered Cyclist&lt;/strong&gt;&lt;/em&gt;
 uses only one such clip. Namely, the drone footage of the death of  
Irina Filkina, a Ukrainian woman murdered by Russian soldiers in Bucha  
in March 2023. The showing in Basel  will be the world premiere of this 
work.&lt;br /&gt;&lt;br /&gt;&#39;All Tomorrows&#39; Opens on 19 June 2025 and runs until 26 July 2025.&amp;nbsp; The gallery is at Güterstrasse 319, 4053 Basel with opening hours 17 - 20 on Friday and Saturday as well as by appointment via visit@kunstsalon1.ch&lt;/span&gt;&lt;p&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/4312798798652684448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/4312798798652684448'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/06/we-very-happy-to-be-participating-in.html' title=''/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS5pfw9QaQF5tFG18fwFpMgpwvcL_vA5KZIz_GoQhJYbqqmsHCnZW5J-UHMGRQjC7nuT3BdwIxwFiV6r_SgCaHUJUk4SNCg3SrgDjnw2UmEr0Bxb8P_KcihTtTHmB2ikLhpjkBSH-kvDiix-W2tiQutLgkHLacjOWR6APgNH7EtNOI8_4ix56KM5cNCVU/s72-w298-h445-c/MtaMC_6_web.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-3700537095719168666</id><published>2025-06-04T11:00:00.001+02:00</published><updated>2026-06-05T10:57:24.318+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Dresden"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="VLADA"/><title type='text'>VLADA at OSTRALE025</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX1jUyH-dNLkPzSWea1NAiIOiEE6PPXGS1hyWcirMO5DIDK-B-9mMmoXEDvETJI9PBl7W96B1V7cPyvwhK2mTvOFCE-z3tIyroZJehmJ8WODhvEYj1BZ2Z283LuFiWMjUHmSR0QFBGfP3u6g-x9Co7loP_gA1uPGSU5JuwBVEDgCvHCvR0c2DmYqGRlu8/s3194/Ostrale025_IMG_2827b.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2360&quot; data-original-width=&quot;3194&quot; height=&quot;236&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX1jUyH-dNLkPzSWea1NAiIOiEE6PPXGS1hyWcirMO5DIDK-B-9mMmoXEDvETJI9PBl7W96B1V7cPyvwhK2mTvOFCE-z3tIyroZJehmJ8WODhvEYj1BZ2Z283LuFiWMjUHmSR0QFBGfP3u6g-x9Co7loP_gA1uPGSU5JuwBVEDgCvHCvR0c2DmYqGRlu8/s320/Ostrale025_IMG_2827b.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Uo0iydSgLXdoGzlSTYyl8N1x5kTnwDVnd9XID9OIlPyFrR0f6x-SeA1TVWjIyg38j21PGdK6Iz58WXeorh8uTBBuuK4DBIEbRYqm6pTKTjOiuWSmYGgp495D1GEcFrR_1PQ55e0D2bjB0Pgkj0-YNi_lPK1xBIbGT3R_kEUWUPz6vHA8WkgXllsuaAA/s3553/Ostrale025_IMG_2827.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxIkc3BX9SXLAkhc38UKYGgMqrwRTrt7vZusx3j1RVqcSM4COpB3FP7CrlLIjfAqjqKEqdFWQNWQvsUvFayso_1Bp-n7Hnqtgby3-kn9coRKl5ynxKgxZft4ZBWBsYbXOMFIiZ8_cW-UFuiEIS912mV5oMmTYmPZaMLUzYEdKXQoA7feZJhl577f2LqsI/s3249/Vlada_M17_install_1.jpeg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;Our long-form film &lt;b&gt;VLADA&lt;/b&gt;
 is  featured in this year&#39;s Ostrale Biennale, &#39;Never Grey&#39;. Built from 
over  27,000 videos uploaded to a single Ukrainian Telegram channel 
since the  start of Russia&#39;s full-scale invasion, the work presents a 
core sample  of a contemporary conflict. For us this has  become an 
ongoing work which is extending in duration the longer the  war goes on.
 Increasingly, we&#39;re thinking of it as a war memorial.&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.ostrale.de/&quot; target=&quot;_blank&quot;&gt;The Ostrale Biennale&lt;/a&gt; 025 runs from 07 June to 05 October 2025 at the Robotron Kantine, Zinzendorfstr. 5, 01069 Dresden.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;br /&gt;&lt;/p&gt;&lt;table align=&quot;center&quot; bgcolor=&quot;#ffffff&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;container ml-10 ml-default-border&quot; style=&quot;color: #515856; min-width: 640px; width: 640px;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class=&quot;row&quot; style=&quot;padding: 0px 50px;&quot;&gt;&lt;table align=&quot;center&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; style=&quot;width: 100%;&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class=&quot;col&quot; valign=&quot;top&quot; width=&quot;250&quot;&gt;&lt;p style=&quot;color: #515856; font-family: Inter, sans-serif; font-size: 16px; line-height: 165%; margin-bottom: 10px; margin-top: 0px;&quot;&gt;&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;color: #515856; font-family: Inter, sans-serif; font-size: 16px; line-height: 165%; margin-bottom: 10px; margin-top: 0px;&quot;&gt;&amp;nbsp;&lt;/p&gt;
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                        &lt;td height=&quot;40&quot; style=&quot;line-height: 40px;&quot;&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3700537095719168666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3700537095719168666'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/06/our-long-form-film-vlada-is-featured-in.html' title='VLADA at OSTRALE025'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX1jUyH-dNLkPzSWea1NAiIOiEE6PPXGS1hyWcirMO5DIDK-B-9mMmoXEDvETJI9PBl7W96B1V7cPyvwhK2mTvOFCE-z3tIyroZJehmJ8WODhvEYj1BZ2Z283LuFiWMjUHmSR0QFBGfP3u6g-x9Co7loP_gA1uPGSU5JuwBVEDgCvHCvR0c2DmYqGRlu8/s72-c/Ostrale025_IMG_2827b.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-6108168400197565183</id><published>2025-05-27T09:32:00.003+02:00</published><updated>2026-06-05T10:32:43.309+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="KeK!°!!"/><title type='text'>Kek!°!! Legends</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6bEd2HLkqShiIWmDo0hfxrygCF_H1qTUF8WJ_iliKUGO6mSt-8qZ2401YbWEjShv5rqUTjGwMKn8cOrDPTgOp1RyphjjRr2TrIViOu-7RBHmPWHXcVH4yIBk5YOIM7LFpwrPYnlcuJ7sJVOlp_eh-OLY9oKpWt7Ap4XVj0oT4rfy2wJz1gT9-UptqPs/s3024/Screenshot%202024-06-20%20at%2002.00.01.png&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;208&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6bEd2HLkqShiIWmDo0hfxrygCF_H1qTUF8WJ_iliKUGO6mSt-8qZ2401YbWEjShv5rqUTjGwMKn8cOrDPTgOp1RyphjjRr2TrIViOu-7RBHmPWHXcVH4yIBk5YOIM7LFpwrPYnlcuJ7sJVOlp_eh-OLY9oKpWt7Ap4XVj0oT4rfy2wJz1gT9-UptqPs/w320-h208/Screenshot%202024-06-20%20at%2002.00.01.png&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=&quot;margin-left: 360px; text-align: left;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Initially commissioned by &lt;a href=&quot;https://deref-gmx.net/mail/client/qFzjNTpeV2Q/dereferrer/?redirectUrl=https%3A%2F%2Fxgbpjp.clicks.mlsend.com%2Ftd%2Fc%2FeyJ2Ijoie1wiYVwiOjY5NzUyNixcImxcIjoxNTUyMTk4NzI0ODczMTEzMDEsXCJyXCI6MTU1MjE5ODgzMjgzNDQ5NTE2fSIsInMiOiI4YzFhYzk5NTRjOTFkOTYyIn0&quot;&gt;VORBRENNER&lt;/a&gt;, Innsbruck,&lt;i&gt; Kek!°!!&lt;/i&gt; returns this summer as &lt;i&gt;Kek!°!! Legends&lt;/i&gt;, a six day, livestreamed durational performance for Kotti-Shop, Berlin. Featuring a lazy Karl Marx and a hard working Dodo, Kek!°!! Legends takes the Factory-cum-TV Studio model and adds in cookery lessons, a masterclass in cocktails and lots of briquettes with embedded poetic fragments. The work is part of the &#39;Widerspenstige Alphabete&#39; project and we are grateful to the support of Kotti-Shop, Haus for Poesie and the Poesiefestival Berlin, 2025 for the realization of the project. Tune into the Twitch streams to see the action.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style=&quot;margin-left: 240px; text-align: left;&quot;&gt;&lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;div style=&quot;margin-left: 80px;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;31.May.2025 - 06.Jun.2025&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: small;&quot;&gt;livestreamed daily&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: small;&quot;&gt;00.00 - 08.00 &amp;amp; 14.00 - 20.00&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;a href=&quot;https://www.twitch.tv/bricksbarn&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Watch the livestream at&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Twitch/Bricksbarn&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/6108168400197565183'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/6108168400197565183'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/05/kek-legends.html' title='Kek!°!! Legends'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6bEd2HLkqShiIWmDo0hfxrygCF_H1qTUF8WJ_iliKUGO6mSt-8qZ2401YbWEjShv5rqUTjGwMKn8cOrDPTgOp1RyphjjRr2TrIViOu-7RBHmPWHXcVH4yIBk5YOIM7LFpwrPYnlcuJ7sJVOlp_eh-OLY9oKpWt7Ap4XVj0oT4rfy2wJz1gT9-UptqPs/s72-w320-h208-c/Screenshot%202024-06-20%20at%2002.00.01.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-5164111714279576387</id><published>2025-05-23T09:14:00.007+02:00</published><updated>2025-05-27T09:24:04.875+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Citizenship"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Rust Drawings"/><category scheme="http://www.blogger.com/atom/ns#" term="Wiepersdorf"/><title type='text'>Citizenship and Rust Drawings</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz0cS4T4KEFC1j2I38I8ChenlXet88B6e88HISNPxUroC2b8i2h5ri9m4rdK9uxL0XwrQMQPD5eS3p0isBbNSzbGyVpZfrdu6CzXmPmxBewPPJ88Oshe9iibKWVOx4FeiJVtumAoXpXb3kG9Y3UU-F6BdZhWzL-YIIR4qbvrpC3sgRISUVegL5FjaBG94/s1280/photo_2025-05-27_09-14-42.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;960&quot; data-original-width=&quot;1280&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz0cS4T4KEFC1j2I38I8ChenlXet88B6e88HISNPxUroC2b8i2h5ri9m4rdK9uxL0XwrQMQPD5eS3p0isBbNSzbGyVpZfrdu6CzXmPmxBewPPJ88Oshe9iibKWVOx4FeiJVtumAoXpXb3kG9Y3UU-F6BdZhWzL-YIIR4qbvrpC3sgRISUVegL5FjaBG94/s320/photo_2025-05-27_09-14-42.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;This Sunday, for one day only, we&#39;ll be showing our 2010 work &#39;Citizenship&#39; alongside
 some of our Rust Drawings at the Frühlingsfest in Schloss Wiepersdorf. The latter works got their first outing last year 
as part of &lt;span class=&quot;ml-rte-link-wrapper&quot;&gt;&lt;span class=&quot;ml-rte-link-wrapper&quot;&gt;&lt;a href=&quot;https://deref-gmx.net/mail/client/aZQnaR5jePM/dereferrer/?redirectUrl=https%3A%2F%2Fxgbpjp.clicks.mlsend.com%2Ftd%2Fc%2FeyJ2Ijoie1wiYVwiOjY5NzUyNixcImxcIjoxNTUyMTk4NzI0NTQ4MDU0MzUsXCJyXCI6MTU1MjE5ODgzMjgzNDQ5NTE2fSIsInMiOiIwMzZiNWM2NzkyZmIwMjMzIn0&quot; style=&quot;color: #2cb191; font-style: normal; font-weight: normal; text-decoration: underline;&quot; target=&quot;_blank&quot;&gt;SONNTAG, Berlin&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;
 and its great to be able to exhibit them again. Nick will be in 
conversation with art historian Jana Sperling as part of the day&#39;s 
activities and there will also be work by Schloss Wiepersdorf fellows 
Marion Cziba, Jeanne Kolesova and Kaj Osteroth on display. From 14 - 18 
hours this coming Sunday.&lt;p&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/5164111714279576387'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/5164111714279576387'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/05/citizenship-and-rust-drawings.html' title='Citizenship and Rust Drawings'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz0cS4T4KEFC1j2I38I8ChenlXet88B6e88HISNPxUroC2b8i2h5ri9m4rdK9uxL0XwrQMQPD5eS3p0isBbNSzbGyVpZfrdu6CzXmPmxBewPPJ88Oshe9iibKWVOx4FeiJVtumAoXpXb3kG9Y3UU-F6BdZhWzL-YIIR4qbvrpC3sgRISUVegL5FjaBG94/s72-c/photo_2025-05-27_09-14-42.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-3846520434637799469</id><published>2025-04-18T15:30:00.002+02:00</published><updated>2025-05-27T10:03:39.719+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Love Rocket Rescue"/><category scheme="http://www.blogger.com/atom/ns#" term="Prints"/><title type='text'>Love Rocket Rescue</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8YrIDRkrLbmSUuT75-rJt4ma1TN0YgVLvT7xfRPeYsBGskXwm0cr82nlsurz9oeCx7a-d20jlc6pRgVSATkYe4PEUZT8Gf1b-1wOvBRBactp5OQ1vV-nlzcDW7UGAxcHiGJkCNQNCXT8rZJkBy_u4Qo0D5bdLQGygLhnJ2vA5mLQmd3qTRiXQqibcFTE/s2452/Love_Rocket_Rescue_1.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2452&quot; data-original-width=&quot;1936&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8YrIDRkrLbmSUuT75-rJt4ma1TN0YgVLvT7xfRPeYsBGskXwm0cr82nlsurz9oeCx7a-d20jlc6pRgVSATkYe4PEUZT8Gf1b-1wOvBRBactp5OQ1vV-nlzcDW7UGAxcHiGJkCNQNCXT8rZJkBy_u4Qo0D5bdLQGygLhnJ2vA5mLQmd3qTRiXQqibcFTE/s320/Love_Rocket_Rescue_1.jpg&quot; width=&quot;253&quot; /&gt;&lt;/a&gt;&lt;/div&gt;As we are about to enter a summer season packed with exhibitions and performances we&#39;re marking the occasion with a new editioned print. &lt;i&gt;&lt;b&gt;Love Rocket Rescue&lt;/b&gt;&lt;/i&gt; is a photograph we took in our Manchester Ancoats 
studio. The two model airplanes with feathers stuck onto them are found 
objects we have owned for many years having found them in an emptied-out
 studio on the same floor as our own.&lt;br /&gt;&lt;br /&gt;If at first glance they 
appear to be military planes it&#39;s because that’s what they are. 
Specifically they are models of the McDonnell Douglas KC-10 Extender, an
 American tanker and cargo aircraft that was operated by the United 
States Air Force from 1981 to 2024. The KC-10 played a key role in the 
mobilization of US military assets, taking part in overseas operations 
in Europe and Asia. These aircraft performed airlift and aerial 
refueling during the 1986 bombing of Libya, the 1990–91 Gulf War, the 
NATO bombing of Yugoslavia, the War in Afghanistan, and Iraq War.’&lt;br /&gt;&lt;br /&gt;In
 the image the two flying tankers have been propped up against one 
another. Maybe they are embracing, or dancing, or perhaps fighting, 
rutting like stags? No longer providing support for wars in other lands 
they are left to arrange themselves according to their own needs and 
concerns.&amp;nbsp;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Limited to edition of 10 copies, &lt;a href=&quot;https://www.croweandrawlinson.net/shop/p/love-rocket-rescue&quot; target=&quot;_blank&quot;&gt;available only from our store.&lt;/a&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3846520434637799469'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3846520434637799469'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/04/love-rocket-rescue.html' title='Love Rocket Rescue'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8YrIDRkrLbmSUuT75-rJt4ma1TN0YgVLvT7xfRPeYsBGskXwm0cr82nlsurz9oeCx7a-d20jlc6pRgVSATkYe4PEUZT8Gf1b-1wOvBRBactp5OQ1vV-nlzcDW7UGAxcHiGJkCNQNCXT8rZJkBy_u4Qo0D5bdLQGygLhnJ2vA5mLQmd3qTRiXQqibcFTE/s72-c/Love_Rocket_Rescue_1.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-786252400198387843</id><published>2025-03-31T22:40:00.002+02:00</published><updated>2025-05-06T18:45:19.072+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Explaining Urbanism to Wild Animals"/><category scheme="http://www.blogger.com/atom/ns#" term="Odessa"/><title type='text'>Explaining Urbanism in Ukraine</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: inherit; font-size: small;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiclZO_PF5o0hJGwZFupMBcgLgqY079-51r1sbAZkdAnyWzrGE-m3N6H3w8uJlpFLlfNaUGJy0vBoDwKVCKQQrtdj3vh1TAIr0PdjKn3jhYHAMk5BXz96ORjPZG3zkLBt139GwO3SlJd-cpc5tLAHTWjepRfMAc02kU4lyX7qriKlP_9tsBc-8jCEFi6BQ/s7039/9.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;4698&quot; data-original-width=&quot;7039&quot; height=&quot;214&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiclZO_PF5o0hJGwZFupMBcgLgqY079-51r1sbAZkdAnyWzrGE-m3N6H3w8uJlpFLlfNaUGJy0vBoDwKVCKQQrtdj3vh1TAIr0PdjKn3jhYHAMk5BXz96ORjPZG3zkLBt139GwO3SlJd-cpc5tLAHTWjepRfMAc02kU4lyX7qriKlP_9tsBc-8jCEFi6BQ/s320/9.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;We&#39;re very happy to have received documentation from a recent showing of &#39;&lt;i&gt;Explaining Urbanism to Wild Animals&lt;/i&gt;&#39; at the Museum of Odessa Modern Art in Odessa, Ukraine. Shown as part of a screening organised by Video City, Basel and the British Council, our work was part a programme entitled &lt;span style=&quot;background-color: transparent; color: black; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Nature’s Life, Its Development and Neglect which also featured pieces by &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: black; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Anton Saienko, Ker Wallwork, James Stephen Wright and &lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: black; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Dasha Chechushkova.  Photo credit: &lt;/span&gt;&lt;/span&gt;Konstantin Popov.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: inherit; font-size: small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/786252400198387843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/786252400198387843'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/03/explaining-urbanism-in-ukraine.html' title='Explaining Urbanism in Ukraine'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiclZO_PF5o0hJGwZFupMBcgLgqY079-51r1sbAZkdAnyWzrGE-m3N6H3w8uJlpFLlfNaUGJy0vBoDwKVCKQQrtdj3vh1TAIr0PdjKn3jhYHAMk5BXz96ORjPZG3zkLBt139GwO3SlJd-cpc5tLAHTWjepRfMAc02kU4lyX7qriKlP_9tsBc-8jCEFi6BQ/s72-c/9.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-1264520298886052806</id><published>2025-02-22T09:51:00.000+01:00</published><updated>2026-06-05T10:49:07.113+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Prints"/><category scheme="http://www.blogger.com/atom/ns#" term="VLADA"/><title type='text'>VLADA, print edition and fundraiser</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p data-rte-preserve-empty=&quot;true&quot; style=&quot;white-space: pre-wrap;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVf1Yeqd2f24K68MID7XNGggseJfUOXxGhIJ75kQNUUFuKKPD-ARgRF7NYXGAot54Pwh6uPH1sfKuGzQpdLa5tpseMG6EjVo6xSArDYKg9uy1Kp5PCXMw0aDizYDy0vLy2BwYknrevybnSQsobt8HwcF6P9jx2b69AJqYqleH8RKk0LofCaZPhw_ITqm4/s785/VLADA_unframed.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;526&quot; data-original-width=&quot;785&quot; height=&quot;214&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVf1Yeqd2f24K68MID7XNGggseJfUOXxGhIJ75kQNUUFuKKPD-ARgRF7NYXGAot54Pwh6uPH1sfKuGzQpdLa5tpseMG6EjVo6xSArDYKg9uy1Kp5PCXMw0aDizYDy0vLy2BwYknrevybnSQsobt8HwcF6P9jx2b69AJqYqleH8RKk0LofCaZPhw_ITqm4/s320/VLADA_unframed.png&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;We&#39;re released a new print edition from our ongoing work, &lt;strong&gt;VLADA, &lt;/strong&gt;a film that focusses on Russia’s invasion of Ukraine. &lt;span&gt;In its first iteration &lt;b&gt;VLADA &lt;/b&gt;was made from over 27000 videos that were uploaded to a Ukrainian Telegram channel (also called &lt;/span&gt;Влада&lt;span&gt;) during the first year of the war. We are now producing a successor work, essentially an extension of the original film to cover not just the first 365 days of the war, but every day of the war up to the eventual cessation of hostilities. Rather than being simply a film about the war, &lt;/span&gt;&lt;strong&gt;&lt;span&gt;VLADA &lt;/span&gt;&lt;/strong&gt;&lt;span&gt;will become, in effect, a war memorial, one created from the materials of a digital battlefield.&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p data-rte-preserve-empty=&quot;true&quot; style=&quot;white-space: pre-wrap;&quot;&gt;&lt;span&gt;The print available in this limited edition is a film-still from &lt;/span&gt;&lt;strong&gt;&lt;span&gt;VLADA&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;, one which captures videos that were uploaded on the 26th and 27th February 2022. We have produced the print to mark the third anniversary of Russia’s full-scale invasion of Ukraine. All profits from the sale of this print will be donated to the &lt;/span&gt;&lt;a href=&quot;https://savelife.in.ua/en/&quot; rel=&quot;noopener&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;span&gt;Come Back Alive Foundation&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span&gt; to support Ukraine&#39;s defence and for the ongoing support of Veterans. It is available supplied in a black frame or as an unframed print in a limited edition of 40 prints.&lt;/span&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/1264520298886052806'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/1264520298886052806'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/02/vlada-print-edition-and-fundraiser.html' title='VLADA, print edition and fundraiser'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVf1Yeqd2f24K68MID7XNGggseJfUOXxGhIJ75kQNUUFuKKPD-ARgRF7NYXGAot54Pwh6uPH1sfKuGzQpdLa5tpseMG6EjVo6xSArDYKg9uy1Kp5PCXMw0aDizYDy0vLy2BwYknrevybnSQsobt8HwcF6P9jx2b69AJqYqleH8RKk0LofCaZPhw_ITqm4/s72-c/VLADA_unframed.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-3358411741166198090</id><published>2025-01-11T15:08:00.032+01:00</published><updated>2025-05-27T10:02:05.523+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Prints"/><category scheme="http://www.blogger.com/atom/ns#" term="Romeo and Juliet"/><title type='text'>Romeo and Juliet, at Kotti Shop, Berlin</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDz6ue5mIc5HeWeyjFw75Bg3DudSECt_5Ep2a2c2AO1qNYRBHersB2xISO39yxExjG3457DwqtTPvrmMzMElf-9lCMtTVBhnRG4iIPq6D5Te91yuzrOxMYbKfIIcc0dU7g3KWoH0v3bD-l4LY0REFt38pJ0l_Uow-Px1JuUY0FfPyy2CAhh9dQgk7dQOM/s1800/Romeo%20and%20Juliet_3_croweandrawlinson_2.1.4.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1013&quot; data-original-width=&quot;1800&quot; height=&quot;223&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDz6ue5mIc5HeWeyjFw75Bg3DudSECt_5Ep2a2c2AO1qNYRBHersB2xISO39yxExjG3457DwqtTPvrmMzMElf-9lCMtTVBhnRG4iIPq6D5Te91yuzrOxMYbKfIIcc0dU7g3KWoH0v3bD-l4LY0REFt38pJ0l_Uow-Px1JuUY0FfPyy2CAhh9dQgk7dQOM/w397-h223/Romeo%20and%20Juliet_3_croweandrawlinson_2.1.4.jpg&quot; width=&quot;397&quot; /&gt;&lt;/a&gt;&lt;/div&gt;This week, for one week only, we are showing a new work at Kotti Shop, Berlin. Entitled &#39;Romeo and Juliet&#39; it is a stop-frame animation which features a bridal floral 
arrangement that dries out and wilts over a period of several weeks.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Compressed into a 28 minute video, the work moves from a rich floral 
beauty to an increasingly complex patchwork of colour and form. The 
music for the work is a set of variations from Sergei Prokofiev’s ballet
 ‘Romeo and Juliet’, specifically the section often referred to as ‘The 
Dance of the Knights’. In the video the flower fragments oscillate back 
and forth around a central axis as they slowly age. However, this is not
 a straight forward mirror image but rather features a subtle asymmetry.
 It is this grinding, asymmetrical struggle between opposing forces 
which comes to the fore in the work.&lt;br /&gt;&lt;br /&gt;The work is going to be on shown on the windows at Kotti Shop every evening from 7pm to midnight as part of their TVTV programme.&amp;nbsp; Full details are:&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;TVTV_On Display #4: Nick Crowe and Ian Rawlinson&lt;br /&gt;Dates:                          12.01.2025 -19.01.2025, Daily&lt;br /&gt;Screening Times:         19:00-24:00&lt;br /&gt;Location:                     Kotti-Shop, Adalbertstr. 4, 10999 Berlin&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;And to mark the occasion of the works first showing we have produced a short run of 10 editioned prints using single still from the film. Adorn your life. Check it out at &lt;a href=&quot;https://www.croweandrawlinson.net/shop/p/romeojulietstill111&quot;&gt;https://www.croweandrawlinson.net/shop/p/romeojulietstill111&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3358411741166198090'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3358411741166198090'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2025/01/romeo-and-juliet-at-kotti-shop-berlin.html' title='Romeo and Juliet, at Kotti Shop, Berlin'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDz6ue5mIc5HeWeyjFw75Bg3DudSECt_5Ep2a2c2AO1qNYRBHersB2xISO39yxExjG3457DwqtTPvrmMzMElf-9lCMtTVBhnRG4iIPq6D5Te91yuzrOxMYbKfIIcc0dU7g3KWoH0v3bD-l4LY0REFt38pJ0l_Uow-Px1JuUY0FfPyy2CAhh9dQgk7dQOM/s72-w397-h223-c/Romeo%20and%20Juliet_3_croweandrawlinson_2.1.4.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-8142860395248385820</id><published>2024-11-11T16:00:00.000+01:00</published><updated>2026-06-05T09:48:42.044+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Prints"/><category scheme="http://www.blogger.com/atom/ns#" term="Two Kisses"/><title type='text'>Two Kisses</title><content type='html'>&lt;p&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRtXiyADITftkyfpHYg9AURoxKLp0XhrNo2Ch8vT1lg0Dk4d18pbyWhvhnbDl8Mhad2zrl3IfyJbgBvkFuMdh3_WNmLFvAwsaCo3MS7CsaB1KyoPM8H5J_MaxX_I0u-Jy0ViH20Y08rTlPSBmdESna2AuCFzJlHh0tP6N2livbVWD1hn3kHsiqBZlY6Ao/s3872/twokisses_2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2592&quot; data-original-width=&quot;3872&quot; height=&quot;246&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRtXiyADITftkyfpHYg9AURoxKLp0XhrNo2Ch8vT1lg0Dk4d18pbyWhvhnbDl8Mhad2zrl3IfyJbgBvkFuMdh3_WNmLFvAwsaCo3MS7CsaB1KyoPM8H5J_MaxX_I0u-Jy0ViH20Y08rTlPSBmdESna2AuCFzJlHh0tP6N2livbVWD1hn3kHsiqBZlY6Ao/w368-h246/twokisses_2.jpg&quot; width=&quot;368&quot; /&gt;&lt;/a&gt;&lt;/div&gt;We&#39;ve just released a new photographic print, entitled &lt;i&gt;Two Kisses.&lt;/i&gt; On November 11 2011 (so, 11.11.11) we received a studio visit from a friend and gallerist with whom we’d be working for several years. Things weren’t going well at the gallery. As is so often the case, the backer’s money was starting to run out before the business had turned a profit and she needed to make some changes. That meant dropping artists that weren’t selling and focussing on what might, ie painting. It was all very &#39;sorry guys&#39; and &#39;keep in touch&#39;, but in the end, it was a kiss off. After her visit, when we came to clear up the coffee cups, we found she&#39;d&amp;nbsp;left two lipstick imprints on her mug. Of course we photographed them. Now we&#39;re making this image available as limited edition print. Perfect for break-ups and moving on.&lt;p&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/8142860395248385820'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/8142860395248385820'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2024/11/two-kisses.html' title='Two Kisses'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRtXiyADITftkyfpHYg9AURoxKLp0XhrNo2Ch8vT1lg0Dk4d18pbyWhvhnbDl8Mhad2zrl3IfyJbgBvkFuMdh3_WNmLFvAwsaCo3MS7CsaB1KyoPM8H5J_MaxX_I0u-Jy0ViH20Y08rTlPSBmdESna2AuCFzJlHh0tP6N2livbVWD1hn3kHsiqBZlY6Ao/s72-w368-h246-c/twokisses_2.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-5930226437635627647</id><published>2024-11-04T11:28:00.000+01:00</published><updated>2024-11-04T11:28:05.659+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Explaining Urbanism to Wild Animals"/><category scheme="http://www.blogger.com/atom/ns#" term="London"/><title type='text'>Explaining Urbanism to Wild Animals, More London presentations announced!</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmi3Koh79p5c4mgyxNYgWc6xvMPValGj26VOICAuuyFZ8o_jemarYNRKRydcB8Ibo66ELbiaqhxP3oESJNBIVQ43Db88_vdU2CdSSbkisoQZLM8EqvGTRts2vCY5qaC5kD0n-lGDEvdaPjY0C4nDP1t_W-FWznK2A8u7DuhY1o3XcVm18eDb_vU68v75s/s1223/Screenshot%202024-11-02%20at%2011.27.36.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1163&quot; data-original-width=&quot;1223&quot; height=&quot;304&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmi3Koh79p5c4mgyxNYgWc6xvMPValGj26VOICAuuyFZ8o_jemarYNRKRydcB8Ibo66ELbiaqhxP3oESJNBIVQ43Db88_vdU2CdSSbkisoQZLM8EqvGTRts2vCY5qaC5kD0n-lGDEvdaPjY0C4nDP1t_W-FWznK2A8u7DuhY1o3XcVm18eDb_vU68v75s/s320/Screenshot%202024-11-02%20at%2011.27.36.png&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;We&#39;re happy to share with you that two further showings of &lt;i&gt;Explaining Urbanism to Wild Animals&lt;/i&gt; have just been announced.&amp;nbsp; &#39;Let the Grassroots Grow&#39; is touring on from SET in Woolwich to SET Ealing (at&lt;span class=&quot;w8qArf FoJoyf&quot;&gt;&lt;/span&gt;&lt;span&gt; 105-113 St James House, Broadway, London W13 9BE) before going on to SET Tower Gateway (at &lt;/span&gt;&lt;span&gt;7 &lt;em&gt;Byward St&lt;/em&gt;, London, EC3R 5AS).&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span&gt;Other &lt;/span&gt;artists in the show include Lisa Maria Baier, Adonia Bouchehri, Leon Michel, Abi Palmer and Veronika Pfaffinger.&amp;nbsp; The project was curated by Amina Ali, Andrea Domesle, Polina Chizhova, the Videocity Team and Rowan Bell. &lt;span&gt;&lt;br /&gt;&lt;br /&gt;Check the SET website for opening hours at &lt;a href=&quot;https://setspace.uk/news/&quot;&gt;https://setspace.uk/news/&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/5930226437635627647'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/5930226437635627647'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2024/11/explaining-urbanism-to-wild-animals.html' title='Explaining Urbanism to Wild Animals, More London presentations announced!'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmi3Koh79p5c4mgyxNYgWc6xvMPValGj26VOICAuuyFZ8o_jemarYNRKRydcB8Ibo66ELbiaqhxP3oESJNBIVQ43Db88_vdU2CdSSbkisoQZLM8EqvGTRts2vCY5qaC5kD0n-lGDEvdaPjY0C4nDP1t_W-FWznK2A8u7DuhY1o3XcVm18eDb_vU68v75s/s72-c/Screenshot%202024-11-02%20at%2011.27.36.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-991322105964348428</id><published>2024-10-30T16:41:00.001+01:00</published><updated>2026-06-05T10:32:27.739+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="KeK!°!!"/><category scheme="http://www.blogger.com/atom/ns#" term="Publications"/><title type='text'>The KeK!°!! Report, 2024</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2rXLiEGcslWS4aOdjHWuefRtaUwOqKDcJNYVJx_ZoaGzc8mizgqJsrpsJ7LjQHW7y9eB8_IxNiRNAoCnnylYVvhBIWtGUGFn6TIDzk9gZmvF58CE9MdnBl5-L0wAiCm0EcKf7wHsULO6MZ6zVZJlI1kgWzVvxtkE3WSrImpwZ0_PcOFqeqgeLjmUc1jM/s2820/20241024_130231.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;2820&quot; data-original-width=&quot;2820&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2rXLiEGcslWS4aOdjHWuefRtaUwOqKDcJNYVJx_ZoaGzc8mizgqJsrpsJ7LjQHW7y9eB8_IxNiRNAoCnnylYVvhBIWtGUGFn6TIDzk9gZmvF58CE9MdnBl5-L0wAiCm0EcKf7wHsULO6MZ6zVZJlI1kgWzVvxtkE3WSrImpwZ0_PcOFqeqgeLjmUc1jM/w400-h400/20241024_130231.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;Hot off the Press!&amp;nbsp; It&#39;s the 2024 Kek!°!! Report.&amp;nbsp; 20 Pages of pure KEK!°!!.&amp;nbsp; We&#39;re very pleased with it as it does capture some of the feel of the piece. The report has been produced in an edition of 50 copies and we&#39;ve made a few available via our online store for £9.99 + p&amp;amp;p.&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/991322105964348428'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/991322105964348428'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2024/10/the-kek-report-2024.html' title='The KeK!°!! Report, 2024'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2rXLiEGcslWS4aOdjHWuefRtaUwOqKDcJNYVJx_ZoaGzc8mizgqJsrpsJ7LjQHW7y9eB8_IxNiRNAoCnnylYVvhBIWtGUGFn6TIDzk9gZmvF58CE9MdnBl5-L0wAiCm0EcKf7wHsULO6MZ6zVZJlI1kgWzVvxtkE3WSrImpwZ0_PcOFqeqgeLjmUc1jM/s72-w400-h400-c/20241024_130231.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-702677653820847354</id><published>2024-10-04T13:04:00.003+02:00</published><updated>2024-10-23T13:43:10.003+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bern"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Explaining Urbanism to Wild Animals"/><title type='text'>Simply Nature, Missing Fire - Bern</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5GHdxcgVNIaAny9F6vnxVe0e1VL1fOidLV8YAyI9eHDIkznbNmdY_rlH9ejk2L7qnGNzzKTqr5PqERVp0moruwU9yCoHiM551F98fTBcDCjHQsPitENhc3uuefbDVlDQVF1t2QK-CuF6zWaAnHhTxkPpBZUx3GcZN-xw5UZkSXInER8Ztj5KCPVmdcTY/s1458/Screenshot%202024-10-23%20at%2012.59.49.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1458&quot; data-original-width=&quot;1042&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5GHdxcgVNIaAny9F6vnxVe0e1VL1fOidLV8YAyI9eHDIkznbNmdY_rlH9ejk2L7qnGNzzKTqr5PqERVp0moruwU9yCoHiM551F98fTBcDCjHQsPitENhc3uuefbDVlDQVF1t2QK-CuF6zWaAnHhTxkPpBZUx3GcZN-xw5UZkSXInER8Ztj5KCPVmdcTY/s320/Screenshot%202024-10-23%20at%2012.59.49.png&quot; width=&quot;229&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: verdana; font-size: medium;&quot;&gt;&lt;i&gt;Explaining Urbanism to Wild Animals&lt;/i&gt; gets another outing in October, this time in Bern, Switzerland as part of “Simply Fire, Missing Nature” at the REX Box.&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;_ap3a _aaco _aacu _aacx _aad7 _aade&quot; style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: verdana; font-size: medium;&quot;&gt;&lt;i&gt;This 
exhibition unfolds a story of four distinct ethical behaviour cases 
concerning non-humans in the given outdoor environments. Practicing acts
 of minimalistic care in the urban environment, going outside the 
cities, the artists work with their own tools, motifs and lenses. The 
resulting works are connected with the past, be it the past of places, 
of actual materials or the past of the art history suggested by the very
 methods of the artists. Which nature do their works show us? What kind 
of nature do they refer to? The images we see connect to the regions of 
our psyche that become knowable with the help of images of mountains, 
lawns, ponds, forests – in a word, through nature. But what is the 
nature of the images themselves, which is rather different from the 
nature of the materials with which they have been created? Perhaps, we 
might find it helpful to notice the fire of human progress, which warms 
and deserts everything in its all-consuming path, asking us not to value
 gardens over deserts, or their hybrids over each individually, but 
rather consider them in their own right.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;h1 class=&quot;_ap3a _aaco _aacu _aacx _aad7 _aade&quot; dir=&quot;auto&quot;&gt;&lt;span style=&quot;font-family: verdana; font-size: medium; font-weight: normal;&quot;&gt;The exhibition dates are 04.10.2024 – 30.10.2024. This selection has been curated by Stanislav Kholodnykh and also features the work of &lt;/span&gt;&lt;span style=&quot;font-family: verdana; font-size: medium; font-weight: normal;&quot;&gt;Veronika Pfaffinger, Rebekka Friedli and Julia Borderie &amp;amp; Eloïse Le Gallo. &lt;/span&gt;&lt;/h1&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/702677653820847354'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/702677653820847354'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2024/10/explaining-urbanism-to-wild-animals.html' title='Simply Nature, Missing Fire - Bern'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5GHdxcgVNIaAny9F6vnxVe0e1VL1fOidLV8YAyI9eHDIkznbNmdY_rlH9ejk2L7qnGNzzKTqr5PqERVp0moruwU9yCoHiM551F98fTBcDCjHQsPitENhc3uuefbDVlDQVF1t2QK-CuF6zWaAnHhTxkPpBZUx3GcZN-xw5UZkSXInER8Ztj5KCPVmdcTY/s72-c/Screenshot%202024-10-23%20at%2012.59.49.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-470900296358677157</id><published>2024-09-27T13:21:00.005+02:00</published><updated>2024-10-23T13:40:56.170+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Explaining Urbanism to Wild Animals"/><category scheme="http://www.blogger.com/atom/ns#" term="London"/><title type='text'>Let the Grassroots Grow, London</title><content type='html'>&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6ykOMhrjTX49Df9Q7JI27jRxux-CY7p29Z82mLj0v4tP7YYNCAcMPFBf3wwZ3ldjdXootzcD2iqG8zooxVXYIvO3-tASdV2aaPUJXmU3IExJxgVR_cSQFIOJMExaGlOcie9GO6CR3tFMNeZth68iP0bCq7zNWOksg9sFzLGds233OX2y7Z4GAeNNASG8/s2160/Burrow_1.E.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1620&quot; data-original-width=&quot;2160&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6ykOMhrjTX49Df9Q7JI27jRxux-CY7p29Z82mLj0v4tP7YYNCAcMPFBf3wwZ3ldjdXootzcD2iqG8zooxVXYIvO3-tASdV2aaPUJXmU3IExJxgVR_cSQFIOJMExaGlOcie9GO6CR3tFMNeZth68iP0bCq7zNWOksg9sFzLGds233OX2y7Z4GAeNNASG8/s320/Burrow_1.E.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style=&quot;font-family: verdana; font-size: medium;&quot;&gt;This week our work &lt;i&gt;Explaining Urbanism to Wild Animals&lt;/i&gt; is on show as part of “Let the Grassroots Grow”. The latest iteration is in London at SET Studios, Woolwich.&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;h1 class=&quot;_ap3a _aaco _aacu _aacx _aad7 _aade&quot; dir=&quot;auto&quot;&gt;&lt;span style=&quot;font-family: verdana; font-size: medium; font-weight: normal;&quot;&gt;The exhibition dates are 28.09.2024 – 24.10.2024 and the gallery is open Monday to Friday, 10am – 1pm&lt;br /&gt;&amp;nbsp;&lt;/span&gt;&lt;/h1&gt;&lt;h1 class=&quot;_ap3a _aaco _aacu _aacx _aad7 _aade&quot; dir=&quot;auto&quot;&gt;&lt;span style=&quot;font-family: verdana; font-size: medium; font-weight: normal;&quot;&gt;Exhibiting artists are Lisa Maria Baier, Adonia Bouchehri, Nick Crowe &amp;amp; Ian Rawlinson, Abi Palmer, Leon Michel, Veronika Pfaffinger and the Curators are Amina Ali, Andrea Domesle, Polina Chizhova and the Videocity-Team.&lt;br /&gt;&lt;/span&gt;&lt;/h1&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/470900296358677157'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/470900296358677157'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2024/09/let-grassroot-grow-london.html' title='Let the Grassroots Grow, London'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6ykOMhrjTX49Df9Q7JI27jRxux-CY7p29Z82mLj0v4tP7YYNCAcMPFBf3wwZ3ldjdXootzcD2iqG8zooxVXYIvO3-tASdV2aaPUJXmU3IExJxgVR_cSQFIOJMExaGlOcie9GO6CR3tFMNeZth68iP0bCq7zNWOksg9sFzLGds233OX2y7Z4GAeNNASG8/s72-c/Burrow_1.E.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-3439930327268743048</id><published>2024-08-30T14:00:00.009+02:00</published><updated>2024-09-29T23:32:02.750+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berlin"/><category scheme="http://www.blogger.com/atom/ns#" term="Endangered Species of Austria"/><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Girl with the Dragon Tattoo"/><category scheme="http://www.blogger.com/atom/ns#" term="Hydrate"/><category scheme="http://www.blogger.com/atom/ns#" term="Rust Drawings"/><title type='text'>Sonntag</title><content type='html'>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: verdana; font-size: medium;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWieX7IoAj_c38Bb7tFR5yPef62h7X-gDITpHAlj-mpp0S7xkLhKVPfoOXQFJGqNZzWda1hw05a0S_jMjc691aR_MHd32aHcwSR9uIKT-sZU8uk8QE3GXqC3aeHNMLo6qlQ9ZX5Qt53a7KhnIoLsDHPFYd0QnrVPo3YyexIZxntvHKNxq0glq9_AJAtH8/s759/Screenshot%202024-09-29%20at%2023.28.39.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;738&quot; data-original-width=&quot;759&quot; height=&quot;311&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWieX7IoAj_c38Bb7tFR5yPef62h7X-gDITpHAlj-mpp0S7xkLhKVPfoOXQFJGqNZzWda1hw05a0S_jMjc691aR_MHd32aHcwSR9uIKT-sZU8uk8QE3GXqC3aeHNMLo6qlQ9ZX5Qt53a7KhnIoLsDHPFYd0QnrVPo3YyexIZxntvHKNxq0glq9_AJAtH8/s320/Screenshot%202024-09-29%20at%2023.28.39.png&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;Sonntag is a project started in 2012 by April Gertler and Adrian Schiesser where they invite an artist to make a show in a domestic space and also produce the artists&#39; favourite cake which is served at the opening.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;We&#39;re really chuffed to be doing the 66th Sonntag this coming Sunday with a one day show titled &lt;b&gt;&lt;i&gt;# # I am not just a tool, I am the embodiment of Capital.&lt;/i&gt; &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;We&#39;re mainly showing briquette works, but also the Dodo Costume from KEK!°!! and a re-edited video about endangered species in Austria.&amp;nbsp; Oh, and our favorite cake is &lt;/span&gt;&lt;span style=&quot;font-family: verdana; font-size: medium;&quot;&gt;Toucinho do céu, a portuguese delight that also goes by the name Bacon from Heaven. &lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: verdana; font-size: medium;&quot;&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;color: #515856; line-height: 26.4px; margin: 0px 0px 10px; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: verdana; font-size: medium;&quot;&gt;&lt;strong&gt;1. September 2024, 14 - 18h.&lt;br /&gt;SONNTAG&lt;br /&gt;Wilhelm-Busch-Straße 22&lt;br /&gt;12043 Berlin-Neukölln&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3439930327268743048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/3439930327268743048'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2024/08/sonntag.html' title='Sonntag'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWieX7IoAj_c38Bb7tFR5yPef62h7X-gDITpHAlj-mpp0S7xkLhKVPfoOXQFJGqNZzWda1hw05a0S_jMjc691aR_MHd32aHcwSR9uIKT-sZU8uk8QE3GXqC3aeHNMLo6qlQ9ZX5Qt53a7KhnIoLsDHPFYd0QnrVPo3YyexIZxntvHKNxq0glq9_AJAtH8/s72-c/Screenshot%202024-09-29%20at%2023.28.39.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-1841656454155268745.post-8521957597862423481</id><published>2024-07-10T14:00:00.036+02:00</published><updated>2026-06-05T00:30:53.038+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Exhibitions"/><category scheme="http://www.blogger.com/atom/ns#" term="Publications"/><category scheme="http://www.blogger.com/atom/ns#" term="Song for Armageddon"/><title type='text'>The Waking Dreams of Phantasmata Traumata Catalog</title><content type='html'>&lt;p&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOKNAIvENDYqt5qIJ2-rRXPMe8taVtVPr-GLP4gG2drqwhNQ3DFpQ7f-2ute4-8WlVRzn_mNc0frp10-M-dn6cB7ybeo7bwncbwDEcFhJuijLb39yfsVOavyS5aqnFK2xcnDk8t5zWZjD7QM69JudE-7q_bkOth669UWlZPSSyu0UyeHHqeEnMKmDJ3Nk/s1283/Screenshot%202024-10-30%20at%2016.55.20.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; font-family: inherit; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1152&quot; data-original-width=&quot;1283&quot; height=&quot;287&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOKNAIvENDYqt5qIJ2-rRXPMe8taVtVPr-GLP4gG2drqwhNQ3DFpQ7f-2ute4-8WlVRzn_mNc0frp10-M-dn6cB7ybeo7bwncbwDEcFhJuijLb39yfsVOavyS5aqnFK2xcnDk8t5zWZjD7QM69JudE-7q_bkOth669UWlZPSSyu0UyeHHqeEnMKmDJ3Nk/s320/Screenshot%202024-10-30%20at%2016.55.20.png&quot; width=&quot;320&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-family: inherit; font-size: medium;&quot;&gt;The catalog for this great show has just dropped. With an essay from curator Siona Wilson and info about our contribution (which also makes the front cover, #WeAreProud) as well as the work of &lt;/span&gt;&lt;span style=&quot;font-family: inherit; font-size: medium;&quot;&gt;&lt;span class=&quot;t s1_3&quot; id=&quot;t3_3&quot;&gt;Susan Bee, Nancy Bowen, Kerry da Silva Cox, Gallery for Ghosts, &lt;/span&gt;&lt;span class=&quot;t s1_3&quot; id=&quot;t4_3&quot;&gt;Hilma’s Ghost, Melinda Kiefer Santiago, Christopher Santiago and Francisco Soto. It&#39;s available for free download from &lt;a href=&quot;https://www.academia.edu/118163586/Waking_Dreams_Catalog_2024_final_lowres &quot;&gt;Academia.edu&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: verdana; font-size: medium;&quot;&gt;&lt;span class=&quot;t s1_3&quot; id=&quot;t4_3&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;p style=&quot;text-align: left;&quot;&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/8521957597862423481'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1841656454155268745/posts/default/8521957597862423481'/><link rel='alternate' type='text/html' href='http://croweandrawlinson.blogspot.com/2024/07/the-waking-dreams-of-phantasmata.html' title='The Waking Dreams of Phantasmata Traumata Catalog'/><author><name>Nick Crowe and Ian Rawlinson</name><uri>http://www.blogger.com/profile/10675563232357276021</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOKNAIvENDYqt5qIJ2-rRXPMe8taVtVPr-GLP4gG2drqwhNQ3DFpQ7f-2ute4-8WlVRzn_mNc0frp10-M-dn6cB7ybeo7bwncbwDEcFhJuijLb39yfsVOavyS5aqnFK2xcnDk8t5zWZjD7QM69JudE-7q_bkOth669UWlZPSSyu0UyeHHqeEnMKmDJ3Nk/s72-c/Screenshot%202024-10-30%20at%2016.55.20.png" height="72" width="72"/></entry></feed>