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 <title>Nicolae Sfetcu</title>
 <link>http://www.sfetcu.com</link>
 <description>My virtual house and friends</description>
 <language>en</language>
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 <title>Purpose of Online Marketing</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/UOUpx88ZB58/Purpose-Online-Marketing</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;p&gt;&lt;a href="http://www.flickr.com/photos/stevegarfield/3429111214/"&gt;&lt;br /&gt;
&lt;img src="http://www.sfetcu.com/sites/default/files/images/3429111214_c64aa4bd04.preview.jpg" alt="Digital Marketing World" title="Digital Marketing World" class="image image-preview" width="468" height="355" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;When marketing online, the general four step process of marketing is still  the guiding idea, in the online world the character of marketing becomes more  deeply a conversation between a marketer and a market-of-one a concept that is  central to The cluetrain manifesto. In such a role as a communicator, the online  marketer is in a position to build awareness of her/his company or business in  more personal terms than otherwise, and in so doing enables a more human  conversation. Such conversations tend to be more warts and all and should  establish confidence of the potential purchaser in the potential vendor.&lt;/p&gt;
&lt;p&gt;Smith and Chaffey (2001) claim that Internet technology can be used to focus  marketing on the customer, while at the same time linking to other business  operations so as to achieve profitability. This can be done by:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Identifying&lt;/b&gt; - the Internet be used for marketing research to find  	out customers' needs and wants;&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Anticipating&lt;/b&gt; - the Internet provides an additional channel by  	which customers can access information and make purchases - understanding  	this demand is key to governing resource allocation to e-marketing.&lt;/li&gt;
&lt;/ul&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Satisfying&lt;/b&gt; - a key success factor in e-marketing is achieving  	customer satisfaction through the electronic channel, this raises issues  	such as is the site easy to use, does it perform adequately, what is the  	standard of associated customer service and how are physical products  	dispatched?&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Detractors of this concept of human-to-human contact through online  conversations suggest that companies are going to be careful about marketing in  this manner and perhaps will never really have honest and open conversations as  the interests of companies and businesses are not the interests of potential  purchasers. The cluetrain manifesto allows for this type of thinking suggesting  that businesses when marketing in this manner need to be thinking about more  than just making money; if a business is thinking only about making money, it  will become apparent in close online conversations and the market will treat  that business in whatever manner it may as markets can now talk to each other  through the same means marketers talk to potential customers.&lt;/p&gt;
&lt;p&gt;This guide is licensed under the &lt;a href="http://www.gnu.org/copyleft/fdl.html"&gt;GNU Free Documentation License&lt;/a&gt;.  It uses material from the &lt;a href="http://www.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/NicolaeSfetcu/~4/UOUpx88ZB58" height="1" width="1"/&gt;</description>
 <comments>http://www.sfetcu.com/book/Purpose-Online-Marketing#comments</comments>
 <category domain="http://www.sfetcu.com/category/Business/Business">Business</category>
 <category domain="http://www.sfetcu.com/category/Internet/Internet-marketing-advertising">Internet marketing &amp; advertising</category>
 <category domain="http://www.sfetcu.com/category/Tags/marketing">marketing</category>
 <category domain="http://www.sfetcu.com/category/Tags/marketing-online">marketing online</category>
 <category domain="http://www.sfetcu.com/category/Tags/online-marketing">online marketing</category>
 <category domain="http://www.sfetcu.com/category/Tags/purpose">purpose</category>
 <pubDate>Fri, 17 Jul 2009 08:42:05 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
 <guid isPermaLink="false">5056 at http://www.sfetcu.com</guid>
<feedburner:origLink>http://www.sfetcu.com/book/Purpose-Online-Marketing</feedburner:origLink></item>
<item>
 <title>Without reference to previous correspondence / Când nu se face referire la corespondenţa anterioară</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/lLvvubgDR3E/Without-reference-previous-correspondence-Cand-nu-se-face-referire-la-corespondenta-anterioara</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;table width="100%" cellspacing="1" border="1" id="AutoNumber1"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td width="50%" valign="bottom"&gt;
&lt;p align="center"&gt;&lt;b&gt;Without reference to previous correspondence&lt;/b&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td width="50%" valign="bottom"&gt;
&lt;p align="center"&gt;&lt;b&gt;C&amp;acirc;nd nu se  		face referire la corespondenţa anterioară&lt;/b&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td width="50%" valign="top"&gt;
&lt;p align="justify"&gt;1. We are pleased to inform you that ...&lt;br /&gt;
            2. We owe your address to ...&amp;nbsp;&amp;nbsp; &lt;br /&gt;
            3. We should be grateful (obliged) if you would let us know whether ...&lt;br /&gt;
            4. May we have details of ...&lt;br /&gt;
            5. We are sending you herewith/under separate cover ...&lt;br /&gt;
            6. We attach for your information the copy of a letter received today  		from ...&lt;br /&gt;
            7. We have received an enquiry for &amp;hellip;&lt;br /&gt;
            8. We have been informed by &amp;hellip;&lt;/p&gt;
&lt;/td&gt;
&lt;td width="50%" valign="top"&gt;
&lt;p align="justify"&gt;&lt;span lang="RO"&gt;1. Ne face plăcere să vă informăm  		ca...&lt;br /&gt;
            2. Datorăm adresa Dvs. lui...&lt;br /&gt;
            3.&lt;/span&gt; &lt;span lang="RO"&gt;V-am fi (răm&amp;acirc;ne) recunoscători (obligaţi) dacă  		ne-aţi informa dacă...&lt;br /&gt;
            4. Ne-aţi putea furniza detalii privind . .&lt;br /&gt;
            5. Vă trimitem alăturat/&amp;icirc;ntr-un plic separat... &lt;br /&gt;
            6.&amp;nbsp;Anexăm pentru informarea Dvs. copia unei scrisori primită&amp;nbsp;  		astăzi din partea...&lt;br /&gt;
            7. Am primit o cerere de informaţii din partea...&lt;br /&gt;
            8. Am fost informaţi de către ...&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div class="technorati_tags"&gt;&lt;img alt="Technorati Tags:" src="/sites/default/modules/technorati/technobubble.gif"/&gt;&lt;strong&gt;Technorati Tags: &lt;/strong&gt;&lt;a href="http://technorati.com/tag/Când+nu+se+face+referire+la+corespondenţa+anterioară" rel="tag"&gt;Când nu se face referire la corespondenţa anterioară&lt;/a&gt; &lt;a href="http://technorati.com/tag/Traduceri" rel="tag"&gt;Traduceri&lt;/a&gt; &lt;a href="http://technorati.com/tag/Without+reference+to+previous+correspondence" rel="tag"&gt;Without reference to previous correspondence&lt;/a&gt; &lt;a href="http://technorati.com/tag/Without+reference+to+previous+correspondence" rel="tag"&gt;Without reference to previous correspondence&lt;/a&gt; &lt;a href="http://technorati.com/tag/Când+nu+se+face+referire+la+corespondenţa+anterioară" rel="tag"&gt;Când nu se face referire la corespondenţa anterioară&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/jnm5aoNd9X0fQ-Ocye79a4Bx0wQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jnm5aoNd9X0fQ-Ocye79a4Bx0wQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/NicolaeSfetcu/~4/lLvvubgDR3E" height="1" width="1"/&gt;</description>
 <comments>http://www.sfetcu.com/book/Without-reference-previous-correspondence-Cand-nu-se-face-referire-la-corespondenta-anterioara#comments</comments>
 <category domain="http://www.sfetcu.com/tags/Tags/Cand-nu-se-face-referire-la-corespondenta-anterioara">Când nu se face referire la corespondenţa anterioară</category>
 <category domain="http://www.sfetcu.com/category/Afaceri/Traduceri">Traduceri</category>
 <category domain="http://www.sfetcu.com/tags/Tags/Without-reference-previous-correspondence">Without reference to previous correspondence</category>
 <pubDate>Wed, 08 Jul 2009 11:06:22 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
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<item>
 <title>Mass-media: The funeral of Michael Jackson</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/Zd2KYln-kVo/Mass-media-funeral-Michael-Jackson</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;p&gt;&lt;a href="http://www.flickr.com/photos/rene_berlin/3700074675/"&gt;&lt;br /&gt;
&lt;img src="http://www.sfetcu.com/sites/default/files/images/3700074675_8d977c22c1.preview.jpg" alt="Tribute to Michael Jackson" title="Tribute to Michael Jackson" class="image image-preview" width="468" height="331" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;The funeral of Michael Jackson on July 7, 2009, in Los Angeles,  California, consisted of a private family service at Forest Lawn Memorial Park's  Hall of Liberty in Hollywood Hills, followed by a public memorial at the Staples  Center. After the public service, family members and close friends attended a  Beverly Hills private gathering. (&lt;a href="http://en.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.latimes.com/news/local/la-me-jackson-memorial8-2009jul08,0,199118.story" class="usg-AFQjCNGJfJSN3-mfUa1Zs3XAIdyMmTv7jw sig2-lXK3jNv6r3jrLPV8MqBx7w" target="_self"&gt; Michael Jackson: A requiem for a king&lt;/a&gt;&lt;br /&gt;
Los Angeles Times&lt;/p&gt;
&lt;p&gt;Fans line up outside Staples Center on Tuesday morning for Michael Jackson's  memorial. About 1.6 million people sought tickets to attend. ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.eonline.com/uberblog/b133024_celebs_tweet_final_respects_michael.html" class="usg-AFQjCNEhrznjHd27imM1-XWXacAMXttGaw sig2-zucFsVC1gpMwgK6TmWk5dQ" target="_self"&gt; Celebs Tweet Final Respects to Michael Jackson&lt;/a&gt;&lt;br /&gt;
E! Online&lt;/p&gt;
&lt;p&gt;Serena Williams: &amp;quot;Today, we honor Michael Jackson for his love, music, &amp;amp; being a  genius. I'm still shocked. Please, share your favorite songs. ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.nydailynews.com/ny_local/2009/07/07/2009-07-07_michael_jackson_more_like_an_evil_genius.html" class="usg-AFQjCNEWj68xBrV2xXJbR-JFIEESDfQSgA sig2-X9k2fy9bJlSqSUOLqLN8bQ" target="_self"&gt; Michael Jackson was more like an evil 'genius'&lt;/a&gt;&lt;br /&gt;
New York Daily News&lt;/p&gt;
&lt;p&gt;If not for his money and fame, Michael Jackson would probably have died in  prison. I was thinking this last week in a park in Queens with a bunch of  parents ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.mtv.com/news/articles/1615394/20090707/jackson_michael.jhtml" class="usg-AFQjCNH0oyMyfzuG5xhxWXkyIqzHvWnMbw sig2-qbgPrtfsZQiaehJJ-c964Q" target="_self"&gt; Michael Jackson's This Is It Concert Merchandise Sold Online&lt;/a&gt;&lt;br /&gt;
MTV.com&lt;/p&gt;
&lt;p&gt;As the world gathered to mourn and pay tribute to Michael Jackson on Tuesday  (July 7), fans were given one more chance to grab a piece of the ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.cbsnews.com/stories/2009/07/07/earlyshow/leisure/celebspot/main5138984.shtml" class="usg-AFQjCNGbxe7pT3tyuDoKDGAiwmMrq_q5iA sig2-x0PMzeRfO8PNy-GqPXvTQw" target="_self"&gt; Joe Jackson, Alleged Abuse and Michael&lt;/a&gt;&lt;br /&gt;
CBS News&lt;/p&gt;
&lt;p&gt;Michael Jackson's tumultuous relationship with his father, Joe, was no secret.  Ben Tracy takes a look at the superstar and his dad in good times and bad. ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.usatoday.com/tech/news/2009-07-07-jackson-service-streamed-internet_N.htm" class="usg-AFQjCNHbxV1HcOSHAWmjbLrkvIXlB2hccQ sig2-R-SOFv09e0kpqmM0B9xEGQ" target="_self"&gt; Millions stream Michael Jackson memorial service&lt;/a&gt;&lt;br /&gt;
USA Today&lt;/p&gt;
&lt;p&gt;The world was watching, but did the Internet weather the crush of viewers during  Michael Jackson's memorial ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://abcnews.go.com/Primetime/MichaelJackson/story?id=8023028&amp;amp;page=1" class="usg-AFQjCNGT0kl79wzKCJqVdVhEl9XmxsmDaw sig2-gtu6DsQZeAmjHqHf-xL3ew" target="_self"&gt; Debbie Rowe: Why She Had Jackson's Children&lt;/a&gt;&lt;br /&gt;
ABC News&lt;/p&gt;
&lt;p&gt;Michael Did It All,' Rowe Says in 2003 Interview By RICHARD GERDAU and LEE  HOFFMAN Thousands of Michael Jackson's friends, fans and family members attended  ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.reuters.com/article/entertainmentNews/idUSTRE5670X420090708" class="usg-AFQjCNHtNgUf-LR8FpbyKha3PP-unmv0Hw sig2-p2z_O2BCUOkUgVh1y6GdTQ" target="_self"&gt; With stores restocked, Michael Jackson's music sales climb&lt;/a&gt;&lt;br /&gt;
Reuters&amp;nbsp;&lt;/p&gt;
&lt;p&gt;On the day the world said goodbye to Michael Jackson, his star continued to  shine on Billboard's charts, ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.seattlepi.com/tvguide/407914_tvgif7.html" class="usg-AFQjCNE0fw6IdeY8HCSwr-zU8-bo78m3BA sig2-rsZZ6NObBqgwKTcMNRVYhQ" target="_self"&gt; Top Moments: Michael Jackson Memorial&lt;/a&gt;&lt;br /&gt;
Seattle Post Intelligencer&lt;/p&gt;
&lt;p&gt;Michael Jackson &amp;quot;was an idol, a hero and even a king. We come together and we  remember the time,&amp;quot; Pastor Lucious Smith said in his opening ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.google.com/hostednews/ap/article/ALeqM5gF-g39sqlnIDKYCiDEwmWLEvQCzAD999V89G0" class="usg-AFQjCNFzw0cYweMYyRl-CNJWA_DiVdt_jw sig2-ZGsQp6HP7b0cqWwxIRDlvQ" target="_self"&gt; Jackson's death certificate leaves cause unknown&lt;/a&gt;&lt;br /&gt;
The Associated Press&lt;/p&gt;
&lt;p&gt;Michael Jackson's death certificate has been released without a listed cause  of death and a coroner said investigators are still testing ...&lt;/p&gt;
&lt;h2&gt;Blogospfere&lt;/h2&gt;
&lt;p&gt;&lt;a href="http://www.tmz.com/2009/07/07/michael-jackson-direct-tv-box/" id="p-1:tJLSMxJs984zllrxVuP0fQ"&gt; Michael Jackson's Body Headed to Staples | TMZ.com&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;17 hours ago by TMZ  Staff &amp;nbsp;&lt;br /&gt;
The private ceremony at Forest Lawn has ended. Michael's body is on its way to  the Staples Center, where the public ceremony will begin at 10am ... var ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://mediamemo.allthingsd.com/20090707/michael-jacksons-last-performance-big-but-not-obama-big/" id="p-2:rvKl_oLwD_w1OOnXSJcp_g"&gt; Michael Jackson's Last Performance on the Web: Big, But Not Obama ...&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Depending on your prespective, this is either interesting news, or heartening  news: Michael Jackson's funeral and memorial was indeed a giant Internet event.  But it doesn't seem to have been as big as Michael Jackson's death, ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://mashable.com/2009/07/07/cnn-live-stream-michael-jackson/" id="p-3:vrHqtZG2mTAFhO6js-oGrA"&gt; CNN Live Stream of Michael Jackson Memorial: 9.7 Million Views&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;We knew  that Michael Jackson's memorial service would be one of the biggest events in  Internet history, and so far, the numbers are confirming it. We've.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://searchengineland.com/yahoo-jackson-5-million-streams-22073" id="p-4:tgHCbsIsfLtg-8Ycha6E4w"&gt; Yahoo Serves 5 Million Streams Of Michael Jackson Memorial, Most ...&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Our  love affair with celebrity continues, as evidenced by news today from Yahoo that  it served about five million streams of the Michael Jackson Memorial.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.techcrunch.com/2009/07/07/the-world-was-watching-michael-jacksons-memorial-by-the-numbers/" id="p-5:f_Vl9uitCYjCRENKGd6c2Q"&gt; The World Was Watching: Michael Jackson's Memorial, By The Numbers&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;In news  that should come as a surprise to absolutely no one, Michael Jackson's sobering  memorial service this morning will go down as ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.boingboing.net/2009/07/07/michael-jackson-to-b-1.html" id="p-6:cIzamzIK5LJvwzZPHpkNsA"&gt; Michael Jackson to be buried brainless, coroners say brain must ...&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Pop  star Michael Jackson will be laid to rest today in a Los Angeles cemetary  without his brain. Doctors investigating the cause of his death are retaining it  for an undetermined period of time so they can perform further tests. ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://newsroom.mtv.com/2009/07/07/michael-jackson-memorial-live-blog/" id="p-7:Pvw-KtUS57A4PU_ik9WRyA"&gt; MTV Newsroom &amp;raquo; Michael Jackson Memorial Service: The Live Blog&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Welcome to  the Michael Jackson memorial service live blog. Don't forget you can watch the  full event on a live stream here and you can follow on Twitter here. We're  expecting a memorable afternoon featuring Mariah Carey, Usher, ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://bumpshack.com/2009/07/07/michael-jackson-memorial-photos/" id="p-8:pMoIFZUAiX7MJPZHsA30TA"&gt; Michael Jackson Memorial Photos | Bumpshack.com&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;A Memorial for the late  King of Pop Michael Jackson was held at the Staples Center in Los Angeles today  (July 7). You can still catch Bumpshack live.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.theinsider.com/news/2387858_Stars_React_to_Michael_Jackson_Memorial" id="p-9:pp7vNwWM9_GwWwfkdIPFDQ"&gt; Stars React to Michael Jackson Memorial at The Insider&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Stars React to  Michael Jackson Memorial. ... After Tuesday's emotional public memorial for  Michael Jackson, &amp;quot;The Insider&amp;quot; was there as several celeb guests shared their  thoughts with Entertainment Tonight's Kevin Frazier. ...&lt;/p&gt;
&lt;p&gt;&lt;a href="http://perezhilton.com/2009-07-07-the-michael-jackson-memorial-2" id="p-10:Vq6rv-9dVF6YvtICRqFL0w"&gt; Perez Hilton: The Michael Jackson Memorial&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Since 2004, Hollywood's most  hated website has been delivering the juiciest celebrity gossip. The blog is The  go-to source for daily happenings in Hollywood. Written by the internet's most  notorious gossip columnist, Perez Hilton (Mario ...&lt;/p&gt;
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 <pubDate>Wed, 08 Jul 2009 10:32:25 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
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<item>
 <title>Smart client</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/wxChzcapXuM/Smart-client</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;p&gt;&lt;a href="http://www.flickr.com/photos/therealgrudge/512609200/"&gt;&lt;br /&gt;
&lt;img src="http://www.sfetcu.com/sites/default/files/images/512609200_82ad792c94.preview.jpg" alt="Smart FTP" title="Smart FTP" class="image image-preview" width="468" height="351" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Smart Client&lt;/b&gt; is a &lt;b&gt;new&lt;/b&gt; &amp;quot;buzzword&amp;quot; used in software development,  generally referring to applications which:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;are delivered over the web&lt;/li&gt;
&lt;li&gt;do not require installation (or provide automated installation and  	updates)&lt;/li&gt;
&lt;li&gt;automatically update without user action&lt;/li&gt;
&lt;li&gt;have the look and feel of desktop applications&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The term &amp;quot;Smart Client&amp;quot; is meant to refer to simultaneously capturing the  benefits of a &amp;quot;thin client&amp;quot; (zero-install, auto-update) and a &amp;quot;fat client&amp;quot; (high  performance, high productivity).&lt;/p&gt;
&lt;p&gt;A &amp;quot;Smart Client&amp;quot; application can be created in several very different  technologies. The original use of the term in the context of the web was  Isomorphic Software's SmartClient product (they own the SmartClient.com domain),  which uses an Ajax-based, cross-browser cross-platform approach. Subsequently  Microsoft began using the terminology to refer to .NET applications delivered  via the Internet Explorer browser to Windows XP. The terms &amp;quot;Rich Internet  Application&amp;quot; (RIA) and &amp;quot;rich web application&amp;quot; are essentially synonymous with  &amp;quot;Smart Client&amp;quot;, and are used to refer to several other technological approaches  including Flash, Java applets and Webstart applications.&lt;/p&gt;
&lt;p&gt;The Smart Client approach came about because when businesses tried to develop  web applications to replace their old desktop applications, user productivity  decreased. This was because web-based user interfaces based on server-side HTML  generation are typically not as responsive, have fewer hot keys and require more  use of the mouse, etc.&lt;/p&gt;
&lt;p&gt;Smart Client applications bridge the gap between web applications and desktop  applications. They provide the benefits of a web application (such as leveraging  the internet and offering remote access to data) while still providing the  snappy look and feel inherent to desktop applications.&lt;/p&gt;
&lt;p&gt;This guide is licensed under the &lt;a href="http://www.gnu.org/copyleft/fdl.html"&gt;GNU Free Documentation License&lt;/a&gt;.  It uses material from the &lt;a href="http://www.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
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 <pubDate>Wed, 08 Jul 2009 09:41:35 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
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<item>
 <title>Mobile phones</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/NDssFc3SvMg/Mobile-phones</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;p class="firstHeading"&gt;&lt;img src="http://www.sfetcu.com/sites/default/files/images/Several_mobile_phones.preview.png" alt="Mobile phones" title="Mobile phones" class="image image-preview" width="468" height="207" /&gt;&lt;/p&gt;
&lt;p align="justify"&gt;In telecommunication, a &lt;strong&gt;wireless phone&lt;/strong&gt;, &lt;strong&gt;cellular mobile&lt;/strong&gt; or &lt;strong&gt;cell phone&lt;/strong&gt; (in the United  States), also called a &lt;strong&gt;mobile phone&lt;/strong&gt; in other English speaking  countries, is a mobile communications system that uses a combination of radio  wave transmission and conventional telephone switching to permit telephone  communication to and from mobile users within a specified area.&lt;/p&gt;
&lt;p align="justify"&gt;The term does not comprise the so-called &lt;em&gt;portable phone&lt;/em&gt;  or &lt;em&gt;cordless phone&lt;/em&gt;, which is associated with a fixed telephone landline  and can only be operated close to (less than 100 metres of) its base station,  such as in and around the house. The term &lt;em&gt;cell phone&lt;/em&gt; applies  specifically to mobile phones which use a cellular network; &lt;strong&gt;satellite  phones&lt;/strong&gt; are also mobile phones, but not cellular.&lt;/p&gt;
&lt;h2 align="justify"&gt;&lt;a name="Satellite_telephony_(INMARSAT)"&gt;Satellite telephony  (INMARSAT) &lt;/a&gt;&lt;/h2&gt;
&lt;p align="justify"&gt;Inmarsats use a completely different system. Basically, the  satellite simply retransmits whatever signals it receives. The mobile stations  actually log into a ground station. More information is available at INMARSAT.&lt;/p&gt;
&lt;p align="justify"&gt;&lt;em&gt;Note:&lt;/em&gt; In cellular mobile systems, large geographical  areas are segmented into many smaller areas, &lt;em&gt;i.e.,&lt;/em&gt; cells, each of which  has its own radio transmitters and receivers and a single controller  interconnected with the public switched telephone network. &lt;em&gt;Synonyms&lt;/em&gt; &lt;strong&gt;cellular phone&lt;/strong&gt;, &lt;strong&gt;mobile phone&lt;/strong&gt;, &lt;strong&gt;cellular  radio&lt;/strong&gt;, &lt;strong&gt;cellular telephone&lt;/strong&gt;.&lt;/p&gt;
&lt;p align="justify"&gt;&lt;i&gt;Source: from Federal Standard 1037C &lt;/i&gt;&lt;/p&gt;
&lt;p&gt;This guide is licensed under the &lt;a href="http://www.gnu.org/copyleft/fdl.html"&gt;GNU Free Documentation License&lt;/a&gt;.  It uses material from the &lt;a href="http://www.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
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 <comments>http://www.sfetcu.com/book/Mobile-phones#comments</comments>
 <category domain="http://www.sfetcu.com/category/Tags/cell-phones">cell phones</category>
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 <pubDate>Tue, 30 Jun 2009 22:01:29 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
 <guid isPermaLink="false">5044 at http://www.sfetcu.com</guid>
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<item>
 <title>Sauropterygia</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/Lx2i2oD_bb4/Sauropterygia</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;table cellpadding="0" border="1" id="table4" style="margin: 0px 0px 0.5em 1em; background: white none repeat scroll 0% 0%; clear: right; float: right; width: 200px; position: relative; border-collapse: collapse; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"&gt;
&lt;tbody&gt;
&lt;tr style="text-align: center;"&gt;
&lt;th style="background: pink none repeat scroll 0% 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"&gt;&lt;b&gt;Sauropterygians&lt;/b&gt;&lt;br /&gt;
            &amp;nbsp;&lt;center&gt;&lt;small&gt;Fossil range: Late Permian - Late Cretaceous&lt;/small&gt;&lt;/center&gt;&lt;/th&gt;
&lt;/tr&gt;
&lt;tr style="text-align: center;"&gt;
&lt;td&gt;&lt;img src="http://www.sfetcu.com/sites/default/files/images/Plesiosaur-illustration.png" alt="Plesiosaur" title="Plesiosaur" class="image image-preview" width="210" height="155" /&gt;&lt;br /&gt;
            &amp;nbsp;
&lt;div style="text-align: center;"&gt;&lt;small&gt;Artistic recreation of a plesiosaur&lt;/small&gt;&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr style="text-align: center;"&gt;
&lt;th style="background: pink none repeat scroll 0% 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"&gt;&lt;b&gt;Scientific classification&lt;/b&gt;&lt;/th&gt;
&lt;/tr&gt;
&lt;tr style="text-align: center;"&gt;
&lt;td&gt;
&lt;table cellpadding="2" id="table5" style="margin: 0px auto; background: white none repeat scroll 0% 0%; text-align: left; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"&gt;
&lt;tbody&gt;
&lt;tr valign="top"&gt;
&lt;td&gt;Kingdom:&lt;/td&gt;
&lt;td&gt;Animalia&lt;br /&gt;
                        &amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr valign="top"&gt;
&lt;td&gt;Phylum:&lt;/td&gt;
&lt;td&gt;Chordata&lt;br /&gt;
                        &amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr valign="top"&gt;
&lt;td&gt;Class:&lt;/td&gt;
&lt;td&gt;Sauropsida&lt;br /&gt;
                        &amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr valign="top"&gt;
&lt;td&gt;Superorder:&lt;/td&gt;
&lt;td&gt;&lt;b&gt;Sauropterygia&lt;/b&gt;&lt;br /&gt;
                        &lt;font size="2"&gt;Owen, 1860&lt;/font&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr bgcolor="pink"&gt;
&lt;th&gt;&lt;center&gt;Orders&lt;/center&gt;&lt;/th&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style="padding: 0px 0.5em;"&gt;&lt;i&gt;&amp;nbsp;?Thalattosauriformes &lt;br /&gt;
            Placodontia &lt;br /&gt;
            Nothosauroidea &lt;br /&gt;
            Plesiosauria &lt;/i&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;&lt;b&gt;Sauropterygia&lt;/b&gt; (&amp;quot;lizard flippers&amp;quot;) is a group of very successful  aquatic reptiles that flourished during the Age of the Dinosaurs before they  became extinct. They are united by a radical adaptation of their shoulder,  designed to support powerful flipper strokes. Some later sauropterygians like  the pliosaurs developed a similar mechanism in their pelvis.&lt;/p&gt;
&lt;p&gt;The earliest sauropterygians appeared about 245 million years ago (Ma), at  the start of the Triassic period. Early examples were small (around 60 cm),  semi-aquatic lizard-like animals with long limbs (pachypleurosaurs), but they  quickly grew to be several meters long and spread into shallow waters (nothosaurs).  The Triassic-Jurassic extinction event wiped them all out except for the  plesiosaurs. During the Early Jurassic these diversified quickly into both  long-necked small-headed plesiosaurs proper, and short-necked large-headed  pliosaurs. Originally it was thought that Plesiosaurs and Pliosaurs were two  distinct superfamilies that followed separate evolutionary paths. It now seems  that these were simply morphotypes in that both types evolved a number of times,  with some pliosaurs evolving from plesiosaur ancestors, and vice-versa.&lt;/p&gt;
&lt;p&gt;Each morphotype filled a specific ecological role. The large pliosaurs, like  the Jurassic Rhomaleosaurus, Liopleurodon and Pliosaurus, and the Cretaceous  Kronosaurus and Brachauchenius, were the superpredators of the Mesozoic seas,  around 7 to 12 meters in length, and filled a similar ecological role to that of  killer whales today. The long-necked plesiosaurs, meanwhile, included both those  with medium-long necks, like the 3 to 5 meter-long Plesiosauridae and the  Cryptoclididae, and the Jurassic and Cretaceous Elasmosauridae, which evolved  progressively longer and more flexible necks, so that by the middle and late  Cretaceous the entire animal was over 13 meters in length (e.g. Elasmosaurus),  although as most of this was the neck, the actual body size was much smaller  than that of the larger pliosaurs. These long-necked forms undoubtedly fed on  fish, which they probably snared in their tooth-lined jaws with rapid lunges of  the neck and head.&lt;/p&gt;
&lt;p&gt;Disregarding reports of lake monsters like the Loch Ness Monster, they all  perished 65 Mya during the Cretaceous-Tertiary extinction event.&lt;/p&gt;
&lt;p&gt;Classification is difficult because the demands of the aquatic environment  caused the same characteristics to evolve multiple times, illustrating  convergent evolution. While sauropterygians are considered diapsids, they are  also sometimes classified with turtles. The bulky-bodied, mollusc-eating  placodonts may also be sauropterygians. In addition to the modifications of the  shoulder, the group is also united by several modifications in their skulls.&lt;/p&gt;
&lt;h2&gt;&lt;span class="mw-headline"&gt;Taxonomy&lt;/span&gt;&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Class Sauropsida&lt;/b&gt; (reptiles)
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;Infraclass Lepidosauromorpha&lt;/b&gt; (lizards and  							relatives)
&lt;ul&gt;
&lt;li&gt;&lt;b&gt;SUPERORDER SAUROPTERYGIA&lt;/b&gt;&lt;br /&gt;
&lt;ul lastcheckbox="null"&gt;
&lt;li&gt;Order Thalattosauriformes
&lt;ul&gt;
&lt;li&gt;Suborder Thalattosauria&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;Order Placodontia&lt;/li&gt;
&lt;li&gt;(unranked) &lt;b&gt;Eusauropterygia&lt;/b&gt;&lt;br /&gt;
&lt;ul lastcheckbox="null"&gt;
&lt;li&gt;Order Nothosauroidea&lt;br /&gt;
&lt;ul lastcheckbox="null"&gt;
&lt;li&gt;Suborder Pachypleurosauria&lt;/li&gt;
&lt;li&gt;Suborder Nothosauria&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;(unranked) &lt;b&gt;Pistosauroidea&lt;/b&gt;&lt;br /&gt;
&lt;ul lastcheckbox="null"&gt;
&lt;li&gt;Corosaurus &lt;br /&gt;
                        Chinchenia &lt;br /&gt;
                        Kwangsisaurus &lt;br /&gt;
                        Cymatosaurus &lt;br /&gt;
                        Family Pistosauridae&lt;/li&gt;
&lt;li&gt;Order Plesiosauria&lt;br /&gt;
&lt;ul lastcheckbox="null"&gt;
&lt;li&gt;Suborder Plesiosauroidea  												(long-necked plesiosaurs) &lt;br /&gt;
                            Suborder Pliosauroidea  												(short-necked plesiosaurs)&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;&lt;span class="mw-headline"&gt;Links&lt;/span&gt;&lt;/h2&gt;
&lt;ul lastcheckbox="null"&gt;
&lt;li&gt;&lt;a href="http://www.palaeos.com/Vertebrates/Units/220Lepidosauromorpha/220.100.html" title="http://www.palaeos.com/Vertebrates/Units/220Lepidosauromorpha/220.100.html" class="external text"&gt; 	Unit 220: 100: Lepidosauromorpha&lt;/a&gt;. &lt;i&gt;Palaeos&lt;/i&gt;. July 15, 2003.  	Retrieved January 19, 2004.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://dinosauricon.com/taxa/sauropterygia.html" title="http://dinosauricon.com/taxa/sauropterygia.html" class="external text"&gt; 	Sauropterygia: Flipper reptiles &amp;mdash; longnecks and bigheads&lt;/a&gt;. T. Mike Keesey. 	&lt;i&gt;The Dinosauricon&lt;/i&gt;. Retrieved January 19, 2004.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.plesiosauria.com/classification.html" title="http://www.plesiosauria.com/classification.html" class="external text"&gt; 	A review of the Sauropterygia&lt;/a&gt;. Adam Stuart Smith. &lt;i&gt;The Plesiosaur  	Directory&lt;/i&gt;. Retrieved April 17, 2006.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.paleofile.com/Demo/Mainpage/Taxalist/Sauropterygia.htm" title="http://www.paleofile.com/Demo/Mainpage/Taxalist/Sauropterygia.htm" class="external text"&gt; 	Paleofile taxalist&lt;/a&gt; - lists every species and synonyms. Retrieved  	February 26, 2006&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;This guide is licensed under the &lt;a href="http://www.gnu.org/copyleft/fdl.html"&gt;GNU Free Documentation License&lt;/a&gt;.  It uses material from the &lt;a href="http://www.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
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 <pubDate>Sun, 28 Jun 2009 14:30:55 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
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<item>
 <title>The King is dead! There's no other King! Michael Jackson</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/gGlJJdRF7No/King-dead-Theres-no-other-King-Michael-Jackson</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;p&gt;&lt;a href="http://www.flickr.com/photos/ingas_gems/3662334799/"&gt;&lt;img src="http://www.sfetcu.com/sites/default/files/images/3662334799_38580dd04c.preview.jpg" alt="Michael Jackson, In Memoriam" title="Michael Jackson, In Memoriam" class="image image-preview" width="468" height="468" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I never was a fun of Michael Jackson, even if I like many of his songs. But  no matter you like him or his music, no one can denies his major role in the  development of the modern music.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Michael Joseph Jackson&lt;/b&gt; (August 29, 1958 &amp;ndash; June 25, 2009) was an  American recording artist, entertainer and businessman. The seventh child of the  Jackson family, he made his d&amp;eacute;but to the professional music scene at the age of  11 as a member of The Jackson 5 in 1969, and began a solo career in 1971 while  still a member of the group. Referred to as the &amp;quot;King of Pop&amp;quot;&lt;sup class="reference" id="cite_ref-edeath_1-0"&gt;&lt;a href="#cite_note-edeath-1"&gt;[2]&lt;/a&gt;&lt;/sup&gt;  in subsequent years, his 1982 album &lt;i&gt;Thriller&lt;/i&gt; is the world's best-selling  record of all time&lt;sup class="reference" id="cite_ref-109_Newswire_2-0"&gt;&lt;a href="#cite_note-109_Newswire-2"&gt;[3]&lt;/a&gt;&lt;/sup&gt;  and four other solo studio albums are also among the world's best-selling  records: &lt;i&gt;Off the Wall&lt;/i&gt; (1979), &lt;i&gt;Bad&lt;/i&gt; (1987), &lt;i&gt;Dangerous&lt;/i&gt; (1991)  and &lt;i&gt;HIStory&lt;/i&gt; (1995).&lt;/p&gt;
&lt;p&gt;In the early 1980s, he became a dominant figure in popular music and the  first African-American entertainer to amass a strong crossover following on MTV.  The popularity of his music videos airing on MTV, such as &amp;quot;Beat It&amp;quot;, &amp;quot;Billie  Jean&amp;quot; and &lt;i&gt;Thriller&lt;/i&gt;&amp;mdash;widely credited with transforming the music video from  a promotional tool into an art form&amp;mdash;helped bring the relatively new channel to  fame. Videos such as &amp;quot;Black or White&amp;quot; and &amp;quot;Scream&amp;quot; made Jackson an enduring  staple on MTV in the 1990s. With stage performances and music videos, Jackson  popularized a number of physically complicated dance techniques, such as the  robot and the moonwalk. His distinctive musical sound and vocal style influenced  many hip hop, pop and contemporary R&amp;amp;B artists. While Jackson was a member of  Generation Jones &lt;sup class="reference" id="cite_ref-3"&gt; &lt;a href="#cite_note-3"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&lt;sup class="reference" id="cite_ref-4"&gt;&lt;a href="#cite_note-4"&gt;[5]&lt;/a&gt;&lt;/sup&gt;,  his influence impacted multiple generations.&lt;/p&gt;
&lt;p&gt;Jackson donated and raised millions of dollars for beneficial causes through  his foundation, charity singles and support of 39 charities. Other aspects of  his personal life, including his changing appearance and behavior, generated  significant controversy, damaging his public image. Though he was accused of  child sexual abuse in 1993, the criminal investigation was closed due to lack of  evidence and Jackson was not charged. The singer had experienced health concerns  since the early 1990s and conflicting reports regarding the state of his  finances since the late 1990s. Jackson married twice and fathered three  children, all of which caused further controversy. In 2005, Jackson was tried  and acquitted of further sexual abuse allegations and several other charges.&lt;/p&gt;
&lt;p&gt;One of the few artists to have been inducted into the Rock and Roll Hall of  Fame twice, his other achievements include multiple &lt;i&gt;Guinness World Records&lt;/i&gt;&amp;mdash;including  one for &amp;quot;Most Successful Entertainer of All Time&amp;quot;&amp;mdash;13 Grammy Awards, 13 number  one singles in his solo career&amp;mdash;more than any other male artist in the Hot 100  era and the sale of 750 million records worldwide.&lt;sup class="reference" id="cite_ref-5"&gt;&lt;a href="#cite_note-5"&gt;[6]&lt;/a&gt;&lt;/sup&gt;  Jackson's highly publicized personal life, coupled with his successful career,  made him a part of popular culture for almost four decades. Jackson died on June  25, 2009, aged 50.&lt;sup class="reference" id="cite_ref-6"&gt;&lt;a href="#cite_note-6"&gt;[7]&lt;/a&gt;&lt;/sup&gt;  The specific cause of death has yet to be determined.&lt;sup class="reference" id="cite_ref-edeath_1-1"&gt;&lt;a href="#cite_note-edeath-1"&gt;[2]&lt;/a&gt;&lt;/sup&gt;  Before his death, Jackson had announced a 50 date sell-out &lt;i&gt;This Is It&lt;/i&gt;  comeback tour, in London, England.&lt;sup class="reference" id="cite_ref-7"&gt;&lt;a href="#cite_note-7"&gt;[8]&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/cC1TTz2bMmM&amp;hl=en&amp;fs=1&amp;" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed src="http://www.youtube.com/v/cC1TTz2bMmM&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;h2&gt;&lt;span class="mw-headline"&gt;Notes&lt;/span&gt;&lt;/h2&gt;
&lt;div style="-moz-column-count: 2;" class="references-small references-column-count references-column-count-2"&gt;
&lt;ol class="references"&gt;
&lt;li id="cite_note-0"&gt;&lt;b&gt; 		&lt;a href="#cite_ref-0"&gt;^&lt;/a&gt;&lt;/b&gt; 		&lt;cite id="CITEREFDean2003" class="book" style="font-style: normal;"&gt; 		Dean, Maury (2003). &lt;i&gt; 		&lt;a href="http://books.google.ca/books?ct=result&amp;amp;id=lJS4EArRBwoC&amp;amp;dq=Rock-N-Roll+Gold+Rush+mariah+carey&amp;amp;pg=PA87&amp;amp;lpg=PA87&amp;amp;sig=ACfU3U0fbLW248NcvjE6rRshbjsWieA1hg&amp;amp;q=diana+ross#PPA34,M1" rel="nofollow" title="http://books.google.ca/books?ct=result&amp;amp;id=lJS4EArRBwoC&amp;amp;dq=Rock-N-Roll+Gold+Rush+mariah+carey&amp;amp;pg=PA87&amp;amp;lpg=PA87&amp;amp;sig=ACfU3U0fbLW248NcvjE6rRshbjsWieA1hg&amp;amp;q=diana+ross#PPA34,M1" class="external text"&gt; 		Rock-N-Roll Gold Rush&lt;/a&gt;&lt;/i&gt;. Algora Publishing. p.&amp;nbsp;34. ISBN 0875862071&lt;span class="printonly"&gt;. 		&lt;/span&gt;&lt;/cite&gt;&lt;/li&gt;
&lt;li id="cite_note-edeath-1"&gt;^ 		&lt;a href="#cite_ref-edeath_1-0"&gt; 		&lt;sup&gt;&lt;i&gt;&lt;b&gt;a&lt;/b&gt;&lt;/i&gt;&lt;/sup&gt;&lt;/a&gt; 		&lt;a href="#cite_ref-edeath_1-1"&gt; 		&lt;sup&gt;&lt;i&gt;&lt;b&gt;b&lt;/b&gt;&lt;/i&gt;&lt;/sup&gt;&lt;/a&gt; 		&lt;cite id="CITEREFRyan2009" class="web" style="font-style: normal;"&gt;Ryan,  		Joal (2009-06-25). 		&lt;a href="http://www.eonline.com/uberblog/b131173_michael_jackson_pops_thrilling_king.html" rel="nofollow" title="http://www.eonline.com/uberblog/b131173_michael_jackson_pops_thrilling_king.html" class="external text"&gt; 		&amp;quot;Michael Jackson, Pop's Thrilling King, Dead at 50&amp;quot;&lt;/a&gt;. E! Online&lt;span class="printonly"&gt;.&lt;/span&gt;&lt;/cite&gt;&lt;/li&gt;
&lt;li id="cite_note-109_Newswire-2"&gt;^ 		&lt;a href="#cite_ref-109_Newswire_2-0"&gt; 		&lt;sup&gt;&lt;i&gt;&lt;b&gt;a&lt;/b&gt;&lt;/i&gt;&lt;/sup&gt;&lt;/a&gt; 		&lt;a href="#cite_ref-109_Newswire_2-1"&gt; 		&lt;sup&gt;&lt;i&gt;&lt;b&gt;b&lt;/b&gt;&lt;/i&gt;&lt;/sup&gt;&lt;/a&gt; 		&lt;cite class="web" style="font-style: normal;"&gt; 		&lt;a href="http://news.prnewswire.com/ViewContent.aspx?ACCT=109&amp;amp;STORY=/www/story/01-16-2009/0004956264&amp;amp;EDATE=" rel="nofollow" title="http://news.prnewswire.com/ViewContent.aspx?ACCT=109&amp;amp;STORY=/www/story/01-16-2009/0004956264&amp;amp;EDATE=" class="external text"&gt; 		&amp;quot;Music Icon Quincy Jones Kicks-Off New Series in Tribune Newspapers&amp;quot;&lt;/a&gt;.  		PR Newswire. January 16, 2009&lt;span class="printonly"&gt;.&lt;/span&gt;&lt;/cite&gt;&lt;/li&gt;
&lt;li id="cite_note-3"&gt;&lt;b&gt; 		&lt;a href="#cite_ref-3"&gt;^&lt;/a&gt;&lt;/b&gt; 		&lt;a href="http://www.smh.com.au/lifestyle/lifematters/lost-generation-finds-its-voice-20090621-csc8.html" rel="nofollow" title="http://www.smh.com.au/lifestyle/lifematters/lost-generation-finds-its-voice-20090621-csc8.html" class="external free"&gt; 		[4]&lt;/a&gt;&lt;/li&gt;
&lt;li id="cite_note-4"&gt;&lt;b&gt; 		&lt;a href="#cite_ref-4"&gt;^&lt;/a&gt;&lt;/b&gt; 		&lt;a href="http://www.theage.com.au/photogallery/lifestyle/lifematters/generations-most-famous-faces/20090621-cseu.html" rel="nofollow" title="http://www.theage.com.au/photogallery/lifestyle/lifematters/generations-most-famous-faces/20090621-cseu.html" class="external free"&gt; 		[5]&lt;/a&gt;&lt;/li&gt;
&lt;li id="cite_note-5"&gt;&lt;b&gt; 		&lt;a href="#cite_ref-5"&gt;^&lt;/a&gt;&lt;/b&gt; 		&lt;cite id="CITEREFEisinger2009" style="font-style: normal;"&gt; 		Eisinger, Amy (2009-03-04), &amp;quot;&lt;a href="http://www.nydailynews.com/entertainment/music/2009/03/04/2009-03-04_britney_spears_isnt_the_only_pop_primed_.html" rel="nofollow" title="http://www.nydailynews.com/entertainment/music/2009/03/04/2009-03-04_britney_spears_isnt_the_only_pop_primed_.html" class="external text"&gt;Britney  		Spears isn't the only pop star primed for a comeback: Get ready for  		Michael Jackson&lt;/a&gt;&amp;quot;, &lt;i&gt;Daily News&lt;/i&gt;&lt;span class="printonly"&gt;,&lt;/span&gt;&lt;/cite&gt;&lt;/li&gt;
&lt;li id="cite_note-6"&gt;&lt;b&gt; 		&lt;a href="#cite_ref-6"&gt;^&lt;/a&gt;&lt;/b&gt;  		Matthew Moore (2009-06-26) 		&lt;a href="http://www.telegraph.co.uk/culture/music/michael-jackson/5643916/Michael-Jackson-King-of-Pop-dies-of-cardiac-arrest-in-Los-Angeles.html" rel="nofollow" title="http://www.telegraph.co.uk/culture/music/michael-jackson/5643916/Michael-Jackson-King-of-Pop-dies-of-cardiac-arrest-in-Los-Angeles.html" class="external text"&gt; 		Michael Jackson, King of Pop, dies of cardiac arrest in Los Angeles&lt;/a&gt;  		Telegraph. Retrieved on 2009-06-27.&lt;/li&gt;
&lt;li id="cite_note-7"&gt;&lt;b&gt; 		&lt;a href="#cite_ref-7"&gt;^&lt;/a&gt;&lt;/b&gt; 		&lt;cite class="web" style="font-style: normal;"&gt; 		&lt;a href="http://edition.cnn.com/2009/SHOWBIZ/Music/05/20/michael.jackson.tour/" rel="nofollow" title="http://edition.cnn.com/2009/SHOWBIZ/Music/05/20/michael.jackson.tour/" class="external text"&gt; 		&amp;quot;Michael Jackson delays some shows until '10&amp;quot;&lt;/a&gt;. 		&lt;a href="http://en.wikipedia.org/wiki/CNN" title="CNN"&gt;CNN&lt;/a&gt;.  		2009-05-20&lt;span class="printonly"&gt;.&lt;/span&gt;&lt;/cite&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;
&lt;h2&gt;&lt;span class="mw-headline"&gt;References&lt;/span&gt;&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;cite id="CITEREFCampbell1993" class="book" style="font-style: normal;"&gt; 	Campbell, Lisa (1993). &lt;i&gt;Michael Jackson: The King of Pop&lt;/i&gt;. Branden.  	ISBN 082831957X.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Michael+Jackson%3A+The+King+of+Pop&amp;amp;rft.aulast=Campbell&amp;amp;rft.aufirst=Lisa&amp;amp;rft.au=Campbell%2C+Lisa&amp;amp;rft.date=1993&amp;amp;rft.pub=Branden&amp;amp;rft.isbn=082831957X&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFCampbell1995" class="book" style="font-style: normal;"&gt; 	Campbell, Lisa (1995). &lt;i&gt;Michael Jackson: The King of Pop's Darkest Hour&lt;/i&gt;.  	Branden. ISBN 0828320039.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Michael+Jackson%3A+The+King+of+Pop%27s+Darkest+Hour&amp;amp;rft.aulast=Campbell&amp;amp;rft.aufirst=Lisa&amp;amp;rft.au=Campbell%2C+Lisa&amp;amp;rft.date=1995&amp;amp;rft.pub=Branden&amp;amp;rft.isbn=0828320039&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;George, Nelson (2004). &lt;i&gt;Michael Jackson: The Ultimate Collection&lt;/i&gt;  	booklet. Sony BMG.&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFGuinness_World_Records2003" class="book" style="font-style: normal;"&gt; 	Guinness World Records (2003). &lt;i&gt;Guinness World Records 2004&lt;/i&gt;. Guinness.  	ISBN 1892051206.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Guinness+World+Records+2004&amp;amp;rft.aulast=Guinness+World+Records&amp;amp;rft.au=Guinness+World+Records&amp;amp;rft.date=2003&amp;amp;rft.pub=Guinness&amp;amp;rft.isbn=1892051206&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFGuinness_World_Records2005" class="book" style="font-style: normal;"&gt; 	Guinness World Records (2005). &lt;i&gt;Guinness World Records 2006&lt;/i&gt;. Guinness.  	ISBN 1-904994-02-4.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Guinness+World+Records+2006&amp;amp;rft.aulast=Guinness+World+Records&amp;amp;rft.au=Guinness+World+Records&amp;amp;rft.date=2005&amp;amp;rft.pub=Guinness&amp;amp;rft.isbn=1-904994-02-4&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFJackson1988" class="book" style="font-style: normal;"&gt; 	Jackson, Michael (1988). &lt;i&gt;Moon Walk&lt;/i&gt;. Doubleday. ISBN 0385247125.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=%5B%5BMoon+Walk+%28autobiography%29%7CMoon+Walk%5D%5D&amp;amp;rft.aulast=Jackson&amp;amp;rft.aufirst=Michael&amp;amp;rft.au=Jackson%2C+Michael&amp;amp;rft.date=1988&amp;amp;rft.pub=Doubleday&amp;amp;rft.isbn=0385247125&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFLewis2005" class="book" style="font-style: normal;"&gt; 	Lewis, Jel (2005). &lt;i&gt;Michael Jackson, the King of Pop: The Big Picture&amp;nbsp;:  	the Music! the Man! the Legend! the Interviews!&lt;/i&gt;. Amber Books Publishing.  	ISBN 0-974977-90-X.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Michael+Jackson%2C+the+King+of+Pop%3A+The+Big+Picture+%3A+the+Music%21+the+Man%21+the+Legend%21+the+Interviews%21&amp;amp;rft.aulast=Lewis&amp;amp;rft.aufirst=Jel&amp;amp;rft.au=Lewis%2C+Jel&amp;amp;rft.date=2005&amp;amp;rft.pub=Amber+Books+Publishing&amp;amp;rft.isbn=0-974977-90-X&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFTaraborrelli2004" class="book" style="font-style: normal;"&gt; 	Taraborrelli, J. Randy (2004). &lt;i&gt;The Magic and the Madness&lt;/i&gt;. Terra Alta,  	WV: Headline. ISBN 0-330-42005-4.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=The+Magic+and+the+Madness&amp;amp;rft.aulast=Taraborrelli&amp;amp;rft.aufirst=J.+Randy&amp;amp;rft.au=Taraborrelli%2C+J.+Randy&amp;amp;rft.date=2004&amp;amp;rft.place=Terra+Alta%2C+WV&amp;amp;rft.pub=Headline&amp;amp;rft.isbn=0-330-42005-4&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;&lt;span class="mw-headline"&gt;Further reading&lt;/span&gt;&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;cite id="CITEREFDineen1993" class="book" style="font-style: normal;"&gt; 	Dineen, Catherine (1993). &lt;i&gt;Michael Jackson: In His Own Words&lt;/i&gt;. Omnibus  	Press. ISBN 0711932166.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Michael+Jackson%3A+In+His+Own+Words&amp;amp;rft.aulast=Dineen&amp;amp;rft.aufirst=Catherine&amp;amp;rft.au=Dineen%2C+Catherine&amp;amp;rft.date=1993&amp;amp;rft.pub=%5B%5BOmnibus+Press%5D%5D&amp;amp;rft.isbn=0711932166&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFGrant1994.2C_1997.2C_2002_and_2005" class="book" style="font-style: normal;"&gt; 	Grant, Adrian (1994, 1997, 2002 and 2005). &lt;i&gt;Michael Jackson: The Visual  	Documentary&lt;/i&gt;. Omnibus Press. ISBN 1-84449-432-2.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Michael+Jackson%3A+The+Visual+Documentary&amp;amp;rft.aulast=Grant&amp;amp;rft.aufirst=Adrian&amp;amp;rft.au=Grant%2C+Adrian&amp;amp;rft.date=1994%2C+1997%2C+2002+and+2005&amp;amp;rft.pub=%5B%5BOmnibus+Press%5D%5D&amp;amp;rft.isbn=1-84449-432-2&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFJackson1988" class="book" style="font-style: normal;"&gt; 	Jackson, Michael (1988). &lt;i&gt;Moonwalk&lt;/i&gt;. Doubleday. pp.&amp;nbsp;143&amp;ndash;144. ISBN  	0-434-37042-8.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Moonwalk&amp;amp;rft.aulast=Jackson&amp;amp;rft.aufirst=Michael&amp;amp;rft.au=Jackson%2C+Michael&amp;amp;rft.date=1988&amp;amp;rft.pages=pp.%26nbsp%3B143%E2%80%93144&amp;amp;rft.pub=Doubleday&amp;amp;rft.isbn=0-434-37042-8&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFJackson1992" class="book" style="font-style: normal;"&gt; 	Jackson, Michael (1992). &lt;i&gt;Dancing the Dream&lt;/i&gt;. Doubleday. ISBN  	0-385-40368-2.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Dancing+the+Dream&amp;amp;rft.aulast=Jackson&amp;amp;rft.aufirst=Michael&amp;amp;rft.au=Jackson%2C+Michael&amp;amp;rft.date=1992&amp;amp;rft.pub=Doubleday&amp;amp;rft.isbn=0-385-40368-2&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFJackson2006" class="book" style="font-style: normal;"&gt; 	Jackson, Michael (2006). &lt;i&gt;My World, The Official Photobook, Vol. 1&lt;/i&gt;.  	Triumph International. ISBN 0-9768891-1-0.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=My+World%2C+The+Official+Photobook%2C+Vol.+1&amp;amp;rft.aulast=Jackson&amp;amp;rft.aufirst=Michael&amp;amp;rft.au=Jackson%2C+Michael&amp;amp;rft.date=2006&amp;amp;rft.pub=Triumph+International&amp;amp;rft.isbn=0-9768891-1-0&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFJones2005" class="book" style="font-style: normal;"&gt; 	Jones, Bob (2005). &lt;i&gt;Michael Jackson: The Man Behind the Mask&lt;/i&gt;. Select  	Books Inc. ISBN 1590790723.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Michael+Jackson%3A+The+Man+Behind+the+Mask&amp;amp;rft.aulast=Jones&amp;amp;rft.aufirst=Bob&amp;amp;rft.au=Jones%2C+Bob&amp;amp;rft.date=2005&amp;amp;rft.pub=Select+Books+Inc&amp;amp;rft.isbn=1590790723&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;cite id="CITEREFNoonan1994" class="book" style="font-style: normal;"&gt; 	Noonan, Damien (1994) (Audio book). &lt;i&gt;Michael Jackson&lt;/i&gt;. Carlton Books.  	ISBN 1-85797-587-1.&lt;/cite&gt;&lt;span title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=Michael+Jackson&amp;amp;rft.aulast=Noonan&amp;amp;rft.aufirst=Damien&amp;amp;rft.au=Noonan%2C+Damien&amp;amp;rft.date=1994&amp;amp;rft.pub=Carlton+Books&amp;amp;rft.isbn=1-85797-587-1&amp;amp;rfr_id=info:sid/en.wikipedia.org:Michael_Jackson" class="Z3988"&gt;&lt;span style="display: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;h2&gt;&lt;span class="mw-headline"&gt;Links&lt;/span&gt;&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.michaeljackson.com/" rel="nofollow" title="http://www.michaeljackson.com/" class="external text"&gt; 	Sony's Official Michael Jackson website&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.imdb.com/name/nm0001391/" rel="nofollow" title="http://www.imdb.com/name/nm0001391/" class="external text"&gt; 	Michael Jackson&lt;/a&gt; at the Internet Movie Database&lt;/li&gt;
&lt;li&gt;&lt;a href="http://wc03.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=2:95684" rel="nofollow" title="http://wc03.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=2:95684" class="external text"&gt; 	Michael Jackson&lt;/a&gt; at Allmovie&lt;/li&gt;
&lt;li&gt;&lt;a href="http://allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=11:m7uvad8kv8w5" rel="nofollow" title="http://allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=11:m7uvad8kv8w5" class="external text"&gt; 	&lt;i&gt;Michael Jackson&lt;/i&gt;&lt;/a&gt; at Allmusic&lt;/li&gt;
&lt;li&gt;&lt;a href="http://rockhall.com/hof/inductee.asp?id=1141" rel="nofollow" title="http://rockhall.com/hof/inductee.asp?id=1141" class="external text"&gt; 	Rock and Roll Hall of Fame page on Michael Jackson&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.dmoz.org/Arts/Music/Bands_and_Artists/J/Jackson,_Michael//" rel="nofollow" title="http://www.dmoz.org/Arts/Music/Bands_and_Artists/J/Jackson,_Michael//" class="external text"&gt; 	Michael Jackson&lt;/a&gt; at the Open Directory Project&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.wikitree.org/index.php?title=Michael_Jackson&amp;amp;tree=tab&amp;amp;action=purge" rel="nofollow" title="http://www.wikitree.org/index.php?title=Michael_Jackson&amp;amp;tree=tab&amp;amp;action=purge" class="external text"&gt; 	Michael Jackson's Family Tree&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.discogs.com/artist/Michael+Jackson" rel="nofollow" title="http://www.discogs.com/artist/Michael+Jackson" class="external text"&gt; 	Michael Jackson&lt;/a&gt; at Discogs&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.mjfanclub.net/home/index.php" rel="nofollow" title="http://www.mjfanclub.net/home/index.php" class="external text"&gt; 	Michael Jackson Fan Club&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=38746353" rel="nofollow" title="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=38746353" class="external text"&gt; 	Michael Jackson&lt;/a&gt; at Find A Grave&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.soundboards.ws/soundboard/Michael_Jackson/index.html" rel="nofollow" title="http://www.soundboards.ws/soundboard/Michael_Jackson/index.html" class="external text"&gt; 	Michael Jackson quotes&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.bbc.co.uk/iplayer/episode/p003h32m/The_Midday_Show_on_BBC_Essex_26_06_2009/" rel="nofollow" title="http://www.bbc.co.uk/iplayer/episode/p003h32m/The_Midday_Show_on_BBC_Essex_26_06_2009/" class="external text"&gt; 	For an interview on Jackson's legacy&lt;/a&gt; by the author of the Encyclopedia  	of Popular Music, 	Colin Larkin.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;This guide is licensed under the &lt;a href="http://www.gnu.org/copyleft/fdl.html"&gt;GNU Free Documentation License&lt;/a&gt;.  It uses material from the &lt;a href="http://www.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
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 <pubDate>Fri, 26 Jun 2009 17:31:56 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
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<item>
 <title>Augustan poetry</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/G3ZaJERDC6A/Augustan-poetry</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;p&gt;&lt;img src="http://www.sfetcu.com/sites/default/files/images/Aug11_01.preview.jpg" alt="Caesar Augustus" title="Caesar Augustus" class="image image-preview" width="375" height="468" /&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Augustan poetry&lt;/b&gt; is the poetry that flourished during the reign of  Caesar Augustus as Emperor of Rome, most notably including the works of Virgil,  Horace, and Ovid. This poetry was more explicitly political than the poetry that  had preceded it, and it was distinguished by a greater degree of satire. In  English literature, &lt;b&gt;Augustan poetry&lt;/b&gt; is a branch of &lt;b&gt;Augustan literature&lt;/b&gt;,  and refers to the poetry of the eighteenth-century, specifically the first half  of the century. The term comes most originally from a term that George I had  used for himself. He saw himself as an Augustus. Therefore, the British poets  picked up that term as a way of referring to their own endeavors, for it fit in  another respect: 18th century English poetry was political, satirical, and  marked by the central philosophical problem of whether the individual or society  took precedence as the subject of verse.&lt;/p&gt;
&lt;h2&gt;References&lt;/h2&gt;
&lt;p&gt;Edward Yonge on bibliomania.com. Retrieved July 1, 2005. &lt;br /&gt;
D'Urfey, Tom. Wit and Mirth: or Pills to Purge Melancholy. 6 vol. London: Jacob  Tonson, 1719-1720. &lt;br /&gt;
&amp;quot;The Contemplator's Short Biography of Thomas D'Urfey (1653-1723)&amp;quot;. Retrieved  June 27, 2005. &lt;br /&gt;
Gordon, I. R. F. &amp;quot;Pastorals 1709&amp;quot;. Retrieved June 29, 2005. &lt;br /&gt;
Huber, Alexander, ed. The Thomas Gray hyperlink archive, Oxford University.  Retrieved July 1, 2005. &lt;br /&gt;
Johnson, Samuel. &amp;quot;Life of John Philips&amp;quot; in Lives of the English Poets. 10 vols.  London: H. Baldwin, 1779. Retrieved July 15, 2005. &lt;br /&gt;
-- The History of Rasselas, Prince of Abissinia 1759. Jack Lynch, ed. Retrieved  July 15, 2005. &lt;br /&gt;
Philips, John. The Splendid Shilling 1701. Retrieved July 15, 2005. &lt;br /&gt;
Pope, Alexander. The Poetic Works of Alexander Pope. John Butt, ed. New Haven:  Yale UP. &lt;br /&gt;
Ward, A.W., A.R. Waller, W. P. Trent, J. Erskine, S.P. Sherman, and C. Van Doren.  &amp;quot;'Hudibras' and Hudibrastic Verse&amp;quot; in The Cambridge history of English and  American literature: An encyclopedia in eighteen volumes. New York: G.P.  Putnam&amp;rsquo;s Sons, 1921.&lt;/p&gt;
&lt;p&gt;This guide is licensed under the &lt;a href="http://www.gnu.org/copyleft/fdl.html"&gt;GNU Free Documentation License&lt;/a&gt;.  It uses material from the &lt;a href="http://www.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
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 <pubDate>Thu, 25 Jun 2009 09:59:59 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
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<item>
 <title>Atomic, molecular, and optical physics</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/TmtLamWQn1A/Atomic-molecular-and-optical-physics</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;p class="pagetitle"&gt;&lt;img src="http://www.sfetcu.com/sites/default/files/images/Helium_atom_QM.svg_.preview.png" alt="Helium atom QM" title="Helium atom QM" class="image image-preview" width="466" height="468" /&gt;&lt;/p&gt;
&lt;p align="justify"&gt;&lt;strong&gt;Atomic, molecular, and optical physics&lt;/strong&gt; is  the study of matter-matter and light-matter interactions on the scale of single  atoms or structures containing a few atoms. The three areas are grouped together  because of their interrelationships, the similarity of methods used, and the  commonality of the energy scales that are relevant.&lt;/p&gt;
&lt;p align="justify"&gt;Atomic physics is distinct from nuclear physics, despite  their association in the public consciousness. Atomic physics is unconcerned  with the nuclear processes studied in nuclear physics, although properties of  the nucleus can be important in atomic physics (e.g., hyperfine splitting).&lt;/p&gt;
&lt;p align="justify"&gt;Molecular physics focuses on multi-atomic structures and  their internal and external interactions with matter and light.&lt;/p&gt;
&lt;p align="justify"&gt;Optical physics is distinct from optics in that it tends to  focus, not on the control of classical light fields by macroscopic objects, but  on the fundamental properties of optical fields and their interactions with  matter in the microscopic realm.&lt;/p&gt;
&lt;p align="justify"&gt;All three areas include both classical and quantum  treatments.&lt;/p&gt;
&lt;p&gt;This guide is licensed under the &lt;a href="http://www.gnu.org/copyleft/fdl.html"&gt;GNU Free Documentation License&lt;/a&gt;.  It uses material from the &lt;a href="http://www.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
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 <comments>http://www.sfetcu.com/book/Atomic-molecular-and-optical-physics#comments</comments>
 <category domain="http://www.sfetcu.com/tags/Tags/Atomic">Atomic</category>
 <category domain="http://www.sfetcu.com/tags/Tags/atoms">atoms</category>
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 <category domain="http://www.sfetcu.com/tags/Tags/molecular">molecular</category>
 <category domain="http://www.sfetcu.com/tags/Tags/molecular-physics">molecular physics</category>
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 <category domain="http://www.sfetcu.com/tags/Tags/optical">optical</category>
 <category domain="http://www.sfetcu.com/tags/Tags/optical-physics">optical physics</category>
 <category domain="http://www.sfetcu.com/category/Tags/physics">physics</category>
 <category domain="http://www.sfetcu.com/category/Science/Physics">Physics</category>
 <pubDate>Tue, 23 Jun 2009 22:26:17 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
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<item>
 <title>Musical languages</title>
 <link>http://feedproxy.google.com/~r/NicolaeSfetcu/~3/jGJKVMxZH2E/Musical-languages</link>
 <description>&lt;span class='print-link'&gt;&lt;/span&gt;&lt;p&gt;&lt;img src="http://www.sfetcu.com/sites/default/files/images/SolresolFarben.preview.png" alt="Solresol Farben" title="Solresol Farben" class="image image-preview" width="351" height="468" /&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Musical languages&lt;/b&gt; are languages based on musical sounds rather than  articulation. They can be categorized as constructed languages, and as whistled  languages. The latter are dependent on an underlying articulatory language, in  actual use in various cultures as a means for communication over distance, or as  secret codes. The mystical concept of a language of the birds connects the two  categories, since some authors of musical &lt;i&gt;a priori&lt;/i&gt; languages speculated  about a mystical or primeval origin of the whistled languages.&lt;/p&gt;
&lt;h2&gt;Constructed  musical languages&lt;/h2&gt;
&lt;blockquote&gt;
&lt;p&gt;Solresol language &lt;br /&gt;
Eaiea&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This guide is licensed under the &lt;a href="http://www.gnu.org/copyleft/fdl.html"&gt;GNU Free Documentation License&lt;/a&gt;.  It uses material from the &lt;a href="http://www.wikipedia.org/"&gt;Wikipedia&lt;/a&gt;.&lt;/p&gt;
&lt;div class="technorati_tags"&gt;&lt;img alt="Technorati Tags:" src="/sites/default/modules/technorati/technobubble.gif"/&gt;&lt;strong&gt;Technorati Tags: &lt;/strong&gt;&lt;a href="http://technorati.com/tag/constructed+languages" rel="tag"&gt;constructed languages&lt;/a&gt; &lt;a href="http://technorati.com/tag/Eaiea" rel="tag"&gt;Eaiea&lt;/a&gt; &lt;a href="http://technorati.com/tag/Music" rel="tag"&gt;Music&lt;/a&gt; &lt;a href="http://technorati.com/tag/musical+languages" rel="tag"&gt;musical languages&lt;/a&gt; &lt;a href="http://technorati.com/tag/musical+sounds" rel="tag"&gt;musical sounds&lt;/a&gt; &lt;a href="http://technorati.com/tag/Solresol+language" rel="tag"&gt;Solresol language&lt;/a&gt; &lt;a href="http://technorati.com/tag/whistled+languages" rel="tag"&gt;whistled languages&lt;/a&gt; &lt;a href="http://technorati.com/tag/musical+languages" rel="tag"&gt;musical languages&lt;/a&gt; &lt;a href="http://technorati.com/tag/musical+sounds" rel="tag"&gt;musical sounds&lt;/a&gt; &lt;a href="http://technorati.com/tag/constructed+languages" rel="tag"&gt;constructed languages&lt;/a&gt; &lt;a href="http://technorati.com/tag/whistled+languages" rel="tag"&gt;whistled languages&lt;/a&gt; &lt;a href="http://technorati.com/tag/Solresol+language" rel="tag"&gt;Solresol language&lt;/a&gt; &lt;a href="http://technorati.com/tag/Eaiea" rel="tag"&gt;Eaiea&lt;/a&gt;&lt;/div&gt;
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 <comments>http://www.sfetcu.com/book/Musical-languages#comments</comments>
 <category domain="http://www.sfetcu.com/tags/Tags/constructed-languages">constructed languages</category>
 <category domain="http://www.sfetcu.com/tags/Tags/Eaiea">Eaiea</category>
 <category domain="http://www.sfetcu.com/category/Arts/Music">Music</category>
 <category domain="http://www.sfetcu.com/tags/Tags/musical-languages">musical languages</category>
 <category domain="http://www.sfetcu.com/tags/Tags/musical-sounds">musical sounds</category>
 <category domain="http://www.sfetcu.com/tags/Tags/Solresol-language">Solresol language</category>
 <category domain="http://www.sfetcu.com/tags/Tags/whistled-languages">whistled languages</category>
 <pubDate>Mon, 22 Jun 2009 08:53:27 +0000</pubDate>
 <dc:creator>nicolae</dc:creator>
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