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<title>nymag.com: Art</title>
<link>http://nymag.com</link>
<description>Daily coverage of New York's restaurants, nightlife, shopping, politics, and culture.</description>
<language>en</language>
<copyright>Copyright 2006, New York Magazine Holdings, LLC</copyright>
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<title>Where’s That Coffee Shop?</title>
<link>http://nymag.com/arts/art/features/edward-hopper-nighthawks-2013-5/</link>
<description>The multiple locations of Edward Hopper’s Nighthawks, revealed.</description>
<author>Christopher Bonanos</author>
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<pubDate>Sat, 15 Jun 2013 00:12:03 -0400</pubDate>
</item>
<item>
<title>Are We Still Living in 1993?</title>
<link>http://nymag.com/arts/art/features/1993-new-museum-exhibit/</link>
<description><![CDATA[<img src="http://images.nymag.com/arts/art/features/1993130204_560.jpg">A New Museum show makes the argument that the innocuous-seeming, which-year-was-that-again? year, may, in fact, have changed absolutely everything.]]></description>
<author>Carl Swanson</author>
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<pubDate>Fri, 24 May 2013 23:59:05 -0400</pubDate>
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<item>
<title>Jerry Saltz on ’93 in Art</title>
<link>http://nymag.com/arts/art/features/jerry-saltz-1993-art/</link>
<description><![CDATA[<img src="http://images.nymag.com/arts/art/features/1993130204_art_560.jpg">Twenty years ago, at the 1993 Whitney Biennial, fault lines opened up and the ground shifted.]]></description>
<author>Jerry Saltz</author>
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<pubDate>Tue,  5 Feb 2013 10:53:13 -0400</pubDate>
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<item>
<title>The Best of the Basement</title>
<link>http://nymag.com/arts/art/reviews/saltz-trisha-donnelly-2012-12/</link>
<description>Rooting through MoMA’s century of deep storage for her “Artist’s Choice” show, Trisha Donnelly reveals herself.</description>
<author>Jerry Saltz</author>
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<pubDate>Thu, 28 Feb 2013 01:44:49 -0400</pubDate>
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<item>
<title>Triaesthete</title>
<link>http://nymag.com/arts/art/reviews/nummer-veertien-home-saltz-2012-10/</link>
<description>An artist treks almost 1,200 miles on land and water, from Warsaw to Paris, and gets it all on video.</description>
<author>Jerry Saltz</author>
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<pubDate>Thu, 28 Feb 2013 02:00:53 -0400</pubDate>
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<item>
<title>Clinging to the Wreckage</title>
<link>http://nymag.com/arts/art/reviews/thomas-hirschhorn-concordia-concordia-2012-10/</link>
<description><![CDATA[<img src="http://images.nymag.com/arts/art/reviews/saltz121001_560.jpg">Thomas Hirschhorn sees past the sunny surface of life on a cruise ship—and in the art world.]]></description>
<author>Jerry Saltz</author>
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<pubDate>Thu, 28 Feb 2013 02:02:04 -0400</pubDate>
</item>
<item>
<title>The Annotated Artwork: “Preoccupied Waveforms”</title>
<link>http://nymag.com/arts/art/features/preoccupied-waveforms-2012-10/</link>
<description><![CDATA[<img src="http://images.nymag.com/arts/art/features/annotatedartwork120924_560.jpg">An installation turns synesthesia into something you can visit.]]></description>
<author>Miranda Siegel</author>
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<pubDate>Thu, 28 Feb 2013 02:03:11 -0400</pubDate>
</item>
<item>
<title>Five Shows Jerry Saltz Really Wants to See</title>
<link>http://nymag.com/guides/fallpreview/2012/art-critics-picks-2012-8/</link>
<description><![CDATA[<img src="http://images.nymag.com/guides/fallpreview/2012/art120830_anticipating_1_560.jpg">What our art critic is most anticipating this fall.]]></description>
<author />
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<pubDate>Thu, 28 Feb 2013 02:09:41 -0400</pubDate>
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<item>
<title>Richard Artschwager Does More With Less</title>
<link>http://nymag.com/guides/fallpreview/2012/richard-artschwager-2012-8/</link>
<description><![CDATA[<img src="http://images.nymag.com/guides/fallpreview/2012/art120830_artschwager_560.jpg">At 88, with a Whitney retrospective ahead, what is the last great minimalist doing? Simplifying his own life.]]></description>
<author>Rachel Wolff</author>
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<pubDate>Thu, 28 Feb 2013 02:09:53 -0400</pubDate>
</item>
<item>
<title>The Other Museum Shop</title>
<link>http://nymag.com/guides/fallpreview/2012/martha-rosler-2012-8/</link>
<description><![CDATA[<img src="http://images.nymag.com/guides/fallpreview/2012/art120830_museumshop_560.jpg">Martha Rosler, the Brooklyn artist best known for feminist photomontages and videos, is a champion garage-sale hound.]]></description>
<author>Rachel Wolff</author>
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<pubDate>Thu, 28 Feb 2013 02:09:44 -0400</pubDate>
</item>
<item>
<title>The Biggest Picture</title>
<link>http://nymag.com/arts/art/features/kodak-colorama-2012-7/</link>
<description>The Kodak Colorama, back in Grand Central.</description>
<author>Christopher Bonanos</author>
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<pubDate>Thu, 28 Feb 2013 02:14:19 -0400</pubDate>
</item>
<item>
<title>The Art of the Flame-Out</title>
<link>http://nymag.com/arts/art/features/yayoi-kusama-2012-7/</link>
<description><![CDATA[<img src="http://images.nymag.com/arts/art/features/kusama120716_560.jpg">After 40 years in a mental-hospital exile, ahead-of-her-time Japanese rabble-rouser Yayoi Kusama is making trouble again. Finally, the art world is paying attention.
]]></description>
<author>Carl Swanson</author>
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<pubDate>Thu, 28 Feb 2013 02:14:54 -0400</pubDate>
</item>
<item>
<title>The Philadelphia Story</title>
<link>http://nymag.com/arts/art/features/barnes-collection-2012-5/</link>
<description><![CDATA[<img src="http://images.nymag.com/arts/art/features/barnescollection120521_1_560.jpg">The Barnes Collection’s splendid new building can’t vanquish art claustrophobia. Yet maybe, just maybe, the old kook knew what he was doing.]]></description>
<author>Jerry Saltz,Justin Davidson</author>
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<pubDate>Thu, 28 Feb 2013 02:25:10 -0400</pubDate>
</item>
<item>
<title>Baby Steps</title>
<link>http://nymag.com/arts/art/features/dawn-of-egyptian-art-2012-5/</link>
<description>Where does modern art history start? The Met’s predynastic-Egypt show reveals the beginning of everything.
</description>
<author>Jerry Saltz</author>
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<pubDate>Thu, 28 Feb 2013 02:26:27 -0400</pubDate>
</item>
<item>
<title>13. Don’t Let a Gallerist Take Half the Profit</title>
<link>http://nymag.com/arts/art/rules/gallerist-profit-2012-4/</link>
<description><![CDATA[<img src="http://images.nymag.com/arts/art/rules/art120430_rule13_560.jpg">The Chinatown collective Reena Spaulings.]]></description>
<author>Miranda Siegel</author>
<guid isPermaLink="false">http://nymag.com/arts/art/rules/gallerist-profit-2012-4/</guid>
<pubDate>Thu, 28 Feb 2013 02:28:22 -0400</pubDate>
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