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   <id>tag:obviousmag.org,2014:/en//12</id>
    <updated>2013-12-04T21:40:27Z</updated>
    
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<entry>
    <title>Photos of celebrities</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/12/photos_of_celebrities.html" />
	<id>tag:obviousmag.org,2013:/en//12.7043</id>    
    <published>2013-12-06T13:00:49Z</published>
    <updated>2013-12-06T13:00:49Z</updated>
    <author>
        <name>obvious magazine</name>
        <uri>http://obviousmag.org</uri>
    </author>
    
        <category term="photography" />
    
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/12/photos_of_celebrities.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/12/photos_of_celebrities.html.jpg&w=640&h=350&s=1" title="Photos of celebrities"></a>]]>
                    <![CDATA[Bruce Willis, Arnold Schwarzenegger, Sylvester Stallone Iggy Pop &amp; Johnny Depp James Hetfield, Fred Durst, Marilyn Manson, Ozzy Osbourne Willem Dafoe Liza Minnelli Salvador Dali James Franco Robert Downey Jr., Hugh Jackman, Sting Clint Eastwood Freddie Mercury Matthew Perry and Jennifer Aniston Christopher Walken Javier Bardem Gerard Depardieu Robert Downey Jr. Edward Norton and Brad Pitt Bob Marley and Mick Jagger Robert Redford and Paul (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/12/photos_of_celebrities.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>funny pictures of dogs on bathing</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/12/funny_pictures_of_dogs_on_bathing.html" />
	<id>tag:obviousmag.org,2013:/en//12.7042</id>    
    <published>2013-12-04T21:26:53Z</published>
    <updated>2013-12-04T21:26:53Z</updated>
    <author>
        <name>obvious magazine</name>
        <uri>http://obviousmag.org</uri>
    </author>
    
        <category term="photography" />
    
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/12/funny_pictures_of_dogs_on_bathing.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/12/funny_pictures_of_dogs_on_bathing.html.jpg&w=640&h=350&s=1" title="funny pictures of dogs on bathing"></a>]]>
                    <![CDATA[ When photographing dogs, she looks at the human being itself. What makes these funny pictures is how dogs react to water and shampoo. Check out: (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/12/funny_pictures_of_dogs_on_bathing.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Utopia&apos;s Literature</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/10/utopias_literature.html" />
	<id>tag:obviousmag.org,2013:/en//12.6750</id>    
    <published>2013-10-15T12:06:20Z</published>
    <updated>2013-10-15T12:06:20Z</updated>
    <author>
        <name>sergio coletto</name>
        <uri>http://obviousmag.org/archives/colaboradores/sergio/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="books" />
    
    	<category term="literature" />
    
    	<category term="more" />
    
    	<category term="politics" />
    
    	<category term="thomas" />
    
    	<category term="utopia" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/10/utopias_literature.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/10/utopias_literature.html.jpg&w=640&h=350&s=1" title="Utopia's Literature"></a>]]>
                    <![CDATA[ In 1503, Amerigo Vespucci -- merchant, geographer and ocean explorer -- came back from his expedition to America with extraordinary reports about a paradise island (which, in our days, corresponds to Fernando de Noronha territory, in Brazil). According to some historiographers, Thomas More -- diplomat, writer and lawyer -- motivated by the path-finding spirit of the mercantilist era and enchanted by those Vespucci reports, (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/10/utopias_literature.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Abandoned places - the planet without us</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/10/abandoned_places_-_the_planet_without_us.html" />
	<id>tag:obviousmag.org,2013:/en//12.6969</id>    
    <published>2013-10-13T12:06:20Z</published>
    <updated>2013-10-13T12:06:20Z</updated>
    <author>
        <name>obvious magazine</name>
        <uri>http://obviousmag.org</uri>
    </author>
    
        <category term="perspectives" />
    
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/10/abandoned_places_-_the_planet_without_us.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/10/abandoned_places_-_the_planet_without_us.html.jpg&w=640&h=350&s=1" title="Abandoned places - the planet without us"></a>]]>
                    <![CDATA[ Mill - Sorrento , Italy Have you ever wondered how would be the planet without humans? Parted some photographs that summarize well as an environment would be abandoned by the people but partially consumed by nature. Check out: (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/10/abandoned_places_-_the_planet_without_us.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Christmas table: from codfish to Eggnog</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/10/christmas_table_from_codfish_to_eggnog.html" />
	<id>tag:obviousmag.org,2013:/en//12.6761</id>    
    <published>2013-10-11T12:06:20Z</published>
    <updated>2013-10-11T12:06:20Z</updated>
    <author>
        <name>marisa figueiredo</name>
        <uri>http://obviousmag.org/archives/colaboradores/marisafigueiredo/</uri>
    </author>
    
        <category term="perspectives" />
    
    
    	<category term="christmas" />
    
    	<category term="food" />
    
    	<category term="gastronomy" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/10/christmas_table_from_codfish_to_eggnog.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/10/christmas_table_from_codfish_to_eggnog.html.jpg&w=640&h=350&s=1" title="Christmas table: from codfish to Eggnog"></a>]]>
                    <![CDATA[ Christmas is a time to reunite the family, but also a synonym of great meals and special traditions. Turkey surely has a distinct place throughout the world, mainly because of North-American influence. And the candies are a sweet temptation for those who can resist during an entire year. Well, who can say no to a Christmas pudding, corn-bread, egg lamprey and milk pudding? (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/10/christmas_table_from_codfish_to_eggnog.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>The tree, the crèche and the Christmas spirit</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/10/the_tree_the_creche_and_the_christmas_spirit.html" />
	<id>tag:obviousmag.org,2013:/en//12.6758</id>    
    <published>2013-10-09T12:06:20Z</published>
    <updated>2013-10-09T12:06:20Z</updated>
    <author>
        <name>diana ribeiro</name>
        <uri>http://obviousmag.org/archives/colaboradores/dianaribeiro/</uri>
    </author>
    
        <category term="perspectives" />
    
    
    	<category term="christmas" />
    
    	<category term="crèche" />
    
    	<category term="tradition" />
    
    	<category term="tree" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/10/the_tree_the_creche_and_the_christmas_spirit.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/10/the_tree_the_creche_and_the_christmas_spirit.html.jpg&w=640&h=350&s=1" title="The tree, the crèche and the Christmas spirit"></a>]]>
                    <![CDATA[ The streets are ornamented with uncountable lights. Commercial centers are overcrowded by people carrying bags and offers for relatives and friends. Santa Clauses multiplied for everywhere, followed by Christmas sounds. The Christmas tree and the crèche are common at this time -- but you're mistaken if you think you know everything about them. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/10/the_tree_the_creche_and_the_christmas_spirit.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Sculptures by Sarah Kaufmann -- The Cheese Queen</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/10/sculptures_by_sarah_kaufmann_--_the_cheese_queen.html" />
	<id>tag:obviousmag.org,2013:/en//12.6749</id>    
    <published>2013-10-07T12:06:20Z</published>
    <updated>2013-10-07T12:06:20Z</updated>
    <author>
        <name>diana ribeiro</name>
        <uri>http://obviousmag.org/archives/colaboradores/dianaribeiro/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="cheese" />
    
    	<category term="food" />
    
    	<category term="sculpture" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/10/sculptures_by_sarah_kaufmann_--_the_cheese_queen.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/10/sculptures_by_sarah_kaufmann_--_the_cheese_queen.html.jpg&w=640&h=350&s=1" title="Sculptures by Sarah Kaufmann -- The Cheese Queen"></a>]]>
                    <![CDATA[ Born and raised in Winsconsin, her idea of producing cheese sculptures happened just like this... She was used to be surrounded by cheese factories, pastures full of dairy cows and orange triangular hats of the inhabitants of her city. So, the chosen material was perfect for that. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/10/sculptures_by_sarah_kaufmann_--_the_cheese_queen.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>El Mac</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/10/el_mac.html" />
	<id>tag:obviousmag.org,2013:/en//12.6755</id>    
    <published>2013-10-05T12:06:20Z</published>
    <updated>2013-10-05T12:06:20Z</updated>
    <author>
        <name>diana ribeiro</name>
        <uri>http://obviousmag.org/archives/colaboradores/dianaribeiro/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="art" />
    
    	<category term="el" />
    
    	<category term="grafitti" />
    
    	<category term="mac" />
    
    	<category term="mural" />
    
    	<category term="urban" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/10/el_mac.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/10/el_mac.html.jpg&w=640&h=350&s=1" title="El Mac"></a>]]>
                    <![CDATA[ In 1980, El Mac born in Los Angeles. Since he was a child, he has been creating and studying art by himself. Human faces and all its characteristic expressions and variations are the core of his work. He focus his inspiration on looking for details around Phoenix's chicano-mexican culture, American Southeast, particularities of religious art and classical artists (Caravaggio, Mucha and Vermeer). (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/10/el_mac.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Classic paintings put into another perspective</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/10/pinturas_classicas_sob_outra_perspectiva.html" />
	<id>tag:obviousmag.org,2013:/en//12.6754</id>    
    <published>2013-10-03T12:06:20Z</published>
    <updated>2013-10-03T12:06:20Z</updated>
    <author>
        <name>rejane borges</name>
        <uri>http://obviousmag.org/archives/colaboradores/rejaneborges/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="classics" />
    
    	<category term="eros" />
    
    	<category term="painting" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/10/pinturas_classicas_sob_outra_perspectiva.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/10/pinturas_classicas_sob_outra_perspectiva.html.jpg&w=640&h=350&s=1" title="Classic paintings put into another perspective"></a>]]>
                    <![CDATA[ Girl with a Pearl Earring by Johannes Vermeer (left) and Ringoism by Dave Macdowell (right). Some works of famous painters as Van Gogh, Vermeer and Rembrandt take new lines and colors. Can it be possible? For London Miles, a British Gallery, yes, indeed. In November, 2010, this place released "The Idol Hours" exposition -- an interesting exhibition of classic paintings reinterpreted by contemporary artists. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/10/pinturas_classicas_sob_outra_perspectiva.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Love Love: this boat was not hit by an iceberg</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/10/love_love_this_boat_wasnt_stricken_for_an_iceberg.html" />
	<id>tag:obviousmag.org,2013:/en//12.6753</id>    
    <published>2013-10-01T12:06:20Z</published>
    <updated>2013-10-01T12:06:20Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="berthier" />
    
    	<category term="crisis" />
    
    	<category term="installation" />
    
    	<category term="intervention" />
    
    	<category term="julien" />
    
    	<category term="ship" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/10/love_love_this_boat_wasnt_stricken_for_an_iceberg.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/10/love_love_this_boat_wasnt_stricken_for_an_iceberg.html.jpg&w=640&h=350&s=1" title="Love Love: this boat was not hit by an iceberg"></a>]]>
                    <![CDATA[ Love Love is a freedom shout from a plastic artist, as something that exists away from museums-and-galleries imprisonment, at the sea where the horizon lies distant and seems to have no limits. But a freedom shout is also a calling for attention: it can come from a stubborn child or from a rebel with cause -- well, the reader decides. The guy is Julien (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/10/love_love_this_boat_wasnt_stricken_for_an_iceberg.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Thundercats Japanese Style</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/09/thundercats_japanese_style.html" />
	<id>tag:obviousmag.org,2013:/en//12.6972</id>    
    <published>2013-09-30T17:35:39Z</published>
    <updated>2013-09-30T17:35:39Z</updated>
    <author>
        <name>obvious magazine</name>
        <uri>http://obviousmag.org</uri>
    </author>
    
        <category term="arts" />
    
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/09/thundercats_japanese_style.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/09/thundercats_japanese_style.html.jpg&w=640&h=350&s=1" title="Thundercats Japanese Style"></a>]]>
                    <![CDATA[Phil Postma created this version of ThunderCats, in a Japanese style. For those who grew up in the 90s, this series was one of the compelling to watch. Was recently made ​​a new version ... but the magic is no longer the same. See each of your favorite characters with a new image. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/09/thundercats_japanese_style.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>peugeot shine concept car: the piotr czyzewski&apos;s beast</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2013/09/peugeot_shine_concept_car.html" />
	<id>tag:obviousmag.org,2013:/en//12.6746</id>    
    <published>2013-09-29T17:06:20Z</published>
    <updated>2013-09-29T17:06:20Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="design" />
    
    
    	<category term="automobile" />
    
    	<category term="Czyzweski" />
    
    	<category term="peugeot" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2013/09/peugeot_shine_concept_car.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2013/09/peugeot_shine_concept_car.html.jpg&w=640&h=350&s=1" title="peugeot shine concept car: the piotr czyzewski's beast"></a>]]>
                    <![CDATA[ Forget Porsches, Ferraris, BMWs and Lamborghinis. The next outstanding car can be from Peugeot. Piotr Czyzewski, a CG Polish artist, created the "Peugeot Shine" concept, which can challenge this car trade to create a new exuberant model... (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2013/09/peugeot_shine_concept_car.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Modern architecture: Culture Forest at Seoul</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/modern_architecture_culture_forest_at_seoul.html" />
	<id>tag:obviousmag.org,2011:/en//12.6748</id>    
    <published>2011-12-31T13:00:00Z</published>
    <updated>2011-12-31T13:00:00Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="architecture" />
    
    
    	<category term="architecture" />
    
    	<category term="ecology" />
    
    	<category term="Korea" />
    
    	<category term="nature" />
    
    	<category term="seoul" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/modern_architecture_culture_forest_at_seoul.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/modern_architecture_culture_forest_at_seoul.html.jpg&w=640&h=350&s=1" title="Modern architecture: Culture Forest at Seoul"></a>]]>
                    <![CDATA[ The forest is our way to nature, joining air, trees, water, wind and soil. There, nature is linked on harmony: all the elements work together. This inner balance guided the creation of the Seoul's newest cultural and artistic centre. Designed by the Unsangdong (YoonGyoo Jang, ChangHoon Shin, SungMin Kim) architects, "Culture Forest" will be sign of innovation and intense interaction with nature. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/modern_architecture_culture_forest_at_seoul.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>What happened with the Cinema of M. Night Shyamalan?</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/what_happened_with_the_cinema_of_m_night_shyamalan.html" />
	<id>tag:obviousmag.org,2011:/en//12.6756</id>    
    <published>2011-12-30T13:00:00Z</published>
    <updated>2011-12-30T13:00:00Z</updated>
    <author>
        <name>rejane borges</name>
        <uri>http://obviousmag.org/archives/colaboradores/rejaneborges/</uri>
    </author>
    
        <category term="cinema" />
    
    
    	<category term="cinema" />
    
    	<category term="critics" />
    
    	<category term="night" />
    
    	<category term="shyamalan" />
    
    	<category term="suspense" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/what_happened_with_the_cinema_of_m_night_shyamalan.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/what_happened_with_the_cinema_of_m_night_shyamalan.html.jpg&w=640&h=350&s=1" title="What happened with the Cinema of M. Night Shyamalan?"></a>]]>
                    <![CDATA[ This is the question that the most attentive eyes of Cinema are asking to themselves at the latest years. I had the opportunity of asking to Shyamalan, when I lived in Philadelphia, Pennsylvania, his city. But I thought it wasn't quite convenient, as, at that occasion, I almost stepped on him on a parking lot. And, well, he would probably have no disposition for (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/what_happened_with_the_cinema_of_m_night_shyamalan.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Know some of the strangest buildings of the World</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/know_some_of_the_strangest_buildings_of_the_world.html" />
	<id>tag:obviousmag.org,2011:/en//12.6751</id>    
    <published>2011-12-29T13:00:00Z</published>
    <updated>2011-12-29T13:00:00Z</updated>
    <author>
        <name>diana ribeiro</name>
        <uri>http://obviousmag.org/archives/colaboradores/dianaribeiro/</uri>
    </author>
    
        <category term="architecture" />
    
    
    	<category term="architecture" />
    
    	<category term="creativity" />
    
    	<category term="housing" />
    
    	<category term="library" />
    
    	<category term="usual" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/know_some_of_the_strangest_buildings_of_the_world.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/know_some_of_the_strangest_buildings_of_the_world.html.jpg&w=640&h=350&s=1" title="Know some of the strangest buildings of the World"></a>]]>
                    <![CDATA[ "Cubic Houses" Rotterdam, Netherlands. Projecting, organizing and designing are common action at architecture, this art (and technique) of projecting and planning buildings made by the hands of our humankind. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/know_some_of_the_strangest_buildings_of_the_world.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Naked girls reading: a book club for voyeurs?</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/naked_girls_reading_a_book_club_for_voyeurs.html" />
	<id>tag:obviousmag.org,2011:/en//12.6743</id>    
    <published>2011-12-28T13:00:00Z</published>
    <updated>2011-12-28T13:00:00Z</updated>
    <author>
        <name>rejane borges</name>
        <uri>http://obviousmag.org/archives/colaboradores/rejaneborges/</uri>
    </author>
    
        <category term="arts" />
    
        <category term="perspectives" />
    
    
    	<category term="books" />
    
    	<category term="eros" />
    
    	<category term="girls" />
    
    	<category term="naked" />
    
    	<category term="nudity" />
    
    	<category term="reading" />
    
    	<category term="voyeur" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/naked_girls_reading_a_book_club_for_voyeurs.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/naked_girls_reading_a_book_club_for_voyeurs.html.jpg&w=640&h=350&s=1" title="Naked girls reading: a book club for voyeurs?"></a>]]>
                    <![CDATA[ Reading is a pleasure, but there's nothing more annoying than a book club -- appointments when literary friends sit down, drinking a cup of tea and discharging intellectual observations about a certain kind of text. There are also torturing read out sessions. So, let's imagine an alternative available for this monotone program: a kind of book club which could be more intimate and relaxed: (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/naked_girls_reading_a_book_club_for_voyeurs.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Rusty sculptures by Martin Heukeshoven</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/rusty_sculptures_by_martin_heukeshoven.html" />
	<id>tag:obviousmag.org,2011:/en//12.6741</id>    
    <published>2011-12-27T13:00:00Z</published>
    <updated>2011-12-27T13:00:00Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="automobile" />
    
    	<category term="car" />
    
    	<category term="metal" />
    
    	<category term="miniature" />
    
    	<category term="recycling" />
    
    	<category term="sculpture" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/rusty_sculptures_by_martin_heukeshoven.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/rusty_sculptures_by_martin_heukeshoven.html.jpg&w=640&h=350&s=1" title="Rusty sculptures by Martin Heukeshoven"></a>]]>
                    <![CDATA[ Ali Babas Höhle, 2010. Miniatures of cars are common for automobile lovers. Whether they are small toys or collection pieces, all of us have already faced a sample of this marginal art without meditating about how worthy those pieces are. Martin Heukeshoven, who is in love for any kind of vehicles, took his hobby too seriously. Now he receives demands from all over the (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/rusty_sculptures_by_martin_heukeshoven.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Schweeb Revolution: skycyling through the city</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/schweeb_revolution_skycyling_through_the_city.html" />
	<id>tag:obviousmag.org,2011:/en//12.6740</id>    
    <published>2011-12-26T13:00:00Z</published>
    <updated>2011-12-26T13:00:00Z</updated>
    <author>
        <name>joão lobato</name>
        <uri>http://obviousmag.org/archives/colaboradores/joaolobato/</uri>
    </author>
    
        <category term="technology" />
    
    
    	<category term="bicycle" />
    
    	<category term="city" />
    
    	<category term="sustainability" />
    
    	<category term="transport" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/schweeb_revolution_skycyling_through_the_city.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/schweeb_revolution_skycyling_through_the_city.html.jpg&w=640&h=350&s=1" title="Schweeb Revolution: skycyling through the city"></a>]]>
                    <![CDATA[ Get inside an individual transport cartridge, comfortably lay your back and choose your destination. You just need to cycle softly and forget the rest to put yourself in movement. If you get bored with television, you have got the option for enjoying a 360º panoramic view above your metropolis, as you are lifted up by a track running through the heart of the city. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/schweeb_revolution_skycyling_through_the_city.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Christmas, spitted paper balls, French toast and a kiss</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/christmas_spitted_paper_balls_french_toast_and_a_kiss.html" />
	<id>tag:obviousmag.org,2011:/en//12.6757</id>    
    <published>2011-12-25T13:00:00Z</published>
    <updated>2011-12-25T13:00:00Z</updated>
    <author>
        <name>isabella kantek</name>
        <uri>http://obviousmag.org/archives/colaboradores/isabella/</uri>
    </author>
    
        <category term="perspectives" />
    
    
    	<category term="christmas" />
    
    	<category term="fiction" />
    
    	<category term="kiss" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/christmas_spitted_paper_balls_french_toast_and_a_kiss.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/christmas_spitted_paper_balls_french_toast_and_a_kiss.html.jpg&w=640&h=350&s=1" title="Christmas, spitted paper balls, French toast and a kiss"></a>]]>
                    <![CDATA[ Lucinda takes the bumble gum off her mouth and glues the cardboard slab at the telephone booth's doors. "Busy". The record starts as the recorder is on. "Lorena, December 24, 1994". She was afraid of Christmas. And their fragile glass ornaments. And the turkey sat on the stainless tray and the ham with pineapple. And the sensation that joy last a little bit longer (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/christmas_spitted_paper_balls_french_toast_and_a_kiss.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Why do we use Christmas lights?</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/why_do_we_use_christmas_lights.html" />
	<id>tag:obviousmag.org,2011:/en//12.6762</id>    
    <published>2011-12-24T13:00:00Z</published>
    <updated>2011-12-24T13:00:00Z</updated>
    <author>
        <name>sergio coletto</name>
        <uri>http://obviousmag.org/archives/colaboradores/sergio/</uri>
    </author>
    
        <category term="perspectives" />
    
    
    	<category term="ambiance" />
    
    	<category term="christmas" />
    
    	<category term="lightning" />
    
    	<category term="lights" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/why_do_we_use_christmas_lights.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/why_do_we_use_christmas_lights.html.jpg&w=640&h=350&s=1" title="Why do we use Christmas lights?"></a>]]>
                    <![CDATA[ The first registers of Christmas celebration go back to 336 AC, when Catholic Church, instead of prohibiting pagan festivities, converted them into Christian ones. The origin of what we now know as Christmas was placed upon the Sol Invictus -- a bunch of gods that were taken as the supreme divinity of Roman Empire. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/why_do_we_use_christmas_lights.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Christmas, Coke and Santa Claus</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/christmas_coke_and_santa_claus.html" />
	<id>tag:obviousmag.org,2011:/en//12.6759</id>    
    <published>2011-12-23T13:00:00Z</published>
    <updated>2011-12-23T13:00:00Z</updated>
    <author>
        <name>rejane borges</name>
        <uri>http://obviousmag.org/archives/colaboradores/rejaneborges/</uri>
    </author>
    
        <category term="perspectives" />
    
    
    	<category term="advertising" />
    
    	<category term="christmas" />
    
    	<category term="claus" />
    
    	<category term="coke" />
    
    	<category term="consumption" />
    
    	<category term="nicholas" />
    
    	<category term="saint" />
    
    	<category term="santa" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/christmas_coke_and_santa_claus.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/christmas_coke_and_santa_claus.html.jpg&w=640&h=350&s=1" title="Christmas, Coke and Santa Claus"></a>]]>
                    <![CDATA[ In my family we were used to celebrate Christmas like the old times. It was quite predictable, as we went to church to pray, celebrate Jesus Christ's birth, watch the Christmas cantata, give a hug on friends... Then we got back home, and a comforting cozy-and-festive weather was waiting for us. That was Christmas like it was used to be, like we learned that (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/christmas_coke_and_santa_claus.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Red Rocket 7 - the (secret) rock history in comics</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/red_rocket_7_-_the_secret_rock_history_in_comics.html" />
	<id>tag:obviousmag.org,2011:/en//12.6727</id>    
    <published>2011-12-22T13:00:00Z</published>
    <updated>2011-12-22T13:00:00Z</updated>
    <author>
        <name>fabio machado</name>
        <uri>http://obviousmag.org/archives/colaboradores/fabio/ </uri>
    </author>
    
        <category term="music" />
    
    
    	<category term="aliens" />
    
    	<category term="Allred" />
    
    	<category term="and" />
    
    	<category term="comics" />
    
    	<category term="Mike" />
    
    	<category term="Red" />
    
    	<category term="rock" />
    
    	<category term="Rocket" />
    
    	<category term="roll" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/red_rocket_7_-_the_secret_rock_history_in_comics.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/red_rocket_7_-_the_secret_rock_history_in_comics.html.jpg&w=640&h=350&s=1" title="Red Rocket 7 - the (secret) rock history in comics"></a>]]>
                    <![CDATA[ Diverse conspiracy theories have been linking great events of human history to alien interventions: for several reasons, spatial beings have been helping our techno development since the beginning of ages, being sometimes confused with gods and mystical creatures. Mike Allred decided to go beyond usual conspiracy theories with the following purpose: and if our well-known rock'n'roll had a touch (or some chords) from outer (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/red_rocket_7_-_the_secret_rock_history_in_comics.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>What can be done with diskettes?</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/what_can_be_done_with_diskettes.html" />
	<id>tag:obviousmag.org,2011:/en//12.6739</id>    
    <published>2011-12-21T13:00:00Z</published>
    <updated>2011-12-21T13:00:00Z</updated>
    <author>
        <name>sergio coletto</name>
        <uri>http://obviousmag.org/archives/colaboradores/sergio/</uri>
    </author>
    
        <category term="arts" />
    
        <category term="technology" />
    
    
    	<category term="diskette" />
    
    	<category term="recycling" />
    
    	<category term="technology" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/what_can_be_done_with_diskettes.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/what_can_be_done_with_diskettes.html.jpg&w=640&h=350&s=1" title="What can be done with diskettes?"></a>]]>
                    <![CDATA[ The information support became something totally ephemeral during post-modernity. Based on the computers' arrival and their constant evolution, the way we store our data tends to change according to the uprising and diffusion of new technologies. This makes us endlessly migrates bytes in order to not loose texts, photos, videos and so many other files to which we are connected. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/what_can_be_done_with_diskettes.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Kaleidoscopical fashion, by Mark Leibowitz</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/kaleidoscopical_fashion_by_mark_leibowitz.html" />
	<id>tag:obviousmag.org,2011:/en//12.6760</id>    
    <published>2011-12-09T13:00:00Z</published>
    <updated>2011-12-09T13:00:00Z</updated>
    <author>
        <name>diana ribeiro</name>
        <uri>http://obviousmag.org/archives/colaboradores/dianaribeiro/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="fashion" />
    
    	<category term="leibowitz" />
    
    	<category term="mark" />
    
    	<category term="models" />
    
    	<category term="photography" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/kaleidoscopical_fashion_by_mark_leibowitz.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/kaleidoscopical_fashion_by_mark_leibowitz.html.jpg&w=640&h=350&s=1" title="Kaleidoscopical fashion, by Mark Leibowitz"></a>]]>
                    <![CDATA[ Between 2008 and 2009, during John Galliano's fashion show, the photographer Mark Leibowitz captured all the colors and the beauty of the collections presentations' preceding moments. "Backstage" is the compilation of such photographs, which reproduce a panel of vibrating and flaming tones, with an almost choreographed movement of the frantic pré-passarele atmosphere. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/kaleidoscopical_fashion_by_mark_leibowitz.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>The oniric world of infrared light photography</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/the_oniric_world_of_infrared_light_photography.html" />
	<id>tag:obviousmag.org,2011:/en//12.6752</id>    
    <published>2011-12-08T13:00:00Z</published>
    <updated>2011-12-08T13:00:00Z</updated>
    <author>
        <name>rejane borges</name>
        <uri>http://obviousmag.org/archives/colaboradores/rejaneborges/</uri>
    </author>
    
        <category term="photography" />
    
    
    	<category term="color" />
    
    	<category term="infrared" />
    
    	<category term="photography" />
    
    	<category term="stern" />
    
    	<category term="zach" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/the_oniric_world_of_infrared_light_photography.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/the_oniric_world_of_infrared_light_photography.html.jpg&w=640&h=350&s=1" title="The oniric world of infrared light photography"></a>]]>
                    <![CDATA[ Her World - by zachstern Many factors can provide a good photograph: angle, framing, technique and, specially, a good observer behind the lens. Combined, these elements can result on fantastic images. However, expected and known images are usually created day after day. Infrared photography, for instance, is one of the most interesting and curious techniques providing variations at this path, used with different purposes (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/the_oniric_world_of_infrared_light_photography.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>The art that lies at the froth of your cappuccino</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/the_art_that_lies_at_the_froth_of_your_cappuccino.html" />
	<id>tag:obviousmag.org,2011:/en//12.6747</id>    
    <published>2011-12-07T13:00:00Z</published>
    <updated>2011-12-07T13:00:00Z</updated>
    <author>
        <name>diana ribeiro</name>
        <uri>http://obviousmag.org/archives/colaboradores/dianaribeiro/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="cappucino" />
    
    	<category term="coffee" />
    
    	<category term="drinks" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/the_art_that_lies_at_the_froth_of_your_cappuccino.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/the_art_that_lies_at_the_froth_of_your_cappuccino.html.jpg&w=640&h=350&s=1" title="The art that lies at the froth of your cappuccino"></a>]]>
                    <![CDATA[ Panda Bear Art has no limits. And it allows the combination of art and coffee, providing fantastic creations. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/the_art_that_lies_at_the_froth_of_your_cappuccino.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Chow Hon Lam: humor for dressing</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/chow_hon_lam_humor_for_dressing.html" />
	<id>tag:obviousmag.org,2011:/en//12.6745</id>    
    <published>2011-12-06T13:00:00Z</published>
    <updated>2011-12-06T13:00:00Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="arts" />
    
        <category term="design" />
    
    
    	<category term="cloth" />
    
    	<category term="fashion" />
    
    	<category term="tshirt" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/chow_hon_lam_humor_for_dressing.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/chow_hon_lam_humor_for_dressing.html.jpg&w=640&h=350&s=1" title="Chow Hon Lam: humor for dressing"></a>]]>
                    <![CDATA[ Public Toilet (Detail) Chow Hon Lam, or Flying Mouse, is a t-shirts designer from Kuala Lumpur, Malaysia. According him, this garment is a way of telling stories on a funny or symbolical way. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/chow_hon_lam_humor_for_dressing.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Seoul receives the bridge of the future</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/seoul_receives_the_bridge_of_the_future.html" />
	<id>tag:obviousmag.org,2011:/en//12.6742</id>    
    <published>2011-12-05T13:00:00Z</published>
    <updated>2011-12-05T13:00:00Z</updated>
    <author>
        <name>débora cambé</name>
        <uri>http://obviousmag.org/archives/colaboradores/debora/</uri>
    </author>
    
        <category term="architecture" />
    
    
    	<category term="bridge" />
    
    	<category term="engineering" />
    
    	<category term="koreia" />
    
    	<category term="Paik Nam June Media Bridge" />
    
    	<category term="seoul" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/seoul_receives_the_bridge_of_the_future.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/seoul_receives_the_bridge_of_the_future.html.jpg&w=640&h=350&s=1" title="Seoul receives the bridge of the future"></a>]]>
                    <![CDATA[ As London or Paris, The South Korea capital is crossed by a river. Near 30 bridges connect the two sides of the Han River, but Paik Nam June Media Bridge promises to be more than a simple crossing structure; it will be the new central point of the city. This is the ambicious target lined by Planning Korea architecture consultants, which presents a futuristic (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/seoul_receives_the_bridge_of_the_future.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>IDENTITY - visual concept by Jeffrey Wang</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/identity_-_visual_concept_by_jeffrey_wang.html" />
	<id>tag:obviousmag.org,2011:/en//12.6744</id>    
    <published>2011-12-04T13:00:00Z</published>
    <updated>2011-12-04T13:00:00Z</updated>
    <author>
        <name>rejane borges</name>
        <uri>http://obviousmag.org/archives/colaboradores/rejaneborges/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="identity" />
    
    	<category term="mass" />
    
    	<category term="photography" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/identity_-_visual_concept_by_jeffrey_wang.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/identity_-_visual_concept_by_jeffrey_wang.html.jpg&w=640&h=350&s=1" title="IDENTITY - visual concept by Jeffrey Wang"></a>]]>
                    <![CDATA[ (Detail) At a modern and immediate society, which promotes more and more the idea that having -- and not being -- is the most important thing, is obviously easy to lose the references of who you are. For the Chinese artist Jeffrey Wang, it's difficult to be yourself under the constant attack of all kinds of influences. It's a way right to the loss (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/identity_-_visual_concept_by_jeffrey_wang.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>The surreal faces of Iain macarthur</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/the_surreal_faces_of_iain_macarthur.html" />
	<id>tag:obviousmag.org,2011:/en//12.6738</id>    
    <published>2011-12-03T13:00:00Z</published>
    <updated>2011-12-03T13:00:00Z</updated>
    <author>
        <name>mariana carrillo</name>
        <uri>http://obviousmag.org/archives/colaboradores/marianacarrillo/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="desenho" />
    
    	<category term="retrato" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/the_surreal_faces_of_iain_macarthur.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/the_surreal_faces_of_iain_macarthur.html.jpg&w=640&h=350&s=1" title="The surreal faces of Iain macarthur"></a>]]>
                    <![CDATA[ Some people spend their entire lives without knowing what they really want. Work is a hard task to be accomplished day after day, and satisfaction comes on Saturday, after the working hours, and goes aways on Sunday evening, when they realize that Monday is coming. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/the_surreal_faces_of_iain_macarthur.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>José Saramago - memorial of a genius</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/jose_saramago_-_memorial_of_a_genius.html" />
	<id>tag:obviousmag.org,2011:/en//12.6737</id>    
    <published>2011-12-02T13:00:00Z</published>
    <updated>2011-12-02T13:00:00Z</updated>
    <author>
        <name>miguel oliveira</name>
        <uri>http://obviousmag.org/archives/colaboradores/migueloliveira/</uri>
    </author>
    
        <category term="perspectives" />
    
    
    	<category term="author" />
    
    	<category term="book" />
    
    	<category term="jose" />
    
    	<category term="literature" />
    
    	<category term="saramago" />
    
    	<category term="writer" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/jose_saramago_-_memorial_of_a_genius.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/jose_saramago_-_memorial_of_a_genius.html.jpg&w=640&h=350&s=1" title="José Saramago - memorial of a genius"></a>]]>
                    <![CDATA[ José Saramago died in June 18th, 2010. We don't know if he had or not an appointment with God in Heaven, Hell or at the "disqualified Purgatory"; but we're definitely sure they both had to come to terms with the past. As a confirmed atheist, José Saramago has God as one of the fetish-subjects of his works. He liked to talk to Him, dissertating (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/jose_saramago_-_memorial_of_a_genius.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Spiritualist photographs in 19th century</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/12/spiritualist_photographs_in_19th_century.html" />
	<id>tag:obviousmag.org,2011:/en//12.6734</id>    
    <published>2011-12-01T13:00:00Z</published>
    <updated>2011-12-01T13:00:00Z</updated>
    <author>
        <name>marisa figueiredo</name>
        <uri>http://obviousmag.org/archives/colaboradores/marisafigueiredo/</uri>
    </author>
    
        <category term="photography" />
    
    
    	<category term="aura" />
    
    	<category term="paranormal" />
    
    	<category term="phantom" />
    
    	<category term="phenomenum" />
    
    	<category term="photography" />
    
    	<category term="spirit" />
    
    	<category term="spiritualism" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/12/spiritualist_photographs_in_19th_century.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/12/spiritualist_photographs_in_19th_century.html.jpg&w=640&h=350&s=1" title="Spiritualist photographs in 19th century"></a>]]>
                    <![CDATA[ When, at the second half of 19th century, photography was accessible to great part of the audience at the great metropolis, alive and dead people ran to be portrayed at the top studios of that time. Phantoms, auras and even images created by the mind were habitués at those pictures. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/12/spiritualist_photographs_in_19th_century.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>The tiny figures of Mike Leavitt</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/11/the_tiny_figures_of_mike_leavitt.html" />
	<id>tag:obviousmag.org,2011:/en//12.6729</id>    
    <published>2011-11-30T13:00:00Z</published>
    <updated>2011-11-30T13:00:00Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="conceptual" />
    
    	<category term="Leavitt" />
    
    	<category term="little" />
    
    	<category term="Mike" />
    
    	<category term="people" />
    
    	<category term="toys" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/11/the_tiny_figures_of_mike_leavitt.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/11/the_tiny_figures_of_mike_leavitt.html.jpg&w=640&h=350&s=1" title="The tiny figures of Mike Leavitt"></a>]]>
                    <![CDATA[ David Byrne During the 1950s, Pop Art broke the canons of the conceptual art into vogue at that time -- abstract art and surrealism --, getting the art close to the common people again. Andy Warhol, Tom Wesselmann and Marcel Duchamp were the greatest bastions at this new way of making art, revolutionizing, once again, the whole aesthetic characteristics of the Occidental world. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/11/the_tiny_figures_of_mike_leavitt.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>JakPak - the perfect coat for open-air situations</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/11/jakpak_-_the_perfect_coat_for_open-air_situations.html" />
	<id>tag:obviousmag.org,2011:/en//12.6713</id>    
    <published>2011-11-20T13:00:00Z</published>
    <updated>2011-11-20T13:00:00Z</updated>
    <author>
        <name>alexandre romero</name>
        <uri>http://obviousmag.org/archives/colaboradores/romero/</uri>
    </author>
    
        <category term="design" />
    
    
    	<category term="camping" />
    
    	<category term="coat" />
    
    	<category term="impermeable" />
    
    	<category term="jakpak" />
    
    	<category term="nature" />
    
    	<category term="open-air" />
    
    	<category term="rain" />
    
    	<category term="sleeping bag" />
    
    	<category term="tent" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/11/jakpak_-_the_perfect_coat_for_open-air_situations.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/11/jakpak_-_the_perfect_coat_for_open-air_situations.html.jpg&w=640&h=350&s=1" title="JakPak - the perfect coat for open-air situations"></a>]]>
                    <![CDATA[ It's a simple rain-coat. No, it's not. JakPak is the first all-in-one rain-coat, able to be transformed on a sleeping bag and even on a tent. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/11/jakpak_-_the_perfect_coat_for_open-air_situations.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>The Human Imaginarium of MR Toledano</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/11/the_human_imaginarium_of_mr_toledano.html" />
	<id>tag:obviousmag.org,2011:/en//12.6726</id>    
    <published>2011-11-10T13:00:00Z</published>
    <updated>2011-11-10T13:00:00Z</updated>
    <author>
        <name>débora cambé</name>
        <uri>http://obviousmag.org/archives/colaboradores/debora/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="essay" />
    
    	<category term="phil" />
    
    	<category term="photographer" />
    
    	<category term="photography" />
    
    	<category term="toledano" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/11/the_human_imaginarium_of_mr_toledano.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/11/the_human_imaginarium_of_mr_toledano.html.jpg&w=640&h=350&s=1" title="The Human Imaginarium of MR Toledano"></a>]]>
                    <![CDATA[ What Philip Toledano portraits is the imagination. According to himself, in photography, there should always be space for questions and doubts, lifting the viewer to a constant stage of suspense. It's like an unfinished sentence. His works -- that, sometimes, are in the shape of installation -- essentially document the North-American society: its mobilizing values, who builds it, what destroys it. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/11/the_human_imaginarium_of_mr_toledano.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Theo Jansen and his kinetic sculptures</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/10/theo_jansen_and_his_kinetic_sculptures.html" />
	<id>tag:obviousmag.org,2011:/en//12.6735</id>    
    <published>2011-10-30T13:00:00Z</published>
    <updated>2011-10-30T13:00:00Z</updated>
    <author>
        <name>marisa figueiredo</name>
        <uri>http://obviousmag.org/archives/colaboradores/marisafigueiredo/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="beach" />
    
    	<category term="jansen" />
    
    	<category term="kinetic" />
    
    	<category term="sculpture" />
    
    	<category term="theo" />
    
    	<category term="wind" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/10/theo_jansen_and_his_kinetic_sculptures.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/10/theo_jansen_and_his_kinetic_sculptures.html.jpg&w=640&h=350&s=1" title="Theo Jansen and his kinetic sculptures"></a>]]>
                    <![CDATA[ At the beaches of Netherlands, the artist-engineer Theo Jansen chose a different path of those followed by who uses wind to give shape to mills or hot-air balloons. From plastic yellow tubes, Jansen creates sculptures moved by wind which remind me pre-historical animals, on an expression of kinetic art. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/10/theo_jansen_and_his_kinetic_sculptures.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Natural Disasters -- The Great Flood of Paris</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/10/natural_disasters_--_the_great_flood_of_paris.html" />
	<id>tag:obviousmag.org,2011:/en//12.6715</id>    
    <published>2011-10-23T12:00:00Z</published>
    <updated>2011-10-23T12:00:00Z</updated>
    <author>
        <name>cátia fernandes</name>
        <uri>http://obviousmag.org/archives/colaboradores/catia/</uri>
    </author>
    
        <category term="perspectives" />
    
        <category term="photography" />
    
    
    	<category term="disaster" />
    
    	<category term="flood" />
    
    	<category term="inundation" />
    
    	<category term="paris" />
    
    	<category term="sea" />
    
    	<category term="water" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/10/natural_disasters_--_the_great_flood_of_paris.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/10/natural_disasters_--_the_great_flood_of_paris.html.jpg&w=640&h=350&s=1" title="Natural Disasters -- The Great Flood of Paris"></a>]]>
                    <![CDATA[ There are lots of advantages for Paris on being strategically placed on what concerns with Seine River -- but this location also turns it vulnerable to the freaks of Nature and its river... Just like what happened on January 1910. Seine River, apparently calm and controlled, is responsible for occasional floods at its sides, and turns Paris into a vulnerable point to the rising (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/10/natural_disasters_--_the_great_flood_of_paris.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Aaron Farley&apos;s Photographs</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/09/aaron_farleys_photographs.html" />
	<id>tag:obviousmag.org,2011:/en//12.6736</id>    
    <published>2011-09-01T12:00:00Z</published>
    <updated>2011-09-01T12:00:00Z</updated>
    <author>
        <name>catarina pires</name>
        <uri>http://obviousmag.org/archives/colaboradores/catarina/</uri>
    </author>
    
        <category term="photography" />
    
    
    	<category term="aaron" />
    
    	<category term="colors" />
    
    	<category term="contemporary" />
    
    	<category term="farley" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/09/aaron_farleys_photographs.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/09/aaron_farleys_photographs.html.jpg&w=640&h=350&s=1" title="Aaron Farley's Photographs"></a>]]>
                    <![CDATA[ Photography is really a fascinating world, where each person develops its personal look and perspective about what is around. Aaron Farley is crazy about photography. It's his job and his way of life since he was 20. Nowadays, he is a highly respected American photographer, with a portfolio full of look and with a range of fixed clients to which he develops works united (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/09/aaron_farleys_photographs.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>The Poetical Nature of Tim Flach</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/08/the_poetical_nature_of_tim_flach.html" />
	<id>tag:obviousmag.org,2011:/en//12.6733</id>    
    <published>2011-08-28T12:00:00Z</published>
    <updated>2011-08-28T12:00:00Z</updated>
    <author>
        <name>mariana beltrame</name>
        <uri>http://obviousmag.org/archives/colaboradores/mariana/ </uri>
    </author>
    
        <category term="music" />
    
    
    	<category term="animals" />
    
    	<category term="flach" />
    
    	<category term="photography" />
    
    	<category term="tim" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/08/the_poetical_nature_of_tim_flach.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/08/the_poetical_nature_of_tim_flach.html.jpg&w=640&h=350&s=1" title="The Poetical Nature of Tim Flach"></a>]]>
                    <![CDATA[ Born in 1958 in London, the photographer Tim Flach conquests us by his perception ability. His concepts embrace the animal world in its pure form or in contact with human beings. At his portraits, we are able to perceive feelings that, before, looked like just common on human qualities -- however, under the Tim's photographic look, they become common also to the animals, getting (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/08/the_poetical_nature_of_tim_flach.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>The Fantastic Fictional Drawings by John Berkey</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/08/the_fantastic_fictional_drawings_by_john_berkey.html" />
	<id>tag:obviousmag.org,2011:/en//12.6728</id>    
    <published>2011-08-25T12:00:00Z</published>
    <updated>2011-08-25T12:00:00Z</updated>
    <author>
        <name>cátia fernandes</name>
        <uri>http://obviousmag.org/archives/colaboradores/catia/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="Berkey" />
    
    	<category term="fiction" />
    
    	<category term="illustration" />
    
    	<category term="John" />
    
    	<category term="scientific" />
    
    	<category term="star" />
    
    	<category term="wars" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/08/the_fantastic_fictional_drawings_by_john_berkey.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/08/the_fantastic_fictional_drawings_by_john_berkey.html.jpg&w=640&h=350&s=1" title="The Fantastic Fictional Drawings by John Berkey"></a>]]>
                    <![CDATA[ Born in 1932, John Berkey (the "Star Wars artist") attended the Minneapolis School of Arts, getting, after that, many jobs in studios, including the Artists Inc., until he was found by Brown & Bigelow -- a publicity agency where he worked for eight years. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/08/the_fantastic_fictional_drawings_by_john_berkey.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Before you die you want to...</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/08/before_you_die_you_want_to.html" />
	<id>tag:obviousmag.org,2011:/en//12.6708</id>    
    <published>2011-08-22T12:00:00Z</published>
    <updated>2011-08-22T12:00:00Z</updated>
    <author>
        <name>alexandre romero</name>
        <uri>http://obviousmag.org/archives/colaboradores/romero/</uri>
    </author>
    
        <category term="perspectives" />
    
    
    	<category term="before" />
    
    	<category term="death" />
    
    	<category term="dying" />
    
    	<category term="kennedy" />
    
    	<category term="life" />
    
    	<category term="nicole" />
    
    	<category term="person" />
    
    	<category term="polaroid" />
    
    	<category term="rives" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/08/before_you_die_you_want_to.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/08/before_you_die_you_want_to.html.jpg&w=640&h=350&s=1" title="Before you die you want to..."></a>]]>
                    <![CDATA[ During our own lives, we watch an uncountable number of people passing us by. And, from them, we always take a vague trace of their inner battles. Mankind are always those who aren't close to us, more distant than the others, and the human being will always be some kind of rhetoric question that moves us everyday, building our individuality and becoming each of (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/08/before_you_die_you_want_to.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>freak folk and naturalism: devendra banhart</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/08/freak_folk_and_naturalism_devendra_banhart.html" />
	<id>tag:obviousmag.org,2011:/en//12.6732</id>    
    <published>2011-08-15T12:00:00Z</published>
    <updated>2011-08-15T12:00:00Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="music" />
    
    
    	<category term="acoustic" />
    
    	<category term="banhart" />
    
    	<category term="caetano" />
    
    	<category term="devendra" />
    
    	<category term="folk" />
    
    	<category term="music" />
    
    	<category term="natural" />
    
    	<category term="tropicalismo" />
    
    	<category term="veloso" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/08/freak_folk_and_naturalism_devendra_banhart.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/08/freak_folk_and_naturalism_devendra_banhart.html.jpg&w=640&h=350&s=1" title="freak folk and naturalism: devendra banhart"></a>]]>
                    <![CDATA[ Innovative sounds, uncommon themes and vocal registers never used before -- at least on singing. No one sings like Animal Collective: the Sufjan Stevens and Devendra Banhart themes bring back nature to the city, and the new instruments they all use are a blast of fresh air to the alternative music. Freak-folk is an innovator musical genre which joins the traditional acoustic instruments of (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/08/freak_folk_and_naturalism_devendra_banhart.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Arthur Bodolec&apos;s Living Furniture</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/08/arthur_bodolecs_living_furniture.html" />
	<id>tag:obviousmag.org,2011:/en//12.6719</id>    
    <published>2011-08-12T12:00:00Z</published>
    <updated>2011-08-12T12:00:00Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="design" />
    
    
    	<category term="Arthur" />
    
    	<category term="Bodolec" />
    
    	<category term="chair" />
    
    	<category term="furniture" />
    
    	<category term="object" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/08/arthur_bodolecs_living_furniture.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/08/arthur_bodolecs_living_furniture.html.jpg&w=640&h=350&s=1" title="Arthur Bodolec's Living Furniture"></a>]]>
                    <![CDATA[ The most futurist people of us dream with the possibility that, one day, their home will become an activity centre with their own life. The TVs which can guess what we want to watch, the sofas which automatically recline, the self-regulated baths and, of course, the floor and the glasses which are clean without our notice. The new Arthur Bodolec project moves towards this (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/08/arthur_bodolecs_living_furniture.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Juarez Machado - ode to the sophisticated woman</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/08/juarez_machado_-_ode_to_the_sophisticated_woman.html" />
	<id>tag:obviousmag.org,2011:/en//12.6716</id>    
    <published>2011-08-09T12:00:00Z</published>
    <updated>2011-08-09T12:00:00Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="brazil" />
    
    	<category term="juarez" />
    
    	<category term="machado" />
    
    	<category term="painting" />
    
    	<category term="sculpture" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/08/juarez_machado_-_ode_to_the_sophisticated_woman.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/08/juarez_machado_-_ode_to_the_sophisticated_woman.html.jpg&w=640&h=350&s=1" title="Juarez Machado - ode to the sophisticated woman"></a>]]>
                    <![CDATA[ Juarez Machado is almost 70 years old and it's a landmark at the Brazilian paitings. But he's also a sculptor, drawer, caricaturist, designer, scenographer, mimic, writer, photographer and actor. However, the multifaceted artist never scattered. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/08/juarez_machado_-_ode_to_the_sophisticated_woman.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Lace Hill: Artificial, Multifunctional and Self-Sufficient</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/08/lace_hill_artificial_multifunctional_and_self-sufficient.html" />
	<id>tag:obviousmag.org,2011:/en//12.6717</id>    
    <published>2011-08-06T12:00:00Z</published>
    <updated>2011-08-06T12:00:00Z</updated>
    <author>
        <name>sergio coletto</name>
        <uri>http://obviousmag.org/archives/colaboradores/sergio/</uri>
    </author>
    
        <category term="architecture" />
    
    
    	<category term="Forrest" />
    
    	<category term="Fulton" />
    
    	<category term="Hill" />
    
    	<category term="Lace" />
    
    	<category term="mountain" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/08/lace_hill_artificial_multifunctional_and_self-sufficient.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/08/lace_hill_artificial_multifunctional_and_self-sufficient.html.jpg&w=640&h=350&s=1" title="Lace Hill: Artificial, Multifunctional and Self-Sufficient"></a>]]>
                    <![CDATA[ The great question of the contemporary architecture is the untiring search for means to join functionality, sustainability and, of course, visual attraction. Lace Hill embodies all these aspects and applies them to the local reality. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/08/lace_hill_artificial_multifunctional_and_self-sufficient.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>MB&amp;F Horological Machines</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/08/mbf_horological_machines.html" />
	<id>tag:obviousmag.org,2011:/en//12.6718</id>    
    <published>2011-08-03T12:00:00Z</published>
    <updated>2011-08-03T12:00:00Z</updated>
    <author>
        <name>diana guerra</name>
        <uri>http://obviousmag.org/archives/colaboradores/diana/</uri>
    </author>
    
        <category term="design" />
    
    
    	<category term="clock" />
    
    	<category term="design" />
    
    	<category term="measure" />
    
    	<category term="time" />
    
    	<category term="watch" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/08/mbf_horological_machines.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/08/mbf_horological_machines.html.jpg&w=640&h=350&s=1" title="MB&F Horological Machines"></a>]]>
                    <![CDATA[ There's nothing new at the men's fascination by time, and even the archaic (but efficient) Sundials proved the obsession of human kind by the abstract concept. In the 17th century, by the time of the discovery of new worlds, a tribal leader from Indonesia described at the book "Papalagui" -- which literally means the occidental man -- his visions about the European habits and (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/08/mbf_horological_machines.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Graphic Art by Rafael Sica</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/07/graphic_art_by_rafael_sica.html" />
	<id>tag:obviousmag.org,2011:/en//12.6731</id>    
    <published>2011-07-30T12:00:00Z</published>
    <updated>2011-07-30T12:00:00Z</updated>
    <author>
        <name>sergio coletto</name>
        <uri>http://obviousmag.org/archives/colaboradores/sergio/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="comics" />
    
    	<category term="druuna" />
    
    	<category term="marvel" />
    
    	<category term="rafael" />
    
    	<category term="serpieri" />
    
    	<category term="sica" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/07/graphic_art_by_rafael_sica.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/07/graphic_art_by_rafael_sica.html.jpg&w=640&h=350&s=1" title="Graphic Art by Rafael Sica"></a>]]>
                    <![CDATA[ Known for his work with illustrations and graphic novels, Rafael Sica rises as one of the Brazilian underground new revelations. His career started in 2001 and he takes internet as a great publicizing tool for artistical works. He already has a notorious bunch of readers who access his homepage periodically searching for his recent works. By the way, using the term "reader" sounds curious, (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/07/graphic_art_by_rafael_sica.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Live Sculptures by Robert Cannon</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/07/live_sculptures_by_robert_cannon.html" />
	<id>tag:obviousmag.org,2011:/en//12.6724</id>    
    <published>2011-07-27T12:00:00Z</published>
    <updated>2011-07-27T12:00:00Z</updated>
    <author>
        <name>débora cambé</name>
        <uri>http://obviousmag.org/archives/colaboradores/debora/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="cannon" />
    
    	<category term="earth" />
    
    	<category term="ecology" />
    
    	<category term="garden" />
    
    	<category term="life" />
    
    	<category term="nature" />
    
    	<category term="plants" />
    
    	<category term="robert" />
    
    	<category term="sculpture" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/07/live_sculptures_by_robert_cannon.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/07/live_sculptures_by_robert_cannon.html.jpg&w=640&h=350&s=1" title="Live Sculptures by Robert Cannon"></a>]]>
                    <![CDATA[ The sculptures of Robert Cannon bring a new sense to the naturalist art conception. Most of his installations are built from concrete, but they don't substitute the evolving natural elements -- they get melted with them. Terraform: that's the name of these artistic manifestations which have no place at museums, searching, above all, for the union between men and nature at public spaces. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/07/live_sculptures_by_robert_cannon.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Steampunk Luminaries by Frank BuchWald</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/07/steampunk_luminaries_by_frank_buchwald.html" />
	<id>tag:obviousmag.org,2011:/en//12.6707</id>    
    <published>2011-07-24T12:00:00Z</published>
    <updated>2011-07-24T12:00:00Z</updated>
    <author>
        <name>dan devjacque</name>
        <uri>http://obviousmag.org/archives/colaboradores/devjacque/</uri>
    </author>
    
        <category term="arts" />
    
    
    	<category term="Buchwald" />
    
    	<category term="Frank" />
    
    	<category term="light" />
    
    	<category term="Luminaries" />
    
    	<category term="steampunk" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/07/steampunk_luminaries_by_frank_buchwald.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/07/steampunk_luminaries_by_frank_buchwald.html.jpg&w=640&h=350&s=1" title="Steampunk Luminaries by Frank BuchWald"></a>]]>
                    <![CDATA[ Surrounded by uncountable pieces, the German designer Frank Buch develops totally uncommon luminaries. He constructs meticulously something that doesn't seem to belong to our nowadays technological reality. Frank has the basis of his creation inside of an extremely unique cultural concept designated as Steam Punk. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/07/steampunk_luminaries_by_frank_buchwald.html">read article</a></strong><br />]]>
    </content>
</entry>

<entry>
    <title>Publicity - The Rights of Animals</title>
    <link rel="alternate" type="text/html" href="http://obviousmag.org/en/archives/2011/07/publicidade_-_os_direitos_dos_animais.html" />
	<id>tag:obviousmag.org,2011:/en//12.6722</id>    
    <published>2011-07-21T12:00:00Z</published>
    <updated>2011-07-21T12:00:00Z</updated>
    <author>
        <name>catarina pires</name>
        <uri>http://obviousmag.org/archives/colaboradores/catarina/</uri>
    </author>
    
        <category term="design" />
    
    
    	<category term="animals" />
    
    	<category term="campaign" />
    
    	<category term="danger" />
    
    	<category term="extinction" />
    
    	<category term="jungle" />
    
    	<category term="nature" />
    
    	<category term="publicity" />
    
    	<category term="wild" />
    
	
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<![CDATA[<a href="http://obviousmag.org/en/archives/2011/07/publicidade_-_os_direitos_dos_animais.html"><img src="http://obviousmag.org/en/ob5/t/t.php?src=http://obviousmag.org/en/archives/2011/07/publicidade_-_os_direitos_dos_animais.html.jpg&w=640&h=350&s=1" title="Publicity - The Rights of Animals"></a>]]>
                    <![CDATA[ Creativity and awareness are watchwords at the new advertising campaign made by ECRS agency, which assigns Born Free "Keep wildlife in the Wild". Anyone of us is conscious about the quantity of people that are living in the streets because of lack of resources or choices. The last Born Free campaign takes this idea and puts wild animals, with no home, at urban sceneries. (...)]]>
                
                            	
        		<![CDATA[<br /><strong><a href="http://obviousmag.org/en/archives/2011/07/publicidade_-_os_direitos_dos_animais.html">read article</a></strong><br />]]>
    </content>
</entry>

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