<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1952474013885817454</id><updated>2024-10-06T21:41:54.366-07:00</updated><title type='text'>O Espectador</title><subtitle type='html'>Compartilhamento de dicas de filmes em um blog interativo e descontraído. </subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>28</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-8169545254068901906</id><published>2019-10-04T18:48:00.002-07:00</published><updated>2019-10-04T18:48:54.051-07:00</updated><title type='text'>A Música da Minha Vida</title><content type='html'>&lt;br /&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;A música pode mudar a vida das pessoas,
certo? E o que dizer de um jovem estudante paquistanês morador da Inglaterra
nos anos 80´s que se identificou com as músicas de um dos cantores mais
tradicionais dos Estados Unidos, ao ponto delas serem o fio condutor da sua
vida? Esse é o cerne desse filme que mostra o que o poder das palavras (música)
pode exercer em uma pessoa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;Vivendo na rigidez de uma
família tradicional e convivendo com a xenofobia na sua cidade inglesa em
tempos de recessão e falta de emprego, &lt;i&gt;Javed&lt;/i&gt; (Viveik Kalra) enxerga nas
músicas de &lt;b&gt;Bruce&amp;nbsp;Springsteen&lt;/b&gt; um significado maior para a vida e a
inspiração para escrever seus poemas. É como se cada palavra das letras se
encaixasse nas suas atitudes, sonhos e decepções. Tudo é retratado nesse
contexto, incluindo a relação com os familiares, e os amigos de infância e da
escola, incluindo aí a jovem ativista política &lt;i&gt;Eliza&lt;/i&gt; (Nell Williams) e
seus amigos &lt;i&gt;Matt&lt;/i&gt; (Dean-Charles Chapman) e&amp;nbsp;&lt;i&gt;Bruce&lt;/i&gt; (Aaron
Phagur).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;Seguindo o embalo dos filmes com
referências musicais (&lt;b&gt;&lt;i&gt;Yesterday, Rocketman e Boemia Rhapsody&lt;/i&gt;&lt;/b&gt;) &lt;i&gt;A
Música da Minha Vida&lt;/i&gt; se envolve de boa música e carisma para tratar de
temas negativos, como, preconceito e desemprego. E tudo isso baseado em uma
história verídica o que nos deixa confortáveis em saber que essas coisas realmente
podem acontecer.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: justify; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;Uma história leve e
inspiradora, que em certos momentos pode parecer sonhadora demais, mas não é. O
que seria da vida sem sonhos e ambições, e justamente para os jovens. Assistir a esse filme é como se deixasse um pouco de lado a rigidez da vida e simplesmente curtir o momento e
se deixar levar, enjoy!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/8169545254068901906/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2019/10/a-musica-da-minha-vida.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/8169545254068901906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/8169545254068901906'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2019/10/a-musica-da-minha-vida.html' title='A Música da Minha Vida'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuePLzZbXD8JshbnJQvoC-AsLKHhQKwto71hqhPQax1Y2j4r7Cetsa3H8EgOh7k58H2BJBr5QL8GtOqBGzl-vlyUUkHFMtqIyP4a4PmbEjUjivb7jY9T29PmgUSy_U19ThNzJdyBKFjuo/s72-c/xmusica.jpg.pagespeed.ic.6_AwHnqgeD.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-2330525834084657301</id><published>2019-07-21T06:25:00.000-07:00</published><updated>2019-07-21T06:33:35.297-07:00</updated><title type='text'>Green Book - O Guia - Racismo e amizade na tela</title><content type='html'>&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black; font-family: Arial, Helvetica, sans-serif;&quot;&gt;Green Book - O Guia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;Na década de 60 nos EUA, Victor Hugo Green&amp;nbsp;criou
o chamado&amp;nbsp;&lt;a href=&quot;https://cinepop.com.br/tag/green-book&quot; title=&quot;Green Book&quot;&gt;&lt;span style=&quot;color: black; mso-themecolor: text1;&quot;&gt;Green Book&lt;/span&gt;&lt;/a&gt;
(Livro Verde), que trazia uma lista de restaurantes e hotéis que aceitavam
afro-americanos.&amp;nbsp;Em alguns filmes a descrição &quot;Baseado e fator
reais&quot; no deixa mais confortáveis diante de situações que parecem
absurdas. A improvável amizade do músico&amp;nbsp;&lt;span style=&quot;background: white;&quot;&gt;Mahershala
Ali&amp;nbsp;&lt;/span&gt;e do italiano brucutu, interpretado com maestria por Vingon
Mortesen e um desses casos.&lt;/span&gt;&lt;span style=&quot;font-family: arial, sans-serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: black; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd9Oho9ufoAORDxg6r6mS9uaLkeMf8oHBEKeQ-H08_o4NW8RnDud3l519va6x6h-v9_zaVGJZxljG2cNW0oMr1vYUU8a68WosbnHgZH8Q4c8rTlY4vuk8eQqd4cQ8RLHo83DHPC2hhCiU/s1600/green-book-thumb.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;630&quot; data-original-width=&quot;1200&quot; height=&quot;336&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd9Oho9ufoAORDxg6r6mS9uaLkeMf8oHBEKeQ-H08_o4NW8RnDud3l519va6x6h-v9_zaVGJZxljG2cNW0oMr1vYUU8a68WosbnHgZH8Q4c8rTlY4vuk8eQqd4cQ8RLHo83DHPC2hhCiU/s640/green-book-thumb.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;na estrada&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
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&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;Em um
período de grande segregação racial nos EUA, especialmente no sul, um renomado
músico fará uma turnê pelo sul do país passando por regiões hostis para negros.
Para ajudá-lo, ele recruta um motorista para ser seu guia. Mas não somente um
guia, mas também uma pessoa capaz de resolver problemas extras.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;



&lt;/span&gt;&lt;br /&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;Don Shirley
(Mahershala Ali) vive um personagem contido, um negro que precisa se provar
para o mundo e para ele mesmo, que apesar de todo o seu talento sofre
preconceito em todos os lugares. Vallelonga&amp;nbsp;(Vingon Mortesen) um homem de
família que tem seus próprios métodos para resolver os problemas.&lt;/span&gt;&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLoQN3NYj73yFTZNBy4NZWPWh1EzH7qKzGLxZciBjUN2esGciWR7Xxbpcz6Fh2wGCw1lN-E3ZCbCPX5xdoC0y0Cy16X9qeHmkZEt3rXBaxxdSULQt1mfWcWq4xnFhzUfrKAxoqHxbb9KQ/s1600/Green-Book-01-868x600.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;868&quot; height=&quot;442&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLoQN3NYj73yFTZNBy4NZWPWh1EzH7qKzGLxZciBjUN2esGciWR7Xxbpcz6Fh2wGCw1lN-E3ZCbCPX5xdoC0y0Cy16X9qeHmkZEt3rXBaxxdSULQt1mfWcWq4xnFhzUfrKAxoqHxbb9KQ/s640/Green-Book-01-868x600.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Amizade improvável&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
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&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 107%;&quot;&gt;Apesar da mensagem do preconceito que os negros
sofreram - e sofrem - o filme faz uma mesclagem de&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background: white;&quot;&gt;momentos tensos e hilários, e de forma fluida faz com que o longa transite
entre o drama e a comédia. Durante a viagem os personagens&lt;/span&gt;&amp;nbsp;são forçados
a deixar de lado as diferenças para sobreviver e prosperar na jornada de sua
vida, e aí se transformando em pessoas cujo preconceitos vão sendo quebrados
aos poucos. Sensível, perspicaz, dramático e repleto de tiradas irônicas e
hilárias é um ótimo filme e merecidamente recebeu algumas indicações ao oscar
de 2019.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Arial&amp;quot;,sans-serif; font-size: 13.5pt; line-height: 107%;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/2330525834084657301/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2019/07/green-book-o-guia-racismo-e-amizade-na.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/2330525834084657301'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/2330525834084657301'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2019/07/green-book-o-guia-racismo-e-amizade-na.html' title='Green Book - O Guia - Racismo e amizade na tela'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd9Oho9ufoAORDxg6r6mS9uaLkeMf8oHBEKeQ-H08_o4NW8RnDud3l519va6x6h-v9_zaVGJZxljG2cNW0oMr1vYUU8a68WosbnHgZH8Q4c8rTlY4vuk8eQqd4cQ8RLHo83DHPC2hhCiU/s72-c/green-book-thumb.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-8659680447282016906</id><published>2018-10-21T10:14:00.000-07:00</published><updated>2018-10-21T10:15:42.970-07:00</updated><title type='text'>Sicário: Dia do Soldado - O medo está de volta</title><content type='html'>&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;A palavra &quot;Sicário&quot; tem outra origem,
mas no México ela significa Assassino de aluguel. Neste ótimo&amp;nbsp;&lt;span style=&quot;background: white; color: #222222;&quot;&gt;thriller&amp;nbsp;&lt;/span&gt;estão de volta &lt;i&gt;Josh Brolin&lt;/i&gt; e &lt;i&gt;Benicio Del Toro&lt;/i&gt;, excelentes,
mas agora sem a presença de &lt;i&gt;Emily Blunt&lt;/i&gt; e do diretor&amp;nbsp;&lt;i&gt;Denis Villeneuve&lt;/i&gt; (&lt;em&gt;&lt;b&gt;Blade
Runner 2049, A Chegada&lt;/b&gt;&lt;/em&gt;),&amp;nbsp;na luta contra os carteis de drogas
mexicanos. Apesar dessas ausências de peso o filme não perde a sua marca.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjerFFSJ-nd2r1kSuk6aVcebbkdRsmkkfUBzkXf-lhXCrI2wd-JI4eRsml3ot0Tm0WkiE4JOtBjIQGJ-0PBytSQinlSCGY2vj-Xqk2jMRwkbeLxuB3PhuQpB9Pvns3SN0x4Q9P5nku4SHg/s1600/sicario+dia+de+soldado+2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;630&quot; data-original-width=&quot;1200&quot; height=&quot;336&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjerFFSJ-nd2r1kSuk6aVcebbkdRsmkkfUBzkXf-lhXCrI2wd-JI4eRsml3ot0Tm0WkiE4JOtBjIQGJ-0PBytSQinlSCGY2vj-Xqk2jMRwkbeLxuB3PhuQpB9Pvns3SN0x4Q9P5nku4SHg/s640/sicario+dia+de+soldado+2.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Del Toro cumprindo expediente&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Percorrendo caminhos parecidos com o anterior, a
história passa longe de ser repetitiva. Além de continuar o seu universo de
forma coerente, há uma mudança de tema. A passagens de jihadistas pela
fronteira entre México e EUA é o novo foco dos carteis mexicanos, que se
infiltram entre imigrantes latino-americanos. Após um atentado em solo
americano uma operação que envolve o sequestro da filha de um chefão mexicano
entra em cena, mas tem muito mais coisa em jogo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Tensão, é a palavra do filme e a dupla de
protagonistas está impecável. &lt;i&gt;Brolin&lt;/i&gt; é o pragmático agente da CIA Matt Graver
que participa de operações secretas e pouco legas. &lt;i&gt;Benício Del Toro&lt;/i&gt; encarna
novamente o impiedoso Sicário, cuja família foi morta nessa guerra entre
cartéis de drogas.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMLJbz9tO4rF0TcM5CDMBXusEOrK5SJyzUWa05jdnbnFh0edAf2yWd-ULPse6kVPn6cM8UWryagbIChe-9AraTMa7iMf_Hbg1iydylHQKfo2f-VUCLbB7fU62qTj9kUvfN0aOq_Mc11Dk/s1600/sicario+dia+de+soldado+2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1069&quot; data-original-width=&quot;1600&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMLJbz9tO4rF0TcM5CDMBXusEOrK5SJyzUWa05jdnbnFh0edAf2yWd-ULPse6kVPn6cM8UWryagbIChe-9AraTMa7iMf_Hbg1iydylHQKfo2f-VUCLbB7fU62qTj9kUvfN0aOq_Mc11Dk/s640/sicario+dia+de+soldado+2.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Reunião de trabalho&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Um filme que vai direto ao ponto sem contornos e
filtros. No final não trata somente da violência, mas
do aprofundamento maior dos personagens que orquestram o ritmo. Não passa a mão
na cabeça de ninguém e não dá chances para os fracos, vale a pena!&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;georgia&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: 18px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/8659680447282016906/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2018/10/sicario-dia-do-soldado-o-medo-esta-de.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/8659680447282016906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/8659680447282016906'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2018/10/sicario-dia-do-soldado-o-medo-esta-de.html' title='Sicário: Dia do Soldado - O medo está de volta'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjerFFSJ-nd2r1kSuk6aVcebbkdRsmkkfUBzkXf-lhXCrI2wd-JI4eRsml3ot0Tm0WkiE4JOtBjIQGJ-0PBytSQinlSCGY2vj-Xqk2jMRwkbeLxuB3PhuQpB9Pvns3SN0x4Q9P5nku4SHg/s72-c/sicario+dia+de+soldado+2.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-7155408511724507006</id><published>2018-07-19T15:30:00.000-07:00</published><updated>2018-07-19T15:38:55.708-07:00</updated><title type='text'>1945 - Feridas da guerra</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;&quot;&gt;O título já diz bastante, ano do final da
segunda guerra, retorno dos que sobreviveram e encontro com os que ficaram.
Numa pequena vila húngara a chegada repentina de dois judeus causa furor entre
os habitantes. Carregando dois caixotes eles caminham silenciosos pelas ruas,
onde os moradores se preparam para um casamento, sempre na vigilância de
soldados soviéticos. Será que eles estariam ali para reivindicar esses bens?
Vingança? No silêncio dos&amp;nbsp;seus passos, nas suas faces cerradas, nada a
revelar.&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;span style=&quot;font-size: 13.5pt; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: justify; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBUNvJVt16ALFFYNV5rnr0kApLwzLfKo4zQnqpuEdPBpOcjEbP1Z7MwoRrov1E3BPRi2m4jXPw_vYFE0zeCQ9P8G2zTf0QMjb2L58GF6GpfFkF0hn341Gt4zj00UVwXjQiUt_WI45fzUM/s1600/1945-2017-1200x520.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;520&quot; data-original-width=&quot;1200&quot; height=&quot;276&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBUNvJVt16ALFFYNV5rnr0kApLwzLfKo4zQnqpuEdPBpOcjEbP1Z7MwoRrov1E3BPRi2m4jXPw_vYFE0zeCQ9P8G2zTf0QMjb2L58GF6GpfFkF0hn341Gt4zj00UVwXjQiUt_WI45fzUM/s640/1945-2017-1200x520.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Judeus de volta para casa - Segredos escondidos&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: justify; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;span style=&quot;color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;&quot;&gt;O fio condutor da narrativa é o
secretário da cidade que exerce uma função caricata de um machista,&amp;nbsp;antissemita
e cínico, exercendo poder na pequena comunidade. Ele é o pai do noivo e
influente nas polícias e soldados, subornando todos a quem ele deseja alguma
coisa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: justify; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: justify; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Para fugir da temática comum de
filmes da segunda guerra, o diretor húngaro &lt;b&gt;&lt;i&gt;Ferenc Török&lt;/i&gt;&lt;/b&gt; evita mostrar
massacres, trens com judeus ou nazistas sádicos. Ele aborda um outro lado do antissemitismo
redistribuindo as responsabilidades e culpas entre os que participaram desses
massacres. Durante a ocupação nazista judeus foram levados, muitas vezes por
denúncias dos próprios moradores que se apossaram de seus bens&lt;/span&gt; expropriados.&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: justify; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhood5jNgyUXCBhaavu1IYHMErXCo5i5h4NYBLbWS2J5tzFcw-tPLzsdfrmGI7sZ31G8t13FYldS3FD9KfZYd-4ozYo72d94EODBS5yapmkg3NFuddeSfU87Jr_0DONmyq_r_KmQNZa7QM/s1600/lsd_8480.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;613&quot; data-original-width=&quot;920&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhood5jNgyUXCBhaavu1IYHMErXCo5i5h4NYBLbWS2J5tzFcw-tPLzsdfrmGI7sZ31G8t13FYldS3FD9KfZYd-4ozYo72d94EODBS5yapmkg3NFuddeSfU87Jr_0DONmyq_r_KmQNZa7QM/s640/lsd_8480.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Reflexão de cada um&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: justify; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;span style=&quot;color: black; font-size: large;&quot;&gt;&lt;span style=&quot;font-family: Helvetica Neue, Arial, Helvetica, sans-serif;&quot;&gt;Não se trata de um grande
filme, mas com sua simplicidade mostra um outro lado da guerra não explorado
normalmente. Nos deixa refletindo sobre outros fatos da guerra, onde ficaram
escondidos segredos e trapaças oportunistas daqueles que se omitiram em tamanha
tragédia.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/7155408511724507006/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2018/07/1945-feridas-da-guerra.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/7155408511724507006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/7155408511724507006'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2018/07/1945-feridas-da-guerra.html' title='1945 - Feridas da guerra'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBUNvJVt16ALFFYNV5rnr0kApLwzLfKo4zQnqpuEdPBpOcjEbP1Z7MwoRrov1E3BPRi2m4jXPw_vYFE0zeCQ9P8G2zTf0QMjb2L58GF6GpfFkF0hn341Gt4zj00UVwXjQiUt_WI45fzUM/s72-c/1945-2017-1200x520.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-5758970939426351329</id><published>2018-04-05T14:50:00.000-07:00</published><updated>2018-04-05T15:13:29.068-07:00</updated><title type='text'>Jogador Nº 1 - Spielberg de volta</title><content type='html'>&lt;br /&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;Confesso que após ver o trailer de &quot;&lt;b&gt;&lt;i&gt;Jogador Nº 1&lt;/i&gt;&lt;/b&gt;&quot;, novo
filme do diretor &lt;i&gt;Steven Spielberg.&lt;/i&gt; não me animei tanto. Achei muito poluído
visualmente, uma forçação de barra nas referências pop e um certo exagero na
nostalgia, que não gosto. No final da sessão, porém, a impressão foi outra...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSomL8ZfptaWqqElM9WA08cevcKpOY_Z_vxQuBG0yP4jmhb_-lif_eVt6HgMacRaqrMc4PeVN6xphbR7_b80ogzuHcZyv1jZg2OqI27feUYox-F7Y8FrcAh-U7t8dKFFIjbJDuRsg0ums/s1600/jogador+1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;640&quot; data-original-width=&quot;1280&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSomL8ZfptaWqqElM9WA08cevcKpOY_Z_vxQuBG0yP4jmhb_-lif_eVt6HgMacRaqrMc4PeVN6xphbR7_b80ogzuHcZyv1jZg2OqI27feUYox-F7Y8FrcAh-U7t8dKFFIjbJDuRsg0ums/s640/jogador+1.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Adeus mundo real&lt;/td&gt;&lt;/tr&gt;
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&amp;nbsp;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;É muito bom presenciarmos o
retorno em grande estilo de &lt;i&gt;Spielberg&lt;/i&gt;, que na verdade nunca parou, fez até
recentemente &quot;&lt;b&gt;&lt;i&gt;O Bom Amigo Gigante&lt;/i&gt;&lt;/b&gt;&quot;. Mas faltava aquela aventura
agradável que traz de volta a fantasia e a emoção genuína que fizeram sua marca
registrada em grandes sucessos infanto-juvenis que marcaram época, como:&lt;b&gt;&lt;i&gt;
Indiana Jones, E.T., e outros&lt;/i&gt;&lt;/b&gt;. Várias referências pop de filmes e personagens
diversos são mostradas, não encaixadas de qualquer forma, mas inseridas tão
naturalmente que em certos momentos nem nos chama tanto a atenção. Além disso,
o diretor mostra que está bem atualizado ao visitar o universo dos jogos e da
sociedade online que existe atualmente.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin-bottom: .0001pt; margin: 0cm; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin: 0cm 0cm 0.0001pt; orphans: 2; text-align: justify; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;O filme é baseado no livro
homônimo que mostra um mundo distópico em 2045 onde quase todos passam o seu
tempo no OASIS: jogo online de realidade virtual que serve de escapismo para um
mundo sem empregos e decadente. Este universo virtual foi criado por&amp;nbsp;James
Halliday que deixou um desafio no jogo e como prêmio, além de muito dinheiro, o
controle total do OASIS. Fã do criador, surge o jovem órfão&amp;nbsp;Wade Watts
(&lt;i&gt;Tye Sheridan,&lt;/i&gt; de “&lt;b&gt;&lt;i&gt;X-Men: Apocalipse&lt;/i&gt;&lt;/b&gt;”), que como praticamente todos buscam o
sonho de conquistar o OASIS. Com a ajuda de alguns amigos ele busca a solução
para o grande quebra-cabeça idealizado por Halliday, numa tremenda caça ao
tesouro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZFGRQPsPH3PCl73cbRic8nEhBx26k5o0Slg4xQqEY5UhhpLaLyMzoqWuqoi8r6aHYhGDmJnCjLOF847g5UJutJaukReuaFT634uw7ju4nAZNuIW9xouv9hrsGH7dyivi9HbenzMrJtnA/s1600/jogador_n_1_plano_critico-600x400.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;600&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZFGRQPsPH3PCl73cbRic8nEhBx26k5o0Slg4xQqEY5UhhpLaLyMzoqWuqoi8r6aHYhGDmJnCjLOF847g5UJutJaukReuaFT634uw7ju4nAZNuIW9xouv9hrsGH7dyivi9HbenzMrJtnA/s640/jogador_n_1_plano_critico-600x400.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Tye Sheridan e Olivia Cooker - dubla alinhada&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin: 0cm 0cm 0.0001pt; orphans: 2; text-align: justify; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin: 0cm 0cm 0.0001pt; orphans: 2; text-align: justify; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;Apesar de utilizar muitos
efeitos visuais, principalmente quando os atores reais utilizam os seus
avatares no jogo, isso não se torna problema, e a boa mescla de entre os dois
mundos (real e virtual) dá ritmo ao filme. A duas horas e vinte minutos quase
não são percebidas e até o final o roteiro se sustenta.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin: 0cm 0cm 0.0001pt; orphans: 2; text-align: justify; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; margin: 0cm 0cm 0.0001pt; orphans: 2; text-align: justify; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;span style=&quot;color: black; font-size: 13.5pt;&quot;&gt;Por fim, &lt;i&gt;Spielberg &lt;/i&gt;retorna com
seu universo juvenil, numa combinação do novo com o nostálgico, do real com o
virtual e um final simples e genial, uma grande receita para o sucesso nas
telonas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/5758970939426351329/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2018/04/jogador-n-1-spielberg-de-volta.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5758970939426351329'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5758970939426351329'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2018/04/jogador-n-1-spielberg-de-volta.html' title='Jogador Nº 1 - Spielberg de volta'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSomL8ZfptaWqqElM9WA08cevcKpOY_Z_vxQuBG0yP4jmhb_-lif_eVt6HgMacRaqrMc4PeVN6xphbR7_b80ogzuHcZyv1jZg2OqI27feUYox-F7Y8FrcAh-U7t8dKFFIjbJDuRsg0ums/s72-c/jogador+1.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-9119550648444633089</id><published>2018-01-26T15:09:00.000-08:00</published><updated>2018-01-26T15:09:26.543-08:00</updated><title type='text'>O Estado das Coisas - Um Ben Stiller diferente </title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;i&gt;&lt;b&gt;Ben Stiller&lt;/b&gt;&lt;/i&gt; é um ator versátil e além de enveredar por outros papeis além das comédias, dirige e produz filmes bem interessantes Já faz algum tempo que acompanho alguns deles, como: &quot;&lt;i&gt;&lt;b&gt;A Vida Secreta de Walter&lt;/b&gt; &lt;b&gt;Mitty&quot;&lt;/b&gt;&lt;/i&gt;, &quot;&lt;i&gt;&lt;b&gt;O Solteirão&lt;/b&gt; &lt;/i&gt;e &lt;i&gt;&lt;b&gt;Enquanto Somos Jovens&quot;&lt;/b&gt;&lt;/i&gt;. Com exceção de &quot;&lt;b&gt;A Vida Secreta de W&lt;/b&gt;&lt;i&gt;&lt;b&gt;alter Mitty&quot;&lt;/b&gt;&lt;/i&gt; (excelente), os filmes são mais realistas, pois lidam com típicos problemas do dia-a-dia sem grandes floreios de forma que nos identificamos com os percalços dos protagonistas imediatamente. De certa forma acreditamos nos personagens e juntos a eles dividirmos os seus sentimentos.&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Nesta resenha vou falar do seu mais novo filme, &quot;&lt;b&gt;&lt;i&gt;O Estado das Coisas&lt;/i&gt;&lt;/b&gt;&quot;.&lt;br /&gt;
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Neste mundo que compartilhamos nossas vidas nas redes sociais e acompanhamos muitas outras também, a inveja e comparação podem vir juntas. Uma visão sutil, cômica e melancólica desta comparação e como isso se tornar uma armadilha nas nossa vidas é um dos tópicos abordados no longa. Um adulto de meia idade, Brad (&lt;b&gt;&lt;i&gt;Stiller&lt;/i&gt;&lt;/b&gt;), sai em companhia do filho para entrevistas em conceituadas universidades, seguindo um típico roteiro das famílias americanas. Brad vive uma crise existencial onde acha que perdeu o bonde da vida e é um fracassado, diferente dos seus antigos colegas de faculdade que se tornaram pessoas bem sucedidas. Seu filho, um brilhante aluno que na sua ingenuidade ainda não sabe exatamente onde sua vida irá e,&amp;nbsp; por enquanto, persegue o que gosta no momento. É neste diálogo por vezes curto entre pai e filho no confronto do novo com o velho,&amp;nbsp; experiências vividas e as que ainda estão por vir, que surgem as melhores questões e debates. A lamentação de Brad por sua vida &quot;normal&quot; e descontamento onde chegou é contínuo. E, enquanto ele vislumbra na vida dos outro uma melhor pode estar deixando de perceber ao seu redor. Parece clichê, mas o filme não segue o obvio onde tudo acaba maravilhosamente. Não é um filme maravilhoso, podemos até considerá-lo como simples, mas duvido que alguém não se sinta tocado, especialmente se for pai de um jovem.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiFomxT9Gc2P4N5NL0p4aXTdh4MoyT_UTyqaaEjPzzd9R0Pk_AgaYXKbcbXnFTBM5Oq-TMtzbw9tt9JsZSCQIqNPZDiNulkcU0hubJcfkDlFQaJy8tvCYeIKtjjG-A_2s42HnW0hQFwYc/s1600/O-Estado-das-Coisas-6.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;665&quot; data-original-width=&quot;1000&quot; height=&quot;424&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiFomxT9Gc2P4N5NL0p4aXTdh4MoyT_UTyqaaEjPzzd9R0Pk_AgaYXKbcbXnFTBM5Oq-TMtzbw9tt9JsZSCQIqNPZDiNulkcU0hubJcfkDlFQaJy8tvCYeIKtjjG-A_2s42HnW0hQFwYc/s640/O-Estado-das-Coisas-6.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/9119550648444633089/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2018/01/o-estado-das-coisas-um-ben-stiller.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/9119550648444633089'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/9119550648444633089'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2018/01/o-estado-das-coisas-um-ben-stiller.html' title='O Estado das Coisas - Um Ben Stiller diferente '/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9WMtxmz9GG2u-j68b8Sy9iv2M5C-stRFXvdl5ufJZ1NEcT28xoQo62WS-xsy-TrSa073HNuTHtxAMTsgbvNXhN2zNpWQ89Lt3BFw6jM520cY3MAYQ9hzk-qRVGBbEvdKL1QVw44oRkkc/s72-c/o+estado+das+coisas+4.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-2895614421076556144</id><published>2017-10-12T09:53:00.001-07:00</published><updated>2017-10-12T09:53:40.028-07:00</updated><title type='text'>Blade Runner 2049 - Arte para apreciar</title><content type='html'>&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;Logo após sair da sessão de&amp;nbsp;&lt;b&gt;&lt;i&gt;Blade Runner 2049&lt;/i&gt;&lt;/b&gt;, sequência do Cult Movie de 1982, falei pra minha esposa. - O preço das entradas deveriam ser diferenciados para alguns filmes. Este é um caso de uma brincadeira com um fundo de verdade, pois assistimos tanta coisa feita a toque de caixa e você se depara com um filme tão bem concebido como este, vamos lá.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsuW6x8hOxy6D_V-5myLJg7Ug12rLlpHqGGNdChOdc8ird2Wu28W5OODCraBfbu5_aWENrCyYon9zTm9MfbZzT8651dq8aYUNISejIOwVVGZbdmAZYQwn7XjxZ6xllbyliBQhQLdfXhtQ/s1600/blade+runner+4.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1051&quot; data-original-width=&quot;1600&quot; height=&quot;420&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsuW6x8hOxy6D_V-5myLJg7Ug12rLlpHqGGNdChOdc8ird2Wu28W5OODCraBfbu5_aWENrCyYon9zTm9MfbZzT8651dq8aYUNISejIOwVVGZbdmAZYQwn7XjxZ6xllbyliBQhQLdfXhtQ/s640/blade+runner+4.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Ryan Gosling curtindo o visual&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 107%;&quot;&gt;Mais uma vez o
jovem diretor canadense&amp;nbsp;&lt;/span&gt;&lt;i&gt;Denis Villeneve&lt;/i&gt;&amp;nbsp;vem colocando os seus
filmes no hall da fama. Depois do seu último,&amp;nbsp;&lt;b&gt;&lt;i&gt;&quot;A Chegada&lt;/i&gt;&lt;/b&gt;&quot;, ele nos surpreende com esse novo triunfo. Cada detalhe,
fotografia, música, interpretação, os objetos em cena, tudo é encaixado
perfeitamente, nada é por acaso. Realmente de uma qualidade excepcional. Falar
muito sobre a trama é estragar a experiência.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHt2GJzjYcTjiEypQu6hfsR2sg7HC20BdnSgNt4iuTtsL8r18L2UbvdxZ_BaAKhyJ8ztyAW16cvhILnuSs1SWKbppZrEr8DL0x3aBxVd2C9ESElqr2dY9oT06jjewGkZD2Xcq42TT-Gjg/s1600/blade+runner+3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;671&quot; data-original-width=&quot;1600&quot; height=&quot;268&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHt2GJzjYcTjiEypQu6hfsR2sg7HC20BdnSgNt4iuTtsL8r18L2UbvdxZ_BaAKhyJ8ztyAW16cvhILnuSs1SWKbppZrEr8DL0x3aBxVd2C9ESElqr2dY9oT06jjewGkZD2Xcq42TT-Gjg/s640/blade+runner+3.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;experiências de neon&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style=&quot;font-family: Arial, Helvetica, sans-serif;&quot;&gt;A&amp;nbsp;trama
segue a sequência do original 35 anos depois, quando a Tyrell Corporation, que
criava os androides, foi comprada por Niander Wallace (&lt;i&gt;Jared Leto&lt;/i&gt;), que
está melhorando suas criações para assumir os trabalhos humanos e por outro
lado, os antigos modelos são caçados pelos Blade Runners.&amp;nbsp;&lt;span style=&quot;background: white; letter-spacing: .1pt;&quot;&gt;K (&lt;i&gt;&lt;span style=&quot;box-sizing: border-box; line-height: inherit;&quot;&gt;Ryan Gosling&lt;/span&gt;&lt;/i&gt;) é o
Blade Runner, apresentado logo no início, como o próprio&amp;nbsp;Deckard (&lt;i&gt;&lt;span style=&quot;box-sizing: border-box; line-height: inherit;&quot;&gt;Harrison Ford&lt;/span&gt;&lt;/i&gt;),
na primeira versão.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: Arial, Helvetica, sans-serif;&quot;&gt;&lt;span style=&quot;text-align: start;&quot;&gt;K, é
um ser apático, conformado com sua condição de servo a serviço da polícia. Sua
vida e restrita a sua difícil interação no trabalho e seu relacionamento com Joi (&lt;i&gt;Ana de Armas&lt;/i&gt;) - uma das melhores sacadas do filme.
E assim ele segue buscando respostas naquele mesmo
cenário que as previsões nem sempre acertam,&amp;nbsp;&lt;/span&gt;de um futuro
decadente, com carros voadores, uma chuva constante, prédios imensos e painéis
de neon.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPIaQZO0hhwTxJukrfboOoNt2nxDIMnL6WRb1NSn20yDD6p6yzvO1FqaR1QAChZ7lI_oub0YULzObeb9bLQgyJOmjzj-opx34xQgvr7LICDWuWpeoi7nUNuZC93vYQUi1cE5hkXBhbewI/s1600/blade+runner+2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;720&quot; data-original-width=&quot;1080&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPIaQZO0hhwTxJukrfboOoNt2nxDIMnL6WRb1NSn20yDD6p6yzvO1FqaR1QAChZ7lI_oub0YULzObeb9bLQgyJOmjzj-opx34xQgvr7LICDWuWpeoi7nUNuZC93vYQUi1cE5hkXBhbewI/s640/blade+runner+2.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;em busca de respostas&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;A relação entre os humanos e replicantes está dividida por um muro que
revela preconceito e escravidão. A forma de agir destas duas espécies são
confrontadas e cabe a cada um eleger o correto. Um filme envolto de questões
filosóficas acerca da alma, da vida, questões ambientais e sociais,
individualidade e amor.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;Um filme que
referencia o original, mas que não deixa de seguir seus próprios passos e
trilhar o seu caminho para o futuro.&amp;nbsp;&lt;/span&gt;&lt;b style=&quot;font-family: Arial, sans-serif;&quot;&gt;&lt;i&gt;Blade Runner 2049&lt;/i&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&amp;nbsp;nos
mostra uma nova sociedade, segregada e preconceituosa, com seres humanos de alma e androides cada vez mais evoluídos. Mas c&lt;/span&gt;&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;omo diria a famosa frase da franquia: &quot;Androides
mais humanos que humanos&quot;.&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/2895614421076556144/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/10/blade-runner-2049-arte-para-apreciar.html#comment-form' title='2 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/2895614421076556144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/2895614421076556144'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/10/blade-runner-2049-arte-para-apreciar.html' title='Blade Runner 2049 - Arte para apreciar'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsuW6x8hOxy6D_V-5myLJg7Ug12rLlpHqGGNdChOdc8ird2Wu28W5OODCraBfbu5_aWENrCyYon9zTm9MfbZzT8651dq8aYUNISejIOwVVGZbdmAZYQwn7XjxZ6xllbyliBQhQLdfXhtQ/s72-c/blade+runner+4.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-1973770070980542436</id><published>2017-08-03T18:17:00.000-07:00</published><updated>2017-08-03T18:17:47.798-07:00</updated><title type='text'>&quot;Um Instante de Amor&quot; e &quot;Frantz&quot; - Dobradinha francesa</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
Estes dois filmes foram exibidos no último festival de cinema francês que ocorreu em todo Brasil no mês passado. Assistir ao primeiro no próprio evento e o segundo já em casa. Além de bons filmes ambos suscitam ótimas surpresas.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj157DucIVldNwcET6HSez0y_4GBhi78s0OC6F5kQpImkYpigJDt0BpFOei2nKKR6pBfZypJyMCsm32jranvXDbUgIrJEVX0pekYCzmWO_y24M__OEdL0p2Hd-c4MZqUnBJ4dJ-r8sOUIs/s1600/um+instante+de+amor.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;360&quot; data-original-width=&quot;640&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj157DucIVldNwcET6HSez0y_4GBhi78s0OC6F5kQpImkYpigJDt0BpFOei2nKKR6pBfZypJyMCsm32jranvXDbUgIrJEVX0pekYCzmWO_y24M__OEdL0p2Hd-c4MZqUnBJ4dJ-r8sOUIs/s640/um+instante+de+amor.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Um Instante de Amor - Uma mulher em busca de um amor&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Começando com &quot;Um Instante de Amor&quot;, que têm como protagonistas a atriz francesa do momento, &lt;i&gt;Marion Cotillard&lt;/i&gt; (&quot;&lt;b&gt;&lt;i&gt;A Origem&lt;/i&gt;&lt;/b&gt;&quot;, &quot;&lt;b&gt;&lt;i&gt;Dois Dias&lt;/i&gt;&lt;/b&gt;, &lt;b&gt;Duas Noites&lt;/b&gt;&quot; e &quot;&lt;b&gt;&lt;i&gt;Contágio&lt;/i&gt;&lt;/b&gt;&quot;) e a jovem revelação, &lt;i&gt;Louis Garrel&lt;/i&gt; (&quot;&lt;i&gt;&lt;b&gt;Os Sonhadores&lt;/b&gt;&lt;/i&gt;&quot; e &quot;&lt;b&gt;&lt;i&gt;Dois Amigos&lt;/i&gt;&lt;/b&gt;&quot;). Marion é Gabrielle uma mulher acima da sua época que vive em uma propriedade rural nos anos 50. Ela é convencida que é melhor optar por um casamento fadado ao fracasso a ser internada por seus pais, que enxergam nela uma pessoa problemática e desconexa dos aspectos culturais da época. Em certo momento Gabrielle parte para um tratamento médico em um spa nas montanhas e lá conhece um militar (&lt;i&gt;Garrel&lt;/i&gt;), onde passa a viver o amor que tanto era reprimido. Mas no meio desta simples premissa existem vários cenários que engrandecem o filme: o seu relacionamento com a família após o casamento, a ascensão profissional do seu marido e todo o tempo que ela fica internada. Uma lição de que o amor pode vir do tempo ou de pequenos gestos que se engrandecem quando atingem quem realmente buscou durante a vida.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: right;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ4OVm8UXLskHJbqwXnLyatLWUyBGP_jYibAJ_j1C4259LeyAK2l4qJaFQ0kw_rdVhKQILF8oFvl-GJbpgdo3GyTLffjAWIPZ4Hy79YyMMs_Iq1RnVvfWiV3PxiNFYQtUAPrwjxgi7fFg/s1600/frantz-venice.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;377&quot; data-original-width=&quot;670&quot; height=&quot;358&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ4OVm8UXLskHJbqwXnLyatLWUyBGP_jYibAJ_j1C4259LeyAK2l4qJaFQ0kw_rdVhKQILF8oFvl-GJbpgdo3GyTLffjAWIPZ4Hy79YyMMs_Iq1RnVvfWiV3PxiNFYQtUAPrwjxgi7fFg/s640/frantz-venice.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Frantz - Retratos de uma guerra&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
O segundo é &lt;i&gt;Frantz&lt;/i&gt;. Para seguir a linha do primeiro cito alguns filmes dos protagonistas principais, dois ótimos jovens atores que carregam a história. &lt;i&gt;Paula Beer&lt;/i&gt; é alemã e eu não conhecia nenhum outro filme dela. Mas a sua beleza destacada no preto e branco é um deleite. Já &lt;i&gt;Pierre Niney &lt;/i&gt;é francês eu já tinha visto no suspense ótimo &quot;&lt;i&gt;&lt;b&gt;O Homem Ideal&lt;/b&gt;&lt;/i&gt;&quot;.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Bem, vamos a história. Logo no início, Anna (&lt;i&gt;Paula Beer&lt;/i&gt;), vai ao cemitério colocar flores no túmulo do seu noivo, morto na primeira guerra. Porém, quando ela está saindo presencia um jovem francês indo para o mesmo túmulo rezar. A partir daí a curiosidade de quem será esta pessoa e o que ela sabe sobre o seu noivo. Anna é Alemã e nesta batalha lutaram contra com os franceses que estão diretamente ligados para a sua tragédia familiar. Adrien (&lt;i&gt;Pierre Niney&lt;/i&gt;) se aproxima de Anna e da família arrasada pela morte de seu único filho jovem, na guerra, mesmo sob os olhares desconfiados dos alemães que ainda carregam a mágoa com a França, sua algoz.&lt;/div&gt;
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Diferente da maioria dos filmes, este mostra a realidade da Alemanha no pós-guerra, e do sofrimento das pessoas que faziam parte desta nação que ficou marcada como vilã. Uma pequena cidade, triste, cheia de cicatrizes da guerra onde pais lamentam terem encorajados seus filhos a ir. Uma geração inteira de jovens que foi dizimada, junto com as suas alegrias e sonhos. Interessante como o filme mostra o lado dos países, antes da guerra unidos e agora separados pelas mortes dos seus entes. Como pode uma guerra colocar jovens desconhecidos para atirar entre si de forma tão brutal?&amp;nbsp;&lt;/div&gt;
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Assistam, é um ótimo filme com bastantes reviravoltas que vale tanto pela história de amor quanto pelo relato histórico deste evento que marcou negativamente uma época.&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/1973770070980542436/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/08/um-instante-de-amor-e-frantz-dobradinha.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/1973770070980542436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/1973770070980542436'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/08/um-instante-de-amor-e-frantz-dobradinha.html' title='&quot;Um Instante de Amor&quot; e &quot;Frantz&quot; - Dobradinha francesa'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj157DucIVldNwcET6HSez0y_4GBhi78s0OC6F5kQpImkYpigJDt0BpFOei2nKKR6pBfZypJyMCsm32jranvXDbUgIrJEVX0pekYCzmWO_y24M__OEdL0p2Hd-c4MZqUnBJ4dJ-r8sOUIs/s72-c/um+instante+de+amor.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-5809929877042622061</id><published>2017-07-17T17:50:00.000-07:00</published><updated>2017-07-17T17:53:26.340-07:00</updated><title type='text'>Armas na Mesa - O fim justifica os meios</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;background-color: white; color: #222222; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 16px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhprkUsF9MpACOnA53ePJ0fO7CT4qYIMRf_rD48rA8W52Cg_kXLumz0ONkC8ov-aaU1WH_1uS3yAujPGLVDMKaXn7r7LJ-RUosHkXutdNnHQe7wWkeEFKKJqzeb2DJbIHWmfwfBZkF4ql0/s1600/Armas-na-Mesa-trailer-2017.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;563&quot; data-original-width=&quot;1000&quot; height=&quot;358&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhprkUsF9MpACOnA53ePJ0fO7CT4qYIMRf_rD48rA8W52Cg_kXLumz0ONkC8ov-aaU1WH_1uS3yAujPGLVDMKaXn7r7LJ-RUosHkXutdNnHQe7wWkeEFKKJqzeb2DJbIHWmfwfBZkF4ql0/s640/Armas-na-Mesa-trailer-2017.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Armas na Mesa&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;background-color: white; color: #222222; font-family: Verdana, sans-serif;&quot;&gt;Lobista - Pessoa que tenta influenciar legisladores ou oficias públicos para votar ou atuar em favor de interesse especiais. É sobre estas pessoas que &quot;Armas na Mesa&quot; trata neste ótimo thriller político com toque de espionagem. É verdade que o filme começa &quot;carregado&quot;, com diálogos rápidos onde ficamos sem entender quase nada, mas não desistam. A história vai ganhando força, com grande influência da personagem principal, é verdade.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #222222;&quot;&gt;Jessica Chastain &lt;/span&gt;&lt;span style=&quot;background-color: white;&quot;&gt;&lt;span style=&quot;color: #444444; font-family: &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;é&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333;&quot;&gt;Elizabeth Sloane,uma das lobistas mais poderosas dos Estados Unidos, conhecida por usar uma série de estratégias ilegais para atingir os seus objetivos. Trabalhando em prol de conseguir leis mais rígidas para o porte de armas, Sloane começa a sofrer um série de ameaças pessoais e profissionais, e começa a questionar os seus limites dentro desta profissão.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; text-align: start;&quot;&gt;&lt;span style=&quot;color: #333333; font-family: Verdana, sans-serif;&quot;&gt;Todos sabemos como esta polarização sobre o controle de armas nos Estados Unidos é grande, mas este não é o cerne do filme. A manipulação de votos, influência e chantagem são como peças de um jogo de xadrez nesta disputa onde está em jogo o futuro de uma nação. Elizabeth Sloane, numa atuação magistral de Jessica Chastain, é como um trator sem freios, não muda o discurso por ninguém. Sua ambição e vontade de vencer a qualquer custo, são o combustível do filme.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;background-color: white;&quot;&gt;Pois, aguentem o início, desfrutem da trama e se segurem na cadeira para o final deste ótimo filme. Sim, e antes de encerrar, digo que qualquer relacionamento d&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #222222;&quot;&gt;o filme com o que está ocorrendo no nosso Brasil é mera semelhança dos fatos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/5809929877042622061/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/07/armas-na-mesa-o-fim-justifica-os-meios.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5809929877042622061'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5809929877042622061'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/07/armas-na-mesa-o-fim-justifica-os-meios.html' title='Armas na Mesa - O fim justifica os meios'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhprkUsF9MpACOnA53ePJ0fO7CT4qYIMRf_rD48rA8W52Cg_kXLumz0ONkC8ov-aaU1WH_1uS3yAujPGLVDMKaXn7r7LJ-RUosHkXutdNnHQe7wWkeEFKKJqzeb2DJbIHWmfwfBZkF4ql0/s72-c/Armas-na-Mesa-trailer-2017.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-5400349720649411660</id><published>2017-05-16T17:26:00.000-07:00</published><updated>2017-05-16T17:26:54.620-07:00</updated><title type='text'>Jason Segel - Um ator diferente</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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Acho que só assistir a praticamente 3 filmes de &lt;i&gt;Jason Segel&lt;/i&gt;, por sinal ótimos filmes que vou citar aqui. O problema é que quando fui ver sua filmografia fiquei surpreso com a quantidade de filmes de qualidade duvidosa (eu não arrisquei, rs).&amp;nbsp;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYltfEauGEIST7MAcuEFDO2hz7Vj1gTCL4r0rwQN_7mybVUl399BKkY1LBxtnCjHhB0AatKAWrdAKM8Gt9pFnlVIbf-Pk08ZdHK1FwCHziSVdU7IG36Zfay4CxpWNtANPqUZhmd7uhhqs/s1600/the+discovery.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYltfEauGEIST7MAcuEFDO2hz7Vj1gTCL4r0rwQN_7mybVUl399BKkY1LBxtnCjHhB0AatKAWrdAKM8Gt9pFnlVIbf-Pk08ZdHK1FwCHziSVdU7IG36Zfay4CxpWNtANPqUZhmd7uhhqs/s640/the+discovery.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;O filme A Descoberta (The Discovery) esperando ser descoberto&lt;/td&gt;&lt;/tr&gt;
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O mais recente que assistir foi &quot;&lt;i&gt;&lt;b&gt;The Discovery&lt;/b&gt;&lt;/i&gt;&quot;, uma produção NETFLIX, que fala de um tema bem polêmico no momento, o suicídio. A resposta da questão que segue o ser humiano por anos pode ter sido solucionada, o que existe no pós-morte? Cercado de mistério, o filho (&lt;i&gt;Jason Segel&lt;/i&gt;) do guru (&lt;i&gt;Robert Redford&lt;/i&gt;) da grande descoberta parte para uma jornada que vai de encontro com todo seu ceticismo. Na sua companhia a misteriosa garota que ele conhece por acaso (&lt;i&gt;Rooney Mara&lt;/i&gt;).&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixj159kSv1shhwrJhKx-Cl7E9iaLjh4ffhbiB7-zRCL1PmtdayHedqZ14AcLZVB3SSNeNquvYouEGEbGNjtoyoYs4oN1XoaPzMT30ybkIExm2sRo8nwKj_mdS63z6PVF1X38esVUzwKE0/s1600/O-Final-da-Turne-3_0.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixj159kSv1shhwrJhKx-Cl7E9iaLjh4ffhbiB7-zRCL1PmtdayHedqZ14AcLZVB3SSNeNquvYouEGEbGNjtoyoYs4oN1XoaPzMT30ybkIExm2sRo8nwKj_mdS63z6PVF1X38esVUzwKE0/s640/O-Final-da-Turne-3_0.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;O Fim da Turnê - confronto de palavras&lt;/td&gt;&lt;/tr&gt;
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O segundo é o pouco conhecido &quot;&lt;i&gt;&lt;b&gt;A Fim da Turnê&lt;/b&gt;&lt;/i&gt;&quot;. Impressionante como excelentes filmes ficam &quot;escondidos&quot; e terminam alcançando poucas pessoas, bem, é para isso que estou aqui, certo! Neste &lt;i&gt;Jason Segel&lt;/i&gt; é um cultuado escritor que parte para os últimos 5 dias de divulgação do seu best-seller acompanhado de um repórter da revista Rolling Stone (&lt;i&gt;Jesse Eisenberg&lt;/i&gt;). Baseado em uma história verídica, pois o livro premiado realmente existe. O embate sobre mulheres, sucesso e solidão dão o tom. Um ávido pelo sucesso e o outro com problemas de socialização. Filme tocante com mensagens notáveis que no final da sessão gerarão boas conversas.&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;de&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHvgR9_iCS0v2Q-PgrBQUMByI94olCquOmuPT6XoWsteWM0McNMGyNtzxdinkKBc7pn0csP2LKbGJX-z1Fmdqs18oA1nv1sJr6Xdzo2vW6iogRGjoiX8cYAq0xUtzthvkjsby5B0Ck1Q0/s1600/jeff+e+as+arma%25C3%25A7%25C3%25B5es+do+destino.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHvgR9_iCS0v2Q-PgrBQUMByI94olCquOmuPT6XoWsteWM0McNMGyNtzxdinkKBc7pn0csP2LKbGJX-z1Fmdqs18oA1nv1sJr6Xdzo2vW6iogRGjoiX8cYAq0xUtzthvkjsby5B0Ck1Q0/s640/jeff+e+as+arma%25C3%25A7%25C3%25B5es+do+destino.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Jeff e as Armações do Destino - para onde ir?&lt;/td&gt;&lt;/tr&gt;
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E por último &quot;&lt;b&gt;&lt;i&gt;Jeff e as Armações do Destino&lt;/i&gt;&lt;/b&gt;&quot;, mais uma grande surpresa. Não se deixe enganar pela capa bobona, pois o conteúdo é de qualidade. Neste Jeff (&lt;i&gt;Jason Segel&lt;/i&gt;) é um preguiçoso de 30 ano que ainda mora no porão da casa da sua mãe. Fica na espera por sinais do universo que mostrem o que deve fazer da sua vida. Certo dia, ele decide ajudar seu irmão que suspeita que a esposa o está traindo, e a partir daí os fatos aparecem. Daí vemos que às vezes uma sucessão de situações improváveis pode nos levar ao que mais almejamos...a paz.&lt;/div&gt;
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&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/5400349720649411660/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/05/jason-segel-um-ator-diferente.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5400349720649411660'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5400349720649411660'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/05/jason-segel-um-ator-diferente.html' title='Jason Segel - Um ator diferente'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYltfEauGEIST7MAcuEFDO2hz7Vj1gTCL4r0rwQN_7mybVUl399BKkY1LBxtnCjHhB0AatKAWrdAKM8Gt9pFnlVIbf-Pk08ZdHK1FwCHziSVdU7IG36Zfay4CxpWNtANPqUZhmd7uhhqs/s72-c/the+discovery.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-5687504207357666327</id><published>2017-04-07T15:57:00.000-07:00</published><updated>2017-04-07T15:57:15.656-07:00</updated><title type='text'>Invasão coreana</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
Filmes da Coreia do Sul são surpresas para mim. Em uma rápida lembrança cito somente &quot;&lt;b&gt;&lt;i&gt;Old Boy&lt;/i&gt;&lt;/b&gt;&quot; de 2003. Mas nos últimos dias me deparei com dois bons filmes. Ambos de temas bem diferentes: enquanto um flerta com o suspense e a sexualidade o outro envereda pela ficção, na ameaça zumbi.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidJCHEl0fm7x2HX16jdDbworeuIhUMXjfrl9OqO7MUYRKFKKqYzE-gurlvUApzLsgPI_24A0EBwOVoEyeY8lBV2pJS8wVDEfsMq9L7HI_cAlhb99A4k8Lt9FpzMCralAIa8HGqcI0uWok/s1600/a+criada.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidJCHEl0fm7x2HX16jdDbworeuIhUMXjfrl9OqO7MUYRKFKKqYzE-gurlvUApzLsgPI_24A0EBwOVoEyeY8lBV2pJS8wVDEfsMq9L7HI_cAlhb99A4k8Lt9FpzMCralAIa8HGqcI0uWok/s640/a+criada.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;A Criada - não confie em ninguém desta turma.&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;i&gt;A Criada (The Handmaiden)&lt;/i&gt;&lt;/b&gt; é um filme visualmente impecável, cada detalhe minunciosamente trabalhado, uma grande produção. Um plano diabólico para seduzir uma mulher rica e ingênua serve como motor inicial para este suspense erótico sobre trapaceiros, que no final quem se torna o mais enganado é o próprio espectador. Apesar de ter me admirado com a produção, faltou emoção em cenas cruciais, ou talvez um ritmo diferente em certos momentos. O filme parece seguir uma linha reta do início ao fim. Mas mesmo assim recomendo para observar um pouco mais da cultura oriental.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy2lBxs7omxTfzl5KODy1ErMt9upI2WSnhaOYI5qP1y0Puxy5tLtzc_VO1PDxrNBHElXFQ3tfhNkqUtYYGUAev9sgk0kGId-P4zeNkRFTzQWHymm5blyKPK-FuczCq2i03q8AJEdrZVzs/s1600/invas%25C3%25A3o+zumbi.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;256&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy2lBxs7omxTfzl5KODy1ErMt9upI2WSnhaOYI5qP1y0Puxy5tLtzc_VO1PDxrNBHElXFQ3tfhNkqUtYYGUAev9sgk0kGId-P4zeNkRFTzQWHymm5blyKPK-FuczCq2i03q8AJEdrZVzs/s640/invas%25C3%25A3o+zumbi.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Invasão Zumbi - como é duro viajar na segunda classe.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Já &lt;b&gt;&lt;i&gt;Invasão Zumbi&lt;/i&gt;&lt;/b&gt; não tenho o que reclamar. Vocês poderiam pensar: mais um filme de Zumbi? Mas este é dos bons! O longa gira em torno de um pai workaholic divorciado que é convencido pela filha, que mora com ele, &amp;nbsp;a levá-la para passar um tempo com mãe. Daí eles pegam um trem, mas a viagem acaba sendo mais difícil do que se esperava. E até o final das suas 2 horas de duração nenhum protagonista terá vida fácil. Repleto de reviravoltas e com um excelente elenco, o longa tem tudo para se tornar referência dentre os fãs de zumbis. O diretor &lt;i&gt;Yeon Sang-ho&lt;/i&gt; imprime suas características nas panorâmicas em câmera lenta, os planos posados e passando pelos cruciais planos-detalhes (imagens de mãos retesadas, olhos tensos, cabelos molhados, o choro da criança). Diversão garantida.&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/5687504207357666327/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/04/invasao-coreana.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5687504207357666327'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5687504207357666327'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/04/invasao-coreana.html' title='Invasão coreana'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidJCHEl0fm7x2HX16jdDbworeuIhUMXjfrl9OqO7MUYRKFKKqYzE-gurlvUApzLsgPI_24A0EBwOVoEyeY8lBV2pJS8wVDEfsMq9L7HI_cAlhb99A4k8Lt9FpzMCralAIa8HGqcI0uWok/s72-c/a+criada.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-283788861875082301</id><published>2017-02-08T13:02:00.000-08:00</published><updated>2017-02-08T13:02:18.116-08:00</updated><title type='text'>Achados do NETFLIX parte 4 - Filmes de Ação</title><content type='html'>&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;Filmes de ação não faltam no NETFLIX, mas que tal assistir a um com qualidade! Seguem dicas de alguns filmes que se você gosta de
suspense, ação e aventura, não deve perder.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;Soldado anônimo&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1HRVBoEy1RYyuGJevDzFEWsVnq4JullVboizCAXU2N-Xory-L22pYZst-SZ9RY0kkuns-I4pSqRFDElvdEgtlWKijM-KA4SOgsAV27qYKVmYXjwbaGaZCJKs16QqTh6US5S4rJpCZRxc/s1600/soldado+anonimo.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;334&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1HRVBoEy1RYyuGJevDzFEWsVnq4JullVboizCAXU2N-Xory-L22pYZst-SZ9RY0kkuns-I4pSqRFDElvdEgtlWKijM-KA4SOgsAV27qYKVmYXjwbaGaZCJKs16QqTh6US5S4rJpCZRxc/s640/soldado+anonimo.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Soldado Anônimo: &lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;i&gt;Gyllenhaal no tédio.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;Swoff (&lt;i&gt;Jake
Gyllenhaal&lt;/i&gt;) é a terceira geração de sua família a servir ao exército. Ele
passa pelo campo de treinamento antes de ser designado para lutar no Iraque.
Estando em local que não entende, lutando contra um inimigo que não consegue
ver e sem entender direito o porquê de estar ali, Swoff e seus companheiros de
batalhão sobrevivem à adversidade local usando o humor negro e o sarcasmo.
Filme com uma visão das guerras atuais, onde a tecnologia predomina e os
soldados questionam seu real sentido de estar ali, muito bom.&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;Jogo de espiões&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii73Y5yD7TtlbyRydT5PuGDpKZHH1dxJbWjexnCgTTrgYNxAEqin0eTd3_TiX1r62Lr0oamDkxuel3l9ur_7oKSJiL-aw2x0fbkg_Vx2b3lxTsIQYB9DMdJpbi3StNNkNKo8b_sEcYKmw/s1600/jogo+de+espi%25C3%25B5es.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;272&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii73Y5yD7TtlbyRydT5PuGDpKZHH1dxJbWjexnCgTTrgYNxAEqin0eTd3_TiX1r62Lr0oamDkxuel3l9ur_7oKSJiL-aw2x0fbkg_Vx2b3lxTsIQYB9DMdJpbi3StNNkNKo8b_sEcYKmw/s640/jogo+de+espi%25C3%25B5es.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Jogo de espiões: uma dupla de peso.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;Nathan Muir &lt;/span&gt;&lt;i style=&quot;font-family: Arial, sans-serif; font-size: 11.5pt;&quot;&gt;(Robert
Redford&lt;/i&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;) é um agente da CIA que está prestes a se aposentar, até que
descobre que Tom Bishop (&lt;/span&gt;&lt;i style=&quot;font-family: Arial, sans-serif; font-size: 11.5pt;&quot;&gt;Brad Pitt&lt;/i&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;),
seu protegido, foi preso por espionagem na China. Acostumado com o modo de
funcionamento da CIA, Muir é convocado para resgatar Bishop de sua atual
prisão. É quando, em meio ao embarque para mais uma missão, Muir relembra como
ele recrutou e treinou Bishop, seus tempos turbulentos como agentes. Mesmo
contando com atores de peso, não teve a badalação costumeira na época, pois
trata-se de um filme mais intimista sobre espionagem.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;O último rei da
Escócia&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuLH1zRHd3JdMi_Km4rpMLkKu9Np78Qt6mqFCVexmFMFu1tQokOP66mzbqE7M_VFQjIwpfPiy9QmTgYphyphenhyphenfIp_e9RfQ4IFMV0AlCaAmvvQlUYjXi0rFDYittpIHlaDDyAS1Ttx-sfH_U4/s1600/o+ultimo+rei+da+esc%25C3%25B3cia.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;424&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuLH1zRHd3JdMi_Km4rpMLkKu9Np78Qt6mqFCVexmFMFu1tQokOP66mzbqE7M_VFQjIwpfPiy9QmTgYphyphenhyphenfIp_e9RfQ4IFMV0AlCaAmvvQlUYjXi0rFDYittpIHlaDDyAS1Ttx-sfH_U4/s640/o+ultimo+rei+da+esc%25C3%25B3cia.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;O último rei da Escócia: amizade perigosa&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;Nicholas Garrigan (&lt;i&gt;James McAvoy&lt;/i&gt;) é um elegante médico escocês, que deixou recentemente
a faculdade. Ele parte para Uganda em busca de aventura, romance e alegria, por
poder ajudar um país que precisa muito de suas habilidades médicas. Após um
acidente bizarro Nicholas conhece o líder recém-empossado do país Idi Amin (&lt;i&gt;Forest Whitaker&lt;/i&gt;), e este fica obcecado
com a cultura e a história da Escócia. Amin se afeiçoa a Nicholas e lhe oferece
a oportunidade de ser seu médico particular. Ele aceita a oferta, o que faz com
que passe a frequentar o círculo interno de um dos mais terríveis ditadores da
África.&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;Um Ato de
Liberdade&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWs_4eoWucH9Lj5iG_MV9k03YgHuZLV4ruyasnXDY0vdlF2XDVoiL-iraDgKNOrvrGq2bzHkLg2vV9-JgeF-uTLJ-SwEprJn30h8y9IPOZuY92ewc6srQz0WLB9v8zqrgMoY9k5zZ5Rf8/s1600/Um+Ato+de+Liberdade.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWs_4eoWucH9Lj5iG_MV9k03YgHuZLV4ruyasnXDY0vdlF2XDVoiL-iraDgKNOrvrGq2bzHkLg2vV9-JgeF-uTLJ-SwEprJn30h8y9IPOZuY92ewc6srQz0WLB9v8zqrgMoY9k5zZ5Rf8/s640/Um+Ato+de+Liberdade.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;1941. Tuvia (&lt;i&gt;Daniel
Craig&lt;/i&gt;), Zus (&lt;i&gt;Liev Schreiber&lt;/i&gt;) e
Asael (&lt;i&gt;Jamie Bell&lt;/i&gt;) são irmãos que, ao
fugir da perseguição nazista aos judeus, se escondem em uma floresta que
conhecem desde a infância. De início eles apenas pensam em sobreviver, mas à
medida que seus atos de bravura se espalham diversas pessoas passam a
procurá-los, em busca de liberdade. Mais uma das histórias paralelas que cercam
a 2º guerra mundial, e exibe os improváveis heróis que surgiram para conter o
nazismo.&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;Os suspeitos&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6qK-PEqJn1wQ0wfq9xiiD2zaGN7fXbpFgzaqG4XYYlFf4NA5FkBhRT1eDPir8wcyPfRZ9j74k_XebshNglNeR81n7pDTAOv0b8VM1QbemCnbMFLKjUbEd7ARa_gjyQdOTbHwpDuHSH-M/s1600/Os+suspeitos.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6qK-PEqJn1wQ0wfq9xiiD2zaGN7fXbpFgzaqG4XYYlFf4NA5FkBhRT1eDPir8wcyPfRZ9j74k_XebshNglNeR81n7pDTAOv0b8VM1QbemCnbMFLKjUbEd7ARa_gjyQdOTbHwpDuHSH-M/s640/Os+suspeitos.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Os suspeitos: mistério e vingança.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;Boston, Estados Unidos. Keller Dover (&lt;i&gt;Hugh Jackman&lt;/i&gt;) leva uma vida feliz ao
lado da esposa Grace (&lt;i&gt;Maria Bello&lt;/i&gt;) e
os filhos Ralph (&lt;i&gt;Dylan Minnette&lt;/i&gt;) e
Anna (&lt;i&gt;Erin Gerasimovich&lt;/i&gt;). Um dia, a
família visita a casa de Franklin (&lt;i&gt;Terrence
Howard&lt;/i&gt;) e Nancy Birch (Viola Davis), seus grandes amigos. Sem que eles
percebam, a pequena Anna e Joy (&lt;i&gt;Kyla Drew
Simmons&lt;/i&gt;), filha dos Birch, desaparecem. Desesperadas, as famílias apelam à
polícia e logo o caso cai nas mãos do detetive Loki (&lt;i&gt;Jake Gyllenhaal&lt;/i&gt;).&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;Sicario&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMoNRu38vhxKZ7Q3x0PEQT29gr2VfcYP-T30ZGdV7vnGHvdc90vB47qI09NrbTQ_5tgQZmtwZ-UrNWubaEaDlEA0-r9zxSVFYG5uigSsrokRqeD7TrEKrV7shCJ2nh_rVPTwo21XtGBqc/s1600/Sicario.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;425&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMoNRu38vhxKZ7Q3x0PEQT29gr2VfcYP-T30ZGdV7vnGHvdc90vB47qI09NrbTQ_5tgQZmtwZ-UrNWubaEaDlEA0-r9zxSVFYG5uigSsrokRqeD7TrEKrV7shCJ2nh_rVPTwo21XtGBqc/s640/Sicario.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Sicario: barril de pólvora&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;A CIA está preparando uma audaciosa operação para
deter o grande líder de um cartel de drogas mexicano. Kate Macy (&lt;b&gt;Emily Blunt&lt;/b&gt;), policial do FBI, decide
participar da ação, mas logo descobre que terá de testar todos os seus limites
morais e éticos nesta missão. Filmaço com um elenco de peso onde a tensão
predomina. &lt;i&gt;Benicio del Toro&lt;/i&gt; num papel
visceral, que bota medo em qualquer um.&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;O Livro de Eli&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx2DRiSmOgve8TDAFp0nWlil6CE9KRs2m7kFocA3E0OZRQvTqgqZfV-_GM4cF8ZBp1aF-03eKz7c3Vnim2Xyj3w40NySHIaNDEBBLgGchJh9elE8dNe5KSvCgPVfl1BFhuvDvUGvZnE8s/s1600/O+Livro+de+Eli.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx2DRiSmOgve8TDAFp0nWlil6CE9KRs2m7kFocA3E0OZRQvTqgqZfV-_GM4cF8ZBp1aF-03eKz7c3Vnim2Xyj3w40NySHIaNDEBBLgGchJh9elE8dNe5KSvCgPVfl1BFhuvDvUGvZnE8s/s640/O+Livro+de+Eli.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;O Livro de Eli: andarilho salvador&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;Em um futuro não muito distante, Eli (&lt;i&gt;Denzel Washington&lt;/i&gt;) é um homem solitário,
que percorre a América do Norte devastada. Seu principal objetivo é proteger a
esperança da humanidade, a qual guarda consigo há 30 anos, sendo que para tanto
faz o que for preciso para sobreviver. O único que compreende seu intento é
Carnegie (&lt;i&gt;Gary Oldman&lt;/i&gt;), o
autoproclamado déspota de uma cidade repleta de ladrões. Só que Carnegie está
disposto a impedir sua cruzada, para recuperar Solara e também conseguir o
valioso objeto que Eli protege.&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;Tudo por justiça&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRI1tDKS8otkRB3vpVN3dkpuC7rKspPZZs1CPewpH_G4pIN9Wv1a35WDUXnSqjUwiRSIzfKuCorpxMWOWnVkyKHjf9wRQD354PBBrEElfG3OMsISMiqOLrUBj7E_n6IQqxtJK4R8Agvk0/s1600/Tudo+por+justi%25C3%25A7a.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRI1tDKS8otkRB3vpVN3dkpuC7rKspPZZs1CPewpH_G4pIN9Wv1a35WDUXnSqjUwiRSIzfKuCorpxMWOWnVkyKHjf9wRQD354PBBrEElfG3OMsISMiqOLrUBj7E_n6IQqxtJK4R8Agvk0/s640/Tudo+por+justi%25C3%25A7a.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Tudo por justiça: em busca da rendenção&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;Russell Baze (&lt;i&gt;Christian
Bale&lt;/i&gt;) trabalha em uma usina e mora com o pai (Bingo O. Malley), que
enfrenta sérios problemas de saúde, e o irmão mais novo, Rodney (&lt;i&gt;Casey Affleck&lt;/i&gt;), que lutou na Guerra do
Iraque. Um dia, Russell se envolve em um acidente de carro o que faz com que
seja preso. Ao sair ele retoma a vida de antes, trabalhando novamente na usina.
Entretanto, Rodney se recusa a levar a mesma vida do irmão e do pai. Mais uma
atuação marcante de &lt;i&gt;Casey Affleck&lt;/i&gt;,
que atualmente concorre ao oscar por &lt;b&gt;&lt;i&gt;Manchest à Beira Mar&lt;/i&gt;&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;Colateral&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpDVuZSkKZ_ACYLknqF4nYIjLXduE-Kijox7AWwopwhuzi4KVDXzizj1cuLRdCXpkmKyKf71S0kJ7RtaNY6kvywnLZnGCvDL4I9vMR62OrFu5T-6Km8tDW94trwl9dwNnVZStMgWMRmUs/s1600/Colateral.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;426&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpDVuZSkKZ_ACYLknqF4nYIjLXduE-Kijox7AWwopwhuzi4KVDXzizj1cuLRdCXpkmKyKf71S0kJ7RtaNY6kvywnLZnGCvDL4I9vMR62OrFu5T-6Km8tDW94trwl9dwNnVZStMgWMRmUs/s640/Colateral.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Colateral: emprego perigoso.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;Max (&lt;i&gt;Jamie
Foxx&lt;/i&gt;) trabalha como motorista de táxi há 12 anos, já tendo levado os mais
diversos passageiros a todos os locais de Los Angeles. Porém, em uma noite
aparentemente tranquila, ele encontra Vincent (&lt;i&gt;Tom Cruise&lt;/i&gt;), um homem que pega o táxi como se fosse um passageiro
qualquer. Porém Vincent é um assassino de aluguel, que está na cidade para
completar o plano de um cartel do narcotráfico, que está prestes a ser
condenado por um júri federal.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;Watchmen - O filme&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: center;&quot;&gt;
&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrM-JtVVDLudEGGP2FcgXbQS9tuK3Ni62Yh9Cdn3lO5X7QtKWC_JCeXX47mNBaPw0K0LdZ8rp2Mp4f_DoApTDoP2OAhlxEevhnsGKwIcRxEyxMeIkWk38_VGE7WWM_C-ke_6ZRgDUaklw/s1600/Watchmen+-+O+filme.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;264&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrM-JtVVDLudEGGP2FcgXbQS9tuK3Ni62Yh9Cdn3lO5X7QtKWC_JCeXX47mNBaPw0K0LdZ8rp2Mp4f_DoApTDoP2OAhlxEevhnsGKwIcRxEyxMeIkWk38_VGE7WWM_C-ke_6ZRgDUaklw/s640/Watchmen+-+O+filme.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Watchmen: heróis de verdade.&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&amp;nbsp;&lt;span style=&quot;font-size: 13.5pt; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 11.5pt;&quot;&gt;Watchmen se passa nos EUA de um 1985 alternativo, no qual super-heróis
uniformizados fazem parte do cotidiano. Quando um de seus ex-parceiros é
assassinado, o frustrado, mas não menos decidido vigilante mascarado Rorschach
decide desvendar o plano para matar e desacreditar todos os super-heróis do
passado e do presente. Esqueça os filmes atuais da Marvel e DC Comics, pois
este é um filme para adultos. Violência, sexo e muita quebradeira, e para
completar um roteiro perfeito. Um dos melhores filmes de super-heróis que já
assistir.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/283788861875082301/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/02/achados-do-netflix-parte-4-filmes-de.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/283788861875082301'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/283788861875082301'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2017/02/achados-do-netflix-parte-4-filmes-de.html' title='Achados do NETFLIX parte 4 - Filmes de Ação'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1HRVBoEy1RYyuGJevDzFEWsVnq4JullVboizCAXU2N-Xory-L22pYZst-SZ9RY0kkuns-I4pSqRFDElvdEgtlWKijM-KA4SOgsAV27qYKVmYXjwbaGaZCJKs16QqTh6US5S4rJpCZRxc/s72-c/soldado+anonimo.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-5257833107573145240</id><published>2016-12-31T02:57:00.000-08:00</published><updated>2017-01-07T05:06:50.732-08:00</updated><title type='text'>A Chegada - Um filme para a história</title><content type='html'>&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Existe um seleto grupo de filmes de
ficção-científica, dos quais fazem parte, &lt;b&gt;&lt;i&gt;2001-Uma Odisseia no Espaço&lt;/i&gt;&lt;/b&gt;, &lt;b&gt;&lt;i&gt;Contato&lt;/i&gt;&lt;/b&gt;,
&lt;b&gt;&lt;i&gt;Blade
Runner&lt;/i&gt;&lt;/b&gt; e &lt;b&gt;&lt;i&gt;Interestelar&lt;/i&gt;&lt;/b&gt;. E agora, com mérito, podemos incluir &lt;b style=&quot;font-style: italic;&quot;&gt;A
Chegada&lt;/b&gt;:&lt;b style=&quot;font-style: italic;&quot;&gt;&amp;nbsp;&lt;/b&gt;um presente do profícuo diretor canadense &lt;i&gt;Denis Villeneuve&lt;/i&gt;. Diretor que carrega na sua bagagem o talento
que poucos tem, e já começa a escrever o seu nome a partir de filmes como:
&lt;b&gt;&lt;i&gt;Incêndios&lt;/i&gt;&lt;/b&gt;, &lt;b&gt;&lt;i&gt;Os Suspeitos&lt;/i&gt;&lt;/b&gt;, &lt;b&gt;&lt;i&gt;Sicário&lt;/i&gt;&lt;/b&gt; e &lt;b&gt;&lt;i&gt;O Homem Duplicado&lt;/i&gt;&lt;/b&gt;.
Engajado minuciosamente em cada componente para que a engrenagem funcione de
forma harmoniosa e assim proporcionar ao público uma experiência única no
cinema,&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Villeneuve&amp;nbsp;&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;alcança&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;o seu
objetivo com seu novo filme. Uma observação: o filme segue grande parte em ritmo
lento e durante a sua projeção no cinema notei um silêncio sepulcral da
plateia, concentrada e atônica com a trama.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpC-LnoYAc2xFvsMgreZ9yHcZ_0wRQpJ49MA2fVmqzmxrv8q7MMFBN0SxAuOX5axW-l-CeKRQH8-Mxe_W01t2tCxxDoUQ33Qph2FhMvuou8bUdO2XhyG4oACdKv9KmdwZax_iTDlZFVoc/s1600/a+chegada+5.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpC-LnoYAc2xFvsMgreZ9yHcZ_0wRQpJ49MA2fVmqzmxrv8q7MMFBN0SxAuOX5axW-l-CeKRQH8-Mxe_W01t2tCxxDoUQ33Qph2FhMvuou8bUdO2XhyG4oACdKv9KmdwZax_iTDlZFVoc/s1600/a+chegada+5.jpg&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Subitamente, num
dia qualquer, 12 naves pousam na terra em diferentes pontos aleatórios do
planeta. Ninguém sabe o motivo e reais intenções dos &quot;visitantes&quot;, o
que causa um certo furor na população mundial. Coordenado pelas forças armadas,
o núcleo americano convoca um matemático e uma linguística para ajudar na
comunicação entre os humanos e os alienígenas, e é aí que entram em cena Ian
Donnelly (&lt;i&gt;Jeremy Renner&lt;/i&gt;) e a Dra.
Louise Banks (&lt;i&gt;Amy Adams&lt;/i&gt;). &lt;i&gt;Amy&lt;/i&gt; está fabulosa, e empresta humanismo
e dedicação para tentar desvendar a real mensagens dos ET´s. Comunicação, por
sinal, é a linha que segue o filme, uma linha diferente da tradicional que no
final irá fechar o círculo de raciocínio. Louise vive o presente com
pensamentos em um passado que guarda um trauma, e Ian, mais racional, busca respostas para a
ciência. Ambos sabem do peso que caem sobre seus ombros, pois uma interpretação
equivocada pode desencadear más consequências, ainda mais pressionados pelo
imediatismo exigido pelas autoridades, temerárias por um iminente conflito.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;São nos detalhes
que o filme é explicado. Curta a atmosfera tensa, que só faz crescer através do
flerte com o desconhecido. A façanha de &lt;b&gt;&lt;i&gt;A Chegada&lt;/i&gt;&lt;/b&gt; transcende o próprio filme
e rende diversas interpretações a diversos grupos. Mas, como mensagem maior
mostra que o caos e o desentendimento são coisas da natureza humana, que é
incapaz de lidar com diferentes ideais, e isso é refletido nos noticiários
diários que abordam a intolerância entre as raças.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Com certeza o
melhor filme do ano que terá comentários ecoando por muito tempo após a sessão,
corram para o cinema!&lt;/span&gt;&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/5257833107573145240/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/12/a-chegada-um-filme-para-historia.html#comment-form' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5257833107573145240'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/5257833107573145240'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/12/a-chegada-um-filme-para-historia.html' title='A Chegada - Um filme para a história'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVifrdtvCHdpKjXkox7TFbtJSO1xVpqo1ctLtsbi_bX3b5h6ZIEtfzC9QC_cb2idsFh6Y4LPxMhqBKyfXzq0Ic5JBz2gBPVzU6xcHUI-wEK_FtUsZ_7PdrxqGJGKLXQB5PbVoFgCcgaiM/s72-c/a+chegada+7.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-6841708202206014486</id><published>2016-11-24T05:25:00.002-08:00</published><updated>2016-11-24T05:25:39.192-08:00</updated><title type='text'>O &quot;cara&quot; do cinema argentino - Ricardo Darín</title><content type='html'>&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;Após
assistir a mais um filme Argentino estrelado por &lt;i&gt;Ricardo Darín&lt;/i&gt; (&lt;b&gt;&lt;i&gt;A Aura&lt;/i&gt;&lt;/b&gt;), resolvi escrever sobre esse
ator que se confunde com o próprio cinema porteño. Se a Argentina já celebrou o
cantor de tango &lt;i&gt;Carlos Gardel&lt;/i&gt;, o
jogador &lt;i&gt;Maradona&lt;/i&gt; e &lt;i&gt;Evita Peron&lt;/i&gt;, porque não incluí-lo nesta
lista? Bem, apesar de outros ótimos filmes argentinos (&lt;b&gt;&lt;i&gt;Plata queimada, O abraço partido,
Medianeras,&lt;/i&gt;&lt;/b&gt;,...) surgirem, &lt;i&gt;Ricardo
Darín&lt;/i&gt; está presente em muitos e recebe uma divulgação melhor, além de não
deixar a qualidade cair em quase todos. A partir de bons roteiros retirados de
situações por vezes cotidiana, são extraídas boas histórias. São inúmeros
filmes, e aqui vou citar somente alguns da minha lista que assisti que vai
servir de aperitivo para mais outros que podem ser descobertos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;A Aura&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;background: white; font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;Triller psicológico que conta a história de Esteban Espinosa (&lt;i&gt;Ricardo Darín&lt;/i&gt;), taxidermista meticuloso
que passa os dias isolado em sua oficina. Por trás da sua vida pacata, Espinosa
tem um grande sonho de poder planeja e praticar o crime perfeito. Em uma viagem
junto com seu amigo à Patagônia, com o objetivo de caçar, acidentalmente
Espinosa se envolve em um crime. A partir daí uma troca de identidade e a
possibilidade de realizar seu desejo se torna possível, mas com isso ele flerta
com o perigo iminente ao se envolver cada vez mais com as pessoas erradas. O ritmo por vezes lento com
poucos diálogos não deixa de prender a atenção, vale a pena.&lt;/span&gt;&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;b&gt;&lt;u&gt;Disponível em:&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt; text-align: center;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://www.netflix.com/browse&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot; target=&quot;_blank&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy4YBiuWdcEWWeyqkW9eVaU-lzdwhcGYVunB0Gd_FuAEv9twVH9bsZHLAhjX4a2df5NaH5z_WwmyjK-cDr9zNhOn5e_YYpfEUoj8hgJqHUFWbzp8-R-AUnpy8OsAuXa_n2_8hEWUta99E/s1600/netflix-icone-menor.jpg&quot; title=&quot;NETFLIX&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;b style=&quot;font-size: xx-large;&quot;&gt;Nove Rainhas&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIabH1NWW8n0JczUAkVCcYcJg23vaDaxdLwAv0fL4pxvnHqCMhZUi9H6GVah42zmjc1QHU-nUbZcxYi0-gS2aSDlSBnjZhNzgOk72lM7Km6ievaHxYsat_JoAbojjEMyxGOGTct9LIx1U/s1600/nove+rainhas.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;332&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIabH1NWW8n0JczUAkVCcYcJg23vaDaxdLwAv0fL4pxvnHqCMhZUi9H6GVah42zmjc1QHU-nUbZcxYi0-gS2aSDlSBnjZhNzgOk72lM7Km6ievaHxYsat_JoAbojjEMyxGOGTct9LIx1U/s640/nove+rainhas.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;Um dos
primeiros dos seus filmes a fazer sucesso fora da Argentina e também o primeiro
que vi deste ator. Recebeu uma versão americana chamada de &lt;b&gt;&lt;i&gt;171&lt;/i&gt;&lt;/b&gt;, mas esqueçam, vejam
o original.&amp;nbsp;&lt;span style=&quot;background: white;&quot;&gt;Marcos (&lt;i&gt;Ricardo Darín&lt;/i&gt;) e Juan (&lt;i&gt;Gastón
Pauls&lt;/i&gt;) são dois picaretas que estão prestes a dar o golpe de suas vidas. Resolvem
se unir para participar de uma negociação milionária, envolvendo uma série de
selos conhecidos como &quot;Nove Rainhas&quot;. Um milionário
espanhol está interessado em comprar a série, mas como deixará a cidade ao
amanhecer o negócio precisa ser realizado imediatamente. Imprevisível e
divertido, uma grande surpresa.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;span style=&quot;background: white;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Sétimo&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibAJYt15bje3KD06cVqu-IOPSeluTDNDop0fHG9ClKiLdFr-tm9MRw3hNgEYb-ptUqKhJmYNhOgCDiGA-0JHA5yFhAVsaB1DFyel3wlJGNQBnCHAk96FPNrPc-jnLnV1md_BoG94jO__o/s1600/setimo.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibAJYt15bje3KD06cVqu-IOPSeluTDNDop0fHG9ClKiLdFr-tm9MRw3hNgEYb-ptUqKhJmYNhOgCDiGA-0JHA5yFhAVsaB1DFyel3wlJGNQBnCHAk96FPNrPc-jnLnV1md_BoG94jO__o/s640/setimo.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;Este suspense não é unanimidade no currículo de Darín, mas com sua curta
duração e um clima de mistério deve angariar adeptos.&amp;nbsp;Todos os dias,
Sebastián (&lt;i&gt;Ricardo Darín&lt;/i&gt;) e seus dois
filhos, Luna (&lt;i&gt;Charo Dolz Doval&lt;/i&gt;) e
Luca (&lt;i&gt;Abel Dolz Doval&lt;/i&gt;) fazem a mesma
brincadeira. Eles apostam quem vai do sétimo andar ao térreo de forma mais
rápida: o pai, no elevador, ou as crianças, de escada. Sebastián sempre ganha o
jogo, mas quando, um dia, seus filhos desaparecem durante a
&quot;corrida&quot;, sem deixar pistas, ele não vai medir esforços para
recuperá-los.&lt;/span&gt;&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;O Segredo dos Seus Olhos&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;Este sim
&quot;o filme&quot; de &lt;i&gt;Darín&lt;/i&gt; e do
cinema contemporâneo argentino. Oscar de melhor filme em 2010, um filmaço, que
também teve recentemente uma versão americana estrelada por &lt;i&gt;Julia Roberts&lt;/i&gt;. Vou dizer aqui com toda
franqueza: não assistam a versão americana primeiro, isso não é discurso de crítico,&amp;nbsp;mas
sim, a oportunidade de curtir a melhor versão sem saber o final. Como de
costume vou ser lacônico para não dizer muito sobre o filme e estragar
surpresas.&amp;nbsp;&lt;i&gt;&lt;span style=&quot;background: white;&quot;&gt;Ricardo Darín&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;background: white;&quot;&gt; é Benjamim
aposentado recentemente do cargo de oficial de justiça de um tribunal penal.
Ele agora se dedica a escrever um livro. Benjamin usa sua experiência para
contar uma história trágica, a qual foi testemunha em 1974. Na época o
Departamento de Justiça onde trabalhava foi designado para investigar o estupro
e consequente assassinato de uma bela jovem. É desta forma que Benjamin conhece
Ricardo Morales (&lt;i&gt;Pablo Rago&lt;/i&gt;), marido
da falecida, a quem promete ajudar a encontrar o culpado. Para tanto ele conta
com a ajuda de Pablo Sandoval (&lt;i&gt;Guillermo
Francella&lt;/i&gt;), seu grande amigo, e com Irene Menéndez Hastings (&lt;i&gt;Soledad Villamil&lt;/i&gt;), sua chefe imediata,
por quem nutre uma paixão secreta. Como &quot;&lt;b&gt;&lt;i&gt;O Paciente Inglês&lt;/i&gt;&lt;/b&gt;&quot;,
duas ótimas histórias em paralelas ligadas a mesma trama, não percam!&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://www.netflix.com/browse&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot; target=&quot;_blank&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGAObXSDTuDzzH3SxkuBaYzi_mHIgFUsi1XQz72SknIKZ85gRC5UzxL8KgRz6YeIWWmsbS_L2Tz_LvwkMwqKM4qH-aHjErrbdYhAcQiVT-lOtSPYcdbsy9ucMIiyQVsg4SEjexpa8AZaQ/s1600/netflix-icone-menor.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Tese Sobre um Homicídio&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;Tem para todos os gostos: neste aqui, um filme policial num cenário
acadêmico, com um professor de Direito Criminal investigando.&amp;nbsp;Roberto
Bermudez (&lt;i&gt;Ricardo Darín&lt;/i&gt;) é um
especialista em Direito Criminal que ministra um curso bastante reconhecido.
Uma nova turma está prestes a iniciar as aulas e entre os alunos está Gonzalo (&lt;i&gt;Alberto Ammann&lt;/i&gt;), filho de um velho
conhecido do professor. Gonzalo trata Roberto como um verdadeiro ídolo, o que
incomoda o mestre. Já com as aulas em pleno andamento, um brutal assassinato
ocorre perto da universidade. Roberto logo demonstra interesse no caso e, ao
investigar os detalhes, passa a crer que um dos seus alunos seja o autor do
crime e esteja desafiando-o a um jogo de inteligência.&lt;/span&gt;&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Um Conto Chinês&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;O escritor russo Leon Tolstói citou&amp;nbsp;“Não há grandeza quando não há
simplicidade.”&amp;nbsp;Pois é esta palavra que tiramos deste singelo filme:
simplicidade. Roberto&amp;nbsp;&amp;nbsp;(&lt;i&gt;Ricardo
Darín&lt;/i&gt;) é um argentino recluso e mau humorado. Ele leva a vida cuidando de
uma pequena loja e tem o hobbie de colecionar notícias incomuns. A comodidade
de sua vida é interrompida quando ele encontra um chinês (&lt;i&gt;Ignacio Huang&lt;/i&gt;) que não fala uma palavra de espanhol. O imigrante
acabara de ser assaltado e não tem lugar para ficar em Buenos Aires.
Inicialmente relutante, Roberto acaba deixando o asiático viver com ele e aos
poucos uma amizade improvável vai se construindo. Um filme leve e agradável de assistir que mostra que na simplicidade da vida deixamos passar bem na nossa frente grandes momentos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Elefante Branco&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;O padre Julián (&lt;i&gt;Ricardo Darín&lt;/i&gt;) e o padre Nicolás (&lt;i&gt;Jérémie Renier&lt;/i&gt;) trabalham ajudando os
menos favorecidos na favela de Villa Virgen, periferia de Buenos Aires. O local
é um antro de violência e miséria. A polícia corrupta e os próprios sacerdotes
da Igreja nada fazem para mudar essa realidade e os dois clérigos terão de por
suas próprias vidas em risco para continuar do lado dos mais pobres. Retrata a
miséria argentina, por vezes cenários e situações bem parecidas das que
encontramos aqui no Brasil.&lt;/span&gt;&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/6841708202206014486/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/11/o-cara-do-cinema-argentino-ricardo-darin.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/6841708202206014486'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/6841708202206014486'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/11/o-cara-do-cinema-argentino-ricardo-darin.html' title='O &quot;cara&quot; do cinema argentino - Ricardo Darín'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpp30EH2NL2Y1vJmd4cJ5q-fKhjSJbW9WTT9MccoKwyQ1Zp63JuAd3oJCObXZvs0UXheeGcuI_2ktg0_ACIKAuHXDS5f2F8pUh-Zqae7vQcdjPeLSDcfS-zuU771OgtAxmm_vi-z2tTT0/s72-c/a+aura.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-7663658712434861337</id><published>2016-11-08T14:25:00.000-08:00</published><updated>2016-11-08T14:50:08.758-08:00</updated><title type='text'>Julieta / A Garota no Trem - Mulheres em alta</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
Desta vez vou falar de dois filmes que assisti recentemente: o primeiro em casa,&amp;nbsp;&lt;b&gt;&lt;i&gt;Julieta&lt;/i&gt;&lt;/b&gt;, e o segundo no cinema,&amp;nbsp;&lt;b&gt;&lt;i&gt;A Garota no Trem&lt;/i&gt;&lt;/b&gt;. Me chamou a atenção que em ambos as protagonistas são mulheres e o elenco de apoio idem, e todas exercendo papeis marcantes nas tramas.&lt;br /&gt;
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&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj70eA6BIBXHnzLrMVRj-plk0ZzwcIEJw0QcKf6xbG_rF6TwLtN1g2K29NFXoddz6biOekrKT_qVyvnBVR_ywPbcnz1pW63xY9PHLrmuxiMpy3OwM4GPktanA65CYqv8xpb0uiY3cLcvo/s1600/julieta-almodovar.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;336&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj70eA6BIBXHnzLrMVRj-plk0ZzwcIEJw0QcKf6xbG_rF6TwLtN1g2K29NFXoddz6biOekrKT_qVyvnBVR_ywPbcnz1pW63xY9PHLrmuxiMpy3OwM4GPktanA65CYqv8xpb0uiY3cLcvo/s640/julieta-almodovar.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Julieta, a história de uma mulher&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: right;&quot;&gt;
&lt;b style=&quot;font-family: &amp;quot;helvetica neue&amp;quot;, arial, helvetica, sans-serif; text-align: left;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Disponível em:&amp;nbsp;&lt;a href=&quot;https://store.playstation.com/#!/pt-br/home/filmes&quot;&gt;PlayStation.Store&lt;/a&gt;,&amp;nbsp;&lt;a href=&quot;https://www.looke.com.br/&quot;&gt;Looke&lt;/a&gt;&amp;nbsp;e&amp;nbsp;&lt;a href=&quot;http://webportal.nowonline.com.br/&quot;&gt;NOW&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;b&gt;&lt;i&gt;Julieta&amp;nbsp;&lt;/i&gt;&lt;/b&gt;é o mais novo trabalho de&amp;nbsp;&lt;i&gt;Pedro Almodóvar&lt;/i&gt;, cineasta espanhol no qual sou fã. Para citar os seus grandes trabalhos temos:&amp;nbsp;&lt;b&gt;&lt;i&gt;Matador&lt;/i&gt;&lt;/b&gt;,&amp;nbsp;&lt;b&gt;&lt;i&gt;Fale com Ela&lt;/i&gt;&lt;/b&gt;,&amp;nbsp;&lt;b&gt;&lt;i&gt;Carne Trêmula&lt;/i&gt;&lt;/b&gt;,&amp;nbsp;&lt;b&gt;&lt;i&gt;A Pele que Habito&lt;/i&gt;&lt;/b&gt;&amp;nbsp;e&amp;nbsp;&lt;i&gt;&lt;b&gt;Tudo Sobre Minha mãe&lt;/b&gt;&lt;/i&gt;, quase todos com as mulheres em evidência, a sua marca registrada.&lt;br /&gt;
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&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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Este último pode não ser um dos seus melhores, mas não deixa de ser uma obra diferenciada e charmosa. A música flertando com thrillers de suspense, as cores, as locações, tudo é milimetricamente encaixado. A vida de Julieta (&lt;i&gt;Emma Suárez&lt;/i&gt;&amp;nbsp;e&amp;nbsp;&lt;i&gt;Adriana Ugarte&lt;/i&gt;) é mostrada em dois momentos, quando ela era mais jovem e depois com meia idade. O filme inicia com uma mulher interrompendo planos com o namorado após um encontro fortuito na rua com Beatriz, amiga da sua filha. Num piscar de olhos somos levados para seu passado, a fim de explicar a origem de toda trama. Presente e passado se intercalam em uma natural harmonia que parece que somos transportados para cada tempo.&amp;nbsp;&lt;i&gt;Almodóvar&amp;nbsp;&lt;/i&gt;foge do habitual e do obvio quando move o filme por caminhos menos tradicionais, fugindo dos clichês. Um filme para se contemplar nos detalhes, porque são neles que muitas coisas são explicadas. Apesar de ser uma obra que não figurará nos seus melhores trabalhos, não deixa de ser um belíssimo filme e reafirma o seu talento&amp;nbsp;na condução de sentimentos femininos.&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;
&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsGEoH0k7_WVwA38DSImtBvGsM-4p_E4GxKlL0PkP8ZRmCaDwJlpgu5hIc_15wsFIKD0Sy1baczTQjgPOvD0BrVlrAO2ID2KGjR85lUrWqcuQS9vLyr23MZodzrLZYl6KRdS9ZXXRuItM/s1600/garota-no-trem.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsGEoH0k7_WVwA38DSImtBvGsM-4p_E4GxKlL0PkP8ZRmCaDwJlpgu5hIc_15wsFIKD0Sy1baczTQjgPOvD0BrVlrAO2ID2KGjR85lUrWqcuQS9vLyr23MZodzrLZYl6KRdS9ZXXRuItM/s640/garota-no-trem.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Emily Blunt - a procura da felicidade&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;text-align: right;&quot;&gt;
&lt;b style=&quot;color: #351c75; font-family: &amp;quot;Helvetica Neue&amp;quot;, Arial, Helvetica, sans-serif; text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Disponível em: &lt;u&gt;cinemas&lt;/u&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;margin: 0cm 0cm 0.0001pt;&quot;&gt;
Ainda em cartaz
no cinema está&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;i&gt;A Garota no
Trem&lt;/i&gt;&lt;/b&gt;. Confesso que fiquei bem interessado nesta trama que se baseia no
livro sucesso de mesmo nome escrito por&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;Paula
Hawkins&lt;/i&gt;&lt;b&gt;&lt;span style=&quot;background: white; color: #333333; letter-spacing: 0.1pt;&quot;&gt;.&lt;/span&gt;&lt;/b&gt;&amp;nbsp;Além
de contar com a inglesa do momento,&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;Emily
Blunt&lt;/i&gt;, que está no imperdível&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;i&gt;Sicário&lt;/i&gt;&lt;/b&gt;.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; text-align: justify;&quot;&gt;
Emily&amp;nbsp;é
Rachel, alcoólatra e deprimida que sofre de um divórcio recente. Todos os dias
ela viaja de trem e fica fantasiando sobre a vida de um jovem casal que ela
vigia pela janela. Porém, certo dia algo de anormal é presenciado por Rachel e
daí então realidade e delírio se confundem em uma trama policial. O filme
percorre o ponto de vista de três mulheres Rachel (&lt;i&gt;Emily Blunt&lt;/i&gt;), Megan (&lt;i&gt;Haley
Bennett&lt;/i&gt;), uma recém-casada que mora ao lado da ferrovia e por fim temos Anna (&lt;i&gt;Rebecca
Ferguson&lt;/i&gt;). Todas de alguma forma estão ligadas e carregam um fardo do passado.
A condução é liderada por&amp;nbsp;&lt;i&gt;Emily Blunt&lt;/i&gt;, que dá um ar realista ao sofrimento
e alcoolismo de Rachel, mostrando todas as fraquezas que uma pessoa passa ao
conviver com esses problemas. Achei o uso de flashbacks excessivos e senti
também a falta de uma direção mais firme no suspense. Contudo, vale sim o
ingresso e o programa, para tentar desvendar o mistério e se contemplar com o
elenco feminino que decola, deixando os homens como meros coadjuvantes. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/7663658712434861337/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/11/julieta-garota-no-trem-mulheres-em-alta.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/7663658712434861337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/7663658712434861337'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/11/julieta-garota-no-trem-mulheres-em-alta.html' title='Julieta / A Garota no Trem - Mulheres em alta'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj70eA6BIBXHnzLrMVRj-plk0ZzwcIEJw0QcKf6xbG_rF6TwLtN1g2K29NFXoddz6biOekrKT_qVyvnBVR_ywPbcnz1pW63xY9PHLrmuxiMpy3OwM4GPktanA65CYqv8xpb0uiY3cLcvo/s72-c/julieta-almodovar.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-2661617823737255232</id><published>2016-10-10T17:53:00.000-07:00</published><updated>2016-10-10T17:53:21.558-07:00</updated><title type='text'>O Massacre de Guernica - Filme e pintura juntos</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
O pintor Pablo Picasso criou uma das suas obras mais emblemáticas para mostrar as atrocidades do bombardeio alemão à cidade espanhola de Guernica em 1937 durante a guerra civil espanhola. Um ataque covarde que durou 4 horas e vitimou cerca de 1.500 desta singela cidade. O painel se chama Guernica e hoje se encontra no museu de Madri.&amp;nbsp;&lt;/div&gt;
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&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcKSL1sAgs867XrVOJhzeM8ZmS0gNpb3eS4lwqaIkcBdU7t2BPKBO5bFLtRqS-9pOzCpg3GmXo3XXbzxigJdb-zzZCTb3ur4rqID_LVjKWXafe_SpmYeo2hGeW_TcPliVGb89R-Q1z6lM/s1600/Pablo-Picassos-Guernica-001.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcKSL1sAgs867XrVOJhzeM8ZmS0gNpb3eS4lwqaIkcBdU7t2BPKBO5bFLtRqS-9pOzCpg3GmXo3XXbzxigJdb-zzZCTb3ur4rqID_LVjKWXafe_SpmYeo2hGeW_TcPliVGb89R-Q1z6lM/s400/Pablo-Picassos-Guernica-001.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Gernika de Pablo Picasso&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&amp;nbsp; &lt;br /&gt;
&lt;span style=&quot;text-align: justify;&quot;&gt;O filme de mesmo nome foca na relação entre Henry (James D´arcy), correspondente americano desiludido com a profissão e Teresa (Maria Valverde), que trabalha para a República e é encarregada de supervisionar as notícias que os jornalistas podem ou não enviar ao exterior. O jornal se opõe aos nacionalistas a serviço do general Francisco Franco.&lt;/span&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Desde a primeira cena a presença marcante da atriz Maria Valverde se destaca, e possivelmente iremos vê-la em novas produções. Uma personagem forte com sentimentos reprimidos que encontra uma saída no bem-sucedido e cínico escritor Henry.&amp;nbsp;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgudX21y_cTwzRP78NdJWqrj7koE-fk_qxYkKpgxw3TvRIhc6DNWs1YlucCLkM1qQq9LtLVTYqdCKbMkA7HMkL5xDJYYa4WIJUyZo8w15ji4zIXXUxBsmhFTbJAvoX8QZgCNkOw1med8zY/s1600/gernica2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;394&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgudX21y_cTwzRP78NdJWqrj7koE-fk_qxYkKpgxw3TvRIhc6DNWs1YlucCLkM1qQq9LtLVTYqdCKbMkA7HMkL5xDJYYa4WIJUyZo8w15ji4zIXXUxBsmhFTbJAvoX8QZgCNkOw1med8zY/s640/gernica2.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Maria Valverde e James D´arcy - amor nas trincheiras&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Uma história de amor durante um evento marcante da história, que ainda mostra um pouco do dia a dia da imprensa no trabalho de cobertura de uma guerra, com toda a dificuldade da época e a exposição aos riscos que passavam. Um ótimo filme que se apoia na história e na arte, e por que não criando a sua própria arte também!&lt;/div&gt;
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&lt;div style=&quot;text-align: justify;&quot;&gt;
Voltando ao quadro, existem algumas curiosidades sobre ele, segue uma delas. Enquanto morava em Paris, Picasso sofreu uma revista no seu apartamento por um oficial nazista que perguntou ao artista: - Foi você quem fez isso? E Picasso responde: - Não, vocês o fizeram.&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
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&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;Disponível em &amp;nbsp;&lt;a href=&quot;https://play.google.com/store/movies/details/O_Massacre_Em_Guernica_Legendado?id=AD9sTz6EN6o&amp;amp;hl=pt_BR&quot;&gt;Google Play - O Massacre de Guernica&lt;/a&gt;&amp;nbsp;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1zQw1IlSlzsoYZWv-H5p-ZUFjFtPSBdxmps5LKpJYQol-BnXVdCuINLIS_ubFZRodxSMmBwjRAfwaVnuC-F4WtpPljvJ9lb-oxdGLd1xz-TqhxkDojPDLhVarWxJnAtc4LQfGxx7-qco/s1600/google+play.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;77&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1zQw1IlSlzsoYZWv-H5p-ZUFjFtPSBdxmps5LKpJYQol-BnXVdCuINLIS_ubFZRodxSMmBwjRAfwaVnuC-F4WtpPljvJ9lb-oxdGLd1xz-TqhxkDojPDLhVarWxJnAtc4LQfGxx7-qco/s200/google+play.png&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/2661617823737255232/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/10/o-massacre-de-guernica-filme-e-pintura.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/2661617823737255232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/2661617823737255232'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/10/o-massacre-de-guernica-filme-e-pintura.html' title='O Massacre de Guernica - Filme e pintura juntos'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcKSL1sAgs867XrVOJhzeM8ZmS0gNpb3eS4lwqaIkcBdU7t2BPKBO5bFLtRqS-9pOzCpg3GmXo3XXbzxigJdb-zzZCTb3ur4rqID_LVjKWXafe_SpmYeo2hGeW_TcPliVGb89R-Q1z6lM/s72-c/Pablo-Picassos-Guernica-001.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-4197148678886611576</id><published>2016-09-26T16:37:00.000-07:00</published><updated>2016-09-28T07:59:36.503-07:00</updated><title type='text'>Achados do NETFLIX - Parte 3 - Estrangeiros</title><content type='html'>&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_x-p9Fr08KakyVJ2qtOol_Y-ERXzEL9Yq8OyItVh6lvjZQTg2DnoCc8CSu0aQBdMCy0ixPwssfKA22doaCgRdmpcXpUCvR-K5hS5fKatIJ-xEsqo8taVLlHfSK-xhvxWLSPfjdlnmfLw/s1600/netflix2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;180&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_x-p9Fr08KakyVJ2qtOol_Y-ERXzEL9Yq8OyItVh6lvjZQTg2DnoCc8CSu0aQBdMCy0ixPwssfKA22doaCgRdmpcXpUCvR-K5hS5fKatIJ-xEsqo8taVLlHfSK-xhvxWLSPfjdlnmfLw/s320/netflix2.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
Que tal sair da zona de conforto dos filmes americanos e abrir a mente para novas culturas cinematográficas? Segue uma lista de filmes não-americanos que são grandes surpresas. Tem um para cada país, inclusive inclui o Brasil, com um filme que também foge do comum do que vemos nos cinemas.&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;A Onda (Alemanha)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10pt; line-height: 107%;&quot;&gt;Em uma escola da Alemanha o
professor Rainer Wenger (&lt;i&gt;Jürgen Vogel&lt;/i&gt;) é colocado para dar aulas sobre
autocracia. Aí então ele decide, para exemplificar melhor aos alunos, formar um
governo fascista dentro da sala de aula, que os alunos dão nome de &quot;&lt;i&gt;A Onda&lt;/i&gt;&quot;.
Mas, o que ele não esperava é que a situação saísse do controle, pois o movimento
extrapola a sala de aula e envolve de forma intensa os alunos. Muito
interessante este filme que se baseia em um caso real ocorrido em uma escola
estadunidense. O experimento de como uma manipulação em massa pode ocorre
guiada por um ditador, pode ser traumatizante e sucumbir nas piores consequências.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;A Pele que Habito (Espanha)&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10pt; line-height: 107%;&quot;&gt;Roberto Ledgard (&lt;i&gt;Antonio
Banderas&lt;/i&gt;) é um conceituado cirurgião plástico obcecado por criar uma pele
artificial perfeita após a morte trágica de sua esposa por queimaduras
decorridas de um acidente. Ele&amp;nbsp;vive com a filha Norma (&lt;i&gt;Bianca Suárez&lt;/i&gt;), que
possui problemas psicológicos causados por este trauma familiar. O diretor
&lt;i&gt;Pedro Almodovar&lt;/i&gt; imprime um clima de mistério e tensão neste thriller com cara
de &lt;i&gt;Hitchcock &lt;/i&gt;e é capaz de mostrar um quão drástico e bizarro pode ser uma
vingança. Não tem como esquecer a resolução desta trama que não sairá da cabeça
do espectador tão cedo.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;Amores brutos (México)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px;&quot;&gt;Em plena Cidade do México, um terrível acidente automobilístico ocorre. A partir deste momento, três pessoas envolvidas no acidente se encontram e têm suas vidas mudadas para sempre. Um deles é o adolescente Octavio (&lt;i&gt;Gael García Bernal&lt;/i&gt;), que decidiu fugir com a mulher de seu irmão, Susana (&lt;i&gt;Vanessa Bauche&lt;/i&gt;). Ao mesmo tempo, Daniel (&lt;i&gt;Álvaro Guerrero&lt;/i&gt;) resolve abandonar sua esposa e filhas para ir viver com Valeria (&lt;i&gt;Goya Toledo&lt;/i&gt;), uma bela modelo por quem está apaixonado. Também se envolve no acidente Chivo (&lt;i&gt;Emilio Echevarría&lt;/i&gt;), um ex-guerrilheiro comunista que agora atua como matador de aluguel, após passar vários anos preso. Neste excelente filme, temos o astro mexicano &lt;i&gt;Gael Garcia&lt;/i&gt; ainda em início de carreira e abrindo suas portas para o cinema mundial. Quem chamou a atenção também foi o diretor&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px;&quot;&gt;&lt;i&gt;Alejandro Gonzalez Iñarritu&lt;/i&gt; (&lt;b&gt;&lt;i&gt;Babel, O Regresso, Birdman e 21 Gramas&lt;/i&gt;&lt;/b&gt;) que depois deste filme começou uma profícua carreira em Hollywood. Indicado ao Oscar de Melhor Filme Estrangeiro.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;Apenas uma vez (Irlanda)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px;&quot;&gt;Dublin, Irlanda. Um músico de rua (&lt;i&gt;Glen Hansard&lt;/i&gt;) sente-se inseguro para apresentar suas próprias canções. Um dia ele encontra uma jovem mãe (&lt;i&gt;Markéta Inglová&lt;/i&gt;), que tenta ainda se encontrar na cidade. Logo eles se aproximam e, ao reconhecer o talento um do outro, começam a ajudar-se mutuamente para que seus sonhos se tornem realidade. Um filme singelo e sincero delicioso de assistir, que tem ponto alto em suas canções. Não tem como não se sensibilizar com a relação madura e simples dos protagonistas, mostrando que não precisamos de tanto para realizar prazerosos filmes. Uma ótima descoberta!&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;Intocáveis (França)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10pt; line-height: 107%;&quot;&gt;Philippe (&lt;i&gt;François Cluzet&lt;/i&gt;) é
um aristocrata rico que, após sofrer um grave acidente, fica tetraplégico.
Precisando de um assistente, ele decide contratar Driss (&lt;i&gt;Omar Sy&lt;/i&gt;), um jovem
problemático que não tem a menor experiência em cuidar de pessoas no seu
estado. Aos poucos a amizade entre eles se estabelece, com cada um
conhecendo melhor o mundo do outro. Talvez seja pelos estereótipos dos
personagens ou pelo contexto que poderia ser apelativo. Mas, o tom humanizado
dos personagens que se&amp;nbsp;mantém politicamente incorretos do início ao fim e
as deficiências de cada um (social em um caso, física no outro) servem para
torná-los semelhantes e complementares.&amp;nbsp;Sucesso na França e no resto do
mundo este filme divide opiniões de telespectadores por conter um humor ríspido, mas merece ser visto, com
certeza.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;Jogos, Trapaças e Dois Canos Fumegantes (Inglaterra)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10pt; line-height: 107%;&quot;&gt;Eddy (&lt;i&gt;Nick Moran&lt;/i&gt;) é famoso por
sua habilidade nas cartas desde criança. Ele e seus três amigos, Soap (&lt;i&gt;Dexter
Fletcher&lt;/i&gt;), Tom (&lt;i&gt;Jason Flemyng&lt;/i&gt;) e Bacon (&lt;i&gt;Jason Statham&lt;/i&gt;), resolvem colocar cada
um a quantia de 25 mil libras para que Eddy possa participar de uma partida de
cartas ilegal, organizada por Hatched Harry (&lt;i&gt;P.H. Moriarty&lt;/i&gt;). Só que Eddy, além
de não se sair bem na partida, termina devendo 500 mil libras para Harry. Caso
não pague a quantia em uma semana, ele perderá os dedos da mão, um a um. Na
época apenas um estreante, o diretor (&lt;i&gt;Guy Ritchie&lt;/i&gt;) do também ótimo &quot;&lt;i&gt;&lt;b&gt;Snatch
- Porcos e Diamantes&lt;/b&gt;&lt;/i&gt;&quot;, contando com um ótimo roteiro e direção imprime ação
e comédia em ritmo frenético sem pausa. Segue um pouco dos polêmicos e
bem-sucedidos, &lt;b&gt;&lt;i&gt;Transporting &lt;/i&gt;&lt;/b&gt;(&lt;i&gt;Danny Boyle&lt;/i&gt;) e &lt;i&gt;&lt;b&gt;Pulp Fiction&lt;/b&gt;&lt;/i&gt; e &lt;i&gt;&lt;b&gt;Cães de Aluguel&lt;/b&gt;&lt;/i&gt;,
ambos de &lt;i&gt;Quentin Tarantino&lt;/i&gt;. Não perca tempo, veja!&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;Old Boy (Corea do Sul)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10pt; line-height: 107%;&quot;&gt;Oh Dae-su (Choi Min-sik) é um
homem comum, que de repente se vê em uma prisão sem motivo aparente onde passa
15 anos. Desorientado e sedento de vingança ele luta para descobrir a razão
pela qual foi preso, e a pratir daí surge uma caçada ao seu algoz. O filme começa de forma despretensiosa e até alguns momentos soa
confuso, mas não desista, pois, a medida que o tempo passa as peças vão se
encaixando e aí começamos a entender o porquê de todo o martírio pelo qual
Dae-Sun teve que passar.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;Paraísos Artificiais (Brasil)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10pt; line-height: 107%;&quot;&gt;Erika (&lt;i&gt;Nathalia Dill&lt;/i&gt;) é uma DJ
de relativo sucesso e muito amiga de Lara (&lt;i&gt;Lívia de Bueno&lt;/i&gt;). Juntas, durante um
festival de música onde Erika trabalhava, elas conheceram Nando (&lt;i&gt;Luca Bianchi&lt;/i&gt;)
e, juntos, vivem um momento intenso. &amp;nbsp;A trama é entrelaçada e circula por
diversas locações e tempo. Uma história de amor ligada pelo envolvimento de
jovens de classe média com entorpecentes, uma infeliz realidade nos dias de
hoje. Uma ótima descoberta do cinema nacional, que persiste muito nas comédias
para atrair o público aos cinemas, inclusive com inúmeras sequencias. Gosto e
sou a favor de quase todos os tipos de filmes, mas sair da mesmice e contar uma
ficção diferente já é uma grande conquista.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large;&quot;&gt;A Caça (Dinamarca)&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 10pt; line-height: 107%;&quot;&gt;Lucas (&lt;i&gt;Mads Mikkelsen&lt;/i&gt;) trabalha em uma creche.
Simpático e amigo de todos, ele tenta reconstruir a vida após um divórcio
complicado, no qual perdeu a guarda do filho. Tudo corre bem até que, um dia
ele é acusado de molestar uma criança de apenas cinco anos.&amp;nbsp;A acusação
logo faz com que ele seja afastado do trabalho e, mesmo sem que haja algum tipo
de comprovação, seja perseguido pelos habitantes da cidade em que vive. Apesar
do tema forte o filme não mostra em nenhum momento cenas que possam deixar o
espectador chocado. Entra em cena, um clima de tensão crescente e um iminente
desfecho trágico em uma pequena comunidade que até um tempo atrás vivia numa
imensidão de tranquilidade.&amp;nbsp;Por mais que por um lado seja revoltante, por
outro é perfeitamente compreensível.&amp;nbsp;A consagração de um diretor (&lt;i&gt;Thomas
Viterberg&lt;/i&gt;) que iniciou no movimento Dogma com &lt;b&gt;&lt;i&gt;Festa de Família&lt;/i&gt;&lt;/b&gt;. Um filmaço!&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/4197148678886611576/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/09/achados-do-netflix-parte-3-estrangeiros.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/4197148678886611576'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/4197148678886611576'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/09/achados-do-netflix-parte-3-estrangeiros.html' title='Achados do NETFLIX - Parte 3 - Estrangeiros'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_x-p9Fr08KakyVJ2qtOol_Y-ERXzEL9Yq8OyItVh6lvjZQTg2DnoCc8CSu0aQBdMCy0ixPwssfKA22doaCgRdmpcXpUCvR-K5hS5fKatIJ-xEsqo8taVLlHfSK-xhvxWLSPfjdlnmfLw/s72-c/netflix2.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-9128595258074907832</id><published>2016-09-05T16:40:00.000-07:00</published><updated>2016-09-05T16:40:03.114-07:00</updated><title type='text'>Decisão de Risco x Máxima precisão - Filmes parecidos</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
Não é de hoje que nos deparamos com filmes bem similares, vide &lt;i&gt;&lt;b&gt;Impacto Profundo&lt;/b&gt;&lt;/i&gt; x &lt;i&gt;&lt;b&gt;Armageddon&lt;/b&gt;&lt;/i&gt;, &lt;b&gt;&lt;i&gt;Planeta Vermelho&lt;/i&gt;&lt;/b&gt; x &lt;i&gt;&lt;b&gt;Missão&lt;/b&gt;&lt;/i&gt;: &lt;b&gt;&lt;i&gt;Marte&lt;/i&gt;&lt;/b&gt;, &lt;b&gt;&lt;i&gt;Ed tv&lt;/i&gt;&lt;/b&gt; x &lt;i&gt;&lt;b&gt;O show de Truman&lt;/b&gt;&lt;/i&gt; e &lt;b&gt;&lt;i&gt;O inferno de Dante x Volcano: a fúria&lt;/i&gt;&lt;/b&gt;, dentre outros&amp;nbsp;. Geralmente surgem em um ínterim curto. As últimas clonagens que assistir foram &quot;&lt;b&gt;&lt;i&gt;Decisão de Risco&lt;/i&gt;&lt;/b&gt;&quot; e &quot;&lt;b&gt;&lt;i&gt;&lt;u&gt;Máxima precisão&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&quot;, filmes de 2016 e 2015, respectivamente. Em &quot;&lt;b&gt;&lt;i&gt;&lt;u&gt;Decisão de Risco&lt;/u&gt;&lt;/i&gt;&lt;/b&gt;&quot; &lt;i&gt;Helen Mirren&lt;/i&gt; é a Coronel Powell que comanda uma operação, através de drones, para capturar dois britânicos que integram uma célula do grupo terrorista Somália, Al-Shabaab, existente naquele país da África Oriental. A operação envolve pessoas distantes geograficamente, como o piloto Watts &lt;i&gt;(Aaron Paul&lt;/i&gt;) em um contêiner em Las Vegas, o general Frank Berson (&lt;i&gt;Alan Rickman&lt;/i&gt;) que está em um escritório em Londres, além de Power que está em uma espécie de Bunker militar. Como se não bastasse o seu alvo está a milhares de quilômetros, na Somália. Mas, do decorrer da missão, surge uma decisão a ser tomada durante o ataque que envolve um possível risco de atingir civis. Diplomacia, emoção e razão são confrontadas gerando um suspense que corre até o final do filme.&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYsB9wPEDHyKpkOtmAbZP1RRlXLUnzPJw2-cbrGYpjgkiPy51AHKJ_wYJIMUEiBRLlV9DqHsroaCQ048RuK5n7sCeOUOK8Kdbb2YqTp1fHTG_HHgF_ln-0E-ZuolYIl5qBuzx3hRSm1jM/s1600/decis%25C3%25A3o+de+risco.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;376&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYsB9wPEDHyKpkOtmAbZP1RRlXLUnzPJw2-cbrGYpjgkiPy51AHKJ_wYJIMUEiBRLlV9DqHsroaCQ048RuK5n7sCeOUOK8Kdbb2YqTp1fHTG_HHgF_ln-0E-ZuolYIl5qBuzx3hRSm1jM/s640/decis%25C3%25A3o+de+risco.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Decisão de Risco - Helen Mirrem com autoridade&lt;/td&gt;&lt;/tr&gt;
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O segundo, &quot;&lt;b&gt;&lt;i&gt;Máxima precisão&lt;/i&gt;&lt;/b&gt;&quot;, um drama eficiente estrelado por &lt;i&gt;Ethan Hawke&lt;/i&gt;. Neste o major Tommy (&lt;i&gt;Hawke&lt;/i&gt;) é um oficial da Força Aérea americana encarregado de dirigir ataques aéreos na guerra do Afeganistão. Tommy, que se sente frustrado em não pilotar mais aviões, tem que se contentar em ficar em uma sala controlando drones remotamente sem questionar ordens. Apesar de exercer uma profissão tensa que lida com vidas, o ex piloto tenta levar uma vida normal com sua esposa e filhos, após cumprir seu expediente. Mas, quando ele começa a entrar em conflito interno por causa das suas ações oriundas de decisões duvidosas, a sua vida familiar começa a desmoronar.&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfpnmCk9pNIRpmk13sh9JbAOBSXSyUCjGGS2FpAzBXaTrnQEBQUY04fHTepIbYUjUzPxJccngsy69ZdqWFQzTECpiK8Wt72VppW-gUt0yjKsw9sm9caKncddbdAQwXOTEU1dmPXLxMPrc/s1600/maxima+precis%25C3%25A3o.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;386&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfpnmCk9pNIRpmk13sh9JbAOBSXSyUCjGGS2FpAzBXaTrnQEBQUY04fHTepIbYUjUzPxJccngsy69ZdqWFQzTECpiK8Wt72VppW-gUt0yjKsw9sm9caKncddbdAQwXOTEU1dmPXLxMPrc/s640/maxima+precis%25C3%25A3o.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Máxima Precisão - Guerra em escritório&lt;/td&gt;&lt;/tr&gt;
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Gostei de todos os dois filmes e eles igualmente levantam questões polêmicas e morais sobre como a guerra é conduzida nos dias hoje. Uma guerra diferente onde as ações partem de pequenas salas climatizadas bem longe dos seus alvos. Ao invés de pilotos altamente treinados, entram em cena profissionais com bem menos experiência que através de joystick controlam seus &quot;aviõezinhos&quot;, como se fosse um vídeo game. Mas aí é que entra o debate, pois daquelas ações frias executadas com simples movimentos vidas são dilaceradas como um alvo qualquer. Num ambiente altamente vigiados as ações são transmitidas ao vivo em telas grandes de alta definição. Em um momento de suplício querendo voltar para a ação pilotando um avião de verdade, Tommy diz ao seu superior que o maior risco que ele corre é poder ter uma lesão na mão por repetição de movimento ou sofrer um acidente automobilístico na autoestrada que o leva a seu trabalho.&lt;/div&gt;
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É notório que cada vez mais os países desenvolvidos evitam mandar tropas para ações terrestres ou aéreas em áreas de conflitos, e se utilizam da tecnologia para se esquivar dos riscos. Além disso, tem o clamor da população que já não aguentava mais receber caixões com jovens soldados retornando, como o que aconteceu com os soldados americanos no Iraque e Afeganistão. Não se trata de ficção, é a realidade atual, e retratada em bons filmes que levantam a polêmica, mas, no final, quem decide de que lado quer ficar é o próprio espectador, bom filme!&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/9128595258074907832/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/09/decisao-de-risco-x-maxima-precisao.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/9128595258074907832'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/9128595258074907832'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/09/decisao-de-risco-x-maxima-precisao.html' title='Decisão de Risco x Máxima precisão - Filmes parecidos'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYsB9wPEDHyKpkOtmAbZP1RRlXLUnzPJw2-cbrGYpjgkiPy51AHKJ_wYJIMUEiBRLlV9DqHsroaCQ048RuK5n7sCeOUOK8Kdbb2YqTp1fHTG_HHgF_ln-0E-ZuolYIl5qBuzx3hRSm1jM/s72-c/decis%25C3%25A3o+de+risco.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-4848136494061062412</id><published>2016-08-29T17:14:00.000-07:00</published><updated>2016-08-29T17:14:03.626-07:00</updated><title type='text'>Memórias Secretas - Dica lançamento NETFLIX</title><content type='html'>&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitHMTvvgAYrlT-BJIP1b7gKDgiG8pWU8OAsbZ1cO8ZCXIKKTqWTgRVNyQnmVrmRcY7QPCJwMFKX8qQKtkUyO2Io8yLE24CawvDaG5W1U17zDoucJy0gjELGd_lrs34N9WTIuGyBtfTqdY/s1600/memorias-secretas.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;480&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitHMTvvgAYrlT-BJIP1b7gKDgiG8pWU8OAsbZ1cO8ZCXIKKTqWTgRVNyQnmVrmRcY7QPCJwMFKX8qQKtkUyO2Io8yLE24CawvDaG5W1U17zDoucJy0gjELGd_lrs34N9WTIuGyBtfTqdY/s640/memorias-secretas.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Christopher Plummer e Martin Landau, trabalho em equipe&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;Em &lt;b&gt;&lt;i&gt;Memórias Secretas&lt;/i&gt;&lt;/b&gt; (&lt;i&gt;Remember&lt;/i&gt;),&amp;nbsp;&lt;span style=&quot;background-color: white;&quot;&gt;&lt;span style=&quot;font-family: Arial, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 16.9px;&quot;&gt;Zev (&lt;i&gt;Christopher Plummer&lt;/i&gt;) e Max Zucker &lt;i&gt;(Martin Landau&lt;/i&gt;) promovem uma caçada ao seu algoz do campo de concentração de Auschwitz. Mas não uma caçada do tipo filmes de ação, mas sim em ritmo lento pois seus protagonistas são&amp;nbsp;octogenários e vivem em um asilo até o momento de iniciada a busca. Max&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;, judeu sobrevivente de campo de concentração, é o arquiteto e cérebro de um plano bem bolado para capturar um antigo oficial da SS nazista. Já Zev é o executor, pois seu amigo está impossibilitado de agir, pois utiliza cadeiras de rodas.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white;&quot;&gt;&lt;span style=&quot;font-family: Arial, sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 16.9px;&quot;&gt;É bem verdade que em certos momentos ficamos impacientes e inquietos pelas atitudes dos amigos idosos e a iminência de um possível colapso em Zev que sofre de demência. Mas não se enganem, pois, depois da quietude vem sempre uma cena&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;que te deixará mais atento. Como Gosto de comparações, há situações que lembram &quot;&lt;/span&gt;&lt;b style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;&lt;i&gt;Amnésia&lt;/i&gt;&lt;/b&gt;&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;&quot;, de &lt;/span&gt;&lt;i style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;Christopher Nolan&lt;/i&gt;&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;, quando o personagem interpretado por &lt;/span&gt;&lt;i style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;Guy Pearce&lt;/i&gt;&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt; escrevia no braço para se guiar após uma crise de esquecimento.,&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;O filme desenrola como um &lt;i&gt;road movie&lt;/i&gt; e a cada novo encontro cenas interessantes surgem, amparadas por um elenco complementar a altura. É bem verdade que algumas situações são forçadas e destoam de uma situação real, mas não tira o mérito, basta abrir a mente e seguir a linha da história. Bem, a história eu já dei uma pincelada e não seria prudente contar muita coisa, pois poderia estragar o fator surpresa.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;Memórias Secretas, pode pecar na falta de verossimilhança em alguns momentos, contudo, a reunião&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;de dois grandes atores já leva quase o filme nas costas. Um filme que trata do Holocausto de forma diferente, por heróis improváveis e de complemento um final que não deixará você incólume, recomendo!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/4848136494061062412/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/08/memorias-secretas-dica-lancamento.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/4848136494061062412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/4848136494061062412'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/08/memorias-secretas-dica-lancamento.html' title='Memórias Secretas - Dica lançamento NETFLIX'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitHMTvvgAYrlT-BJIP1b7gKDgiG8pWU8OAsbZ1cO8ZCXIKKTqWTgRVNyQnmVrmRcY7QPCJwMFKX8qQKtkUyO2Io8yLE24CawvDaG5W1U17zDoucJy0gjELGd_lrs34N9WTIuGyBtfTqdY/s72-c/memorias-secretas.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-299627165584929380</id><published>2016-08-20T08:16:00.000-07:00</published><updated>2016-08-21T13:00:50.759-07:00</updated><title type='text'>Achados do NETFLIX - Parte 2 - Imperdíveis</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5nXlh8lIXls1NEH1qPxWAcNEIzCLkSmYIxjhRnsGYsT8Ue-M9xXISDsSQCyln1YLlRSt8oFEFrDUglnwXWkS3RXFbzn5F5IJE25y6g-cOZDX0XHQjvqA3mMAVMU-WfyMy1QterjIllY0/s1600/netflix-adslfibra.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; display: inline; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;150&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5nXlh8lIXls1NEH1qPxWAcNEIzCLkSmYIxjhRnsGYsT8Ue-M9xXISDsSQCyln1YLlRSt8oFEFrDUglnwXWkS3RXFbzn5F5IJE25y6g-cOZDX0XHQjvqA3mMAVMU-WfyMy1QterjIllY0/s200/netflix-adslfibra.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;Certa vez um amigo cinéfilo me disse que tinha inveja de pessoas que ainda não tinham visto determinado grande filme, pois assim elas ainda teriam a oportunidade de ver pela primeira vez o que ele já sabia o que iria acontecer. Esta lista é para os mais jovens, ou quem sabe, aqueles mas velhos que passaram alguns anos congelados e deixaram passar por eles filmes que marcaram época, rs. Os filmes são mais populares, mas de repente tem um que você não viu ainda, e desta forma, já será proveitoso.&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit; font-size: x-large;&quot;&gt;&lt;b&gt;Clube da Luta&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigrbrRyDqBima8p5XKaAfTiuCQrZJEQ6INJraLqijrxpnrQxeJQJ3Xps5LJjlDiYZyZHgcSi568_6BiU0ZxzCvaIOnFUYapCtT3DnhuyqDTjNGQfV0Ej9k7bUqeU-G2PdvNUWXfRGq8Sg/s1600/clube+da+luta.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; display: inline; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigrbrRyDqBima8p5XKaAfTiuCQrZJEQ6INJraLqijrxpnrQxeJQJ3Xps5LJjlDiYZyZHgcSi568_6BiU0ZxzCvaIOnFUYapCtT3DnhuyqDTjNGQfV0Ej9k7bUqeU-G2PdvNUWXfRGq8Sg/s640/clube+da+luta.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Clube da luta - momento relax&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;Não se enganem com o nome sugestivo, pois o tema principal não é violência ou lutas, mas sim, uma reflexão sobre valores. Atuações magistrais de &lt;i&gt;Edward Norton&lt;/i&gt; e &lt;i&gt;Brad Pitt&lt;/i&gt; fizeram desse filme um marco ou porque não dizer um &lt;i&gt;Cult&lt;/i&gt; para ser visto e revisto.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;Jack (&lt;i&gt;Edward Norton&lt;/i&gt;) é um executivo jovem, mora confortavelmente, mas está ficando cada vez mais insatisfeito com sua vida medíocre. Para piorar ele está enfrentando uma terrível crise de insônia, até que encontra uma cura inusitada para a sua falta de sono ao frequentar grupos de auto-ajuda. Nesses encontros ele passa a conviver com pessoas problemáticas como a viciada Marla Singer (&lt;i&gt;Helena Bonham Carter&lt;/i&gt;) e a conhecer estranhos como Tyler Durden (&lt;i&gt;Brad Pitt&lt;/i&gt;). Tyler apresenta para Jack um grupo secreto que se encontra para extravasar suas angústias.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large; text-align: start;&quot;&gt;&lt;b&gt;Os 12 macacos&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Os 12 macacos - insanidade&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit; text-align: start;&quot;&gt;Não se deixem enganar pelo começo confuso, pois este filme reserva grandes surpresas. Mais uma vez contando com Brad Pitt que aproveitou os anos 90´s para emplacar grandes sucessos.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;No ano de 2035, James Cole (Bruce Willis) aceita a missão de voltar ao passado para tentar decifrar um mistério envolvendo um vírus mortal que atacou grande parte da população mundial. Tomado como louco, no passado, ele tenta provar a sua sanidade para a médica Kathryn Railly (Madeleine Stowe), sua única esperança de mudar o futuro.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit; font-size: x-large; text-align: start;&quot;&gt;&lt;b&gt;As Duas Faces de um Crime&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;As duas faces de um crime - o jovem e o advogado&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit; text-align: start;&quot;&gt;Filme que lançou &lt;i&gt;Edward Norton&lt;/i&gt;, até então um jovem desconhecido. Sua interpretação lhe rendeu uma indicação ao Oscar de ator coadjuvante, imperdível.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;Em Chicago, um arcebispo (&lt;i&gt;Stanley Anderson&lt;/i&gt;) assassinado com 78 facadas. O crime choca a opinião pública e tudo indica que o assassino um jovem de 19 anos (&lt;i&gt;Edward Norton&lt;/i&gt;). No entanto, um ex-promotor (&lt;i&gt;Richard Gere&lt;/i&gt;) que se tornou um advogado bem-sucedido se propõe a defendê-lo, sem cobrar honorários, tendo um motivo para isto.&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Seven - Os Sete Crimes Capitais&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;font-size: 12.8px;&quot;&gt;Seven - os sete pecados capitais - Brad Pitt preocupado&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;&lt;i&gt;David Fincher&lt;/i&gt; (&lt;i&gt;&lt;b&gt;Clube da Luta, A Rede Social, Zodíaco,&lt;/b&gt;&lt;/i&gt;...) vai te deixar de joelhos, implorando pelo desfecho desta trama que tem um final surpreendente, ainda bem que assim o fez.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;Dois policiais, om jovem e impetuoso David Mills (Brad Pitt) e o outro maduro e prestes a se aposentar, William Somerset (Morgan Freeman), são encarregados de uma perigosa investigação: encontrar um serial killer que mata as pessoas seguindo a ordem dos sete pecados capitais.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large; text-align: start;&quot;&gt;&lt;b&gt;Beleza Americana&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Beleza Americana - As aparências enganam&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;Interpretação magistral de &lt;/span&gt;&lt;i style=&quot;font-family: inherit;&quot;&gt;Kevin Space&lt;/i&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;, muito conhecido atualmente pela série &lt;/span&gt;&lt;i style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;House of Cards&lt;/b&gt;&lt;/i&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;. Excepcional drama ganhador do&amp;nbsp;&lt;/span&gt;Oscar&lt;span style=&quot;font-family: inherit;&quot;&gt;&amp;nbsp;em 2000, com direção impecável de &lt;i&gt;Sam Mendes&lt;/i&gt; (&lt;i&gt;&lt;b&gt;Foi apenas um&amp;nbsp;sonho, Estrada para a perdição e Soldado anônimo&lt;/b&gt;&lt;/i&gt;). Crítica ao modo de vida americano, permitindo reflexões profundas do espectador.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;Lester Burham (&lt;i&gt;Kevin Space&lt;/i&gt;) não aguenta mais o emprego e se sente impotente perante sua vida. Casado com Carolyn (&lt;i&gt;Annette Bening&lt;/i&gt;) e pai de Jane (&lt;i&gt;Tora Birch&lt;/i&gt;). Até que conhece Angela Hayes (&lt;i&gt;Mena Suvari&lt;/i&gt;), amiga de Jane.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;font-size: x-large; text-align: start;&quot;&gt;&lt;b&gt;Corpo fechado&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Corpo fechado - Bruce Wills e Samuel L. Jackson frente a frente&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit; text-align: start;&quot;&gt;Típico filme que ao final de sua sessão ele fica mais valioso ainda. &lt;i&gt;M. Night Shyamalan&lt;/i&gt; (&lt;b&gt;&lt;i&gt;O Sexto Sentido, A Vila, Sinais e Fim dos tempos&lt;/i&gt;&lt;/b&gt;) em grande fase faz este filmaço em 2000, que reserva surpresas de gelar a alma no fim.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;Um espantoso desastre de trem choca os Estados Unidos. Todos os passageiros morrem, com exceção de David Dunne (&lt;i&gt;Bruce Willis&lt;/i&gt;), que sai completamente ileso do acidente, para espanto dos médicos e de si mesmo. Buscando explicações sobre o ocorrido, ele encontra Elijah Price (&lt;i&gt;Samuel L. Jackson&lt;/i&gt;), um estranho que apresenta uma explicação bizarra para o fato.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large; text-align: start;&quot;&gt;&lt;b&gt;Fargo&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqSRj69AOegutrW6GCtfwWbvpCN4FSlvySYhFiDTlJSeVtH63y-lT0MZnwvYZg7buHxT3zb11Zbu7uBEzNpwWEyGTfZV2rO7JFh-dYe44ysWRJJ0ccs2W4uijYmR9ZRB5ThDJHAdoaTrY/s1600/farbo.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;390&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqSRj69AOegutrW6GCtfwWbvpCN4FSlvySYhFiDTlJSeVtH63y-lT0MZnwvYZg7buHxT3zb11Zbu7uBEzNpwWEyGTfZV2rO7JFh-dYe44ysWRJJ0ccs2W4uijYmR9ZRB5ThDJHAdoaTrY/s640/farbo.png&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Fargo - trama gélida&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;Direção afiada dos irmãos &lt;i&gt;Coens &lt;/i&gt;(&lt;i&gt;&lt;b&gt;Onde os fracos não tem vez, O grande Lebowski e Gosto de Sangue&lt;/b&gt;&lt;/i&gt;). Violência e humor negro norteiam além de &lt;i&gt;Frances&amp;nbsp;&lt;/i&gt;&lt;span style=&quot;background-color: white;&quot;&gt;&lt;i&gt;McDormand&lt;/i&gt; (Oscar de melhor atriz) que faz uma das mais improváveis policiais que já vi, inteligente e&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 13px;&quot;&gt;perspicaz.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;Em 1987 em Fargo, no Dakota do Norte, o gerente (&lt;i&gt;William H. Macy&lt;/i&gt;) de uma revendedora de automóveis, ao se ver em uma delicada situação financeira, elabora o sequestro da própria esposa (&lt;i&gt;Kristin Rudrud&lt;/i&gt;) e faz um acordo com dois marginais. Mas uma série de acontecimentos não previstos muda tudo e ainda conta com a investigação de uma chefe de polícia grávida (&lt;i&gt;Frances McDormand&lt;/i&gt;).&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt0116282/?ref_=fn_al_tt_2&quot; style=&quot;font-family: Arial, sans-serif; font-size: 13px; line-height: 16.9px; text-align: start;&quot;&gt;http://www.imdb.com/title/tt0116282/?ref_=fn_al_tt_2&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large; text-align: start;&quot;&gt;&lt;b&gt;O Senhor das Armas&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVhyphenhyphenG6GdSWtat_xWX8aCdDMi5knrfR-8ZkGUKQ56ZAJyGxrYwLk9pi5teDUgutJLw_vhCd2ST8N_EkllYlARGjYxzq6CT5h_Z5MRvVSy5HF9VYBWFqpQRYLFcLQQuICJzgSe7cQjbG7QY/s1600/o+senhor+das+armas.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;424&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVhyphenhyphenG6GdSWtat_xWX8aCdDMi5knrfR-8ZkGUKQ56ZAJyGxrYwLk9pi5teDUgutJLw_vhCd2ST8N_EkllYlARGjYxzq6CT5h_Z5MRvVSy5HF9VYBWFqpQRYLFcLQQuICJzgSe7cQjbG7QY/s640/o+senhor+das+armas.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;O Senhor das Armas - mercado negro&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;text-align: start;&quot;&gt;&lt;i&gt;Jaret Leto&lt;/i&gt; (o novo coringa de &lt;i&gt;&lt;b&gt;Esquadrão&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;Suicida&lt;/b&gt;&lt;/i&gt;), junto com &lt;i&gt;Nicolas Cage&lt;/i&gt; atua neste ótimo filme que retrata até onde a&amp;nbsp;inescrupulosidade de uma pessoa pode chegar.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;Yuri Orlov (&lt;i&gt;Nicolas Cage&lt;/i&gt;) é um traficante de armas que realiza negócios nos mais variados locais do planeta. Estando constantemente em perigosas zonas de guerra, Yuri tenta sempre se manter um passo a frente de Jack Valentine (&lt;i&gt;Ethan Hawke&lt;/i&gt;), um agente da Interpol, e também de seus concorrentes e até mesmo clientes, entre os quais estão alguns dos mais famosos ditadores do planeta.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large; text-align: start;&quot;&gt;&lt;b&gt;O Paciente Inglês&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;O paciente inglês - epopeia no deserto&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit; text-align: start;&quot;&gt;Filme grandioso e bonito, um clássico a moda antiga com ótimas histórias (sim, duas!), vencedor de inúmeros Oscars, inclusive de melhor filme.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;No final da Segunda Guerra Mundial, um desconhecido (&lt;i&gt;Ralph Fiennes&lt;/i&gt;) que teve queimaduras generalizadas quando seu avião foi abatido e é conhecido apenas como o paciente inglês acaba recebendo os cuidados de uma enfermeira canadense (&lt;i&gt;Juliette Binoche&lt;/i&gt;). Gradativamente ele começa a narrar o grande envolvimento que teve com a mulher (&lt;i&gt;Kristin Scott Thomas&lt;/i&gt;) do seu melhor amigo (&lt;i&gt;Colin Firth&lt;/i&gt;) e de como este amor foi fortemente correspondido.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: x-large; text-align: start;&quot;&gt;&lt;b&gt;Os outros&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLM1QKxB3ZBgeuc_PAw2Dcf54-IQwpkqADezHDmStLLgP9v2kWMrh27JPPG2SUVEElED5oFLtnWbhXyIKzDL0IWOSc0JhEb2W43ZNS_j-4AEOHuYxrhJvtVFgfi61RmrYyxY4MwDyGQC0/s1600/Os-Outros-2001-1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;292&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLM1QKxB3ZBgeuc_PAw2Dcf54-IQwpkqADezHDmStLLgP9v2kWMrh27JPPG2SUVEElED5oFLtnWbhXyIKzDL0IWOSc0JhEb2W43ZNS_j-4AEOHuYxrhJvtVFgfi61RmrYyxY4MwDyGQC0/s640/Os-Outros-2001-1.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Os Outros - suspense de primeira&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit; text-align: start;&quot;&gt;Na época este filme seguiu o embalo de &lt;b&gt;&lt;i&gt;O Sexto Sentido&lt;/i&gt;&lt;/b&gt; e não deixou nada a desejar, suspense intrigante.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;Durante a 2ª Guerra Mundial, Grace (&lt;i&gt;Nicole Kidman&lt;/i&gt;) decide por se mudar, juntamente com seus dois filhos, para uma mansão isolada na ilha de Jersey, a fim de esperar que seu marido retorne da guerra. Como seus filhos possuem uma estranha doença que os impedem de receber diretamente a luz do sol, a casa onde vivem está sempre em total escuridão.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0230600/?ref_=fn_al_tt_1&quot;&gt;http://www.imdb.com/title/tt0230600/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/299627165584929380/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/08/achados-do-netflix-parte-2-imperdiveis.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/299627165584929380'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/299627165584929380'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/08/achados-do-netflix-parte-2-imperdiveis.html' title='Achados do NETFLIX - Parte 2 - Imperdíveis'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5nXlh8lIXls1NEH1qPxWAcNEIzCLkSmYIxjhRnsGYsT8Ue-M9xXISDsSQCyln1YLlRSt8oFEFrDUglnwXWkS3RXFbzn5F5IJE25y6g-cOZDX0XHQjvqA3mMAVMU-WfyMy1QterjIllY0/s72-c/netflix-adslfibra.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-1943516623040523185</id><published>2016-07-31T12:00:00.000-07:00</published><updated>2016-07-31T12:03:11.715-07:00</updated><title type='text'>Ex machina - Ficção científica muito acima da média  </title><content type='html'>&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwm08ll5uR6U9bJ726GxfnNfLaAOLqURiRxIv6-wLbP8cYRIwrryaExu64XSMr-yOD7KNLy8p82geIz-AIpyxb4wJ4lL_rLvDTB-xmAxx5Iy25rfwJ34tDhPgdQLP4XApUcw7wjcPmz8I/s1600/ex-machina-instinto-artificial.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;360&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwm08ll5uR6U9bJ726GxfnNfLaAOLqURiRxIv6-wLbP8cYRIwrryaExu64XSMr-yOD7KNLy8p82geIz-AIpyxb4wJ4lL_rLvDTB-xmAxx5Iy25rfwJ34tDhPgdQLP4XApUcw7wjcPmz8I/s640/ex-machina-instinto-artificial.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Ex Machina: Instinto artificial&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;Vamos lá, mais uma ficção científica. Desculpem a repetição do gênero,
mas não poderia deixar de indicar este filme diferenciado e um dos melhores de
2015. Diferente dos outros filmes que se auto intitulam ficção, e na verdade
são filmes de ação recheados de efeitos, este atinge o gênero na sua essência,
explorando os conceitos, as ideias e as possibilidades.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;Jovem talentoso programado de computadores é selecionado pelo CEO da sua
empresa para passar uma semana com ele realizando testes com sua mais nova e
confidencial invenção. O presidente da empresa Nathan (&lt;i&gt;Oscar Issac&lt;/i&gt;) vive
recluso em uma moderna casa no meio de uma floresta, Quando Caleb (&lt;i&gt;Domhall
Gleeson&lt;/i&gt;) chega, descobre que Nathan está envolvido em um grande experimento
de IA(Inteligência Artificial) e deseja que ele realize o teste de Turing com
sua máquina. O teste de Turing testa a capacidade de uma máquina exibir
comportamento parecido ao de um ser humano. O teste é realizado em sessões de
conversas entre Caleb e uma robô. Se a máquina conseguir convencer que seu
comportamento é bastante similar ao de um ser humano, ou se este não conseguir
perceber que está diante de uma máquina programada, diz-se que a máquina passou
no teste e que ela possui um pensamento próprio. O fato de Nathan ser bilionário
e ter usado os dados gravados de milhares de usuários da Internet para entender
o comportamento humano, e usar este grande banco de dados de comportamento na
criação da Inteligência Artificial, lembra o&amp;nbsp;&lt;i&gt;Google&amp;nbsp;&lt;/i&gt;e&amp;nbsp;&lt;i&gt;Mark
Zuckerberg&lt;/i&gt;&amp;nbsp;(Facebook ). Ava (&lt;i&gt;Alicia Vikander&lt;/i&gt;) exprime tanta
sensualidade e vivacidade a personagem que deixa a plateia imersa e
participando junto no teste. O filme exige bastante atenção para não perder os
detalhes e assim não se tornar um filme mais simples, pois não é.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;Em termos de fotografia é um assunto à parte: um deleite visual que
parece um comercial da Apple, Mas, na minha opinião os diálogos
surpreendentemente interessantes são a principal característica do filme. Os
dois protagonistas são inteligentíssimos e discutem em meio as suas diferenças
(Nathan faz o sujeito mais cool, gosta de malhar e beber, já Caleb tem o perfil
mais inocente e nerd), assuntos que vão desde a sexualidade ser parte inerente
do ser humano, e portanto, necessária para que um androide alcance tal nível de
inteligência a questões científicas, literárias e morais.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;Por todos esses aspectos,&amp;nbsp;&lt;b&gt;&lt;i&gt;Ex Machina&lt;/i&gt;&lt;/b&gt;&amp;nbsp;é um filme
que não pode deixar de ser visto para quem gosta de sair da zona de conforto
dos filmes comuns, pois prende a atenção e deixa margem para reflexão, até a
próxima!&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNZ2uOfg2WwjKkhLu_Wyj0D8JVQSfkeHCY28kMkt5ABu9vj-2jaK-_fOyfHuIwVlgDk0MTP2mBGost3Z8eDJScAdzFQpTSRUuWbgRpF9higzn3T7x5Vq6nByUoyQO1nqkVrsmZhlL5qW8/s1600/41867_01_harrison-ford-blade-runner-sequel-script-best-thing-read.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;176&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNZ2uOfg2WwjKkhLu_Wyj0D8JVQSfkeHCY28kMkt5ABu9vj-2jaK-_fOyfHuIwVlgDk0MTP2mBGost3Z8eDJScAdzFQpTSRUuWbgRpF9higzn3T7x5Vq6nByUoyQO1nqkVrsmZhlL5qW8/s320/41867_01_harrison-ford-blade-runner-sequel-script-best-thing-read.jpg&quot; width=&quot;320&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: inherit; font-size: small;&quot;&gt;Blade Runner, clássico do gênero&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;Como de costume, gosto de relacionar os filmes comentados com outros que
tratam de assuntos semelhantes. Neste caso fazendo um rápido apanhando pensei
em&amp;nbsp;&lt;b&gt;&lt;i&gt;Blade Runner&lt;/i&gt;&lt;/b&gt;&amp;nbsp;e&amp;nbsp;&lt;b&gt;&lt;i&gt;Ela&lt;/i&gt;&lt;/b&gt;. No primeiro,
filme de&amp;nbsp;&lt;i&gt;Ridley Scoptt&lt;/i&gt;, baseado em livro de&amp;nbsp;&lt;i&gt;Philip K Dick&lt;/i&gt;,
a ideia era tentar identificar um andróide disfarçado de homem comum. Já em &lt;b&gt;&lt;i&gt;Ela&lt;/i&gt;&lt;/b&gt;,
Theodore (&lt;i&gt;Joaquim Phonix&lt;/i&gt;) é um escritor solitário, que acaba de comprar
um novo sistema operacional para seu computador. Mas, para sua surpresa, ele
acaba se apaixonando pela voz deste programa. Esta história incomum explora a
relação entre o homem contemporâneo e a tecnologia.&lt;span style=&quot;font-size: 13.5pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;float: left; margin-right: 1em; text-align: left;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwCBmKn9czsgWU-TAWZcG1NLvPj-LM8lSqaMWfHZVloDEte4x29Y16haCiEHG1Be_aXFvjVSwWlIBGCQanIdzHGSvAqdJEUy1rD0vTPJwTCCQAE65HV10Qe8YWiBg3XvwYvEeYvD677Mg/s1600/withcomp-her-movie-review-no-spoilers-1100x619.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;180&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwCBmKn9czsgWU-TAWZcG1NLvPj-LM8lSqaMWfHZVloDEte4x29Y16haCiEHG1Be_aXFvjVSwWlIBGCQanIdzHGSvAqdJEUy1rD0vTPJwTCCQAE65HV10Qe8YWiBg3XvwYvEeYvD677Mg/s320/withcomp-her-movie-review-no-spoilers-1100x619.jpeg&quot; width=&quot;320&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: inherit; font-size: small;&quot;&gt;Ela, tecnologia e solidão&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;span style=&quot;background-color: white; color: #0a0a0a; font-family: inherit; line-height: 26px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;background-color: white; color: #0a0a0a; font-family: inherit; line-height: 26px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/1943516623040523185/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/07/ex-machina-ficcao-cientifica-muito.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/1943516623040523185'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/1943516623040523185'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/07/ex-machina-ficcao-cientifica-muito.html' title='Ex machina - Ficção científica muito acima da média  '/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwm08ll5uR6U9bJ726GxfnNfLaAOLqURiRxIv6-wLbP8cYRIwrryaExu64XSMr-yOD7KNLy8p82geIz-AIpyxb4wJ4lL_rLvDTB-xmAxx5Iy25rfwJ34tDhPgdQLP4XApUcw7wjcPmz8I/s72-c/ex-machina-instinto-artificial.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-1268351368839914333</id><published>2016-07-23T10:20:00.000-07:00</published><updated>2016-07-23T12:54:56.246-07:00</updated><title type='text'>Equals - Ficção científica sem originalidade</title><content type='html'>&lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh967i6V43Q94Kj7571REOw42UNZtTWl-OJOX_ax7Bhb9x4vDOBhzJDr5FEt2GBi5Qy7utolN8WO_nKbN__itY68JYCSg1MQz8-V_mct-rECsw3K8BW0Fkj0YvnuhJOwrLDKJ_NchvIeH0/s1600/equals-movie.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;300&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh967i6V43Q94Kj7571REOw42UNZtTWl-OJOX_ax7Bhb9x4vDOBhzJDr5FEt2GBi5Qy7utolN8WO_nKbN__itY68JYCSg1MQz8-V_mct-rECsw3K8BW0Fkj0YvnuhJOwrLDKJ_NchvIeH0/s640/equals-movie.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: inherit; font-size: x-small;&quot;&gt;&lt;i style=&quot;line-height: 16.9px; text-align: justify;&quot;&gt;Nicholas Hoult e&amp;nbsp;&lt;/i&gt;&lt;i style=&quot;line-height: 16.9px; text-align: justify;&quot;&gt;Kristen Stewart, amor impossível&lt;/i&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;Depois de assistir a diversos filmes você termina relacionando um ao outro, procurando semelhanças na história e até mesmo no figurino. Não que &lt;b&gt;&lt;i&gt;Equals &lt;/i&gt;&lt;/b&gt;(2015) seja um filme ruim, mas inevitavelmente me lembrou outros. Bem, vamos falar primeiro deste novo. No futuro, as doenças foram erradicadas e a sociedade vive pacificamente, o grande porém é que todos são privados de possuir emoções. Aí que surge uma doença que ativa os sentimentos reprimidos de emoção e todos que são diagnosticados com ela são submetidos a um tratamento mais que suspeito. No caminho de&amp;nbsp;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;Silas (&lt;i&gt;Nicholas Hoult&lt;/i&gt;) surge Nia (&lt;i&gt;Kristen Stewart&lt;/i&gt;), e a partir daí um sentimento visceral toma conta dos dois que buscarão uma forma de&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 16.9px;&quot;&gt;driblar um regime opressor.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-family: inherit; line-height: 16.9px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;line-height: 16.9px;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;Achei que o filme centra muito nos dois de forma quase que em close, não dando muito espaço para outros personagens ou tramas paralelas. &lt;i&gt;Hoult&lt;/i&gt;, que arrebentou em &lt;i style=&quot;font-weight: bold;&quot;&gt;Mad Max &lt;/i&gt;como o careca branquelo Nux, vai navegando por novos mares e desfrutando do sucesso. Já &lt;i&gt;Kristen Stewart&lt;/i&gt; ficou&amp;nbsp;esteriotipada como a Bela de &lt;b&gt;&lt;i&gt;Crepúsculo&lt;/i&gt;&lt;/b&gt;, mas acho injusto, vou dizer porquê. Tudo bem que quase sempre ela está com a mesma cara, mas já tem no currículo filmes alternativos e aclamados. Já foi a roqueira Joan Jett em &lt;b&gt;&lt;i&gt;The Runnaways&lt;/i&gt;&lt;/b&gt;, uma stripper em &lt;b&gt;&lt;i&gt;Corações Perdidos&lt;/i&gt;&lt;/b&gt;, ousou em &lt;b&gt;&lt;i&gt;Na Estrada&lt;/i&gt;&lt;/b&gt;&amp;nbsp;e leva muito bem o ótimo &lt;b&gt;&lt;i&gt;Férias Frustradas de Verão&lt;/i&gt;&lt;/b&gt;, além de &lt;b&gt;&lt;i&gt;Para sempre Alice&lt;/i&gt;&lt;/b&gt;, ótimo drama com Julianne Moore, e &lt;b&gt;&lt;i&gt;Acima das Nuvens&lt;/i&gt;&lt;/b&gt;, filme francês.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 16.9px;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;Por que eu citei que o filme não é original? Numa rápida retrospectiva na minha memória cinematográfica identifiquei alguns semelhantes. Abaixo, uma lista de filmes que mostra um futuro distópico de onde &lt;b&gt;&lt;i&gt;Equals &lt;/i&gt;&lt;/b&gt;bebe da fonte. Reparem como a inibição de sentimentos está em praticamente todos. Alguns desprezíveis outros recomendáveis, deixo aqui um resumo para vocês se identificarem e decidirem o que ver, até a próxima!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;line-height: 16.9px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;line-height: 16.9px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;http://www.imdb.com/title/tt3289728/?ref_=fn_al_tt_1&quot;&gt;http://www.imdb.com/title/tt3289728/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;line-height: 16.9px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span style=&quot;line-height: 16.9px;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;1984 &lt;/span&gt;&lt;/b&gt;- Romance em meio a um regime controlado com mão de ferro pelo partido comunista. Relacionamentos são proibidos, pois se deseja eliminar o libido na população.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQtDh_-tq-EfR_g5NjkPjZ8IAufR4o6n1syKkqE8YLNewP6_a5mP22-vUomxfTIdoxJWUpxTAgHzZKLZuQ5Wbj6-vFBTKJtYlAT1BTj6B2ACv3aRx4sVRDFCOTHAn2LLvzbhHPk6BVOrA/s400/1984-john-hurt.jpg&quot; style=&quot;margin-left: auto; margin-right: auto;&quot; width=&quot;400&quot; /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;John Hurt em ficção de&amp;nbsp;&lt;span style=&quot;background-color: white; color: #333333; font-size: 13px; line-height: 16.9px;&quot;&gt;George Orwell&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQtDh_-tq-EfR_g5NjkPjZ8IAufR4o6n1syKkqE8YLNewP6_a5mP22-vUomxfTIdoxJWUpxTAgHzZKLZuQ5Wbj6-vFBTKJtYlAT1BTj6B2ACv3aRx4sVRDFCOTHAn2LLvzbhHPk6BVOrA/s1600/1984-john-hurt.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;a href=&quot;http://www.imdb.com/title/tt0087803/?ref_=fn_al_tt_1&quot; style=&quot;line-height: 16.9px; text-align: justify;&quot;&gt;http://www.imdb.com/title/tt0087803/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/span&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;line-height: 16.9px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;THX - 1138&lt;/span&gt;&amp;nbsp;&lt;/b&gt;- &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px;&quot;&gt;Século XXV. A humanidade vive abaixo da superfície da Terra, em uma sociedade onde os robôs são a força policial e as pessoas se divertem através da TV holográfica. Todas as pessoas tomam drogas diariamente, de forma a controlar as emoções e manter a paz. Com &lt;i&gt;Robert Duvall&lt;/i&gt; e &lt;i&gt;Maggie McOmie. &lt;/i&gt;A direção é de um jovem na época chamado George Lucas.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;173&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv9GTI5NkRWVfmpb0dxrwFQMZSIdE0M96SbsLyObu6cXmWnzwfLbULHmlHLcMra0W9a2EIJexmFroTAB7j25T13wa3ejhZ1Rm9DofSPekaQW417hiiwWJYnrV1jtuzDqXL3Fkr5GNIe5M/s400/THX+1138+IMAGE.jpg&quot; style=&quot;margin-left: auto; margin-right: auto;&quot; width=&quot;400&quot; /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;Robert Duvall perseguido.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv9GTI5NkRWVfmpb0dxrwFQMZSIdE0M96SbsLyObu6cXmWnzwfLbULHmlHLcMra0W9a2EIJexmFroTAB7j25T13wa3ejhZ1Rm9DofSPekaQW417hiiwWJYnrV1jtuzDqXL3Fkr5GNIe5M/s1600/THX+1138+IMAGE.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: white; font-size: 13px; line-height: 16.9px;&quot;&gt;&lt;a href=&quot;http://www.imdb.com/title/tt0066434/?ref_=fn_al_tt_1&quot;&gt;http://www.imdb.com/title/tt0066434/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/span&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;A Ilha&lt;/span&gt;&lt;/b&gt; -&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: #f9f9f9;&quot;&gt;Echo (&lt;i&gt;Ewan Mcgregor&lt;/i&gt;) é um morador de um rigorosamente controlado complexo em meados do século 21. Mas Lincoln logo descobre que tudo sobre sua existência é uma mentira e com Jordan (&lt;i&gt;Scarlett Johansson&lt;/i&gt;) ele procura a Ilha em busca da verdade.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: #f9f9f9;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;225&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh225k_UKLp5va05fDcW7zynOwTIpUX6DksBGEDOp8zrOtDhyphenhyphen1TvFLZY1KHzoRXoE9A0VDh9eH0LxP8Ipu-DULabRnQ8rwtqd7hV75X8OcE9EyvIKVrFfFZApyklqh-WJ16SEir4ABgNn4/s400/a+ilha.jpg&quot; style=&quot;margin-left: auto; margin-right: auto;&quot; width=&quot;400&quot; /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-family: inherit; font-size: x-small;&quot;&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;Ewan Mcgregor e&amp;nbsp;&lt;/i&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;Scarlett Johansson com figurino padrão&lt;/i&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: #f9f9f9;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;a href=&quot;https://www.blogger.com/&quot;&gt;&lt;/a&gt;&lt;span id=&quot;goog_1767831330&quot;&gt;&lt;/span&gt;&lt;span id=&quot;goog_1767831331&quot;&gt;&lt;/span&gt;&lt;a href=&quot;http://www.imdb.com/title/tt0066434/?ref_=fn_al_tt_1&quot;&gt;http://www.imdb.com/title/tt0066434/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: #f9f9f9;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: #f9f9f9;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Equilibrium&lt;/span&gt; &lt;/b&gt;-&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; line-height: 20px;&quot;&gt;Num futuro incerto, a raça humana foi quase totalmente devastada da Terra. Para salvar o mundo, os governantes decidiram criar uma droga capaz de inibir o sentimento humano e garantir a paz para sempre.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: #f9f9f9;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;266&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKur2QIzNkJ1Ae3RGS1hceRpw6XFrRHCalRcyW73GPHe0jNevuLGVR5ydrQTbsosmN5FbJG_M2upzRZsklZSxlyXRbHfgg6Rw6YpJdwyZo8NwtPL6gesnS_ZWj4nH5ULh2QXIGC9lU9BU/s400/equilibrium.jpg&quot; style=&quot;margin-left: auto; margin-right: auto;&quot; width=&quot;400&quot; /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Christina Bale como policial linha dura&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKur2QIzNkJ1Ae3RGS1hceRpw6XFrRHCalRcyW73GPHe0jNevuLGVR5ydrQTbsosmN5FbJG_M2upzRZsklZSxlyXRbHfgg6Rw6YpJdwyZo8NwtPL6gesnS_ZWj4nH5ULh2QXIGC9lU9BU/s1600/equilibrium.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;a href=&quot;http://www.imdb.com/title/tt0238380/?ref_=fn_al_tt_1&quot;&gt;http://www.imdb.com/title/tt0238380/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px; text-align: start;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: large;&quot;&gt;O Doador de Mémorias&lt;/span&gt;&lt;/b&gt; -&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; line-height: 16.9px; text-align: start;&quot;&gt;Uma pequena comunidade vive em um mundo aparentemente ideal, sem doenças nem guerras, mas também sem sentimentos. Uma pessoa é encarregada de armazenar estas memórias, de forma a poupar os demais habitantes do sofrimento e também guiá-los com sua sabedoria&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; font-family: inherit; line-height: 16.9px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;202&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6r_kdPsTESdRDWY9X9H1C7FsvOBLD8ZgnztA772ASeTjgx-sYkJmgF-Lp4-FVjg3RAcyQnkvbUiRMmM94udxixknM7xtLeLfMLA2Phpn5LDHcqJhcNLLFrQgfuryEIKtEQyb1Jp6LkLc/s400/o+doador+de+mer%25C3%25B3rias.jpg&quot; style=&quot;margin-left: auto; margin-right: auto;&quot; width=&quot;400&quot; /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Futuro em sem emoção e preto e branco&lt;/td&gt;&lt;/tr&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6r_kdPsTESdRDWY9X9H1C7FsvOBLD8ZgnztA772ASeTjgx-sYkJmgF-Lp4-FVjg3RAcyQnkvbUiRMmM94udxixknM7xtLeLfMLA2Phpn5LDHcqJhcNLLFrQgfuryEIKtEQyb1Jp6LkLc/s1600/o+doador+de+mer%25C3%25B3rias.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;a href=&quot;http://www.imdb.com/title/tt0435651/?ref_=fn_al_tt_1&quot;&gt;http://www.imdb.com/title/tt0435651/?ref_=fn_al_tt_1&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/1268351368839914333/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/07/equals-ficcao-cientifica-sem.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/1268351368839914333'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/1268351368839914333'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/07/equals-ficcao-cientifica-sem.html' title='Equals - Ficção científica sem originalidade'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh967i6V43Q94Kj7571REOw42UNZtTWl-OJOX_ax7Bhb9x4vDOBhzJDr5FEt2GBi5Qy7utolN8WO_nKbN__itY68JYCSg1MQz8-V_mct-rECsw3K8BW0Fkj0YvnuhJOwrLDKJ_NchvIeH0/s72-c/equals-movie.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-1711271340267511757</id><published>2016-07-17T04:00:00.000-07:00</published><updated>2016-07-17T04:00:33.459-07:00</updated><title type='text'>Melhores assistidos em 2013 - Lista do IMDB (Internet Movie Database)</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
A partir de 2013 comecei a registrar todos os filmes que assisto no site IMDB- Internet Movie Database (&lt;a href=&quot;http://www.imdb.com/&quot;&gt;http://www.imdb.com&lt;/a&gt;). Este é o site com maior acervo de filmes no mundo e nos permite criar nossas próprias listas, nas quais podemos dar notas a eles. É bem interessante e vale a pena conferir. Nesta minha postagem importei a minha lista de 2013 e selecionei somente os com maiores notas. Em cada um tem um link para o filme no site, no qual possui uma sinopse (quase sempre em português).&lt;br /&gt;
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&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; dir=&quot;ltr&quot; style=&quot;border-collapse: collapse; border: 1px solid #ccc; font-family: arial,sans,sans-serif; font-size: 13px; table-layout: fixed;&quot;&gt;&lt;colgroup&gt;&lt;col width=&quot;206&quot;&gt;&lt;/col&gt;&lt;col width=&quot;201&quot;&gt;&lt;/col&gt;&lt;col width=&quot;40&quot;&gt;&lt;/col&gt;&lt;col width=&quot;184&quot;&gt;&lt;/col&gt;&lt;/colgroup&gt;&lt;tbody&gt;
&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa1&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; border-top: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0iWGUx0evuNikGIzirSQNMhds2h9mT9w2du7KUuSL45n9MQxtNdZh_m7ItGiSBZlVqt-tpsk1mY6t2uFeCFjuphoS_IuDC3kVNqDZO0DGmZqzNczDcvFaTm9pLzdxA0iBtjqCxHFNiLg/s1600/hugo+cabret.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0iWGUx0evuNikGIzirSQNMhds2h9mT9w2du7KUuSL45n9MQxtNdZh_m7ItGiSBZlVqt-tpsk1mY6t2uFeCFjuphoS_IuDC3kVNqDZO0DGmZqzNczDcvFaTm9pLzdxA0iBtjqCxHFNiLg/s200/hugo+cabret.jpg&quot; width=&quot;134&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;A Inven\u00e7\u00e3o de Hugo Cabret&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; border-top: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;A Invenção de Hugo Cabret &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2011}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; border-top: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2011&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt0970179/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt0970179/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt0970179/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa2&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgLBqo7VYR2a0aNnCk63Bda0zaHfx_6OfUT-iwiBlFUVGfeDt8WX9p6GlXCuhf_Vo2M_ziiCNeUuv70wF9kSPJkmTPud8-uOVJMP4ekS2RnGsurtMZ7O-nPdjO8tmudBHBVtouMoR2SE/s1600/the+hunt.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgLBqo7VYR2a0aNnCk63Bda0zaHfx_6OfUT-iwiBlFUVGfeDt8WX9p6GlXCuhf_Vo2M_ziiCNeUuv70wF9kSPJkmTPud8-uOVJMP4ekS2RnGsurtMZ7O-nPdjO8tmudBHBVtouMoR2SE/s200/the+hunt.jpg&quot; width=&quot;134&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;The Hunt&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;The Hunt&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2012}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2012&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt2106476/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt2106476/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt2106476/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa3&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwtDayhqAGtOqcHUeCoomfi8LuFLG-BdZMVt2g_Zi7Moa0P-SpDO9vIjH1U2qL62LcKldI4TK6xdHPlmUTqkaoIrut_tRaB3TOVhMHANAX4jOWiLuGwIEAn_4S7RMZPlVO7R4v7LoFe14/s1600/antes+do+amanhecer.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwtDayhqAGtOqcHUeCoomfi8LuFLG-BdZMVt2g_Zi7Moa0P-SpDO9vIjH1U2qL62LcKldI4TK6xdHPlmUTqkaoIrut_tRaB3TOVhMHANAX4jOWiLuGwIEAn_4S7RMZPlVO7R4v7LoFe14/s200/antes+do+amanhecer.jpg&quot; width=&quot;134&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Antes do Amanhecer&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;Antes do Amanhecer&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:1995}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;1995&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt0112471/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt0112471/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt0112471/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa4&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSx3l8pKsSgfxKVmw3_ZLl4PY_Mq10QdCIkJbeobkEIM2Zr8_IiVrJ41JHIXaoPOawS3GnfR0c06efUhwU8hyphenhyphenOzWKuYxUUlZrmf1su3CpAc60v9lsQCdnpGw3RZi8RgrANlNcXch9nRbA/s1600/o+homem+da+mafia.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSx3l8pKsSgfxKVmw3_ZLl4PY_Mq10QdCIkJbeobkEIM2Zr8_IiVrJ41JHIXaoPOawS3GnfR0c06efUhwU8hyphenhyphenOzWKuYxUUlZrmf1su3CpAc60v9lsQCdnpGw3RZi8RgrANlNcXch9nRbA/s200/o+homem+da+mafia.jpg&quot; width=&quot;134&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;O Homem da M\u00e1fia&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;O Homem da Máfia&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2012}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2012&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt1764234/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt1764234/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt1764234/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa5&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmMjN4ncI9tniY1sb6CLRLNuvw30kCKnCmkHVqFXFN-NWihiONfO3NIaae90JeQ7RBpnZqOA31Qsbomb9S-UweQRnfcOAB6PtWXItk_RViRH3nT3473Kr9E4Ed6hSDYSsiFS3A8R0a0_o/s1600/a+outra+terra.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmMjN4ncI9tniY1sb6CLRLNuvw30kCKnCmkHVqFXFN-NWihiONfO3NIaae90JeQ7RBpnZqOA31Qsbomb9S-UweQRnfcOAB6PtWXItk_RViRH3nT3473Kr9E4Ed6hSDYSsiFS3A8R0a0_o/s200/a+outra+terra.jpg&quot; width=&quot;134&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;A Outra Terra&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;A Outra Terra&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2011}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2011&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt1549572/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt1549572/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt1549572/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa6&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXZZORcbmqlDlGdEWaDFM5dj7o8vCKeT96pN0Bl3Uc2CfBty1LlzKrchJMLZqWZ1V5IYoDzOkdtbPN8jGgM48DJPRn7l51gim9y12IoJJPXV3s2-3c4OpMsZ4w3WM54mX0lkeq98GzyzE/s1600/jeffe+as.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXZZORcbmqlDlGdEWaDFM5dj7o8vCKeT96pN0Bl3Uc2CfBty1LlzKrchJMLZqWZ1V5IYoDzOkdtbPN8jGgM48DJPRn7l51gim9y12IoJJPXV3s2-3c4OpMsZ4w3WM54mX0lkeq98GzyzE/s200/jeffe+as.jpg&quot; width=&quot;134&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Jeff e as Arma\u00e7\u00f5es do Destino&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;Jeff e as Armações do Destino&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2011}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2011&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt1588334/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt1588334/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt1588334/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa7&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa8&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa9&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa10&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa11&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa12&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Terapia de Risco&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;Terapia de Risco&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2013}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2013&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt2053463/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt2053463/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt2053463/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr style=&quot;height: 21px;&quot;&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;capa13&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-left: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhONvMcA-eRdgg0OBAeHeL4GwJPJP4A8O-0ONi7mQbjD9LbhMbw_1XO_HKQJoOlCQZoo9IqlSCU-rhHlmb0K795a6Jlxn4jhJV9RmB6qdABt1UW2_xfi-5CG9bSJqW_J1fZzMT9bLyENsI/s1600/gravidade.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhONvMcA-eRdgg0OBAeHeL4GwJPJP4A8O-0ONi7mQbjD9LbhMbw_1XO_HKQJoOlCQZoo9IqlSCU-rhHlmb0K795a6Jlxn4jhJV9RmB6qdABt1UW2_xfi-5CG9bSJqW_J1fZzMT9bLyENsI/s200/gravidade.jpg&quot; width=&quot;134&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Gravidade&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;Gravidade&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2013}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2013&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt1454468/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt1454468/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt1454468/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBDHc12GdTucZyzyuOxVwxVzLV4WMYxfOGT-hrhiAjgscUXjVmphXrwpYLT9-sFa82Y09xpiT2uH16VAPSrBECLgRpoFoGLTm-I8SfiYG5ugCGgQBVrYuP4jBW9wGa0NyOOm5m4xlBzU4/s1600/os+suspeitos.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBDHc12GdTucZyzyuOxVwxVzLV4WMYxfOGT-hrhiAjgscUXjVmphXrwpYLT9-sFa82Y09xpiT2uH16VAPSrBECLgRpoFoGLTm-I8SfiYG5ugCGgQBVrYuP4jBW9wGa0NyOOm5m4xlBzU4/s200/os+suspeitos.jpg&quot; width=&quot;134&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Os Suspeitos&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;Os Suspeitos&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2013}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2013&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt1392214/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt1392214/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt1392214/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0vq8MK3U_SGJVn_YjzpcLt6MHLwtg3Qy-bfHvA-hgxY_LgcnFK_t2_9aXTataqeOsQ6MYjIBHuMmer7frWct1V5pMi0l0VPbalpVzQlZZ5T2bGgNE3xwK-dlqS3PlUBT4iXzb6qHZcAU/s1600/o+homem+de+gelo.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0vq8MK3U_SGJVn_YjzpcLt6MHLwtg3Qy-bfHvA-hgxY_LgcnFK_t2_9aXTataqeOsQ6MYjIBHuMmer7frWct1V5pMi0l0VPbalpVzQlZZ5T2bGgNE3xwK-dlqS3PlUBT4iXzb6qHZcAU/s200/o+homem+de+gelo.jpg&quot; width=&quot;134&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;O Homem de Gelo&amp;quot;}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; font-style: italic; font-weight: bold; padding: 2px 3px 2px 3px; vertical-align: midle;&quot;&gt;O Homem de Gelo&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:2012}&quot; style=&quot;background-color: #f4cccc; border-bottom: 1px solid #000000; border-right: 1px solid #000000; padding: 2px 3px 2px 3px; text-align: right; vertical-align: midle;&quot;&gt;2012&lt;/td&gt;&lt;td data-sheets-value=&quot;{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;http://www.imdb.com/title/tt1491044/&amp;quot;}&quot; style=&quot;background-color: #f9cb9c; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 1px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 1px; font-size: 80%; padding: 2px 3px; text-decoration: underline;&quot;&gt;&lt;a class=&quot;in-cell-link&quot; href=&quot;http://www.imdb.com/title/tt1491044/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;http://www.imdb.com/title/tt1491044/&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/1711271340267511757/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/07/melhores-assistidos-em-2013-lista-do.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/1711271340267511757'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/1711271340267511757'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/07/melhores-assistidos-em-2013-lista-do.html' title='Melhores assistidos em 2013 - Lista do IMDB (Internet Movie Database)'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0iWGUx0evuNikGIzirSQNMhds2h9mT9w2du7KUuSL45n9MQxtNdZh_m7ItGiSBZlVqt-tpsk1mY6t2uFeCFjuphoS_IuDC3kVNqDZO0DGmZqzNczDcvFaTm9pLzdxA0iBtjqCxHFNiLg/s72-c/hugo+cabret.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-6774029290990272100</id><published>2016-07-08T10:46:00.003-07:00</published><updated>2016-07-23T11:06:57.184-07:00</updated><title type='text'>Green Room - Homenagem a Anton Yelchin.</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: justify;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmPGYPBBKggfP0KLYRUqjeT7cV1l64LvWzRVl7R1NXMS8Q2vtxCYaqrHARbBJc6nu9ikAU9r-QvINVwp_nrDgH1g9vQ8pP-ddt_KNZbhYtovTplEIdVDJH2aNdA1JixD5DvShPI_0O5Uw/s1600/green+room.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;210&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmPGYPBBKggfP0KLYRUqjeT7cV1l64LvWzRVl7R1NXMS8Q2vtxCYaqrHARbBJc6nu9ikAU9r-QvINVwp_nrDgH1g9vQ8pP-ddt_KNZbhYtovTplEIdVDJH2aNdA1JixD5DvShPI_0O5Uw/s400/green+room.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;Tenso! Esta é a palavra que define este&amp;nbsp;thriller estrelado pelo precocemente falecido &lt;/span&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;Anton Yelchin&lt;/i&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;. Quando uma banda amadora de punk-rock arruma para tocar em um lugar meia-boca e se vê acuada por um banco de neo nazistas, não espere alívio nenhum do diretor.&amp;nbsp;Pat (&lt;/span&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;Anton Yelchin&lt;/i&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;) é baixista e junto com a sua banda segue em busca de lugares para tocar a fim de descolar uns trocados. Através de indicação eles marcam uma apresentação em um insólito bar frequentados por&amp;nbsp;skinheads. Antes de irem embora terminam vendo mais do que deviam e a partir daí começa uma verdadeira luta pela sobrevivência. A violência é crua e ninguém está imune. Do outro lado da porta do tal &quot;Quarto verde&quot; está o imponente&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;text-align: justify;&quot;&gt;Patrick Stewart &lt;/i&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;(o professor Charles Xavier da franquia &quot;X-Men&quot;), que com frieza comanda os seus súditos. Apesar de ser um filme alternativo de baixo orçamento, &quot;Green room&quot; foi exibido em festivais como&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;Cannes e Sundance. Trata-se de um filme para um público específico, por causa da violência. Não é um grande filme e talvez fique marcado por ser um dos últimos de&lt;/span&gt;&lt;i style=&quot;text-align: justify;&quot;&gt; Anton Yelchin&lt;/i&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;, mas colocar a tríade punk-rock, suspense e ação juntos me fisgou na hora.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLgwrDuM-kuQxDUhzWEoigr6wAbHF6j2rBeNYCHSs4KuNU-iEM0uMeVJ6s-CnKv6YhEW_d_UvDMYtgpIDXg_CzHY7ncGP_KkMAmmWMxsH0SXbEYbJRYXo_GfSVuPCZUVwyZYbSD6a7Hf0/s1600/rs_1024x759-160620053754-1024-Anton-Yelchin-Alpha-Dog-JR-962016.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;148&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLgwrDuM-kuQxDUhzWEoigr6wAbHF6j2rBeNYCHSs4KuNU-iEM0uMeVJ6s-CnKv6YhEW_d_UvDMYtgpIDXg_CzHY7ncGP_KkMAmmWMxsH0SXbEYbJRYXo_GfSVuPCZUVwyZYbSD6a7Hf0/s200/rs_1024x759-160620053754-1024-Anton-Yelchin-Alpha-Dog-JR-962016.jpg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;Anto Yelchin em Alpha Dog&lt;/td&gt;&lt;/tr&gt;
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&lt;i&gt;Anton Yelchin&lt;/i&gt; nasceu na Rússia, mas foi criado desde cedo nos Estados Unidos. No dia 18 de Junho de 2016 foi vítima de um infortúnio: ficou prensado entre seu próprio carro e uma parede na sua casa (há suspeita de um problema no modo automático de estacionamento). Do seu legado lembro bem de &lt;b&gt;&lt;i&gt;Alpha Dog, Exterminador do futuro - A salvação&lt;/i&gt;&lt;/b&gt; e &lt;b&gt;&lt;i&gt;Amantes Eternos&lt;/i&gt;&lt;/b&gt;, todos, filmes muito bons. Fez também parte da nova versão de &lt;b&gt;&lt;i&gt;Star Trek&lt;/i&gt;&lt;/b&gt;. Uma pena, pois além de ser apenas um jovem (tinha 27 anos) tinha uma carreira promissora. &amp;nbsp;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/6774029290990272100/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/07/green-room-homenagem-anton-yelchin.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/6774029290990272100'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/6774029290990272100'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/07/green-room-homenagem-anton-yelchin.html' title='Green Room - Homenagem a Anton Yelchin.'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmPGYPBBKggfP0KLYRUqjeT7cV1l64LvWzRVl7R1NXMS8Q2vtxCYaqrHARbBJc6nu9ikAU9r-QvINVwp_nrDgH1g9vQ8pP-ddt_KNZbhYtovTplEIdVDJH2aNdA1JixD5DvShPI_0O5Uw/s72-c/green+room.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1952474013885817454.post-2003139923098748386</id><published>2016-06-25T10:52:00.000-07:00</published><updated>2017-06-09T17:47:26.736-07:00</updated><title type='text'>Achados do Netflix - Parte 1 - Pouco conhecidos</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
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Do momento que decidimos assistir a um filme no Netflix até iniciarmos ele o tempo gasto pode ser considerável. Quase sempre ficamos ali passando o controle em busca do filme ideal para aquele momento, e para aqueles quem tem uma bagagem maior de filmes esta tarefa fica ainda pior e duradoras. Pois bem, resolvi gastar mais tempo ainda e fazer uma seleção de dicas de alguns filmes que estão lá escondidos e sem muito destaque. São filmes que encontrei pesquisando em &quot;Categorias&quot; e resolvi compartilhar com vocês leitores. Nesta primeira lista seguem alguns mais desconhecidos, mas nem por isso imperdíveis, vale a pena conferir!&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;50/50&lt;/span&gt;&lt;/h4&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;Inspirado em fatos reais. Adam (Joseph Gordon-Levitt) tem apenas 27 anos e descobre que está com câncer. Mas para ajudar a enfrentar esse tratamento ele vai contar com a ajuda de seu melhor amigo Kyle (Seth Rogen), e também de uma analista (Anna Kendrick). Muito bom e de bônus ainda conta com a trilha do Radiohead.&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt1306980/?ref_=nv_sr_3&quot;&gt;http://www.imdb.com/title/tt1306980/?ref_=nv_sr_3&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;A chave de Sarah&lt;/span&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;1942, durante a ocupação alemã na França, na 2ª Guerra Mundial. Sarah Starzynski (Mélusine Mayance) é uma jovem judia que vive em Paris com os pais (Natasha Mashkevich e Arben Bajraktaraj) e o irmão caçula Michel (Paul Mercier). Eles são expulsos do apartamento em que vivem por soldados nazistas, que os levam até um campo de concentração. Seria um pecado contar mais que isso deste filme que é uma grande surpresa.&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt1668200/?ref_=fn_al_tt_1&quot;&gt;http://www.imdb.com/title/tt1668200/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;A promessa&lt;/span&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;Jerry Black (Jack Nicholson) é um policial veterano que vive em Nevada e está prestes a se aposentar. Em seu último dia de serviço ele recebe como missão conferir o local onde ocorreu o assassinato de uma garota de 7 anos e avisar sua família do ocorrido. Com a mãe desesperada, Jerry promete que encontrará o culpado do crime e, com isso, resolve investigar o caso auxiliado por Stan Krolak (Aaron Eckhart), outro policial. Jack Nicholson é o diferencial do filme que prende até o final.&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt0237572/?ref_=fn_al_tt_2&quot;&gt;http://www.imdb.com/title/tt0237572/?ref_=fn_al_tt_2&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;Donnie darko&lt;/span&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;span style=&quot;background-color: white; text-align: start;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 13px; line-height: 16.9px;&quot;&gt;Donnie (Jake Gyllenhaal) é um jovem brilhante e excêntrico, que cursa o colegial mas despreza a grande maioria dos seus colegas de escola. Donnie tem visões estranhas o qual apenas ele consegue ver. Jake Gyllenhaal em início de carreira em um filme&amp;nbsp;excêntrico, um verdadeiro cult.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;Enigmas de um crime&lt;/span&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;span style=&quot;font-family: inherit;&quot;&gt;Na Universidade de Oxford, um professor (Hurt) e seu melhor aluno (Wood) juntam seus conhecimentos para investigar uma série de assassinatos aparentemente conectados por símbolos matemáticos. Sensualidade e mistério se misturam nesta trama que conta com o eterno Frodo.&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt0488604/?ref_=fn_al_tt_1&quot;&gt;&lt;span style=&quot;font-family: inherit;&quot;&gt;http://www.imdb.com/title/tt0488604/?ref_=fn_al_tt_1&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;Hanna&lt;/span&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;Hanna (Saoirse Ronan) foi criada na fria Finlândia pelo pai, um ex-agente da CIA (Eric Bana). Treinada para ser a assassina perfeita. Um dia Hanna recebe uma missão do pai e atravessa a Europa enganando agentes experientes com os ensinamentos de seu mentor até que alguns segredos vêm à tona e a garota passa a questionar seus atos.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt0993842/?ref_=fn_al_tt_1&quot; style=&quot;text-align: center;&quot;&gt;http://www.imdb.com/title/tt0993842/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;Jeff - e as armações do destino&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;Jeff (Jason Segel) é um preguiçoso de 30 anos que ainda mora no porão da casa da mãe. Ele espera por sinais do universo que mostrem o que deve fazer da sua vida, mas, enquanto isso ele não trabalha e vive as custas da mãe. Certo dia, ele decide ajudar seu irmão Pat (Ed Helms), que suspeita que a esposa o está traindo, e os fatos aparecem. Não se deixem levar pelo título ou pelos atores desconhecidos, este filme surpreende e deixa ensinamentos, curti muito.&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt1588334/?ref_=nv_sr_1&quot;&gt;http://www.imdb.com/title/tt1588334/?ref_=nv_sr_1&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Jovens adultos&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;Divorciada, a escritora Mavis Gary (Charlize Theron) retorna para sua cidade natal no estado de Minnesota, nos Estados Unidos, disposta a reconquistar seu ex-namorado, Buddy Slade (Patrick Wilson). Acontece que ele, atualmente, está casado com Beth (Elizabeth Reaser) e acaba de ganhar uma filha. Só o charme de Charlize Theron já preenche a tela, mas não é só isso, um drama moderno que confronta valores simples da vida com a luxúria.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; font-family: &amp;quot;arial&amp;quot; , sans-serif; font-size: 13px; line-height: 16.9px;&quot;&gt;&lt;a href=&quot;http://www.imdb.com/title/tt1625346/?ref_=fn_al_tt_1&quot;&gt;http://www.imdb.com/title/tt1625346/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Lunar&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNZ28GcYRqBNioqfoi-iDDkVyDksfbDLizafkMS2sYoP2ActsmiPXy-h0rxDMPIk8tH6Y9xF5egX3RVxNFOMXoguPHE6kW4fa8MvSwPzbkEc9AYot64gJoY_s454xmF-J3_zJKpO9FaEo/s1600/Moon-Sam-Rockwell.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;267&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNZ28GcYRqBNioqfoi-iDDkVyDksfbDLizafkMS2sYoP2ActsmiPXy-h0rxDMPIk8tH6Y9xF5egX3RVxNFOMXoguPHE6kW4fa8MvSwPzbkEc9AYot64gJoY_s454xmF-J3_zJKpO9FaEo/s400/Moon-Sam-Rockwell.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; text-align: start;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 13px; line-height: 16.9px;&quot;&gt;Sam Bell (Sam Rockwell) é um astronauta que cumpre uma missão de três anos na Lua, em uma base instalada pela Lunar Industries. Sua função é extrair do solo e enviar regularmente à Terra uma substância que ajuda a renovar a energia do planeta. Sam tem apenas a companhia do computador GERTY (Kevin Spacey) e está ansioso para completar o trabalho, o que ocorrerá dentro de duas semanas, quando um novo funcionário virá substituí-lo. Bons filmes de ficção já são&amp;nbsp;difíceis&amp;nbsp;de surgir, e este ainda fica escondido e sem muita divulgação, não percam tempo, assistam!&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt1182345/?ref_=fn_al_tt_1&quot; style=&quot;font-family: Arial, sans-serif; font-size: 13px; line-height: 16.9px; text-align: start;&quot;&gt;http://www.imdb.com/title/tt1182345/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;O escarfandro e a borboleta&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOtT48E9mLasM82fvc5Z5P1pl1tum6WLDInacIlctC8ESRigCR36nSsgSrCnftbie5R2WEcOk8SX9j6GmegHUiM7eJuo_mlayF6EuQDNfZh4X2Egn-dyJGRu-F53c8I56KFsqYu8ZKnng/s1600/o+escafandro.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOtT48E9mLasM82fvc5Z5P1pl1tum6WLDInacIlctC8ESRigCR36nSsgSrCnftbie5R2WEcOk8SX9j6GmegHUiM7eJuo_mlayF6EuQDNfZh4X2Egn-dyJGRu-F53c8I56KFsqYu8ZKnng/s400/o+escafandro.jpg&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; text-align: start;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 13px; line-height: 16.9px;&quot;&gt;Jean-Dominique Bauby (Mathieu Amalric) tem 43 anos, é editor da revista Elle e um apaixonado pela vida. Mas, subitamente, tem um derrame cerebral. Vinte dias depois, ele acorda. Ainda está lúcido, mas sofre de uma rara paralisia: o único movimento que lhe resta no corpo é o do olho esquerdo. Representante do cinema&amp;nbsp;francês, trata de uma história verídica emocionante.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.imdb.com/title/tt0401383/?ref_=fn_al_tt_1&quot; style=&quot;font-family: Arial, sans-serif; font-size: 13px; line-height: 16.9px; text-align: start;&quot;&gt;http://www.imdb.com/title/tt0401383/?ref_=fn_al_tt_1&lt;/a&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://oespectador-filmes.blogspot.com/feeds/2003139923098748386/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/06/achados-do-netflix-parte-1.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/2003139923098748386'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1952474013885817454/posts/default/2003139923098748386'/><link rel='alternate' type='text/html' href='http://oespectador-filmes.blogspot.com/2016/06/achados-do-netflix-parte-1.html' title='Achados do Netflix - Parte 1 - Pouco conhecidos'/><author><name>Carlos Eduardo C. de França</name><uri>http://www.blogger.com/profile/02407453784515250478</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmhhU7oj3f_v2XtZN0dc5C10IdPJG8nEt3bYn2Ggx6ATDrceXcXDxpulad4iW1YjzwXcjsOBDLhSxLOZ7iI7d9-vrN9sLjLIhiMOnYFdGfZ9pCTomW5bWc4WHZmMXolw/s150/DSC05400.JPG'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimdrqlg7oVLdP20RDgL_oGA9d_FEoT5NsTo1Mi4_9dHXZHqF4GpLfhRAWXR0N7klhXlEgb16my0hrYj0_r2LwCZNVElv23TFHddIeaP8HsDzO0BworY3X5UjTG2_Yi7stTv7aTl3oO4p4/s72-c/netflix.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>