OLD SOUL MUSIC CONCERTS

James Brown and Otis Redding’s Plane: The True Story Behind the 1967 Tragedy

2026-05-19T20:32:48.245-07:00

James Brown and Otis Redding’s Plane: The True Story Behind the 1967 Tragedy

How a Simple Business Deal Became One of Soul Music’s Most Haunting Stories

Few people know that a routine business deal between two soul legends would later become one of the most chilling stories in music history.

When James Brown sold an airplane to Otis Redding in the 1960s, it seemed like a natural step forward for a rising star. But just months later, that same plane would be linked to a tragedy that shocked the world.

The Rise of James Brown and Otis Redding

By the mid-1960s, James Brown had already earned his title as the “Godfather of Soul.” Known for his nonstop touring and electrifying stage presence, Brown performed hundreds of shows a year. To keep up with his demanding schedule, he invested in a private airplane—something very few artists could afford at the time.

Otis Redding, meanwhile, was quickly becoming one of the most powerful voices in soul music. With hits like These Arms of Mine and Try a Little Tenderness, he was rising fast under the Stax Records label.

As his popularity grew, so did the need to travel quickly between shows. That’s when the opportunity to own a plane came into the picture.

The Plane That Changed Everything

The aircraft in question was a Beechcraft H18, a twin-engine plane used by James Brown to travel between performances. Eventually, Brown decided to sell the plane—and Otis Redding became the buyer.

At the time, owning a plane symbolized success, independence, and efficiency. For Redding, it meant fewer delays, more shows, and greater control over his career.

But according to stories shared over the years, the sale may have come with a warning.

Did James Brown Warn Otis Redding?

James Brown was known for being extremely disciplined and cautious when it came to business. Some accounts suggest that he warned Otis Redding about the responsibilities and risks of owning and flying a private aircraft.

While there is no official record of exactly what was said, the message is often described in the same way:

Be careful.

Private aviation in the 1960s didn’t have the safety standards we’re used to today. Weather conditions, maintenance, and pilot experience all played a major role in flight safety.

At the time, however, such a warning may have seemed routine—not prophetic.

The 1967 Plane Crash That Shocked the World

On December 10, 1967, Otis Redding boarded the Beechcraft H18 along with members of his backing band, the Bar-Kays. They were traveling to Madison, Wisconsin, for a scheduled performance.

As the plane approached its destination, it crashed into Lake Monona.

Only one person survived: trumpeter Ben Cauley. Otis Redding and most of the others on board were killed. He was just 26 years old.

The tragedy sent shockwaves through the music industry. Redding was widely seen as one of the future leaders of soul music, and his sudden death left an enormous void.

Just days before the crash, he had recorded (Sittin’ On) The Dock of the Bay, which would go on to become his biggest hit—and the first posthumous number-one single in U.S. history.

The Connection That Still Haunts Fans

Looking back, the connection between James Brown and the plane adds an eerie dimension to the story. What started as a simple sale became forever tied to one of the most tragic events in soul music history.

It’s important to understand that there is no evidence suggesting the plane itself was defective or that James Brown was responsible in any way. Investigations pointed to factors such as poor weather conditions and pilot-related issues.

Still, fans often reflect on the reported warning and the chain of events that followed.

Legacy of Two Legends

Despite the tragedy, Otis Redding’s music continues to inspire generations. His emotional delivery and timeless songs have secured his place as one of the greatest voices in soul music history.

James Brown went on to have a long and influential career, shaping funk, soul, and modern music for decades. His impact can still be heard in countless artists today.

Final Thoughts

The story of James Brown and Otis Redding’s plane is a powerful reminder of how success, risk, and fate can intersect in unexpected ways.

What began as a business decision became part of music history—one that still resonates with fans today.

And while the tragedy of 1967 can never be undone, the music both men created continues to live on, reaching new audiences and keeping their legacies alive.

2026-03-14T21:54:00.000-07:00

The Extreme Backstage Routine That Helped James Brown Survive His Legendary Performances

**When people talk about James Brown, one phrase always comes up: “The Hardest Working Man in Show Business.” Anyone who has watched his performances from the 1960s and 1970s understands why.**

Brown’s shows were explosive displays of energy—featuring nonstop dancing, dramatic splits, knee drops, intense vocals, and choreography that pushed the limits of human endurance.

But what many fans don’t realize is that behind the scenes, Brown sometimes needed serious recovery methods to keep up the pace of his grueling tour schedule.

In fact, musicians and crew members who toured with Brown have shared stories about the extreme routines he used to survive hundreds of performances a year.

One of the most surprising details involves intravenous hydration treatments used after shows.

Let’s take a closer look at how James Brown managed to deliver some of the most electrifying performances in music history.

The Physical Demands of a James Brown Show

Watching vintage footage of James Brown makes one thing clear: his performances were not typical concerts.

Unlike many singers who primarily focus on vocals, Brown combined high-energy dance routines, full-band choreography, powerful soul vocals, and constant audience interaction.

Many of his shows lasted two to three hours, and Brown rarely slowed down during a performance. On top of that, his touring schedule was relentless.

During the height of his career, Brown sometimes performed more than 300 shows in a single year. In some cases, he even played two or three shows in one day.

Under hot stage lights and packed venues, it was common for Brown to lose huge amounts of fluid through sweat during a performance.

The Role of IV Fluids in Recovery

According to several musicians and tour personnel who worked with Brown, there were occasions when he received intravenous saline (salt solution) after particularly exhausting performances.

The purpose of these IV treatments was simple: rapid rehydration.

Intravenous saline helps restore body fluids, electrolytes, and circulation levels. This kind of treatment can help a severely dehydrated person recover much faster than drinking fluids alone.

For an artist performing night after night with almost no rest, quick recovery methods could mean the difference between canceling a show or going back on stage the next evening.

While it may sound unusual today, rapid IV rehydration was sometimes used by performers and athletes dealing with extreme physical exertion.

The Famous “Cape Routine” Wasn’t Entirely Acting

One of the most recognizable moments in a James Brown performance was the dramatic cape routine during the song “Please, Please, Please.” If you’ve seen it, the scene is unforgettable.

During the emotional climax of the song, Brown would appear completely exhausted and collapse to his knees. A band member would rush out and gently place a cape over his shoulders, guiding him off stage.

Then something dramatic would happen. Just as he seemed ready to leave the stage, Brown would throw off the cape, rush back to the microphone, and continue singing with renewed energy.

The moment became one of the most famous stage routines in soul music history. While the routine was carefully choreographed, musicians who worked with Brown said that the exhaustion behind the act was often very real, especially late in long tours.

The Discipline Behind the Performances

Another reason Brown could deliver such intense shows was his legendary work ethic.

Musicians who played in his bands—including members of the James Brown Orchestra and later the J.B.’s—often described rehearsals as extremely demanding.

Brown expected precision from every musician on stage. Band members have recalled rehearsals lasting six to eight hours, songs being stopped for even minor mistakes, financial penalties for wrong notes or missed cues, and extensive choreography practice.

While this strict environment could be challenging for musicians, it helped create the incredibly tight sound and stage presentation that became Brown’s trademark.

The result was a live show that felt more like a perfectly synchronized machine of rhythm, dance, and soul energy.

Why This Story Isn’t Often Mentioned in Documentaries

You might wonder why the story of Brown’s backstage recovery methods rarely appears in documentaries or films about his life. There are a few reasons for that.

First, most biographies focus on the larger narrative of Brown’s career—his rise from poverty, his influence on soul and funk music, and his cultural impact during the civil rights era.

Second, the IV treatments reportedly happened backstage in dressing rooms, where there were no cameras recording the moment.

Documentary filmmakers often rely on available footage, and without visual evidence, these stories are harder to include.

Finally, Brown carefully cultivated an image of unstoppable stamina. The idea that he needed medical help to recover between shows didn’t quite fit the legend of a man who seemed almost superhuman on stage.

The Legacy of the Hardest Working Man in Show Business

Even without the backstage stories, one thing remains undeniable: James Brown set a standard for live performance that few artists have matched.

His influence can be seen across generations of music. Artists from Michael Jackson to Prince studied Brown’s stage presence, dance style, and relentless energy.

Today, watching his vintage concert footage still feels electrifying. Every spin, every scream, and every perfectly timed band hit reminds us why audiences were mesmerized by him night after night.

While the audience saw the unstoppable showman under the spotlight, the stories from behind the curtain reveal just how physically demanding those performances really were.

They also show something else about James Brown—his determination to deliver an unforgettable show no matter how much it demanded from him.

Final Thoughts

James Brown didn’t earn the title “The Hardest Working Man in Show Business” by accident. His concerts were some of the most intense live performances ever put on stage.

Between relentless touring, high-energy choreography, and powerful vocals, it’s no surprise that recovery methods like rapid hydration were sometimes necessary.

Whether on stage or behind the scenes, Brown pushed himself to the limit to give audiences a performance they would never forget.

And decades later, the power of those performances continues to inspire musicians and fans around the world.

2026-03-07T23:44:00.000-08:00

It's Your Thing: Live at Yankee Stadium (1970) – The Lost Soul Concert Film

In the late 1960s, soul music was undergoing a powerful transformation. Gospel roots still ran deep, but funk rhythms and a new sense of artistic independence were beginning to reshape the sound of R&B.

One of the most fascinating visual documents of this moment is the 1970 concert film It's Your Thing: Live at Yankee Stadium.

Filmed at Yankee Stadium in New York City on June 21, 1969, the concert was organized by The Isley Brothers to celebrate the success of their hit single “It’s Your Thing.”

The event brought together a diverse lineup of soul, gospel, and pop performers for a massive outdoor concert.

Although the movie received a limited theatrical release in 1970, it has never been widely distributed on home video.

As a result, it has become something of a legendary “lost” soul concert film among collectors and historians.

More than fifty years later, the film remains an exciting snapshot of a pivotal moment in Black music history.

The Isley Brothers – Hosts and Headliners

The stars of the show are The Isley Brothers, who organized and financed the event themselves.

At the time, the group had recently left Motown Records and launched their own label, T-Neck Records. Their new single “It’s Your Thing” became a huge hit and a defining early funk anthem.

In the film, the Isleys deliver a passionate performance filled with crowd participation. Ronald Isley’s soulful vocals lead the audience through several songs, including their classic “Shout.”

One of the most memorable moments comes when members of the crowd join the band on stage during the finale.

The energy is spontaneous and celebratory, capturing the excitement of a band that had just achieved artistic independence.

Their performance anchors the entire concert and serves as the emotional centerpiece of the film.

Patti Austin – A Future Star

One of the most intriguing appearances in the film is by a young Patti Austin, performing early in her career.

Even at this stage, Austin demonstrates a polished vocal style and confident stage presence.

Her performance hints at the major career she would later enjoy as a Grammy-winning jazz and R&B vocalist.

For viewers today, her appearance feels like discovering a future star in the making.

The Five Stairsteps and Cubie – Family Soul

Chicago family group The Five Stairsteps and Cubie bring youthful charm and harmony-rich soul music to the stage.

Often called “The First Family of Soul,” the group mixes pop sensibilities with smooth R&B vocals.

Their segment adds a lighter tone to the concert and demonstrates the broad range of styles that existed within the soul music scene.

Their upbeat performance fits perfectly into the festival atmosphere of the show.

The Edwin Hawkins Singers – Gospel Power

A highlight of the film comes from The Edwin Hawkins Singers, whose gospel performance electrifies the stadium.

Fresh off the massive success of their crossover hit “Oh Happy Day,” the choir delivers a powerful display of spiritual energy. Their harmonies fill the stadium as the crowd claps along.

The segment reminds viewers how closely soul music remained connected to gospel traditions during this era.

Jackie “Moms” Mabley – Comedy Interlude

Legendary comedian Jackie “Moms” Mabley provides comic relief between musical performances.

By the late 1960s, Mabley was already an established figure in Black entertainment. Her witty observations and storytelling bring laughter to the enormous crowd.

Her presence also reflects the structure of many soul revues of the time, which often included comedy alongside music.

The Clara Ward Singers – Gospel Tradition

Another powerful gospel segment comes from The Clara Ward Singers, one of the most influential gospel groups of the twentieth century.

Their performance is intense and emotionally charged. The group’s dramatic delivery transforms the concert atmosphere into something resembling a church revival meeting.

The segment demonstrates how gospel music continued to influence the sound and spirit of soul music during this period.

Judy White – Smooth Soul Vocals

Soul singer Judy White contributes one of the concert’s more intimate moments.

Her smooth vocals and expressive delivery showcase the romantic side of R&B. Backed by a tight band, White delivers a polished performance that highlights the songwriting talent associated with the Isley Brothers’ musical circle.

Although she never achieved the fame of some of the other performers, her segment adds depth to the film’s lineup.

The Young Gents – Up-and-Coming Soul

The group The Young Gents represents the emerging wave of soul acts during the late 1960s.

Their performance features upbeat rhythms and lively harmonies that capture the youthful energy of the era.

While not widely remembered today, their appearance provides a valuable glimpse into the broader soul music scene of the time.

The Brooklyn Bridge – Pop-Soul Crossover

Pop-soul band The Brooklyn Bridge adds stylistic diversity to the concert lineup.

Known for blending rock, pop, and soul influences, the group had achieved chart success with their hit “The Worst That Could Happen.”

Their appearance demonstrates how soul music was increasingly crossing over into mainstream pop audiences.

The Winstons – Rhythm and Funk

The concert also features The Winstons, a soul group known for their rhythm-heavy sound.

Their music emphasizes strong grooves and energetic instrumentation, hinting at the emerging funk movement that would dominate the early 1970s.

Their performance adds momentum to the concert and reinforces the film’s role as a snapshot of soul music in transition.

Ike & Tina Turner – Explosive Finale

One of the most electrifying segments in the film comes from Ike & Tina Turner.

Although their performance was filmed separately and later added to the movie, it fits perfectly with the high-energy spirit of the concert.

Tina Turner’s stage presence is extraordinary. Her powerful vocals and dynamic dancing turn the segment into one of the most unforgettable moments in the film.

Backed by the Ikettes and Ike Turner’s band, the performance delivers pure rock-soul intensity.

Why This Concert Film Matters

It's Your Thing is more than just a concert movie. It is a cultural time capsule documenting a pivotal moment in the evolution of soul music.

The lineup reflects the rich diversity of Black music during the late 1960s, from gospel choirs to funk-driven soul bands.

The film also highlights the entrepreneurial spirit of the Isley Brothers, who financed and produced the project independently.

Despite its historical importance, the movie remains largely unavailable today. Archive prints exist, but it has never received a proper commercial home-video release.

For collectors and fans of classic soul, this makes the film one of the most intriguing lost concert documentaries of the era.

Final Thoughts

Watching It's Your Thing: Live at Yankee Stadium is like stepping into the heart of the late-1960s soul music scene.

From the gospel power of the Edwin Hawkins Singers to the explosive stage energy of Ike & Tina Turner, the film captures a vibrant mix of musical styles.

At the center of it all are the Isley Brothers, celebrating their success and showcasing the artists around them.

If the film were ever restored and widely released, it would undoubtedly become an essential entry in the catalog of classic soul concert films.

Until then, it remains a fascinating and rare glimpse into one of the most exciting periods in soul music history.

James Brown and the Civil Rights Movement: The Story Behind “Say It Loud, I’m Black and I’m Proud”

2026-03-07T22:44:05.370-08:00

James Brown’s anthem “Say It Loud – I’m Black and I’m Proud” became a Civil Rights Movement rallying cry. Discover its history, impact, and legacy.

Why James Brown Mattered in the Civil Rights Movement

James Brown, the “Godfather of Soul,” is remembered for his electrifying stage presence, innovative sound, and relentless work ethic. But his legacy stretches beyond music—he became a cultural icon during the Civil Rights Movement.

His 1968 anthem “Say It Loud – I’m Black and I’m Proud”* went beyond entertainment; it was a declaration of identity, a rallying cry for empowerment, and one of the most important songs of its era.

This article explores James Brown’s influence during the Civil Rights era, the significance of his anthem, and why his music continues to inspire conversations about race, pride, and resilience.

James Brown’s Early Life and Career: Roots of Resilience

Born in 1933 in Barnwell, South Carolina, and raised in Augusta, Georgia, James Brown grew up under Jim Crow laws in extreme poverty. He worked odd jobs as a child, shined shoes, and even spent time in juvenile detention. These hardships instilled in him both survival instincts and a hunger for success.

By the early 1960s, Brown had already risen to fame with hits like *“Please, Please, Please”* and *“Papa’s Got a Brand New Bag.”* His explosive performances and innovative rhythms redefined soul and gave birth to funk.

But Brown’s rise wasn’t just about music—his determination to own his publishing rights, control his business decisions, and demand respect for his band made him a trailblazer for Black self-determination.

These values would later align with the Civil Rights Movement and fuel his role as more than just a performer.

America in the 1960s: Civil Rights Backdrop

The 1960s were years of both hope and heartbreak. The Civil Rights Act (1964) and the Voting Rights Act (1965) delivered landmark victories, but racial inequality persisted.

African Americans continued to face systemic discrimination, violence, and limited economic opportunities.

When Dr. Martin Luther King Jr. was assassinated in April 1968, anger and despair swept across the nation. Meanwhile, the rise of the Black Power movement encouraged pride in African identity, natural hairstyles, and independence.

Against this tense backdrop, James Brown’s voice carried weight. He wasn’t a politician or preacher, but he had something perhaps even more powerful: a global stage.

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The Making of “Say It Loud – I’m Black and I’m Proud”

### Lyrics That Defined Black Pride

In August 1968, James Brown released *“Say It Loud – I’m Black and I’m Proud.”* The timing could not have been more urgent. The chorus, shouted by a group of children, rang with pride and defiance:

*“Say it loud, I’m Black and I’m proud!”*

Brown’s choice to include children emphasized generational empowerment. He wanted young African Americans to see their identity as a source of dignity, not shame. The verses tackled systemic oppression while promoting independence and self-respect. Unlike earlier civil rights anthems that focused on freedom or justice, Brown’s message was about pride in being unapologetically Black.

### Why the Song Became a Civil Rights Anthem

The song soared to **#1 on the R\&B charts** and reached **#10 on the Billboard Hot 100.** Its commercial success ensured the anthem reached audiences far beyond activist circles.

But more importantly, it captured the mood of the time. For a community that had been told for centuries to be silent or submissive, Brown’s call to shout one’s identity proudly was radical. The song became a staple at rallies, protests, and gatherings, embodying the shift from civil rights to Black Power.

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## James Brown’s Role Beyond the Music

James Brown’s influence on the Civil Rights Movement extended far beyond this single anthem.

### Calming Riots After Martin Luther King Jr.’s Assassination

On April 5, 1968, the night after Dr. King’s assassination, Brown was scheduled to perform in Boston. With riots breaking out nationwide, officials considered canceling the show. Instead, Brown persuaded them to let it continue and even arranged for it to be broadcast live on local TV.

During the performance, he spoke directly to the crowd, urging peace and unity. His ability to keep the city calm is still credited with preventing Boston from erupting in violence.

### Promoting Black Economic Empowerment

Brown consistently emphasized financial independence. He urged his audiences to pursue education, buy property, and support Black-owned businesses. His own ventures included radio stations, record labels, and food enterprises. Brown embodied the principle that economic power was just as important as political change.

### Fighting Segregation in the Music Industry

Brown also broke barriers in entertainment. He refused to perform at segregated venues and demanded fair treatment for his band. His insistence on professionalism and respect forced the mainstream music industry to acknowledge the influence of Black performers and audiences.

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## Criticism and Contradictions

James Brown’s political involvement was not without controversy.

* **Relationship with Politicians:** He sometimes associated with leaders like President Richard Nixon, a move that angered many African Americans who saw Nixon as unsupportive of civil rights.
* **Conservative Views:** Brown often stressed discipline, self-reliance, and personal responsibility, themes that some activists felt aligned more with conservative values than with radical activism.
* **Personal Life:** His later years were marred by legal troubles and personal controversies, complicating his image as a cultural role model.

Despite these contradictions, Brown’s contributions to the Civil Rights Movement and Black cultural pride remain undeniable.

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## Lasting Legacy of “Say It Loud – I’m Black and I’m Proud”

### Influence on Future Generations

More than fifty years later, *“Say It Loud – I’m Black and I’m Proud”* remains a touchstone. Hip-hop artists like Public Enemy and Kendrick Lamar have sampled or referenced the anthem, while Beyoncé has drawn inspiration from Brown’s unapologetic celebration of Black culture.

### The Song in Classrooms and Black History Studies

Today, the anthem is studied in schools and universities as part of African American history. It’s not just a song—it’s a case study in how popular music can influence politics and culture. Teachers often use it to illustrate how cultural pride became a key component of the Civil Rights Movement.

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## Conclusion: James Brown’s Message of Pride

James Brown was more than the hardest working man in show business. Through *“Say It Loud – I’m Black and I’m Proud,”* he gave voice to a generation searching for affirmation and strength during a turbulent time in American history.

The song was more than entertainment—it was empowerment. It urged millions to embrace who they were with pride, strength, and dignity. By blending music with activism, Brown secured his place not just as the **Godfather of Soul**, but as one of the cultural architects of the Civil Rights era.

James Brown vs. Joe Tex: Soul Music’s Most Explosive Rivalry

2025-05-22T21:35:00.000-07:00

In the world of classic soul, few rivalries burned as brightly or as bitterly the one between

James Brown and Joe Tex.

These two Southern-born legends clashed on and off stage, creating not just unforgettable music but an unforgettable feud.

From diss tracks to gunshots, this rivalry had it all. Let’s rewind to explore the drama, competition, and creative sparks that defined one of soul music’s most iconic face-offs.

Two Icons, One Path to Greatness

James Brown, the self-proclaimed “Hardest Working Man in Show Business, came from Augusta, Georgia, and rose through pure grit and showmanship.

Joe Tex, born in Baytown, Texas, was equally electric—a preacher-like singer who infused soul with humor and charm.

Both men were born in the 1930s, started recording in the 1950s, and hit their commercial stride in the 1960s. They shared fans, stages, and even romantic interests—but neither was willing to share the spotlight.

Musical Competition Heats Up

Brown’s revolutionary hits like:

"Papa’s Got a Brand New Bag"

"I Got You (I Feel Good)"

...set the blueprint for funk and high-energy stagecraft.

Tex fired back with his own brand of down-home soul, producing gems like:

"Hold What You’ve Got"

"Skinny Legs and All"

"Show Me"

Each new single was a punch. Each performance is a challenge.

![Joe Tex with microphone, 1970s performance](https://upload.wikimedia.org/wikipedia/commons/3/3e/Joe_Tex_1972.jpg)

Joe Tex—witty, emotional, and unafraid to speak his mind (Photo via Wikimedia Commons)*

The Gunfight at Macon: When Rivalry Turned Violent

The feud exploded in 1963. At the center of the storm was Bea Ford, a singer romantically linked to both artists.

Joe Tex wrote a diss track titled “You Keep Her” directly aimed at James Brown, mocking him for taking his ex-lover.

Brown did not take it lightly.

That same year, during a show in Macon, Georgia, Brown reportedly brought guns to the venue and opened fire on Tex and his entourage. No one was killed, but the incident cemented the feud’s place in soul music infamy.

📰 *Suggested Image:* A newspaper clipping (real or re-created) with a dramatic headline like *“Shooting at Soul Show – James Brown Involved?”*

Battle of the Stage: Capes, Collapses, and Comedy

James Brown’s legendary cape routine, where he collapsed on stage only to rise and continue performing, became a signature act. But Joe Tex often parodied it, adding comedy and mockery to his shows.

Was it tribute or theft?

Brown believed Tex was stealing his act. Tex believed Brown was taking himself too seriously. Fans were split, but they watched both men with religious devotion.

*Suggested Image:* A side-by-side shot of James Brown in a cape and Joe Tex mimicking the move

Business Smarts and Behind-the-Scenes Jabs

Despite their feud, both men were ahead of their time when it came to business. Joe Tex was among the first soul stars to own his publishing rights, a bold move that Brown would later mirror.

Yet the bitterness never fully faded. Tex accused Brown of **pressuring promoters** to remove him from concert lineups. Brown downplayed Tex’s talent in interviews, calling him **“a clown”** compared to his artistry.

🎤 *Quote Card Graphic:*

> *“James, I got your letter... You said I could have my baby back. But I don’t want her that way.”*
> – Joe Tex, “You Keep Her”

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## 🙏 The Final Years: No Reconciliation

Joe Tex stepped away from music in the late ’70s and became a **minister in the Nation of Islam**, while Brown battled personal demons and legal issues into the 2000s.

Tex died in 1982 at just 47. Brown passed in 2006. Despite decades of tension, they never reconciled publicly.

There Was A Time

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Legacy: A Rivalry That Pushed Soul Forward

While the feud had its ugly moments, it **pushed both artists to greater heights**. Brown’s innovations in funk might not have been so relentless without a competitor like Tex nipping at his heels. Likewise, Tex’s stage banter and storytelling were sharpened by his need to stand apart.

Today, fans and music historians recognize this not just as a feud—but as a **creative duel** that helped shape the future of soul, funk, and even hip-hop (Joe Tex is one of the most sampled artists in rap music).

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RAP MUSIC 80s vs RAP MUSIC 2024

2024-08-31T19:40:00.000-07:00

Rap music has come a long way since its early days, and as someone who's watched it grow over the years, I can’t help but marvel at how much has changed from the 1980s to 2024.

Let me walk you through ten key differences I’ve noticed along the way.

1. PRODUCTION TECHNIQUES

Rap 1980s

Back in the 80s, when I first started listening to rap, production was all about drum machines like the Roland TR-808, vinyl sampling, and simple looping techniques. The sound was raw, and even though it was straightforward, it was incredibly effective.

Artists who couldn’t play instruments made magic with drum machines, crafting beats that still resonate today. Not being able to read or write music didn,t stop them from creating sounds that influenced a generation ( some artists of yesterday, such as James Brown, couldn,t read a note of music).

Many talented rappers were very proficient with rhyming words on the spot. Rap battles were held in clubs, playgrounds, basketball courts, on the streets, etc.

Rap 2024

These days, production has become a whole other beast.

Modern rap uses advanced digital audio workstations (DAWs), complex sampling, and virtual instruments. Producers blend trap beats, drill, and electronic sounds in ways that would’ve blown my mind back in the day. It’s amazing to see how much skill and knowledge go into mixing and recording now.

2. LYRICISM AND THEMES

Rap 1980s

I remember when rap lyrics were mostly about social issues, partying, storytelling, and showing off. The delivery was clear and direct, making it easy to catch every word. The party atmosphere was strong in the records, and we all felt that energy.

I miss the days of the party jams and strong positive messages in the songs that uplifted you in mind and soul. Straight good fun whether you were in the club, a house party or just hanging with friends listening to the music.

Rap 2024

Today, rap lyrics have taken a turn. While social issues are still in the mix, there’s a bigger focus on personal struggles, mental health, wealth, and fame. It’s not uncommon to hear about money, sex, drugs, and violence, which has become more prevalent now that censorship isn’t as strict.

The main concern for me is the social impact of rap music on our society. A lot of young folks minds are being shaped by the lyrical content in today,s music. Profanity is every other word blaring out of a rap song, with videos and concerts are performed by females in scantily clad outfits.

Lyricism ranges from intricate wordplay to melodic, auto-tuned vocals (people suppose to be singing), which is quite a shift from the straightforward sometimes raw performances that I grew up seeing and hearing.

3. CULTURAL INFLUENCES

Rap 1980s

Back then, rap was just starting to make waves, especially in New York City. It was the voice of the youth, particularly in African American neighborhoods.I remember how rap battles and dance-offs were a big part of the culture, bringing people together in ways that felt powerful and new.

Rap 2024

Today rap isn’t just a genre—it’s a global phenomenon. It influences and is influenced by cultures and genres from all over the world. It’s amazing to see how mainstream it’s become, with sub-genres like trap, drill, and emo rap showing just how diverse and far-reaching the art of rap has grown.

4. COMMERCIALIZATION

Rap 1980s

In the 80s, rap was mostly underground or independent, with little radio play and not much commercial success. I remember artists hustling to get their music out there, often selling albums on the street or out of their car trunks. Some even created hit records in their home studios, which was pretty impressive for the time.

Rap 2024

Today, rap is a major player in the music industry. It’s backed by big corporations, gets plenty of radio play, and established artists like Rick Ross and Lil Wayne are at the top of their game. I’ve seen more and more new artists breaking into the scene, flaunting their wealth and luxury in ways that were unheard of back in the day.

5. TECHNOLOGY AND DISTRIBUTION

Rap Music 1980s

Back in the 80s, music was all about vinyl records, cassettes, and radio. Distribution was limited by physical media, and promotion relied on radio spots, posters, and word of mouth. There were no streaming services or internet to spread the word, so getting music out there was a different kind of grind.

Rap Music 2024

Times have changed. Now, everything’s digital. Artists can release music instantly to a global audience through streaming platforms, and social media has become a key player in promotion. Youtube, TikTok, Instagram and other streaming services have made it easier for people to become famous nearly overnight

It’s wild to think about how quickly music can reach people now compared to the slower, more localized spread of the 80s.

6. FASHION AND IMAGE

Rap Music 1980s

I remember when rap fashion was all about street culture—tracksuits, gold chains, Kangol hats, and Adidas sneakers. The look was all about authenticity and staying true to where you came from.

Rap Music 2024

Fashion in rap today is a whole different story. It’s more diverse, often designer-driven, with artists blending street-wear with high fashion. Social media plays a huge role in curating these images, and it’s fascinating to see how carefully crafted everything has become.

7. COLLABORATIONS AND FEATURES

Rap Music 1980s

In the 80s, collaborations between artists were rare and usually happened within the same area or record label. When they did happen, it felt special and local.

Rap Music 2024

Today, collaborations are everywhere, crossing genres, cultures, and even international borders. It’s normal to see rap artists teaming up with pop stars, EDM producers, and more. The collaborations we see now would have been unimaginable back in the day. There were exceptions to the rule; such as the Run-DMC/Aerosmith collaboration of "Walk This Way". The record, along with the video, was a huge hit.

8. SUB-GENRES AND DIVERSITY

Rap Music 1980s

The rap scene I grew up with was more uniform, with most artists following a similar style and sound rooted in the boom-bap tradition. Each artist or group had their own distinct style.You could tell who they were because their vocals were their trademarks along with their unique sounds.

Rap Music 2024

Nowadays, rap has exploded into a variety of sub-genres—trap, drill, conscious rap, mumble rap, and hybrid forms that blend rap with pop, rock, and electronic music. It’s incredible to see how much the genre has expanded and diversified.

9. VISUAL AESTHETICS

Rap Music 1980s

I remember when music videos were pretty low-budget, focusing on performance and street scenes with a gritty, unpolished look. Michael Jackson and Prince were the big exceptions, setting a new standard for what music videos could be.

Rap Music 2024

Now, rap visuals are on another level, with cinematic quality, CGI effects, and elaborate story lines. Visual storytelling has become central to an artist's brand, and it’s amazing to see how far things have come.

10. IMPACT AND REACH

Rap Music 1980s

In the 80s, rap’s impact was mostly local, resonating within urban communities in the U.S. It felt like our music, something that spoke directly to us.

Rap Music 2024

Today, rap is a global force. Artists from all over the world are contributing to the genre, and its influence extends beyond music into politics, social movements, and global pop culture. It is mind-boggoling incredible to see how something that started in small communities has grown into a worldwide phenomenon.

SOUL MUSICIANS: SUFFERING INJURIES FOR THE SAKE OF ART

2017-12-26T08:50:00.000-08:00

Dedication. Focus. Persistence.

These are qualities that one must have in order to achieve your goals in life. We will always love the soul performances from past artists (regretfully some have passed away) that have given their all on stage and in recordings.

James Brown, Joe Tex, Patti Labelle, and Prince are just a few performers who gave fantastic shows which became the stuff of legends.

But how many of us really know what it takes to do what they do onstage?

How many of us would be willing to pay the price for performing the way they do?

Constant touring and rehearsing takes a toll on the body and mind. Imagine (in the case of Sheila E) playing drums, congas and timbales until your fingers bleed.

James Brown (starting from the late 50s, and continuing thru the 60s and early 70s) singing, dancing and screaming night after night, knees bleeding from falling to the floor 5-6 times each show.

Screaming so hard one night that he could hardly talk the next day( he poured a small jar of honey down his throat before each show).

Prince, who not only did splits, but did them in high heels while jumping off huge amplifiers.
High heel shoes and boots were also part of his daily dress wear.

They all had tremendous drive and focus to do what they did on stage. It took a lot of stamina and will power to get on stage night after night, giving audiences their all,

making sure when people left, they talked about THAT show!

Artists thrive on the attention of others on and off stage, dressing so they would not look like anyone else.

Injuries, aches and pains are a big part of performing and often are ignored to the point of where they become very serious issues.

Anyone who plays an instrument or multiple instruments(such as guitar, keyboards, drums, etc.,) is subject to carpel tunnel syndrome in fingers and hands thru repetitive motion.

How did James Brown fall on his knees five, six times a show night after night? How did Prince leap from the pianos and huge amps into a split every show?

The answer to that; MIND POWER! These artists endured setbacks early in the career and decided that they would reach as high as they could, no matter what it took to make it!

James Brown was examined by doctors not long before he died and was found to have very little cartilage in his knees.

He did splits and knee drops well into his 50s, till he could not do them anymore.

Michael Jackson would practice his dance moves until his whole body ached from pain.

I have read about more than one artist being wheeled to the edge of a stage, getting up and doing a show and getting back into the chair waiting for them.

Al Green appeared on Soul Train with a broken arm(all he had to do was sing, enduring the pain nevertheless) and did a

fantastic live show!

> Even with today,s technology artists still have to prove they have what it takes to perform(to tell the truth some are selected because of their looks, not musical ability.

Whatever your goal is in life, give it your best if you want it badly enough. Just remember there is a price to be paid somewhere along the road. As James Brown used to say; "Pay the cost to be THE BOSS!"

THE OLD SCHOOL VS THE NEW SCHOOL

2015-08-18T02:48:00.000-07:00

Many old school artists have left us in the past few years such as:

ETTA JAMES, JIMMY CASTOR, and WHITNEY HOUSTON.

Also, though he was not a singer, he influenced a nation as innovator, creator, and host of the show "SOUL TRAIN", the great DON CORNELIUS.

The list also includes; PERCY SLEDGE, GEORGE DUKE, MARVIN ISLEY, JIMMY RUFFIN, BIG BANK HANK (Of the Sugar hill Gang), LOUIS JOHNSON, LEROY "SUGARFOOT" BONNER (Ohio Players), BOBBY "BLUE"BLAND, and quite a few others.

The contributions these artists made to Soul Music is immeasurable and unforgettable.

In an era where rap music has taken over the airwaves, the old soul music of the 60s, 70s, and 80s, will never die out.

When rap music first came out it was about having fun at a house party.

Neighborhood rap battles abound with the winners and losers admiring each other,s talents and having just plain old good times.

Over the years, gangsta rap became prevalent and to the forefront, with stories about the hood, bling, sex, dope.

Gangstas, guns, girls, etc., became the norm for the listener of today, filling minds with dark images of revenge, killing, treating women as sex objects.


I didn't, want to listen to my parent,s old soul collection when I was entering my teens, mainly because it was their music.

In the same vein, the young people of today want to form their own music expressions that mirror the times we live in.

But can we really BLAME them for the advent of gangsta rap?

My answer is yes and no; everyone is responsible for their own actions.

If someone puts out information about building bombs on the internet, and someone else actually follows through with that info, does that let the author off the hook?

No! When information is put out over the internet or printed; therefore, whatever the format it is presented in, the author is responsible.

Some people will disagree, that the person is not responsible for what others may or will do with the words put out there.


It,s like opening a door; be careful what door you enter, because you may enter the wrong house.

Back in the day, old dirty blues records were played at juke joints or private parties, stag and x-rated films were shown at theaters which catered to them.

One example would be Clarence Carter,s hit "STROKIN" (Be forewarned, this is a borderline X-RATED song).

A lot of babies were made when the hit record "STROKIN"
hit the airwaves lol!

CLARENCE CARTER,S other hits along with the great ROY C not only ignited sex in the bedroom.

The backseat of a car, motel room, a hot tub, corn field ( well you get the idea) made hormones run wild and kept the stork in business!

Is it any wonder, that with the rise of technology (dvds, twitter, facebook, streaming internet content) that the door has swung open very wide?

The Bible states that every generation gets wiser but weaker.

With all the technological advances today, people tend to throw common sense out of the window now more than ever.

Many things that were once taboo(and should have been left behind closed doors) have come to the forefront.

The soul music of the 60s 70s and 80s was about family unity, education, having a good time etc.

But there were many songs falling in or out of love, cheating or being cheated on, what happened behind closed doors, singing the blues over lost loves etc; you get the message.

Also this old but goodie song by RICHARD "DIMPLES" FIELD,

Regardless of what direction music goes in, we have the soul artists, deceased or living, to thank for music that will never die.

Music that we could tell where we where, what and when we were doing; who we were doing it with (when our kids were conceived lol).

The next wave of rising artists have studied the old school and do songs and performances in a new(?) way.

In all actuality, they take from the best and copy or adapt. Not such a bad thing when you consider there is nothing new under the sun.

There is a new crop of entertainers that work very hard but mainly sell sex appeal.

This is not imply that there are people that have positive song messages that inspire and uplift others.

The music industry knows it can sell more by put controversial artists out front.

The old school artists nearly killed themselves trying to outdo one another when they appeared on shows together.

Many old school artists have left the building, but the legacy they have left behind will live on.

"GET ON UP' MOVIE- RIGHT AND WRONG

2014-09-30T02:01:00.001-07:00

The JAMES BROWN movie, "GET ON UP" has been released close to two months ago.

While I thought they did an excellent job all around, the story was not always true to his legend.

Great acting by all involved (especially Chadwick Boseman and Nelsan Ellis), fantastic dance sequences, etc.

Overall, a very entertaining movie which touched upon different time periods in JB,s life and career.

Most biographies often include changes from real life scenarios in order to let the movie flow properly. In this case, there were things put in that I never read or heard about.

I have six books on JAMES BROWN;

THE ONE,   I FEEL GOOD, THE GODFATHER,OF SOUL, A BIOGRAPHY, SAY IT LOUD (MY MEMORIES OF JB, and THE JAMES BROWN READER.

Also, the great FRED WESLEY biography, HIT ME FRED, detailing his life in music along with association with The Godfather Of Soul.

A tv mini-series about JB,s life would probably run about six to 10 hours to get the WHOLE story! (lol).

With that out of the way I,m going to list things in the movie that I never read or heard about before along with things that I wished were included;

1. JB going to school: Kids paid 10 cents to see him perform as a kid in the school auditorium.

Despite being a brilliant student, he was sent home on more than one occasion for insufficient (raggedy) clothing.

2. Doing odd jobs, such as picking cotton(other than buck dancing for the soldiers) to earn money to help his aunt pay rent.

Picking up coal along railroad tracks to help keep warm during the winter months.

3. How he went out on his own after the Flames quit ( appeared as little Richard after to fulfill the dates after Richard had quit for evangelism).

4. More studio and rehearsal performances should have been filmed or added.

I didn,t know the the purpose of showing JB,s oldest son Teddy with a rash on his face (never read anything of the sort).

Teddy Brown died in 1973 at the age of 19 in a car crash.

James went back on stage the next night after the funeral. Even though the loss of his oldest son devastated him, James Brown kept on recording and entertaining.

He turned to the stage to help him keep on going despite whatever grief and turmoil he went thru.

A lot of times, movies based on a real person show events that never actually happened in real life.

When the "GET ON UP" dvd is released, hopefully there will be deleted scenes added.

UPDATE: here,s two great deleted scenes below;

There was one tv trailer showing JB getting in bed with a woman ( it was so quick I couldn,t see her face clearly) so maybe it will be included.

It is sad that the film only made just over $30 million (cost of production) and it should have been released overseas.

When his concerts fell off in the U.S. in the late 70s and 80s, JB always had sold-out shows overseas and around the world.

It would only be fitting for the producers to put the movie out overseas, as I believe it would really become box office gold.

The way I see it , this movie puts the Godfather Of Soul back in the spotlight; meaning there will be other movies and documentaries heading our way.

Case in point; HBO will show a two hour plus documentary about James Brown on Oct. 27th with never before seen footage included.

UPDATE;
The documentary (THE RISE OF JAMES BROWN) has been released. It is one of the best I have ever seen covering James Brown in that period of his career.

Get ready for the magic people, because it,s about to start all over again!

REVIEW OF MY FIRST JB CONCERT IN 1969

2014-07-28T00:09:00.001-07:00

This is my review of the first James Brown concert I ever attended.

A next door neighbor was taking her kids and asked if I wanted to go also.

I was just entering my teens at the time, but I have been a JB fan ever since I heard "DON,T BE A DROPOUT".

I can,t recall everything about the show as it happened that night but I will do the best I can.

My father used to listen to a radio station out of Nashville, Tennessee, that played a lot of the R&B hits of the day.

Only being around 5 or 6 years of age at the time, the only singer that I remember hearing was James Brown.

In 1969 I was taken to a JB concert by a neighbor and witnessed a show I will never forget!

This was James Brown with his late 60s band featuring saxophonist extraordinaire, Maceo Parker.

I don,t remember all the songs but I do remember the band opening with "THE CHICKEN". Then the band,s classic hit featuring Maceo, "THE POPCORN".

Then the lovely Miss Marva Whitney came on and performed two songs, "BALL OF FIRE" AND "IT,S MY THING".

Looking gorgeous in a long blue grown she had the crowd in awe as she belted out her hits, then left the stage.

Let me tell you something; these songs were performed identically like the records ( most were extended in concert)! Then Maceo blew everyone away with an imprompt solo sax performance!

I believe after that the announcer came onstage said a few things pertaining to concert show books and whatnot.

Finally... he brought out the man HIMSELF...

            Mister Dynamite,
                           JAAMES BROWNNN!

He was immaculately dressed in a white jacket, black silk turtleneck shirt and white pants with black patent leather boots(so shiny you could see your face in them).

Soul Brother #1 strutted on stage and delivered a quick handshake to the announcer.

He went into his big hit,

"SAY IT LOUD I,M BLACK & PROUD!"

The audience sang along with him as he went thru the song and when JB finished, he started rapping with the audience as the band stood silently in the background.

I did recall one thing that he said which really left an impression on me.

"The color of a man,s skin does not make a   man."

                  "A man makes himself."
Still rapping, he held the mike, when all of a sudden...

he spun around and stood in the SAME POSE HOLDING THE MIKE!

This happened in a SPLIT SECOND!

I tell you as I saw it with my own eyes, the man was as fast as GREASED LIGHTNING!

JB went thru his hits from "IT,S A MAN,S WORLD"( he sang live to a tape being played while the band stood around ;at this time he no longer had the three violinists touring with him).

On "LOWDOWN POPCORN", he accompanied the band on organ, playing the song note for note.

His footwork was dazzling as he went from one side to the stage to the other.

The camel walk, the one-legged dance, (especially the James Brown) he performed as we all watched mesmerized!

He spun around three and four times, almost falling on one of the drum sets at one point.

You could actually see the sweat flying away from his body as he worked himself into a frenzy and the crowd along with him.

I noticed he didn,t do the splits at all that night, (I found out later during that period in his shows he didn,t do the splits) nevertheless still had an exciting exhilarating show.

On the live JB concert dvds, "LIVE AT THE APOLLO 1968" and "LIVE AT THE BOSTON GARDENS 1968" ( filmed a month before the former and the night after Martin Luther King Jr. was killed) he did no splits.

Then came his signature cape routine with "PLEASE PLEASE". Mister Dynamite then left the stage to rest for a few minutes.

The announcer appeared again and talked about the concert books and other things that were still available for sale.

We heard the shout, "ONE MORE TIME, LADIES AND GENTLEMEN, MISTER JAMES BROWN", as he took the stage one more time.

He had removed his jacket before he left the stage the first time, but did not change his clothes before his finale.

All of a sudden came a familiar scream, "EEEEYOWWW!" The band immediately went into "GIVE IT UP OR TURNIT A LOOSE". followed by his current monster hit, "MOTHER POPCORN"!

The whole audience, worked into a frenzy by this time, (me included)rushed to the front of the stage.

That,s when I noticed how his pants were made. Instead of a belt or buttons in front, they were laced up, just like football jersey pants.

I also noticed for the first time his dancer, the lovely Ann Norman, on an elevated platform behind the band.

I,ve seen (what we called back then)go-go dancers before but this woman was a SUPER FINE FOX!

She was so sexy in that tiny mini-whatever she had on, I wanted to motion to JB to move over so I could get a better look at her, lol!

Someone hoisted a little girl up onto the stage. The child looked bewildered as she stared into the crowd of faces looking back as her.

JB was oblivious to the child, as he was grooving back and forth with Maceo.

One of the trumpet players saw the little girl, put his instrument down momentarily and gently lowered the child back down into the crowd ( so she wouldn,t get in the way or accidently get hurt).

The show ended with James Brown leaving the stage, drained but with a satisfied look on his face, knowing he killed them!

I,ve seen JB about five or six times after that, but I never, ever will forget that first show! Im glad that
I got a chance to see him with the late sixties band.

James Brown is gone now but...

Not only there is a movie titled "GET ON UP" on August 1, 2014 coming out about his life, but there is quite a bit of footage of him available online, like YOUTUBE, and a few officially released James Brown concert dvds out now.

So no matter what you,ve heard about JB, good or bad, mistakes and all, know this; to see him live back then was not just a concert, but an EVENT!

He was a flawed human being (we all are) that pushed himself to the top of the music world.

He had help along the way, but did it HIS WAY!

There will always be imitators, duplicators, people that will take something from him and take it to the next level.

BUT... there will never, ever, be another... JAMES BROWN!

2ND JAMES BROWN MOVIE TRAILER DROPS!

2014-05-22T00:31:00.002-07:00

A 2nd "GET ON UP" movie trailer has arrived and I am thrilled!

While the 1st trailer looked good, it came off to me more like a movie of the week.

Boseman looks great in the role but it just didn,t meet MY expectations. (I,ve seen JB five or six times live) Forgive me, I,m just picky, but i want it done right.

I know that it was just a little premature to pass judgement just yet, but I have been a solid JB fan for the last 50 plus years ( shook hands with him in 1970) and I just want his story told right after waiting all these years!

Here comes the 2nd trailer and guess what? Whatever apprehensions I had about the film before are gone!

This trailer shows a little more in depth about what to expect and believe me, it is impressive!

Of course they,ve taken taken certain liberties such as Boseman is not a short guy, or that JB,s shotgun went off in the insurance seminar ( maybe they are showing witness accounts of what could have happened, during his trial).

Aside from those shortcomings, I really like what I saw in this trailer!

Here is the 2nd "GET ON UP" trailer

Looks very impressive huh? I know they will use some well known songs but hopefully include some lesser known ones.

For example; "Let A Man Come In & Do The Popcorn", "Mother Popcorn", "Ain,t It Funky Now", "If I Ruled The World", "Lowdown Popcorn", "I Don.t Want Nobody To Give Me Nothing (Open Up The Door I,ll Get It Myself)".

Okay, quite a bit of popcorn in there but James was heavy on the funk!

One interesting tibit; JB,s reference to the word "popcorn" in his songs meant a woman,s behind ( he loved big butts with small waists and had as many as five women a night after shows).

Yes, he was a REAL SEX MACHINE, lol!

There are several books on JB and here are my top 3 recommendations below;



1. The One: The Life & Music Of JB

This the most fact-filled book of JB that I

have read to date. Great insight into the

mind of James Brown; what drove him to

push himself and his organization to almost

inhuman limits(marathon touring,

recording in the studio after finishing an

exhausting concert, the need to get on top

and the will to stay there.

2. The JB Reader:

Another book full of notes and different views by JB and friends, members, staff, newspaper press releases, etc.

These are the most comprehensive books on JB,s life that I,ve ever read, filled with many facts that I didn,t know before.

I,m sure that there will be other interpretations of JB forthcoming on film and in books, now that the floodgates are open.

There is an untitled JB documentary that was shown at the Tribeca Film Festival back in April 2014.

I don,t when it will be released but the runtime is 2hrs and 10min.

Mick Jagger is one of the producers of the film (man, he REALLY is into doing JB right on film!) and that it contains archival footage of JB throughout his career.

Done with the permission of the James brown Estate, we should see footage that has not been seen before.

Case in point; there is ANOTHER film about Elvis already in the works.

Just to be fair, there has never been a movie about his life on the big screen, only tele-movies and concert films so he deserves his due also.

Remember, come August 1st, world will be amazed because "GET ON UP"    will hit the big screen!

**********************UPDATE**************************

If you like James Brown, then GET READY for the "GET ON UP" MOVIE SOUNDTRACK!!!

HOT! HOT! HOT! DON,T MISS THIS MOVIE!!!

On July 29th, the original motion picture sound track will be released featuring 20 songs consisting of studio and live versions of many of JB,s hits! There will never be another like the #1 Soul Brother, so check out the movie and get the audio cd!

FIRST IMPRESSION OF "GET ON UP" TRAILER

2014-03-18T15:24:00.003-07:00

Hello again JB fans!

I would like to say that I,m very excited that we have a JB bio movie at last! The cast and crew look good and hopefully this movie will be on a par with "RAY".

I,m not completely sold on Boseman as JB but I think he is going to pull off a nearly impossible job as the Godfather Of Soul. One of my concerns is a few liberties, listed below, that they are taking in the movie, judging by the trailer;

JB was around 5'7 or so; Boseman is much taller (he almost towers over actor playing Bobby Byrd)
One scene with Bootsy and the JBs - the drum sets are too far apart (on stage they were closer together).
Vietnam scene with JB complaining to the officer- I could be wrong but I didn,t see Tim Drummond anywhere ( he was the first white member of the late 60,s band, playing bass guitar, and went with JB to play in Vietnam). WHOOPS! I was wrong! He was in that particular segment as well at the Boston Gardens scene.
JB shooting the shotgun by accident at the insurance seminar( the shotgun didn,t go off because it wouldn,t work).

I realize that movies take certain liberties with scripts and change some things, but just as long as they stay true to the spirit of JB, then it will be ok.

The Jacksons TV movie had Randy almost grown when he officially joined the group, when in real life, he was a little boy who was excellent on playing congas.

I want this movie to do really well and hopefully see other movies or documentaries on Mr. Brown,s life. As for some people saying that they have seen this story time and again, no they haven,t!

JB,s story is one of a kind and is unique and thank God, it will finally be seen on screen, for better or worse!

JB BIOPIC TO START FILMING THIS MONTH

2013-11-04T10:39:00.000-08:00

I,m sure that most of you know by now that the upcoming movie about the Godfather Of Soul James Brown titled "GET ON UP", will start filming in Mississippi in November.

Director Tate Taylor(The Help)is set to take on the monumental task of putting the world famous icon on screen.

Mick Jagger himself is one of the producers of the movie and it boast an impressive talented cast. Chadwick Boseman the star of the Jackie Robinson movie (42) has signed on as JB himself.

The rest of the cast so far includes;

Aunt Honey.....................................................................Octavia Spencer

Susie Brown....................................................................Viola Davis

Ben Bart..........................................................................Dan Ackroyd

Deidre "Dee Dee" Jenkins...............................................Jill Scott

Bobby Byrd.....................................................................Nelsan Ellis

Syd Nathan......................................................................Fred Melamed

Maceo Parker...................................................................Craig Robinson

Catfish Collins.................................................................David Carzell

Bootsy Collins.................................................................Justin Hall

Clyde Subblefield............................................................Rob Demery

Tika Sumpter...................................................................Yvonne Fair

Joeseph "Joe" James (JB,s father)..................................Lennie James

Julius Tennon.................................................................Grandpa Byrd

Tariq Trotter....................................................................Pee Wee Ellis

Jamell Richardson...........................................................Jimmy Nolen

Brandon Smith.................................................................Little Richard

VISIT MY AMAZON STORE FOR SOUL MUSIC DVDS

Im sure other cast members will be announced like the actors portraying Fred Wesley( his musical director and trombonist off and on in the 70s) and announcer Danny Ray ( who was the cape man for around 50 years).

With this array of talent, I think that this movie will be on a par with "RAY". Do I have reservations? Well, of course I do! Im sure that Boseman will most likely lip-synch (no problem there) but what about JB,s frenetic dancing in his early career?

Not crazy about the title right now( I would have called it one of Brown,s many well deserved monikers over the years; "MR. DYNAMITE", "GODFATHER OF SOUL", "SOUL BROTHER #1". Aside from my gripes( just thrilled at this after waiting so many years), I think it will be an amazing film.

It will cover the period of Brown,s life ranging from 5 yrs old to 1993 and hopefully be at least 2 hrs 20 min. long. There is a lot of history associated with Brown and maybe the most important aspects of his life, good and bad make it to the big screen.

Personally, I would love to see a few things, like; how he made the band head to the recording studio after finishing a sell out performance.

His dreaded "HORROR" rehearsals, his time performing in Vietnam, his visits to the White House, his appearance at Elvis Presley,s wake, his interaction with band and family members.

His almost inhuman drive to be in control of every aspect of his career. The toll performing took on his body (had to get an intravenous drip to build fluids back in his body after sweating so much onstage.

So get ready everyone because "GET ON UP", the James Brown story has started filmed and is due for release in the fall of next year.

I CAN HARDLY WAIT!

***********************UPDATE************************

A few more tidbits about the upcoming JB biopic, "GET ON UP"

* ENTERTAINMENT WEEKLY has posted the first pic of
Chaswick Boseman as James Brown

* JB,s grandson, Jason Brown, is working on the film as a production assistant.

* JB,s nephew, Darren Glenn, also is working with the film to help find entertainers to fill the roles of musicians. His father, Willie Glenn, was JB,s road manager for 40 years.

With a great array of talent working on this film, I have no doubts that it will deliver! Come August 2014, if the Good Lord spares me, I will catch the FIRST showing in my town!

*****************SUPER UPDATE********************

The VERY FIRST Trailer for the JB Biopic " GET ON UP"

IS HERE!

IKE AND TINA TURNER: ON THE ROAD 1971-72 DVD

2013-01-13T20:00:00.001-08:00

Get ready for a rare look into the lives of Ike and Tina Turner on stage and off at the peak of their career together!

This 90 minute documentary has intimate, behind-the-scenes look of the husband and wife entertainers, at work on stage and at home.
Ike, the consummate professional, putting the Ikettes and the band,thru its paces in the studio in preparation for their amazing stage performances.

Tina is seen burning up the stage as she churns out one of their many hits.

Rare insight into Tina at home, life as a mother to their kids and in the studio, rehearsing songs and dance routines with the Ikettes. large;">Their day to day travels on the road, by plane and car, waiting in motels and airports give a glimpse of what being an entertainer is not all a glamorous life.
Despite the footage, ranging from good to bad(almost all in black and white), this documentary is a must have for all the fans of Ike and Tina!

A fascinating look into their life and show!

There have been quite a few complaints about previous shows by old soul school artists released before, mainly the quality of the video.

This is not high definition quality footage because it has not been digitally remastered, but a great treat to watch and see one of the greatest duos in music history on stage and off.

So if you are a fan of Ike and Tina Turner, this will be a great addition to your music dvd collection!

SOUL SINGER MARVA WHITNEY HAS PASSED AWAY

2013-01-01T09:27:00.000-08:00

One of James Brown,s proteges in the late 60s, Ms. Marva Whitney, passed away Saturday, Dec. 24th. JB gave her the nickname of "Soul Sister #1".

She was a powerhouse singer who gave her all on stage, performing with JB at the Boston Gardens concert (the day after Martin Luther King,s assassination) as well as volunteering to go with the James Brown Revue on a tour of Vietnam at wartime in 1968.

She left the revue and after two disappointing solo recordings, exited the music business. Marva returned in the late 80s, occasionally performing with former members of James Brown,s band.

She suffered a stroke in 2009 but returned to the stage in 2010, performing mainly in Europe and Japan. Her long awaited book, "God, The Devil and James Brown" (working title) will hopefully be released in early 2013. She is gone but will never be forgotten.

***UPDATE***

Marva,s biography has FINALLY been released! "God, The Devil And James Brown" is available on Amazon!

June 3, 2013

I've been a Marva Whitney fan since I heard her smash album "Live And Lowdown At The Apollo". She was funky before it was cool. She had a powerful raw voice, an amazing talent and drive which took her to the top.

My first meeting with her was occasioned by the J.B.'s All Stars reunion in London in July 1988 (where I was involved as a producer). She was friendly and funny.

On stage her vocal delivery was sweet when it needed to be, but utterly explosive when she got down with the Funk.
I've always loved Marva's music, but knew little about her life.

This book is very detailed in tracking the career of Ms. Manning and tells of the accolades as well as the low points in her career; well written and full of unknown information about the Godfather of Soul and his musicians.

He was a very complex man, but one of the greatest talents of Black music, and he was the first to realize her soulful talent.

Marva reveals how he tried to control her life as well as her career. This autobiography reveals her upbringing and her motivations, her ambitions and her disappointments, her happy days and dramatic ones.

She talks about her music, her personal life and troubles, her philosophy, and, what I think is most exciting, show business and stage performance.

You get the feeling that this is Soul Sister no. 1 telling you her extraordinary story in a long and fascinating conversation.
Charles Waring did a very detailed job and then put it all down for the reader to enjoy.

It's a very well-executed biography and an unbiased account of the legendary life and career of a funky diva. It is really sad to know that she missed seeing her book published but her soul will live on.

This book is a must-read for anyone who loves Funk music and a must-have in any serious James Brown bibliography.

SPIKE LEE FIRED FROM JAMES BROWN BIOPIC

2012-11-04T21:55:00.002-08:00

According to EBONY magazine and ROLLING OUT.COM, Spike Lee has been fired as director of the upcoming JAMES BROWN movie.

Spike has always been my number one choice to directory JB,s story and while no explanation was given as of yet, I hope that this film does well.
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The news that he is being replaced by the guy that directed "THE HELP" (who is white by the way) is a little unsettling.

Not the fact that he is white, but he doesn,t have much of a track record ( aside from the aftermentioned movie). But everyone has to start somewhere and he just might turn out to be a GREAT director!

It,s not about the color folks! I believe that Spike would have done justice to the JAMES BROWN story; a prime example would be the film MALCOLM X.

I don,t care if the director is BLACK, WHITE, BLUE, GRAY or POLKADOT as long as the script and the cast is right.

Another way of looking at it is by hiring a white director the film won,t be looked at as being a BLACK FILM PROJECT only, gaining more universal and hopefully international attention.

About the new director, regardless of color, I just want to see a GREAT film about Mr. Brown done.

Steven Spielberg did an EXCELLENT job with "THE COLOR PURPLE", delivering a powerful, emotional film that has and will always stand the test of time.

I wish Spike was still on board but let,s give this new guy a chance, along with our support and wish him the best!

WHITNEY HOUSTON: TRAGIC LOSS OF A LEGEND

2012-02-13T09:39:00.000-08:00

I am shocked and saddened, as are many others around the world, by the death of beloved superstar Whitney Houston.

She was a true diva, despite her troubles in the past few years. We have lost Whitney, along with Etta James and Jimmy Castor, among others.

Although the real cause of death has not being released yet, most likely drugs and alcohol have some place in it. God Himself only knows what trials and tribulations she had to endure.

Many of us wish for fame and fortune and there is nothing wrong in that.

The danger is that if one doesn,t have God first these things are likely to take the place of things we really treasure, the things money can,t buy.

Family, love, trust, caring, kindness, freedom; they can,t be bought at any price.

Please don,t misunderstand; I am not trying to judge Whitney. I have not walked in her footsteps or lived her life.

Although her voice was damaged by drugs and she couldn,t perform at the level she used to, she was still loved and adored by the masses, many who were rooting for her to make a comeback.

Remember Whitney Houston as a true superstar, who broke many records and for her great acting in the films, "WAITING TO EXHALE", "THE BODYGUARD", and "THE PREACHER,S WIFE".
She was human and subject to mistakes like any other human being. I was overjoyed when it was announced there would be a "WAITING TO EXHALE PT.2"!
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I knew that she still had her acting ability and she could go on to make some great films, like in the past.

Sadly now, that won,t be the case.

Whitney Houston is gone, but she won,t be forgotten.

NEW DEFINITIVE OTIS REDDING DVD

2011-10-17T20:51:00.000-07:00

Great news, old Soul Music Video Lovers!

The first full-length DVD of Otis Redding, undisputedly one of the greatest soul singers of all time has been released on dvd.

Zelma Redding, Otis' widow, has faithfully maintained her husband's legacy for the last 40 years. The 90 minute dvd features 16 complete performances filmed throughout America and Europe showcasing why Otis is considered one of the greatest soul singers of all time.

This DVD includes songs such as "I,VE BEEN LOVING YOU TOO LONG", "TRY A LITTLE TENDERNESS", and "RESPECT".

Interviews include not only Zelma Redding, Steve Cropper (who not only played guitar on Otis,s recordings but co-wrote many of his songs, but a few brief but rare interviews featuring Otis himself!

Below is a list of complete performances on this dvd;

Complete Performances:

Pain In My Heart (1965)
Mr. Pitiful (1965)
Just One More Day (1965)
I Can't Turn You Loose (1966)
I've Been Loving You Too Long (1967)
Satisfaction (1967)
My Girl (1967)
Don't Mess With Cupid (1966)
Any Ole Way (1966)
My Lover's Prayer (1966)
Fa-Fa-Fa-Fa-Fa (Sad Song) (1967)
Tramp (1967)
Shake (1967)
Glory Of Of Love (1967)
Try A Little Tenderness (1967)
Respect (1967)

This review is from: Dreams To Remember: The Legacy of Otis Redding (DVD);

"This is a DVD documentary on a truly great artist done ABSOLUTELY RIGHT and as Otis would say in "Hard to Handle"-yessiram!

Unlike most documentaries of musicians, these guys understand that this is the DVD age where they are not limited by time for commercials.

They put the films of Otis' songs IN THEIR ENTIRETY balancing this with enough interview footage from those who really know him (no second-guessing talking head academics here). These combine to make this DVD a TEN-star winner.

Surprisingly, no footage from Otis' classic 1966 appearance on the British TV show Ready Steady Go (which occasionally appeared on American Cable TV in the late 80s.

It was available on VHS for a brief spell) but it's hardly missed here since what we have is so excellent and The Big-O's likeable charisma shines through on even the lip-synchs.

The songs from "The!!!Beat" (1966) in color, especially a rarely heard tune called "Don't Mess With Cupid" is loads of fun with our man dancing with some really sumptious soul sisters (hard to believe these women are probably now in their sixties!).

The promotional clip of "Tramp" (minus Carla Thomas on film) is quite a hoot!

Otis makes fun of his country image by bumbling around his farm in Macon with overalls and riding bareback on a donkey (that actually moves in time to the song).

Then we see our hero transformed with a green suit to match the dollar bills that fall from his pockets (eerily, he also poses with the very plane that he lost his life in)!

I recall one book saying that there is a lost TV clip of Otis and Carla doing a "Black honeymooners" routine to this song. That would be interesting to see.

The last two clips of our humble hero performing "Try a Little tenderness" and "Respect" in Cleveland n the day before his death with the original Bar Kays (who also died on that plane crash).

These guys really did perform as if it's their last day on earth and Otis' interjection of Aretha Franklin's version of his famous tune will knock you out of your seat!

The Redding Family, musicians Steve Cropper and Wayne Jackson, as well as Stax head honcho Jim Stewart make clear their affection for our man and what made him so special.

After you see this wonderful DVD, you too will understand. Support DVD's like this to get more domestic bootleg-free classic R&B on DVD."

ROY C : LIVE CD AND (HOPEFULLY)SOON TO BE RELEASED CONCERT DVD

2010-09-30T15:28:00.000-07:00

The legendary ROY C has released a live album entitled ROY C-LIVE!

If you listened to and saw him back in the late 60s and 70s you remember his soulful sounds (just right for lovemaking!).

Also a documentary of ROY C is being prepped for release also!

I had the pleasure of seeing him perform twice in the early 70s and word is he is just as good as he was back then.

Roy C Live: "The Blues Is Alright" Tour

A filmed concert of Roy C performing live has not been released due to differences between Roy and the producer(s).

Anyone wishing to see this DVD of this great rhythm and blues performer be released, please contact the website, www.roycforever@blogspot.com.

MARVA WHITNEY ,S SOON-TO-BE RELEASED AUTOBIOGRAPHY

2010-09-30T15:07:00.000-07:00

Soul Diva Marva Whitney has collaberated with Bank House Books to soon released "God, The Devil and James Brown", an autobiography of her life and career.

Here, in an exclusive preview, is the ‘flashback’ that opens Marva’s book:

James Brown is holding a gun against my head. I think I’m about to die. I can feel the cold metal pressing against the side of my skull. I’m terrified. It’s 1969. We’re in James’s suite at the Beverley Comstock Hotel in Beverley Hills, Los Angeles.

A few minutes earlier, downstairs, I’d told him I had decided to leave his show and stay with some friends in LA. James didn’t want that. He turned on his charm and persuaded me not to go. He said he was going to change and I believed him.

So I went with him and Charles Bobbitt, his manager, into the hotel elevator to go up to his room. As I walked into the elevator a sharp, violent kick to my backside pushed me to the floor. I lay there while James kicked me, over and over. Charles Bobbitt stepped over me but did nothing to help.

A few minutes later I’m being bundled into James’s room. ‘So you were goin’ to leave me, Whit?’ he grunts. ‘I tell you what you gonna do. You’re gonna [Censored] and fall back in it. [Censored] and fall back in it!’ He almost spat the words out as he pulled a gun on me.

So now I’m praying. Help me, Lord, I’m saying to myself, help me, Lord, and wondering how I got into this mess in the first place.

If you enjoyed Fred Wesley,s "HIT ME FRED" biography, along with the James brown books, "I FEEL GOOD", "GODFATHER OF SOUL", and "SAY IT LOUD!", this book will be a welcome and interesting read.

Read ‘God, The Devil and James Brown’ to find out how Marva ‘got into this mess’, and the whole long inspiring story of how she got out of it.

Available on Amazon

MARVIN ISLEY R.I.P.: ISLEY BROS. 1977 CONCERT REVIEW

2010-06-18T23:10:00.000-07:00

Marvin Isley, (Aug. 18, 1953-June 6, 2010) one of the funkiest bass players ever to perform on stage and on recordings has passed away at the age of 56.

Along with his brothers Ronald (lead vocals, Rudolph (background vocals), Kelly (background vocals), Ernie( lead guitar, drums etc.), and brother-in-law Chris Jasper (keyboards) the ISLEY BROTHERS carved out a distinctive sound that has carried them to the top of the music world.

The Isley Brothers headlined a show in 1977 that featured opening act GRAHAM CENTRAL STATION with former SLY & THE FAMILY STONE bassist Larry Graham.

One of the funkiest acts in soul/rock music, Larry & co. blew the roof off the auditorium, laying down groove after groove to an enthusiastic audience! Just as they left the stage I thought to myself, "Anybody following this group is definitely in trouble!"

But...THE ISLEY BROTHERS PROVED ME WRONG! As soon as they hit the stage draped in their glitter and rhinestone jumpsuits the crowd went WILD and they hadn,t hit a NOTE YET!

The rising flood of song hits started with FIGHT THE POWER, then THE PRIDE, FOOTSTEPS IN THE DARK, VOYAGE TO ATLANTIS, HOPE YOU FEEL BETTER LOVE, WHO LOVE YOU BETTER and others!

Ronald stood mostly in one place belting out lead vocals while grabbing either a cowbell or maracas during one of Ernie,s many solos (stopped counting after 8) while O,Kelly laid down soulful background vocals.

Rudolph was an imposing figure as he pranced the stage back and forth (at one point proceeded to kick off his shoes and walked around in his stocking feet).

Brother-in law Chis Jasper showed his wizardry on the keyboards as he provided background vocals. Marvin stalked the stage back and forth during the fast paced songs, laying down some of the funkiest bass notes I,ve ever heard.

One of the highlights of the show was Ernie as he proved why he is one of the best (but underrated guitarists ) to hit a stage! The show stopper was their last song LIVIN THE LIFE/GO FOR YOUR GUNS With that the ISLEY BROTHERS left the stage in total TRIUMPH!

I had the great fortune of meeting them after the show and got to ask Ernie about how much he practiced. He told me "I used to practice all day every day, but I never practice NOW."

After listening to a few other fans ask him questions, I said thank you and nodded at Ronald as I left the room, meeting Chris waiting on the elevator

. He was in a robe and obviously very tired, heading downstairs to get something to eat in the hotel dining room. He signed a few autographs and went about his way.

I caught their show in 1981 which was in no comparison to this one; the songs were rushed; overblown production, and Rudolph howling like a fool until the audience started walking out. We stayed until the end but by that time, over half the place was empty.

Not one of their best shows for sure , but the ISLEY BROTHERS will always be one of the most FUNKIEST groups in soul music history!

REST IN PEACE O,KELLY AND MARVIN

SOUL MUSIC CONCERTS FROM THE PAST

2007-09-04T13:44:00.000-07:00

As a bona-fide old head, I have heard and witnessed a lot of changes in music, especially soul music over the last 40 plus years.

I have loved soul music ever since I first heard JAMES BROWN,S "Don,t Be A Drop Out".

My earliest recollection started one rainy night in the late 50s, when my father had his radio with its makeshift wire antenna turned on.

There came from the small tinny speaker, its sound drifting in and out, music from a station right out of Nashville, Tennessee.

I can,t recall the name, but I remember that it advertised selling records through a commercial called "ERNIE,S RECORD MART".

My education of soul music began that night before I finally drifted off into slumberland.

A few years later with the debut of shows like "HULLABALLO", "WHERE THE ACTION IS", "THE LLOYD THAXTON SHOW", and "THE ED SULLIVAN SHOW", R&B music artists began to showcase their talents on national television.

The emergence of shows such as "SOUL TRAIN", "MIDNIGHT SPECIAL", "ABC,S IN CONCERT" DON KRISHNERS ROCK CONCERT" brought on live performances by some of the greatest groups in the history of rock, heavy metal, folk and soul music.

SLY & THE FAMILY STONE, THE COMMODORES, JAMES BROWN, STEVIE WONDER, IKE & TINA TURNER, SAMMY DAVIS JR., and others became semi-regulars, delving in light-hearted banter or controversial thought-provoking conversations with the host and/or other guests on the shows.

The long running prime-time "ED SULLIVAN SHOW" showcased a multitude of talent such as THE TEMPTATIONS, THE SUPREMES THE JACKSON FIVE, SAM & DAVE etc., and late night talk show king JOHNNY CARSON had many guests R&B performers on board throughout his long reign.

Appearances on these top-rated shows helped guarantee standing room only crowds in sold-out venues.

Fast forward to 1968, when a next door neighbor took me to the local auditorium to my first live R& B show.

I finally saw the music stars that I heard on radio radio and occasionally saw on tv.

The experience was nothing short of breathtaking for a fellow around the age of 10.

Plunking down $5 at the door, I was able to see the likes of soul balladeer extraordinaire PERCY SLEDGE( When A Man Loves A Woman), THE DELFONICS (LA, LA , LA, LA, I LOVE YOU), PIGMEAT MARKHAM and the headliner, JOE TEX.

Comedian PIGMEAT MARKHAM of "Here Comes The Judge" fame came on stage much to the delight of fans (he later did a recurring skit on ROWAN & MARTIN,S LAUGH IN tv show).

Dressed in a light straw hat and plaid outfit, PIGMEAT MARHAM had the crowd roaring with side-splitting laughter as he bantered back and forth with his side-man while doing his famous comedy routines.

With his well-coiffured head of hair and tailor-made three piece outfit, PERCY SLEDGE sang a medley of his hits that had the females in the crowd swooning to his smooth, silky brand of soul music.

He was a crowd favorite as he envoked many screams from the female concertgoers as well as the guys who knew they had their ladies in the right mood for the night.

The headliner of the show was the great JOE TEX, who had everyone literally standing on their seats!

Joe was one of the heavy-weight singers throughout the 60s and early 70s. He is rumoured to have originated the famous microphone tricks ( which he taught James Brown early in the careers).

Fronting an ultra-tight band, he went through quite a few of his hits one after another.

He didn,t sing much, mostly talking and ad-libbing, (he was considered one of the first "rappers" of the 60s)especially his latest song, "Skinny Legs and All".

One of the show,s highlights was during the song, which featured a sponsored dance contest for the woman with the skinniest legs.

Several women got on stage hoping to win the prize of $100 (hey, it was a lot of money back then).

A big-wigged skinny-legged gal got up on stage, shaking her money maker and took the prize home!
No doubt about it, she won hands down with those toothpick legs and all!

Over the years I have been fortunate enough to see quite an array of R&B performers in their prime.

BETTY WRIGHT, JERRY BUTLER, CLARENCE CARTER, KING FLOYD, THE BAR-KAYS, NATALIE COLE, THE ISLEY BROTHERS, among others.

The greatest of them all was none other than Mister Dynamite himself, JAMES BROWN!

He truly earned every title bestowed on him, self-imposed or not!

You could put all the
aforementioned entertainers on one side of a stage and JB on the other, and all eyes would be on James Brown!

His show was mostly self-contained, with members of his backing troupe (BOBBY BYRD, MARVA WHITNEY, VICKI ANDERSON, etc.) taking solo spots before joining the band for the explosive second half of the show.

Every bit the ultimate entertainer, JAMES BROWN rocked the house so hard you almost got tired of just watching him!!

I have witnessed JB live thru the years from 1969 up to 2004, from the James Brown Orchestra, to the JBs New Breed Band, the Soul Generals and other incarnations.

He was always backed by some of the greatest sidemen in soul music history. Saxophonist extraordinaire MACEO PARKER Parker( who Brown made a household name by calling him for imprompt solos).

Others such as guitarist JIMMY NOLEN( who invented the scratch stroking of the strings), drummers CLYDE STUBBLEFIELD and JABO STARKS, bassist BOOTSY COLLINS (possibly the most dynamic bassist ever in the JB lineup), FRED WESLEY (trombonist who was an intregal part of JB,s music throughout the early to mid-70s) helped make up the JB groove.

They were among the many band members that kept the funk strong behind the Hardest Working Man In Show Business.

There were two to four drum sets lined up across the stage. One drummer would do certain songs while another would accent JB,s movements (like his knee drops). He would sometimeswould also check out local drummers before the show and let them perform briefly onstage.

Band members were told to always keep their eyes on JB.

"The Man" himself might signal a switch anywhere from on stage; doing a split, jumping up into the air, coming out of a spin, even between two drummers in midsong at any given time!

After over an hour of shouting/ singing/ pleading/ begging in the second half of the show, he makes his way around the stage to shake hands with those lucky enough( that would be me included) to be in front.

Shaking hands with a sweat-drenched, in his prime JAMES BROWN as he came around the stage that night in 1970 is something I will never forget!

I reached my hand out to meet his, and he firmly gripped and shook my hand.

When he looked straight at me and flashed that wide crocodile grin, I could have sworn time froze for a second!

Other veteran soul singers, such as MILLIE JACKSON, TYRONE DAVIS, BETTY WRIGHT worked in smoke-filled nightclubs and small arenas.

These "chitlin circuit" clubs were sometimes spilling over with folks; other times one-third full.

But no matter how big or sparse the crowds were, the R&B veterans always came out and gave their all for the audiences like it was their last performance.

Sometimes after a show, the artists were willing to talk or sign autographs or take pictures for just a little while.

It was their way of thanking people for buying their records and coming out and supporting them.

To me, it showed the mark of true entertainers who never took their fans or their performances for granted.

The road or the "chitlin circuit" of the 50s and 60s (as it was called) was a lesson in survival in more ways than one.

The old artists came under fire in ways that today,s "young school" can only imagine to a degree.

The road could be a a thrilling but dangerous experience. Traveling on old buses, in over-crowded station wagons, or rickety planes that barely got off and on the ground were a part of life on the road.

Unfortunately, several artist lost their lives traveling either on the road or by plane.

OTIS REDDING, (his plane went down in an icy lake one cold night in 1967), BUDDY HOLLY, PATSY CLINE(country music) among others lost their lives in plane crashes.

Dealing with racism (especially traveling in the South, meeting people married or had significant others, unplanned pregnancies, all were a part of life for many entertainers.

Quite a few artists found out that they had fathered children while engaging in "one nite stands".

James Brown had at least three children outside of the five that he had with two of his wives.

Screaming Jay Hawkins( "I Put A Spell On You" fame) was rumoured to have fathered at least 53 children.

Many artists were cheated out of their money by not only unscrupulous promoters, but by their own record companies.

SAM COOKE, along with JAMES BROWN became one of the first black artists to take control of his entire production. RAY CHARLES gained control of his own master tapes.

MARVIN GAYE, STEVIE WONDER, CURTIS MAYFIELD also took total charge of their own musical destinies.

They realized that "show
business" meant becoming involved in the business end of things also.

A few TV shows of the 70s that showcased live performances were; "ABC,S IN CONCERT ", "DON KRISHNER,S ROCK CONCERT" and of course, "THE MIDNIGHT SPECIAL".

"SOUL TRAIN" featured mostly lip-synch performances but a few artists did live sets complete with touring bands, offering rare glimpses on live TV what occurred in concert.

There are plenty of websites devoted to rare concert tapes and dvds that can be found if one looks hard enough.

Many rare clips can be seen on Youtube such as WAYNE COCHRAN ,sometimes known as the white James Brown ( if you ever get to see his version of "Please, Please Please" live on video it is a definitely a classic!), THE SUPREMES ROGER TROUTMAN AND ZAPP,etc.

Technological advances in the world of video today allow viewers to enjoy the concert experience in the confines of their own home.

More and more videos of past artists are released on dvd with more coming after clearing release copyrights.

A rare find " THE HARLEM MUSIC FESTIVAL" filmed in 1969, featuring MOMS MABLEY, PIGMEAT MARKHAM, B.B. KING, GLADYS KNIGHT & THE PIPS, MAHALIA JACKSON, & SLY & THE FAMILY STONE, among others, was found and is being restored for future release by Historic Films Inc.

The 1972 concert film "WATTSTAX" (often called the Black Woodstock ), featured such diverse talent as JOHNNY TAYLOR, RUFUS THOMAS, LITTLE MILTON, JESSE JACKSON.

A dvd was finally remastered and released on dvd as a 2-disc set.

Another great concert documentary ,"SOUL TO SOUL", featured IKE AND TINA TURNER, SANTANA, THE VOICES OF EAST HARLEM, THE STAPLE SINGERS, WILSON PICKETT and others on a trip to Ghana, West Africa in 1971.

"IKE AND TINA TURNER LIVE IN HOLLAND", "BLUES VIEWS" (a collection of rare live performances by JOHNNY TAYLOR, BOBBY "BLUE" BLAND, SHIRLEY BROWN, DENISE LASALLE, LATIMORE, LITTLE MILTON, etc.

"RICK JAMES LIVE IN GERMANY 1982, JAMES BROWN LIVE AT STUDIO 54, KC AND THE SUNSHINE BAND LIVE 1974, BOBBY WOMACK; SOUL SENSATION LIVE AND LIVE ON THE JAZZ CHANNEL ( the 1st one is my personal favorite) and many others are now available on dvd for home enjoyment.

Others hopefully headed for the dvd treatment include; "It,s Your Thing", a live (abeit very rare) 1970 concert at Yankee Stadium with headliners THE ISLEY BROTHERS and also starring MOMS MABLEY, THE EDWIN HAWKINS SINGERS, and THE FIVE STAIRSTEPS.

Also the following shows rumoured to be prepped for release on dvd; JAMES BROWN: LIVE AT THE OLYMPIA, PARIS FRANCE, 1966, 1967, and 1971.

I have often wondered why MICHAEL JACKSON, PRINCE, and others have never officially released some of their early concerts on video.

There are tons of websites devoted to either trading or selling rare bootleg concerts by the dozens.

No doubt many fans would love to have the "JACKSON,S VICTORY TOUR" concert, "PRINCE LIVE AT 1ST AVENUE", as well as the "JACKSON FIVE LIVE IN JAPAN" (a live album/cd exists and if there is truth to the rumour, a filmed video as well).

UPDATE: There is footage of THE JACKSON FIVE doing a tour of Africa in the mid seventies but only available to tv producers and the like(not available to the public just yet)!

See for yourself at www. jacksonfiveinafrica.com ( I got it but the video quality is sub-par. Only for die-hard fans!)

Most likely rights of ownership and other factors come into play, as well as remastering and distributing the materials.

With long forgotten films and recordings being discovered more often , don,t be too surprised if the above mentioned items as well as others might see the light of day sometime in the future.

So if you happen to be an old head like me, a young old head, a young head, a teenager, a tweener, grade schooler, a toddler, or a just a baby sitting in his stroller bopping its head in time to the music, if you,re just hearing snippets of old tracks in rap records, just happen to catch one of the oldies soul shows on PBS or BET concert series, or just plain curious about old school music, then guess what?

Your education of soul music has begun, so check out Youtube (many rare clips of R&B artists available), Amazon.com, Ebay, search the web, join discussion forums, read music trade magazines, browse flea markets.

Chances are sooner or later you will find what you are looking for.

Then make yourself a snack, put in a dvd of your favorite soul artist, sit back in your favorite chair and get your groove on.