Omnicomic

Review - Call of Wonderland #1

2012-05-28T12:38:00.000-04:00

In case you haven't noticed, Wonderland is a pretty messed up place. Tea parties hosted by demented hatters, a grinning cat that appears and disappears at will and a queen determined to behead everyone that crosses her. Wonderland is even crazier through the eyes of Zenescope and the upcoming series Call of Wonderland #1 returns readers to the insanity.

Call of Wonderland #1 is written by Dan Wickline, with pencils by Matt Triano and Nacho Arranz, colors by Stephen Downer and Thomas Bonvillain and letters by Jim Campbell.

Let's recap to this point. The Jabberwocky has been defeated, the Queen of Hearts is dead and Wonderland is even more chaotic than earlier imagined. The chaos is struggling for someone to bring order to it and the Red Knight is content with being that savior.

In the real world, Julie Sands is an aspiring student researching the works of Lovecraft. She's given a strange journal by a brand new librarian (this is Zenescope, so yes, she's hot) that provides unique insights into Lovecraft's life.

Part of that insight is a duo named William and Jacob Hall, a pair that have managed to open a door between reality and Wonderland. As inter-dimensional portals go, nothing good comes of the connection and Julie gets caught up in it.

Wickline is working off a script that's the fruit of a collaboration with Raven Gregory, Joe Brusha and Ralph Tedesco. Unfortunately, the issue seems to have had too many cooks in the kitchen. The premise is interesting, but there's not really much at all that happens in the first issue.

The bulk of the issue is Julie reading the journal in the library (until she's somewhat rudely evicted from it). There's a Red Knight cameo, bragging about his time and the duo of William and Jacob have their own encounter with Wonderland, but most of the issue is through Lovecraft's eyes via his journal.

The pencils by Triano and Arranz are pretty good. There's an old feel to them, which cooperates well with the narrative. They get to flex some imagination in illustrating some of the Wonderland creatures and these things are pretty scary looking. Downer and Bonvillain provide the colors, part of a somewhat muted palette.

Zenescope constantly delves into the literary worlds of fairy tales and Call of Wonderland #1 is no exception. This is purely a setup issue though, which seems a little unfortunate considering it's only a four-issue series. The first issue doesn't need to reveal everything, but setting the issue in a library with brief cameos by Wonderland creatures seems a little anti-climatic.

Call of Wonderland #1 is in stores May 30.

Dynamite's The Shadow #1 Hits Second Printing

2012-05-28T10:31:00.000-04:00

In order to have a shadow, you need a body. In order to have a second printing of The Shadow #1, you need to have a tight story and great art that--combined--are so popular that the first printing sells out. Dynamite has a little bit of it all at play, as The Shadow #1 is getting a second printing with a brand new cover by Francesco Francavilla.

"We want to thank the fans and publishers for supporting The Shadow #1! We also want to thank the creators - Garth Ennis and Aaron Campbell - for such a superb job with the series. It's gratifying to see fan and retailer support on such an iconic character on such an important launch for Dynamite!" states Dynamite Publisher Nick Barrucci.

In the first issue, it's 1938 and The Shadow returns, as a night of carnage on the New York waterfront plunges the vigilante into a conspiracy involving the fate of the world itself. Meanwhile, American Military Intelligence meets with Lamont Cranston, determined to beat a boat of spies and assassins to what some would consider a great prize.

On top of that, The Shadow #2 will feature covers by Alex Ross, Howard Chaykin, Ryan Sook, Jae Lee and John Cassaday.

Full press release and covers below.

DYNAMITE'S "THE SHADOW" #1 BLAZES INTO SECOND PRINTING

The Shadow #1 has sold out through Diamond Comics Distributors, and we're going to a second printing on #1. The second printing cover for The Shadow #1 will feature a brand-new cover by Eisner nominated cover artist, Francesco Francavilla!

Meanwhile, The Shadow #2 is nearly sold out and will have a second printing upon it selling-out! And when we release the 2nd print cover to The Shadow #2, it will also feature a new cover by Francesco Francavilla!

Who knows what evil lurks in the hearts of men? The Shadow knows! The Shadow returned to comic stores written by the man born to write him - Garth Ennis. The artist joining Garth will be Aaron Campbell. Issue #1 features covers by Alex Ross, Howard Chaykin, Jae Lee and John Cassaday! Issue #2 features covers by fan favorite artists Alex Ross, Howard Chaykin, Ryan Sook, Jae Lee and John Cassaday. Make sure to get The Shadow #1 and #2, now that copies are being made more readily available!

In the first issue of the The Shadow #1, it's 1938 and The Shadow returns in a tale of blazing action and deadly intrigue, as a night of carnage on the New York waterfront plunges the mysterious vigilante into a conspiracy involving the fate of the world itself. As storm clouds gather across the globe, American Military Intelligence meets with a certain Lamont Cranston, determined to beat a host of spies and assassins to the greatest prize of all... but what that might be, only the Shadow knows. Be sure to get The Shadow #1 in April 2012!

In The Shadow #2, Lamont Cranston and Margo Lane fly west on Pan Am's fabulous China Clipper- but the golden age of air travel might just mean fiery death above the clouds for our heroes. In Shanghai, Major Tateo Kondo of Japanese military intelligence puts his own plans in motion, while his American counterparts struggle to catch up. The Shadow battles aerial assassins and worse, in part two of the six-part The Fire Of Creation.

"We want to thank the fans and publishers for supporting The Shadow #1! We also want to thank the creators - Garth Ennis and Aaron Campbell - for such a superb job with the series. It's gratifying to see fan and retailer support on such an iconic character on such an important launch for Dynamite!" states Dynamite Publisher Nick Barrucci.

Become our fan on Facebook at facebook.com/DynamiteComics. Join the conversation on Dynamite Entertainment's twitter page at twitter.com/DynamiteComics.

About Dynamite Entertainment:
The company was founded in 2004 and is home to several best-selling comic book titles and properties, including The Shadow, The Boys, Green Hornet, Vampirella, Warlord of Mars, Bionic Man, Game of Thrones and more!

In addition to their critically-acclaimed titles and best selling comics, Dynamite works with some of the most high profile creators in comics and entertainment, including Alex Ross, John Cassaday, Garth Ennis, Michael Avon Oeming, Mel Rubi, Marc Guggenheim, Stephen Sadowski, Mike Carey, Jim Krueger, Greg Pak, Brett Matthews, Jae Lee, Matt Wagner and a host of up and coming new talent!

Dynamite recently won the Diamond Gem Award for Best Publisher Under 4% of market share for 2011!

DYNAMITE is consistently ranked in the upper tiers of comic book publishers and several of their titles - including Alex Ross and Jim Krueger's PROJECT SUPERPOWERS - have debuted in the Top Ten lists produced by Diamond Comics Distributors. Several of their titles have also hit The New York Times Best-Sellers list: The Boys, Vampirella Archives, Robert Jordan's New Spring and Wheel of Time graphic novels. In 2005 Diamond awarded the company a GEM award for Best New Publisher and another GEM in 2006 for Comics Publisher of the Year (under 5%). The company has also been nominated for several industry awards, including the prestigious Eisner Award.

Baltimore Comic-Con Welcomes Back Joe Kubert

2012-05-28T08:33:00.000-04:00

Things haven't been so rosy in Baltimore lately for geeks, so it's a welcome sight when a show like Baltimore Comic-Con continues to add talent to the show. The latest addition is Joe Kubert, the man, the myth, the legend.

Kubert started way, way, way back in 1939 at the age of 13 as an unofficial apprentice at MLJ Studios (that eventually became Archie Comics). Throughout the 1940s and 1950s, he made a name for himself at DC Comics working on such characters as Hawkman and Sgt. Rock. Aside from his art duties on several books at DC, Kubert also served as the company's Director of Publications from 1967-1976.

Kubert has recently contributed to a new Sgt. Rock story to the Wednesday Comics in 2009, as well as drawing the lenticular cover to Craig Yoe's Amazing 3-D Comics in 2011. Along with Andy Kubert, Joe is currently working on Before Watchmen: Nite Owl.

"We are absolutely delighted have the legendary Joe Kubert attending our show again this year," said Marc Nathan, show promoter for the Baltimore Comic-Con. "His inspiration and impact on the industry continues to be felt through not only his work, but the work of those who were trained through the Kubert School."

This year's Baltimore Comic-Con will be held September 8-9, 2012. Convention hours are Saturday 10 AM to 6 PM and Sunday 10 AM to 5 PM. The ceremony and banquet for the Harvey Awards will be held Saturday night, September 8th.

Full press release and current talent list below.

Baltimore Comic-Con Welcomes Back Joe Kubert!

BALTIMORE, MARYLAND - May 26, 2012 - The Baltimore Comic-Con is proud to announce the addition of comic legend Joe Kubert to the growing line-up of creators attending this year's show, taking place September 8-9, 2012 at the Baltimore Convention Center.

Kubert began his career in 1939 at the age of 13, working as an unofficial apprentice at MLJ Studios (what would eventually become Archie Comics). Throughout the 1940s and 1950s, he made a name for himself at DC Comics working on such characters as Hawkman and Sgt. Rock. Aside from his art duties on several books at DC, Kubert also served as the company's Director of Publications from 1967-1976.

In addition to being one of the most influential creators who began his career during the Golden Age of Comics, Kubert is also the founder of The Kubert School - a school dedicated to teaching the principles of sequential art and storytelling. Since its opening in 1976, Kubert has taught hundreds of students who have gone on to have successful careers in the comic industry, including his two sons, Andy and Adam.

Recently, Kubert contributed a new Sgt. Rock story to the highly-lauded Wednesday Comics (DC Comics) in 2009, as well as drawing the lenticular cover to Craig Yoe's Amazing 3-D Comics in 2011. Along with Andy Kubert, Joe is currently working on DC Comics' highly anticipated Before Watchmen: Nite Owl.

Kubert was inducted into the Harvey Awards' Jack Kirby Hall of Fame in 1997 and received the Harvey Award for Best Graphic Album or Original Work and an Eisner Award for Best Graphic Album: New for Fax from Sarajevo the same year. In addition, he was inducted into the Will Eisner Comic Book Hall of Fame in 1998. He also received the Harvey Awards' Hero Initiative Lifetime Achievement Award in 2007.

"We are absolutely delighted have the legendary Joe Kubert attending our show again this year," said Marc Nathan, show promoter for the Baltimore Comic-Con. "His inspiration and impact on the industry continues to be felt through not only his work, but the work of those who were trained through the Kubert School."

In addition to Kubert, other confirmed guests for the show including: Laura & Michael Allred (Madman, iZombie); Brian Bolland (Dial H, Cover Story: The DC Comics Art of Brian Bolland); Greg Capullo (Batman, Spawn); Tommy Castillo (Grimm Fairy Tales); Cliff Chiang (Wonder Woman); Frank Cho (Avengers vs. X-Men, Liberty Meadows); Steve Conley (Bloop webcomic www.bloopstree.com); Amanda Conner (Before Watchmen: Silk Spectre); Lar deSouza (Looking For Group, Least I Could Do); Dan Didio (O.M.A.C.); Garth Ennis (The Shadow, Hellblazer, Preacher, The Boys); Rich Faber (Roboy Red); David Finch (Batman: The Dark Knight); John Gallagher (Buzzboy); Jose Luis Garcia-Lopez (Batman, Superman, Wonder Woman); Keith Giffen (Superman, O.M.A.C., Green Arrow); Gene Ha (Justice League); Larry Hama (G.I. Joe, Wolverine, The 'Nam); Cully Hamner (Action Comics); Dean Haspiel (Billy Dogma, ACT-I-VATE, Trip City); Jamal Igle (KISS, Supergirl, The Ray); J.G. Jones (Wanted, Doc Savage); Barry Kitson (Captain America, Iron Man, Fantastic Four); Scott Kurtz (PvPonline.com); David Mack (Kabuki); Ron Marz (Artifacts, Voodoo); Bob McLeod (DC Comics Presents: Wonder Woman); Mark Morales (Avengers vs. X-Men); Jimmy Palmiotti (All-Star Western); David Petersen (Mouse Guard); Brian Pulido (Lady Death); Frank Quitely (All Star Superman, Batman & Robin); John Romita, Jr. (Avengers vs. X-Men); Don Rosa (Uncle Scrooge); Stuart Sayger (Infestation 2: 30 Days of Night One-Shot); Walter Simonson (Thor, Legion of Super-Heroes, Avengers); Ryan Sohmer (Looking For Group, Least I Could Do); Scott Snyder (Batman, Severed, Swamp Thing); Brian Stelfreeze (ICE); Karl Story (Buffy the Vampire Slayer Season 9); Peter Tomasi (Batman and Robin); Billy Tucci (A Child Is Born, Shi); Matt Wagner (Tower Chronicles, Mage, Grendel); Mark Waid (Daredevil, Incorruptible, Irredeemable); and Bernie Wrightson (Frankenstein).

In the coming weeks, look for more announcements from the Baltimore Comic-Con. We are looking forward to highlighting our guests, the Harvey Awards, industry exclusives, and programming. The latest developments can always be found on our website, Twitter, and Facebook pages.

This year's Baltimore Comic-Con will be held September 8-9, 2012. Convention hours are Saturday 10 AM to 6 PM and Sunday 10 AM to 5 PM. The ceremony and banquet for the Harvey Awards will be held Saturday night, September 8th.

Please take a moment to help us spread this message using the social media links embedded, reposting, or retweeting!

Contact Information

Please use the following e-mail addresses to contact the Baltimore Comic-Con:

press@baltimorecomiccon.com - for any general press inquiries or to be added to our PR distribution

promoter@baltimorecomiccon.com - for requesting exhibitor, publisher, and Artist Alley applications

registrar@baltimorecomiccon.com - for inquiries about submitted registrations

harveys@baltimorecomiccon.com - for the Harvey Awards ceremony and banquet

general@baltimorecomiccon.com - for general Baltimore Comic-Con inquiries

About The Baltimore Comic-Con

The Baltimore Comic-Con is celebrating its 13th year of bringing the comic book industry to the Baltimore and Washington D.C. area. With a guest list unequaled in the industry, the Baltimore Comic-Con will be held September 8-9, 2012. For more information, please visit www.baltimorecomiccon.com.

About The Harvey Awards
The Harvey Awards are one of the comic book industry's oldest and most respected awards. With a history of over 20 years, the last 7 in conjunction with the Baltimore Comic-Con, the Harveys recognize outstanding achievements in over 20 categories. They are the only industry awards nominated and selected by the full body of comic book professionals. For more information, please visit www.harveyawards.org.

Review - The Intrepid #1

2012-05-25T16:31:00.000-04:00

The world needs heroes. We're not at a point where the individuals we call heroes have the word "super" in front of them. Right now, our heroes are soldiers, firefighters, police, etc. This would be a different conversation if we had a Heroic Age, where all the superheroes came and went. That is, until they return, as in Intrepid #1.

Published by Graphic Illusions Comics, Intrepid #1 is written by Jose Loeri, illustrated by Montos (cover colors by Diogo Nascimento) and lettered by Alan M. Cole.

Thaddeus Payne laments the world's fascination with superheroes, wishing instead they would pine for the aforementioned present day heroes. Soldiers like his father Timothy, who died defending the country on the day of his birth. That might explain the glee he finds in his current assignment.

Payne is tasked with escorting someone repeatedly referred to as the Package. He's clearly a paranormal, being transferred for as yet to be identified reasons. And it turns out he's a lot more powerful than the military planned for.

There's another paranormal in Anna Bella Scuzleoni, who is more or less Psylocke with a bit more of an attitude. She's introduced to the reader through a training simulation she created, seeing as how she's one of the most intelligent beings on the planet.

Loeri's concept is interesting and the writing is solid. The acceptance and subsequent rejection of superheroes is a topic that is relevant across multiple forms of diversity, although when you're faced with zombie Nazis you would expect there to be a bit more acceptance of them in the world. The Package ends the issue mentioning "Nadia," which is likely a lost love that his quest for will shine more of a light on the world he lives in.

The Package is written as a mysterious fighter who can wreck people at will, but little insight is given into his powers. Meanwhile, Anna Bella is depicted as the most intelligent person in the world, someone who "cures diseases over breakfast" and has psychokinetic powers, but she's fighting in a combat simulator. There just seems to be something of a disconnect between the situations of the two, but it's possible they'll cross paths at some point in the series.

Montos' art is a little sporadic. It's all black and white and there are some panels with a lot of complicated detail. A lot of it actually overcomplicates the illustrations. He does illustrate Anna Bella very well and the Package being illustrated as a grizzled, tired man is interesting.

As far as superhero concepts go, Loeri's is interesting. The Heroic Age is gone, but the world is faced with ills and evils that would probably be easily quashed by said age. Whether or not heroes are reborn is surely the crux of The Intrepid and hopefully it's a question answered sooner than later.

The Intrepid #1 is available now.

Defense With The BoomStick

2012-05-25T14:46:00.000-04:00

(Disclaimer: This post is an ongoing story set in a world where zombies have taken over and people are fighting to survive anyway they can. Originally it was a post of news and tips to help survivors make it one more day alive, but now it has became a story of my fight after being bitten and partially cured to walk as a half-zombie among them.)

The day has been long with the weather not cooperating at all. A constant downpour of rain has made slogging along and getting to the coast of the Great Lakes in New York a challenge. I was actually making great time the past two days after holing up longer at that farmhouse then originally planned.

The whole night it didn’t let up once. Hell--I think it got worse halfway through. I should know I was up most of the night.

From the lightning, thunder, constant pounding of the rain on the roof and water leaking into the building I was using for shelter there was no way to sleep. I got at most a few hours and at about six I figured I might as well get up and try to get some miles behind me. In the span of this morning and afternoon I probably made it six miles before I climbed into a bus liner on the road, sealed the door, bobby trapped it and have stayed here since then.

I know it isn’t the best place to hide out, but I really had no other choice with this weather not showing any signs of letting up. With all the windows intact and the door sealed I shouldn’t have any problems with zombies or anything trying to get in here, but you can never be too cautious. I've put this time stuck waiting to good use cleaning all my gear and guns, organizing everything to take inventory of it all.

I'm glad I did too as I was actually running low on my water supply and this storm actually came in handy refilling my canteens through one of the ceiling hatches. Used the bathroom on the bus to give myself a bath, using the few wetnaps and wipes I had left trying to keep clean.

I'll have to make sure and find some more cleaning supplies as they definitely come in handy. With this rain still coming down I might as well as go for some sleep. Maybe this time around I can manage to get some…

Review - Winter City #1

2012-05-25T12:31:00.000-04:00

There's vigilante justice and then there's VIGILANTE justice, the latter being the more severe of the two (in case you couldn't tell by the caps). It takes a special being to execute the more severe. Batman can do it. So can Spawn. Even Punisher. One being that probably trumps all of them however is Death itself, who just so happens to be meting it out in Winter City #1.

Winter City #1 is written by Carl and Patrick Purcell, with art by Pablo Verdugo Munoz, colors by David Aravena Riquelme, letters by P. Purcell and guest pin-up art by Danny Cruz.

The first arc is called "Murder of a Fat Man," and if you can't tell what the premise of the first issue is based on that you should probably just stop reading comics now. Alan Mclean is the fat man in question, a supermarket magnate (in both senses of the word) who has recently met an untimely end.

Detective Daniels and Harvey are on the case, with Daniels being more seasoned in gruesome homicides than he would like to be. A neighbor of Mclean's seems to think that the culprit was Death itself, as the ragged figure moved silently through Mclean's grounds, shutting off the lights and looking back at her with green eyes and a skull.

The two Purcell's have developed a very solid first issue. There's some great characterization for the most part, with Detective Daniels--again--weary and worn from the job, while Detective Harvey is a little more brash about it. The two share a good laugh over poor decisions by a past perpetrator, but their relationship is instantly presented as strong.

Mclean on the other hand isn't really alive long enough to get any characterization. The reason for his death at the hands of the being of the same proclivity is a little hazy. He's warned that he's sinned, but those sins haven't been presented. It's likely they're just the typical greed, sloth, etc. though and the next few issues will flesh that out a bit more.

Where Winter City #1 really shines though is the art. Munoz and Riquelme have really, really hit the art out of the park. The illustrations are so crisp and the coloring is so well done that the caliber of illustrations is on par with that of Marvel and DC. The two clearly love their craft and it shows, imbuing the work with the intricate detail of the killer's sweeping, ragged robes while also handling human emotion well.

There are a couple of facial close-ups in the book that really shine too. Munoz clearly knows a thing or two about illustrating and the pairing of his work with Riquelme's colors is beautiful. The sense of despair found in Winter City oozes from the pages.

Winter City #1 has a lot going for it. The premise by the Purcells is interesting and strong, with the first issue laying the groundwork for the series. The art is simply phenomenal and that alone should be why you check out the series. That's not meant as a slight against the writing though because it's definitely top-notch.

Winter City #1 is available now on Indy Planet.

Preview - Bloodshot #1

2012-05-25T10:36:00.000-04:00

Typically, blood follows a shot. It's not usual for the blood to come before the shot. When it does, expect action and the return of one of comic's most famed heroes in Bloodshot and the aptly named Bloodshot #1 from Valiant.

The first issue is written by Duane Swierczynski and illustrated by Manuel Garcia and Arturo Lozzi, with covers by Lozzi, Mico Suayan, David Aja and Esad Ribic. Bloodshot is the pinnacle of human technological achievement, fighting to save his old war buddy Apanewicz.

The issue hits stores July 11th with interiors below.

No Man's Land Investigates Life and Death

2012-05-25T08:25:00.000-04:00

Blexbolex is a strange name. While it's a strange name, it's applicable to an amazing artist with a penchant for a very unique art style, all on display in the brand new No Man's Land.

In the wake of a national conspiracy, a hard-boiled detective finds himself on the wrong end of a death sentence. The executioner: himself, firing two suicidal shots to the head for his revealed crimes against society. However, as the bullets tear through his synapses, something strange happens. Snapping into overdrive, his brain refuses to give up without a fight, throwing him into an intense psychological odyssey of survival.

The fascinating thing about the book is that it takes place entirely in that single moment. The hero's subconscious it refusing to accept the inevitable, assembling strange scenarios to play out and blurring reality and fiction together. It's been three years in the making and serves as the sequel to 2010's Dog Crime.

The book is available now. Full press release and interiors below.

PRESS RELEASE

“complex and arresting... Blexbolex’s silkscreened prints are both retro and modern” The New York Times

In the wake of a national conspiracy, a hard-boiled detective finds himself on the wrong end of a death sentence. The executioner: himself, firing two suicidal shots to the head for his revealed crimes against society. However, as the bullets tear through his synapses, something strange happens. Snapping into overdrive, his brain refuses to give up without a fight, throwing him into an intense psychological odyssey of survival.

Taking place entirely in this one decisive moment, No Man’s Land invites the reader to witness the inner workings of a psyche hovering between life and death. With its unnamed hero’s subconscious desperately refusing to accept the inevitable, it frantically assembles ever-more bizarre and terrifying scenarios for him to play out. Taking inspiration from the conventions of popular literature, reality and fiction blur together, creating a genre spanning epic that pushes the fourth wall to the limit.

A sequel to 2010’s Dog Crime, Blexbolex picks up immediately from where the events of his mind-bending dystopian homage to detective noir left off. Once again taking inspiration from classic American pulp fiction, he draws upon his love of the classic horror, fantasy, and sci-fi magazines of the 1930s and 40s. Reinterpreting the themes and symbols of those imaginary worlds, he thoughtfully explores genre, along with our own reliance on fiction—asking
the question of why, we as readers are so attracted the fantastic.

Intelligent, experimental and full of wit, No Man’s Land satirises the mind’s ability to seduce itself—mercilessly hurtling its hero around an implausible dreamland designed to mask the processes of mortality. Known for his acclaimed children’s books such as Seasons and People, this graphic novel is a chance to see a whole new side to the French creator. Featuring the idiosyncratic art and rhythmic narrative style that have become the writer/ artist’s trademarks, this book continues Blexbolex’s reputation of redefining the potentials—and pleasures—of the illustrated story format.

Praise for Blexbolex

“Each page of No Man’s Land is a stand- alone thing of beauty. Blexbolex’s style manages to compress a century of visual storytelling, somehow bringing to mind both Frans Masereel and Richard McGuire.” Adrian Tomine, author of Optic Nerve and Shortcomings

"creamy matte paper, rich colors, and deceptively simple imagery combine to breathtaking effect, encouraging readers to take notice of fleeting detail." Publishers Weekly

About the Author
Blexbolex (born in 1966) is a multi-award winning French book illustrator working out of Berlin. His stylish and original work has been featured in Popo Color, Fusée, Ferraille and Comix 2000 (Fantagraphics). His experimental approach to combining illustration with industrial printing techniques and a depth of understanding of the book production processes makes him a true pioneer in his field. For Nobrow he has worked on his first English language books, Abecederia, Dog Crime and now No Man’s Land. In 2009, he received Leipzig Book Fair’s coveted “Best Book Design” award for the French edition of his children’s book People, and Seasons was one of the New York Times Best Illustrated Books of 2010.

Review - Resident Alien #1

2012-05-24T16:35:00.000-04:00

Aliens walk among us! Or they don't. Who knows. It's a common plot point though, the notion that an alien is hiding among the humans. Usually, that alien has the ability to help people, an ability on full display in Resident Alien #1.

Published by Dark Horse Comics, Resident Alien #1 is written by Peter Hogan and illustrated by Steve Parkhouse.

Dr. Harry Vanderspeigle crash landed on Earth. Well, Dr. Harry Vanderspeigle didn't crash, but an alien who adopted that alias did, wrecking his ship so he can't get home, so he decides to live out his days on Earth as a doctor. His place there works out well, considering he's called upon by most of the town of Patience.

The town has recently seen a murder of Hodges, the town's actual doctor, seemingly killed over the prescription pills in his office. The strange trust in Dr. Vanderspeigle is called upon by everyone in the town to help solve the mystery.

What's most enjoyable about Resident Alien #1 is that Hogan imbues the title alien with a serenity that evokes trust. He's a stranger in Patience; more than that, he's an alien. The work could easily fall into countless pitfalls of other works similar to this, but Hogan manages to keep it fresh.

The story playing out as something of a primetime police procedural works as well. There's the requisite small town chatter, clues leading the reader along the case and Dr. Vanderspeigle being dragged in. The characters all interact well also, giving the reader something to be invested in.

Parkhouse's illustrations are very apt for the story. None of the panels are too extravagant, but considering the story takes place in the small town of Patience there's really not a lot going on. Parkhouse manages to give the small town scenes some sense of drama through the choice of panel shots. It's fantastic art.

Dr. Vanderspeigle is a fish out of water in the truest sense and the best thing about Resident Alien #1 is that you really feel bad for him. He doesn't want to get dragged into the monotony of Patience, but he's also too nice to say no. He's clearly going to be needed with the events at the end of the issue, so stay tuned.

Resident Alien #1 is in stores now, with interiors below.

Interview - Mike Baron and Steve Rude

2012-05-24T14:31:00.000-04:00

There are characters that have lasted seemingly forever. Superman, Batman and Captain America all come to mind. There's another character who recently turned 30 in Nexus and has never really disappeared. Instead, the character has shown longevity as well. He's not quite as old as the three earlier mentioned heroes, but he's getting there.

Writer Mike Baron and illustrator Steve Rude are poised to bring the character back in Dark Horse Presents #12. The two managed to find time to talk to Omnicomic about Nexus, Fusionkasting and the comic climate now versus then.

Omnicomic: Nexus was originally created in 1981. Can you lend any insights into the climate at the time that prompted you to create him?

Steve Rude: The creative climate at the beginning of the 80's was a great time to be young and ambitious. Something in the traditional comic distribution area seemed ready to change--to blow out of it's security cocoon and become something new and untried.

A few brave and insightful people were attempting to produce and market their own comics in different parts of the country other than New York. Mike Baron picked up on this upcoming trend and approached a local Madison, WI. comics distribution outfit. He offered them a 12-page introduction to a new creation of his called Nexus.

All my memories of those days were electrically charged with optimism. It was a very exciting time.

Mike Baron: Nexus came out of our skulls more than the client, although we've always been inspired by real life events. When Milton and John asked for a costumed superhero I tried to think of the most dramatic elements I could. That's why I made him an executioner of mass murderers.

Omnicomic: What would you say is the most important thing to his longevity?

Rude: I would imagine the secret to any character's longevity is the creator's drive to tell more stories. Nexus and Sundra are still barely in their 30's, and as long as Baron and I possess our creative faculties, they still have a lot of stories to tell.

Baron: Unique stories and art that deliver a denser, more satisfying experience than most comics.

Omnicomic: Did the two of you collaborate closely on the look and feel of Nexus?

Rude: Yes, creating Nexus was a true collaboration. Baron thought up all the basics of the characters, their history, and where they lived, and I just came in to visualize it. I was 24 at the time and Baron was a few years older and wiser.

Baron: Indeed. We used to go over my crude thumbnails side by side for hours.

Omnicomic: Do you find writing the character (Mike) or illustrating (Steve) Nexus any easier/more difficult now considering the character is over three decades old? Is there a continuity in look and characterization you seek to maintain? Or you do feel he needs to adapt to modern day looks and issues?

Rude: Adapting to the modern look of today's artistry in comics is simply not for me. Most everything in the way that I've drawn Nexus, in the past, or certainly in these upcoming stories, relies on my ongoing study of past masters like Kirby, Raymond, and Roy Crane.

Baron: I find it easier because I have more tools at my command know the characters so well. Of course every now and then Dude will remind me..."Whaaaaat? When did they get married?"

One of the things that makes the series unique is Dude's art so there is no need to adopt to any other look. The look is unique.

Omnicomic: How did you come up with the idea of Fusionkasting? Is there a secret fascination with science seeping through to comics here?

Rude: Baron will answer.

Baron: Not so much fascination as a desire to provide solid scientific underpinning. Which of course is risible in a comic book but we do it anyway. The whole thing about interplanetary travel via black holes is based on a non-fiction book called The Iron Sun.

Omnicomic: Hopefully this isn't a sore subject, but what are your thoughts on the Nexus: Liberator series? My understanding is that neither of you were involved with it.

Rude: Can't really say I did more than just glance over much of the Liberator series. I'm sure the creative team tried their hardest. Nexus is not an easy book to adapt to.

Baron: I regret that I have not read it.

Omnicomic: Nexus is slated to appear in Dark Horse Presents #12. Where in the Nexus chronology does this story fit?

Rude: The chronology picks up where Space Opera, the last Nexus series to be published in 2008(?), left off.

Baron: Directly follows the events in Space Opera.

Omnicomic: The Dark Horse Presents series is really bringing in some great stories and talent. Did the series' format feel right for bringing Nexus back after the most recent hiatus?

Rude: The only problem I have with being in DHP is something that I've discussed with Mike Richardson, which is much of the content in the book has a lot of swearing and occasional nudity. While Nexus may walk the edge at times, it's still intended for pretty much all ages.

Other than that, the format is certainly deadline friendly for me, since I'm now drawing, inking, and lettering the stories, which will eventually be collected as one massive storyline.

Baron: It certainly fits Dude's schedule. Much easier to proceed step by step than in seven league strides. When we're finished, it's going to be a long journey.

Omnicomic: What inspired you to bring Nexus back in Dark Horse Presents? Is this a precursor to seeing the character in an ongoing series again?

Rude: The possibility that Nexus will again have it's own individual series is up to fan demand and Dark Horse publisher Mike Richardson. Until then, the adventures of Nexus will be an ongoing series in DHP.

Baron: The time seemed right and yes, this is an ongoing series but it will appear in DHP.

Omnicomic: What are your thoughts on the digital versus print divide? Do you see digital overtaking print at any point?

Rude: The world of digital publishing will no doubt be decided by someone other than myself. But being of the 60's/70's generation, I will always be one to prefer a "real book" in my hands.

Baron: I don't know. Digital will probably overtake print. I don’t like it.

A comic is something you hold in your hands, but I understand we've got generations of kids out there who are perfectly at ease with digital comics and more power to them. Just as long as actual comics exist.

Omnicomic: What conventions (if any) are either of you planning to attend this year?

Rude: Personally, having done so many shows for the last 25 years, I'm not in a hurry to attend them as regularly. I'd mostly just prefer to stay home and work!

Baron: Denver Comic Con June 15 - 17

Omnicomic: Do you have any tips for indie and/or small press creators to create and maintain a work for over thirty years?

Rude: Yes. Stay true to what's in your "heart" and forge ahead without fear.

Baron: Make it great!

Omnicomic: Anything you want to plug while you have the floor?

Rude: In the near future will be a release of a film documentary called "Rude Dude", produced by New York filmmaker Ian Fischer. It will appear at Sundance and various other art theaters around the country and perhaps beyond. It definitely promises to be more than a standard, "seen it before" documentary!

I will also be teaching my first 4-day Painting workshop in Sept. The website has details.

Baron: I would like to plug this hole in the floor before I fall in it and break my neck.

Review - No More Heroes #2

2012-05-24T12:25:00.000-04:00

A suicidal superhero isn't good for business. In No More Heroes #2, the aftermath of such a situation is what Sid Millar is faced with after unknowingly being part of Dark Justice's suicide.

The issue is written by Gordon Mclean, illustrated by Caio Oliveira, colored by Stas Leonov and lettered by Kel Nuttal.

Sid feels guilty for responding yes to what he thought was really a cruel joke. So bad in fact that he's been recruited by Dark Justice's sidekick Black Fury to make amends for his action. Those amends require Sid to align himself with Jack Slaughter, a mute with a penchant for rocket launchers and exploding polar bears.

Sid makes his way to Sooze's, a Mos Eisley Cantina if you will where the worst of the worst gather for work and bet on the odds of success of various villains breaking out. Sid makes a tough choice and ingratiates himself with Slaughter's crew, leading him and Black Fury further in their investigation behind the death of Dark Justice.

Mclean does a really good job with the characters in No More Heroes. Jack Slaughter manages to be menacing and scary in only a few panels. Dark Justice (in a flashback) shows a human side, getting angry with Black Fury and showing signs of alcoholism. Sid is scared to death, but his guilt is driving him to help.

All the characters have convincing motivations, which really helps the story move along. And it's a solid story at that. Opening with a superhero asking whether or not he should kill himself is bold enough as it is, but then uniting the hero's sidekick and the "killer" together is pretty smart.

The black and white illustrations work perfectly within the context of the story. They're subtle, but effectively convey the emotion that the characters are showing based on their involvement in the plot. Jack Slaughter is illustrated brilliantly as well, which is important considering he doesn't say anything.

There's a lot to like in No More Heroes #2. It's an unconventional story that manages to stay interesting by providing interesting characters. It's only four issues, but the first two issues really get you hooked and wanting to find out who really was behind the suicide of Dark Justice.

The fact that Mclean has crafted an intriguing tale to find out the culprit behind a suicide should be enough to get your attention.

No More Heroes #2 is available now.

Preview - Fathom Volume 2 #2

2012-05-24T10:31:00.000-04:00

Fathom is still pissed and waging her war. She finds herself back in Marielle after the explosion (and destruction) of the Blue and Human cooperative research facility. It's at the city of Marielle that she sets to establish a new base of operations for her team.

Meanwhile, tensions between the Elite Council (led by Siphon) and Saba's commander Thallassar have really escalated, as Saba's citizens begin fleeing to join Kiani's cause.

The work is written by Vince Hernandez and illustrated by Oliver Nome, with colors by John Starr. It's in stores now with interiors below.

Saga #1 Reaches Fifth Printing

2012-05-24T08:24:00.000-04:00

There's a sobering reality about a book that manages to find its way to a fifth printing. It's got to have such a quality story and art that really has people clamoring to read it. Saga #1 has both of those, managing to continue its tear by reaching a fifth printing. The fourth printing is already sold out, not even in stores yet.

Image Publisher Eric Stephenson revealed that the issue was "getting to the 70,000 mark." Stephenson also cited strong sales of the title in the digital marketplace. The fifth printing of the first issue will be in stores June 13, the same day as the second printing of Saga #3. Saga #4 will hit stores June 20.

There's plenty of chances to check out Saga if you haven't already. It's worth it.

Full press release below.

THREE FUGITIVES, FIVE PRINTINGS

SAGA #1 goes back to press again

SAGA #1's fourth printing is on shelves today, but it sold out at the distributor before even arriving in stores, necessitating a fifth printing for the issue. The runaway science fiction hit by Brian K. Vaughan and Fiona Staples is the second new Image Comics series to receive a fifth printing of its first issue this year. The other is the horror noir series FATALE by Ed Brubaker and Sean Phillips.

In an interview with ICv2 at the time SAGA #1's fourth printing was announced, Image Publisher Eric Stephenson revealed that the issue was "getting to the 70,000 mark." Stephenson also cited strong sales of the title in the digital marketplace. SAGA, like most Image Comics books, is available same-day digitally on multiple platforms.

SAGA #1's fifth printing (APR128195) is scheduled to be in stores on June 13, the same day as SAGA #3's second printing (APR128087). SAGA #4 (APR120555) will be in stores on June 20.

ABOUT IMAGE COMICS

Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of best-selling artists. Image has since gone on to become one of the largest comics publishers in the United States. Image currently has five partners: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino. It consists of five major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline, Skybound and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visit www.imagecomics.com.

Review - Star Wars: Darth Vader and the Ghost Prison

2012-05-23T16:30:00.000-04:00

The Empire. When someone says that which Empire comes to mind? For most it could be one of the numerous empires that have existed throughout history, leaving their own marks on the world. For others though when we hear the word "empire" only one can come to mind: the Imperial Empire of the Star Wars Universe. An empire that instilled fear and obedience throughout the galaxy with the Emperor at the helm, served faithfully by Darth Vader.

Out now is a new comic run from Dark Horse that shows another side of the Empires’ rise to glory in Star Wars: Darth Vader and the Ghost Prison #1. Written by Haden Blackman and with art by Agustin Alessio, Michael Heisler and covers by Dave Wilkins and Tsuneo Sanda, the comic features the untold stories within the Star Wars universe. One of these stories shows the early years of this new Empire and the pitfalls one unlucky new graduate is going to face.

For Cadet Tohm the sky was the limit as he was making his way to Imperial center (Coruscant) for a mass graduation for the first class to come out of the Imperial Academies located throughout the galaxy. With the Clone Wars recently done, the Empire needed to build up the ranks of loyal officers who have gone through the indoctrination process with loyalty to the Empire the upmost priority.

His only goal is to do what needs to be done to further the Empire, no matter the cost. He bleeds Imperial blood, hearing the stories of how the Clone Wars ended with the Jedi betraying them all and only Chancellor Palpatine having the courage to stand up to them. He is a true son of the Empire, but when things go awry during the celebration night and a big attack happens on Coruscant, Tohm is face with some choices he didn’t think could ever happen.

Blackman has a handle on the Tohm and the story. He even manages to work in Darth Vader towards the end of the issue. Darth Vader has such a cultural aura that he doesn't need characterization, but Blackman does it well regardless. It's likely that both he and Tohm do some damage in the upcoming issues.

Alessio and Heisler manage to imbue Coruscant with life, showcasing grand vista panels depicting scale while also sticking to the nitty gritty focusing in on the characters. Tohm is a standout character, depicted with half his face seeming to be burnt and leaving him with only his right eye; despite this he's still a strong, driven person. I love the panel layout they incorporated for this issue as they go with a lot of three panel pages, but also do this slant style that just portrays the action perfectly.

There is such great storytelling in the first issue. With Star Wars, there are so many stories to tell and characters to place. Even Rebel Alliance supporters will be interested in learning more about Tohm. The first issue is a great look at what happens before A New Hope and the five-issue series will likely become a great part of the Star Wars saga.

Star Wars: Darth Vader and the Ghost Prison #1 is available in stores now.

Preview - Soulfire #8

2012-05-23T14:37:00.000-04:00

The magic has returned! At least, that's what J.T. Krul, Jason Fabok and John Starr want you to know in Soulfire #8.

In addition to the magic returning, the light has grown dark, with the war of ages between the Sethoru and Rahtumi raging on to its finish. Malikai must confront a revelation in the chaos creatures intent on tormenting the world being part of his own soul.

This is the conclusion to the third volume of Soulfire, featuring new adversaries, exotic locations and a fresh cast of characters.

Check out some interiors below and the issue in stores today.

Hypernaturals Launches in July

2012-05-23T13:41:00.000-04:00

Fans seemed to take to the Free Comic Book Day Edition of Hypernaturals #0. Not only because it was free (although I'm sure that helped), but also because it's a solid story that left them wanting for more. Their wants will be answered this July, when the Dan Abnett and Andy Lanning (DnA apparently) collaboration hits stores for an all-new, ongoing series.

“We are excited and thrilled to be in the DnA business, and it’s clear from the fan reception that they’re doing what they do best,” said BOOM! Founder and Chief Executive Officer Ross Richie. “I’m excited to see where they can take things when the gloves come off in their own storytelling universe, where characters can die, major events can change, and Dan and Andy are unleashed to do their own thing, unfettered by decades of continuity or obligation to trademarks.”

The first issue will feature covers by Francesco Mattina, Timothy Green II and Trevor Hairsine, with interior art by Brad Walker and Andres Guinaldo. In it, the human race has finally colonized the galaxy, maintaining prosperity thanks to the Hypernaturals. At least, it worked that way until the Hypernaturals inexplicably vanished. Now, it's up to a group of retired Hypernaturals to save the galaxy from complete destruction.

"I couldn't be more excited about this series," says Matt Gagnon, Editor-in-Chief of BOOM! Studios. "DnA have built a devoted fan base by being phenomenal storytellers who bring integrity and passion to everything that they do. In THE HYPERNATURALS they truly take the gloves off and craft a breathtaking, original world."

Full press release and interiors below.

THIS JULY
ABNETT AND LANNING DO COSMIC AT BOOM!
with THE HYPERNATURALS!

May 22rd, 2012 – Los Angeles, CA – Fresh off rave reviews on their Free Comic Book Edition, this July fan-favorite writers Dan Abnett and Andy Lanning launch HYERNATURALS #1! This summer “DnA” bring their cosmic brand of superheroes to BOOM! Studios with an all-new ongoing series!

Featuring covers by Francesco Mattina (NOVA), Phil Noto (X-23), Timothy Green II (ANNIHILATORS), and Trevor Hairsine (X-MEN: DEADLY GENESIS) with interior art by Brad Walker (GUARDIANS OF THE GALAXY) and Andres Guinaldo (RESURRECTION MAN), the first issue of this new ongoing series ships in July!

“We are excited and thrilled to be in the DnA business, and it’s clear from the fan reception that they’re doing what they do best,” said BOOM! Founder and Chief Executive Officer Ross Richie. “I’m excited to see where they can take things when the gloves come off in their own storytelling universe, where characters can die, major events can change, and Dan and Andy are unleashed to do their own thing, unfettered by decades of continuity or obligation to trademarks.”

"I couldn't be more excited about this series," says Matt Gagnon, Editor-in-Chief of BOOM! Studios. "DnA have built a devoted fan base by being phenomenal storytellers who bring integrity and passion to everything that they do. In THE HYPERNATURALS they truly take the gloves off and craft a breathtaking, original world."

With the Free Comic Book Day Edition serving as a stand-alone prelude, fans do not need to know anything about THE HYPERNATURALS to access and enjoy this new series!

A universe trembles. It is the far future; the human race has finally colonized the galaxy, preserving an era of prosperity that’s only possible because of The Hypernaturals. They’re a celebrated, galaxy-wide superhero task force that keeps the peace. That is, until they all mysteriously vanish. Now, as the galaxy teeters on the brink of chaos, it’s up to a group of retired and long forgotten Hypernaturals – and their novice recruits – to save the galaxy from complete destruction. Dan Abnett and Andy Lanning, the superstar writing duo behind Annihilation and The Legion, launch an all-new original series that takes cosmic super-heroes to a new frontier. After reading the Free Comic Book Day Edition, pick up the #1 issue thisJuly!

About BOOM! Studios
Founded by Ross Richie, 2009 and 2010's “Best Publisher” BOOM! Studios (http://www.boom-studios.com/ generates a constellation of Eisner and Harvey Award-winning, bestselling comic books and graphic novels with the industry’s top talent, including Mark Waid’s IRREDEEMABLE, new HELLRAISER comics written by Clive Barker, PLANET OF THE APES, 28 DAYS LATER, and Philip K. Dick’s DO ANDROIDS DREAM OF ELECTRIC SHEEP?. BOOM!’s all ages imprint KaBOOM! publishes Charles Schulz’ PEANUTS, Roger Langridge’s SNARKED, Cartoon Network's ADVENTURE TIME, and GARFIELD. BOOM!’s lit comix-focused imprint, BOOM! Town, recently won the Eisner Award for its first book, Shannon Wheeler’s I THOUGHT YOU WOULD BE FUNNIER.

Review - The Almighties #1

2012-05-23T12:39:00.000-04:00

You might have heard that the Avengers have assembled on screen. The film is pretty much owning the box office, with Joss Whedon successfully bringing the superhero team to film with lots of action. The film's release is a capital moment for the parodies to start coming out and Actuality Press is on it with The Almighties #1.

The title is written by Sam Johnson and Mike Gagnon, illustrated by Eleonora Kortsarz, Pablo Zambrano and D.C. White and colored by Gagnon, Gulliver Vianei and Jennifer Scott, with letters by Kris Johnson.

The Almighties consist of five, um, superheroes. There's Maxi-Tron (super-tech armor), Nite Fang (werewolf), Ms. F (flight and strength), Mason (psychopathic mercenary) and Stefanos (french fry attendee). The team is assembled by White Out to combat threats in America.

Those threats include Free Unwillingly Captured Animal Species (F.U.C.A.S.) who operate under the organization known as the Animal Network Unsyndicated Network (A.N.U.S.). If those two acronyms don't reveal to you what kind of book The Almighties #1 is then you should probably read some less serious stuff.

Anyway, the team is tasked with stopping groups that are--according to White Out--setting back society. It isn't until the end of the issue that the Almighties realize what White Out's true motive is and they're none too pleased with it.

Johnson and Gagnon have taken a very crude humor approach to the title. The first page features a freed rabbit being smashed under a heavy iron boot, so the book opens in rather gruesome fashion. The "threats" as described by White Out are extreme caricatures of the groups they're supposed to represent.

The comic is meant to be read as satire, but there are some parts of it that are a little uncomfortable to read. That's not to say it's bad, but Johnson and Gagnon definitely push the limits of the satire. Superheroes are perfect targets for being made fun of and the duo really go to town here. Stefanos' involvement is one of the recurring gags in the issue and the two really make that a focal point for humor reasons.

The art is sort of all over the place. There are multiple artists and colorists on the issue, which hurts the overall consistency a little bit. Considering the subject matter, the choice of character models is appropriate for the work, as none of them are illustrated with overt realism in mind.

One of the many spoofs of the Avengers is a very off-kilter read. It's not something you should read when you're looking for a serious comic. It's something you should read if you need to get a Kevin Smith fix sated. It's just that type of story and art.

The Almighties #1 is available now.

Aspen Comics To Attend the Phoenix Comicon 2012

2012-05-23T11:33:00.000-04:00

There's a first time for everything and Aspen Comics is making their first appearance at Phoenix Comiccon 2012 this weekend, May 24-27th. The publisher will be bringing with them the requisite talent, exclusive books and prints to make it worth your while as well.

In attendance at the Aspen Comics Booth #900 throughout the weekend will be creators Frank Mastromauro, Peter Steigerwald, Mark Roslan, J.T. Krul and Joe Benitez at the Aspen Comics Booth, with Aspen artists Mike DeBalfo and Tony Parker also in attendance at the show in Artist’s Alley.

The publisher will be offering a special Fathom: Kiani #2 Phoenix Comicon 2012 cover by newly announced Soulfire Volume 4 artist DeBalfo with colors by Beth Sotelo. The special Phoenix Comicon exclusive will be limited to only 500 copies and fans are encouraged to visit the Aspen Comics Booth early to secure their copy.

Aspen will also be offering a special Lady Mechanika #2 Outlaw Exclusive Edition that will be debuting at the show, featuring an all new cover by Benitez and Steigerwald, limited to 1500 copies.

An exciting new line of Aspen’s industry-leading art prints will be released at the show featuring the latest version of the Aspen Tour Print 2012 by Michael Turner and Steigerwald. In addition to the Aspen Tour Print, the publisher will also be offering new prints featuring covers from popular titles such as Fathom, Soulfire, Lady Mechanika, Executive Assistant Iris and more.

Full press release and previews of the show exclusives below.

Aspen Comics To Attend the Phoenix Comicon 2012
Press Release

In their first appearance at the Phoenix Comicon 2012 on May 24-27th, Aspen Comics will be offering many new and exclusive books and prints along with a host of Aspen creators. In attendance at the Aspen Comics Booth #900 throughout the weekend will be creators Frank Mastromauro (Shrugged, Dellec), Peter Steigerwald (Lady Mechanika, Soulfire), Mark Roslan (Broken Pieces), J.T. Krul (Soulfire, Mindfield) and Joe Benitez (Lady Mechanika) at the Aspen Comics Booth, with Aspen artists Mike DeBalfo (Soulfire) and Tony Parker (Dead Man’s Run) also in attendance at the show in Artist’s Alley.

The publisher will be offering a special Fathom: Kiani #2 Phoenix Comicon 2012 cover by newly announced Soulfire Volume 4 artist and Arizona native Mike DeBalfo with colors by Beth Sotelo. The special Phoenix Comicon exclusive will be limited to only 500 copies and fans are encouraged to visit the Aspen Comics Booth early to secure their copy.

Aspen will also be offering a special Lady Mechanika #2 Outlaw Exclusive Edition that will be debuting at the show, featuring an all new cover by creator Joe Benitez and Peter Steigerwald, limited to 1500 copies. Fans are also strongly encouraged to arrive at the Aspen Comics Booth #900 early to ensure their copy.

An exciting new line of Aspen’s industry-leading art prints will be released at the show featuring the latest version of the Aspen Tour Print 2012 by Aspen founder and legend Michael Turner and Peter Steigerwald. In addition to the Aspen Tour Print, the publisher will also be offering new prints featuring covers from popular titles such as Fathom, Soulfire, Lady Mechanika, Executive Assistant Iris and more.

For more information on the Phoenix Comicon please check www.phoenixcomicon.com. For more information on Aspen Comics please check www.aspencomics.com and www.aspenstore.com.

Aspen MLT, Inc. is an entertainment publishing company founded in January 2003 by superstar comic artist Michael Turner. Priding itself on producing entertainment properties of the highest quality visual and storytelling elements Along with their own successful properties such as Fathom, Soulfire, Executive Assistant: Iris, Lady Mechanika and more. Aspen also collaborates with the comic industry's most successful companies and endeavors including Marvel Comics and DC Entertainment. Aspen has collaborated with Marvel for various hit projects, including cover work for the best-selling events Civil War, World War Hulk, and Ultimatum. Aspen collaborated with DC Comics to provide covers for such best-selling titles as Superman/Batman: The Return of Supergirl, The Justice League of America, and Eisner-nominated covers for the critically acclaimed, best-selling Identity Crisis series. In 2006, Aspen joined forces with television giant NBC to create the online comic adaptations for the hit television series Heroes. Currently in 2012, Aspen is teaming up with Gale Anne Hurd’s Valhalla Entertainment to produce the horror-adventure series Dead Man’s Run, as well as collaborating with director McG’s Wonderland Sound and Vision to produce the horror comic

Oni Press Translates Bad Machinery to Print

2012-05-23T10:31:00.000-04:00

Have you ever heard of John Allison? No? You should have, as his webcomic Bad Machinery is quite a hit on the interwebs. Some folks might not have access to said interwebs, so Oni Press is taking it upon themselves to collect the webcomic into a series of books, the first time the material has seen print since its inception in 2009.

“We couldn't be more thrilled to be working with John,” Oni Press editor in chief James Lucas Jones stated. “His comics have helped define how the art form has translated to the internet. His writing displays an impressive balance of suspense and humor, and the book's characters are well-rounded and interesting so you want to know what happens to them. And that doesn't even touch on how John is one hell of a cartoonist.”

The serialized webcomic is about two rival teams of kids who investigate supernatural mysteries, often competing to solve the same case. The story is set in a fictional English town and all the kids go to the same school. There is the girls group—Shauna, Charlotte, and Mildred—and the boys group—Jack, Linton, and Sonny—and though they each tend to start an adventure from opposite ends, they usually end up in the same place by story's end.

“It seemed like it was about time I had some Bad Machinery books out there,” Allison explained, “and Oni Press feels like the perfect fit. Their production standards are the best in comics, and I can't wait to see how they handle printing my strips.”

Bad Machinery, Vol. 1 is scheduled for a March 2013 release. You can check out the comic online now at www.badmachinery.com.

Full press release below.

ONI PRESS CRAFTS JOHN ALLISON'S "BAD MACHINERY" WEBCOMIC INTO PRINT

Starting in early 2013, Oni Press will begin collecting John Allison's popular webcomic Bad Machinery into a series of books. Allison began Bad Machinery in 2009 as an extension of his online strip Scary Go Round. This will be the first time any of the material has seen print.

Bad Machinery is a serialized comic about two rival teams of kids who investigate supernatural mysteries, often competing to solve the same case. The story is set in a fictional English town, and all the kids go to the same school. There is the girls group—Shauna, Charlotte, and Mildred—and the boys group—Jack, Linton, and Sonny—and though they each tend to start an adventure from opposite ends, they usually end up in the same place by story's end.

John Allison is a pioneer of webcomics, having started Bobbins in 1998 and Scary Go Round in 2002. There have been five Bad Machinery stories so far, each exceeding 100 pages. The first Oni Press volume will collect The Case of the Team Spirit, a story revolving around a haunting within the local football club. This full-color paperback is scheduled for March of next year.

“We couldn't be more thrilled to be working with John,” Oni Press editor in chief James Lucas Jones stated. “His comics have helped define how the art form has translated to the internet. His writing displays an impressive balance of suspense and humor, and the book's characters are well-rounded and interesting so you want to know what happens to them. And that doesn't even touch on how John is one hell of a cartoonist.”

“It seemed like it was about time I had some Bad Machinery books out there,” Allison explained, “and Oni Press feels like the perfect fit. Their production standards are the best in comics, and I can't wait to see how they handle printing my strips.”

“We're at a point where the term 'webcomics' is becoming redundant,” Jones added. “Comics is about storytelling, not the delivery system. Being a publisher in the 21st century is reliant on recognizing talent wherever you find it. John Allison is one talented guy, and we're proud to have Bad Machinery joining the Oni Press library.”

Bad Machinery, vol. 1 is scheduled for a March 2013 release. In the meantime, start reading Bad Machinery now by visiting badmachinery.com.

Founded in 1997, Oni Press, Inc. has become one of the comic industry’s most well respected independent comic publishers; focusing on genre, character, and story driven creator-owned work.

Michael Midas Champion Hits Stores in July

2012-05-23T09:26:00.000-04:00

We've all been there before. Children playing on the playground, our crush a few feet away. We desperately try to find the words and confidence to go up to them and say hi. Until we wait too long and a bully moves in and steals the crush from us. What do you do? Naturally, you don a mask and battle evil, pretending that evil is that bully. Who just happens to become your supervillain archnemesis.

Michael Midas Champion recounts this tale, as written by Jordan B. Gorfinkel and illustrated by Scott Benefiel. It's told from the perspective of a grandmother speaking to her grandson and it's really about becoming so dedicated to something that you lose touch of what's really important in your life.

Chris Renaud, director of DESPICABLE ME and DR. SEUSS' THE LORAX, said, “MICHAEL MIDAS CHAMPION delivers a dynamic narrative and spectacular illustration while answering the question, ‘How do you balance a family and superpowers?’ Everyone can recognize their own life in the character of Michael Midas and that’s what makes it fun. I truly enjoyed reading this story.”

Each issue will also showcase an original story cerated by The Troika. The Troika happens to be former Batman editors Gorfinkel, Scott Peterson and Darren Vincenzo, with a little Denny O'Neil sprinkled in for good measure. The first issue ships in July, while each issue will run 48 pages with no ads and in a "Widescreen Comics" landscape format for $4.99.

Full press release below.

BOOM Studios Presents
MICHAEL MIDAS: CHAMPION!
Behind Every Cape And Cowl
There’s A Human Side.

May 23rd, 2012 – Los Angeles, CA – This June, BOOM! Studios is proud to announce MICHAEL MIDAS CHAMPION by Jordan B. Gorfinkel and Scott Benefiel. Wrapping a classic fairy tale in superhero comic book clothing, MICHAEL MIDAS CHAMPION blends the heart of It’s A Wonderful Life, the majesty of The Princess Bride and the thrills of Spider-Man.

MICHAEL MIDAS CHAMPION is the inspirational life story of Michael Midas, who, as told by a grandmother to her grandson, grows from being a boy—dealing with a playground crush stolen from him by a tormenting bully—into a crimson hero who dons a mask and battles evil, particularly the bully of his youth, who has, naturally, become his supervillain arch-nemesis. Through his triumphs and trials, Michael becomes a superhero so dedicated that he loses touch of what’s important in life—his loved ones—puttting them and the whole Earth on a path to complete destruction. But given a rare second chance, can Michael Midas Champion set things right? Will he?

Chris Renaud, director of DESPICABLE ME and DR. SEUSS' THE LORAX, said, “MICHAEL MIDAS CHAMPION delivers a dynamic narrative and spectacular illustration while answering the question, ‘How do you balance a family and superpowers?’ Everyone can recognize their own life in the character of Michael Midas and that’s what makes it fun. I truly enjoyed reading this story.”

MICHAEL MIDAS CHAMPION is a full throttle, heart string tugging, all ages book filled with suspense, action, romance and wonderfully poignant scenes told in a cinematic wide-screen layout. A story that will touch a part of everyone that reads it.

Bonus: each issue also showcases an original short story, created by The Troika, the former Batman editors Jordan B. Gorfinkel, Scott Peterson and Darren Vincenzo, and special guests, including legendary Dark Knight writer/creator Denny O’Neil.

MICHAEL MIDAS CHAMPION will ship this July. This title is a six-issue mini-series which is accessible to all ages. Attention Consumers and Retailers--All six issues of Michael Midas Champion are complete, insuring on-time delivery and low-risk ordering.

Each issue will run 48 pages (with no interior ads) in a unique “Widescreen Comics” landscape format and will carry a $4.99 price point, with a Diamond Comics Distribution Order Code of MAY120978.

About Jordan B. Gorfinkel

Creator/Writer Jordan B. Gorfinkel, a.k.a. “Gorf” is a former Batman editor for DC Comics. Gorf is best known for creating the ambitious and critically/commercially- acclaimed epic Batman: No Man’s Land, as well as conceiving Birds of Prey. Since then, he has founded Avalanche Comics Entertainment which has worked with companies such as Microsoft, TOMS Shoes and Clorox.

“I cooked up Michael Midas Champion with all of my favorite illustrated storytelling ingredients: action, adventure, drama, mythos, suspense, romance, horror, redemption, drool-inducing art and most of all, heart and soul. My fondest hope is that fans will read it and fall in love with comics again like it’s their first time.” —Michael Midas Champion Creator/Writer Jordan B. “Gorf” Gorfinkel.

“It’s been fantastic working with Gorf. He’s seen it all in this industry and it shows in his writing — action, suspense, amazing characters — everything in the world of Michael Midas is fully realized and the final product is a book that’s simply outstanding.” — Adam Staffaroni of BOOM! Studios

About Scott Benefiel

Artist Scott Benefiel renders with a vibrant and dynamic style that captures both American and European aesthetics. He has worked with such publishers as DC, Marvel, Dark Horse, Image, IDW, Disney, Humanoids and others, penciling titles like GHOST, SUPERMAN, JLA, JSA, SILVER SURFER, GHOST/HELLBOY, and more. He is an accomplished artist and designer in the video game industry on titles such as TRANSFORMERS: WAR FOR CYBERTON, THE BOURNE CONSPIRACY, SILENT HILL 5 and more. And he has illustrated for animated television series, including MINORITEAM for Cartoon Network, and the award-winning animated feature ROBOTECH: THE SHADOW CHRONICLES.

About Jonny Rench

Colorist Jonny Rench provided the striking and lush “American Animé”-style Michael Midas Champion coloring before his untimely passing. Jonny was deeply admired for his prolific coloring of the Wildstorm Universe (on tiles such as The Authority, The Programme, Ratchet & Clank and Human Target), as well as his work for Aspen, Dark Horse and Devil’s Due.

About BOOM! Studios
Founded by Ross Richie, 2009 and 2010's “Best Publisher” BOOM! Studios (http://www.boom-studios.com/ generates a constellation of Eisner and Harvey Award-winning, bestselling comic books and graphic novels with the industry’s top talent, including Mark Waid’s IRREDEEMABLE, new HELLRAISER comics written by Clive Barker, PLANET OF THE APES, 28 DAYS LATER, and Philip K. Dick’s DO ANDROIDS DREAM OF ELECTRIC SHEEP?. BOOM!’s all ages imprint KaBOOM! publishes Charles Schulz’ PEANUTS, Roger Langridge’s SNARKED, Cartoon Network's ADVENTURE TIME, and GARFIELD. BOOM!’s lit comix-focused imprint, BOOM! Town, recently won the Eisner Award for its first book, Shannon Wheeler’s I THOUGHT YOU WOULD BE FUNNIER.

Taking a Look at The Activity TPB

2012-05-23T08:32:00.000-04:00

It's not as if the United States military isn't already doing enough for the country that they decide to team up with Image Comics on a comic taking a look at Black Ops. Specifically, the men involved in Operation Neptune Spear, the famous mission from May 2, 2011. It's that mission that Nathan Edmondson and Mitch Gerads used as inspiration for The Activity, now hitting the shelves as a TPB.

The insight into the lives of special operatives, as well as the bleeding-edge technology they employ in their missions, is founded on Edmondson's desire to create a true-to-life depiction of life in Special Forces. A trip to Washington D.C., as well as extensive research and networking, yielded defense contractor contacts and sources within special ops.

"I flew to Washington, D.C. and interviewed colonels and captains and a general face-to-face, gleaning what info I could," Edmondson said. "I’ve had the scripts reviewed by individuals from the Pentagon and JSOC [Joint Special Operations Command].... Often it was a matter of those advisors directing me and us to specific reading material, or simply telling us, 'no, that doesn’t make sense.'"

The first TPB will hit stores June 6, collecting the first five issues of the series. The Activity #6 will hit stores shortly thereafter, illustrated by Laming and showing events west of the Congo in the Civil Affairs career of Team Omaha's newest member Fiddler.

The Activity #7 will start a new story arc called "Goat Hunt," where Team Omaha is sent to Uzbekistan for their latest mission. That issue hits stores July 18.

Full press release below.

A LOOK INSIDE BLACK OPS IN THE ACTIVITY

Comic written with cooperation of members of U.S. Military & Intelligence

They do their work in secret, the goals of their missions and the discipline, teamwork, and skills needed to carry them out well out of the sight of the American public. However, on May 2, 2010, an elite team of Navy SEALs carried out Operation Neptune Spear, killing Osama bin Laden and launching "Black Ops" into the American consciousness.

Among the imaginations captured by these elite forces was that of Nathan Edmondson, a writer (WHO IS JAKE ELLIS, DANCER) who was inspired to create THE ACTIVITY, a comic book series that follows the lives of members of the special operations group Intelligence Support Activity. Drawn by Mitch Gerads (with guest issues by Marc Laming), THE ACTIVITY depicts the training and covert missions of Team Omaha within the real-life organization with glimpses of the "regular" lives they live where no one knows about their real jobs.

The insight into the lives of special operatives, as well as the bleeding-edge technology they employ in their missions, is founded on Edmondson's desire to create a true-to-life depiction of life in Special Forces. A trip to Washington D.C., as well as extensive research and networking, yielded defense contractor contacts and sources within special ops.

"I flew to Washington, D.C. and interviewed colonels and captains and a general face-to-face, gleaning what info I could," Edmondson told MTV Geek at the time of THE ACTIVITY #1's publication. "I’ve had the scripts reviewed by individuals from the Pentagon and JSOC [Joint Special Operations Command].... Often it was a matter of those advisors directing me and us to specific reading material, or simply telling us, 'no, that doesn’t make sense.'"

Edmondson's commitment to accuracy won the aid of many of the book's advisors, including Major Rusty Bradley of the US Special Forces, who co-scripted issue six of THE ACTIVITY. Major Bradley is the hero responsible for leading the team that took Sperwan Ghar in the decisive battle in Afghanistan, as is accounted in his book, LIONS OF KANDAHAR. Bradley's co-writer, embedded Special Forces reporter Kevin Maurer, is an ongoing advisor to the book and wrote the foreword to the trade.

The first trade paperback collection of THE ACTIVITY, containing issues #1-5, will be for sale on June 6 (ISBN 978-1-60706-561-6).

THE ACTIVITY #6, in stores now and drawn by Laming, shows events west of the Congo in the Civil Affairs career of Team Omaha's newest member, code name "Fiddler," that led her to being recruited by the Intelligence Support Activity

THE ACTIVITY #7 is the launch of a new story arc, "Goat Hunt," which sees members of Team Omaha being sent to Uzbekistan for their latest mission after incriminating evidence is discovered on a Chinese freighter. It was co-written by actual Navy SEALs whose identities cannot be revealed. It is available for pre-order now from the May issue of Previews and will be in stores on July 18.

ABOUT IMAGE COMICS

Image Goes Enormous

2012-05-22T16:34:00.000-04:00

Humans are quite fond of their place at the top of the food chain. They're not necessarily stronger or fiercer than many animals, but what they lack in fighting prowess they more than make up for intelligence. It's that intelligence that the humans in Image Comics' new series Enormous will have to tap into.

"By the time we enter the world of Enormous, being at the bottom of the food-chain is something humans have been experiencing for a while," said Daniel. "As a result, there is no consensus around how we're going to survive as a species.

Written by Tim Daniel and illustrated by Mehdi Cheggour, Enormous features a cataclysmic event that has spawned colossal beasts that overrun human civilization. Cities are reduced to ruins where survivors must scratch out a desperate existence, evading the giant creatures that hunt them.

Ellen Grace lives in the middle of all this, a woman who's lost everything and is braving the streets to find lost children and bring them to a safe place.

"There are a few human factions, each operating with a fairly distinct agenda, the motivations of which may well be far beyond their understanding," he added. "Regardless of what might prove to be the driving force for each character, the law of the land is simple: hunt or be hunted."

Enormous #1 hits stores July 5 through the Shaowline imprint of Image Comics.

Full press release below.

HUMANS ARE AN ENDANGERED SPECIES IN ENORMOUS

Giant beasts top food chain in July graphic novella

In ENORMOUS, a new Image Comics/Shadowline graphic novella by Tim Daniel and Mehdi Cheggour (Heavy Metal) to be published in July, a cataclysmic ecological event has spawned colossal beasts that overrun human civilization. Cities are reduced to ruins where survivors must scratch out a desperate existence, evading the giant creatures that hunt them.

In the midst of this struggle against annihilation, a young woman who has lost everything, Ellen Grace, braves the rubble-strewn streets to find lost children and bring them to a safe place. However, she soon finds that there is another enemy just as dangerous as the megafauna: other humans.

"By the time we enter the world of Enormous, being at the bottom of the food-chain is something humans have been experiencing for a while," said Daniel in an April interview with Comic Book Resources. "As a result, there is no consensus around how we're going to survive as a species.

"There are a few human factions, each operating with a fairly distinct agenda, the motivations of which may well be far beyond their understanding," he added. "Regardless of what might prove to be the driving force for each character, the law of the land is simple: hunt or be hunted."

Drawn in terrifying and haunting detail by Cheggour, a Morroccan artist whose MORNING GLORIES fan art caught Daniel's attention, ENORMOUS is a 64-page saddle-stitched graphic novella in an oversized "treasury" format (10 x 13.5").

Published under Image's Shadowline imprint, ENORMOUS can be pre-ordered from the May issue of Previews (MAY120519) and is scheduled to be in stores on July 5. It has been supported by a campaign of "teasers" that appeared on top comic book sites such as Comic Book Resources, iFanboy, and Multiversity, a "prequel" and article published at USA Today, and a preview at the Gawker site io9.

ABOUT IMAGE COMICS

X-O Manowar #1 Sells Out

2012-05-22T14:30:00.000-04:00

In the immortal words of Ron Burgundy, don't act like you're not impressed. In that case, Ron was talking about the "optical illusion" created by his pants, but in the case of Valiant they're hoping you're impressed that X-O Manowar #1 has sold out. And is coming back to stores for a second printing.

"We've been telling the industry for months that Valiant would have everyone talking in 2012, but these figures have exceeded even our expectations," said Publisher Fred Pierce. "We can't thank the retail community enough for the massive support they've shown us, and this sellout speaks volumes about the amazing job our creators are doing with this series."

To put this into context (and actual numbers), the first printing was 45,000 copies, which has completely sold out. The second printing will feature a wraparound variant by cover artist star Arturo Lozzi. The cover and second printing will be in stores June 20th.

"Valiant has never underestimated the resonance that its characters have with comics fans around the world," added Valiant CEO Jason Kothari. "X-O Manowar #1 has already taken a lot of people by surprise, and, with Harbinger #1 and Bloodshot #1 just around the corner, this is truly going to be a summer of Valiant."

Full press release below.

X-O MANOWAR #1 Posts Massive Sellout, Returns With 2nd Printing

Valiant is proud to announce that X-O Manowar #1 has sold out at the distributor level, rocketing through its initial print run of 45,000 copies. Due to demand, Valiant is going back to press on the first issue of the all-new Valiant Universe for the X-O Manowar #1 Second Printing Wraparound Variant – featuring a never-before-seen cover by rising star Arturo Lozzi!

"We've been telling the industry for months that Valiant would have everyone talking in 2012, but these figures have exceeded even our expectations," said Publisher Fred Pierce. "We can't thank the retail community enough for the massive support they've shown us, and this sellout speaks volumes about the amazing job our creators are doing with this series."

From the creative team of New York Times bestselling author Robert Venditti (The Surrogates) and Eisner Award-winning artist Cary Nord (Conan), X-O Manowar #1 is the first title of the publisher's summer 2012 relaunch and heralds a new beginning for one of Valiant's all-time best-selling heroes. And the Summer of Valiant has only just begun! Fans and retailers take note – Harbinger #1 arrives on June 6, and will be followed by Bloodshot #1 on July 11, and Archer & Armstrong #1 on August 8.

"This is an outstanding performance for an independent publisher, especially with a debut title. We look forward to great things from Valiant in the months and years to come," said Bill Schanes, VP of Purchasing for Diamond Comic Distributors, Inc.

"The success of this book is due in no small part to Rob and Cary's phenomenal work, and our staff deserves a big round of applause as well," said Valiant Chief Creative Officer Dinesh Shamdasani. "Warren, Fred, and the rest of the team spent months making sure Valiant's return would make as big an impact as possible."

"Valiant has never underestimated the resonance that its characters have with comics fans around the world," added Valiant CEO Jason Kothari. "X-O Manowar #1 has already taken a lot of people by surprise, and, with Harbinger #1 and Bloodshot #1 just around the corner, this is truly going to be a summer of Valiant."

Now's the time to witness the epic beginning of Valiant's return all over again! Jump onboard the summer's hottest new series when the X-O Manowar #1 Second Printing Wraparound Variant arrives in stores everywhere on June 20th!

X-O MANOWAR #1 SECOND PRINTING WRAPAROUND VARIANT – ON SALE JUNE 20th!

Written by ROBERT VENDITTI

Art by CARY NORD

Cover by ARTURO LOZZI (APR128197)

$3.99/Rated T+/40 pgs.

X-O MANOWAR #2 – ON SALE JUNE 6th!

Written by ROBERT VENDITTI

Art by CARY NORD

Cover by JELENA KEVIC-DJURDJEVIC (APR121257)

Variant Cover by ARTURO LOZZI (APR121258)

$3.99/Rated T+/32 pgs.

HARBINGER #1 – ON SALE JUNE 6th!

Written by JOSHUA DYSART

Art by KHARI EVANS

Cover by ARTURO LOZZI (APR121252)

Pullbox Exclusive Variant by MICO SUAYAN (APR121253)

Variant Cover by DOUG BRAITHWAITE (APR121254)

QR Voice Variant by JELENA KEVIC-DJURDJEVIC (APR121255)

$3.99/Rated T+/32 pgs.

BLOODSHOT #1 – ON SALE JULY 11th!

Written by DUANE SWIERCZYNSKI

Art by MANUEL GARCIA & ARTURO LOZZI

Cover by ARTURO LOZZI (MAY121309)

Pullbox Exclusive Variant by MICO SUAYAN (MAY121310)

Variant Cover by DAVID AJA (MAY121311)

Variant Cover by ESAD RIBIC (MAY121312)

$3.99/Rated T+/32 pgs.

ARCHER & ARMSTRONG #1 - ON SALE AUGUST 8th!

Written by FRED VAN LENTE

Art by CLAYTON HENRY

Cover by MICO SUAYAN

Pullbox Exclusive Variant by CLAYTON HENRY

Variant Covers by DAVID AJA & NEAL ADAMS

$3.99/Rated T+/32 pgs.

LINKS TO ART ASSETS:
X-O MANOWAR #1 SECOND PRINTING WRAPAROUND VARIANT COVER

About Valiant Entertainment
Valiant Entertainment is a character-based publishing and licensing company that owns and controls some of the most cherished comic characters ever createdacross all media worldwide. Since their creation in 1989, Valiant characters have sold 80 million comic books and have been the basis of a number of successful video game franchises. Valiant's extensive
library includes over 1,500 characters, such as X-O Manowar, Bloodshot, Harbinger,Shadowman, Ninjak and Archer & Armstrong. Visit:
ValiantUniverse.com
www.facebook.com/ValiantComics
www.twitter.com/ValiantComics

Review - Havoc Brigade #1

2012-05-22T12:29:00.000-04:00

In the heyday of my cartoon viewing youth, there was one show that aired that often gets forgotten amidst Transfomers, He-Man and Thundercats. The show was Exosquad, which followed a group of soldiers who fought in robotic exo-skeletons and were known as Able Squad. It wasn't the first property to use that premise, but something about the show stood out. It was pretty awesome.

Studio-407 hopes their take on the premise stands out just as much in Havoc Squad #1, a new series written by Neal Marshall Stevens and illustrated by John Bosco.

The book is set in the near future Europe, embroiled in an ongoing war with an almost bleak expectation that the war will continue to rage. Nothin can quell the conflict until the Havoc Brigade appears, a military experimental weapon that inserts a soldier into a mechanical suit of armor and weapons.

The Havoc Brigade use their abilities to singlehandedly end the war, an action that gets them nothing more than a pat on the back and fear that the suits could be used for more nefarious purposes. The former commander is a little upset at the action, namely because of his personal investment in the squad. Sergeant Barnes and one of the surviving member of the brigade are tasked with stopping the newly motivated Havoc Brigade.

The thing about Steven's writing in Havoc Brigade is that the title team does get top billing, but not in the way you would think. It's easy to fall into a trap in a story where the Havoc Brigade is featured on every page, being reckless yet precise. Stevens goes a different route.

Instead, he focuses on the soldiers inside the suits. It's even pretty interesting how they "transform" into the Havoc Brigade. The soldiers are transported in the back of a truck until they enter life-size molds that insert them into the Havoc Brigade armor. It's an interesting new way to show heroes suiting up.

Bosco's art is pretty even keel, consistent throughout the entire issue. The suits are drawn very well, a lot of emphasis on the clear openings in the helmets to show the soldiers' faces. This was probably done to stick with Stevens' idea of showing the soldier within the suit and it works.

There's some interesting stuff happening in Havoc Brigade #1. There's a good mix of combat, personality and emotion and the actions taken at the end of the issue are fairly gruesome. There's definitely going to be an interesting battle between Barnes and his mentor, especially when the suits are in play.

Havoc Brigade #1 is in stores in July with interiors below.

Witchblade Uncovers Hidden Artifacts

2012-05-22T10:35:00.000-04:00

It's not as if Witchblade needs any new promotions. The series is well known within comic circles as one of longevity and as a flagship franchise for Top Cow. It's those outside of that circle that may want to know more about the series and that's why Image, Top Cow and Wired's GeekDad to debut a new promotion effective May 21.

Cover artist John Tyler Christopher has done all the "A" covers for Witchblade since #151. Those covers bear a secret message though that you might not have recognized. The covers hold hidden clues that are tied to "artifacts" that can readers can find and fans who solve the puzzle will be given the chance to download exclusive bonus material by going to www.topcow.com/community/promotions and entering the solution.

“One of the many reasons I love working with John is that, as an illustrator, he’s not only capable of producing some truly mesmerizing covers, but he’s always thinking outside the box," said Top Cow Publisher FIlip Sablik. "The genesis of this idea really began with John’s desire to engage fans and give them more with every cover. And what better way to announce the project than on Wired, the best news source for innovation and technology?”

Wired's GeekDad plays in thusly. To celebrate "Week of Witchblade," the blog is debuting a new cover puzzle every day and also running a contest every day as well. Fans will be eligible for a Daily Prize and a Grand Prize by entering at www.wired.com/geekdad/2012/05/a-week-of-witchblade-issue-151.

Full press release below.

WITCHBLADE Uncovers Hidden Artifacts!

Image Comics/Top Cow teams with Wired's GeekDad to reveal a secret message

Image Comics and Top Cow Productions are excited to reveal to fans an innovative new promotion for fans — WITCHBLADE Cover Artifacts. Cover artist John Tyler Christopher’s stunning artwork has adorned the “A” covers of Witchblade since issue #151. Little did readers know, however, that Christopher hid a message in each of the covers!

The Top Cow Universe is full of secrets, myths and hidden mysteries and no title embodies that more than our flagship — WITCHBLADE! And now, thanks to cover artist John Tyler Christopher (ARTIFACTS, Voodoo), the mystery is no contained only within the story pages between the covers. Beginning with WITCHBLADE #151, each “A” cover contains hidden clues within the art. Find the “artifacts” hidden in each of the covers to solve a puzzle. Fans who solve each puzzle will be able to unlock exclusive downloads and bonus material by going to http://www.topcow.com/community/promotions and entering the solution. But be warned, these puzzles are challenging!

Top Cow has teamed up with Wired’s GeekDad blog to exclusively debut this promotion beginning Monday, May 21. To celebrate a “Week of Witchblade,” GeekDad will debut a new cover puzzle each day and also run a contest every day. Fans can not only unlock exclusive content at topcow.com, but also be eligible for a Daily Prize as well as a Grand Prize by entering at http://www.wired.com/geekdad/2012/05/a-week-of-witchblade-issue-151.

“One of the many reasons I love working with John is that, as an illustrator, he’s not only capable of producing some truly mesmerizing covers, but he’s always thinking outside the box," said Top Cow Publisher FIlip Sablik. "The genesis of this idea really began with John’s desire to engage fans and give them more with every cover. And what better way to announce the project than on Wired, the best news source for innovation and technology?”

Fans can study each cover in depth both in the individual issues as well as the upcoming WITCHBLADE: Rebirth Volume 1 trade paperback, which collects WITCHBLADE #151-#155. The 144-page collection retails for $9.99 and is scheduled to be in stores June 6, 2012. WITCHBLADE #156 is in stores this week on May 23 and retails for $2.99. The stand-alone issue is the only one that does not feature a puzzle, and as a special bonus, fans will receive bonus downloads and behind-the-scenes material completely free on the WITCHBLADE Cover Artifacts homepage.

ABOUT IMAGE COMICS