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	<title>Blog &#124; One, One Thousand &#124; Southern Photography</title>
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	<description>One, One Thousand&#039;s Blog provides news, updates, and information about One, One Thousand &#124; Southern Photography</description>
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		<title>Michael P. Smith Grant for Documentary Photography 2013: Deadline March 29</title>
		<link>http://oneonethousand.org/blog/michael-p-smith-grant-for-documentary-photography-2013-deadline-march-29/</link>
		<comments>http://oneonethousand.org/blog/michael-p-smith-grant-for-documentary-photography-2013-deadline-march-29/#comments</comments>
		<pubDate>Thu, 14 Mar 2013 15:49:52 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[Opportunities and Call to Artists]]></category>

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		<description><![CDATA[The deadline is approaching fast for the Michael P. Smith Fund For Documentary Photography (MPS Fund). Michael P. Smith (1937-2008) was a New Orleans native and award-winning professional freelance photographer. Smith photographed every New Orleans Jazz &#038; Heritage Festival from &#8230; <a href="http://oneonethousand.org/blog/michael-p-smith-grant-for-documentary-photography-2013-deadline-march-29/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The deadline is approaching fast for the <a href="http://www.neworleansphotoalliance.org/grants/MPS_Fund/" class="under" target="_blank">Michael P. Smith Fund For Documentary Photography (MPS Fund)</a>. </p>
<p><a href="http://michaelpsmithphotography.com/" class="under" target="_blank">Michael P. Smith</a> (1937<span style="font-family: Arial;">-</span>2008) was a New Orleans native and award-winning professional freelance photographer. Smith photographed every New Orleans Jazz &#038; Heritage Festival from its inception in 1970 until his retirement in 2004, when he was honored with a major exhibition at the Fair Grounds. In a brilliant career that spanned more than four decades, Smith was an inspiration, a role model, and a mentor to many photographers in New Orleans and beyond.</p>
<p>Created by the <a href="http://www.neworleansphotoalliance.org/" class="under" target="_blank">New Orleans Photo Alliance (NOPA)</a> to honor Smith&#8217;s life and work, the MPS Fund is open to both emerging and established photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama and Florida. Don&#8217;t miss your opportunity to apply.</p>
<p><strong>What you get:</strong> $5000<br />
<strong>Who can apply:</strong> Photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama, and Florida<br />
<strong>How much you pay:</strong> Application fee: $25 + NOPA membership: $60.<br />
<strong>Who&#8217;s gonna see your work:</strong> Three preliminary jurors will select ten finalists. They are Stacey D. Clarkson, Art Director of Harper’s Magazine; Ed Kashi, photographer and member of VII; and Susan Sterner, Director of New Media Photojournalism at the Corcoran College of Art + Design. Kevin Miller, Director of the Southeast Museum of Photography, will select the 2013 recipient from the ten finalists.<br />
<strong>When&#8217;s the deadline:</strong>  March 29, 2013</p>
<p>In 2012, Kael Alford won the grant for her project &#34;Bottom of da Boot: Losing the Coast of Louisiana.&#34; Brett Abbott, the Curator of Photography at the High Museum of Art, selected Alford&#8217;s project from ten finalists. </p>
<p>To learn more about the MPS Fund, please visit the New Orleans Photo Alliance&#8217;s <a href="http://www.neworleansphotoalliance.org/grants/MPS_Fund/" class="under" target="_blank">Michael P. Smith Fund page</a>. For additional information, please contact Lori Waselchuk at 225-907-6695.</p>
<p>Also, be sure to check out the rest of the <a href="http://www.neworleansphotoalliance.org/" class="under" target="_blank">New Orleans Photo Alliance&#8217;s website</a>. NOPA is a diverse group of photographers who joined forces in 2006 to create unity and opportunity for photographers in the Gulf South. Since its inception, NOPA has sponsored photographic exhibitions, workshops, and educational programs. It also coordinates <a href="http://photonola.org/" class="under" target="_blank">PhotoNOLA</a>, the annual photography festival held each December at venues throughout New Orleans.</p>
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		<title>February 2013 Featured Photographer : Joe Leavenworth</title>
		<link>http://oneonethousand.org/blog/february-2013-featured-photographer-joe-leavenworth/</link>
		<comments>http://oneonethousand.org/blog/february-2013-featured-photographer-joe-leavenworth/#comments</comments>
		<pubDate>Tue, 26 Feb 2013 16:33:40 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>
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		<description><![CDATA[The subject matter of photographer Joe Leavenworth&#8217;s ongoing project &#8220;Native Son&#8221; is Atlanta&#8217;s city within the city, Decatur. Born but not raised in Decatur, GA, Leavenworth approaches the area as a self-aware outsider and creates a visual account of his &#8230; <a href="http://oneonethousand.org/blog/february-2013-featured-photographer-joe-leavenworth/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The subject matter of photographer Joe Leavenworth&#8217;s ongoing project &#8220;Native Son&#8221; is Atlanta&#8217;s city within the city, Decatur. Born but not raised in Decatur, GA, Leavenworth approaches the area as a self-aware outsider and creates a visual account of his birthplace both personal and detailed in scope <a class="under" href="/photography/leavenworth/">Click here to see Joe Leavenworth&#8217;s project &#34;Native Son.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/leavenworth/"><img class="aligncenter" title="Joe Leavenworth: Native Son | One, One Thousand | February 2013" src="/photography/leavenworth/leavenworth02.jpg" alt="Joe Leavenworth: Native Son" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/leavenworth/">Click here to see more of Joe Leavenworth&#8217;s &#34;Native Son.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/leavenworth/"><img class="aligncenter" title="Joe Leavenworth: Native Son | One, One Thousand | February 2013" src="/photography/leavenworth/leavenworth14.jpg" alt="Joe Leavenworth: Native Son" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/leavenworth/">Click here to see more of Joe Leavenworth&#8217;s &#34;Native Son.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>February 2013 Featured Photographer : Jerry Siegel</title>
		<link>http://oneonethousand.org/blog/february-2013-featured-photographer-jerry-siegel/</link>
		<comments>http://oneonethousand.org/blog/february-2013-featured-photographer-jerry-siegel/#comments</comments>
		<pubDate>Tue, 19 Feb 2013 16:58:39 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

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		<description><![CDATA[Jerry Siegel&#8217;s photography project &#8220;Black Belt Color&#8221; is at once a poem about Selma, Alabama, and an early eulogy to the hometown of his memory. This selection from his larger project focuses solely on his panoramic color photographs — work &#8230; <a href="http://oneonethousand.org/blog/february-2013-featured-photographer-jerry-siegel/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Jerry Siegel&#8217;s photography project &#8220;Black Belt Color&#8221; is at once a poem about Selma, Alabama, and an early eulogy to the hometown of his memory. This selection from his larger project focuses solely on his panoramic color photographs — work which skillfully demonstrates the visual capabilities of the panoramic medium. <a class="under" href="/photography/siegel/">Click here to see Jerry Siegel&#8217;s project &#34;Black Belt Color.&#34;</a></p>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/siegel/"><img class="aligncenter" title="Jerry Siegel: Black Belt Color | One, One Thousand | February 2013" src="/photography/siegel/siegel01.jpg" alt="Jerry Siegel: Black Belt Color" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/siegel/">Click here to see more of Jerry Siegel&#8217;s &#34;Black Belt Color.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/siegel/"><img class="aligncenter" title="Jerry Siegel: Black Belt Color | One, One Thousand | February 2013" src="/photography/siegel/siegel02.jpg" alt="Jerry Siegel: Black Belt Color" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/siegel/">Click here to see more of Jerry Siegel&#8217;s &#34;Black Belt Color.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/siegel/"><img class="aligncenter" title="Jerry Siegel: Black Belt Color | One, One Thousand | February 2013" src="/photography/siegel/siegel11.jpg" alt="Jerry Siegel: Black Belt Color" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/siegel/">Click here to see more of Jerry Siegel&#8217;s &#34;Black Belt Color.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>Susan Worsham: Juror Selection One, One Thousand 2 Year Anniversary</title>
		<link>http://oneonethousand.org/blog/susan-worsham-juror-selection-one-one-thousand-2-year-anniversary/</link>
		<comments>http://oneonethousand.org/blog/susan-worsham-juror-selection-one-one-thousand-2-year-anniversary/#comments</comments>
		<pubDate>Thu, 31 Jan 2013 14:57:18 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1679</guid>
		<description><![CDATA[&#8220;Susan Worsham is a photographic artist who uses her camera to create perfect Southern novelas, complete with plots that describe personal history, nuances of forgotten spaces, and the people that shape her world. Susan has the remarkable ability to celebrate &#8230; <a href="http://oneonethousand.org/blog/susan-worsham-juror-selection-one-one-thousand-2-year-anniversary/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/worsham-bittersweet-on-bostwick-lane/"><img class="aligncenter" title="Susan Worsham: Bittersweet On Bostwick Lane | One, One Thousand | January 2013" src="/photography/worsham-bittersweet-on-bostwick-lane/worsham07.jpg" alt="Susan Worsham: Bittersweet On Bostwick Lane" /></a></span></p>
<blockquote><p>&#8220;Susan Worsham is a photographic artist who uses her camera to create perfect Southern novelas, complete with plots that describe personal history, nuances of forgotten spaces, and the people that shape her world.  Susan has the remarkable ability to celebrate the ordinary and the overlooked in a world where life moves by in a blur.  Her photographs have the cadence of colorful, slowed-down days that keep the past and the present in glorious focus.&#8221; — <span style="font-size: 11px;">Aline Smithson, Editor of <a href="http://www.lenscratch.com/" target="_blank">Lenscratch</a></span></p></blockquote>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/worsham-bittersweet-on-bostwick-lane/"><img class="aligncenter" title="Susan Worsham: Bittersweet On Bostwick Lane | One, One Thousand | January 2013" src="/photography/worsham-bittersweet-on-bostwick-lane/worsham11.jpg" alt="Susan Worsham: Bittersweet On Bostwick Lane" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/worsham-bittersweet-on-bostwick-lane/">Click here to see more of Susan Worsham&#8217;s &#34;Bittersweet On Bostwick Lane.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/worsham-bittersweet-on-bostwick-lane/"><img class="aligncenter" title="Susan Worsham: Bittersweet On Bostwick Lane | One, One Thousand | January 2013" src="/photography/worsham-bittersweet-on-bostwick-lane/worsham15.jpg" alt="Susan Worsham: Bittersweet On Bostwick Lane" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/worsham-bittersweet-on-bostwick-lane/">Click here to see more of Susan Worsham&#8217;s &#34;Bittersweet On Bostwick Lane.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><strong>Editor&#8217;s Note:</strong> Susan Worsham was selected for inclusion in our 2 Year Anniversary edition by juror, Aline Smithson. You can view another selection of Worsham&#8217;s photography previously featured in our publication in <a class="under" href="http://oneonethousand.org/photographers/worsham/">October 2011</a>. You can also visit Worsham&#8217;s website <a class="under" href="http://susanworshamphotography.com/home.html" target="_blank">susanworshamphotography.com</a> to view more of her work.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>Dawn Roe: Juror Selection One, One Thousand 2 Year Anniversary</title>
		<link>http://oneonethousand.org/blog/dawn-roe-juror-selection-one-one-thousand-2-year-anniversary/</link>
		<comments>http://oneonethousand.org/blog/dawn-roe-juror-selection-one-one-thousand-2-year-anniversary/#comments</comments>
		<pubDate>Mon, 28 Jan 2013 16:57:24 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1672</guid>
		<description><![CDATA[&#8220;Dawn Roe&#8217;s photographs of her daily surroundings are relevant and fresh in terms of expanding ideas of how photography can work as a vehicle for exploring experienced and recorded time. She forms part of an important contemporary dialogue with others &#8230; <a href="http://oneonethousand.org/blog/dawn-roe-juror-selection-one-one-thousand-2-year-anniversary/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/roe/"><img class="aligncenter" title="Dawn Roe: No One Was With Her When She Died | One, One Thousand | January 2013" src="/photography/roe/roe09.jpg" alt="Dawn Roe: No One Was With Her When She Died" /></a></span></p>
<blockquote><p>&#8220;Dawn Roe&#8217;s photographs of her daily surroundings are relevant and fresh in terms of expanding ideas of how photography can work as a vehicle for exploring experienced and recorded time. She forms part of an important contemporary dialogue with others exploring lines of thought on time and sequence. The images also reflect a sense of intimate investigation and prolonged observation, relatives of the Southern archetype of time slowed, creating a link between her practice and where she works.&#8221; — <span style="font-size: 11px;">Tom Griggs, <a href="http://www.tomgriggs.net/" target="_blank">Photographer</a> and Editor of <a href="http://www.fototazo.com/" target="_blank">fototazo</a></span></p></blockquote>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/roe/"><img class="aligncenter" title="Dawn Roe: No One Was With Her When She Died | One, One Thousand | January 2013" src="/photography/roe/roe03.jpg" alt="Dawn Roe: No One Was With Her When She Died" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/roe/">Click here to see more of Dawn Roe&#8217;s &#34;No One Was With Her When She Died.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/roe/"><img class="aligncenter" title="Dawn Roe: No One Was With Her When She Died | One, One Thousand | January 2013" src="/photography/roe/roe02.jpg" alt="Dawn Roe: No One Was With Her When She Died" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/roe/">Click here to see more of Dawn Roe&#8217;s &#34;No One Was With Her When She Died.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><strong>Editor&#8217;s Note:</strong> Dawn Roe was selected for inclusion in our 2 Year Anniversary edition by juror, Tom Griggs. You can view a selection of Roe&#8217;s photography at her website <a class="under" href="http://dawnroephotography.com/DawnRoe/Home.html" target="_blank">dawnroephotography.com</a>.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>Deb Schwedhelm: Juror Selection One, One Thousand 2 Year Anniversary</title>
		<link>http://oneonethousand.org/blog/deb-schwedhelm-juror-selection-one-one-thousand-2-year-anniversary/</link>
		<comments>http://oneonethousand.org/blog/deb-schwedhelm-juror-selection-one-one-thousand-2-year-anniversary/#comments</comments>
		<pubDate>Wed, 23 Jan 2013 14:55:14 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1664</guid>
		<description><![CDATA[&#8220;I was immediately drawn to Deb&#8217;s mysterious yet playful underwater photographs of her children. Beautiful compositions that embody both a peaceful tone as well as a glimpse into the boundless exploration of childhood. The overall mood of time standing still &#8230; <a href="http://oneonethousand.org/blog/deb-schwedhelm-juror-selection-one-one-thousand-2-year-anniversary/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/schwedhelm/"><img class="aligncenter" title="Deb Schwedhelm: Whispers from the Sea | One, One Thousand | January 2013" src="/photography/schwedhelm/schwedhelm03.jpg" alt="Deb Schwedhelm: Whispers from the Sea" /></a></span></p>
<blockquote><p>&#8220;I was immediately drawn to Deb&#8217;s mysterious yet playful underwater photographs of her children. Beautiful compositions that embody both a peaceful tone as well as a glimpse into the boundless exploration of childhood. The overall mood of time standing still and a mother creating a memory.&#8221; — <span style="font-size: 11px;">Maggie Brett Kennedy, Photography Director at <a href="http://gardenandgun.com/" target="_blank">Garden &#038; Gun</a></span></p></blockquote>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/schwedhelm/"><img class="aligncenter" title="Deb Schwedhelm: Whispers from the Sea | One, One Thousand | January 2013" src="/photography/schwedhelm/schwedhelm10.jpg" alt="Deb Schwedhelm: Whispers from the Sea" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/schwedhelm/">Click here to see more of Deb Schwedhelm&#8217;s &#34;Whispers from the Sea.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/schwedhelm/"><img class="aligncenter" title="Deb Schwedhelm: Whispers from the Sea | One, One Thousand | January 2013" src="/photography/schwedhelm/schwedhelm06.jpg" alt="Deb Schwedhelm: Whispers from the Sea" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/schwedhelm/">Click here to see more of Deb Schwedhelm&#8217;s &#34;Whispers from the Sea.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><strong>Editor&#8217;s Note:</strong> Deb Schwedhelm was selected for inclusion in our 2 Year Anniversary edition by juror, Maggie Brett Kennedy. You can view a selection of Schwedhelm&#8217;s photography at her website <a class="under" href="http://www.debschwedhelm.com/" target="_blank">debschwedhelm.com</a>.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>Lisa Elmaleh: Juror Selection One, One Thousand 2 Year Anniversary</title>
		<link>http://oneonethousand.org/blog/lisa-elmaleh-juror-selection-one-one-thousand-2-year-anniversary/</link>
		<comments>http://oneonethousand.org/blog/lisa-elmaleh-juror-selection-one-one-thousand-2-year-anniversary/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 15:01:58 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1645</guid>
		<description><![CDATA[&#8220;Lisa Elmaleh&#8217;s portraits of American folk musicians resonate with grace and honesty. That she uses the historic collodion process to render these intimate character studies demonstrates a perfect marriage of form and content; slow and deliberate, richly lyrical. Captured in &#8230; <a href="http://oneonethousand.org/blog/lisa-elmaleh-juror-selection-one-one-thousand-2-year-anniversary/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/elmaleh-american-folk/"><img class="aligncenter" title="Lisa Elmaleh: American Folk | One, One Thousand | January 2013" src="/photography/elmaleh-american-folk/elmaleh12.jpg" alt="Lisa Elmaleh: American Folk" /></a></span></p>
<blockquote><p>&#8220;Lisa Elmaleh&#8217;s portraits of American folk musicians resonate with grace and honesty. That she uses the historic collodion process to render these intimate character studies demonstrates a perfect marriage of form and content; slow and deliberate, richly lyrical. Captured in rural settings across the south, each evocative image reads like a story. Elmeleh&#8217;s series depicts both old timers and a younger generation of roots musicians,  leaving the viewer with a deeper appreciation of the genre.&#8221; — <span style="font-size: 11px;">Jennifer Shaw, <a href="http://jennifershaw.net/" target="_blank">Photographer</a> and Coordinator of <a href="http://photonola.org/" target="_blank">PhotoNola</a></span></p></blockquote>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/elmaleh-american-folk/"><img class="aligncenter" title="Lisa Elmaleh: American Folk | One, One Thousand | January 2013" src="/photography/elmaleh-american-folk/elmaleh02.jpg" alt="Lisa Elmaleh: American Folk" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/elmaleh-american-folk/">Click here to see more of Lisa Elmaleh&#8217;s &#34;American Folk.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/elmaleh-american-folk/"><img class="aligncenter" title="Lisa Elmaleh: American Folk | One, One Thousand | January 2013" src="/photography/elmaleh-american-folk/elmaleh10.jpg" alt="Lisa Elmaleh: American Folk" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/elmaleh-american-folk/">Click here to see more of Lisa Elmaleh&#8217;s &#34;American Folk.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><strong>Editor&#8217;s Note:</strong> Lisa Elmaleh was selected for inclusion in our 2 Year Anniversary edition by juror, Jennifer Shaw. You can view another selection of Elmaleh&#8217;s photography previously featured in our publication in <a class="under" href="http://oneonethousand.org/photographers/elmaleh/">May 2012</a>. You can also visit Elmaleh&#8217;s website <a class="under" href="http://lisaelmaleh.com/" target="_blank">lisaelmaleh.com</a> to view more of her work.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>November 2012 Featured Photographer : Allison Barnes</title>
		<link>http://oneonethousand.org/blog/october-2012-featured-photographer-allison-barnes/</link>
		<comments>http://oneonethousand.org/blog/october-2012-featured-photographer-allison-barnes/#comments</comments>
		<pubDate>Mon, 05 Nov 2012 17:00:25 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

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		<description><![CDATA[Allison Barnes&#8217; project &#34;Autobiogeography&#34; investigates the temporal and interconnected makeup of both geography and personal experience. Using photographic prints as documents of her movement through time and landscape, Barnes explores all manner of imprints left by animal and nature. Click &#8230; <a href="http://oneonethousand.org/blog/october-2012-featured-photographer-allison-barnes/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Allison Barnes&#8217; project &#34;Autobiogeography&#34; investigates the temporal and interconnected makeup of both geography and personal experience. Using photographic prints as documents of her movement through time and landscape, Barnes explores all manner of imprints left by animal and nature. <a class="under" href="/photography/barnes/">Click here to see Allison Barnes&#8217;s project &#34;Autobiogeography.&#34;</a></p>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/barnes/"><img class="aligncenter" title="Allison Barnes: Autobiogeography | One, One Thousand | November 2012" src="/photography/barnes/barnes01.jpg" alt="Allison Barnes: Autobiogeography" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/barnes/">Click here to see more of Allison Barnes&#8217;s &#34;Autobiogeography.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/barnes/"><img class="aligncenter" title="Allison Barnes: Autobiogeography | One, One Thousand | November 2012" src="/photography/barnes/barnes09.jpg" alt="Allison Barnes: Autobiogeography" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/barnes/">Click here to see more of Allison Barnes&#8217;s &#34;Autobiogeography.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>November 2012 Featured Photographer : Eleanor Owen Kerr</title>
		<link>http://oneonethousand.org/blog/november-2012-featured-photographer-eleanor-owen-kerr/</link>
		<comments>http://oneonethousand.org/blog/november-2012-featured-photographer-eleanor-owen-kerr/#comments</comments>
		<pubDate>Mon, 05 Nov 2012 17:00:19 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1616</guid>
		<description><![CDATA[In French, the word &#34;batture&#34; signifies the land that is &#34;beaten on&#34; by the river. Eleanor Owen Kerr&#8217;s photography project &#34;On the Batture&#34; examines the untouched space in Louisiana — both too shallow for ships to pass and too wet &#8230; <a href="http://oneonethousand.org/blog/november-2012-featured-photographer-eleanor-owen-kerr/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>In French, the word &#34;batture&#34; signifies the land that is &#34;beaten on&#34; by the river. Eleanor Owen Kerr&#8217;s photography project &#34;On the Batture&#34; examines the untouched space in Louisiana <span style="font-family: Arial;">—</span> both too shallow for ships to pass and too wet for development <span style="font-family: Arial;">—</span> that exists between the Mississippi River and its levees. <a class="under" href="/photography/kerr/">Click here to see Eleanor Owen Kerr&#8217;s project &#34;On the Batture.&#34;</a></p>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/kerr/"><img class="aligncenter" title="Eleanor Owen Kerr: On the Batture | One, One Thousand | November 2012" src="/photography/kerr/kerr08.jpg" alt="Eleanor Owen Kerr: On the Batture" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/kerr/">Click here to see more of Eleanor Owen Kerr&#8217;s &#34;On the Batture.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/kerr/"><img class="aligncenter" title="Eleanor Owen Kerr: On the Batture | One, One Thousand | November 2012" src="/photography/kerr/kerr14.jpg" alt="Eleanor Owen Kerr: On the Batture" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/kerr/">Click here to see more of Eleanor Owen Kerr&#8217;s &#34;On the Batture.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>Call for Submissions: One, One Thousand 2 Year Anniversary Edition</title>
		<link>http://oneonethousand.org/blog/call-for-submissions-one-one-thousand-2-year-anniversary-edition/</link>
		<comments>http://oneonethousand.org/blog/call-for-submissions-one-one-thousand-2-year-anniversary-edition/#comments</comments>
		<pubDate>Mon, 15 Oct 2012 15:09:50 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Opportunities and Call to Artists]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1593</guid>
		<description><![CDATA[We began publishing photographs on One, One Thousand in November 2010. Since then &#8211; and thanks to continued support from photographers, readers, and the greater photography community &#8211; we&#8217;ve had the pleasure of sharing more than 40 portfolios and projects. &#8230; <a href="http://oneonethousand.org/blog/call-for-submissions-one-one-thousand-2-year-anniversary-edition/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>We began publishing photographs on <a href="http://oneonethousand.org/">One, One Thousand</a> in November 2010. Since then &#8211; and thanks to continued support from photographers, readers, and the greater photography community &#8211;  we&#8217;ve had the pleasure of sharing more than 40 portfolios and projects. They&#8217;ve all been made in the South, and we believe they offer unique perspectives on both the complexities of modern Southerness and the diversity of art coming out our region in the first part of this new century.</p>
<p>To celebrate our 2 year anniversary, we&#8217;re organizing a special January 2013 edition of <a href="http://oneonethousand.org/">One, One Thousand</a>. An amazing jury will be selecting a group of 4 photographers to be featured on our site.</p>
<p><strong>2 Year Anniversary Jury:</strong><br />
Tom Griggs, Editor, <a href="http://www.fototazo.com/" target="_blank">fototazo</a><br />
Maggie Kennedy, Photography Director, <a href="http://gardenandgun.com/" target="_blank">Garden &#038; Gun</a><br />
Jennifer Shaw, Coordinator, <a href="http://photonola.org/" target="_blank">PhotoNOLA</a><br />
Aline Smithson, Editor, <a href="http://www.lenscratch.com/" target="_blank">Lenscratch</a></p>
<p>As always, submissions are free. <strong>Deadline for submissions is November 30, 2012.</strong> Please follow the guidelines on our <a href="http://oneonethousand.org/submissions/">submissions page</a> or on the spec sheet below.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><a href="http://oneonethousand.org/blog-images/OneOneThousand-2-Year-Call.png"><img alt="" src="http://oneonethousand.org/blog-images/OneOneThousand-2-Year-Call.png" title="Call for Submissions: One, One Thousand 2 Year Anniversary Edition" class="aligncenter" width="612" height="792" /></a></p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
<p><span style="font-size: xx-small;">You can friend <em>One, One Thousand</em> on <a class="under" href="http://www.facebook.com/pages/One-One-Thousand-A-Publication-of-Southern-Photography/123594087683754" target="_blank"><img src="http://oneonethousand.org/blog/wp-content/plugins/light-social/facebook.png" alt="" /> Facebook</a>, and follow us on <a class="under" href="http://twitter.com/One_OneThousand" target="_blank"><img src="http://oneonethousand.org/blog/wp-content/plugins/light-social/twitter.png" alt="" /> Twitter</a>.<br />
Subscribe to <a class="under" href="http://oneonethousand.org/rss/" target="_blank"><img src="http://oneonethousand.org/images/feed-icons/feed.gif" alt="Feed Icon" /> <em>One, One Thousand&#8217;s</em> Blog Feed</a>.</span></p>
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