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Murnau" /><category term="classic Hollywood" /><category term="Asian cinema" /><category term="Japanese cinema" /><category term="Eric Rohmer" /><category term="Budd Boetticher" /><category term="British cinema" /><category term="music" /><category term="Chris Marker" /><category term="Thursday's Track" /><category term="television" /><category term="Eastern European cinema" /><category term="Raoul Ruiz" /><category term="Catherine Breillat" /><category term="Coen Brothers" /><category term="Yasujiro Ozu" /><category term="Spanish cinema" /><category term="Films I Love" /><category term="Jacques Rivette" /><category term="French cinema" /><category term="silent film" /><category term="Italian cinema" /><category term="German cinema" /><category term="John Ford" /><category term="Peter Greenaway" /><category term="Record Club" /><category term="Val Lewton" /><category term="Douglas Sirk" /><category term="Werner Herzog" /><title> Only the Cinema</title><subtitle type="html" /><link 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xmlns:app="http://www.w3.org/2007/app">2012-01-27T13:15:47.734-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Werner Herzog" /><category scheme="http://www.blogger.com/atom/ns#" term="Steven Spielberg" /><category scheme="http://www.blogger.com/atom/ns#" term="The Conversations" /><title>The Conversations #30: 3D</title><link rel="replies" type="application/atom+xml" href="http://seul-le-cinema.blogspot.com/feeds/112839851501577512/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3296479421292377391&amp;postID=112839851501577512" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3296479421292377391/posts/default/112839851501577512?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3296479421292377391/posts/default/112839851501577512?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OnlyTheCinema/~3/tzp1qFhXXPo/conversations-30-3d.html" title="The Conversations #30: 3D" /><author><name>Ed Howard</name><uri>http://www.blogger.com/profile/18014222247676090467</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="18" src="http://3.bp.blogspot.com/_8Sk_4wbvw0A/SR3S31BE0ZI/AAAAAAAAACE/YB-NskePfJ8/s1600-R/mulholland5.jpg" /></author><thr:total>0</thr:total><content type="html">
The latest conversation between me and Jason Bellamy is now live at The House Next Door. This conversation is a bit of a different approach for us, as this time we focus on the phenomenon of 3D film, discussing the technology and aesthetics of this popular and controversial format. We concentrate especially on two recent 3D movies by popular directors — Martin Scorsese's Hugo and Steven &lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OnlyTheCinema/~4/tzp1qFhXXPo" height="1" width="1"/&gt;</content><feedburner:origLink>http://seul-le-cinema.blogspot.com/2012/01/conversations-30-3d.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEcBQ3Yzeip7ImA9WhRUFUg.&quot;"><id>tag:blogger.com,1999:blog-3296479421292377391.post-9178913065818670070</id><published>2012-01-26T00:33:00.000-05:00</published><updated>2012-01-26T00:34:12.882-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-26T00:34:12.882-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Stan Brakhage" /><category scheme="http://www.blogger.com/atom/ns#" term="avant-garde film" /><title>The Domain of the Moment/Duplicity III/Murder Psalm</title><link rel="replies" type="application/atom+xml" href="http://seul-le-cinema.blogspot.com/feeds/9178913065818670070/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3296479421292377391&amp;postID=9178913065818670070" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3296479421292377391/posts/default/9178913065818670070?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3296479421292377391/posts/default/9178913065818670070?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OnlyTheCinema/~3/y4F56i5Kgm8/domain-of-momentduplicity-iiimurder.html" title="The Domain of the Moment/Duplicity III/Murder Psalm" /><author><name>Ed Howard</name><uri>http://www.blogger.com/profile/18014222247676090467</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="18" src="http://3.bp.blogspot.com/_8Sk_4wbvw0A/SR3S31BE0ZI/AAAAAAAAACE/YB-NskePfJ8/s1600-R/mulholland5.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://i191.photobucket.com/albums/z43/sevenarts/cinema/th_domainofthemoment1.jpg" height="72" width="72" /><thr:total>0</thr:total><content type="html">
Stan Brakhage was always acutely aware of time in his work, even if only to disrupt it through layering and superimposition, the tools by which Brakhage frequently undercut the passage of time. Time works strangely in Brakhage's work: his editing is often fast, even frantic, and an image can last barely a second or two before being replaced with another, so the films seem to move very quickly, &lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OnlyTheCinema/~4/y4F56i5Kgm8" height="1" width="1"/&gt;</content><feedburner:origLink>http://seul-le-cinema.blogspot.com/2012/01/domain-of-momentduplicity-iiimurder.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkUERXozfCp7ImA9WhRUE0w.&quot;"><id>tag:blogger.com,1999:blog-3296479421292377391.post-6234170863511840046</id><published>2012-01-23T06:30:00.137-05:00</published><updated>2012-01-23T06:30:04.484-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-23T06:30:04.484-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Westerns" /><category scheme="http://www.blogger.com/atom/ns#" term="John Ford" /><title>How Green Was My Valley</title><link rel="replies" type="application/atom+xml" href="http://seul-le-cinema.blogspot.com/feeds/6234170863511840046/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3296479421292377391&amp;postID=6234170863511840046" title="6 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3296479421292377391/posts/default/6234170863511840046?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3296479421292377391/posts/default/6234170863511840046?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OnlyTheCinema/~3/7clSRnDMAq8/how-green-was-my-valley.html" title="How Green Was My Valley" /><author><name>Ed Howard</name><uri>http://www.blogger.com/profile/18014222247676090467</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="18" src="http://3.bp.blogspot.com/_8Sk_4wbvw0A/SR3S31BE0ZI/AAAAAAAAACE/YB-NskePfJ8/s1600-R/mulholland5.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://i191.photobucket.com/albums/z43/sevenarts/cinema/th_howgreenwasmyvalley1.jpg" height="72" width="72" /><thr:total>6</thr:total><content type="html">
John Ford's How Green Was My Valley is a gorgeous, achingly sad movie, a moving evocation of "the way things were" and the process by which the inexorable progress of industry and modernity slowly, steadily erodes the old ways, breaking apart the stability of family and shattering tradition. The film is steeped in the director's love of innocence and simple virtue, his rosy perspective on the &lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OnlyTheCinema/~4/7clSRnDMAq8" height="1" width="1"/&gt;</content><feedburner:origLink>http://seul-le-cinema.blogspot.com/2012/01/how-green-was-my-valley.html</feedburner:origLink></entry></feed>

