tag:blogger.com,1999:blog-32964794212923773912026-03-28T07:13:51.931-04:00Ed Howardhttp://www.blogger.com/profile/18014222247676090467noreply@blogger.comBlogger94513tag:blogger.com,1999:blog-3296479421292377391.post-33898785324092783002015-03-02T20:35:00.001-05:002015-03-02T20:35:46.891-05:00

My writing – about music, not film, at the moment – can currently be found at my new blog: reddy brown objects.

Ed Howardhttp://www.blogger.com/profile/18014222247676090467noreply@blogger.com0tag:blogger.com,1999:blog-3296479421292377391.post-45782414347750036502013-05-06T06:30:00.000-04:002013-05-06T06:30:06.237-04:00

Claude Chabrol's final film, Inspector Bellamy, begins with a dedication and ends with a quote, and in between is one of the French master's most confounding, beguiling and deeply personal films, a morally engaged and somehow almost spiritual study of guilt, blame, and what it means to be "a decent guy." The film's opening dedication is to the "memory of the two Georges," meaning the mystery

Ed Howardhttp://www.blogger.com/profile/18014222247676090467noreply@blogger.com1tag:blogger.com,1999:blog-3296479421292377391.post-36499751021498034462013-04-29T06:30:00.001-04:002013-04-29T06:30:05.142-04:00

The Golem is one of the classics of German expressionist horror. Released the same year as The Cabinet of Dr. Caligari, it's neither as famous nor as great as that genre-defining landmark, but it's still an interesting film with a striking visual style. Directed by Carl Boese and Paul Wegener, and shot by the always fantastic Karl Freund, The Golem has a moody gothic style and some rudimentary

Ed Howardhttp://www.blogger.com/profile/18014222247676090467noreply@blogger.com1