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<channel>
<title>Opera Today</title>
<link>http://www.operatoday.com/</link>
<description />
<dc:language>en-us</dc:language>
<dc:creator>gary@operatoday.com</dc:creator>
<dc:date>2009-07-04T12:47:14-06:00</dc:date>
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<title>The Ravenna Festival: La scuola napoletana﻿</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/VdltXZ00Cqk/the_ravenna_fes.php</link>
<description>Ravenna once served as the capital of the Roman Empire in the 5th and 6th centuries C.E.  </description>
<guid isPermaLink="false">4470@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-07-04T12:47:14-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/07/the_ravenna_fes.php</feedburner:origLink></item>



<item>
<title>Porgy and Bess in San Francisco</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/dqMWpk3z0oE/porgy_and_bess_.php</link>
<description>For Americans of older generations Porgy and Bess is surely a primal experience, formed by the 1959 Otto Preminger film with Sammy Davis Jr. as Sportin’ Life, the audio recording derived from the 1952 London production with Leontyne Price as Bess, and a first encounter with Porgy and Bess as an opera in the artistically satisfying, and well traveled 1976 Houston production (was it twenty-five performances in the War Memorial Opera House?).  </description>
<guid isPermaLink="false">4469@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-07-03T11:04:19-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/07/porgy_and_bess_.php</feedburner:origLink></item>



<item>
<title>Summer Nights with the Stars — OTSL’s 2009 Season Shines</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/8cB5gl_O_zk/summer_nights_w.php</link>
<description>The success of Opera Theatre of St. Louis’ 2009 festival season reflects the intelligent leadership of both the previous triumvirate (Charles MacKay, Colin Graham, and Stephen Lord) and the new recruits Timothy O’Leary and James Robinson.  </description>
<guid isPermaLink="false">4468@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-07-03T09:33:40-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/07/summer_nights_w.php</feedburner:origLink></item>



<item>
<title>Carmen Triumphs (Again) at the Opéra Comique</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/HKK0NZ0remM/carmen_triumphs.php</link>
<description><![CDATA[Bizet&rsquo;s famed heroine Carmen returned this June to the place where it all began, in a critically-heralded new production by Adrian Noble. Frank Cadenhead was on hand to experience the staging held at the opulent newly-renovated Opéra Comique.]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2009-07-02T07:54:03-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/07/carmen_triumphs.php</feedburner:origLink></item>



<item>
<title>Antonio Pappano and Friends — Royal Opera House, Covent Garden</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/bp1-wYAyo78/antonio_pappano.php</link>
<description>It’s not often that the accompanist is given top billing in a vocal recital, even when he’s the venue’s musical director. </description>
<guid isPermaLink="false">4465@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-29T11:16:56-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/antonio_pappano.php</feedburner:origLink></item>



<item>
<title>Dalibor Jenis sings Renato in the Royal Opera house Un ballo in maschera. </title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/31n27fDVL8Y/dalibor_jenis_s.php</link>
<description>“Everything in opera comes from Italy”, says Dalibor Jenis, who sings Renato in the current Royal Opera House Un ballo in maschera. “Italian is the language of music, my second mother language”</description>
<guid isPermaLink="false">4464@http://www.operatoday.com/</guid>
<dc:subject>Commentary</dc:subject>
<dc:date>2009-06-29T10:59:03-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/dalibor_jenis_s.php</feedburner:origLink></item>



<item>
<title>Glyndebourne : a spectacular Purcell The Fairy Queen</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/ts_oZg_18vI/glyndebourne_a_.php</link>
<description>Glyndebourne is the epitome of British opera festivals. Seventy-five years ago, John Christie founded the tradition of “country house opera”, where opera can be enjoyed in beautiful settings. </description>
<guid isPermaLink="false">4463@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-29T10:08:17-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/glyndebourne_a_.php</feedburner:origLink></item>



<item>
<title>Un ballo in maschera at Royal Opera House</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/2af6qVyDi0Y/un_ballo_in_mas.php</link>
<description>On the whole, I’d prefer the conspirators to be sitting on toilets</description>
<guid isPermaLink="false">4462@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-29T09:50:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/un_ballo_in_mas.php</feedburner:origLink></item>



<item>
<title><![CDATA[G&#x151;tterdämmerung in Venice and K&#x151;ln &mdash; Sex and Politics Behind the Berlin Wall]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/sc457ZadGbw/gtterdammerung_.php</link>
<description>With Götterdämmerung, a co-production with the Köln Opera House created by Robert Carsen (stage direction), Patrick Kinmonth (sets and costumes) and
Jeffrey Tate (conductor), La Fenice approaches completion of the
Ring cycle. </description>
<guid isPermaLink="false">4460@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-26T11:54:40-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/gtterdammerung_.php</feedburner:origLink></item>



<item>
<title>La Traviata at Royal Opera House</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/qx_kZWQTwMI/la_traviata_at_.php</link>
<description><![CDATA[Four years have passed since the most celebrated American soprano of recent times, Renée Fleming, graced the stage at Covent Garden, in Elijah Moshinsky&rsquo;s classic production of Otello. ]]></description>
<guid isPermaLink="false">4459@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-26T09:26:19-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/la_traviata_at_.php</feedburner:origLink></item>



<item>
<title>The Lowry strikes not of discord over Royal Opera House in Manchester Lowry Centre</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/5DuoF-bPDrU/the_lowry_strik.php</link>
<description>http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article6571871.ece</description>
<guid isPermaLink="false">4456@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-25T17:33:26-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/the_lowry_strik.php</feedburner:origLink></item>



<item>
<title><![CDATA[Ligeti&rsquo;s Le Grand Macabre shocks Rome but only mildly]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/_ysIK8i6EEw/ligetis_le_gran.php</link>
<description>Le Grand Macabre is the only opera of György Ligéti, one of the
major composers of the 20th century. </description>
<guid isPermaLink="false">4455@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-25T16:59:26-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/ligetis_le_gran.php</feedburner:origLink></item>



<item>
<title>Aspen Music Festival goes back in time</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/KhA4QnE17pE/aspen_music_fes.php</link>
<description>http://www.aspentimes.com/article/20090625/NEWS/906249960/1060</description>
<guid isPermaLink="false">4457@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-25T12:36:42-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/aspen_music_fes.php</feedburner:origLink></item>



<item>
<title>SCHUBERT: Alfonso und Estrella</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/vPIuG2famIQ/schubert_alfons.php</link>
<description>What is the worst opera with the best music? </description>
<guid isPermaLink="false">4454@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-25T10:48:20-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/schubert_alfons.php</feedburner:origLink></item>



<item>
<title>Resignations, ENO Model, Might Save City Opera: Norman Lebrecht</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/R1Tv5sDcpvk/resignations_en.php</link>
<description>http://www.bloomberg.com/apps/news?pid=20601088&amp;sid=aQBadmoOMlhU#</description>
<guid isPermaLink="false">4458@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-25T07:42:33-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/resignations_en.php</feedburner:origLink></item>



<item>
<title>La Traviata in San Francisco</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/_7zRMmJ8vKY/la_traviata_in_.php</link>
<description>Much ink has been spilled over the failed Marta Domingo production of La
Traviata that San Francisco Opera inexplicably imported for its blatantly
audience baiting summer season (Traviata, Tosca, Porgy and Bess).</description>
<guid isPermaLink="false">4453@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-24T21:12:13-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/la_traviata_in_.php</feedburner:origLink></item>



<item>
<title>MAHLER: Symphony no. 8</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/gmGeWvBCcvU/gustav_mahler_s.php</link>
<description>The Gala release of Mahler’s Eighth Symphony from Hamburg performances on 29 and 30 November 1954 serves to document further the composer’s presence in the concerto hall prior to the well-known Mahler-renewal in 1960. </description>
<guid isPermaLink="false">4447@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-24T20:53:10-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/gustav_mahler_s.php</feedburner:origLink></item>



<item>
<title>A Masked Ball by Brooklyn Repertory Opera</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/btxqCtpobHw/a_masked_ball_b.php</link>
<description><![CDATA[Amato Opera went to the netherworld of expired extravaganzas this spring, a
one-man operation whose one man was weary. As New York&rsquo;s oldest
down-the-block and semi-pro company, it&rsquo;s loss was regrettable &mdash;
though it&rsquo;s many years since Amato gave up doing interesting repertory.]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-24T20:05:16-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/a_masked_ball_b.php</feedburner:origLink></item>



<item>
<title>Saint Louis:  Reliably Excellent </title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/QW1xlR1KIEI/saint_louis_rel.php</link>
<description>It is quite possible that Opera Theatre of Saint Louis is the leading summer opera destination in the United States.</description>
<guid isPermaLink="false">4446@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-24T12:12:32-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/saint_louis_rel.php</feedburner:origLink></item>



<item>
<title>Schwanengesang at Wigmore Hall</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/hnm-tG32Gr4/schwanengesang_.php</link>
<description>A performance of sublime authority from Goerne and Eschenbach</description>
<guid isPermaLink="false">4445@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2009-06-22T15:43:43-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/schwanengesang_.php</feedburner:origLink></item>



<item>
<title>John McCarthy: Charismatic choral conductor and arranger</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/I37sKgEMwvE/john_mccarthy_c.php</link>
<description>http://www.independent.co.uk/news/obituaries/john-mccarthy-charismatic-choral-conductor-and-arranger-1712389.html</description>
<guid isPermaLink="false">4442@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-21T21:50:48-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/john_mccarthy_c.php</feedburner:origLink></item>



<item>
<title>Madam Butterfly - English National Opera, London Coliseum</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/wp6R7wFY07c/madam_butterfly.php</link>
<description>Following the death of the American film director Anthony Minghella, ENO were left with a gap in the season vacated by the new production which he had been engaged to direct, and what better way to do so than by bringing back his immensely popular 2005 staging of Madam Butterfly?  Minghella’s widow, Carolyn Choa (who has worked on the production from its original conception) was charged with resurrecting the production in tribute.</description>
<guid isPermaLink="false">4441@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-21T21:18:41-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/madam_butterfly.php</feedburner:origLink></item>



<item>
<title>Wagner's great-granddaughter to probe composer's family links with Hitler and the Nazis</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/ixam_F9J4K8/wagners_great-g.php</link>
<description>http://www.dailymail.co.uk/news/article-1194536/Wagners-great-granddaughter-probe-composers-family-links-Hitler-Nazis.html</description>
<guid isPermaLink="false">4443@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-21T20:54:19-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/wagners_great-g.php</feedburner:origLink></item>



<item>
<title>'Ghosts of Versailles' an entertaining evening</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/eZZPQf6KLSU/ghosts_of_versa.php</link>
<description>http://www.stltoday.com/stltoday/entertainment/reviews.nsf/stage/story/80A62C6B9AD75BB9862575D9006EA789?OpenDocument</description>
<guid isPermaLink="false">4444@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-21T18:00:38-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/ghosts_of_versa.php</feedburner:origLink></item>



<item>
<title>Madame Says Farewell</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/zxYVRHbQCpo/madame_says_far.php</link>
<description><![CDATA[Last week (May 27), &ldquo;without further a-don&rsquo;t,&rdquo; as she adorably puts it, Madame Vera Galupe-Borszkh, the world&rsquo;s reigning traumatic soprano
&mdash; lately, she says, more of a soprano &ldquo;spento&rdquo; &mdash; bade a
last, lingering, loving farewell to her adoring public in a sold-out concert at
the Leonard Nimoy Thalia Theater on Manhattan&rsquo;s Upper West Side. ]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-21T11:49:05-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/madame_says_far.php</feedburner:origLink></item>



<item>
<title>Alceste by The Collegiate Chorale</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/qZ27-yvbTwg/alceste_by_nyco.php</link>
<description><![CDATA[The Collegiate Chorale (ably supported by the orchestra of the New York City
Opera under George Manahan) chose Gluck&rsquo;s Alceste, last heard in
New York at the City Opera in 1982, for its annual spring concert opera &mdash;
an excellent choice for a chorus eager to show its stuff.]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-21T11:34:13-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/alceste_by_nyco.php</feedburner:origLink></item>



<item>
<title><![CDATA[Britten&rsquo;s Midsummer Night&rsquo;s Dream Charms La Scala]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/zZJdttbeXQs/brittens_a_sexy.php</link>
<description>Robert Carsen’s production of Benjamin Britten’s A Midsummer Night’s Dream is not new, as the La Scala playbill suggests. </description>
<guid isPermaLink="false">4439@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-21T10:56:42-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/brittens_a_sexy.php</feedburner:origLink></item>



<item>
<title>La Cenerentola at the MET</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/urwYlW9zOLU/la_cenerentola_.php</link>
<description><![CDATA[La Cenerentola runs third in popularity among Rossini&rsquo;s comic
operas &mdash; the Met didn&rsquo;t get around to it at all until the present
staging was created for Cecilia Bartoli. ]]></description>
<guid isPermaLink="false">4448@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-21T10:05:25-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/la_cenerentola_.php</feedburner:origLink></item>



<item>
<title>Claudio Abbado Introduces the Complete Pergolesi</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/9Ibg58DvaLI/claudio_abbado_.php</link>
<description>Very little is known about Giovanni Battista Draghi (or Drago, according to certain sources), known as Pergolesi. </description>
<guid isPermaLink="false">4435@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-21T09:16:33-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/claudio_abbado_.php</feedburner:origLink></item>



<item>
<title>Bach's St. Matthew Passion at BAM</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/YxIk0ko2M8M/bachs_st_matthe.php</link>
<description>To the sorrow of all lovers of baroque opera, J.S. Bach never composed for
the stage. </description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-20T08:01:33-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/bachs_st_matthe.php</feedburner:origLink></item>



<item>
<title>Goerne and Eschenbach : Winterreise</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/GWx_4lYVMcA/goerne_and_esch.php</link>
<description>When Matthias Goerne was six, he heard Winterreise and was captivated. </description>
<guid isPermaLink="false">4440@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-19T11:31:13-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/goerne_and_esch.php</feedburner:origLink></item>



<item>
<title><![CDATA[No Redemption for Munich&rsquo;s Dutchman]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/mSWKdFbfE64/no_redemption_f.php</link>
<description><![CDATA[Although there was considerable theatrical imagination on display, redemption was in critically short supply in Peter Konwitschny's production of The Flying Dutchman at Munich&rsquo;s estimable Bavarian State Opera.]]></description>
<guid isPermaLink="false">4438@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-19T09:34:28-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/no_redemption_f.php</feedburner:origLink></item>



<item>
<title>Martinů’s cheerful Mirandolina, Garsington Opera</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/I6xD019JCqk/martinus_cheerf.php</link>
<description>“Life is too important to be taken seriously” goes the motto. That could describe this cheerful production, just the right good humored tonic for these difficult times.</description>
<guid isPermaLink="false">4437@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-18T21:27:27-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/martinus_cheerf.php</feedburner:origLink></item>



<item>
<title>Aldeburgh Festival — New Buildings, New Birtwistle Operas</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/1056vYLf3P4/aldeburgh_festi.php</link>
<description>Sir Harrison Birtwistle’s early opera, Punch and Judy, premiered at Aldeburgh in 1968. Benjamin Britten reportedly walked out.  Now Birtwistle is himself the pre-eminent British composer, whose work has long since become part of the Aldeburgh tradition. This year’s Festival opened with two Birtwistle premieres, The Corridor and Semper Dowland, simper dolens.</description>
<guid isPermaLink="false">4436@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-18T09:18:41-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/aldeburgh_festi.php</feedburner:origLink></item>



<item>
<title>Ian Bostridge at the Chicago Symphony Orchestra</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/WfxFhXdVTdk/ian_bostridge_a.php</link>
<description><![CDATA[In a recent Chicago Symphony Orchestra concert featuring twentieth-century
instrumental and vocal compositions Ian Bostridge sang Benjamin Britten&rsquo;s
Les Illuminations under the direction of principal conductor Bernard
Haitink. ]]></description>
<guid isPermaLink="false">4434@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-17T17:43:36-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/ian_bostridge_a.php</feedburner:origLink></item>



<item>
<title>Bostridge trades fey for Kray</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/QkkQlrCSExE/bostridge_trade.php</link>
<description>Bostridge traded his fey haircut for slicked back Kray brothers look, complete with wrap round dark glasses in this Dreigroschenoper at the Barbican, London.  </description>
<guid isPermaLink="false">4433@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-17T14:22:15-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/bostridge_trade.php</feedburner:origLink></item>



<item>
<title>Andreas Scholl at Wigmore Hall</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/Qch3CPLpe8I/andreas_scholl_.php</link>
<description>Strikes on the London Underground system may have made this a particularly exhausting and exasperating week for Londoners, but despite these wearing adversities Friday evening saw an eager crowd flock to the Wigmore Hall, in excited anticipation of an inspiring and invigorating blend of the familiar and the unfamiliar — and they were not disappointed.</description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-17T09:33:16-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/andreas_scholl_.php</feedburner:origLink></item>



<item>
<title>Die schöne Müllerin at Wigmore Hall</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/thOZm9NO1AE/die_schone_mull.php</link>
<description>Matthias Goerne and Christoph Eschenbach unite in a Schöne Müllerin of searing intensity.</description>
<guid isPermaLink="false">4430@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-17T08:27:31-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/die_schone_mull.php</feedburner:origLink></item>



<item>
<title>Mozart: Idomeneo</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/4bhiHuU7IFY/mozart_idomeneo.php</link>
<description><![CDATA[&ldquo;Mozart's first mature masterpiece,&rdquo; Sophie Becker calls Idomeneo in the booklet essay of this DVD set of a June 2008 Bayerische Staatsoper staging. ]]></description>
<guid isPermaLink="false">4422@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-17T07:50:50-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/mozart_idomeneo.php</feedburner:origLink></item>



<item>
<title>Vu et entendu : Carmen à l’Opéra-Comique</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/d3NUqbz01fI/vu_et_entendu_c.php</link>
<description>http://www.diapasonmag.fr/news.php?id=351</description>
<guid isPermaLink="false">4431@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-16T17:23:55-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/vu_et_entendu_c.php</feedburner:origLink></item>



<item>
<title>A classic confection that's near perfection</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/oPYdYQHMZy4/a_classic_confe.php</link>
<description>http://www.startribune.com/entertainment/music/48074807.html?elr=KArks:DCiU1OiP:DiiUiD3aPc:_Yyc:aUU</description>
<guid isPermaLink="false">4428@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-16T09:28:26-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/a_classic_confe.php</feedburner:origLink></item>



<item>
<title>Anna Netrebko returns to S.F. in 'La Traviata'</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/p3n9yaCCmvA/anna_netrebko_r.php</link>
<description>http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/06/15/DDTC1873M1.DTL</description>
<guid isPermaLink="false">4424@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-15T17:06:33-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/anna_netrebko_r.php</feedburner:origLink></item>



<item>
<title>AOP &amp; Opera On Tap Present 2nd Part Of Opera Grows In Brooklyn Series 7/11</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/AfDGIJySh7E/aop_opera_on_ta.php</link>
<description>http://broadwayworld.com/printcolumn.cfm?id=56459</description>
<guid isPermaLink="false">4423@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-15T16:59:07-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/aop_opera_on_ta.php</feedburner:origLink></item>



<item>
<title>Anna Netrebko - an opera superstar but no diva</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/uUibA1vkI0E/anna_netrebko_-.php</link>
<description>http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/06/12/LVAK182A57.DTL</description>
<guid isPermaLink="false">4419@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-15T14:32:14-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/anna_netrebko_-.php</feedburner:origLink></item>



<item>
<title>Kiri Te Kanawa emerges with a song in her heart</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/wzpThgdomVQ/kiri_te_kanawa_.php</link>
<description>http://www.latimes.com/entertainment/news/arts/la-ca-kiri14-2009jun14,0,4349627.story</description>
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<dc:subject>News</dc:subject>
<dc:date>2009-06-15T14:12:18-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/kiri_te_kanawa_.php</feedburner:origLink></item>



<item>
<title>Operas based on the works of Friedrich von Schiller</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/MWIDFqBoeUA/operas_based_on.php</link>
<description>The current theme relates to operas based on the works of Friedrich von Schiller. </description>
<guid isPermaLink="false">4346@http://www.operatoday.com/</guid>
<dc:subject>Theme</dc:subject>
<dc:date>2009-06-15T13:57:17-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/operas_based_on.php</feedburner:origLink></item>



<item>
<title>Goddesses Have Their Moment in Boston</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/GTLlvDPAu18/goddesses_have_.php</link>
<description>http://www.nytimes.com/2009/06/13/arts/music/13poppea.html?ref=arts</description>
<guid isPermaLink="false">4426@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-15T12:20:33-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/goddesses_have_.php</feedburner:origLink></item>



<item>
<title><![CDATA[G&S&#8217; &#8216;Iolanthe&#8217; offers old fun, new relevance]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/kpFb4dPUkng/g_iolanthe_offe.php</link>
<description>http://www.sfexaminer.com/entertainment/GS-Iolanthe-offers-old-fun-new-relevance-47884772.html</description>
<guid isPermaLink="false">4427@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2009-06-15T11:35:19-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/g_iolanthe_offe.php</feedburner:origLink></item>



<item>
<title><![CDATA[Haydn&rsquo;s Bicentenary : 20 Capitals Salute &ldquo;The Creation&rdquo; With Standing Ovations]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/J2QFiHj_8Wc/haydns_bicenten.php</link>
<description><![CDATA[The Austrian Ministry of Culture and the Committee for the Celebrations of
Haydn&rsquo;s Bicentenary had a brilliant idea: on May 31st , the day of the
composer&rsquo;s death, 20 symphony orchestras and/or opera houses performed
one of his greatest and best known oratorios Die Schöpfung (The
Creation) . ]]></description>
<guid isPermaLink="false">4421@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-15T10:56:02-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/haydns_bicenten.php</feedburner:origLink></item>



<item>
<title>La Scala at the Movies: Donizetti's Maria Stuarda and Wagner's Tristan und Isolde</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/MHzi1APox8o/la_scala_at_the.php</link>
<description>From the La Scala series of filmed productions come two excellent DVDs, one an incisive and contemporary staging by Patrice Chereau of Wagner's Tristan und Isolde, and the other a rip-roaring, old-fashioned (in the best sense) performance of Donizetti's flawed but entertaining Maria Stuarda. 
 </description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2009-06-15T08:39:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2009/06/la_scala_at_the.php</feedburner:origLink></item>



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