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<title>Opera Today</title>
<link>http://www.operatoday.com/</link>
<description />
<dc:language>en-us</dc:language>
<dc:creator>gary@operatoday.com</dc:creator>
<dc:date>2012-02-10T10:00:51-06:00</dc:date>
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<title>Dido and Aeneas, Manitoba</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/xb8nP6xFHxY/dido_and_aeneas.php</link>
<description>Winnipeg music lovers were willingly transported back several centuries as
Daniel Taylor and Montreal-based Theatre of Early Music graced Westminster
United Church with a program of infrequently heard music. </description>
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<dc:subject>Performances</dc:subject>
<dc:date>2012-02-10T10:00:51-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/dido_and_aeneas.php</feedburner:origLink></item>



<item>
<title><![CDATA[Il nuovo Teatro dell&rsquo;Opera di Firenze]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/8SM9OoWQAdA/il_nuovo_teatro.php</link>
<description>http://www.operatoday.com/content/2012/02/opera_in_floren.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-10T09:26:58-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/il_nuovo_teatro.php</feedburner:origLink></item>



<item>
<title>Opera in Florence Has a New Home</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/i1_kAIJjP5A/opera_in_floren.php</link>
<description>Who says Italian opera is in the doldrums? Contrary to all the recent budget bad news from the country that invented the form, the dramatic new 150 million Euro ($200 million) opera house in Florence projects another view. </description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-10T09:10:20-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/opera_in_floren.php</feedburner:origLink></item>



<item>
<title>Alagna Changing Fach?</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/ES4I1vAORUY/alagna_changing.php</link>
<description>http://www.operatoday.com/content/2012/02/another_tenor_d.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-09T09:04:19-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/alagna_changing.php</feedburner:origLink></item>



<item>
<title>Another Tenor Drops Down?</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/1Qfho1Hvgd4/another_tenor_d.php</link>
<description>In today’s edition of the Viennese newspaper, “Die Presse” a reviewer gushes over Roberto Alagna’s recital yesterday evening at the Vienna State Opera.
</description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-09T08:44:27-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/another_tenor_d.php</feedburner:origLink></item>



<item>
<title>Gustav Mahler: Das Lied von der Erde</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/YTuBvEzCces/gustav_mahler_d.php</link>
<description>Recorded on 14 June 1964 at the Großer Saal of the Musikverein, Vienna, as part of the Wiener Festwochen, this legendary performance of Mahler’s Das Lied von der Erde was released in 2011 on Deutsche Grammophon. </description>
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<dc:subject>Recordings</dc:subject>
<dc:date>2012-02-08T13:17:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/gustav_mahler_d.php</feedburner:origLink></item>



<item>
<title>Il trittico in Lyon</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/0003Z0Zz710/il_trittico_in_.php</link>
<description>All the important directors pass through Lyon, so it was just a matter of time before British director David Pountney would be invited to stage a production. It was Puccini’s triptych.</description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2012-02-08T13:00:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/il_trittico_in_.php</feedburner:origLink></item>



<item>
<title><![CDATA[Dvořák&rsquo;s The Jacobin, London]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/_6vdjYYgqcM/dvorak_-_the_ja.php</link>
<description>In advance of the new Rusalka at the Royal Opera House, the Barbican and the BBC Symphony Orchestra brought an electrifying performance of Dvořák's The Jacobin to London. </description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2012-02-08T12:31:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/dvorak_-_the_ja.php</feedburner:origLink></item>



<item>
<title>Gustav Mahler: Symphony No. 4</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/ySr0Q0IdKg0/gustav_mahler_s.php</link>
<description>If Mahler’s Fourth Symphony is arguably one of his more familiar pieces, live performances of the work can vary depending on the abilities of the performers to meet the various challenges of the piece. </description>
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<dc:subject>Recordings</dc:subject>
<dc:date>2012-02-08T12:21:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/gustav_mahler_s.php</feedburner:origLink></item>



<item>
<title>Der Rosenkavalier, ENO</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/u99vdJy7i6Q/der_rosenkavali.php</link>
<description><![CDATA[English National Opera&rsquo;s revival of Richard Strauss&rsquo;s fin de
siècle Figaro is a heart-warming treat for a cold winter&rsquo;s
night.]]></description>
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<dc:subject>Performances</dc:subject>
<dc:date>2012-02-08T11:20:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/der_rosenkavali.php</feedburner:origLink></item>



<item>
<title>Weill: Die sieben Todsünden</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/rmdvwGI5s8M/weill_die_siebe.php</link>
<description>I failed to discern any rationale behind programming the Brecht-Weill ballet chanté with various works by Debussy, one orchestrated by Robin Holloway. </description>
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<dc:subject>Performances</dc:subject>
<dc:date>2012-02-08T10:44:53-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/weill_die_siebe.php</feedburner:origLink></item>



<item>
<title>Orchestre Philharmonique de Marseille Taps Foster</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/CpZoPluO3KQ/orchestre_philh.php</link>
<description>http://www.operatoday.com/content/2012/02/lawrence_foster.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-08T10:33:45-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/orchestre_philh.php</feedburner:origLink></item>



<item>
<title>Lawrence Foster Named Music Director of Orchestre Philharmonique de Marseille</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/NEDX3BV3Fio/lawrence_foster.php</link>
<description>February 8, 2012. Los Angeles born conductor Lawrence Foster, the music director of the orchestra and the Opéra National in the French city of Montpellier from September 2009 to the end of this season, has signed on for a similar post with the Orchestre Philharmonique de Marseille starting September 1 of this year.</description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-08T10:22:27-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/lawrence_foster.php</feedburner:origLink></item>



<item>
<title>Teatro di San Carlo Appoints Luisotti </title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/7Snquxe24v0/teatro_di_san_c.php</link>
<description>http://www.operatoday.com/content/2012/02/nicola_luisotti.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-07T08:39:16-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/teatro_di_san_c.php</feedburner:origLink></item>



<item>
<title>Nicola Luisotti Named Music Director of Teatro di San Carlo</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/unCSd5ULpYI/nicola_luisotti.php</link>
<description>February 7, 2012. Italian conductor Nicola Luisotti, the popular music director of the San Francisco Opera, has been appointed to the same position at the historic Teatro di San Carlo in Naples. </description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-07T08:22:55-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/nicola_luisotti.php</feedburner:origLink></item>



<item>
<title>L’Enfant et les Sortilèges and La Navarraise in Monte-Carlo</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/2FzuEsP1-Co/lenfant_et_les_.php</link>
<description>The magic was in the pit, not that all Monaco was not magical — on January 25 a yellow Lamborghini, a red Ferrari, a vintage Jaguar among other magnificent machines stood before the entrance to Monte-Carlo’s resplendent Casino cum transplendent 500-seat opera house.</description>
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<dc:subject>Performances</dc:subject>
<dc:date>2012-02-06T10:15:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/lenfant_et_les_.php</feedburner:origLink></item>



<item>
<title>Chad Shelton Comes to the Rescue</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/MipFt3cEoiw/chad_shelton_co.php</link>
<description>February 4, 2012. A few days before the opening of the production of Verdi’s “La Traviata” at the Houston Grand Opera, tenor David Lomeli, playing Alfredo, took ill. </description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-04T23:59:59-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/chad_shelton_co.php</feedburner:origLink></item>



<item>
<title>Houston Here: Lend Me a Tenor</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/B2ca74aYRJY/houston_here_le.php</link>
<description>http://www.operatoday.com/content/2012/02/chad_shelton_co.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-04T23:59:58-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/houston_here_le.php</feedburner:origLink></item>



<item>
<title>SFO Faces Deficit</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/SrDK-IlCGJE/sfo_faces_defic.php</link>
<description>http://www.operatoday.com/content/2012/02/san_francisco_o.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-04T16:18:10-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/sfo_faces_defic.php</feedburner:origLink></item>



<item>
<title>San Francisco Opera — Bad News Tempered by Good</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/NynL2bjwNdw/san_francisco_o.php</link>
<description>February  4, 2012. With a budget of $71 million dollars, the San Francisco Opera announced a deficit for the FY 2011 year. But the numbers, in the Opera’s press release, contain some good news to offset the negative bottom line. </description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-04T16:09:40-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/san_francisco_o.php</feedburner:origLink></item>



<item>
<title>Werner Güra Sings Schubert, Wigmore Hall</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/5Q1SZark9h0/werner_gura_-_s.php</link>
<description>Each year, the Wigmore Hall commemorates Franz Schubert’s birthday with a high profile recital. This year, Werner Güra and Roger Vignoles presented a recital which was a timely reminder of what Lieder performance should be.</description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2012-02-03T10:24:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/werner_gura_-_s.php</feedburner:origLink></item>



<item>
<title><![CDATA[An Aria of Lincoln Center &mdash; The Metropolitan Opera]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/0Yn_iBd0PrA/an_aria_of_linc.php</link>
<description>To the dismay of New York opera fans, the original Metropolitan Opera House,
located at Broadway and 39th Street, was to be torn down and replaced by a new hall
a mere 30 blocks away.</description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-03T09:14:08-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/an_aria_of_linc.php</feedburner:origLink></item>



<item>
<title>Salome, San Diego</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/G-WC8-zIVKQ/salome_san_dieg.php</link>
<description>The San Diego Opera Company opened its 47th season on Saturday, January 26th
with Richard Strauss’ Salome, a work that has something in it for
everyone: lust, love, lasciviousness, homosexuality, heterosexuality, homicide,
suicide, a voluptuous dance and quickie nudity. </description>
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<dc:subject>Performances</dc:subject>
<dc:date>2012-02-02T20:37:59-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/salome_san_dieg.php</feedburner:origLink></item>



<item>
<title>Mahler: Das Lied von der Erde</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/YTuBvEzCces/gustav_mahler_d.php</link>
<description>Released in 2011, this disc reproduces a performance of Mahler’s Das Lied von der Erde that was recorded on 10 November 1989 at the Grzegorz Fitelberg Concert Hall, Katowice [Poland]. </description>
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<dc:subject>Recordings</dc:subject>
<dc:date>2012-02-02T17:15:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/gustav_mahler_d.php</feedburner:origLink></item>



<item>
<title>Mozart’s Die Zauberflöte at Lyric Opera of Chicago</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/KSQTwkcATQ4/mozarts_die_zau.php</link>
<description>Lyric Opera of Chicago’s recent revival of Mozart’s Die Zauberflöte offered a production with vocal pairs carefully matched and dramatic representation expressing the varying shades of Mozart’s score.</description>
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<dc:subject>Performances</dc:subject>
<dc:date>2012-02-02T16:51:09-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/mozarts_die_zau.php</feedburner:origLink></item>



<item>
<title><![CDATA[Jonathan Harvey&rsquo;s Wagner Dream]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/XT_UI11qJzY/wagner_dream_-_.php</link>
<description>British composer Jonathan Harvey’s Wagner Dream  came to London four years after its premieres at the Holland Festival and in Luxembourg.
</description>
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<dc:subject>Performances</dc:subject>
<dc:date>2012-02-02T16:40:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/wagner_dream_-_.php</feedburner:origLink></item>



<item>
<title>Liceo Opera in Financial Crisis</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/eOt7q4MkNfk/liceo_opera_in_.php</link>
<description>http://www.operatoday.com/content/2012/02/barcelonas_lice.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-02T16:09:19-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/liceo_opera_in_.php</feedburner:origLink></item>



<item>
<title>Barcelona’s Liceo Opera in Financial Crisis</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/VaIQr3LDP_k/barcelonas_lice.php</link>
<description>Confronting a financial shortfall, the Gran Theatro del Liceo in Barcelona has announced a reduction in performances this season with two scheduled operas
cancelled. </description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-02T15:54:56-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/barcelonas_lice.php</feedburner:origLink></item>



<item>
<title>Bayreuth Festspielhaus</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/G8SfcQJzVgg/bayreuth_festsp.php</link>
<description>In an interview, Katharina Wagner, 33, granddaughter of the composer and co-director of the Richard Wagner Bayreuth Festival, spoke of the declining state of the legendary Festival House on the “Green Hill” at Bayreuth. </description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-02T14:44:21-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/bayreuth_festsp.php</feedburner:origLink></item>



<item>
<title>Bayreuth’s Festspielhaus Needs Repairs </title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/1ZYCzkYT078/bayreuths_fests.php</link>
<description>http://www.operatoday.com/content/2012/02/bayreuth_festsp.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-02T14:40:44-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/bayreuths_fests.php</feedburner:origLink></item>



<item>
<title>Emmerich Smola Prize Awarded</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/H3oktMo_UP0/emmerich_smola_.php</link>
<description>http://www.operatoday.com/content/2012/02/the_smola_prize.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-02-01T16:49:03-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/emmerich_smola_.php</feedburner:origLink></item>



<item>
<title>The Smola Prize</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/kwmpBH-_cPg/the_smola_prize.php</link>
<description>A Swiss soprano and an Australian baritone shared the 20,000 Euro Emmerich Smola Prize awarded on Monday. </description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-02-01T15:14:11-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/02/the_smola_prize.php</feedburner:origLink></item>



<item>
<title>Beverly Sills Artist Award Goes to Angela Meade</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/Ukz43Nucz48/beverly_sills_a.php</link>
<description>http://www.operatoday.com/content/2012/01/angela_meade_wi.php</description>
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<dc:subject>News</dc:subject>
<dc:date>2012-01-31T15:41:06-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/beverly_sills_a.php</feedburner:origLink></item>



<item>
<title>Angela Meade Wins Beverly Sills Artist Award</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/KLcg8_wtoC4/angela_meade_wi.php</link>
<description>The seventh annual Beverly Sills Artist Award, carrying with it a $50,000 prize, was awarded to American soprano Angela Meade. </description>
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<dc:subject>Commentary</dc:subject>
<dc:date>2012-01-31T15:31:09-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/angela_meade_wi.php</feedburner:origLink></item>



<item>
<title>Rienzi, OONY</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/JiekVQRu6Ac/rienzi_oony.php</link>
<description><![CDATA[For the first hour or so of the latest Opera Orchestra of New York venture, a concert performance of Wagner&rsquo;s Rienzi, I often said to myself, This&hellip;isn&rsquo;t so terrible. ]]></description>
<guid isPermaLink="false">5854@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-31T14:59:26-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/rienzi_oony.php</feedburner:origLink></item>



<item>
<title>Così fan tutte, Royal Opera</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/Dk0ErWQ8OXw/cosi_fan_tutte_.php</link>
<description><![CDATA[Repeatedly revived since its final appearance in 1995, Jonathan
Miller&rsquo;s Così fan tutte returned yet again to the Covent Garden
stage as the second part of the &lsquo;Olympic&rsquo; cycle of Mozart-Da Ponte
collaborations.]]></description>
<guid isPermaLink="false">5853@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-31T13:46:27-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/cosi_fan_tutte_.php</feedburner:origLink></item>



<item>
<title>Le Roi et le Fermier</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/3HG-N7dARlQ/le_roi_et_le_fe.php</link>
<description><![CDATA[A year or two back, Opera Lafayette, the Washington-based company that
specializes in eighteenth-century obscurités françaises, presented
Pierre-Alexandre Monsigny&rsquo;s Le Magnifique, an
opéra-comique about a race horse. ]]></description>
<guid isPermaLink="false">5852@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-31T09:38:22-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/le_roi_et_le_fe.php</feedburner:origLink></item>



<item>
<title><![CDATA[Vienna State Opera Keeps It&rsquo;s Team]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/wFy_yuTc330/vienna_state_op.php</link>
<description>Jan. 31, 2012. The recent announcement of the extension of the contract for
Dominique Meyer, the General Director of the Vienna State Opera was a firm
endorsement of his leadership by the Austrian government. Meyer, 57, the first
French person to hold the office, will continue now through August 31, 2020.</description>
<guid isPermaLink="false">5851@http://www.operatoday.com/</guid>
<dc:subject>Commentary</dc:subject>
<dc:date>2012-01-31T09:25:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/vienna_state_op.php</feedburner:origLink></item>



<item>
<title><![CDATA[Vienna State Opera Keeps It&rsquo;s Team]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/PQkb0k928Xg/dominique_meyer.php</link>
<description>http://www.operatoday.com/content/2012/01/vienna_state_op.php</description>
<guid isPermaLink="false">5850@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2012-01-31T08:49:50-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/dominique_meyer.php</feedburner:origLink></item>



<item>
<title>Don Giovanni, Royal Opera</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/D1rNBBj5Gcc/don_giovanni_ro.php</link>
<description>Introducing the winter-spring season, ROH Chief Executive Tony Hall explains the (perhaps a tad spurious) Olympic ‘concept’ which has inspired the season’s programming, the five interlocking rings of the Olympic insignia motivating the performance of a series of works staged in ‘cycle form’.</description>
<guid isPermaLink="false">5849@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-27T14:31:37-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/don_giovanni_ro.php</feedburner:origLink></item>



<item>
<title>Basel Chamber Orchestra, Wigmore Hall</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/xQjcT2Dla1I/basel_chamber_o.php</link>
<description>Founded in 1984, the Basel Chamber Orchestra has developed a penchant for
programmes which combine the modern and unfamiliar with the traditional and
renowned.</description>
<guid isPermaLink="false">5848@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-27T13:56:02-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/basel_chamber_o.php</feedburner:origLink></item>



<item>
<title>La Bohème in Toulon, Marseille and Genoa</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/8gC6AZ-M2ec/la_boheme_in_to.php</link>
<description>Three La Bohèmes in ten days, a critic’s nightmare that was more fun than a barrel of monkeys.</description>
<guid isPermaLink="false">5847@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-27T12:39:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/la_boheme_in_to.php</feedburner:origLink></item>



<item>
<title>The Enchanted Island, Metropolitan Opera</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/LQ01L23-pas/the_enchanted_i.php</link>
<description>This year is a big year for the Met. Of the seven new productions on the roster, two are the last two installments of a much-anticipated Robert Lepage Ring. </description>
<guid isPermaLink="false">5846@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-25T12:07:20-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/the_enchanted_i.php</feedburner:origLink></item>



<item>
<title><![CDATA[Haydn&rsquo;s The Seasons at Barbican Hall]]></title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/XNRpmSQEjDw/haydns_the_seas.php</link>
<description>This buoyant, refreshing performance of Haydn’s late oratorio, The Seasons, by Paul McCreesh’s superb Gabrieli Consort and Players conjured
a calendric kaleidoscope of seasonal climes, from the warm bucolic breezes of spring to summer’s fierce suns and flashing storms, from autumnal harvests and hunts to the frozen mists and fiery hearth-sides of winter. </description>
<guid isPermaLink="false">5845@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-25T11:48:39-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/haydns_the_seas.php</feedburner:origLink></item>



<item>
<title>Charpentier and Purcell by Early Opera Company</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/-SBNAejJr9Q/charpentier_and.php</link>
<description>Composed during the spring hunting season of 1684, for a patron and performance venue unknown, Marc-Antoine Charpentier’s brief six-scene Opera de Chasse (‘Hunting Opera’), Actéon, has remained seldom performed and something of a mystery. </description>
<guid isPermaLink="false">5844@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-25T11:04:18-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/charpentier_and.php</feedburner:origLink></item>



<item>
<title>Otello in Zürich</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/uYI9cMFjhHs/otello_in_zuric.php</link>
<description>War and destruction is everywhere these days, not least in Pesaro where Graham Vick staged a lethal Mosé in Egitto last August, nor less so in San Francisco where baritone Thomas Hampson perished as Rick Rescorla in Heart of a Soldier last September.</description>
<guid isPermaLink="false">5840@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2012-01-25T10:40:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/otello_in_zuric.php</feedburner:origLink></item>



<item>
<title>Interview with Lise Lindstrom — An Intelligent Soprano’s Guide to Turandot and Salome</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/wWD81uazjxI/interview_with_.php</link>
<description>Lise Lindstrom, who made a notable splash in the opera world (debuts at La Scala and at the Met) with her portrayals of Giacomo Puccini’s Turandot, has recently undertaken the still more demanding role of Salome. </description>
<guid isPermaLink="false">5843@http://www.operatoday.com/</guid>
<dc:subject>Interviews</dc:subject>
<dc:date>2012-01-25T09:38:00-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/interview_with_.php</feedburner:origLink></item>



<item>
<title>Prégardien at the Wigmore Hall</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/4ihtmlpj0J8/surprise_at_the.php</link>
<description>Hugo Wolf is a hard sell. Technical expertise isn't enough. The secret to singing Wolf is expressing the unique personality in each song. Wolf, perhaps more than any other composer, creates miniatures that open out into mini-operas when performed well. </description>
<guid isPermaLink="false">5839@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-25T07:16:21-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/surprise_at_the.php</feedburner:origLink></item>



<item>
<title>A Noteworthy Ariadne auf Naxos, Chicago</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/NvXraelHqpk/a_noteworthy_ar.php</link>
<description>Richard Strauss’s opera Ariadne auf Naxos presents challenges in casting not only because of the vocal line and identity associated with individual characters but also because of its nature as a self-comment on the musical stage and the requisite dramatic skills thus needed. </description>
<guid isPermaLink="false">5841@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-23T11:52:28-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/a_noteworthy_ar.php</feedburner:origLink></item>



<item>
<title>Five Boroughs Songbook</title>
<link>http://feedproxy.google.com/~r/OperaToday/~3/zTjfMvWdyEA/five_boroughs_s.php</link>
<description>What does it say about New York that, in the songs of the city commissioned by the Five Boroughs Music Festival and given performances in Brooklyn, Queens and, now, Manhattan, the poets (often the composers themselves) rarely refer to life in that central part of the city, Rodgers and Hart’s “isle of joy”? </description>
<guid isPermaLink="false">5842@http://www.operatoday.com/</guid>
<dc:subject>Performances</dc:subject>
<dc:date>2012-01-23T11:12:51-06:00</dc:date>
<feedburner:origLink>http://www.operatoday.com/content/2012/01/five_boroughs_s.php</feedburner:origLink></item>



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