<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-32372095</id><updated>2025-10-29T03:40:55.932+01:00</updated><category term="Beethoven"/><category term="repertorio"/><category term="trío"/><category term="conciertos"/><category term="flauta"/><category term="pensamiento"/><category term="píldoras musicales"/><category term="anotaciones"/><category term="citas"/><category term="clarinete"/><category term="dúo"/><category term="música de cámara"/><category term="piano"/><category term="cine"/><category term="cuarteto"/><category term="poema"/><category term="transcripción"/><category term="Digital 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term="Joyce"/><category term="Kaltenbrunner"/><category term="Kammerstil"/><category term="Kavakos"/><category term="Kempff"/><category term="Kierkegaard"/><category term="Klangforum Wien"/><category term="Landelle"/><category term="Leo Smit"/><category term="Leverkühn"/><category term="Milton"/><category term="Monsaingeon"/><category term="Museo Belas Artes · A Coruña"/><category term="Nietzsche"/><category term="OSG"/><category term="Paco de Lucía"/><category term="Pahud"/><category term="Pessoa"/><category term="Pfau"/><category term="Quatuor Ebène"/><category term="Rebecca Saunders"/><category term="Renaud Capuçon"/><category term="Ross"/><category term="Saint-Saëns"/><category term="Salzburgo"/><category term="Schmitt"/><category term="Schubart"/><category term="Schubert"/><category term="Schumann"/><category term="Sedlak"/><category term="Shostakovich"/><category term="Sociedad Filarmónica A Coruña"/><category term="Spektral Quartet"/><category term="Starke"/><category term="Steiner"/><category term="Taruskin"/><category term="Teatro Rosalía"/><category term="The Shed"/><category term="Torga"/><category term="Triebensee"/><category term="Troy Anthony"/><category term="Trías"/><category term="Turina"/><category term="Ulysses"/><category term="Venecia"/><category term="Walker"/><category term="acento"/><category term="adaptación"/><category term="arreglos"/><category term="bebung"/><category term="bicentenario"/><category term="biopic"/><category term="canalmarch"/><category term="catálogo"/><category term="chamber jazz"/><category term="concierto"/><category term="corno inglés"/><category term="cuarteto de cuerda"/><category term="cuentos"/><category term="cuerda y viento"/><category term="definición"/><category term="documental"/><category term="ensayo"/><category term="estética"/><category term="guitarra"/><category term="hipercompás"/><category term="hypermeasure"/><category term="imagen"/><category term="impresiones"/><category term="interpretación"/><category term="lecciones magistrales"/><category term="lingüística"/><category term="literatura"/><category term="live"/><category term="medici.tv"/><category term="notas"/><category term="novedades discográficas"/><category term="obras"/><category term="presentación"/><category term="prosa"/><category term="quinteto de viento"/><category term="qunteto"/><category term="saxofones"/><category term="saxofón"/><category term="sentencias"/><category term="sonata"/><category term="tempo"/><category term="tonalidad"/><category term="tríos"/><category term="términos"/><category term="valses"/><category term="viento"/><category term="viento con piano"/><category term="violonchelo"/><category term="voz"/><title type='text'>Música de Cámara</title><subtitle type='html'>&lt;i&gt;&quot;De la musique avant toute chose&quot;&lt;/i&gt;</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default?start-index=26&amp;max-results=25'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>86</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-32372095.post-1391122607395679753</id><published>2022-10-01T18:12:00.002+02:00</published><updated>2022-10-01T18:12:26.343+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Du Bos"/><category scheme="http://www.blogger.com/atom/ns#" term="pensamiento"/><title type='text'>De la musique proprement dite</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
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  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;Le musicien imite les tons, les accens, les soupirs, les infléxions de voix, enfin tous ces sons, à l’aide desquels la nature même exprime ses sentimens et ses passions. Tous ces sons, (...), ont une force merveilleuse pour nous émouvoir, parce qu’ils sont les signes des passions, instituez par la nature dont ils ont reçû leur énergie.&lt;/blockquote&gt;

Du Bos, J. B. (1719). &lt;i&gt;Rèflexions critiques sur la peinture et la poésie&lt;/i&gt;&lt;/td&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/1391122607395679753/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/1391122607395679753' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/1391122607395679753'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/1391122607395679753'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2022/10/de-la-musique-proprement-dite.html' title='De la musique proprement dite'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDlMxJ6ZbedzvsiEgt-O8IjYpukzXNKSzmvATAPP4z1qh_syCG67UN_pES54OoYrRpB7j25c9hR3VP0Bp2gMyZbgNO7No3-ccua79MiaRNN-zMFmdRUlv8Pg9t880v9sK74jLC8v9eX7GirIW3Gi9e__r9bbES9Owjdnlgk3WpGJVtUzMXuA/s72-c/Du_bos.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-3284549301639632587</id><published>2022-03-29T17:12:00.000+02:00</published><updated>2022-03-29T17:12:48.349+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Nietzsche"/><category scheme="http://www.blogger.com/atom/ns#" term="pensamiento"/><category scheme="http://www.blogger.com/atom/ns#" term="Venecia"/><title type='text'>Venecia _ Música </title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
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  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;Wenn ich ein andres Wort für Musik suche, so finde ich immer nur das Wort Venedig.&lt;/blockquote&gt;

Nietzsche, Friedrich (1888). &lt;i&gt;Ecce homo - Wie man wird, was man ist&lt;/i&gt;&lt;/td&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/3284549301639632587/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/3284549301639632587' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3284549301639632587'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3284549301639632587'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2022/03/venecia-musica.html' title='Venecia _ Música '/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJr5cZ96xu0tJxpfBGFOplCg_ZVQknazmMuiOYHWkcRmy2TH-pmoilXdeSjq8i3-cezBdz2lXsxu819Qdg5VkRML6eLVV3VgjXdAwERJYix0xw7nw5L1v3zqpbYkDj1oREJrict_i_prX60Vh9g6-RLbTqBnu_2XHJTzpd3obj4O9g8vduJQ/s72-c/fn.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-13330097401664275</id><published>2022-03-07T18:06:00.011+01:00</published><updated>2025-10-28T18:42:28.022+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="audio"/><category scheme="http://www.blogger.com/atom/ns#" term="bebung"/><title type='text'>Notas repetidas enlazadas (Bebung) [piano]</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; style=&quot;border-collapse: collapse; float: left;&quot;&gt;
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  &lt;td align=&quot;center&quot; valign=&quot;top&quot; width=&quot;33%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; margin: 0px 20px;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEjVqkQEvh0nyQbPOA382HCTDRmhY3YrA2A2EYJ2gEJS0nIor8BTiD9vnUEUHHpGMlREz6HuZmBYI53ABTt-V_AMv1BeuuOhTyM0LtHaCuX6zcTyIv05NNUkqdL0ti-NHg4gmG0RsRMsb3MCrTVqWFcXd6Nmsdxe0x5g1R3u_tdxk_PevB786Q=s600&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;1166&quot; data-original-width=&quot;3509&quot; src=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEjVqkQEvh0nyQbPOA382HCTDRmhY3YrA2A2EYJ2gEJS0nIor8BTiD9vnUEUHHpGMlREz6HuZmBYI53ABTt-V_AMv1BeuuOhTyM0LtHaCuX6zcTyIv05NNUkqdL0ti-NHg4gmG0RsRMsb3MCrTVqWFcXd6Nmsdxe0x5g1R3u_tdxk_PevB786Q=s200&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;
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   &lt;p&gt; &lt;strong&gt;L. van Beethoven&lt;br /&gt;
     &lt;/strong&gt;&lt;strong&gt;&lt;em&gt;Sonata nº. 31 en la bemol mayor, op. 110: III. Adagio&lt;/em&gt;&lt;/strong&gt; [fragmento]&lt;/p&gt;
    &lt;p&gt;&lt;i&gt;Artur Schnabel&lt;/i&gt;&lt;i&gt;&lt;/i&gt;&lt;/p&gt;
&lt;!--	  &lt;div class=&quot;audioplay-object&quot;&gt;
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	  &lt;p&gt;&lt;i&gt;Igor Levit&lt;/i&gt;&lt;/p&gt;
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        &lt;/audio&gt;--&gt;
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      &lt;/div&gt;&lt;hr /&gt;
    &lt;p&gt;&lt;i&gt;Glenn Gould&lt;/i&gt;&lt;/p&gt;
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      &lt;/div&gt;&lt;hr /&gt;
    &lt;p&gt;&lt;em&gt;David Breitman&lt;/em&gt;&lt;/p&gt;
    &lt;div class=&quot;audioplay-object&quot;&gt;
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      &lt;/div&gt;&lt;hr /&gt;
&lt;p&gt;&lt;em&gt;Sviatoslav Richter&lt;/em&gt;&lt;/p&gt;
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      &lt;iframe src=&quot;https://drive.google.com/file/d/1SORyyc1tcfU3adUfXTaIu3VcmBbQoWAH/preview&quot; width=&quot;450&quot; height=&quot;50&quot; allow=&quot;autoplay&quot;&gt;&lt;/iframe&gt;
      &lt;/div&gt;
      &lt;script src=&quot;https://strangecube.com/audioplay2/player/js/audioplay-2.0.0.min.js&quot;&gt;&lt;/script&gt;
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&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/13330097401664275/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/13330097401664275' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/13330097401664275'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/13330097401664275'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2022/03/notas-repetidas-enlazadas-bebung-piano.html' title='Notas repetidas enlazadas (Bebung) [piano]'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/a/AVvXsEjVqkQEvh0nyQbPOA382HCTDRmhY3YrA2A2EYJ2gEJS0nIor8BTiD9vnUEUHHpGMlREz6HuZmBYI53ABTt-V_AMv1BeuuOhTyM0LtHaCuX6zcTyIv05NNUkqdL0ti-NHg4gmG0RsRMsb3MCrTVqWFcXd6Nmsdxe0x5g1R3u_tdxk_PevB786Q=s72-c" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-3469214628904134901</id><published>2022-03-01T18:10:00.005+01:00</published><updated>2022-03-03T16:38:01.257+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Chillida"/><category scheme="http://www.blogger.com/atom/ns#" term="pensamiento"/><title type='text'>Es bastante sencillo, todo se reduce a aprender, a preguntar</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
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  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&lt;ul&gt;&lt;li&gt;El artista busca en sus obras escapar del tiempo. La obra de arte tiene una dimensión &#39;&#39;óptima&#39;&#39; única. La música -otro arte- es por la medida, entre otras cosas, control del tiempo, y a veces nos hace vivir un presente más lento.&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;En arte todo se puede aprender y nada o casi nada se puede enseñar.&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;Juan Sebastián Bach. Saludo &lt;/li&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;moderno como las olas&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;antiguo como la mar &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;siempre nunca diferente &lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;pero nunca siempre igual.&lt;/ul&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;/blockquote&gt;
Chillida, Eduardo (2005). &lt;i&gt;Escritos&lt;/i&gt;&lt;/td&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/3469214628904134901/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/3469214628904134901' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3469214628904134901'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3469214628904134901'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2022/03/es-bastante-sencillo-todo-se-reduce.html' title='Es bastante sencillo, todo se reduce a aprender, a preguntar'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/a/AVvXsEiCRkyDHlMcu1o2hl0MQdgEZzi9s_WBrwhV8nR9szQzQH0El_oiPax1xZCkVNc9fw7Wh3c9i_YwaUYijxsNIh_dqG13Oa2l6An-zMsL55s1vQDnyMc_hS7sUUS6TNkrEtO9d7EFTCoOHJGkQvHIDixISK3-B8dr18v_50h0dXHNBMK-uev-nw=s72-c" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-6227765861698041800</id><published>2022-02-14T20:51:00.005+01:00</published><updated>2022-02-14T20:51:34.109+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="citas"/><category scheme="http://www.blogger.com/atom/ns#" term="Tavares"/><title type='text'>A música</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
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&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;310&quot; data-original-width=&quot;200&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEiiMClzhXBzioIz7QL-rNytsPI2AIZEn8eDzp7VWuWo1V_Q8evybi_LmljR2yejHpOgu6uv8vNw9AgOf9kNdLLWDqZA8VT_UweYFBxOZ29NmC6EZN-YvES14ipMUi2X_e4yP1_XffR_vx0d4Z7XYtpwuCAbsLSHUumfQyHrrrbWDu32WGPqKQ=s200&quot; /&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&amp;nbsp; &amp;nbsp; A música é un sinal forte da humilhação. Se quem chegou impõe a sua música é porque o mundo mudou, a amanhã serás estrangeiro no sítio que antes era a tua casa. Ocupam a tua casa quando põem outra música.&lt;br /&gt;
&lt;br /&gt;&amp;nbsp; &amp;nbsp; Cada povo tem direiro à sua música e ao silêncio. Tem direito a decidir de que modo quer interromper o silêncio. Direito a escolher que sons quer: que palavra e que nota musical. Mas, repara: não há silêncios populares. Como isso assusta.&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;/blockquote&gt;
Tavares, Gonçalo M. (2003). &lt;i&gt;Um Homem: Klaus Klump&lt;/i&gt;&lt;/td&gt;
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</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/6227765861698041800/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/6227765861698041800' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/6227765861698041800'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/6227765861698041800'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2022/02/a-musica.html' title='A música'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/a/AVvXsEiiMClzhXBzioIz7QL-rNytsPI2AIZEn8eDzp7VWuWo1V_Q8evybi_LmljR2yejHpOgu6uv8vNw9AgOf9kNdLLWDqZA8VT_UweYFBxOZ29NmC6EZN-YvES14ipMUi2X_e4yP1_XffR_vx0d4Z7XYtpwuCAbsLSHUumfQyHrrrbWDu32WGPqKQ=s72-c" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-171142779770356373</id><published>2022-02-10T16:20:00.005+01:00</published><updated>2022-02-10T16:33:12.891+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="imagen"/><category scheme="http://www.blogger.com/atom/ns#" term="Kavakos"/><category scheme="http://www.blogger.com/atom/ns#" term="Pahud"/><title type='text'>Aire, Figura, Imagen, Porte / Posición</title><content type='html'>&lt;table width=&quot;65%&quot; border=&quot;0&quot; align=&quot;center&quot; cellspacing=&quot;0&quot;&gt;
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&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;iframe height=&quot;270&quot; src=&quot;https://docs.google.com/file/d/1Y909FaRwgMvKDyos6xa_bflPLCJGGVDf/preview&quot; width=&quot;480&quot;&gt;&lt;/iframe&gt;&lt;/div&gt;

&lt;blockquote&gt;Fragmento de &quot;Saint-Saëns, el insondable&quot; de David Unger, Francia 2021&lt;/blockquote&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/5622699099245603872/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/5622699099245603872' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/5622699099245603872'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/5622699099245603872'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2022/02/saint-saensrossini-tarantella-op-6.html' title='Saint-Saëns/Rossini: Tarantella Op. 6'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/a/AVvXsEgc7ZVkz-k-4iZ3MFuDK7U1KYzAj6sCS-3wMNZ3JZXwgSPcpLyYoCY5DKNAry4vnzBpOge9gS4Aav44mEvOnqheSLUn_BRB8w0Ml-bbNbr8fzElL0xdy6cCQRBiPcKzUwbJkbfhREJtD8Egs38OTSAWNS61ymSeXhefKtOo3HLMxS7v6RbP7w=s72-c" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-2534009773923821846</id><published>2022-01-14T10:09:00.001+01:00</published><updated>2022-01-14T10:09:14.793+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cone"/><category scheme="http://www.blogger.com/atom/ns#" term="hipercompás"/><category scheme="http://www.blogger.com/atom/ns#" term="hypermeasure"/><category scheme="http://www.blogger.com/atom/ns#" term="términos"/><title type='text'>Hypermeasure (Hipercompás)</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
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  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; height=&quot;200&quot; data-original-height=&quot;300&quot; data-original-width=&quot;194&quot; src=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEgQCdfXtXd2LtO6jD2Gj3PMUihWeisFzDPx5FEunWnUgrgSfb9CrL20Mpi3UKafxIptdfI4W4FUJW4fUEnPLzeTBko_-woGtfVjTUR-xZa3iWtE05OFT90b3wAfCt9_lgXzYSlhhy6I-KwlDmuNZpOOO5_MCI9q498aKuFeubh9BEl4MTLthw=s200&quot;/&gt;&lt;/div&gt;
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  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;In Romantic music (...) one can find long stretches in which the measures combine into phrases that are themselves metrically conceived -into what I call hypermeasures.
&lt;/p&gt;&lt;/blockquote&gt;Edward T. Cone:
&lt;i&gt;Musical Form and Musical Performance. (1968)&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/2534009773923821846/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/2534009773923821846' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/2534009773923821846'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/2534009773923821846'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2022/01/hypermeasure-hipercompas.html' title='Hypermeasure (Hipercompás)'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/a/AVvXsEgQCdfXtXd2LtO6jD2Gj3PMUihWeisFzDPx5FEunWnUgrgSfb9CrL20Mpi3UKafxIptdfI4W4FUJW4fUEnPLzeTBko_-woGtfVjTUR-xZa3iWtE05OFT90b3wAfCt9_lgXzYSlhhy6I-KwlDmuNZpOOO5_MCI9q498aKuFeubh9BEl4MTLthw=s72-c" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-8134366171784667185</id><published>2022-01-12T16:22:00.004+01:00</published><updated>2022-01-12T16:33:22.231+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="clarinete"/><category scheme="http://www.blogger.com/atom/ns#" term="piano"/><category scheme="http://www.blogger.com/atom/ns#" term="repertorio"/><category scheme="http://www.blogger.com/atom/ns#" term="saxofón"/><category scheme="http://www.blogger.com/atom/ns#" term="trío"/><title type='text'>Clarinete, saxofón y piano - Repertorio</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 100%;&quot;&gt;
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  &lt;th align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;middle&quot; width=&quot;35%&quot;&gt;COMPOSITOR&lt;/th&gt;&lt;th align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;middle&quot; width=&quot;45%&quot;&gt;OBRA&lt;/th&gt;&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;strong&gt;&lt;em&gt;Aldridge, Robert (n. 1954)&lt;/em&gt;&lt;/strong&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;SoundMovesBlues&lt;/em&gt; (para clarinete, saxofón alto y piano) [1999]&lt;/td&gt;
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  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;strong&gt;&lt;em&gt;Anderson, Thomas Jefferson (n. 1928)&lt;/em&gt;&lt;/strong&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Intermezzi&lt;/em&gt; (para clarinete, saxofón alto y piano) [1983]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Bloomer Deussen, Nancy (1931-2019)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Parisian Caper&lt;/em&gt; (para saxofón alto, clarinete y piano) [1997]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Carlson, Mark (n. 1954)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Postcards from Silver Lake&lt;/em&gt; (para clarinete, saxofón alto y piano) [2010]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Heins, John (n. 1956)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Capriccio&lt;/em&gt; (para clarinete, saxofón alto y piano) [2015]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Price, William (n. 1945)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;I Don&#39;t Want to Dance (Dance-like)&lt;/em&gt; (para clarinete, saxofón alto y piano)&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Räisänen, Tomi (n. 1976)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Euryale&lt;/em&gt; (para clarinete, saxofón alto y piano) [2004]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Stein, Leon (1910-2002)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Trio&lt;/em&gt; (para clarinete, saxofón alto y piano) [1969]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Wettstein, Peter (n. 1939)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Starowy&lt;/em&gt; (para clarinete, saxofón alto y piano) [1987]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;Uhl, Alfred (1909-1992)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;&lt;br /&gt;Kleines Konzert&lt;/em&gt; (arr. para clarinete, saxofón alto y piano) [1937-1988]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Gilbert, Nicolas (n. 1979)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;L&#39;Ordre des Choses&lt;/em&gt; (para clarinete, saxofón tenor y piano) [2005]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Macy, Carleton (n. 1944)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Wistful Green&lt;/em&gt; (para clarinete, saxofón tenor y piano) [2000]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Madsen, Trygve (n. 1940)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Trio Op. 111&lt;/em&gt; (para clarinete, saxofón tenor y piano) [1998]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Albright, William (1944-1998)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
	&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Pit Band&lt;/em&gt; (para saxofón alto, clarinete bajo y piano) [1993]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Moussa, Samy (n. 1984)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Trio&lt;/em&gt; (para clarinete bajo, saxofón barítono y piano) [2006]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Nelson, Jalalu-Kalvert (n. 1951)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Sight Seeing&lt;/em&gt; (para clarinete bajo, saxofón barítono y piano) [2004]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong&gt;Price, William (n. 1945)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Hook, Line, and Sinker&lt;/em&gt; (para clarinete/clarinete bajo, saxofón soprano/alto/barítono y piano) [2005-2006]&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/8134366171784667185/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/8134366171784667185' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/8134366171784667185'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/8134366171784667185'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2022/01/clarinete-saxofon-y-piano-repertorio.html' title='Clarinete, saxofón y piano - Repertorio'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/a/AVvXsEhFbfmouUUnqZdJwTb_jyyJKVDa1em9MQvBMEhKvktldo1VBwToGETdHIFJWcJUBSYvhlaa-uaQWVggt2ELHKm3KYXgG62EyGVYR2uTJAw1qOsn-wxDb8BiCEWz_bjPDYgk4oPZPJkkMAc4N6gBJsxVvWmkovo5IGMpghwouhuLan60-EUZEA=s72-c" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-3472884090409598421</id><published>2021-12-31T17:03:00.003+01:00</published><updated>2021-12-31T17:03:54.250+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="silencio"/><title type='text'>Silencio</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt; 
  &lt;tbody&gt;
&lt;tr&gt;
  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;50%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEiGqSZ5FTQ9vROo4GOUkf-Ug6kUFVXIKYhGmBO2bMACd9fg9C1cBe6EjmC9Euk-XlPXCD55PzASF0lI4rHlshTSxyo-mcxowIEeIEl-YF2A-XRzKqPnkS3C5ir6h_opolnMbzpm5kjFEhQVCWNm3BmeYiOlzXQvvBNpPffuxoLOHJxxR7Ar-A=s1118&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;1118&quot; data-original-width=&quot;874&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEiGqSZ5FTQ9vROo4GOUkf-Ug6kUFVXIKYhGmBO2bMACd9fg9C1cBe6EjmC9Euk-XlPXCD55PzASF0lI4rHlshTSxyo-mcxowIEeIEl-YF2A-XRzKqPnkS3C5ir6h_opolnMbzpm5kjFEhQVCWNm3BmeYiOlzXQvvBNpPffuxoLOHJxxR7Ar-A=s200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;50%&quot;&gt;&lt;blockquote&gt;
    &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Erwin Schulhoff&lt;/strong&gt;&lt;/p&gt;
    &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;i&gt;5 Pittoresken, Op.31 &lt;/i&gt;(1919)&lt;/p&gt;
    &lt;blockquote&gt;
      &lt;p&gt;      III. In futurum      &lt;/p&gt;
    &lt;/blockquote&gt;
  &lt;/blockquote&gt;&lt;/td&gt;
&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/3472884090409598421/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/3472884090409598421' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3472884090409598421'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3472884090409598421'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/12/silencio.html' title='Silencio'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/a/AVvXsEiGqSZ5FTQ9vROo4GOUkf-Ug6kUFVXIKYhGmBO2bMACd9fg9C1cBe6EjmC9Euk-XlPXCD55PzASF0lI4rHlshTSxyo-mcxowIEeIEl-YF2A-XRzKqPnkS3C5ir6h_opolnMbzpm5kjFEhQVCWNm3BmeYiOlzXQvvBNpPffuxoLOHJxxR7Ar-A=s72-c" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-4973124177189231676</id><published>2021-12-09T16:29:00.003+01:00</published><updated>2022-01-12T16:22:52.776+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="clarinete"/><category scheme="http://www.blogger.com/atom/ns#" term="piano"/><category scheme="http://www.blogger.com/atom/ns#" term="repertorio"/><category scheme="http://www.blogger.com/atom/ns#" term="trío"/><title type='text'>2 clarinetes y piano - Repertorio</title><content type='html'>&lt;table border=&quot;0&quot; align=&quot;center&quot; cellspacing=&quot;10&quot; style=&quot;width: 100%;&quot;&gt;
&lt;tbody&gt;
&lt;tr valign=&quot;middle&quot;&gt;
  &lt;th width=&quot;10%&quot; rowspan=&quot;28&quot; align=&quot;center&quot; valign=&quot;top&quot; scope=&quot;col&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; width=&quot;200&quot; data-original-height=&quot;133&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQfkzsTttlEtNMSttR-JERNo1yxN54QiWG2km4-iRsSqguMPa6qg3IfOI9FwIshixyHfbVt_3XUyiUP9PZKV6HteVb3kCQiuPNZ8q9R6LcIdGmBeMBjZPPoUso2tJw5xfVo_Db/s200/cl_pno.jpg&quot;/&gt;&lt;/div&gt;&lt;/th&gt;
  &lt;th align=&quot;center&quot; scope=&quot;col&quot; width=&quot;35%&quot;&gt;COMPOSITOR&lt;/th&gt;&lt;th align=&quot;center&quot; scope=&quot;col&quot; width=&quot;45%&quot;&gt;OBRA&lt;/th&gt;&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-361f56bf-7fff-2152-4a79-d8b691d278a9&quot;&gt;Alejandre Prada, Manuel (n. 1977)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Sonatina de Luna, Op. 39&lt;/em&gt; [2003]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-f50d22fc-7fff-bb8c-f765-e54920b66f93&quot;&gt;Alexander, Josef (1907-1992)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Threesome&lt;/em&gt; [1986]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-ab587d74-7fff-5301-e454-e86a1190886b&quot;&gt;Baermann, Carl (1810-1885)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Duo Concertante, Op. 33&lt;/em&gt; [1870]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-c744008d-7fff-de44-46e5-7b57608a4f9f&quot;&gt;Bacon, Ernst (1898-1990)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;The Cock Fight&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-efaabec0-7fff-30eb-d6f9-66de659d5540&quot;&gt;Cavallini, Ernesto (1807-1874)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;La Bacana: Gran Duetto&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-9b6a517a-7fff-74ac-a57d-55d9b515130e&quot;&gt;Feigin, Sarah (1928-2011)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Awakening&lt;/em&gt; [2005]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-51ec6c3e-7fff-de14-2d6e-3349870267ee&quot;&gt;Kirchner, Volker David (1942-2020)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Strophen II &lt;/em&gt;[2008]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-a8902b02-7fff-4c48-04a4-c30faf0db932&quot;&gt;Mangani, Michele (n. 1966)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Concertpiece&lt;/em&gt; [2015]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-434338ce-7fff-da8b-134c-a9e3e475aaf8&quot;&gt;Norton, Christopher (n. 1953)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Trio&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-51608884-7fff-270e-267e-808006e738f5&quot;&gt;Olúrántí, Ayọ̀ (n. 1972)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Dialogue&lt;/em&gt; [2003]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-665935e2-7fff-994d-a74b-109d66c3a6e7&quot;&gt;Otaka, Tadaaki (n. 1947)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Dialogue&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-f0d65e93-7fff-dd14-e605-bd3129efe235&quot;&gt;Picchi, Ermanno (1811-1856)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Polacca &lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-63bc8216-7fff-1a3f-e3ca-ed0ac976cf87&quot;&gt;Ponchielli, Amilcare (1834-1886)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Il Convegno&lt;/em&gt; [1865]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-e3bc33b4-7fff-6dc2-2d28-0459c6276692&quot;&gt;Richter, Marga (n. 1926)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Sonora&lt;/em&gt; [1981]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-3a8d71e1-7fff-dc1a-33b9-bef75991af32&quot;&gt;Rotter, Martin (n. 1968)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;Trio&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-15207a01-7fff-1092-989f-4f12908d8073&quot;&gt;Siegmeister, Elie (1909-1991)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Prelude, Blues and Finale&lt;/em&gt; [1984]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-1c9e4b5f-7fff-7241-452a-801db0874657&quot;&gt;Schocker, Gary (n. 1959)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Sonata No. 2&lt;/em&gt; [2015]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-447e8c17-7fff-cce1-2ff6-d30377585c21&quot;&gt;Schoonenbeek, Kees (n. 1947)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Due Canzoni&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-0fede022-7fff-17f9-0dcf-a50639ab186a&quot;&gt;Siquiet, Claude (n. 1938)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Quand 2 Clarinettes Se Rencontrent&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-fe7054e0-7fff-78af-4b3b-3ad891f85d47&quot;&gt;Bassi, Luigi (1833-1871)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Gran Duetto Concertato dell&#39;opera &#39;La Sonnambula&#39;&lt;/em&gt; (para clarinete en mi♭, clarinete  en si♭ y piano)&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-5cb1d2a7-7fff-149e-2dbf-5053f44792ba&quot;&gt;Dimov, Bojidar (1935-2003)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;em&gt;Trio Rituals&lt;/em&gt; (para clarinete, clarinete bajo y piano) [1983] &lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-bd74aaf2-7fff-9238-36d4-acdb3ca1b274&quot;&gt;Kirchner, Volker David (1942-2020)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;p dir=&quot;ltr&quot;&gt;&lt;em&gt;Strophen I&lt;/em&gt; (para clarinete, clarinete bajo y piano) [2007]&lt;br&gt;
    &lt;em&gt;Strophen III&lt;/em&gt; (para clarinete, clarinete bajo y piano) [2008]&lt;/p&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&amp;nbsp;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; height=&quot;27&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-6dd5de8b-7fff-50d2-d143-57a626877f72&quot;&gt;Durkó, Zsolt (1934-1997)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Résonances&lt;/em&gt; (para clarinete, corno di bassetto y piano) [1989]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong id=&quot;docs-internal-guid-4b83a345-7fff-ac1f-330c-dbc563c98850&quot;&gt;Mendelssohn, Felix (1809-1847)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;p dir=&quot;ltr&quot;&gt;&lt;em&gt;Konzertstück No. 1 in f minor, Op. 113&lt;/em&gt; (para clarinete, corno di bassetto y piano) [1832]&amp;nbsp;&lt;br&gt;
      &lt;em&gt;Konzertstück No. 2 in d minor, Op. 114&lt;/em&gt; (para clarinete, corno di bassetto y piano) [1833]&lt;/p&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/4973124177189231676/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/4973124177189231676' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/4973124177189231676'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/4973124177189231676'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/12/compositor-obra-alejandre-prada-manuel-n.html' title='2 clarinetes y piano - Repertorio'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQfkzsTttlEtNMSttR-JERNo1yxN54QiWG2km4-iRsSqguMPa6qg3IfOI9FwIshixyHfbVt_3XUyiUP9PZKV6HteVb3kCQiuPNZ8q9R6LcIdGmBeMBjZPPoUso2tJw5xfVo_Db/s72-c/cl_pno.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-4126659505085929826</id><published>2021-12-03T16:37:00.002+01:00</published><updated>2022-01-12T16:26:13.961+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="estética"/><category scheme="http://www.blogger.com/atom/ns#" term="pensamiento"/><category scheme="http://www.blogger.com/atom/ns#" term="Pessoa"/><title type='text'>REGRESSO DOS DEUSES: Estética [a]</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
&lt;tr&gt;
  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; width=&quot;200&quot; data-original-height=&quot;113&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWbEhDiAQV5IAXYgI4jol1GlnpY-nxnyiQuBHRu7hffD71Bbuw_r7ntVwGIA6jouX5XNYMoxVPft8D_j_NbMD4jWO8J4n1yiUd2Equpsvptzz1D7yO1PIQ7MA8ogYl45t_NVq8/s200/fernando-pessoa.jpg&quot;/&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Mas o critério de perspicuidade não limitará demasiado a arte? Não limita, se atendermos a um ponto importante, que é que há várias artes, cada uma das quais corresponde a um género de perspicuidade. Certos sentimentos vagos e pensamentos nebulosos, que são naturais a todos os homens, encontram a sua expressão em a música.
(...)
&lt;/p&gt;&lt;/blockquote&gt;António Mora: REGRESSO DOS DEUSES: Estética (1916?)&lt;br&gt;
&lt;i&gt;Páginas de Estética e de Teoria Literárias. Fernando Pessoa. (Textos establecidos e introducidos por Georg Rudolf Lind y Jacinto do Prado Coelho.) Lisboa: Ática, 1966.  - 18.
&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/4126659505085929826/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/4126659505085929826' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/4126659505085929826'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/4126659505085929826'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/12/regresso-dos-deuses-estetica-a.html' title='REGRESSO DOS DEUSES: Estética [a]'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWbEhDiAQV5IAXYgI4jol1GlnpY-nxnyiQuBHRu7hffD71Bbuw_r7ntVwGIA6jouX5XNYMoxVPft8D_j_NbMD4jWO8J4n1yiUd2Equpsvptzz1D7yO1PIQ7MA8ogYl45t_NVq8/s72-c/fernando-pessoa.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-8683473570298805830</id><published>2021-11-30T16:45:00.002+01:00</published><updated>2021-11-30T16:45:48.790+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="clarinete"/><category scheme="http://www.blogger.com/atom/ns#" term="dúo"/><category scheme="http://www.blogger.com/atom/ns#" term="repertorio"/><category scheme="http://www.blogger.com/atom/ns#" term="viola"/><title type='text'>Dúo clarinete y viola - Repertorio</title><content type='html'>&lt;table width=&quot;90%&quot; border=&quot;0&quot; cellspacing=&quot;10&quot;&gt;
&lt;tbody&gt;
&lt;tr&gt;
  &lt;th width=&quot;10%&quot; rowspan=&quot;23&quot; align=&quot;center&quot; valign=&quot;top&quot; scope=&quot;col&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; height=&quot;200&quot; data-original-height=&quot;220&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicgdG7OoDrT3VBp0y5x0Op-c9_L7nMCKkMjgjq-1buUkYbfwWT2Kn6Hpz-cdkQAVKuqTCF60WvgGj7Br-ILNYpArB_-s9gv0nF-KhPnwvMhEkmIzVXH6wiiKPsjqi4up164Vqz/s200/viola-clarinet.jpg&quot;/&gt;&lt;/div&gt;&lt;/th&gt;
  &lt;th width=&quot;35%&quot; align=&quot;center&quot; valign=&quot;top&quot; scope=&quot;col&quot;&gt;COMPOSITOR&lt;/th&gt;&lt;th width=&quot;45%&quot; align=&quot;center&quot; valign=&quot;top&quot; scope=&quot;col&quot;&gt;OBRA&lt;/th&gt;&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt; Ben-Amots, Ofer (n. 1955)&lt;br /&gt; &lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Cantillations&lt;/em&gt; for clarinet and cello or viola&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt; Berezowsky, Nicolai (1900-1953)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Duo, Op. 15&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Blum, Robert (1900-1994)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Kleines Konzert&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt; Brandon, Jenni (n. 1977)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Shades of Violet&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Chen, Yihan (n 1994)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Duet&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Clarke, Rebecca (1886-1979)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Prelude, Allegro and Pastorale&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Dediu, Dan (n. 1967)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Sepia Girl, Op. 47&lt;br /&gt; Viermi de măr II [Apple Worms II]&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Dinescu, Violeta (n. 1953)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Rand&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Fairouz, Mohammed (n. 1985)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Ka-las&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Goeb, Roger (1914-1997)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Nuances&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Ioannidis, Yannis (n. 1930)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Diagramma&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Jacob, Gordon (1895–1984)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Miniature Suite&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Levy, Frank Ezra (1930-2017)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Mythic Transformations&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Lucas, Mary (1882-1952)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Duo &lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Marbe, Myriam (1931-1997)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Paos&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Mimaroğlu, İlhan (1926-2012)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Monologue &lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Pereyra-Lizaso, Nydia (1916-1998)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;4 Miniatures&lt;/em&gt; (for violin and viola or clarinet)&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Sims, Ezra (1928-2015)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Duo ’97&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Solère, Etienne (1753-1817)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Sonata I&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Tăutu, Cornelia (n. 1938)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;De doi&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Vrebalov, Aleksandra (n. 1970)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Duo Uran&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Živković, Đuro (n. 1975)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Three Folk Tunes&lt;/em&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/8683473570298805830/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/8683473570298805830' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/8683473570298805830'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/8683473570298805830'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/11/duo-clarinete-y-viola-repertorio.html' title='Dúo clarinete y viola - Repertorio'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicgdG7OoDrT3VBp0y5x0Op-c9_L7nMCKkMjgjq-1buUkYbfwWT2Kn6Hpz-cdkQAVKuqTCF60WvgGj7Br-ILNYpArB_-s9gv0nF-KhPnwvMhEkmIzVXH6wiiKPsjqi4up164Vqz/s72-c/viola-clarinet.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-2946717570199675853</id><published>2021-11-22T12:00:00.008+01:00</published><updated>2021-11-22T12:01:23.918+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Franz Schubert"/><category scheme="http://www.blogger.com/atom/ns#" term="Kaltenbrunner"/><category scheme="http://www.blogger.com/atom/ns#" term="poema"/><title type='text'>Schubert’s Todtenfeyer</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
&lt;tr&gt;
  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; height=&quot;200&quot; data-original-height=&quot;231&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtpI84CYN72jp503SQGLdbyCKQRsCgiIMhwSkbptfHB5X4PJcQmZVGHHtw2g3B_2HeFq1xsdVE0-dysxUZ7pTSxJvVv99Ax4v9Aq6VxypefB_h2YxgZm4bKLPwl_xfA19cThC7/s200/franz-schubert.jpg&quot;/&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;(...)&lt;br /&gt; Wir hören seine Seele sich ergießen, &lt;br /&gt;
wie eine Nachtigall im Blütenstrauch; &lt;br /&gt;
In zärtlichen Gefühlen sanft zerfließen, &lt;br /&gt;
hinwehend wie ein warmer Liebeshauch! &lt;br /&gt;
Doch mächtig werden wir oft hingerissen, &lt;br /&gt;
und Schuberts Töne sind ein Donner auch! &lt;br /&gt;
So wußt’ er uns mit sich empor zu tragen, &lt;br /&gt;
des Herzens tiefste Saiten anzuschlagen!&lt;br /&gt;
(...)
&lt;/p&gt;&lt;/blockquote&gt;Kaltenbrunner, Carl Adam (1828) &lt;i&gt;
&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/2946717570199675853/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/2946717570199675853' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/2946717570199675853'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/2946717570199675853'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/11/schuberts-todtenfeyer.html' title='Schubert’s Todtenfeyer'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtpI84CYN72jp503SQGLdbyCKQRsCgiIMhwSkbptfHB5X4PJcQmZVGHHtw2g3B_2HeFq1xsdVE0-dysxUZ7pTSxJvVv99Ax4v9Aq6VxypefB_h2YxgZm4bKLPwl_xfA19cThC7/s72-c/franz-schubert.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-5753347845237488260</id><published>2021-11-17T16:31:00.001+01:00</published><updated>2021-11-17T16:31:21.448+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Baudelaire"/><category scheme="http://www.blogger.com/atom/ns#" term="pensamiento"/><title type='text'>La Musique creuse le ciel</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
&lt;tr&gt;
  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; height=&quot;200&quot; data-original-height=&quot;266&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0yQyd7oIK3lyqtTbyNIFqqcKHsrqDxP_y9t19CZ2kKiLtBY0DpG2WuPwbF547WsmZCJl7Q8fSJ_fOo9DYr6RxxLNURhMroEXVcNOSNtYqDDvdNHJ5X5ZO0waVIm7OGOqwhxdo/s200/Baudelaire.jpg&quot;/&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;La Musique creuse le ciel.


&lt;/p&gt;&lt;/blockquote&gt;Baudelaire, Charles: &lt;i&gt;FUSÉES - Première partie des journaux intimes&lt;/i&gt;
  &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/5753347845237488260/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/5753347845237488260' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/5753347845237488260'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/5753347845237488260'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/11/la-musique-creuse-le-ciel.html' title='La Musique creuse le ciel'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0yQyd7oIK3lyqtTbyNIFqqcKHsrqDxP_y9t19CZ2kKiLtBY0DpG2WuPwbF547WsmZCJl7Q8fSJ_fOo9DYr6RxxLNURhMroEXVcNOSNtYqDDvdNHJ5X5ZO0waVIm7OGOqwhxdo/s72-c/Baudelaire.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-3752172421118939326</id><published>2021-11-08T16:56:00.005+01:00</published><updated>2021-11-08T16:58:00.016+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="anotaciones"/><category scheme="http://www.blogger.com/atom/ns#" term="Schubert"/><title type='text'>Mein Traum</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
&lt;tr&gt;
  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; height=&quot;200&quot; data-original-height=&quot;240&quot; data-original-width=&quot;227&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsJb9Tu74kOZTW5BHBwGIuybr5BNhE4U3EKqqKGaJlqZmmjBQaSA5TmgTiETRPoMhe5sbLZSYfZZEJJzPEeawuMC_0Uah22cD-mUFIDpBHSwOZc4YSlGbNRqvxHv-7d21hT6ie/s200/Franz_Schubert.jpg&quot;/&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;(...) Lieder sang ich nun lange, lange Jahre. Wollte ich Liebe singen, ward sie mir zum Schmerz; Und wollte ich wieder Schmerz nur singen,  ward er mir zur Liebe.

&lt;/p&gt;&lt;/blockquote&gt;Schubert, Franz (Den 3ten July 1822). &lt;i&gt;
&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/3752172421118939326/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/3752172421118939326' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3752172421118939326'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3752172421118939326'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/11/mein-traum.html' title='Mein Traum'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsJb9Tu74kOZTW5BHBwGIuybr5BNhE4U3EKqqKGaJlqZmmjBQaSA5TmgTiETRPoMhe5sbLZSYfZZEJJzPEeawuMC_0Uah22cD-mUFIDpBHSwOZc4YSlGbNRqvxHv-7d21hT6ie/s72-c/Franz_Schubert.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-5735632248377217715</id><published>2021-11-03T19:44:00.003+01:00</published><updated>2021-11-03T19:44:54.230+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="clarinete"/><category scheme="http://www.blogger.com/atom/ns#" term="fagot"/><category scheme="http://www.blogger.com/atom/ns#" term="flauta"/><category scheme="http://www.blogger.com/atom/ns#" term="repertorio"/><category scheme="http://www.blogger.com/atom/ns#" term="trío"/><title type='text'>Trío flauta, clarinete y fagot - Repertorio</title><content type='html'>&lt;table border=&quot;0&quot; cellspacing=&quot;5&quot; style=&quot;width: 90%;&quot;&gt;
&lt;tbody&gt;
&lt;tr&gt;
  &lt;td width=&quot;10%&quot; rowspan=&quot;78&quot; align=&quot;center&quot; valign=&quot;top&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; width=&quot;200&quot; data-original-height=&quot;160&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsHZ5YHj_-0_VtACboyJKV5mCKqhj8ot9PEsOrS2Ie7NvXjWbwF1pSsEpdUjHErbqu3E05CDzgRfnirozeb_K0ed8njE-mdFReHJaXZY6-nMhQDlIvfrZdHLVxQ0ejB9z5Zshc/s200/3.jpg&quot;/&gt;&lt;/div&gt;&lt;/td&gt;
&lt;td width=&quot;35%&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;Compositor&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;Obra&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Alexandra, Liana (1947-2011)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;A Tre [1991]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Androsch, Peter (n. 1963)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Martin, Walter, Uli [2010]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Apostel, Hans Erich (1901-1972)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Fünf Bagatellen, Op. 20 [1952]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Baaren, Kees van (1906-1970)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1936]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Bacon, Ernst (1898-1990)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Six Trios for Woods [c. 1961]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Baksa, Robert (n. 1938)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;Trio No. 1 for Woodwinds&lt;br&gt;
    Trio No. 2 for Woodwinds&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Bentzon, Jørgen (1897-1951)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;Sonatine, Op. 7 [1924]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Blank, Allan (1925-2013)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;3 Windgrams [1991]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Blanquer, Amando (1935-2005)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Tres Peces Breus [1979]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Brandon, Jenni (n. 1977)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Spider Suite (para oboe (o flauta), clarinete y fagot)&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Bresgen, Cesar (1913-1988)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Tanz mir nicht mit meiner Jungfer Käthen [1939]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Cámara, Juan Antonio (1917-1994)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Suite [1942]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Cortés, Ramiro (1938-1984)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Divertimento [1953]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Daniels, Mabel Wheeler (1877-1971)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;3 Observations, Op. 41 (para oboe (o flauta), clarinete y fagot) [1943]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Dreyfus, George (n. 1928)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1956]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Duncan, Eve (n. 1956)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Alexander&#39;s Elements [2018]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Eler, André-Frédéric (1764-1821)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio, Op. 9, No. 1 [pub. 1803]&lt;br&gt;
  Trio, Op. 9, No. 2 [pub. 1803]&lt;br&gt;
  Trio, Op. 9, No. 3&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt; Fisher, Helen (n. 1942)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;Woodwind Trio [1987]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Fuchs, Georg Friedrich (1752-1821)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;3 Trios, Op.1 [1790?]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Foss, Lukas (1922-2009)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;4 Preludes [1940]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Garšnek, Anatoli (1918-1998)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Serenade&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Gross, Eric (1926-2011)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Silas Pilgrim Trio, Op. 97 [1977]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Guerra-Peixe, César (1914-1993)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;Trio de sopros No. 1 [1948]&lt;br&gt;
    Trio de sopros No. 2 [1951] &lt;br&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Haller, Hermann (1914-2002)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;Trio [1960]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Hawkins, John (n. 1949)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Romcon&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Hays, Sorrel (n. 1941)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Tunings No. 2 [1979]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Hobbs, Christopher (n. 1950)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Four Studies in Shadow (para flauta, clarinete bajo y fagot) [1984]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Holmboe, Vagn (1909-1996)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Serenade [1935]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Hongisto, Mauri (1921-2001)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Husa, Karel (1921-2016)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Deux Préludes [1966]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Ištvan, Miloslav (1928-1990)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Partita [1957]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Kačinskas, Jeronimas (1907-2005)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;Trio No. 4, Lithuanian Suite [Lietuviška siuita] [1983]&lt;br&gt;
    Trio No. 5, Suite No. 1 [1983]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Kowalewski, Jakub (n. 1994)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;
  &lt;p&gt;Terzetto Canonico&lt;/p&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Koechlin, Charles (1867-1950)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio, Op. 92 [1924]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Kraft, Leo (1922-2014)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Short Suite [1951]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Kummer, Caspar (1795-1870)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio in F major, Op. 32 [pub. c. 1820]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Länsiö, Tapani (n. 1953)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Wind Trio [1978]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Lee, Thomas Oboe (n. 1945)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio for Becky’s 16th!!! [2014]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Morricone, Ennio (1928-2020)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;3 studi [1957]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Mortensen, Finn (1922-1983)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Nyserialisme II, Op. 38 [1972]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Muczynski, Robert (1929-2010)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Fragments&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Niël, Matty (1918-1989)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Divertimento [1950]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Olúrántí, Ayọ̀ (n. 1972)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio (Cacophony) [2002]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Paraskevaídis, Graciela (1940-2017)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1969]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Paz, Juan Carlos (1901-1972)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Primera composición en trío [1937]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Petra-Basacopol, Carmen (n. 1926)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1974]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Pijper, Willem (1894-1947)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1927]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Piston, Walter (1894-1976)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;3 Pieces for Wind Trio [1925]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Ponse, Luctor (1914-1998)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio, Op. 4 [1941]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Reizenstein, Franz (1911-1968)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio, Op. 39 [1963]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Reynolds, Belinda (n. 1967)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;TURNS [2000]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Rorich, Karl (1869-1941)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Kleines Trio in C major, Op. 81b&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Rybář, Jaroslav (n. 1942)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1964]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Schiffman, Harold (n. 1928)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Serenade [1959]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Speach, Bernadette (n. 1948)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Wind Trio [1977]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Steiner, Gitta (1932-1990)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Suite [1958]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Svoboda, Tomás (n. 1939)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio for woodwinds&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Sutherland, Margaret (1897-1984)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Little Suite [1960]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Szalonek, Witold (1927-2001)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1952]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Szeghy, Iris (n. 1956)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;Afforismi [1990]&lt;br&gt;
    Afforismi III [1992]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Szeto, Caroline (n. 1956)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot;&gt;Wind Trio [1985]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Tarp, Svend Erik (1908-1994)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Taffelmusik [1932]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Teregulov, Evgeni&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;7 Pieces [1970]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Tsenova, Julia (1948-2010)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Music for Mice [1985]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Viitala, Mauri (n. 1948)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Three Fantasies on Christmas Carols [1977]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Vincent, John (1902-1977)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Suite (Prelude, Canon and Fugue) [1936]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Vogel, Wladimir (1896-1984)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Terzett [1975]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Walckiers, Eugène (1793-1866)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;3 Woodwind Trios, Op.12 [1819?]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Wahren, Karl Heinz (n. 1933)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;En trois couleurs [1977]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Weis, Flemming (1898-1981)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Musik [1927]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Weiss, Adolph (1891-1971)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Petite suite [1939]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Wertheim, Rosy (1888-1949)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1942]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Whiffin, Lawrence (1930-2012)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;A brief moment [1988]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Wildgans, Friedrich (1913-1965)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Kleine Trio [1930]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Worthey, Carol (n. 1943)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Sandcastles&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Zoudilkine, Evgueni (n. 1965)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Trio [1987]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Żuławski, Wawrzyniec (1916-1957)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot;&gt;Aria con variazioni&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/5735632248377217715/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/5735632248377217715' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/5735632248377217715'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/5735632248377217715'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/11/trio-flauta-clarinete-y-fagot-repertorio.html' title='Trío flauta, clarinete y fagot - Repertorio'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsHZ5YHj_-0_VtACboyJKV5mCKqhj8ot9PEsOrS2Ie7NvXjWbwF1pSsEpdUjHErbqu3E05CDzgRfnirozeb_K0ed8njE-mdFReHJaXZY6-nMhQDlIvfrZdHLVxQ0ejB9z5Zshc/s72-c/3.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-3647236062591545179</id><published>2021-10-27T16:41:00.003+02:00</published><updated>2021-10-27T16:41:28.550+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ciclo"/><category scheme="http://www.blogger.com/atom/ns#" term="conciertos"/><category scheme="http://www.blogger.com/atom/ns#" term="ESMRS"/><title type='text'>VIII Ciclo de Música de Cámara</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
&lt;tr&gt;
  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; height=&quot;200&quot; data-original-height=&quot;283&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWogRzPO4-Bi3Xg30sFWKjDtIt0XykjbSz2x6Chse6NXeRNr25trFB4YXRvRpWSgl5bmsjMiJrk0lAflichqXZFl6qwh1fwsvsbJEk1yRtQl00z1tbxn3rO-qtvqNn_Xqu81pM/s200/cartel_ciclo_de_musica.jpg&quot;/&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;VIII Ciclo de Música de Cámara en las Ciudades Patrimonio de la Humanidad de España&lt;/h3&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Organizado conjuntamente por el Grupo Ciudades Patrimonio de la Humanidad y la Escuela Superior de Música Reina Sofía, este ciclo se iniciará el 30 de octubre en Cáceres y se desarrollará en las quince ciudades españolas que conforman el Grupo.&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;https://www.ciudadespatrimonio.org/presentaciondelgrupo/cartel_ciclo_de_musica.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;


</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/3647236062591545179/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/3647236062591545179' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3647236062591545179'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/3647236062591545179'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/10/viii-ciclo-de-musica-de-camara.html' title='VIII Ciclo de Música de Cámara'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWogRzPO4-Bi3Xg30sFWKjDtIt0XykjbSz2x6Chse6NXeRNr25trFB4YXRvRpWSgl5bmsjMiJrk0lAflichqXZFl6qwh1fwsvsbJEk1yRtQl00z1tbxn3rO-qtvqNn_Xqu81pM/s72-c/cartel_ciclo_de_musica.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-1271045831076358659</id><published>2021-10-25T18:10:00.002+02:00</published><updated>2021-10-25T18:10:48.240+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="anotaciones"/><category scheme="http://www.blogger.com/atom/ns#" term="Schubart"/><category scheme="http://www.blogger.com/atom/ns#" term="tonalidad"/><title type='text'>Charakteristikstück der Töne</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
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  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;282&quot; data-original-width=&quot;200&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHSsxVkj5Y3Cv_BYl9qdYVe-kOkgph3Td1Ma6wCEid9aCxBhXg8_zv0L0SbkMwz9VepRRDuXzQ89w2F5A77_n7h7d4KqvXkVO-iZlA2w1vMDiJaSx3FgiV8zT6UHrlgt1L0doW/s200/Christian_Friedrich_Daniel_Schubart.jpg&quot; /&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;Jeder Ton ist entweder gefärbt, oder nicht gefärbt. &lt;br&gt;
Unschuld und Einfalt drückt man mit ungefärbten Tönen aus. Sanfte, melancholische Gefühle, mit B Tönen; wilde und starke Leidenschaften, mit Kreuztönen.
&lt;/p&gt;&lt;/blockquote&gt;Schubart, Christian Friedrich Daniel (1806). &lt;i&gt;Ideen zu einer Ästhetik der Tonkunst 
&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/1271045831076358659/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/1271045831076358659' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/1271045831076358659'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/1271045831076358659'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/10/charakteristikstuck-der-tone.html' title='Charakteristikstück der Töne'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHSsxVkj5Y3Cv_BYl9qdYVe-kOkgph3Td1Ma6wCEid9aCxBhXg8_zv0L0SbkMwz9VepRRDuXzQ89w2F5A77_n7h7d4KqvXkVO-iZlA2w1vMDiJaSx3FgiV8zT6UHrlgt1L0doW/s72-c/Christian_Friedrich_Daniel_Schubart.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-290989103736732201</id><published>2021-10-18T12:53:00.006+02:00</published><updated>2021-11-22T12:57:47.275+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="clarinete"/><category scheme="http://www.blogger.com/atom/ns#" term="dúo"/><category scheme="http://www.blogger.com/atom/ns#" term="flauta"/><category scheme="http://www.blogger.com/atom/ns#" term="repertorio"/><title type='text'>Dúo flauta y clarinete - Repertorio</title><content type='html'>&lt;table border=&quot;0&quot; cellspacing=&quot;5&quot; style=&quot;width: 90%;&quot;&gt;
&lt;tbody&gt;
&lt;tr&gt;
  &lt;td width=&quot;10%&quot; rowspan=&quot;92&quot; align=&quot;center&quot; valign=&quot;top&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; width=&quot;200&quot; data-original-height=&quot;200&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-8qDQYXjd3ugYmxMfR1chI_bgMVypq30wjWBG_J67q3GBGAXo4GJ03yPBkpHW32JzKY7TNOa04IUN9AnzUNwFJ56xh_w9Xa9pLQtBQoJWqAWSXucBtYxrkxTJPfmAiEaMxvgn/s200/fl_cl.jpg&quot;/&gt;&lt;/div&gt;&lt;/td&gt;
&lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;Compositor&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;Obra&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Addison, John (1920-1998)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;p dir=&quot;ltr&quot; id=&quot;yui_3_17_2_1_1637579614645_207&quot;&gt;Five Dialogues &lt;br&gt;
&lt;/p&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Baksa, Robert (n. 1938)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Barkin, Elaine (n. 1932)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Rhapsodies   [1986]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Becker, John J. (1886-1961)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Sonata, Soundpiece No. 6   [1942]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Bischof, Rainer (n. 1947)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo, Op. 3   [1970]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Bozza, Eugène (1905-1991)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Trois mouvements  [1974]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Burkhard, Willy (1900-1955)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Serenade, Op. 92   [1953]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Caffrey, Greg (n. 1963)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Nocturne   [2012]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Campos-Parsi, Héctor  (1922-1998)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;3 Duos   [1952]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Cartan, Jean (1906-1932)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Sonatine   [1931?]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Carter, Elliott (1908-2012)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Esprit Rude / Esprit Doux   [1984]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Casanova, André (1919-2009)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Humoresque   [1957]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Clarke, Henry (1907-1992)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;A Game that Two can Play   [1959]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Cleary, David (n. 1954)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Cartoon Music   [1981-1982]&lt;br&gt;
  Pocket Divertimento   [1998]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Cordero, Roque (1917-2008)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;3 miniminiatures for Ernst   [1985]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Crosse, Gordon (n. 1937)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;3 Inventions, Op. 3   [1959]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Crumb, George (n. 1929)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Two Duos   [1944?]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;David, Thomas Christian (1925-2006)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Sonata   [1980]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;De Bleser, Werner J.E. (n. 1959)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Two of a Kind [1996]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Elliott, Carleton (1928-2003)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Suite&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Froom, David (n. 1951)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Circling   [2002]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Fuchs, Georg Friedrich (1752-1821)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;3 Duos, Op.19 [c.1795]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Gentile, Ada (n. 1947)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Flash back   [1986]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Gilbert, Nicolas (n. 1979)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Vertige fixe (para flauta alto y clarinete) [2004]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Goldmann, Friedrich (1941-2009)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;7 x 10 Takte für Dieter Schnebel   [2000]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Gould, Morton (1913-1996)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo   [1982]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Guerra-Peixe, César (1914-1993)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Suite   [1949]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Hoch, Francesco (n. 1943)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Kurzatmend   [1985]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Hovhaness, Alan (1911-2000)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Prelude and Fugue, Op. 10   [1936]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Jeppsson, Kerstin (n. 1948)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;4 Pezzi   [1973]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Johnson, Robert Sherlaw (1932-2000)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;The Monuments of the Emperor of Chin   [1991]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Jolivet, André (1905-1974)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Sonatine   [1961]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Keal, Minna (1909-1999)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;
&lt;p&gt;Duettino, Op. 6   [c. 1996]&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Kisielewski, Stefan (1911-1991)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Suite   [1961]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Koechlin, Charles (1867-1950)	&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Sonatine modale, Op. 155/a   [1936-1937]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Krenek, Ernst (1900-1991)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Sonatina, Op. 92-2b  [1942]&lt;/td&gt;	
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Kummer, Kaspar (1795-1870)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;2 Duos, Op.46 [1829]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;La Montaine, John (1920-2013)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Canonic Variations, Op. 47   [1980]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Lavista, Mario (n. 1943)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Cuicani   [1985]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;LeFanu, Nicola (n. 1947)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Isobirthday   [2002]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Lee, Young-ja (n. 1931)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Reflections [1986]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Lehmann, Hans (1937-2013)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duplum (para flauta y corno di bassetto) [1977] &lt;br&gt;
  Duo   [1995]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Lewin, Gordon (1921-2008)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Three Latin-American Impressions  [1955]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;López Carbonero, Juan Ignacio (n. 1992)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Un Dia en el Parque [2011]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Mirshakar, Zarrina (n. 1947)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;6 Pieces   [1995]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Morrill, Dexter G. (1938-2019)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Little Suite (para piccolo y clarinete) [2003]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Mortensen, Finn (1922-1983)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Nyserialisme I&lt;span id=&quot;yui_3_17_2_1_1637579614645_375&quot;&gt;, Op. 35   [1971]&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Moszumańska-Nazar, Krystyna (1924-2008)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;5 Duets   [1959]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Murdock, Katherine Ann&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Four Movements   [1978]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Murto, Matti (n. 1947)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo   [1972]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Muczynski, Robert (1929-2010)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duos, Op. 34b [1973]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Nixon, Roger (1921-2009)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;p&gt;Four Duos   [1966]
    &lt;br&gt;
    Two Duos (para piccolo (o flauta) y clarinete) [pub. 1982] &lt;br&gt;
    Three Duos   [1983]&lt;br&gt;
  &lt;/p&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Ornstein, Leo (1893-2002]&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Prelude and Minuette in Antique Style, SO 602 [1946]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Pablo, Luis de (1930-2021)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Un día tan sólo   [1997]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Paz, Juan Carlos (1901-1972)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Sonatina No. 2   [1932]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Pfundt, Reinhard (n. 1951)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Capriccio, Canto e Canone&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Pravosudovič, Natalja (1899-1988)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duet, Op. 31   [1935]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Primosch, James (n. 1956)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Exchanges   [1981]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Räihälä, Osmo (n. 1964)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Kaleidoscope   [1989]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Rasmussen, Sunleif (n. 1961)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Hoyrdu tit havsins andalag   [1984]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Ridout, Alan (1934-1996)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;p dir=&quot;ltr&quot;&gt;Dandelion Days   [1990] &lt;br&gt;
  Serenata Notturno   [1995]&lt;/p&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Ritchie, Anthony  (n. 1960)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Two Pieces&lt;span id=&quot;yui_3_17_2_1_1637579614645_526&quot;&gt;, Op. 123 (para flauta y clarinete bajo) [2006]&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Rivier, Jean (1896-1987)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo   [1968]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Robertson, Ernest John (n. 1943)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;10 Duos&lt;span id=&quot;yui_3_17_2_1_1637579614645_541&quot;&gt;, Op.56 [2010]&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Rut, Josef (1926-2007)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Rybář, Jaroslav (n. 1942)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Five for two (para flauta y clarinete bajo) [1971]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Rychlík, Jan (1916-1964)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;span id=&quot;yui_3_17_2_1_1637579614645_573&quot;&gt;Family Music&lt;/span&gt;   [1950]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Scelsi, Giacinto (1905-1988)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;p dir=&quot;ltr&quot;&gt;Piccola suite   [1953] &lt;br&gt;
  Ko-lho   [1966]&lt;/p&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Sevastyanov, Boris (n. 1983)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Triptych [2003]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Silverman, Faye-Ellen (n. 1947&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;p dir=&quot;ltr&quot;&gt;Conversations   [1975] &lt;br&gt;
  Conversations Continued   [2011]&lt;/p&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Skweres, Tomasz (n. 1984)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Axon   [2010]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Solbiati, Alessandro (n. 1956)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;span id=&quot;yui_3_17_2_1_1637579614645_628&quot;&gt;Con l&#39;antico canto&lt;/span&gt; (para flauta y clarinete bajo) [1995]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Sorey, Tyshawn (n. 1980)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Ornations&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Stanley, Jane (n. 1976)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Helix reflection [2013]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Stiles, Frank (n. 1924)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo   [1949]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Stucky, Steven (1949-2016)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Movements III.: Seven Sketches   [1976]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Swiridoff, Susanne Zargar (n. 1955)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
&lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Am Neuen Garten (para flauta y clarinete bajo) [1995]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Szałowski, Antoni (1907-1973)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo   [1939]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Tamás, János (1936-1995)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Von holzgeschnitzten Klängen   [1986]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Tanguy, Eric (n. 1968)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo   [1994]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Thomas, Augusta Read (n. 1964)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;span id=&quot;yui_3_17_2_1_1637579614645_688&quot;&gt;Capricci - &quot;Hummingbird Romance&quot;&lt;/span&gt;   [2011]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Tower, Joan (n. 1938)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;A Little Gift   [2006]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Villa-Lobos, Heitor (1887-1959)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Chôros No. 2   [1924]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Weismann, Julius (1879-1950)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Theme, Variations and Fugue, Op. 156   [1948]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Welcher, Dan (n. 1948)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Reversible Jackets: Exercises in Conjugal Counterpoint   [1987]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Welin, Karl-Erik (1934-1992)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Sermo modulatus&lt;span id=&quot;yui_3_17_2_1_1637579614645_737&quot;&gt;   [1959]&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Wiblé, Michel (n. 1923)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duo   [2010]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Wohlhauser, René (n. 1954)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Duometrie (para flauta y clarinete bajo) [1985-1986]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Wuensch, Gerhard (1925-2007)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Six Duets, Op. 53   [1971]&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Yannatos, James (1929-2011)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;8 Haiku&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td width=&quot;35%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;&lt;strong&gt;Yoffe, Shlomo (1909-1995)&lt;/strong&gt;&lt;/em&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;Three Etudes   [1983]&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/290989103736732201/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/290989103736732201' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/290989103736732201'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/290989103736732201'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/10/compositor-obra-addison-john-1920-1998.html' title='Dúo flauta y clarinete - Repertorio'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-8qDQYXjd3ugYmxMfR1chI_bgMVypq30wjWBG_J67q3GBGAXo4GJ03yPBkpHW32JzKY7TNOa04IUN9AnzUNwFJ56xh_w9Xa9pLQtBQoJWqAWSXucBtYxrkxTJPfmAiEaMxvgn/s72-c/fl_cl.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-8493466285975770974</id><published>2021-10-05T23:42:00.001+02:00</published><updated>2021-10-05T23:43:30.604+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="acordeón"/><category scheme="http://www.blogger.com/atom/ns#" term="clarinete"/><category scheme="http://www.blogger.com/atom/ns#" term="dúo"/><category scheme="http://www.blogger.com/atom/ns#" term="repertorio"/><title type='text'>Clarinete y acordeón - Repertorio</title><content type='html'>&lt;table border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%;&quot;&gt;
  &lt;tbody&gt;
&lt;tr&gt;
      &lt;th scope=&quot;col&quot; width=&quot;10%&quot;&gt;&lt;/th&gt;
      &lt;th align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;middle&quot; width=&quot;40%&quot;&gt;COMPOSITOR&lt;/th&gt;
      &lt;th align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;middle&quot; width=&quot;55%&quot;&gt;OBRA&lt;/th&gt;
      &lt;th scope=&quot;col&quot; width=&quot;5%&quot;&gt;&lt;/th&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td align=&quot;center&quot; rowspan=&quot;6&quot; valign=&quot;top&quot; width=&quot;10%&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;132&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuGyt6BA_7YaXwIBkMKDMvQx3P4Ok8bA5dySMD99SAwxNvihVK1G54ZK16Eqzy1EKjjCgaZD_T1fpvWdYgltPp-CJgQDpjq_xezYkwWCgAnxsv0G2sAlTIsHoZvU9FGDQFL1ev/s200/accordion-clarinet.jpg&quot; width=&quot;65&quot; /&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-e81012f4-7fff-2e6b-9736-1cfba3c0d7a5&quot;&gt;
        &lt;p dir=&quot;ltr&quot;&gt;Arnold, Lothar (*1959)&lt;/p&gt;
      &lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Acht kleine Stücke&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;strong id=&quot;docs-internal-guid-d51dd711-7fff-7439-db28-649ebf16682b&quot;&gt;Buschmann, Rainer Glen (1928-1995)&lt;/strong&gt;&lt;/td&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;...für Akkordeon und Klarinette&lt;/em&gt;&lt;/td&gt;
  &lt;td&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-b17119f9-7fff-95eb-da69-92fee445e3a2&quot;&gt;Ceremuga, Josef (1930–2005)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Bilder&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;strong id=&quot;docs-internal-guid-2a60d1be-7fff-e3db-8cac-9c9d40c810f2&quot;&gt;Fernández, José Manuel *1956)&lt;/strong&gt;&lt;/td&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;em&gt;Elegía Op. 18&lt;/em&gt;&lt;/td&gt;
  &lt;td&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-d38e1c6c-7fff-37cb-810f-cbac091879eb&quot;&gt;Ferstl, Erich (*1934)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Die frühe Musik meines Vaters&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-a4a74225-7fff-9a45-7060-78e711ab4157&quot;&gt;Galle, Jürgen (*1954)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Clownerie&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-57835a5e-7fff-d90f-74fe-155718677d40&quot;&gt;Hippe, Stefan (*1966)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Zwei Ländler&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-4036d52e-7fff-1c0f-41d9-2d7afeb743c7&quot;&gt;Hoch, Peter (*1937)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Duett 1961&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-6a047c64-7fff-e30a-bc76-0ce7dcfabe7b&quot;&gt;Hollfelder, Waldram (1924-2017)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Vier Impressionen&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-a6b09643-7fff-2e36-dbd6-b4db02ba799a&quot;&gt;Jacobsen, Hans Käre (*1949)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Aproximation&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-3ae56644-7fff-6fa8-881b-83ebc640083d&quot;&gt;Johnston, David&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Sonatine&lt;br /&gt;
      Six Clowns in seven Acts&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-fe61eaff-7fff-76c6-9dbb-48f25dea0452&quot;&gt;Kapr, Jan (1914-1988)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Konzertetüden&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-ed607d28-7fff-b8ed-e0be-9a9af58d89c8&quot;&gt;Lee, Felix&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Tarantella&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-efda0076-7fff-f0af-ff49-590a151d92fb&quot;&gt;Löchter, Jürgen&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Danse Miniature&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-1b8556e6-7fff-2957-0005-71c5e11539dd&quot;&gt;Hlouschek, Theodor (1923-2010)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Sonatine giocosa&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-dffcc93a-7fff-6313-686a-618f52259e7a&quot;&gt;Mariné, Sebastián (*1957)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Dolce&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-2fe8499b-7fff-96bc-53ab-1a5699a35cb8&quot;&gt;Meyer v. Bremen, Alexander (1930-2002)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Kleine Suite&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-b718e2f2-7fff-fc34-5416-1a7770572b9c&quot;&gt;Motte, Diether de la (1928-2010)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;7 Stücke&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-c177c215-7fff-39a0-9c6d-a2567d1188b8&quot;&gt;Mundry, Isabel (*1963)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Spiegel Bilder&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-357300d6-7fff-726c-7f84-b31d2aa037a9&quot;&gt;Nevanlinna, Tapio (*1954)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Foto&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-a865addb-7fff-2107-f782-7c4496003089&quot;&gt;Noth, Hugo (*1943)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Sonare&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-2a5702e7-7fff-5d53-b546-95fb567a13e1&quot;&gt;
        &lt;p dir=&quot;ltr&quot;&gt;Richter. Werner (1924-2010)&lt;/p&gt;
      &lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Ballade&lt;br&gt;
Version&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-da0f224e-7fff-302b-39f4-990071ab7664&quot;&gt;Rojko, Uroš (*1954)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Vox&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-2c72fb00-7fff-cdc4-ddfd-b3870bba409c&quot;&gt;Veldbuis, Jacob ter (*1951)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Night and Day&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
      &lt;td width=&quot;10%&quot;&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;40%&quot;&gt;&lt;strong id=&quot;docs-internal-guid-3d27bf4a-7fff-0e07-82db-7dbecca984a9&quot;&gt;Wimmer, Alois (*1960)&lt;/strong&gt;&lt;/td&gt;
      &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;55%&quot;&gt;&lt;em&gt;Concertino&lt;/em&gt;&lt;/td&gt;
      &lt;td width=&quot;5%&quot;&gt;&lt;/td&gt;
    &lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;blockquote&gt;
&lt;span style=&quot;color: #666666; font-size: x-small;&quot;&gt;Fuentes:&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #666666; font-size: x-small;&quot;&gt;www.acordeon.xyz&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #666666; font-size: x-small;&quot;&gt;https://www.jugend-musiziert.org/&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #666666; font-size: x-small;&quot;&gt;https://www.bundesakademie-trossingen.de/&lt;/span&gt;&lt;/blockquote&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/8493466285975770974/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/8493466285975770974' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/8493466285975770974'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/8493466285975770974'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/10/clarinete-y-acordeon-repertorio.html' title='Clarinete y acordeón - Repertorio'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuGyt6BA_7YaXwIBkMKDMvQx3P4Ok8bA5dySMD99SAwxNvihVK1G54ZK16Eqzy1EKjjCgaZD_T1fpvWdYgltPp-CJgQDpjq_xezYkwWCgAnxsv0G2sAlTIsHoZvU9FGDQFL1ev/s72-c/accordion-clarinet.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-4289354951330031083</id><published>2021-09-06T18:40:00.006+02:00</published><updated>2021-09-06T18:41:11.392+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="ESMRS"/><category scheme="http://www.blogger.com/atom/ns#" term="lecciones magistrales"/><category scheme="http://www.blogger.com/atom/ns#" term="música de cámara"/><category scheme="http://www.blogger.com/atom/ns#" term="trío"/><category scheme="http://www.blogger.com/atom/ns#" term="Turina"/><category scheme="http://www.blogger.com/atom/ns#" term="vídeo"/><title type='text'>Desde el aula</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
&lt;tr&gt;
  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; width=&quot;320&quot; data-original-height=&quot;122&quot; data-original-width=&quot;123&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihssyPUnWB39_nOY3nju6cPbuBVtFqL7rrCdwMdPDj36LC0WClq_Calw-F0-sc7aCXe4cmSuBffwSYgYJEUNlWknzMr7Uq6mkz9dLxYforDQQ5P_83LOYR8wRHn1AjbJA_eCcE/s320/icono-escuela.png&quot;/&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;h3 style=&quot;text-align: left;&quot;&gt;Escuela Superior de Música Reina Sofía / Canal Escuela / Clases&amp;nbsp;&lt;/h3&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Clases y lecciones magistrales impartidas por los profesores de la Escuela Superior de Música Reina Sofía y por los artistas invitados que la visitan cada curso.&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Última incorporación al catálogo de Canal Escuela:&amp;nbsp;&lt;/div&gt;&lt;blockquote style=&quot;border: none; margin: 0px 0px 0px 40px; padding: 0px;&quot;&gt;&lt;h4 style=&quot;text-align: left;&quot;&gt;Lecciones magistrales&amp;nbsp;&lt;/h4&gt;&lt;/blockquote&gt;&lt;blockquote style=&quot;border: none; margin: 0px 0px 0px 40px; padding: 0px;&quot;&gt;&lt;p style=&quot;text-align: left;&quot;&gt;Márta Gulyás: Turin&lt;i&gt;a - Piano trio op 76 - III. Lento - Andante mosso - Allegretto&lt;b&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt; https://www.escuelasuperiordemusicareinasofia.es/canal-escuela/marta-gulyas-turina-piano-trio-op-76-i-lento-allegro-molto-moderato&lt;/p&gt;&lt;/blockquote&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;


</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/4289354951330031083/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/4289354951330031083' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/4289354951330031083'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/4289354951330031083'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/09/desde-el-aula.html' title='Desde el aula'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihssyPUnWB39_nOY3nju6cPbuBVtFqL7rrCdwMdPDj36LC0WClq_Calw-F0-sc7aCXe4cmSuBffwSYgYJEUNlWknzMr7Uq6mkz9dLxYforDQQ5P_83LOYR8wRHn1AjbJA_eCcE/s72-c/icono-escuela.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-7869512910146206017</id><published>2021-09-01T16:33:00.004+02:00</published><updated>2021-09-01T16:35:30.575+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="anotaciones"/><category scheme="http://www.blogger.com/atom/ns#" term="Milton"/><category scheme="http://www.blogger.com/atom/ns#" term="pensamiento"/><category scheme="http://www.blogger.com/atom/ns#" term="texto"/><title type='text'>WHO shall silence ...</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;width: 90%px;&quot;&gt;
  &lt;tbody&gt;
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  &lt;td align=&quot;center&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;25%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; width=&quot;200&quot; data-original-height=&quot;186&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqIEAAPl7nUbxkPgwAaEv5XvHFmC_Wd7ESnL0XPluYilphDF0iFVNWrqNkcvi7N7yAZ2xMYpJvZmAK-EZjNaRi7DeNQKoOosxOavIIy66-V73yvUZLOZoEH3dXWTNw0MIH6Jg4/s200/milton.jpg&quot;/&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot;&gt;&lt;blockquote&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;»Who shall silence all the airs and madrigals that whisper softness in chambers?«
&lt;/p&gt;&lt;/blockquote&gt;Milton, John (1664). &lt;i&gt;Areopagitica 
&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;


</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/7869512910146206017/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/7869512910146206017' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/7869512910146206017'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/7869512910146206017'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/09/who-shall-silence.html' title='WHO shall silence ...'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqIEAAPl7nUbxkPgwAaEv5XvHFmC_Wd7ESnL0XPluYilphDF0iFVNWrqNkcvi7N7yAZ2xMYpJvZmAK-EZjNaRi7DeNQKoOosxOavIIy66-V73yvUZLOZoEH3dXWTNw0MIH6Jg4/s72-c/milton.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-1594774383836168248</id><published>2021-05-10T16:37:00.000+02:00</published><updated>2021-05-10T16:37:00.184+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Biedermeier"/><category scheme="http://www.blogger.com/atom/ns#" term="Pfau"/><category scheme="http://www.blogger.com/atom/ns#" term="poema"/><title type='text'>„Herr Biedermeier“</title><content type='html'>&lt;table width=&quot;90%&quot; border=&quot;0&quot; align=&quot;center&quot; cellspacing=&quot;10&quot; style=&quot;text-align: center; width: 90%;&quot;&gt;
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  &lt;td align=&quot;center&quot; rowspan=&quot;2&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;10%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; height=&quot;200&quot; data-original-height=&quot;267&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxOOZ7XZerHBbJLY1tL-LS6yk_VAoEaX4oMJkiA03nDrZ93vxAwTOcW1d1mSq72PT0j8Vc52XMZiazWFwc9w6pYkxznDFEj4BOlP7Kj54q82UWS6wx4S7gO93tI7FCau-guM_d/s200/l_pfau.jpg&quot;/&gt;&lt;/div&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot; style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;Herr Biedermeier&lt;/strong&gt;
    &lt;p style=&quot;text-align: left;&quot;&gt;Mitglied der „besitzenden und gebildeten Klasse“&lt;/p&gt;&lt;/td&gt;
  &lt;td width=&quot;45%&quot; align=&quot;left&quot; valign=&quot;top&quot; style=&quot;text-align: left;&quot;&gt;&lt;b&gt;El señor Biedermeier&lt;/b&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td style=&quot;text-align: left;&quot; valign=&quot;top&quot;&gt;Schau, dort spaziert Herr Biedermeier&lt;br /&gt;
Und seine Frau, den Sohn am Arm;&lt;br /&gt;
Sein Tritt ist sachte wie auf Eier,&lt;br /&gt;
Sein Wahlspruch: Weder kalt noch warm.&lt;br /&gt;
Das ist ein Bürger hochgeachtet,&lt;br /&gt;
Der geistlich spricht und weltlich trachtet;&lt;br /&gt;
Er wohnt in jenem schönen Haus&lt;br /&gt;
Und - leiht sein Geld auf Wucher aus.&lt;br /&gt;
&lt;br /&gt;
Gemäßigt stimmt er bei den Wahlen,&lt;br /&gt;
Denn er missbilligt allen Streit;&lt;br /&gt;
Obwohl kein Freund vom Steuerzahlen,&lt;br /&gt;
Verehrt er sehr die Obrigkeit&lt;br /&gt;
Aufs Rathaus und vor Amt gerufen,&lt;br /&gt;
Zieht er den Hut schon auf den Stufen&lt;br /&gt;
Dann aber geht er stolz nach &lt;br /&gt;
Und - leiht sein Geld auf Wucher aus.&lt;br /&gt;
&lt;br /&gt;
Am Sonntag in der Kirche fehlen,&lt;br /&gt;
Das wäre gegen Christenpflicht;&lt;br /&gt;
Da holt er Labung seiner Seelen -&lt;br /&gt;
Und schlummert, wenn der Pfarrer spricht.&lt;br /&gt;
Das führt ihn lieblich bis zum Segen,&lt;br /&gt;
Den nimmt der Wackre fromm entgegen.&lt;br /&gt;
Dann geht er ganz erbaut nach Haus&lt;br /&gt;
Und - leiht sein Geld auf Wucher aus.&lt;br /&gt;
&lt;br /&gt;
Acht! Wandrer, die gen Westen streben!&lt;br /&gt;
Wie rühret ihre Not sein Herz!&lt;br /&gt;
Wohl sieht er sammeln, doch zu geben&lt;br /&gt;
Vergisst er ganz in seinem Schmerz.&lt;br /&gt;
“Ihr Schicksal ruht in Gottes Händen!“&lt;br /&gt;
Spricht er - dann geht er auszupfänden,&lt;br /&gt;
Nimmt einem Schuldner Hof und Haus&lt;br /&gt;
Und  leiht sein Geld auf Wucher aus.&lt;br /&gt;
&lt;br /&gt;
Den einzgen, hoffnungsvollem Sprossen -&lt;br /&gt;
Denn nicht mehr, das wäre Überfluss -,&lt;br /&gt;
Den hält er klösterlich verschlossen:&lt;br /&gt;
Die Sünde stammt ja vom Genuss.&lt;br /&gt;
Die Mutter führt ihr Küchlein sittig&lt;br /&gt;
Wie eine Henne unterm Fittich;&lt;br /&gt;
Sie sorgt für strenge Zucht im Haus&lt;br /&gt;
Und - leiht ihr Geld auf Wucher aus.&lt;br /&gt;
&lt;br /&gt;
O edles Haus! O feine Sitten!&lt;br /&gt;
Wo jedes Gift im Keim erstickt,&lt;br /&gt;
Wo nur gepflegt wird und gelitten,&lt;br /&gt;
Was gern sich duckt und wohl sich schickt&lt;br /&gt;
O wahre Bildung ohne Spitzen!&lt;br /&gt;
Nur der Besitz kann dich besitzen -&lt;br /&gt;
Anstand muss sein in Staat und Haus,&lt;br /&gt;
Sonst - geht dem Geld der Wucher aus.
    &lt;p style=&quot;text-align: right;&quot;&gt;&lt;b&gt;Ludwig Pfau &lt;/b&gt;(1848)&lt;b&gt;&lt;i&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;/td&gt;
  &lt;td style=&quot;text-align: left;&quot; valign=&quot;top&quot;&gt;¡Mira!&lt;br /&gt;
	  Allí va Herr Biedermeier&lt;br /&gt;
con su esposa, el hijo en brazos,&lt;br /&gt;
con un andar muy suave,&lt;br /&gt;
como si pisara rasos.&lt;br /&gt;
Es su dicho preferido:&lt;br /&gt;
«Ni muy caliente ni frío».&lt;br /&gt;
Es un burgués venerado.&lt;br /&gt;
Habla con elevación,&lt;br /&gt;
mas viste con discreción;&lt;br /&gt;
su casa es una hermosura,&lt;br /&gt;
y presta su dinero&lt;br /&gt;
con usura.&lt;br /&gt;
&lt;br /&gt;
Vota siempre alguna opción&lt;br /&gt;
que parezca moderada&lt;br /&gt;
–detesta la confusión–;&lt;br /&gt;
no le asustan los impuestos&lt;br /&gt;
y le honra el ser honesto.&lt;br /&gt;
Citado en su Ayuntamiento,&lt;br /&gt;
por cualquiera autoridad,&lt;br /&gt;
se quita ya en la escalera&lt;br /&gt;
su montera;&lt;br /&gt;
y luego se va a su casa,&lt;br /&gt;
satisfecho,&lt;br /&gt;
y presta con usura&lt;br /&gt;
su dinero.&lt;br /&gt;
&lt;br /&gt;
No ir a la Iglesia el domingo&lt;br /&gt;
sería de mal cristiano;&lt;br /&gt;
allí encuentra para el alma&lt;br /&gt;
gran consuelo;&lt;br /&gt;
duerme cuando el sacerdote&lt;br /&gt;
larga un sermón hugonote...&lt;br /&gt;
así hasta la bendición;&lt;br /&gt;
y recibe con arrobo&lt;br /&gt;
tal unción.&lt;br /&gt;
Vuelve a casa, edificado,&lt;br /&gt;
y presta con usura&lt;br /&gt;
su dinero.&lt;br /&gt;
&lt;br /&gt;
Caminante hacia el Oeste,&lt;br /&gt;
¡qué tristes son tus penurias!&lt;br /&gt;
Bien ha visto que hay colecta,&lt;br /&gt;
¡pero se olvida de dar,&lt;br /&gt;
del dolor que experimenta!&lt;br /&gt;
«Su destino está en las manos,&lt;br /&gt;
–él se dice– del Señor.»&lt;br /&gt;
Y corre luego a embargar&lt;br /&gt;
hacienda y casa a un deudor,&lt;br /&gt;
y presta su dinero&lt;br /&gt;
con usura.&lt;br /&gt;
&lt;br /&gt;
Tiene un hijo,&lt;br /&gt;
único y prometedor&lt;br /&gt;
–pues más sería un exceso.&lt;br /&gt;
Lo tiene bien enclaustrado:&lt;br /&gt;
«del placer surge el pecado».&lt;br /&gt;
La madre enseña costumbres&lt;br /&gt;
al polluelo;&lt;br /&gt;
lo cuida bajo sus alas,&lt;br /&gt;
con gran celo;&lt;br /&gt;
en la casa, compostura.&lt;br /&gt;
&lt;br /&gt;
Y presta su dinero&lt;br /&gt;
con usura.&lt;br /&gt;
&lt;br /&gt;
Casa noble, modos finos,&lt;br /&gt;
en que muere todo vicio&lt;br /&gt;
ya al principio,&lt;br /&gt;
donde se trata muy bien&lt;br /&gt;
y se tolera&lt;br /&gt;
a aquel que se inclina a gusto&lt;br /&gt;
y resulta un hombre justo.&lt;br /&gt;
¡Cultura sin extremismos!&lt;br /&gt;
Solo manda el poseer...&lt;br /&gt;
Gran decencia debe haber&lt;br /&gt;
en el Estado, en la casa,&lt;br /&gt;
pues si no... pierde el dinero,&lt;br /&gt;
por desgracia,&lt;br /&gt;
de crecer todo el anhelo!&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
  &lt;td style=&quot;text-align: right;&quot; valign=&quot;top&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;text-align: right;&quot; valign=&quot;top&quot;&gt;&lt;/td&gt;
  &lt;td style=&quot;text-align: right;&quot; valign=&quot;top&quot;&gt;Traducción: &lt;i&gt;&lt;b&gt;Jordi Llovet&lt;/b&gt;&lt;/i&gt;&lt;/td&gt;
&lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/1594774383836168248/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/1594774383836168248' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/1594774383836168248'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/1594774383836168248'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/05/herr-biedermeier.html' title='„Herr Biedermeier“'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxOOZ7XZerHBbJLY1tL-LS6yk_VAoEaX4oMJkiA03nDrZ93vxAwTOcW1d1mSq72PT0j8Vc52XMZiazWFwc9w6pYkxznDFEj4BOlP7Kj54q82UWS6wx4S7gO93tI7FCau-guM_d/s72-c/l_pfau.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-32372095.post-4117982796868010893</id><published>2021-05-03T16:30:00.060+02:00</published><updated>2021-05-10T00:13:07.167+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Biedermeier"/><category scheme="http://www.blogger.com/atom/ns#" term="Grillparzer"/><category scheme="http://www.blogger.com/atom/ns#" term="poema"/><title type='text'>„In Moscheles Stammbuch“</title><content type='html'>&lt;table align=&quot;center&quot; border=&quot;0&quot; cellspacing=&quot;10&quot; style=&quot;text-align: center;&quot;&gt;
  &lt;tbody&gt;
&lt;tr&gt;
  &lt;td align=&quot;center&quot; rowspan=&quot;2&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;20%&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;198&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ36iLmND5jYLhCNn7-VhBc2JOQcvUmn1Uty6RqUInhaciBPhy4aLdXmLvgXV4p32N_HTnPY5_Txxg2TLorLEN7g6KcxVwZUnqUVirPngGVWvXIimUZhkbwMZ35Wp9xvztNJDS/s200/Franz_Grillparzer.jpg&quot; width=&quot;200&quot; /&gt;&lt;/div&gt;&lt;/td&gt;
      &lt;th align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;In Moscheles Stammbuch&lt;/th&gt;
      &lt;th align=&quot;left&quot; scope=&quot;col&quot; valign=&quot;top&quot; width=&quot;35%&quot;&gt;&lt;/th&gt;
    &lt;/tr&gt;
&lt;tr&gt;
  &lt;td align=&quot;left&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;Tonkunst, dich preis&#39; ich vor allen,&lt;br /&gt;
Höchstes Loos ist dir gefallen,&lt;br /&gt;
Aus den Schwesterkünsten drei:&lt;br /&gt;
Du die frei&#39;ste, einzig frei.&lt;br /&gt;
&lt;br /&gt;
Denn das Wort, es läßt sich fangen,&lt;br /&gt;
Deuten läßt sich die Gestalt;&lt;br /&gt;
Unter Ketten, Riegeln, Stangen&lt;br /&gt;
Hält sie menschliche Gewalt.&lt;br /&gt;
&lt;br /&gt;
Aber du sprichst höh&#39;re Sprachen,&lt;br /&gt;
Die kein Häscherchor versteht,&lt;br /&gt;
Ungreifbar durch ihre Wachen&lt;br /&gt;
Gehst du, wie ein Cherub geht.&lt;br /&gt;
&lt;br /&gt;
Darum preis&#39; ich dich vor allen&lt;br /&gt;
In so ängstlich schwerer Zeit;&lt;br /&gt;
Höchstes Loos ist dir gefallen&lt;br /&gt;
Dir und wer sich dir geweiht.
&lt;/td&gt;
    &lt;/tr&gt;
&lt;tr&gt;
  &lt;td style=&quot;text-align: right;&quot; valign=&quot;top&quot; width=&quot;10%&quot;&gt;&amp;nbsp;&lt;/td&gt;
      &lt;td style=&quot;text-align: right;&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&lt;b&gt;&lt;i&gt;Franz Grillparzer&lt;/i&gt;&lt;/b&gt; (1826)&lt;/td&gt;
      &lt;td style=&quot;text-align: right;&quot; valign=&quot;top&quot; width=&quot;45%&quot;&gt;&amp;nbsp;&lt;/td&gt;
    &lt;/tr&gt;
  &lt;/tbody&gt;
&lt;/table&gt;</content><link rel='replies' type='application/atom+xml' href='https://auladecamara.blogspot.com/feeds/4117982796868010893/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment/fullpage/post/32372095/4117982796868010893' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/4117982796868010893'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/32372095/posts/default/4117982796868010893'/><link rel='alternate' type='text/html' href='https://auladecamara.blogspot.com/2021/05/in-moscheles-stammbuch.html' title='„In Moscheles Stammbuch“'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ36iLmND5jYLhCNn7-VhBc2JOQcvUmn1Uty6RqUInhaciBPhy4aLdXmLvgXV4p32N_HTnPY5_Txxg2TLorLEN7g6KcxVwZUnqUVirPngGVWvXIimUZhkbwMZ35Wp9xvztNJDS/s72-c/Franz_Grillparzer.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>