.:: DPTLC ::.

Ma-NU-festation ludique: En sous-vêtements pour un gouvernement transparent. ROUND 2

2012-05-17T16:45:00.000-04:00

[HowTo] Get your Facebook account deleted for good

2012-04-13T05:09:00.000-04:00

By now you probably know that "Deactivating" your Facebook account doesn't really do much, in fact it barely does anything!

To get your Facebook account removed for good you have to get suspended by violating the Facebook user policy.

Once your account get suspended there is no going back!

Getting your account suspended may take a couple of day or happen faster than the deactivation process depending on who you're pissing off . Facebook will send you up to 3 warning before suspending your account.

Getting Suspended, a step by step guide:

Unfriend anyone you don't want to offend. (You're about to post some real nasty shit on your timeline!)
Remove all personal information from your profile and make it public.
Join some reputable butthurts groups and pages on Facebook. (Anything religious/politic with more than 100 member will do the trick.)
Once you've been added to the groups change your name to Lady Gaga and change your profile picture to one of hers.
Post your first pic to 2 or 3 groups and wait for the first warning. Add a Dead Baby joke to your post for extra points!
Go nuts. Post the pics below in every group you joined and spread dead babies jokes all over the place!
If you can't log-in you win, if you still have an account follow the link at the bottom of this post, create a Facebook album, upload the pics and share them with the world. (You should probably have a puke bucket close by if you're not used to Shock Sites <-- Safe link)

FAQ

So everything is gone?
No. Facebook still retain your data on their servers. Getting your account suspended simply means that no one can view your profile or anything you posted ever again.

The pictures below are provided to you to use on your Facebook timeline and in the butthurts groups in order to expedite the suspension process. Obviously they are Not Safe For Work!

NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW

>>> READ MORE >>>

What you are looking for...

2012-04-07T17:07:00.000-04:00

While attempting to freshen up DPTLC some mistake were made! Sadly the Import option in Blogger won't allow us to go back to where we were a week ago.

Hopefully this will be resolved soon.

DPTLC's mirror!
All old post have been mirrored on Wordpress.

FIX!!

#Zombie March 2012 Montreal

2012-04-07T02:17:00.000-04:00

From Zombie March 2012 Montreal

Operation Vic.Tory / Operation Great White North

2012-02-24T23:59:00.000-05:00

Original at: http://pastebin.com/JnFj3Lsv

Welcome to Operation Vic.Tory / Operation Great White North.

Below is the contact information of every MP who voted yes on Bill C-11, the Canadian version of SOPA. It was tabled by the dishonorable Christian Paradis. There have been no votes on Bill C-30 as of yet. Let this serve as an example so it remains that way, indefinitely.

The ".c1" after the name of each MP allows you to email them personally. Removing it will also allow you contact them, but it will be directed to their Ottawa offices and processed by their staff.

Though it is not widely known, you can call your federal MP at their Ottawa ofafice, toll-free, from anywhere in Canada via the Library of Parliament at 1-866-599-4999.

Demand that Vic Toews step down, and that the intrusive, exploitative Bills C-30 & C-11 be scrapped in their entirety.

We will do our duty; it is time for Canada to do hers.

Voted Yes on Bill C-11:

***NOTE - The ".c1" after the name of each MP allows you to email them personally. Removing it will also allow you contact them, but it will be directed to their Ottawa offices and processed by their staff.***

>>> READ MORE >>>

[HowTo] Privacy, LazyAss Mode

2012-02-23T12:46:00.000-05:00

For Windows.
Protect your privacy from your mom, brother, teachers, boss, Google, advertisers, ISP.
Comodo Dragon is a privacy enhanced browser built on Chronium (Google Chrome) but does not send any information to Google, unlike Chrome.
Hotspot Shield is a "free", ad supported, VPN. (Dragon + Extensions will take care of the ads)

Privacy demands sacrifice. It also demand that you modify your behavior, software can only do so much.

Downloads:

Comodo Dragon: http://www.comodo.com/home/browsers-toolbars/browser.php
Hotspot Shield Free: http://www.hotspotshield.com/
TrueCrypt: http://www.truecrypt.org
BleachBit: http://bleachbit.sourceforge.net/

Getting Started

-= Truecrypt =-

Install normally.
Open Truecrypt,
Click on Create Volume and follow instructions.

>>> READ MORE >>>

[Movie] The Shock Doctrine

2012-02-12T19:58:00.000-05:00

"The Shock Doctrine: The Rise of Disaster Capitalism is a 2007 book by Canadian author Naomi Klein, and is the basis of a 2009 documentary by the same name.
The book argues that the free market policies of Nobel Laureate Milton Friedman have risen to prominence in some countries because they were pushed through while the citizens were reacting to disasters or upheavals. It is implied that some man-made crises, such as the Falklands war, may have been created with the intention of pushing through these unpopular reforms in their wake." - Wikipedia

> Official Website

Watch online now!

Lectures Obligatoire Pour Qui Veux s'Indignée.

2011-12-23T14:20:00.000-05:00

Pourquoi pas de Chomsky? Parce-que y en aurai beaucoup trop. Un post juste pour les livres de Chomsky à venir..

Y a bien d'autre chose, pourquoi les avoir exclue? Parce-que je peux pas tout mettre et qu'il y aura d'autre post.

Y a mieux que ces livres la non? C'est votre opinion mais c'est mon blog. N’hésitez pas à ajouter vos livres favoris dans les commentaires.

Il ne sont pas tous disponible à la BAnQ? Oui mais je suis vraiment paresseux alors cherchez vous même. BAnQ

À venir? Lectures sur les arguments de la droite, Naom Chomsky, Lectures anarchique.

> INDIGNEZ-VOUS / TIME FOR OUTRAGE

Indignez-vous ! est un essai de Stéphane Hessel publié en 2010. Cet opuscule, d'une trentaine de pages, qui défend l'idée selon laquelle l'indignation est le ferment de l'« esprit de résistance »2, est devenu un phénomène d'édition. - Wikipedia

Time for Outrage! is the English translation of the bestselling tract Indignez-vous ! by the French diplomat, member of the French Resistance and concentration camp survivor Stéphane Hessel. Published in France in 2010, it has sold nearly 1.5 million copies in France and has been translated into numerous other languages. - Wikipedia

Disponible à la BAnQ (Bibliothèque et Archives nationales du Québec)

> PETIT COURS D'AUTODÉFENSE INTELLECTUELLE

Rédigé dans une langue claire et accessible et illustré par Charb, cet ouvrage constitue une véritable initiation à la pensée critique, plus que jamais indispensable à quiconque veut assurer son autodéfense intellectuelle.

On y trouvera d’abord un large survol des outils fondamentaux que doit maîtriser tout penseur critique : le langage, la logique, la rhétorique, les nombres, les probabilités, la statistique etc. ; ceux-ci sont ensuite appliqués à la justification des croyances dans trois domaines cruciaux : l’expérience personnelle, la science et les médias.

« Si nous avions un vrai système d’éducation, on y donnerait des cours d’autodéfense intellectuelle. »
Noam CHOMSKY

Normand Baillargeon enseigne les fondements de l’éducation à l’université du Québec à Montréal. Il est l’auteur de L’ordre moins le pouvoir et de Les Chiens ont soif chez le même éditeur. Il collabore régulièrement au journal Le Couac et à la revue À bâbord!. - Lux Editeurs

Normand Baillargeon @ Wikipedia

Disponible à la BAnQ (Bibliothèque et Archives nationales du Québec)

> THE SHOCK DOCTRINE

In THE SHOCK DOCTRINE, Naomi Klein explodes the myth that the global free market triumphed democratically. Exposing the thinking, the money trail and the puppet strings behind the world-changing crises and wars of the last four decades, The Shock Doctrine is the gripping story of how America’s “free market” policies have come to dominate the world-- through the exploitation of disaster-shocked people and countries.

At the most chaotic juncture in Iraq’s civil war, a new law is unveiled that would allow Shell and BP to claim the country’s vast oil reserves…. Immediately following September 11, the Bush Administration quietly out-sources the running of the “War on Terror” to Halliburton and Blackwater…. After a tsunami wipes out the coasts of Southeast Asia, the pristine beaches are auctioned off to tourist resorts.... New Orleans’s residents, scattered from Hurricane Katrina, discover that their public housing, hospitals and schools will never be reopened…. These events are examples of “the shock doctrine”: using the public’s disorientation following massive collective shocks – wars, terrorist attacks, or natural disasters -- to achieve control by imposing economic shock therapy. Sometimes, when the first two shocks don’t succeed in wiping out resistance, a third shock is employed: the electrode in the prison cell or the Taser gun on the streets.

Based on breakthrough historical research and four years of on-the-ground reporting in disaster zones, The Shock Doctrine vividly shows how disaster capitalism – the rapid-fire corporate reengineering of societies still reeling from shock – did not begin with September 11, 2001. The book traces its origins back fifty years, to the University of Chicago under Milton Friedman, which produced many of the leading neo-conservative and neo-liberal thinkers whose influence is still profound in Washington today. New, surprising connections are drawn between economic policy, “shock and awe” warfare and covert CIA-funded experiments in electroshock and sensory deprivation in the 1950s, research that helped write the torture manuals used today in Guantanamo Bay.

The Shock Doctrine follows the application of these ideas through our contemporary history, showing in riveting detail how well-known events of the recent past have been deliberate, active theatres for the shock doctrine, among them: Pinochet’s coup in Chile in 1973, the Falklands War in 1982, the Tiananmen Square Massacre in 1989, the collapse of the Soviet Union in 1991, the Asian Financial crisis in 1997 and Hurricane Mitch in 1998 - NaomiKlein.org

> LES CHIENS ON SOIF

De toutes les menaces qui pèsent sur la liberté, la plus grande est sans nul doute la perte de l’esprit critique. On en mesure chaque jour l’étendue dans les médias qui, ayant renoncé à cultiver l’opinion publique, préparent et adaptent les consciences aux « nouvelles réalités ». On l’observe également dans les écoles et les universités qui ont bradé leur indépendance, leur mission et leurs valeurs fondamentales, pour se mettre au pas des impératifs économiques. Face à une telle servilité intellectuelle, ce livre constitue une invitation à la trahison.

Avec humour, et sans donner de leçon de morale, Normand Baillargeon en appelle à la responsabilité des intellectuels face aux demi-vérités et aux mensonges politiques. L’auteur du Petit cours d’autodéfense intellectuelle propose finalement des modèles alternatifs qui sont tout à la fois attirants, réalistes et mobilisateurs. À ce propos, l’auteur puise dans la riche tradition libertaire, qui a notamment inspiré Michael Albert et Robin Hahnel dans leur élaboration du modèle de l’économie participative (Écopar).

Avec Les chiens ont soif, c’est à une lutte acharnée contre le cynisme que nous convie l’auteur.

Normand Baillargeon enseigne les fondements de l’éducation à l’Université du Québec à Montréal. - Lux Editeur

Disponible à la BAnQ (Bibliothèque et Archives nationales du Québec)

Téléchargez gratuitement sur UQAC.ca

> CULTURE JAM

In Culture Jam, Kalle Lasn (the founder of Adbusters Magazine) slams the branding of America - where traditional values and principles have been corrupted by celebrity culture and pervasive marketing giants. Lasn says that only by uncooling these symbols of culture, by organizing resistance against the institutions that manage the brands, can America reassert itself. - media-awareness.ca

> PETIT COURS D'AUTODÉFENSE EN ÉCONOMIE

Qu’est-ce que la dette publique ? D’où vient l’inflation ? Le profit est-il source de progrès ? Le chômage est-il un mal nécessaire ? L’État nuit-il à l’investissement ? Mystérieuse et confuse, l’économie est trop souvent mise hors de la portée du citoyen ordinaire, qui n’en paie pas moins les frais de ses crises. Seuls les experts semblent autorisés à répondre à des questions dont dépend pourtant l’avenir de tous.

Le Petit cours d’autodéfense en économie de Jim Stanford arrive à point nommé pour rompre ce déséquilibre. Par l’analyse critique de situations concrètes, auxquelles s’ajoutent des synthèses éclairées par des schémas récapitulatifs, ce livre démystifie avec soin les rouages du capitalisme, montrant que tous peuvent le comprendre.

L’ouvrage est illustré par Charb, dessinateur satirique et directeur du journal Charlie Hebdo, et préfacé par Éric Pineault, professeur de sociologie économique à l’uqam.

« Stanford fait partie d’une espèce rare : celle des professeurs qui marquent votre vie. À la fois pragmatique et idéaliste, son livre a le pouvoir de changer le monde. »
– Naomi Klein

Jim Stanford est un économiste canadien réputé. Diplômé de Cambridge et de la New School for Social Research de New York, il tient une chronique régulière dans le Globe and Mail et exerce sa profession au sein du syndicat des Travailleurs canadiens de l'automobile (TCA). Fondateur du Progressive Economics Forum (réseau canadien d’économistes progressistes), il a publié plusieurs ouvrages. - Lux Éditeur

Disponible à la BAnQ (Bibliothèque et Archives nationales du Québec)

> GUÉRILLA KIT

Une nouvelle radicalité émerge et réinvente les formes et les techniques de la contestation politique. Le monde des hommes et des femmes en lutte est celui de la ruse et de l’imagination face à la force et à la raideur du pouvoir et des formes d’oppression contemporaine, masquées sous les habits de tolérance, de libéralisme et de mondialisation. Morjane Baba a arpenté les maquis des luttes sociales et a rassemblé ses notes de voyage dans ce guide. Ce n’est pas un nouveau Capital ni un nouveau manifeste, c’est un livre objet, à monter soi-même, une trousse à outils à utiliser pour bricoler ses propres armes.
Née dans ces chemins de résistance, portée par l’insurrection des Indiens du Chiapas, bousculée par les rythmes de la rébellion, les danses, les sambas et les tangos, qui résonnaient dans les métropoles modernes, de Seattle à Buenos Aires, en passant par Porto Alegre, Gênes ou Barcelone, Morjane Baba imagine les ruses les plus subtiles pour faire entendre sa voix, arrêter le flux incessant des marchandises et le remplacer par celui des hommes et des cœurs. Elle s’est trouvé des espaces dans le tissage des nouveaux médias, dans la toile, sur les axes les plus denses de la circulation. Elle est née partout en même temps, sans patrie ni frontière. Elle ne croit pas dans la légalité illégitime, elle trouve le moyen de le dire et renverse les rôles, elle change le monde en somme, par bribes et aussi dans les grands vacarmes du monde. - La Découverte

Disponible à la BAnQ (Bibliothèque et Archives nationales du Québec)

> LE NÉOLIBÉRALISME ET...

Le texte de ces fascicules se veut accessible à toutes et à tous de manière à pouvoir faire l’objet d’analyses, de discussions et d’observations de la part des personnes regroupées au sein des brigades. Le contenu, ouvertement anti-néolibéral, se veut une antidote au discours unique dominant, une grille permettant de mieux lire et décoder les dessous des éditoriaux des grands médias ou de la propagande de l’Institut économique de Montréal.

Il est important de préciser que ces textes visent à informer celles et ceux qui n’ont pas nécessairement l’habitude de fréquenter de telles questions. Comme le disait si bien une personne de Développement et Paix, il faut que ces questions puissent atteindre et être comprises « même par mon garagiste de Neuville ».

Chaque fascicule comprend une dizaine de courts feuillets de textes très vulgarisés à partir des documents déjà existants et qui ont fait consensus dans les groupes organisés depuis que nous avons engagé la lutte contre le néolibéralisme.

* Le contenu des fascicules qui constituent cette trousse citoyenne n’est pas définitif. Il y manque vos réflexions, votre critique et tous les ajouts que vous jugerez bon y apporter au fil des rencontres que vous ferez à l’occasion de la formation d’une brigade.

* Il est fortement conseillé de parcourir les fascicules « Néolibéralisme, le vol organisé du bien commun » et « Néolibéralisme et droits humains » en priorité. Cette lecture nous semble incontournable pour une meilleur compréhension de tous les autres.

* Il est possible que vous rencontriez certains mots ou expressions dont le sens vous échappe. La trousse comprend un petit lexique d’appoint permettant, peut-être, de répondre à vos interrogations, car les thèmes se recoupent souvent. Il se peut également que la réponse vous soit donnée par celles et ceux avec lesquels vous en discuterez.

* La réalisation de tous ces fascicules n’aurait pas été possible sans la généreuse collaboration de personnes provenant d’horizons différents mais toutes convaincues de la nécessité de ce travail collectif. - Attac Québec

Téléchargez gratuitement sur le site d'Attac Québec.

> GÉNÉRATION IDÉALISTE

Ils ont troqué leur slogans socialistes pour de la publicité, ils ont échangé la solidarité de la rue pour le confort du bungalow, ils ont remplacé leur poésie par un écran cathodique, l’Internationale pour leur nombril. Le mouvement hippie a jeté aux ordures ses idéaux politiques pour se faire radicalement récupérer par le système. Après une révolte inachevée, les baby-boomers ont contribué à l’édification de cette société du «chacun pour soi» et de l’individualisme chronique. Depuis les années 1960, ils monopolisent l’histoire, ils accaparent le débat politique, ils déterminent les valeurs de la société. Puis la génération X est restée dans leur ombre sans pouvoir remettre en question ses principes. À leur tour, ils se sont fait avaler par la «maudite machine». Et nous voilà.

Ceci n’est pas le procès des baby-boomers. Ceci est notre propre procès. Qui sommes-nous ? Génération no name, héritiers de la survie de l’humanité. Notre choix est clair. Ou bien on reste cloués devant cette abrutissante télévision à regarder la destruction du monde, ou bien on se lève fièrement et on travaille à bâtir une société meilleure. Il est possible et urgent de défi nir de nouvelles valeurs et de les défendre contre l’individualisme et l’égocentrisme ambiant. Pour nous et pour la suite du monde. L’avenir nous appartient et l’Histoire retiendra ce que nous en ferons. - Livres Québecois

> NO LOGO

In the last decade, No Logo has become a cultural manifesto for the critics of unfettered capitalism worldwide. As the world faces a second economic depression, No Logo's analysis of our corporate and branded world is as timely and powerful as ever.

Equal parts cultural analysis, political manifesto, mall-rat memoir, and journalistic exposé, No Logo is the first book to put the new resistance into pop-historical and clear economic perspective. It tells a story of rebellion and self-determination in the face of our new branded world. - Naomi Klein

À suivre..

Fin du bonheur au carrefour de l Estrie

2011-12-19T19:23:00.000-05:00

À une semaine de Noël, des clownes de Sherbrooke venues offrir du bonheur
au centre commercial se sont vu remettre des amendes salées. Deux cents
vingt-cinq dollars pour du bonheur gratuit c'est un peu cher  pour avoir
''dérangé'' des gens qu'elles ne dérangeaient même pas.

Vers 15h, les clownes se sont présentées dans ce centre d'achat pour
distribuer des capsules de bonheur aux passants. Lorsqu'elles ont eu
l'idée d'acheter des bulles, elles sont allées pêcher dans la fontaine les
sous qu'il leur manquait. C'est à ce moment que leur mésaventure à
commencé.

D'abord deux agents de GARDA  se sont approché des clownes leur demandant
brusquement de partir : ''ALLEZ, TU DÉGAGES''. Les clownes ont poursuivit
leur chemin dans le corridor du mail, continuant d'essaimer leurs capsules
(de petits mots sages pliés délicatement dans des gélules). Un des agents
suivait les clownes alors que l'autre était parti appeler la police.

C'est alors que les clownes voulant vérifier la gravité de leurs actes, se
sont mises à questionner le public. ''Est-ce qu'on vous dérange Madame?'',
''Est-ce qu'on vous dérange Monsieur?''. La seule personne qui  n'a pas
répondue de façon clair leur a offert un sourire. Il était évident que les
clowns ne dérangeaient pas les clients.

Deux hommes de la police de Sherbrooke sont alors intervenus. À leur
arrivée les clownes leur ont offert une capsules de bonheur qui disait :
''la liberté c'est un cadeau que l'on se fait soi-même''. Les clownes ont
accompagné les policiers dehors et elles ont eu droit à un ticket de 75
dollars chacune, soit l'équivalent de 3 dollars par capsule distribuée.

Les clownes obéissent toujours du mieux qu'elles peuvent, elles paieront
donc leurs amendes et cherchent déjà les moyens de réunir cette somme.  Si
vous voulez les aider de quelque manière que se soit vous pourrez les
rencontrer lundi 19 décembre devant l'Hôtel de Ville avant le conseil
municipal. Les policiers ont dit que cela les embêtaient de donner ces
tickets, mais qu'ils étaient obligés. Obligés oui, mais qui les y force?
Le Maire le sait peut-être.

Des clownes
eskouadgamma.eklablog.com

#Occupons Montreal

2011-10-04T23:49:00.000-04:00

You have no idea what planning an event this big in 10 day is like!! So fucking be there!!!

#Occupymontreal #occupywallstreet #occupytogether #occupytheplanet

Canadians take a stand against online spying

2011-09-15T22:09:00.000-04:00

More info @ http://openmedia.ca/educate

&lt;p&gt;&amp;amp;amp;amp;lt;p&amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;p&amp;amp;amp;amp;amp;amp;amp;amp;gt;Loading...&amp;amp;amp;amp;amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;/p&amp;amp;amp;amp;gt;&lt;/p&gt;

2011-08-27T22:05:00.000-04:00

I fucking hate it when people just stop talking to you!!! And yes it's about a girl!

[Movie] The Heart is Deceitful Above All Things

2011-07-07T19:50:00.000-04:00

The Heart Is Deceitful Above All Things is a 2004 film directed by and starring Asia Argento. It is based on JT LeRoy's novel of the same name. The film received a limited release in North American theatres on March 10, 2006.

The title is taken from the King James Version of the Bible, Book of Jeremiah, chapter 17, verse 9.

Plot

The film revolves around a tattered relationship between Sarah (Argento), a drug addict, and her son, Jeremiah (played by Jimmy Bennett at age seven, and by Cole and Dylan Sprouse at age 11). Their life together is marked by drug-taking and heavy drinking. Sarah repeatedly becomes involved with a series of men who treat her and Jeremiah poorly, and uses them as an excuse to abandon her son. She disappears to Atlantic City with her current boyfriend, Emerson (Jeremy Renner), whom she then abandons; Emerson returns to their home and rapes Jeremiah. After a trip to the hospital, Jeremiah's grandmother takes him to a West Virginian radical Christian cult led by his grandfather (Peter Fonda). After three years with the cult, Sarah returns to reclaim a now 11-year-old Jeremiah. Sarah's current lover, Kenny, a truck driver, eventually abandons them at a truck stop while Sarah is soliciting herself. Sarah realizes that if she is going to keep her men, then she cannot say Jeremiah is her son. Jeremiah allows his mother to persuade him into cross dressing so he can act as her 'little sister', and Jeremiah's crossdressing evolves to include his mother's seduction techniques. After dressing up as a 'baby doll' version of Sarah, Jeremiah/Sarah seduces Jackson (Marilyn Manson), his mother's latest man, who initially tries to rebuff the boy's advances, but then he gives in. Furious with Jackson for giving in to the boy's advances and with Jeremiah for ruining her panties, she takes Jeremiah and leaves.

Later, they are seen in a house where the basement houses a meth lab which later blows up with Sarah's latest boyfriend inside. After fleeing, and while detoxing from meth, Sarah is convinced that everyone is after them, and that only certain foods are edible (mainly chips and soda), she then convinces Jeremiah that if they eat anything but those foods, they will be poisoned. Which then leads Sarah and Jeremiah on a failed attempt to shoplift at a grocery store, afterwards Jeremiah finds a hamburger to eat from a dumpster. His mother, in a state of "meth psychosis" is convinced the food he ate was poison, and makes him drink ipecac in order to make him better and rid him of any 'poisons'. Jeremiah wakes up in the hospital with his grandmother beside him. She tells him that Sarah is in the psychiatric ward. Later that night, Sarah collects Jeremiah from his hospital room, and, rather than have him go back to the cult, she clutches her son's hand and they both walk away in hospital gowns. The final scene is of Sarah and Jeremiah driving away. - Wikipedia

>>> Download from Demonoid.me
The Heart Is Deceitful Above All Things

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[NSFW] Paradise Circus, Massive Attack w/ Hope Sandoval

2011-07-06T16:22:00.000-04:00

NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW

Staring, Georgina Spelvin, American pornographic actress.

Massive Attack - Paradise Circus Lyrics

The pornographic scenes are from The Devil in Miss Jones (1973)

The Devil in Miss Jones (1973) is a pornographic film, written, directed and produced by Gerard Damiano and starring Georgina Spelvin. It is widely regarded as a classic adult film, released during the Golden Age of Porn. Damiano made the film after his 1972 success with Deep Throat. Along with Deep Throat and Behind the Green Door, the film is associated with the brief period known as Porno chic or the Golden Age of Porn. It went on to spawn numerous remakes and sequels.

Georgina Spelvin plays Justine Jones, a lonely, depressed spinster who decides that suicide is the only way out of her routinely dull existence.[6] While lying in the bathtub, Justine slits her wrists, dying quietly as the tub fills with her blood.[7]

Because she has lived a 'pure' life, Miss Jones finds herself in limbo. There she meets Mr. Abaca (John Clemens), an angel, of sorts, who informs her that she does not qualify for entrance to Heaven because she has killed herself. Angry that this one indiscretion has left her with only the options of limbo or Hell, she begs Mr. Abaca to let her "earn" her place in Hell by being allowed to return to earth and become the embodiment of lust. After an intense session of pain and pleasure with a menacing man who goes only by the title of "The Teacher" (Harry Reems), Justine has a few bizarre and sexually deviant encounters, the last of which is a graphic threesome.

However, just as she's enjoying her new life of lust, the brief time Justine was given to fulfill herself runs out and she is faced with the eternity of Hell. At first, Miss Jones is horrified at the pain she will be forced to endure, but Abaca is quick to dispel the common human myth of Hell and promises Justine that she will be "quite comfortable..."

Justine, now a raging sex addict, then finds herself confined to a small room with an impotent, sexually uninterested man who is more interested in catching flies than her. She desperately begs the man for sex, but he simply asks her to be quiet while he listens to the buzzing of his imaginary insects.

Trapped in her own private hell, Miss Jones is left screaming in agony for all eternity, thirsting for a climax she will never achieve by her own means. - Wikipedia

>>> The Devil in Miss Jones (1973) torrent
Download from extratorrent.com

>>> Soundtrack Alden Shuman - The Devil In Miss Jones (1973)

In 2005 Vivid Entertainment made a remake also known as The New Devil in Miss Jones. Staring Savanna Samson, Jenna Jameson, Roxanne Hall, Angelica Sin, Rachel Rotten, Vicky Vette, Dick Smothers Jr., Nick Manning, Tony Tedeschi and Georgina Spelvin.

[VHS] Björk - South Bank Show "The Bravo Profile"

2011-07-05T22:38:00.000-04:00

The documentary was planned to be released on DVD in 2003, but was not due to right issues.

"This documentary is perhaps the best profile of Bjork in existence." - .bjorklossless.goudwater.nl

The South Bank Show was a television arts magazine show, originally made by London Weekend Television (now part of ITV Studios), presented by Melvyn Bragg, broadcast on ITV and seen in over 60 countries worldwide — including Australia, New Zealand, the Netherlands, Sweden and the United States. Its stated aim was to bring both high art and popular culture to a mass audience.

In May 2009, ITV announced that the show was to come to an end. Although it was originally reported that the show was ending due to Bragg's retirement,[1] Bragg later made it clear that he decided to leave after they ended the show, and thought ending it was a mistake; according to him, "they've killed the show, so I thought, I'll go as well."[2][3]

On Monday 28 December 2009 the final edition of The South Bank Show was broadcast featuring The Royal Shakespeare Company as its subject. Melvyn Bragg announced on this programme, after the final South Bank Show Awards in January 2010, there would be a series of ten 'South Bank Show Revisited' programmes transmitted in early 2010 featuring updates on previous South Bank Show subjects. - Wikipedia

Björk - South Bank Show "The Bravo Profile" (1996) Full Transcript

"I find it so amazing when people tell me that that eeh electronic music has not got soul and they blame the computers. They got their finger and point at the computers like "There's no soul here!" It's like you can't blame the computer. If there's not soul in the music it's because nobody put it there. And it's not the tools fault." - Bjork

[Movie] Rubber

2011-07-05T17:06:00.000-04:00

Rubber is a 2010 French horror comedy film about a tire that comes to life and kills people with its psychic powers. It was directed and written by Quentin Dupieux. The film was shown at the 2010 Cannes Film Festival.

In the California desert, a tire comes to life and embarks on a killing spree as an audience watches the events unfold through binoculars. The tire kills by vibrating intensely and psycho-kinetically causes people's heads to explode. The audience is poisoned by individuals that seem to be orchestrating the film's events. A sheriff investigating the murders is inside and outside the diegesis, sometimes participating in the narrative action and sometimes commenting on it.

In the end, the tire is destroyed, but then reincarnated as a tricycle. The tricycle recruits several tires and rolls to Hollywood, where the film concludes. - WIkipedia

Official Website

Orgasm

2011-06-29T15:35:00.000-04:00

I was cleaning my Google Docs folders and found this. I have no idea where I was going with it and very much doubt I'll ever remember. The protagonist is called Daf, I can only think that it is in reference to the Marquis de Sade (Who's first names are Donatien Alphonse François, DAF). It seem that I was also writing at the time, a story about a suicidal robot, a Borderlands (the game) fan-fiction and a story called 'Everytime I flush the toilet a kid in China gets to have diner' but that's all for an other post.

Working Title: Orgasm

Her ass was being push against the sink, he held her by the neck and throbbed back and forth as hard as he could. His pants were wiping the floor of the man's bathroom, rubbing against residue of piss, shit and soap. When she came she screamed how much of a good fuck he was, ordering him to come inside of her, he pulled her hair back pressed his hand against his neck even harder and ..woke up. Fucking morning.

Daf was hard alright! he tried to fall back asleep or at least imagine what a few more seconds with her would have been like, remembering what the chick looked like, blond hair, thin, a nice pair of C cup tits, she probably was 22 and there were some sparks into her eyes, hardcore sluttery mix with passion but his dick didn't care about fantasy it wanted the real thing. There would be no orgasm not even a bad one. Fucking waste of an erection. Fucking morning.

The only urge he had now was to take a piss, he thought about his mom and slowly the erection went away. Fucking morning.The red light on his phone was flashing furiously. The voice mail was filled with URGENT messages summing up to: “Be at work A-S-A-fucking-P!!” Fucking morning.

“Where have you been fucker!? We called you all fucking night!”
“Sorry boss but your wife doesn’t want me to answer the phone while I’m shagging her.”

He flushed the toilet, expecting something entertaining to come out of the phone but The Boss went straight to the point.
“They found an other one last night. At the zoo. It was raping a motherfucking penguin! A goddamn penguin!”
“They managed to get him alive this time?”
“Yeah and after they promised him a fucking harem of penguins he told them everything.”

A #twitfic by Dmpstrbaby™

2011-06-29T04:16:00.000-04:00

[Movie] Beckett On Film

2011-06-25T14:38:00.000-04:00

19 Plays by Samuel Beckett

Act Without Words I (running time: 16 minutes)

Synopsis

Written in French in 1956, Act Without Words I is a mime, as the title suggests. A man sits in a desert and struggles to reach a flask of water and other objects, which remain stubbornly out of reach. Yet despite his continual disappointment, he does not give up. There is no escape from the playing area – he is 'immediately flung back' when he attempts to enter the wings.

Director

Karel Reisz was born in Czechoslovakia in 1926 and educated in Britain. He was the first programme director of the National Film Theatre in the early 1950s. He has directed many films including: Night Must Fall (1963) with Albert Finney; Isadora (1967) with Vanessa Redgrave, Jason Robards and James Fox; The Gambler (1973-4) with James Caan; The French Lieutenant's Woman (1980) with Meryl Streep and Jeremy Irons; Sweet Dreams (1985-6) with Jessica Lang and Ed Harris; and Everybody Wins (1990) with Nick Nolte and Debra Winger. He has also directed many productions on stages across the US, Great Britain and Ireland.

'As always with Beckett, in the agony there is pity, understanding and humanity. By using repetition, Beckett was trying to make sense of his own experience of the world. Right or wrong doesn't come into it.'– Karel Reisz

Act Without Words II (running time: 11 minutes)

Synopsis

Written in French in 1956, Act Without Words II is a 10-minute mime involving two players, 'A' and 'B', who are in two large sacks on the stage. Beckett specified 'violent' lighting and extended the notion by having the players prodded into action by a 'goad'. A is 'slow, awkward and absent' whereas B is 'brisk, rapid, precise'. A emerges slowly to set about his banal routine. Dishevelled and sulky, he eventually undresses and re-enters the sack. At this point, the goad prods B into action. He embarks on a more complicated routine, checking his watch and moving briskly to relocate the sacks on the stage before retiring back to his own sack. The goad, now on two wheels, awakens A and the cycle continues.

'This mime should be played on a low and narrow platform at back of stage, violently lit in its entire length, the rest of the stage being in darkness. Frieze effect.'

Director

Director and writer Enda Hughes's film credits include: The Eliminator (1996), which Enda wrote, produced and directed, and was named Film of the Year by the Irish Times; Flying Saucer Rock & Roll (1997), an award-winning short film (Best Fantasy Short – San Sebastian, Best European Short Film – Brussels); and Comm-Raid on the Potemkin, a 3-minute film for Planet Wild and Channel 4. Enda Hughes has also made 15 other short films. He has his own production company, Cousins Pictures, which he runs with his brother Michael.

'Beckett was so concerned with form that I think he would have employed the mechanics of film in the same inventive way that he employed lighting and the stage itself – as presences, even characters in the drama. That's what I wanted to try and do myself.'– Enda Hughes

Breath (running time: 45 seconds)

Synopsis

Breath was written in 1969 in response to Kenneth Tynan's request for a piece for his show Oh, Calcutta, which featured a series of risqué sketches. It lasts less than a minute. On a set full of rubbish, a person cries out, then breathes in again.

'Faint brief cry and immediately inspiration and slow increase of light together reaching maximum together in about ten seconds. Silence and hold about five seconds.'

Director

Damien Hirst was born in Bristol in 1965. He attended Goldsmiths' College, University of London from 1986 until 1989. While still a student, Damien curated the widely acclaimed 'Freeze' exhibition, which launched the career of many successful artists including himself. He has had many solo shows in London, New York and Zurich. He exhibited at the Tate Gallery and recently showed pieces in the 'Sensation' exhibition at the Royal Academy. He was short-listed for the Turner Prize in 1992 and won it in 1995.

'When I was asked to direct this film, I read the text and thought it was incredibly precise and strict. While preparing to shoot, I kept reading the text over and over and what really focused me was Beckett's direction "Hold for about five seconds". That was when I realised that Beckett had this massive sense of humour.'– Damien Hirst

Come and Go (running time: 8 minutes)

Synopsis

Written in English in 1965, this piece has only 121 words in all. Beckett's note to the text is almost twice as long. Three women meet in a softly lit place. Seated on a bench facing the audience, they reminisce about old school days. Each woman leaves the stage briefly, and during each absence an appalling secret is whispered about the third – which the audience doesn't hear. At the end the three hold hands with the cryptic comment 'I can feel the rings', though Beckett specifies that none are apparent.

'May we not speak of the old days? [Silence.] Of what came after? [Silence.] Shall we hold hands in the old way?' – Vi, Come and Go

Director

A graduate of University College Cork and associate director at the Donmar Warehouse, John Crowleyis an award-winning theatre director. His play True Lines won the Stewart Parker award for Best New Play in 1995 and he also won the Kilkenny Cream of Ireland Award for Performing Arts for his work on Double Helix in 1996. His recent work includes The Match Seller Girl (Theatre Project Tokyo, Japan), Macbeth for Thelma Holt Productions (Queens Theatre, West End) Juno and the Paycock (Donmar Warehouse and Broadway) and The Turn of the Screw (Welsh National Opera). I think Come and Go is a perfect piece of writing. It's all of seven minutes but what he compresses into that is three lifetimes full of sadness.

Catastrophe (running time: 7 minutes)

Synopsis

Written in French in 1982, Catastrophe features a theatre director and his assistant arranging a protagonist, who stands on a black block submitting to their direction. 'D', the director, wears a fur coat and matching toque (a kind of hat) and smokes a fat cigar. He has only a short amount of time to devote to the rehearsal, as he must go to a caucus meeting. 'A', the assistant, behaves with humility and alacrity, though she carefully wipes D's armchair before she can relax in it. She has frequent recourse to her pad and pencil. Luke, the offstage lighting man, remains invisible throughout. 'D' gets a 'storm of applause' for his creation but the brief existence of the protagonist ('P') ends as a skull: '… raises his head, fixes the audience. The applause falters, dies.'

'Terrific. He'll have them on their feet. I can hear it from here.' – 'Director', Catastrophe

Director

Playwright and filmmaker David Mamet is the author of the plays Oleanna, Glengarry Glen Ross (which won the Pulitzer Prize and New York Drama Critics' Circle Award), American Buffalo, Speed the Plow, Reunion and Cryptogram (which won the Obie Award), among others. His translations and adaptations include Red River by Pierre Laville and The Cherry Orchard, Three Sisters and Uncle Vanya by Anton Chekhov. His films include The Postman Always Rings Twice, The Untouchables, House of Games, The Spanish Prisoner, Hoffa, The Edge, Wag the Dog and The Winslow Boy.

Footfalls (running time: 28 minutes)

Footfalls was written in English between March and December 1975. May, wrapped in tatters, paces back and forth engaging in conversation with the disembodied voice of her mother. In the second scene, May's voice becomes subsumed into her mother's. She paces ever more slowly as the play progresses, and the light dims, so that by the fourth and final scene there is no trace of her.

'Will you never have done revolving it all'– May, Footfalls

Director

Walter Asmus is a distinguished German theatre director. He was a close friend of Beckett's and worked with him on many occasions, first directing Waiting For Godot for the Gate Theatre in 1988.

Endgame (running time: 1 hour 24 minutes)

Synopsis

Endgame was written in French in 1957. Hamm, who is blind and unable to walk, and Clov, Hamm's servant, occupy 'a bare interior'. Nagg and Nell, Hamm's parents, are in dustbins in a corner, and sometimes pop up to talk. Clov looks out of the two small windows with a telescope. The world outside seems dead and grey. Daily rituals are performed ad nauseam. 'Why this farce, day after day?' asks Nell. Hamm and Clov have both 'had enough'. They repeatedly discuss whether or not Clov will leave, and why he stays. Hamm asks Clov to kill him, but he won't. However, Nell dies. Finally, Clov says he's leaving once again and returns 'dressed for the road', but he stands watching Hamm until the curtain falls.

You prayed …
[Pause. He corrects himself.]
You CRIED for night; it comes…
[Pause. He corrects himself.]
It FALLS: now cry in darkness.
[ He repeats, chanting.]
You cried for night; it falls: now cry in darkness.
[Pause.]
Nicely put, that.
– Hamm, Endgame

Director

Dublin-born writer and director Conor McPherson has written several highly acclaimed plays including St Nicholas and the multiple-award-winning The Weir, commissioned by and staged at the Royal Court Theatre. This production earned him the Evening Standard Award and Critics' Circle Award for Most Promising Playwright. In 1999 The Weir won Best Play at the Olivier Awards. In 1996 Conor wrote the script for I Went Down for Treasure Films/BBC films, produced by Robert Walpole and directed by Paddy Breathnach. In 1999, he wrote and directed Saltwater, a film adaptation of his play This Lime Tree Bower.

'Hopefully, the film will demystify Beckett's reputation for being hard going. I just wanted to make sure it was funny, because, if it was funny, it could be understood. It's a comedy, a bittersweet comedy.' – Conor McPherson

Happy Days (running time: 1 hour 19 minutes)

Synopsis

Written in English and considered Beckett's most cheerful piece, Happy Days features a woman buried up to her waist in a mound of sand. Winnie's husband, Willie, appears only occasionally from his tunnel behind the mound. Winnie's opening words, 'Another heavenly day', set the tone for a long monologue which lasts until she can no longer busy herself with the contents of her enormous handbag. She follows the routine of the day – praying, brushing her teeth, reminiscing about the past and endlessly trying to recall 'unforgettable lines' that she has once read. By the end of the second act she is buried up to her neck, but she carries on chattering cheerfully.

'Ah well, what matter, that's what I always say, it will have been a happy day after all, another happy day.'– Winnie, Happy Days

Director

After working in TV in Chicago and New York, Patricia Rozema returned to her native Canada to work as an associate producer at the Canadian Broadcasting Corporation's nightly news program, The Journal. She began her film career in 1985 with a short entitled Passion: A Letter in 16mm, which won her second prize at the Chicago International Film Festival. Her debut feature film, I've Heard the Mermaids Singing, which she wrote, co-produced, directed and edited, was selected for the Director's Fortnight in Cannes and won the coveted Prix de la Jeunesse. She went on to write and direct the award-winning White Room and When Night is Falling. More recently she has adapted a short film, The Hunger, produced by Tony and Ridley Scott, written and directed the Emmy-Award-winning Six Gestures, and adapted Jane Austen's Mansfield Park.

'I wanted to make Happy Days because, well, it's so happy. The sizzling boy/girl interplay between that cheerful socialite and her strong silent type, their crazy antics – not to mention that startling flip-flop ending – it all adds up to a must-see movie. And as theatre and now movie personality Samuel Beckett confided at a LA hot spot recently "It gave people the chance to really like me."' – Patricia Rozema

Krapp's Last Tape (running time: 58 minutes)

Synopsis

In Krapp's Last Tape, which was written in English in 1958, an old man reviews his life and assesses his predicament. We learn about him not from the 69-year-old man on stage, but from his 39-year-old self on the tape he chooses to listen to. On the 'awful occasion' of his birthday, Krapp was then and is now in the habit of reviewing the past year and 'separating the grain from the husks'. He isolates memories of value, fertility and nourishment to set against creeping death 'when all my dust has settled'.

'Perhaps my best years are gone. When there was a chance of happiness. But I wouldn't want them back. Not with the fire in me now. No, I wouldn't want them back.'

Director

Atom Egoyan's writing and direction for film, television and theatre have been acclaimed throughout the world. He has won numerous awards including the Grand Prix and the International Critics' Award at the Cannes Film Festival and two Academy Award nominations. His films include Felicia's Journey, the award-winning The Sweet Hereafter; Exotica; Calendar; The Adjuster, Speaking Parts, Family Viewing and Next of Kin.'I am fascinated by human interaction with technology. Beckett explores the contrast between memory and recorded memory as Krapp reminisces on his 69th birthday, struggling to reconcile perception and reality. Technology is an enormous issue today, so Beckett's themes are hugely relevant. The human inability to communicate in reality is brought into sharp focus.' – Atom Egoyan

Not I (running time: 14 minutes)

Synopsis

Not I, written in English in 1972, features an actress seated on stage with just her mouth spot-lit. The mouth then delivers a long stream of consciousness. Evasion is the principle theme, as is highlighted by Beckett's note to the text in which the mouth's chief endeavour throughout the play is a 'vehement refusal to relinquish the third person'. The mouth undergoes a desperate struggle to avoid saying 'I', marked by four moments of crisis in which her monologue becomes a question and answer with an inner voice not heard by the audience.

'… out … into this world … this world … tiny little thing … before its time …'

Director

Neil Jordan's film career began with the role of creative consultant on John Boorman's Excalibur in 1981, about which he made a documentary entitled The Making of Excalibur – Myth into Movie. Since then he has made twelve films: Angel (1982); Company of Wolves (1984); Mona Lisa (1986); The Crying Game (1992), for which he won an Oscar for best screenplay; Interview with the Vampire (1994); Michael Collins (1995), which was awarded a Golden Lion for Best Film at the Venice Film Festival; The Butcher Boy (1996), for which he won a Silver Bear for Direction at the Berlin Film Festival; In Dreams (1999); and The End of the Affair (1999) for which he won the BAFTA for Best Adapted Screenplay.

'Despite the theatrical nature of the piece, the startling image at the heart of it – an isolated mouth – could perhaps be better realised in the cinema. Also, working within the limits of Samuel Beckett's stage instructions becomes oddly liberating, like etching a map of the world on a postage stamp.' – Neil Jordan

Ohio Impromptu (running time: 12 minutes)

Ohio Impromptu, written in 1980, opens with a figure clad in black with long white hair hiding his face and sitting on a white chair at a white table. There are two characters, the Reader and the Listener. The Reader, it emerges, is a mysterious messenger from someone now dead and once loved by the Listener. The book the Reader reads from tells the story of the Listener mourning right up until the last moment, when the story is told for the last time and 'there is nothing left to tell'. Throughout, the Listener not only listens but also regulates his companion's reading by knocking on the table with his hand in an attempt to ensure that this will not be the final telling of the tale.

'With never a word exchanged they grew to be as one.'

Director

Charles Sturridge has worked extensively in theatre, film and television both as a screenwriter and director. His film work include Runners, A Handful of Dust, Aria, Fairy Tale and A True Story. For television he directed Soft Target, A Foreign Field, Gulliver's Travels, and Longitude. For the stage he has also translated Anton Chekhov's play The Seagull.

Ohio Impromptu captures that universally human emotion of losing the one you love the most and expresses it in its purest and most terrifying form.

A Piece of Monologue (running time: 20 minutes)

Synopsis

In A Piece Of Monologue, written in English in 1979, a speaker tells a fragment of a story about birth and death, in which the narrative details almost match those visible to us as the theatre set. The play dramatises a successive loss of company: firstly in an account of the destruction of photographs and secondly in the memories of a funeral in the rain.

'Birth was the death of him.'

Director

Originally an actor, Robin Lefevre started directing with John Byrne's first play, Writer's Cramp. Subsequently he joined the Hampstead Theatre where he directed Bodies by James Saunders and Brian Friel's Translations, among other plays. Later he directed Friel's Aristocrats, for which he won a New York Drama Desk nomination for Best Director. Robin has worked extensively at several major British theatres including the Bush Theatre and also in the West End, where in 1985 he directed a production of Alan Bleasdale's Are You Lonesome Tonight?, which won the Evening Standard Best Musical award. Most recently he directed the revival of the Gate's production of Krapp's Last Tape starring John Hurt at the New Ambassador Theatre. His television work includes Alan Bleasdale's major series Jake's Progress, starring Robert Lindsay and Julie Walters, and a short film for Channel 4, Self Catering.

'Beckett burns images on your brain in the time it takes to make a sandwich.' – Robin Lefevre

Play (running time: 16 minutes)

Synopsis

Play was written in English in December 1963.

Three urns stand on the stage. From each, a head protrudes – a man and two women. The play tells the story of a love triangle, and each character narrates a bitter history and their role in it. On the stage, each head is provoked into speech by an spotlight. In the film, the camera takes the role of the spotlight.

'Adulterers, take warning, never admit.' – 'M', Play

Director

Anthony Minghella has written many stage plays, including Child's Play, Whale Music and Made in Bangkok. He was voted Most Promising Playwright in 1984 by the London Theatre Critics, who also gave Made in Bangkok the Best New Play award in 1986. His first film as a writer/director – Truly, Madly,

Deeply – was a great success both in Britain and in the US, winning several awards. The English Patient, which he adapted for the screen and directed, has won more than 30 awards, including nine Academy Awards, including Best Picture and Best Director, two Golden Globe awards and six BAFTAs. The Talented Mr Ripley, which Anthony adapted for the screen and directed, was nominated for five Academy Awards, including Best Adapted Screenplay, and for seven BAFTAs, including Best Film, Best Director and Best Adapted Screenplay.

'My unfinished doctoral thesis was on Beckett. Play was the first play I ever directed, in a double bill with Happy Days. There was a time, for five years, when I read Beckett almost on a daily basis. The sense of language and poetry in his writing has been the single biggest influence on me as a writer.' – Anthony Minghella

Rockaby (running time: 14 minutes)

Synopsis

In Rockaby, which was written in English in 1980, an old woman dressed in a black evening dress rocks herself in a rocking chair while listening to her own recorded voice. The story tells of the character's seeking for another 'a little like' herself, in the outside world. The search ends as all the blinds are drawn and complete darkness descends.

'so in the end close of a long day went down in the end went down'

Director

Richard Eyre was the artistic director of the Royal National Theatre from 1988 until 1997. During that period he directed Guys and Dolls, The Invention of Love; Richard III and Racing Demon, among others. He joined the BBC as producer of Play for Today in 1978. Productions included The Insurance Man (Tokyo World TV Festival Special Prize 1986); Tumbledown (RAI Prize, 1988; BAFTA Best Television Single Drama Award, 1989; Royal Television Society Award for Best Single Drama, 1989). His films include The Ploughman's Lunch (Evening Standard Film Award for Best Film, 1983) and Laughterhouse

(Venice Film Festival Award for Best Film, 1984).

Rough for Theatre I (running time: 20 minutes)

Synopsis

Written in French in the 1950s, Rough for Theatre I features a blind man ('A') and a physically disabled man ('B') who meet by chance and consider the possibility of joining forces to unite sight and mobility in the interests of survival. Each once had a woman and now has no one to help him. B is the pragmatist while A keeps asking questions. B is reticent, never seeming to have noticed these things. B becomes cranky, going as far as to strike A, but being crippled he also needs him. The play ends in uneasiness and latent violence.

'... It seems to me sometimes the earth must have got stuck, one sunless day, in the heart of winter, in the grey of evening ...' – 'A', Rough for Theatre I

Director

Dublin-born Kieron J Walsh's first film was his graduation film Goodbye Piccadilly, which was awarded three Fuji film scholarships. He then won a British Council scholarship to study film at the Royal College of Art, where he won numerous international prizes for his graduation film Bossanova Blues, including the Golden Square award for Best Graduation Film and a gold plaque at the Chicago Film Festival. Kieron has directed films for Working Title and the BBC and a half-hour drama written by Roddy Doyle for RTÉ. He also directed three episodes of the popular A Young Person's Guide to Becoming a Rock Star. His first feature film was the highly acclaimed When Brendan Met Trudy, written by Roddy Doyle.

'I was quite daunted at the prospect of filming one of the plays, but when I read Rough for Theatre I, I immediately saw the cinematic possibilities. It reminded me a little of Laurel and Hardy, so I shot it on location – "Street corner: day" – in black and white.' – Kieron Walsh

Rough for Theatre II (running time: 30 minutes)

Synopsis

In Rough for Theatre II, written in French in the 1950s, two men, 'A' and 'B', try to assess the life of 'C', who is standing motionless, with his back to the audience, ready to jump out of the window. A and B review his life with mass documentation as though he were not present. The documents are mainly quotations from C's acquaintances. A and B consider the flotsam and jetsam of C's life including his confessed 'morbid sensitivity to the opinions of others'. Distracted by the electric light and the love-birds they find in a cage, they do not appear to be giving their task due concentration. They finally decide to let him jump, only to discover he is already dead.

'Ah if I were only twenty years younger I'd put an end to my sufferings!' – 'C', Rough for Theatre II

Director

Award-winning director Katie Mitchell has worked with many of the UK's most renowned theatre companies. She directed the Royal Shakespeare Company productions of Uncle Vanya; Stars in the Morning Sky; Henry IV, and Phoenician Women, which earned her the 1996 Evening Standard Award for Best Director. For the Royal National Theatre she directed Rutherford and Son and The Machine Wreckers. She also directed Live like Pigs and The Country at the Royal Court Theatre. In 1996 she directed Endgame at the Donmar Warehouse, for which she received the Time Out Best Director Award.

'Beckett has that rare ability to capture our fleeting perceptions of the ridiculous and the despairing in a very taut form,' says Mitchell. 'We need a mirror to reflect our darker selves back to us and he is one of the few people who can do that. Film is an extraordinary medium which potentially allows you an increased palette with which to communicate this.'

That Time (running time: 20 minutes)

Synopsis

Similar to the formal experimentation of Play, That Time, written in English between 1974 and 1975, intercuts three monologues from three separate periods of time in the experience of one character. Only the Listener's face, surrounded by a shock of white hair, is visible. He is bombarded with three voices representing three different times in his past. Each voice, 'A', 'B', and 'C' recall separate stories. The pattern is precise, with each voice speaking four times during the course of each of three scenes, all of which are marked off by silences. The first and second scenes offer precise parallel patterns; the third offers a pattern repeated three times. Time and visions of nothingness burden each voice. At the end, the isolated head smiles at the prospect of happiness.

'That time you went back that last time to look was the ruin still there where you hid as a child that last time straight off the ferry …'

Director

Charles Garrad's sculptural and environmental work, which has been shown all around the world, is concerned with time, memory, the atmospheric qualities of places and the significance of objects. His direction credits include Time Passing, a six-part series for BBC 2. As a designer he has worked on many films, including The Serpent's Kiss, The Englishman Who Went Up a Hill but Came Down a Mountain and two films in the Beckett on Film project: Waiting for Godot and Act Without Words I. TV drama credits include the award-winning series Amongst Women.

'The choice of camera movements and the changes in picture size are subjective responses to the text. Audiences have said that they were able to see the thoughts in [the Listener's] mind as they watched, and I hope this is the reaction that we have managed to provoke with the film.'– Charles Garrad

Waiting for Godot (running time: 2 hours) in 2 parts

Waiting for Godot was written in French in 1949. In the first scene, two men, Vladimir and Estragon, wait on a lonely country road for an appointment with Godot. After a while Pozzo enters, leading Lucky on a rope. They talk. Godot fails to arrive. The second scene is a mirror image of the first. The Irish critic Vivian Mercier called Waiting for Godot a play in which 'nothing happens, twice'.

'Astride of a grave in a difficult birth. Down in the hole, lingeringly, the grave-digger puts on the forceps. We have time to grow old. The air is full of our cries. [He listens.] But habit is a great deadener.' – Vladimir, Waiting for Godot

Director

New Yorker Michael Lindsay-Hogg's film credits as director include Let it Be, Two of Us, Alone, Frankie Starlight, Running Mates, The Object of Beauty and The Strange Case of Dr Jekyll and Mr Hyde, amongst many others.

'[In Waiting for Godot] Beckett creates an amazing blend of comedy, high wit and an almost unbearable poignancy in a funny yet heartbreaking image of man's fate. With the camera, you can pick those moments and emphasise them, making Beckett's rare and extraordinary words all the more intimate.' – Michael Lindsay-Hogg

What Where (running time: 12 minutes)

Synopsis

In What Where, written in English in 1983, four characters appear at intervals, all dressed in the same long grey gown with the same long grey hair. Bam controls and interrogates the others, sending them off 'to confess' to an unnamed crime. A seasonal cycle from spring to winter passes in the course of the play, with Bam repeating the same questions and actions.

'Time passes. That is all. Make sense who may. I switch off.' – Bam, What Where

Director

Writer and director Damien O'Donnell is perhaps best known for his highly acclaimed 1999 feature-film East is East, which won the BAFTA award for Best British Film and was also the winner of PRIX MEDIA 2000. His previous film work includes: Chrono-Perambulator, a time-machine adventure spanning 400 years in 11 minutes, and Danger Doyle's Doo, a comedy set in the world of pigeon racing on the east coast of Scotland, written by Danny McCahon and screened as part of the Mind the Gap series on BBC Scotland. In 1995 Damien's short Thirty Five Aside, screened as part of The Talent short film festival on BBC2, won him a Best New Director award.

'There is a lot of menace in the play. What Where is about a brooding, palpable evil.' – Damien O'Donnell

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Coming...

2011-06-25T01:22:00.000-04:00

DmpstrBaby™ Goes to the Farm!
DmpstrBaby™ Gets a Cat!
DmpstrBaby™ Eats at a Chinese Buffet
DmpstrBaby™ Crosses the Street
DmpstrBaby™ Plays at the Public Pool
DmpstrBaby™ Talks with God.
DmpstrBaby™ Makes Dinner!

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[Movie] ララピポ Lala Pipo (Lots of People)

2011-06-23T17:45:00.000-04:00

Director:
Masayuki Miyano
Writer:
Tetsuya Nakashima
Cast:
Yuri Nakamura, Tomoko Murakami, Hiroki Narimiya, Takashi Yoshimura, Sarutoki Minegawa, Mari Hamada
Synopsis:

Written by Tetsuya Nakashima (MEMORIES OF MATSUKO, KAMIKAZE GIRLS) and shot in his candy-colored, hyper-surreal style, LALA PIPO is a crawl through the gutters of the porn industry in an desperate search for the hidden humanity of all the pimps, players, voyeurs, gangsters, hookers, A/V stars, and gangbang queens who make up the motley population of planet porno. Interweaving stories of the lost, the desperate, the horny and the repressed, LALA PIPO (a wordplay on "A lot of people,") ultimately finds hope in the darkest - and stickiest - places. - third window films

Download @ Demonoid.me
>>> Lala Pipo [DVDrip, Eng hardcoded subs]

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[TV] Vermilion Pleasure Night Vol. 1 & 2

2011-06-21T08:47:00.000-04:00

NSFW NSFW NSFW NSFW NSFW NSFW NSFW NSFW

I haven't done this in a long while for a few reason. 1, I haven't downloaded anything worth mentioning for a long time, 2 I wasn't in a blogging mood. Not that I really am now but this is definitely worth me spending a few minute to share it with the ignorant mass.

Space vixens and manic mannequins. Animation and claymation. J-pop music videos and violently desperate housewives. Sexy assassins and biker babes.

You've never seen or experiences anything like this rainbow-acid-hued, mind-tripped, sonic and sensual assault.

Tokyo pop (and Tokyo pop art) has made "Vermilion Pleasure Night" an international sensation. From the Tate Modern to MOMA, from college campuses to home computers, this sexy kaleidoscope has captured everyone's attention.

Yoshimasa Ishibashi is a film director, who made Kuruwasetaino, which won an award in 1999. He also performs under the group name Kyupi Kyupi. Ishibashi says his main influences are George Lucas and Walt Disney creators who can transplant their visions into a variety of formats. He once said in a interview that I cried at Disneyland because I was so amazed by Mr. Disney who inspired others to create his world, even after his death.

VPN is a late show in Japan sponsored by the big Osaka-based comedy agency Yoshimoto Kogyo, broadcast every Sunday on TV Tokyo, starting at 1 a.m. VPN is an omnibus show full of kitsch and black humor.

Download Vermilion Pleasure Night Vol. 1 & 2 @ Demonoid.me
>>> Vermilion Pleasure Night Vol. 1
>>> Vermilion Pleasure Night Vol. 2

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* Comment on 3 different post on this blog,
* Follow the blog (Blogger or NetworkedBlogs).
* Write in a comment that you want an invite and I'll send you one!

STABELIZEDJAPAN2

2011-06-20T13:14:00.000-04:00

reinerouge

2011-05-15T14:37:00.000-04:00

reinerouge.tv - Bande-Annonce from Olivier Sabino on Vimeo.

2011-05-14T12:34:00.000-04:00