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	<title>The Peabody Awards</title>
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	<link>https://peabodyawards.com</link>
	<description>Stories That Matter</description>
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	<url>https://peabodyawards.com/wp-content/uploads/2021/05/cropped-peabody-favicon-1-32x32.png</url>
	<title>The Peabody Awards</title>
	<link>https://peabodyawards.com</link>
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	<itunes:explicit>no</itunes:explicit><itunes:image href="http://www.peabodyawards.com/img/nopicture.png"/><itunes:keywords>peabodys,peabody,awards,peabody,winners,awarding,peabodys,news,entertainment,television</itunes:keywords><itunes:summary>The Peabody Awards exist to recognize when storytelling is done well in electronic media; when stories there matter.</itunes:summary><itunes:subtitle>Stories that Matter</itunes:subtitle><itunes:category text="TV &amp; Film"/><itunes:category text="News &amp; Politics"/><item>
		<title>Stories That Help Us Talk About Death</title>
		<link>https://peabodyawards.com/stories/stories-that-help-us-talk-about-death/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=stories-that-help-us-talk-about-death</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 10 Jul 2026 14:51:08 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21930</guid>

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										<content:encoded><![CDATA[<div id="fws_6a555faa74e48"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row top-level standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p>Death is often used for dramatic effect on scripted television, but rarely do we see the process and reality of facing death—particularly the decision to die deliberately on one’s own terms. America famously shies away from speaking directly about death while simultaneously wringing it for profit, as documented in Jessica Mitford’s 1963 book <em><a href="https://bookshop.org/p/books/the-american-way-of-death-revisited-jessica-mitford/36831bbe650bb16e?ean=9780679771869&amp;utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=%7Bcampaignname%7D&amp;utm_content=6443417794&amp;gad_source=1&amp;gad_campaignid=16235479093&amp;gbraid=0AAAAACfld42g54ttY5a5OOMCN52EOBnEh&amp;gclid=CjwKCAjwx7LSBhB3EiwAjcodxOWzHfJGqTemtgVUaGW7lQWS2Q6i3S6cpYmOPt6NINBa7WIEUUq18BoCEfwQAvD_BwE" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/the-american-way-of-death-revisited-jessica-mitford/36831bbe650bb16e?ean%3D9780679771869%26utm_source%3Dgoogle%26utm_medium%3Dcpc%26utm_campaign%3D%257Bcampaignname%257D%26utm_content%3D6443417794%26gad_source%3D1%26gad_campaignid%3D16235479093%26gbraid%3D0AAAAACfld42g54ttY5a5OOMCN52EOBnEh%26gclid%3DCjwKCAjwx7LSBhB3EiwAjcodxOWzHfJGqTemtgVUaGW7lQWS2Q6i3S6cpYmOPt6NINBa7WIEUUq18BoCEfwQAvD_BwE&amp;source=gmail&amp;ust=1783780486119000&amp;usg=AOvVaw13Pwy3VdhI4khgnvkvoJh9">The American Way of Death</a>, </em>an inspiration for the Peabody-winning drama <a href="https://peabodyawards.com/award-profile/six-feet-under/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/six-feet-under/&amp;source=gmail&amp;ust=1783780486119000&amp;usg=AOvVaw19yY5Rd4UCR6jviFbBhdKi"><em>Six Feet Under</em></a>, which was itself a pioneer in unflinching death depiction. But in recent years, other Peabody-recognized series have been tackling end-of-life preparation and decision-making with increasing reality, sophistication, and nuance. (Light spoilers ahead.)Death is often used for dramatic effect on scripted television, but rarely do we see the process and reality of facing death—particularly the decision to die deliberately on one’s own terms. America famously shies away from speaking directly about death while simultaneously wringing it for profit, as documented in Jessica Mitford’s 1963 book <em><a href="https://bookshop.org/p/books/the-american-way-of-death-revisited-jessica-mitford/36831bbe650bb16e?ean=9780679771869&amp;utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=%7Bcampaignname%7D&amp;utm_content=6443417794&amp;gad_source=1&amp;gad_campaignid=16235479093&amp;gbraid=0AAAAACfld42g54ttY5a5OOMCN52EOBnEh&amp;gclid=CjwKCAjwx7LSBhB3EiwAjcodxOWzHfJGqTemtgVUaGW7lQWS2Q6i3S6cpYmOPt6NINBa7WIEUUq18BoCEfwQAvD_BwE" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/the-american-way-of-death-revisited-jessica-mitford/36831bbe650bb16e?ean%3D9780679771869%26utm_source%3Dgoogle%26utm_medium%3Dcpc%26utm_campaign%3D%257Bcampaignname%257D%26utm_content%3D6443417794%26gad_source%3D1%26gad_campaignid%3D16235479093%26gbraid%3D0AAAAACfld42g54ttY5a5OOMCN52EOBnEh%26gclid%3DCjwKCAjwx7LSBhB3EiwAjcodxOWzHfJGqTemtgVUaGW7lQWS2Q6i3S6cpYmOPt6NINBa7WIEUUq18BoCEfwQAvD_BwE&amp;source=gmail&amp;ust=1783780486119000&amp;usg=AOvVaw13Pwy3VdhI4khgnvkvoJh9">The American Way of Death</a>, </em>an inspiration for the Peabody-winning drama <a href="https://peabodyawards.com/award-profile/six-feet-under/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/six-feet-under/&amp;source=gmail&amp;ust=1783780486119000&amp;usg=AOvVaw19yY5Rd4UCR6jviFbBhdKi"><em>Six Feet Under</em></a>, which was itself a pioneer in unflinching death depiction. But in recent years, other Peabody-recognized series have been tackling end-of-life preparation and decision-making with increasing reality, sophistication, and nuance. (Light spoilers ahead.)</p>
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		<h3><strong>&#8216;Come See Me in the Good Light&#8217;</strong></h3>
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		<p>In this documentary, director <strong>Ryan White</strong> tells the story of poet and activist <strong>Andrea Gibson</strong>, from their struggle with sexual and gender identity to their marriage to wife <strong>Megan Falley</strong> and their terminal ovarian cancer diagnosis in 2021. White&#8217;s cameras follow Gibson and Falley at their home in Colorado throughout 2024 as Gibson undergoes cancer treatment and care before her death in 2025. The film celebrates Gibson&#8217;s poetry as well as the couple&#8217;s humor, love, joy, and warmth in their waning time together.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://tv.apple.com/us/movie/come-see-me-in-the-good-light/umc.cmc.27uh51l7oh3ghql2gxb6xvb1s" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://tv.apple.com/us/movie/come-see-me-in-the-good-light/umc.cmc.27uh51l7oh3ghql2gxb6xvb1s&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw2tcCn4k16AFH3w37_vAgUN">Apple TV</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/come-see-me-in-the-good-light/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/come-see-me-in-the-good-light/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw0CvDA6gEKxAAIQ8SHVWjth"><em>Come See Me In The Good Light </em></a>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Dying for Sex&#8217;</strong></h3>
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            <img decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="837" width="1500" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/07/news-2.png" alt="Scene from &#039;Dying for Sex&#039;" srcset="https://peabodyawards.com/wp-content/uploads/2026/07/news-2.png 1500w, https://peabodyawards.com/wp-content/uploads/2026/07/news-2-300x167.png 300w, https://peabodyawards.com/wp-content/uploads/2026/07/news-2-768x429.png 768w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p><strong>Liz Meriwether</strong> and <strong>Kim Rosenstock</strong> adapted the real-life story of <strong>Molly Kochan</strong>, whose podcast documented her quest to face a terminal cancer diagnosis in her early 40s by leaving her husband and going on a sexual odyssey before her death. The TV series features <strong>Michelle Williams</strong> as Molly and <strong>Jenny Slate</strong> as her best friend and caretaker, Nikki, in stellar performances, with unflinching—and often very funny—depictions of Molly&#8217;s myriad sexual encounters. It also includes Molly&#8217;s increasingly assertive interactions with her doctor, Nikki&#8217;s frustrating attempts to navigate Molly&#8217;s health care, a touching relationship with a palliative care manager, and a breathtaking depiction of Molly&#8217;s death. It&#8217;s unlike anything ever seen on television before.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.disneyplus.com/browse/entity-423f6320-b55b-453b-a85f-dea05bd495d9" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.disneyplus.com/browse/entity-423f6320-b55b-453b-a85f-dea05bd495d9&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw3OJYzjOY4CjeZV5s3zvqkL">Disney+</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/dying-for-sex/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/dying-for-sex/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw0KK6LP9IFro5yAjpU1mK1e"><em>Dying for Sex </em></a>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Hacks&#8217;</strong></h3>
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		<p>The masterful comedy about an aging female comedian, Deborah Vance (<strong>Jean Smart</strong>), and her Gen Z writer, Ava (<strong>Hannah Einbinder</strong>), ended earlier this year with Deborah facing her mortality. The final season begins with the accidental reporting of her death, which gives her a glimpse at what her obituaries might say—and prompts her to change her narrative by planning to sell out Madison Square Garden. But after a grim cancer diagnosis, her impending death turns quite real, and she decides to <a href="https://finalexitnetwork.org/services/assisted-dying-in-switzerland/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://finalexitnetwork.org/services/assisted-dying-in-switzerland/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw23eqc-3Kz1St9N472OsGwK">go to Switzerland for a medically aided death</a> on her own terms. The final twist is worth watching.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://play.hbomax.com/show/67e940b7-aab2-46ce-a62b-c7308cde9de7" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/67e940b7-aab2-46ce-a62b-c7308cde9de7&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw1WMRb1vxfpH8CoPBU1dM3P">HBO Max</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/hacks/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/hacks/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw2MACNK-Z8OS94CAlpR_2mq"><em>Hacks</em></a> on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;The Pitt&#8217;</strong></h3>
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		<p>HBO Max&#8217;s breakout medical hit is known for its relentless pace and realistic portrait of an overtaxed emergency room, but it has repeatedly taken the time to craft careful storylines around end-of-life care. In the first season, the adult children of a patient with Alzheimer&#8217;s, who comes in with pneumonia and sepsis, decide to override his advance directive and do-not-resuscitate order. Harried attending Dr. Michael &#8220;Robby&#8221; Robinavitch (<strong>Noah Wyle</strong>) explains clearly and patiently that they are causing their father further pain, emphasizing that extending life is not always the best option. The second season features a young mother, Roxie Hamler (<strong>Brittany Allen</strong>), choosing how she wants to die—at home or in the hospital, with painkillers or not—despite what her family or doctors may say.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://play.hbomax.com/show/e6e7bad9-d48d-4434-b334-7c651ffc4bdf" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/e6e7bad9-d48d-4434-b334-7c651ffc4bdf&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw2IGXLWskM8-Z2P3mpXgMij">HBO Max</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/the-pitt/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-pitt/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw2lhtAb_duvf1qNV4P_TcWE"><em>The Pitt </em></a>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>Further Listening: <a href="https://peabodyawards.com/stories/podcast-dying-for-sex-liz-meriwether-kim-rosenstock-emily-nagoski/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/stories/podcast-dying-for-sex-liz-meriwether-kim-rosenstock-emily-nagoski/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw3A2FZheknkRtAOjqei8ZMp">&#8216;Dying for Sex&#8217; on &#8216;We Disrupt This Broadcast&#8217;</a></strong></h3>
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		<p>On this episode of our podcast collaboration with the Center for Media and Social Impact, <em>Dying for Sex</em> co-creators Meriwether and Rosenstock talk about cancer, caregiving, and women&#8217;s sexuality, while sex educator and researcher <strong>Emily Nagoski</strong> weighs in on the significance of Molly&#8217;s story.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://peabodyawards.com/stories/podcast-dying-for-sex-liz-meriwether-kim-rosenstock-emily-nagoski/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/stories/podcast-dying-for-sex-liz-meriwether-kim-rosenstock-emily-nagoski/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw3A2FZheknkRtAOjqei8ZMp">PeabodyAwards.com</a></strong></p>
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		<h3><em>Ryan White’s Peabody Acceptance for &#8216;Come See Me in the Good Light&#8217;</em></h3>
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		<p>&#8220;In an extraordinary act of vulnerability they both allowed us to capture our final year together,&#8221; White said of Gibson and Falley. &#8220;Andrea spent that year working on a poem about mortality that they called &#8216;Death Anthem,&#8217; and they eventually retitled it &#8216;Life Anthem.'&#8221;</p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/stories-that-help-us-talk-about-death/">Stories That Help Us Talk About Death</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Highlights from the 86th Ceremony</title>
		<link>https://peabodyawards.com/stories/highlights-from-the-86th-ceremony/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=highlights-from-the-86th-ceremony</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Mon, 29 Jun 2026 20:33:57 +0000</pubDate>
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		<title>‘Heated Rivalry’ and Other Prides of Pride Month</title>
		<link>https://peabodyawards.com/stories/heated-rivalry-other-prides-of-pride-month/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=heated-rivalry-other-prides-of-pride-month</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 26 Jun 2026 13:38:15 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21847</guid>

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										<content:encoded><![CDATA[<div id="fws_6a555faa80e0f"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p><em>Heated Rivalry </em>blazed into culture this winter and made history as a smash hit centering a romance—and explicit sexual relationship—between two male pro hockey players. The small Canadian production captivated American audiences with its depictions of consent, positive masculinity, and storybook endings for not one, but two, interrelated queer couples in a sport not normally known for its sensitivity and openness. As a result, <strong>Connor Storrie</strong>, who plays the gruff Russian Ilya Rozanov, and <strong>Hudson Williams</strong>, who plays the sensitive Shane Hollander, have become international superstars, showing up everywhere from <em>Saturday Night Live </em>to the Met Gala carpet. For Pride month, here’s a closer look at <em>Heated Rivalry </em>and other Peabody-recognized LGBTQ stories.</p>
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		<h3><strong>A Moment from &#8216;Heated Rivalry&#8217;</strong></h3>
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			<div class="wpb_video_wrapper"><iframe loading="lazy" title="&quot;I am always wishing that these women were him.&quot; | Heated Rivalry" width="563" height="1000" src="https://www.youtube.com/embed/Gt1RXhfhLiI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
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		<h3><strong>&#8216;Heated Rivalry&#8217;</strong></h3>
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		<p><strong>Jacob Tierney</strong> adapted <strong>Rachel Reid</strong>&#8216;s bestselling book series into a crowd-pleaser for the ages that has given new meaning to &#8220;I&#8217;m coming to the cottage.&#8221; While a sexy, gay hockey romance starring two unknown actors did not sound like a sure thing for American television, it turned out to be just what we all needed. It&#8217;s also quietly subversive, spotlighting not only a queer relationship that doesn&#8217;t end in tragedy, but also sex as genuine connection, men working through their feelings together, sports&#8217; inherent homophobia, the pressures of fame, and autism as a fact of Shane&#8217;s character. Its impact is likely to reverberate through programming executives&#8217; choices for years to come.</p>
<p dir="ltr"><strong id="m_-2493458675288154843docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.hbomax.com/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.hbomax.com/&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw0lsYcFGMeTsHtWZ7y2EGbm">HBO Max</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/heated-rivalry/?awardsearch=decade%3D2020%26cat%255B0%255D%3Dentertainment" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/heated-rivalry/?awardsearch%3Ddecade%253D2020%2526cat%25255B0%25255D%253Dentertainment&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw3PFP-sZ3n4m13Fdhc0i28y"><em>Heated Rivalry</em></a> on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Mr. Loverman&#8217;</strong></h3>
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		<p>This British series, based on a novel by <strong>Bernardine Evaristo</strong>, stars the suave and dapper <strong>Lennie James</strong> as Barrington Jedidiah Walker, an Antiguan-British man whose marriage ends with the revelation that he&#8217;s been having a decades-long affair with his male best friend. Adapted for television by <strong>Nathaniel Price</strong>, <a href="https://peabodyawards.com/award-profile/mr-loverman/"><em>Mr. Loverman</em></a> explores the complications of coming out as a septuagenarian and finding true self-acceptance late in life in a story that is at turns both moving and funny.</p>
<p dir="ltr"><strong id="m_-2493458675288154843docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.amazon.com/Mr-Loverman-Season-1/dp/B0F88K9288" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.amazon.com/Mr-Loverman-Season-1/dp/B0F88K9288&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw0MeChmsolmC0tZiJVlklQy">Amazon</a></strong></p>
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		<h3><strong>&#8216;Invisible Boys&#8217;</strong></h3>
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		<p><strong>Nicholas Verso</strong>&#8216;s <a href="https://peabodyawards.com/award-profile/invisible-boys/">adaptation of <strong>Holden Sheppard</strong>&#8216;s novel</a> follows a group of gay teens in Western Australia as they struggle with their identities against the backdrop of the 2017 national postal survey on same-sex marriage legalization. It begins with the outing of the rebellious Charlie (<strong>Joseph Zada</strong>) on social media after an encounter with a married man. And as the boys band together to deal with social pressures, we learn about Zeke (<strong>Aydan Calafiore</strong>), who is from a strict Sicilian Catholic family; Hammer (<strong>Zach Blampied</strong>), a popular soccer player; and Matt (<strong>Joe Klocek</strong>), a responsible farm boy. The result is gritty, messy, real, and raw.</p>
<p dir="ltr"><strong id="m_-2493458675288154843docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.stan.com.au/watch/invisible-boys" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.stan.com.au/watch/invisible-boys&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw27eZa-0h_OsIngzJ85b9U-">Stan</a></strong></p>
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		<h3><strong id="m_-2493458675288154843docs-internal-guid-91310bf7-7fff-b668-a9b8-f96d02974d7c">Further Reading: The Books These Shows Are Based On</strong></h3>
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<p><em>Heated Rivalry</em> by Rachel Reid: <a href="https://bookshop.org/p/books/heated-rivalry-rachel-reid/82a2b8a1e28196b4?ean=9781335534637&amp;next=t&amp;utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=%7Bcampaignname%7D&amp;gad_source=1&amp;gad_campaignid=23023792941&amp;gbraid=0AAAAACfld43FIGPKT7ADEsogRORCTJ0hr&amp;gclid=CjwKCAjw3ejRBhAdEiwADkqPnwRl-D5EtZmZsCMsuVBps2DTPOabdMzwFPEriDZoAqnv2UuktueBLxoC72gQAvD_BwE" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/heated-rivalry-rachel-reid/82a2b8a1e28196b4?ean%3D9781335534637%26next%3Dt%26utm_source%3Dgoogle%26utm_medium%3Dcpc%26utm_campaign%3D%257Bcampaignname%257D%26gad_source%3D1%26gad_campaignid%3D23023792941%26gbraid%3D0AAAAACfld43FIGPKT7ADEsogRORCTJ0hr%26gclid%3DCjwKCAjw3ejRBhAdEiwADkqPnwRl-D5EtZmZsCMsuVBps2DTPOabdMzwFPEriDZoAqnv2UuktueBLxoC72gQAvD_BwE&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw30T9NZd7mGdjRbxnwG-K-w"><strong>Bookshop.org</strong></a></p>
<p><em>Mr. Loverman</em> by Bernardine Evaristo: <a href="https://bookshop.org/p/books/mr-loverman-bernardine-evaristo/e599690623af6695?ean=9780802165244&amp;next=t" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/mr-loverman-bernardine-evaristo/e599690623af6695?ean%3D9780802165244%26next%3Dt&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw0qFk-lkHd_IjAsELuKRqTJ"><strong>Bookshop.org</strong></a></p>
<p><em>Invisible Boys</em> by Holden Sheppard: <a href="https://bookshop.org/p/books/invisible-boys-holden-sheppard/bbb0bffbd25f12b5?ean=9781925815573&amp;next=t" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/invisible-boys-holden-sheppard/bbb0bffbd25f12b5?ean%3D9781925815573%26next%3Dt&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw0agBz0tzB26QK44iqnRKUL"><strong>Bookshop.org</strong></a></p>
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		<h3><em>Francois Arnaud’s Peabody Acceptance for &#8216;Heated Rivalry&#8217;</em></h3>
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		<p>Actor <strong>Francois Arnaud</strong>, who plays seasoned hockey player Scott Hunter, said, &#8220;<span style="color: #696969; font-family: arial, helvetica neue, helvetica, sans-serif;">T</span>he heart of the show is built on celebration and happiness and love. And because of that it isn&#8217;t surprising to us at all that audiences worldwide have responded passionately to it and have embraced the series. People crave that warmth and they see themselves reflected in it.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://www.youtube.com/watch?v=BTdnA6EOyrU&amp;list=PL4pX-h72NWxh09fa_xlQoSIbElzDhXKz2&amp;index=18" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DBTdnA6EOyrU%26list%3DPL4pX-h72NWxh09fa_xlQoSIbElzDhXKz2%26index%3D18&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw2uxoX5BVr2cmo-4i-b9QJv">Peabody Awards on YouTube</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/heated-rivalry-other-prides-of-pride-month/">‘Heated Rivalry’ and Other Prides of Pride Month</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Highlights from the 86th Annual Peabody Awards</title>
		<link>https://peabodyawards.com/stories/highlights-from-the-86th-annual-peabody-awards/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=highlights-from-the-86th-annual-peabody-awards</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Wed, 17 Jun 2026 19:12:59 +0000</pubDate>
				<category><![CDATA[Past Ceremonies]]></category>
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		<title>Music, Race, and Rebellion</title>
		<link>https://peabodyawards.com/stories/music-race-rebellion/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=music-race-rebellion</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 29 May 2026 13:03:51 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21689</guid>

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										<content:encoded><![CDATA[<div id="fws_6a555faa8c1c7"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p>Music has long served as a tool of rebellion for people of color. Particularly in America, where <a href="https://vincedixonportfolio.com/app/black-music-history/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://vincedixonportfolio.com/app/black-music-history/&amp;source=gmail&amp;ust=1780145073877000&amp;usg=AOvVaw2BDdxveP5c0alz19uVmXuv">nearly every music genre originated in Black culture</a>, the entertainment industry insisted on segregation from the start, first giving us minstrelsy and then the false construct of pitting “race records” against “hillbilly music.” But in Africa, too, where many enslaved Americans’ musical traditions originated, music has also often provided a method of joyous response to oppression. Several Peabody-recognized works have explored these intersections, illuminating the work of <strong>Sly and the Family Stone</strong>, <strong>Fela Kuti,</strong> <strong>Beyoncé</strong>, <strong>Lin-Manuel Miranda</strong>, and more.</p>
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		<h3><strong>&#8216;Fela Kuti: Fear No Man&#8217;</strong></h3>
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		<p>Podcast host <strong>Jad Abumrad</strong> explores the life and work of Nigerian Afrobeat pioneer Fela Kuti through 12 audio episodes. We learn about the artist&#8217;s philosophy that art can be weaponized against oppressive regimes; his club in Lagos, The Shrine, that serves as the center of his countercultural movement; and his group&#8217;s sometimes violent confrontations with the Nigerian government. Throughout the series, influential figures such as <strong>Burna Boy</strong>, <strong>Paul McCartney</strong>, <strong>Questlove</strong>, and <strong>Barack Obama</strong> reflect on Fela&#8217;s far-reaching influence and impact.</p>
<p dir="ltr"><strong id="m_-2522337977993583637docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://podcasts.apple.com/us/podcast/fela-kuti-fear-no-man/id1835735529" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://podcasts.apple.com/us/podcast/fela-kuti-fear-no-man/id1835735529&amp;source=gmail&amp;ust=1780145073877000&amp;usg=AOvVaw3NlH65nSySq0s2oDKw8pCI">Apple Podcasts</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/fela-kuti-fear-no-man/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/fela-kuti-fear-no-man/&amp;source=gmail&amp;ust=1780145073877000&amp;usg=AOvVaw21HzVEhILi4uZgmkRphU78"><em>Fela Kuti </em></a>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Sly Lives! (aka The Burden of Black Genius)&#8217;</strong></h3>
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		<p>In this documentary, director Ahmir &#8220;Questlove&#8221; Thompson illuminates the life, career, and legacy of &#8217;60s and &#8217;70s funk and soul band Sly and the Family Stone while also exploring the larger question of what it means to be a Black genius in America. To do so, he interviews a killer lineup of talking heads, including <strong>Andre 3000</strong>, <strong>D&#8217;Angelo</strong>, <strong>Chaka Khan</strong>, <strong>Q-Tip</strong>, <strong>Nile Rodgers</strong>, <strong>Jimmy Jam and Terry Lewis</strong>, and <strong>George Clinton</strong>. It&#8217;s the rare biographical documentary that manages to celebrate its subject (that is, largely, bandleader <strong>Sly Stone</strong>) while still looking unflinchingly at his flaws—and identifying the social forces behind those flaws.</p>
<p dir="ltr"><strong id="m_-2522337977993583637docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.disneyplus.com/browse/entity-98d14eec-caa7-4974-ba2e-ad34a17d6f8f" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.disneyplus.com/browse/entity-98d14eec-caa7-4974-ba2e-ad34a17d6f8f&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw1oR_CQaaipowX0SX4I4rK8">Disney+</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/sly-lives-the-burden-of-black-genius/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/sly-lives-the-burden-of-black-genius/&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw3iAx5v6mV90_sblQ7DI0DB"><em>Sly Lives! (aka The Burden of Black Genius)</em></a><em> </em>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Great Performances: Hamilton&#8217;s America&#8217;</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="978" width="1500" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/05/hamilton.png" alt="Hamilton" srcset="https://peabodyawards.com/wp-content/uploads/2026/05/hamilton.png 1500w, https://peabodyawards.com/wp-content/uploads/2026/05/hamilton-300x196.png 300w, https://peabodyawards.com/wp-content/uploads/2026/05/hamilton-768x501.png 768w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p><span id="m_-2522337977993583637docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">This PBS film documents the history of and creative process behind Lin-Manuel Miranda&#8217;s Broadway sensation <em>Hamilton</em>. Director <strong>Alex Horwitz</strong> was shooting Miranda and the musical&#8217;s director, <strong>Thomas Kail</strong>, starting in 2013, when the show was still in its developmental stages, and continued to film until it became a massive Broadway hit and cultural phenomenon because of its diverse, color-blind casting of America&#8217;s Founding Fathers and its use of modern musical styles, namely rap and R&amp;B. The result is an intimate, behind-the-scenes document of history in the making—about history in the making.</span></p>
<p><strong>Where to Watch: <a href="https://www.pbs.org/wnet/gperf/hamiltons-america-documentary/5048/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.pbs.org/wnet/gperf/hamiltons-america-documentary/5048/&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw0mxI117xypnHVE-gyLX2Dq">PBS.org</a></strong></p>
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		<h3><strong>&#8216;Lemonade&#8217;</strong></h3>
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		<p>Beyoncé&#8217;s 2016 masterpiece visual album tells a story of marital betrayal and reconciliation, equating it with the larger struggle of Black women in America. Beyoncé&#8217;s no-holds-barred lyric-writing—and, let&#8217;s face it, her willingness to leverage her famous marriage to <strong>Jay-Z</strong>—made the music a shockingly vulnerable listen. But the visuals take it to another level, referencing slavery sites, Yoruba body paint, the Santeria religion, and New Orleans culture. (That is, along with the iconic image of Beyoncé smashing up cars in that yellow Roberto Cavalli dress.) Since <em>Lemonade</em>&#8216;s release ten years ago, Beyoncé has continued the project of tying her music to African and Black American history with 2020&#8217;s <em>Black Is King</em>, 2022&#8217;s <em>Renaissance</em>, and 2024&#8217;s <em>Cowboy Carter</em>. We are, incidentally, about due to learn what her next album will be.</p>
<p dir="ltr"><strong id="m_-2522337977993583637docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://music.apple.com/us/music-video/lemonade-film/1460473545" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://music.apple.com/us/music-video/lemonade-film/1460473545&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw3K9_qfbxFsGTf0lq_lrr-K">Apple Music</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/lemonade/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/lemonade/&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw2nTNSmflbWTvdNIwPn6wbn"><em>Lemonade</em></a><em> </em>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Mavis!&#8217;</strong></h3>
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		<p><strong>Jessica Edwards</strong>&#8216; 2015 documentary film follows soul legend and civil rights activist <strong>Mavis Staples</strong>—who continues to perform to this day—to tell her story, from &#8217;60s freedom songs and &#8217;70s hits like &#8220;I&#8217;ll Take You There&#8221; to collaborations with artists as diverse as <strong>Prince</strong> and <strong>Jeff Tweedy</strong>. Staples&#8217; spirit shines through live performances and rare archival footage, while <strong>Bob Dylan</strong>, <strong>Bonnie Raitt</strong>, <strong>Levon Helm</strong>, <strong>Chuck D.</strong>, and others testify to her influence. <em>Variety</em> critic Joe Leydon <a href="https://variety.com/2015/film/festivals/mavis-review-1201462996/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://variety.com/2015/film/festivals/mavis-review-1201462996/&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw1XA9P61ZefMQ7bmNTgAUf9">called it</a> &#8220;a spirited and captivating bio-doc that richly deserves the exclamation point in its title.&#8221;</p>
<p dir="ltr"><strong id="m_-2522337977993583637docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.mavisfilm.com/watch" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.mavisfilm.com/watch&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw1LssvKubGqp12GDBZht809">MavisFilm.com</a><br />
Explore More <em><a href="https://peabodyawards.com/award-profile/mavis/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/mavis/&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw2VTd_AD95OuNmGgGziuV1p">Mavis!</a> </em>on Peabody&#8217;s Website</strong></p>
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		<h3><em>Executive Producer Steve Pamon’s Peabody Acceptance for &#8216;Lemonade&#8217;</em></h3>
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		<p>&#8220;We&#8217;ve been up for a lot of awards, but I have to say we&#8217;re truly honored and humbled because this award is about storytelling and the craft. &#8230; Quite candidly, what <em>Lemonade</em> proved to all of us is that the more specific you become, the more universal you are.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://peabodyawards.com/award-profile/lemonade/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/lemonade/&amp;source=gmail&amp;ust=1780145073878000&amp;usg=AOvVaw2nTNSmflbWTvdNIwPn6wbn">PeabodyAwards.com</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/music-race-rebellion/">Music, Race, and Rebellion</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Stories of Fighting Fascism</title>
		<link>https://peabodyawards.com/stories/stories-of-fighting-fascism/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=stories-of-fighting-fascism</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Thu, 14 May 2026 23:29:27 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21643</guid>

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										<content:encoded><![CDATA[<div id="fws_6a555faa963d0"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p>Since World War II, anti-fascism has permeated many of our mainstream narratives, from the audacity of Charlie Chaplin’s masterpiece <em>The Great Dictator</em> to <em>Cabaret, Casablanca, </em>and <em>The Sound of Music. </em>In the last few years, fighting for freedom from overbearing rulers has powered the plots of not only critically beloved TV series such as <em>Andor </em>(see below), but also glitzy family fare like <em>KPop Demon Hunters </em>and the <em>Wicked </em>films. Here, three of the best recent fiction and nonfiction stories about pushing back against authoritarian forces, all of them Peabody winners this year.</p>
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		<h3><strong>&#8216;Andor&#8217;</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="1220" width="2176" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/05/andor.png" alt="Andor" srcset="https://peabodyawards.com/wp-content/uploads/2026/05/andor.png 2176w, https://peabodyawards.com/wp-content/uploads/2026/05/andor-300x168.png 300w, https://peabodyawards.com/wp-content/uploads/2026/05/andor-768x431.png 768w, https://peabodyawards.com/wp-content/uploads/2026/05/andor-1536x861.png 1536w, https://peabodyawards.com/wp-content/uploads/2026/05/andor-2048x1148.png 2048w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>In this two-season television prequel to the <em>Star Wars</em> films, an ordinary thief, Cassian Andor (<strong>Diego Luna</strong>) is radicalized against the fascist Galactic Empire and becomes a spy for the rebellion. Created by <strong>Tony Gilroy</strong>, both seasons won Peabodys for their portrayal of the ways that regular people are called to fight forces that can seem overwhelming, but also unquestionably wrong. It&#8217;s a rare example of a major Hollywood franchise using its powers not only for good, but for complicated, interesting, daring good, drawing on collective knowledge of the <em>Star Wars</em> universe to underscore an important and relevant story.</p>
<p dir="ltr"><strong id="m_863876271855025254docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.disneyplus.com/browse/entity-faba988a-a9f5-45f2-a074-0775a7d6f67a?distributionPartner=google" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.disneyplus.com/browse/entity-faba988a-a9f5-45f2-a074-0775a7d6f67a?distributionPartner%3Dgoogle&amp;source=gmail&amp;ust=1778887165660000&amp;usg=AOvVaw1YrTAo4ERnEYGGul7La8-v">Disney+</a><br />
Explore More <em>Andor</em> on <a href="https://peabodyawards.com/award-profile/andor-2025/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/andor-2025/&amp;source=gmail&amp;ust=1778887165660000&amp;usg=AOvVaw33zNzsR4TixE-Jgs6GRfkQ">Peabody&#8217;s Website</a></strong></p>
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		<h3><strong>&#8216;Mr. Nobody Against Putin&#8217;</strong></h3>
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		<p><strong>Pavel Talankin</strong> worked as a videographer and events coordinator at a Russian primary school for a few years after the country&#8217;s 2022 invasion of Ukraine, allowing him to document his and the school&#8217;s activities as they were required to stage &#8220;patriotic displays&#8221; and employ a state-approved curriculum that justified the war to students. Working with director <strong>David Borenstein</strong>, Talankin provides a powerful portrait of everyday life inside Russia and his own acts of resistance, like disrupting a flag-raising ceremony by playing Lady Gaga&#8217;s recording of &#8220;The Star-Spangled Banner.&#8221; His ultimate show of defiance, however, is the film itself, released after Borenstein helped Talankin escape Russia with his footage and gain asylum in Europe when evidence emerged that police were surveilling his home.</p>
<p dir="ltr"><strong id="m_863876271855025254docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://tv.apple.com/us/movie/mr-nobody-against-putin/umc.cmc.6plxlq8ov87nt0hd9msvqo96c" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://tv.apple.com/us/movie/mr-nobody-against-putin/umc.cmc.6plxlq8ov87nt0hd9msvqo96c&amp;source=gmail&amp;ust=1778887165661000&amp;usg=AOvVaw0CGXnLme8BpHTJhD48UMk5">Apple TV</a><br />
Explore More <em>Mr. Nobody Against Putin</em> on <a href="https://peabodyawards.com/award-profile/mr-nobody-against-putin/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/mr-nobody-against-putin/&amp;source=gmail&amp;ust=1778887165661000&amp;usg=AOvVaw1FArxyNinO7CBCp20vKoS_">Peabody&#8217;s Website</a></strong></p>
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		<h3><strong>&#8216;Mussolini: Son of the Century&#8217;</strong></h3>
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		<p>This eight-episode historical drama, directed by <strong>Joe Wright</strong> and based on <strong>Antonio Scurati</strong>&#8216;s 2018 novel, stars <strong>Luca Marinelli</strong> as Benito Mussolini during his rise in the 1920s. Wright focuses his knack for bringing history to vibrant and relevant life on the story of how a man becomes a history-warping dictator. Mussolini&#8217;s rock-star appeal is dramatized in postmodern pastiche, with direct-to-camera address, puppets, modern songs, and rallies that play more like fan-filled concerts. As Marinelli pointedly promises to &#8220;make Italy great again,&#8221; he also ties the character to the longer arc of history.</p>
<p dir="ltr"><strong id="m_863876271855025254docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://mubi.com/en/us/series/mussolini-son-of-the-century" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://mubi.com/en/us/series/mussolini-son-of-the-century&amp;source=gmail&amp;ust=1778887165661000&amp;usg=AOvVaw0TLTov1J3hr6IOFOou297V">MUBI</a><br />
Explore More <em>Mussolini: Son of the Century</em> on <a href="https://peabodyawards.com/award-profile/mussolini-son-of-the-century/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/mussolini-son-of-the-century/&amp;source=gmail&amp;ust=1778887165661000&amp;usg=AOvVaw1BvJcNMc92Dv-iPcsesZz8">Peabody&#8217;s Website</a></strong></p>
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		<h3><em>Mussolini: Son of the Century Trailer</em></h3>
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			<div class="wpb_video_wrapper"><iframe loading="lazy" title="MUSSOLINI: SON OF THE CENTURY | Official Trailer | Now Streaming on MUBI" width="1080" height="608" src="https://www.youtube.com/embed/F_iRg076H6g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
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		<h3><strong>Further Listening: <a href="https://peabodyawards.com/stories/andor-tony-gilroy/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/stories/andor-tony-gilroy/&amp;source=gmail&amp;ust=1778887165661000&amp;usg=AOvVaw32yjdDOK-b2PbTBqZV2gt_">Andor: </a><a href="https://peabodyawards.com/stories/andor-tony-gilroy/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/stories/andor-tony-gilroy/&amp;source=gmail&amp;ust=1778887165661000&amp;usg=AOvVaw32yjdDOK-b2PbTBqZV2gt_">Tony Gilroy on Oppressive Regimes and Popular Revolutions</a></strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="980" width="1242" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/05/tony.png" alt="We Disrupt This Broadcast, Tony Gilroy" srcset="https://peabodyawards.com/wp-content/uploads/2026/05/tony.png 1242w, https://peabodyawards.com/wp-content/uploads/2026/05/tony-300x237.png 300w, https://peabodyawards.com/wp-content/uploads/2026/05/tony-768x606.png 768w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p><em>We Disrupt This Broadcast</em>, our podcast in partnership with the Center for Media and Social Impact, features an interview with <em>Andor</em> creator Gilroy, in which he talks about how revolutions are born, what makes someone join, and how real history informed the series.</p>
<p dir="ltr"><strong id="m_863876271855025254docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://peabodyawards.com/stories/andor-tony-gilroy/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/stories/andor-tony-gilroy/&amp;source=gmail&amp;ust=1778887165661000&amp;usg=AOvVaw32yjdDOK-b2PbTBqZV2gt_">PeabodyAwards.com</a></strong></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/stories-of-fighting-fascism/">Stories of Fighting Fascism</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Culture’s Most Fascinating People</title>
		<link>https://peabodyawards.com/stories/cultures-most-fascinating-people/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=cultures-most-fascinating-people</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 01 May 2026 15:06:56 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21606</guid>

					<description/>
										<content:encoded><![CDATA[<div id="fws_6a555faa9f2ca"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p>When <strong>Barbara Walters</strong> was at the peak of her powers, she hosted an annual special called the <em>10 Most Fascinating People</em>, naming those she felt had most shifted the culture that year, from politicians to royalty, sports figures to authors, tech titans to TV personalities. We no longer have Walters to bring us inside fascinating lives, but last year did bring an exceptional crop of documentaries about people who have shaped culture, including Walters herself, as well as <strong>Pee-wee Herman</strong>, <strong>Martin Scorsese</strong>, and more. These documentaries balance access to their subjects with clear-eyed views of their faults, tell difficult histories through their life stories, and show us what it takes to truly change culture.</p>
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		<h3><strong>&#8216;Pee-wee as Himself&#8217;</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="997" width="1500" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/04/pee-wee.png" alt="Pee-wee as Himself" srcset="https://peabodyawards.com/wp-content/uploads/2026/04/pee-wee.png 1500w, https://peabodyawards.com/wp-content/uploads/2026/04/pee-wee-300x199.png 300w, https://peabodyawards.com/wp-content/uploads/2026/04/pee-wee-768x510.png 768w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>Performer <strong>Paul Reubens</strong> created Pee-wee Herman, the campy character of a child-like nerd in an adult&#8217;s body that became so successful—as the star of a visionary children&#8217;s show and films—that it devoured his own identity. This two-part HBO series contains his last interviews, and he died of cancer before production was complete. The complication: Reubens hadn&#8217;t disclosed his condition, which he&#8217;d been battling for several years, and his death came before filmmaker <strong>Matt Wolf </strong>could interview him about the most contentious part of his story, his arrests on indecent exposure and child pornography charges. (He denied the latter.) The other complication: We witness Reubens several times throughout the series arguing with Wolf or trying to redirect questioning. The result is a fascinatingly barbed portrait of someone who was used to directing his own image, even if he didn&#8217;t always succeed.</p>
<p dir="ltr"><strong id="m_-2550615448781539687docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.hbomax.com/shows/pee-wee-as-himself/284e1634-0dda-4b42-bafb-de090ade6c5d" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.hbomax.com/shows/pee-wee-as-himself/284e1634-0dda-4b42-bafb-de090ade6c5d&amp;source=gmail&amp;ust=1777731295874000&amp;usg=AOvVaw2QOOcDeAYQbTDwiOS5Y1Nx">HBO Max</a><br />
Explore More <em>Pee-wee as Himself</em> on <a href="https://peabodyawards.com/award-profile/pee-wee-as-himself/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/pee-wee-as-himself/&amp;source=gmail&amp;ust=1777731295874000&amp;usg=AOvVaw03P0UvEspEUJh-DkirJuR3">Peabody&#8217;s Website</a></strong></p>
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		<h3><strong>&#8216;Art Spiegelman: Disaster Is My Muse&#8217;</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="668" width="1198" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/04/art-sp.png" alt="Art Spiegelman: Disaster Is My Muse" srcset="https://peabodyawards.com/wp-content/uploads/2026/04/art-sp.png 1198w, https://peabodyawards.com/wp-content/uploads/2026/04/art-sp-300x167.png 300w, https://peabodyawards.com/wp-content/uploads/2026/04/art-sp-768x428.png 768w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>This installment of <em>PBS’s American Masters</em> features revolutionary cartoonist <strong>Art Spiegelman</strong>, telling the intertwined stories of his art and his life, culminating in his Pulitzer Prize–winning masterpiece <em>Maus</em>. The graphic novel, serialized from 1980 to 1991, dramatizes his inquiry into his father’s survival of the Holocaust and how it shaped their relationship and Spiegelman’s own identity as an interlocutor of Holocaust remembrance.  While the series (and eventual books) propelled Spiegelman to popular fame, he was already a revolutionary comix creator, alongside Robert Crumb, of 1960s counterculture, through magazines such as <em>Raw</em>. With generous access to Spiegelman and his works—and, critically, to his partner and wife, designer Françoise Mouly—the film details the artist’s struggles with fame, his search for material, and his latest life’s chapter: fighting book bans as <em>Maus</em> became a target.</p>
<p dir="ltr"><strong id="m_-2550615448781539687docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.pbs.org/wnet/americanmasters/art-spiegelman-documentary/35215/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.pbs.org/wnet/americanmasters/art-spiegelman-documentary/35215/&amp;source=gmail&amp;ust=1777731295874000&amp;usg=AOvVaw1dS1_lPxj-FWES7P23sRCr">PBS</a></strong></p>
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		<h3><strong>&#8216;Barbara Walters: Tell Me Everything&#8217;</strong></h3>
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		<p>This 90-minute film traces Walters&#8217; rise from pigeonholed &#8220;women&#8217;s-interest&#8221; reporter to boundary-shattering co-host of the <em>Today</em> show, co-anchor of the evening news, and powerhouse interviewer of dictators and celebrities alike. Through archival material—including outtakes from Walters&#8217; famous interviews—and interviews with colleagues, friends, and heirs to her legacy, it weaves a complex tale. We learn why Walters was the best at what she did, but also glimpse her attraction to power, whether through her affair with a married senator or a friendship with the abominable Roy Cohn. We also realize that Walters, who died in 2022, is a relic of a time in television that we&#8217;ll never see again.</p>
<p dir="ltr"><strong id="m_-2550615448781539687docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.disneyplus.com/browse/entity-b51ead94-03b6-4873-9e9f-9d2e3056dc0d?distributionPartner=google" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.disneyplus.com/browse/entity-b51ead94-03b6-4873-9e9f-9d2e3056dc0d?distributionPartner%3Dgoogle&amp;source=gmail&amp;ust=1777731295874000&amp;usg=AOvVaw27stlt8uu8DSrb22NeQzmc">Disney+</a></strong></p>
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		<h3><strong>&#8216;Mr. Scorsese&#8217;</strong></h3>
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		<p>Martin Scorsese has made so many films that are now considered great that it can be hard not to see him as simply the wallpaper of American movie life, a fact of nature. But <strong>Rebecca Miller</strong>&#8216;s five-part documentary series on the director plays like a great American novel: An asthmatic boy from the hardscrabble streets of New York, surrounded by Italian-immigrant tough guys and their descendants, becomes a keen observer in his youth, then turns his observations into daring films unlike anyone has seen before. He is at first misunderstood, but perseveres in his vision, with the help of some crucial collaborators—not only actors <strong>Robert DeNiro</strong> and <strong>Leonardo DiCaprio</strong>, but also longtime editor <strong>Thelma Schoonmaker</strong>. The picture isn&#8217;t always perfect, but Scorsese himself is upfront about his personal shortcomings, including a temper problem and inattention to his earlier marriages. The series plays as rivetingly as a Scorsese film, and what other documentary is going to get DiCaprio and <strong>Daniel Day-Lewis</strong> as talking heads?</p>
<p dir="ltr"><strong id="m_-2550615448781539687docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://tv.apple.com/us/show/mr-scorsese/umc.cmc.4a06j5lm5pxny9nx505zo5g0y" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://tv.apple.com/us/show/mr-scorsese/umc.cmc.4a06j5lm5pxny9nx505zo5g0y&amp;source=gmail&amp;ust=1777731295874000&amp;usg=AOvVaw0Ogg0-2ofIpAdQrmGNNAW8">Apple TV</a></strong></p>
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		<h3><strong>&#8216;Sunday Best: The Untold Story of Ed Sullivan&#8217;</strong></h3>
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		<p>Director <strong>Sacha Jenkins</strong> brings this crucial chapter of television history to light, showing how the powerful variety show host <strong>Ed Sullivan</strong> came to be a key champion for Black performers during the Jim Crow and Civil Rights eras. The newspaper columnist-turned-unlikely TV personality understood the importance of his allyship, given his massive platform. While he&#8217;s famous for introducing the Beatles and Elvis to mainstream audiences, he also featured—and fought for—the likes of Bo Diddley, James Brown, Ike and Tina Turner, Harry Belafonte, Nina Simone, Mahalia Jackson, and The Supremes. Not only is this an important story, it also features generous selections from these electrifying performances—and while you watch, note how Sullivan is always careful to shake hands with or physically embrace his guests of color, a powerfully symbolic gesture.</p>
<p dir="ltr"><strong id="m_-2550615448781539687docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.netflix.com/title/82048609" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.netflix.com/title/82048609&amp;source=gmail&amp;ust=1777731295874000&amp;usg=AOvVaw28SAvrVRyhuNQXatYTKPyR">Netflix</a></strong></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/cultures-most-fascinating-people/">Culture’s Most Fascinating People</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>86th Peabody Winners Announced</title>
		<link>https://peabodyawards.com/stories/86th-peabody-winners-announced/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=86th-peabody-winners-announced</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Thu, 23 Apr 2026 16:57:56 +0000</pubDate>
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		<h2><b>86</b><b>TH </b><b>ANNUAL PEABODY AWARD-WINNERS ANNOUNCED</b></h2>
<p>&nbsp;</p>
<h4><b>Entertainment and Documentary Titles Lead the Way, </b><b>with Winners Celebrated at May 31 Ceremony in Beverly Hills</b></h4>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">ATHENS, GA (April 23, 2026) – The Peabody Awards’ Board of Jurors today announced winners representing the most captivating and inspiring stories released in broadcasting and streaming media in the last year. From compassionate caregivers in an emergency room to professional hockey players living their truths, from a spy-thriller set within the “Star Wars” universe to the adverse effects of social media on young people, </span><span style="font-weight: 400;">this year’s honorees reflect a wide and compelling range of storytelling.  </span><span style="font-weight: 400;">Winners were chosen by a unanimous vote of 28 jurors from over 1,000 entries across television, podcasts/radio and the web in entertainment, news, documentary, arts, children’s/youth, public service, and interactive/immersive programming and media.</span></p>
<p><span style="font-weight: 400;">The winners of the 2026 Peabody Awards join special honorees, including actor, writer and podcast host Amy Poehler (Career Achievement Award), screenwriter Sterlin Harjo (Trailblazer Award), Academy Award-winner James L. Brooks (Inaugural Industry Icon Award), and historic programmer PBS KIDS (Institutional Award).  This year’s ceremony will take a slightly different form, moving away from a traditional awards show structure and toward a more unified celebration of the winners. Honorees will be grouped around shared thematic categories, creating a narrative arc that carries through the evening.</span></p>
<p><span style="font-weight: 400;">“The winners of the 86th annual Peabody Awards reflect Peabody’s mission to honor storytelling that has the potential to change culture, whether it’s examining the destructive tactics of ICE, viewing terminal illness through a deeply personal lens, or resisting attempts to stifle free speech, we look forward to recognizing and celebrating these winners,” said Jeffrey P. Jones, executive director of Peabody. ”</span></p>
<p><span style="font-weight: 400;">Entertainment titles had a strong year, winning 11 awards.  Documentary followed with 10, including two in the arts category, along with five for news, four for interactive/immersive programming and three for radio/podcast. </span></p>
<p><span style="font-weight: 400;">Of the 34 total wins, HBO Max received the most awards with 6, followed by Apple TV+, Disney+, Hulu, Netflix and PBS, each with 2 awards. </span></p>
<p><span style="font-weight: 400;">The winners of the 86th annual Peabody Awards, produced by Liz Kelly and ROK Productions, will be celebrated on Sunday, May 31, at a ceremony at the Beverly Wilshire Hotel in Beverly Hills.  Delta Air Lines is the supporting sponsor of the ceremony.  The Peabody program is based at the Grady College of Journalism and Mass Communication at the University of Georgia.</span></p>
<p><span style="font-weight: 400;">Today’s Peabody Award winners, listed by category and in alphabetical order (network/platform in parentheses) are:</span></p>
<h5><b>NEWS</b></h5>
<p><span style="font-weight: 400;">“</span><b>Fault Lines: ‘Kids Under Fire’ and ‘The Disappearance of Dr. Abu Safiya’”</b><span style="font-weight: 400;"> (Al Jazeera English)</span></p>
<p><span style="font-weight: 400;">“Fault Lines” presents a harrowing examination of the humanitarian crisis in Gaza in the segments “Kids Under Fire” and “The Disappearance of Dr. Abu Safiya,” which document the violence faced by children and healthcare workers. These segments highlight the targeting of vulnerable populations and the challenges healthcare professionals endure, including Dr. Safiya, who remains in Israeli custody.</span></p>
<p><span style="font-weight: 400;">Al Jazeera English </span></p>
<p><b>“Immigration Crackdown”</b><span style="font-weight: 400;"> (PBS News Hour)</span></p>
<p><span style="font-weight: 400;">PBS News&#8217; “Immigration Crackdown” provides comprehensive coverage of President Trump&#8217;s deportation plan, highlighting the fear and anxiety within immigrant communities while also exploring the complex history of immigration in the United States. The series balances on-the-ground reporting with insights from historians and legal experts, fairly presenting various perspectives on this divisive issue.</span></p>
<p><span style="font-weight: 400;">PBS News Hour</span></p>
<p><b>“Los Angeles Burning”</b><span style="font-weight: 400;"> (ABC News and KABC, Los Angeles)</span></p>
<p><span style="font-weight: 400;">The 2025 wildfires in Southern California devastated countless families and highlighted the urgent realities of climate change, prompting extensive coverage from ABC News that treated the crisis with the seriousness it warranted. With contributions from flagship programs such as “Good Morning America” and local affiliate KABC, the reporting showcased both the unfolding disaster and the resilience of the community, demonstrating a commitment to responsible journalism during a critical time.</span></p>
<p><span style="font-weight: 400;">ABC News and KABC-TV, Los Angeles</span></p>
<p><b>“Restrained”</b><span style="font-weight: 400;"> (ABC / KMBC 9)</span></p>
<p><span style="font-weight: 400;">“Restrained” is a powerful documentary by KMBC in Kansas City that exposes the abuse of immobilizing devices like restraint chairs in prisons, revealing a disturbing pattern linked to more than 100 deaths and serious injuries. Through extensive investigation, including surveillance footage and court records, the report highlights severe mistreatment of inmates, which led to significant reforms in practices across Missouri and Kansas in a true example of impactful journalism.</span></p>
<p><span style="font-weight: 400;">KMBC 9</span></p>
<p><b>“The Rise and Fall of Terrorgram”</b><span style="font-weight: 400;"> (PBS)</span></p>
<p><span style="font-weight: 400;">“The Rise and Fall of Terrorgram” explores the connection between a 2022 attack outside a Slovakian gay bar and previous mass shootings in New Zealand and San Diego, revealing how the perpetrators were radicalized online by white supremacists using platforms like Telegram. FRONTLINE correspondents A. C. Thompson and James Bandler uncover the &#8220;Terrorgram Collective&#8221; and its strategy of &#8220;militant accelerationism,&#8221; offering a critical examination of gun violence and political extremism in the digital age.</span></p>
<p><span style="font-weight: 400;">FRONTLINE (PBS), ProPublica</span></p>
<p>&nbsp;</p>
<h5><b>PODCAST AND RADIO</b></h5>
<p><b>“Divine Intervention”</b></p>
<p><span style="font-weight: 400;">“Divine Intervention” recounts the story of a Catholic anti-war movement in 1971 Boston, where young priests and nuns provided sanctuary to draft resister Paul Couming and engaged in direct actions against the Vietnam War, including break-ins at draft offices and confrontations with the FBI. Hosted by Brendan Patrick Hughes, the podcast weaves together themes of love, generational conflict within the church, and the courage of activists, revealing a significant yet overlooked historical narrative.</span></p>
<p><span style="font-weight: 400;">Wonder Media Network and iHeartMedia</span></p>
<p><b>“Scam Inc”</b></p>
<p><span style="font-weight: 400;">Hosted by Sue-Lin Wong, this podcast explores the harrowing phenomenon of &#8220;pig butchering,&#8221; where victims are manipulated into losing significant sums of money to scammers, being bled dry by anonymous chat partners who siphon funds into a shadowy global system. Through empathetic interviews with both victims and perpetrators, Wong reveals the complexities of this financial and humanitarian crisis.</span></p>
<p><span style="font-weight: 400;">The Economist</span></p>
<p><b>“When We All Get to Heaven”</b></p>
<p><span style="font-weight: 400;">“When We All Get to Heaven” explores the complex relationship between faith and the queer community during the AIDS crisis, focusing on the Metropolitan Community Church of San Francisco, one of the first gay-positive churches. The audio documentary captures the struggles of LGBTQ Christians navigating illness and death amid rejection from both their faith and the gay rights movement.</span></p>
<p><span style="font-weight: 400;">Eureka Street Productions</span></p>
<p>&nbsp;</p>
<h5><b>DOCUMENTARIES</b></h5>
<p><b>“The Alabama Solution”</b><span style="font-weight: 400;"> (HBO Max)</span></p>
<p><span style="font-weight: 400;">“The Alabama Solution” documents the harrowing realities of Alabama prisons, revealing systemic brutality and corruption through clandestine recordings made by inmates who risked their lives to share their experiences. Filmmakers Andrew Jarecki and Charlotte Kaufman highlight issues such as overcrowding, violence, and drug overdoses, ultimately prompting legislative hearings aimed at reform.</span></p>
<p><span style="font-weight: 400;">HBO Documentary Films; Hit The Ground Running</span></p>
<p><b>“Come See Me in the Good Light”</b><span style="font-weight: 400;"> (Apple TV)</span></p>
<p><span style="font-weight: 400;">Ryan White’s documentary “Come See Me in the Good Light” chronicles Andrea Gibson&#8217;s experiences during their treatment for ovarian cancer in 2024, blending their poignant poetry with the realities of grappling with mortality and the desire to cherish life. Through candid moments of vulnerability and emotional truths, the film offers a heartfelt exploration of love and artistry that resonates deeply, delivering an uplifting portrayal of resilience in the face of hardship.</span></p>
<p><span style="font-weight: 400;">Apple / Tripod Media / Amplify Pictures / Treat Media / Something Fierce Productions</span></p>
<p><b>“Mr. Nobody Against Putin”</b><span style="font-weight: 400;"> (BBC Four)</span></p>
<p><span style="font-weight: 400;">“Mr. Nobody Against Putin” follows Pavel Talankin, a primary school teacher in Russia, as he resists government-imposed indoctrination following the 2022 invasion of Ukraine, using unconventional methods like playing a Lady Gaga song to inspire his students. Co-directed by Talankin and David Borenstein, the documentary highlights the personal and political challenges he faces while advocating for truth and resistance, staging an individual protest against authoritarianism.</span></p>
<p><span style="font-weight: 400;">Made in Copenhagen in co-production with Pink</span></p>
<p><b>“No Other Land”</b></p>
<p><span style="font-weight: 400;">“No Other Land,” co-directed by Palestinian activist Basel Adra and Israeli journalist Yuval Abraham, documents the ongoing destruction of the Masafer Yatta region of the West Bank, highlighting the violence faced by Palestinian inhabitants. The film not only records this injustice but also illustrates the possibility of friendship across divides, delivering a poignant exploration of the occupation.</span></p>
<p><span style="font-weight: 400;">Antipode Films</span></p>
<p><b>“Pee-wee as Himself”</b><span style="font-weight: 400;"> (HBO Max)</span></p>
<p><span style="font-weight: 400;">The two-part HBO docuseries “Pee-wee as Himself” explores the life of Paul Reubens, who, while battling cancer, participated in extensive interviews with filmmaker Matt Wolf without revealing his diagnosis and while often trying to direct questions, raising the issue of who gets to define his narrative. By examining the contradictions in Reubens&#8217; life as a queer performer and the layers of his public persona, the documentary presents a complex portrait that challenges notions of authenticity.</span></p>
<p><span style="font-weight: 400;">HBO Documentary Films presents an Elara &amp; First Love Films Production</span></p>
<p><b>“Put Your Soul on Your Hand and Walk” </b><span style="font-weight: 400;">(Kino Film Collection)</span></p>
<p><span style="font-weight: 400;">“Put Your Soul on Your Hand and Walk” offers a unique perspective on the Israeli war on Gaza by focusing on the resilience and hope of Palestinian photojournalist Fatma Hassona through intimate phone conversations with Iranian director Sepideh Farsi. This documentary captures the challenges of connection amidst conflict, highlighting Fatma&#8217;s faith and aspirations while serving as a poignant reminder of the humanity of Palestinians, resulting in an empathetic portrayal of identity and hope.</span></p>
<p><span style="font-weight: 400;">Rêves d&#8217;Eau Productions</span></p>
<p><b>“Southpaw—The Life and Legacy of Jim Abbott” </b><span style="font-weight: 400;">(ESPN) </span></p>
<p><span style="font-weight: 400;">“Southpaw—The Life and Legacy of Jim Abbott” chronicles the remarkable journey of baseball player Jim Abbott, who pitched a no-hitter for the Yankees despite being born without a right hand. The documentary combines archival footage and present-day interviews to explore Abbott&#8217;s childhood, his rise to fame, and his impact on young athletes with disabilities, culminating in an emotional tribute that highlights his legacy.</span></p>
<p><span style="font-weight: 400;">ESPN</span></p>
<p><span style="font-weight: 400;">“</span><b>Thoughts &amp; Prayers”</b><span style="font-weight: 400;"> (HBO Max)</span></p>
<p><span style="font-weight: 400;">The documentary “Thoughts &amp; Prayers” examines the grim reality of gun violence in U.S. schools, highlighting the 163 incidents and resulting deaths and injuries in 2025, while depicting the absurdity of the $3 billion active shooter preparedness industry. Through poignant testimonials from schoolchildren and sharp social commentary, the film critiques the capitalist exploitation of this crisis and the failure of political responses.</span></p>
<p><span style="font-weight: 400;">HBO Documentary Films presents a Tony Tina Production</span></p>
<p>&nbsp;</p>
<h5><b>ARTS</b></h5>
<p><b>“Fela Kuti: Fear No Man”  </b></p>
<p><span style="font-weight: 400;">“Fela Kuti: Fear No Man,” produced by Jad Abumrad for Audible, explores the life of musical genius Fela Kuti, using his story as a lens to examine themes of liberation, civil resistance, and the history of Nigeria. Through more than 200 interviews and a blend of entertainment and education, the podcast highlights Kuti&#8217;s impact while incorporating the voices of women in his life and showcasing his musical works as anthems for freedom.</span></p>
<p><span style="font-weight: 400;">Audible, Higher Ground, Western Sound and Talkhouse</span></p>
<p><b>“Sly Lives! (a.k.a. The Burden of Black Genius)” </b><span style="font-weight: 400;">(Hulu, Onyx Collective)</span></p>
<p><span style="font-weight: 400;">Ahmir “Questlove” Thompson explores the life and legacy of Sly and the Family Stone, the multiracial rock, R&amp;B, and funk band, and its eponymic musical genius, Sly Stone.  More than a music documentary or bio-doc of one of the most successful bands of the 1960s and 1970s, the film interrogates the personal and professional costs that artistic success has on groundbreaking Black artists such as Stone, especially when no roadmap exists for how they should navigate the pressures and anxieties of being such artistic firsts. </span></p>
<p><span style="font-weight: 400;">MRC, Network Entertainment Inc., Two One Five Entertainment Inc., RadicalMedia, Stardust Films LLC, ID8 Multimedia, Inc., and Sony Music Entertainment</span></p>
<p>&nbsp;</p>
<h5><b>ENTERTAINMENT</b></h5>
<p><b>“Adolescence”</b><span style="font-weight: 400;"> (Netflix)</span></p>
<p><span style="font-weight: 400;">“Adolescence” is a Netflix limited series that begins with the aftermath of a teenage girl&#8217;s murder, focusing not on the crime itself but on the transformation of 13-year-old Jamie Miller into a killer. Through fluid storytelling and character studies, the show examines the impact of Jamie&#8217;s actions on those around him and highlights the radicalization of young boys in toxic online spaces.</span></p>
<p><span style="font-weight: 400;">Warp Films, Matriarch Productions and Plan B for Netflix</span></p>
<p><b>“Andor”</b><span style="font-weight: 400;"> (Disney+)</span></p>
<p><span style="font-weight: 400;">Season two of “Andor” explores the rise of fascism through a narrative that highlights the violent suppression of peaceful protests, the fear faced by undocumented immigrants, and the struggle against governmental lies, all while resistance factions navigate complex dynamics. Although not conceived as a direct response to contemporary events, the series&#8217; timely themes resonate powerfully with today&#8217;s world and underline a nuanced portrayal of the human costs of rebellion within the “Star Wars” universe.</span></p>
<p><span style="font-weight: 400;">Lucasfilm Ltd.</span></p>
<p><b>“Common Side Effects” </b><span style="font-weight: 400;">(Adult Swim)</span></p>
<p><span style="font-weight: 400;">“Common Side Effects” explores the challenges of redefining wellness in a capitalist society, where profit often takes precedence over humanity. The animated series follows mycologist Marshall Cuso as he discovers a miraculous mushroom that can heal any ailment, drawing the ire of Big Pharma and the government, in this sharp critique of the healthcare system with stunning visuals.</span></p>
<p><span style="font-weight: 400;">Green Street Pictures, Bandera Entertainment, and Williams Street</span></p>
<p><b>“Dying for Sex”</b><span style="font-weight: 400;"> (FX / Hulu)</span></p>
<p><span style="font-weight: 400;">“Dying for Sex” follows Molly, played by Michelle Williams, as she embraces a journey of sexual self-discovery after receiving a terminal cancer diagnosis, leaving her husband so she can explore desires she had previously suppressed. Supported by her friend Nikki, portrayed by Jenny Slate, the FX miniseries, based on a podcast of the same name, celebrates female friendship and sexuality while crafting a poignant and daring narrative about living fully in the face of death.</span></p>
<p><span style="font-weight: 400;">20th Television</span></p>
<p><b>“Forever”</b><span style="font-weight: 400;"> (Netflix)</span></p>
<p><span style="font-weight: 400;">Netflix&#8217;s “Forever” offers a fresh take on Judy Blume&#8217;s 1975 novel, reimagining it as a modern coming-of-age story set in Los Angeles about a relationship between two young Black athletes. The series thoughtfully explores young love and the serious challenges facing today&#8217;s teens in a nuanced portrayal of its characters, including mental health struggles, social media pressures, and the expectations placed on young Black athletes.</span></p>
<p><span style="font-weight: 400;">A Netflix Series</span></p>
<p><b>“Heated Rivalry”</b><span style="font-weight: 400;"> (HBO Max)</span></p>
<p><span style="font-weight: 400;">“Heated Rivalry” is a Canadian drama series that explores how two major league hockey players navigate their fears, cultural differences, and burgeoning love amid the pressures of their sport and society. Adapted from Rachel Reid’s novel, the show balances complex themes of sexuality and emotional connection, inspiring fans and promoting non-toxic masculinity, ultimately making what was arguably the biggest cultural impact in television this year.</span></p>
<p><span style="font-weight: 400;">Accent Aigu Entertainment in association with Bell Media’s Crave</span></p>
<p><b>“Jimmy Kimmel Live!”</b><span style="font-weight: 400;"> (ABC)</span></p>
<p><span style="font-weight: 400;">While ABC’s late-night talk show Jimmy Kimmel Live! has been on the air for 23 years, this season proved unprecedented in American television history as the show found itself “suspended” indefinitely by the network due directly to pressure from the Chairman of the FCC. Kimmel, a persistent critic and scathing ridiculer of President Donald Trump, was taken off the air, then reinstated after public uproar arose from across the ideological spectrum about the comedian’s First Amendment rights. Kimmel’s return to air was a master class in public apology for the comments about Charlie Kirk that supposedly got him suspended while nevertheless, and doggedly, asserting his rights to criticize the president and MAGA movement that sought to silence him. </span></p>
<p><span style="font-weight: 400;">20th Television in association with Kimmelot</span></p>
<p><b>“Mussolini: Son of the Century”</b><span style="font-weight: 400;"> (MUBI)</span></p>
<p><span style="font-weight: 400;">Joe Wright&#8217;s “Mussolini: Son of the Century” revitalizes the biopic genre with a vibrant and immersive approach, blending archival footage, direct-to-camera addresses, and anachronistic elements to portray Benito Mussolini&#8217;s rise to power. Featuring Luca Marinelli&#8217;s captivating performance, the miniseries examines the allure of authoritarianism and the corrupting nature of absolute power, a timely reflection on political dynamics.</span></p>
<p><span style="font-weight: 400;">Sky Studios and Lorenzo Mieli for The Apartment, a Fremantle group company, in co-production with Pathé, in association with Small Forward Productions, in collaboration with Fremantle, CINECITTÀ S.p.A. and Sky</span></p>
<p><b>“The Pitt”</b><span style="font-weight: 400;"> (HBO Max)</span></p>
<p><span style="font-weight: 400;">HBO&#8217;s “The Pitt” revitalizes the medical drama genre by setting its 15-episode narrative in an overcrowded Pittsburgh trauma center, centered around supervising physician Michael Rabinovitch, played by Noah Wyle. The series explores contemporary social issues such as opioid addiction and mass violence while showcasing the complexity of its diverse characters and offering a critical look at profit-driven healthcare.</span></p>
<p><span style="font-weight: 400;">HBO Max in association with John Wells Productions, R. Scott Gemmill Productions, and Warner Bros. Television</span></p>
<p><b>“Pluribus” </b><span style="font-weight: 400;">(Apple TV)</span></p>
<p><span style="font-weight: 400;">Vince Gilligan&#8217;s series “Pluribus” presents a thought-provoking narrative: An alien virus infects the world, creating a hive-mind, while a romantasy author in Albuquerque, one of the few unaffected, grapples with her newfound isolation and the pressure to conform. Through the character of Carol, the show explores complex themes of agency, free will, and individualism in a nuanced take on a dystopian invasion narrative that resists easy answers.</span></p>
<p><span style="font-weight: 400;">Sony Pictures Television in association with Apple</span></p>
<p><b>“The Rehearsal”</b><span style="font-weight: 400;"> (HBO Max)</span></p>
<p><span style="font-weight: 400;">In its second season, “The Rehearsal” demonstrates Nathan Fielder&#8217;s ability to effect real change, using a unique approach to enhance airline safety by encouraging open communication among pilots and copilots. Through a blend of creativity and offbeat humor (which includes a singing competition and a re-enactment of Chesley Sullenberger’s life), the season sparked a national dialogue about pilot training while also exploring deeper questions of solitude and distraction, using innovative storytelling unlike anything ever seen on television.</span></p>
<p><span style="font-weight: 400;">HBO in association with Blow Out Productions</span></p>
<p>&nbsp;</p>
<h5><b>CHILDREN’S / YOUTH</b></h5>
<p><b>“Marvel’s Moon Girl and Devil Dinosaur”</b><span style="font-weight: 400;"> (Disney+)</span></p>
<p><span style="font-weight: 400;">“Marvel&#8217;s Moon Girl and Devil Dinosaur” adapts the comic series into a vibrant animated show centered on Lunella, a young African-American girl on the Lower East Side who uses her scientific skills, alongside a red Tyrannosaurus, to combat local villains. With a talented voice cast and a focus on STEM, the series offers a fresh and heartwarming take on the superhero origin story in a celebration of individuality and bravery.</span></p>
<p><span style="font-weight: 400;">Flying Bark Productions, Disney Television Animation, Disney Branded Television</span></p>
<p>&nbsp;</p>
<h5><b>INTERACTIVE &amp; IMMERSIVE</b></h5>
<p><b>“Cleared by Fire”</b></p>
<p><span style="font-weight: 400;">The interactive documentary “Cleared by Fire” revisits the tragic killings of 25 Iraqi civilians by U.S. Marines in Haditha, exploring the search for accountability through the eyes of Khalid Jamal, who lost family members in the attack. Combining detailed 3D recreations, testimonies, and extensive reporting, the film highlights the importance of remembering the human stories behind war.</span></p>
<p><span style="font-weight: 400;">The New Yorker</span></p>
<p><b>“ICE Sweeps Georgia”</b></p>
<p><span style="font-weight: 400;">“ICE Sweeps Georgia” is a groundbreaking social video series by the Atlanta Journal-Constitution that intimately captures the human impact of immigration enforcement through innovative storytelling techniques like vertical video and body camera footage. By focusing on personal stories and perspectives, the series highlights the intersection of federal power and local lives, achieving significant engagement with its effective blend of traditional reporting and modern social media strategies.</span></p>
<p><span style="font-weight: 400;">The Atlanta Journal-Constitution</span></p>
<p><b>“Investigating War Crimes in Gaza”</b></p>
<p><span style="font-weight: 400;">This documentary by the Al Jazeera Investigative Unit reveals the devastating impact of the ongoing war in Gaza, where more than 51,000 Palestinians, primarily women and children, have been killed, and many more are missing under rubble. Through a detailed examination of footage posted by Israeli soldiers themselves, the film documents potential war crimes, including civilian casualties, torture, and destruction of infrastructure, delivering unprecedented accountability and real-time evidence.</span></p>
<p><span style="font-weight: 400;">Al Jazeera English</span></p>
<p><b>“South of Midnight”</b></p>
<p><span style="font-weight: 400;">“South of Midnight” is an interactive folktale that invites players to join protagonist Hazel Flood in confronting grief and mending past wounds, all while immersing them in the rich traditions of Southern Gothic and Afro-Southern folklore. With its handmade stop-motion art style and heartfelt storytelling, the game honors cultural memory and centers a Black woman&#8217;s healing journey with exceptional craft in this meaningful exploration of personal and collective weight.</span></p>
<p><span style="font-weight: 400;">Compulsion Games</span></p>
<p><b>#  #  #</b></p>
<p><span style="font-weight: 400;">ABOUT THE PEABODY AWARDS</span></p>
<p><span style="font-weight: 400;">The Peabody Awards is celebrating 86 years of honoring stories that defend public interest, encourage empathy and expand our understanding of the world. Respected for its integrity and revered for its standards of excellence, the Peabody is an honor like no other for television, podcast/radio, and immersive and interactive media. Chosen each year by a diverse Board of Jurors through unanimous vote, Peabody Awards are given in the categories of entertainment, documentary, news, podcast/radio, arts, children’s and youth, and public service programming. The annual Peabody winners are a collection of stories that powerfully reflect the pressing social issues and the vibrant emerging voices of our day. From major productions to local journalism, the Peabody Awards shine a light on the Stories That Matter and are a testament to the power of art and reportage in the push for truth, social justice, and equity. The Peabody Awards were founded in 1940 at the Grady College of Journalism and Mass Communication at the University of Georgia and remain there today. The Peabody Awards also produces the award-winning podcast “We Disrupt This Broadcast,” available on all major podcast platforms. For more information, visit peabodyawards.com to sign up for our newsletter. </span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">For more information, please contact:</span></p>
<p><span style="font-weight: 400;">Michael Donkis</span></p>
<p><span style="font-weight: 400;">E-mail: mdonkis@aloftpr.com</span></p>
<p><span style="font-weight: 400;">Mobile: 310-387-0220</span></p>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">Rebecca Taylor</span></p>
<p><span style="font-weight: 400;">E-mail: rtaylor@aloftpr.com</span></p>
<p><span style="font-weight: 400;">Mobile: 310-447-4831</span></p>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/86th-peabody-winners-announced/">86th Peabody Winners Announced</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>The Best Podcasts, Chosen by Our Peabody Jurors</title>
		<link>https://peabodyawards.com/stories/the-best-podcasts-chosen-by-our-peabody-jurors/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=the-best-podcasts-chosen-by-our-peabody-jurors</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Thu, 16 Apr 2026 23:22:52 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21540</guid>

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		<p>Surprising ways that Christian faith have led to anti-war and AIDS activism, the consequences of deception, and the complications of justice define this year&#8217;s class of Peabody podcast nominees. All of these themes are explored through specific, human stories that will change the way you see the world and stay with you longer than mere facts. Here, the best podcasts of last year, handpicked by our jurors unanimously.</p>
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		<h3><strong>&#8216;Aftermath: The Hunt for the Anthrax Killer&#8217;</strong></h3>
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		<p>In the wake of 9/11, anthrax-laced letters prompted widespread fear across the United States, leading to one of the FBI&#8217;s largest and most complex investigations. The eight-part podcast series <em>Aftermath</em> illuminates unprecedented access to declassified materials and firsthand accounts, revealing how the attacks reshaped America and the lasting effects that persist today. Through interviews, archival media, and in-depth analysis, the series uncovers startling truths about the identity of the perpetrator and examines the broader implications for public safety and the nation&#8217;s psychological well-being.</p>
<p dir="ltr"><strong id="m_6750749637780051756docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://podcasts.apple.com/us/podcast/aftermath-hunt-for-the-anthrax-killer/id1803624845" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://podcasts.apple.com/us/podcast/aftermath-hunt-for-the-anthrax-killer/id1803624845&amp;source=gmail&amp;ust=1776464589859000&amp;usg=AOvVaw3lQCbcsvhdaHC17gTreSpp">Apple Podcasts</a></strong></p>
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		<h3><strong>&#8216;Divine Intervention&#8217;</strong></h3>
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		<p>This historical series uncovers the hidden narrative of radical nuns and priests who turned into cat burglars in their quest to undermine the Vietnam War. As they faced jail time, navigated betrayals, and found love, the ten episodes vividly recount their daring exploits, including scaling walls, picking locks, destroying draft cards, and sheltering fugitives.</p>
<p dir="ltr"><strong id="m_6750749637780051756docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://podcasts.apple.com/us/podcast/divine-intervention/id1628876978" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://podcasts.apple.com/us/podcast/divine-intervention/id1628876978&amp;source=gmail&amp;ust=1776464589860000&amp;usg=AOvVaw3slp1ZphLfIqv6x1LCxo3h">Apple Podcasts</a></strong></p>
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		<h3><strong>&#8216;The Hand That Rocks the Gavel&#8217;</strong></h3>
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		<p>In this episode of <em>This American Life</em>, former immigration judges reveal how the Trump administration is working to eliminate due process from the immigration court system. Reporters document their experiences at New York&#8217;s immigration court, where ICE detains individuals in hallways and judges face unprecedented pressure from the DOJ to prioritize enforcement. The episode highlights policy changes and new precedents that restrict asylum and emphasize detention, culminating in the expedited deportation of an Ecuadorian asylum seeker, “David,” who never received a full hearing.</p>
<p dir="ltr"><strong id="m_6750749637780051756docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://www.thisamericanlife.org/868/the-hand-that-rocks-the-gavel" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.thisamericanlife.org/868/the-hand-that-rocks-the-gavel&amp;source=gmail&amp;ust=1776464589860000&amp;usg=AOvVaw0joERum-DI0ybcuwrLa4fg">ThisAmericanLife.org</a></strong></p>
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		<h3><strong>&#8216;Scam Inc.&#8217;</strong></h3>
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		<p>A complex and predatory global scam industry is emerging, now rivaling the illicit drug trade and poised for even greater growth. <strong>Sue-Lin Wong</strong> from <em>The Economist</em> investigates this multi-billion dollar underground economy, tracing its roots from the collapse of a rural Kansas bank to reveal a network of fraud, human trafficking, corruption, and money laundering. Wong emphasizes that the online scam industry is rapidly infiltrating cities and countries worldwide, using advanced technology and psychological manipulation to target everyone.</p>
<p dir="ltr"><strong id="m_6750749637780051756docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://www.economist.com/audio/podcasts/scam-inc" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.economist.com/audio/podcasts/scam-inc&amp;source=gmail&amp;ust=1776464589860000&amp;usg=AOvVaw0WDW-NiZY3caRGuLDK_rfT">Economist.com</a></strong></p>
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		<h3><strong>&#8216;A Tiny Plot&#8217;</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="997" width="1500" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/04/a-tiny-plot.png" alt="A Tiny Plot" srcset="https://peabodyawards.com/wp-content/uploads/2026/04/a-tiny-plot.png 1500w, https://peabodyawards.com/wp-content/uploads/2026/04/a-tiny-plot-300x199.png 300w, https://peabodyawards.com/wp-content/uploads/2026/04/a-tiny-plot-768x510.png 768w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>This five-part series from KQED’s Snap Studios, hosted by reporter <strong>Shaina Shealy,</strong> offers an intimate look at an encampment in Oakland, showcasing a powerful story of scarcity, community, and the challenges of building anew from the fringes of a broken system. It follows a group of homeless individuals as they fight for their own piece of land from the city, highlighting their struggle for living space and the unexpected beauty that emerges from their determination.</p>
<p dir="ltr"><strong id="m_6750749637780051756docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://snapjudgment.org/a-tiny-plot/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://snapjudgment.org/a-tiny-plot/&amp;source=gmail&amp;ust=1776464589860000&amp;usg=AOvVaw2uc2ykH8NrAAoUbxJwfiso">SnapJudgment.org</a></strong></p>
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		<h3><strong>&#8216;When We All Get to Heaven&#8217;</strong></h3>
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		<p><em>When We All Get to Heaven</em> explores the history of the Metropolitan Community Church of San Francisco, one of the first gay-positive churches, as it navigated the challenges of the AIDS epidemic, including the loss of 500 members. The series follows LGBTQ Christians seeking meaning amid illness and isolation, caught between a rejecting religious community and a gay rights movement that dismissed spirituality. Produced by Eureka Street Productions and hosted by <strong>Lynne Gerber</strong>, the 10-episode series draws from an archive of 1,200 cassette tapes recorded during the height of the crisis, highlighting the church&#8217;s response and the search for healing and support.</p>
<p dir="ltr"><strong id="m_6750749637780051756docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://slate.com/podcasts/when-we-all-get-to-heaven" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://slate.com/podcasts/when-we-all-get-to-heaven&amp;source=gmail&amp;ust=1776464589860000&amp;usg=AOvVaw1NxV7XelUJpWwcDBqVSVzX">Slate.com</a></strong></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/the-best-podcasts-chosen-by-our-peabody-jurors/">The Best Podcasts, Chosen by Our Peabody Jurors</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>86th Peabody Nominations Announced</title>
		<link>https://peabodyawards.com/stories/86th-peabody-nominations-announced/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=86th-peabody-nominations-announced</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Tue, 14 Apr 2026 16:25:56 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21517</guid>

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