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	<title>The Peabody Awards</title>
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	<description>Stories That Matter</description>
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	<title>The Peabody Awards</title>
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	<itunes:explicit>no</itunes:explicit><itunes:image href="http://www.peabodyawards.com/img/nopicture.png"/><itunes:keywords>peabodys,peabody,awards,peabody,winners,awarding,peabodys,news,entertainment,television</itunes:keywords><itunes:summary>The Peabody Awards exist to recognize when storytelling is done well in electronic media; when stories there matter.</itunes:summary><itunes:subtitle>Stories that Matter</itunes:subtitle><itunes:category text="TV &amp; Film"/><itunes:category text="News &amp; Politics"/><item>
		<title>System Breakdowns, from Immigration to Incarceration</title>
		<link>https://peabodyawards.com/stories/system-breakdowns-from-immigration-to-incarceration/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=system-breakdowns-from-immigration-to-incarceration</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 07 Aug 2026 15:56:00 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21992</guid>

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										<content:encoded><![CDATA[<div id="fws_6a765cf18a77a"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row top-level standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p>Modern life is built on systems that we take for granted until they fail: financial markets, infrastructure, law enforcement, immigration processes, prisons. But the Great Depression and the 2008 financial crisis, Three Mile Island and Hurricane Katrina (more on that below) are among the many major system breakdowns that have shaped American history. Here are some Peabody-recognized works that explore what happens when our trusted systems break down—and how we can do better next time.</p>
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		<h3><strong>On Immigration</strong></h3>
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            <img fetchpriority="high" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="1208" width="1814" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1.png" alt="Immigration Crackdown" srcset="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1.png 1814w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1-300x200.png 300w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1-768x511.png 768w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1-1536x1023.png 1536w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1-900x600.png 900w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>When President Donald Trump&#8217;s immigration crackdown began, <em>PBS News Hour</em> did what it does best, sending reporters to the scenes where news was happening, from raids to protests to press conferences. The organization&#8217;s ongoing coverage, <a href="https://www.pbs.org/newshour/tag/immigration-crackdown" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.pbs.org/newshour/tag/immigration-crackdown&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw2nnJ487Nvqz1AXGY4aDqSM"><em>Immigration Crackdown</em></a>, also included deeper dives into the history of immigration policy in the United States and scrupulously documented the views of not only immigrants under scrutiny, but also the Trump administration and its supporters. Meanwhile, <em>The Atlanta Journal-Constitution</em> took an interactive approach to its local Immigration and Customs Enforcement sweeps, bringing viewers inside the operations through affectingly intimate social video and body-cam footage. The assembled series, <a href="https://www.tiktok.com/@soul_and_substance/collection/Immigration%20Crackdown-7574124060167244575" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@soul_and_substance/collection/Immigration%2520Crackdown-7574124060167244575&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw34um2Bje1eHUCm02JRntzB"><em>ICE Sweeps Georgia</em></a>, was viewed 2.8 million times—coincidentally, the same year the paper published its final print edition after 157 years. And finally, in HBO Max&#8217;s <em><a href="https://www.hbomax.com/movies/critical-incident-death-at-the-border/d2e96ad1-9694-4f57-bd16-eb7fcc536477" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.hbomax.com/movies/critical-incident-death-at-the-border/d2e96ad1-9694-4f57-bd16-eb7fcc536477&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw1w1G4G6l1gFlbpAhk174_e">Critical Incident: Death at the Border,</a> </em>we learn about wrongdoing inside the U.S. Border Patrol, starting with the in-custody death of Anastasio Hernandez Rojas and exposing a wider culture of violence and impunity within the agency. Through shocking eyewitness footage and leaked internal documents, the film reveals the presence of secret teams created to shield agents from accountability, leading to multiple congressional investigations and underscoring the pressing need for oversight and reform in this influential law enforcement body.</p>
<p><strong>Explore More on Peabody&#8217;s Website</strong>: <em><a href="https://peabodyawards.com/award-profile/immigration-crackdown/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/immigration-crackdown/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw2fCSLU1zXb0y54lAHAQC-H">Immigration Crackdown</a>, <a href="https://peabodyawards.com/award-profile/ice-sweeps-georgia/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/ice-sweeps-georgia/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw1N42gwOka5QkP6RnRR0cMR">ICE Sweeps Georgia</a></em> and <a href="https://peabodyawards.com/award-profile/critical-incident-death-at-the-border/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/critical-incident-death-at-the-border/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw0sfRxHGpME7-NtKkdpEjag"><em>Critical Incident: Death at the Border</em></a></p>
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		<h3><strong>On Incarceration</strong></h3>
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            <img decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="1112" width="1672" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1.png" alt="The Alabama Solution" srcset="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1.png 1672w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1-300x200.png 300w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1-768x511.png 768w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1-1536x1022.png 1536w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1-900x600.png 900w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>In &#8220;<a href="https://www.pbs.org/independentlens/documentaries/the-strike/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.pbs.org/independentlens/documentaries/the-strike/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw0AmjOaoyn8VVYT89OtkOLB">The Strike,</a>&#8221; PBS&#8217;s <em>Independent Lens</em> documents a 2013 hunger strike by 30,000 prisoners against solitary confinement in the super-max prison Pelican Bay. The film spotlights the strikers&#8217; personal stories and, through interviews with incarcerated people and prison officials, looks at the effects of solitary confinement. HBO Documentary Films focused on a broader pattern of abuse in <a href="https://www.hbomax.com/movies/alabama-solution/a035980c-668b-4a80-aa01-a92ec58d06cc" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.hbomax.com/movies/alabama-solution/a035980c-668b-4a80-aa01-a92ec58d06cc&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw2uhLkOUS8n-cO48IFuSHAy"><em>The Alabama Solution</em></a>, which came about when, In 2019, filmmakers <strong>Andrew Jarecki </strong>and <strong>Charlotte Kaufman</strong> visited an Alabama prison for a sanctioned filming of a religious revival, but inmates off-camera revealed the brutal conditions and corruption they faced daily. Over the following years, incarcerated men risked their lives to provide Jarecki and Kaufman with stealth video recordings of the dire realities in Alabama prisons—ranging from drug overdoses and beatings to suicides—ultimately leading to legislative hearings aimed at reforming these conditions.</p>
<p><strong>Explore More on Peabody&#8217;s Website: </strong><a href="https://peabodyawards.com/award-profile/the-strike/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-strike/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw3BhPGBXbL2HmkYpXrgO3AH"><em>The Strike</em> </a>and <a href="https://peabodyawards.com/award-profile/the-alabama-solution/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-alabama-solution/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw3MN6DL-jmXU40JicyotjwU"><em>The Alabama Solution</em></a></p>
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		<h3><strong>On Natural Disaster</strong></h3>
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            <img decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="1250" width="1890" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-6-1.png" alt="Hurricane Katrina: Race Against Time" srcset="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-6-1.png 1890w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-6-1-300x198.png 300w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-6-1-768x508.png 768w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-6-1-1536x1016.png 1536w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p dir="ltr">The National Geographic documentary series <a href="https://www.nationalgeographic.com/tv/show/835e484d-dbd3-426b-97e2-97000a792748" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.nationalgeographic.com/tv/show/835e484d-dbd3-426b-97e2-97000a792748&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw1KBT8N80Knf65_-hHRN8eA"><em>Hurricane Katrina: Race Against Time</em></a> from 2025 takes a retrospective look at the disaster, focusing on the experiences of Black communities in New Orleans during and after the storm, prioritizing personal stories over sensationalized media portrayals. It sheds light on systemic inequalities and government failures, illustrating how the storm worsened existing social injustices while offering local voices a platform to reclaim their narratives and share their resilience, grief, and wisdom for future generations.</p>
<p><strong>Explore More on Peabody&#8217;s Website:</strong> <a href="https://peabodyawards.com/award-profile/hurricane-katrina-race-against-time/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/hurricane-katrina-race-against-time/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw0-JNP842ZETACMgsfJrC4t"><em>Hurricane Katrina: Race Against Time</em></a></p>
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		<h3><strong>On Policing</strong></h3>
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		<p>Plans to improve the relationship between the police and the Black community in Louisville, Kentucky, collapsed with the fatal 2020 shooting of Breonna Taylor in her home, which became a national flashpoint. Louisville Public Media investigated what went wrong in 2021, during <a href="https://www.lpm.org/investigate/2019-11-25/dig-season-2-the-model-city" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.lpm.org/investigate/2019-11-25/dig-season-2-the-model-city&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw3LOlcI9TE678HuGQzhAOUP">season 2 of its podcast <em>Dig</em></a>. Three years later, ABC15 Arizona produced a 32-part investigative project, <a href="https://www.abc15.com/news/local-news/investigations/phoenix-doj-investigation/video-guide-abc15-breaks-down-the-department-of-justices-report-into-phoenix-pd" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.abc15.com/news/local-news/investigations/phoenix-doj-investigation/video-guide-abc15-breaks-down-the-department-of-justices-report-into-phoenix-pd&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw1t48Aq5zOIg95nlrAap3Yx">&#8220;Policing Phoenix,&#8221;</a> to break down a U.S. Department of Justice report—itself a product of the news station&#8217;s previous reporting—that showed systemic discrimination, excess use of force, and civil rights violations by the city&#8217;s police department.</p>
<p><strong>Explore More on Peabody&#8217;s Website</strong>: <a href="https://peabodyawards.com/award-profile/dig-the-model-city/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/dig-the-model-city/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw3H3n2-4JTXMEhWNFrr3P_L"><em>Dig:The Model City </em></a>and <a href="https://peabodyawards.com/award-profile/policing-phoenix/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/policing-phoenix/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw2GWN7064pmDh-sU9hqKEbB"><em>Policing Phoenix</em></a></p>
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		<h3><em>Andrew Jarecki’s Peabody Acceptance for &#8216;The Alabama Solution&#8217;</em></h3>
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		<p>&#8220;The truth is that the condition of people in prison in the United States is worse than you can imagine, and we don&#8217;t hear about it. The reason we don&#8217;t hear about it is that, even though we lock up more of our citizens than any democratic country at a cost of $116 billion a year, journalists like us, and many people in this room, are routinely denied access to U.S. prisons. So those of you who&#8217;ve been able to see <em>The Alabama Solution</em> were able to see inside because incredibly brave incarcerated men risked their lives, risked everything, risked bodily harm, to help us.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://peabodyawards.com/award-profile/the-alabama-solution/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-alabama-solution/&amp;source=gmail&amp;ust=1786198468606000&amp;usg=AOvVaw0lqZ4u3P0jXQcxNl95cWTZ">PeabodyAwards.com</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/system-breakdowns-from-immigration-to-incarceration/">System Breakdowns, from Immigration to Incarceration</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>James L. Brooks</title>
		<link>https://peabodyawards.com/stories/james-l-brooks/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=james-l-brooks</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Mon, 03 Aug 2026 23:02:25 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Beginning in the late 1960s, producer-writer James L. Brooks helped push television comedy in a new direction that reflected society, tackled social issues through heartfelt storytelling, and celebrated diversity and strong female characters. From creating the groundbreaking series Room 222 in 1969 to co-creating the Peabody-winning Mary Tyler Moore Show (and its spinoffs Rhoda and Lou Grant), Brooks became a major player in the TV revolution of the 1970s alongside Norman Lear. He also went on to co-create TV classics and favorites like Taxi and The Simpsons. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">For both his visionary works that pulled us into what was next and his lasting drive to mentor new talent, Peabody proudly recognizes James L. Brooks with the inaugural Peabody Industry Icon Award. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Learn more: <a href="https://peabodyawards.com/award-profile/james-l-brooks/">https://peabodyawards.com/award-profile/james-l-brooks/</a></span></p>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/james-l-brooks/">James L. Brooks</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>PBS KIDS</title>
		<link>https://peabodyawards.com/stories/pbs-kids/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=pbs-kids</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Tue, 28 Jul 2026 23:41:29 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21966</guid>

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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">For nearly three decades, PBS KIDS </span><span class="ytAttributedStringLinkInheritColor" dir="auto">has been synonymous with the finest in wholesome, educational, and entertaining children’s television accessible to youngsters of all economic and ethnic backgrounds and living in every corner of America. With high hopes for that continued survival—and with deep appreciation for its role in educating and empowering America’s children—we honor PBS KIDS </span><span class="ytAttributedStringLinkInheritColor" dir="auto">with the Peabody Institutional Award. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In this exclusive Peabody Conversation, recorded backstage at the 86th Annual Peabody Awards, Sara DeWitt (Senior Vice President and General Manager of PBS KIDS and Education) discusses the importance of evolving to continue fulfilling their mission to serve America’s youth.</span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Learn more: <a href="https://peabodyawards.com/award-profile/pbs-kids/">https://peabodyawards.com/award-profile/pbs-kids/</a></span></p>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/pbs-kids/">PBS KIDS</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Nathan Fielder’s Constructed Realities</title>
		<link>https://peabodyawards.com/stories/nathan-fielders-constructed-realities/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=nathan-fielders-constructed-realities</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 24 Jul 2026 15:00:35 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p><a href="https://peabodyawards.com/award-profile/the-rehearsal/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-rehearsal/&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw0Z-PGTxJK028rBg7PR2rTz"><em>The Rehearsal </em></a>begins as a kind-of self-help reality show: Host <strong>Nathan Fielder</strong> will go to great lengths to help each individual participant practice doing something difficult until they feel confident enough to pull it off in real life. The first hint that it’s more than that is exactly how far Fielder goes. In the premiere episode, for instance, he constructs an exact replica of the bar where participant Kor Skeete hopes to confess to his trivia team that he lied about having a master’s degree. Fielder’s deadpan persona makes it hard to tell: Does he know this is a little much, or is this just his slightly unhinged vision for how such a rehearsal should be conducted? From there, the first season spirals out into helping a woman practice for having a child until Fielder is suddenly contemplating fatherhood on his own and forming an intense bond with one of the boys playing his practice son. There&#8217;s also an entire episode in which he trains actors in the &#8220;Fielder method&#8221; to prepare them for the elaborate improvs he must devise to help himself and his subjects rehearse their lives. The second season goes even further, concentrating on using rehearsal to conquer the breakdowns in pilot communication that compromise airline safety, in the process creating a singing competition show, meddling in the dating lives of more than one copilot, and re-enacting pilot hero Sully Sullenberger&#8217;s entire life, among other high-stakes endeavors.</p>
<p>Critics and a certain kind of fan loved <em>The Rehearsal</em> for its disorienting level of innovation. No one even knew how to categorize it, and that was exactly the point of this postmodern pastiche masterpiece. The <em>Columbia Journalism Review </em><a href="https://www.cjr.org/the_media_today/is-nathan-fielder-rehearsal-journalism-aviation-safety-crm-cockpit-real-absurd.php" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.cjr.org/the_media_today/is-nathan-fielder-rehearsal-journalism-aviation-safety-crm-cockpit-real-absurd.php&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw24AyaxdKiFZ9NNhGjp5hHP">ran a piece</a> headlined, “Is Nathan Fielder’s <em>The Rehearsal </em>a Work of Journalism?” <em>The Bulwark</em>’s Sonny Bunch <a href="https://www.thebulwark.com/p/the-rehearsals-startling-honesty" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.thebulwark.com/p/the-rehearsals-startling-honesty&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw2dH_0Tk1SN1AIFBVyx4y-4">encapsulated the contradictions</a> on contradictions in a review last year: “Rarely has a work of televisual art so flummoxed me as Nathan Fielder’s show <em>The Rehearsal</em>, the second season of which just wrapped up. Both a parody of reality shows and comedy-news shows, and a heartfelt examination of the ever-widening bifurcation between our self-perception and the way we choose to identify to others in the world—a split that, ironically, merges fake and real into something like a unifying whole—<em>The Rehearsal </em>is simultaneously steeped in detached irony and deeply genuine.”</p>
<p>Or, as Fielder himself said in season 1, “It&#8217;s easy to assume that others think the worst of you. But when you assume what others think, maybe all you&#8217;re doing is turning them into a character that only exists in your mind.&#8221; In other words, maybe this is the TV series that most encapsulates our modern times, when the difference between reality and fiction is nearly impossible to distinguish—and, perhaps, beside the point.</p>
<p><strong id="m_-8865476479128296093docs-internal-guid-81644bae-7fff-b171-58b5-e2cd00e532db">Where to Watch: <a href="https://play.hbomax.com/show/609d8b4c-f0a6-4a5d-b9d3-bb0f2e207efb" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/609d8b4c-f0a6-4a5d-b9d3-bb0f2e207efb&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw3LixXP-XJEJKzjzPzF5nBy">HBO Max</a></strong></p>
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		<h3><em>&#8216;The Rehearsal&#8217; Season 2 Trailer</em></h3>
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		<h3><em>Dive Deeper</em></h3>
<p><strong>Starred Review: <a href="https://www.theguardian.com/tv-and-radio/2025/may/13/nathan-fielder-the-rehearsal-season-two" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.theguardian.com/tv-and-radio/2025/may/13/nathan-fielder-the-rehearsal-season-two&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw3-oRk7rvBIUfIBCSASA9hH">Alienating, awkward, anxiety-inducing: why &#8216;The Rehearsal&#8217; is TV&#8217;s most fascinating show</a></strong></p>
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		<p>&#8220;What do couples counseling, a reality-singing competition, three cloned Yorkies, the content moderation of Paramount+ Germany and aviation safety all have in common?&#8221; Adrian Horton writes for <em>The Guardian</em>. &#8220;Virtually nothing, except the interest of television mastermind Nathan Fielder, who braids such disparate concepts together in the galaxy-brained second season of <em>The Rehearsal</em>.&#8221;</p>
<p dir="ltr"><strong id="m_-8865476479128296093docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Read: <a href="https://www.theguardian.com/tv-and-radio/2025/may/13/nathan-fielder-the-rehearsal-season-two" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.theguardian.com/tv-and-radio/2025/may/13/nathan-fielder-the-rehearsal-season-two&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw3-oRk7rvBIUfIBCSASA9hH">The Guardian</a></strong></p>
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		<h3><strong id="m_-8865476479128296093docs-internal-guid-91310bf7-7fff-b668-a9b8-f96d02974d7c">Further Listening: <a href="https://www.youtube.com/watch?v=sXqrsD7dAKA" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DsXqrsD7dAKA&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw1JRS2zCQEn3iogt3zl0ak1">What It Was Like to Win &#8216;Wings of Voice&#8217; on Nathan Fielder&#8217;s &#8216;The Rehearsal&#8217;</a></strong></h3>
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		<p><em>Decoding TV</em> interviews <strong>Isabella Henao</strong>, who won <em>Wings of Voice</em>, the singing competition within <em>The Rehearsal</em> season 2, offering interesting insider perspective on one of the series&#8217; many interrelated layers of &#8220;reality.&#8221; &#8220;Never once were we made a joke of,&#8221; Henao says, noting that there were several legitimate rounds of competition, performances, and meticulous costume fittings. &#8220;Even on the show, <em>Wings of Voice</em> wasn&#8217;t a joke.&#8221;</p>
<p dir="ltr"><strong id="m_-8865476479128296093docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://www.youtube.com/watch?v=sXqrsD7dAKA" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DsXqrsD7dAKA&amp;source=gmail&amp;ust=1785249808203000&amp;usg=AOvVaw2I5bEu8hjJPbashbFO1MdP">YouTube</a></strong></p>
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		<h3><strong id="m_-8865476479128296093docs-internal-guid-b37e1d50-7fff-fd35-170f-945d6847da82">Further Viewing: <a href="https://play.hbomax.com/show/e88bb67c-ce15-463e-aa6a-121af30b8d49" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/e88bb67c-ce15-463e-aa6a-121af30b8d49&amp;source=gmail&amp;ust=1785249808203000&amp;usg=AOvVaw1BDGwaisxQlFzobfuRO1Hq">&#8216;Nathan for You&#8217;</a></strong></h3>
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		<p dir="ltr">In this progenitor to <em>The Rehearsal</em>, which ran from 2013 to 2017, Fielder advises small businesses, suggesting outrageous solutions in a parody of management consultants and aggressive consumer advocacy segments on local news. As in <em>The Rehearsal</em>, some of the humor derives from Fielder&#8217;s deadpan awkwardness and his subjects&#8217; willingness to go along with almost anything on camera. His escapades include trying to boost the popularity of a petting zoo by making one of its pigs into a (real) celebrity, opening a (totally real) coffee shop called Dumb Starbucks, and launching a winter clothing brand called Summit Ice dedicated to Holocaust education. (The latter shows up as the subject of a season 2 <em>Rehearsal</em> episode after its removal from Paramount+ in Germany.)</p>
<p><strong id="m_-8865476479128296093docs-internal-guid-cea49d0b-7fff-abdd-8329-9e5b12750819">Where to Watch: <a href="https://play.hbomax.com/show/e88bb67c-ce15-463e-aa6a-121af30b8d49" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/e88bb67c-ce15-463e-aa6a-121af30b8d49&amp;source=gmail&amp;ust=1785249808203000&amp;usg=AOvVaw1BDGwaisxQlFzobfuRO1Hq">HBO Max</a></strong></p>
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		<h3><em>Fielder’s <span class="il">Peabody</span> Conversation about &#8216;The Rehearsal&#8217;</em></h3>
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		<p>&#8220;Sometimes when you create an environment that&#8217;s fake but it feels identical to a real space, I&#8217;ve experienced it at times where I&#8217;ll actually forget that I&#8217;m in the fake environment &#8230; That mix of something feeling real but also knowing it&#8217;s safe because it&#8217;s not maybe allows you to explore different parts of yourself that you wouldn&#8217;t.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://peabodyawards.com/award-profile/the-rehearsal/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-rehearsal/&amp;source=gmail&amp;ust=1785249808203000&amp;usg=AOvVaw1TGeY2HDGkibRkmwcjiTvv">PeabodyAwards.com</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/nathan-fielders-constructed-realities/">Nathan Fielder’s Constructed Realities</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Amy Poehler</title>
		<link>https://peabodyawards.com/stories/amy-poehler/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=amy-poehler</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Tue, 21 Jul 2026 13:02:20 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21952</guid>

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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">For an unerring wit rooted in a deep sense of humanity and for her willingness to use old and new media to make us feel a sense of connection, we are honored to recognize Amy Poehler with this a Peabody Career Achievement Award.</span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In this exclusive Peabody Conversation, recorded backstage at the 86th Annual Peabody Awards, Amy Poehler discusses the significance of this prestigious honor, reflects on key moments throughout her career, and underscores the enduring power of comedy to inspire joy. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Learn more:<a href="https://peabodyawards.com/award-profile/amy-poehler/"> https://peabodyawards.com/award-profile/amy-poehler/</a></span></p>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/amy-poehler/">Amy Poehler</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>The Rehearsal</title>
		<link>https://peabodyawards.com/stories/the-rehearsal/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=the-rehearsal</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Tue, 21 Jul 2026 12:57:58 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21948</guid>

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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In the second season of HBO</span><span class="ytAttributedStringLinkInheritColor" dir="auto">&#8216;s The Rehearsal, this six-episode series explores profound questions shaping contemporary life: How alone are we? And can we overcome that solitude—or do we simply invent ever more complex distractions? In this exclusive Peabody Conversation, recorded backstage at the 86th Annual Peabody Awards, creator, showrunner, and director, Nathan Fielder, </span><span class="ytAttributedStringLinkInheritColor" dir="auto">takes us behind the curtain, sharing insights on the power of comedy to inspire change and reveal parts of yourself you wouldn’t ordinarily see. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Learn more about this Peabody-winning HBO</span><span class="ytAttributedStringLinkInheritColor" dir="auto"><a class="ytAttributedStringLink ytAttributedStringLinkCallToActionColor" tabindex="0" href="https://www.youtube.com/@hbomax" target="">‬</a></span><span class="ytAttributedStringLinkInheritColor" dir="auto"> series here: <a href="https://peabodyawards.com/award-profile/the-rehearsal/">https://peabodyawards.com/award-profile/the-rehearsal/</a></span></p>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/the-rehearsal/">The Rehearsal</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Stories That Help Us Talk About Death</title>
		<link>https://peabodyawards.com/stories/stories-that-help-us-talk-about-death/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=stories-that-help-us-talk-about-death</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 10 Jul 2026 14:51:08 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21930</guid>

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		<p>Death is often used for dramatic effect on scripted television, but rarely do we see the process and reality of facing death—particularly the decision to die deliberately on one’s own terms. America famously shies away from speaking directly about death while simultaneously wringing it for profit, as documented in Jessica Mitford’s 1963 book <em><a href="https://bookshop.org/p/books/the-american-way-of-death-revisited-jessica-mitford/36831bbe650bb16e?ean=9780679771869&amp;utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=%7Bcampaignname%7D&amp;utm_content=6443417794&amp;gad_source=1&amp;gad_campaignid=16235479093&amp;gbraid=0AAAAACfld42g54ttY5a5OOMCN52EOBnEh&amp;gclid=CjwKCAjwx7LSBhB3EiwAjcodxOWzHfJGqTemtgVUaGW7lQWS2Q6i3S6cpYmOPt6NINBa7WIEUUq18BoCEfwQAvD_BwE" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/the-american-way-of-death-revisited-jessica-mitford/36831bbe650bb16e?ean%3D9780679771869%26utm_source%3Dgoogle%26utm_medium%3Dcpc%26utm_campaign%3D%257Bcampaignname%257D%26utm_content%3D6443417794%26gad_source%3D1%26gad_campaignid%3D16235479093%26gbraid%3D0AAAAACfld42g54ttY5a5OOMCN52EOBnEh%26gclid%3DCjwKCAjwx7LSBhB3EiwAjcodxOWzHfJGqTemtgVUaGW7lQWS2Q6i3S6cpYmOPt6NINBa7WIEUUq18BoCEfwQAvD_BwE&amp;source=gmail&amp;ust=1783780486119000&amp;usg=AOvVaw13Pwy3VdhI4khgnvkvoJh9">The American Way of Death</a>, </em>an inspiration for the Peabody-winning drama <a href="https://peabodyawards.com/award-profile/six-feet-under/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/six-feet-under/&amp;source=gmail&amp;ust=1783780486119000&amp;usg=AOvVaw19yY5Rd4UCR6jviFbBhdKi"><em>Six Feet Under</em></a>, which was itself a pioneer in unflinching death depiction. But in recent years, other Peabody-recognized series have been tackling end-of-life preparation and decision-making with increasing reality, sophistication, and nuance. (Light spoilers ahead.)Death is often used for dramatic effect on scripted television, but rarely do we see the process and reality of facing death—particularly the decision to die deliberately on one’s own terms. America famously shies away from speaking directly about death while simultaneously wringing it for profit, as documented in Jessica Mitford’s 1963 book <em><a href="https://bookshop.org/p/books/the-american-way-of-death-revisited-jessica-mitford/36831bbe650bb16e?ean=9780679771869&amp;utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=%7Bcampaignname%7D&amp;utm_content=6443417794&amp;gad_source=1&amp;gad_campaignid=16235479093&amp;gbraid=0AAAAACfld42g54ttY5a5OOMCN52EOBnEh&amp;gclid=CjwKCAjwx7LSBhB3EiwAjcodxOWzHfJGqTemtgVUaGW7lQWS2Q6i3S6cpYmOPt6NINBa7WIEUUq18BoCEfwQAvD_BwE" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/the-american-way-of-death-revisited-jessica-mitford/36831bbe650bb16e?ean%3D9780679771869%26utm_source%3Dgoogle%26utm_medium%3Dcpc%26utm_campaign%3D%257Bcampaignname%257D%26utm_content%3D6443417794%26gad_source%3D1%26gad_campaignid%3D16235479093%26gbraid%3D0AAAAACfld42g54ttY5a5OOMCN52EOBnEh%26gclid%3DCjwKCAjwx7LSBhB3EiwAjcodxOWzHfJGqTemtgVUaGW7lQWS2Q6i3S6cpYmOPt6NINBa7WIEUUq18BoCEfwQAvD_BwE&amp;source=gmail&amp;ust=1783780486119000&amp;usg=AOvVaw13Pwy3VdhI4khgnvkvoJh9">The American Way of Death</a>, </em>an inspiration for the Peabody-winning drama <a href="https://peabodyawards.com/award-profile/six-feet-under/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/six-feet-under/&amp;source=gmail&amp;ust=1783780486119000&amp;usg=AOvVaw19yY5Rd4UCR6jviFbBhdKi"><em>Six Feet Under</em></a>, which was itself a pioneer in unflinching death depiction. But in recent years, other Peabody-recognized series have been tackling end-of-life preparation and decision-making with increasing reality, sophistication, and nuance. (Light spoilers ahead.)</p>
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		<h3><strong>&#8216;Come See Me in the Good Light&#8217;</strong></h3>
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		<p>In this documentary, director <strong>Ryan White</strong> tells the story of poet and activist <strong>Andrea Gibson</strong>, from their struggle with sexual and gender identity to their marriage to wife <strong>Megan Falley</strong> and their terminal ovarian cancer diagnosis in 2021. White&#8217;s cameras follow Gibson and Falley at their home in Colorado throughout 2024 as Gibson undergoes cancer treatment and care before her death in 2025. The film celebrates Gibson&#8217;s poetry as well as the couple&#8217;s humor, love, joy, and warmth in their waning time together.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://tv.apple.com/us/movie/come-see-me-in-the-good-light/umc.cmc.27uh51l7oh3ghql2gxb6xvb1s" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://tv.apple.com/us/movie/come-see-me-in-the-good-light/umc.cmc.27uh51l7oh3ghql2gxb6xvb1s&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw2tcCn4k16AFH3w37_vAgUN">Apple TV</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/come-see-me-in-the-good-light/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/come-see-me-in-the-good-light/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw0CvDA6gEKxAAIQ8SHVWjth"><em>Come See Me In The Good Light </em></a>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Dying for Sex&#8217;</strong></h3>
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		<p><strong>Liz Meriwether</strong> and <strong>Kim Rosenstock</strong> adapted the real-life story of <strong>Molly Kochan</strong>, whose podcast documented her quest to face a terminal cancer diagnosis in her early 40s by leaving her husband and going on a sexual odyssey before her death. The TV series features <strong>Michelle Williams</strong> as Molly and <strong>Jenny Slate</strong> as her best friend and caretaker, Nikki, in stellar performances, with unflinching—and often very funny—depictions of Molly&#8217;s myriad sexual encounters. It also includes Molly&#8217;s increasingly assertive interactions with her doctor, Nikki&#8217;s frustrating attempts to navigate Molly&#8217;s health care, a touching relationship with a palliative care manager, and a breathtaking depiction of Molly&#8217;s death. It&#8217;s unlike anything ever seen on television before.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.disneyplus.com/browse/entity-423f6320-b55b-453b-a85f-dea05bd495d9" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.disneyplus.com/browse/entity-423f6320-b55b-453b-a85f-dea05bd495d9&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw3OJYzjOY4CjeZV5s3zvqkL">Disney+</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/dying-for-sex/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/dying-for-sex/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw0KK6LP9IFro5yAjpU1mK1e"><em>Dying for Sex </em></a>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Hacks&#8217;</strong></h3>
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		<p>The masterful comedy about an aging female comedian, Deborah Vance (<strong>Jean Smart</strong>), and her Gen Z writer, Ava (<strong>Hannah Einbinder</strong>), ended earlier this year with Deborah facing her mortality. The final season begins with the accidental reporting of her death, which gives her a glimpse at what her obituaries might say—and prompts her to change her narrative by planning to sell out Madison Square Garden. But after a grim cancer diagnosis, her impending death turns quite real, and she decides to <a href="https://finalexitnetwork.org/services/assisted-dying-in-switzerland/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://finalexitnetwork.org/services/assisted-dying-in-switzerland/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw23eqc-3Kz1St9N472OsGwK">go to Switzerland for a medically aided death</a> on her own terms. The final twist is worth watching.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://play.hbomax.com/show/67e940b7-aab2-46ce-a62b-c7308cde9de7" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/67e940b7-aab2-46ce-a62b-c7308cde9de7&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw1WMRb1vxfpH8CoPBU1dM3P">HBO Max</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/hacks/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/hacks/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw2MACNK-Z8OS94CAlpR_2mq"><em>Hacks</em></a> on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;The Pitt&#8217;</strong></h3>
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		<p>HBO Max&#8217;s breakout medical hit is known for its relentless pace and realistic portrait of an overtaxed emergency room, but it has repeatedly taken the time to craft careful storylines around end-of-life care. In the first season, the adult children of a patient with Alzheimer&#8217;s, who comes in with pneumonia and sepsis, decide to override his advance directive and do-not-resuscitate order. Harried attending Dr. Michael &#8220;Robby&#8221; Robinavitch (<strong>Noah Wyle</strong>) explains clearly and patiently that they are causing their father further pain, emphasizing that extending life is not always the best option. The second season features a young mother, Roxie Hamler (<strong>Brittany Allen</strong>), choosing how she wants to die—at home or in the hospital, with painkillers or not—despite what her family or doctors may say.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://play.hbomax.com/show/e6e7bad9-d48d-4434-b334-7c651ffc4bdf" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/e6e7bad9-d48d-4434-b334-7c651ffc4bdf&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw2IGXLWskM8-Z2P3mpXgMij">HBO Max</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/the-pitt/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-pitt/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw2lhtAb_duvf1qNV4P_TcWE"><em>The Pitt </em></a>on Peabody&#8217;s Website</strong></p>
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		<h3><strong>Further Listening: <a href="https://peabodyawards.com/stories/podcast-dying-for-sex-liz-meriwether-kim-rosenstock-emily-nagoski/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/stories/podcast-dying-for-sex-liz-meriwether-kim-rosenstock-emily-nagoski/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw3A2FZheknkRtAOjqei8ZMp">&#8216;Dying for Sex&#8217; on &#8216;We Disrupt This Broadcast&#8217;</a></strong></h3>
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		<p>On this episode of our podcast collaboration with the Center for Media and Social Impact, <em>Dying for Sex</em> co-creators Meriwether and Rosenstock talk about cancer, caregiving, and women&#8217;s sexuality, while sex educator and researcher <strong>Emily Nagoski</strong> weighs in on the significance of Molly&#8217;s story.</p>
<p dir="ltr"><strong id="m_-1517775778667169332docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://peabodyawards.com/stories/podcast-dying-for-sex-liz-meriwether-kim-rosenstock-emily-nagoski/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/stories/podcast-dying-for-sex-liz-meriwether-kim-rosenstock-emily-nagoski/&amp;source=gmail&amp;ust=1783780486120000&amp;usg=AOvVaw3A2FZheknkRtAOjqei8ZMp">PeabodyAwards.com</a></strong></p>
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		<h3><em>Ryan White’s Peabody Acceptance for &#8216;Come See Me in the Good Light&#8217;</em></h3>
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		<p>&#8220;In an extraordinary act of vulnerability they both allowed us to capture our final year together,&#8221; White said of Gibson and Falley. &#8220;Andrea spent that year working on a poem about mortality that they called &#8216;Death Anthem,&#8217; and they eventually retitled it &#8216;Life Anthem.'&#8221;</p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/stories-that-help-us-talk-about-death/">Stories That Help Us Talk About Death</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Highlights from the 86th Ceremony</title>
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		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Mon, 29 Jun 2026 20:33:57 +0000</pubDate>
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		<title>‘Heated Rivalry’ and Other Prides of Pride Month</title>
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		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 26 Jun 2026 13:38:15 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
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		<guid isPermaLink="false">https://peabodyawards.com/?p=21847</guid>

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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p><em>Heated Rivalry </em>blazed into culture this winter and made history as a smash hit centering a romance—and explicit sexual relationship—between two male pro hockey players. The small Canadian production captivated American audiences with its depictions of consent, positive masculinity, and storybook endings for not one, but two, interrelated queer couples in a sport not normally known for its sensitivity and openness. As a result, <strong>Connor Storrie</strong>, who plays the gruff Russian Ilya Rozanov, and <strong>Hudson Williams</strong>, who plays the sensitive Shane Hollander, have become international superstars, showing up everywhere from <em>Saturday Night Live </em>to the Met Gala carpet. For Pride month, here’s a closer look at <em>Heated Rivalry </em>and other Peabody-recognized LGBTQ stories.</p>
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		<h3><strong>A Moment from &#8216;Heated Rivalry&#8217;</strong></h3>
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			<div class="wpb_video_wrapper"><iframe loading="lazy" title="&quot;I am always wishing that these women were him.&quot; | Heated Rivalry" width="563" height="1000" src="https://www.youtube.com/embed/Gt1RXhfhLiI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
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		<h3><strong>&#8216;Heated Rivalry&#8217;</strong></h3>
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		<p><strong>Jacob Tierney</strong> adapted <strong>Rachel Reid</strong>&#8216;s bestselling book series into a crowd-pleaser for the ages that has given new meaning to &#8220;I&#8217;m coming to the cottage.&#8221; While a sexy, gay hockey romance starring two unknown actors did not sound like a sure thing for American television, it turned out to be just what we all needed. It&#8217;s also quietly subversive, spotlighting not only a queer relationship that doesn&#8217;t end in tragedy, but also sex as genuine connection, men working through their feelings together, sports&#8217; inherent homophobia, the pressures of fame, and autism as a fact of Shane&#8217;s character. Its impact is likely to reverberate through programming executives&#8217; choices for years to come.</p>
<p dir="ltr"><strong id="m_-2493458675288154843docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.hbomax.com/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.hbomax.com/&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw0lsYcFGMeTsHtWZ7y2EGbm">HBO Max</a><br />
Explore More <a href="https://peabodyawards.com/award-profile/heated-rivalry/?awardsearch=decade%3D2020%26cat%255B0%255D%3Dentertainment" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/heated-rivalry/?awardsearch%3Ddecade%253D2020%2526cat%25255B0%25255D%253Dentertainment&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw3PFP-sZ3n4m13Fdhc0i28y"><em>Heated Rivalry</em></a> on Peabody&#8217;s Website</strong></p>
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		<h3><strong>&#8216;Mr. Loverman&#8217;</strong></h3>
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		<p>This British series, based on a novel by <strong>Bernardine Evaristo</strong>, stars the suave and dapper <strong>Lennie James</strong> as Barrington Jedidiah Walker, an Antiguan-British man whose marriage ends with the revelation that he&#8217;s been having a decades-long affair with his male best friend. Adapted for television by <strong>Nathaniel Price</strong>, <a href="https://peabodyawards.com/award-profile/mr-loverman/"><em>Mr. Loverman</em></a> explores the complications of coming out as a septuagenarian and finding true self-acceptance late in life in a story that is at turns both moving and funny.</p>
<p dir="ltr"><strong id="m_-2493458675288154843docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.amazon.com/Mr-Loverman-Season-1/dp/B0F88K9288" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.amazon.com/Mr-Loverman-Season-1/dp/B0F88K9288&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw0MeChmsolmC0tZiJVlklQy">Amazon</a></strong></p>
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		<h3><strong>&#8216;Invisible Boys&#8217;</strong></h3>
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		<p><strong>Nicholas Verso</strong>&#8216;s <a href="https://peabodyawards.com/award-profile/invisible-boys/">adaptation of <strong>Holden Sheppard</strong>&#8216;s novel</a> follows a group of gay teens in Western Australia as they struggle with their identities against the backdrop of the 2017 national postal survey on same-sex marriage legalization. It begins with the outing of the rebellious Charlie (<strong>Joseph Zada</strong>) on social media after an encounter with a married man. And as the boys band together to deal with social pressures, we learn about Zeke (<strong>Aydan Calafiore</strong>), who is from a strict Sicilian Catholic family; Hammer (<strong>Zach Blampied</strong>), a popular soccer player; and Matt (<strong>Joe Klocek</strong>), a responsible farm boy. The result is gritty, messy, real, and raw.</p>
<p dir="ltr"><strong id="m_-2493458675288154843docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.stan.com.au/watch/invisible-boys" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.stan.com.au/watch/invisible-boys&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw27eZa-0h_OsIngzJ85b9U-">Stan</a></strong></p>
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		<h3><strong id="m_-2493458675288154843docs-internal-guid-91310bf7-7fff-b668-a9b8-f96d02974d7c">Further Reading: The Books These Shows Are Based On</strong></h3>
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<p><em>Heated Rivalry</em> by Rachel Reid: <a href="https://bookshop.org/p/books/heated-rivalry-rachel-reid/82a2b8a1e28196b4?ean=9781335534637&amp;next=t&amp;utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=%7Bcampaignname%7D&amp;gad_source=1&amp;gad_campaignid=23023792941&amp;gbraid=0AAAAACfld43FIGPKT7ADEsogRORCTJ0hr&amp;gclid=CjwKCAjw3ejRBhAdEiwADkqPnwRl-D5EtZmZsCMsuVBps2DTPOabdMzwFPEriDZoAqnv2UuktueBLxoC72gQAvD_BwE" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/heated-rivalry-rachel-reid/82a2b8a1e28196b4?ean%3D9781335534637%26next%3Dt%26utm_source%3Dgoogle%26utm_medium%3Dcpc%26utm_campaign%3D%257Bcampaignname%257D%26gad_source%3D1%26gad_campaignid%3D23023792941%26gbraid%3D0AAAAACfld43FIGPKT7ADEsogRORCTJ0hr%26gclid%3DCjwKCAjw3ejRBhAdEiwADkqPnwRl-D5EtZmZsCMsuVBps2DTPOabdMzwFPEriDZoAqnv2UuktueBLxoC72gQAvD_BwE&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw30T9NZd7mGdjRbxnwG-K-w"><strong>Bookshop.org</strong></a></p>
<p><em>Mr. Loverman</em> by Bernardine Evaristo: <a href="https://bookshop.org/p/books/mr-loverman-bernardine-evaristo/e599690623af6695?ean=9780802165244&amp;next=t" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/mr-loverman-bernardine-evaristo/e599690623af6695?ean%3D9780802165244%26next%3Dt&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw0qFk-lkHd_IjAsELuKRqTJ"><strong>Bookshop.org</strong></a></p>
<p><em>Invisible Boys</em> by Holden Sheppard: <a href="https://bookshop.org/p/books/invisible-boys-holden-sheppard/bbb0bffbd25f12b5?ean=9781925815573&amp;next=t" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://bookshop.org/p/books/invisible-boys-holden-sheppard/bbb0bffbd25f12b5?ean%3D9781925815573%26next%3Dt&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw0agBz0tzB26QK44iqnRKUL"><strong>Bookshop.org</strong></a></p>
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		<h3><em>Francois Arnaud’s Peabody Acceptance for &#8216;Heated Rivalry&#8217;</em></h3>
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		<p>Actor <strong>Francois Arnaud</strong>, who plays seasoned hockey player Scott Hunter, said, &#8220;<span style="color: #696969; font-family: arial, helvetica neue, helvetica, sans-serif;">T</span>he heart of the show is built on celebration and happiness and love. And because of that it isn&#8217;t surprising to us at all that audiences worldwide have responded passionately to it and have embraced the series. People crave that warmth and they see themselves reflected in it.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://www.youtube.com/watch?v=BTdnA6EOyrU&amp;list=PL4pX-h72NWxh09fa_xlQoSIbElzDhXKz2&amp;index=18" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DBTdnA6EOyrU%26list%3DPL4pX-h72NWxh09fa_xlQoSIbElzDhXKz2%26index%3D18&amp;source=gmail&amp;ust=1782566450785000&amp;usg=AOvVaw2uxoX5BVr2cmo-4i-b9QJv">Peabody Awards on YouTube</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/heated-rivalry-other-prides-of-pride-month/">‘Heated Rivalry’ and Other Prides of Pride Month</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Highlights from the 86th Annual Peabody Awards</title>
		<link>https://peabodyawards.com/stories/highlights-from-the-86th-annual-peabody-awards/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=highlights-from-the-86th-annual-peabody-awards</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Wed, 17 Jun 2026 19:12:59 +0000</pubDate>
				<category><![CDATA[Past Ceremonies]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21815</guid>

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