Scripted historical dramas based on real events have existed since at least as far back as Shakespeare. They take history beyond textbooks and documentaries, often taking liberties, but also bringing past events to life while recontextualizing and reinterpreting what they mean to modern audiences. The genre has produced some of the best—and most talked-about—series of the last decade, including The Crown, Dickinson, Say Nothing, Chernobyl, and When They See Us. (See below.) It has also given us lighter and fizzier fare such as the recent sensation Love Story, which dramatizes the ultimately tragic romance of John F. Kennedy Jr. and Carolyn Bessette. In fact, historical dramas have been so prevalent in the last decade that historical consultants have been in high demand, as has archival research.

On the other hand, Love Story has also brought up a hard truth about these “true stories”: They aren’t bound by the principles of journalism and often revise history to make for more interesting scripts. This not only distorts millions of people’s understanding of past events, but also sometimes victimizes subjects who are still alive. Case in point, the recent New York Times editorial from actress Daryl Hannah taking issue with how she’s portrayed in Love Story as JFK Jr.’s ex.

The irony is that the closer a series resembles what we know and remember about the past, the more damaging it can be. There’s a difference between period dramas—even historically rooted series like Fellow Travelers, which includes real figures such as Roy Cohn and Joseph McCarthy, but centers completely fictional characters—and these shows, which aim to help viewers truly understand events and people who existed.

Here, some of the best of these recent series, and the ways they dealt with skewed and unconfirmed facts.

The origin story of the TV “dramedy” begins sometime around 1970 with The Mary Tyler Moore Show, though no one would use that hybrid word for a long time afterwards. The show was among the first to seamlessly include dramatic elements in what was billed as a sitcom. Even its very first episode—one of the best pilots in history—includes a touching scene in which Mary Richards (Mary Tyler Moore), who has left her former boyfriend to strike out on her own as a professional woman in Minneapolis, gets one last chance to reunite with him. She’s had a hard time securing an apartment and a job, but she’s managed to do both. She tells him she’s just fine without him. As he leaves, he says, “Take care of yourself, Mary.” Her reply: “I think I just did.”

Gets me every time.

The series would go on to tackle divorce and strained relationships with parents, among other drama-inducing storylines, and delivered one heck of a melancholy finale, too. A few years after The Mary Tyler Moore Show, another drama-comedy hybrid became a sensation: M*A*S*H, which deftly combined laughs with the horrors of war.

The dramedy genre came into its own, complete with its portmanteau label, in the late ‘80s with a spate of shows that contained light drama, serialized storylines, and no laugh track, like The Days and Nights of Molly Dodd, The Wonder Years, and Ally McBeal. Dramedies have since flourished in the streaming era, with streaming services less reliant on strict genre boundaries. Thus we’ve gotten Barry, Atlanta, Better Things, Somebody Somewhere, Dead to Me, and Succession, the funniest dead-serious drama to grace television, and Ted Lasso, one of the most emotional comedies. All of these series demonstrate that crossing genre boundaries leads to more than just toggling between happy and sad—it actually encourages experimentation and leads to innovation no one dreamed could happen in television back in 1970.

Here, a history of the dramedy in seven episodes.

TV can capture love—and lust—like no other medium, as the recent frenzy over the hockey romance Heated Rivalry has proven. TV allows, famously, for a longer will-they-won’t-they dance that could take weeks, months, or even years; it can also encompass the lasting love of a lifetime. This Valentine’s Day weekend, settle in with some of the best, whether their love is of the forbidden, star-crossed, tragic, opposites-attract, or longtime variety. A few suggestions:

Interactive Media Takes You Inside Deadly Fires, Gaza, Bias in Medicine, and More

Interactive media pulls you into unknown situations, making them feel real. These Peabody-recognized works on the deadly Maui fires, war in Gaza, racial bias in medicine, and more, build empathy through gaming, immersive storytelling, cutting-edge technology, and social media.

The Peabody Awards Returns to Los Angeles May 31 as It Celebrates 86 Years of Recognizing Excellence in Impactful Storytelling.

Athens, GA (November 12, 2025) – The Peabody Awards will return to Los Angeles and the Beverly Wilshire Hotel on May 31, 2026, as it celebrates 86 years of stories that encourage empathy, champion public interest, and expand our comprehension of the world around us.

Awards will be given in the following categories: entertainment, documentary, news, podcast/radio, arts, children’s and youth, immersive and interactive media, and public service programming.

“We look forward to honoring the creators, journalists, and visionaries who continue to make Peabody the foremost honor for impactful storytelling,” said Jeffrey Jones, executive director of Peabody.  “In a particularly fractured time, our mission at Peabody remains to celebrate stories that unite audiences and explore the richness of humanity through diverse perspectives.” The Peabody program is based at the Grady College of Journalism and Mass Communication at the University of Georgia.

The Peabody Board of Jurors is comprised of media industry professionals, as well as journalists, critics and scholars, appointed to six-year terms.  All programs that are nominated and win Peabody Awards must receive a unanimous vote by the Board of Jurors.

The 2025 Peabody Awards ceremony, hosted by Roy Wood Jr., took place on June 1 at the Beverly Wilshire hotel in Beverly Hills where Andrea Mitchell was honored with the Peabody Career Achievement Award and “Saturday Night Live” was honored with the Peabody Institutional Award. In October 2025, the Peabody Awards honored musician, Academy Award-winning filmmaker, and activist Ahmir “Questlove” Thompson with the 2025 Peabody Trailblazer Award.

Past Peabody Award winners include some of the most beloved and groundbreaking series of all time, including “Hill Street Blues,” “Murphy Brown,” “The Wire,” “Veep,” The Sopranos,” “Breaking Bad,” “The Office” and “Succession”, and limited/mini-series including “Roots,” “Tales of the City,” “Chernobyl,” and “Dopesick.”  Children’s and youth honorees have included “ABC Afterschool Specials,” “Bluey” and “Doc McStuffins,” while landmark educational programs such as “Cosmos” and “NOVA” have also been honored.  Peabody began recogning Interactive and Immersive Media in 2021, with organizations such as The New Yorker, The Washington Post and The New York Times receiving honors.  The Peabody Awards precedes The Emmy Awards as the longest running awards program to honor how television/broadcasting, and now digital and podcast programming, can have positive effects on society.

Nominees for the 2026 Peabody Awards will be announced in April, with winners announced in May.  For more information, please visit peabodyawards.com.

#  #  #

ABOUT THE PEABODY AWARDS

The Peabody Awards is celebrating 86 years of honoring stories that defend public interest, encourage empathy and expand our understanding of the world.  Respected for its integrity and revered for its standards of excellence, the Peabody is an honor like no other for television, podcast/radio, and immersive and interactive media.  Chosen each year by a diverse Board of Jurors through unanimous vote, Peabody Awards are given in the categories of entertainment, documentary, news, podcast/radio, arts, children’s and youth, and public service programming.  The annual Peabody winners are a collection of stories that powerfully reflect the pressing social issues and the vibrant emerging voices of our day.  From major productions to local journalism, the Peabody Awards shine a light on the Stories That Matter and are a testament to the power of art and reportage in the push for truth, social justice, and equity.  The Peabody Awards were founded in 1940 at the Grady College of Journalism and Mass Communication at the University of Georgia and remain there today.  For more information, visit peabodyawards.com to sign up for our newsletter.

FOR MORE INFORMATION, PLEASE CONTACT:

Michael Donkis

Aloft Strategic Communications

E-mail: mdonkis@aloftpr.com

Cell: 310-387-0220

Rebecca Taylor

Aloft Strategic Communications

E-mail: rtaylor@aloftpr.com

Cell: 310-447-4831

Peter Friedlander, Katherine Pope, Ravi Nandan, Amy Israel, Amy Entelis, and Carolyn Ryan Join the Peabody Awards’ Board of Directors as Awards Program Gears Up for May 31 Ceremony Honoring Stories That Matter

Athens, GA (February 10, 2026) – Industry leaders Peter Friedlander, Head of Global Television, Amazon MGM Studios; Katherine Pope, President, Sony Pictures Television; Ravi Nandan, Partner and Global Head of Television, A24; Amy Israel, President of Television, Peter Chernin’s The North Road Company; Amy Entelis, Executive Vice President, CNN Worldwide; and Carolyn Ryan, Managing Editor at The New York Times, have joined the Board of Directors of The Peabody Awards, which honors storytelling that reflects the social issues and emerging voices of our day.

The Peabody Board of Directors brings together prominent executives from organizations across the media landscape. The Board provides expert counsel and stewardship while advancing Peabody’s commitment to outstanding and transformative storytelling, and is comprised of East Coast and West Coast arms, which reflects the diversity of Peabody’s constituencies. Friedlander, Pope, Nandan and Israel will serve on the West Coast Board of Directors, while Entelis and Ryan will serve on the East Coast Board of Directors.

“When it comes to maintaining the integrity of an institution like The Peabody Awards, while at the same time evolving with the changing landscape that is television, podcasts, radio and interactive content, it is the strength and commitment of your board of directors that makes those goals possible,” said Jeffrey Jones, executive director of The Peabody Awards. “We are so excited to have Peter, Katherine, Ravi, Carolyn, and both Amy Israel and Amy Entelis, joining our already formidable board, who all share Peabody’s commitment to honoring outstanding and transformative storytelling.” The Peabody program is based at the Grady College of Journalism and Mass Communication at the University of Georgia.

Friedlander is the Head of Global Television at Amazon MGM Studios, producers of acclaimed series like “The Summer I Turned Pretty,” “Fallout,” “The Boys,” “Reacher” and “The Lord of the Rings: The Rings of Power.” In this role, he is responsible for setting the strategic direction of scripted and unscripted series as well as overlooking first-look and overall deals. Prior to joining Amazon, he was Vice President of Scripted Series at Netflix. Breakout hits under his direction included the cultural phenomena “Stranger Things 4” and “Wednesday,” which rank as the top 2 most watched English-language series ever on Netflix; “Bridgerton” and “Inventing Anna” from Shonda Rhimes; “Monster: The Jeffrey Dahmer Story” and “The Watcher” from Ryan Murphy; “The Night Agent,” “Ozark,” “Emily In Paris,” and “Cobra Kai”; the revival of “Manifest,” “Lucifer” and “YOU”; and “3 Body Problem” from David Benioff and D.B. Weiss.

Pope is the President of Sony Pictures Television, overseeing the studio’s scripted production business, which currently produces over 30 series across all platforms. Under her leadership, the studio has delivered numerous critically acclaimed hits, including “Pluribus,” Vince Gilligan’s latest series for Apple TV+ starring Rhea Seehorn, which has been named one of the “Best TV shows of 2025” and received numerous awards nominations including Golden Globes, Critics Choice and AFI; the fourth season of Prime Video’s “The Boys,” from Eric Kripke, with its fifth and final season premiering in April of 2026; HBO’s “The Last of Us” and Peacock’s “Twisted Metal,” both based on PlayStation video games and both renewed for a third season; “Outlander” and its prequel “Outlander: Blood of My Blood” on Starz; “Doc” on FOX, starring Emmy Award-nominated actress Molly Parker; and Netflix’s “The Night Agent,” returning for its third season in February 2026. Most recently, Pope received Emmy and Golden Globes nominations for serving as executive producer on the FX limited series “Dying for Sex,” starring Michelle Williams. Earlier in her career, she spent 10 years at NBC/NBC Universal Television Studios where she held several leadership roles, developing hit shows like “Heroes,” “Friday Night Lights,” “30 Rock” and “The Office.” Before NBC, she produced documentaries and specials at CBS and ABC News.

Nandan is Global Head of Television for A24, overseeing the studios scripted and unscripted slate. A24 television has produced and served as the studio on multiple series including the Emmy-winning HBO drama “Euphoria” and Netflix limited series “Beef,” as well as “Ramy,” “The Curse,” “The Sympathizer” and more.

Israel is the President of Television at The North Road Company’s independent studio, overseeing all aspects of the company’s global scripted television division including development and production. Having worked on a multitude of high-profile and award-winning series, she is focused on building a world-class slate and establishing North Road as the pre-eminent independent studio and supplier of high-quality, premium television shows. North Road is currently in production on “The Body” for Netflix. In her career, which spans both the television and film industry, Israel has always been a passionate advocate for artists, having developed and overseen “Yellowjackets,” “Billions,” “The Affair,” “Fellow Travelers” and “Ripley” in television, and Academy Award winners “No Country for Old Men,” “There Will Be Blood” and “Life Is Beautiful” in film.

Entelis is Executive Vice President for Talent at CNN Originals, and Creative Development for CNN Worldwide, where she leads the network’s premium long-form storytelling efforts and oversees talent strategy across its global platforms. Since joining CNN in 2012, Entelis has launched and built CNN Originals into an internationally recognized portfolio. Under her leadership, this work has earned more than 120 awards and 450 nominations, including CNN’s first Academy Award for “Navalny.” Collectively, Entelis has acquired, commissioned, or executive produced more than 70 feature and short films for CNN Films, including the two-time Academy Award nominated “RBG,” “Three Identical Strangers” and “Apollo 11.” For CNN Original Series, she has also led the development and launch of more than 100 multipart series, including the Peabody and 13-time Emmy Award-winning “Anthony Bourdain: Parts Unknown.” Entelis has played a key role in expanding the creative scope of the network, championing new voices and pioneering innovative nonfiction formats and cultural events. In 2025, she spearheaded CNN’s historic live telecast of George Clooney and Grant Heslov’s “Good Night, and Good Luck,” marking the first-ever live broadcast of a Broadway production.

Ryan is a managing editor at The New York Times, and has run some of the newsroom’s largest and most critical news departments, from the Metro section to the Washington bureau. As a masthead leader, she is deeply involved in managing the newsroom staff, handling everything from recruiting journalists to shaping lines of coverage. Ryan came to The Times in 2007 to serve as New York political editor and helped lead the paper to a Pulitzer Prize for coverage of the downfall of Governor Eliot Spitzer. In 2011, she was promoted to Metro Editor and oversaw a multi-part investigation into the abuse of developmentally disabled people which was a finalist for the Pulitzer Prize for Public Service. She became Washington bureau chief in 2013 and ran the presidential campaign coverage in 2016. From 2021 to 2022, as deputy managing editor, Ryan oversaw the Culture and Careers department, a group of newsroom leaders dedicated to helping newsroom staffers with career guidance and thriving at The Times through programs such as the newsroom embed program, editing residency and journalism corps. In the summer of 2022, she was promoted to managing editor alongside Marc Lacey (previously the Live editor).

Prior to joining The Times, Ryan was Deputy Managing Editor at The Boston Globe. Additional West Coast Board of Directors members include:

• David Kramer (Chair), CEO, United Talent Agency
• Bela Bajaria, Chief Content Officer, Netflix
• Lorrie Bartlett, Co-Head of Talent, Creative Artists Agency
• Casey Bloys, Chairman and CEO, HBO and Max Content
• Karey Burke, President, 20th Television
• Kathryn Busby, President of Original Programming, STARZ
• Craig Erwich, President, Disney Television Group
• Cliff Gilbert-Lurie, Senior Partner, Ziffren Brittenham LLP
• Alix Jaffe, President of Television, Miramax
• Tilane Jones, President, ARRAY Alliance
• Kristie Macosko Krieger, Film and Television Producer
• Bruce Ramer, Partner, Gang, Tyre, Ramer & Brown
• David Stapf, President, CBS Studios
• Zack Van Amburg, Head of Worldwide Video, Apple TV+
• Jamie Waldron, Senior Managing Director, Teneo
• Tiffany Ward, Managing Director, Creative Artists Agency
• Richard Weitz, Co-Chairman, William Morris Endeavor

Additional East Coast Board of Director members include:

• Martha Nelson (Chair)
• Melinda Arons, Founder, Arons Advisors
• John Bredar, Vice President of National Programming, GBH
• Emerson Coleman, Former President/Programming, Hearst Television, Inc.
• Katie Couric, Founder, Katie Couric Media
• Maria Cuomo Cole, Founder, Cuomo Cole Productions
• Bianna Golodryga, Anchor/Senior Global Affairs Analyst, CNN
• Madeleine Haeringer, Senior Vice President/Digital, Audio & Longform, MS NOW
• John Huey, Former Editor-in-Chief, Time, Inc.
• Paula Kerger, CEO, PBS
• Pat Mitchell, Editorial Director at TEDWomen
• Courteney Monroe, President of National Geographic Global Television Networks
• Michele Norris-Johnson, Senior Contributing Editor, MS NOW
• Soledad O’Brien, Chief Executive Officer, Soledad O’Brien Productions
• Connor Schell, CEO and Founder, Words + Pictures; Co-creator of 30 for 30 ESPN series
• Regina K. Scully, Founder and CEO, Artemis Rising Foundation
• Kashif Shaikh, Co-Founder and Executive Director, Pillars Fund
• Neal Shapiro, President and CEO, WNET New York Public Media
• Ali Zelenko, Former Senior Vice President/Strategic Initiatives, NBC News

Past Peabody Award winners include some of the most beloved and groundbreaking series of all time, including “Hill Street Blues,” “Murphy Brown,” “The Wire,” “Veep,” The Sopranos,” “Breaking Bad,” “The Office” and “Succession”, and limited/mini-series including “Roots,” “Tales of the City,” “Chernobyl,” and “Dopesick.” Children’s and youth honorees have included “ABC Afterschool Specials,” “Bluey” and “Doc McStuffins,” while landmark educational programs such as “Cosmos” and “NOVA” have also been honored. Peabody began recognizing Interactive and Immersive Media in 2021, with organizations such as The New Yorker, The Washington Post and The New York Times receiving honors. The Peabody Awards precedes The Emmy Awards as the longest running awards program to honor how television/broadcasting, and now digital and podcast programming, can have positive effects on society.

Nominees for the 2026 Peabody Awards and the winners will be announced in April. The 2026 ceremony will take place May 31, at the Beverly Wilshire Hotel in Beverly Hills. The award-winning Peabody podcast “We Disrupt This Broadcast,” co-produced and co-directed with The Center for Media & Social Impact, is distributed by public media organization PRX, and available free on-demand across all major podcast platforms, including Apple Podcasts, Spotify, Amazon Music, iHeart and Overcast. For more information, please visit peabodyawards.com.

# # #

ABOUT THE PEABODY AWARDS 

The Peabody Awards is celebrating 86 years of honoring stories that defend public interest, encourage empathy and expand our understanding of the world. Respected for its integrity and revered for its standards of excellence, the Peabody is an honor like no other for television, podcast/radio, and immersive and interactive media. Chosen each year by a diverse Board of Jurors through unanimous vote, Peabody Awards are given in the categories of entertainment, documentary, news, podcast/radio, arts, children’s and youth, and public service programming. The annual Peabody winners are a collection of stories that powerfully reflect the pressing social issues and the vibrant emerging voices of our day. From major productions to local journalism, the Peabody Awards shine a light on the Stories That Matter and are a testament to the power of art and reportage in the push for truth, social justice, and equity. The Peabody Awards were founded in 1940 at the Grady College of Journalism and Mass Communication at the University of Georgia and remain there today. The Peabody Awards also produces the award-winning podcast “We Disrupt This Broadcast,” available on all major podcast platforms. For more information, visit peabodyawards.com to sign up for our newsletter.

FOR MORE INFORMATION, PLEASE CONTACT:

Michael Donkis

Aloft Strategic Communications

E-mail: mdonkis@aloftpr.com

Cell: 310-387-0220

Rebecca Taylor

Aloft Strategic Communications

E-mail: rtaylor@aloftpr.com

Cell: 310-447-4831

The Pitt: John Wells on the Pressure and Peril of the U.S. Healthcare System

LISTEN ON:

LISTEN ON:

THE PEABODY AWARDS AND CENTER FOR MEDIA & SOCIAL IMPACT DEBUT SEASON THREE OF “WE DISRUPT THIS BROADCAST,” FEATURING INTERVIEWS WITH JOHN WELLS, QUESTLOVE, KARISSA VALENCIA AND JOEY CLIFT AMONG OTHERS.

Signal Award-winning podcast focusing on storytelling that reflects the social issues and emerging voices of our day, returns January 22.

Listen to the first episode of season 3 and previous season episodes HERE

ATHENS, GA (January 22, 2026) – Award-winning, prolific producer John Wells; musician, filmmaker, and activist Ahmir “Questlove” Thompson; and writers/producers Karissa Valencia and Joey Clift, of the hit Netflix series “Spirit Rangers,” are among the guests on the third season of the award-winning “We Disrupt This Broadcast” podcast co-directed by The Peabody Awards and the Center for Media & Social Impact, distributed by public media organization PRX. The podcast is available free on-demand across all major podcast platforms, including Apple Podcasts, Spotify, Amazon Music, iHeart, and Overcast.

“We Disrupt This Broadcast” focuses on industry disruption through some of today’s most powerful and compelling television narratives from critically-acclaimed creatives, shows that are re-imagining the world and tackling the big issues that move us forward. The podcast is hosted by Gabe González (comedian, writer, and actor) with contributions from Caty Borum (executive director of the Center for Media & Social Impact), and Jeffrey Jones (executive director of The Peabody Awards).

In the season three premiere of “We Disrupt This Broadcast,” Jones sits down for a conversation with Questlove, the 2025 recipient of the Peabody Trailblazer Award. As the co-founder and drummer of The Roots, he revolutionized hip-hop by introducing live instrumentation and blending genres, helping shape the Neo-Soul movement. He’s also become a cultural curator and historian through his Academy Award- and Peabody-winning documentary “Summer of Soul,” as well as “Sly Lives!,” a documentary on the musician Sly Stone. Questlove also produced a documentary of musical performances on “Saturday Night Live,” titled “Ladies and Gentlemen…50 Years of SNL Music.”

“In season three, we continue to create space for thoughtful, in-depth conversations with artists and creators whose work is redefining entertainment and reflecting the cultural moments we’re living through,” said Jones, executive director of Peabody and co-EP of the podcast.

“Entertainment culture shapes who we are on a daily basis. We welcome our listeners into intimate conversations with these amazing artists and experts who help us understand why it matters,” said Borum, executive director of the Center for Media & Social Impact and co-EP of the podcast.

González is a Puerto Rican comedian, writer, and actor who can be seen in Season 4 of “The Last OG,” the HBO Latino documentary “Habla y Vota,” and Audible’s “The Comedians.” He was featured in Brooklyn Magazine’s “30 Under 30” in 2017, Time Out New York’s ‘Comedians of Color You Should Know’ in 2018, and his pilot “Los Blancos” was a winner at the Yes, And…Laughter Lab in 2019. His satirical sketch “Bootlickers” was an official selection at the LA Comedy Film Festival and Atlanta Comedy Festival in 2022. That same year he penned the Spanish-language short “Alma” for Imagine Entertainment.

Borum is an award-winning media producer, book author, professor, and engaged scholar working at the intersection of entertainment storytelling and social good. She serves as Executive Director of the Center for Media & Social Impact (CMSI), a creative innovation lab and research center housed at American University’s School of Communication that produces, showcases, and studies media and social change, including comedy. She is also Professor in the School of Communication.

Jones is the Executive Director of the George Foster Peabody Awards at the University of Georgia, and Lambdin Kay Chair for the Peabodys in the Department of Entertainment & Media Studies.

ABOUT THE PEABODY AWARDS

For more than 85 years, The Peabody Awards has celebrated and honored stories that defend public interest, encourage empathy and expand our understanding of the world. Respected for its integrity and revered for its standards of excellence, the Peabody is an honor like no other for television, podcast/radio, and immersive and interactive media. Chosen each year by a diverse Board of Jurors through unanimous vote, Peabody Awards are given in the categories of entertainment, documentary, news, podcast/radio, arts, children’s and youth, and public service programming. The annual Peabody winners are a collection of stories that powerfully reflect the pressing social issues and the vibrant emerging voices of our day. From major productions to local journalism, the Peabody Awards shine a light on the Stories That Matter and are a testament to the power of art and reportage in the push for truth, social justice, and equity. The Peabody Awards were founded in 1940 at the Grady College of Journalism and Mass Communication at the University of Georgia and remain there today. For more information, visit peabodyawards.com to sign up for our newsletter.

ABOUT THE CENTER FOR MEDIA & SOCIAL IMPACT (CMSI)

The Center for Media & Social Impact (CMSI), based at American University’s School of Communication, is a creative innovation lab and research center that creates, studies, and showcases media and storytelling for human rights, social good, and civic participation. Focusing on three core themes—Documentary & Independent Media, Participatory & Civic Media, and Entertainment & Popular Culture—the Center bridges boundaries between scholars, producers and communication practitioners across media industries, social justice, public policy, and public engagement. CMSI produces resources for the field and academic research; creates original media; convenes conferences and events; and works collaboratively to understand and design media that matter. For more information and to sign up for the CMSI newsletter, visit cmsimpact.org.

FOR MORE INFORMATION, PLEASE CONTACT:

Michael Donkis
Aloft Strategic Communications
E-mail: mdonkis@aloftpr.com
Cell: 310-387-0220

Rebecca Taylor
Aloft Strategic Communications
E-mail: rtaylor@aloftpr.com
Cell: 310-447-4831