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	<title>The Peabody Awards</title>
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	<link>https://peabodyawards.com</link>
	<description>Stories That Matter</description>
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	<url>https://peabodyawards.com/wp-content/uploads/2021/05/cropped-peabody-favicon-1-32x32.png</url>
	<title>The Peabody Awards</title>
	<link>https://peabodyawards.com</link>
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	<itunes:explicit>no</itunes:explicit><itunes:image href="http://www.peabodyawards.com/img/nopicture.png"/><itunes:keywords>peabodys,peabody,awards,peabody,winners,awarding,peabodys,news,entertainment,television</itunes:keywords><itunes:summary>The Peabody Awards exist to recognize when storytelling is done well in electronic media; when stories there matter.</itunes:summary><itunes:subtitle>Stories that Matter</itunes:subtitle><itunes:category text="TV &amp; Film"/><itunes:category text="News &amp; Politics"/><item>
		<title>Faith in Action</title>
		<link>https://peabodyawards.com/stories/faith-in-action/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=faith-in-action</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 16:38:31 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=22071</guid>

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										<content:encoded><![CDATA[<div id="fws_6a9af5091d343"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row top-level standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p>Somewhere along the way, the connection between Christianity and progressive activism severed in the public imagination. But given tenets like loving your neighbor as yourself, activism often works as a natural outgrowth of the faith. Monks and nuns have maintained a long tradition of feeding the poor, building hospitals, <a href="https://www.theguardian.com/world/2021/jan/03/christianitys-long-history-in-fighting-for-social-justice" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.theguardian.com/world/2021/jan/03/christianitys-long-history-in-fighting-for-social-justice&amp;source=gmail&amp;ust=1788618668332000&amp;usg=AOvVaw2k7zuIvd-Ebmu81q8tHJza">fighting against slavery and for civil rights</a>. The Peabody-recognized podcasts below highlight the ways that churches have supported the gay community in fighting the AIDS crisis and gotten downright rowdy to protest the Vietnam War, giving us a more expansive view of what Christian practice is truly about.</p>
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		<h3><strong>&#8216;When We All Get to Heaven&#8217;</strong></h3>
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		<p>In 1993, more than a decade into the AIDS epidemic, the LGBTQ-friendly Metropolitan Community Church of San Francisco had to navigate the intersection of sexuality and faith amid an existential crisis. This podcast dives deep into the story with an archive of 1,200 cassette recordings of the church&#8217;s services at the epidemic&#8217;s heights—recorded at the time so ailing members could listen at home. As congregants died and mourned, the community united to care for the group&#8217;s spiritual and physical health and, instead of shying away from what was still a taboo topic, identified as a &#8220;church with AIDS.&#8221;</p>
<p dir="ltr"><strong id="m_6614592735183941313docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://www.youtube.com/watch?v=FzdiFBWCSNg" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DFzdiFBWCSNg&amp;source=gmail&amp;ust=1788618668332000&amp;usg=AOvVaw0rYNv4B2xVAcyd02cnXwEN">YouTube</a><br />
Explore More at Peabody&#8217;s Website: <a href="https://peabodyawards.com/award-profile/when-we-all-get-to-heaven/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/when-we-all-get-to-heaven/&amp;source=gmail&amp;ust=1788618668332000&amp;usg=AOvVaw2FDKSwNBtN2Fh8pgvhQ12Q"><em>When We All Get To Heaven</em></a></strong></p>
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		<h3><strong>&#8216;Divine Intervention&#8217;</strong></h3>
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		<p><em>Divine Intervention</em> chronicles a group of Catholic priests and nuns who dedicated themselves to not just protesting the Vietnam War, but boldly flouting the law to undermine the war effort, including harboring draft resistors, breaking into draft offices, and clashing with the FBI, all of which culminated in significant trials in Pennsylvania and New Jersey. Additionally, the series weaves in a personal love story about a priest who left the church to marry an anti-war activist, revealing the origins of the podcast&#8217;s host, <strong>Brendan Patrick Hughes</strong>, while capturing the spirit of the Boston Irish and the era&#8217;s intense political struggles.</p>
<p dir="ltr"><strong id="m_6614592735183941313docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Listen: <a href="https://podcasts.apple.com/us/podcast/divine-intervention/id1628876978" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://podcasts.apple.com/us/podcast/divine-intervention/id1628876978&amp;source=gmail&amp;ust=1788618668332000&amp;usg=AOvVaw31NmcBSZLUEjZYyvrZ5j8m">Apple Podcasts</a><br />
Explore More at Peabody&#8217;s Website: <em><a href="https://peabodyawards.com/award-profile/divine-intervention/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/divine-intervention/&amp;source=gmail&amp;ust=1788618668332000&amp;usg=AOvVaw3S-Z0NPzzuj6DvfDt6wV9k">Divine Intervention</a></em></strong></p>
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		<h3><strong>How It Happened: <a href="https://sfbaytimes.com/the-stunning-new-queer-podcast-when-we-all-get-to-heaven/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://sfbaytimes.com/the-stunning-new-queer-podcast-when-we-all-get-to-heaven/&amp;source=gmail&amp;ust=1788618668332000&amp;usg=AOvVaw2zscgo4Q9faSXip2rtRVJv">The Stunning New Queer Podcast When We All Get to Heaven</a></strong></h3>
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            <img decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="814" width="1268" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/09/unnamed2-1.png" alt="Worshippers in a church" srcset="https://peabodyawards.com/wp-content/uploads/2026/09/unnamed2-1.png 1268w, https://peabodyawards.com/wp-content/uploads/2026/09/unnamed2-1-300x193.png 300w, https://peabodyawards.com/wp-content/uploads/2026/09/unnamed2-1-768x493.png 768w" sizes="(min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>Podcast co-creator and religious historian <strong>Lynne Gerber</strong> told the <em>San Francisco Bay Times</em> that <em>When We All Get to Heaven</em> documents &#8220;a community that knew how to face loss and make hope in hard times … something all of us are going to need to learn how to do if we’re going to get through the existential crises in front of us” in 2026.</p>
<p dir="ltr"><strong id="m_6614592735183941313docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Read: <a href="https://sfbaytimes.com/the-stunning-new-queer-podcast-when-we-all-get-to-heaven/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://sfbaytimes.com/the-stunning-new-queer-podcast-when-we-all-get-to-heaven/&amp;source=gmail&amp;ust=1788618668332000&amp;usg=AOvVaw2zscgo4Q9faSXip2rtRVJv">San Francisco Bay Times</a></strong></p>
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		<h4><strong>FROM OUR FRIENDS</strong></h4>
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		<p>Three-quarters of the world identifies as religious, spiritual, or a person of faith. Yet, 63% of the world believes that entertainment perpetuates religious stereotypes. <strong>The Coalition for Faith &amp; Media</strong> is dedicated to creating more accurate, nuanced portrayals of faith. We’re honored to partner with the Peabody Awards to celebrate filmmakers who meaningfully bring spirituality into their work, because these are stories that matter. <a title="https://www.faithandmedia.com/" href="https://www.faithandmedia.com/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.faithandmedia.com/&amp;source=gmail&amp;ust=1788618668332000&amp;usg=AOvVaw0543XBzatBkYjIyFSfd3m-">FaithandMedia.com</a></p>
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		<h3><em>Lynne Gerber’s Peabody Acceptance for &#8216;When We All Get to Heaven&#8217;</em></h3>
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		<p>&#8220;These are stories of a people living through a terrible, terrifying time, with no end in sight,&#8221; Gerber said. &#8220;They are a study in how to hold collective grief, claim joy, and keep showing up even when the path is unclear and the outcome uncertain. We are such a people living through such a time, and we have a lot to learn from these voices.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://peabodyawards.com/award-profile/when-we-all-get-to-heaven/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/when-we-all-get-to-heaven/&amp;source=gmail&amp;ust=1788618668333000&amp;usg=AOvVaw1079IhJsCw_GEHaiE8orO6">PeabodyAwards.com</a></p>
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		<h3><em>Brendan Patrick Hughes’s Peabody Acceptance for &#8216;Divine Intervention&#8217;</em></h3>
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		<p>&#8220;Our story is about nuns and priests in 1970s Boston who became cat burglars in order to sabotage the Vietnam War,&#8221; he said. &#8220;And they got so good at it that they began trading blows with J. Edgar Hoover. They scaled walls, they picked locks, they stole draft files. They sang songs from the witness stand in protest.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://peabodyawards.com/award-profile/divine-intervention/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/divine-intervention/&amp;source=gmail&amp;ust=1788618668333000&amp;usg=AOvVaw1gJmP_Mtiz2Nq9HZOiRL7s">PeabodyAwards.com</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/faith-in-action/">Faith in Action</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Jimmy Kimmel Live!</title>
		<link>https://peabodyawards.com/stories/jimmy-kimmel-live/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=jimmy-kimmel-live</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Wed, 02 Sep 2026 22:46:40 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=22066</guid>

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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">ABC’s late-night talk show Jimmy Kimmel Live! </span><span class="ytAttributedStringLinkInheritColor" dir="auto">has been on the air for 23 years, providing a regular diet of entertainment talk with guests, goofy schticks and video vignettes, and comedic monologues that roast the political and cultural figures and events of the day. For reminding us that comedy and satire are vital—yet also threatening—forms of democratic speech, Jimmy Kimmel Live! wins a Peabody. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In this exclusive Peabody Conversation, recorded backstage at the 86th Annual Peabody Awards, Jimmy Kimmel and Guillermo Rodriguez detail what it was like being center of an unprecedented moment in American television history, the coping nature of comedy, and teaching the younger generation the significance behind winning Peabody Awards. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">For more: <a href="https://peabodyawards.com/award-profile/jimmy-kimmel-live/">https://peabodyawards.com/award-profile/jimmy-kimmel-live/</a></span></p>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/jimmy-kimmel-live/">Jimmy Kimmel Live!</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Heated Rivalry</title>
		<link>https://peabodyawards.com/stories/heated-rivalry/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=heated-rivalry</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Thu, 27 Aug 2026 16:11:00 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In a world where men wage wars and rage online, how can men love? Heated Rivalry, created by Jacob Tierney, poses this question via two professional hockey players who must learn to see through their fears, nationalities, and cultural differences and into each other’s hearts. For showing how we can overcome our worst fears and “go to the cottage,” Heated Rivalry has earned a Peabody. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In this exclusive Peabody Conversation, recorded backstage at the 86th Annual Peabody Awards, actor François Arnaud and Bell Media’s head of development, Rachel Goldstein-Couto, discuss the series’ cultural significance and what winning a Peabody means to them. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">For more: <a href="https://peabodyawards.com/award-profile/heated-rivalry/">https://peabodyawards.com/award-profile/heated-rivalry/</a></span></p>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/heated-rivalry/">Heated Rivalry</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Internet Dangers</title>
		<link>https://peabodyawards.com/stories/internet-dangers/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=internet-dangers</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 21 Aug 2026 20:45:32 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=22045</guid>

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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p>The quarter-century-long experiment of allowing humans access to, well, everyone and everything via the internet and social media is starting to show real results—and many of them are <em>not good</em>. In fact, it has been quite harrowing in many ways, as the works below demonstrate. While many technological advancements of the past have inspired disproportionate panic, as when people <a href="https://clivethompson.medium.com/why-novels-will-destroy-your-mind-796f3cdc8d5f" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://clivethompson.medium.com/why-novels-will-destroy-your-mind-796f3cdc8d5f&amp;source=gmail&amp;ust=1787423365929000&amp;usg=AOvVaw1bfbyyDUUS31dP3thddA1d">worried in the 18<sup>th</sup> and 19<sup>th</sup> centuries that books were addictive and mind-poisoning</a>, these series, documentaries, and podcasts demonstrate some of the internet&#8217;s true horrors that must be addressed. Here, some of the best Peabody picks about the dangers of the internet.</p>
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		<h3><strong>&#8216;Adolescence&#8217;</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="748" width="1136" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/08/adol-1.png" alt="Scene from &quot;Adolescence&quot;" srcset="https://peabodyawards.com/wp-content/uploads/2026/08/adol-1.png 1136w, https://peabodyawards.com/wp-content/uploads/2026/08/adol-1-300x198.png 300w, https://peabodyawards.com/wp-content/uploads/2026/08/adol-1-768x506.png 768w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>In this gripping limited series, 13-year-old Jamie Miller (an astonishing <strong>Owen Cooper</strong>) is arrested for murdering a female classmate. What&#8217;s revolutionary is that this isn&#8217;t a crime mystery; instead, the storytelling focuses on the ways that the crime affects the investigators and his family while also revealing the online &#8220;manosphere&#8221; sources that made such an act inevitable. With an intensity that&#8217;s heightened by the series&#8217; high-wire act of production—each episode is a single take—<em>Adolescence</em> provides no scapegoats or easy answers. (More on that below from co-creators <strong>Stephen Graham</strong> and <strong>Jack Thorne</strong>.)</p>
<p dir="ltr"><strong id="m_-2431016598119144023docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.netflix.com/title/81756069" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.netflix.com/title/81756069&amp;source=gmail&amp;ust=1787423365929000&amp;usg=AOvVaw2YYyQg8GbvRTMpLWdRgv3R">Netflix</a><br />
Explore More on Peabody&#8217;s Website: <em><a href="https://peabodyawards.com/award-profile/adolescence/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/adolescence/&amp;source=gmail&amp;ust=1787423365929000&amp;usg=AOvVaw3J8gyX3pLc5g360PvzaLCy">Adolescence</a></em></strong></p>
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		<h3><strong>&#8216;Audrie &amp; Daisy&#8217;</strong></h3>
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		<p>This 2016 documentary delves into the stories of two teenage girls who were raped in separate incidents, one in California and one in Missouri, both of whom endured cyberbullying after the assaults. Using social media and court documents, the husband-and-wife directing team of <strong>Bonni Cohen</strong> and <strong>Jon Shenk</strong> tell these two related, tragic stories, which begin with the girls&#8217; assaults being caught on camera and end in destruction, anguish, and suicide. A difficult watch with a crucial message.</p>
<p dir="ltr"><strong id="m_-2431016598119144023docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.netflix.com/title/80097321" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.netflix.com/title/80097321&amp;source=gmail&amp;ust=1787423365929000&amp;usg=AOvVaw3b_XsoX8BCXPxSZRRkCFM1">Netflix</a><br />
Explore More on Peabody&#8217;s Website: <em><a href="https://peabodyawards.com/award-profile/audrie-daisy/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/audrie-daisy/&amp;source=gmail&amp;ust=1787423365929000&amp;usg=AOvVaw231ou0FNa2UhgL5jvd-0qb">Audrie &amp; Daisy</a></em></strong></p>
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		<h3><strong>&#8216;Feminist Frequency&#8217;</strong></h3>
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		<p><em>Feminist Frequency</em> was created by <strong>Anita Sarkeesian</strong> in 2009 as a video series exploring gender issues in pop culture, including video games, and it became a flashpoint in the #Gamergate online harassment campaign of the mid-2010s. Sarkeesian endured death and rape threats and doxxing all due to her &#8220;Tropes vs. Women in Video Games&#8221; series. <em>Feminist Frequency</em> carried on, however, and continues now as a video podcast hosted by <strong>Kat Spada</strong>, exploring works such as <em>Hairspray</em>, <em>Barbarella</em>, and the most recent Oscar nominees.</p>
<p dir="ltr"><strong id="m_-2431016598119144023docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.youtube.com/user/feministfrequency" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/user/feministfrequency&amp;source=gmail&amp;ust=1787423365930000&amp;usg=AOvVaw1soMn3HHFcgpuz7-a33Zi_">YouTube</a><br />
Explore More on Peabody&#8217;s Website: <em><a href="https://peabodyawards.com/award-profile/feminist-frequency-2013/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/feminist-frequency-2013/&amp;source=gmail&amp;ust=1787423365930000&amp;usg=AOvVaw0RgWouXoVvVUdTczoIH3mm">Feminist Frequency</a></em></strong></p>
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		<h3><strong>&#8216;The Rise and Fall of Terrorgram&#8217;</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="1004" width="1500" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/08/rise-and-fall-1.png" alt="The Rise and Fall of Terrorgram" srcset="https://peabodyawards.com/wp-content/uploads/2026/08/rise-and-fall-1.png 1500w, https://peabodyawards.com/wp-content/uploads/2026/08/rise-and-fall-1-300x201.png 300w, https://peabodyawards.com/wp-content/uploads/2026/08/rise-and-fall-1-768x514.png 768w, https://peabodyawards.com/wp-content/uploads/2026/08/rise-and-fall-1-600x403.png 600w, https://peabodyawards.com/wp-content/uploads/2026/08/rise-and-fall-1-400x269.png 400w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>In this documentary,<em> Frontline</em> and ProPublica investigate an online network of white supremacists dubbed &#8220;Terrorgram&#8221; because it spreads extremism and violence through loosely moderated platforms like Telegram. The work reveals how the group not only disseminated propaganda but actively recruited and groomed young individuals for acts of violence, growing from a few accounts to a large community focused on far-right terror. By analyzing chat logs and conducting interviews, the report highlights how various platforms have fostered extremist ideologies and the eventual arrests of individuals linked to the Terrorgram collective.</p>
<p dir="ltr"><strong id="m_-2431016598119144023docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Watch: <a href="https://www.pbs.org/wgbh/frontline/documentary/the-rise-and-fall-of-terrorgram/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.pbs.org/wgbh/frontline/documentary/the-rise-and-fall-of-terrorgram/&amp;source=gmail&amp;ust=1787423365930000&amp;usg=AOvVaw1ZrCkBVBJM3Zdah99dyibZ">PBS</a><br />
Explore More on Peabody&#8217;s Website: <em><a href="https://peabodyawards.com/award-profile/the-rise-and-fall-of-terrorgram/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-rise-and-fall-of-terrorgram/&amp;source=gmail&amp;ust=1787423365930000&amp;usg=AOvVaw1MO1Heohy8tHNP2LXZN34x">The Rise and Fall of Terrorgram</a></em></strong></p>
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		<h3><em>&#8216;Adolescence&#8217; on &#8216;We Disrupt This Broadcast&#8217;</em></h3>
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		<p>&#8220;It takes a village to raise a child,&#8221; co-creator and star Stephen Graham said on The Peabody Awards and Center for Media &amp; Social Impact podcast, &#8220;<a href="https://peabodyawards.com/podcast/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/podcast/&amp;source=gmail&amp;ust=1787423365930000&amp;usg=AOvVaw0YMOB3Og5ga_oxYp6vc2w7">We Disrupt This Broadcast&#8221;</a>. &#8220;And [co-creator] Jack [Thorne] said to me, &#8216;Yeah, but it also takes a village to destroy a child.&#8217; And that was kind of what we based our whole thing on. We weren’t pointing the finger at anybody. We were just saying maybe we’re all accountable in some way, shape, or form.&#8221;</p>
<p><strong>Listen to the Podcast Episode:</strong> <a href="https://peabodyawards.com/stories/podcast-stephen-graham-jack-thorne/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/stories/podcast-stephen-graham-jack-thorne/&amp;source=gmail&amp;ust=1787423365930000&amp;usg=AOvVaw2ytl8axPdpQ_AJ1x7TF832">PeabodyAwards.com</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/internet-dangers/">Internet Dangers</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>The Pitt</title>
		<link>https://peabodyawards.com/stories/the-pitt/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=the-pitt</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Mon, 17 Aug 2026 22:01:47 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Set in an underfunded and overcrowded Pittsburgh trauma center, with 15 episodes all taking place across a single day, HBO Max</span><span class="ytAttributedStringLinkInheritColor" dir="auto">&#8216;s The Pitt jolts the TV medical drama to new life. For providing a riveting example of “appointment television” for the streaming age, The Pitt is honored with a Peabody Award. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In this exclusive Peabody Conversation, recorded backstage at the 86th Annual Peabody Awards, The Pitt creator and executive producer R. Scott Gemmill tells us more about the series&#8217; contemporary relevance and what it means to win a Peabody. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Learn more: <a href="https://peabodyawards.com/award-profile/the-pitt/">https://peabodyawards.com/award-profile/the-pitt/</a></span></p>
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		</div>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/the-pitt/">The Pitt</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Sterlin Harjo</title>
		<link>https://peabodyawards.com/stories/sterlin-harjo/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=sterlin-harjo</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Mon, 10 Aug 2026 22:33:03 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=22015</guid>

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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">For expanding the possibilities of television storytelling while centering Indigenous voices with originality, humanity, and purpose, Sterlin Harjo is honored with the Peabody Trailblazer Award. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In this exclusive Peabody Conversation, recorded backstage at the 86th Annual Peabody Awards, Sterlin Harjo shares insight on what it means to expand TV storytelling while centering Indigenous voices, and what it personally means to be honored with the Peabody Trailblazer Award. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Learn more: <a href="https://peabodyawards.com/award-profile/sterlin-harjo/">https://peabodyawards.com/award-profile/sterlin-harjo/</a></span></p>
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		</div>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/sterlin-harjo/">Sterlin Harjo</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>System Breakdowns, from Immigration to Incarceration</title>
		<link>https://peabodyawards.com/stories/system-breakdowns-from-immigration-to-incarceration/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=system-breakdowns-from-immigration-to-incarceration</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 07 Aug 2026 15:56:00 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
		<category><![CDATA[What to Watch]]></category>
		<guid isPermaLink="false">https://peabodyawards.com/?p=21992</guid>

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										<content:encoded><![CDATA[<div id="fws_6a9af50938273"  data-column-margin="default" data-midnight="dark"  class="wpb_row vc_row-fluid vc_row standard_section "  style="padding-top: 0px; padding-bottom: 0px; "><div class="row-bg-wrap" data-bg-animation="none" data-bg-overlay="false"><div class="inner-wrap"><div class="row-bg"  style=""></div></div><div class="row-bg-overlay" ></div></div><div class="row_col_wrap_12 col span_12 dark left">
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p>Modern life is built on systems that we take for granted until they fail: financial markets, infrastructure, law enforcement, immigration processes, prisons. But the Great Depression and the 2008 financial crisis, Three Mile Island and Hurricane Katrina (more on that below) are among the many major system breakdowns that have shaped American history. Here are some Peabody-recognized works that explore what happens when our trusted systems break down—and how we can do better next time.</p>
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		<h3><strong>On Immigration</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="1208" width="1814" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1.png" alt="Immigration Crackdown" srcset="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1.png 1814w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1-300x200.png 300w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1-768x511.png 768w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1-1536x1023.png 1536w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-3-1-900x600.png 900w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>When President Donald Trump&#8217;s immigration crackdown began, <em>PBS News Hour</em> did what it does best, sending reporters to the scenes where news was happening, from raids to protests to press conferences. The organization&#8217;s ongoing coverage, <a href="https://www.pbs.org/newshour/tag/immigration-crackdown" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.pbs.org/newshour/tag/immigration-crackdown&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw2nnJ487Nvqz1AXGY4aDqSM"><em>Immigration Crackdown</em></a>, also included deeper dives into the history of immigration policy in the United States and scrupulously documented the views of not only immigrants under scrutiny, but also the Trump administration and its supporters. Meanwhile, <em>The Atlanta Journal-Constitution</em> took an interactive approach to its local Immigration and Customs Enforcement sweeps, bringing viewers inside the operations through affectingly intimate social video and body-cam footage. The assembled series, <a href="https://www.tiktok.com/@soul_and_substance/collection/Immigration%20Crackdown-7574124060167244575" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.tiktok.com/@soul_and_substance/collection/Immigration%2520Crackdown-7574124060167244575&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw34um2Bje1eHUCm02JRntzB"><em>ICE Sweeps Georgia</em></a>, was viewed 2.8 million times—coincidentally, the same year the paper published its final print edition after 157 years. And finally, in HBO Max&#8217;s <em><a href="https://www.hbomax.com/movies/critical-incident-death-at-the-border/d2e96ad1-9694-4f57-bd16-eb7fcc536477" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.hbomax.com/movies/critical-incident-death-at-the-border/d2e96ad1-9694-4f57-bd16-eb7fcc536477&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw1w1G4G6l1gFlbpAhk174_e">Critical Incident: Death at the Border,</a> </em>we learn about wrongdoing inside the U.S. Border Patrol, starting with the in-custody death of Anastasio Hernandez Rojas and exposing a wider culture of violence and impunity within the agency. Through shocking eyewitness footage and leaked internal documents, the film reveals the presence of secret teams created to shield agents from accountability, leading to multiple congressional investigations and underscoring the pressing need for oversight and reform in this influential law enforcement body.</p>
<p><strong>Explore More on Peabody&#8217;s Website</strong>: <em><a href="https://peabodyawards.com/award-profile/immigration-crackdown/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/immigration-crackdown/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw2fCSLU1zXb0y54lAHAQC-H">Immigration Crackdown</a>, <a href="https://peabodyawards.com/award-profile/ice-sweeps-georgia/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/ice-sweeps-georgia/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw1N42gwOka5QkP6RnRR0cMR">ICE Sweeps Georgia</a></em> and <a href="https://peabodyawards.com/award-profile/critical-incident-death-at-the-border/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/critical-incident-death-at-the-border/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw0sfRxHGpME7-NtKkdpEjag"><em>Critical Incident: Death at the Border</em></a></p>
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		<h3><strong>On Incarceration</strong></h3>
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            <img loading="lazy" decoding="async" class="img-with-animation skip-lazy " data-delay="0" height="1112" width="1672" data-animation="fade-in" src="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1.png" alt="The Alabama Solution" srcset="https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1.png 1672w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1-300x200.png 300w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1-768x511.png 768w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1-1536x1022.png 1536w, https://peabodyawards.com/wp-content/uploads/2026/08/unnamed-5-1-900x600.png 900w" sizes="auto, (min-width: 1450px) 75vw, (min-width: 1000px) 85vw, 100vw" />
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		<p>In &#8220;<a href="https://www.pbs.org/independentlens/documentaries/the-strike/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.pbs.org/independentlens/documentaries/the-strike/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw0AmjOaoyn8VVYT89OtkOLB">The Strike,</a>&#8221; PBS&#8217;s <em>Independent Lens</em> documents a 2013 hunger strike by 30,000 prisoners against solitary confinement in the super-max prison Pelican Bay. The film spotlights the strikers&#8217; personal stories and, through interviews with incarcerated people and prison officials, looks at the effects of solitary confinement. HBO Documentary Films focused on a broader pattern of abuse in <a href="https://www.hbomax.com/movies/alabama-solution/a035980c-668b-4a80-aa01-a92ec58d06cc" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.hbomax.com/movies/alabama-solution/a035980c-668b-4a80-aa01-a92ec58d06cc&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw2uhLkOUS8n-cO48IFuSHAy"><em>The Alabama Solution</em></a>, which came about when, In 2019, filmmakers <strong>Andrew Jarecki </strong>and <strong>Charlotte Kaufman</strong> visited an Alabama prison for a sanctioned filming of a religious revival, but inmates off-camera revealed the brutal conditions and corruption they faced daily. Over the following years, incarcerated men risked their lives to provide Jarecki and Kaufman with stealth video recordings of the dire realities in Alabama prisons—ranging from drug overdoses and beatings to suicides—ultimately leading to legislative hearings aimed at reforming these conditions.</p>
<p><strong>Explore More on Peabody&#8217;s Website: </strong><a href="https://peabodyawards.com/award-profile/the-strike/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-strike/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw3BhPGBXbL2HmkYpXrgO3AH"><em>The Strike</em> </a>and <a href="https://peabodyawards.com/award-profile/the-alabama-solution/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-alabama-solution/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw3MN6DL-jmXU40JicyotjwU"><em>The Alabama Solution</em></a></p>
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		<h3><strong>On Natural Disaster</strong></h3>
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		<p dir="ltr">The National Geographic documentary series <a href="https://www.nationalgeographic.com/tv/show/835e484d-dbd3-426b-97e2-97000a792748" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.nationalgeographic.com/tv/show/835e484d-dbd3-426b-97e2-97000a792748&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw1KBT8N80Knf65_-hHRN8eA"><em>Hurricane Katrina: Race Against Time</em></a> from 2025 takes a retrospective look at the disaster, focusing on the experiences of Black communities in New Orleans during and after the storm, prioritizing personal stories over sensationalized media portrayals. It sheds light on systemic inequalities and government failures, illustrating how the storm worsened existing social injustices while offering local voices a platform to reclaim their narratives and share their resilience, grief, and wisdom for future generations.</p>
<p><strong>Explore More on Peabody&#8217;s Website:</strong> <a href="https://peabodyawards.com/award-profile/hurricane-katrina-race-against-time/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/hurricane-katrina-race-against-time/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw0-JNP842ZETACMgsfJrC4t"><em>Hurricane Katrina: Race Against Time</em></a></p>
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		<h3><strong>On Policing</strong></h3>
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		<p>Plans to improve the relationship between the police and the Black community in Louisville, Kentucky, collapsed with the fatal 2020 shooting of Breonna Taylor in her home, which became a national flashpoint. Louisville Public Media investigated what went wrong in 2021, during <a href="https://www.lpm.org/investigate/2019-11-25/dig-season-2-the-model-city" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.lpm.org/investigate/2019-11-25/dig-season-2-the-model-city&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw3LOlcI9TE678HuGQzhAOUP">season 2 of its podcast <em>Dig</em></a>. Three years later, ABC15 Arizona produced a 32-part investigative project, <a href="https://www.abc15.com/news/local-news/investigations/phoenix-doj-investigation/video-guide-abc15-breaks-down-the-department-of-justices-report-into-phoenix-pd" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.abc15.com/news/local-news/investigations/phoenix-doj-investigation/video-guide-abc15-breaks-down-the-department-of-justices-report-into-phoenix-pd&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw1t48Aq5zOIg95nlrAap3Yx">&#8220;Policing Phoenix,&#8221;</a> to break down a U.S. Department of Justice report—itself a product of the news station&#8217;s previous reporting—that showed systemic discrimination, excess use of force, and civil rights violations by the city&#8217;s police department.</p>
<p><strong>Explore More on Peabody&#8217;s Website</strong>: <a href="https://peabodyawards.com/award-profile/dig-the-model-city/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/dig-the-model-city/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw3H3n2-4JTXMEhWNFrr3P_L"><em>Dig:The Model City </em></a>and <a href="https://peabodyawards.com/award-profile/policing-phoenix/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/policing-phoenix/&amp;source=gmail&amp;ust=1786198468605000&amp;usg=AOvVaw2GWN7064pmDh-sU9hqKEbB"><em>Policing Phoenix</em></a></p>
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		<h3><em>Andrew Jarecki’s Peabody Acceptance for &#8216;The Alabama Solution&#8217;</em></h3>
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			<div class="wpb_video_wrapper"><iframe loading="lazy" title="Halle Bailey Presents the Peabody to Andrew Jarecki and Charlotte Kaufman for The Alabama Solution" width="1080" height="608" src="https://www.youtube.com/embed/hc9fm5yuiWQ?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
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		<p>&#8220;The truth is that the condition of people in prison in the United States is worse than you can imagine, and we don&#8217;t hear about it. The reason we don&#8217;t hear about it is that, even though we lock up more of our citizens than any democratic country at a cost of $116 billion a year, journalists like us, and many people in this room, are routinely denied access to U.S. prisons. So those of you who&#8217;ve been able to see <em>The Alabama Solution</em> were able to see inside because incredibly brave incarcerated men risked their lives, risked everything, risked bodily harm, to help us.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://peabodyawards.com/award-profile/the-alabama-solution/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-alabama-solution/&amp;source=gmail&amp;ust=1786198468606000&amp;usg=AOvVaw0lqZ4u3P0jXQcxNl95cWTZ">PeabodyAwards.com</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/system-breakdowns-from-immigration-to-incarceration/">System Breakdowns, from Immigration to Incarceration</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>James L. Brooks</title>
		<link>https://peabodyawards.com/stories/james-l-brooks/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=james-l-brooks</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Mon, 03 Aug 2026 23:02:25 +0000</pubDate>
				<category><![CDATA[Peabody Conversations]]></category>
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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Beginning in the late 1960s, producer-writer James L. Brooks helped push television comedy in a new direction that reflected society, tackled social issues through heartfelt storytelling, and celebrated diversity and strong female characters. From creating the groundbreaking series Room 222 in 1969 to co-creating the Peabody-winning Mary Tyler Moore Show (and its spinoffs Rhoda and Lou Grant), Brooks became a major player in the TV revolution of the 1970s alongside Norman Lear. He also went on to co-create TV classics and favorites like Taxi and The Simpsons. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">For both his visionary works that pulled us into what was next and his lasting drive to mentor new talent, Peabody proudly recognizes James L. Brooks with the inaugural Peabody Industry Icon Award. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Learn more: <a href="https://peabodyawards.com/award-profile/james-l-brooks/">https://peabodyawards.com/award-profile/james-l-brooks/</a></span></p>
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		</div>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/james-l-brooks/">James L. Brooks</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>PBS KIDS</title>
		<link>https://peabodyawards.com/stories/pbs-kids/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=pbs-kids</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Tue, 28 Jul 2026 23:41:29 +0000</pubDate>
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		<p><span class="ytAttributedStringLinkInheritColor" dir="auto">For nearly three decades, PBS KIDS </span><span class="ytAttributedStringLinkInheritColor" dir="auto">has been synonymous with the finest in wholesome, educational, and entertaining children’s television accessible to youngsters of all economic and ethnic backgrounds and living in every corner of America. With high hopes for that continued survival—and with deep appreciation for its role in educating and empowering America’s children—we honor PBS KIDS </span><span class="ytAttributedStringLinkInheritColor" dir="auto">with the Peabody Institutional Award. </span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">In this exclusive Peabody Conversation, recorded backstage at the 86th Annual Peabody Awards, Sara DeWitt (Senior Vice President and General Manager of PBS KIDS and Education) discusses the importance of evolving to continue fulfilling their mission to serve America’s youth.</span></p>
<p><span class="ytAttributedStringLinkInheritColor" dir="auto">Learn more: <a href="https://peabodyawards.com/award-profile/pbs-kids/">https://peabodyawards.com/award-profile/pbs-kids/</a></span></p>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/pbs-kids/">PBS KIDS</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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		<title>Nathan Fielder’s Constructed Realities</title>
		<link>https://peabodyawards.com/stories/nathan-fielders-constructed-realities/?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=nathan-fielders-constructed-realities</link>
		
		<dc:creator><![CDATA[Keshia White]]></dc:creator>
		<pubDate>Fri, 24 Jul 2026 15:00:35 +0000</pubDate>
				<category><![CDATA[Featured Programming]]></category>
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				<div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div><div class="nectar-cta  hover_color_9c8d62 " data-color="extra-color-2" data-using-bg="true" data-style="see-through" data-display="inline" data-alignment="left" data-text-color="custom" ><h5 style="color: #ffffff;"> <span class="text"><img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c6.png" alt="🏆" class="wp-smiley" style="height: 1em; max-height: 1em;" /> Recognizing #StoriesThatMatter. Never miss a newsletter! </span><span class="link_wrap" ><a target="_blank" class="link_text" href="https://mailchi.mp/uga.edu/peabodysignup">Sign up and have #PeabodyFinds delivered to your inbox.<span class="arrow"></span></a></span></h5></div><div class="divider-wrap" data-alignment="default"><div style="margin-top: 12.5px; width: 20%px; height: 1px; margin-bottom: 12.5px;" data-width="20%" data-animate="yes" data-animation-delay="" data-color="accent-color" class="divider-small-border"></div></div>
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		<p><a href="https://peabodyawards.com/award-profile/the-rehearsal/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-rehearsal/&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw0Z-PGTxJK028rBg7PR2rTz"><em>The Rehearsal </em></a>begins as a kind-of self-help reality show: Host <strong>Nathan Fielder</strong> will go to great lengths to help each individual participant practice doing something difficult until they feel confident enough to pull it off in real life. The first hint that it’s more than that is exactly how far Fielder goes. In the premiere episode, for instance, he constructs an exact replica of the bar where participant Kor Skeete hopes to confess to his trivia team that he lied about having a master’s degree. Fielder’s deadpan persona makes it hard to tell: Does he know this is a little much, or is this just his slightly unhinged vision for how such a rehearsal should be conducted? From there, the first season spirals out into helping a woman practice for having a child until Fielder is suddenly contemplating fatherhood on his own and forming an intense bond with one of the boys playing his practice son. There&#8217;s also an entire episode in which he trains actors in the &#8220;Fielder method&#8221; to prepare them for the elaborate improvs he must devise to help himself and his subjects rehearse their lives. The second season goes even further, concentrating on using rehearsal to conquer the breakdowns in pilot communication that compromise airline safety, in the process creating a singing competition show, meddling in the dating lives of more than one copilot, and re-enacting pilot hero Sully Sullenberger&#8217;s entire life, among other high-stakes endeavors.</p>
<p>Critics and a certain kind of fan loved <em>The Rehearsal</em> for its disorienting level of innovation. No one even knew how to categorize it, and that was exactly the point of this postmodern pastiche masterpiece. The <em>Columbia Journalism Review </em><a href="https://www.cjr.org/the_media_today/is-nathan-fielder-rehearsal-journalism-aviation-safety-crm-cockpit-real-absurd.php" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.cjr.org/the_media_today/is-nathan-fielder-rehearsal-journalism-aviation-safety-crm-cockpit-real-absurd.php&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw24AyaxdKiFZ9NNhGjp5hHP">ran a piece</a> headlined, “Is Nathan Fielder’s <em>The Rehearsal </em>a Work of Journalism?” <em>The Bulwark</em>’s Sonny Bunch <a href="https://www.thebulwark.com/p/the-rehearsals-startling-honesty" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.thebulwark.com/p/the-rehearsals-startling-honesty&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw2dH_0Tk1SN1AIFBVyx4y-4">encapsulated the contradictions</a> on contradictions in a review last year: “Rarely has a work of televisual art so flummoxed me as Nathan Fielder’s show <em>The Rehearsal</em>, the second season of which just wrapped up. Both a parody of reality shows and comedy-news shows, and a heartfelt examination of the ever-widening bifurcation between our self-perception and the way we choose to identify to others in the world—a split that, ironically, merges fake and real into something like a unifying whole—<em>The Rehearsal </em>is simultaneously steeped in detached irony and deeply genuine.”</p>
<p>Or, as Fielder himself said in season 1, “It&#8217;s easy to assume that others think the worst of you. But when you assume what others think, maybe all you&#8217;re doing is turning them into a character that only exists in your mind.&#8221; In other words, maybe this is the TV series that most encapsulates our modern times, when the difference between reality and fiction is nearly impossible to distinguish—and, perhaps, beside the point.</p>
<p><strong id="m_-8865476479128296093docs-internal-guid-81644bae-7fff-b171-58b5-e2cd00e532db">Where to Watch: <a href="https://play.hbomax.com/show/609d8b4c-f0a6-4a5d-b9d3-bb0f2e207efb" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/609d8b4c-f0a6-4a5d-b9d3-bb0f2e207efb&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw3LixXP-XJEJKzjzPzF5nBy">HBO Max</a></strong></p>
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		<h3><em>&#8216;The Rehearsal&#8217; Season 2 Trailer</em></h3>
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		<h3><em>Dive Deeper</em></h3>
<p><strong>Starred Review: <a href="https://www.theguardian.com/tv-and-radio/2025/may/13/nathan-fielder-the-rehearsal-season-two" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.theguardian.com/tv-and-radio/2025/may/13/nathan-fielder-the-rehearsal-season-two&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw3-oRk7rvBIUfIBCSASA9hH">Alienating, awkward, anxiety-inducing: why &#8216;The Rehearsal&#8217; is TV&#8217;s most fascinating show</a></strong></p>
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		<p>&#8220;What do couples counseling, a reality-singing competition, three cloned Yorkies, the content moderation of Paramount+ Germany and aviation safety all have in common?&#8221; Adrian Horton writes for <em>The Guardian</em>. &#8220;Virtually nothing, except the interest of television mastermind Nathan Fielder, who braids such disparate concepts together in the galaxy-brained second season of <em>The Rehearsal</em>.&#8221;</p>
<p dir="ltr"><strong id="m_-8865476479128296093docs-internal-guid-23586a64-7fff-54bf-1556-d41f18fe54ce">Where to Read: <a href="https://www.theguardian.com/tv-and-radio/2025/may/13/nathan-fielder-the-rehearsal-season-two" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.theguardian.com/tv-and-radio/2025/may/13/nathan-fielder-the-rehearsal-season-two&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw3-oRk7rvBIUfIBCSASA9hH">The Guardian</a></strong></p>
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		<h3><strong id="m_-8865476479128296093docs-internal-guid-91310bf7-7fff-b668-a9b8-f96d02974d7c">Further Listening: <a href="https://www.youtube.com/watch?v=sXqrsD7dAKA" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DsXqrsD7dAKA&amp;source=gmail&amp;ust=1785249808202000&amp;usg=AOvVaw1JRS2zCQEn3iogt3zl0ak1">What It Was Like to Win &#8216;Wings of Voice&#8217; on Nathan Fielder&#8217;s &#8216;The Rehearsal&#8217;</a></strong></h3>
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		<p><em>Decoding TV</em> interviews <strong>Isabella Henao</strong>, who won <em>Wings of Voice</em>, the singing competition within <em>The Rehearsal</em> season 2, offering interesting insider perspective on one of the series&#8217; many interrelated layers of &#8220;reality.&#8221; &#8220;Never once were we made a joke of,&#8221; Henao says, noting that there were several legitimate rounds of competition, performances, and meticulous costume fittings. &#8220;Even on the show, <em>Wings of Voice</em> wasn&#8217;t a joke.&#8221;</p>
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		<h3><strong id="m_-8865476479128296093docs-internal-guid-b37e1d50-7fff-fd35-170f-945d6847da82">Further Viewing: <a href="https://play.hbomax.com/show/e88bb67c-ce15-463e-aa6a-121af30b8d49" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/e88bb67c-ce15-463e-aa6a-121af30b8d49&amp;source=gmail&amp;ust=1785249808203000&amp;usg=AOvVaw1BDGwaisxQlFzobfuRO1Hq">&#8216;Nathan for You&#8217;</a></strong></h3>
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		<p dir="ltr">In this progenitor to <em>The Rehearsal</em>, which ran from 2013 to 2017, Fielder advises small businesses, suggesting outrageous solutions in a parody of management consultants and aggressive consumer advocacy segments on local news. As in <em>The Rehearsal</em>, some of the humor derives from Fielder&#8217;s deadpan awkwardness and his subjects&#8217; willingness to go along with almost anything on camera. His escapades include trying to boost the popularity of a petting zoo by making one of its pigs into a (real) celebrity, opening a (totally real) coffee shop called Dumb Starbucks, and launching a winter clothing brand called Summit Ice dedicated to Holocaust education. (The latter shows up as the subject of a season 2 <em>Rehearsal</em> episode after its removal from Paramount+ in Germany.)</p>
<p><strong id="m_-8865476479128296093docs-internal-guid-cea49d0b-7fff-abdd-8329-9e5b12750819">Where to Watch: <a href="https://play.hbomax.com/show/e88bb67c-ce15-463e-aa6a-121af30b8d49" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://play.hbomax.com/show/e88bb67c-ce15-463e-aa6a-121af30b8d49&amp;source=gmail&amp;ust=1785249808203000&amp;usg=AOvVaw1BDGwaisxQlFzobfuRO1Hq">HBO Max</a></strong></p>
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		<h3><em>Fielder’s <span class="il">Peabody</span> Conversation about &#8216;The Rehearsal&#8217;</em></h3>
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		<p>&#8220;Sometimes when you create an environment that&#8217;s fake but it feels identical to a real space, I&#8217;ve experienced it at times where I&#8217;ll actually forget that I&#8217;m in the fake environment &#8230; That mix of something feeling real but also knowing it&#8217;s safe because it&#8217;s not maybe allows you to explore different parts of yourself that you wouldn&#8217;t.&#8221;</p>
<p><strong>Where to Watch:</strong> <a href="https://peabodyawards.com/award-profile/the-rehearsal/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://peabodyawards.com/award-profile/the-rehearsal/&amp;source=gmail&amp;ust=1785249808203000&amp;usg=AOvVaw1TGeY2HDGkibRkmwcjiTvv">PeabodyAwards.com</a></p>
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		<h5 style="text-align: center;"><em>If you’ve enjoyed this, please subscribe to the Peabody Finds newsletter <a href="https://mailchi.mp/uga.edu/peabodysignup">here!</a></em></h5>
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</div></div><p>The post <a href="https://peabodyawards.com/stories/nathan-fielders-constructed-realities/">Nathan Fielder’s Constructed Realities</a> first appeared on <a href="https://peabodyawards.com">The Peabody Awards</a>.</p>]]></content:encoded>
					
		
		
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