<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">
    <title>Phoenix Union</title>
    
    
    <link rel="alternate" type="text/html" href="http://ttms.typepad.com/phoenix_union/" />
    <id>tag:typepad.com,2003:weblog-1513254</id>
    <updated>2008-02-08T15:26:19-05:00</updated>
    <subtitle>Teachers working together to improve student achievement in reading and writing</subtitle>
    <generator uri="http://www.typepad.com/">TypePad</generator>
    <atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/PhoenixUnion" /><feedburner:info uri="phoenixunion" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://hubbub.api.typepad.com/" /><feedburner:emailServiceId>PhoenixUnion</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><entry>
        <title>Close Reading</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/smLh2iS_MAI/close-reading.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2008/02/close-reading.html" thr:count="2" thr:updated="2008-03-05T09:39:18-05:00" />
        <id>tag:typepad.com,2003:post-45343278</id>
        <published>2008-02-08T15:26:19-05:00</published>
        <updated>2008-02-08T15:26:19-05:00</updated>
        <summary>When Every Word Counts In our everyday lives, we don’t pay close attention to every word we read. We read for the gist of things, concentrating more on big ideas than on subtle shades of meaning, new vocabulary, and unusual...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Close Reading" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 1.4em;"><em><strong>When Every Word Counts</strong></em></span></p>

<p>In our everyday lives, we don’t pay close attention to every word we read. We read for the gist of things, concentrating more on big ideas than on subtle shades of meaning, new vocabulary, and unusual turns of phrase. This is just as it should be. There’s too much information in the world for us to ponder every bit of it every time we skim the newspaper or scan a web page.</p><p>But there are times when close reading is required. When we’re
following directions, signing a contract, or taking a test that holds
the key to our future, every word matters. Reading closely also makes a
difference when we’re learning to read. If we gloss over unfamiliar
words, we never get the chance to learn them. If we ignore complex
logic, we miss the opportunity to improve our own. If we skip the
hardest parts of great novels and poems, we undermine the purpose of
reading them in the first place.</p>

<p>
This is why teaching close reading is so important to me. When I
conference with individual readers, or teach a lesson to the class, I
encourage kids to use every strategy they have to wring out every last
drop of meaning from every word they encounter.</p>

<p>
We can work on close reading using any text, but for formal lessons, I
often pull out short pieces I’ve written myself specifically for the
purpose of giving kids a challenge:</p>
<blockquote><blockquote><p><strong>Test Anxiety</strong><br />When she saw her score, she became depressed. Or was she elated? After
all, her strategy had been successful. But this was beyond
expectations. People would be suspicious. There would only be rumors at
first, just speculation. She rubbed the inside of her forearm. She
hadn’t even bothered to wash it off yet. And if she chose to keep it
always as a trophy or a talisman, could anyone decipher the code? A
present from her parents, she had told everyone; an easy way to obscure
her ruse. But now, with perfection staring back at her from the page,
she surmised that her plan had worked too well. She cast a furtive
glance around the room to spy on the scores of others. The difference
would be telling. She timidly approached the teacher’s desk, feigned
illness, and dashed to the bathroom.
</p></blockquote></blockquote>
<p>
The first thing we do is read it out loud together. I love choral
reading because it gives me a chance to show kids how to read
carefully. We try to maintain a slow and steady speed. The kids usually
run ahead but I hold them back by focusing their attention on phrasing
like this:</p>
<blockquote><blockquote><p>When she saw her score,<br />
she became depressed.<br />
Or was she elated?<br />
After all,<br />
her strategy had been successful.<br />
But this was beyond expectations.<br />
People would be suspicious.<br />
There would only be rumors at first,<br />
just speculation.</p></blockquote>
</blockquote><p>
When we’ve read the passage once through, I ask them to tell me what
it’s about in a single sentence. We usually come up with something like
this: “It’s about a girl who cheated on a test and now she feels bad
about what she did.”</p>

<p>
This one-sentence summary is crucial to our close reading process
because it establishes the context. In close reading, kids will be
depending on context clues to make inferences. But often, they don’t
have an explicit understanding of it. A simple summary, even if it
isn’t entirely correct, makes all the difference.</p>

<p>
Once we understand the context of the whole, we can begin to work on
the parts. I like to work sentence-by-sentence. Specifically, I want
kids to go back to the first sentence and tell me if there are any
words, phrases, or ideas we need to talk about in order to have a more
complete understanding.</p>
<blockquote><blockquote><p>When she saw her score, she became depressed.</p></blockquote>
</blockquote><p>
In the first sentence, we need to talk about two things: What does
“depressed” mean? And why did the girl become that way when saw her
score? If there’s not enough information yet, we’ll read one sentence
further.</p>
<blockquote><blockquote><p>Or was she elated?</p></blockquote>
</blockquote><p>
Now we’ve got another question to answer: What does “elated” mean?</p>

<p>
From the way the sentences sound, “depressed” and “elated” are probably
opposites. So now I’ll have the kids make some guesses, or inferences,
about what “depressed” means. It’s a word they think they all know but
in the process of defining it, we’re likely to discover that the
meaning is a little richer than they might have thought. Typical
guesses include: “sad”, “tired”, “angry”, “hurt”. Now I’ll ask kids to
substitute their guesses back into the sentence to see which ones do
the best job of clarifying the meaning. In this case, “sad” and “hurt”
fit the bill.</p>

<p>
We continue this process for every sentence in the passage. When we
finish, we retell the passage using our own words and some of the extra
information we’ve picked up about it along the way. I also try to pose
so-called “big questions” that apply to their entire passage. These are
typically open-ended questions with no right or wrong answer. All I
require is that kids support their answers by citing the text. For
“Test Anxiety”, I ask questions like, “What is the girl running off to
do?” or “What is she most afraid of?” or “What do you think will happen
in the near future?”</p>

<p>
There are several things I like to point out to kids about close reading:</p>
<ul><li><strong>We don’t have to know the exact meanings of words.</strong> It’s
hard to say what the exact meaning of a single word is. Even with a
dictionary, it isn’t always possible to come up with a definition that
exactly matches the way a word is used in context. A good guess, or
two, is a great way to figure things out, and to learn new words at the
same time.</li></ul>
<ul><li><strong>Meanings change in context.</strong> The word “depressed” means one
thing to a girl getting back a test and another thing entirely to a
psychologist diagnosing a patient. It’s important to know what words
mean, but what they mean is often determined as much by context as by
the word itself.</li></ul>
<ul><li><strong>More guesses mean more meaning.</strong> If we stop after making
the single guess, “sad”, we know we get most of the meaning. But
doesn’t the last guess, “hurt”, give us just a little bit more of an
understanding of how this girl feels? Usually, the meaning of a word in
context will be defined by the overlap of several guesses. Making
several guesses, as opposed to just one, also insulates readers from
the problem of guessing wrong. The reader in this situation who goes
with “tired” or “angry” makes a mistake. But with the other words to
choose from, it’s easy to see which fits better in context.</li></ul>
<ul><li><strong>Wrong guesses are not a problem.</strong> Because we’re always
going back to see how our guesses fit with the sentence, we’ll be able
to catch most of the errors we make. Even a wrong guess helps us
improve our comprehension because we’re discovering words that aren’t
part of the solution and we’re revisiting the context one more time to
evaluate them. Knowing that something doesn’t make sense is often the
precursor to discovering something else that does.</li></ul>

<p>
This process of identifying important words and attempting to define
them in context leads us to an important discovery about close reading.
Close reading depends on the coordination of three essential reading
strategies:</p>
<ul><li><strong>Question. </strong>We start with questions. What’s confusing?
What’s important? What does that word mean? What don’t we understand?
Close reading begins with any question we might have about the text as
we move through it sentence-by-sentence. Nothing happens until we ask a
question.</li></ul>
<ul><li><strong>Infer.</strong> Every answer we offer is an inference. We hope the
answers are right, of course, but often they’re not. Even a relatively
simple word like “depressed” can only be understood in context as the
overlap of two good guesses.</li></ul>
<ul><li><strong>Clarify.</strong> Every answer, or inference, has to be checked
out. Specifically, we hope to use our inference to understand more
about what we’re reading. The goal is that our understanding becomes
clearer as we go along. If it doesn’t, we throw out our inference, go
back to our question, and start the process over again.</li></ul>

<p>
Question, infer, clarify; question, infer, clarify. To get the most out
of a challenging text, readers have to move through this circular
process over and over.</p>

<p>
It’s important for me to practice close often with kids because I need
them to internalize the question-infer-clarify process. Breakdowns in
comprehension can almost always be traced back to readers leaving out
one or more of the three steps.</p>
<ul><li><strong>Start with a question.</strong> If readers neglect to question,
they never dig deeply into a text to begin with. All they have is their
surface comprehension, and even when this is very good, it isn’t as
deep as what they might otherwise be able to achieve if they would
simply start by asking a question or two.</li></ul>
<ul><li><strong>Just take a guess.</strong> I can often get kids to ask questions
but many won’t make inferences. They tell me that they’re worried about
getting something wrong. As we’ve just discussed, even wrong answers
can be helpful. So I have to help kids break the habit of not making
guesses. The tendency to think or say, “I don’t know”, as the default
response is probably the single most serious impediment to kids
improving their reading comprehension.</li></ul>
<ul><li><strong>Try to make things clearer.</strong> Questions and inferences get
the ball rolling but they don’t finish the job. For every question
asked and inference made, we have to go back and attempt to use what
we’ve just come up with to clarify our understanding. Without this
step, our comprehension can actually degrade as we pile up incorrect
inferences and begin to confuse ourselves.</li></ul>

<p>
As kids move through this process, I like them to mark up the text
they’re reading with a record of their comprehension. There are several
ways we can do this:</p>
<ul><li><strong>On the board.</strong> I often start by copying the passage
double-spaced on the board. As we work the text together, I note the
group’s questions, inferences, and clarifications in the margins and in
between the lines. Working as a group, there’s lots of comprehension to
write down. Kids are often impressed with the volume of their own
thinking and the fact that, in the end, our understanding of the
passage is longer than the passage itself.</li></ul>
<ul><li><strong>Printed handout.</strong> When I want kids to work on their own, I
print out the passage, double-spaced, and centered on a page so there’s
lots of room to write all around it. Kids record their comprehension
individually and then we share our results.</li></ul>
<ul><li><strong>Copy double-spaced in journal.</strong> Though the kids like to
complain about it, it’s not a big deal for me to ask them to copy a
passage into their reading journals. I ask them to do this regularly
using a passage from the book they’re reading, so they get used to it
pretty quickly.</li></ul>

<p>
Teaching kids to mark up their text is a big part of what makes this
such a valuable activity. For the kids, it helps them see how much work
there is to be done on a single line or paragraph. For me, it provides
an excellent assessment of how kids are thinking while they read. Short
of having a conference and trying to pry open their heads to see what’s
inside, reviewing their understanding in the margins and in between the
lines of a close reading passage gives me the best vantage point on
their comprehension that I can imagine.</p>

<p>
Close reading is an exercise I try to do often with kids. I also
reinforce it when we conference or share. At first, it’s tedious and
time consuming; the first time we do it, it might take 30 minutes or
more. But once we get the hang of it, we can close read a short passage
in 5-10 minutes.</p>

<p>
If I want kids to become better readers I have to challenge them with
tougher texts. But I also have to give them a reliable process for
working through those texts. Close reading with question-infer-clarify
and text mark-up is the best activity I’ve come across. It helps kids
internalize important reading behaviors, it helps them develop their
vocabulary, and it helps them improve their stamina for critical
reading. Perhaps best of all, it gives low readers a set of tools they
can use when faced with texts above their reading level.</p>

<p>
Though I’m inclined to introduce close reading with fiction in Language
Arts, it works for informational texts in the content areas as well.
The question-infer-clarify process is perfect for working through a
textbook chapter, and the notes kids generate reinforce their
comprehension and often aid in answering end-of-chapter questions.
Close reading is also an essential skill for maximizing student
performance on high stakes state tests.</p>
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2008/02/close-reading.html</feedburner:origLink></entry>
    <entry>
        <title>My Personal Reading Curriculum</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/Q2P0MU4jWP0/my-personal-rea.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2008/02/my-personal-rea.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-45302678</id>
        <published>2008-02-07T21:13:54-05:00</published>
        <updated>2008-02-07T21:13:54-05:00</updated>
        <summary>Key Ideas That Ground Me in My Teaching Teachers are under great pressure to change their teaching these days. Hardly a year goes by that isn’t filled with new curriculum, new methods, and new requirements delivered as new mandates to...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Philosophy" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 1.4em;"><em><strong>Key Ideas That Ground Me in My Teaching</strong></em></span></p>

<p>Teachers are under great pressure to change their teaching these days. Hardly a year goes by that isn’t filled with new curriculum, new methods, and new requirements delivered as new mandates to which teachers must conform. Because reading is the first “r”, the change here has been particularly sweeping, so much so that it’s easy for some of us to feel swept off our feet into styles of teaching we’re not comfortable with.</p><p>Truth is, districts can tell teachers what and how to teach, and more
are doing exactly that. So each of us has to have a way of connecting
with what’s most important to us in our practice and infusing our core
beliefs into whatever methods we are asked to use.</p>

<p>
Over the years, I’ve come up with seven ideas that I’ve tried to make a consistent part of my teaching:</p>
<ul><li>Teach kids how to make their own good choices.</li>

<li>Give kids real things to do.</li>

<li>Offer practical, reusable strategies when kids get stuck.</li>

<li>Surround kids with models of quality.</li>

<li>Help kids learn to evaluate themselves and set goals for their own improvement.</li>

<li>Treat kids as individuals striving to reach their full potential.</li>

<li>Make the work meaningful and relevant to kids’ lives.</li></ul>

<p>
In a list like this, these ideas may not seem very powerful. But with
each year that passes, I realize that they’ve become a lifeline for me,
reconnecting me during hard and confusing times with my purpose as an
educator and with the inspiration that drew me to working with kids in
the first place.</p>

<p>
Each of these ideas informs my practice in specific ways and each can
be applied to reading regardless of the grade level or subject area in
which I’m working:</p>
<ul><li><strong>Teach kids how to make their own good choices.</strong> The first
choice in reading is what to read. Choice is the key to motivation, to
ownership, and to the essential goal of making sure kids are reading
regularly at their independent reading level. Choice also makes reading
with a class full of readers more interesting. When everyone is reading
the same text, the same way, at the same time, individual readers lose
the opportunity to make the individual discoveries that are so crucial
to getting excited about reading and to becoming good at it. I want
kids to have choices in their reading so they can learn to become
choosy readers.</li></ul>
<ul><li><strong>Give kids real things to do.</strong> If we want kids to develop
real-world reading skills, they have to be engaged in real-world
reading activities. I want kids to have real discussions about books
just like adult readers do. I don’t want them to write book reports, I
want them to write book reviews just like the ones adults publish
online and in newspapers and magazines. I also want kids to read in
their interest areas. In order for kids to learn about informational
texts, they have to read them for authentic purposes. Just like adults,
I want kids to read not only for entertainment but also to solve real
problems and to explore important issues in their lives.</li></ul>
<ul><li><strong>Offer practical, reusable strategies when kids get stuck.</strong>
I want the bulk of my instruction to focus on techniques that help
readers solve the most common problems they encounter when they read.
To do that, I have to offer much of my instruction one-on-one through
conferencing as kids are reading in authentic self-selected texts. I
want to emphasize the process of reading so kids can master techniques
that will serve them in any reading situation they encounter.</li></ul>
<ul><li><strong>Surround kids with models of quality.</strong> I want to model good
reading in front of students as often as I can. I want them to hear me
reading well and to follow my thinking about how I read as I share my
thoughts out loud. I want to give them a language to describe good
reading based on six qualities: speed, accuracy, phrasing, expression,
understanding, and thinking. And I want them to listen critically but
constructively to each other as they read and express their
understanding of the texts they encounter. Finally, I want them to read
good books and other high quality texts of all kinds. I want them to
develop a sense of what they consider to be good writing, and I want
them to have their own lists of favorite books, authors, and genres.</li></ul>
<ul><li><strong>Help kids learn to evaluate themselves and set goals for their own improvement.</strong>
With each year that goes by, I become more convinced that
self-assessment is the single most valuable skill I can teach. Kids who
can evaluate themselves and set goals for their own improvement are
more engaged in their learning and more likely to make progress
regardless of the instruction they receive. I want kids to internalize
our criteria for good reading and be able to apply it to themselves as
well as I can. I want them to have high expectations for their
performance that go far beyond minimum state requirements. Most of all,
I want them to work with me, not as students, but as partners in their
own learning, taking responsibility for the kinds of readers they want
to become.</li></ul>
<ul><li><strong>Treat kids as individuals striving to reach their full potential.</strong>
With so much emphasis on standardized tests these days, it’s easy to
get caught up in the notion that our goal is to help every student
develop the same minimal level of skills. But rather than working for
minimum competency, I want to work for maximum potential. I don’t want
the same learning goals for each student; I want individualized
learning goals that support the notion of every child being the best he
or she can be. Far from being standardized, I want my instruction to be
as individualized and as differentiated as possible. Different readers
need to read different texts, they need to learn different strategies,
and they need to pursue different projects. The best way to make sure
we leave no child behind is to push all children ahead as far and as
fast as they will go.</li></ul>
<ul><li><strong>Make the work meaningful and relevant to kids’ lives.</strong>
Reading is, first and foremost, the act of getting meaning from text.
In order for kids to learn to read, their texts must be meaningful to
them. No teacher, or curriculum, or entity can know better than the
readers themselves what texts will be meaningful and relevant to their
lives. The work kids do around reading must make sense to them as a
natural extension of who they are and why they read. Why do we give
book talks and write book reviews? Because we want other readers to
learn about the books we’ve read. Why do we choose the books we choose?
Because we like certain authors or because we want to learn about
certain subjects. If we want kids to become lifelong readers, we have
to start by making reading a part of their lives.</li></ul>

<p>
When I think about how to teach reading, these seven ideas form the
foundation of my approach. I can’t realize all of them in every
teaching situation. Sometimes the environment in which I’m working is
too restrictive. But when I keep these ideas in mind, and when I work
consistently to bring my teaching in line with them to the greatest
degree possible, I know I provide kids with a valuable reading
experience.</p>

<p>
With all the change going on around us these days, it’s easy to lose
our way. Before we know it, we’re teaching things we don’t believe in
to kids who don’t care. That’s when our teaching suffers and our work
becomes laborious. Reading is a deeply personal endeavor. If we teach
it without a strong connection to our experience as readers or to our
values as teachers of reading, our work lacks integrity. We may not be
able to teach exactly the way we want to all the time. But when we
ground our teaching of reading in our own personal curriculum, we
create for our students an experience that has the power to inspire
them as much as reading inspires us.</p>
<br />
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2008/02/my-personal-rea.html</feedburner:origLink></entry>
    <entry>
        <title>Non-Fiction Reading with Suzanne Forman</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/YMZrRbtKl_Y/non-fiction-rea.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2008/01/non-fiction-rea.html" thr:count="1" thr:updated="2008-01-12T11:49:21-05:00" />
        <id>tag:typepad.com,2003:post-44053486</id>
        <published>2008-01-12T11:42:35-05:00</published>
        <updated>2008-01-12T11:42:35-05:00</updated>
        <summary>Helping Kids Connect Real-Life Reading with Real-Life Learning As part of our non-fiction stuff this semester I brought in six NCAA football coaches' contracts. All the boys thought that was the coolest thing; everyone seemed to enjoy actually reading something...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Non-Fiction" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em><span style="font-size: 1.4em;"><strong>Helping Kids Connect Real-Life Reading with Real-Life Learning</strong></span></em></p>

<p>As part of our non-fiction stuff this semester I brought in six NCAA football coaches' contracts. All the boys thought that was the coolest thing; everyone seemed to enjoy actually reading something "real". That's what they said: the contract was real, not like reading articles or biographies or editorials. When I asked them what those things were, they said "fluffy". It was a very interesting conversation. </p><p>In their history class they're heading towards WWII, so today I read to
them from "Farewell to Manzanar" about Japanese internment camps and
then they read a couple journals from Japanese internees. They didn't
know anything like that had happened in the US.</p>

<p>
So then I asked them if those pieces were real or fluff. They said
real, but it's history stuff and that doesn't really count because we
read something that linked to what they were doing in history. Come
hell or high water I'm going to get them to see how it's all connected.
</p>

<p>
This semester I asked that they start off with a non-fiction book. I
think 80% of them had never read a non-fiction book. Our library has a
HUGE non-fiction section there isn't a subject or person they don't
have a book on - we spent forever in the library with they looked for a
book. They shared today and I think they were surprised how much they
are "getting into" their books. As we were leaving on of my boys, who
really struggles came up to me and said, "Mrs. Forman, you tricked us."</p>

<p>
"What do you mean Jay?"</p>

<p>
"Well, we aren't just reading, we're learning stuff too and that's not fair."</p>

<p>
"What's not fair?"</p>

<p>
"Well, Courtney is learning about inter-racial relationships, you know
she's dating Zach, and JP is learning a lot about that Crips leader.
Tasha is all happy about learning about emotions. Everyone's learning
something. But you didn't tell us that would happen. That's not fair."</p>

<p>
"Jay, are you learning something?"</p>

<p>
"Oh yea!" he said. Then he talked about all this mythology stuff. </p>

<p>
It's been fun!</p>
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2008/01/non-fiction-rea.html</feedburner:origLink></entry>
    <entry>
        <title>A Recipe for Raising Reading Levels</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/_Or9vXVLU10/a-recipe-for-ra.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2008/01/a-recipe-for-ra.html" thr:count="2" thr:updated="2008-01-29T19:35:06-05:00" />
        <id>tag:typepad.com,2003:post-44024040</id>
        <published>2008-01-11T15:12:09-05:00</published>
        <updated>2008-01-11T15:12:09-05:00</updated>
        <summary>Seven Simple Practices That Accelerate Student Progress I was listening to a news story on the radio about how schools are helping struggling readers. One school had taken a group of low-reading 9th graders and put them into a special...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Levels" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 1.4em;"><em><strong>Seven Simple Practices That Accelerate Student Progress</strong></em></span></p>

<p>I was listening to a news story on the radio about how schools are helping struggling readers. One school had taken a group of low-reading 9th graders and put them into a special class. Reading levels in the group ranged from 3rd to 5th grade and, predictably, many kids admitted they really didn’t like to read. As the teacher called the class together to begin the lesson, something caught my attention. Everyone in the class was reading To Kill a Mockingbird.</p><p>Now, the last time I checked, To Kill a Mockingbird was well above the
reading level of kids with 3rd-5th grade abilities. So how were these
kids going to improve when the only book they were reading was a book
they couldn’t read? How many kids would be likely to do extra reading
on their own at home? How many kids would improve their reading
fluency? How many would increase their stamina for long sustained
reading sessions? How many would become hooked on books as a result of
spending several weeks on a text that might be several years above
their independent reading level?</p>

<p>
If this were an oddity, I wouldn’t bother mentioning it. But I see it
in almost every school I visit. The whole class novel is the sacred cow
of American reading instruction, so sacred, in fact, that we can’t
imagine any other way for kids to become better readers. And yet, whole
class reading is the structure that is least likely to help a classroom
full of kids raise their reading levels in a hurry.</p>

<p>
Don’t get me wrong; I’m not against the classics. To Kill a Mockingbird
is a terrific book. It’s beautifully written, the story is well told,
kids can relate to it, and it covers important issues that still
resonate with us today. It’s most often taught in middle or early high
school and most of the grade level listings put place it somewhere
between 7th and 9th grade. It’s a great book for teenagers but not if
they read at pre-teen levels.</p>

<p>
This kind of instruction goes on everywhere in our schools, not just in
special reading classes and not just at the high school level. For the
sake of tradition, or convenience, or a teacher’s personal preference,
or merely to follow a requirement, teachers routinely pick whole class
texts when they know that many of their students can’t read them. When
I see this in a classroom where I’m consulting, I often ask the teacher
how it works. If the kids can’t read the book, how do they learn about
it? Teachers tell me that they read the book to the kids, that they
play a CD of someone reading it, or that they show the movie. These are
all nice things to do but none of them helps kids learn to read.</p>

<p>
All across our country, we have literally millions of kids who are not
proficient readers. If we extrapolate results from the most recent
reading test of the National Assessment of Education Progress, the
number of kids reading below grade level could be as high as 20-25
million. Clearly, there’s some catching up to be done. And setting up
special classes for low readers isn’t necessarily a bad idea. But
making them read the same book when it’s well above their reading level
is.</p>

<p>
Even if we don’t teach a special reading class, we all encounter kids
who are far behind in reading. Think about how hard school is for them.
Almost every class they take requires some reading and virtually
everything their teachers give them is above their reading level. When
I see kids that are two, three, or more years behind, I know I have to
be very focused in the way I help them. And what I need to be focused
on is raising their reading level—fast. To do that as quickly as
possible, I focus on the following practices:</p>

<ul><li><strong>Spend most of our time reading individual, student-selected, “just
right” books.</strong> Kids have to read their own books because I want each of
them reading at their independent reading level. That’s the fastest way
for them to improve and the best way to make sure they are motivated to
do the hard work that becoming a better reader requires. When kids
spend most of their time reading texts that are too hard for them, they
develop bad habits that can actually leave them even farther behind.
Teaching kids how to choose their own “just right” books is also the
best way to motivate readers who probably don’t like to read. There are
many ways to define what a “just right” book is, so I start with
something simple: a “just right” book is a book you like and can read
well.</li></ul>

<ul><li><strong>Focus on fluency.</strong> The key to raising reading levels is improving
reading fluency. Much of my instruction, therefore, will focus on
reading rate, phrasing, and expression. I’ll support kids in this by
providing them with more efficient decoding strategies and by showing
them how and when to reread passages they may at first have difficulty
with. I’ll model fluent reading extensively and give them lots of
scaffolded practice through choral reading.</li></ul>

<ul><li><strong>Provide individualized instruction while kids are reading.</strong> The best
time to help kids improve their reading skills is while they’re in the
act of reading. Even though I’ll give plenty of whole class lessons,
most of my instruction will come during individual conferences with
kids while they’re reading in self-selected texts at their independent
reading levels. This gives me the best vantage point for assessing
their needs. It also gives them the best opportunity to apply the
strategies I’m teaching while I’m sitting beside them ready to help.</li></ul>

<ul><li><strong>Teach questioning as the most important strategy.</strong> Struggling readers
aren’t in the habit of paying close attention to what they read. They
read the words they can read, skip the words they can’t, and rely on
skills unrelated to decoding text to maintain minimal levels of
comprehension. It’s counterproductive to bombard them with a huge list
of strategies. But if I can teach them how to question—the easiest and
most natural comprehension strategy—they’ll become instantly more
engaged in their reading in ways that will help them fill the gaps in
their understanding. Questioning leads naturally to making inferences
and inferences lead naturally to clarifying understanding. Questioning
also generates predictions and connections. It’s the foundation of
almost all other comprehension strategies, it can be initiated by any
level of reader in any text, and it’s a perfect tool for kids whose
comprehension is often incomplete or unclear.</li></ul>

<ul><li><strong>Use journaling to capture comprehension.</strong> Kids who struggle with
reading also struggle to articulate their understanding of what they
read. They often try to read intuitively depending more on non-text
elements than on textual details. As a result, they may have trouble
recalling finer points in discussions or on tests. Journaling gives
kids the time and the freedom they need to express their comprehension
in more detail. With a journal, they can read a short passage, write
about it, read over what they’ve written, and compare it with what
they’ve read. Looking across a set of entries made over time, I can
also see patterns in their comprehension that help me assess their
strengths and weaknesses.</li></ul>

<ul><li><strong>Use book talks as a culminating event.</strong> After kids finish a book, the
best thing they can do is talk about it with other readers just like
them. In a book talk, I instruct students to briefly summarize what
they’ve read, to tell their audience about their favorite parts, to
relate the book to other books kids may have read, and to make general
recommendations about who might like to read it. Then we turn the
tables and let the audience ask questions. As the reader answers, we
learn more about the book and about the reader. Book talks stimulate
interest within our reading community, they give kids a way to interact
socially around books, they increase the number and kinds of books kids
are exposed to, and they challenge both the person giving the talk and
other readers in the audience to improve their thinking about books.</li></ul>

<ul><li><strong>Make sure kids read regularly and in high volume.</strong> Kids who are behind
need to do more to catch up. I want kids to read every day for a
sustained period of time in class and again later on at home. Depending
on their reading level, I want kids to complete between 20 (if they’re
in high school) and 50 (if they’re in the primary grades) books a 
year. More than anything, I want kids to develop the habit of reading.
I also want them to experience, probably for the first time in their
lives, what it feels like to have read many books and learned about
many others.</li></ul>

<p>
In my review of reading practices, I find that programs for struggling
readers are almost mirror opposites of what I’m suggesting here. I also
know from my consulting work that even the suggestion of practices like
these is enough to get me banished from a district. And yet the biggest
successes I’ve seen in schools around the country come out of
classrooms structured along these lines.</p>

<p>
What keeps us from setting up our reading classrooms like this? In most
cases, it’s just past traditions and present-day politics. Everyone
takes reading very seriously. No subject is more controlled, no
information is more guarded than the way a school teaches reading. When
teachers are told to teach reading a certain way, they do it, or else.
And that means that reading instruction doesn’t change much. The basic
tradition of a whole class of kids reading the same book, the same way,
at the same time (whether most of them can read it or not) remains
essentially unaltered from an era when children learned to read by
memorizing the Bible.</p>

<p>
If the dominant paradigm for reading instruction in America is the
whole class novel, and millions of kids remain below grade level
despite the pressures of high stakes testing, unprecedented federal
funding, and a decade of standards-based reform, I think it would be
wise to look into other classroom structures for helping kids learn to
read. Personally, I favor individual reading of “just right” books with
frequent teacher conferencing and an instructional emphasis on fluency.
It’s not a complicated recipe, every element of it is research-based,
and it certainly can’t produce worse results than what we’ve been doing
all along.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2008/01/a-recipe-for-ra.html</feedburner:origLink></entry>
    <entry>
        <title>Read Like a Reader, Read Like a Writer</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/dlOmBhOO3ro/read-like-a-rea.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2008/01/read-like-a-rea.html" thr:count="4" thr:updated="2008-01-29T19:29:28-05:00" />
        <id>tag:typepad.com,2003:post-43980434</id>
        <published>2008-01-10T16:59:54-05:00</published>
        <updated>2008-01-10T16:59:54-05:00</updated>
        <summary>An Organized Approach to Strategic Reading Like many educators, I was attracted to the idea of strategic reading. Prior to learning about the strategic reading movement, I often felt that what I taught kids about reading never addressed the task...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Close Reading" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Journals" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Strategies" />
        
        
<content type="html" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;&lt;span style="font-size: 1.4em;"&gt;&lt;em&gt;&lt;strong&gt;An Organized Approach to Strategic Reading&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;Like many educators, I was attracted to the idea of strategic reading. Prior to learning about the strategic reading movement, I often felt that what I taught kids about reading never addressed the task of reading itself. I realize now that what I had in my teaching repertoire was a set of reading activities, things kids could do after they read something. By contrast, strategic reading gave me things I could teach kids to do while they read, things that would actually help them read better.&lt;/p&gt;&lt;p&gt;But my enthusiasm for reading strategies soon led to a problem: I was
using so many strategies that kids were doing more strategizing than
reading. So I decided to organize my approach into a single framework I
could use for all types of texts and all levels of readers.&lt;/p&gt;

&lt;p&gt;
I called this framework Read Like a Reader, Read Like a Writer for two
reasons: I wanted kids to have a model for response that integrated
reading and writing, and I wanted them to think about two distinct but
complementary ways of interacting with text. I also wanted kids to
experience reading strategies in a natural way that mirrored as closely
as possible the experience of adult readers.&lt;/p&gt;

&lt;p&gt;
From participating in book discussions, attending readings at
bookstores, and reading book reviews, I’d noticed that adult readers
moved easily back and forth between what they thought a text meant and
the quality of the author’s writing. This natural integration of
reading and writing was exactly what I wanted kids to be able to do.&lt;/p&gt;

&lt;p&gt;
When we read “like a reader,” we try to figure out what a text means.
We root for characters, we follow the sequence of events, we ride a
wave of emotions as the author guides us from beginning to end. We
might think of this as the “normal” experience of reading. But it
certainly isn’t the only experience.&lt;/p&gt;

&lt;p&gt;
We can also “read like a writer.” In this way of looking at a text, we
focus less on what the writer is trying to say and more on how the
writer is saying it. Specifically, we look at techniques the writer is
using to get his or her message across and how those techniques affect
us as we experience the text.&lt;/p&gt;

&lt;p&gt;
When we “read like a reader,” we use six common strategies: question,
connect, infer, clarify, predict, and evaluate. Here’s how I explain
them to kids:&lt;/p&gt;

&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Question.&lt;/strong&gt; When we “read like a reader,” we ask questions about the
things we read. What kinds of questions do we ask? Just about anything
that comes to mind: why something is happening or not happening, why a
character feels or acts a certain way, how an author reached a
conclusion, things we wonder about or are confused by, words we may not
know the meanings of, and so on. Questions help us focus on specific
things we need to understand.&lt;/li&gt;&lt;/ul&gt;

&lt;ul&gt;&lt;li&gt;C&lt;strong&gt;onnect.&lt;/strong&gt; When we “read like a reader,” we think about what our
reading reminds us of. We can’t help but be reminded of our own lives
as we read. We’re also reminded of similar things we’ve read in other
texts and in other parts of the same text we’re reading at the time. We
may also be reminded of movies we’ve seen, songs we know, and other
things we’ve experienced. Connecting helps us understand things by
comparing something in the text we’re reading to something we know from
the world around us.&lt;/li&gt;&lt;/ul&gt;

&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Infer.&lt;/strong&gt; When we “read like a reader,” we figure out things about what
we read that aren’t actually written in the text. There’s almost always
more to a text than just the words on the page. Often, writers leave
clues readers can use to discover important information. These clues
usually take the form of something the writer shows us (a character, an
event, a situation, a metaphor, etc.) that represents something the
writer is trying to tell us.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Clarify.&lt;/strong&gt; When we “read like a reader,” we’re always trying to
understand more about what the writer is saying. With each new piece of
information we encounter, we attempt to fit it into our understanding
of what has come before. When we get confused, we stop to sort things
out. Our goal is always to be clearer and more confident about what an
author is trying to tell us.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Predict.&lt;/strong&gt; When we “read like a reader,” we make guesses about what is
coming up next. No reader, it seems, can resist thinking about what a
writer is going to say next. It’s just part of human nature to
anticipate things. Predicting helps us sort important information from
unimportant information. It also helps us organize our thinking as we
encounter new material.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Evaluate.&lt;/strong&gt; When we “read like a reader,” we make judgments. Is this
text good? If so, what’s good about it? Do I like it? Why? Should I
keep reading or should I put it down and get something else? How do I
feel about this part? Do I like this character? And so on. As readers,
we are finicky, impatient, emotional judging machines. The evaluations
we make help us decide whether or not what we are reading is valuable
and, if so, how we might use it.&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;When we shift gears in order to “read like a writer,” we look at text a
little differently, almost as if we were seeing it through a different
set of lenses. To assess the quality of an author’s writing, we rely on
the same language we use to assess our own. I’ve found the Six Trait
writing model to be the most useful in my teaching. So when I’m
teaching kids to read like writers, we focus on ideas, organization,
voice, word choice, sentence fluency, and conventions.&lt;/p&gt;

&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Ideas.&lt;/strong&gt; Ideas are the heart of the piece, what the writer is writing
about and the information he or she chooses to reveal about it. When we
“read like a writer,” we try to answer questions like these: How does
the writer reveal the main idea? What types of details does the writer
use? How does the writer achieve his or her purpose? How does the
writer’s choice of ideas affect the reader?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Organization.&lt;/strong&gt; Organization refers to the order of ideas and the way
the writer moves from one idea to the next. When we “read like a
writer,” we try to answer questions like these: What kinds of leads
does the writer use and how do they pull us in and make us want to read
more? What kinds of endings does the writer use and how do they work to
make the writing feel finished and to give us something important to
think about? How does the writer handle transitions? What techniques
does the writer use for sequencing? How does the writer control pacing?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Voice. &lt;/strong&gt;Voice is how the writing feels to someone when they read it,
it’s the expression of the writer’s individual personality through
words. When we “read like a writer,” we try to answer questions like
these: How does the writer demonstrate passion for the topic? How does
the writer reveal emotions? How does the writer put personality into
the piece?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Word Choice.&lt;/strong&gt; Word Choice refers to the writer’s selection of
particular words and phrases to express ideas. When we “read like a
writer,” we try to answer questions like these: What techniques
(simile, metaphor, strong verbs, etc.) does the writer use to make
ideas more specific, more memorable, and more effective?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Sentence Fluency.&lt;/strong&gt; Sentence Fluency is the rhythm and flow of the
language as we read it, it’s how the writing sounds when read aloud.
When we “read like a writer,” we try to answer questions like these:
What kinds of sentence constructions does the writer use? How does the
writer vary the length and construction of his or her sentences? How
does the writer use “sound” effects like alliteration, rhyme, and
rhythm?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Conventions.&lt;/strong&gt; Conventions are the ways we agree to use punctuation,
spelling, grammar, and other things that make writing consistent and
easy to read. When we “read like a writer”, we try to answer questions
like these: How does the writer use conventions to make the writing
meaningful and easy to read? Does the author use conventions in unusual
ways that are successful?&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;I introduce “Read Like a Reader, Read Like a Writer” to kids by
explaining that our brains are very active when we read. Not only do we
process text as we covert print into words and words into ideas, we
also process information, thoughts, and feelings about what we read.
The twelve elements of the “Read Like a Reader, Read Like a Writer”
framework are not ways of testing kids to see if they’re reading.
They’re ways to help them become more aware of the thinking they do
naturally every time they encounter a text.&lt;/p&gt;

&lt;p&gt;
To prove this point, I put up short passages on the board and ask kids
to comment on them. I write down everything they say and then I go back
and show them which “Read Like a Reader, Read Like a Writer” categories
their responses fall into. So, for example, if I put up the opening of
Catcher in the Rye, and a students says, “The character is angry about
something,” I can point out that that’s an inference, and I can take it
further by asking the student to show me how the writer’s choice of
words lead her to believe that the character was angry. Kids use the
framework all the time. They just don’t know it.&lt;/p&gt;

&lt;p&gt;
My goal is to use the “Read Like a Reader, Read Like a Writer”
framework to help kids develop a broader range of reading responses. As
time goes by, I’ll expect students to use the framework whenever they
share, whenever they write in their journals, and whenever they give
book talks or write book reviews.&lt;/p&gt;

&lt;p&gt;
Talking about the framework helps, but kids don’t really get it until
they see models. So I look for particularly interesting passages, often
from the beginning of a good novel or short story, and show them what
it might look like if they responded with something in each of the
twelve categories.&lt;/p&gt;

&lt;p&gt;Here's a passage that works well:&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;&lt;strong&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; Eddie Takes Off&lt;/strong&gt;&lt;br /&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; Eddie had always been able to fly, but it wasn’t until his fifth
birthday party that he realized that it would turn out to be a bit of a
social problem. Until that embarrassing day on the Johnsons’ lawn,
Eddie’s parents had treated his airborne peculiarity as something of a
childish whim. “Boy’s gotta stretch out, learn what he can do,” said
his father. “I just worry that he’ll hurt himself, you know, bump into
the ceiling or get his eye poked out by a bird, I don’t know...” said
his mother. For the young Eddie, flying was just another discovery
about his developing body, like learning that he could reach out his
arm and ring the bell on his cradle railing, or finding that he loved
the taste of peas. The first time his parents came into the nursery and
found Eddie hovering a foot or two off the floor it came as a bit of a
shock. But, after all, parents are forever discovering special little
things about their children. Eddie’s mother thought that perhaps they
should take their son to see a specialist, but his father vetoed the
idea. “It’s not like anything’s wrong with him, and I don’t want him
getting a complex about it.”&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;And here are my responses as I &amp;quot;read like a reader&amp;quot;:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Question:&lt;/strong&gt; Is this a fantasy story where people have special powers?
Or is the author using the idea of flying to stand for something else?
If he can really fly, why aren’t his parents a little more freaked out
about it?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Infer:&lt;/strong&gt; Eddie’s parents seem strange. They don’t sound like real
people, more like characters from a bad TV show. I think the author is
trying to tell us that they may not be very smart or very sensitive.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Connect: &lt;/strong&gt;This reminds me of Harry Potter where a boy has special
powers. But it also makes me think of other kids I have seen who may be
different. Sometimes, kids with unusual abilities aren’t accepted by
other people.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Clarify:&lt;/strong&gt; Eddie’s parents aren’t alarmed by his flying but at same
time, his mother thinks about whether he should see a “specialist”.
Eddie clearly isn’t a normal baby and that’s what his parents are most
concerned about. It’s as if being normal is the most important thing to
them.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Predict:&lt;/strong&gt; I think Eddie’s flying is going to get him in trouble. In
the very first sentence, the author refers to Eddie’s flying as “a bit
of a social problem” and to me that hints that things can only get
worse.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Evaluate:&lt;/strong&gt; I like this story so far; I want to find out more. I feel
sorry for Eddie. I think he’s going to be lonely because people aren’t
going to understand him. I especially like the way the author describes
Eddie’s mother and father, though I don’t like them at all. I don’t
think they’re very good parents.&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;And here are my responses to the same passage as I &amp;quot;read like a writer&amp;quot;:&lt;/p&gt;

&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Ideas:&lt;/strong&gt; A flying baby boy, in the context of what appears to be a realistic setting, is an original and interesting idea.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Organization:&lt;/strong&gt; The opening line is great. It certainly gets our
attention and makes us want to find out more. The author has us
wondering about three things: Eddie’s flying ability, his parents
strange reaction, and the embarrassing incident on his fifth birthday.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Voice:&lt;/strong&gt; The author’s voice is light-hearted and playful, just as one might imagine a flying baby boy to be.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Word Choice:&lt;/strong&gt; The phrase “airborne peculiarity” in the second sentence
is both unusual and memorable. It also seems like the perfect way to
describe Eddie’s unique talent as viewed by his parents, as though it
were something just slightly odd or mildly eccentric. In the last
sentence, the strong verb “vetoed” tells a lot about how Eddie’s mom
and dad interact: Eddie’s dad is sort of like the “president” of the
family; any time he wants he can cancel his wife’s ideas.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Sentence Fluency: &lt;/strong&gt;The parallelism of the two quotes works nicely.
Several long sentences read very smoothly. And I love the sound of this
line: “...ring the bell on his cradle railing.” It’s as though the L’s,
R’s, and A’s almost make a ringing sound in my ears.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Conventions:&lt;/strong&gt; Normally, when quoting characters in a story, we have to
start a new paragraph for each new speaker. But here the author quotes
the two parents inside a paragraph. The use of the ellipsis at the end
of the mother’s comment makes her seem even more vague than her clichéd
words imply.&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;I would never ask kids to make twelve different responses like this to
a single passage. But in showing them how the framework can be used to
help them get more out of what they read, I think this a very effective
example. As a final note, I like to point out to the kids that my
responses are longer than the passage itself. That is, there’s often
more going on inside our head than there is on the page. This will
become more apparent to kids when we I teach them how to do close
readings.&lt;/p&gt;

&lt;p&gt;
“Read Like a Reader” and “Read Like a Writer” certainly aren’t the only
two ways to read. But I think they represent interesting and valuable
ways of thinking about a text. The point of all this is to help kids
enjoy reading more by making it a more active and interactive process.
When we read actively, we don’t just wait for the meaning to come to
us, we go after it aggressively. We look deeply into the text, hunting
in specific ways, searching for clues about what the writer is trying
to tell us. When we read interactively, we ask questions about the text
and our reactions to it, and we use the answers to develop a sense of
how it works. It’s as if we start a conversation between the writer,
the writing, and our self.&lt;/p&gt;

&lt;p&gt;
Too many kids are passive readers. They read the words and turn the
pages but they don’t seem do much else. The “Read Like a Reader, Read
Like a Writer” framework changes this. At first, it’s very hard for
kids. It’s as if they never had a thought in their lives about what
they were reading. But soon they realize they’re thinking all the time
and that the framework is just a way for them to organize their
thoughts. This is when it starts to get fun. Kids become more active.
Sharing gets better. Journaling gets better. Book talks and book
reviews get a lot better. Soon, we can drop the framework altogether
because we no longer need it. That’s when I know it has worked and that
the kids have really learned something important about reading.&lt;/p&gt;&lt;/div&gt;
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2008/01/read-like-a-rea.html</feedburner:origLink></entry>
    <entry>
        <title>Word Solving</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/h7BvA0R2jdQ/word-solving.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2008/01/word-solving.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-43797040</id>
        <published>2008-01-07T14:11:49-05:00</published>
        <updated>2008-01-07T14:11:49-05:00</updated>
        <summary>Helping Kids Decode Unfamiliar Words When readers are just starting out, they spend a lot of time and effort trying to decode words. This is not an easy task. Turning symbols into sounds and sounds into words involves a lot...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Decoding" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 1.4em;"><em><strong>Helping Kids Decode Unfamiliar Words</strong></em></span></p>

<p>When readers are just starting out, they spend a lot of time and effort trying to decode words. This is not an easy task. Turning symbols into sounds and sounds into words involves a lot of guess work. Sometimes, after all that trial and error, readers are left only with errors that try their patience.</p><p>Whether the reader is a 5-year-old struggling with his first picture
book or a 15-year-old struggling with his second language, I have to
provide the same kind of help. I have to show kids logical ways of
breaking unfamiliar words into decodable parts they can quickly
reassemble into something that makes sense.</p>

<p>
As accomplished readers, we swallow words whole. Beginning readers try
to do this, too. But many of the words they encounter are unfamiliar to
them. When this happens, reading whole words doesn’t work too well.
Unfortunately, neither does a random approach to sounding words out.
Kids make guesses often based on just one or two letters. In many
cases, they may let hard words go entirely, skipping anything they
can’t easily figure out.</p>

<p>
I don’t want kids spending long periods of time on a single word. But I
also don’t want them taking wild guesses or skipping words altogether.
Ideally, I’d like kids to make a reasonable attempt to decode all
unknown words they encounter through the systematic application of a
few simple strategies.</p>

<p>
There are many ways to decode unknown words but I want kids to use only
a few so they don’t take too much time away from the process of fluent
reading. They can use these strategies in any order. Ideally, they’ll
move from strategy to strategy very quickly as they puzzle out
different parts of a word using different techniques.</p>

<p>
Here are the six word solving strategies that I’ve found to be the most helpful:</p>
<ul><li><strong>Use the first sound.</strong> This strategy helps readers make good
guesses as long the word they are working with is short. Many single
syllable words can be successfully decoded in context using only the
first sound. For example, take this sentence: “The boy and his dog ran
down the b____.” Reasonable candidates for the last word might be
“block” or “beach”. The context supplied by the setting of the story
will guide the reader in making the best choice.</li></ul>
<ul><li><strong>Break off a beginning or an end. </strong>Many words start with
common prefixes and end with common suffixes. If I teach these in
simple spelling and vocabulary lessons, kids will be able to recognize
them more easily when they read. Beginnings like “in” or “un” or “re”
are easy to figure out. So are endings like “ing” or “er” or “tion”.
When readers figure out a meaningful part of a word, the rest of it
often pops into their head.</li></ul>
<ul><li><strong>Look for a word within the word. </strong>It’s truly amazing how
many words contain other words. For example, the word “within” is made
up of “with” and “in”. The word “amazing” contains the words “am” and
“zing”. Using words within words often leads to quick solutions.</li></ul>
<ul><li><strong>Work on the easy parts.</strong> Some parts of words are easier to
figure out than others. Sp why not start there? Take a word like
“university”, for example. It’s easy to pick out three-letter chunks
that might help us: “niv”, “ver”, “sit”. Any of these might get us
moving in the right direction.</li></ul>
<ul><li><strong>Use vowel and consonant patterns.</strong> The reason some parts of
words are easier to figure out than others is because they follow
common vowel-consonant patterns. Take the “cvc” pattern, for example.
That’s “vowel-consonant-vowel”. We see it in words like “let”, “cat”,
“hop”, and “cut”. The great thing about this pattern is that the vowel
is almost always short. Another common pattern is “cvvc” or
“consonant-vowel-vowel-consonant” which tends to produce long vowel
sounds determined by the first vowel as in “team” and “fried”. The last
pattern I teach is “vce” or “vowel-consonant-e” which we see in words
like “date” and “life”. Vowel sounds are tricky parts of most words and
knowing these patterns helps readers begin to sort them out.</li></ul>
<ul><li><strong>Say the sounds in order.</strong> If readers have used the previous
strategies to pick out parts of words, they can often finish up their
decoding by saying the sounds they hear from left to right in the order
in which they occur. Often this produces slightly incorrect
pronunciations but this isn’t necessarily a bad thing. A slightly
inaccurate pronunciation can quickly be turned into a correct guess
when the reader puts the word back into the context of the sentence and
their memory for the correct sounds is jogged.</li></ul>

<p>
Using just this small set of strategies, it’s possible for readers to
figure out even very complex words. But the process won’t work well if
they don’t check their efforts against the sentence in which the
challenging word occurs. To make sure kids do this, I teach them a
three-step process as follows:</p>
<ul><li><strong>Reread the sentence with the new word.</strong> Whenever readers
stop on a hard word, I want them to go back to the capital letter and
begin again so they can hear the word in context. That’s the only way
to know if their guess is correct.</li></ul>
<ul><li><strong>Think about what makes sense.</strong> If the newly decoded word
makes sense in the sentence, it’s probably right. If the word doesn’t
make sense, it’s probably wrong, and the reader needs to think about
trying another decoding strategy.</li></ul>
<ul><li><strong>Check the letters in your guess.</strong> Often, readers will make
their guess based on only a few letters in the word. When they reread
the sentence, they may discover that the new word isn’t accurate. But
it’s often close. The only way to tell how close is to compare the
sound of the word they’ve chosen against the actual letters in the word
they’re trying to decode. While it’s hard to get kids to do this, it’s
one of the best ways for them to improve their phonemic awareness
because it requires them to compare a sequence of sounds in their head
with a sequence of letters on the page.</li></ul>

<p>
There’s always a tension, it seems, between wanting kids to read
fluently and wanting them improve their decoding skills and learn new
words. We don’t want them to skip all the hard words to maintain a
reasonable reading rate. But we don’t want them to stop reading every
time they stumble on something new.</p>

<p>
Too often, I think, when faced with these quandaries, we opt for
compromise. Maybe if they just stopped for a second or two, or if they
let only some of the hard words go by. But compromise in this case
seems to produce kids who aren’t good at either maintaining their
fluency or decoding new words. And what we really need is for kids to
be good at both.</p>

<p>
To solve this problem, I use a structured approach to repeated reading.
I explain to the kids that good reading involves doing three things all
at the same but that when we’re learning, we sometimes have to practice
them one at a time.</p>
<ul><li><strong>Reading to decode.</strong> Sometimes the focus of our attention is
on letters and sounds as we figure out a new word. We usually have to
stop, or at least slow down, in our reading to do this.</li></ul>
<ul><li><strong>Reading to understand.</strong> Once we’ve figured out a new word,
we often have to back and read the sentence where we find to the
beginning of the sentence where we found it and read again. If all goes
well, we’ll read up to the new word, read the new word correctly, and
continue to the end of the sentence without too much trouble. Then—and
only then in many cases—will we have the information we need to
understand the author’s ideas.</li></ul>
<ul><li><strong>Reading to express.</strong> Once we know what all the words are,
and we’re read again to figure out what all the words mean, we can read
the sentence again to make sure we’re saying the words in the best
possible way. This may involve making changes in our voice that make
our reading sound more like someone talking.</li></ul>

<p>
Read once to decode, once to understand, and once more to express. This
three-pass approach insures that kids take the time they need to learn
new words in context while at the same time getting the comprehension
and fluency practice they need to become better readers. Do kids read
everything three times? No. But if I work closely with them, they do it
enough so that the benefits of improved decoding, comprehension, and
fluency accrue without turning reading into a tedious task.</p>

<p>
This may seem like a lot of complicated information to teach kids who
can barely read. It is. But it’s still worth teaching because it’s
exactly the knowledge they need to get better. Fortunately, they don’t
have to learn it all at once, and even if they only use a little of it,
it will help them improve their reading immensely.</p>

<p>
Think about it this way: if we don’t teach them this information,
they’ll be working randomly. As time goes by, they’ll make up their own
strategies, many of which will be inefficient or just plain wrong.
After a year or two of learning to decode words, every kid will have
their own repertoire of strategies anyway. Why not make sure they have
a small set of good strategies to begin with?</p>

<p>
Getting kids to use these strategies begins with teaching them in short
lessons. I tend to do this by putting up words on the board that I’m
pretty sure the kids will have to struggle with and then walking them
through a variety of approaches to figure the words out.</p>

<p>
Most of this I accomplish through thinkalouds. For example, let’s say
I’m working with kindergarteners and I put up the word “acrobat”. I
might solve that out loud as follows: “ac”, “ro”, “bat”. I’ll say those
syllable chunks out loud and then I’ll note the strategies I used like
this:</p>

<p>
ac = a part that’s easy to figure out<br />
ro = a part that’s easy to figure out<br />
bat = a word within a word</p>

<p>
Or take a word like “hippopotamus”:</p>

<p>
hip = a word within a word<br />
po = a part that’s easy to figure out<br />
pot = a word within a word<br />
am = a word within a word<br />
us = a word within a word</p>

<p>
It’s important to note two things. First, I may solve words differently
than the kids do. This means there can be different solutions to the
same word. As long the kids can explain their logic, I’m happy to have
them take another route. Second, breaking words up into smaller pieces
tends to change the way those pieces are pronounced. Specifically,
parts of words that are not stressed in normal pronunciation will often
become stressed when we break words down. This shift in accent is what
often accounts for differences in the way words are pronounced. For
example, in the word “hippopotamus”, the “a” has a short “u” sound (the
schwa sound) because the stress pattern of the word goes like this:
HIP-po-PO-ta-mus. But when I isolate the letters “am” to decode the
words, I’m likely to pronounce this like the word “am” which uses the
short “a” sound. This is why the final strategy of running the sounds
together quickly in the order they occur is often the best way to
finish up. This tends to smooth out the individual syllables and
restore the natural rhythm—and correct pronunciation—to the word.</p>

<p>
Surprisingly, it doesn’t take too many practice words with thinkalouds
on my part and group attempts at word solving on the kids’ part for
everyone to begin getting the hang of it. However, practicing a few
words on a few days doesn’t get the job done. As soon as we go over a
few strategies, I have to reinforce them in conferences. To do this,
I’ll work with kids one-on-one, waiting until they come across an
unfamiliar word, and then coaching them through appropriate strategies
while they puzzle it out. It’s in the conferencing where the learning
really occurs. The lesson is just a way of introducing the techniques I
want them to practice. It’s absolutely vital that kids get lots of
practice in their own self-selected books. This is the true test
because it represents true reading. If the only time kids practice
these skills is in workbooks or at the board, they’re unlikely to
internalize them as part of their normal reading process.</p>

<p>
Finally, to reassure myself that kids are actually using these
strategies even when I’m not with them in conferences, I will often ask
them to tell me how they figured out a new word. If a kid says, “I
don’t know. I just figured it out”, then I know something hasn’t quite
clicked. While I can assume the kid is using some set of strategies, I
can’t tell which ones. For all I know, the kid could have figured out a
word by sheer luck. But when I hear kids describing specific features
of a word and the way they used those features to puzzle it out—and I
see them using the rereading process I’ve described above to check
their efforts—I feel satisfied that they’ve internalized an important
set of tools that will improve their reading fluency, allow them to
acquire new vocabulary, and increase their enjoyment of reading.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2008/01/word-solving.html</feedburner:origLink></entry>
    <entry>
        <title>The Readers I Want</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/TXph4ZGApds/the-readers-i-w.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2008/01/the-readers-i-w.html" thr:count="2" thr:updated="2008-01-29T19:23:00-05:00" />
        <id>tag:typepad.com,2003:post-43624516</id>
        <published>2008-01-03T12:59:12-05:00</published>
        <updated>2008-01-03T12:59:12-05:00</updated>
        <summary>Being Explicit About My Values for Student Success When I first stared working with kids, I made the mistake of mentally separating them into two groups: the kids I enjoyed teaching and the kids I didn’t. Not surprisingly, my behaviors...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Expectations" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em><strong><span style="font-size: 1.4em;">Being Explicit About My Values for Student Success</span></strong></em></p>

<p>When I first stared working with kids, I made the mistake of mentally separating them into two groups: the kids I enjoyed teaching and the kids I didn’t. Not surprisingly, my behaviors toward each group only reinforced the stereotype I had created and made it harder for me to be effective with kids in either group. In general, I was too punitive toward the kids I didn’t want to teach and too permissive toward the kids I did.</p><p>As embarrassing as it is to admit that I carried around such prejudice,
I’m proud to say that I learned good lessons from it. Here are three
that I think about often:</p>

<ul><li><strong>Student behavior, and not ability, is what I react to most strongly.</strong>
I’m not uncomfortable teaching kids of widely varying abilities in the
same class. But I am uncomfortable dealing with many different kinds of
behavior, particularly those behaviors that make it hard for me to
teach or for kids to learn. It’s not whether kids can do the work that
worries me, it’s how they go about doing—or not doing—it.</li></ul>
<ul><li><strong>All kids can master effective learning behaviors if I make an effort
to teach them.</strong> I don’t have to treat kids like babies, but I do have to
tell them what I expect and, when I want them to act in ways they may
not be used to, I have to teach those behaviors as explicit lessons,
just like I would teach any other new learning.</li></ul>
<ul><li><strong>The key for me in helping kids improve their behaviors is treating
them like the people I want them to be.</strong> Once I lay out my expectations,
I have to start by assuming that kids will meet them. If they don’t, my
first job is helping them assess their actions and make better choices.
This may involve reminders or more practice, but it should never
involve punishment. My goal should always be to help them find their
way back to the positive behaviors they already know.</li></ul>
<p>Before I can make any of these high-minded ideas come to life, however,
I have to know what I’m looking for. Specifically, I have to answer the
question, “What kind of readers do I want?” It’s tempting to think of
things like, “I want readers who always do what I tell them”, or “I
want readers who pass all their tests”, but expectations like this
aren’t realistic or useful.</p>

<p>
To develop my description of the readers I want, I thought about the
kids I really enjoyed teaching and asked myself why I liked working
with them so much. I realized that these kids weren’t always the
highest readers in class or even the easiest kids to work with. What
they all had, however, was a set of qualities that made them better
learners and, therefore, more likely to benefit from the teaching I was
offering. In the end, I came up with six qualities. The readers I want
are passionate, curious, engaged, productive, practical, and aware.</p>

<p>
To help all kids embody these qualities, the first thing I have to do is explain them. Here’s what I mean:</p>

<ul><li><strong>Passionate.</strong> I want all kids to love reading, of course. But this
never seems to happen even in the best of circumstances. So I tell kids
that if they can’t be passionate about reading, they can be passionate
around reading. For example, they can be passionate about a particular
subject area and do a lot of reading about it. They can be passionate
about writing or talking about what they read. I’ve also worked with
many kids who started out several years below their grade level but who
developed a passion for learning how to be better readers. They might
not have always enjoyed the books they had to read. But they thoroughly
enjoyed getting through them and on to more challenging texts as the
year progressed.</li></ul>
<ul><li><strong>Curious.</strong> In my experience, the most successful readers have always
been the most curious readers. These readers are always asking
questions, always trying to learn something new. They never seem fully
satisfied that what an author says is what an author means. No text is
safe from their prying minds. Curious readers tend to choose
challenging and sometimes offbeat books. They read many different kinds
of text and seem to realize that the “rules of reading” apply equally
to all of them. Curious readers are also curious critics. They write
interesting book reviews and ask great questions during book talks.
They often want to know what other readers are reading and what they
think about it.</li></ul>
<ul><li><strong>Engaged.</strong> Kids spend a lot of time reading in class. I also want them
to spend a lot of time reading at home. But I worry about this. It’s so
easy for a reader just to sit them with a book open and not really do
much. It’s also possible for readers to read words but to disengage
their mind from thinking too much about the text. I tell students that
engaged readers do a lot of thinking while they read, and that I look
for evidence of this thinking in their journals, in my conferences with
them, and when they share. They know that being engaged does not mean
just sitting there quietly turning pages.</li></ul>
<ul><li><strong>Productive.</strong> I want kids to read a lot and I want them to get a lot of
good reading done. To help them with this, we keep track of reading
rates, pages read, and books read. We can also count the book talks
they’ve given, the papers they’ve written about books, and times
they’ve given formal readings or made other presentations. While I
would never say that quantity is more important than quality in any
learning endeavor, the amount of reading kids do makes a huge impact on
how they improve. This is because fluency is such a key factor in
reading improvement.</li></ul>
<ul><li><strong>Practical.</strong> I want kids to get something useful out of their reading.
While I certainly believe in reading for enjoyment, I don’t believe
that’s the only reason to read, or that I serve kids well by basing all
of their reading on the idea that it will be fun for them. When kids
read fiction, I want them to reflect sincerely on important life
lessons. I also want them to do a lot of non-fiction reading,
particularly as it might relate to interests students might have or
topics they are studying in other subject areas. I see no reason why a
student can’t read up for a Social Studies report or a science test
during Language Arts.</li></ul>
<ul><li><strong>Aware.</strong> It’s kids’ awareness of their reading that I value most of
all. When kids realize they aren’t understanding something and take
action to improve their comprehension; when kids realize that a book is
too easy or too hard for them; when kids see patterns across multiple
texts; when kids can tell me how they’ve improved and what they need to
work on next—these are the things that tell me they are learning to be
better readers.</li></ul>
<p>The qualities I’ve described here won’t show up on a test or in any
listing of reading standards. They’re really just my values. But I find
that when I’m clear about these values, kids meet more standards and
pass more tests.</p>

<p>
I suspect that every teacher has a set of values like this around
reading. They might not be the same values as mine, but I’m sure they
exist. I also suspect that most teachers don’t share their values
explicitly with their students. These values come out, of course; no
one can hide them completely. But they may not reach kids in as clear
and simple a way as possible.</p>

<p>
This is a loss.</p>

<p>
Reading is such an important thing. In school, we think of it as “The
First ‘R’”, the most important subject and the foundation of academic
success. But if we don’t share with our kids the kind of readers we
want them to be, many may never figure it out. Instead, many are likely
to think of themselves as “school” readers, people who only read when
forced to do so in school, and then only for a grade or to stay out of
trouble.</p>

<p>
I think there’s also another good reason for sharing our values around
reading with our students: it helps us share a bit of ourselves at the
same time. When I list my criteria for the kind of readers I want my
students to be, I’m telling them how I see myself as a reader when I’m
reading as well as I can. This helps students see me as a model of what
a good reader can be.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2008/01/the-readers-i-w.html</feedburner:origLink></entry>
    <entry>
        <title>Identity</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/rmdONNsYQHo/identity.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2008/01/identity.html" thr:count="1" thr:updated="2008-01-19T17:07:07-05:00" />
        <id>tag:typepad.com,2003:post-43624322</id>
        <published>2008-01-03T12:54:37-05:00</published>
        <updated>2008-01-03T12:54:37-05:00</updated>
        <summary>Teaching Kids to Read is Easier If They’re Already Readers In an era of testing and standards, it’s easy to develop the mindset that kids aren’t readers until they’ve passed a test that says they are. But I’ve found that...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Expectations" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><strong><em><span style="font-size: 1.4em;">Teaching Kids to Read is Easier If They’re Already Readers</span></em></strong></p>

<p>In an era of testing and standards, it’s easy to develop the mindset that kids aren’t readers until they’ve passed a test that says they are. But I’ve found that kids do better when I can convince them that their readers the minute they step into the classroom—even during their very first days of school.</p><p>I love working with kindergarteners at the beginning of the year.
Thinking about a complicated skill like reading, and trying to figure
out where to start, is exactly the kind of teaching puzzle I thrive on.</p>

<p>
I want to start right away with an authentic reading activity. So
before the kids arrive, I write a letter on the board. Not a letter of
the alphabet, a real letter, from me to the kids, about how I excited I
am to be working with them.</p>

<p>
If I asked the kids at this moment whether they could read, most would
probably say “no” and those that said “yes” probably couldn’t tell me
what reading was or how they know they can do it. But in five minutes,
after we’ve read this letter together, I’m going to pronounce all of
them readers, and I really do expect them to believe me.</p>

<p>
I gather the kids up close to the board and we began looking at what
I’ve written. We start by asking questions: What is it? Who wrote it?
Who is it for? What does the first word say? And so on. What amazes and
delights me is that a class of kids who say they can’t read will almost
always be able to figure out the following things without too much help
from me:</p>

<ul><li>It’s a letter.</li>

<li>It has the date at the top.</li>

<li>The first word is “Dear”.</li>

<li>The next word is “Kids”.</li>

<li>The first word of the body is “I”.</li>

<li>The letter is from me.</li></ul>
<p>The letter is short and written in words we can easily figure out. It
usually starts out like this: “Dear Kids, I am so happy to see you
today.” It’s maybe two or three sentences long at most, and it ends
with the highly predictable closing, “Sincerely, Mr. Peha.”</p>

<p>
The form is easily recognizable. The vocabulary is familiar. And it’s
short enough to memorize. With just a little work, the kids can read it
together from beginning to end with me pointing at the words as they go
by. Admittedly, most kids are memorizing words and not decoding them.
But everyone participates and, best of all, everyone has a successful
experience of reading something real that is meaningful and relevant to
their lives.</p>

<p>
At the end of the activity, I tell them they’re all readers. I want
them to go home and tell their parents they’re readers, too. I don’t
want them to have to wait until they’ve learned enough letters or
reached a certain level of book. I want them to know they’re readers
now because they’ve been engaged in the process of getting meaning from
text regardless of how they got that meaning.</p>

<p>
The thing about learning is that it’s all in our heads. I want the kids
I work with to know that they are readers from the first moment we go
to work. Can they read a lot during the first week of kindergarten? No.
But they can read something. And as soon as that happens, I want them
to know they’re part of the literate world.</p>

<p>
Many kids have anxiety around reading. They think they can’t do it and
they worry that they never will. They think of themselves as
non-readers from the start and they wait for us to confirm their
official status with texts that are above their reading level,
comprehension questions they don’t understand, and complex assessments
that confirm their worst fears about what they don’t know and can’t do.
I like to start with what they do know and can do. Why not have them
experience some level of reading success on the first day of school?
Why not consider kids readers based on the fact that they’re engaged in
the process? And why not make sure they consider themselves readers,
too?</p>

<p>
At issue here is identity, an important concept that often gets lost
when we think of teaching as merely a set of objectives, skills,
standards, or benchmarks. Identity has a profound impact on learning,
especially learning to read. Kids who think of themselves as readers
pay attention to text and to reading instruction differently than kids
who think they are not readers. In my experience, kids who see
themselves as readers learn to read faster and better than those who
don’t. Here’s what I’ve noticed about why that’s true:</p>

<ul><li>Kids who think they are readers have higher expectations of
themselves. If kids are readers, they expect to be able to read. It’s
not something that is foreign to them or confusing or scary. Reading is
natural and normal, even if it’s sometimes hard. </li></ul>
<ul><li><strong>Kids who think they are readers expect text to make sense.</strong> When
readers see text, they expect to be able to understand it. When they
can’t, they work to figure it out. The expectation that text makes
sense helps them reject incorrect assumptions about the ways letters
make words and words convey ideas.</li></ul>
<ul><li><strong>Kids who think they are readers read more.</strong> Kids who are readers see
reading opportunities all around them. They read signs, they read
packaging, they read text on TV. They’re constantly processing text
because text is everywhere to be processed and because processing text
is what readers do.</li></ul>
<ul><li><strong>Kids who think they are readers have better attitudes about reading.</strong>
In the pecking order of school, readers have significantly higher
status than non-readers. Since reading is the first “r” and an intense
focus of the first years of school, kids who think they are readers
have better attitudes about themselves as learners and about learning
in general.</li></ul>
<ul><li><strong>Kids who think they are readers take bigger risks and assume more
challenges.</strong> Readers like to show off their skills. There are always
bigger words and harder books to tackle, and readers volunteer readily
for the chance to master them.</li></ul>
<ul><li><strong>Kids who think they are readers enjoy reading more.</strong> Kids know that
adults think reading is important and that being a reader is good. Kids
who see themselves as readers like to read because it makes them feel
good whether they’re good at it or not.</li></ul>
<p>
A kid’s sense of identity with regard to reading isn’t just something I
think about when I work with kindergarteners. By 3rd or 4th grade,
students who see themselves as non-readers may already be years behind,
so convincing them that they are readers is a tougher job. Even the
lowest kids at this age can easily read a simple letter I might write
for them on the board. And they’re no longer so willing to believe me
when I tell them they can read—even if they really can. So, for kids at
this age, I use a different reader’s identity activity.</p>

<p>
This is a listing activity that focuses on reading behaviors. Using myself as a model, I make a list for the kids like this:</p>

<p>
As a reader, I...</p>

<ul><li>Almost always have a book I’m reading.</li>

<li>Read at night before I fall asleep.</li>

<li>Read whenever I’m stuck on an airplane or other long trip.</li>

<li>Read several magazines each month.</li>

<li>Read novels.</li>

<li>Read more non-fiction than fiction.</li>

<li>Read several blogs and websites on a regular basis.</li>

<li>Read parts of two newspapers each week.</li>

<li>Read to learn new things and to add skills.</li>

<li>Re-read something if it doesn’t make sense to me.</li>

<li>Read to solve important problems in my life.</li>

<li>Read to stay safe and to follow the law.</li>

<li>Read text on TV.</li>

<li>Notice examples of good writing when I read it.</li>

<li>Read text on my cell phone and other hand-held devices.</li>

<li>Read signs and other environmental print.</li>

<li>Read my own writing.</li>

<li>Talk with other readers about my reading.</li>

<li>Have favorite authors, favorite genres, and favorite forms.</li>

<li>Etc....</li></ul>
<p>The list goes on and on. As the kids catch on to what I’m doing, they
remind me of other ways I express myself as a reader. Sometimes we come
up with 30-40 things. When my list gets that detailed, it’s a pretty
good description of my identity as a reader. That’s when I turn it over
to the kids and ask them to make their own lists.</p>

<p>
In ten years of doing this activity, I’ve never had a kid with a blank
list, or even a really short one. Even kids who would describe
themselves as non-readers engage in many reading behaviors on a regular
basis.</p>

<p>
In closing this activity, I point out that anyone with anything on
their list is a reader, and that my goal is for everyone to regularly
add new reading behaviors to their lists all year long based on things
they learn from me. I tell them that this list is their reader’s
fingerprint, and that as we work more together, that fingerprint will
become bolder and more detailed. I do this activity—and will keep doing
it all year long—to help everyone become more conscious of the fact
that they are all readers regardless of their level of ability or
degree of interest.</p>

<p>
When I work with older kids, especially high schoolers, I like to look
at reader’s identity more the way adult readers do. Adults think of
themselves as readers in terms of what they read in the past and what
they read on a regular basis. When I model this activity, I refer to it
as my reading career and I tell kids that making lists of what I read
is like creating my reading resume.</p>

<p>
I often start the reading resume activity by asking kids what they read
during the previous year. Many will say they didn’t read anything but
we all know they did. If nothing else, most of them at least glanced at
the required readings from school. What I’m most interested in finding
out is whether or not kids did any reading on their own. In Language
Arts, for example, did anyone read novels they chose themselves? Or
maybe someone read something on their own for a research project. Did
anyone read anything outside of school? Who reads text on the Internet?
Etc. Because independent reading is the most common reading adults do,
and the most common reading kids will do with me, that’s what I want to
learn the most about.</p>

<p>
As with the previous activity, where kids write down their reading
behaviors, I will want kids to update their reading resumes from time
to time as we go through the year. Essentially, this activity will be
their final project at the end of each grading period. Like any resume,
their reading resume will tell the person reviewing them about their
qualifications. In this case, their resume is proof they show me and
their parents of their abilities as readers.</p>

<p>
No test will directly measure a student’s reading identity. Nor will
the concept of identity show up in any list of state learning
standards. But I can think of few things that are stronger predictors
of a student’s ability to learn to read. The key to helping kids claim
their identities as readers is self-assessment. Each of the reading
identity activities I use is a self-assessment activity. And throughout
the year, self-assessment will be the most common form of assessment we
engage in.</p>

<p>
While I want kids to take formal testing seriously and to do as well as
they can, I don’t want them to define themselves by it. Reading tests
vary significantly from the authentic task they are designed to measure
and some kids may perform poorly for a variety of reasons only
indirectly related to their reading ability.</p>

<p>
I’m also aware that kids do a ton of reading outside of Language Arts
class. They’re really reading all day long, and ideally I’d like them
to be using the same strategies they learn from me whether they’re
reading with me or not. Though I can’t prove it, I’ve always had the
feeling that kids who see themselves as non-readers or as poor readers
shut down when they’re asked to read in many other school and real-life
reading situations. If I can help them change this behavior by helping
them take ownership of their reader’s identity, I believe I can do more
for them than I can through any skill I help them develop or any
strategy I teach.</p>
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2008/01/identity.html</feedburner:origLink></entry>
    <entry>
        <title>Theme and Variations</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/hCqe1-4QwY0/theme-and-varia.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/theme-and-varia.html" thr:count="3" thr:updated="2008-02-03T16:24:13-05:00" />
        <id>tag:typepad.com,2003:post-43001428</id>
        <published>2007-12-18T17:39:20-05:00</published>
        <updated>2007-12-18T17:39:20-05:00</updated>
        <summary>Tackling a Classic of the Curriculum When it comes to critical reading of great literature, the concept of “theme” is one of the most important things readers need to understand. And yet it can be hard to teach, especially if...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Theme" />
        
        
<content type="html" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;&lt;span style="font-size: 1.4em;"&gt;&lt;em&gt;&lt;strong&gt;Tackling a Classic of the Curriculum&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;When it comes to critical reading of great literature, the concept of “theme” is one of the most important things readers need to understand. And yet it can be hard to teach, especially if our students don’t seem to have an inherent grasp of the idea. For starters, theme isn’t typically defined in ways young readers can easily understand. If you look in the dictionary, you’ll find definitions like: “A topic of discourse; A subject of artistic representation; A unifying idea that is a recurrent element in a literary work; etc.” All correct definitions, but try using that language to explain theme to a 9th grader.&lt;/p&gt;&lt;p&gt;As we go through school, we pick up many variations on the basic concept.
Some teachers and textbooks combine theme and main idea. Are they the same or
different? And if they’re different, how so? Others may speak of themes
as being related to symbols and “deeper meaning”. By the time we reach
college, some of us figure it out, but many are still confused like I
was when I started taking my first classes as an English major. There
are no easy answers; it’s a tough concept to work with. But here’s
where I like to start out.&lt;/p&gt;

&lt;p&gt;
Things that happen in a story sometimes have two meanings: a concrete
meaning where something that happens is just what it appears to be, and
an abstract meaning where that same something is an example of an idea
like loneliness, friendship, trust, courage, hope, honor, love, etc.
When several different things that happen in a story share the same
abstract meaning (different concrete events, same abstract idea), we
often say that the author is exploring a theme, especially if the
abstract idea deals is something important in life that could apply to
many people.&lt;/p&gt;

&lt;p&gt;
Theme itself is an abstract idea, which is why it can be hard to
understand. To make theme more concrete, I’ll ask kids to think it
through from an author’s point of view by posing a question like this:
“If you were writing a story about a little boy and you wanted to say
something about courage, for example, what kinds of scenes would you
put into your story?” Immediately, they can come up with all kinds of
ideas about little boys doing courageous things.&lt;/p&gt;

&lt;p&gt;
When we play this little game, it’s easy for kids to come up with many
different examples that work. We can play over and over with new
themes, new characters, and new situations. We can even choose teams.
One team gets to pick the character and the theme, the other team gets
to sketch the scene. It’s this kind of interaction, where kids are
manipulating plot elements to represent abstract ideas, that helps them
develop a solid understanding of theme in the books they read.&lt;/p&gt;

&lt;p&gt;
An explanation and a game get us started with a basic exploration of
the concept, but there are other important things I want kids to learn
about themes:&lt;/p&gt;

&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Story elements represent ideas. &lt;/strong&gt;It’s not always easy to realize that
stories carry both concrete and abstract meaning, and that the author
may be choosing specific elements to convey specific messages. Authors
may not even be intending to communicate thematically when they make
choices in their work. But as our “theme” game shows, readers can
interpret almost any event in a story as representing something other
than its literal meaning would indicate. That’s the point I want to
make: It’s not authors who create themes on the page, it’s readers who
create them in their heads.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Experience evolves in patterns.&lt;/strong&gt; All human beings are, to some extent,
creatures of habit. Because of this, the same things seem to show up in
our lives at different points in time. Characters in novels are like
this, too. There’s often a thread of similarity that ties together the
important events in their lives. Looking at the totality of a
character’s experience, we often become aware of patterns: the pattern
of embracing one’s true identity in &lt;em&gt;Harry Potter;&lt;/em&gt; the pattern of
survival in &lt;em&gt;Hatchet;&lt;/em&gt; the pattern of societal expectations in &lt;em&gt;The Giver.&lt;/em&gt;
Seeing these patterns often enough might convince us that while the
book is certainly about a certain character, it is also about a certain
idea as well.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Fiction explores important issues. &lt;/strong&gt;People don’t write fiction just to
kill time or to make a living, they write it to talk about important
truths in a unique way. Many ideas in human existence are best explored
through examples, especially ones where we become emotionally invested.
Any writer can write an essay on courage. But only the best fiction
writers can craft a story that helps us experience the contradictory
sensations of fear and determination that mark most courageous acts.
Fiction writers like to discuss ideas just like non-fiction writers do.
In one sense, a work of fiction is just a collection of examples that
represent ideas a writer wants to talk about.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Stories apply to many readers.&lt;/strong&gt; Ideas like envy, loneliness, courage,
and greed enter into all of our lives at one time or another. The best
stories are those that speak to the most readers in the most powerful
way. This is where the notion of “Universal Truths” comes in. Where
non-fiction writers often speak to particular truths about the world.
Fiction writers are often capable of speaking to thing that are true
for all of us.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Themes are abstract nouns.&lt;/strong&gt; Themes are nouns, just things really. But
they aren’t the kinds of things one can easily survey with the five
senses. In other words, they are not concrete. You can’t see
loneliness, for example, you can only see examples of it. You can say
that J. D. Salinger’s &lt;em&gt;The Catcher in the Rye&lt;/em&gt; is about the challenges kids
face as they grow up, but the story itself is really just a set of
things that happen to the main character. Salinger supplies the
concrete examples, we interpret them through an abstract filter. &lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Everyone takes a position. &lt;/strong&gt;Themes don’t exist in stories for their
own sake. We’re supposed to think about them, to discern an author’s
opinion of them, and to see how that opinion squares with our own. It’s
not enough to say that &lt;em&gt;The Catcher in the Rye&lt;/em&gt; is about growing up. It’s
what &lt;em&gt;The Catcher in the Rye&lt;/em&gt; says about growing up, and how readers react to
that, that really matters.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;The main idea is the most important position.&lt;/strong&gt; A story may have
several themes. But it can have only one main idea. The main idea is
the one most important thing the writer wants the reader to know. It’s
the lesson, the moral, the message. If a theme is what a story is
about, the main idea is what the author has to say about it. You can
think of it as the position an author takes on the most important
theme. Of course, the author isn’t taking the position, the reader is
just interpreting the story that way. Only in the most simplistic
stories do authors contrive specific messages. Readers, however, can’t
help but look for a message or moral in their experience.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Fiction is instructional.&lt;/strong&gt; As a genre, fiction exists to entertain us,
but it also exists to teach us valuable lessons, often the kind that
are not easy to learn unless we’re wrapped up in a good yarn. Themes
are the subject matter of the lessons fiction writers want us to learn,
so &lt;em&gt;Harry Potter&lt;/em&gt; can teach us about being ourselves, &lt;em&gt;Hatchet&lt;/em&gt; can teach
us about survival, &lt;em&gt;The Giver&lt;/em&gt; can teach us about conformity, and &lt;em&gt;The
Catcher in the Rye&lt;/em&gt; can teach us how to have a good time with a free
weekend in New York—or how to be more compassionate for kids who grow
up awkward, lonely, and scared.&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;Theme is one of the great traditions of the academy. But writers
themselves don’t pay much attention to it. English teachers regard
theme as an essential aspect of critical reading. Writers regard it as
an affectation which often keeps readers from understanding and
appreciating good books. I think kids need to understand both of these
ideas.&lt;/p&gt;

&lt;p&gt;
It’s hard to imagine not wanting to prepare kids for future courses
with the standard understanding of theme. At the same time, as someone
who has written a bit myself, I wholeheartedly agree with writers who
insist that the notion of theme is arbitrary and artificial. The
best I think I can do with these opposing views is to represent them&amp;nbsp; as well as I can and give kids the benefit of both perspectives.
When we “discover” a theme in a novel, I validate the discovery as the
work that readers do to interpret what they read. At the same time, I
caution that there’s no way for us to know if the writer intended for
us to discover it, or if the writer even thought about themes at all.&lt;/p&gt;

&lt;p&gt;
Regardless of where one comes down on the issue of theme, it’s well
worth the time and effort to explore it with young readers. Thinking
about theme turns on a certain kind of critical reasoning in kids and
lets me introduce interesting notions like multiple interpretations of
the same text and how the reader’s background influences what they see
in a story. Over the years, I’ve started introducing theme to younger
groups of readers. What used to be a staple of high school English is
now something I’m eager to discuss in 3rd and 4th grade, albeit in a
simpler way. Younger students, I find, are more sincere about their
study of themes. They still believe in books as instruments of truth
and power. As kids get older, and more cynical, theme can seem corny
and contrived, so I often turn the tables and ask kids to go at it as
writers. Do they believe in theme or not? They can read each other’s
stories and find out.&lt;/p&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/theme-and-varia.html</feedburner:origLink></entry>
    <entry>
        <title>Questioning</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/ineLZ4CXqwU/questioning.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/questioning.html" thr:count="5" thr:updated="2008-01-19T13:39:11-05:00" />
        <id>tag:typepad.com,2003:post-42949830</id>
        <published>2007-12-17T17:17:21-05:00</published>
        <updated>2007-12-17T17:17:21-05:00</updated>
        <summary>The Best Reading Strategy to Start With The first thing I do with a group of readers is get them picking good books. It’s a bit chaotic at first, but after a few days, everyone settles down to some serious...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Questioning" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Strategies" />
        
        
<content type="html" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size: 1.4em;"&gt;The Best Reading Strategy to Start With&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;The first thing I do with a group of readers is get them picking good books. It’s a bit chaotic at first, but after a few days, everyone settles down to some serious reading. Then I start to get nervous. It’s hard enough helping kids figure out what to read, now I have to show them how.&lt;/p&gt;&lt;p&gt;When I first started out, I used the popular “read and hope” method of
instruction: have kids read a lot and hope they get better. That was
before I knew anything about reading strategies. Now, when kids begin
their reading time, I usually have some kind of strategic focus for
them based on something I’ve taught in a lesson. Rather than just
letting kids read, I give them something I want them to use as they turn the pages, work with me in a conference, or share at
end of class.&lt;/p&gt;

&lt;p&gt;
There are many reading strategies to choose from, but the one I almost
always start out with is questioning. I start with questioning for
several reasons:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Anyone can question.&lt;/strong&gt; Human beings are natural questioners.
It’s virtually impossible to read the first few paragraphs of something
and not have questions pop into your head. At first, we don’t even talk
about which questions are better than others, so every question counts
and every kid can ask at least one.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Questioning works with any text.&lt;/strong&gt; Though I usually start
with fiction, questioning works just as well with non-fiction texts.
Questioning also works well with different text forms like newspaper
and magazine articles.&lt;/li&gt;&lt;/ul&gt;

&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Questioning is safe.&lt;/strong&gt; Since all I’m asking kids to do is
ask questions, there are no wrong answers. In fact, answers aren’t part
of the exercise at all. Later, I’ll point out that simply asking
questions makes coming up with answers a lot easier. But for now, all
we need to do is think of questions.&lt;br /&gt;
&amp;nbsp; &lt;/li&gt;

&lt;li&gt;&lt;strong&gt;Questioning is an easy way to get kids digging deeper into their reading.&lt;/strong&gt;
Sometimes it’s hard to get kids to go past the surface in their
reading. They’ll retell everything but they won’t rethink anything.
Questioning gives them a natural entry point to deeper reading.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Questioning leads naturally to other strategies.&lt;/strong&gt; If kids
can make a good guess at the answer to a question, they’ll often
stumble on an inference. If they ask a question about an event yet to
come, they may wind up with a prediction. If they ask about the meaning
of an unknown word, they might discover how to use context to add
something new to their vocabulary. Kids can find their way to many
different strategies by starting with a question.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Questioning in reading leads to questioning in writing. &lt;/strong&gt;What if,
instead of questioning a novel, a writer was questioning something he
wrote? Questioning is the heart and soul of revision in writing. Once I
have kids questioning what they read, it’s a lot easier to get them to
question what they write.&lt;/li&gt;&lt;/ul&gt;

&lt;p&gt;
I teach questioning by finding a good opening paragraph to something.
Beginnings are always full of curiosities as writers attempt to draw us
in without revealing every little detail. Here’s an introduction to a
story I’ve used many times called &lt;em&gt;Eddie Takes Off:&lt;/em&gt;&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; Eddie had always been able to fly, but it wasn’t until
his fifth birthday party that he realized that it would turn out to be
a bit of a social problem. Until that embarrassing day on the Johnsons’
lawn, Eddie’s parents had treated his airborne peculiarity as something
of a childish whim. “Boy’s gotta stretch out, learn what he can do,”
said his father. “I just worry that he’ll hurt himself, you know, bump
into the ceiling or get his eye poked out by a bird, I don’t know...,”
said his mother. For the young Eddie, flying was just another discovery
about his developing body, like learning that he could reach out his
arm and ring the bell on his cradle railing, or finding that he loved
the taste of peas. The first time his parents came into the nursery and
found Eddie hovering a foot or two off the floor it came as a bit of a
shock. But, after all, parents are forever discovering special little
things about their children. Eddie’s mother thought that perhaps they
should take their son to see a specialist, but his father vetoed the
idea. “It’s not like anything’s wrong with him, and I don’t want him
getting a complex about it.”&lt;/p&gt;
&lt;/blockquote&gt;&lt;p&gt;
Once we’ve read it over, we brainstorm as many questions as we can think of:
&lt;/p&gt;

&lt;ul&gt;&lt;li&gt;Is this story like Harry Potter where kids do strange things?&lt;/li&gt;

&lt;li&gt;Why is Eddie’s flying a “social problem”?&lt;/li&gt;

&lt;li&gt;What happened on his fifth birthday party?&lt;/li&gt;

&lt;li&gt;Why did the author call Eddie’s flying an “airborne peculiarity”?&lt;/li&gt;

&lt;li&gt;What’s a “childish whim”?&lt;/li&gt;

&lt;li&gt;Why doesn’t Eddie thinks that flying is unusual?&lt;/li&gt;

&lt;li&gt;Why aren’t Eddie’s parents freaked out about Eddie’s flying?&lt;/li&gt;

&lt;li&gt;What time period is this story set in?&lt;/li&gt;

&lt;li&gt;Why doesn’t the author start a new paragraph when someone speaks?&lt;/li&gt;

&lt;li&gt;Why does Eddie’s mom think Eddie should go to a doctor?&lt;/li&gt;

&lt;li&gt;Why does the author say Eddie’s father “vetoed” his mother’s idea?&lt;/li&gt;

&lt;li&gt;What’s a “complex”?&lt;/li&gt;

&lt;li&gt;Can Eddie really fly?&lt;/li&gt;&lt;/ul&gt;

&lt;p&gt;
The first thing I like the kids to notice is just how many questions
there are. Often there are more questions than sentences. This allows
me to show kids—quite literally—that there’s a parallel “reading” of a
text that goes on inside their brains. In this case, it’s all
questions, but I can easily show them as we work more together, that
each new strategy they learn adds to the quality and variety of
responses they’ll become aware of as they read.&lt;/p&gt;

&lt;p&gt;
What the kids don’t see, and what I like to point out next, is how this
set of questions reveals their understanding of the text. By looking at
their questions, I can tell what parts they’ve read and understood
(most of the first two sentences, for example), what they read and
didn’t get (bits and pieces of vocabulary), and even what they might
have missed altogether (the author’s portrayal of the parents as cliché
figures who don’t really care much about their son).&lt;/p&gt;

&lt;p&gt;
Now I’ll ask them to apply their questioning skills in their own books
during reading time. But before we do that, we’ll go over a set of
questions that applies to almost any story. I call it our “Top 10
Questions” list:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;What does this word or phrase mean?&lt;/strong&gt; I love it when kids
puzzle over unfamiliar words. Learning new words is more fun when you
learn them while you read. And using context to figure out unknown
words strengthens kids comprehension of the text around the new word so
that even if they get the word wrong they still learn about what
they’re reading. For example, in Eddie Takes Off, a hard-working reader
might be able to learn that “whim” has something do with being
temporary or unusual and not a permanent condition.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Why did the writer use this word or phrase? &lt;/strong&gt;This is the
next level up from wondering what a word means. In this case, the
reader knows what the word means but questions why the author chooses
it as opposed to a different, and often simpler, word. This isn’t just
thinking about vocabulary, it’s thinking about word choice, and it can
lead some of the best inferential thinking readers do. For example, in
Eddie Takes Off, doesn’t the author’s use of the word “vetoed” in the
last sentence suggest that Eddie’s father is like the President of his
family and that no one can overrule him?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;How does this character feel? &lt;/strong&gt;Every character has feelings
but writers rarely tell us how their characters feel. For example,
there are three characters in Eddie Takes Off. Eddie’s seems worried.
Eddie’s father seems frustrated. And Eddie seems like a happy baby boy
with no idea that he’s any different than anybody else. Each of these
pieces of information has to be inferred. But before we can make those
inferences, we have to wonder about these characters first.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;What does this character want?&lt;/strong&gt; Every character wants
something. That’s what makes them do what they do. But writers rarely
tell us what that motivation is. So we have to question our characters
to discover it. For example, what do you suppose Eddie’s father wants?
The line, “Boy’s gotta stretch out, learn what he can do,” and his
later comment about not wanting Eddie to get a complex, suggests to me
that he wants Eddie to be a normal boy—and that he might be upset if
Eddie’s not.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Why did this character do or not do something?&lt;/strong&gt; Sometimes,
we have to work backwards and infer what a character wants from how
they act. One thing’s for sure: just like in real life, characters do
what they do for a reason, and it’s always interesting to know what
that reason is. If Eddie’s flying upsets his parents, why does he do
it? Or, even better, why do they let him?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;What is the relationship between one character and another?&lt;/strong&gt;
Characters rarely exist in isolation, so it’s important to figure out
how they relate to one another. For example, how do Eddie’s mother and
father get along? The author doesn’t tell us much but he shows us
everything we need to know in the way they speak to each other. Notice
how Eddie’s father dismisses everything Eddie’s mother says as though
it’s not true or not important.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;How does a character change?&lt;/strong&gt; Most characters we see in
stories don’t change. But main characters—and sometimes important minor
characters—do. This is called character development and it’s something
worth paying attention to. How do you think Eddie will change in this
story? Do you think his parents will change?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;What’s going to happen next?&lt;/strong&gt; An easy question to ask but
often a hard one to answer. In general, the more formulaic a story is,
the easier it is to predict. Really great stories break the mold and
defy prediction. Can you guess what happens at Eddie’s fifth birthday
that becomes a “social problem”?&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;What idea is the writer showing you an example of?&lt;/strong&gt; This
gets kids thinking of themes. I want kids to follow the actions of
characters and the events of the story, but I also want them thinking
on another level—the level of the writer’s ideas. Writers of fiction
work with ideas just as well as writers of informational texts do. But
in fiction, we have to look at literal story elements as examples of
the ideas they represent. Eddie Takes Off, for example, makes me think
about what it’s like to be different or not be accepted by one’s
parents.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;What message is the writer trying to convey?&lt;/strong&gt; This gets
kids thinking about main idea. The main idea is the one most important
thing the writer wants the reader to know. It’s the lesson, the moral,
the message. Whereas themes are often expressed as abstract ideas
(loneliness, fear, courage, etc.), a main idea is usually expressed as
a complete though (Absence makes the heart gown fonder. A life lived in
fear is a life half lived. Etc.) It would be hard to get a main idea
out of just one paragraph of Eddie Takes Off but if that was all I had
to work on, I’d say it might be something like, “Kids’ unusual talents
are often not appreciated by their parents.”&lt;/li&gt;&lt;/ul&gt;

&lt;p&gt;
During reading time, as kids attempt to question their own texts, they
come up with all kinds of questions, many I’ve never thought about. I
ask them to write these in their journals and to share them at the end
of class. Whenever we think we’ve come up with a new kind of question—a
type of question that might apply to almost any text—we add it to our
big list.&lt;/p&gt;

&lt;p&gt;
Questioning is a strategy I teach all year long. It’s often where I
want to start when we look at a difficult text together. And it’s
practically a requirement when we attempt to tackle poems. Kids may get
tired of me asking them to come up with questions. But I think it’s
incredibly important. And besides, as I like to tell them, it’s easier
than coming up with answers.&lt;/p&gt;

&lt;p&gt;
I work on questioning so much because of all the different strategies I
can teach, I think it’ the one strategy that most positively changes
the way readers approach their reading. A questioning reader is
fundamentally a better reader than a reader who doesn’t question. And I
think, just by using questions as a primary critical tool, that I can
help almost any reader become a questioning reader.&lt;/p&gt;

&lt;p&gt;
By the end of the year, there are five things about questioning that I want kids to come away with:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Foundation questions.&lt;/strong&gt; There are sets of questions—like our
Top 10 list—that go with certain kinds of writing. These questions, and
their answers if readers can find them, form the foundation of a solid
understanding. I want kids to know what foundation question are and
which ones go with which kinds of texts.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Questioning is an essential part of reading.&lt;/strong&gt; When we begin
the questioning activity, kids act like I’m asking them to do something
weird, something they’re not used to doing. By the time we’re finished,
I hope they know that questioning is an essential part of reading
anything, and that if they’re not questioning, they’re not reading.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Questions are more important than answers.&lt;/strong&gt; Yes, I want
kids to be able to figure out the answers. But in order to find an
answer, a reader has to ask a question first. And the better a reader’s
questions are, the better chance she has of understanding a text. Even
more important is the idea that readers can improve their understanding
whether they answer the questions or not. Just asking them and trying
to find the answers helps.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Questions focus our attention and prepare our mind for understanding.&lt;/strong&gt;
A text is like a maze with thousands of twists and turns and no way to
know ahead of time why direction is better than another. A good
question is like true North on a compass. It tells readers which parts
of a text to focus on and when they’ve reached their destination.&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Questions are the key to a reader’s greatest discoveries.&lt;/strong&gt;
Reading the words only gives us part of the story. The rest is hidden
somewhere else. If we never question what we read, we never gain access
to the rest of the story.&lt;/li&gt;&lt;/ul&gt;

&lt;p&gt;
I’ll admit that I’m biased toward questioning as the single best
reading strategy to teach. My feelings about questioning come from my
own experience of reading in school. I became an English major (which
is just a conventional way of saying I majored in reading) because of
one great professor. Dr. Canedo taught American literature and seemed
to know everything there was to know about it. One day, I stopped him
in the hall after class. “Dr. Canedo,” I called to him. “How come you
know all the answers.” “Who me?” he said with mock humility. “I don’t
know know all the answers. I just know all the questions.”&lt;/p&gt;&lt;/div&gt;
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/questioning.html</feedburner:origLink></entry>
    <entry>
        <title>Not Too Much, Not Too Little</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/F6VSrIfsUOw/not-too-much-no.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/not-too-much-no.html" thr:count="1" thr:updated="2007-12-21T12:38:09-05:00" />
        <id>tag:typepad.com,2003:post-42931486</id>
        <published>2007-12-17T10:38:14-05:00</published>
        <updated>2007-12-17T10:38:14-05:00</updated>
        <summary>Is There Logic Behind These Numbers? by Meryem Kennedy If you are familiar with Readers and Writers Workshop, you probably already know what the 20/20 Vision is: Publish 20 pieces of writing and read 20 books a year. This is...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em><strong><span style="font-size: 1.4em;">Is There Logic Behind These Numbers?</span></strong></em><br />by Meryem Kennedy</p>

<p>If you are familiar with Readers and Writers Workshop, you probably already know what the 20/20 Vision is: Publish 20 pieces of writing and read 20 books a year. This is a goal for students to push for.</p>

<p>The first year I started implementing this in my ESL classes, I had some problems with student reaction to the enormous amount of books they were expected to read. To decrease their anxiety level, I told my panic-stricken ones, "This only translates into 5 books a quarter (9 weeks)." Needless to say this helped. </p>

<p>However, when the panic died down, I had to deal with kids would choose the skinniest books and be done with reading in 3 weeks instead of reading for the whole 9 weeks. I also had the sincerely interested kids who wanted to read books like Harry Potter of 400+ pages but were scared that it would be the only book they would read. Then of course there has been the problem of how many words a book has on a page and how many pages are filled with illustrations instead of print.</p><p>Taking all these things into consideration came up with this clever
solution: For my Intermediate class, I expected them to read 500 pages
a quarter for “B” grade in the Reading Performance category in 3P
grading system. 500 pages was based on the level of books these
students can read and understand. Most of the books for Intermediate
English Language Learners are more or less 100 pages. This way,
students would not be scared to pick longer books if they were really
interested in them. On the other hand, those who would try to trick
themselves out of reading by picking shorter books would have no place
to hide.</p>

<p>
The next part of the “sweetening” of the bitter pill, if you will,
comes from chunking the reading task into days. After students have
gotten used to the idea of 500 long pages, I do another math problem on
the board for them. In 9 weeks, counting the weekends, there are more
than 50 days. If they are to read a mere 10 pages a day, that would
guarantee them an “Above and Beyond” (or an “A”) by the end of the
quarter for their reading performance, assuming they have really read
the books throughout the quarter.</p>

<p>
When the time for 3P conferences comes, it is as easy as stretching out
on a Lazy Boy to determine what the student deserves for a performance
grade. If a student has finished more than 600 pages, they deserve an
“Above and Beyond.” I use the following table to easily determine their
grades:<br />
Above and Beyond = 600 +
</p>

<ul><li>Basically Fine = 500- 599 </li>

<li>Could’ve Done Better = 400- 499</li>

<li>Didn’t Try = 300- 399</li>

<li>Forget About It = 299 or below</li></ul>

<p>
To help motivate the students, I ask them to fill out a book log
everyday with just the page numbers they are on. I use the class roster
for this. If they start a new book, they initial NB. That way they get
to see how they are progressing from day to day and what they can do to
catch up or excel.</p>

<p>
Once all this is in place, which is basically the first couple of days
of Readers Workshop, then I begin to whet the students’ appetites to
the real joy of reading.</p>
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/not-too-much-no.html</feedburner:origLink></entry>
    <entry>
        <title>Comments on How Much Kids Should Read</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/d7lOyBh7a-U/comments-on-how.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/comments-on-how.html" thr:count="2" thr:updated="2007-12-21T13:30:01-05:00" />
        <id>tag:typepad.com,2003:post-42837746</id>
        <published>2007-12-14T12:11:55-05:00</published>
        <updated>2007-12-14T12:11:55-05:00</updated>
        <summary>Suzanne Forman sez... What an incredibly tough question. I was told my expectations were too high to ask kids to read at least 6 books this semester, unless they could all of them "in class" given class time to read...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Choosing Books" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Expectations" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><strong><span style="font-size: 1.2em;">Suzanne Forman sez...</span></strong></p>

<p>What an incredibly tough question. I was told my expectations were too high to ask kids to read at least 6 books this semester, unless they could all of them "in class" given class time to read each and everyone of them. The fact that I lowered my expectations from previous years was sickening enough for me, but to then be told my expectations brought bile to the top of my throat! </p><p>Reading is an essential skill and for high school students who've
had NO expectations to read much of anything on their own it is a very
scary prospect: find a book you'll like (what does that mean exactly),
find a book you can read (I can read lots, but how do I read a whole
book on my own? I've never had to do that since 5th grade.) I think one
of my biggest frustrations is the absolute lack of any reading
expectations at the secondary level.</p>

<p>Too many times I've been told that it isn't necessary for kids to
read outside of the classroom, and I certainly can not assess any
reading done outside of the classroom. Students appreciate teachers who
do actually hold them to expectations. Students do actually want
guidelines and challenges. Teachers and students do actually learn
about each other when sharing the things they are reading - which
ultimately helps build the community - which ultimately creates a
classroom of serious readers. </p>

<p>So, don't lower your expectations, don't shy away from challenging
your students to read and read and read! Do what you know is absolutely
best for your students as readers and writers and when they finish one
book, send them on to another and another and another and another....</p>

<p>:-)</p>

<p>------------------------------------------<br /><span style="font-size: 1.2em;"><strong><br />Steve Peha sez...</strong></span></p>

<p>When it comes to upholding high expectations for kids' reading, it's important to keep a few things in mind:</p>

<ul><li><strong>We're only asking them to read. </strong>This is not a hard task. In fact, it's a task that most of us as adults find quite enjoyable.</li></ul>

<ul><li><strong>We're only asking them read books at their independent reading level. </strong>This means that the reading we're asking them to do is pretty easy.</li></ul>

<ul><li><strong>We're asking them to read books they like and that they get to choose.</strong> Imagine getting credit at work or in your community for pleasure reading!</li></ul>

<ul><li><strong>We're asking all their friends in class to do the same thing.</strong> There's no social stigma in having to read. And there are plenty of cool people to talk with about it.</li></ul>

<ul><li><strong>The amount of time we're requesting of them is not excessive.</strong> We're usually talking about half an hour a day outside of class. It's not a big deal.</li></ul>

<p>Kids who play musical instruments practice much more than this. So
do kids who play sports. And they practice much harder and with fewer
choices in those areas. Their music teachers and sports coaches ask
them to practice long and hard because they know that's what's
necessary to make progress. Why shouldn't we hold the same expectations
about what it takes to make progress in reading?</p>

<p>Finally, it's worth reminding ourselves that we've all seen many
kids meet the challenge of regular reading. In fact, in every classroom
I've worked in where a teacher has asked kids to read a large number of
books, most of the kids do it. And even those who don't do it read far
more than they would expectations had been lower.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/comments-on-how.html</feedburner:origLink></entry>
    <entry>
        <title>The Harry Potter Effect</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/b20tQYn1TCg/the-harry-potte.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/the-harry-potte.html" thr:count="2" thr:updated="2008-01-19T11:58:55-05:00" />
        <id>tag:typepad.com,2003:post-42808428</id>
        <published>2007-12-13T17:27:19-05:00</published>
        <updated>2007-12-13T17:27:19-05:00</updated>
        <summary>Motivation, Reading Levels, and Book Selection In general, I’m not a fan of letting kids pick books they can’t read. Letting kids struggle day after day with books two or three years above their reading level is a recipe for...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Choosing Books" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em><strong><span style="font-size: 1.4em;">Motivation, Reading Levels, and Book Selection</span></strong></em></p>

<p>In general, I’m not a fan of letting kids pick books they can’t read. Letting kids struggle day after day with books two or three years above their reading level is a recipe for fatigue, frustration, and the reinforcement of bad habits. But kids often want to read books they can’t read precisely because they can’t read them. Hard books are cool books, and many kids would rather be cool than literate. So over the years, I’ve developed an approach to dealing with this situation that tries to square kids’ motivations with my instructional goals.</p><p>I was working one year with a great bunch of 3rd graders. Whatever they
may have lacked in reading skill, they more than made up for in reading
enthusiasm. In fact, it seemed not to matter at all to them that they
understood little of the books they were attempting to read. They just
liked reading.</p>

<p>
It took me about a month to convince them that the point of reading was
to understand ideas, not just to call out words. As Halloween
approached, I felt like we were finally on solid ground: most kids had
books at their independent reading level, most were understanding what
they were reading, and some were even beginning to experiment with
phrasing and expression.</p>

<p>
Then Harry Potter came to town.</p>

<p>
The librarian announced a spectacular book fair jam packed with the
latest titles. The kids couldn’t wait. They saved their allowances, did
extra chores, raided piggy banks and college savings accounts. These
kids were going to buy some books!</p>

<p>
The day after the book fair, I noticed large hard-bound volumes all
over the room. Small kids have small desks, and now they were covered
by monstrous tomes. One tiny tot couldn’t actually hold the book in his
hands to read it. He had to lay it flat instead.</p>

<p>
Gone were the tiny transitional chapter books they’d been reading.
<em>Junie B. Jones, Magic Treehouse, The Boxcar Children,</em> all had been
disappeared by <em>Harry Potter and the Sorcerer’s Stone.</em></p>

<p>
The kids were more excited than ever about reading. And at first, I
was, too. Then I realized something: the kids didn’t want to read their
regular books anymore, they only wanted to read Harry Potter. I didn’t
know exactly what to do. How do you tell an 8-year old who just spent
two month’s allowance on a book that he can’t read it? The answer is,
you don’t. At least not right away.</p>

<p>
So I let the Harry Potter fans read their new books for a few days. As
I conferenced, I tried not to cringe as they mangled unfamiliar names,
tripped up on unusual vocabulary, and stumbled through sentences as
dense and tangled as fog-shrouded London streets.</p>

<p>
I wasn’t surprised that the kids couldn’t read Harry Potter. But I was
struck by how much they wanted to read it, and how hard they were
willing to work. Several kids who had previously demonstrated reading
rates of almost 200 words per minute, were now barely reading five
pages a day. And though everyone knew the basic story, few could parse
the wonderful details lurking in almost every sentence. I had a vision
of kids reading this book for the rest of the year and understanding
only the most obvious elements. At the same time, I didn’t think I
could get away with banning Harry Potter simply on the grounds that it
was well above the kids’ reading levels. So I decided to make a deal
with Lord Voldemort.</p>

<p>
I told the kids they would have to go back to their original books but
that they could continue to read Harry Potter for part of our reading
time each day. During “Harry Potter Time”, however, they had to promise
to use five strategies:</p>

<ul><li><strong>Word Breaking.</strong> These kids had grown out of sounding out most of their
words but now they were back in a text that required a lot of it. We
went back over several simple techniques, most involving syllable
patterns and word-within-a-word strategies, and they pledged to apply
them conscientiously to figure out all the new words they could.</li></ul>
<ul><li><strong>Phrase Breaking. </strong>This strategy involved breaking long sentences into
many short phrases. This was the only way most kids could begin to
understand the details.
</li></ul>

<ul><li><strong>Questioning. </strong>Rather than just decoding their way through, I needed
them to start wondering about things that didn’t quite make sense. To
do this, I had to get them to actively question their reading. We
decided as a group that they would ask at least one question per
paragraph unless there was dialog which was easier to understand.</li></ul>
<ul><li><strong>Inference.</strong> While they could ask questions, they didn’t seem to know
how to answer them. I told them this was normal and got them into
making inferences. We practiced the basic pattern of asking a question
and making an inference for the answer by putting paragraphs up on the
board, posing questions on the left side, and putting up answers on the
right. Sometimes we figured things out, sometimes we didn’t. But we
always had a better sense of the passage just by making the effort, and
this was the point I wanted to make to them.</li></ul>
<ul><li><strong>Re-reading.</strong> To integrate the results of all the strategies they were
trying to use, I told them they had to re-read tougher spots until they
were smooth and fluent. This lowered their speed but raised the quality
of their reading to a point where I could feel confident that they were
reinforcing good habits and not developing bad ones.</li></ul>
<p>If it sounds like I gave them a lot of hard work to do, that’s because
I did. Initially, I thought they wouldn’t do it. I figured they’d give
up, go back to their original books, and put Harry Potter away until
5th or 6th grade. Instead, they jumped right in and stuck to it. As a
result, they got excellent practice applying good reading strategies to
a challenging text for a few minutes every day. And I got a lesson in
how good books motivate kids to work harder than I ever thought
possible.</p>

<p>
Normally, I can’t get very young readers to apply multiple strategies
to a challenging text. They get tired. They get bored. And eventually
they get frustrated. But when kids really want to read something, even
if that something is way above their grade level, I know now that there
are ways I can work with them to accommodate their preferences and
ensure they have an experience that will make them a better reader at
the same time.</p>

<p>
I now use that same kind of deal making on a regular basis. Whenever
kids pick books that are too hard for them, I identify a strategy or
two they need to apply to overcome the gap between their ability and
the level of the text. As long as they continue to apply the
strategies, they can continue to read the book. If I’m thoughtful about
the strategies I choose, and if students use those strategies
conscientiously, the reading experience improves and the reader learns
new skills. If the reader can’t or won’t apply the strategies, they
agree to pick an easier book.</p>

<p>
Most kids, when they pick books, make choices that are above their
reading level. And they often don’t like it when I ask them to pick
something easier. Now I’ve got an approach to mediating that situation
more effectively. I’ve also learned when I can let a kid go with a hard
book they really love.</p>

<p>
I want kids to take risks with their learning. The best thing I think a
kid can do in school is volunteer for a challenge. While I don’t want
kids reading two or three years above their grade level all the time, I
do want them to pick a “challenge” book every once in a while. And when
that happens, I want to give each kid the exact set of tools he or she
needs to meet it. Striking a deal about using strategies to read
effectively in hard texts brings me and the students into an informal
learning contract that matches their motivation with my instructional
goals. I couldn’t ask for anything better that.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/the-harry-potte.html</feedburner:origLink></entry>
    <entry>
        <title>Take the Pledge for Better Reading</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/0zNJuD_rcu4/take-the-pledge.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/take-the-pledge.html" thr:count="3" thr:updated="2007-12-21T13:19:02-05:00" />
        <id>tag:typepad.com,2003:post-42750570</id>
        <published>2007-12-12T12:01:08-05:00</published>
        <updated>2007-12-12T12:01:08-05:00</updated>
        <summary>Using The Pledge of Allegiance to Improve Reading Fluency Every few years, it seems we experience a minor controversy in education around The Pledge of Allegiance. Should kids have to say it? Should it include the words “under God”? And...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Phrasing" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Fluency" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em><strong><span style="font-size: 1.4em;">Using The Pledge of Allegiance to Improve Reading Fluency</span></strong></em></p>

<p>Every few years, it seems we experience a minor controversy in education around <em>The Pledge of Allegiance.</em> Should kids have to say it? Should it include the words “under God”? And so on. What do I think about this? I think <em>The Pledge of Allegiance</em> is one of the best tools we have in America for teaching kids how to read.</p><p>One of the most important skills we can help readers develop is
fluency. Reading fluency is the ability to decode words automatically,
to maintain a steady reading rate, and to read with expression. It’s
the strongest predictor of comprehension and the quality we’re most
aware of—whether it’s present or not—when kids read out loud.</p>

<p>
When we first learn to read, we’re not very fluent. We speed up and slow down, stumbling over tough words in almost every sentence, sometimes reading
in an irregular, halting word-by-word fashion. As reading teachers, we
want to help kids smooth things out. And this is where <em>The Pledge of
Allegiance</em> comes in.</p>

<p>
I start by writing out the <em>Pledge</em> on the board in one long sentence:</p>
<blockquote><p>I pledge allegiance to the flag of the United States of America, and to
the republic for which it stands, one nation under God, indivisible,
with liberty and justice for all.</p></blockquote>
<p>Then we say it together. Kids know it by heart, including—and this is
the key—where to pause between phrases. So after we’ve said it a couple
of times, and we’re all sure where those pauses go, I put in phrase
markings like this:</p><blockquote><p>
I pledge allegiance / to the flag / of the United States of America, /
and to the republic / for which it stands, / one nation / under God, /
indivisible, / with liberty and justice for all.</p></blockquote>
<p>This is where things start to get interesting. Most kids have never
given a second thought to how they say the <em>Pledge.</em> They just follow along
each morning. The interesting things is that the <em>Pledge</em> is said with
exactly the same phrase patterns everywhere. I’ve done this lesson with
kids all over the United States and it always works the same way. There
must be a reason for this. And that’s what we’re about to find out.</p>

<p>
“How do we all know where to pause?” I ask the class. “<em>The Pledge of
Allegiance</em> is one big long sentence. Why don’t we just read through all
the way to the period at the end?” </p>

<p>
After a few seconds of silence, a kid might say, “We just do”, or
“Because we say it every day.” So I attempt to clarify: “If you didn’t
say it every day, how would you know?” After a few more seconds, a kid
will say something like, “Because of the commas.” Now we’re getting
somewhere.</p>

<p>
Now that kids are looking at the structure of the sentence, I can point
something out to them that they’ve probably never considered. Pointing
back to the sentence with the phrase marks in it, I say: “I count seven
places pauses, but only three commas. So there must be another rule we
use to decide where to pause.”</p>

<p>
At this point, the kids are confused but also curious. What we’ve
stumbled onto is the concept of phrasing, a universal aspect of reading
and the key to helping kids fluent readers. Contrary to how every child
in America has been taught, we don’t just pause at periods and commas,
we pause at the end of every phrase. This is true no matter what we
read. We also do it when we talk (though in casual speech, the pauses
are very slight).</p>

<p>
Now I write out the <em>Pledge</em> with the lines broken at the end of each phrase:</p><blockquote><blockquote><blockquote><p>
I pledge allegiance<br />
to the flag<br />
of the United States of America,<br />
and to the republic<br />
for which it stands,<br />
one nation<br />
under God,<br />
indivisible,<br />
with liberty and justice for all.</p></blockquote></blockquote></blockquote>
<p>I call this “phrase breaking”. Then I pick up a book and begin to read
so I can demonstrate that readers phrase break all the time in
everything they read. I also show them how my reading sounds when I
don’t break phrases (too fast), when I read one word at a time without
grouping words into phrases (too slow), and when I break phrases in the
wrong places (awkward and difficult to understand).</p>

<p>
Having demonstrated what phrasing is and why it’s so important, we go
back to the Pledge to figure out the next big thing. “How do we know
where the phrase breaks go?” I ask.</p>

<p>
We start by looking at the length of a phrase. Most of the phrases in
the Pledge are between three and six words long. If we take a look at
other texts, we’ll see this is a pretty good generalization.
Occasionally, we might see a two-word phrase, and in the Pledge there’s
even what looks like a one-word phrase. In other texts, we might even
find the occasional seven- or eight-word phrase. But this is not the
norm. So we write this down:</p>

<ul><li>
In general, phrases are three to six words long.</li></ul>
<p>Now we look at how phrases begin and end. The first words of the first five phrases of the Pledge display an obvious pattern:</p><blockquote><blockquote><blockquote><p>
I..<br />
to...<br />
of...<br />
and...<br />
for...</p></blockquote></blockquote></blockquote>
<p>The pattern is even easier to see when we contrast them with the last words in each phrase:</p><blockquote><blockquote><blockquote><p>
...allegiance<br />
...flag<br />
...America<br />
...republic<br />
...stands</p></blockquote></blockquote></blockquote>
<p>From this we can make another generalization:</p>

<ul><li>
In general, phrases start with little words and end with big words.</li></ul>
<p>With older kids, I can bring in some grammar. The “little” words are
called “function” words and the “big” words are called “content” words.
Function words don’t mean anything. They merely show how content words
function in a sentence. Function words help us figure out how content
words relate to each other and what part of speech they are. Content
words hold the meaning of the sentence; function words help to clarify
that meaning.</p>

<p>
The last thing we have to figure out is how phrases feel when we read
them. To do this, we need to understand how accent patterns work in
words and syllables. Earlier in the lesson, I read examples for the
kids with poor phrasing: one example that was too fast, one that was
too slow, and one in which I broke the phrases in the wrong places. In
the “too slow” example, I read word-by-word like... most.. readers...
do... when... they’re... first... starting... out. Some kids even put
their finger on each word as it goes by.</p>

<p>
In word-by-word reading, each word is read at the same speed and with
the same amount of stress. Actually, every word is accented: LIKE...
MOST... READERS... DO... WHEN..., etc. But our language doesn’t work
that way. The basic rhythm of English is based on patterns of
alternating stressed and unstressed syllables:</p><blockquote><blockquote><blockquote><p>
i PLEDGE al-LE-giance TO the FLAG</p></blockquote></blockquote></blockquote>
<p>There are also variations on this pattern:</p><blockquote><blockquote><blockquote><p>
OF the u-NI-ted STATES of a-MER-i-ca</p></blockquote></blockquote></blockquote>
<p>But we almost never encounter situations where several consecutive
syllables are stressed. That would sound like shouting. Or like a young
reader putting his finger on each word as he read it.</p>

<p>
This discussion may be too technical for some kids but I go through it
anyway because I know I can wrap it up with one thing everyone can
understand: Just like they all knew how to phrase the Pledge without
knowing what a phrase was, they all know how to read with the right
rhythm because it’s the same rhythm they use when they talk. All we’re
trying to do with this entire lesson is help them bring the fluency of
the way they speak to the way they read.</p>

<p>
To help them understand this in a more practical way, we make one more generalization:</p>

<ul><li>
In general, tuck the little words into the big words.</li></ul>

<p>
The “little” words, or any part of a word that is unaccented, are read
a little quicker and with a little less volume than the “big” words, or
any part of a word that is accented. This is the last piece of the
fluency puzzle we’re trying to solve.</p>

<p>
Now that we understand phrasing, and how it helps us read more
fluently, we can begin to practice it with everything we read. We do
this first with choral reading where I can help them identify
appropriate phrase breaks and we can develop a feel for phrasing by
reading together. In their own individual reading, I will listen to
them in conferences, helping them adjust their phrasing whenever
necessary.</p>

<p>
When kids aren’t phrasing well, we go back to the beginning of a
sentence and try again. Repeated reading is the best way to get the
hang of it. Often, kids can improve the phrasing of a sentence by just
reading it over one additional time. If that doesn’t work, I will model
the phrasing for them and have them read after me. If they’re sill
having trouble, I’ll model one phrase at a time, having them repeat the
phrase right after I say it, until they piece the entire sentence
together on their own.</p>

<p>
Phrasing is one of the most valuable reading skills kids can develop.
Teaching kids to phrase, or to do “phrase breaking” as they often like
to call it, has several significant benefits:</p>

<ul><li><strong>Phrasing improves fluency.</strong> Good reading has a smooth and satisfying
flow to it. But telling kids to read more smoothly rarely helps them
achieve this. Phrasing is the key to smooth reading. Practicing
phrasing using the skills we develop in this lesson is the key to
helping kids become more fluent. It’s also the easiest and most
accessible way to teach fluency explicitly and systematically; when we
know how to teach phrasing, we don’t have to wait around hoping that
kids will one day become fluent readers.</li></ul>
<ul><li><strong>Phrasing improves comprehension.</strong> Phrases naturally make sense to us
in ways that single words can’t and that long sentences often don’t.
Our language uses what linguists call a “phrase structure grammar.”
This just means that words are grouped into phrases according to how
they work grammatically. Reading word-by-word it’s often hard to
recognize how words function in a sentence. And for most of us, most
sentences have too many words to keep track of all at once. The size of
a phrase (usually 3-6 words), and the structure of a phrase (one or two
content words connected by function words), create a unit of language
that is just the right size for us to understand as we read.</li></ul>
<ul><li><strong>Phrasing helps readers infer meanings of unfamiliar words in context.</strong>
When kids encounter a word they don’t know the meaning of, they
naturally focus on it to the exclusion of the words around it. But
considering individual words on their own can make them tougher to
understand. Re-reading the word as part of the phrase in which it
occurs, along with the other phrases in the sentence, provides the
context that helps readers infer meaning. </li></ul>
<ul><li><strong>Phrasing helps kids find “just right” books.</strong> As soon as kids
understand phrasing, I can give them another way to know if the book
they’re reading is “just right”. In general, a “just right” book is one
you can read with good phrasing. If kids have trouble with phrasing,
and they can’t improve it with a little re-reading, the book might be
too hard.</li></ul>
<ul><li><strong>Phrasing makes reading more fun.</strong> Word-by-word reading is exhausting
and hard to understand. Kids who read a million miles an hour miss
important details. And readers whose phrasing is halting and irregular
have a terrible time making sense of what they read. But well-phrased
reading is very enjoyable. Phrasing is also the stepping stone to
better expression which makes reading a more emotionally satisfying
experience.</li></ul>
<p>I can’t remember now the fortunate set of circumstances that lead me to
the connection between <em>The Pledge of Allegiance,</em> phrasing, and reading
fluency. But whatever it was, I’m convinced it was one of the best
gifts I have ever received. I teach phrasing, using the <em>Pledge,</em> to
every group of kids I work with, even kindergarteners. It’s especially
useful with second language learners who don’t have the native language
rhythms of speech to fall back on.</p>

<p>
In addition to being a great thing to learn, phrasing is a lot of fun
for me to teach. It sounds great when a group of kids reads together
with good phrasing. And I love the “Aha!” reactions I get when I work
on phrasing in individual conferences. For helping kids figure out the
meaning of a complex passage, there’s no better activity than phrase
breaking. Breaking long sentences into more manageable pieces, and then
teasing out the meaning phrase by phrase, turns light bulbs on all
around the room. Best of all, the skills associated with using phrase
breaking to improve comprehension are simple enough for kids of all
ability levels to use on their own.</p>

<p>
Perhaps the best thing about adding phrasing to my teaching repertoire
is that it requires no planning to work into a lesson. It works with
any text at any time, and if I ever have to re-teach the basics, I know
I can pull out The Pledge of Allegiance and be successful with kids of
any age in any classroom in America.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/take-the-pledge.html</feedburner:origLink></entry>
    <entry>
        <title>The Plot Thickens</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/UuDZfDsNKVg/the-plot-thicke.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/the-plot-thicke.html" thr:count="1" thr:updated="2007-12-13T19:05:35-05:00" />
        <id>tag:typepad.com,2003:post-42699692</id>
        <published>2007-12-11T13:30:00-05:00</published>
        <updated>2007-12-11T13:30:00-05:00</updated>
        <summary>Keeping Summaries Under Control I want kids to talk and write about what they read. But sometimes, when they give book talks or write book reviews, I feel like it’s déjà vu all over again. Instead of talking about their...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Summarizing" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><strong><em><span style="font-size: 1.4em;">Keeping Summaries Under Control</span></em></strong></p>

<p>I want kids to talk and write about what they read. But sometimes, when they give book talks or write book reviews, I feel like it’s déjà vu all over again. Instead of talking about their books, kids regurgitate them in episodes of endless summary. Even when I ask them to stop, they keep piling up details until their summaries are so thick it’s as though they’ve rewritten an entire novel.</p><p>Summary has its place, that’s for sure. But kids seem to think that
place is everywhere. The challenge is to teach them where and when
summary is appropriate, and how to summarize economically so most of
their time and energy can go into more rewarding types of reading
response.</p>

<p>
The reason kids summarize so much is because we ask them to. Summary is
a popular way of testing kids’ comprehension. But I’m uncomfortable
when class is one big year-long test, so I try not to use summary as a
way of assessing how kids read. I used to ban summary summarily. But
that was a childish over-reaction. Now I focus on teaching kids how to
use summary in the same way readers use it in the world outside of
school.</p>

<p>
I start with some basic information:</p>
<ul><li><strong>Summaries have a real purpose; they’re not just tests.</strong> People don’t
summarize their reading to get a grade or pass a test, they summarize
it to help another person understand something in an efficient way. I
point out to kids that anyone who really wanted to know about a book
could simply read it. They don’t need a reader to retell everything
that happens.
</li></ul>

<ul><li><strong>Summaries are as short as possible; don’t retell the entire book.</strong> If
I ask another reader, “What’s that book about?”, I expect to get no
more than a sentence or two in reply. If I’m reading a review, I might
appreciate a paragraph. And if I’m studying an intense piece of
literary criticism, several paragraphs of summary sprinkled throughout
the paper might be appropriate. Summarizers are always trying to get
their work done as efficiently as possible. They know that it’s their
ideas about the text, and not the text itself, that their audience is
most interested in. </li></ul>
<ul><li><strong>Summaries support other important ideas; they’re not the main idea.</strong>
If I want to tell you why I liked a certain book, I might have to refer
to the plot from time to time just so you’ll know what I’m talking
about. But the plot is not the important thing I want to share with
you. It’s a set of supporting details I need to present so you’ll
understand my message.</li></ul>
<ul><li><strong>Summaries rarely exist by themselves; they’re usually a part of
something else.</strong> Summaries almost always exist as part of some larger
communication. Summaries play a small but important role as part of any
book talk, book review, or critical essay. Publishers use brief
summaries as part of their marketing materials. Except for catalog
listings and similar references, summaries don’t stand alone.</li></ul>

<ul><li><strong>How we summarize is determined by why we’re summarizing and who we’re
summarizing for. </strong>Kids think every summary is the same: tell all you can
about a book. But purpose and audience matter more than content. When
we summarize, we have to make choices about what to include and what to
leave out. Unless we consider our audience and our reason for
summarizing, we won’t have good rationale for making those decisions.
It is this lack of rationale that lies at the root of kids’ tendency to
summarize too much.</li></ul>

<p>This information all well and good. But when it comes to summarizing,
it takes more to convince kids to change their ways. So the next thing
I do is show them two summary styles.</p>
<ul><li><strong>The One-Sentence Starter. </strong>The most common summary is probably the
shortest. In this approach, the summarizer tries to come up with one
sentence that captures the essence of the entire book: <em>“Louis Sachar’s
Holes is about a group of juvenile delinquents sent to Camp
Green Lake, a miserable place where they discover a hundred-year-old secret that may help them find their
freedom.”</em> In this type of summary, the summarizer usually alludes to
one or more big themes in the story while teasing the reader with a satisfying ending.
</li></ul>

<ul><li><strong>The One-Paragraph Wrap-Up.</strong> This is my personal favorite. Not so short
that it’s hard to come up with; not so long that I get bored: “<em>Ramona
Quimby, Age 8 is about a girl in third grade. She started school with a
surprise gift from her dad, only to have it stolen by a boy she called
‘Yard Ape.’ One day at lunch she tried to be cool and show off for her
friends by cracking an egg on her head and found herself in a big mess.
When flu season hit, she learned how awful it felt to throw up in
class. As time goes on, Ramona and her family solve their problems, and
learn to be more caring for each other. They also learn to be more
considerate for each other when time alone is needed.”</em></li></ul>
<p>Both of these summary types are short, and that’s the point. To get
kids used to writing so little, we create several examples together
based on books—or movies or fairy tales or any common narrative—we all
know. Creating models of summaries as a group activity forces us to
make hard decisions. With a room full of kids making suggestions, we’re
bound to have more information than we need. That gives us a chance to
talk about what needs to be included and what doesn’t. This is when
kids start learning how to summarize.</p>

<p>
Summaries can, of course, be longer than a sentence or a paragraph, but
I want kids to get the hang of summarizing quickly, so I stick to short
models at first. We also discuss other issues like whether or not we
can give away the ending and how to create teaser lines that would make
a reader curious enough to want to read the entire book.</p>

<p>
Now that we have models to look at, it’s helpful if we have some
informal criteria to judge our work. This is not a formal rubric per
se; just simple tips that remind kids to keep their summaries short and
sweet.</p>
<ul><li><strong>Hit the highlights.</strong> Include only the most important aspects of your
book in your summary. Don’t worry about all the little things that
happen. </li></ul>
<ul><li><strong>Connect the Dots.</strong> Don’t just list things that happen; tell your audience how one thing leads to another.</li></ul>
<ul><li><strong>Support your important points. </strong>What you decide to include in your
plot summary should be determined primarily by which parts of the book
you plan to comment on and the arguments you plan to make. </li></ul>
<ul><li><strong>Don’t spoil it.</strong> Don’t tell your readers anything about the book that
might spoil it for them. After all, the purpose of giving a talk or
writing a review is to help readers decide which books they might want
to read—not to do the reading for them!</li></ul>
<ul><li><strong>Set limits.</strong> If you’re giving a three-minute book talk, limit your
summary to 30 seconds (about 75 words). If you’re writing a book
review, limit your summary to no more than 20% of the total length (100
words in a 500-word review).</li></ul>
<p>While I don’t like specifying numbers of pages or numbers of words to
make sure kids produce minimum amounts of writing, I love giving them
maximums. With summaries, this is one of the most effective things I
do. When I tell kids as they give their book talks that summaries can
only last 30 seconds, they get very creative about including only the
most important elements. The same thing happens when I limit summaries
to a single paragraph or 100 words in book reviews. These limits, while
artificial, are effective. They’re also consistent with the
requirements of real world writing. Rarely do professional writers get
minimum word counts. But maximum word counts are common as publishers
have to watch how they use their space and how they respect their
reader’s attention spans.</p>

<p>
Taking a more structured approach to summary has turned something I
used to hate into something I now enjoy. What used to be a tedious
exercise is now an interesting puzzle: Who can give the best summary in
the shortest amount of time or space? Best of all, showing kids how to
produce good summaries has gotten them out of the habit of producing
bad ones.</p>
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/the-plot-thicke.html</feedburner:origLink></entry>
    <entry>
        <title>The Golden Line Activity</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/T_DsxDsSbeQ/the-golden-line.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/the-golden-line.html" thr:count="2" thr:updated="2008-01-31T12:33:00-05:00" />
        <id>tag:typepad.com,2003:post-42688682</id>
        <published>2007-12-11T09:15:09-05:00</published>
        <updated>2007-12-11T09:15:09-05:00</updated>
        <summary>Meryem Kennedy sez... One strategy I use in my class in reading is finding a golden line in a book. I give students about 10 minutes to read in class and ask them to pick a sentence that inspires them...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Close Reading" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading-Writing Connectiong" />
        
        
<content type="html" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;&lt;span style="font-size: 1.2em;"&gt;&lt;strong&gt;Meryem Kennedy sez...&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;One strategy I use in my class in reading is finding a golden line in a book. I give students about 10 minutes to read in class and ask them to pick a sentence that inspires them or speaks to them for whatever reason.&lt;/p&gt;&lt;p&gt;When the ten minutes are over, I share my line with them and explain
why I have chosen that particular line. Then I ask them to share their
lines with each other first and then with class.&lt;/p&gt;

&lt;p&gt;
This simple scavenger hunt of some sort later morphs into a journaling
activity: they copy the sentence from the book word for word and try to
mimic it in a sentence of their own as a golden line to be used in
their future writing.&lt;/p&gt;

&lt;p&gt;
I find this to be a very creative activity. Not only do students have
to think critically as to which sentence calls them, they also have to
think of a way they can employ a similar sentence in their own pieces.
Especially for those students whose native language is not English,
this proves to be beneficial in their mimicking of the language in a
safe mode.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;My Example:&lt;/strong&gt;&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;Someone make a law: the words jump, bounce and wall should never be spoken in the same breath.&amp;quot; &lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;This is from Max Lucado’s book 3:16 The Numbers of Hope.&lt;/p&gt;

&lt;p&gt;My sentence was:&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;Someone make a law: the words vacation, sick and doctor should never be spoken in the same breath.&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;The class came up with their sentence:&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;Someone make a law: the words homework, weekend and test should never be spoken in the same breath.&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;strong&gt;Student Example:&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;I am not sure where Camilo got this sentence but he used it in the ending of his book review exactly the way it was used elsewhere:&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;I recommend &lt;em&gt;The Twits &lt;/em&gt;because it is an entertaining book. I think that teenagers should read The Twits because it will jump start their imagination.&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;
--------------------------&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: 1.2em;"&gt;&lt;strong&gt;Steve Peha sez...&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;
I love the Golden Line activity. I try to do something similar with a
reader's favorite part but I think the Golden Line is better.&lt;/p&gt;

&lt;p&gt;
Focusing on just a single line is easier and more specific than a
favorite part which could be many paragraphs long. It also gets kids
focused on their reading in a more detailed way.&lt;/p&gt;

&lt;p&gt;
Having kids respond in their journals to the line they've chosen is an
easy thing for them to do but it also tells us a lot about their
thinking as they read.&lt;/p&gt;

&lt;p&gt;
Finally, using the Golden Line as a model for writing is a perfect way
to close. It's safe, as you mention, and it shows kids that they can
create Golden Lines of their own.&lt;/p&gt;

&lt;p&gt;
I think this is one of those perfect reading-writing activities that we all need more of in our repertoire.&lt;/p&gt;

&lt;p&gt;
Here's my first shot at trying this strategy myself.&lt;/p&gt;

&lt;p&gt;
I found an interesting little book called “&lt;a href="http://www.amazon.com/So-Many-Books-Gabriel-Zaid/dp/0954221788/ref=pd_bbs_sr_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1197382261&amp;amp;sr=8-1"&gt;So Many Books&lt;/a&gt;”.
It’s a collection of short essays about the explosion of publishing and
the fact that there are now so many books available to us no one can
keep up with them. This line, from the first essay, “An Embarrassment
of Books”, reads like a Golden Line to me:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;“Those who aspire to the status of cultured individuals
visit bookstores with trepidation, overwhelmed by the immensity of all
they have not read.”&lt;/p&gt;
&lt;/blockquote&gt;&lt;p&gt;
I love bookstores, of course. Until I get in them. Then I’m
overwhelmed. It’s like the front of the store draws me in and then I’m
lost in a maze of stacks wondering how I’m going to read this book and
that book and that other one over there. Sometimes I have a terrible
time picking a book to read. I’ve also been known to buy many books in
a single browsing session, only to read a few pages of one or two in
the end.&lt;/p&gt;

&lt;p&gt;
Last year, I finally gave up some of my books. 35 boxes of them to the
local library. I was struck by the fact that I’d actually read most of
most of them. But also by the excessiveness of it. Not only had I
purchased them all. But I had transported them five times while moving,
ultimately shipping them across the country the last time. I had
purchased many book cases, too. The cost of keeping books I’d already read,
or had never read, was far higher than the cost of purchasing them in
the first place. And yet, I had to have them. And even though they had
spent most of the last few years in boxes because we didn’t have room
in our new house, and even though I hadn’t read any of them for years
and had no intention of reading them again, I didn't want to give them up. A year later, I still think about them
from time to time and miss them a little bit, like old friends who've moved away.&lt;/p&gt;

&lt;p&gt;
The phrase “Those who aspire to the status of cultured individuals”
makes me think that my wanting to have all those books was, in large
part, just pretentiousness. I wanted the experience of having read
them, or of just having them, so I could appear cultured. I know that’s
not the only reason I had them but it’s certainly part of the reason,
and reading that quote was the first time I had thought of it. As the
title of the essay says, I had an embarrassment of books.&lt;/p&gt;

&lt;p&gt;
Now I’ll try to write my own Golden Line based on the form of this Golden Line. Here’s my model once again:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;“Those who aspire to the status of cultured individuals
visit bookstores with trepidation, overwhelmed by the immensity of all
they have not read.”&lt;/p&gt;
&lt;/blockquote&gt;&lt;p&gt;
And here’s my own version of it:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;“Those who seek to change education without having worked
in it for years view schools simplistically, unaware of the many
intractable challenges educators struggle with each day.”&lt;/p&gt;
&lt;/blockquote&gt;&lt;p&gt;
Wow, that was harder than I thought it would be. But a great exercise.
I caught myself having to use a lot of grammar knowledge to make my
sentence fit the pattern. And though I’m not completely sure I did it
right, I still came up with something interesting, something I never
would have come up with on my own because the structure of the model
sentence is not a structure I regularly use.&lt;/p&gt;

&lt;p&gt;
The writing part of the The Golden Line Activity is a great way to
stretch as a writer. I think we all need to do more sentence pattern
practice like this. Getting the feel of someone else’s sentences into
my fingers opens me up to many new possibilities and gets me out of the
rut I’m often in where every set of sentences I write sounds the same.&lt;/p&gt;
&lt;/div&gt;
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/the-golden-line.html</feedburner:origLink></entry>
    <entry>
        <title>Comments on Reading and Testing</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/xQ3M0FciW5w/comments-on-rea.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/comments-on-rea.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-42670050</id>
        <published>2007-12-10T21:53:46-05:00</published>
        <updated>2007-12-10T21:53:46-05:00</updated>
        <summary>Meryem Kennedy sez... Just like we would expect students to be working on math problems in a math class, we naturally expect students to read in any Language Arts and Reading class. And in a math class we would expect...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Testing" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><strong><span style="font-size: 1.2em;">Meryem Kennedy sez...</span></strong></p>

<p>Just like we would expect students to be working on math problems in a math class, we naturally expect students to read in any Language Arts and Reading class. And in a math class we would expect the students "understand" the problem and the solution they are working on. If the student gets the logic behind how a problem is solved, answering any problems anywhere won't be a problem for him.</p><p>Reading is no different. Once we can get the students to truly
understand the reading process and how their brains help them
manipulate the information in any text, it does not matter if they meet
these questions in a state test or a final test. They know what reading
is supposed to look like: an active interaction between their brain,
background, and world view, and the text in front of them. We even
encourage students to ASK questions about the reading passage as they
read. They become their own testers in a way!</p>

<p>
Of course we can supply them with "test vocabulary" but it is not a
scary feat. In Read like a Reader strategy we are teaching one of the
hardest levels of thinking: inference. Before I taught workshop, I used
to shudder before I introduced this term, as if it were an alien word
ready to attack my class. But with this technique, it is very natural
to introduce inference to any level kids. (I teach Intermediate level
ESL English classes.)</p>

<p>
If we train students to be readers, this will stick with them a life
time. If we teach them only to be "testers" we are robbing them of a
precious time they can invest in real life skills. Think about the last
time you as an adult had to take a multiple choice reading test as
opposed to the last time you read some printed material for various
reasons.</p>

<p>
------------------------------</p>
<p><strong><span style="font-size: 1.2em;">Steve Peha sez...</span></strong></p>

<p>
Meryem touches on a very important concept in her comment: the idea of
teaching kids how reading works. There's a difference between teaching
reading skills and teaching kids a process for getting meaning out of
text. Both of these things are important, but when we help kids develop
the self-awareness to understand their own reading process, we give
them, as Meryem points out, the tools to read more effectively in any
context, not just school or tests.</p>

<p>
This is why we want to give kids so much ownership of their reading.
And why we ask so much of them in terms of their own self-assessment
and goal setting. If all they do is read what we tell them, answer
questions on worksheets, and write traditional teacher-directed essays,
they may develop certain skills but they may not develop the ultimate
skill of learning to apply their abilities in new contexts.</p>

<p>
Testing is important. It is a part of life and we want kids to succeed
in it. But testing is just one context -- and a narrow context at that.
Rather than teaching for testing and hoping kids get some learning for
their lives, we do better when we concentrate on real life reading and
devote small but focused amounts of our instruction to the unique
requirements of reading for tests.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/comments-on-rea.html</feedburner:origLink></entry>
    <entry>
        <title>How Much Should Kids Read?</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/rmGX90VZ4oc/how-much-should.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/how-much-should.html" thr:count="3" thr:updated="2007-12-15T23:38:53-05:00" />
        <id>tag:typepad.com,2003:post-42669500</id>
        <published>2007-12-10T21:36:00-05:00</published>
        <updated>2007-12-10T21:36:00-05:00</updated>
        <summary>High Expectations That Turn Kids into Readers When people ask me, “How much should kids read?”, I’m tempted to say things like “a lot”, “as much as they can”, “until their eyeballs fall out!” I don’t say these things, but...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Choosing Books" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em><strong><span style="font-size: 1.4em;">High Expectations That Turn Kids into Readers</span></strong></em></p>

<p>When people ask me, “How much should kids read?”, I’m tempted to say things like “a lot”, “as much as they can”, “until their eyeballs fall out!” I don’t say these things, but I’m tempted. It’s not that I want to be flip, it’s just that I think we’re all dancing around the wrong question. Instead of asking “How much should kids read?”, I think we should be asking, “What kind of readers do we want kids to be?”</p><p>Reading is pretty darned important. They don’t call it the first “R”
for nothing. Most of school after 3rd grade hinges on a kid’s ability
to read independently. So does most of life after 16.</p>

<p>
The answer to the question of how much kids should read is probably
something like, “As much as it takes to make them great readers.” But
that’s not the answer people are looking for either.</p>

<p>
So here are some numbers:</p>
<ul><li>When I work with primary age students in grades K-2, kids will
typically read 50-100 books a year, though I suspect they read far more
than that because their books are so short and we just can’t keep track
of them all.</li></ul>
<ul><li>When I work with intermediate students in grades 3-5, kids will
typically read 35-50 books a year. Fifth graders reading above their
grade level might find their way into some very long books, especially
if they like the fantasy titles that often hook tweens and teens, so
their totals might be a little lower. Most fluent third graders can
knock out an easy chapter book in less than a week, so 50 books for the
school year is not out of reach by any means.</li></ul>
<ul><li>When I work with middle school students, I expect kids to read 25-30
books a year with avid readers hitting 35 or even 40. Again, since
lengths of books vary dramatically at this level, some kids might only
read 20 books, or about one every two weeks. Another issue has to do
with kids who are reading many years below grade level. It’s not
uncommon to find middle schoolers with 2nd and 3rd grade reading
abilities. Obviously, they have to read easier, shorter books to start,
and this will inflate their total for the year.</li></ul>
<ul><li>When I work with high school students, I want each student to get
through at least 20 books a year, notwithstanding everything I’ve said
before about reading levels, lengths of books, and other factors that
might affect the final count a few books one way or another.</li></ul>
<p>You can see that what I think about are minimums and ranges. I also
think about practical factors like lengths of books and reading levels
that will vary greatly from student to student. My goal is to have kids
read many books. But it’s not to have every kid read the same books or
the same number of books.</p>

<p>
“Can I just convert everything to pages so I don’t have to worry about
how long the books are?” Some people do this. But I don’t recommend it.
For me, it’s not the page count that matters but how often a reader
goes through the entire reading process from choosing a book to turning
the final page. There are things I can teach students each time they go
through the process, things I can’t teach them just because they read a
certain number of pages. Still, there are situations where using page
counts makes sense. As long as kids are reading, it probably doesn’t
make much difference. The quality of a kids’ reading is more important
than the quantity.</p>

<p>
What I want most of all for kids has nothing to do with how many books
or pages they read, or how hard their books are, or what their Lexile
score is, or how many Accelerated Reader points they earn. What I want
most for kids is to give them the experience of being serious readers.</p>

<p>
What’s a serious reader? Here are some of the things I look for:</p>
<ul><li><strong>Serious readers are always reading something.</strong> As soon as they finish
one book, they pick another. Really serious readers often have more
than one book going at a time. I tell kids that anyone should be able
to come up to them at any time and ask, “What are you reading?”, and
they should always have an answer.
</li></ul>

<ul><li><strong>Serious readers have strong reading preferences.</strong> I want kids to
develop strong attachments to certain authors, genres, and subjects.
When I ask them at the end of the year which book was their absolute
favorite, I want them to have a little trouble answering because they
have so many favorite books to choose from. I want them to be able to
answer the question, “What kind of reader are you?” with confidence and
a long list of titles that show me what they mean.
</li></ul>

<ul><li><strong>Serious readers choose books carefully.</strong> I want kids to choose books
they like, books they can read, and books that will help them become
better readers. I want them to read reviews, listen to their friends’
recommendations during book talks, and consider very seriously the
recommendations they get from me, the school librarian, and their
parents. I want them to take risks with their choosing. But I also want
them to be able to abandon books that aren’t working out. I want them
to realize that choosing a book is a commitment of time, energy, and if
they’re paying for their books, money.</li></ul>
<ul><li><strong>Serious readers read regularly.</strong> If you want to get really good at
something, you have to do it every day. I know that’s not going to
happen, but that’s where I start. As a practical matter, I ask for 4-8
hours of reading a week. They’ll get a bit of that time in class but
most will come as homework. Is it too much to expect 30 minutes of
reading, five days a week? How about an hour on Sunday? I don’t think
so.</li></ul>
<ul><li><strong>Serious readers have a lot to say about what they read.</strong> I like
spirited book talk. I want kids to write about their books, too. As I
often tell them, “I’m more interested in what you think about your book
than I am in the book itself.” I want kids sharing every day, giving
regular book talks, writing reviews, and expressing a general
excitement about reading that looks and sounds like an Oprah’s Book
Club episode.</li></ul>
<ul><li><strong>Serious readers like to hang out with other serious readers. </strong>I want
kids to bond over books. I want them to form a community of readers. I
want them to challenge each other, to root each other on. If someone
falls behind on their reading, it’s everyone’s responsibility (mine
included) to help them get caught up.</li></ul>
<p>I want kids to take reading seriously. I lay the foundation for this by
requiring them to do the kind of reading serious readers do. This is
not as onerous as it sounds. Remember, they get to choose their own
books. And the main rules for choosing are to pick books they like,
books they can read, and books that will help them become better
readers. Using a guided choice approach, I direct them to certain types
of texts and certain times of the year. But they have wide latitude in
the choices they make. I also advise them on their workload. For
example, if they’re behind a book or two, The Red Pony might be a
better choice than the last Harry Potter and the Deathly Hollows or The
Fellowship of the Ring. We’ll also make project calendars so we can
keep track of due dates, progress, and changes to our schedule that
might arise from time to time.</p>

<p>
If this still seems like too much to ask of kids, take a look back at
my list of “serious reader” criteria. You’ll notice that many of these
things are true for many teachers. Education is full of serious
readers. So it makes sense to share that value with
kids.</p>

<p>
But what about reluctant readers? They probably need to read twice as much!
But I’ll wait until they’re over their reluctance before upping the
ante. The truth of life in the Information Age, however, is that even
people who don’t like to read still consume large amounts of text on a
regular basis through newspapers, magazines, the Internet, and many
other sources. They may not be working through the latest best seller,
but reading is part of their regular routine. For most people, in fact,
reading is just a habit. And that’s what I want it to be for kids.</p>

<p>
Habits are funny things. They’re easy to pick up and hard to put down.
Just like a good book. I want kids to pick up the habit of reading.
When they break for the holidays, I want them to read a book or two. I
want them to read several over the summer. My hope, of course, is that
their experience with reading ins school leads them down the path of
being lifelong readers. Asking them to read consistently throughout the
year allows them to get a feel for what this is like.</p>

<p>
So, after all that, how much should kids read? I think the best answer
is, “Enough to keep them reading all year long—and for many years to
come.”</p>
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/how-much-should.html</feedburner:origLink></entry>
    <entry>
        <title>Reading Allowed!</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/Pf96xlREAAc/reading-allowed.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/reading-allowed.html" thr:count="2" thr:updated="2007-12-10T21:50:43-05:00" />
        <id>tag:typepad.com,2003:post-42656148</id>
        <published>2007-12-10T15:13:17-05:00</published>
        <updated>2007-12-10T15:13:17-05:00</updated>
        <summary>Making Sure the First “R” Comes First What gets tested, gets taught. That’s one of the guiding principles of education reform. And it certainly appears to be working. But is it working the way we want it to with regard...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Choosing Books" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Six Qualities of Good Reading" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><em><strong><span style="font-size: 1.4em;">Making Sure the First “R” Comes First</span></strong></em></p>

<p>What gets tested, gets taught. That’s one of the guiding principles of education reform. And it certainly appears to be working. But is it working the way we want it to with regard to reading?</p><p>In <a href="http://www.nytimes.com/2007/10/14/nyregion/nyregionspecial2/14Rparenting.html">a recent New York Times article</a>, a parent wrote of his surprise and
sadness at learning that his middle school-aged children weren’t
reading in reading: “Not until back-to-school night did I realize what
was actually going on. The ‘reading’ teacher had a stack of workbooks.
They were going to be reading short essays and answering questions: a
full year of test prep.”</p>

<p>In many schools, stories like this aren’t news, they’re norms. A
colleague of ours spent a year teaching fifth grade in a state
well-known for its testing system. Her reading time was filled with
mandated test prep passages and multiple choice practice tests. She
wasn’t able to have her kids read books until the last month of school
when testing was over. Perhaps even worse was the fact that she’d just
received an M.A. from an Ivy League university where she studied under
one of the nation’s top literacy experts. Frustrated by the fact that
she was unable to use the high-quality teaching she’d spent so much
time and money to develop, she left the classroom as more than 50% of
new teachers do.</p>

<p>There’s nothing inherently wrong with testing. And there’s no doubt
that the pressure of measurement is beginning to move schools forward
in positive ways. But some trends are not positive and the most
insidious of these is the alarming rise of teach-to-the-test curricula
and yearlong test preparation. Reading tests are part of life and kids
must be well prepared for them. But kids are best prepared for reading
by being taught how to read. And they are best taught with books they
love, time to read them, and teachers who show them the power of being
literate.</p>

<p>Though we’re often afraid to talk about it, we all feel the tension
these days between teaching and testing. The promise of standards-based
reform is that some day no such distinction will exist, teaching and
testing will be perfectly aligned and we’ll go about our business
without the confusion, guilt, and acrimony so many of us struggle with
at present. But this Golden Age of Alignment seems a long way off, and
with reading, in particular, it’s hard to see how bubbling in answers
on a test will ever line up well with enjoying a novel or a newspaper.</p>

<p>For now, then, we face the challenge of deciding for ourselves how
reading testing fits into reading teaching. Too many of us, it seems to
me, choose extremes that leave us swinging back and forth like a
pendulum. Sometimes we ignore the tests completely; sometimes tests are
all we think about. But the solution isn’t either-or, it’s and. To that
end, here is set of core principles for reading instruction designed to
maximize students’ love of reading and level of reading skill while at
the same time ensuring test readiness.</p>

<ul><li><strong>Make individual reading the focus of a student’s experience.</strong>
Reading is an individual sport and readers like to play with their own
equipment. The majority of time kids spend learning to read should be
spent with their nose in a book they have chosen because they want to
read it. Kids must read voluminously and with such regularity that
reading becomes the true habit that it is for literate adults. Shared
texts have their place as mechanisms for introducing reading strategies
and for building classroom community. But a child’s career as a reader
should not be dominated by a series of 4-to-6-week units on a single
textbook chapter or whole class novel at a time.</li></ul>


<ul><li><strong>Teach kids how to make good book choices.</strong> If kids are going to
read their own books, we have to let them make their own book choices.
But if we give them free choice, they may avoid certain types of
reading that we know are important. The solution is <a href="http://ttms.typepad.com/phoenix_union/2007/12/guided-choice.html">guided
choice</a>—giving kids advice, criteria, and appropriate options that lead
them to consistently choose books they like, books they can read, and
books that will help them become better readers.</li></ul>


<ul><li><strong>Focus on the development of fluency in high-interest texts to
raise the reading levels of our lowest readers.</strong> Test preparation is
focused on reading skills. But if kids are so low they can’t even read
the test, it’s not likely those skills will be of use to them. For our
lowest readers, we must focus on rapidly raising reading levels. The
best way to do this is to get them into books they like and can read
comfortably, to gradually increase the amount of time they spend
reading, and to concentrate skill instruction on reading fluency.</li></ul>


<ul><li><strong>Favor authentic texts relevant to kids lives over contrived texts
relevant only to testing. </strong>One irony of our age is that while kids seem
to be reading less, they have many more books to choose from. Over the
last 20 years, the market for books targeted at kids has grown
dramatically with significant improvements in quality as well as
quantity. But our classroom libraries have not. Books are the most
important materials we need to teach reading well; not textbooks, or
anthologies, or basal readers, but good old-fashioned books.</li></ul>


<ul><li><strong>Apply the strategies of reading in Language Arts to the content
of reading across the curriculum.</strong> Content-area reading presents the
greatest challenge to our kids. Why not bring it into the Language Arts
classroom where our best reading teachers can help kids master it? This
helps students by giving them extra support where they need it most. It
also helps math, social studies, science, and other teachers who may
not have an instructional background in reading.</li></ul>


<ul><li><strong>Teach reading skills in the context of reading, not testing.</strong>
Rather than segregating our skills focus to periods of test
preparation, it’s better to teach these skills throughout all the
reading kids do—especially when those skills can be taught in the
context of texts they have chosen themselves. When readers have an
emotional investment in their reading, they’re more likely to
appreciate learning new skills that will help them enjoy it more.</li></ul>


<ul><li><strong>Treat test preparation as a genre.</strong> Test reading is very different
from normal reading. That’s why we need to prepare kids for it. So
let’s treat it like the genre that it is. We teach genres all the
time—mystery, biography, historical fiction, etc. Why not teach test
reading the same way? Delivering a 3-to-4-week unit a month or so
before kids take a test seems like an appropriate, and not excessive,
thing to do. Spending 10% of a year on test preparation, with 90% spent
teaching kids to read is a healthy balance that supports high reading
achievement and high test scores.</li></ul>


<p>Let’s teach kids to be readers first and testers second. Readers
define themselves by what they like to read and how they use reading to
make their way in the world. Reading instruction, therefore, should be
based on kids’ reading preferences and the meaningful application of
reading skills to the challenges of real life. One of those challenges
is testing. But it’s not the biggest challenge, nor is it the most
pervasive.</p>

<p>Helping kids become better readers has more to do with teaching than
with testing. We should question putting more and more time into test
preparation at the expense of practicing the skill we want to test. We
should also question the materials we use to teach reading and make
sure that books—real books—are by far the most prominent. But one thing
we should never question is reading’s status as the first “R” of
education. No matter what we disagree on, we can all agree on that. And
from that agreement perhaps we develop an attitude that says, like a
brightly painted-sign on the door of every classroom: “Reading allowed!”</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/reading-allowed.html</feedburner:origLink></entry>
    <entry>
        <title>Success Story: Teaching the Six Qualities of Good Reading</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/0J6SqFVlvJ4/success-story-t.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/success-story-t.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-42640968</id>
        <published>2007-12-10T10:01:49-05:00</published>
        <updated>2007-12-10T10:01:49-05:00</updated>
        <summary>Using the Six Qualities to Help Kids Pick Books, Assess Their Reading Ability, and Set Goals for Improvement Recently, I spent a week working with several classes of 3rd, 4th, and 5th graders. Most of these kids were two or...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Six Qualities of Good Reading" />
        
        
<content type="html" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;&lt;span style="font-size: 1.4em;"&gt;Using the Six Qualities to Help Kids Pick Books, Assess Their Reading Ability, and Set Goals for Improvement&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Recently, I spent a week working with several classes of 3rd, 4th, and 5th graders. Most of these kids were two or more years below grade level in reading and had been trying to read books that were way too hard for them. As a result, they weren’t enjoying reading, they weren’t able to read quietly for long periods of time, and they weren’t finishing books. They were also developing&amp;nbsp; bad habits like ignoring any word they didn’t know or just turning pages without reading to make it look like they were making progress. Many kids still read word-by-word tracking with their fingers and a few had to read out loud because they’d never learned to read silently.&lt;/p&gt;&lt;p&gt;I began by introducing them to the &lt;a href="http://ttms.typepad.com/phoenix_union/2007/12/teaching-the-mo.html"&gt;six qualities of good reading&lt;/a&gt; and
using this criteria as a tool for helping them &lt;a href="http://ttms.typepad.com/phoenix_union/2007/12/redefining-just.html"&gt;pick books at their
reading level&lt;/a&gt;. Then I gave one lesson on each of the first four
qualities—&lt;a href="http://ttms.typepad.com/phoenix_union/2007/12/speed.html"&gt;speed,&lt;/a&gt; &lt;a href="http://ttms.typepad.com/phoenix_union/2007/12/accuracy.html"&gt;accuracy&lt;/a&gt;, &lt;a href="http://ttms.typepad.com/phoenix_union/2007/12/phrasing.html"&gt;phrasing&lt;/a&gt;, and &lt;a href="http://ttms.typepad.com/phoenix_union/2007/12/expression.html"&gt;expression&lt;/a&gt;—on each subsequent
day. Kids read for 15-20 minutes each class period and I&lt;a href="http://ttms.typepad.com/phoenix_union/2007/12/conferencing-wi.html"&gt; conferenced to
reinforce the lessons&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;
By the last day, almost every kid had a book they liked and could read
reasonably well. And classes had no trouble reading quietly as long as
I needed them to. Finger-tracking readers were reading a bit more
fluently and out-loud readers were getting the hang of reading
silently. But the biggest progress we saw as in &lt;a href="http://ttms.typepad.com/phoenix_union/2007/12/how-do-you-shar.html"&gt;sharing&lt;/a&gt;. At the start
of the week, no one wanted to read in front of the class. By the end, I
was overwhelmed with requests. Even better than that, after just a few
days, kids could listen to someone reading and use the criteria we had
created to discuss how well they were doing and what they might need to
do to improve. Kids were also able to understand and apply the feedback
I was giving them in conferences.&lt;/p&gt;

&lt;p&gt;By the end of the week, there was genuine excitement around reading in each room. Kids wanted
to read wanted to participate in sharing, and didn’t mind getting comments
from me or&amp;nbsp; their peers about what they needed to do to get better.
As I left one 5th grade room after my last class session, the teacher said, “This is really how reading should be.”&lt;/p&gt;&lt;/div&gt;
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/success-story-t.html</feedburner:origLink></entry>
    <entry>
        <title>What Do I Do When They Finish a Book?</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/v1wMKdpQiH4/what-do-i-do-wh.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/what-do-i-do-wh.html" thr:count="2" thr:updated="2007-12-11T08:35:55-05:00" />
        <id>tag:typepad.com,2003:post-42587766</id>
        <published>2007-12-08T15:26:18-05:00</published>
        <updated>2007-12-08T15:26:18-05:00</updated>
        <summary>Meaningful After-Reading Activities That Help Kids Showcase Real Reading Skills “It’s great that kids do all this reading and that teachers do all this conferencing, but when do I get something to grade?” I get this question, or a variation...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Book Activities" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Book Reviews" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Book Talks" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Assessment" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 1.4em;"><em><strong>Meaningful After-Reading Activities That Help Kids Showcase Real Reading Skills</strong></em></span></p>

<p>“It’s great that kids do all this reading and that teachers do all this conferencing, but when do I get something to grade?”</p>

<p>I get this question, or a variation of it, all the time. It probably comes from that part of us that says kids aren’t really working unless they have work to turn in. Another part simply reflects the reality that standards-based teaching is driven by the need for assessable products.</p><p>Personally, I feel very comfortable letting kids finish one book and
pick up another without doing some kind of assignment. My conference
notes and their journal records tell me almost everything I need to
know about their reading development. But I also like to review
tangible work product, and I believe that kids benefit greatly from
producing a lot of it. So the question isn’t whether the work matters
more than the reading, it’s what matters most when it comes to the
responsibility we have to help kids become better readers and better
thinkers?</p>

<p>
I base the selection of assignments I give on the kinds of
after-reading activities pursued by literate people in both popular and
academic traditions. As a student struggling to understand the purpose
of my teachers’ assignments, I never felt comfortable with many
traditional book activities, especially book reports and anything that
involved art. Nor as an adult have I ever jumped up from bed after
finishing a novel with the irresistible urge to make a diorama.</p>

<p>
The after-reading activities I like are based on talking or writing,
and each is grounded in traditions of real-life literacy. Here are
eight things I like to see kids doing after they finish a book:</p>
<ul><li><strong>Give a talk.</strong> Book talks are my favorite because of the
wonderful contribution they make to our reading community. I try to
keep them short. The reader gets 2-3 minutes to tell us about the book,
and then the audience gets 2-3 minutes to ask questions. Invariably,
they go well over the 5-6 minutes I usually allot for them. But that’s
just because everyone enjoys them so much. More often than not, kids in
the audience are inspired to choose the book under discussion for a
future read. Then we get additional talks on the same book. This is
even more interesting because I tell kids they have to come up with new
and interesting things to say, and because I tell the audience they
have to come up with new and interesting questions to ask.</li></ul>
<ul><li><strong>Give a reading.</strong> Kids need to hear a lot of good reading.
Much of that comes from me through modeling and thinkalouds, but the
most effective demonstrations come from the kids themselves. I do a lot
of explicit teaching on expressive reading so kids understand many
different techniques for reading out loud. I ask them to copy out the
passage they plan to read, to practice it many times, and even to mark
it up with specific notations for how they plan to present it. I want
this to be a formal dramatic reading and I work with kids much as a
director might work with an actor. They don’t have put on costumes or
anything like that, but I insist on “full-throated” expression and I
establish the expectation that they have to be entertaining as well as
precise. If book talks do the most to inspire good discussions in
class, formal readings do the most to inspire quality in our reading.
Each successful reading seems to ratchet up everyone’s expectations of
what is possible. Ideally, I would like to have a short formal reading
almost every day.</li></ul>
<ul><li><strong>Write a review.</strong> Like book talks, book reviews sell readers
on books (or scare them away, although I don’t get too many negative
reviews). Book reviews are a great way to help kids develop critical
thinking skills related to reading. We start with models of real
reviews from sources like Amazon.com. But we also look at more formal
examples in newspapers and magazines. We work through an ongoing lesson
called, “What Can You Say About a Book?” where we make a list of all
the different aspects of a book a reviewer might discuss. Kids enjoy
the power they have to influence others. Reviews are the best first
step in getting kids comfortable with literary criticism. They lead
naturally to traditional academic forms like close reading and literary
analysis.</li></ul>
<ul><li><strong>Do a close reading. </strong>In the traditional close reading, a
reader takes a poem or short prose passage and interprets it
extensively in as detailed a way as possible. In one sense, a close
reading is the opposite of a review. Where a review treats lightly many
parts of an entire work, a close reading focuses intently on a small
but significant portion. Writing up a close reading is hard; I have to
teach kids many things about it, and we have to practice it together
many times, before they can do it well. We also have to practice
interpreting short passages together on a regular basis either in
lessons or in conferences. I don’t typically ask elementary age
students to do full essays based on close readings, though I do engage
kids of all ages in frequent close reading activities because I want to
make sure that every student develops the basic skill of careful study
and thoughtful explanation that close reading requires.</li></ul>
<ul><li><strong>Write a literary analysis.</strong> At the high school level, it’s
important to introduce kids to the kind of formal academic writing
they’ll be doing about books if they decide to go to college. Working
on book talks, book reviews, and close readings gets kids ready for
this most challenging form. I share many models and talk about my own
experience as an English major in college.</li></ul>
<ul><li><strong>Write an essay.</strong> Readers are often inspired to write by the
ideas they encounter. When a reader has been significantly affected by
a book, and the traditional forms don’t seem to capture their
experience, I encourage them to write an essay. The essay can take any
form and serve any purpose, but it must include explicit references to
the book that inspired it. Kids don’t often choose to do this kind of
writing but when they do, it’s often very interesting.</li></ul>
<ul><li><strong>Present an annotated collection of excerpts.</strong> Serious
readers, especially if they think of themselves as writers, too, get in
the habit of copying down passages that catch their attention. I love
to have kids collect them. As a potential after-reading product, I
allow kids to formally collect and publish a set of these excerpts from
one or more texts. Each collection has to have some organizing
principle like “great descriptions” or “effective characterizations” or
“well-constructed sentences”, and each has to be annotated briefly to
explain why it was chosen.</li></ul>
<ul><li><strong>Publish your journal entries.</strong> Some kids are incredible
journal writers, and since journals are often published in the real
world, I tell kids they can publish parts of their reading journals if
they feel like it. This usually involves gathering together the most
prominent entries on a particular book, editing them for clarity, and
writing a brief commentary that ties together the reader’s experience.</li></ul>

<p>
I like to see kids reading 20-30 books a year plus bits and pieces of
poetry, journalism, and other forms. Ideally, I would like to see
students succeed at each of the eight activities I’ve listed here. But
that doesn’t happen. Every student has his or her strengths and I like
to nurture individual talents as much as I can. My bottom line is that
I want every kid to do several book talks, book reviews, and formal
readings. The other essential activity is close reading. But I work on
that so regularly in lessons and conferences that it’s easy for me to
gauge a student’s skill without an assignment. For students in the high
school years, however, I feel that close reading is required because so
much of what they will do in college depends on this ability.</p>

<p>
As I mentioned above, I don’t think a kid should have to do something
for every book they read. After all, the most frequent after-reading
task an adult reader undertakes is to think about what he or she will
read next. Based on other things we’re doing, I determine a reasonable
number of reading-related assignments to include in their portfolios
but I don’t worry if this is less than the total number of books they
read. Nor do I think kids should do any after-reading task simply to
prove to me that they have read a book. I can tell just by conferencing
with them if they’ve read it. The point of these activities is not to
have something to grade or something I can use to check up on kids. The
point is to give them authentic experiences that increase the ownership
they have of their literacy.</p>

<p>
Kids value reading differently when we ask them to think, talk, and
write about it. When they represent their reading to the class, they
become more aware that their reading represents them. They start to
think about the books they choose. They start to care about whether a
book lives up to its promise. They start to realize that the once
solitary and passive act of reading has a powerful social dimension
they had never before considered.</p>

<p>
The question, “What do I do when they finish a book?” has an infinite
number of answers. The best response I can give is this: “Do something
real.” It’s important to me that the work I ask kids to do around books
be as authentic as possible. It’s incredibly helpful to base my
teaching on real-world models. I also find it easier to teach something
if I’ve seen it out in the world for much of my life. From the kids’
perspective, authenticity can be a motivator—at least they know that
I’m not arbitrarily wasting their time just to get something in a grade
book.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/what-do-i-do-wh.html</feedburner:origLink></entry>
    <entry>
        <title>Comments on Sharing in Reading</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/wq68GL-GwSA/comments-on-sha.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/comments-on-sha.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-42579176</id>
        <published>2007-12-08T10:25:48-05:00</published>
        <updated>2007-12-08T10:25:48-05:00</updated>
        <summary>Meryem Kennedy sez... Sharing is US! We human beings are made to share. I never thought of this before: Sharing in reading comes naturally to me. Since I started school when I was five, I have always had an audience...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Sharing" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 1.2em;"><strong>Meryem Kennedy sez...</strong></span></p>

<p>Sharing is US! We human beings are made to share. I never thought of this before: Sharing in reading comes naturally to me. Since I started school when I was five, I have always had an audience (poor mom, sisters, pets) to share what I read in books.<br /></p><p>Now that I am married, my husband is my captive audience. Almost every
evening as I read in my comfy chair, I feel this urge to ask him, who
is busy at his computer, "Can I read you something?" Since he is my
"captive" audience, he always listens to me from the other side of the
living room reading out LOUD a passage from the book and we end up
having a conversation, albeit a short one.</p>

<p>
Nobody taught me this. How did I know what and when to share? I think
you cannot NOT share when some idea or expression in a book moves you.
If I can get my students to realize the authenticity of this concept,
then I have achieved a crucial goal as a reading teacher.</p>

<p>
"Sharing is caring" is one of my students' favorite sayings. There is
definitely truth in it when it comes to reading. I cannot think of
being selfish when I read. When I come across a well-thought-of idea by
an author, I have to make it public so others can enjoy it too. Great
ideas are too valuable to be trapped in a book.</p>

<p>
----------------------------------</p>
<p><span style="font-size: 1.2em;"><strong>Steve Peha sez...</strong></span></p>

<p>
Meryem brings up a good point when she says, "If I can get my students
to realize the authenticity of [sharing their reading], then I have
achieved a crucial goal as a reading teacher."</p>

<p>
So much of reading is natural to reading teachers. And I think that's
why we forget that it isn't natural for many kids. Reading is not
really a set of discrete skills; it's a collective habit. This doesn't
mean we don't teach skills, but it tells me that in order for kids to
acquire them, it helps to acquire the habit of reading first.</p>

<p>
Same goes for sharing in reading. As Meryem points out, for a life-long
reader like her, sharing reading is just a habit, too -- something she
can't avoid even when her "audience" is otherwise occupied.</p>

<p>
So the first goal for all of us, I think, is to create a classroom
environment where the habits of reading can be acquired. For me, this
is grounded in helping kids pick "just right" books and in having them
read consistently and voluminously throughout the year.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/comments-on-sha.html</feedburner:origLink></entry>
    <entry>
        <title>Comments on Modeling</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/zcLy718v3w8/comments-on-mod.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/comments-on-mod.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-42560960</id>
        <published>2007-12-07T17:26:28-05:00</published>
        <updated>2007-12-07T17:26:28-05:00</updated>
        <summary>Meryem Kennedy sez... Some people are born to party, like some of my students, but I was born to read. I read e-ve-ry-thing. I can't help it. If there is a print somewhere, I have to know what it says....</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Modeling" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><strong><span style="font-size: 1.2em;">Meryem Kennedy sez...</span></strong></p>

<p>Some people are born to party, like some of my students, but I was born to read. I read e-ve-ry-thing. I can't help it. If there is a print somewhere, I have to know what it says.</p><p>So in modeling, that is what I do. I share with them my reading
journey. I tell them I read every night instead of watching TV. I give
book talks and share with them my joy in reading. When we list our
books and how many pages we have read so far, some of them choose to
challenge how much I read and start competing with me.</p>

<p>
It is fun to bring this part of me to class: I love to read. I tell and
show my students this passion I have for indulging in other worlds.
They see me read and they get it: It is not ABNORMAL for people to like
to read.</p>

<p>
I model by being who I am: BORN TO READ!</p>

<p>---------------------------------------------------</p>




<p>
<span style="font-size: 1.2em;"><strong>Steve Peha sez...</strong></span></p>

<p>
I agree with Meryem that the most satisfying part of this kind of teaching is that I get to be myself as a reader.</p>

<p>
Many times I've come up with great lessons simply by looking at my own
reading, demonstrating it in front of the class, and then figuring out
how kids could apply what I had done to their own reading process. I
think of this as carrying the curriculum inside of me. As long as I
show up to class, my lesson ideas show up with me.</p>

<p>
Mostly this means I have to model all the time. Modeling is the most
powerful form of teaching, I think. And I think it's especially
important in am area like reading where it's not always easy for kids
to understand what we want them to do.</p>

<p>
The downside of modeling is that I think it takes a long time before we
can assess the effect we're having on kids. Reading skills develop
slowly, and many are very subtle. In today's world where we're often
encouraged to get into rapid cycles of
"teach-it-assess-it-teach-it-again", I think we lose sight of how
powerful modeling can be when it's done well day after day.</p></div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/comments-on-mod.html</feedburner:origLink></entry>
    <entry>
        <title>How Do You Share in Reading?</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/RieR6U2JzLM/how-do-you-shar.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/how-do-you-shar.html" thr:count="2" thr:updated="2007-12-08T10:17:33-05:00" />
        <id>tag:typepad.com,2003:post-42555728</id>
        <published>2007-12-07T15:12:47-05:00</published>
        <updated>2007-12-07T15:12:47-05:00</updated>
        <summary>Encouraging Student-Generated Discussion When Nobody Wants to Talk On evenings when we’re not mesmerized by bad television, my wife and I have family reading night. She has a stack on her side of the bed. I have a stack on...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Sharing" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 1.4em;"><em><strong>Encouraging Student-Generated Discussion When Nobody Wants to Talk</strong></em></span></p>

<p>On evenings when we’re not mesmerized by bad television, my wife and I have family reading night. She has a stack on her side of the bed. I have a stack on mine. Our dog sleeps at the foot, mildly disappointed that we won’t be having treats with TV. Not much happens, but occasionally one of us will turn to the other and say, “Listen to this.” And that’s how sharing in reading begins.</p><p>Most of us are familiar with sharing in a writing class. Writers share
what they’ve written. Audience members give feedback. The teacher
moderates and tosses in a few words of wisdom. That all makes sense.
But sharing in reading doesn’t. Readers don’t know what to share.
Audience members don’t know how to respond. Teachers don’t know how to
moderate.</p>

<p>
So the first thing I do to get sharing started in reading is to model
the only way I know how to do it. “Listen to this,” I say to the kids.
Then I read them a little something and tell them what I think about it
and why I think it was worth listening to. After that, I ask for
comments or questions by saying something like, “So what do you think?”
If I’m lucky, a natural discussion breaks out. If I’m not (and when it
comes to sharing in reading, I’m usually not), I begin to teach sharing
explicitly.</p>

<p>
Kids don’t know what they can share in reading, so I have to tell them.
I also have to teach them how to share. This is just another way of
looking at reading response. It’s not inherently any harder than
teaching kids how to write in a journal. But it’s foreign to them, so I
break it down by response type, and I teach different types one at a
time over a period of several days.</p>

<p>
Different groups of kids develop a knack for sharing different things.
But here’s a list of things to share in reading that has worked for me
in many different circumstances.</p>
<ul><li><strong>Share a passage that interests you. </strong>This is just like turning to a
friend and saying, “Listen to this.” The reader reads the passage and
then tells why he or she thinks it’s worth listening to. The audience
can ask questions or chime in with their opinions. I’m always surprised
by how hard it is for kids to find passages they think other readers
should listen to. Initially, most kids just don’t have strong feelings
around their reading. So often, when I’m conferencing, I’ll look for
good stuff that I can tell a reader is enjoying, and then I’ll the
reader to share that with the class to get the ball rolling.</li></ul>
<ul><li><strong>Share an example of a good writing technique.</strong> I do this all the time
as a way of introducing writing lessons. So when I get the kids to do
it, it’s almost as if I’m turning them into writing teachers. At the
beginning, kids can identify good leads and endings, good details, and
successful examples of extended description. As time goes by, they
learn to talk about things like characterization, metaphor, showing
versus telling, and some of the traditional literary terms their
college teachers might want them to know.</li></ul>
<ul><li><strong>Share a passage you’re confused about and ask the audience to help.</strong> I
wish I could get this to happen more often than it does because it’s
almost always a great discussion. Having the entire class work out a
tricky passage is just as valuable as a good lesson. And we it comes up
in sharing, it’s a lot more spontaneous. Kids rarely want to admit they
don’t get something, so I have to model first. They love the fact that
I was absolutely mystified by many of the books I was assigned in
college, and even though they can’t really figure them out, they get a
kick out of trying.</li></ul>
<ul><li><strong>Share a journal entry. </strong>A journal entry is just a piece of writing, so
why not share one? Some of the best discussions we have come out of
journal entries. I do have one rule for this kind of sharing that is
different from sharing in writing: Questions only from the audience,
please. Journal entries aren’t intended to be revised and published. So
it doesn’t make sense to give the writer feedback on the quality of the
writing. But audience members can ask clarifying questions and often
these lead to more thinking and more writing on the part of the journal
writer.</li></ul>
<ul><li><strong>Share part of a review you’re working on or some other piece of
reading-related writing. </strong>This is exactly like sharing in writing. The
strange thing is that it never occurs to kids to do it on their own.
They’ll gladly share a book review during writing time, but they won’t
share the same thing during reading unless I tell them too.</li></ul>
<ul><li><strong>Share something interesting about an author or share other background
information.</strong> Believe it or not, some kids read the flyleaf or the
“about the author” page. And some authors have personal stories which
intersect in interesting ways with their writing. I’m always surprised,
and pleasantly so, when kids bring up background information about
their books. Most adult readers possess this kind of knowledge, and I
think of it as a sign of reading maturity when kids pick it up, too.</li></ul>
<ul><li><strong>Share how you applied a strategy or the day’s lesson.</strong> I’m usually the
one who asks them to do this. After I’ve given a lesson, I tell kids
that I want them to apply it as soon as they can. Using this as an
opportunity for sharing just makes sense. What I like to see most is
when a reader applies something from a lesson several days or weeks in
the past. It’s always heartening to know that kids are remembering at
least a little of what I teach them.</li></ul>
<ul><li><strong>Share your experience of reading.</strong> I tell kids that I want them to
think of reading a book as a creative act no less tangible or
legitimate than writing one. We all have our ups and downs as we
progress. We hit bumps along the way. We get stuck. We solve problems.
We have breakthroughs. I hope, as kids get more comfortable with
sharing in reading, that they start to share their experience of moving
from one end of a book to another.
</li></ul>

<p>
Reading is, by definition, a lonely pursuit. Even if you count a
novel’s cast of characters among your closest literary friends, it’s
not as if you can turn to Huck or Hamlet and share your impressions of
Twain’s down-home patois or Shakespeare’s timeless sensitivity to the
human condition. Hence the need to share what we read with others.</p>

<p>
Initially, kids don’t think there is such a thing as reading. But I
know there is so I push hard to make it happen. Admittedly, it’s a
tough sell. But it’s always worth it. Sharing is the launch pad for
almost everything we do. It lets kids try out their voices in
preparation for formal readings. It lets them float ideas for book
reviews. It lets them listen in on the thinking of other readers. It
turns a group of individuals into a community.</p>

<p>
Sharing in reading is hard, especially at first. And it requires a lot
of teacher modeling. But the hard work pays off in lively discussion,
spontaneous lessons, and the tremendous sense of ownership kids develop
as a result of initiating and contributing to high-quality interactions
around books.</p>
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/how-do-you-shar.html</feedburner:origLink></entry>
    <entry>
        <title>Understanding</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/PhoenixUnion/~3/g5fW3UKWBSM/understanding.html" />
        <link rel="replies" type="text/html" href="http://ttms.typepad.com/phoenix_union/2007/12/understanding.html" thr:count="2" thr:updated="2007-12-07T12:03:00-05:00" />
        <id>tag:typepad.com,2003:post-42542866</id>
        <published>2007-12-07T10:50:18-05:00</published>
        <updated>2007-12-07T10:50:18-05:00</updated>
        <summary>Knowing What We Read, and Knowing What to Do When We Don’t As literate adults who’ve been reading for decades, most of us have a well-tuned sense of what we understand and what we don’t. As we glide along line...</summary>
        <author>
            <name>Steve Peha</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Strategies" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Six Qualities of Good Reading" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://ttms.typepad.com/phoenix_union/">
<div xmlns="http://www.w3.org/1999/xhtml"><p><span style="font-size: 1.4em;"><em><strong>Knowing What We Read, and Knowing What to Do When We Don’t</strong></em></span></p>

<p>As literate adults who’ve been reading for decades, most of us have a well-tuned sense of what we understand and what we don’t. As we glide along line after line, we know intuitively if what we read makes sense to us, or if certain words or ideas are confusing. And we usually know what to do when we’re confused.</p>

<p>But many kids don’t.</p><p>A big difference between mature readers and those just starting out is
their ability to monitor their understanding. Most of us get a feeling,
like an alarm going off, when we don’t understand something we’ve read.
We can usually tell what we’re missing, too, and what we need to do to
find it.</p>

<p>
This is what kids need. While it’s important for us to use assessment
tools to test their understanding after reading, the best thing we can
do is give them tools of their own to test their understanding during
reading. The ability to monitor their understanding, and repair it when
it breaks down, is one of the most important skills readers can
develop. To help kids get the hang of it, I offer the following advice:</p>
<ul><li><strong>Know what the words mean.</strong> Words are slippery things and many kids let
them slip right by. Many have simply not had time in their brief lives
to build up large vocabularies. They also haven’t had time to develop
the expectation, as we have, that they will be able to understand
almost all the words they read. So I need to help them increase their
vocabulary and develop that expectation. Fortunately, these two goals
support each other when kids encounter words they don’t know and then
put in an effort to figure them out. To help this process along, in
conferences or in sharing, I often ask, “What does that word mean
here?” If the student knows the word, great. If not, we can walk
through a few strategies and sometimes add many new words to a
student’s vocabulary.</li></ul>
<ul><li><strong>Know where you are.</strong> At any moment, mature readers can pick their heads
up from the page and tell you, “I’m at the part where...”, or “The
writer is talking about...,” or “Right now...”, or something else that
clearly indicates a basic level of understanding at a particular point
in time. But you’d be surprised how many kids can’t do this, especially
when they read non-fiction. Being able to say, “I’m at the part where
the writer is talking about why sharks attack people,” is like a
shorthand retell or capsule summary that tells me how a reader is
tracking the most basic elements of a text. It’s also a great way to
start a journal entry and the perfect introduction to a more detailed
discussion during sharing or conferencing.</li></ul>
<ul><li><strong>Keep up with characters and events.</strong> In narrative writing, our
understanding hangs on a sequence of events and a cast of characters.
In addition to knowing what’s happening now, readers have to remember
what has happened before and be able to describe a chain of cause and
effect relationships. To get kids thinking about this, I ask them
questions like “How did that happen?” or “Why did he/she do that?” To
help them explore characters, I teach lessons on character traits. But
in conference, I tend to engage kids with open-ended questions like,
“What can you tell me about that character?” or “What’s important to
know about that character?” To help kids develop their responses, I
share my own thoughts about characters and model in-depth
character-focused discussions. Based on the responses I model, we make
a classroom list of all the things we can say about characters
cross-referenced against our lessons on character traits.</li></ul>
<ul><li><strong>Follow the writer’s topics and ideas.</strong> In narrative texts, readers tend
to follow characters and events. In non-narrative texts, they tend to
follow topics and ideas. A topic is the subject of a section of a
piece. An idea is what the writer has to say about it. If a section of
a book is called “When Sharks Attack People”, that’s a topic. If the
writer says, “Sharks only attack when they feel threatened.” that’s an
idea. When kids read non-narrative texts, I want them to understand not
only the writer’s ideas but how those ideas build upon and relate to
each other. I’ll often have kids identify two or more ideas about a
topic and explain to me how those ideas go together and if there might
be a larger main idea that incorporates them all.</li></ul>
<ul><li><strong>Re-read if something doesn’t make sense.</strong> Re-reading is the single most
useful strategy for improving a reader’s understanding. But it’s hard
to get kids to do. I have to model it regularly, use it in
mini-lessons, and request it constantly in conferences. One of the most
frequent things I say to kids is, “Let’s go back and re-read that, and
see if we can figure it out.” To get kids to re-read, I have to make it
a top priority. Sometimes I’ll just ask kids to do it directly like
this: “Today during reading time, please re-read something from a
previous day and note in your journal something new you discovered
about it.”</li></ul>
<ul><li><strong>Review if you’re lost.</strong>
 If kids get into a book and can’t seem to keep
up, it could be that they’ve forgotten much of what has come before.
Maybe they haven’t read for a few days or maybe the book is just too
hard. Instead of giving up, or continuing to read on in confusion, I’ll
ask them to do a quick review. Reading the beginning of each chapter is
good for fiction. Skimming the headings usually works for magazines and
other non-fiction texts. Reviewing is also a necessary strategy for
making sense of textbooks and when memorizing information for other
classes.</li></ul>

<p>There are so many ways to help kids understand more of what they read.
But what I like best about this small set of suggestions is that it
focuses on simple things any reader can do in any kind of text. Too
many kids, it seems, have no ability at all to monitor their own
understanding, and no repertoire of strategies to apply when their
understanding breaks down. While it’s important, of course, to teach
strategies that cover before-, during-, and after-reading situations,
strategies kids can use during reading are bound to be the most
valuable and to have the most positive influence on overall reading
improvement. </p>
</div>
</content>



    <feedburner:origLink>http://ttms.typepad.com/phoenix_union/2007/12/understanding.html</feedburner:origLink></entry>
 
</feed><!-- ph=1 -->

