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    <title>Karin Lau Photography</title>
    <link>http://www.karinlauphoto.com</link>
    <language>en-en</language>
    <pubDate>Wed, 22 Feb 2012 18:50:41 GMT</pubDate>

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 <title>E fr 5 yr w friy y ShadowCasting</title>
 <description>lt J lDi tdcB Tt' j 7 Ii 7 X lt y Figure Placement of the omni light that simulates the architect lamp's indirect wall I BiH illumination. Click Exclude and exclude the Floor object from both Illumination and Shadow Attenuation Parameters Decay Type Inverse Square Start 2.5 and Click Show, Use Shadow Map. Color Black Dens 0.25 Click Light Affects Shadow Color. The next step is to simulate the carpet floor light reflection. This is simulated with a spotlight that is positioned below the floor...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/shadow-casting/e-fr-5-yr-w-friy-y.html"&gt;&lt;img src="http://www.karinlauphoto.com/shadow-casting/images/2323_112_240.jpg" style="width: 335pt; height: 434pt;" title="Figure Placement upward pointing spotlight"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5MEjlEOM0KA:lLu7Ub-XL18:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5MEjlEOM0KA:lLu7Ub-XL18:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5MEjlEOM0KA:lLu7Ub-XL18:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5MEjlEOM0KA:lLu7Ub-XL18:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5MEjlEOM0KA:lLu7Ub-XL18:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5MEjlEOM0KA:lLu7Ub-XL18:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ShadowCasting</category>
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 <media:title />
 <media:description type="html">Figure Placement upward pointing spotlight</media:description>
 <pubDate>Wed, 22 Feb 2012 18:50:41 GMT</pubDate>
</item>
<item>
 <title>Info Flw LightroomCatalog</title>
 <description>Remove this Keyword from Selected Photos Create Keyword Tag inside Art, Put New Keywords Inside this Keyword Use this as Keyword Shortcut Applies the target keyword to the selected photo s Finally, you can select the popup menu option to Use this as keyword shortcut which allows you to apply that target keyword using the keyboard shortcut. When this option is enabled, a symbol shows next to the target keyword in the list. Create new keywords in the catalog by clicking the button at the top of...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=pt3jXjDccg8:0hHELS0M4T0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=pt3jXjDccg8:0hHELS0M4T0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=pt3jXjDccg8:0hHELS0M4T0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=pt3jXjDccg8:0hHELS0M4T0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=pt3jXjDccg8:0hHELS0M4T0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=pt3jXjDccg8:0hHELS0M4T0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>LightroomCatalog</category>
 <link>http://www.karinlauphoto.com/lightroom-catalog/info-flw.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/lightroom-catalog/info-flw.html</guid>
 <pubDate>Wed, 22 Feb 2012 09:51:20 GMT</pubDate>
</item>
<item>
 <title>Artist Statement Xne PortfolioPages</title>
 <description>My ongoing series, Traces, is a phenomenological study of Beauty as perceived through the sense of sight. Through this series I document visible manifestations of Beauty what some might call the Divine within the physical universe. To me, Beauty is best described by how it differs from what we call beautiful while beautiful Is a superficial attribute of things, Beauty embodies ineffable truths of our existence, allowing us to glimpse the larger Universe through the thin veil of physical...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/portfolio-pages/artist-statement-xne.html"&gt;&lt;img src="http://www.karinlauphoto.com/portfolio-pages/images/2487_71_229.jpg" style="width: 367pt; height: 176pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=4Bbr6Q_hM-I:I8ZKjQ2Ozuk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=4Bbr6Q_hM-I:I8ZKjQ2Ozuk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=4Bbr6Q_hM-I:I8ZKjQ2Ozuk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=4Bbr6Q_hM-I:I8ZKjQ2Ozuk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=4Bbr6Q_hM-I:I8ZKjQ2Ozuk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=4Bbr6Q_hM-I:I8ZKjQ2Ozuk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PortfolioPages</category>
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 <media:description type="html" />
 <pubDate>Tue, 21 Feb 2012 21:26:18 GMT</pubDate>
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 <title>Popular Photography April 2010 Enp StreetBody</title>
 <description>that the D3000 maintained a Low or better rating only up to ISO 200, while its two competitors held down noise that far up to ISO 800 Rebel XS and ISO 1600 SonyA330 . Still, we were impressed with the D3000's ability to keep its resolution virtually unchanged all the way up to ISO 800. Even at ISO 3200, it dropped only to 1930 lines, although that was just enough to lower the score to a High rating from its Very High rating through ISO 800. In our AF speed test, we were less impressed. In the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/street-body/popular-photography-april-2010-enp.html"&gt;&lt;img src="http://www.karinlauphoto.com/street-body/images/2413_87_119.jpg" style="width: 367pt; height: 272pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5iy2aOZFhrY:PycZyqOllxc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5iy2aOZFhrY:PycZyqOllxc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5iy2aOZFhrY:PycZyqOllxc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5iy2aOZFhrY:PycZyqOllxc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5iy2aOZFhrY:PycZyqOllxc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5iy2aOZFhrY:PycZyqOllxc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>StreetBody</category>
 <link>http://www.karinlauphoto.com/street-body/popular-photography-april-2010-enp.html</link>
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 <media:description type="html" />
 <pubDate>Tue, 21 Feb 2012 19:26:21 GMT</pubDate>
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 <title>How ShouldI Light FashionPhotography</title>
 <description>When shooting in the studio, I use a different number of lights, depending on the effect I'm trying to achieve. When I approach the studio, I break the lighting process into steps. 1. I ask myself, what is the aesthetic and general feel I'd like to achieve with my image Do I want the image to be dark and moody Or do I want the image to by light and airy By examining my subject matter and intended creative goals, I can figure out the general mood I want to achieve. 2. I figure out how to achieve...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/fashion-photography/how-shouldi-light.html"&gt;&lt;img src="http://www.karinlauphoto.com/fashion-photography/images/2315_109_149-canon-550d-snoot.jpg" style="width: 342pt; height: 217pt;" alt="Canon 550d Snoot"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=YL9KcwoaL2o:8TipemQPBbM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=YL9KcwoaL2o:8TipemQPBbM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=YL9KcwoaL2o:8TipemQPBbM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=YL9KcwoaL2o:8TipemQPBbM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=YL9KcwoaL2o:8TipemQPBbM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=YL9KcwoaL2o:8TipemQPBbM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FashionPhotography</category>
 <link>http://www.karinlauphoto.com/fashion-photography/how-shouldi-light.html</link>
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 <media:title>Canon 550d Snoot</media:title>
 <media:description type="html" />
 <pubDate>Tue, 21 Feb 2012 09:00:20 GMT</pubDate>
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 <title>Silver Fa st Ai ColorSpace</title>
 <description>Figure 4.61 Selecting one of the HDR modes left not only cancels any existing adjustments, it grays out their menus to ensure that no additional processing is performed on the scan. Here are the image adjustment tools in normal mode top right and again in HDR mode bottom . location on every scan. Since different brightness settings were used for each scan, SilverFast can blend composite pixel data to form a wider dynamic range. It is much like merging two exposures, one light, one dark, and...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/color-space/silver-fa-st-ai.html"&gt;&lt;img src="http://www.karinlauphoto.com/color-space/images/2353_132_163.jpg" style="width: 283pt; height: 164pt;" title="Figure The Multi Exposure option allows for multiple scans the same image area that SilverFast will merge into final scan The first crop left was scanned with Multi Exposure setting while the crop the right was scanned single time"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aAAjZ9D1f-U:FWviLjqptIU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aAAjZ9D1f-U:FWviLjqptIU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aAAjZ9D1f-U:FWviLjqptIU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aAAjZ9D1f-U:FWviLjqptIU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aAAjZ9D1f-U:FWviLjqptIU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aAAjZ9D1f-U:FWviLjqptIU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ColorSpace</category>
 <link>http://www.karinlauphoto.com/color-space/silver-fa-st-ai.html</link>
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 <media:title />
 <media:description type="html">Figure The Multi Exposure option allows for multiple scans the same image area that SilverFast will merge into final scan The first crop left was scanned with Multi Exposure setting while the crop the right was scanned single time</media:description>
 <pubDate>Tue, 21 Feb 2012 01:32:21 GMT</pubDate>
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 <title>Now In Panasonic Lumix 2</title>
 <description>EF 000mm IS.4 L IS USM EF 00- lt f3 L If USH EF 4.10V1W M L a USM EF-S tO-23m n fJ5-4S U5 EF ll-Jdmn IIJLI BlTJOmmWL CF-S 1 r -SSmm ti l IS USM EF-S ir- Smm 14-SC IS USM EF 4-70lt ti n IL EF 24- Smm n 5-4 5 USM . m Ii 9-4 S 7 tf M'Uhrm nu i Uli EF 28-200nw i n 5-1 USM EF 400mni MI U3M II EF7QO SnMiia.ltUtS EF r0- 6mm MLS USM O-lOOmm WO L -3 IS-53 3 5-5S IS EF 100 JOhttm 14.44 4 U AUUnm U S US EF 70 300mm QW4 L UIS ET 70-300m n H- .I UW EF 70-300 n 14 3-5 DO LIO EF W-JOOmir M 3-44 USM F 1,4M EF...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/panasonic-lumix-2/now-in.html"&gt;&lt;img src="http://www.karinlauphoto.com/panasonic-lumix-2/images/2244_70_154.jpg" style="width: 144pt; height: 74pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=T7DduIVhuV8:JmOMFi8ow3w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=T7DduIVhuV8:JmOMFi8ow3w:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=T7DduIVhuV8:JmOMFi8ow3w:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=T7DduIVhuV8:JmOMFi8ow3w:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=T7DduIVhuV8:JmOMFi8ow3w:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=T7DduIVhuV8:JmOMFi8ow3w:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/panasonic-lumix-2/now-in.html</link>
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 <pubDate>Mon, 20 Feb 2012 17:26:43 GMT</pubDate>
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 <title>Mauritius SeacamHousing</title>
 <description>Le Morne Mountain Has got a great history behind it. When slavery was abolished, the slaves escaped and were hiding on this mountain. When the Whites were climbing behind them to announce them they were free, they were so scared to get caught again, that they jumped the high cliffs and died. Since Cousteau and The big blue appeared on our screen, an irresistible urge of discovery started to touch many people around the world to discover for themselves life under the ocean. They dreamt about...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/seacam-housing/mauritius.html"&gt;&lt;img src="http://www.karinlauphoto.com/seacam-housing/images/2537_11_101.jpg" style="width: 367pt; height: 244pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IU7BgxGOfcI:6CiZEN7UEEU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IU7BgxGOfcI:6CiZEN7UEEU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=IU7BgxGOfcI:6CiZEN7UEEU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IU7BgxGOfcI:6CiZEN7UEEU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=IU7BgxGOfcI:6CiZEN7UEEU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IU7BgxGOfcI:6CiZEN7UEEU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SeacamHousing</category>
 <link>http://www.karinlauphoto.com/seacam-housing/mauritius.html</link>
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 <pubDate>Mon, 20 Feb 2012 14:43:48 GMT</pubDate>
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 <title>Info Bkv BatteryGrip</title>
 <description>Has ISO become an outdated and unnecessary function AP's photo-science consultant Professor Bob Newman OCCASIONALLY, evolution produces something that changes everything. The developmental step from its ancestors might nol be big in itself, but its effect makes thngs different. At some point evolution produced human beings, and while humans are different from apes, track back through the fossil record and it's hard to find a single change that made that difference In the photographic world,...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i96uLQUoktI:SaW-Q4q84D4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i96uLQUoktI:SaW-Q4q84D4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=i96uLQUoktI:SaW-Q4q84D4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i96uLQUoktI:SaW-Q4q84D4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=i96uLQUoktI:SaW-Q4q84D4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i96uLQUoktI:SaW-Q4q84D4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>BatteryGrip</category>
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 <pubDate>Mon, 20 Feb 2012 11:01:01 GMT</pubDate>
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 <title>Amateur Aiy LiveView</title>
 <description>Olympus' less-expensive companion to the prograde E-3 boasts more megapixels, an impressive for its class 5-fps burst rate, comparable handling, and an assortment of fun filters pop art, anyone STANDOUT SPEC The fully-articulating LCD screen makes live view much more useful while also protecting the screen from harm if you turn it inward. SENSOR 12.3MP LiveMOS, 12-bit RAW capture iMAGE STABiLiZATiON 2.5-3 stops ViDEO None LCD 2.7-in., 230,000-dot &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/live-view/amateur-aiy.html"&gt;&lt;img src="http://www.karinlauphoto.com/live-view/images/2410_101_191.jpg" style="width: 72pt; height: 56pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=e27sbUAly9E:hltfzRPxNYI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=e27sbUAly9E:hltfzRPxNYI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=e27sbUAly9E:hltfzRPxNYI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=e27sbUAly9E:hltfzRPxNYI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=e27sbUAly9E:hltfzRPxNYI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=e27sbUAly9E:hltfzRPxNYI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>LiveView</category>
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 <pubDate>Mon, 20 Feb 2012 09:41:47 GMT</pubDate>
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 <title>National Ceographic DispersionGlass</title>
 <description>MJX I Innovative Sling Backpacks with lwr J water resistant zips Holds Pro D5LR Mil Pro Zoom. 1 3 mat lense Flash,i4 tolV Upmp i5 _ _ QQ personal item up too. m Cujuv rdworking shoulder bags fw r I BUT gt toiournallsts Opwqnei to look ikt PUT gt J twg and Maturing Lowepro s paieniedAII Weather Coven. Available in eiat or Sepia finn - , The 2S0AW also Ail 99 . Classified 200 AW 94.99 f WHY 1 Great fat a photographic daytrip BUY J Colours All Black. Black with red or blue trim. TakRPTOD-5lR 4' -...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/dispersion-glass/national-ceographic.html"&gt;&lt;img src="http://www.karinlauphoto.com/dispersion-glass/images/2246_149_281.jpg" style="width: 234pt; height: 124pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0mDfLnW28oo:HYO03XWQdWI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0mDfLnW28oo:HYO03XWQdWI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=0mDfLnW28oo:HYO03XWQdWI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0mDfLnW28oo:HYO03XWQdWI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=0mDfLnW28oo:HYO03XWQdWI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0mDfLnW28oo:HYO03XWQdWI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>DispersionGlass</category>
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 <pubDate>Mon, 20 Feb 2012 07:47:17 GMT</pubDate>
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 <title>Contents 1 AspectRatio</title>
 <description>Golden Mean Golden Section Aspect digital transformations From Real to Surreal Index of Quotations&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ghff7ZfyN7Y:vimK9H0hC7s:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ghff7ZfyN7Y:vimK9H0hC7s:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Ghff7ZfyN7Y:vimK9H0hC7s:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ghff7ZfyN7Y:vimK9H0hC7s:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Ghff7ZfyN7Y:vimK9H0hC7s:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ghff7ZfyN7Y:vimK9H0hC7s:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AspectRatio</category>
 <link>http://www.karinlauphoto.com/aspect-ratio/contents-1.html</link>
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 <pubDate>Mon, 20 Feb 2012 04:34:05 GMT</pubDate>
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 <title>Making Grill Marks On Vegetables FoodStyling</title>
 <description>Most vegetables that will appear grilled to the camera are treated first by steaming, baking, or cooking on a griddle surface and then grill marks are added. Regardless of the cooking method, the vegetable must appear cooked. Refer to the discussion about making grill marks in the chapter on meats Chapter 7 . The electric charcoal starter appliance or hot metal skewer technique both work well for making grill marks on vegetables. A torch or electric charcoal starter can also be used to create...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/food-styling/making-grill-marks-on-vegetables.html"&gt;&lt;img src="http://www.karinlauphoto.com/food-styling/images/2321_45_150-food-styling-grill-marks.jpg" style="width: 249pt; height: 248pt;" alt="Food Styling Grill Marks"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=9w5rU05MDx4:f5XKro75pfI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=9w5rU05MDx4:f5XKro75pfI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=9w5rU05MDx4:f5XKro75pfI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=9w5rU05MDx4:f5XKro75pfI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=9w5rU05MDx4:f5XKro75pfI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=9w5rU05MDx4:f5XKro75pfI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FoodStyling</category>
 <link>http://www.karinlauphoto.com/food-styling/making-grill-marks-on-vegetables.html</link>
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 <media:title>Food Styling Grill Marks</media:title>
 <media:description type="html" />
 <pubDate>Sun, 19 Feb 2012 21:43:32 GMT</pubDate>
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 <title>Basic 101 For Photo Meat FoodStyling</title>
 <description>SAFETY NOTE Keep in mind this chapter is about meat to be photographed and not eaten. The food styling rule about not eating photo food definitely applies to all photo meat. To help you understand some of the techniques used with different varieties of meats, several presentations accompany this chapter with descriptions of the methods used in achieving each. Realizing the vast scope of this topic, my goal was to select a few general categories for meat styling. It might be necessary for you to...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/food-styling/basic-101-for-photo-meat.html"&gt;&lt;img src="http://www.karinlauphoto.com/food-styling/images/2321_34_104.jpg" style="width: 249pt; height: 246pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vlf3pQ_HykA:eAd3ZCjeErw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vlf3pQ_HykA:eAd3ZCjeErw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=vlf3pQ_HykA:eAd3ZCjeErw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vlf3pQ_HykA:eAd3ZCjeErw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=vlf3pQ_HykA:eAd3ZCjeErw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vlf3pQ_HykA:eAd3ZCjeErw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FoodStyling</category>
 <link>http://www.karinlauphoto.com/food-styling/basic-101-for-photo-meat.html</link>
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 <pubDate>Sun, 19 Feb 2012 21:42:16 GMT</pubDate>
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 <title>Equivalent Camera Batteries QuickRelease</title>
 <description>Canon LP-E3 Canon BJ gt 511 Canon N81L H Canon NB 2L H Canon NB JIV41 . Canon NB 5H Canon NB 71 Casio NP-20 G ioNP-40 Fu i NP M 40 50 60 BO 0 Fuji NP45 Fu lt gt NP95 Fuji NP 120 150 Kodak jC500 n Kodak Kl C7000 1 Kodak KLC 8000 Konica Oft-LBt Minolta NP20CV400 Minolta NP 00 Minolta NP600 800 Nkon EN ELI12 3 5 N oniN EL3 a Nikon EN EL4 N onEN EL7 V9 KV11 Oympus IJ-IOB O-ympus U-308 Oympui U-40b Oympus L-42B Oymput BLM1 O-ympus BLSI Panasonic CGAS007 6 Panasonic CGA-S005 7 Panasonic CGA-S008...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/quick-release/equivalent-camera-batteries.html"&gt;&lt;img src="http://www.karinlauphoto.com/quick-release/images/2240_19_62.jpg" style="width: 55pt; height: 41pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=nGaGSEaPolc:mzyGVWnveKc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=nGaGSEaPolc:mzyGVWnveKc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=nGaGSEaPolc:mzyGVWnveKc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=nGaGSEaPolc:mzyGVWnveKc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=nGaGSEaPolc:mzyGVWnveKc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=nGaGSEaPolc:mzyGVWnveKc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>QuickRelease</category>
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 <pubDate>Sun, 19 Feb 2012 20:28:53 GMT</pubDate>
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 <title>Fofiowing Some Basic Guidelines FashionPhotography</title>
 <description>There are no rules for styling your client. Everything depends on what you are trying to achieve. If you look in fashion magazines, you'll see that some fashion editorials are based on a concept of the model wearing clashing or unfashionable styles. It all depends on the photographer's vision. If you are trying to keep it simple, there are a few basic tips to keep in mind. But these tips mean nothing if you have a concept that requires breaking the rules. These are just helpful basic guidelines...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/fashion-photography/fofiowing-some-basic-guidelines.html"&gt;&lt;img src="http://www.karinlauphoto.com/fashion-photography/images/2315_27_40.jpg" style="width: 285pt; height: 430pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=X4dCBDGG9FQ:ffNOtjI0wvs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=X4dCBDGG9FQ:ffNOtjI0wvs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=X4dCBDGG9FQ:ffNOtjI0wvs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=X4dCBDGG9FQ:ffNOtjI0wvs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=X4dCBDGG9FQ:ffNOtjI0wvs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=X4dCBDGG9FQ:ffNOtjI0wvs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FashionPhotography</category>
 <link>http://www.karinlauphoto.com/fashion-photography/fofiowing-some-basic-guidelines.html</link>
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 <pubDate>Sun, 19 Feb 2012 19:43:28 GMT</pubDate>
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 <title>Individual Exhibitions Xet HistoryPhotography</title>
 <description>1929 Kunstlerbund Marz Linz, Austria Galerie Povolozky Paris, France 1931 Bauhaus Dessau, Germany 1936 Kunstverein Salzburg, Austria 1937 Herbert Bayer Austrian London Gallery, London, England 1939 Black Mountain College Black Mountain, North Carolina 1940 Yale University Gallery of Art New Haven, Connecticut 1947 Retrospective The Way Beyond Art Brown University, Providence, Rhode Island, and traveled to Harvard University, Cambridge, Massachusetts Institute of Design, Chicago, Illinois Joslyn...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=kJNnzd7WByo:mfBCPhDF_mU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=kJNnzd7WByo:mfBCPhDF_mU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=kJNnzd7WByo:mfBCPhDF_mU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=kJNnzd7WByo:mfBCPhDF_mU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=kJNnzd7WByo:mfBCPhDF_mU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=kJNnzd7WByo:mfBCPhDF_mU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/individual-exhibitions-xet.html</link>
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 <pubDate>Sun, 19 Feb 2012 19:12:57 GMT</pubDate>
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<item>
 <title>Biography Xpq HistoryPhotography</title>
 <description>Born in Philadelphia, Pennsylvania, on 27 August 1890, as Emmanuel Rudnitsky. Family moved to Brooklyn, New York in 1897. Attended high school and studied draughtsmanship in 1904. Studied drawing and watercolor at the Ferrer Center in 1910. Moved to Manhattan in 1911. Moved to Ridgefield, New Jersey in 1912. Married Adon Lacroix, legally changed name to Man Ray and had his first solo show at the Daniel Gallery in 1914. Purchased first camera for documentation purposes in 1915. Published...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/biography-xpq.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_829_153.jpg" style="width: 367pt; height: 563pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3i9j_Wk2Y-A:vCvvWjAuIAc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3i9j_Wk2Y-A:vCvvWjAuIAc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=3i9j_Wk2Y-A:vCvvWjAuIAc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3i9j_Wk2Y-A:vCvvWjAuIAc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=3i9j_Wk2Y-A:vCvvWjAuIAc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3i9j_Wk2Y-A:vCvvWjAuIAc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/biography-xpq.html</link>
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 <pubDate>Sun, 19 Feb 2012 16:32:02 GMT</pubDate>
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 <title>the shot 1 NudePhotography</title>
 <description>Throughout the shoot there was one flash head with a softbox on a boom about 10 ft 3 m above Micky my studio has a very high ceiling which gives me the ability to set my lights high, thereby reducing the contrast of light and dark. in the shot that i liked the best we had replaced the flash head inside the prop to give minimal light from below. Werner stood next to me, holding a black panel to prevent the overhead light from shining into my lens the gray paper backdrop was 13 ft 4 m wide,...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/nude-photography/the-shot-1.html"&gt;&lt;img src="http://www.karinlauphoto.com/nude-photography/images/2378_62_346-phase-one-p45-for-sale.jpg" style="width: 367pt; height: 433pt;" alt="Phase One P45 For Sale"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Acn7z6MRtT4:tdnoaPX4Wxk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Acn7z6MRtT4:tdnoaPX4Wxk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Acn7z6MRtT4:tdnoaPX4Wxk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Acn7z6MRtT4:tdnoaPX4Wxk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Acn7z6MRtT4:tdnoaPX4Wxk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Acn7z6MRtT4:tdnoaPX4Wxk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NudePhotography</category>
 <link>http://www.karinlauphoto.com/nude-photography/the-shot-1.html</link>
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 <media:title>Phase One P45 For Sale</media:title>
 <media:description type="html" />
 <pubDate>Sun, 19 Feb 2012 15:15:59 GMT</pubDate>
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 <title>The Magnifying Glass Effect DigitalDarkroom</title>
 <description>Let's go back to that childhood fascination with magnifying glasses that set the scene for the previous illustration. Take a closer look at the hot spot of light created by the magnifying glass. You'll see that the spot is actually a picture, a small image of the sun. Now, remember how you moved the magnifying glass back and forth until it was just the right distance to start a flame You were focusing the picture the magnifier made on the leaf. In a camera, you have a lot of controls and...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/digital-darkroom/the-magnifying-glass-effect.html"&gt;&lt;img src="http://www.karinlauphoto.com/digital-darkroom/images/2333_16_47.jpg" style="width: 367pt; height: 204pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=wq4TE-SAEF4:2w7KV9xdc5E:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=wq4TE-SAEF4:2w7KV9xdc5E:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=wq4TE-SAEF4:2w7KV9xdc5E:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=wq4TE-SAEF4:2w7KV9xdc5E:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=wq4TE-SAEF4:2w7KV9xdc5E:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=wq4TE-SAEF4:2w7KV9xdc5E:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>DigitalDarkroom</category>
 <link>http://www.karinlauphoto.com/digital-darkroom/the-magnifying-glass-effect.html</link>
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 <pubDate>Sun, 19 Feb 2012 10:02:38 GMT</pubDate>
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 <title>Moving Libraries ApertureLibrary</title>
 <description>By default, your Aperture Library is stored in the Pictures folder of your user account. It is a package called Aperture Library, the contents of which can be viewed by right-clicking and picking Show Package Contents. You should never mess with this Package's contents, but you can safely move it wholesale to another location on your Mac, or to an external drive connected by FireWire or USB. This is particularly important when you have been using Aperture for some time and your Managed Library...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=jz7E3xIrhv4:vHUfbfENGK0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=jz7E3xIrhv4:vHUfbfENGK0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=jz7E3xIrhv4:vHUfbfENGK0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=jz7E3xIrhv4:vHUfbfENGK0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=jz7E3xIrhv4:vHUfbfENGK0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=jz7E3xIrhv4:vHUfbfENGK0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ApertureLibrary</category>
 <link>http://www.karinlauphoto.com/aperture-library/moving-libraries.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/aperture-library/moving-libraries.html</guid>
 <pubDate>Sun, 19 Feb 2012 10:01:13 GMT</pubDate>
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 <title>Dramatic Short Light Barn Doors Pius Strip Light FashionPhotography</title>
 <description>Shadows help make an image dramatic. In this case, the shadows and highlights seem theatrical. In Figure 9.23, both lights that illuminate the subject are in back-45 positions, leaving the face mostly in shadow. The light that illuminates the subject's face on the left was barn doors hence the more crisp, focused light placed at a back-side angle. The light illuminating her neck softer highlight was a narrow strip light placed to the back right of the frame. This image was illuminated by lights...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/fashion-photography/dramatic-short-light-barn-doors-pius-strip-light.html"&gt;&lt;img src="http://www.karinlauphoto.com/fashion-photography/images/2315_120_177-nude-narrow-light.jpg" style="width: 221pt; height: 204pt;" alt="Nude Narrow Light"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=f6pJZuWvSEc:7-Er4yzjnLY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=f6pJZuWvSEc:7-Er4yzjnLY:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=f6pJZuWvSEc:7-Er4yzjnLY:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=f6pJZuWvSEc:7-Er4yzjnLY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=f6pJZuWvSEc:7-Er4yzjnLY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=f6pJZuWvSEc:7-Er4yzjnLY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FashionPhotography</category>
 <link>http://www.karinlauphoto.com/fashion-photography/dramatic-short-light-barn-doors-pius-strip-light.html</link>
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 <media:title>Nude Narrow Light</media:title>
 <media:description type="html" />
 <pubDate>Sun, 19 Feb 2012 04:10:41 GMT</pubDate>
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 <title>It All Image Quality 2</title>
 <description>Take your photos to a higher level with a new point of view balcony on Waikiki Beach in Oahu, HI, Clayton Mansnerus looked out toward the palms, sand, and ocean beyond. He was shooting away with his Canon PowerShot S70 digital compact, taking typical, touristy vacation pictures, at first oblivious to the graphic fantasia playing out below him. Then, because it felt kinda cool being 30 stories up, he leaned over the balcony railing and looked straight down. Wow Line, color, and a sexy, vortexv...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/image-quality-2/it-all.html"&gt;&lt;img src="http://www.karinlauphoto.com/image-quality-2/images/2407_21_47.jpg" style="width: 304pt; height: 177pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=bl53e4gkBxw:GeljQrFdMog:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=bl53e4gkBxw:GeljQrFdMog:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=bl53e4gkBxw:GeljQrFdMog:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=bl53e4gkBxw:GeljQrFdMog:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=bl53e4gkBxw:GeljQrFdMog:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=bl53e4gkBxw:GeljQrFdMog:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Sun, 19 Feb 2012 03:05:49 GMT</pubDate>
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 <title>Beautifying with Color CameraSettings</title>
 <description>Never has there been a time when the choices of color have been so varied. With digital photography, you can produce almost any color that exists. With so many options, where do you start The options begin when you shoot. How you set your camera will determine what colors you get. How you frame your shot is your presentation of color. After you take the shot, your options for manipulating color are limitless with Photoshop and other image processing programs. Be careful, though, and don't let...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=bZmIN3WZrGA:_R6JRStr01M:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=bZmIN3WZrGA:_R6JRStr01M:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=bZmIN3WZrGA:_R6JRStr01M:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=bZmIN3WZrGA:_R6JRStr01M:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=bZmIN3WZrGA:_R6JRStr01M:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=bZmIN3WZrGA:_R6JRStr01M:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CameraSettings</category>
 <link>http://www.karinlauphoto.com/camera-settings/beautifying-with-color.html</link>
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 <pubDate>Sat, 18 Feb 2012 23:38:15 GMT</pubDate>
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 <title>Inside Tech Zoom Lens 2</title>
 <description>Nikon F-mount lenses have a spring-loaded lever used to open and close the aperture to your desired f-stop. The new Lensbaby Composer has a metal tab inside the front mount so that you can hold down the lens-release button, rotate the lens past the locking point, and then allow the lever to be pulled back, thereby closing the aperture. GO TO WWW.NIKONUSA.COM D300S TO SEE THE HD ROLLER DERBY VIDEO GLAMOUR JAMMER,CAPTURED BY SANDRO. See how renowned photographer Sandro takes advantage of the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/zoom-lens-2/inside-tech.html"&gt;&lt;img src="http://www.karinlauphoto.com/zoom-lens-2/images/2420_18_27.jpg" style="width: 325pt; height: 247pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=HeVumqaxXuM:kZm3yWWm6UA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=HeVumqaxXuM:kZm3yWWm6UA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=HeVumqaxXuM:kZm3yWWm6UA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=HeVumqaxXuM:kZm3yWWm6UA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=HeVumqaxXuM:kZm3yWWm6UA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=HeVumqaxXuM:kZm3yWWm6UA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/zoom-lens-2/inside-tech.html</link>
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 <pubDate>Sat, 18 Feb 2012 23:35:26 GMT</pubDate>
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 <title>Using a Fisheye Lens ExtensionTube</title>
 <description>A digital fisheye lens is one of those pieces of optical glass that you might think is a novelty fun to play with at first, but then buried in the bottom of your camera bag and seldom used. This is not the case. I don't use my digital fisheye lens all the time, but I use it often. It is part of my carry everywhere kit. And when I do use my fisheye lens, no other lens could possibly get the job done. Here's why A fisheye lens can fit in more of a scene. I use this special-purpose lens when I...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/extension-tube/using-a-fisheye-lens.html"&gt;&lt;img src="http://www.karinlauphoto.com/extension-tube/images/2284_5_26.jpg" style="width: 367pt; height: 525pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Rr9IjIqwLmU:oxshPD7JTS0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Rr9IjIqwLmU:oxshPD7JTS0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Rr9IjIqwLmU:oxshPD7JTS0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Rr9IjIqwLmU:oxshPD7JTS0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Rr9IjIqwLmU:oxshPD7JTS0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Rr9IjIqwLmU:oxshPD7JTS0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ExtensionTube</category>
 <link>http://www.karinlauphoto.com/extension-tube/using-a-fisheye-lens.html</link>
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 <pubDate>Sat, 18 Feb 2012 21:52:22 GMT</pubDate>
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 <title>Info Ndh PhotoPaper</title>
 <description>EOS 3C0 CAN 28 - C LE S CAJONEOSRrBGCY P UCAi.HRPCR MW-EH900 CAJON '.'i USA' A IV BCKEC gt S NEWCffi CO CAJON cnioNii CANON 21 1 H M US V IVKBEDEMCO CANON7 293nril4 US T IW S1ABL IT CASEO E855C9 CAJON -00 Mu'45S US 1' I AGE SABIL IV BOXED AS NEW 1I75C0 CAJON 699m K USU V HMD t CAPS____________UKT HU CAJON KSNC0TELE LUS2 TELS mERTERT UE MNT 7503 SCUAZIrn 8EFCGAS ', RICRFilATES1 VIV B3EC EJIiCO CAN3N24rnl28 F SCMA2im- CAJ N mG EFSOFTFOcus _ mtmma CAJON IT Km USt NACE S1UL gt OX gt MIVajXEDEZTSCO...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=UsNEMCEAxVI:O9u02XrgPX8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=UsNEMCEAxVI:O9u02XrgPX8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=UsNEMCEAxVI:O9u02XrgPX8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=UsNEMCEAxVI:O9u02XrgPX8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=UsNEMCEAxVI:O9u02XrgPX8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=UsNEMCEAxVI:O9u02XrgPX8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PhotoPaper</category>
 <link>http://www.karinlauphoto.com/photo-paper/info-ndh.html</link>
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 <pubDate>Sat, 18 Feb 2012 20:15:27 GMT</pubDate>
</item>
<item>
 <title>Highlight Alert NaturalLight</title>
 <description>Digital cameras offer a highlight alert or warning function to help you avoid overexposing the image. You may need to turn this feature on before it operates. The control is normally listed on a menu. When the highlight alert is turned on, any pixels that are overexposed blink off and on when you view the image on the cameras LCD monitor. Many photographers refer to flashing pixels as the blinkies. Try to reduce or eliminate blinking pixels since these represent pixels with no detail. There are...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fyeooYGkm-Y:KPuy8YLVR7s:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fyeooYGkm-Y:KPuy8YLVR7s:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=fyeooYGkm-Y:KPuy8YLVR7s:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fyeooYGkm-Y:KPuy8YLVR7s:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=fyeooYGkm-Y:KPuy8YLVR7s:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fyeooYGkm-Y:KPuy8YLVR7s:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NaturalLight</category>
 <link>http://www.karinlauphoto.com/natural-light/highlight-alert.html</link>
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 <pubDate>Sat, 18 Feb 2012 17:33:26 GMT</pubDate>
</item>
<item>
 <title>Autoexposure Lock ShutterRelease</title>
 <description>When center-weighted metering is used, an area in the center of the frame is assigned the greatest weight when determining exposure. Similarly, when spot metering is used, exposure is based upon lighting conditions in the selected focus area. If the subject is not in the metered area when the picture is taken, exposure will be based on lighting conditions in the background, and the main subj ect may be under- or over-exposed. To prevent this, use autoexposure lock Rotate the mode dial to p, s,...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/shutter-release/autoexposure-lock.html"&gt;&lt;img src="http://www.karinlauphoto.com/shutter-release/images/2376_28_122.jpg" style="width: 196pt; height: 72pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dpe9FFuuJ1E:XfW460Qf580:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dpe9FFuuJ1E:XfW460Qf580:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dpe9FFuuJ1E:XfW460Qf580:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dpe9FFuuJ1E:XfW460Qf580:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dpe9FFuuJ1E:XfW460Qf580:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dpe9FFuuJ1E:XfW460Qf580:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ShutterRelease</category>
 <link>http://www.karinlauphoto.com/shutter-release/autoexposure-lock.html</link>
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 <pubDate>Sat, 18 Feb 2012 17:01:50 GMT</pubDate>
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 <title>Focus Lock ShutterRelease</title>
 <description>Focus lock can be used to change the composition after focusing, making it possible to focus on a subject that will not be in one of the five focus areas in the final composition. It can also be used when the autofocus system is unable to focus 73 . When AF-S is selected for Custom Setting 2 Autofocus S3 139 , focus locks automatically when the in-focus indicator appears in the viewfinder. When AF-C is selected, focus must be locked manually using the ae-l af-l button. To recompose a photograph...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/shutter-release/focus-lock.html"&gt;&lt;img src="http://www.karinlauphoto.com/shutter-release/images/2376_18_102.jpg" style="width: 166pt; height: 69pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tsbZ71wKCAM:XHrqE6jTAo4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tsbZ71wKCAM:XHrqE6jTAo4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tsbZ71wKCAM:XHrqE6jTAo4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tsbZ71wKCAM:XHrqE6jTAo4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tsbZ71wKCAM:XHrqE6jTAo4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tsbZ71wKCAM:XHrqE6jTAo4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ShutterRelease</category>
 <link>http://www.karinlauphoto.com/shutter-release/focus-lock.html</link>
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 <pubDate>Sat, 18 Feb 2012 17:01:26 GMT</pubDate>
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 <title>Selected Group Exhibitions Qkn HistoryPhotography</title>
 <description>1948 Exposition Art Photographique, Ausstellung Photographischer Kunst, Neustadt an der Hardt, Germany 1948 Die Photographie 1948, Stuttgart, Germany 1949 Primeira Exposicao Mundial de Arte Fotogr fica, Rio de Janeiro, Brazil 1998 Signaturen des Sichtbaren Ein Jahrhundert der Fotografie in Deutschland, Galerie am Fischmarkt, Erfurt, and Rheinisches Landesmuseum, Bonn, Germany 1999 Zwischen Abstraktion und Wirklichkeit Fotografie der 50er Jahre, Kunstverein, Ludwigshafen 1999 Professionelle...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/selected-group-exhibitions-qkn.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_714_126-steinert-otto.jpg" style="width: 367pt; height: 282pt;" alt="Steinert Otto"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FcH_W7LY_kY:uZIUiG1bT4o:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FcH_W7LY_kY:uZIUiG1bT4o:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=FcH_W7LY_kY:uZIUiG1bT4o:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FcH_W7LY_kY:uZIUiG1bT4o:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=FcH_W7LY_kY:uZIUiG1bT4o:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FcH_W7LY_kY:uZIUiG1bT4o:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
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 <media:title>Steinert Otto</media:title>
 <media:description type="html" />
 <pubDate>Sat, 18 Feb 2012 16:32:18 GMT</pubDate>
</item>
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 <title>Cathedral Light is Any Time UnderwaterPhotography</title>
 <description>Cathedral light and radial light are terms often used to describe the same effect. Cathedral light takes its name from the effect of sunlight bursting through high stained-glass windows in a diagonal orientation. The camera remains in a shaded area whilst observing the shafts of light from close by. An example of cathedral light is when you see the light penetrate a shallow cave system. The sunbeams contrast dramatically with the dark walls. If you point your camera into the sunbeams towards...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=nQmb_1w6hJU:ECm-8oHsiG4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=nQmb_1w6hJU:ECm-8oHsiG4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=nQmb_1w6hJU:ECm-8oHsiG4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=nQmb_1w6hJU:ECm-8oHsiG4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=nQmb_1w6hJU:ECm-8oHsiG4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=nQmb_1w6hJU:ECm-8oHsiG4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>UnderwaterPhotography</category>
 <link>http://www.karinlauphoto.com/underwater-photography/cathedral-light-is-any-time.html</link>
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 <pubDate>Sat, 18 Feb 2012 14:45:51 GMT</pubDate>
</item>
<item>
 <title>Drones For Sfap AerialPhotography</title>
 <description>Drones also called UAVs or MAVs are unmanned, powered, free-flying platforms that vary greatly in their technical characteristics and photographic capabilities. They may be controlled by a pilot on the ground, who is in visual contact with the drone, or they may be FIGURE 8-34 JSA demonstrates a mobile anchor for the kite reel and line. The reel is attached to a harness around the waist and hips of the kite flyer. A small two-way radio on left arm allows communication with the camera operator...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/aerial-photography/drones-for-sfap.html"&gt;&lt;img src="http://www.karinlauphoto.com/aerial-photography/images/2464_93_176-hexakopter-uav-frame-nederland.jpg" style="width: 236pt; height: 193pt;" title="FIGURE JSA demonstrates mobile anchor for the kite reel and line The reel attached harness around the waist and hips the kite flyer small two way radio left arm allows communication with the camera operator near the ground target Photo SWA" alt="Hexakopter Uav Frame Nederland"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FsN6lawMm5Y:Sptsxje_ASs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FsN6lawMm5Y:Sptsxje_ASs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=FsN6lawMm5Y:Sptsxje_ASs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FsN6lawMm5Y:Sptsxje_ASs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=FsN6lawMm5Y:Sptsxje_ASs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FsN6lawMm5Y:Sptsxje_ASs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AerialPhotography</category>
 <link>http://www.karinlauphoto.com/aerial-photography/drones-for-sfap.html</link>
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 <media:title>Hexakopter Uav Frame Nederland</media:title>
 <media:description type="html">FIGURE JSA demonstrates mobile anchor for the kite reel and line The reel attached harness around the waist and hips the kite flyer small two way radio left arm allows communication with the camera operator near the ground target Photo SWA</media:description>
 <pubDate>Sat, 18 Feb 2012 10:34:12 GMT</pubDate>
</item>
<item>
 <title>Working with a Lensbaby ExtensionTube</title>
 <description>The Lensbaby is probably the most innovative new lens or system of lenses-to come along in recent memory. The idea is to move the barrel of the lens around on a flexible tube, so you can change the area of focus, called the sweet spot. In the original Lensbabies, the lens tube looked like something you might see on a vacuum cleaner, but recent models are much more sophisticated. You don't set the aperture on a Lensbaby instead, you use magnetic aperture rings that go inside the flexible lens...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/extension-tube/working-with-a-lensbaby.html"&gt;&lt;img src="http://www.karinlauphoto.com/extension-tube/images/2284_13_63.jpg" style="width: 303pt; height: 201pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=EMY24i0FbHE:n9Z9stL3BeA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=EMY24i0FbHE:n9Z9stL3BeA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=EMY24i0FbHE:n9Z9stL3BeA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=EMY24i0FbHE:n9Z9stL3BeA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=EMY24i0FbHE:n9Z9stL3BeA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=EMY24i0FbHE:n9Z9stL3BeA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ExtensionTube</category>
 <link>http://www.karinlauphoto.com/extension-tube/working-with-a-lensbaby.html</link>
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 <pubDate>Sat, 18 Feb 2012 08:34:05 GMT</pubDate>
</item>
<item>
 <title>Info Qeh NudeGallery</title>
 <description>Rate this file current rating 0 5 with 1 votes THE PASSWORD FOR THE NUDE GALLERY nages on this site are copyrighted. All rights reserved Rate this file current rating 2.8 5 with 5 votes Rate this file current rating 2.8 5 with 5 votes lick here to get the password for the nude gallery mages on this site are copyrighted. All rights reserved &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/nude-gallery/info-qeh.html"&gt;&lt;img src="http://www.karinlauphoto.com/nude-gallery/images/2328_19_117.jpg" style="width: 367pt; height: 318pt;" title="Rate this file current rating with votes"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=rrfx_XJbFjA:2VBltgVqFkw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=rrfx_XJbFjA:2VBltgVqFkw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=rrfx_XJbFjA:2VBltgVqFkw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=rrfx_XJbFjA:2VBltgVqFkw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=rrfx_XJbFjA:2VBltgVqFkw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=rrfx_XJbFjA:2VBltgVqFkw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NudeGallery</category>
 <link>http://www.karinlauphoto.com/nude-gallery/info-qeh.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/nude-gallery/info-qeh.html</guid>
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 <media:title />
 <media:description type="html">Rate this file current rating with votes</media:description>
 <pubDate>Sat, 18 Feb 2012 06:12:21 GMT</pubDate>
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<item>
 <title>Bulb mode for extended shutter times PhotoshopElements</title>
 <description>When using film cameras, photographers rely on the camera's B setting, in combination with a cable release a shutter button on the end of a cord . The B setting short for bulb keeps the shutter open for as long as you hold down the release. Many a photographer has stood out in the cold, thumbs pressing down on icy cable releases, softly counting One thousand one, one thousand two, one thousand three Your digital camera probably doesn't have a B setting although a few do have Bulb modes . But...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=QbHZh5HCBAo:vecSE6SJTlo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=QbHZh5HCBAo:vecSE6SJTlo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=QbHZh5HCBAo:vecSE6SJTlo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=QbHZh5HCBAo:vecSE6SJTlo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=QbHZh5HCBAo:vecSE6SJTlo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=QbHZh5HCBAo:vecSE6SJTlo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PhotoshopElements</category>
 <link>http://www.karinlauphoto.com/photoshop-elements/bulb-mode-for-extended-shutter-times.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/photoshop-elements/bulb-mode-for-extended-shutter-times.html</guid>
 <pubDate>Sat, 18 Feb 2012 06:02:14 GMT</pubDate>
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 <title>Camera Types LayerMasks</title>
 <description>Cameras fall into three classes consumer, prosumer, and professional. Although the dividing line between the classes can be a bit fuzzy, I'll point out features you can use as a landmark to help compare apples to apples and oranges to oranges. Consumer-level cameras encompass a range from the basic point-and-shoot camera with little or no control over exposure up to pricey point-and-shoots that provide quite a bit of creative control. These are all fixed-lens cameras, eliminating your ability...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/layer-masks/camera-types.html"&gt;&lt;img src="http://www.karinlauphoto.com/layer-masks/images/2389_20_16.jpg" style="width: 183pt; height: 120pt;" title="This consumer camera from Olympus excellent choice for the casual photographer yet also highly sophisticated its ability photograph underwater feet and will withstand drop nearly feet Video capability also onboard this camera"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tNxTZBy3J7E:fi64zF_CyfU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tNxTZBy3J7E:fi64zF_CyfU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tNxTZBy3J7E:fi64zF_CyfU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tNxTZBy3J7E:fi64zF_CyfU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tNxTZBy3J7E:fi64zF_CyfU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tNxTZBy3J7E:fi64zF_CyfU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>LayerMasks</category>
 <link>http://www.karinlauphoto.com/layer-masks/camera-types.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/layer-masks/camera-types.html</guid>
 <media:content url="http://www.karinlauphoto.com/layer-masks/images/2389_20_16.jpg" type="image/jpeg" height="168" width="256" />
 <media:title />
 <media:description type="html">This consumer camera from Olympus excellent choice for the casual photographer yet also highly sophisticated its ability photograph underwater feet and will withstand drop nearly feet Video capability also onboard this camera</media:description>
 <pubDate>Sat, 18 Feb 2012 01:12:41 GMT</pubDate>
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 <title>GPS and Altitude LightroomCatalog</title>
 <description>If there is gps and or altitude metadata embedded in the file, Lightroom will display it. If no gps and or altitude metadata is found, the fields do not show in the panel. If gps data is shown, click the button next to the coordinates. This opens your default Web browser and loads that location on the Google Maps Web site. To go to Yahoo maps instead of Google, hold the Option or Alt key while clicking. If you recorded voice notes with your image files, Lightroom will show and allow you to play...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hhY0ziIplXs:296XFm6s7fk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hhY0ziIplXs:296XFm6s7fk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hhY0ziIplXs:296XFm6s7fk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hhY0ziIplXs:296XFm6s7fk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hhY0ziIplXs:296XFm6s7fk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hhY0ziIplXs:296XFm6s7fk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>LightroomCatalog</category>
 <link>http://www.karinlauphoto.com/lightroom-catalog/gps-and-altitude.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/lightroom-catalog/gps-and-altitude.html</guid>
 <pubDate>Sat, 18 Feb 2012 00:13:20 GMT</pubDate>
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 <title>PT 005s housing OceanOptics</title>
 <description>Olympus keep coming out with new housings The PT 005S houses the following cameras Olympus Camedia 2020, 2030, 3030, 3040, 3000. As with all other Olympus housings, they are waterproof to 30 metres and have push button access to all of the cameras controls. For further details please contact Ocean Optics. Tel 020 7930 8408. http www.oceanoptics.co.uk &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/ocean-optics/pt-005s-housing.html"&gt;&lt;img src="http://www.karinlauphoto.com/ocean-optics/images/2503_18_23.jpg" style="width: 332pt; height: 162pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=G8lg1C6gSBg:prWYiS5TQOc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=G8lg1C6gSBg:prWYiS5TQOc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=G8lg1C6gSBg:prWYiS5TQOc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=G8lg1C6gSBg:prWYiS5TQOc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=G8lg1C6gSBg:prWYiS5TQOc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=G8lg1C6gSBg:prWYiS5TQOc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>OceanOptics</category>
 <link>http://www.karinlauphoto.com/ocean-optics/pt-005s-housing.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/ocean-optics/pt-005s-housing.html</guid>
 <media:content url="http://www.karinlauphoto.com/ocean-optics/images/2503_18_23.jpg" type="image/jpeg" height="227" width="465" />
 <media:title />
 <media:description type="html" />
 <pubDate>Fri, 17 Feb 2012 21:46:58 GMT</pubDate>
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 <title>German Sjc HistoryPhotography</title>
 <description>Born in 1928 in the Silesian town of Liegnitz, Stefan Moses is one of the most important German photographers of the second half of the twentieth century. In addition to his photographic features for magazines, including Neue Zeitung, Das Schonste, Revue, magnum, and starting in 1960, also for Stern, his success was particularly due to his independent projects, in which he brought together concept and candid photography and created an innovative visual language with a unique personal character....&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/german-sjc.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_887_174.jpg" style="width: 367pt; height: 288pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dgIDZkzeLko:in406D7xc8w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dgIDZkzeLko:in406D7xc8w:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dgIDZkzeLko:in406D7xc8w:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dgIDZkzeLko:in406D7xc8w:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dgIDZkzeLko:in406D7xc8w:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dgIDZkzeLko:in406D7xc8w:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/german-sjc.html</link>
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 <media:title />
 <media:description type="html" />
 <pubDate>Fri, 17 Feb 2012 21:09:52 GMT</pubDate>
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 <title>Ukdigital Canon Eos D30 WhiteShark</title>
 <description>The UK housing for the Canon EOS D30 is CNC machined from solid aluminium and hard anodised . The interior is fitted out in a black lining which can absorbshocks and moisture, if necessary. With two self-securing pre-tensioned latches, the housing is closed quickly and safely. Changing memory chip cards is possible without removing the camera. Shutter release, zoom, front hand wheel, flash -, drive, AF-WB, mode, info, magnifier, menu, jump,, cancel, set, AF-measuring, rear hand wheel. There is...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/white-shark/ukdigital-canon-eos-d30.html"&gt;&lt;img src="http://www.karinlauphoto.com/white-shark/images/2505_4_30.jpg" style="width: 315pt; height: 301pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=v1eg1qeiwcs:7O1mHvBZvYU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=v1eg1qeiwcs:7O1mHvBZvYU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=v1eg1qeiwcs:7O1mHvBZvYU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=v1eg1qeiwcs:7O1mHvBZvYU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=v1eg1qeiwcs:7O1mHvBZvYU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=v1eg1qeiwcs:7O1mHvBZvYU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>WhiteShark</category>
 <link>http://www.karinlauphoto.com/white-shark/ukdigital-canon-eos-d30.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/white-shark/ukdigital-canon-eos-d30.html</guid>
 <media:content url="http://www.karinlauphoto.com/white-shark/images/2505_4_30.jpg" type="image/jpeg" height="421" width="441" />
 <media:title />
 <media:description type="html" />
 <pubDate>Fri, 17 Feb 2012 18:18:04 GMT</pubDate>
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 <title>The Award Winning Ex Family FilterSize</title>
 <description>The 2 head kit has the components of a full studio with 2 x heads, 2 x lighting stands, 1 x transluceit umbrella and a 24'' sottbox with all required lamps and cables. It addition an all in one kit bag is inc uded in the kit. The 2 head kit has the components of a full studio with 2 x heads, 2 x lighting stands, 1 x transluceit umbrella and a 24'' sottbox with all required lamps and cables. It addition an all in one kit bag is inc uded in the kit. Interfit Photographic Ltd 420 Industrial court...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/filter-size/the-award-winning-ex-family.html"&gt;&lt;img src="http://www.karinlauphoto.com/filter-size/images/2411_29_50.jpg" style="width: 169pt; height: 154pt;" title="The head kit has the components full studio with heads lighting stands transluceit umbrella and sottbox with all required lamps and cables addition all one kit bag inc uded the kit"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gjcdtKEk_sc:GZY6mjC2mfQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gjcdtKEk_sc:GZY6mjC2mfQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=gjcdtKEk_sc:GZY6mjC2mfQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gjcdtKEk_sc:GZY6mjC2mfQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=gjcdtKEk_sc:GZY6mjC2mfQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gjcdtKEk_sc:GZY6mjC2mfQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FilterSize</category>
 <link>http://www.karinlauphoto.com/filter-size/the-award-winning-ex-family.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/filter-size/the-award-winning-ex-family.html</guid>
 <media:content url="http://www.karinlauphoto.com/filter-size/images/2411_29_50.jpg" type="image/jpeg" height="216" width="237" />
 <media:title />
 <media:description type="html">The head kit has the components full studio with heads lighting stands transluceit umbrella and sottbox with all required lamps and cables addition all one kit bag inc uded the kit</media:description>
 <pubDate>Fri, 17 Feb 2012 18:08:23 GMT</pubDate>
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 <title>Canon V Lenses CanonPowershot</title>
 <description>1428USM 5159999 135 20USM 579999 30Q40ISUSM S99999 24.14 ___________SB9999 18OQ5f noLSM51O0BS0 40028IS S58G999 36 1.4 USM 101999 20028 USM 1.4679.99 KXM.O DO IS 5468999 8 amp T 2 USM .5129999 30028 tS USMS3 amp 49.99 50040ISUSM amp S89999 Si o - 16-35 2.8 USM 1079.99 Spoor 70-20025 1399 99 Spoa - 17-40 4 0 USM 5589 99 Secoai' 70-200 2.8 USM 899 99 Sjxwa- 24-7012.8. 999.99 70-200 4.0 USM 5519 99 sr A 2B-30035-55 ISUSMS1849 99 100-400 4.5-5.6 USM IS 1149 99 35-350 lt 3.5-5 6 USM 1199.99 2x II...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6-0H7BNzUjI:FKNnpoMEzgs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6-0H7BNzUjI:FKNnpoMEzgs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6-0H7BNzUjI:FKNnpoMEzgs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6-0H7BNzUjI:FKNnpoMEzgs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6-0H7BNzUjI:FKNnpoMEzgs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6-0H7BNzUjI:FKNnpoMEzgs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CanonPowershot</category>
 <link>http://www.karinlauphoto.com/canon-powershot/canon-v-lenses.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/canon-powershot/canon-v-lenses.html</guid>
 <pubDate>Fri, 17 Feb 2012 16:56:49 GMT</pubDate>
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 <title>French Jxn HistoryPhotography</title>
 <description>Annette Messager escapes easy categorization as both a photographer and a contemporary artist. Her works, which first appeared in the early 1970s, are as ambiguous as the titles she gives them Collectionneuse The Collector , Artiste The Artist , Femme pratique Practical Woman , Truqueuse The Special Effects Artist , Colporteuse The Pedlar , Paradeuse The Exhibitionist , and Gardeus The Herder , just to name the most important ones. Her works vary from simple illustrated books to large, complex...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/french-jxn.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_853_160-david-winton-bell-gallery.jpg" style="width: 293pt; height: 563pt;" alt="David Winton Bell Gallery"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aRAVbqHaBR8:2OEuitzwL_g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aRAVbqHaBR8:2OEuitzwL_g:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aRAVbqHaBR8:2OEuitzwL_g:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aRAVbqHaBR8:2OEuitzwL_g:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aRAVbqHaBR8:2OEuitzwL_g:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aRAVbqHaBR8:2OEuitzwL_g:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/french-jxn.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/french-jxn.html</guid>
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 <media:title>David Winton Bell Gallery</media:title>
 <media:description type="html" />
 <pubDate>Fri, 17 Feb 2012 15:28:46 GMT</pubDate>
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 <title>Blue Wool Lightfastness Standard References DigitalPrinting</title>
 <description>The Blue Wool Lightfastness References were, and still are, aimed at those who work in the textile industry. The European version is part of the ISO standards, and it gets its name from the dyed blue wool fabric bands or swatches that are used to visually compare fading rates. Much like a litmus test, Blue Wools act as a visual reference or dosimeter for users like museums to determine when too much light has fallen on an artwork so it can be removed from display. Blue Wools also are used as a...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/digital-printing/blue-wool-lightfastness-standard-references.html"&gt;&lt;img src="http://www.karinlauphoto.com/digital-printing/images/2355_156_171-iso-blue-wool.jpg" style="width: 298pt; height: 194pt;" alt="Iso Blue Wool"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6JXoozpSB_4:uZU7km2N6_g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6JXoozpSB_4:uZU7km2N6_g:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6JXoozpSB_4:uZU7km2N6_g:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6JXoozpSB_4:uZU7km2N6_g:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6JXoozpSB_4:uZU7km2N6_g:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6JXoozpSB_4:uZU7km2N6_g:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>DigitalPrinting</category>
 <link>http://www.karinlauphoto.com/digital-printing/blue-wool-lightfastness-standard-references.html</link>
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 <media:content url="http://www.karinlauphoto.com/digital-printing/images/2355_156_171-iso-blue-wool.jpg" type="image/jpeg" height="272" width="417" />
 <media:title>Iso Blue Wool</media:title>
 <media:description type="html" />
 <pubDate>Fri, 17 Feb 2012 15:11:30 GMT</pubDate>
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 <title>Image Probability Density Models ImageProcessing</title>
 <description>A discrete image array F n1, n2 can be completely characterized statistically by its joint probability density, written in matrix form as p F p F 1, 1 , F 2, 1 , , F Nj, N2 6.4-la p f P f 1 , f 2 , , f Q 6.4-lb where Q N1 N2 is the order of the joint density. If all pixel values are statistically independent, the joint density factors into the product P f p f 1 p f 2 Pf Q 6.4-2 of its first-order marginal densities. The most common joint probability density is the joint Gaussian, which may be...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/image-processing/image-probability-density-models.html"&gt;&lt;img src="http://www.karinlauphoto.com/image-processing/images/2398_102_88.jpg" style="width: 252pt; height: 327pt;" title="FIGURE Histograms the red green and blue components the smpte girl linear color image"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=NbjvdzzO_WY:o2uakeRRP5E:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=NbjvdzzO_WY:o2uakeRRP5E:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=NbjvdzzO_WY:o2uakeRRP5E:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=NbjvdzzO_WY:o2uakeRRP5E:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=NbjvdzzO_WY:o2uakeRRP5E:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=NbjvdzzO_WY:o2uakeRRP5E:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ImageProcessing</category>
 <link>http://www.karinlauphoto.com/image-processing/image-probability-density-models.html</link>
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 <media:content url="http://www.karinlauphoto.com/image-processing/images/2398_102_88.jpg" type="image/jpeg" height="458" width="353" />
 <media:title />
 <media:description type="html">FIGURE Histograms the red green and blue components the smpte girl linear color image</media:description>
 <pubDate>Fri, 17 Feb 2012 14:31:35 GMT</pubDate>
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 <title>See also Life Magazine Photography in Canada Pictorialism Portraiture HistoryPhotography</title>
 <description>Born in Mardin, Armenia, 23 December 1908. Immigrated to Quebec, Canada, 1924. 1928, apprenticeship under John H. Garo of Boston, Massachusetts. Established studio in Ottawa, 1933, that remained open until 30 June 1992. 1939, marriage to actress Solange Gauthier. 1941, achieved international fame with portrait of British Prime Minister Winston Churchill. 1962, marriage to second wife. Canada Council Medal, 1969 Honorary Fellow of the Royal Photographic Society of Great Britain, 1970 Master of...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dTBIenTK9YU:mVj8jTs1MIw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dTBIenTK9YU:mVj8jTs1MIw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dTBIenTK9YU:mVj8jTs1MIw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dTBIenTK9YU:mVj8jTs1MIw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dTBIenTK9YU:mVj8jTs1MIw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dTBIenTK9YU:mVj8jTs1MIw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/see-also-life-magazine-photography-in-canada-pictorialism-portraiture.html</link>
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 <pubDate>Fri, 17 Feb 2012 09:16:22 GMT</pubDate>
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 <title>Afocal Teleconverters for FixedLens Cameras CompoundLens</title>
 <description>Small cameras and less-expensive cameras usually do not have interchangeable lenses. Therefore, telephoto and wide-angle attachments for these cameras must be attached in front of the camera lens. This is analogous to using a fixed-lens camera to take photos through the eyepiece of a telescope, thus replacing the human eye with a camera. For this to work with any camera lens, an afocal arrangement shown in Figure 12.8 is required. The magnification in this arrangement is given by m f feS camera...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/compound-lens/afocal-teleconverters-for-fixedlens-cameras.html"&gt;&lt;img src="http://www.karinlauphoto.com/compound-lens/images/2460_41_53.jpg" style="width: 180pt; height: 159pt;" title="FIGURE Front mounted teleconverter"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=u04aWQntM9Y:MKfVgTcY_xU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=u04aWQntM9Y:MKfVgTcY_xU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=u04aWQntM9Y:MKfVgTcY_xU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=u04aWQntM9Y:MKfVgTcY_xU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=u04aWQntM9Y:MKfVgTcY_xU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=u04aWQntM9Y:MKfVgTcY_xU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CompoundLens</category>
 <link>http://www.karinlauphoto.com/compound-lens/afocal-teleconverters-for-fixedlens-cameras.html</link>
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 <media:content url="http://www.karinlauphoto.com/compound-lens/images/2460_41_53.jpg" type="image/jpeg" height="223" width="252" />
 <media:title />
 <media:description type="html">FIGURE Front mounted teleconverter</media:description>
 <pubDate>Fri, 17 Feb 2012 08:33:49 GMT</pubDate>
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 <title>Understanding ISO UnderwaterPhotography</title>
 <description>At times it can be impossible to achieve the desired aperture or shutter speed to take a photograph. This usually occurs in low light situations where you need to use a large aperture, but, because it's getting dark, you have no other choice than to use a slow shutter speed. This shutter speed required may well be too long to hand hold the camera without causing camera shake and fuzzy pictures. In these situations this is where the sensitivity of your camera sensor comes into play by...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oj9-0RuQFzc:tnWo0niwRjQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oj9-0RuQFzc:tnWo0niwRjQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=oj9-0RuQFzc:tnWo0niwRjQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oj9-0RuQFzc:tnWo0niwRjQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=oj9-0RuQFzc:tnWo0niwRjQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oj9-0RuQFzc:tnWo0niwRjQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>UnderwaterPhotography</category>
 <link>http://www.karinlauphoto.com/underwater-photography/understanding-iso.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/underwater-photography/understanding-iso.html</guid>
 <pubDate>Fri, 17 Feb 2012 07:35:30 GMT</pubDate>
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 <title>Info Vkf FilterDiameter</title>
 <description>Kingston lexar Sandisk Note Not Class 6 Class 10 Class 10 Class 4 all devices 15 MBs 60 35 MBs 20 MBs 15 MBs support 64GB 228.74 34995 129.00 116.99 SDXC Ultimate XX 35 MBs Extreme Pro 45 MBs 8GB CALL 36.95&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hjLkbAghrLo:f4ZIs1wXsl0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hjLkbAghrLo:f4ZIs1wXsl0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hjLkbAghrLo:f4ZIs1wXsl0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hjLkbAghrLo:f4ZIs1wXsl0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hjLkbAghrLo:f4ZIs1wXsl0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hjLkbAghrLo:f4ZIs1wXsl0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FilterDiameter</category>
 <link>http://www.karinlauphoto.com/filter-diameter/info-vkf.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/filter-diameter/info-vkf.html</guid>
 <pubDate>Fri, 17 Feb 2012 07:17:08 GMT</pubDate>
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 <title>Tone Curve LightroomCatalog</title>
 <description>After adjusting the settings on the Basic panel, you can further refine the photo's contrast by manipulating specific tone ranges with the Tone Curve panel see Figure 4-43 . Get as close as you can to your desired result with the controls on the Basic panel before moving on to settings in the other panels. If you've used curves in Photoshop or other software, the Tone Curve panel will be familiar to you. The horizontal axis represents the original, unaltered values in the image, with the black...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/lightroom-catalog/tone-curve.html"&gt;&lt;img src="http://www.karinlauphoto.com/lightroom-catalog/images/2347_231_194.jpg" style="width: 143pt; height: 209pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=poXii0uocC8:y4mvbFqS-sM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=poXii0uocC8:y4mvbFqS-sM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=poXii0uocC8:y4mvbFqS-sM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=poXii0uocC8:y4mvbFqS-sM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=poXii0uocC8:y4mvbFqS-sM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=poXii0uocC8:y4mvbFqS-sM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>LightroomCatalog</category>
 <link>http://www.karinlauphoto.com/lightroom-catalog/tone-curve.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/lightroom-catalog/tone-curve.html</guid>
 <media:content url="http://www.karinlauphoto.com/lightroom-catalog/images/2347_231_194.jpg" type="image/jpeg" height="293" width="200" />
 <media:title />
 <media:description type="html" />
 <pubDate>Fri, 17 Feb 2012 06:40:45 GMT</pubDate>
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 <title>Selected Individual and TwoPerson Exhibition HistoryPhotography</title>
 <description>1924 Aztec Land Shop Mexico City, with Edward Weston 1925 Museo del Estado Guadalajara, Mexico, with Edward Weston 1926 Sal de Arte Mexico City, with Edward Weston 1929 Universidad Nacional Automoma de Mexico, Biblioteca Nacional Mexico City 1942 Exposition de fotograf a Tina Modotti, Memorial exhibition Galer a de Arte Mexicana Mexico City 1977 Tina Modotti Museum of Modern Art New York 1982 Frida Kahlo and Tina Modotti Whitechapel Art Gallery London, England traveled to Grey Art Gallery New...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/selected-individual-and-twoperson-exhibition.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_881_167.jpg" style="width: 367pt; height: 304pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0NPjl2yoTdQ:bH1yLnpD_Fo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0NPjl2yoTdQ:bH1yLnpD_Fo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=0NPjl2yoTdQ:bH1yLnpD_Fo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0NPjl2yoTdQ:bH1yLnpD_Fo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=0NPjl2yoTdQ:bH1yLnpD_Fo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0NPjl2yoTdQ:bH1yLnpD_Fo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/selected-individual-and-twoperson-exhibition.html</link>
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 <pubDate>Fri, 17 Feb 2012 04:58:53 GMT</pubDate>
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 <title>Summary of basic camera techniques AmbientLight</title>
 <description>Select the focal point of the image and choose selective or overall focus. Select the depth of field required using the aperture control. Consider the combined effects of aperture focal length distance from the subject To maximise depth of field focus one third of the way into the subject. Use a depth of field preview or the depth of field scale to calculate focus. Consider the most appropriate choice of shutter speed to freeze or blur the subject. Brace the camera when using slower shutter...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aaGE8Un82cg:BtRn2gIlJho:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aaGE8Un82cg:BtRn2gIlJho:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aaGE8Un82cg:BtRn2gIlJho:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aaGE8Un82cg:BtRn2gIlJho:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aaGE8Un82cg:BtRn2gIlJho:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aaGE8Un82cg:BtRn2gIlJho:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AmbientLight</category>
 <link>http://www.karinlauphoto.com/ambient-light/summary-of-basic-camera-techniques.html</link>
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 <pubDate>Fri, 17 Feb 2012 03:25:22 GMT</pubDate>
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 <title>Processing Raw ORF Files Shutter Speed 3</title>
 <description>Chapter 2 introduces you to the Raw file format, which enables you to capture images as raw data. One advantage of capturing Raw files, named ORF files on Olympus cameras, is that you make the decisions about how to translate raw data into actual photographs. You can specify attributes such as color intensity, image sharpening, and contrast which are all handled automatically by the camera if you use its other file format, JPEG. The bad news You have to specify attributes, such as color...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/shutter-speed-3/processing-raw-orf-files.html"&gt;&lt;img src="http://www.karinlauphoto.com/shutter-speed-3/images/2380_85_189.jpg" style="width: 42pt; height: 44pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ksMa98NWbQo:UYhtcrPjG7g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ksMa98NWbQo:UYhtcrPjG7g:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ksMa98NWbQo:UYhtcrPjG7g:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ksMa98NWbQo:UYhtcrPjG7g:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ksMa98NWbQo:UYhtcrPjG7g:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ksMa98NWbQo:UYhtcrPjG7g:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/shutter-speed-3/processing-raw-orf-files.html</link>
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 <pubDate>Fri, 17 Feb 2012 02:51:39 GMT</pubDate>
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 <title>portfolio 1 NudePhotography</title>
 <description>i've worked a lot with ingrid and every time i meet her she inspires me to do something new. i had just had a box made with a light inside, and i thought it would be great to test it out with her. i used simple lighting just the light in the box and one light above her. Anthony is another favorite model of mine. i put up a gray paper background and we played around for a while trying out various poses, with just one light directly behinc him. i wanted a hard light, so i used a flash head with...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/nude-photography/portfolio-1.html"&gt;&lt;img src="http://www.karinlauphoto.com/nude-photography/images/2378_63_348.jpg" style="width: 367pt; height: 433pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=F9HMOI8VNmA:zUdFXnW0MFw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=F9HMOI8VNmA:zUdFXnW0MFw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=F9HMOI8VNmA:zUdFXnW0MFw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=F9HMOI8VNmA:zUdFXnW0MFw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=F9HMOI8VNmA:zUdFXnW0MFw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=F9HMOI8VNmA:zUdFXnW0MFw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NudePhotography</category>
 <link>http://www.karinlauphoto.com/nude-photography/portfolio-1.html</link>
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 <pubDate>Fri, 17 Feb 2012 02:46:40 GMT</pubDate>
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 <title>www rednoseday com SeacamHousing</title>
 <description>If Mohamed lived in Sunderland his beautiful daughter Hodan would still be alive. Unfortunately for him, he doesn't. Mohamed lives in Somaliland, where he had to bring her home to die of a broken leg because he couldn't afford to keep her in hospital. How do you explain that to your children How do you explain the unexplainable Sometimes Sunderland and Somaliland can seem like a million miles apart, yet my lasting memories from my trips to Africa aren't of the wars, or the diseases, or the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/seacam-housing/www-rednoseday-com.html"&gt;&lt;img src="http://www.karinlauphoto.com/seacam-housing/images/2537_1_15.jpg" style="width: 367pt; height: 128pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=VoMyXdTnXaI:U9Tqj2Aox28:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=VoMyXdTnXaI:U9Tqj2Aox28:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=VoMyXdTnXaI:U9Tqj2Aox28:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=VoMyXdTnXaI:U9Tqj2Aox28:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=VoMyXdTnXaI:U9Tqj2Aox28:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=VoMyXdTnXaI:U9Tqj2Aox28:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SeacamHousing</category>
 <link>http://www.karinlauphoto.com/seacam-housing/www-rednoseday-com.html</link>
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 <pubDate>Fri, 17 Feb 2012 02:28:44 GMT</pubDate>
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 <title>Info Cjx Sports Photography 3</title>
 <description>One of the truly magnificent slices of track and field history is captured in this classic example of a definitive image. Duane Hart knew that U.S. 200-meter and 400-meter champion Michael Johnson invariably threw his arms wide when crossing the line. Hart also knew that Johnson had an excellent chance of setting a world record in the 200-meter final of the Atlanta Olympic Games in 1996. He hoped and planned to capture that defining moment on one dramatic frame. To do so, he staked out his spot...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/sports-photography-3/info-cjx.html"&gt;&lt;img src="http://www.karinlauphoto.com/sports-photography-3/images/2470_0_4.jpg" style="width: 367pt; height: 340pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CC8Pwrk4Amc:COpOK31CAUc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CC8Pwrk4Amc:COpOK31CAUc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=CC8Pwrk4Amc:COpOK31CAUc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CC8Pwrk4Amc:COpOK31CAUc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=CC8Pwrk4Amc:COpOK31CAUc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CC8Pwrk4Amc:COpOK31CAUc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/sports-photography-3/info-cjx.html</link>
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 <pubDate>Fri, 17 Feb 2012 01:51:29 GMT</pubDate>
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 <title>Goofy GeishaDaleJen Simmons PhotographicSociety</title>
 <description>Who needs Photoshop One of the most remarkable things about this quirky photograph is that it's almost entirely a straight image. Photoshop was used to change a sedate background to a more garish and color-appropriate purple, but, other than that, this photo is, basically, entirely the non-computer-assisted work of Blackwatch Studios photography team Dale and Jen Simmons, and a supporting cast that included an adventurous model, and an inventive makeup artist who assisted with hair styling. The...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/photographic-society/goofy-geishadalejen-simmons.html"&gt;&lt;img src="http://www.karinlauphoto.com/photographic-society/images/2285_17_27.jpg" style="width: 279pt; height: 447pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xNvhLFhooIQ:3IM6FQ0QLE4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xNvhLFhooIQ:3IM6FQ0QLE4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=xNvhLFhooIQ:3IM6FQ0QLE4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xNvhLFhooIQ:3IM6FQ0QLE4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=xNvhLFhooIQ:3IM6FQ0QLE4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xNvhLFhooIQ:3IM6FQ0QLE4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PhotographicSociety</category>
 <link>http://www.karinlauphoto.com/photographic-society/goofy-geishadalejen-simmons.html</link>
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 <pubDate>Fri, 17 Feb 2012 01:15:29 GMT</pubDate>
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 <title>Steps Involved and Description of Work 1 GIMP</title>
 <description>The exercise discussed in this section involves the following steps Working with selections or masks Working with the FG BG dialog foreground and background color and the Change Foreground Color window Working with the Gradient tool and the Gradient Editor In the image dullsky.png, we will replace the existing blue-gray sky with a color fill or color gradient on a new layer. To this end, you will use the Fuzzy Select tool Magic Wand to select and delete the existing sky. The layer with the...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8gsVKyVHvZo:6H3_yL3Bj0g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8gsVKyVHvZo:6H3_yL3Bj0g:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8gsVKyVHvZo:6H3_yL3Bj0g:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8gsVKyVHvZo:6H3_yL3Bj0g:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8gsVKyVHvZo:6H3_yL3Bj0g:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8gsVKyVHvZo:6H3_yL3Bj0g:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GIMP</category>
 <link>http://www.karinlauphoto.com/gimp/steps-involved-and-description-of-work-1.html</link>
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 <pubDate>Fri, 17 Feb 2012 00:52:41 GMT</pubDate>
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 <title>Recommended Tripod Features NaturalLight</title>
 <description>1 Sturdy enough to support the largest lens you own 2 The legs must spread straight out so the camera can be supported close to the ground 3 The centerpost should be short 4 The legs locks must be easy to use and work smoothly 5 Fresh water should not damage the legs 6 When the legs are fully extended, you should be able to peer through the cameras vlewflnder without stooping over Your tripod should be sturdy so it needs to have some weight to support heavy lenses and camera bodies. Many good...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/natural-light/recommended-tripod-features.html"&gt;&lt;img src="http://www.karinlauphoto.com/natural-light/images/2457_82_96.jpg" style="width: 308pt; height: 489pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SslVnM4Y2eU:BdWjmPJTkcg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SslVnM4Y2eU:BdWjmPJTkcg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=SslVnM4Y2eU:BdWjmPJTkcg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SslVnM4Y2eU:BdWjmPJTkcg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=SslVnM4Y2eU:BdWjmPJTkcg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SslVnM4Y2eU:BdWjmPJTkcg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NaturalLight</category>
 <link>http://www.karinlauphoto.com/natural-light/recommended-tripod-features.html</link>
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 <pubDate>Fri, 17 Feb 2012 00:30:35 GMT</pubDate>
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 <title>Texture Gradient ShadowCasting</title>
 <description>Texture gradient is the so-called impressionism effect. It is the perception of depth based on the merging of small details as they are repeated on both the foreground and the background. The repetition of the pattern as it approaches the horizon is perceived as receding into the background. This concept is very easy to visualize if you think of a field of grain or grass that extends to the horizon. Texture gradient cues are also related to another monocular depth cue, the spatial summation cue...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/shadow-casting/texture-gradient.html"&gt;&lt;img src="http://www.karinlauphoto.com/shadow-casting/images/2323_20_18-texture-gradient-depth-cue.jpg" style="width: 336pt; height: 129pt;" alt="Texture Gradient Depth Cue"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fmTn0pewhXM:zqP1Gh4UHrw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fmTn0pewhXM:zqP1Gh4UHrw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=fmTn0pewhXM:zqP1Gh4UHrw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fmTn0pewhXM:zqP1Gh4UHrw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=fmTn0pewhXM:zqP1Gh4UHrw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fmTn0pewhXM:zqP1Gh4UHrw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ShadowCasting</category>
 <link>http://www.karinlauphoto.com/shadow-casting/texture-gradient.html</link>
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 <media:title>Texture Gradient Depth Cue</media:title>
 <media:description type="html" />
 <pubDate>Thu, 16 Feb 2012 22:11:19 GMT</pubDate>
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 <title>INTRODUCTION continued CropTool</title>
 <description>There are some things I intentionally didn't put in this book. Like punctuation marks kidding . No. seriously, I tried not to put things in this book that are already in every other Photoshop book out there. For example, I don't have a chapter on the Layers palette, or a chapter on the painting tools, or a chapter showing how each of Photoshop's 10 filters looks when it's applied to the same photograph I also didn't include a chapter on printing to your color inkjet because a every Photoshop...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/crop-tool/introduction-continued.html"&gt;&lt;img src="http://www.karinlauphoto.com/crop-tool/images/2372_9_12.jpg" style="width: 367pt; height: 494pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gwYs4KCpHV0:VZpPREWnUvw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gwYs4KCpHV0:VZpPREWnUvw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=gwYs4KCpHV0:VZpPREWnUvw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gwYs4KCpHV0:VZpPREWnUvw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=gwYs4KCpHV0:VZpPREWnUvw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gwYs4KCpHV0:VZpPREWnUvw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CropTool</category>
 <link>http://www.karinlauphoto.com/crop-tool/introduction-continued.html</link>
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 <media:title />
 <media:description type="html" />
 <pubDate>Thu, 16 Feb 2012 21:57:40 GMT</pubDate>
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 <title>Explains How He Used Dodging And Burning To Bring Out Detail In This Magical Scene Panasonic Lumix 2</title>
 <description>TO me, forests are places of great mystery. The Andaman Islands in the Bay of Bengal, just off the coast of I ndia, are ccvered In luscious woodland, and elephants roam freely through the undergowth. I took this image just after sunrise and the light was exquisite. An early morning mist added to the magical atmosphere. It was this mysterious mood that I wanted to capture. The light was changing rapidly so I had only a short amount of time to make the most of the conditions. I had taken a few...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=F93D1umh_Uc:24Zao8Xx-Yc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=F93D1umh_Uc:24Zao8Xx-Yc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=F93D1umh_Uc:24Zao8Xx-Yc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=F93D1umh_Uc:24Zao8Xx-Yc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=F93D1umh_Uc:24Zao8Xx-Yc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=F93D1umh_Uc:24Zao8Xx-Yc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/panasonic-lumix-2/explains-how-he-used-dodging-and-burning-to-bring-out-detail-in-this-magical-scene.html</link>
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 <pubDate>Thu, 16 Feb 2012 20:52:18 GMT</pubDate>
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 <title>Darkroom Timer ColorNegative</title>
 <description>The real question is not whether to buy a processing drum, but which brand to buy Although most drums are similar, there are some factors to consider. Drums are available in different sizes designed for different-size prints. Usually, the larger-size drum can also accommodate smaller-size prints, too. For example, a tank designed for 11x14 can usually also handle up to two 8x10's or four 5x7's. But realize, you may want to process your 8xl0's or 5x7's one at a time. While you may do so in an...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/color-negative/darkroom-timer.html"&gt;&lt;img src="http://www.karinlauphoto.com/color-negative/images/2368_6_11.jpg" style="width: 238pt; height: 195pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JFUxbzZbtYc:0Uq2bzRVcWc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JFUxbzZbtYc:0Uq2bzRVcWc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=JFUxbzZbtYc:0Uq2bzRVcWc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JFUxbzZbtYc:0Uq2bzRVcWc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=JFUxbzZbtYc:0Uq2bzRVcWc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JFUxbzZbtYc:0Uq2bzRVcWc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ColorNegative</category>
 <link>http://www.karinlauphoto.com/color-negative/darkroom-timer.html</link>
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 <pubDate>Thu, 16 Feb 2012 15:10:06 GMT</pubDate>
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 <title>HueSaturation Color Repair DigitallyLighting</title>
 <description>The retouching I just did on my photo was relatively straightforward because the skin color was mostly uniform. What can I do with this image from Ken Chernus Figure 5.16 Figure 5.16 Red blotchy skin is a classic problem. Photo by Ken Chernus Figure 5.16 Red blotchy skin is a classic problem. Photo by Ken Chernus Red blotchy skin can look worse in digital capture because of the tendency for Bayer pattern imaging systems to overemphasize the red component in skin color. Pimples and red blotches...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/digitally-lighting/huesaturation-color-repair.html"&gt;&lt;img src="http://www.karinlauphoto.com/digitally-lighting/images/2463_50_246.jpg" style="width: 274pt; height: 211pt;" title="Figure Move the Gray Levels slider slightly left lighten the Blur layer and hide more the lighter wrinkles"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=OM-pOABkcbo:Pb4ggPmP1tY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=OM-pOABkcbo:Pb4ggPmP1tY:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=OM-pOABkcbo:Pb4ggPmP1tY:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=OM-pOABkcbo:Pb4ggPmP1tY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=OM-pOABkcbo:Pb4ggPmP1tY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=OM-pOABkcbo:Pb4ggPmP1tY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>DigitallyLighting</category>
 <link>http://www.karinlauphoto.com/digitally-lighting/huesaturation-color-repair.html</link>
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 <media:title />
 <media:description type="html">Figure Move the Gray Levels slider slightly left lighten the Blur layer and hide more the lighter wrinkles</media:description>
 <pubDate>Thu, 16 Feb 2012 14:58:07 GMT</pubDate>
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 <title>Selected Group Exhibitions Mlz HistoryPhotography</title>
 <description>1993 24th Rencontres Internationales de la Photographie, Arles, France 1994 Premieres Rencontres de la Photographie Africaine, Bamako, Mal 1995 Big City Artists from Africa, Serpentine Gallery, London Self Evident, Ikon Gallery, Birmingham 1996 In sight African Photographers, 1940 to the Present, Solomon R. Guggenheim Museum, New York 1997 Seydou Keita and Malik Sidibe, Fruitmarket Gallery, Edinburgh Trade Routes History and Geography 2nd Johannesburg Biennale, Johannesburg, South Africa 1998...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/selected-group-exhibitions-mlz.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_718_127-african-art-and-photography-group.jpg" style="width: 228pt; height: 224pt;" alt="African Art And Photography Group"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=_zySnv69V0w:CSh268_7sS8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=_zySnv69V0w:CSh268_7sS8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=_zySnv69V0w:CSh268_7sS8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=_zySnv69V0w:CSh268_7sS8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=_zySnv69V0w:CSh268_7sS8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=_zySnv69V0w:CSh268_7sS8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/selected-group-exhibitions-mlz.html</link>
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 <media:title>African Art And Photography Group</media:title>
 <media:description type="html" />
 <pubDate>Thu, 16 Feb 2012 14:20:54 GMT</pubDate>
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 <title>Further Reading Qui HistoryPhotography</title>
 <description>Bond, Henry. ''Philip-Lorca diCorcia's Virtual Reality.'' Creative Camera no. 309 April May 1991 . Bruce, Chris. After Art Rethinking 150 Years of Photography. Seattle Henry Art Gallery, 1994. Galassi, Peter. Philip-Lorca diCorcia. New York Museum of Modern Art and Harry N. Abrams, Inc, 1995. Galassi, Peter. Pleasures and Terrors of Domestic Comfort. New York Museum of Modern Art, 1991. Georges, Alice Rose, Abigail Heyman, and Ethan Hoffman, eds. Flesh and Blood Photographer' Images of Their...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tGgyyZmRPWA:QdsGph3heUo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tGgyyZmRPWA:QdsGph3heUo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tGgyyZmRPWA:QdsGph3heUo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tGgyyZmRPWA:QdsGph3heUo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tGgyyZmRPWA:QdsGph3heUo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tGgyyZmRPWA:QdsGph3heUo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/further-reading-qui.html</link>
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 <pubDate>Thu, 16 Feb 2012 13:44:15 GMT</pubDate>
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 <title>Info Kdr FlashMemory</title>
 <description>A sun-filled day at the beach can be heavenly, but it can also be exposure hell, especially for portraits. The light is glaringly bright and the shadows dismally dark. A common scenario has the subject turned away from the sun to prevent squinting, throwing his or her face into deep shadow. With so much dynamic range to cover, if you meter for the shadowed face, much of the sunlit background will be overexposed by several stops. Remedy this by posing your subject seated on the sand, using it as...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/flash-memory/info-kdr.html"&gt;&lt;img src="http://www.karinlauphoto.com/flash-memory/images/2441_53_111.jpg" style="width: 344pt; height: 469pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=QJEuKeZtrM8:UB4-Tgt6F9c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=QJEuKeZtrM8:UB4-Tgt6F9c:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=QJEuKeZtrM8:UB4-Tgt6F9c:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=QJEuKeZtrM8:UB4-Tgt6F9c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=QJEuKeZtrM8:UB4-Tgt6F9c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=QJEuKeZtrM8:UB4-Tgt6F9c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FlashMemory</category>
 <link>http://www.karinlauphoto.com/flash-memory/info-kdr.html</link>
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 <media:description type="html" />
 <pubDate>Thu, 16 Feb 2012 13:34:53 GMT</pubDate>
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 <title>Software PorroPrism</title>
 <description>509 99 21 mth 180mm 12 8DAF IF-ED Nikkor 608 99 or 1159.99 or 47 mth 200mm UOAF Micro Ntkor 1089.99 or 563.99 or 23 mth 200mm f2 AF-S VU 3094.99 or 453.99 s 19 mth 300mm 14 AF S IF EO 98899 or 323.99 V 14 mth 300mm Q.6G AF-SVR Nikkor 3894 or 134399 or 55 mth 400mm 12 8GAF-S U3VR N.kkor 6389 99 Ot 213.99 or 9 mth 500mm MEDAF-SVR Ntkkor 5609.99 or 198 99 600mm f4 ED AF-5 VR N tor 6779.99 or 248.99 a 11 mth 12-24mm 4 G AF-5 IF-ED DX Zoom 798.99 01 1389 99 or 57 mth 14-24mm I29AF-S G ED 1283.99 01...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/porro-prism/software.html"&gt;&lt;img src="http://www.karinlauphoto.com/porro-prism/images/2258_112_178.jpg" style="width: 126pt; height: 41pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3o2guEbBuUc:fLejMwthcq0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3o2guEbBuUc:fLejMwthcq0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=3o2guEbBuUc:fLejMwthcq0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3o2guEbBuUc:fLejMwthcq0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=3o2guEbBuUc:fLejMwthcq0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3o2guEbBuUc:fLejMwthcq0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PorroPrism</category>
 <link>http://www.karinlauphoto.com/porro-prism/software.html</link>
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 <pubDate>Thu, 16 Feb 2012 11:49:39 GMT</pubDate>
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 <title>Photographers comment Kdt ElectronicFlash</title>
 <description>I made the print on Cotman watercolour paper coated with Silverprint Cold Tone emulsion, over-exposed a couple of stops and then bleached back before toning in Rayco Varitone Sepia. Photographer Rod Ashford Use Personal work, later sold as a book cover Model Geraldine Barrett Camera 35mm Lens 70-21 Omm Film llford FP4 Exposure f 11 G E R A L D I N E AND T H E F L O W E R RODASHFORD IS FOND OF HANDCOLOURING, ALTHOUGH, AS HIS WORK DEMONSTRATES, HAND COLOURING IS MOST EFFECTIVE IF YOU HAVE A GOOD...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/electronic-flash/photographers-comment-kdt.html"&gt;&lt;img src="http://www.karinlauphoto.com/electronic-flash/images/2346_43_143.jpg" style="width: 342pt; height: 428pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vwZRpv_wVhc:pZNCtFvSSpk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vwZRpv_wVhc:pZNCtFvSSpk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=vwZRpv_wVhc:pZNCtFvSSpk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vwZRpv_wVhc:pZNCtFvSSpk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=vwZRpv_wVhc:pZNCtFvSSpk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vwZRpv_wVhc:pZNCtFvSSpk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ElectronicFlash</category>
 <link>http://www.karinlauphoto.com/electronic-flash/photographers-comment-kdt.html</link>
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 <pubDate>Thu, 16 Feb 2012 10:05:56 GMT</pubDate>
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 <title>Using the Text Tool and Drop Shadowa Practical Exercise GIMP</title>
 <description>It's now time to practice what you've learned about the Text tool. And while you're at it, you can play with some filters and effects, such as the ones available via the Filters gt Light and Shadow gt Drop Shadow menu option Open your image bluesky.xcf and save it, using a new name such as greetingcard.xcf. Set the text color foreground color you want to use. Create some greeting card text, using the default settings. As you create the text, keep in mind that you will be painting Easter eggs to...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aTdnz5QZyVc:l62CSKtpkmA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aTdnz5QZyVc:l62CSKtpkmA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aTdnz5QZyVc:l62CSKtpkmA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aTdnz5QZyVc:l62CSKtpkmA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aTdnz5QZyVc:l62CSKtpkmA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aTdnz5QZyVc:l62CSKtpkmA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GIMP</category>
 <link>http://www.karinlauphoto.com/gimp/using-the-text-tool-and-drop-shadowa-practical-exercise.html</link>
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 <pubDate>Thu, 16 Feb 2012 09:59:46 GMT</pubDate>
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 <title>Bernard Hunter Photobooks AutoTopcor</title>
 <description>246, NORTH STREET, ASHTON BRISTOL BS3 1JD TEL. 0117 966 6066 Phone for Mailorder Payment by Visa, Amex, Maestro, Mastercard or PAYPAL to AAVONDOTCOM aol.com Though it is primarily aimed at novices, the Canon EOS 500D is like a mini EOS 50D with video capability, so perhaps it is a good choice for enthusiasts as well. We put it to the test IT'S getting quite tricky to determine who some cameras are aimed at, and Canon's EOS 500D is one of the most difficult. It has a very similar body to the EOS...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/auto-topcor/bernard-hunter-photobooks.html"&gt;&lt;img src="http://www.karinlauphoto.com/auto-topcor/images/2242_38_134.jpg" style="width: 367pt; height: 302pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CfnGSAzPYLs:tIBXr-n7YO8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CfnGSAzPYLs:tIBXr-n7YO8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=CfnGSAzPYLs:tIBXr-n7YO8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CfnGSAzPYLs:tIBXr-n7YO8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=CfnGSAzPYLs:tIBXr-n7YO8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CfnGSAzPYLs:tIBXr-n7YO8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AutoTopcor</category>
 <link>http://www.karinlauphoto.com/auto-topcor/bernard-hunter-photobooks.html</link>
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 <pubDate>Thu, 16 Feb 2012 09:22:13 GMT</pubDate>
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 <title>Adobe Photoshop Cs5 ImageStabilization</title>
 <description>EVERY IS TO 24 months, just when it seems like you've finally gotten used to all the features in the current version of Adobe Photoshop, a new version comes out. This time it's CSS 700, direct, for the full version 200, upgrade , which is actually the 12th iteration of this mother of all image editors. While CS4 boasted plenty of useful upgrades, it was heavy on stuff like 3D and video that didn't mean much to the average still photographer. But CS5 has lots of new features most shooters will...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/image-stabilization/adobe-photoshop-cs5.html"&gt;&lt;img src="http://www.karinlauphoto.com/image-stabilization/images/2408_94_166.jpg" style="width: 363pt; height: 233pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=sjU8tuLH76w:iOwNJLL0S54:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=sjU8tuLH76w:iOwNJLL0S54:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=sjU8tuLH76w:iOwNJLL0S54:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=sjU8tuLH76w:iOwNJLL0S54:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=sjU8tuLH76w:iOwNJLL0S54:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=sjU8tuLH76w:iOwNJLL0S54:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ImageStabilization</category>
 <link>http://www.karinlauphoto.com/image-stabilization/adobe-photoshop-cs5.html</link>
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 <pubDate>Thu, 16 Feb 2012 03:18:33 GMT</pubDate>
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 <title>Nikon Speedlights Sony Alpha 2</title>
 <description>SB-900. SB-800, SB-600. SB-400, SB-80DX, R1C1, SB-29S, SB-28, SB-28DX. SB-26, SB-25 Please telephone 020-7828 4925 or email infot graysofwestminster.com for our highest offer. 03 SIR D3x AF-S 14-24mm 1 2 8G IF- 0 D3x AF-S 24-70mm 2. 6 IF-ED______________________ D3x AF-S 14-24mm amp 24-70mm f 2.8G 5.49900 6.49900 6.499 00 7.499 00 2.925.00 3.999 00 3.999 00 D3 AF-S 14-24mm 1 2 8G IF-ED Nikkor 03 AF-S 24.70mm 1 2 8G IF-ED Nikkor 03 AF-S 14-24nm 1 2 8G amp AF-S 24-70mm V2.8G EO NWcor K 5.099.00...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/sony-alpha-2/nikon-speedlights.html"&gt;&lt;img src="http://www.karinlauphoto.com/sony-alpha-2/images/2234_14_57.jpg" style="width: 367pt; height: 283pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=XPSzPwiuOOA:C0F4p_98b68:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=XPSzPwiuOOA:C0F4p_98b68:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=XPSzPwiuOOA:C0F4p_98b68:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=XPSzPwiuOOA:C0F4p_98b68:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=XPSzPwiuOOA:C0F4p_98b68:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=XPSzPwiuOOA:C0F4p_98b68:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Thu, 16 Feb 2012 01:29:15 GMT</pubDate>
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 <title>The last resort QuickRelease</title>
 <description>Technique explained Create a small world' System requirements Windows PC or Mac I WAS having a spring clean a few days ago, and while trawling through various boxes I came across my original Photoshop 3 floppy disks from early 1996. Not only did it make me stop and think about how relentless Adobe's advance has been in the intervening 13 or so years I recently upgraded to Photoshop CS4, which is effectively the T 1th incarnation of the program , but it also made me realise that even though I've...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/quick-release/the-last-resort.html"&gt;&lt;img src="http://www.karinlauphoto.com/quick-release/images/2240_14_53.jpg" style="width: 367pt; height: 128pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8inBNe8FChg:zgLva2sBRP0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8inBNe8FChg:zgLva2sBRP0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8inBNe8FChg:zgLva2sBRP0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8inBNe8FChg:zgLva2sBRP0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8inBNe8FChg:zgLva2sBRP0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8inBNe8FChg:zgLva2sBRP0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>QuickRelease</category>
 <link>http://www.karinlauphoto.com/quick-release/the-last-resort.html</link>
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 <pubDate>Thu, 16 Feb 2012 01:29:00 GMT</pubDate>
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 <title>Understanding Color Harmony Still Life 2</title>
 <description>Ideally, a photograph should have one main subject and one main color - with any other colors being supplementary to give added emphasis to the most important element. In terms of mood, a composition made up of harmonious colors of similar tones tends to be restful and calm, unlike the discordant feeling of compositions based on contrasting colors. Even contrasting colors can be blended and subdued to create a harmonious picture if photographed in the appropriate type of lighting. The choice of...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/still-life-2/understanding-color-harmony.html"&gt;&lt;img src="http://www.karinlauphoto.com/still-life-2/images/2481_61_91.jpg" style="width: 367pt; height: 275pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6z6_xnPpvXc:pI97OUV897c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6z6_xnPpvXc:pI97OUV897c:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6z6_xnPpvXc:pI97OUV897c:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6z6_xnPpvXc:pI97OUV897c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6z6_xnPpvXc:pI97OUV897c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6z6_xnPpvXc:pI97OUV897c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/still-life-2/understanding-color-harmony.html</link>
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 <pubDate>Wed, 15 Feb 2012 22:54:31 GMT</pubDate>
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 <title>Introduction Nwd CompoundLens</title>
 <description>After photography was invented in 1839, there was a pressing need for lenses that could produce sharp, undistorted images with wide fields of view. The need was much less obvious when objects were viewed through the center of telescopic lenses and artists squinted at faint images on ground glass in a camera obscura, but photography provides permanent images that can be examined critically in bright light. The new requirements seem straightforward. We want all the light from an object point to...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/compound-lens/introduction-nwd.html"&gt;&lt;img src="http://www.karinlauphoto.com/compound-lens/images/2460_16_22.jpg" style="width: 228pt; height: 124pt;" title="FIGURE Photograph illustrating the effect image curvature simulated"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=YdfE9KSdw0Y:wTv53McB-FQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=YdfE9KSdw0Y:wTv53McB-FQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=YdfE9KSdw0Y:wTv53McB-FQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=YdfE9KSdw0Y:wTv53McB-FQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=YdfE9KSdw0Y:wTv53McB-FQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=YdfE9KSdw0Y:wTv53McB-FQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CompoundLens</category>
 <link>http://www.karinlauphoto.com/compound-lens/introduction-nwd.html</link>
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 <media:title />
 <media:description type="html">FIGURE Photograph illustrating the effect image curvature simulated</media:description>
 <pubDate>Wed, 15 Feb 2012 22:29:45 GMT</pubDate>
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 <title>Agdvx100b CanonPowershot</title>
 <description>AG-OVC6O 1749 99 New AG-DVX200. 55499 99 New AG-HDX100 CALL PV-GS19 264 99 NewISOR-SlOO 1099 99 Speow .' VDB-M95 5649 99 WE SPECIALIZE IN OVERNIGHT DELIVERY. PLACE YOUR ORDER BY 7 00 PM EST AND RECEIVE YOUR ORDER BY THE NEXT BUSINESS DAY FOR AN ADDITIONAL 29.95. Holiday Hours Mon-Thurs 9 00am- 12 00am Fri 9 00am-4pm Sun 9 00am-9 00pm Sat 6 pm-10pm 6.1 Megapixels 2x Optical Zoom 2 5 LCO Screen 6.63 Megapixels 4x Optical Zoom 2.0'LCD Screen &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-powershot/agdvx100b.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-powershot/images/2429_169_289.jpg" style="width: 367pt; height: 164pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=LeMHLytrtGQ:nWJ2lmNwyqw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=LeMHLytrtGQ:nWJ2lmNwyqw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=LeMHLytrtGQ:nWJ2lmNwyqw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=LeMHLytrtGQ:nWJ2lmNwyqw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=LeMHLytrtGQ:nWJ2lmNwyqw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=LeMHLytrtGQ:nWJ2lmNwyqw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CanonPowershot</category>
 <link>http://www.karinlauphoto.com/canon-powershot/agdvx100b.html</link>
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 <pubDate>Wed, 15 Feb 2012 21:39:01 GMT</pubDate>
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 <title>Bark Up a TreeNew Germany State ParkRick Wetterau PhotographicSociety</title>
 <description>Once he fell in love with infrared photography, Cleveland Photographic Society member Rick Wetterau was determined to explore every nuance of this experimental form of photography. One of his shots, Bark Up a Tree, shown on this page, demonstrates the possibilities of a technique called channel swapping, while the other image, New Germany State Park, on the opposite page, explores the possibilities of HDR high dynamic range infrared photography. Wetterau used a Nikon D80, which has been...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/photographic-society/bark-up-a-treenew-germany-state-parkrick-wetterau.html"&gt;&lt;img src="http://www.karinlauphoto.com/photographic-society/images/2285_56_118.jpg" style="width: 367pt; height: 239pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lHgH587kh4A:HgVv_-x-ST8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lHgH587kh4A:HgVv_-x-ST8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=lHgH587kh4A:HgVv_-x-ST8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lHgH587kh4A:HgVv_-x-ST8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=lHgH587kh4A:HgVv_-x-ST8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lHgH587kh4A:HgVv_-x-ST8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PhotographicSociety</category>
 <link>http://www.karinlauphoto.com/photographic-society/bark-up-a-treenew-germany-state-parkrick-wetterau.html</link>
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 <pubDate>Wed, 15 Feb 2012 20:42:28 GMT</pubDate>
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 <title>by Steve Warren Aquamatic 11 FlashGuns</title>
 <description>La Spirotechnique is an illustriuos name. Originally set up as the diving equipment manufacturing arm of the Air L'iquide group to build and market Cousteau - Gagnan Aqualungs, the French company has many innovations to its credit. One of Spiros most revered products was the Calypsophot developed for the Cousteau divers. Later the rights to this camera were bought by Nikon and the Nikonos line was established and passed into legend. In the late seventies Spiro introduced another underwater...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/flash-guns/by-steve-warren-aquamatic-11.html"&gt;&lt;img src="http://www.karinlauphoto.com/flash-guns/images/2510_16_15.jpg" style="width: 248pt; height: 186pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=N_4gy6uMTzY:7zQSuWsKcVM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=N_4gy6uMTzY:7zQSuWsKcVM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=N_4gy6uMTzY:7zQSuWsKcVM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=N_4gy6uMTzY:7zQSuWsKcVM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=N_4gy6uMTzY:7zQSuWsKcVM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=N_4gy6uMTzY:7zQSuWsKcVM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FlashGuns</category>
 <link>http://www.karinlauphoto.com/flash-guns/by-steve-warren-aquamatic-11.html</link>
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 <pubDate>Wed, 15 Feb 2012 18:15:44 GMT</pubDate>
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 <title>Polter PictureLibrary</title>
 <description>The Glynn family living in Runcorn Cheshire suffered a poltergeist outbreak in 1952- Their invisible intruder was fond of moving furniture about, and even when the police set traps and kept watch, the disturbances continued. Here John Glynn surveys his wrecked bedroom. &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/picture-library/polter.html"&gt;&lt;img src="http://www.karinlauphoto.com/picture-library/images/2474_24_84-runcorn-poltergeist.jpg" style="width: 367pt; height: 404pt;" alt="Runcorn Poltergeist"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=I4TV3ZbHReA:ULBxu2XK5lw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=I4TV3ZbHReA:ULBxu2XK5lw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=I4TV3ZbHReA:ULBxu2XK5lw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=I4TV3ZbHReA:ULBxu2XK5lw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=I4TV3ZbHReA:ULBxu2XK5lw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=I4TV3ZbHReA:ULBxu2XK5lw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PictureLibrary</category>
 <link>http://www.karinlauphoto.com/picture-library/polter.html</link>
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 <media:title>Runcorn Poltergeist</media:title>
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 <pubDate>Wed, 15 Feb 2012 17:50:32 GMT</pubDate>
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 <title>Special effects attachments Photoshop Elements 2</title>
 <description>Some optical attachments are made of clear plastic with faceted surfaces to give a multiple image of your subject. This way, you can repeat whatever is composed in the center of the frame into three or more separated but overlapping images, like Figure 40.1. Some filters work by having a parallel fluted pattern, which turns one narrow strip of the image into a row of repeats. Strips may run vertically Figure 40.2 or at any angle you choose to rotate the attachment. When you are making multiple...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/photoshop-elements-2/special-effects-attachments.html"&gt;&lt;img src="http://www.karinlauphoto.com/photoshop-elements-2/images/2316_208_453.jpg" style="width: 208pt; height: 126pt;" title="Figure single lamp post against white sky turned into overlapping shapes three faceted prism lens attachment"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=yLzhJECQzxk:tvWybqORuBs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=yLzhJECQzxk:tvWybqORuBs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=yLzhJECQzxk:tvWybqORuBs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=yLzhJECQzxk:tvWybqORuBs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=yLzhJECQzxk:tvWybqORuBs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=yLzhJECQzxk:tvWybqORuBs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/photoshop-elements-2/special-effects-attachments.html</link>
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 <media:description type="html">Figure single lamp post against white sky turned into overlapping shapes three faceted prism lens attachment</media:description>
 <pubDate>Wed, 15 Feb 2012 17:36:39 GMT</pubDate>
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 <title>Substitution Metering ImagingSurface</title>
 <description>Even without an incident meter, you can avoid subject bias by using substitution metering. With substitution metering, you place a material into the scene with a known reflectivity, such as an 18 gray card. Then you can bring a reflective meter close to the substituted material and measure the light reflecting from it to establish the exposure. The light reflected from the substitution material will represent 18 of the light that is illuminating the scene. An 18 gray card should be placed in a...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=VGlDoi9tOao:iGjtgzoyHdA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=VGlDoi9tOao:iGjtgzoyHdA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=VGlDoi9tOao:iGjtgzoyHdA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=VGlDoi9tOao:iGjtgzoyHdA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=VGlDoi9tOao:iGjtgzoyHdA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=VGlDoi9tOao:iGjtgzoyHdA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ImagingSurface</category>
 <link>http://www.karinlauphoto.com/imaging-surface/substitution-metering.html</link>
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 <pubDate>Wed, 15 Feb 2012 17:15:15 GMT</pubDate>
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 <title>Relationship between fstops DigitalPhotography</title>
 <description>It is often useful to understand the relationship between f-stops, especially if you happen to be calculating or adjusting exposure manually. For example, f4 is not twice as large as f8. It's four times as large. The relationship actually is derived from the square root of 2 1.4 , with each whole-number f-stop corresponding roughly to a power of the square root of 2. So, each of the following numbers in the series represents a halving of the amount of light admitted to the sensor as you move...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/digital-photography/relationship-between-fstops.html"&gt;&lt;img src="http://www.karinlauphoto.com/digital-photography/images/2294_55_33.jpg" style="width: 367pt; height: 345pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Hevr1ya5eFI:rpA60Tl26FU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Hevr1ya5eFI:rpA60Tl26FU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Hevr1ya5eFI:rpA60Tl26FU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Hevr1ya5eFI:rpA60Tl26FU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Hevr1ya5eFI:rpA60Tl26FU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Hevr1ya5eFI:rpA60Tl26FU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>DigitalPhotography</category>
 <link>http://www.karinlauphoto.com/digital-photography/relationship-between-fstops.html</link>
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 <pubDate>Wed, 15 Feb 2012 15:42:36 GMT</pubDate>
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 <title>Olympus AngleFinder</title>
 <description>i N l W1 V R - 310 Red, Purple, Sitver or Black 107.99 NEW SP-610 U2 Block 159 SP 800 U2 Titanium Silver or Classic Block 218.99 Tough Models Waterproof, shockp-oof and Freezeproofi See website for details NEWI TG-310 Blue, White, Orange, Red or Silver NEW TG-610 Blue, Red. Silver or Black 188 i N l W1 V R - 310 Red, Purple, Sitver or Black 107.99 NEW SP-610 U2 Block 159 SP 800 U2 Titanium Silver or Classic Block 218.99 Tough Models Waterproof, shockp-oof and Freezeproofi See website for...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/angle-finder/olympus.html"&gt;&lt;img src="http://www.karinlauphoto.com/angle-finder/images/2253_132_502.jpg" style="width: 367pt; height: 129pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xTEHEh0DgC0:7VA3ycNPeI8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xTEHEh0DgC0:7VA3ycNPeI8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=xTEHEh0DgC0:7VA3ycNPeI8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xTEHEh0DgC0:7VA3ycNPeI8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=xTEHEh0DgC0:7VA3ycNPeI8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xTEHEh0DgC0:7VA3ycNPeI8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AngleFinder</category>
 <link>http://www.karinlauphoto.com/angle-finder/olympus.html</link>
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 <pubDate>Wed, 15 Feb 2012 15:30:09 GMT</pubDate>
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 <title>Lesson 71Creating a Panoramic Image in David Hockney Style ImageCreation</title>
 <description>This is the easiest style to create. You must first create the individual photographs. Although this can be done on a tripod, it is more fun to do it handheld. Usually it is easiest to photograph with a normal or slightly wide-angle lens, perhaps a 28mm to 50mm in a 35mm equivalent. If you use an ultrawide angle lens wider than 28 mm, you will get distortion at the edges that will make it more difficult to line up the edges. If you have to use an ultrawide angle lens, overlap the individual...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/image-creation/lesson-71creating-a-panoramic-image-in-david-hockney-style.html"&gt;&lt;img src="http://www.karinlauphoto.com/image-creation/images/2221_43_136.jpg" style="width: 367pt; height: 76pt;" title="Figure The finished image"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5lxhKF1XSk0:XgIGXh_yMXo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5lxhKF1XSk0:XgIGXh_yMXo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5lxhKF1XSk0:XgIGXh_yMXo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5lxhKF1XSk0:XgIGXh_yMXo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5lxhKF1XSk0:XgIGXh_yMXo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5lxhKF1XSk0:XgIGXh_yMXo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ImageCreation</category>
 <link>http://www.karinlauphoto.com/image-creation/lesson-71creating-a-panoramic-image-in-david-hockney-style.html</link>
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 <media:description type="html">Figure The finished image</media:description>
 <pubDate>Wed, 15 Feb 2012 14:55:47 GMT</pubDate>
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 <title>Info Qjv NightPhotography</title>
 <description>1 and mercury vapor. Low-pressure sodium vapor lights are instantly recognizable for their strong h monochromatic yellow-orange color. They are commonly used in Europe to alert drivers that they are about to enter a village or small town. Despite their high efficiency rating, low-pressure sodium vapor lights are rarely used for street lighting in North America because it is difficult to see colors under this g type of lighting. Conversely, high-pressure sodium vapor is the predominant type of...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SQlf7-kWXN0:hcwUk6hfZA0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SQlf7-kWXN0:hcwUk6hfZA0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=SQlf7-kWXN0:hcwUk6hfZA0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SQlf7-kWXN0:hcwUk6hfZA0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=SQlf7-kWXN0:hcwUk6hfZA0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SQlf7-kWXN0:hcwUk6hfZA0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NightPhotography</category>
 <link>http://www.karinlauphoto.com/night-photography/info-qjv.html</link>
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 <pubDate>Wed, 15 Feb 2012 14:44:34 GMT</pubDate>
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 <title>Sigma Pro Lens Stockist Sigma Pro Lens Stockist SigmaLens</title>
 <description>Many lenses slocked in Pertax amp Sony fits - please check avatebility -price may vary according tp fit 4.5 F2.8 EX DC CAF NAF . 669 8 F3.5 DG EX CAF NAF . . 649 10 F2.8 EX DC CAF NAF . . 539 10-20 F3.5 EX DC CAF NAF 649 18-125 F3.8 5.6 OS DC . 244 16-200 F3.5 6.3 DC OS . . . . 283 18-250 F3.5 6.3 DC OS . . . 479 24-70 F2.8 EX IF DG HSM 899 24-70 F2.8 EX DG CAF NAF 419 30 F1 4 EX OC CAF NAF 369 50 F1.4 EX DG CAF NAF . . . 379 50 F2.8 EX DG macro 249&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ZMFsjyX4J0s:msKOJlUj3r8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ZMFsjyX4J0s:msKOJlUj3r8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ZMFsjyX4J0s:msKOJlUj3r8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ZMFsjyX4J0s:msKOJlUj3r8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ZMFsjyX4J0s:msKOJlUj3r8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ZMFsjyX4J0s:msKOJlUj3r8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SigmaLens</category>
 <link>http://www.karinlauphoto.com/sigma-lens/sigma-pro-lens-stockist-sigma-pro-lens-stockist.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/sigma-lens/sigma-pro-lens-stockist-sigma-pro-lens-stockist.html</guid>
 <pubDate>Wed, 15 Feb 2012 14:06:31 GMT</pubDate>
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 <title>VariAngle Prism System DigitalDarkroom</title>
 <description>In a lens using a vari-angle prism VAP to correct movements, such as some of Canon's video camera lenses and binoculars, gyrosensors are used to detect the slightest wiggle. The sensors send electronic information to a microprocessor built in to the lens. The microchip sends an electrical signal to voice coil motors, much smaller versions of the motors used to vibrate the cones in speakers. The motors sit at 90 angles to each other on the rim of the vari-prism. The VAP, which is positioned...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/digital-darkroom/variangle-prism-system.html"&gt;&lt;img src="http://www.karinlauphoto.com/digital-darkroom/images/2333_76_251.jpg" style="width: 218pt; height: 242pt;" title="Image sensor Vertical slider"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mQ5c702PBJ8:7QRV4nRky60:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mQ5c702PBJ8:7QRV4nRky60:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mQ5c702PBJ8:7QRV4nRky60:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mQ5c702PBJ8:7QRV4nRky60:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mQ5c702PBJ8:7QRV4nRky60:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mQ5c702PBJ8:7QRV4nRky60:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>DigitalDarkroom</category>
 <link>http://www.karinlauphoto.com/digital-darkroom/variangle-prism-system.html</link>
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 <media:description type="html">Image sensor Vertical slider</media:description>
 <pubDate>Wed, 15 Feb 2012 12:31:57 GMT</pubDate>
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 <title>Using Adep To Maximize Depth Of Field Canon EOS Rebel T2i 550D</title>
 <description>As discussed in Chapter 4, A-DEP is what I would refer to as an advanced automatic mode. The camera evaluates the distance of objects in the viewfinder and then determines the proper aperture setting to render everything in focus. It is automatic because it requires no input from the camera operator, but it is advanced because it is not just trying to select the maximum aperture as with the Landscape mode in the Basic zone. Take a look at Figure 7.3 and let's see what A-DEP is thinking. There...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/using-adep-to-maximize-depth-of-field.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/images/2274_152_174.jpg" style="width: 359pt; height: 236pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=n48TielWrUY:UP6nPD-F9Fg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=n48TielWrUY:UP6nPD-F9Fg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=n48TielWrUY:UP6nPD-F9Fg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=n48TielWrUY:UP6nPD-F9Fg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=n48TielWrUY:UP6nPD-F9Fg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=n48TielWrUY:UP6nPD-F9Fg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/using-adep-to-maximize-depth-of-field.html</link>
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 <pubDate>Wed, 15 Feb 2012 09:51:38 GMT</pubDate>
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 <title>Further Reading Bme HistoryPhotography</title>
 <description>Busselle, Rebecca. ''A Defining Reality The Photographs of Nancy Burson,'' Aperture, No. 136, Summer 1994 . Burson, Nancy. Faces. Santa Fe, NM Twin Palm Publishers, 1993. Featherstone, David. The Diana Show Pictures Through a Plastic Lens. Carmel, California Friends of Photography, 1980. Greene, Jonathan, ed. ''The Snapshot.'' Aperture 19 1, Millerton, NY Aperture, 1974. Malcolm, Janet. Diana amp Nikon. Boston David R. Godine, Publisher, Inc., 1980. Rexroth, Nancy. Iowa. Albany, Ohio Violet...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oeYIL4lP0Ag:QXEUTSP6PpY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oeYIL4lP0Ag:QXEUTSP6PpY:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=oeYIL4lP0Ag:QXEUTSP6PpY:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oeYIL4lP0Ag:QXEUTSP6PpY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=oeYIL4lP0Ag:QXEUTSP6PpY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oeYIL4lP0Ag:QXEUTSP6PpY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/further-reading-bme.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/further-reading-bme.html</guid>
 <pubDate>Sat, 11 Feb 2012 00:50:09 GMT</pubDate>
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 <title>by Peter Rowlands AperturePriority</title>
 <description>The Nikon D200 looks set to become the most popular DSLR to be used underwater and it is no surprise that all the major housing manufacturers are gearing up to produce housings. Subal were one of the first past the post and UwP was sent their ND20 to review by their UK agent Ocean Optics. As a self confessed Subal fan, initial impressions are that, once again, Austrian designer Arnold Stepanek has excelled himself. The subtlety of design and form produced by machining a solid block of aluminium...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/aperture-priority/by-peter-rowlands.html"&gt;&lt;img src="http://www.karinlauphoto.com/aperture-priority/images/2532_44_53.jpg" style="width: 367pt; height: 185pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=94CbHwTgxA8:augAF9BCKYM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=94CbHwTgxA8:augAF9BCKYM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=94CbHwTgxA8:augAF9BCKYM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=94CbHwTgxA8:augAF9BCKYM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=94CbHwTgxA8:augAF9BCKYM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=94CbHwTgxA8:augAF9BCKYM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AperturePriority</category>
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 <pubDate>Fri, 10 Feb 2012 20:54:44 GMT</pubDate>
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 <title>Attaching Suspendable Mounts to a Platform AerialPhotography</title>
 <description>Suspendable camera mounts are connected to the platform via lines or poles that are free to swing, pivot, or flex, so that the camera is removed to some extent from erratic motions and vibrations of the lifting platform. Ideally the mounting system should hang in a stable, level position. Two different solutions are the pendulum and Picavet suspensions. Both may be combined with a cable-car system in kite aerial photography, or directly attached to a kite line or to a balloon or blimp envelope....&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/aerial-photography/attaching-suspendable-mounts-to-a-platform.html"&gt;&lt;img src="http://www.karinlauphoto.com/aerial-photography/images/2464_76_133.jpg" style="width: 236pt; height: 202pt;" title="FIGURE pendulum suspension system for kites with camera sledge made from aluminum Sledge wheels made from ceramics aluminum pendulum staff connected hard plastic block break electrical conductivity between kite line and camera rig"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=wgS1lXEUn4E:jahD8M1YMdg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=wgS1lXEUn4E:jahD8M1YMdg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=wgS1lXEUn4E:jahD8M1YMdg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=wgS1lXEUn4E:jahD8M1YMdg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=wgS1lXEUn4E:jahD8M1YMdg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=wgS1lXEUn4E:jahD8M1YMdg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AerialPhotography</category>
 <link>http://www.karinlauphoto.com/aerial-photography/attaching-suspendable-mounts-to-a-platform.html</link>
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 <media:title />
 <media:description type="html">FIGURE pendulum suspension system for kites with camera sledge made from aluminum Sledge wheels made from ceramics aluminum pendulum staff connected hard plastic block break electrical conductivity between kite line and camera rig</media:description>
 <pubDate>Fri, 10 Feb 2012 20:42:59 GMT</pubDate>
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 <title>The Tricks To Shooting Sports And More Canon EOS Rebel T2i 550D</title>
 <description>Now that you have learned about the Creative zone, it's time to put your newfound knowledge to good use. Whether you are shooting the action at a professional sporting event or a child on a merry-go-round, you'll learn techniques that will help you bring out the best in your photography when your subject is in motion. The number one thing to know when trying to capture a moving target is that speed is king I'm not talking about how fast your subject is moving, but rather how fast your shutter...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/the-tricks-to-shooting-sports-and-more.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/images/2274_90_105.jpg" style="width: 367pt; height: 362pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ClhZ6K5XERY:wr0SHY-yRms:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ClhZ6K5XERY:wr0SHY-yRms:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ClhZ6K5XERY:wr0SHY-yRms:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ClhZ6K5XERY:wr0SHY-yRms:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ClhZ6K5XERY:wr0SHY-yRms:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ClhZ6K5XERY:wr0SHY-yRms:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Fri, 10 Feb 2012 20:01:56 GMT</pubDate>
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 <title>We Now Stock The Complete Line Of Kokonor Filters FlashMemory</title>
 <description>They say a picture is worth a thousand words, but a great image can say it in one, Filterhause, a leading supplier of camera lens filters features a wide selection of the finest available. Hoys, Kenko, and Heliopan jJst to name a few. All at wholesale prices, and all designed to help you spdakthe language you know best, SAME OAV SHIPPING AND FREE END DAY AIR UPGHAOE FOR ALL ORDERS OVEH S50.00 PHIOR TO SHIPPING COST , We purchase millions of dollars in camera gear every year from professional...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/flash-memory/we-now-stock-the-complete-line-of-kokonor-filters.html"&gt;&lt;img src="http://www.karinlauphoto.com/flash-memory/images/2441_89_156.jpg" style="width: 238pt; height: 121pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vbh3VQR5YAc:oRUJ_IEajWA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vbh3VQR5YAc:oRUJ_IEajWA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=vbh3VQR5YAc:oRUJ_IEajWA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vbh3VQR5YAc:oRUJ_IEajWA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=vbh3VQR5YAc:oRUJ_IEajWA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=vbh3VQR5YAc:oRUJ_IEajWA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Fri, 10 Feb 2012 19:01:52 GMT</pubDate>
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 <title>Cumulative Curves ColorSpace</title>
 <description>The effects of the Point Curve and Parametric Curve are cumulative. If contrast adjustments are applied to both windows , each setting will be applied to the image when it is rendered as a gamma-corrected TIFF or JPEG file. Figure 4.39 I've added colored overlays here to differentiate the four slider regions you define in the Parametric Curve. Yellow indicates the Shadows, green shows the Darks, cyan identifies the Lights, and magenta defines the Highlights. At right, you can see I have...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/color-space/cumulative-curves.html"&gt;&lt;img src="http://www.karinlauphoto.com/color-space/images/2353_116_148.jpg" style="width: 92pt; height: 151pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=d9eWWMPGgyg:ghZjXaE_9n4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=d9eWWMPGgyg:ghZjXaE_9n4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=d9eWWMPGgyg:ghZjXaE_9n4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=d9eWWMPGgyg:ghZjXaE_9n4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=d9eWWMPGgyg:ghZjXaE_9n4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=d9eWWMPGgyg:ghZjXaE_9n4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ColorSpace</category>
 <link>http://www.karinlauphoto.com/color-space/cumulative-curves.html</link>
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 <pubDate>Fri, 10 Feb 2012 17:03:05 GMT</pubDate>
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 <title>Making And Placing Bubbles FoodStyling</title>
 <description>Immediately after they've been poured into a glass, many beverages naturally have bubbles on the surface of the liquid. The appearance of bubbles gives a freshly poured and a more interesting appearance. Bubbles on the surface of a photo drink can be made by using some of the hero liquid plus a clear liquid dish or hand detergent. Using clear dish detergent to make the bubbles will keep the bubbles looking more natural. To make and place bubbles, use a plastic dropper. Put about 1 4 cup of the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/food-styling/making-and-placing-bubbles.html"&gt;&lt;img src="http://www.karinlauphoto.com/food-styling/images/2321_21_34.jpg" style="width: 264pt; height: 411pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=354AgtzZX8k:b5ozmu1r7QI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=354AgtzZX8k:b5ozmu1r7QI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=354AgtzZX8k:b5ozmu1r7QI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=354AgtzZX8k:b5ozmu1r7QI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=354AgtzZX8k:b5ozmu1r7QI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=354AgtzZX8k:b5ozmu1r7QI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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 <category>FoodStyling</category>
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 <pubDate>Fri, 10 Feb 2012 16:36:24 GMT</pubDate>
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 <title>Kener Underwater Days SingleStrobe</title>
 <description>International Kemer Underwater Days IKUD is a week of activities organized jointly by the Center for Mediterranean Underwater Archeological Research AASAM www.aasam.net and the Foundation for the Promotion of Kemer KETAV www.ketav.org , whose goal is to introduce to the world the natural and the archeological beauties of the deep waters of Kemer - Antalya Turkey in the Mediterranean. This activity is a member of EUIFA and the partner of UNEP MAP - Info RAC. International Kemer Underwater Days...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hK8KBiqburE:cpQNbqjX8iU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hK8KBiqburE:cpQNbqjX8iU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hK8KBiqburE:cpQNbqjX8iU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hK8KBiqburE:cpQNbqjX8iU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hK8KBiqburE:cpQNbqjX8iU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hK8KBiqburE:cpQNbqjX8iU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Fri, 10 Feb 2012 15:03:00 GMT</pubDate>
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 <title>Determining Print Permanence DigitalPrinting</title>
 <description>Although substantial improvements in ink and paper manufacturing plus the knowledge gained from controlled testing have brought us to a point where some digital prints can now potentially outlast their traditional counterparts, the issue of image stability and print life remains a contentious one. Anyone who's concerned about print permanence must grapple with two simple questions 2. How do I know if a print will actually last that long Several years ago, I innocently asked a well-known...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=H_N7m9FevrA:729sP0aqVj0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=H_N7m9FevrA:729sP0aqVj0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=H_N7m9FevrA:729sP0aqVj0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=H_N7m9FevrA:729sP0aqVj0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=H_N7m9FevrA:729sP0aqVj0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=H_N7m9FevrA:729sP0aqVj0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Fri, 10 Feb 2012 14:43:14 GMT</pubDate>
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 <title>Fujifilm Finepix S2800 Hd Fujifilm S2000 Hd MeteringModes</title>
 <description>Effective Pixels LCD Sensor Focal length Sensitivity Exposure Modes 14.0 million pixels 1 2.3-inch CCD 28 - 504mm equiv. Auto ISO 64 - 6400 Programmed AE, Shutter Priority AE, Apeture Priority AE, Manual Natural Light, Natural Light amp with Flash, Zoom Bracketing, Smile 1 2 -1 1500 sec. 3.0-inch, Approx. 230,000 dols SD SDHC memory card 341 gms Effective pixels CCD sensor Storage media &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/metering-modes/fujifilm-finepix-s2800-hd-fujifilm-s2000-hd.html"&gt;&lt;img src="http://www.karinlauphoto.com/metering-modes/images/2465_119_297.jpg" style="width: 50pt; height: 42pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FE_6d0CY8WE:wa8iFzxCzoA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FE_6d0CY8WE:wa8iFzxCzoA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=FE_6d0CY8WE:wa8iFzxCzoA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FE_6d0CY8WE:wa8iFzxCzoA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=FE_6d0CY8WE:wa8iFzxCzoA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FE_6d0CY8WE:wa8iFzxCzoA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Fri, 10 Feb 2012 11:16:27 GMT</pubDate>
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 <title>Apple and the Gamma 18 Mystery ColorSpace</title>
 <description>Why did Apple choose a gamma of 1.8 for its graphics rendering Common wisdom has it that this gamma was a closer match to the output of its LaserWriter printers. Remember those This fudge was an early attempt to match the monitor to the print, without benefit of soft proofing and other color management tools. Photoshop also includes dot gain settings of 10, 20, 25, 30, and 35 percent as working space options. Once again, this was an attempt to simulate the behavior of an output device in this...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/color-space/apple-and-the-gamma-18-mystery.html"&gt;&lt;img src="http://www.karinlauphoto.com/color-space/images/2353_83_96.jpg" style="width: 113pt; height: 81pt;" title="[ [ DihowCUppiog Curve iplay Option "/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ZkjNe3XlEL8:7CxKrcQCYwk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ZkjNe3XlEL8:7CxKrcQCYwk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ZkjNe3XlEL8:7CxKrcQCYwk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ZkjNe3XlEL8:7CxKrcQCYwk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ZkjNe3XlEL8:7CxKrcQCYwk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ZkjNe3XlEL8:7CxKrcQCYwk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ColorSpace</category>
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 <media:description type="html">[ [ DihowCUppiog Curve iplay Option </media:description>
 <pubDate>Fri, 10 Feb 2012 10:39:44 GMT</pubDate>
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