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    <title>Karin Lau Photography</title>
    <link>http://www.karinlauphoto.com</link>
    <language>en-en</language>
    <pubDate>Sat, 19 May 2012 15:58:43 GMT</pubDate>

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 <title>Start Looking UnderwaterPhotography</title>
 <description>Look for an overhang or reef wall where it starts to drop away. You have a good chance of placing two fingers on a non-living part of the reef, holding steady and approaching a subject from below or at eye level. From this angle, you have a great opportunity to eliminate a cluttered background. Shoot a bottom dweller whilst it is resting on plain sand instead of rocks and boulders. It's easier for you and will make a better picture. A great tip from the late great Jim Church is to shoot the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/underwater-photography/start-looking.html"&gt;&lt;img src="http://www.karinlauphoto.com/underwater-photography/images/2494_154_174.jpg" style="width: 367pt; height: 248pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gNWtO4Ea9fQ:28vqYrXTepw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gNWtO4Ea9fQ:28vqYrXTepw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=gNWtO4Ea9fQ:28vqYrXTepw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gNWtO4Ea9fQ:28vqYrXTepw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=gNWtO4Ea9fQ:28vqYrXTepw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=gNWtO4Ea9fQ:28vqYrXTepw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>UnderwaterPhotography</category>
 <link>http://www.karinlauphoto.com/underwater-photography/start-looking.html</link>
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 <pubDate>Sat, 19 May 2012 15:58:43 GMT</pubDate>
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 <title>Walkers Key bull shark experience WhiteShark</title>
 <description>Over the past thirty one years I have swam with sharks all over the world but none of these experiences could prepare me for what I found at Walkers Cay in the Bahamas. It was a cold February morning when a select group of divers left for Walkers where we would be joined by the respected British shark expert Jeremy Stafford-Deitsch. The idea behind this trip dreamed up by Jeremy and the tour operator Divequest was to introduce a limited number of divers to these creatures under a supervised...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/white-shark/walkers-key-bull-shark-experience.html"&gt;&lt;img src="http://www.karinlauphoto.com/white-shark/images/2505_7_62.jpg" style="width: 367pt; height: 486pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dTBjl1UL5zE:Gn2HYlQCA1s:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dTBjl1UL5zE:Gn2HYlQCA1s:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dTBjl1UL5zE:Gn2HYlQCA1s:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dTBjl1UL5zE:Gn2HYlQCA1s:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dTBjl1UL5zE:Gn2HYlQCA1s:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dTBjl1UL5zE:Gn2HYlQCA1s:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>WhiteShark</category>
 <link>http://www.karinlauphoto.com/white-shark/walkers-key-bull-shark-experience.html</link>
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 <pubDate>Sat, 19 May 2012 11:06:33 GMT</pubDate>
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 <title>French Jem HistoryPhotography</title>
 <description>Born in 1901 in Mihald, Andre Steiner chose exile after the end of World War I and the proclamation of the Republic of Hungary and at the age of 17 established himself in Vienna, Austria. During his stay in Vienna between 1918 and 1928, Steiner received a diploma in electrical engineering at the Technische Hochschule, where he became the assistant of Josef Maria Eder, the author of Geschichte der Photographie History of Photography , a landmark in photographic literature. It is almost certainly...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Pt6bWcQGTSE:Q9mMfttLL0M:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Pt6bWcQGTSE:Q9mMfttLL0M:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Pt6bWcQGTSE:Q9mMfttLL0M:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Pt6bWcQGTSE:Q9mMfttLL0M:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Pt6bWcQGTSE:Q9mMfttLL0M:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Pt6bWcQGTSE:Q9mMfttLL0M:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/french-jem.html</link>
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 <pubDate>Fri, 18 May 2012 07:54:15 GMT</pubDate>
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 <title>American born in Germany HistoryPhotography</title>
 <description>The reputation of Walter Peterhans, a former Bauhaus instructor, has long been secondary to that of what are considered the main representatives of modern photography, those who practiced during the medium's formative growth in Europe during the 1920s. This is due, in part, to the fragmentary way his photographic works were made known to the public, and in part because he dedicated himself more to his teaching than to his own art. Because of his profound influence as a teacher on students in...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mQCejnDqS7U:ME_eE3aean8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mQCejnDqS7U:ME_eE3aean8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mQCejnDqS7U:ME_eE3aean8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mQCejnDqS7U:ME_eE3aean8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mQCejnDqS7U:ME_eE3aean8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mQCejnDqS7U:ME_eE3aean8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/american-born-in-germany.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/american-born-in-germany.html</guid>
 <pubDate>Thu, 17 May 2012 13:19:53 GMT</pubDate>
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 <title>Cleaning AngleFinder</title>
 <description>Sensor Loupe 7X led 54.95 ZEEion Antl static Btawt 37.95 SL700 Arctic Butterfy 52.95 Cleaning Solution 7 5mi 15.99 Cleaning VSwabs 12 29.99 EZ Kit 1m lt Solution. 4 Swatw 14.99 Kenair Master Kit Kenair Spare Aerosol LensPen Original Spudz 6x6 inch Spudz 10x10 inch Kood Hurricane Blower 15.99 9.99 9.99 4.99 6.99 3.99 Coated to reduce Ions flare and reflections. U amp e lt 5 both to protect the lens of your camera, and to aosorb atravoet rays that can cause photos to appear hazy. These remove...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/angle-finder/cleaning.html"&gt;&lt;img src="http://www.karinlauphoto.com/angle-finder/images/2253_177_685.jpg" style="width: 138pt; height: 108pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5dbP7qHh71M:6wjVLdiCRWg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5dbP7qHh71M:6wjVLdiCRWg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5dbP7qHh71M:6wjVLdiCRWg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5dbP7qHh71M:6wjVLdiCRWg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5dbP7qHh71M:6wjVLdiCRWg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5dbP7qHh71M:6wjVLdiCRWg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AngleFinder</category>
 <link>http://www.karinlauphoto.com/angle-finder/cleaning.html</link>
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 <pubDate>Wed, 16 May 2012 09:22:45 GMT</pubDate>
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 <title>A Few Words About External Flash Canon 7D</title>
 <description>The built-in pop-up flash on the 7D is a nice addition to the camera and, as you've learned in this chapter, it can be useful, but as far as quality of light goes, it's average. I don't use this flash very frequently in my photography since I find that there are other, more flattering ways to light my subjects. Many professional photographers use an external flash, or Speedlite, in their photography when they need an additional and portable light source Figure 7.10 . Speedlites are extremely...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-7d/a-few-words-about-external-flash.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-7d/images/2272_122_223.jpg" style="width: 360pt; height: 240pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6iuQMTkODno:4LU0llmYj3g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6iuQMTkODno:4LU0llmYj3g:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6iuQMTkODno:4LU0llmYj3g:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6iuQMTkODno:4LU0llmYj3g:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6iuQMTkODno:4LU0llmYj3g:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6iuQMTkODno:4LU0llmYj3g:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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 <link>http://www.karinlauphoto.com/canon-7d/a-few-words-about-external-flash.html</link>
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 <pubDate>Wed, 16 May 2012 09:07:12 GMT</pubDate>
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 <title>The Whole Sandwich FoodStyling</title>
 <description>Techniques for building a whole sandwich are similar to the techniques used to build a burger. However, creating a hero sandwich can be a little more forgiving than building a burger simply because there are often more elements present in a sandwich. The various sandwich elements allow for manipulation to create visual interest. This is especially true when thin deli meats are used in combination with specific techniques to build a sandwich. The meat edges, as shown in our hero shot, can be...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/food-styling/the-whole-sandwich.html"&gt;&lt;img src="http://www.karinlauphoto.com/food-styling/images/2321_33_99.jpg" style="width: 367pt; height: 301pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8h163GHzvDM:qqEENQXqKx0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8h163GHzvDM:qqEENQXqKx0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8h163GHzvDM:qqEENQXqKx0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8h163GHzvDM:qqEENQXqKx0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8h163GHzvDM:qqEENQXqKx0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8h163GHzvDM:qqEENQXqKx0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FoodStyling</category>
 <link>http://www.karinlauphoto.com/food-styling/the-whole-sandwich.html</link>
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 <pubDate>Wed, 16 May 2012 02:54:46 GMT</pubDate>
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 <title>Showing Some Depth of Field ShutterSpeed</title>
 <description>One way to become a more artful photographer is to learn how to control depth of field, which refers to the distance over which sharp focus is maintained. With short, or shallow depth of field, only objects close to the subject are sharp, as in the left image in Figure 6-6. This treatment is perfect for portraits because it prevents the background from drawing attention away from the subject. Figure 6-6 Shallow depth of field is ideal for portraits left landscapes benefit from a longer zone of...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/shutter-speed/showing-some-depth-of-field.html"&gt;&lt;img src="http://www.karinlauphoto.com/shutter-speed/images/2301_90_138.jpg" style="width: 38pt; height: 47pt;" title="Figure Changing the aperture one way adjust depth field"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=l1iFZ8O4GKs:8EczojdXo44:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=l1iFZ8O4GKs:8EczojdXo44:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=l1iFZ8O4GKs:8EczojdXo44:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=l1iFZ8O4GKs:8EczojdXo44:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=l1iFZ8O4GKs:8EczojdXo44:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=l1iFZ8O4GKs:8EczojdXo44:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ShutterSpeed</category>
 <link>http://www.karinlauphoto.com/shutter-speed/showing-some-depth-of-field.html</link>
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 <media:description type="html">Figure Changing the aperture one way adjust depth field</media:description>
 <pubDate>Tue, 15 May 2012 14:27:11 GMT</pubDate>
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 <title>Info Aor SceneCleaner</title>
 <description>Earth C plorer Backpack Large 194.90 Earth Explorer Backpack Medium 109.90 Earth Explorer Backpack Small 93.90 Earth Explorer Shoulder urge Earth Explorer Shoulder Medium Earth Explorer Shoulder Midi Earth Explorer Shoulder Small Earth Explorer Pouch MedHjm Earth Explorer Pouch Small Earth Explorer Pouch Mini 190X8 Tripod W 0S6 Head 109.99 &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/scene-cleaner/info-aor.html"&gt;&lt;img src="http://www.karinlauphoto.com/scene-cleaner/images/2227_35_133.jpg" style="width: 367pt; height: 157pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=rYqqtXCNMLU:8pXC9uaGmaU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=rYqqtXCNMLU:8pXC9uaGmaU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=rYqqtXCNMLU:8pXC9uaGmaU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=rYqqtXCNMLU:8pXC9uaGmaU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=rYqqtXCNMLU:8pXC9uaGmaU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=rYqqtXCNMLU:8pXC9uaGmaU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SceneCleaner</category>
 <link>http://www.karinlauphoto.com/scene-cleaner/info-aor.html</link>
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 <pubDate>Tue, 15 May 2012 02:48:47 GMT</pubDate>
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 <title>Soft Light or Hard Light StillLife</title>
 <description>Light can be hard or soft. This is easy to judge based on the quality of the shadows and the quality of the highlights the light source creates. A soft light source creates open light , soft-edged shadows or shadows with no discernable edges at all and large, diffuse highlights on subjects. A hard light source creates deeper, darker shadows with well-defined edges and small, sparkly highlights on subjects. Out in nature, soft light is created when the sun is obscured by clouds or fog. The...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/still-life/soft-light-or-hard-light.html"&gt;&lt;img src="http://www.karinlauphoto.com/still-life/images/2362_18_34.jpg" style="width: 367pt; height: 163pt;" title="left think easier see the effect hard soft light with inanimate objects like favorite chair This hard light right This what soft light looks like"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-kOwkdJ69UY:xxG5EMF-L3w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-kOwkdJ69UY:xxG5EMF-L3w:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=-kOwkdJ69UY:xxG5EMF-L3w:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-kOwkdJ69UY:xxG5EMF-L3w:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=-kOwkdJ69UY:xxG5EMF-L3w:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-kOwkdJ69UY:xxG5EMF-L3w:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>StillLife</category>
 <link>http://www.karinlauphoto.com/still-life/soft-light-or-hard-light.html</link>
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 <media:title />
 <media:description type="html">left think easier see the effect hard soft light with inanimate objects like favorite chair This hard light right This what soft light looks like</media:description>
 <pubDate>Mon, 14 May 2012 20:57:56 GMT</pubDate>
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 <title>References Jps ImageProcessing</title>
 <description>1. R. M. Haralick and L. G. Shapiro, Image Segmentation Techniques, Computer Vision, Graphics and lmage Processing, 29, 1, January 1985, 100-132. 2. E. M. Riseman and M. A. Arbib, Computational Techniques in the Visual Segmentation of Static Scenes, Computer Graphics and Image Processing, 6, 3, June 1977, 221-276. 3. J. S. Weska, A Survey of Threshold Selection Techniques, Computer Graphics and Image Processing, 7, 2, April 1978, 259-265. FIGURE 17.6-4. Chain coding contour coding. FIGURE...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/image-processing/references-jps.html"&gt;&lt;img src="http://www.karinlauphoto.com/image-processing/images/2398_352_424.jpg" style="width: 169pt; height: 296pt;" title="FIGURE Chain coding contour coding"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=UaXTn9EmMEM:qwm-UpYzs64:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=UaXTn9EmMEM:qwm-UpYzs64:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=UaXTn9EmMEM:qwm-UpYzs64:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=UaXTn9EmMEM:qwm-UpYzs64:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=UaXTn9EmMEM:qwm-UpYzs64:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=UaXTn9EmMEM:qwm-UpYzs64:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ImageProcessing</category>
 <link>http://www.karinlauphoto.com/image-processing/references-jps.html</link>
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 <media:title />
 <media:description type="html">FIGURE Chain coding contour coding</media:description>
 <pubDate>Mon, 14 May 2012 15:15:29 GMT</pubDate>
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 <title>The Job Bhc GraphicDesigners</title>
 <description>Conservation professionals generally choose to specialize in one area of work that is defined by medium, such as in the preservation of photographic materials, books and paper, architecture, objects, paintings, textiles, or wooden artifacts. Common conservation issues associated with photographs, for example, include torn, bent, or cracked photos deteriorated or soiled negatives photographs or negatives that are adhered to enclosures and damage to materials found in photographic media such as...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=p9CYLdlBNJg:lyDxMuxVcKc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=p9CYLdlBNJg:lyDxMuxVcKc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=p9CYLdlBNJg:lyDxMuxVcKc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=p9CYLdlBNJg:lyDxMuxVcKc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=p9CYLdlBNJg:lyDxMuxVcKc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=p9CYLdlBNJg:lyDxMuxVcKc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GraphicDesigners</category>
 <link>http://www.karinlauphoto.com/graphic-designers/the-job-bhc.html</link>
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 <pubDate>Mon, 14 May 2012 10:55:21 GMT</pubDate>
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 <title>Umbrellas StillLife</title>
 <description>I own umbrellas, which are essentially concave reflectors, in just about every size from around 32 inches up to 80 inches. There are a number of reasons to love umbrellas. First, they are relatively cheap. Second, the light they produce is as soft as that from softboxes of the same size. Third, they are very quick and easy This photo of Hayes is right in line with my style for certain editorial portrait clients. I use a large softbox or umbrella to the left of the camera, then add a...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/still-life/umbrellas.html"&gt;&lt;img src="http://www.karinlauphoto.com/still-life/images/2362_37_95.jpg" style="width: 355pt; height: 241pt;" title=" large white sweep background requires four lights guarantee even light coverage Umbrellas with black backing work best since they don spill light forward onto our subjects This shoot will covered greater detail pages 113 "/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=eROeK5bg5gs:yNdJL9sB83s:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=eROeK5bg5gs:yNdJL9sB83s:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=eROeK5bg5gs:yNdJL9sB83s:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=eROeK5bg5gs:yNdJL9sB83s:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=eROeK5bg5gs:yNdJL9sB83s:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=eROeK5bg5gs:yNdJL9sB83s:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>StillLife</category>
 <link>http://www.karinlauphoto.com/still-life/umbrellas.html</link>
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 <media:title />
 <media:description type="html"> large white sweep background requires four lights guarantee even light coverage Umbrellas with black backing work best since they don spill light forward onto our subjects This shoot will covered greater detail pages 113 </media:description>
 <pubDate>Mon, 14 May 2012 07:03:30 GMT</pubDate>
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 <title>Nikon D5000 Noise Reduction 3</title>
 <description>rv 7 An adjustable LCD and movie recording make the D5000 a strong competitor f u1 No video recording,, but the G1 s body is smaller than the A380. and the high-resolution LCD is a plus RAW AND JPEG camera's capable of capturing good detail, this isn't always reflected in the - quality of its JPEGs.The above crops show the highest quality JPEG file straight from the camera, the Raw file before processing, and the Raw file after it has Been sharpened. Carl Zeiss DT16-80 f 3.5-4.5 SAL, 16mm, f...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/noise-reduction-3/nikon-d5000.html"&gt;&lt;img src="http://www.karinlauphoto.com/noise-reduction-3/images/2561_109_139.jpg" style="width: 343pt; height: 308pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=W0tyCMF9X94:_HVE2H_jwnM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=W0tyCMF9X94:_HVE2H_jwnM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=W0tyCMF9X94:_HVE2H_jwnM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=W0tyCMF9X94:_HVE2H_jwnM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=W0tyCMF9X94:_HVE2H_jwnM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=W0tyCMF9X94:_HVE2H_jwnM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Sun, 13 May 2012 23:12:10 GMT</pubDate>
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 <title>r rrr r aine when you add bump HeadModel</title>
 <description>ca vot-t K tf ve w terpte i c c e o i y out t - fi n 5 an t'Hi -ifl bef n tr 'ace ear arte c I imhAJ cai tfw angle done V you reaSy am lo tafce your bold maps me distance, try searctanp j gt for i.cC 'ciCi f.epr lt lt 4o irr r s - gt o coud Vvtto 4 o Save o.r nz't.i ma s because t gt a tfi -i.H to co or Are cnec i ces . 'ha ef s to fa Mor a i ir e socefc er ste s off to re na - ar st gt c ear shaken &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/head-model/r-rrr-r-aine-when-you-add-bump.html"&gt;&lt;img src="http://www.karinlauphoto.com/head-model/images/2209_46_326.jpg" style="width: 188pt; height: 182pt;" title="ESSENCE The face"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IuEeAaUXJow:8GOZKJtWjfc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IuEeAaUXJow:8GOZKJtWjfc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=IuEeAaUXJow:8GOZKJtWjfc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IuEeAaUXJow:8GOZKJtWjfc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=IuEeAaUXJow:8GOZKJtWjfc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IuEeAaUXJow:8GOZKJtWjfc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HeadModel</category>
 <link>http://www.karinlauphoto.com/head-model/r-rrr-r-aine-when-you-add-bump.html</link>
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 <media:title />
 <media:description type="html">ESSENCE The face</media:description>
 <pubDate>Sat, 12 May 2012 06:38:31 GMT</pubDate>
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 <title>Classic Black And White Portraits Canon EOS Rebel T2i 550D</title>
 <description>There is something timeless about a black and white portrait. It eliminates the distraction of color and puts all the emphasis on the subject. To get great black and whites without having to resort to any image-processing software, set your picture style to Monochrome Figure 6.10 . You should know that the picture styles are automatically applied when shooting with the JPEG file format. If you are shooting in RAW, the picture that shows up on your rear LCD display will look black and white, but...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/classic-black-and-white-portraits.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/images/2274_126_142.jpg" style="width: 367pt; height: 201pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=107GNJttMiE:wTfSfALII34:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=107GNJttMiE:wTfSfALII34:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=107GNJttMiE:wTfSfALII34:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=107GNJttMiE:wTfSfALII34:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=107GNJttMiE:wTfSfALII34:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=107GNJttMiE:wTfSfALII34:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <media:title />
 <media:description type="html" />
 <pubDate>Sat, 12 May 2012 01:25:34 GMT</pubDate>
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 <title>The Job 1 GraphicDesigners</title>
 <description>Art directors are responsible for all visual aspects of printed or on-screen projects. The art director oversees the process of developing visual solutions to a variety of communication problems. He or she helps to establish corporate identities advertises products and services enhances books, magazines, newsletters, and other publications and creates television commercials, film and video productions, and Web sites. Some art directors with experience or knowledge in specific fields specialize...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3zvC2E9dQsE:5sj1Tp2ENJ4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3zvC2E9dQsE:5sj1Tp2ENJ4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=3zvC2E9dQsE:5sj1Tp2ENJ4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3zvC2E9dQsE:5sj1Tp2ENJ4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=3zvC2E9dQsE:5sj1Tp2ENJ4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=3zvC2E9dQsE:5sj1Tp2ENJ4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GraphicDesigners</category>
 <link>http://www.karinlauphoto.com/graphic-designers/the-job-1.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/graphic-designers/the-job-1.html</guid>
 <pubDate>Thu, 10 May 2012 19:38:11 GMT</pubDate>
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 <title>American Eij HistoryPhotography</title>
 <description>For most of his career as an active photographer 1930-1967 , Clarence John Laughlin remained outside the mainstream of American photographic practice. Laughlin's first love was writing, and his interest in photography began with the notion that the images could add another layer of understanding to his words. Although the bulk of his work is straightforward black and white photography made with a 4 x 5-inch view camera, it is the relatively small number of pictures involving staged tableaux,...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/american-eij.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_750_138-clarence-john-laughlin-nude.jpg" style="width: 228pt; height: 301pt;" alt="Clarence John Laughlin Nude"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mLvpGdwcs4Y:wggtqOzAl4I:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mLvpGdwcs4Y:wggtqOzAl4I:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mLvpGdwcs4Y:wggtqOzAl4I:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mLvpGdwcs4Y:wggtqOzAl4I:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mLvpGdwcs4Y:wggtqOzAl4I:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mLvpGdwcs4Y:wggtqOzAl4I:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/american-eij.html</link>
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 <media:title>Clarence John Laughlin Nude</media:title>
 <media:description type="html" />
 <pubDate>Thu, 10 May 2012 05:53:33 GMT</pubDate>
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 <title>Shoulder Bags SigmaLens</title>
 <description>Righthand 15 Laptop bag 49 Bean Counter 17 Laptop bag . 49 BACKPACKS Pro Roller 1 149 Stealth Reporter 65AW. 29 65 Pro 69 70AW 49 70 Pro 79 75AW 49 75 Pro 89 Lons cases 1 14 1M, 1N. 1S each 13 1W, 2. 2Seach 16 Light Belt 18 Deluxe belt 11 29 Deluxe belt 13 29 Vest harness 35 Dt-amrar Cyborpack 6 . . 69 CAK.r oir,T,M gt Cyborpack 9 . . 69 Adventure Expedition 4 . . 79 Zoom 5 22 Expedition 5X 99 10 129 Expedition 6X 119 9 99 Expedition 7X 119 75 99 Expedition 8X 149 7 Camo 69 Pro 5 29 Pro12 99...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=KK1usaEJ_ow:jYJHYnh1UsE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=KK1usaEJ_ow:jYJHYnh1UsE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=KK1usaEJ_ow:jYJHYnh1UsE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=KK1usaEJ_ow:jYJHYnh1UsE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=KK1usaEJ_ow:jYJHYnh1UsE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=KK1usaEJ_ow:jYJHYnh1UsE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SigmaLens</category>
 <link>http://www.karinlauphoto.com/sigma-lens/shoulder-bags.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/sigma-lens/shoulder-bags.html</guid>
 <pubDate>Wed, 09 May 2012 23:38:29 GMT</pubDate>
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 <title>Night Photography NightPhotography</title>
 <description>2010 Lance Keimig. Published by Elsevier, Inc. All rights reserved. DOI 10.1016 B978-0-240-81258-8.00004-1 Most people are shooting with digital cameras these days, but there are still valid reasons to use film at night. Film provides high quality at a low cost, can produce very clean images there is no noise , and with film it is possible to make multi-hour exposures. Although each new generation of digital camera produces less noise in long exposures, it is still impractical to extend...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/night-photography/night-photography.html"&gt;&lt;img src="http://www.karinlauphoto.com/night-photography/images/2373_37_68.jpg" style="width: 367pt; height: 24pt;" title="Satoru imai quot impulse quot 2009"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fYgg6YjPCI0:9TMgD0M4yCo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fYgg6YjPCI0:9TMgD0M4yCo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=fYgg6YjPCI0:9TMgD0M4yCo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fYgg6YjPCI0:9TMgD0M4yCo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=fYgg6YjPCI0:9TMgD0M4yCo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=fYgg6YjPCI0:9TMgD0M4yCo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NightPhotography</category>
 <link>http://www.karinlauphoto.com/night-photography/night-photography.html</link>
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 <media:title />
 <media:description type="html">Satoru imai quot impulse quot 2009</media:description>
 <pubDate>Wed, 09 May 2012 14:13:31 GMT</pubDate>
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 <title>Keeping You In The Picture Aya AutoTopcor</title>
 <description>Free Delivery to UK Mainland on Cameras Printers Scanners Lenses I Cameras Flashguns Accessories Sigma DPI VF-11 Vlewfinder SD1S -14 Mags Pixel 0- SUt I v Sigma DP2 NfW 4 5-nm t 2.8 IX 0C 8n.m f 3.5 EX DG 20mm r 1.8 EX DG 24mm r 1.8 EX DG SOmm r 1.4 EX DG HSM SOmm 1 2.8 EX DG Mao 70mm f 2.8 EX DG M. 300mm f 2.8 APO fx 500mm f 4.5 APO Ex 10 20mmt 4 S.6EX0C Lenses I Cameras Flashguns Accessories 724.99 lSJOOmm f S.5-6.3 OC 288 99 719.99 18 300mm f 3.5-6.3 DC OS 299.99 C479.99 24.70mm 1 2 s fit OG...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/auto-topcor/keeping-you-in-the-picture-aya.html"&gt;&lt;img src="http://www.karinlauphoto.com/auto-topcor/images/2242_146_272.jpg" style="width: 133pt; height: 66pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ud1JIlTi6_Y:Y7VFDUNoMvg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ud1JIlTi6_Y:Y7VFDUNoMvg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ud1JIlTi6_Y:Y7VFDUNoMvg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ud1JIlTi6_Y:Y7VFDUNoMvg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ud1JIlTi6_Y:Y7VFDUNoMvg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ud1JIlTi6_Y:Y7VFDUNoMvg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AutoTopcor</category>
 <link>http://www.karinlauphoto.com/auto-topcor/keeping-you-in-the-picture-aya.html</link>
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 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 09 May 2012 09:44:41 GMT</pubDate>
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 <title>Nathan Welton Shoots The World With A Sigma Lens SigmaLens</title>
 <description>In a Colorado national park, the snow-covered dunes stand out against the deep blue sky. The striking contrast between the expansive sky, pristine dunes, and people passing through this landscape was captured by the Sigma 10-20mm F3.5 EX DC HSM lens. This super-wide angle zoom lens for digital SLR cameras has a maximum aperture of F3.5 throughout the entire zoom range and its super-wide angle enables breathtaking perspective and one-of-a-kind shots. ELD Extraordinary Low Dispersion glass, SLD...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=jC54JO9bAfs:9e6HqgBL-hs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=jC54JO9bAfs:9e6HqgBL-hs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=jC54JO9bAfs:9e6HqgBL-hs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=jC54JO9bAfs:9e6HqgBL-hs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=jC54JO9bAfs:9e6HqgBL-hs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=jC54JO9bAfs:9e6HqgBL-hs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SigmaLens</category>
 <link>http://www.karinlauphoto.com/sigma-lens/nathan-welton-shoots-the-world-with-a-sigma-lens.html</link>
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 <pubDate>Wed, 09 May 2012 07:59:23 GMT</pubDate>
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 <title>Artist Statement Cgj PortfolioPages</title>
 <description>We spend so much time in transit from here to there. This series is about the journey in-between. Our perception of the world is of things always being in motion, as if passing us by. My use of in-camera motion-induced blur reflects the experience of viewing the landscape in transit. Buddhists say the world is illusion. Modern physics tells us that material objects are mostly space. I'm interested in the way motion in a photograph can dematerialize objects we normally regard as solid. Here...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/portfolio-pages/artist-statement-cgj.html"&gt;&lt;img src="http://www.karinlauphoto.com/portfolio-pages/images/2487_62_211.jpg" style="width: 367pt; height: 487pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Tg4_BU8KbS4:fuRh9QoRKLs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Tg4_BU8KbS4:fuRh9QoRKLs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Tg4_BU8KbS4:fuRh9QoRKLs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Tg4_BU8KbS4:fuRh9QoRKLs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Tg4_BU8KbS4:fuRh9QoRKLs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Tg4_BU8KbS4:fuRh9QoRKLs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PortfolioPages</category>
 <link>http://www.karinlauphoto.com/portfolio-pages/artist-statement-cgj.html</link>
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 <media:title />
 <media:description type="html" />
 <pubDate>Tue, 08 May 2012 16:00:24 GMT</pubDate>
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 <title>Why Digital Macro Photography Is Cool ImageEditing</title>
 <description>Digital cameras and macro photography were made for each other. In many ways, digital cameras can be far superior to an ordinary film camera when it comes to taking close-up pictures. Consider these advantages Close-focusing lenses Digital camera lenses are ideal for focusing up close. Without getting too technical, macro photos are made with any camera by moving the lens farther and farther away from the film or sensor, in the case of a digital camera . Film cameras require moving the lens...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/image-editing/why-digital-macro-photography-is-cool.html"&gt;&lt;img src="http://www.karinlauphoto.com/image-editing/images/2322_241_172.jpg" style="width: 273pt; height: 245pt;" title="Figure LCD viewfinders make easy frame your close ups"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=otrWmxlH_kw:jvXVYyzxeek:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=otrWmxlH_kw:jvXVYyzxeek:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=otrWmxlH_kw:jvXVYyzxeek:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=otrWmxlH_kw:jvXVYyzxeek:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=otrWmxlH_kw:jvXVYyzxeek:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=otrWmxlH_kw:jvXVYyzxeek:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ImageEditing</category>
 <link>http://www.karinlauphoto.com/image-editing/why-digital-macro-photography-is-cool.html</link>
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 <media:title />
 <media:description type="html">Figure LCD viewfinders make easy frame your close ups</media:description>
 <pubDate>Sun, 06 May 2012 20:05:38 GMT</pubDate>
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 <title>German Sgl HistoryPhotography</title>
 <description>Joseph Beuys was not a photographer however, as a conceptual artist, he exploited the promotional capacity of photographs, using them to document his performances and disseminate his ideas, greatly influencing the development of photography in the 1970s as he influenced virtually every other area of contemporary art practice. Beuys infused his art with his persona, establishing his own image as the central icon in his oeuvre. To achieve this, Beuys consistently wore the same uniform felt hat,...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JPMxR6ChV1k:F4j9iyFGE5w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JPMxR6ChV1k:F4j9iyFGE5w:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=JPMxR6ChV1k:F4j9iyFGE5w:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JPMxR6ChV1k:F4j9iyFGE5w:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=JPMxR6ChV1k:F4j9iyFGE5w:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JPMxR6ChV1k:F4j9iyFGE5w:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/german-sgl.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/german-sgl.html</guid>
 <pubDate>Sun, 06 May 2012 20:01:27 GMT</pubDate>
</item>
<item>
 <title>Compound Lenses CompoundLens</title>
 <description>The focusing power of the lens, taking into account both surfaces, is characterized by the quantity 1 f. Now, suppose we have two thin lenses in contact as in Figure 7.3. What is the power of the combination This is an easy question that can be answered by combining the conjugate equations for the two lenses. First we introduce the labels 1 and 2 to obtain The image for the first lens falls to the right of the second lens and becomes its subject. Therefore, we can substitute -q1 for p2 in the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/compound-lens/compound-lenses.html"&gt;&lt;img src="http://www.karinlauphoto.com/compound-lens/images/2460_14_21-compound-lenses.jpg" style="width: 200pt; height: 101pt;" title="Image from lens and combined" alt="Compound Lenses"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=O1hTdfIlpj8:bBFSgCFxzjw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=O1hTdfIlpj8:bBFSgCFxzjw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=O1hTdfIlpj8:bBFSgCFxzjw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=O1hTdfIlpj8:bBFSgCFxzjw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=O1hTdfIlpj8:bBFSgCFxzjw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=O1hTdfIlpj8:bBFSgCFxzjw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CompoundLens</category>
 <link>http://www.karinlauphoto.com/compound-lens/compound-lenses.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/compound-lens/compound-lenses.html</guid>
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 <media:title>Compound Lenses</media:title>
 <media:description type="html">Image from lens and combined</media:description>
 <pubDate>Sun, 06 May 2012 15:39:13 GMT</pubDate>
</item>
<item>
 <title>Info Hao ImageProcessing</title>
 <description>cperiments axe in p ta compre ion tec formation is being c cperiments are in p ta compression tec formation is being c FIGURE 17.1-1. Luminance thresholding segmentation of typewritten text. FIGURE 17.1-1. Luminance thresholding segmentation of typewritten text. of the histogram. A solution to this problem is to fit the histogram values between the peaks with some analytic function and then obtain its minimum by differentiation. For example, let y and x represent the histogram ordinate and...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/image-processing/info-hao.html"&gt;&lt;img src="http://www.karinlauphoto.com/image-processing/images/2398_338_393.jpg" style="width: 305pt; height: 328pt;" title="FIGURE Multilevel luminance thresholding image segmentation the peppers mon image second level segmentation branch"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SVf-HmCqkqc:616-zMPngpc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SVf-HmCqkqc:616-zMPngpc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=SVf-HmCqkqc:616-zMPngpc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SVf-HmCqkqc:616-zMPngpc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=SVf-HmCqkqc:616-zMPngpc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=SVf-HmCqkqc:616-zMPngpc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ImageProcessing</category>
 <link>http://www.karinlauphoto.com/image-processing/info-hao.html</link>
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 <media:title />
 <media:description type="html">FIGURE Multilevel luminance thresholding image segmentation the peppers mon image second level segmentation branch</media:description>
 <pubDate>Sun, 06 May 2012 11:25:02 GMT</pubDate>
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 <title>montage HistoryPhotography</title>
 <description>Montage refers to a variety of related artistic techniques developed during the early part of the twentieth century in photography, film, literature, and the plastic arts, whereby parts of separate works are appropriated and juxtaposed to make a new artwork. Usually, the heterogeneity of the components is foregrounded by leaving visible the seams where the pieces were put together often too, a break in visual, temporal, or narrative continuity foregrounds the technique. The terms collage,...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/montage.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_883_170.jpg" style="width: 367pt; height: 463pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5dNXqksBCBQ:5EyDvGbVqEI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5dNXqksBCBQ:5EyDvGbVqEI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5dNXqksBCBQ:5EyDvGbVqEI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5dNXqksBCBQ:5EyDvGbVqEI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=5dNXqksBCBQ:5EyDvGbVqEI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=5dNXqksBCBQ:5EyDvGbVqEI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/montage.html</link>
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 <media:title />
 <media:description type="html" />
 <pubDate>Thu, 03 May 2012 10:23:44 GMT</pubDate>
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 <title>Timeless Simplicity PortraitPosing</title>
 <description>For more than twenty years, portrait photographer Tim Kelly has been recognized throughout the industry as a master printer, digital pioneer, and esteemed educator. At the heart of his acclaim, however, is an exceptional body of portrait work images that eschew gimmicks and special effects in favor of clean lines, subtle tones, and delicate simplicity. Melding classic lighting and composition with a contemporary sensibility, Tim's portraits have a quality that makes them almost timeless. When...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/portrait-posing/timeless-simplicity.html"&gt;&lt;img src="http://www.karinlauphoto.com/portrait-posing/images/2452_24_107.jpg" style="width: 367pt; height: 475pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-ds7Mcb0Fuo:i-1s-oKsj94:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-ds7Mcb0Fuo:i-1s-oKsj94:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=-ds7Mcb0Fuo:i-1s-oKsj94:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-ds7Mcb0Fuo:i-1s-oKsj94:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=-ds7Mcb0Fuo:i-1s-oKsj94:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-ds7Mcb0Fuo:i-1s-oKsj94:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PortraitPosing</category>
 <link>http://www.karinlauphoto.com/portrait-posing/timeless-simplicity.html</link>
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 <media:title />
 <media:description type="html" />
 <pubDate>Tue, 01 May 2012 21:39:21 GMT</pubDate>
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<item>
 <title>Essential Monitor Settings GIMP</title>
 <description>Every device scanner, monitor, printer has a slightly different color calibration. You can add a color profile to the image so that the color is consistent on all the devices and color shifts can be kept to a minimum. There are two possibilities to ensure a consistent color reproduction on all output equipment. Initially, it may be enough to select a suitable color profile for your monitor and to adjust it to GIMP or any other editing program . Should the printout still deviate from your screen...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IlzLEY0izZc:AqBO-pPRv0w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IlzLEY0izZc:AqBO-pPRv0w:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=IlzLEY0izZc:AqBO-pPRv0w:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IlzLEY0izZc:AqBO-pPRv0w:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=IlzLEY0izZc:AqBO-pPRv0w:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IlzLEY0izZc:AqBO-pPRv0w:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GIMP</category>
 <link>http://www.karinlauphoto.com/gimp/essential-monitor-settings.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/gimp/essential-monitor-settings.html</guid>
 <pubDate>Sun, 29 Apr 2012 15:11:01 GMT</pubDate>
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 <title>German Esn HistoryPhotography</title>
 <description>Unlike conceptual artists who radically denied the validity of the image, Gerz uses photography in order to redefine the status of representation in contemporary art and culture. For him, photography and text, through their many forms, are two inadequate, but complementary descriptive systems. As he put it What's happening when I am in front of an Ad Reinhardt monochrome I am constructing a text. What's happening when I am reading I am creating images as they were a part of my nature.'' Jochen...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mMTeBB8BvG8:1fShE_KbR2s:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mMTeBB8BvG8:1fShE_KbR2s:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mMTeBB8BvG8:1fShE_KbR2s:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mMTeBB8BvG8:1fShE_KbR2s:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mMTeBB8BvG8:1fShE_KbR2s:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mMTeBB8BvG8:1fShE_KbR2s:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/german-esn.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/german-esn.html</guid>
 <pubDate>Sun, 29 Apr 2012 12:40:44 GMT</pubDate>
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<item>
 <title>Oceain Leisure SubtronicMinis</title>
 <description>Cameras Underwater Ltd., Slade Rd,, Ottery Saint Mary, Devon EX11 1QH There are some things most ordinary people don't do straight after they've had a few rudimentary lessons on scuba diving. Underwater photography, for a start, is best left til you've mastered the subtle art of buoyancy and, for sure, getting in the water to photograph a 5 ton male elephant should be put off until you've at least completed the PADI Photographing 5 ton elephants speciality course. But then Steve Bloom could...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/subtronic-minis/oceain-leisure.html"&gt;&lt;img src="http://www.karinlauphoto.com/subtronic-minis/images/2535_13_62.jpg" style="width: 269pt; height: 343pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=m3Tphp5K8l4:ag4swZEIOro:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=m3Tphp5K8l4:ag4swZEIOro:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=m3Tphp5K8l4:ag4swZEIOro:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=m3Tphp5K8l4:ag4swZEIOro:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=m3Tphp5K8l4:ag4swZEIOro:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=m3Tphp5K8l4:ag4swZEIOro:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SubtronicMinis</category>
 <link>http://www.karinlauphoto.com/subtronic-minis/oceain-leisure.html</link>
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 <media:content url="http://www.karinlauphoto.com/subtronic-minis/images/2535_13_62.jpg" type="image/jpeg" height="480" width="377" />
 <media:title />
 <media:description type="html" />
 <pubDate>Sun, 29 Apr 2012 00:04:35 GMT</pubDate>
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 <title>Japanese Oqp HistoryPhotography</title>
 <description>Born in the port city of Osaka in 1951, Morimura grew up in the unfashionable heartland of Japan. The economic hub of the Kansai region of Japan, Osaka lacks the illustrious history of nearby Kyoto or the cosmopolitanism of neighboring Kobe. Despite this starting point, Morimura became one of the most provocative and cosmopolitan photographers of the late twentieth century. He is best known for taking photographs which copy icons of western culture but include his own face or body in the place...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/japanese-oqp.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_885_172.jpg" style="width: 367pt; height: 243pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Pyd57AiRrec:7TuzbDIFSUY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Pyd57AiRrec:7TuzbDIFSUY:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Pyd57AiRrec:7TuzbDIFSUY:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Pyd57AiRrec:7TuzbDIFSUY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Pyd57AiRrec:7TuzbDIFSUY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Pyd57AiRrec:7TuzbDIFSUY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/japanese-oqp.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/japanese-oqp.html</guid>
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 <media:description type="html" />
 <pubDate>Sat, 28 Apr 2012 16:36:13 GMT</pubDate>
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 <title>photography in russia and eastern europe HistoryPhotography</title>
 <description>The map of late twentieth-century Eastern Europe included Albania, Belarus, Bulgaria, Czech Republic, Croatia, Estonia, Hungary, Latvia, Lithuania, Macedonia, Romania, Russia, Serbia, Slovak Republic, Slovenia, and the Ukraine. This article primarily discusses the development of photography in the former Czechoslovakia now Czech Republic , Hungary, Poland, and the countries that used to be the part of Soviet Union. The main distinction in the development of photography in the Eastern Bloc...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/photography-in-russia-and-eastern-europe.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_1108_218.jpg" style="width: 367pt; height: 486pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dEQblxbDhHQ:XCU3EhHLq0o:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dEQblxbDhHQ:XCU3EhHLq0o:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dEQblxbDhHQ:XCU3EhHLq0o:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dEQblxbDhHQ:XCU3EhHLq0o:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dEQblxbDhHQ:XCU3EhHLq0o:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dEQblxbDhHQ:XCU3EhHLq0o:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/photography-in-russia-and-eastern-europe.html</link>
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 <media:description type="html" />
 <pubDate>Sat, 28 Apr 2012 08:18:02 GMT</pubDate>
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<item>
 <title>Success with the Glamour Edge LightingTechniques</title>
 <description>For the past ten years, Rolando Gomez has been on the forefront of glamour photography, tirelessly working as a staunch defender of the often-disdained artform he is passionate about. It finally seems like people are taking notice. Once the black sheep of the photography industry, glamour has cast off most of its cheesecake reputation, gotten back to its elegant Hollywood roots, and lost some of its stigma along the way. A RIGHT Here, Rolando placed a Rosco 4430 green gel over the flash and...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/lighting-techniques/success-with-the-glamour-edge.html"&gt;&lt;img src="http://www.karinlauphoto.com/lighting-techniques/images/2450_24_38-garageglamour-com.jpg" style="width: 367pt; height: 476pt;" alt="Garageglamour Com"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ho-tF5VrbO0:BnDFIHJhPJ8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ho-tF5VrbO0:BnDFIHJhPJ8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Ho-tF5VrbO0:BnDFIHJhPJ8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ho-tF5VrbO0:BnDFIHJhPJ8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Ho-tF5VrbO0:BnDFIHJhPJ8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ho-tF5VrbO0:BnDFIHJhPJ8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>LightingTechniques</category>
 <link>http://www.karinlauphoto.com/lighting-techniques/success-with-the-glamour-edge.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/lighting-techniques/success-with-the-glamour-edge.html</guid>
 <media:content url="http://www.karinlauphoto.com/lighting-techniques/images/2450_24_38-garageglamour-com.jpg" type="image/jpeg" height="666" width="514" />
 <media:title>Garageglamour Com</media:title>
 <media:description type="html" />
 <pubDate>Fri, 27 Apr 2012 19:07:37 GMT</pubDate>
</item>
<item>
 <title>Monochromatic Iron Processes HistoryPhotography</title>
 <description>Some of these processes are known from the early days of photography, such as the cyanotype, invented by Sir William Herschel in 1835, which is based on the sensitivity to light of iron salts, and offers the rich deep blue tones that account for its name. Early in the twentieth century it obtained a certain popularity among amateur photographers, due to its simplicity that allowed them to make contact prints with great ease and very few materials. Sometimes professionals also used it to obtain...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=M3Ijdz0sumY:lybIvZqcWzI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=M3Ijdz0sumY:lybIvZqcWzI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=M3Ijdz0sumY:lybIvZqcWzI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=M3Ijdz0sumY:lybIvZqcWzI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=M3Ijdz0sumY:lybIvZqcWzI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=M3Ijdz0sumY:lybIvZqcWzI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/monochromatic-iron-processes.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/monochromatic-iron-processes.html</guid>
 <pubDate>Fri, 27 Apr 2012 11:02:46 GMT</pubDate>
</item>
<item>
 <title>The Images SingleFrame</title>
 <description>The majority of the full-colour deep-sky images presented in this book in Chapter 11 are from the Hyperstar setup, and many have been published in either Astronomy Now or The Sky at Night magazines. Details of the imaging parameters accompany the corresponding image. There are some images from the Sky 90 with the SXV-H9C camera included for comparison with the Hyperstar work. You will see that the Sky 90 with SXV-H9C colour CCD combination gives a 40 larger F.O.V. than the Hyperstar with...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=AArtG2-Z10g:cxV7bWvGQo8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=AArtG2-Z10g:cxV7bWvGQo8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=AArtG2-Z10g:cxV7bWvGQo8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=AArtG2-Z10g:cxV7bWvGQo8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=AArtG2-Z10g:cxV7bWvGQo8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=AArtG2-Z10g:cxV7bWvGQo8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SingleFrame</category>
 <link>http://www.karinlauphoto.com/single-frame/the-images.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/single-frame/the-images.html</guid>
 <pubDate>Wed, 25 Apr 2012 15:34:21 GMT</pubDate>
</item>
<item>
 <title>Speed Up Your Workflow with Photoshop Actions ColorManagement</title>
 <description>As you gain experience with your own workflow, you will find that there are certain sequences of Photoshop steps that you perform time and time again. In order to automate repeated tasks, Photoshop includes the Actions panel that allows you to record and save sequences of steps. You can save multiple actions in sets that cover certain aspects of your work you could, for example, have a set called frames, for your picture frame actions . The Actions panel in figure 4-72 shows the open action set...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=qk5ow0PkodM:DcjJv3aEaO8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=qk5ow0PkodM:DcjJv3aEaO8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=qk5ow0PkodM:DcjJv3aEaO8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=qk5ow0PkodM:DcjJv3aEaO8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=qk5ow0PkodM:DcjJv3aEaO8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=qk5ow0PkodM:DcjJv3aEaO8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ColorManagement</category>
 <link>http://www.karinlauphoto.com/color-management/speed-up-your-workflow-with-photoshop-actions.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/color-management/speed-up-your-workflow-with-photoshop-actions.html</guid>
 <pubDate>Tue, 24 Apr 2012 14:43:25 GMT</pubDate>
</item>
<item>
 <title>Mexican 1 HistoryPhotography</title>
 <description>Born in Mexico City at the home of his grandparents on January 17, 1906, Carrillo was the son of an important Mexican family with roots in the northern state of Chihuahua. His grandfather, Lauro Carrillo, was a close ally of Mexican dictator Porfirio Diaz, and an uncle, Adolfo Ruiz Cortines, served as President of Mexico from 1952 to 1958. Manuel Carrillo attended several private schools in Mexico and worked briefly in the fledgling Mexican film industry before moving to the United States at...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=N-idfQ63s0Y:Rlkv17dQZbE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=N-idfQ63s0Y:Rlkv17dQZbE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=N-idfQ63s0Y:Rlkv17dQZbE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=N-idfQ63s0Y:Rlkv17dQZbE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=N-idfQ63s0Y:Rlkv17dQZbE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=N-idfQ63s0Y:Rlkv17dQZbE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/mexican-1.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/mexican-1.html</guid>
 <pubDate>Mon, 23 Apr 2012 23:25:03 GMT</pubDate>
</item>
<item>
 <title>Feeds.feedburner.com FoodStyling</title>
 <description>The Color Wheel Co., www.colorwheelco.com Cuisinart, 1 Cummings Point Road, Stamford, CT 06902, whose products and name are used with permission, www.cuisinart.com Dow Chemical Company, www.styxofoamcrafts.com East Ellum Digital, technical support and additional camera equipment, technicians John Shipes and Neal Farris, www.eastellumdigital.com Electron Microscopy Sciences, www.emsdiasum.com Energy Brands Inc. d b a Glaceau , www.glaceau.com Hamilton Beach Brands, Inc., www.hamiltonbeach.com...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=2qwJLdiqiZk:OnaumqH5cG8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=2qwJLdiqiZk:OnaumqH5cG8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=2qwJLdiqiZk:OnaumqH5cG8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=2qwJLdiqiZk:OnaumqH5cG8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=2qwJLdiqiZk:OnaumqH5cG8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=2qwJLdiqiZk:OnaumqH5cG8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FoodStyling</category>
 <link>http://www.karinlauphoto.com/food-styling/acknowledgments.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/food-styling/acknowledgments.html</guid>
 <pubDate>Mon, 23 Apr 2012 20:53:41 GMT</pubDate>
</item>
<item>
 <title>Info Bwc NightPhotography</title>
 <description>Troy Paiva, PRA, El Mirage, California, 2006 i had stopped by the legendary Aviation Warehouse boneyard at El Mirage Dry Lake in California's Mojave Desert many times, trying to gain access for night photography, only to arrive when the office was closed or to be summarily turned away by the staff. After 15 years of trying, my luck finally changed when i arrived on a day when the owner was there. i met with him and showed him samples of my other night work. He was instantly thrilled with the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/night-photography/info-bwc.html"&gt;&lt;img src="http://www.karinlauphoto.com/night-photography/images/2373_25_49.jpg" style="width: 367pt; height: 245pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=97dVXG3ywQE:xU1ymIIp69E:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=97dVXG3ywQE:xU1ymIIp69E:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=97dVXG3ywQE:xU1ymIIp69E:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=97dVXG3ywQE:xU1ymIIp69E:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=97dVXG3ywQE:xU1ymIIp69E:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=97dVXG3ywQE:xU1ymIIp69E:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NightPhotography</category>
 <link>http://www.karinlauphoto.com/night-photography/info-bwc.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/night-photography/info-bwc.html</guid>
 <media:content url="http://www.karinlauphoto.com/night-photography/images/2373_25_49.jpg" type="image/jpeg" height="343" width="514" />
 <media:title />
 <media:description type="html" />
 <pubDate>Sun, 22 Apr 2012 18:53:18 GMT</pubDate>
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<item>
 <title>Key Features ExposureModes</title>
 <description>Let's make a note of the main differences between the EOS 1100D and the EOS 600D which SP reviewed last month. The table shown here clearly demonstrates the segment the EOS 1100D is aimed at. Naturally, this is also reflected in its lower price. The 1100D was supplied to us with its kit lens EF-S 18-55mm f 3.5-5,6 IS II, though we believe Canon also has another kit lens - the EF-S 18-55mm f 3.4-5.6 IS III - which may be for the American European markets. Canon users will immediately notice that...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/exposure-modes/key-features.html"&gt;&lt;img src="http://www.karinlauphoto.com/exposure-modes/images/2466_47_166.jpg" style="width: 189pt; height: 80pt;" title=" SLR Review"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=D5vksYxmBxg:8SmZeHvTMTo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=D5vksYxmBxg:8SmZeHvTMTo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=D5vksYxmBxg:8SmZeHvTMTo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=D5vksYxmBxg:8SmZeHvTMTo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=D5vksYxmBxg:8SmZeHvTMTo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=D5vksYxmBxg:8SmZeHvTMTo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ExposureModes</category>
 <link>http://www.karinlauphoto.com/exposure-modes/key-features.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/exposure-modes/key-features.html</guid>
 <media:content url="http://www.karinlauphoto.com/exposure-modes/images/2466_47_166.jpg" type="image/jpeg" height="112" width="265" />
 <media:title />
 <media:description type="html"> SLR Review</media:description>
 <pubDate>Sat, 21 Apr 2012 12:59:27 GMT</pubDate>
</item>
<item>
 <title>Shape InkjetPrint</title>
 <description>A closed line creates a shape, which is an area having a specific character defined by an outline, contrast, color, value, or texture that is different from the surrounding area. It is often the chief structural compositional element, as it enables a viewer to immediately recognize a face, a structure, or an object in a picture. Shape usually refers to flat, two-dimensional elements, while mass or volume indicates three-dimensional objects. The shape of such objects as rocks and seashells can...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/inkjet-print/shape.html"&gt;&lt;img src="http://www.karinlauphoto.com/inkjet-print/images/2344_58_49-ethan-boisvert.jpg" style="width: 175pt; height: 262pt;" alt="Ethan Boisvert"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FOnEUh7lZwg:nMEH2n8189w:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FOnEUh7lZwg:nMEH2n8189w:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=FOnEUh7lZwg:nMEH2n8189w:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FOnEUh7lZwg:nMEH2n8189w:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=FOnEUh7lZwg:nMEH2n8189w:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=FOnEUh7lZwg:nMEH2n8189w:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>InkjetPrint</category>
 <link>http://www.karinlauphoto.com/inkjet-print/shape.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/inkjet-print/shape.html</guid>
 <media:content url="http://www.karinlauphoto.com/inkjet-print/images/2344_58_49-ethan-boisvert.jpg" type="image/jpeg" height="367" width="245" />
 <media:title>Ethan Boisvert</media:title>
 <media:description type="html" />
 <pubDate>Sat, 21 Apr 2012 01:19:21 GMT</pubDate>
</item>
<item>
 <title>Depth Of Field Canon 7D</title>
 <description>Selective focusing with a wide aperture can add a lot of creativity to your images. You are telling the viewer where you want the focus of the image to be, and the meaning and story changes depending on what is in focus. Using a telephoto lens can compress your background even more, decreasing the depth of field and making the background or foreground even blurrier. But take into consideration that just because your background or foreground is blurry, it doesn't mean you can't show detail in...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-7d/depth-of-field.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-7d/images/2272_125_233.jpg" style="width: 134pt; height: 221pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6efb5vP8Ovw:Bl3FLEA6iDY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6efb5vP8Ovw:Bl3FLEA6iDY:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6efb5vP8Ovw:Bl3FLEA6iDY:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6efb5vP8Ovw:Bl3FLEA6iDY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=6efb5vP8Ovw:Bl3FLEA6iDY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=6efb5vP8Ovw:Bl3FLEA6iDY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Fri, 20 Apr 2012 21:18:37 GMT</pubDate>
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 <title>Simplicity is the ultimate sophistication Leonardo da Vinci AspectRatio</title>
 <description>Complexity What appears to be a straightforward photograph of the inside of a subway car can, at second glance, be quite confusing. We see what appears to be a Paris street scene inside the car. Our first thought is that it is just a Photoshop manipulation. To the extreme left, we notice part of an open door and a blurred image of a person on the outside walking by. Evidently a slow shutter speed was used to adjust for the light level inside the car. In a discussion with the photographer, he...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/aspect-ratio/simplicity-is-the-ultimate-sophistication-leonardo-da-vinci.html"&gt;&lt;img src="http://www.karinlauphoto.com/aspect-ratio/images/2393_48_195-parisian-dreams-tomas-lopez.jpg" style="width: 367pt; height: 246pt;" title="Parisian Dreams nbsp Tomas Lopez" alt="Parisian Dreams Tomas Lopez"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JzQk6-O0TaY:5zeJRHLZB70:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JzQk6-O0TaY:5zeJRHLZB70:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=JzQk6-O0TaY:5zeJRHLZB70:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JzQk6-O0TaY:5zeJRHLZB70:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=JzQk6-O0TaY:5zeJRHLZB70:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=JzQk6-O0TaY:5zeJRHLZB70:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AspectRatio</category>
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 <media:title>Parisian Dreams Tomas Lopez</media:title>
 <media:description type="html">Parisian Dreams nbsp Tomas Lopez</media:description>
 <pubDate>Fri, 20 Apr 2012 16:24:15 GMT</pubDate>
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 <title>K1016513535c VideoCapture</title>
 <description>28 AF-3TTL Digital Shoe Mount Flash S108.00 28 CS-2 Digital Slave Shoe Mount Flash 126.00 54 MZ-4 IIL Standaid Shoe Mount Hash S351.00 58 AF-1TTL for Canon Digital Shoe Mount Flash. 405.00 58 AF-1 TTL for Nikon Digital Shoe Mount Rash 405.00 45 CL-4 TTL Digital Handle Mount Flash Kit 680.00 76 MZ-5 TTL Digital Handle Mount Flash, 1,026.00 with battery and charger Q-tlash Q-flash Q-flash T50-Rwith Turbo Battery Q-flash T5D-Rwith Turbo 2 2 Battery Battery 1 Battery 214.95 Battery 2 258.95 Turbo...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CXg059RTGlI:PiWYgxpQBRs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CXg059RTGlI:PiWYgxpQBRs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=CXg059RTGlI:PiWYgxpQBRs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CXg059RTGlI:PiWYgxpQBRs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=CXg059RTGlI:PiWYgxpQBRs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CXg059RTGlI:PiWYgxpQBRs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>VideoCapture</category>
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 <pubDate>Fri, 20 Apr 2012 14:57:56 GMT</pubDate>
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 <title>Incamera and Digital Darkroom Blurred Time Techniques PortfolioPages</title>
 <description>Painting with light. A particular instance of using blurred times in creating unique visual effects is in a technique commonly known to studio photographers as painting with light. Painting with light is accomplished by using a long exposure in a darkened environment, which allows the photographer to literally paint in areas of the scene using a flashlight or any small, controllable light source. The effect seems to be one of softening the overall focus of the image, but what is really...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/portfolio-pages/incamera-and-digital-darkroom-blurred-time-techniques.html"&gt;&lt;img src="http://www.karinlauphoto.com/portfolio-pages/images/2487_47_163.jpg" style="width: 251pt; height: 251pt;" title="IMAGE JOE LAVINE CHERIMOYA 2007"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8XlH1xat8jc:9o3ZPdNGmw0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8XlH1xat8jc:9o3ZPdNGmw0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8XlH1xat8jc:9o3ZPdNGmw0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8XlH1xat8jc:9o3ZPdNGmw0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8XlH1xat8jc:9o3ZPdNGmw0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8XlH1xat8jc:9o3ZPdNGmw0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PortfolioPages</category>
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 <media:title />
 <media:description type="html">IMAGE JOE LAVINE CHERIMOYA 2007</media:description>
 <pubDate>Mon, 16 Apr 2012 20:02:37 GMT</pubDate>
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 <title>Serious Zone System photographers use 4 x 5 or 8 x 10 or insert the format of your choice here cameras FilmExposure</title>
 <description>View cameras certainly make many aspects of the Zone System easier. With sheet film you can individually expose and develop according to the results you want. The same is true of roll film cameras with interchangeable backs, although it's not as convenient since you must match all the exposures on a roll N, N 1, N - 1, etc. . With 35mm cameras, modifying the developing time is truly inconvenient. You would need several camera bodies, each with a roll of film for a particular tonal range. It's...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=TmqGsahCRgY:lFpBaFWwVCI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=TmqGsahCRgY:lFpBaFWwVCI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=TmqGsahCRgY:lFpBaFWwVCI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=TmqGsahCRgY:lFpBaFWwVCI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=TmqGsahCRgY:lFpBaFWwVCI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=TmqGsahCRgY:lFpBaFWwVCI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FilmExposure</category>
 <link>http://www.karinlauphoto.com/film-exposure/serious-zone-system-photographers-use-4-x-5-or-8-x-10-or-insert-the-format-of-your-choice-here-cameras.html</link>
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 <pubDate>Sun, 15 Apr 2012 09:32:46 GMT</pubDate>
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 <title>A Great Fake FoodStyling</title>
 <description>Let's talk about styling with fake ice cream instead. Many years ago, fake ice cream was made with a base of instant mashed potatoes. It did not look realistic, and I never personally used that recipe. The first time I made fake ice cream, the base ingredient was solid white shortening. It wasn't bad-looking fake ice cream, but the process of making it was tedious. There were several ingredients and I often had difficulty getting the proportions just right because humidity and room temperature...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/food-styling/a-great-fake.html"&gt;&lt;img src="http://www.karinlauphoto.com/food-styling/images/2321_48_154.jpg" style="width: 253pt; height: 252pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i_WoelGkevY:74gKt5uxXM4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i_WoelGkevY:74gKt5uxXM4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=i_WoelGkevY:74gKt5uxXM4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i_WoelGkevY:74gKt5uxXM4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=i_WoelGkevY:74gKt5uxXM4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i_WoelGkevY:74gKt5uxXM4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FoodStyling</category>
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 <pubDate>Sat, 14 Apr 2012 21:32:31 GMT</pubDate>
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 <title>Tripods NeutralDensity</title>
 <description>Circular Polarizing 24 46 Infra Red rt 29.35 Dark Sunset Graduated 9 78 Light Tobacco Graduated 9.78 starburat lt 4 B, each 7 82 Dlffuaer Light Strong, each 7.82 82A.82B, 82C.each 7.82 Red Orange Yellow a 7.82 We olec ator 2-Pro 100mm and A-Type 87mm Ml Kood Pro Ball Heads BH22 maamurn load aagl 27.39 BH252 maaimwn load t7Vg 33.27 BH282 maxnun load ISkg 44.03 Kood Carbon Fibre Tripods CF224 137cnv 0.04kg 159 I CF284 teScm 164 g 176 CF324 173cm. 1.82hg 195 ovol limply mounts HHT. onto the hot...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/neutral-density/tripods.html"&gt;&lt;img src="http://www.karinlauphoto.com/neutral-density/images/2243_186_313.jpg" style="width: 38pt; height: 73pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-_0PvECWMF0:5de0e_mh-bE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-_0PvECWMF0:5de0e_mh-bE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=-_0PvECWMF0:5de0e_mh-bE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-_0PvECWMF0:5de0e_mh-bE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=-_0PvECWMF0:5de0e_mh-bE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-_0PvECWMF0:5de0e_mh-bE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NeutralDensity</category>
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 <media:description type="html" />
 <pubDate>Sat, 14 Apr 2012 18:25:03 GMT</pubDate>
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 <title>Edit Now or Later ColorSpace</title>
 <description>An ongoing dilemma among photographers has been whether to perform image adjustments before or after the film is scanned. There are several competing impulses here. On one hand, Photoshop is the de facto standard for image editing. It's a tool with which most photographers have at least some experience, and it can be used on all manner of raster images, regardless of the scanner that captured them. The contrary argument is that by optimizing a scan for pleasing output at the time of capture,...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/color-space/edit-now-or-later.html"&gt;&lt;img src="http://www.karinlauphoto.com/color-space/images/2353_127_158.jpg" style="width: 89pt; height: 91pt;" title="Figure The NegaFix feature SilverFast includes prebuilt profiles for wide range negative film stocks both color and black and white your particular film not included you can adjust the expansion parameters and save custom preset Here have created one for P"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=KIHd38sLq7c:aitryABPExg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=KIHd38sLq7c:aitryABPExg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=KIHd38sLq7c:aitryABPExg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=KIHd38sLq7c:aitryABPExg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=KIHd38sLq7c:aitryABPExg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=KIHd38sLq7c:aitryABPExg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ColorSpace</category>
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 <media:title />
 <media:description type="html">Figure The NegaFix feature SilverFast includes prebuilt profiles for wide range negative film stocks both color and black and white your particular film not included you can adjust the expansion parameters and save custom preset Here have created one for P</media:description>
 <pubDate>Fri, 13 Apr 2012 13:59:28 GMT</pubDate>
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 <title>Further Reading Dwi HistoryPhotography</title>
 <description>Haworth-Booth, Mark. ''Nigel Henderson A Reputation Reassessed.'' Creative Camera no. 3 April-May 1990 . Henderson, Nigel. Nigel Henderson Photographs of Bethnal Green 1949-1952. Nottingham Midland Group, 1978. Hoffman, David, and Shirley Read. ''Nigel Henderson.'' Camerawork no. 11, September 1978 . Roberts, John. ''Nigel Henderson at the Serpentine.'' Studio International 196, no. 1000 July 1983 . Walsh, Victoria. Nigel Henderson Parallel of Life and Art. London Thames amp Hudson, 2001....&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r-Gwia78vDI:RQ4yg4kFsH0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r-Gwia78vDI:RQ4yg4kFsH0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=r-Gwia78vDI:RQ4yg4kFsH0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r-Gwia78vDI:RQ4yg4kFsH0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=r-Gwia78vDI:RQ4yg4kFsH0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r-Gwia78vDI:RQ4yg4kFsH0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
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 <pubDate>Fri, 13 Apr 2012 12:18:18 GMT</pubDate>
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<item>
 <title>Biography Ven HistoryPhotography</title>
 <description>Born in Breslau, Germany now Wroclaw, Poland on May 28, 1905. Immigrated to the United States in 1933, and naturalized in 1940. Self-taught photographer. Education the State Academy of Arts and Crafts, Breslau, B.A. in 1927 studied art with Otto Mueller, and also studied the history of art and philosophy at Silesian Friedrich Wilhelms University, Breslau State Institute for Higher Education, Berlin, M.A., 1928 and postgraduate studies at Humboldt University, Berlin and the Berlin Academy of...&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
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 <pubDate>Fri, 13 Apr 2012 01:25:52 GMT</pubDate>
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 <title>Info Qjb FaceDetection</title>
 <description>Support, before and after sale Huge inventory available for worldwide shipping Educate yourself in our product resource center We will be closed on April Sth - 16th and May 29th, 2009 One hour free parking at 349 west 34th st. For a free catalog, call 800-947-6933, 212-444-6633, write or go online. Seven day customer satisfaction guarantee&lt;div class="feedflare"&gt;
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 <pubDate>Thu, 12 Apr 2012 01:53:51 GMT</pubDate>
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 <title>Underwater Photography 1 TwinSubtronic</title>
 <description>London to London full package price Alex photographing an aggregation of snappers at Ras Mohammed. This trip is timed to co-incide with the appearance of these large schools. Packages excluding flight can be arranged. The unique combination of Alex Mustard, UwP Editor Peter Rowlands id Tony Backhurst are collaborating to bring you this special event in e Red Sea where you can concentrate on your underwater photography ind benefit from Alex's digital knowledge and enthusiasm. MV Typhoon has been...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/twin-subtronic/underwater-photography-1.html"&gt;&lt;img src="http://www.karinlauphoto.com/twin-subtronic/images/2529_9_87.jpg" style="width: 252pt; height: 349pt;" title=" nun Tiarnsy www Ejfncus corri"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=uI90n8jh9mM:aaTo16aSbOY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=uI90n8jh9mM:aaTo16aSbOY:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=uI90n8jh9mM:aaTo16aSbOY:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=uI90n8jh9mM:aaTo16aSbOY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=uI90n8jh9mM:aaTo16aSbOY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=uI90n8jh9mM:aaTo16aSbOY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>TwinSubtronic</category>
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 <media:description type="html"> nun Tiarnsy www Ejfncus corri</media:description>
 <pubDate>Thu, 12 Apr 2012 00:47:59 GMT</pubDate>
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 <title>Kodak ColorPrint Viewing Filters ColorNegative</title>
 <description>In addition to the Beseler Universal Color Calculator there are two other matrix-type calculators currently on the market Kodak's Filter Finder and Unicolor's Duocube. The Kodak Finder is somewhat impractical for the following reason. Instead of averaging out the color-mix of the image by using a white diffuser during printing, it requires that you, in effect, average out the color-mix when you shoot the image by including a gray-card in the scene. Then, to use the Finder, you project onto it...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8VfPzOSo-rQ:dQDb36vAO2c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8VfPzOSo-rQ:dQDb36vAO2c:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8VfPzOSo-rQ:dQDb36vAO2c:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8VfPzOSo-rQ:dQDb36vAO2c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8VfPzOSo-rQ:dQDb36vAO2c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8VfPzOSo-rQ:dQDb36vAO2c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ColorNegative</category>
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 <pubDate>Thu, 12 Apr 2012 00:01:33 GMT</pubDate>
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 <title>Mixed light sources MeterReading</title>
 <description>Any source of light can be combined with another to create interesting lighting effects and shifts in colour balance. In a studio situation this can go beyond mixing tungsten with flash and is limited only by one's imagination. Normal domestic lamps are often used as supplementary and practical sources of light. Candles give a warm glow and very soft shadows. Torch light can be used to great effect when painting with light. When working in colour do not be afraid to change the colour of the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/meter-reading/mixed-light-sources.html"&gt;&lt;img src="http://www.karinlauphoto.com/meter-reading/images/2566_131_135.jpg" style="width: 367pt; height: 298pt;" title="Mixed tungsten and flash Fabio Sarraff"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oiaf-_9BUVo:b3toarmbTBg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oiaf-_9BUVo:b3toarmbTBg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=oiaf-_9BUVo:b3toarmbTBg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oiaf-_9BUVo:b3toarmbTBg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=oiaf-_9BUVo:b3toarmbTBg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=oiaf-_9BUVo:b3toarmbTBg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>MeterReading</category>
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 <media:description type="html">Mixed tungsten and flash Fabio Sarraff</media:description>
 <pubDate>Wed, 11 Apr 2012 22:50:29 GMT</pubDate>
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 <title>II The Class Portrait PhotographicArchives</title>
 <description>Photography entered the social lexicon conceptualized as a commodity for the bourgeoisie. Louis Daguerre introduced his method of making permanent camera images by citing its automatic process and its potential as a means of representation of those things that defined the well-to-do Everyone, with the aid of the DAGUERREOTYPE, will make a view of his castle or country-house people will form collections of all kinds Even portraits will be made.7 Daguerre1s vision of the uses of the photographic...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dVgaLDu0_2I:dZjtWVSDcU0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dVgaLDu0_2I:dZjtWVSDcU0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dVgaLDu0_2I:dZjtWVSDcU0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dVgaLDu0_2I:dZjtWVSDcU0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=dVgaLDu0_2I:dZjtWVSDcU0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=dVgaLDu0_2I:dZjtWVSDcU0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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 <pubDate>Wed, 11 Apr 2012 21:23:58 GMT</pubDate>
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 <title>Introduction Tmn CompoundLens</title>
 <description>A number of severe problems are encountered in the design of wide-angle lenses with large apertures. First, there are the aberrations. Barrel distortion, where vertical and horizontal lines tend to bow out away from the center of the image, is common and corrections become more difficult as the focal length decreases. For example, full-frame 35 mm cameras have an image diagonal of 43.3 mm, and the smallest practical focal length for highly corrected, large-aperture, rectilinear lenses turns out...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/compound-lens/introduction-tmn.html"&gt;&lt;img src="http://www.karinlauphoto.com/compound-lens/images/2460_29_35.jpg" style="width: 228pt; height: 150pt;" title="Incident Angle"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=HhROUcBBMPw:nG1yjlbb0-Y:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=HhROUcBBMPw:nG1yjlbb0-Y:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=HhROUcBBMPw:nG1yjlbb0-Y:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=HhROUcBBMPw:nG1yjlbb0-Y:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=HhROUcBBMPw:nG1yjlbb0-Y:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=HhROUcBBMPw:nG1yjlbb0-Y:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CompoundLens</category>
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 <media:description type="html">Incident Angle</media:description>
 <pubDate>Wed, 11 Apr 2012 20:31:15 GMT</pubDate>
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 <title>Types of Fisheye Lenses CompoundLens</title>
 <description>The equidistant projection fisheye also known as linear-scaled, angular, or ideal It is convenient for angular measurements, as in star maps. R f0 . The orthographic projection OP fisheye Nikon was able to implement the OP fisheye by using as-pheric lens elements. This lens gives an extreme fisheye effect with objects at the center made even larger and is useful for measuring illumination in architectural applications. This special-purpose lens is expensive and not very popular R f sin 0 . The...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r9aFqsHl8f4:cd0iL5RrFQM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r9aFqsHl8f4:cd0iL5RrFQM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=r9aFqsHl8f4:cd0iL5RrFQM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r9aFqsHl8f4:cd0iL5RrFQM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=r9aFqsHl8f4:cd0iL5RrFQM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r9aFqsHl8f4:cd0iL5RrFQM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CompoundLens</category>
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 <pubDate>Wed, 11 Apr 2012 20:09:44 GMT</pubDate>
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 <title>Glacial Deformation AerialPhotography</title>
 <description>The combined pressure of glacier loading and forward movement of ice deformed soft sedimentary substrata in many locations, which resulted in conspicuous ice-shoved FIGURE 12-14 Topographic map of Vormsi and surroundings showing the trace of a long esker system red dots that extends at least 26 km from Austergrunne to Kuivarahu. Adapted from Tallinn Eesti topograafi-line kaart, nr. 1, 1 200,000 1992 , Estonia. FIGURE 12-14 Topographic map of Vormsi and surroundings showing the trace of a long...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/aerial-photography/glacial-deformation.html"&gt;&lt;img src="http://www.karinlauphoto.com/aerial-photography/images/2464_154_297.jpg" style="width: 236pt; height: 283pt;" title="FIGURE Devils Lake Mountain seen from the northwestern side with the source depression the foreground Superwide angle image nearly all the ice shoved hill and source basin lake are visible Helium blimp aerial photo adapted from Aber and Ber 2007 fig "/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-gnux9xR1ec:Vzl3kOsL6ls:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-gnux9xR1ec:Vzl3kOsL6ls:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=-gnux9xR1ec:Vzl3kOsL6ls:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-gnux9xR1ec:Vzl3kOsL6ls:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=-gnux9xR1ec:Vzl3kOsL6ls:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=-gnux9xR1ec:Vzl3kOsL6ls:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AerialPhotography</category>
 <link>http://www.karinlauphoto.com/aerial-photography/glacial-deformation.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/aerial-photography/glacial-deformation.html</guid>
 <media:content url="http://www.karinlauphoto.com/aerial-photography/images/2464_154_297.jpg" type="image/jpeg" height="396" width="330" />
 <media:title />
 <media:description type="html">FIGURE Devils Lake Mountain seen from the northwestern side with the source depression the foreground Superwide angle image nearly all the ice shoved hill and source basin lake are visible Helium blimp aerial photo adapted from Aber and Ber 2007 fig </media:description>
 <pubDate>Wed, 11 Apr 2012 18:23:49 GMT</pubDate>
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 <title>Adjusting Output Resolution by Resampling ColorInsert</title>
 <description>Suppose that your image is 1280 pixels wide by 960 pixels tall. You like the image so much that you decide you want to make a large print for the sake of easy math, let's say 10x7 inches. At that print size, the output resolution is just 128 ppi. 1280 divided by 10 is 128 960 divided by 7.5 is 128. Your printer, however, needs 300 ppi to produce good print quality. You have two options You can live with the print quality that you get at the low output resolution, or you can tell your photo...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/color-insert/adjusting-output-resolution-by-resampling.html"&gt;&lt;img src="http://www.karinlauphoto.com/color-insert/images/2357_57_138.jpg" style="width: 231pt; height: 184pt;" title="FIGURE When setting output resolution and print size Photoshop Elements uncheck the Resample Image box avoid adding deleting pixels"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=o5RNXtUm1h8:b52IoX8MMPw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=o5RNXtUm1h8:b52IoX8MMPw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=o5RNXtUm1h8:b52IoX8MMPw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=o5RNXtUm1h8:b52IoX8MMPw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=o5RNXtUm1h8:b52IoX8MMPw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=o5RNXtUm1h8:b52IoX8MMPw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ColorInsert</category>
 <link>http://www.karinlauphoto.com/color-insert/adjusting-output-resolution-by-resampling.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/color-insert/adjusting-output-resolution-by-resampling.html</guid>
 <media:content url="http://www.karinlauphoto.com/color-insert/images/2357_57_138.jpg" type="image/jpeg" height="258" width="323" />
 <media:title />
 <media:description type="html">FIGURE When setting output resolution and print size Photoshop Elements uncheck the Resample Image box avoid adding deleting pixels</media:description>
 <pubDate>Wed, 11 Apr 2012 18:17:30 GMT</pubDate>
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 <title>Fixed Lens Digital Cameras NeutralDensity</title>
 <description>CANON POWERSHOTGIO.NEW UK 38 CANON POWERSHOT PRO-1 34 CANON POAERSHOT G2-G6 C99-E17 LEICA D LUX iUNUSED 275 Nikon Coolpix 5000.5700 lrom 6r NIKON COOLPIX P5000 22 NIKON COOLPIX 4500 171 Olympus Camedia C5050 PANASONIC FZ-SO UNUSED RICOH GR RICOH Sony DSC Various 2-12MP cameras Dow TtMBA HIGHEST DUALITY CAMERA BAGS -WE'VE BAGGED THOUSANDS DFTKSIFN YOU. SITES FROM DIGITAL COMPACTS, TMROUGIKU UTS AIB MEDIUM FORMAT OUTFITS. AT LOW LOW LOW PRICES RAYNOX NIGH DEFINITION FRONT-LENS CONVERTERS TO FIT...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RJZ7gOh_Ac4:N5nSbYn_f34:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RJZ7gOh_Ac4:N5nSbYn_f34:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=RJZ7gOh_Ac4:N5nSbYn_f34:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RJZ7gOh_Ac4:N5nSbYn_f34:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=RJZ7gOh_Ac4:N5nSbYn_f34:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RJZ7gOh_Ac4:N5nSbYn_f34:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>NeutralDensity</category>
 <link>http://www.karinlauphoto.com/neutral-density/fixed-lens-digital-cameras.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/neutral-density/fixed-lens-digital-cameras.html</guid>
 <pubDate>Wed, 11 Apr 2012 17:58:15 GMT</pubDate>
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 <title>Soft diffused light Rembrandt style Photoshop Elements 2</title>
 <description>In the previous lighting set-ups, I used a strong direct light source to make the shadow areas and direction of the light completely obvious. But this style of light is rarely used for contemporary portraiture. These days, soft or diffused light is much more popular see Figure 23.7 . In this example, I positioned the soft light source to the left and above the subject - Rembrandt style. Notice that the triangle of light is still visible but the edges of the shadow areas are much softer....&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CqqD0Zn3CIk:CnRXzqDWc34:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CqqD0Zn3CIk:CnRXzqDWc34:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=CqqD0Zn3CIk:CnRXzqDWc34:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CqqD0Zn3CIk:CnRXzqDWc34:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=CqqD0Zn3CIk:CnRXzqDWc34:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=CqqD0Zn3CIk:CnRXzqDWc34:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/photoshop-elements-2/soft-diffused-light-rembrandt-style.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/photoshop-elements-2/soft-diffused-light-rembrandt-style.html</guid>
 <pubDate>Wed, 11 Apr 2012 17:38:10 GMT</pubDate>
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 <title>Setting The Movierecording Size Canon 7D</title>
 <description>1. Set the camera to video mode using the Movie shooting switch A . 2. Press the Menu button and use the Main dial to get to the fourth camera tab B you'll notice a new icon at the top of this menu this is because you are in video mode . 3. Scroll down to Movie Rec. Size using the Quick Control dial, and press the Set button C . 1920x1080 b 1920x1080 lit 1280x720 m 640x480 o &lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-7d/setting-the-movierecording-size.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-7d/images/2272_143_259.jpg" style="width: 155pt; height: 115pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=9JNt_j83W8I:Wjpx9bWvKuU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=9JNt_j83W8I:Wjpx9bWvKuU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=9JNt_j83W8I:Wjpx9bWvKuU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=9JNt_j83W8I:Wjpx9bWvKuU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=9JNt_j83W8I:Wjpx9bWvKuU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=9JNt_j83W8I:Wjpx9bWvKuU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/canon-7d/setting-the-movierecording-size.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/canon-7d/setting-the-movierecording-size.html</guid>
 <media:content url="http://www.karinlauphoto.com/canon-7d/images/2272_143_259.jpg" type="image/jpeg" height="161" width="217" />
 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 17:34:38 GMT</pubDate>
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 <title>Aluminum Foil GettyImages</title>
 <description>The other day I opened up one of my hoop disk reflectors for a photo shoot and a quantity of silver paint shot into the air and down my lungs yuck. It was clearly time for that old reflector to go into the circular file. I grabbed a roll of aluminum foil and pulled out a few sheets, taped it to some foam core, and went about my work. See Figure 2.27. Aluminum foil makes excellent silver reflector material for a host of reasons. It's highly reflective, yet very heatproof. Aluminum foil has a...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/getty-images/aluminum-foil.html"&gt;&lt;img src="http://www.karinlauphoto.com/getty-images/images/2338_48_61.jpg" style="width: 367pt; height: 129pt;" title="Figure Aluminum foil makes great reflector material and can manipulated for different reflectance qualities Copyright Steve Weinrebe"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=iL_kZ27UpTM:z_Dg-olXLa0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=iL_kZ27UpTM:z_Dg-olXLa0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=iL_kZ27UpTM:z_Dg-olXLa0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=iL_kZ27UpTM:z_Dg-olXLa0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=iL_kZ27UpTM:z_Dg-olXLa0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=iL_kZ27UpTM:z_Dg-olXLa0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GettyImages</category>
 <link>http://www.karinlauphoto.com/getty-images/aluminum-foil.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/getty-images/aluminum-foil.html</guid>
 <media:content url="http://www.karinlauphoto.com/getty-images/images/2338_48_61.jpg" type="image/jpeg" height="181" width="514" />
 <media:title />
 <media:description type="html">Figure Aluminum foil makes great reflector material and can manipulated for different reflectance qualities Copyright Steve Weinrebe</media:description>
 <pubDate>Wed, 11 Apr 2012 15:43:03 GMT</pubDate>
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 <title>Chapter 8 IphoneCamera</title>
 <description>Resizing, Cropping, Framing, and Printing Photos 143 Resizing on the Cropping and Rotating on the Printing Framing Post-Processing Apps Tweaking Photos after the Fact in PS Mobile, Brushes, and Free and Easy PS Paint Your Way to Fame with CameraBag Belts Out the Post-Processing Apps Tweaking Photos after the Fact in PhotoForge, ColorSplash, FX Photo Studio, and Photo fx 195 FX Photo Photo Sharing Your Killer Sharing via Sharing on Sharing Using&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=AhAHZyYeD1A:moWHQ8avAzY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=AhAHZyYeD1A:moWHQ8avAzY:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=AhAHZyYeD1A:moWHQ8avAzY:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=AhAHZyYeD1A:moWHQ8avAzY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=AhAHZyYeD1A:moWHQ8avAzY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=AhAHZyYeD1A:moWHQ8avAzY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>IphoneCamera</category>
 <link>http://www.karinlauphoto.com/iphone-camera/chapter-8.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/iphone-camera/chapter-8.html</guid>
 <pubDate>Wed, 11 Apr 2012 15:00:43 GMT</pubDate>
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 <title>Creating Simple OnScreen Stereoviews AerialPhotography</title>
 <description>Lack of 3D impression is not something you want to discover after producing a series of A4-sized glossy prints or having spent days on a photogrammetric triangulation project. Before choosing an image pair for printouts, anaglyph creation, or photogrammetric analysis, it is useful to assure oneself of its stereoscopic quality. Even with a decent overlap, which is easy to assess in monoscopic view, the stereo impression might be unsatisfactory owing to unfavorable image tilts or differing...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/aerial-photography/creating-simple-onscreen-stereoviews.html"&gt;&lt;img src="http://www.karinlauphoto.com/aerial-photography/images/2464_143_270.jpg" style="width: 360pt; height: 312pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ks5DhSOH5lU:0OhkWqBVSpA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ks5DhSOH5lU:0OhkWqBVSpA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Ks5DhSOH5lU:0OhkWqBVSpA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ks5DhSOH5lU:0OhkWqBVSpA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Ks5DhSOH5lU:0OhkWqBVSpA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Ks5DhSOH5lU:0OhkWqBVSpA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AerialPhotography</category>
 <link>http://www.karinlauphoto.com/aerial-photography/creating-simple-onscreen-stereoviews.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/aerial-photography/creating-simple-onscreen-stereoviews.html</guid>
 <media:content url="http://www.karinlauphoto.com/aerial-photography/images/2464_143_270.jpg" type="image/jpeg" height="437" width="504" />
 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 14:31:46 GMT</pubDate>
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<item>
 <title>Cashback SigmaLens</title>
 <description>Coshbock is available on NEW Legria FS and HF Camcorders mentioned above purchased between 25 04 09-31 08 09. Claims must be made before 30 09 09. Cashback is redeemed via Canon and Is subject to their terms and conditions - see Canon website for details. Ultra-slim and compact memory camcorder with dual SD SDHC card slot. KONICA MINOLTA LENS, 35x optical zoom. Laser Touch Operation, and convenient 'One Touch buttons. Incredible record time, superlative picture quality and smart features. Full...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=TClsn3sOpGw:vS3lytSYSmU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=TClsn3sOpGw:vS3lytSYSmU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=TClsn3sOpGw:vS3lytSYSmU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=TClsn3sOpGw:vS3lytSYSmU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=TClsn3sOpGw:vS3lytSYSmU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=TClsn3sOpGw:vS3lytSYSmU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SigmaLens</category>
 <link>http://www.karinlauphoto.com/sigma-lens/cashback.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/sigma-lens/cashback.html</guid>
 <pubDate>Wed, 11 Apr 2012 14:17:57 GMT</pubDate>
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<item>
 <title>American Ond HistoryPhotography</title>
 <description>Jacob A. Riis started the social documentary movement in photography in the late nineteenth and early twentieth centuries by utilizing photography in his calls for reform of Manhattan's Lower East Side slums. A newspaper reporter by trade, Riis never considered himself a photographer and, in fact, knew relatively little about photography. Yet he realized the power of photographs, and he became one of the most effective social reformers of the Progressive era by employing his camera to shock...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/history-photography/american-ond.html"&gt;&lt;img src="http://www.karinlauphoto.com/history-photography/images/2312_1095_213.jpg" style="width: 367pt; height: 458pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hvC4c_ktDLU:XiqotdS9ZYo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hvC4c_ktDLU:XiqotdS9ZYo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hvC4c_ktDLU:XiqotdS9ZYo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hvC4c_ktDLU:XiqotdS9ZYo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hvC4c_ktDLU:XiqotdS9ZYo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hvC4c_ktDLU:XiqotdS9ZYo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/american-ond.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/american-ond.html</guid>
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 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 14:03:54 GMT</pubDate>
</item>
<item>
 <title>Semiotics and Photography HistoryPhotography</title>
 <description>From the semiotic point of view, photography is considered to be a specific means of communication that carries information from a sender the photographer to a receiver the viewer . In this view, photography is never a simple reflection of the real. Rather, it is entangled in a complex web of encoding and decoding, construction and interpretation. A semiotics of photography aims to exhaustively describe the processes of signification and meaning informing the photographic image. Approaching the...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aAPPlljIFsA:b3GOWboZJR4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aAPPlljIFsA:b3GOWboZJR4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aAPPlljIFsA:b3GOWboZJR4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aAPPlljIFsA:b3GOWboZJR4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=aAPPlljIFsA:b3GOWboZJR4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=aAPPlljIFsA:b3GOWboZJR4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/semiotics-and-photography.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/semiotics-and-photography.html</guid>
 <pubDate>Wed, 11 Apr 2012 12:48:12 GMT</pubDate>
</item>
<item>
 <title>Subexposure Times with the Hyperstar SingleFrame</title>
 <description>There are an upper and lower bound to consider when considering the optimum sub-exposure time to use. The lower bound is governed by the shortest sub you can take before CCD noise becomes intrusive. For the SXV-H9C camera, with the Hyperstar, and my typical imaging conditions, this would typically be around 5 seconds or so. The upper bound is where sky glow limits your integration time so that your dim deep-sky objects get lost in the sky background. You must clearly operate well below the time...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8rGFT37wO_o:zvZ0cHvWuBQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8rGFT37wO_o:zvZ0cHvWuBQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8rGFT37wO_o:zvZ0cHvWuBQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8rGFT37wO_o:zvZ0cHvWuBQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8rGFT37wO_o:zvZ0cHvWuBQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8rGFT37wO_o:zvZ0cHvWuBQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SingleFrame</category>
 <link>http://www.karinlauphoto.com/single-frame/subexposure-times-with-the-hyperstar.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/single-frame/subexposure-times-with-the-hyperstar.html</guid>
 <pubDate>Wed, 11 Apr 2012 12:38:50 GMT</pubDate>
</item>
<item>
 <title>Tungsten Lighting StillLife</title>
 <description>We've concentrated on various flash systems for good reasons they pack a lot of power for the price, freeze most subject movement, are in the same color-temperature ballpark as most daylight scenes, and use relatively little electricity making them a fairly eco-friendly choice . Still, nothing says constancy like a nice tungsten light. Indeed, a number of still-life and even portrait photographers enjoy working with continuous tungsten light for a number of reasons. Jewelry and product...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IWXGi3X2rhQ:Lcz4Jn0qY04:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IWXGi3X2rhQ:Lcz4Jn0qY04:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=IWXGi3X2rhQ:Lcz4Jn0qY04:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IWXGi3X2rhQ:Lcz4Jn0qY04:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=IWXGi3X2rhQ:Lcz4Jn0qY04:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=IWXGi3X2rhQ:Lcz4Jn0qY04:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>StillLife</category>
 <link>http://www.karinlauphoto.com/still-life/tungsten-lighting.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/still-life/tungsten-lighting.html</guid>
 <pubDate>Wed, 11 Apr 2012 11:18:52 GMT</pubDate>
</item>
<item>
 <title>Using Aperture Priority Av Mode To Isolate Your Subject Canon 7D</title>
 <description>When you are shooting in Tv mode, your camera will often be set at its widest aperture to bring in as much light as possible through the lens. Using a very large aperture allows you to use a faster shutter speed and narrows your depth of field Figure 6.6 . As you learned in Chapter 3, using a wide aperture will help to reduce the sharpness of the photo's background. This is quite effective with sports and action photography, because by isolating the subject, you move the viewer's attention to...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-7d/using-aperture-priority-av-mode-to-isolate-your-subject.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-7d/images/2272_92_183.jpg" style="width: 360pt; height: 224pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RjCNWvfpbo8:T5ueXxQ4pyE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RjCNWvfpbo8:T5ueXxQ4pyE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=RjCNWvfpbo8:T5ueXxQ4pyE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RjCNWvfpbo8:T5ueXxQ4pyE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=RjCNWvfpbo8:T5ueXxQ4pyE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RjCNWvfpbo8:T5ueXxQ4pyE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/canon-7d/using-aperture-priority-av-mode-to-isolate-your-subject.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/canon-7d/using-aperture-priority-av-mode-to-isolate-your-subject.html</guid>
 <media:content url="http://www.karinlauphoto.com/canon-7d/images/2272_92_183.jpg" type="image/jpeg" height="314" width="504" />
 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 10:13:55 GMT</pubDate>
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<item>
 <title>Shooting panoramas SelectionTools</title>
 <description>One of the most frustrating moments of travel photography comes when you find yourself literally surrounded by the beauty of nature and have no way to capture all that surrounds you in a single photo. A digital camera, tripod, and the right image editing software, however, make capturing a 360-degree panorama possible. Basically, you take a series of shots for your panorama and then stitch the shots together line up the images into one image on your computer. Although you can stitch images...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/selection-tools/shooting-panoramas.html"&gt;&lt;img src="http://www.karinlauphoto.com/selection-tools/images/2563_337_227.jpg" style="width: 256pt; height: 192pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Nj9a2XQgRpM:mM4NQd4097c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Nj9a2XQgRpM:mM4NQd4097c:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Nj9a2XQgRpM:mM4NQd4097c:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Nj9a2XQgRpM:mM4NQd4097c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Nj9a2XQgRpM:mM4NQd4097c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Nj9a2XQgRpM:mM4NQd4097c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SelectionTools</category>
 <link>http://www.karinlauphoto.com/selection-tools/shooting-panoramas.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/selection-tools/shooting-panoramas.html</guid>
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 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 09:33:18 GMT</pubDate>
</item>
<item>
 <title>Sigma Naf SigmaLens</title>
 <description>18-125 F3.5 5.6 OS 210 18-200 F3.5 6.3 M- 169 20-40 F2.8 EX DG 199 24-135 F2.S 4.5 199 28-200 F3.IV5.6 . . 99 55-200 F4 5.6 DC Mint 69 70-300 F2.8 EX DGII 499 70-300 APO mac DG 129 300-800 EX DG M-E4499 TAMRON NAF 14 F2.8 SP mint . 399 17-50 F2.8 269 20-40 F2.7 3.5 149 28-200 F3 5 6.3 XR 99 28-300 XR Di VC M- . 369 55-200 F4 5.6 Dill . 49 70-300 F4.5 5.6 LD . 79 Kenko 1.5x DG . . 79 Kenko Pro 300 3x 99 NIKON ACCESSORIES MB-15 69 MB-16 29 MC12A Release . 12 MC12B Release . . 30 MC-20.E69...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RceKBzgi_pM:wWyuReG7Yj8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RceKBzgi_pM:wWyuReG7Yj8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=RceKBzgi_pM:wWyuReG7Yj8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RceKBzgi_pM:wWyuReG7Yj8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=RceKBzgi_pM:wWyuReG7Yj8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RceKBzgi_pM:wWyuReG7Yj8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SigmaLens</category>
 <link>http://www.karinlauphoto.com/sigma-lens/sigma-naf.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/sigma-lens/sigma-naf.html</guid>
 <pubDate>Wed, 11 Apr 2012 09:21:06 GMT</pubDate>
</item>
<item>
 <title>Horizontal or Vertical Landscape or Portrait UnderwaterPhotography</title>
 <description>We view a seascape through the viewfinder either horizontally landscape or vertically portrait , but which one do you choose Often the subject or scene will suggest one or the other. Consider the lines, shapes and orientation of the elements. The format will often jump out at you. If you cannot decide, then shoot both. Many professionals will suggest that, if you shoot for publication purposes, you should develop the habit of shooting both vertical and horizontal so the editor can choose one or...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/underwater-photography/horizontal-or-vertical-landscape-or-portrait.html"&gt;&lt;img src="http://www.karinlauphoto.com/underwater-photography/images/2494_205_280.jpg" style="width: 328pt; height: 490pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=d7unxY4mx6c:zPuKg82z54E:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=d7unxY4mx6c:zPuKg82z54E:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=d7unxY4mx6c:zPuKg82z54E:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=d7unxY4mx6c:zPuKg82z54E:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=d7unxY4mx6c:zPuKg82z54E:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=d7unxY4mx6c:zPuKg82z54E:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>UnderwaterPhotography</category>
 <link>http://www.karinlauphoto.com/underwater-photography/horizontal-or-vertical-landscape-or-portrait.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/underwater-photography/horizontal-or-vertical-landscape-or-portrait.html</guid>
 <media:content url="http://www.karinlauphoto.com/underwater-photography/images/2494_205_280.jpg" type="image/jpeg" height="686" width="459" />
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 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 09:16:24 GMT</pubDate>
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<item>
 <title>Info Bdi ParkCameras</title>
 <description>2 49 i73 40 57 74 144.81 20 5VM.17 M MdkM l d M a Mnm b L Sucpons bott SIRi nw e- gt equpprd wtn Kmg mn and all cur rent Mrdiur gt otmat Camvat 83.18 Benbo Carry Bag for Benbo No 2 3131 Carry Bag for Benbo fretter I23AB Carry Bag for Benbo No 1 2935 KS VMU Monotui' n if with OwdoM tm DO Ar Mg Monctull II if Mi Mipodt C31S.M ItaM Minliill n DT m h C42S.OO I Vnil our mtaite or lim lit il fvl oll w. Seewebi New Giottos Range NOW AVAILABLE SEE WEBSITE NEW WAREHOUSE EXPRESS SHOWROOM --7- - , mniiii...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/park-cameras/info-bdi.html"&gt;&lt;img src="http://www.karinlauphoto.com/park-cameras/images/2247_105_215.jpg" style="width: 367pt; height: 92pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0IkgnnJTbX4:mrHfgUJ6rm8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0IkgnnJTbX4:mrHfgUJ6rm8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=0IkgnnJTbX4:mrHfgUJ6rm8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0IkgnnJTbX4:mrHfgUJ6rm8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=0IkgnnJTbX4:mrHfgUJ6rm8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=0IkgnnJTbX4:mrHfgUJ6rm8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ParkCameras</category>
 <link>http://www.karinlauphoto.com/park-cameras/info-bdi.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/park-cameras/info-bdi.html</guid>
 <media:content url="http://www.karinlauphoto.com/park-cameras/images/2247_105_215.jpg" type="image/jpeg" height="129" width="514" />
 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 08:38:46 GMT</pubDate>
</item>
<item>
 <title>Info Bim FaceDetection</title>
 <description>2002. This all suggests a complete rethinking of the lens. Light falloff was gone from the edges by f 3.5 at 24mm and 70mm, with no measurable falloff at 50mm. Magnification ratios at the uniform close-focusing distance of 13.4 inches ranged from 1 10.31 at 24mm to 1 5.34 at 50mm, and 1 4.35 at 70mm disappointing next to the older lens' 1 3.6 top magnification, but the price of SQF and distortion superiority. CONCLUSIONS This top-drawer lens is fast and compact, with a practical focal-length...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/face-detection/info-bim.html"&gt;&lt;img src="http://www.karinlauphoto.com/face-detection/images/2440_76_159.jpg" style="width: 193pt; height: 192pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r3Z4DTr-E4k:bThlHxzRxbw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r3Z4DTr-E4k:bThlHxzRxbw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=r3Z4DTr-E4k:bThlHxzRxbw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r3Z4DTr-E4k:bThlHxzRxbw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=r3Z4DTr-E4k:bThlHxzRxbw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r3Z4DTr-E4k:bThlHxzRxbw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FaceDetection</category>
 <link>http://www.karinlauphoto.com/face-detection/info-bim.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/face-detection/info-bim.html</guid>
 <media:content url="http://www.karinlauphoto.com/face-detection/images/2440_76_159.jpg" type="image/jpeg" height="269" width="270" />
 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 06:39:58 GMT</pubDate>
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<item>
 <title>Film Cameras PhotographingNudes</title>
 <description>Most photographers over a certain age probably had a 35mm film camera as their first serious camera. This is still an option. These cameras have all of the features you need to create great images and at a fraction of the cost of an equivalent digital camera. Since digital has become the dominant format, many people are selling nice used 35mm cameras for real bargain prices. Just check ads, garage sales, and online auction sites. Drawbacks of Film. The main drawback to using a film camera, in...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=orhr5smlSZ4:1DlJ9aNrOg0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=orhr5smlSZ4:1DlJ9aNrOg0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=orhr5smlSZ4:1DlJ9aNrOg0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=orhr5smlSZ4:1DlJ9aNrOg0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=orhr5smlSZ4:1DlJ9aNrOg0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=orhr5smlSZ4:1DlJ9aNrOg0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PhotographingNudes</category>
 <link>http://www.karinlauphoto.com/photographing-nudes/film-cameras.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/photographing-nudes/film-cameras.html</guid>
 <pubDate>Wed, 11 Apr 2012 06:18:00 GMT</pubDate>
</item>
<item>
 <title>Olympus Xz1 MeteringModes</title>
 <description>Effective Pixels tmage Sensor Aperture Range LCD Monitor Shutter Speed ISO Sensitivity Exposure Metering 14 million effective pixels 172.33 Type CCD f3,9 -1'5.9 2.7-inch, Approx 230,000 dots 1 4 - 1 2000 sec Auto ISO 64 - 1600 Digital ESP Multi-Ratlern, Spot metering, Face Detection AE - 2 EV Steps in I 3 EV steps SD SDHC 182gms Effective Pixels image Sensor Focal Length LCD Monitor Focus Mode Shutter Speed ISO Sensitivity Shooting Modes 14.0 million 1 2.33 Type CCD 28mm - 280mm 2.7 , Approx....&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/metering-modes/olympus-xz1.html"&gt;&lt;img src="http://www.karinlauphoto.com/metering-modes/images/2465_138_332.jpg" style="width: 54pt; height: 39pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=2gqM6wLDz5o:uXz54s7U1f4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=2gqM6wLDz5o:uXz54s7U1f4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=2gqM6wLDz5o:uXz54s7U1f4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=2gqM6wLDz5o:uXz54s7U1f4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=2gqM6wLDz5o:uXz54s7U1f4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=2gqM6wLDz5o:uXz54s7U1f4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>MeteringModes</category>
 <link>http://www.karinlauphoto.com/metering-modes/olympus-xz1.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/metering-modes/olympus-xz1.html</guid>
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 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 03:36:25 GMT</pubDate>
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<item>
 <title>Dc220 ApertureShutter</title>
 <description>m the aftrtat and easykKpe e OC22Q. ycu get al tf e performance c DVD technology, atoog with m bniance and pow of a Gerune Canon 35x Opfcal Zoom. You ateo 9et an mpresswe array of fea i 6S found on more expens ve models. rtfuOng rw-SD card capacity tor easy rage sKrage. Th styW Cancn HV10 gr t you irtma in HO video and JgMpholOfjaAty-httt worlftsmaAeet HDV camcorder. ts10x optcai worn ie lt n and 2 96 Megapxd CMOS rmg sensor ensue meocufaus 6CM and superior color reproAicton And. weh lt s HO...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/aperture-shutter/dc220.html"&gt;&lt;img src="http://www.karinlauphoto.com/aperture-shutter/images/2431_119_207.jpg" style="width: 105pt; height: 64pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tn_LNA9-H4w:xPASGGVaLc4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tn_LNA9-H4w:xPASGGVaLc4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tn_LNA9-H4w:xPASGGVaLc4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tn_LNA9-H4w:xPASGGVaLc4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tn_LNA9-H4w:xPASGGVaLc4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tn_LNA9-H4w:xPASGGVaLc4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ApertureShutter</category>
 <link>http://www.karinlauphoto.com/aperture-shutter/dc220.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/aperture-shutter/dc220.html</guid>
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 <media:title />
 <media:description type="html" />
 <pubDate>Wed, 11 Apr 2012 03:10:22 GMT</pubDate>
</item>
<item>
 <title>Further Reading Jvc HistoryPhotography</title>
 <description>Bannon, Anthony. ''John Pfahl's Picturesque Paradoxes.'' Afterimage 6, no. 7 February 1979 . Bunnell, Peter C. ''Introduction.'' In Altered Landscapes The Photographs of John Pfahl. Carmel, CA The Friends of Photography, in association with Robert Freidus Gallery, New York published as no. 26 in the Untitled series , 1981. Eauclaire, Sally. The New Color Photography. New York Abbeville Press, 1981. Gauss, Kathleen McCarthy. ''John Pfahl Power Places.'' In New American Photography. Los Angeles...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r8G5agwgxtc:jOgE1tWRcWw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r8G5agwgxtc:jOgE1tWRcWw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=r8G5agwgxtc:jOgE1tWRcWw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r8G5agwgxtc:jOgE1tWRcWw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=r8G5agwgxtc:jOgE1tWRcWw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=r8G5agwgxtc:jOgE1tWRcWw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/further-reading-jvc.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/further-reading-jvc.html</guid>
 <pubDate>Wed, 11 Apr 2012 02:51:23 GMT</pubDate>
</item>
<item>
 <title>Copying a Wine Glass and Creating a Drop ShadowOverview of the Steps Involved GIMP</title>
 <description>Follow these steps to copy a wine glass and create a drop shadow Open the wineglass.png image from the SampleImages folder. Select the Paths tool to create a path, following the contours of the wine glass. Create a selection from the path add 3 px of feathering to the selection. Select the Edit gt Copy menu item to copy the wine glass. Choose Edit gt Paste and insert as a new layer in the image. Remember to name the layer. Save the image without combining the layers as wineglass2.xcf. Copy the...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=4U5uEV9czCE:pt-ZXekFrUU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=4U5uEV9czCE:pt-ZXekFrUU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=4U5uEV9czCE:pt-ZXekFrUU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=4U5uEV9czCE:pt-ZXekFrUU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=4U5uEV9czCE:pt-ZXekFrUU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=4U5uEV9czCE:pt-ZXekFrUU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GIMP</category>
 <link>http://www.karinlauphoto.com/gimp/copying-a-wine-glass-and-creating-a-drop-shadowoverview-of-the-steps-involved.html</link>
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 <pubDate>Wed, 11 Apr 2012 02:25:24 GMT</pubDate>
</item>
<item>
 <title>GNU Image Manipulation Program GIMP</title>
 <description>Copyright 2002,2003,2004,2005,2006,2007,2008,2009 The GIMP Documentation Team Legal Notice Permission is granted to copy, distribute and or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation with no Invariant Sections, no FrontCover Texts, and no Back-Cover Texts. A copy of the license is included in the section enphrased aGNU Free Documentation License. GIMP's Help user manual appears in a...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/gimp/gnu-image-manipulation-program.html"&gt;&lt;img src="http://www.karinlauphoto.com/gimp/images/2326_25_35.jpg" style="width: 367pt; height: 457pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8-PTGoRhboQ:TfSQjrtU-zI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8-PTGoRhboQ:TfSQjrtU-zI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8-PTGoRhboQ:TfSQjrtU-zI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8-PTGoRhboQ:TfSQjrtU-zI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=8-PTGoRhboQ:TfSQjrtU-zI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=8-PTGoRhboQ:TfSQjrtU-zI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GIMP</category>
 <link>http://www.karinlauphoto.com/gimp/gnu-image-manipulation-program.html</link>
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 <pubDate>Wed, 11 Apr 2012 02:15:15 GMT</pubDate>
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 <title>Instruction To Your Bank Or Building Society SigmaLens</title>
 <description>Pleas pav IK Media Ltd Oirect Del s Torn me account detailed on this instiuaioo subject to it safeguards assured tr,- the Direct Debit Gu rante . I underaand lira tins instruction may reirain with IPC Media Lid. aal if so. derails wd be passed electronically 10 my Dai or building society. Please rvjle that this offer is open to UK subscribers 1 and dose 30th September 2009. Gift subject to avaltaUkv.and wil be deferred separated within 28 daysafu 1st payment Gift only available to UK...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/sigma-lens/instruction-to-your-bank-or-building-society.html"&gt;&lt;img src="http://www.karinlauphoto.com/sigma-lens/images/2250_44_145.jpg" style="width: 361pt; height: 517pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mNLjqOcZFGw:2LOTkuS0HY4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mNLjqOcZFGw:2LOTkuS0HY4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mNLjqOcZFGw:2LOTkuS0HY4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mNLjqOcZFGw:2LOTkuS0HY4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=mNLjqOcZFGw:2LOTkuS0HY4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=mNLjqOcZFGw:2LOTkuS0HY4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>SigmaLens</category>
 <link>http://www.karinlauphoto.com/sigma-lens/instruction-to-your-bank-or-building-society.html</link>
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 <pubDate>Wed, 11 Apr 2012 00:27:34 GMT</pubDate>
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 <title>Ammonium Persulfate Reducer FilmExposure</title>
 <description>Sulfuric acid, 10 solution 1.0 ml Add water to make 100.0 ml Alternative Ammonium Persulfate Reducer Ammonium persulfate Ammonia 0.910 Do not dilute this solution. Reduction can take place at varying rates, depending upon the materials. As the desired range of reduction is approached, it can be stopped with a solution of sodium sulfite approximately 10 percent should be sufficient . The ammonium persulfate reducer can sometimes produce local cool tones in some materials when applied with a...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Qbrnybyx_m0:ccx2oXbT5RA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Qbrnybyx_m0:ccx2oXbT5RA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Qbrnybyx_m0:ccx2oXbT5RA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Qbrnybyx_m0:ccx2oXbT5RA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=Qbrnybyx_m0:ccx2oXbT5RA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=Qbrnybyx_m0:ccx2oXbT5RA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>FilmExposure</category>
 <link>http://www.karinlauphoto.com/film-exposure/ammonium-persulfate-reducer.html</link>
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 <pubDate>Tue, 10 Apr 2012 23:33:37 GMT</pubDate>
</item>
<item>
 <title>Digital SLR Housings ShutterDelay</title>
 <description>Canon EOS Rebel Canon EOS 300D Canon EOS 10D Canon EOS D60 Nikon D70 Nikon D100 To extend the capabilities of the digital SLR cameras Ikelite has designed a new underwater housing. This housing is injection molded of clear polycarbonate for strength, visual access to the camera, lcd screens and camera controls. The ergonomic design places camera functionality at your fingertips for the ultimate in creative control. The interchangeable port system accommodates a wide variety of lenses from...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/shutter-delay/digital-slr-housings.html"&gt;&lt;img src="http://www.karinlauphoto.com/shutter-delay/images/2519_8_26.jpg" style="width: 52pt; height: 53pt;" title="Sony DSC F828"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RRvE8G67ksw:bUUryHKKMAQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RRvE8G67ksw:bUUryHKKMAQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=RRvE8G67ksw:bUUryHKKMAQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RRvE8G67ksw:bUUryHKKMAQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=RRvE8G67ksw:bUUryHKKMAQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=RRvE8G67ksw:bUUryHKKMAQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ShutterDelay</category>
 <link>http://www.karinlauphoto.com/shutter-delay/digital-slr-housings.html</link>
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 <media:title />
 <media:description type="html">Sony DSC F828</media:description>
 <pubDate>Tue, 10 Apr 2012 21:51:58 GMT</pubDate>
</item>
<item>
 <title>The Zone System ImageCircle</title>
 <description>The Zone System of exposure and development for black-and-white photography has been around for over forty years. It was formulated by Ansel Adams and Fred Archer while they were teaching at the Art Center in Los Angeles, California. Ansel Adams, Minor White, Fred Picker, and many others have written numerous books and magazine articles describing the Zone System. It is a simple, straightforward method for arriving at predictable, predetermined densities on the negative that translate into the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/image-circle/the-zone-system.html"&gt;&lt;img src="http://www.karinlauphoto.com/image-circle/images/2283_45_108.jpg" style="width: 367pt; height: 549pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=T72liFSAeRI:mWmo13lApnE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=T72liFSAeRI:mWmo13lApnE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=T72liFSAeRI:mWmo13lApnE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=T72liFSAeRI:mWmo13lApnE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=T72liFSAeRI:mWmo13lApnE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=T72liFSAeRI:mWmo13lApnE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>ImageCircle</category>
 <link>http://www.karinlauphoto.com/image-circle/the-zone-system.html</link>
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 <media:content url="http://www.karinlauphoto.com/image-circle/images/2283_45_108.jpg" type="image/jpeg" height="769" width="514" />
 <media:title />
 <media:description type="html" />
 <pubDate>Tue, 10 Apr 2012 20:06:43 GMT</pubDate>
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<item>
 <title>Overheating Canon 7D</title>
 <description>When shooting video with the 7D, it's a good idea to turn the camera off between shots, especially if you are outdoors on a warm or sunny day. The camera's internal temperature is more likely to increase when using the video mode, and shooting for a prolonged period of time could degrade the image quality of your still photos and videos. So when you're not recording, be sure to turn the camera off. The next thing you'll need to consider is the type of compact flash card you are using. Because...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-7d/overheating.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-7d/images/2272_145_260.jpg" style="width: 188pt; height: 134pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ypXK2JteMe8:L84qEdJmmSc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ypXK2JteMe8:L84qEdJmmSc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ypXK2JteMe8:L84qEdJmmSc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ypXK2JteMe8:L84qEdJmmSc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=ypXK2JteMe8:L84qEdJmmSc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=ypXK2JteMe8:L84qEdJmmSc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <link>http://www.karinlauphoto.com/canon-7d/overheating.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/canon-7d/overheating.html</guid>
 <media:content url="http://www.karinlauphoto.com/canon-7d/images/2272_145_260.jpg" type="image/jpeg" height="188" width="263" />
 <media:title />
 <media:description type="html" />
 <pubDate>Tue, 10 Apr 2012 19:48:52 GMT</pubDate>
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 <title>Issue A On Sale Thursday 7th July TravelPhotography</title>
 <description>Photoshop is all you need to simulate this innovative printing process with greater reliability and none of the mess. Derek Lea shows you how J The gum bichromate printing process allows . gt photographers and master printmakers to produce astonishingly diverse and interesting prints from their negatives. The process involves coating paper with gelatin. Watercolour, or sometimes guache pigment, is mixed with gum arabic to add the desired colour to the coating. Then, the gum and pigment mixture...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/travel-photography/issue-a-on-sale-thursday-7th-july.html"&gt;&lt;img src="http://www.karinlauphoto.com/travel-photography/images/2291_56_142.jpg" style="width: 367pt; height: 272pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xD6Sjb8Ztec:OdlvyKRQIGQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xD6Sjb8Ztec:OdlvyKRQIGQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=xD6Sjb8Ztec:OdlvyKRQIGQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xD6Sjb8Ztec:OdlvyKRQIGQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=xD6Sjb8Ztec:OdlvyKRQIGQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=xD6Sjb8Ztec:OdlvyKRQIGQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>TravelPhotography</category>
 <link>http://www.karinlauphoto.com/travel-photography/issue-a-on-sale-thursday-7th-july.html</link>
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 <media:content url="http://www.karinlauphoto.com/travel-photography/images/2291_56_142.jpg" type="image/jpeg" height="381" width="514" />
 <media:title />
 <media:description type="html" />
 <pubDate>Tue, 10 Apr 2012 19:33:02 GMT</pubDate>
</item>
<item>
 <title>Touchup Work 2Removing Spots Dust and Scratches GIMP</title>
 <description>Older images or slides often have blemishes, such as creases, dog-ears, spots, dust, scratches, and missing edges. Also when you scan slides, lint and dust often end up on the image. Even digital images can have disturbing elements that need retouching, such as overhead wiring in the picture or dust on the camera chip. The touchup work involved to fix such images is called constructive touchup since it involves reconstructing image elements. Constructive touchups also include removing image...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lzp0Amc2B9w:_YwFxH12DLo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lzp0Amc2B9w:_YwFxH12DLo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=lzp0Amc2B9w:_YwFxH12DLo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lzp0Amc2B9w:_YwFxH12DLo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=lzp0Amc2B9w:_YwFxH12DLo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lzp0Amc2B9w:_YwFxH12DLo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>GIMP</category>
 <link>http://www.karinlauphoto.com/gimp/touchup-work-2removing-spots-dust-and-scratches.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/gimp/touchup-work-2removing-spots-dust-and-scratches.html</guid>
 <pubDate>Tue, 10 Apr 2012 18:10:19 GMT</pubDate>
</item>
<item>
 <title>Aerial Photographic Data Computer CharacteristicCurve</title>
 <description>An aerial photographic coverage and flight planning computer, such as the Aerial Photographic Data Computer Type BM-38A . can assist you with many of the calculations required for mission planning. The aerial photographic data computer contains scales, indices, and information pertaining to frame and panoramic camera photography as well as radar and infrared detection mapping. This computer is a useful tool in mission planning. It can provide quick responses to a number of mission requirements...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/characteristic-curve/aerial-photographic-data-computer.html"&gt;&lt;img src="http://www.karinlauphoto.com/characteristic-curve/images/2208_105_78-computer-areial-photographic-data.png" style="width: 367pt; height: 366pt;" title="Figure Aerial photographic data computer front" alt="Computer Areial Photographic Data"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tmYOA370ZbY:fK67VAXgzXA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tmYOA370ZbY:fK67VAXgzXA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tmYOA370ZbY:fK67VAXgzXA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tmYOA370ZbY:fK67VAXgzXA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=tmYOA370ZbY:fK67VAXgzXA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=tmYOA370ZbY:fK67VAXgzXA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>CharacteristicCurve</category>
 <link>http://www.karinlauphoto.com/characteristic-curve/aerial-photographic-data-computer.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/characteristic-curve/aerial-photographic-data-computer.html</guid>
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 <media:title>Computer Areial Photographic Data</media:title>
 <media:description type="html">Figure Aerial photographic data computer front</media:description>
 <pubDate>Tue, 10 Apr 2012 15:24:53 GMT</pubDate>
</item>
<item>
 <title>Further Reading Hmq HistoryPhotography</title>
 <description>Barnard, Roger. Camerapix. In Anthology of African and Indian Ocean Photography. Paris Editions Revue Noire, 1999 232-235. Behrend, Heike. ''A Short History of Photography in Kenya.'' In Anthology of African and Indian Ocean Photography. Paris Editions Revue Noire, 1999 160-165. -. ''Fragmented Visions Photo Collages by Two Ugandan Photographers.'' Visual Anthropology 14 2001 310-320. Behrend, Heike. ''Imagined Journeys The Likoni Ferry Photographers of Mombasa, Kenya.'' In Photography's Other...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=yi6LX87vy2k:ZGOZazZq_D0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=yi6LX87vy2k:ZGOZazZq_D0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=yi6LX87vy2k:ZGOZazZq_D0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=yi6LX87vy2k:ZGOZazZq_D0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=yi6LX87vy2k:ZGOZazZq_D0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=yi6LX87vy2k:ZGOZazZq_D0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>HistoryPhotography</category>
 <link>http://www.karinlauphoto.com/history-photography/further-reading-hmq.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/history-photography/further-reading-hmq.html</guid>
 <pubDate>Tue, 10 Apr 2012 15:23:09 GMT</pubDate>
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<item>
 <title>Acknowledgements PanoramicPhotography</title>
 <description>To the photographers who agreed to participate in this project, I express my gratitude. Writing this first book has been a real honor, a unique experience, and a real team effort. Above all, I am extremely grateful to St phanie Poisson, my editor, for her encouragement and kindness, her critical but just attention, and her valuable work in proofreading. Without her, this book would not be the same. Most sincere thanks to my French publisher, ditions Eyrolles, notably ric Sulpice, for giving me...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/panoramic-photography/acknowledgements.html"&gt;&lt;img src="http://www.karinlauphoto.com/panoramic-photography/images/2388_1_11.jpg" style="width: 367pt; height: 114pt;" title="This laterally reversed photograph titled View the Pont Neuf the Quays the Louvre and the gisserie attributed Lerebours 1845 1850 Carnavalet Museum Frangois Xavier Bouchart rephotographed this same scene 180 years later with the same kind rotational camera"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hPh5esovYC4:bR-Tefb2B24:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hPh5esovYC4:bR-Tefb2B24:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hPh5esovYC4:bR-Tefb2B24:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hPh5esovYC4:bR-Tefb2B24:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=hPh5esovYC4:bR-Tefb2B24:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=hPh5esovYC4:bR-Tefb2B24:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PanoramicPhotography</category>
 <link>http://www.karinlauphoto.com/panoramic-photography/acknowledgements.html</link>
 <guid isPermaLink="true">http://www.karinlauphoto.com/panoramic-photography/acknowledgements.html</guid>
 <media:content url="http://www.karinlauphoto.com/panoramic-photography/images/2388_1_11.jpg" type="image/jpeg" height="160" width="514" />
 <media:title />
 <media:description type="html">This laterally reversed photograph titled View the Pont Neuf the Quays the Louvre and the gisserie attributed Lerebours 1845 1850 Carnavalet Museum Frangois Xavier Bouchart rephotographed this same scene 180 years later with the same kind rotational camera</media:description>
 <pubDate>Tue, 10 Apr 2012 14:30:18 GMT</pubDate>
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 <title>Info Ear PhotoPaper</title>
 <description>C135041256 A4 50 9 29 C13S041261 Aim 123 48 C13S04I264 A3 50 12935 A4 50 C13SO 1342 10.75 A3 50 Cl 3S041344 27 39 A3. 50 Ct3104t 340 3424 1034 Photo 2100 CMY feck Inks Bundles for 800 1800 T059 82400 CMYK Pack 1059 82400 Photo Pack gt ',. u 38 14 Includes Cyan, Magenta and ftiow inks 35.20 OndudM Cyan, Magenta. Wlow 8 Black inks Ot.11 includes Light Cyan, Light Magenta. Ught Black t Light Light Black Inks Ot.11 includes f o Black. Mar Blade. Cyan, Magenta. Mow, L n Cyan, Light Magenta, Light...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/photo-paper/info-ear.html"&gt;&lt;img src="http://www.karinlauphoto.com/photo-paper/images/2241_100_197.jpg" style="width: 145pt; height: 60pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=p9DUvf83iuY:xHOU5L0mO48:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=p9DUvf83iuY:xHOU5L0mO48:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=p9DUvf83iuY:xHOU5L0mO48:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=p9DUvf83iuY:xHOU5L0mO48:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=p9DUvf83iuY:xHOU5L0mO48:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=p9DUvf83iuY:xHOU5L0mO48:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>PhotoPaper</category>
 <link>http://www.karinlauphoto.com/photo-paper/info-ear.html</link>
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 <pubDate>Tue, 10 Apr 2012 13:18:06 GMT</pubDate>
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 <title>Color Canon 7D</title>
 <description>Color can play an extremely important part in composition, and understanding how color works will only help your images. In color theory, every color has an opposite color that is complementary. The primary colors are red, green, and blue, and their complementary colors are cyan, magenta, and yellow. Using these colors correctly can add balance and symmetry to your images Figure 8.16 . You can use color as a theme in your photographs Figure 8.17 . It's always a bonus when a person I'm...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-7d/color.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-7d/images/2272_134_246-turquoise-color-match.jpg" style="width: 367pt; height: 251pt;" alt="Turquoise Color Match"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=qGyLUcFWufc:uNkoNZlQJe0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=qGyLUcFWufc:uNkoNZlQJe0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=qGyLUcFWufc:uNkoNZlQJe0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=qGyLUcFWufc:uNkoNZlQJe0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=qGyLUcFWufc:uNkoNZlQJe0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=qGyLUcFWufc:uNkoNZlQJe0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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 <media:title>Turquoise Color Match</media:title>
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 <pubDate>Tue, 10 Apr 2012 09:33:58 GMT</pubDate>
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<item>
 <title>Photography AerialPhotography</title>
 <description>Principles, Techniques and Geoscience Earth Science Department Emporia State University Kansas, United States Department of Physical Geography Johann Wolfgang Goethe University Frankfurt am Main, Germany Physical Geography University of Trier Trier, Germany AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO Radarweg 29, PO Box 211, 1000 AE Amsterdam, The Netherlands Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright 2010 Elsevier B.V....&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i00q3X71ttc:g6Z2lJG6XiQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i00q3X71ttc:g6Z2lJG6XiQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=i00q3X71ttc:g6Z2lJG6XiQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i00q3X71ttc:g6Z2lJG6XiQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=i00q3X71ttc:g6Z2lJG6XiQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=i00q3X71ttc:g6Z2lJG6XiQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>AerialPhotography</category>
 <link>http://www.karinlauphoto.com/aerial-photography/photography.html</link>
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 <pubDate>Tue, 10 Apr 2012 08:53:16 GMT</pubDate>
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 <title>O Rxq ImageProcessing</title>
 <description>TABLE 15.2-1. Threshhold Levels and Associated Edge Detection Probabilities for 3x3 Edge Detectors as Determined by the Abdou and Pratt Pattern Recognition Design Procedure TABLE 15.2-1. Threshhold Levels and Associated Edge Detection Probabilities for 3x3 Edge Detectors as Determined by the Abdou and Pratt Pattern Recognition Design Procedure&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lwyPlEK2Bx0:J07_pWuqlTk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lwyPlEK2Bx0:J07_pWuqlTk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=lwyPlEK2Bx0:J07_pWuqlTk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lwyPlEK2Bx0:J07_pWuqlTk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=lwyPlEK2Bx0:J07_pWuqlTk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=lwyPlEK2Bx0:J07_pWuqlTk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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 <category>ImageProcessing</category>
 <link>http://www.karinlauphoto.com/image-processing/o-rxq.html</link>
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 <pubDate>Tue, 10 Apr 2012 07:42:37 GMT</pubDate>
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 <title>Crop Sensor vs Full Frame Sensor Which is Right For You UnderwaterPhotography</title>
 <description>After you have determined the implications between a crop and full frame your next move is to determine which suits your needs. For the enthusiastic underwater photographer a smaller 1.5x or 1.6x DX sensor will be ideal. If like me you have kept many lenses from the film era, it might be worth looking into a full frame body. Modern Nikon bodies are compatible with many Nikon lenses. Canon bodies all work with Canon EF lenses. Underwater photographers who aspire to a professional client base,...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=BxtWPoScBI8:cA-BP7wDKyA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=BxtWPoScBI8:cA-BP7wDKyA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=BxtWPoScBI8:cA-BP7wDKyA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=BxtWPoScBI8:cA-BP7wDKyA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=BxtWPoScBI8:cA-BP7wDKyA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=BxtWPoScBI8:cA-BP7wDKyA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
 <category>UnderwaterPhotography</category>
 <link>http://www.karinlauphoto.com/underwater-photography/crop-sensor-vs-full-frame-sensor-which-is-right-for-you.html</link>
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 <pubDate>Tue, 10 Apr 2012 05:55:26 GMT</pubDate>
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 <title>Tack Sharp Canon EOS Rebel T2i 550D</title>
 <description>Here's one of those terms that photographers like to throw around. Tack sharp refers not only to the focus of an image but also the overall sharpness of the image. This usually means that there is excellent depth of field in terms of sharp focus for all elements in the image. It also means that there is no sign of camera shake, which can give soft edges to subjects that should look nice and crisp. To get your images tack sharp, use a small depth of field, don't forget your tripod, use the...&lt;p&gt;&lt;a href="http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/tack-sharp.html"&gt;&lt;img src="http://www.karinlauphoto.com/canon-eos-rebel-t2i-550d/images/2274_165_182.jpg" style="width: 360pt; height: 103pt;"/&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=WoLFQNW5i7c:U6fNcVVevzM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=WoLFQNW5i7c:U6fNcVVevzM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=WoLFQNW5i7c:U6fNcVVevzM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=WoLFQNW5i7c:U6fNcVVevzM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?i=WoLFQNW5i7c:U6fNcVVevzM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?a=WoLFQNW5i7c:U6fNcVVevzM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/PhotographyTutorialsKL?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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 <pubDate>Mon, 09 Apr 2012 21:43:24 GMT</pubDate>
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