The PENTAX K-7 features a rugged, yet compact new body design, a new 14.6 megapixel CMOS sensor rebuilt from the ground up, and advanced features such as HD Movie Capture and new, unique-to-PENTAX camera controls.  Compatible with every PENTAX lens ever made, the high-end K-7 features an abundance of long-anticipated new and improved features that are exclusive to the camera and combine to make it a tremendous photography tool.   

“The K-7 will appeal to many current PENTAX SLR photographers who have been asking for more advanced features, but in a smaller, solid, comfortable-to-hold body,” said Ned Bunnell, president, PENTAX Imaging Company.  “We also believe the combination of the K-7’s smaller, high quality construction coupled with the growing line-up of our Limited compact prime lenses will appeal to serious shooters who currently don’t own or previously hadn’t considered adding a PENTAX to their camera bag.”

The most significant features of the PENTAX K-7 that have never been offered before in any K series digital camera, and in some cases any camera, include:

• A compact, magnesium alloy body that is one of the smallest in the advanced photo enthusiast category to reduce bulk and allow users to travel light while maintaining durability and build quality (seven percent smaller than the K20D and up to 25 percent smaller than other cameras in the same class).
• A new 14.6 megapixel CMOS sensor rebuilt from the ground up to minimize noise, adds four channel output for fast image capture, and the ability to capture HD quality movies. It is the ideal combination of resolution and file size, allowing very large (poster size and larger) prints and cropping flexibility.
• A new 77-segment metering system quickly and accurately determines exposure for even the most complex and dynamic lighting situations.
• HD Movie capture features adjustable quality and resolution settings, aperture control, as well as mechanical Shake Reduction, and an external microphone terminal for recording stereo sound.* The K-7 will capture video at the default standard of 1280×720 resolution with a 16:9 aspect ratio (equivalent to 720p), 1536×1024 resolution with a 3:2 aspect ratio, or 640×416 resolution with a 3:2 aspect ratio (equivalent to VGA quality), all shot at 30 frames per second.
• An HDMI port with selectable output resolution (1080i, 720p, 480p, and auto) offers high resolution playback of images and video on modern high definition TV’s.
• A Dedicated AF-assist lamp further improves autofocus response and accuracy in low light conditions.
• An Electronic Level function ensures that images have truly level horizons to minimize post-capture editing.
• An innovative in-camera Lens Correction function that electronically adjusts for Distortion and Lateral Chromatic Aberrations to maximize image quality with DA series lenses.
• A dedicated Mirror Lock-up function eliminates image blur due to mirror movement during long exposures.
• A High Dynamic Range (HDR) image capture mode captures three images then combines them in camera to widen the exposure gamut to bring out detail in all exposure areas of images.
• A composition adjustment feature in Live View allows minor shifts in the framing and composition of images using the Shake Reduction mechanism without having to physically move the camera. This feature is ideal for tripod use.
• A programmable embedded copyright function preserves artistic integrity and image ownership during capture via a keypad that may record ownership in metatag data.

One of the biggest advantages of lens-interchangeable SLR cameras is that users are able to choose from a larger selection of lenses. Maintaining the same basic structure of lens mount for a longer period means a broader, constantly growing array of compatible lenses. For this reason, the lens mount is an extremely important and symbolic element for both photography enthusiasts and professionals, who are able to benefit from ongoing use of their carefully selected collection of lenses. The Nikon F-mount, employed for even the latest, most advanced digital SLRs, has received and continues to garner the highest evaluations as a reliable, long-serving lens mount.

Evolution of the Nikon F-mount

• Introduced on Nikon’s first lens-interchangeable SLR, the Nikon F (1959)
• Auto aperture indexing enables automatic setting of maximum aperture (1977)
• Program auto exposure mode compatibility (1981)
• Aperture information exchange with the camera body through CPU communication (1983)
• Autofocus compatibility (1983)
• Digital SLR cameras compatibility (1995)

The NX Series offers the performance and image quality of a DSLR and the portability and convenience of a compact point-and-shoot. With the NX Series, Samsung opens new hybrid camera market.

Samsung’s new NX Series bridges the gap between a DSLR and compact point-and-shoot digital camera by combining the benefits of both in one new model. Like conventional DSLRs, the NX Series utilizes an APS‑C sized image sensor providing a larger surface area to gather light and produce higher-quality images than comparable digital camera systems. Unlike a DSLR, the NX Series does not feature a mirror box and employs an Electronic Viewfinder (EVF).

The use of an EVF has allowed Samsung engineers to significantly reduce the size and weight of the new camera system by decreasing the distance between the lens and image sensor (flange back) by approximately 60% compared to traditional DSLRs.

“We estimate that the hybrid digital camera market will be over 20% of the global digital still camera market by 2012,” said Sang-jin Park, CEO of Samsung Digital Imaging Company. “With the release of the NX Series, a digital camera that combines the strengths of a DSLR and compact digital camera, Samsung Digital Imaging will become a global leader in the new hybrid digital camera market and achieve the company’s goal to become the global leader in the digital camera market by 2012.”

The first model of Samsung NX Series will be available in the second-half of 2009.

With Scott Kelby and Matt Kloskowski, as its hosts, D-Town TV is a fresh approach to teaching camera tips and photographic techniques to today’s digital photographers. No matter what skill level or interest, each episode covers a wide range of topics.

About Scott Kelby:

Scott Kelby was just named the #1 best-selling computer book author for the 5th year in a row.

Scott is also the President of NAPP, the publisher of Photoshop User and Layers magazine, and chief “Photoshop Guy” on the popular podcast, PhotoshopUser TV. He also writes the wildly popular blog, Photoshop Insider, and is the creator of Photoshop World – the world’s only Photoshop and digital photography conference and expo. Furthermore, Scott also heads up Kelby Training, which teaches Photoshop and digital photography techniques to millions every day via online classes and live seminars…

About Matt Kloskowski:

Matt’s business card says, “Photoshop Guy” because best-selling author, Photoshop instructor (for conferences, seminars, workshops, online training, DVDs, etc.), photographer, co-host of PhotoshopUser TV, blogger and podcaster for Photoshop Killer Tips and Lightroom Killer Tips (the web’s #1 Lightroom resource), Photoshop User magazine contributor, and Education and Curriculum Developer for the National Association of Photoshop Professionals (NAPP) doesn’t fit.

Dr. Koichi Wakata, a Japan Aerospace Exploration Agency (JAXA) astronaut, will take images of the earth with the Olympus E-3 throughout his three-month mission on the ISS. Specifically, he will stay in the “Kibo,” which is the Japanese Experiment Module. It is located in the ISS and is Japan’s first manned facility where astronauts can conduct experiments for long periods of time. ‘Hope’ is the English translation for Kibo, and Dr. Wakata will be the first astronaut to inhabit the new experiment module. Images captured by Dr. Wakata will be available on Olympus’ Web site at http://olympus-space-project.com.

Details on the ISS, JAXA, the Japanese Experiment Module, Dr. Wakata and the next mission of the Space Shuttle Discovery are available at http://www.jaxa.jp/index_e.html.

• PENTAX K20D body only: $799.95
• PENTAX K20D with DA 18-55mm II lens kit: $879.95
• PENTAX K20D with DA 16-45mm lens kit: $1199.95

“With this price reduction, PENTAX now offers consumers the highest resolution on one of the most fully-featured DSLRs priced under 800 dollars,” said Bill Zani, vice president sales and marketing, PENTAX Imaging Company.

Along with the price reductions, PENTAX is extending the K20D FREE Three Year Warranty (one year standard, two years extended) on all K20Ds purchased by March 31, 2009.

Highly rated by several consumer magazines, the PENTAX K20D digital SLR camera with 14.6 megapixels is equipped with advanced features including a dust-proof, weather-resistant body, PRIME image processor that allows full image customization, and PENTAX developed Shake Reduction that works with any of the 25 million PENTAX lenses ever manufactured. The PENTAX K20D is the most affordable high resolution DSLR camera in the advanced photo enthusiast category and allows more experienced photographers, who demand complete control, to fully customize the camera.

In an affidavit to the court Marc Weinsweig, appointed as Chief Restructuring Office and COO as part of the Chapter 11 process, describes his actions as be aimed at ‘maintaining the day-to-day operations of the company’s business with minimal disruption’ in what he characterizes as ‘daunting economic times.’

Court papers suggest that Ritz Cameras owes over $40 million to its two largest creditors: Nikon Inc. and Canon USA, with a further $8.4 million owed to Fujifilm USA, a subsidiary of which owns around a third of the company. To put the $26.6 million owed to Nikon Inc. into perspective, it would represent somewhere in the region of 20% of Nikon Inc’s expected annual operating income.

Chapter 11 of the US Bankruptcy Code provides companies with protection from their creditors while they attempt to restructure. However, US retailer Circuit City, which filed for bankruptcy protection in November 2008 announced the closure of all its stores and the liquidation of its assets on January 16th.

Image Viewers

Here some popular image viewers, that support DNG file format.

FastPictureViewer Pro 1.0

Developer: Axel Rietschin
Official site: www.fastpictureviewer.com
OS Support: Windows XP/Vista

• DNG: Reads
• DNG Metadata: Reads, Edits (only in XMP files)

Picasa 3

Developer: Google
Official site: picasa.google.com
OS Support: Windows XP/Vista, Linux

• DNG: reads, edits (partially), converts (Jpeg)

Picture Information Extractor 4.80D

Developer: Picmeta Systems
Official site: www.picmeta.com
OS Support: Windows 95/98/XP/Vista

• DNG: reads
• DNG Metadata: reads, edits (some)

Breeze Browser

Developer: Breeze Systems
Official site: www.breezesys.com
OS Support: Windows 98/XP/Vista

• DNG: reads
• DNG Metadata: reads, edits

Nikon Corporation announces the introduction of the Nikon D3X digital SLR. This new camera employs a Nikon FX-format CMOS imaging sensor (35.9 x 24.0 mm) with an imaging area equivalent to 35mm film, and its 24.5 effective megapixels deliver images of striking quality and resolution.

Designed to meet the demands of a growing multitude of serious professionals, such as studio photographers, for whom exquisite detail is a vital part of their work, the D3X achieves resolution comparable to medium-format cameras — with an entirely new level of operating ease. It’s perfect for the broadest range of detailed work, from fashion and product shootings, to weddings, architecture, landscapes and large poster production. And it shares the robust body structure of the D3, for superior mobility and operation in virtually any shooting environment, indoors or out.

Major features

Wide sensitivity range starting at ISO 100

At normal setting, the D3X offers a wide range of sensitivity — from ISO 100, suitable for stroboscopic setting in studio shoots, to ISO 1600. It realizes superior image quality with less noise at ISO 1600 as well as at low sensitivity settings. What’s more, the sensitivity range can be increased by two stops (up to ISO 6400 equivalent) and decreased by one stop (down to ISO 50 equivalent), offering an even greater diversity of shooting possibilities. Auto sensitivity control is also available.

New EXPEED-based image processing

A new image processing system, based on Nikon’s comprehensive EXPEED digital image processing and specially optimized for the D3X, provides superior image quality, faster processing speeds and lower power consumption. This advanced system achieves precise color reproduction for the broadest spectrum of hues, plus vivid saturation and smooth gradation, conveying colors as you see them, even with the slight changes in color tones you perceive. Furthermore, Nikon’s advanced noise processing function, which was designed to minimize noise occurrence, achieves this without interfering with other factors, including hue.

High-speed performance meets the most rigorous professional demands

Just like the D3, the D3X achieves a start-up time of 0.12 second and a shutter release time lag of 0.04 second. It delivers a continuous shooting speed of approx. 5 frames per second in FX format (36 x 24) or 5:4 (30 x 24), and 7 frames per second in DX format (24 x 16). Also, the D3X is fully compatible with UDMA, the new-generation high-speed card that enables 35 MB recording equivalent to the D3. The D3X is capable of recording approx. 7.1 MB (JPEG, image size L, NORMAL) of data captured in FX format at speeds of approx. 5 frames per second.

Realizing reliable auto control: Scene Recognition System

As with the D3, the D3X recognizes subjects and shooting scenes using a 1,005-pixel RGB sensor that precisely controls exposure by detecting not only the brightness but the colors of the subjects as well. The results are applied to control Autofocus, Auto Exposure, i-TTL Balanced Fill-flash and Auto White Balance, thereby achieving control of the highest.

AF system employing high-density 51-point AF

The Multi-CAM 3500FX autofocus sensor module, originally incorporated in the D3, offers proven outstanding performance. All 51 focus points, including the 15 cross-type sensors located at the center, are effective in all AF NIKKOR lenses with a maximum aperture of f/5.6 or larger. Three AF-area modes — Single point, Dynamic-area AF and Auto-area AF — are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. Moreover, in Scene Recognition System, subject identification and tracking information is applied to improve subject acquisition performance in Dynamic-area AF mode and focusing accuracy for human subjects in Auto-area AF mode.

Superior durability

Magnesium alloy is used for the exterior cover, chassis and mirror box to ensure light weight and rugged reliability. Strict O-ring sealing at critical connected parts effectively restricts dust and moisture.
The shutter unit, developed and manufactured by Nikon, employs a new material (carbon fiber/Kevlar^® hybrid) for the shutter blades, guaranteeing excellent durability through 300,000-cycle release tests with the shutter actually loaded. Precision is also maintained with a shutter monitor.

High-resolution 3-inch LCD monitor with approx. 920k-dots (VGA), 170° wide-viewing angle and reinforced glass

The D3X incorporates a large, 3-inch LCD monitor with ultra-high resolution of approx. 920k-d­ots (VGA). Enlarged playback images also appear in extremely high resolution for easy focus confirmation. The wide viewing angle of 170° makes it easy to check composition in Live View shooting for both high and low angles.

Two Live View modes available

In Handheld mode, which allows the frame to be recomposed prior to actual shooting, ordinary TTL phase-difference AF using all 51 AF points is activated. Tripod mode is designed for precise focus with still subjects and tripod stabilization; it allows focal-plane contrast AF on a desired point within a specific area. Optional software Camera Control Pro 2 enables monitor focus and control shutter release from a computer. And optical Wireless Transmitter WT-4 enables wireless remote camera control and image transfer.

Picture Control System

Picture Control System offers four kinds of Picture Controls: Standard, Neutral, Vivid, and Monochrome. Choose one and use as is, or adjust image creation factors (Sharpening, Contrast, Brightness, Saturation, and Hue). Optional Picture Controls (Portrait, Landscape, D2XMODE I, D2XMODE II and D2XMODE III) are available at the Nikon website for downloading and installation to your camera.

Active D-Lighting — reproducing brightness as you see it

In settings with strong contrast, Active D-Lighting, used in combination with 3D Matrix Metering II, determines an exposure by utilizing a gradation of highlights, detects lost shadows, then reproduces them after digital processing. Rather than simply expanding the dynamic range, Active D-Lighting prevents images from looking flat through localized tone control technology, and creates realistic contrast while compensating lost shadows and highlights. Choose from Auto, Extra High, High, Normal, Low or Off setting prior to shooting.

Electronic virtual horizon

An accelerator sensor incorporated in the body of the camera detects inclination and displays it in the LCD monitor. In Live View shooting, virtual horizon is displayed in the LCD above the monitor image. It can also be displayed in the top control panel and in the exposure indicator of the viewfinder.

UDMA-compatible memory card double slot

The CompactFlash (CF) card slots are UDMA-compatible for high-speed data transfer. With the double slot, you can choose from Continuous recording, Backup recording, and RAW + JPEG Separation recording (records the same image in RAW and JPEG on different cards). You can also copy the data from one card to another.

GPS Unit GP-1 (optional)