Play Crack The Sky Music

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Sun, 08 Apr 2012 15:14:00 +0100

Back in December, we announced Play Crack The Sky Music would be going on hiatus and will be launching under a new name in the new year.

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Play Crack The Sky Music: Albums of the Year (2011)

Fri, 16 Dec 2011 16:08:07 +0000

(As chosen by Sean Reid (PCTS Music Founder/Senior Editor))

2011 has been another incredible year for music. From stunning debuts to compelling and concise finales, the “alternative” music world has been spoiled by an abundance of superb albums over the past 12 months.

Although there has been more than plenty of notable releases, compiling a list of the 10 best has, as always, proved to be a difficult task. Releases from the likes of Thrice, Into It. Over It., Patrick Stump, New Found Glory, Seahaven, Man Overboard and several others are unfortunate to miss out on our top 10. Nevertheless those releases, along with the following 10 records just show how outstanding 2011 was for music.

In addition to our top 10 albums of the year, we have also compiled our favorite EP’s, record labels, shows for 2011, which can viewed further on.

What are your favorite albums of 2011? Tell us on Facebook or Twitter.

10. Foo Fighters - Wasting Light (Listen on Spotify)
After releasing a few less than favorable releases, Dave Grohl and company returned with an almighty blast in 2011 with “Wasting Light.” A straight-up rock album from a band that sound refreshed and reinvigorated. From the opening fiery“Burning Bridges,” to the hooky “Arlandria” to the thrashing “White Limo,” Foo Fighters’ seventh full-length is a consistent and strong record.

9. The Wonder Years - Suburbia I’ve Given You All And Now I’m Nothing (Listen on Spotify)
For many 2011 has belong to one genre, Pop Punk. While there has been numerous and worthwhile releases in the genre, none of them has stood out more than The Wonder Years’ latest record. “Suburbia I’ve Given You All And Now I’m Nothing”defines the bands style and approach; accessible lyrics with instant (mature) pop punk hooks. From the soaring “And Now I’m Nothing” to bold ”Local Man Ruins Everything,” “Suburbia…” has everything a Pop Punk fan wants, and more.

8. Manchester Orchestra - Simple Math (Listen on Spotify)
After producing two stunning records in “I’m Like A Virgin Losing A Child” and“Mean Everything to Nothing,” Manchester Orchestra latest effort, “Simple Math” proved that the Atlanta, Georgia group are one of the most consistent groups today. “Simple Math” is a deep yet rewarding musical and lyrical journey, that has it mixture of warming, delicate moments (see “Deer”) and uplifting, satisfying parts (“Simple Math,”) which inevitably leave you hooked.

7. Great Cynics - Don’t Need Much (Listen on Spotify)
Despite a name change (from Cynics) and the transformation from a solo act to a trio, Great Cynics’ debut full-length turned out to be a sensible record that, fused folk and punk rock together and created an uplifting and honest sound that helplessly wins you over.

6. Basement - I Wish I Could Stay Here (Listen on Spotify)
On their debut full-length, Ipswich five-piece Basement somewhat ditched their Pop Punk style for a more post-hardcore/emo sound that takes its influences from bands like Sunny Day Real Estate and The Promise Ring. The outcome of this change was “I Wish I Could Stay Here,” a thorough, confident record that is well-paced and balances itself between louder, raspy moments and slower, smoother ones. Although the end result is somewhat surprising, it repeatedly leaves you hooked.

5. The Vaccines - What Did You Expect from The Vaccines? (Listen on Spotify)
Written off by some as another over-hyped NME indie band, The Vaccines’ fulfilled their hype and (over-)exposure with “What Did You Expect from The Vaccines?,” a record that on surface is your usual British indie rock record, but in tracks like“Norgaard” and “If You Wanna” are quick jangly guitar gems, that show their influences lean towards 80’s post-punk. Whereas “Wetsuit” and “Family Friend” are slow-burning, compelling tracks that gives the record variation. On the whole The Vaccines’ debut is a straight-forward record, that allows itself to have the right balance between favorable,lively melodies and necessary, engaging somber moments.

4. Thursday - No Devolución (Listen to on Spotify)
Before calling time on their 14 year long career, Thursday delivered an outstanding record in “No Devolución.” Their sixth album built on the expressive basis “Common Existence” provided, and combined it with a brilliantly executed atmospheric and textured sound. With a sensible, well-crafted mixture of light, softer moments (for example “Empty Glass”) and darker, musically thicker parts (“Magnets Caught in a Metal Heart”,) this New Jersey has left us with a highly satisfying record that, at times, leaves us stunned.

3. Bon Iver - Bon Iver (Listen on Spotify)
After receiving wide critical acclaim for their debut record, “For Emma, Forever Ago.” Bon Iver returned with their highly anticipated follow up in 2011. Thankfully“Bon Iver” delivered in abundance, as front man Justin Vernon provides with a potent, delicate record that thrives off its honest, sincere approach and subtle musical ambitiousness. Vernon and company gently take you on a gratifying musical journey, one that flows with much ease and warmly humbles you from start to finish.

2. Balance & Composure - Separation (Listen to on Spotify)
Following on from several acclaimed EP releases, Doylestown, PA’s Balance and Composure surpassed expectations with their debut full-length, “Separation.” A record that is brilliantly crafted and collectively radiant, with lyrical depth that adds to the bands endearing style.

1. The Horrible Crowes - Elsie (Listen on Spotify)
While side-projects at times prove to be indifferent and uninspiring, The Gaslight Anthem’s Brian Fallon (along with guitar tech, Ian Perkins) blew us away with The Horrible Crowes’ highly compelling record, “Elsie.”

From the soothing opening moments of “Last Rites,” to the soulful “Go Tell Everybody,” and beyond, Fallon and Perkins humble, pristine musical approach and lyrical clarity repeatedly leaves you stunned and results in “Elsie” being a perfectly-tuned and accurately-timed record.

Sean Reid (@SeanReid86)(Founder/Senior Editor)

Top 5 EP’s
1. Late In The Playoffs - Everything I Know EP
2. Turnover - Turnover
3. Glassjaw - Coloring Book
4. Diamond - Don’t Lose Your Cool
5. The Tower and The Fool - XIII 7”

Top 3 Record Labels
1. Run For Cover Records
2. No Sleep Records
3. Hang Tight Records

Best Live Show: Jimmy Eat World “Clarity/Bleed American” - HMV Forum, London (22/6/11)

Most Anticipated Album for 2012: Say Anything - Anarchy, My Dear

Michael Brown (@MikeyMiracle) (Assistant Editor/Contributing Writer)

Top 10 Albums
1. Thrice – Major/Minor
2. Balance And Composure – Separation
3. Transit – Listen & Forgive
4. Defeater – Empty Days & Sleepless Nights
5. Touché Amoré – Parting The Sea Between Brightness And Me
6. Lower Than Atlantis – World Record
7. Fireworks - Gospel
8. The Wonder Years – Suburbia I’ve Given You All And Now I’m Nothing
9. Spy Catcher - Honesty
10. Tellison – The Wages Of Fear

Top 5 EP’s
1. NGOD - XL
2. Glassjaw - Coloring Book EP
3. Arcane Roots - Left Fire
4. Daytrader - Last Days Of Rome
5. Such Gold/A Loss For Words - Split EP

Top 3 Record Labels
1. No Sleep Records
2. Run For Cover
3. Rise

Best Live Show: La Dispute - Hevy Festival (7/8/11)

Most Anticipated Album for 2012: The Skints

Words by Sean Reid (@SeanReid86)

EP Review: Make Do And Mend - Part And Parcel

Fri, 16 Dec 2011 14:51:49 +0000

All eyes are surely on Make Do And Mend right now. The most recent reason for those eyes darting towards this band would be their recent signing to Rise Records. A great step to even greater things for Make Do And Mend and another brilliant signing by Rise Records. However, this news may slightly distract away from the band’s recent and now final release on Paper And Plastick.

Say hello to “Part And Parcel”; six acoustic tracks: four newly arranged tracks, one new track and one cover. The proposal of an acoustic EP does sound quite simple, and usually it would be. Well, saying it’s easy for most bands pragmatically means that they’ll simply play the songs pretty much the same as before but on acoustic guitars.

However, Make Do And Mend are better than that and have arranged their own tracks brilliantly, adding new instruments and an almost folk feel that especially stands out on the new tracks. James Carrol only slightly adjusts his voice for these variations of the “End Measured Mile”/”Mixed Signals” tracks. The rough of his voice slips through on occasion but does work surprisingly well when he isn’t soothing along with the added dashes of lead electric guitar.

New track simply called Untitled for now gives us a snippet into what writing is producing from the Make Do And Mend camp. A full electric version of this song could appear on the new album expected some time in 2012, but for now, we can take this version as an brilliant insight into things to come.

Possibly the stand out track of this bundle of songs has to be “Home Away From Here”. This Touché Amoré track was brilliant on “Parting The Sea Between Brightness And Me” but is given a new light here. The band do an absolutely beautiful rendition of it and it just goes to show that a good song is good no matter of the style that it’s performed in.

“Part And Parcel” shows us the versatility present with Make Do And Mend. It shows us what the band can do and that they can do it well. The only fault, if any, is that I’m eager for new tracks. I want to hear this new album and as good as “Part And Parcel” is, it’s teasing me bit by bit.

However, I could also happily bet that if Part And Parcel is anything to go by, the new album hitting our ears next year will be absolutely fantastic and all eyes will be on Make Do And Mend. Again.

3.5/5

“Part and Parcel” by Make Do and Mend is available now through Paper + Plastick (US)/Pink Mist (UK).

Make Do and Mend links: Official Website|Facebook|Twitter|Bandcamp|MySpace

EP Review: Family Lumber - Look To The Sidelines

Fri, 02 Dec 2011 16:45:50 +0000

Four tracks make up this EP of gentle, indie rock tunes with some parts reminding us of Manchester Orchestra. However, that’s kind of the problem. I can only remember that some parts of some of these tracks reminded me of Manchester Orchestra; I can’t remember Family Lumber.

Initially I was quite excited by the name. It seems quite intriguing to me in a way, but that’s about it that stands out from this EP. The first track ‘Before I Sleep’ starts off quietly, but then the full band kicks in soon after. Sadly though, there isn’t much of an impact. Whilst the production is quite good with some nice guitar tones, it’s all just a bit weak really.

&amp;amp;amp;lt;a href=”http://familylumber.bandcamp.com/album/look-to-the-sidelines” _mce_href=”http://familylumber.bandcamp.com/album/look-to-the-sidelines”&amp;amp;amp;gt;Look To The Sidelines by Family Lumber&amp;amp;amp;lt;/a&amp;amp;amp;gt;

I feel there’s a lack of impact. Nothing really grabs me and nothing stands out. I understand the type of melodic, almost twinkle daddies layered indie music that Family Lumber play and that it isn’t going to be totally upbeat, but there’s still nothing great. There’s nothing really standing out as anything spectacular or even overly memorable. Even the repetitive guitar melodies aren’t staying in my head. They just grate on me after a while.

If you do like this kind of music then there’s probably not much to look at here. Try out Manchester Orchestra or Tigers Jaw instead.

2.5/5

“Look To The Sidelines” by Family Lumber is available (self-released.)

Family Lumber links: Facebook|Twitter|Tumblr|Bandcamp

Words by Michael Brown (@MikeyMiracle)

EP Review: Young English - I Hate My Friends

Fri, 02 Dec 2011 16:45:23 +0000

Listening to “Neighbors,” the opening track from Young English’s new EP, “I Hate My Friends,” it is clear that the Orange County, New York band are influenced by post-millennium alt-pop rock bands such as Hot Rod Circuit, Saves The Day and The Get Up Kids. As “Neighbors” is a bright, thriving number that neatly sets the tone for this four-track release.

“Anchors” is next and keeps up the momentum, as Young English show an effective blend of melody and upbeat tempo. Whilst the bands guitar tone hints a mid-90’s emo sound. It’s a sound that is pleasing and highly favourable, and “New England” takes on a similar approach.

Although there are certain influences appearing throughout, Young English are still capable of forming their own identity. For example Chris Pennings’ vocals have distinction and on “I Knew You Once” have a convincing approach and attitude which gives the track that extra needed punch.

With a sensible balance between their influences and own originality, “I Hate My Friends” is a short yet direct EP that shows Young English is positive light. Their approachable, upbeat, straight-to-the-point style is well-executed and gives the band tons of potential.

A highly promising effort with that hit’s all the right spots.

4.5/5

“I Hate My Friends” EP by Young English is released through Panic Records on December 6th.

Young English links: Facebook|Twitter|Purevolume

Words by Sean Reid (@SeanReid86)

Interview: Lazy Bear Records (Sebastian Simone)

Thu, 01 Dec 2011 09:07:00 +0000

With their “Definitive Guide to Pop-Punk 2011” compilation being released today, Play Crack The Sky Music recently spoke to Sebastian Simone of UK-based Pop-Punk label, Lazy Bear Records.

“Definitive Guide to Pop-Punk 2011” is Lazy Bear’s first release and will feature tracks from familiar and unknown UK bands such as Paige, Fine Young Firecrackers, Who’s Driving? Bear’s Driving!, Next Stop Atlanta, A Day Overdue, Maycomb and more.

Simone spoke to PCTS Music about how Lazy Bear Records started, how the compilation came together, the label’s clothing line and involvement with the Hauser Bears charity, why Pop-Punk has made a comeback and more.

How did Lazy Bear Records start?
We founded Lazy Bear Records for a final year university project in Spring 2011 on a music management course. Following the founders graduating in June (with 1st class honours just to add!) we decided to carry on the label, which has been functioning as a real venture for almost 4 months now.

You’ve recently announced plans to release a compilation entitled “Lazy Bear’s.” First of all, where did the idea come from?
We wanted our first release as a label to be something that would get some good, great exposure and in order to do that, apart from the resources and capabilities we have, we wanted to get some really enthusiastic bands involved who would not only help expose the label, but also get some well deserved recognition themselves.

We’re really passionate about pop-punk music here at Lazy Bear HQ and we know there’s some awesome talent, particularly here in the UK, so we took this opportunity to basically help push the UK pop-punk scene.

How did the compilation come together?
The compilation took a while to get rolling. As a start-up label our credibility was pretty low and we were getting a lot of ‘maybes’ and ‘who else is involved’ responses, which ultimately slowed down the process a lot. After we got a a few of the bigger bands confirmed, the rest sort of fell into place. Now we’re stoked about the line-up. We’re working with some amazing bands!

Is there any reason the compilation only has UK bands?
We wanted the 2011 compilation, our first release, to be focused on promoting UK bands. Like we said before, we know there’s so many amazing UK artists and we just want to give them some of the recognition they deserved.

The compilation has both familiar and unknown bands, what bands are you especially excited about?
We’re big fans of the pop-punk music scene and had done some extensive research into who we wanted on the compilation. Admittedly, we wanted to keep it to around 13 tracks, but once we had the credibility factor from a few of those familiar bands confirming, the rest flooded in. We’re very excited about Sell Your Sky, these boys are incredibly talented and are going to be doing some awesome things in 2012.

How important is it for lesser-known bands to be part of a compilation like yours?
I’d say it’s crucial! I mean, there’s really nothing to lose, we’re committed to putting in a lot of our efforts into PR, promotion and marketing. We got a little mention in Kerrang! this week which also highlighted some of the bands involved, and we’ll have a more substantial feature in the December issue of Rock Sound too.

This type of coverage allows the smaller bands to get some real solid exposure and of course being associated with the more well known bands is a great way to get your foot in the door, so to speak.

The compilation is being released for free. Do you think this is more beneficial for both the label and bands involved, as it means more exposure?

Absolutely. We hold a very strong opinion that you simply shouldn’t expect people to pay for digital music, it’s too easy to get hold of illegitimately. We’re all for selling unique physical copies, presented in a more ingenuitive way than just a CD in a case and even people paying optionally, but when it comes down to it, we believe for bands of this size and for a label of our size, that releasing this for free is the most encouraging way to share and expose the talent these artists have to offer.

The Pop-Punk genre is one that is very popular at the moment. Why do you think it’s made somewhat of a comeback in recent years?

Bands such as All Time Low have began to push the genre in to the mainstream sphere. Don’t get me wrong, you won’t be hearing independent pop-punk bands on (BBC) Radio 1 every day, but it’s certainly growing. The genre also has a much more dominant presence in the States and Asia; Warped Tour has certainly helped cement the pop-punk genre into the mainstream over in America and the UK is starting to follow their lead, especially with the expansion of the Slam Dunk Festival over the past few years.

The music’s awesome, it’s catchy, can be enjoyed in many subcultures and there’s some great musicians making pop-punk music. There’s obviously different sub-genres of pop-punk and in their own right, they all appeal to a slightly different market, which is really helping roll out the music.

Do you think the popularity of the genre may become a problem in the future? Will it become a genre that is saturated?
Possibly. The lighter orientated pop-punk could become very easily commercialized. On a general level, I don’t think it will ever have the same problem ‘Rock’ has when associating a musical genre. To be honest, every genre could be classed as saturated, there’s so many bands and artists all doing the same thing, but there’s only ever going to be the best and the select few that make it and help push the genre, and we’re here to help find them and be a part of the pop-punk growth in the UK.

Away from the compilation, the label has a clothing company. Tell us about it?
We set up the clothing side properly about a month ago, although it’s been something we’ve wanted to do for a long time. It was set up as we simply wanted to sell clothes that represented the music scene we’re associated with and to help roll out the Lazy Bear brand. At the minute it’s sort of a learning curve. Expect a new line come in the new year including a professional approach down to the tiniest detail! We cant wait for it.

In addition, the label works with Hauser Bears charity. What is this charity and in what way does Lazy Bear help Hauser Bears?
Hauser Bears charity is a bear conservation and welfare charity, they’re helping change the fate of bears worldwide by educating, saving and tackling political issues at the center of the problem.

Lazy Bear currently donates £1 of every T-shirt sale to the charity, so the more people buy, the more we give! Due to distribution rights, we won’t be able to provide the upcoming compilation for free from iTunes, one of the many distribution methods we’re utilizing to get the compilation out there. For this reason, 100% of any purchased individual tracks or compilation sales as a whole will go directly to Hauser Bear Charity.

Going into 2012, what does Lazy Bear have planned. Will you be working with any bands from the compilation again?
We’ve got a hell of a lot planned! We’ll certainly be working very closely with a some of the bands from the compilation, we can’t say just yet, but keep your eyes out! We’ve developed an awesome relationship with some of the bands involved and we share the same ethos towards the music and the future of the industry, so expect some collaborations!

As I mentioned above, we’ll also be improving and expanding Lazy Bear Clothing, so keep your eyes out on that. Head over to our Facebook page and give us a ‘like’ to receive the discount code for 15% off too, not bad eh!

Lastly, we’re having a website re-design. This is being rolled out over the next few months and the intention is to segment the Lazy Bear brand more clearly.

Currently, we’ve got Lazy Bear Records and Lazy Bear Clothing in operation, but we’re finding people are seeing the Clothing side as label merch and that’s not the look we’re going for. Coming with this website re-design is a brand new Lazy Bear service, which we hope will really help out bands, locally and internationally, so keep your eyes out for that too!

Any final words to close the interview?
Keep it lazy!

“Lazy Bear’s Definitive Guide to Pop-Punk 2011” is available now Lazy Bear Records.

The compilation includes tracks from:
Kids Can’t Fly, Autumn In Disguise, Sell Your Sky, Paige, Fine Young Firecrackers, Scream Don’t Whisper, Hey! Alaska, Who’s Driving? Bear’s Driving!, The Headstart, As We Climb, A Day Overdue, Highrise, Promise Me Tomorrow, Above The Underground, Better Left Alone, Next Stop Atlanta, Maycomb and These City Lights.

Words by Sean Reid (@SeanReid86)

Album Review: Deaf Havana - Fools And Worthless Liars

Wed, 23 Nov 2011 18:14:00 +0000

Evolution

1. A gradual process in which something changes into a different and usually more complex or better form.

And in we bring Deaf Havana; a post hardcore band who lost their screamer but held on through, evolving into the band they are now; a mighty British rock band full of riffs, passion and a knack for writing incredibly catchy songs that are catchier than the common cold.

Yes, that’s incredibly cliché, but it’s true. If you are suffering from the common cold at the moment, then this album should surely be the ‘pick me up’ you need. Full of hope and nostalgia, this feel-good album deals with down lyrics, yet still feels overwhelmingly optimistic enough to physically pull you up from the floor and tell you that ‘you can do it,’ in a scene triumphant enough for a motion picture finale. You know, before the hero gets the girl kind of thing.

It’s probably worth mentioning that I’m also writing this review on only my third full listen through. That may seem foolish for a reviewer to do, but please forgive me. This album flows with something special through its veins, and it’s catchy enough of these few listens for me to already be singing along. It’s be highly unfair of me to select specific songs that are deemed as highlights when the entire album bleeds success.

However, if you do want to note something down, then take a listen at James Veck-Gilodi’s vocals. Wow. Soft, yet harsh, but full of passion either way and he has certainly stepped up exceedingly well to the newly found frontman duties. This evolution has served Deaf Havana a lot of good. And I mean, a lot of good. Ok, so there may be a few alternative rock bands dotted about, but not many that are this catchy and this good.

Oh, and British, let’s not forget that. This is alternative British rock and it’s brilliant. Mark my words; this album will absolutely propel Deaf Havana and make them one of the biggest bands in the country; You Me At Six-style. But don’t go jumping off the bandwagon because they’re getting popular. Stick with them and support this band with this fantastic album they’ve made, all for your enjoyment.

Maybe Deaf Havana haven’t evolved. Maybe they’ve just simply grown up. As James sings in ‘Youth In Retrospect’; “So three cheers to growing up”.

4.5/5

“Fools And Worthless Liars” by Deaf Havana is available now through Easy Life Records/BMG/Wolf At Your Door.

Deaf Havana links: Official Website|Facebook|Twitter|Spotify

Words by Michael Brown (@MikeyMiracle)

Exclusive Feature: The Motel Life - They Don't Know You: A Comic About Tour, Music and Other Things

Mon, 21 Nov 2011 21:43:18 +0000

Play Crack The Sky Music has teamed up with Michael Paul Escanuelas of The Motel Life to produce a special tour comic book.

“They Don’t Know You: A Comic About Tour, Music and Other Things” takes Escanuelas’ tour experiences and combines it with his artistic drawings. The final result is a detailed insight to The Motel Life’s time on the road.

“They Don’t Know You: A Comic About Tour, Music and Other Things” can be downloaded for free HERE.

About Michael Paul Escanuelas
I am Michael Paul Escanuelas. I sing in the band The Motel Life, a five-piece indie rock act out of Los Angeles, CA. We are a small but mighty band with hearts of gold. We have been around since 2007 and have been on 6 self booked tours. That’s where this book comes in. We recently went on tour through the west coast and midwest. It was the most ambitious tour we have yet to be on and the most rewarding.

About “They Don’t Know You: A Comic About Tour, Music and Other Things”
This is a comic book detailing out adventure. The road is a lonely place. Going out in the world, doing your thing, and showing it to many people is always an experience with mixed results. You have a lot of down time during these trips and you have a hell of a lot of time to think to yourself. This book details a taste of the things we have experience as a band, personal thoughts, and good times shared.

These comics were written while on the road during October 14th through October 27th 2011 and then drawn once I got home. Sometimes our experiences can be rough, but most of the time we are reminded why we do it in the first place.”

Michael Paul Escanuelas links: Official Website|Tumblr|Twitter

Album Review: Into It. Over It. - Proper

Tue, 15 Nov 2011 19:54:07 +0000

After countless splits (the majority of which became “Twelve Towns”) and the “one song per week for a year” project aptly named “52 Weeks”, we finally have “Proper”. And clearly as it’s name suggests, it’s actually a proper album. 12 tracks of Evan Weiss as Into It. Over It.; an absolute marvel of a storyteller and song writer who clearly deserves all the credit and respect inevitably coming his way.

As if the recent collection of “Twelve Towns” wasn’t enough, “Proper” was released and so there was no need for us to pick our jaws up off of the floor. Just keep them down there. Well, until you bring them back up to sing along, which won’t take long. Such memorable lyrics and hooks dotted about all over the show. And all on his own.

To explain, Evan Weiss is Into It. Over It. On record, he usually plays the majority of the full band sounding songs. However, live, he strips them down to just his magnificent voice and sometimes they become intricate and delicate, sometimes upbeat, but always passionate.

Like his previous releases, it is clear the songs on “Proper” are once again going to translate so fluently into the live setting. One which Evan seems so comfortable and at home in.

Lyrically, it’s as interesting as ever. Evan has introduced many songs live as “this is about a time I nearly got beat up in a bar” or about “how this girl broke my heart” etc. Of course, this isn’t nice and seems bewildering how Evan gets caught up in these situations, as he is genuinely one of the nicest people I have ever met. However, these anecdotes do make for absolutely brilliant tales.

If lyrics such as “You look so confused, I guess it’s confusing, trying to keep score when you can’t tell who is winning” from “Write It Right” and “You’d still complain if the rope on your noose was frayed” from “Staring At The Ceiling,” doesn’t seem brilliant yet tragic to you, then I don’t know what does.

Many of the more upbeat songs on this record do feel like a continuation of where Evan’s side-project band Stay Ahead Of The Weather left off with their EP; “We’d Better Get Going If We’re Gonna” but that’s clearly not a bad thing at all. It’s what I’ve come to love from Evan.

The only downside for me is that there’s not enough of the more upbeat stuff. Yes, live the songs are played acoustic, and you could define Evan as an acoustic artist. But that’s my problem; too many acoustic acts are defined by slow, sad songs and it doesn’t have to be that way. On “Proper,” Evan shows us that you can have sad songs but they can still be upbeat, which puts them in a more positive light. It is a welcomed idea, and one that should be used again in future.

Saying that, just listen to “Proper”.You’ll feel much better off; inspired and fulfilled.

Bravo Evan. Bravo.

4/5

“Proper” by Into It. Over It. is available now on No Sleep Records.

Into It. Over It. links: Official Website|Facebook|Twitter

Michael Brown (@MikeyMiracle)

EP Review: The Tower and The Fool - XIII

Tue, 08 Nov 2011 21:35:24 +0000

Before I start this review, I must state that before hearing The Tower and The Fool, I was unfamiliar vocalist Alex Correia’s previous group, Therefore I Am, something I am going to change as soon as possible, because if his voice as superb as it is on these two songs, I’m going to be impressed.

Nonetheless The Tower and The Fool is Correia’s post-Therfore I Am band and XIII is the bands first release since their self-titled mini-album of late 2010.

<a href=”http://runforcoverrecords.bandcamp.com/album/xiii” _mce_href=”http://runforcoverrecords.bandcamp.com/album/xiii”>XIII by The Tower And The Fool</a>

It’s quite surprising to have two songs to have such a heavy impact. Die Alone was recently featured on Run For Covers’ Mixed Signals compilation and was earmarked as distinctive highlight. Correia’s raw, passionate vocals provide a smooth leadership over gorgeous country-esq guitar lines that unbelievably compliment one another. On top of that, Correia’s lyrical narration intriguingly draws you and along with the twanging guitars and laid back tempo, you can’t help but feel you’re listening to something special.

Track number two, NYC, is a delicate folk-y number with Chris Rosenquest taking over on vocals and provides a gruff-yet-relaxed delivery. Lyrically it is a track which poignant and neatly compliments the twinkling and delicate acoustics, that serve as the backdrop to Rosenquest heartfelt words.

While there are only two songs here, the lasting impression is enormous. As song-writers, Correia and Rosenquest are fully capable of drawing the listener with a soft hand and when combined with suitable instrumentation, the band give off a sense of uniqueness and excitement.

The downfall of this two song release, is that it leaves fans anxious to hear what is next for The Tower and The Fool, but if XIII is anything to go by their potential leads to great expectations.

4.5/5

XIII by The Tower and The Fool is out now on Run For Cover Records.

The Tower and The Fool links: Facebook|Twitter|MySpace

Words by Sean Reid (@SeanReid86)

Album Review: Thrice - Major/Minor

Mon, 07 Nov 2011 21:43:51 +0000

Unfortunately for Thrice, they’re not the biggest band in the world. But no, this isn’t sarcastic in any way. Just bare with me with this review, whilst I explain a little more about Thrice for those of you who don’t know who they are. Those of you who are aware of Thrice will be fully aware of what I’m about to say and will back me up 100 percent.

Thrice are underrated. It’s sad, but true. Evolving from their post hardcore days back with The Illusion Of Safety, through the alternative yet oh so brilliant tangent of Vheissu and the experimental genre elements of The Alchemy Index, we reach a combination of all these efforts with Major Minor; A fantastic, mature record that really does sum up Thrice and show them off in a spotlight only they deserve.

Major/Minor does seem to be the logical and natural progression from Beggars which seemed to be a warm up for what we have today - 11 tracks of pure, song writing and musical genius. The stripped down Beggars still seems slightly present, but the word raw seems so much more fitting, providing us with the idea of it being bare and aggressive, which pins it quite well. There are moments where the past of The Artist In The Ambulance seem to sneak in with a riff or two ontracks such as Yellow Belly and Blur, whereas tracks like Treading Paper could feel right at home on Vheissu.

The thing is though, despite whether the song is upbeat or on the slower side of things, you’re still welcomed by an absolutely massive chorus. The production on this album sounds massive, and it’s a good job as these songs are written to sound absolutely massive. Dustin’s vocals are better than ever. Strong, passionate and just so impressive. And unlike a lot of vocalists around, Dustin Kensrue does actually pull off his vocal duties live perfectly. But let’s not forget the tight rhythms and well knit fills of Riley Breckenridge on drums, brother Eddie keeping it locked down on bass and Teppei Teranishi gliding over everyone so effortlessly with his melodies. As a unit, Thrice are immeasurable.

This album is incredible. I’ve said it before and I’ll say it again. It is incredible. This album shows how good Thrice are, and also shows how underrated they are. Actually, I think that’s the wrong word. Everyone who knows Thrice, knows that they are brilliant.

However, it’s this number of people that isn’t large. Thrice should be one of the biggest bands on the planet and should be wowing venues the world over more than twice the size that they are now. However, maybe it’s better that way. They can be our little secret. Those who appreciate really good music will appreciate Thrice even more without people suddenly jumping on the bandwagon. It’s hard to explain really, but I mean it in all the best ways possible. Thrice will continue to put their hearts into their music, and for that, I’m grateful.

Take a listen for yourself, and understand what Thrice are about. This album is one of the best of the year.

5/5

Major/Minor by Thrice is available now on Vagrant Records.

Thrice links: Official Website|Facebook|Twitter

Words by Michael Brown (@MikeyMiracle)

Album Review: Transit - Listen & Forgive

Fri, 04 Nov 2011 18:18:00 +0000

Shivers. That would be the single word I would use to describe Listen & Forgive. It seems overly fitting and it’s not very often that I listen to an album and on over the 20th listen still get shivers down my spine.

Transit signed to Rise Records late last year, a label known for their many post hardcore/screamo bands that many would think sound the same. A slight change in tactic then, by signing Transit and their friends in Man Overboard, jumping onto the recent haul of outstanding pop punk bands in the past few years. But boy, what a tactic; Transit could easily be the label’s best signing. One listen through of Listen & Forgive and you’ll quickly realise exactly why.

Listen & Forgive seems to be more relaxed when compared to their previous full-length outing, Keep This To Yourself. The catchy chorus-filled songs are still there on every song; very remnant of pop punk, but the verses have more of a relaxed, twiddly emo approach; very much in the style of American Football, which is another genre being brought back and revived in its proper light. It may sound like an odd combination, but it really isn’t. I’m yet to pin point what it is exactly about this niche they’ve found themselves in, but it’s certainly working and I hope it’s a comfortable place for them to stay.

Lyrically, the album talks about many topics you’d expect, but the words and vocals of Joe Boynton are so much more in depth and realistic, that you’ll sympathise and connect with this record instantly. All Your Heart showcases Joe’s feelings towards those online who slate his bands music. Taking this, and as he says so himself “you made me into a monster, so I made you into art” he turns it back to them, and this album will surely silence some of those who weren’t so keen in the past.

I’ve found it quite hard to actually sum up this album and write about it, because as cliché as it sounds, it does actually leave me speechless. There’s so much good within this record, that it would take too long for me to explain what makes it so great, and I’m sure I’ll find more things as I listen to it every day for the foreseeable future. The best way for you to understand is to simply listen to the album for yourself. Go and purchase Listen & Forgive and learn for yourself and understand what makes it so great.

Shivers. That’s all I can say.

5/5

Listen & Forgive by Transit is available now on Rise Records.

Transit: Official Website|Facebook|Twitter|Youtube

Words by Michael Brown (@MikeyMiracle)

PCTS Music Recommends: Squid The Whale

Tue, 01 Nov 2011 20:00:39 +0000

Detroit, Michigan’s Squid The Whale are slowly making a name for themselves as their brand progressive pop rock. Having recently release their first music video for The Greatest Way, and completing a US tour with Bright and Early, the quartet have been gathering momentum, something than begun with the release of their debut EP; New War, a four-song onslaught of passionate and adrenaline-fueled rock that has been compared to the likes of The Audition and Gatsby’s American Dream.

With a sensible blend of logical structures and highly-favourable hooks, New War sets the benchmark high for Squid The Whale. However with a strong DIY approach, it is reassuring to know they are more than likely to keep their feet on the ground, as it is evident that the Detroit group have the potential to go far.

PCTS Music Editor, Sean Reid recently spoke to guitarist Brandon Kubiac about the reaction to New War, the Detroit music scene, being DIY and more.

How has the feedback been to ‘New War’?

It’s been good. So far it seems people are enjoying it and there isn’t an age barrier at the same time. Pretty excited about that since I don’t want us to be drawn by a certain group of people.

For those who are unfamiliar with the band and the EP. How would describe ‘New War’ to new listeners?

It’s a raw, passionate, and full of angst.

&amp;lt;a href=”http://squidthewhale.bandcamp.com/album/new-war” _mce_href=”http://squidthewhale.bandcamp.com/album/new-war”&amp;gt;new war. by Squid the Whale&amp;lt;/a&amp;gt;

You’ve been compared to bands like The Audition and Forgive Durden. How do you feel about this?

It feels good since both bands are obviously good at what they do considering the following they’ve gained over the years. I am a huge fan of Forgive Durden so it’s definitely a compliment. At the same time, I don’t see the comparison, but I’m just one opinion.

Lately you’ve been on tour with Bright & Early. How has the tour been going?

It’s been the jazziest of jazzed tours so far. They are all very talented dudes and to top it off they are awesome to be around. Usually it’s hard to get along with every member of every band but that hasn’t been the case for this tour.

The tour with Bright & Early is being sponsored by two music websites/webzines. How important is it for a band like yourself to take advantage of sites like these?

I think it’s important for any band big or small to take advantage of anything at their fingertips. There isn’t a reason why a band shouldn’t take free publicity.

I get the impression that you have a strong belief in being DIY. How beneficial and important is this for a band like Squid the Whale?

Being able to do everything for free or close to is very important for any band. Musicians don’t get paid so if you’re always flipping coin for things to get done you’re going to be in a bad spot eventually. Thankfully were a power ranger type of group and when our forces combine we can handle any task we need to accomplish. We all just have an awesome drive to make this work which I think is more important than anything. You can always become a better musician but if you are lazy and have no drive you’re not going to go anywhere, in music or life.

<a href=”http://squidthewhale.bandcamp.com/track/rolling-in-the-deep-adele” _mce_href=”http://squidthewhale.bandcamp.com/track/rolling-in-the-deep-adele”>Rolling in the Deep (Adele) by Squid the Whale</a>

You’re based out of Detroit, Michigan. On the whole how would you describe the music scene there?

I would say it’s pretty awesome. Detroit just makes great bands for some reason and I’m really proud to be from here and experience the next chapter in the Detroit scene.

Are there any up and coming bands we should be on the lookout for?

I would check out Mike Mains & the Branches, Wilson, American Opera, Undesirable People, Wolves and Machines, Hawk and Son, and SpringBreak. There are definitely others but I have a terrible memory.

As we head towards 2012, what does Squid the Whale have planned in the pipleline?

We plan on touring as much as possible, writing our full length, and just being in peoples faces as much as possible. In a good way.

Are there any final words you’d like to say to close the interview?

Be sure to check out our YouTube channel for our music video of “The Greatest Way.” We took some horrible falls in that video for your entertainment and fake fighting actually hurts more than real fighting. Also thanks a million for all the support and help we’ve had within the last year. It really means a lot, more than I could ever say.

New War by Squid The Whale is available now on Bandcamp.

Squid The Whale: Official Website|Facebook|Twitter|Tumblr|Bandcamp

Words by Sean Reid (@SeanReid86)

ABOUT ‘PCTS MUSIC RECOMMENDS’

One of our main aims here at Play Crack The Sky Music is to regular highlight and expose new music to you.

Our ‘Recommends’ feature will do exactly this. Telling you everything you need to know about new and exciting bands from around the world.

If your bands want to be featured on ‘Recommends’ please get in touch here.

Album Review: Run For Cover - Mixed Signals

Thu, 20 Oct 2011 19:59:26 +0100

In 2011, label samplers/compilations are more or less the norm. However Run For Cover Records have taken a more sensible route with ‘Mixed Signals.’ Whilst some labels just sporadically throw out free samplers, RFC have taken the time and effort to treat this as a legitimate release. This is just one reason this compilation has credibility, and that’s not before you’ve delved into it.

Although it’s a Run For Cover compilation, it’s not a release made up of bands who are part of the label. Instead the label has produced a mixture of familiar and emerging bands from the current progressive punk/post-hardcore scenes, all of which make their mark on this twelve track compilation. Polar Bear Club kick things off with Killin’ It, a dense, stomping hardcore punk number that showcases the bands blend of pop-punk-esq melodies and aggressive hardcore well, whilst Balance and Composure continue the momentum they had with this year’s Separation with Seahorses, a delicate alt-rock track that dwindles in the verse before bursting through familiar radiance in the chorus. It’s a style and sound that fits the band well.&amp;lt;a href=”http://runforcoverrecords.bandcamp.com/album/mixed-signals” _mce_href=”http://runforcoverrecords.bandcamp.com/album/mixed-signals”&amp;gt;Mixed Signals by Run For Cover Records&amp;lt;/a&amp;gt;

On Distress Signals, Tigers Jaw bring an upbeat yet mellow sound that goes along a nice pace, with vocalist Adam McIlwee and Brianna Collins combining neat harmonies together in the chorus which makes the track stand out early on.

Next up is Hostage Calm, and much like last year’s self-titled album, The ‘M’ Word comes off as summery 60’s pop-influenced number. It’s bright and sensibly structured. Whereas The Menzingers are your straight-up punk band on Irish Goodbyes; a lively track with driving guitars and catchy chorus.

Following on is CSTVT and Bassett St., a mellow and twinkling alt-rock number with a strong chorus and good guitar parts.

Unfortunately Daylight’s Cursed fails to make much of an impression. In the context of this compilation, their brand of heavy post-hardcore rock sounds slightly too familiar and does not leave a lasting impression.

End of a Year Self Defense Family put the compilation back on track with I’ve Got An Idea…, a relaxing duet featuring Caroline Corrigan, who brings a soothing tone that compliments the bands guitar work and also plays off Patrick Kindlon’s vocals well.

Daytrader’s Texts and Tomes comes across a throwback to early 2000’s alt-rock/post-hardcore bands like Further Seems Forever and Hey Mercedes; a mixture of driving, aggressive guitars and harmonious and memorable choruses that have a lasting impression.

Next up is Coats by Make Do and Mend, a fiery punk rock, Hot Water Music-like number with fierce guitars, raw and passionate vocals. If you’re familiar with the bands work, you know what to expect.

One of my personal highlights on this release is The Tower and The Fool and their light, country-esq track, Die Alone. Slighty upbeat but equally ballad-like, The Tower and The Fool lyrically draw you in with a story of heartbreak, whilst musically the bands guitars twang and somewhat carry the track home but perhaps more importantly, combine brilliantly well with Alex Correia’s vocals.

The World Is A Beautiful Place And I Am No Longer Afraid To Die bring the compilation to a conclusion with a short acoustic folk number; To the Janitor the King, with its twinkling guitars and overall relaxing approach. It’s a satisfying conclusion that does not exceed itself.

With Mixed Signals, it is evident why labels like Run For Cover, No Sleep, Topshelf, etc continue to be noticed and supported thoroughly, as from start to finish this compilation showcases talented bands that deserve to be noticed. Like old Vagrant Records samplers and Atticus Clothing compilations before it, I’m sure Mixed Signals and future similar compilations, will prove to be influential in the coming years and have a distinctive impact. It’s a credit to Run For Cover (and other labels) for supporting emerging bands and giving them the opportunity to grow with compilations like this.

On the whole, Mixed Signals sensibly showcases a strong batch of bands that needs to be heard, even if there are some you are unfamiliar with. It’s a worthwhile purchase that potentially has a lasting impact.

4.5/5

Mixed Signals by Run For Cover Records is available now.

Purchase on CD, Vinyl, and Bandcamp.

Run For Cover Records links: Official Site|Online Store|Facebook|Tumblr|Twitter

Words by Sean Reid (@SeanReid86)

Interview: The James Cleaver Quintet

Wed, 19 Oct 2011 21:08:00 +0100

Noise monsters The James Cleaver Quintet are 5 men ready for the next chapter in their lives and playing careers. After starring in that Lucozade advert, they gained a horde of new fans and signed to Hassle Records, are ready to unleash their debut album, That Was Then, This Is Now onto many unsuspecting ears.

In this interview, Michael Brown speaks to drummer Paul Ford about expanding the JCQ family, their recent and upcoming tours, playing drums on a tricycle, and getting a hug from British Children’s TV presenter Dave Benson Phillips.

Can you explain who you are and what you do in The James Cleaver Quintet. Following on from that, can you try and summarise what The JCQ is about and what your music sounds like?

I am Paul Ford, I play drums in The JCQ. We’re mainly about having a good time and rockin’ the free world 24/7 - 365! Our music would sound like a punch in the face followed by a hug from Dave Benson Phillips.

For your debut album release, you’ve signed to Hassle Records. How is that working out? I imagine you fit right at home alongside similar bands such as Rolo Tomassi.

So far, it’s great! It’s still early days but everyone at Hassle are awesome people. It’s pretty cool to be on the same rosta as friends Turbowolf and other great bands like Cancer Bats and Trash Talk.

You’ve just toured with Australian party rockers Dangerous! How did the tour go? Did you try out new material?

The tour was awesome, probably the most fun string of dates yet. Dangerous! are all awesome dudes and it makes such a difference when you can vibe off the other band and have a laugh. We’ve been playing a few new songs in the set for a little while and they seem to go down pretty well! Any night we have a circle pit seems to be a victory. Lots of stories indeed, most of them can be found on the tour blog Maud wrote up for Rock Sound.

Are you more excited now for the next tour in November with Turbowolf and Hawk Eyes? Have you toured with either band before?

Definitely, we’ve played with both bands a few times before and we’re all pretty good pals already, so it’s most definitely gonna be a party.

The JCQ camp seemed to expand and gain a new member at some point recently as well. Why was that?

Yes, Martin joined a few months ago on guitar/keys and backing vocals. Our songs have always had 2 guitar parts and a load of harmonies in, and we’ve always wanted keys so it’s awesome to finally be able to get that live and on record.

You were recently featured on the latest Lucozade advert over summer. Was it tricky to play your instruments and ride down a hill, all being recorded live? What was that contraption you were on?

It was pretty difficult at first, but after a few runs we were pro’s. I was on a tricycle with a fully working, playable drumkit built onto it. The seat turned the front wheels so I steered by turning my body, I had breaks attached to my drumsticks.

Did the advert provide you with a lot more exposure? What have fans reactions been to your appearance in the advert and what has the reaction been from new fans who found you through the advert?

It did, it was a great opportunity for a band like us to take and a great experience, mainly it gave us a platform to work off and make things more comfortable and practical to make sure we get past our debut album and continue trying to make our music a career.

The reaction from most people was positive, some were slightly confused as it’s so different to what we actually do. Imagine how surprised you’d be if you were a Feeder mega-fan coming to check out our actual music, it’d be like a punch in the groin.

What does 2012 hold for The James Cleaver Quintet?

2012 holds a lot of touring, everywhere & writing album number 2.

That Was Then, This Is Now by The James Cleaver Quintet is released on October 31st through Hassle Records.

Pre-Order That Was Then, This Is Now here.

The James Cleaver Quintet links: Facebook|Twitter|Big Cartel|Youtube

Words by Michael Brown

Interview: Bright and Early

Mon, 17 Oct 2011 19:34:00 +0100

With the release of their new EP (Getting Through It) imminent, Play Crack The Sky Music recently caught up with Bright and Early vocalist and guitarist John Browne (JB) to discuss the EP, joining up with Pacific Ridge Records, their cover of an Alkaline Trio classic and how they’re not accepted in the Pop-Punk scene.

To begin with can you introduce yourself and your role in Bright and Early?

My name is JB. I write the bulk of the songs, and I sing and play guitar.

Your new EP, Getting Through It is the follow up to last year’s Louder Than Words EP. How has the band changed and developed with this new release?

That’s a tough question to answer. We’ve been through a lot of life changes and learned a lot in the past year. The band has changed in mindset, sound, goals, lineup, and just the entire overall direction. We still and will always keep our recordings as real and true to our natural sound as we can get them. We plan on going more of a rock and roll direction. We just want to riff out and be catchy. I don’t know if you’ve heard, but the new cool thing is to be anti-pop-punk.

Since that last release, you’ve played shows with the likes of Punchline and I Call Fives. Have playing with those bands influenced this new EP in anyway?

Maybe. It’s hard to say. I feel like my writing is influenced by everything in my life. Steve (Soboslai) from Punchline has definitely influenced me in a few productive ways. He’s got his shit together. He made us all want to get more on the ball. He creates opportunities for people and thats a great thing.

The new EP sounds more structured than previous releases. Was this something you had planned on doing from the start?

Sort of. The idea was to more or less involve a few different stages of breaking up. So I guess yeah. The songs themselves tell this push and pull, love/hate type of bipolar relationship story. The other guys feel what I feel. I’m lucky to be able to play with dynamic musicians, who always want to further themselves. It makes it easy to change. We are always evolving as a band. We’ll always try to change and do something different.

You’re releasing the new EP through Pacific Ridge Records. How did you join up with that label?

We were approached by Pac Ridge for the Alkaline Trio compilation and we just seemed to get along well. We are a “keep things simple” kind of band. Pacific Ridge offered to support us in what we do, in the way that we felt that we needed for this EP. Its a small self-recorded EP and we hope that it will open more opportunites for us. We hope to tour a lot more and do bigger records. One step at a time!

You recorded a cover of ‘Stupid Kid’ by Alkaline Trio for a recent true album. Why did you choose that track?

We all wanted to do one that was upbeat. Out of all the songs that were left, that was the one that best fit our band. I wish we could’ve done Queen of Pain.

Recently you’ve been on tour with Squid The Whale. Have how those shows been going?

They’ve been pretty good. We have been having a shit ton of fun. We’ve been playing these games as if we’re little kids. We’ve got dudes on this tour ranging from age 19 to 28, and we’re all proning.

How has the reaction been to the new songs?

We honestly haven’t had a single bit of negative feedback. Everyone seems to be loving it. Each song is different than the other. Each song is meant to represent a different feeling or group of feelings. One moment its despair, then anger, then happiness, etc… I think that helps to keep it interesting.

With the Pop Punk genre going through a resurgence, what makes Bright and Early stand out from the crowd?

We’re not really in that crowd. We haven’t been accepted well by the pop-punk scene. You know how it is. If you don’t get down with the trends, then you aren’t IN with the trend either. We’re the dorks who don’t fit in but thats kind of ok with us. We’ll fit in wherever we end up connecting with other people because thats life. Everyone fits in somewhere.

We do love I Call Fives and The Wonder Years, but we haven’t really gotten to meet many of the other bands. There are too many politics and popularity contests. We just want to play music and get in front of people everywhere.

What else can we expect from Bright and Early over the next 12 months?

A split, maybe some random singles, a full length, and lots of touring. We also really hope to step it up and get out there with some other hard working bands. When you tour with other bands who are capable of booking and promoting, everyone wins.

Is there anything else you’d like to finish the interview?

We just hope that everyone picks up our new EP and gives it a good listen! We all put a lot of work into this, and we feel that it’s important for people to know that we couldn’t have done it all on our own. It’s important for you to tell a friend about us or help get the word out in pretty much any other way. Thank you!

Getting Through It by Bright and Early is available now on Pacific Ridge Records.

Words by Sean Reid (@SeanReid86)

Album Review: Misser - Problems. Problems. Problems. EP

Mon, 17 Oct 2011 19:03:51 +0100

Despite being busy with their day jobs, Tim Landers of Transit and Brad Wiseman of This Time Next Year managed to come together during 2011 to bring us a neatly packed helping of Misser. 3 songs of really original pop punk.

You’d be forgiven for thinking that the songs might sound like either of Tim or Brad’s other bands, but Misser doesn’t. It sounds fresh, original and a whole new band in its own right. Despite being what many would call a “side project,” the two do aim to keep Misser alive and as serious as they can make it when they get time off.

The three tracks gleam pop punk; catchy lyrics and hooks can easily be found and the two distinct vocal styles are instantly recognisable and provide a nice mix of Tim’s smoother voice to Brad’s gruffier vocals. Either way, it’s still catchy.

‘Just Say It’ is exciting, upbeat and exactly what Misser is all about. Second track ‘She Didn’t Turn Out To Be That Cool’ will easily get your head nodding just like it predecessor, but with an immensely memorable and catchy chorus you’ll be dancing along where ever you’ll find yourself. There’s something about a tambourine that really adds that magic.

The closer of the EP is ‘Hating’ and is the slow song of the three. Having only 3 songs to impress, I don’t feel that the track fits in overly well. I would have rather had 3 upbeat tracks that wouldn’t let me sit still for any moment and to keep up the pace. Don’t get me wrong, it’s a good song and shows the broad capabilities of what these guys can write, but it would feel more at home as a late track on an album rather than here on this EP. However, it was probably the better move to showcase a wider range of songwriting talents away from Transit/This Time Next Year.

Short but sweet and certainly refreshing, but with the new albums out from Transit and This Time Next Year, you’ll need to make sure not to brush this EP aside. And hopefully, amongst the mass amount of touring both men will be doing, we’ll manage to get more from Misser.

If this EP is just the starter then I can’t wait for the main course.

3.5/5

Problems. Problems. Problems. by Misser is available now on iTunes.

Misser links: Facebook|Twitter|iTunes

Michael Brown

Album Review: La Dispute - Wildlife

Tue, 11 Oct 2011 18:49:00 +0100

To explain how fantastic I feel this band is, I need to tell you that their set at Hevy Fest this summer was probably the best set I have seen from any band ever. And yes, I’ve seen many acts for the past 7 years. The passion, atmosphere and pure emotion witnessed on that stage shared through the crowd as everyone in that tent sung along to every line that beautifully came alive from lead singer Jordan Dreyer’s mouth.

That being said, latest album Wildlife through No Sleep Records is just what you have to come to expect from La Dispute and is another highly excellent record from this label who’s entire roster seem to be the cream of the crop on every single release.

&amp;lt;a href=”http://nosleepsampler.com/album/wildlife” _mce_href=”http://nosleepsampler.com/album/wildlife”&amp;gt;Wildlife by La Dispute&amp;lt;/a&amp;gt;

Wildlife features more of Jordan’s signature spoken style of vocals that have become a defining sound of La Dispute. Whether you enjoy this about La Dispute or still can’t get to grips with it, you can’t deny the admirable poetic and story telling feel of such heartfelt words that feel like so much more when heard.

Jordan’s style and feel follows on from their previous release Somewhere At The Bottom Of The River Between Vega And Altair and is a clear sign of things to come from previously showcased song Harder Harmonies. The music can be so gentle yet as crushing as ever, especially when combined with the chilling storyteller lyrics on King Park; “Can I still get into heaven if I kill myself?” as Jordan accounts a tale of a 20 year old on the brink of suicide. Emotional doesn’t seem to be an adequate enough word.

To put it simply, if you love La Dispute then you will enjoy Wildlife just as much as their first release However, if you don’t like La Dispute then this is certainly a second chance for you to give them a try. However, catch them live if you can. I wait patiently for their next UK tour as I’m pretty sure La Dispute might just provide the best set I have ever seen. Again.

4/5

Wildlife by La Dispute is available now on No Sleep Records.

La Dispute links: Official Site|Facebook|Twitter|MySpace|Bandcamp

Words by Michael Brown

PCTS Music Recommends: Time Spent

Thu, 06 Oct 2011 20:01:00 +0100

One of our main aims here at Play Crack The Sky Music is to regular highlight and expose new music to you.

Our ‘Recommends’ feature will do exactly this. Telling you everything you need to know about new and exciting bands from around the world.

If your bands want to be featured on ‘Recommends’ please get in touch here.

Hailing from Dublin, Ireland, Time Spent are a five-piece pop-punk band featuring members of Starters, Home Star Runner, Young Wolves and Anderson Mesa.

Formed together by a love for the pop-punk genre and inspired by more recent bands such as The Wonder Years, The Story So Far, and Turnover, Time Spent recently released a free four-track demo that greatly showcases the bands tight, upbeat and fun sound. Tracks like Open Books and Absent Friends have urgency and are easy to relate to lyrically.

PCTS Music recently caught up with bassist and vocalist Seán Reid to discuss how the band formed, how their other bands have influenced Time Spent, the new demo, the Dublin music scene and more.

How did Time Spent get together? I understand you have played in other Irish/Dublin-based (cancel where appropriate) bands before.

Yeah, we all grew up playing gigs around Dublin in different bands, so we all knew each other pretty well before Time Spent came together. I’ve know Iano (Kelly - singer) since I was like 16, he sent me a text saying he wanted to start a band and if I wanted to play bass. Then me and Anthony (Kelly - drummer) are in another band (We’re Wolves) together already. So it was pretty cool we where all good friends, or at least knew of each other, before the band even came together.

When you joined together, did you have idea how you wanted Time Spent to sound like?

I suppose we all knew we wanted it to be a pop-punk/emo band, but for us to put our own spin on it. There was no real specific direction as such, we all just came into the practice room and put our ideas together and just tried to write some cool songs.

What bands have influenced the way Time Spent have turned out?

Well pop-punk has always been a massive influence on me since I was around 13. Like a lot of people, I found it was easy to identify with. So bands of that genre really influenced us. Me, Iano and Rob (Flynn - guitarist) where really into the new Story So Far album while writing our songs and we all are massive fans of the Turnover EP. So I guess we all got influenced from different bands and styles within the pop-punk genre.

&amp;amp;amp;amp;amp;amp;lt;a href=”http://timespent.bandcamp.com/album/demo-2011” _mce_href=”http://timespent.bandcamp.com/album/demo-2011”&amp;amp;amp;amp;amp;amp;gt;Demo 2011 by Time Spent&amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;gt;

Has the experience from your other bands contributed to the sound of Time Spent?

Yeah I definitely think so. It was great from a song-writing point of view; everybody bringing their own experiences from different bands they’ve been in, and adding it the song-writing process. It helped make the band fun to be in. There was always a really fun aspect about writing the songs.

How does Time Spent differ from your other bands?

My other band (We’re Wolves) make a more heavier approach to pop-punk. We’re just two different bands really. In Time Spent, it’s also my first time singing in a band as well. That’s been such a fun experience so far, I really enjoyed recording vocals and singing live.

You’ve recently released a four-track demo. How did it come together and what has the feedback been like?

The funny thing is that the demo is literally the first four songs we wrote as a band. The songs came together really quickly, which was awesome because it felt very natural. Within the first month of the band being together, we were ready to record. We’re all really happy with the job Ciaran Parnell (proudcer, guitarist/singer in Starters) done on it and how it came out.

People seem to be into it as well. We got to play with Living With Lions and played Demented Fest in Dublin as well, and people seem to like the songs.

I get the impression that Time Spent is an example of how close and strong the Irish pop-punk scene is. Would you agree?

Well, I think not only in the pop-punk scene, but with the scene in general. It’s cool when I go to a show in Dublin and you see a pop-punk band and a metal band on the same bill. They’re my favourite kind of shows. But, everybody in the scene over here are pretty close and through it, I’ve met some of the coolest people I know and friends for life. Its definitely a very close community.

Has the Demented Promotion group and the Lockdown club night helped this?

The work Mackel and the rest of Demented do is great. They get really cool touring bands over, for example they’re putting on the Man Overboard/Story So Far gig in Dublin in February, and ran the Such Gold and Starters UK and European shows, and local bands get the chance to play the shows as well. I guess people have made friends through coming to those gigs, which is so awesome.

What other Irish bands should we be checking out?

I’m really enjoying a cool band called Driveway at the moment, they remind me of Sunny Day Real Estate. Definitely check out Starters and Jody Has A Hitlist too.

My friends just recently started a band called Boardwalk and their first show was great, look out for their first release.

Away from the pop-punk side of things there’s an absolutely awesome metal band called Red Enemy from around here, their latest EP is so good. Overhead, The Albatross are an incredible instrumental band. It’s really uplifting stuff and amazing live. I would advise people to check them out as well.

This country has some really amazing bands and I hope that in the future, they will get recognized more. I think it’s incredible for such a small country to produce such great bands like these.

What’s next for Time Spent? New material? More shows?

At the moment, we’re working on a few tracks for a split EP we want to do. We have one song written that is really different from the songs on the demo. We hope to have the songs recorded in a month or so. After that we just want to play more shows, and hopefully try hit the UK at the end of the year or early next year.

Are any final words you’d like to say to close the interview?

Go download our demo for free on Bandcamp and come see us at a show soon.

Time Spent: Facebook|Twitter|Bandcamp

Words by Sean Reid (@SeanReid86)

EP Review: Rob Lynch - Rob Lynch EP

Tue, 04 Oct 2011 19:25:00 +0100

Like many others in his field, Londoner Rob Lynch has ditched his former moniker of Lost On Campus infavour of his own name. Though there might be a change of name, thankfully Lynch still provides harmonious, sincere acoustic pop numbers by the dozen.

This self-titled effort sees Lynch picking up where he left off with previous releases. As always, he has the ability to write simple yet intriging pop songs that quickly win you over. ‘Hawking’ sensibly mixes sincere lyrics with an upbeat tempo, whilst ‘Souls’ is a more calmer affair but Lynch keeps that passionate lyrical approach, whist a subtle organ complimentary plays underneath.

The equally calming ‘Plans’ follows on with its sweet harmonies and ballad-like structure. Lynch’s superior song-writing brilliantly draws you in, and is combined well with his honest and sincere voice. Whilst former MiMi Soya vocalist, Hero Baldwin adds a sweet female voice to the track.

‘Sleeping’ is Lynch at his most poppiest with its upbeat tempo and overall feel-good approach. It is a track that sounds more livlier than others, with its handclaps and occasional string stabs. Nevertheless Lynch still has that lyrical maturity that has remained throughout, as he sings “to every lie I that I wrote and every word I spoke, I ask to you what’s a boy like me to do?”

The EP closes on the highest of high notes with ‘My Friends and I.’ Neatly produced and brilliantly written, you can’t help but feel good about this track. Its radiant approach and simple but anthemic-like structure will easily win you over. The combination of sweet strings, light keys, catchy tempo and Lynch’s passionate voice comes off well and the pay off comes in the form of the line “my friends and I, we live for tonight”. So simple yet it’s impact shows exactly what Rob Lynch is all about; fun acoustic pop that blends superbly well with sincere lyrics that are easily to relate to.

This EP is a huge step towards bigger things, something which Lynch has deserved for a long time.

4.5/5

Rob Lynch EP by Rob Lynch is available now through Walnut Tree Records.

Purchase on iTunes.

Rob Lynch links: Facebook|Twitter|Bandcamp

Words by Sean Reid (@SeanReid86)