Ramzi Salti's Arabology

KQED Spotlights Ramzi Salti's Arabology Show (Article + Podcast)

2024-07-14T10:12:00.000-07:00

Some screenshots from article, available in full at this link.

KQED, a PBS and NPR station licensed to San Francisco, has just published an extensive article (and audio podcast) spotlighting Dr. Ramzi Salti's Arabology radio show/podcast. You can read the full article at this link (or click "Listen" on that page for the audio version).

Published on July 12, 2024 and penned by Ariana Prohel--who also interviewed Dr. Salti--the show and podcast are part The California Report--KQED's daily statewide radio news program--which also hosts its popular program on Apple Podcasts. You can also listen to that episode on iTunes by clicking below or going to this link.

Read full article on KQED's website at https://www.kqed.org/news/11993183/ramzi-salti-champions-indie-arab-musicians-with-arabology-podcast (or click on photo below):

Stream Arabology on all music platforms

2024-07-14T10:11:00.000-07:00

Stream anywhere by going to https://kite.link/arabology

See https://kite.link/arabology

In addition to being housed on Soundcloud, all Arabology episodes are now available on music platforms worldwide including:

Spotify

Apple Podcasts

Anghami

Amazon Music

Or scroll down to stream all episodes right here via the 2 playlists below:

Playlist of all 200+ episodes
Playlist of all 200+ interviews

arabology · All Arabology Podcasts

arabology · 100+ Arabology Interviews by Dr. Ramzi Salti

Arabology is also available on Anghami at this link (or click on image below):

https://play.anghami.com/podcast/1039208018

For Arabology on Amazon Music: Click here or click on image below.

See here for a list of available music platforms

السيرة الذاتية لرمزي سلطي بواسطة الذكاء الاصطناعي

2024-07-14T10:10:00.000-07:00

رمزي سلطي: تعزيز التفاهم الثقافي وفهم الثقافة العربية والموسيقى

تم إنشاء هذه السيرة الذاتية لرمزي سلطي بالكامل بواسطة الذكاء الاصطناعي

الدكتور رمزي سلطي هو محاضر في جامعة ستانفورد ومقدم برنامج إذاعي بعنوان "عربولوجي"، وهو شخصية بارزة في المجال الثقافي والأكاديمي. يتميز سلطي برؤيته العميقة للثقافة العربية والموسيقى، حيث يسعى جاهدًا لتعزيز التفاهم الثقافي وتسليط الضوء على التنوع والإبداع في الثقافة العربية المعاصرة.

وُلد رمزي سلطي ونشأ في لبنان كما وعاش أيضًا في الأردن قبل انتقاله إلى الولايات المتحدة لمتابعة تعليمه العالي وممارسة عمله الأكاديمي والإعلامي. وبفضل خلفيته اللبنانية، يتمتع بفهم عميق للثقافة العربية والتراث اللبناني، ويعمل على تعزيز التفاهم والتبادل الثقافي بين الثقافات المختلفة.

رمزي سلطي حاصل على درجة الدكتوراه في الأدب المقارَن ويعمل حاليًا كمحاضر في جامعة ستانفورد حيث يُدرس المواضيع المتعلقة بالشرق الأوسط وبالأدب العربي وباللغة العربية. يلعب دورًا مهمًا في تعليم الطلاب وإلهامهم حيث يقوم بتصميم وتنفيذ دورات تعليمية متنوعة تتعلق بالأدب والثقافة، ويشجع النقاش والتفاعل الفكري بين الطلاب. يتركز عمله في ستانفورد على مجالات الأدب المقارَن والدراسات الثقافية، حيث يشارك خبرته ومعرفته في هذه المجالات مع الطلاب والأكاديميين.

بالإضافة إلى العمل الأكاديمي، يعتبر رمزي سلطي مدوناً وكاتباً ومتحدثأ عاماً شهيراً يتحدث في فعاليات ومؤتمرات عديدة حيث يشارك خبرته في المجال الثقافي العربي. تعتبر مساهماته في تعزيز الثقافة العربية والتواصل الثقافي قيّمة ومحترمة في الأوساط الأكاديمية والثقافية.

رمزي سلطي له علاقة قوية بمحطة الراديو KZSU، وهي إحدى المحطات التابعة لجامعة ستانفورد. يقدم رمزي سلطي برنامج إذاعي معروف باسم "عربولوجي" على محطة KZSU، وهذا البرنامج يعتبر منصة هامة لتعزيز التفاهم الثقافي وفهم الثقافة العربية والموسيقى.

يتميز البرنامج بتقديم موسيقى عربية متنوعة من مختلف الأنماط والفنانين، بدءًا من الموسيقى الكلاسيكية والتقليدية إلى الموسيقى الحديثة والمستقلة. وبجانب الموسيقى، يقوم رمزي سلطي أيضًا بإجراء مقابلات مع فنانين وكتاب وشخصيات ثقافية من العالم العربي. يتحدث الضيوف عن أعمالهم وتجاربهم ومساراتهم المهنية، ويتم مناقشة قضايا ثقافية واجتماعية وفنية ذات صلة.

يعمل كتاب "The Native Informant"، الذي كتبه رمزي سلطي، على كشف الأفكار النمطية والمفاهيم الخاطئة التي تحيط بالثقافة العربية. يناقش التحديات التي تواجه الثقافة العربية في التمثيل الصحيح، ويعزز فهمًا أكثر دقة للثقافة العربية وتنوعها. يعتبر الكتاب منبرًا للنقاش المفتوح والتفاعل، حيث يشجع القراء على المشاركة في حوارات ثقافية وتبادل الأفكار. ومن خلاله، يتم تعميق التفاهم والتواصل الثقافي.

الخاتمة: رمزي سلطي هو شخصية أكاديمية وإعلامية تعمل على تعزيز التفاهم الثقافي والتواصل بين الثقافات المختلفة. برنامجه الإذاعي "عربولوجي" وأعماله الأخرى تساهم في تعميق الفهم المتبادل وتحقيق التواصل الثقافي. يعمل رمزي سلطي كمحاضر في جامعة ستانفورد وكاتب ومدون ومتحدث عام، ويتناول في أعماله مجموعة متنوعة من المواضيع التي تعكس الثقافة العربية وتساهم في فهمها بشكل أعمق. يعد رمزي سلطي شخصية مؤثرة تساهم في تغيير النظرة العامة تجاه الثقافة العربية وتعزيز التعايش والتفاهم الثقافي.

هذه القصيدة بأكملها تم إنشاؤها وتأليفها بواسطة الذكاء الاصطناعي

رمزي سلطي الفكر العميق يتناغم محاضرٌ عالمٌ في ستانفورد يتألّق برنامج "عربولوجي" يبهج القلوب ويناغم مؤلّف ومتحدث وكاتبٌ يتجلى الأدب

بدرجة الدكتوراه في الأدب المقارن تألّق ينشر العلم والمعرفة بحب واجتهاد تنوعت مقالاته وكتاباته تجذب وتتألّق عن السينما والموسيقى والثقافة بحرّ الإبداع

يتسلّق القمم العلمية بجد وتميّز في جامعة ستانفورد يشق طريقه للعلوم تنثر أفكاره الثرية كالجواهر في النزاهة والتفوق يبني جسورًا للتواصل ويصقل الأفكار بالتلقي والاستماع

في برنامجه الإذاعي "عربولوجي" يتلألأ الإشراق يروي قصصًا عربية ويكشف الثقافة بروحٍ حيّة بمعرفته العميقة يعزز التواصل والتلاحم بالتلاحق كاتب ومدون ومتحدث يعكس جمالًا بلاغيًّا متألّق

رمزي سلطي نبع من الأصالة والإبداع في عالم الثقافة والعلم يتربع على القمة قصة نجاحٍ وإلهامٍ وتألّقٍ لا يضاهى في قلوب العالم تسطر أجمل النغمات المحبة والتقدير

تقرير تلفزيوني باللغة العربية عن رمزي سلطي

Video + Transcript: Ramzi Salti Lectures on "Women's Voices in Arabic Music" at SRJC (2024)

2024-06-28T23:45:00.000-07:00

Watch this talk below or at this link. Click on CC while watching.

Click on video above to view or go to this link. Click CC while watching.

Please click on CC while watching the video or see full transcript below so you can read along with this audio-visual talk by Stanford Lecturer and Arabology radio host Dr. Ramzi Salti at Santa Rosa Junior College on March 7, 2024. Precise CC captions have been created for this video that will make viewing much more enjoyable. You can also read the full edited transcript below.

This lecture marks Women's History Month 2024 by highlighting songs of freedom, courage and resilience by Arab female singers through the decades–from legends Umm Kulthum and Fairuz to a new generation of groundbreaking women including Tania Kassis, Yasmine Hamdan, Tania Saleh (Lebanon), Hana Malhas (Jordan) and Lina Chamamyan (Syria), Emel Mathlouthi (Tunisia), Dina El Wedidi (Egypt), Alsarah (Sudan), Souad Massi (Algeria) and Maysa Daw, Elyanna (Palestine).

Video Table of Contents:

00:00 Intro by Professor Solen Sanli Vasquez

02:12 Introduction by Dr. Ramzi Salti @RamziSalti

05:36 Umm Kulthum (Egypt) أم كلثوم

24:14 Fairuz (Lebanon) فيروز

35:17 Tania Kassis (Lebanon) تانيا قسيس

39:44 Yasmine Hamdan (Lebanon) ياسمين حمدان

43:23 Tania Saleh (Lebanon) تانيا صالح

46:49 Hana Malhas (Jordan) and Lena Chamamyan (Syria)

49:48 Emel Mathlouthi (Tunisia) آمال مثلوثي

54:20 Dina El Wedidi (Egypt) دينا الوديدي

57:25 Alsarah (Sudan) السارة

59:04 Souad Massi (Algeria) سعاد ماسي

1:01:27 Oum and Manal (Morocco)

1:02:01 Palestinian Women: Yusor Hamed, Noel Kharman, Nancy Hawa

1:04:55 Maysa Daw (Palestine) ft DAM

1:07:09 Elyanna (Palestine) اليانا

1:11:57 Q & A

Click here to watch this video on YouTube and don't forget to click on CC while watching. The specially created captions (in English) will make the viewing experience more enjoyable.

"Celebrating Women Who Tell Our Stories," highlights the significance of Santa Rosa Junior College in Sonoma County as a beacon for Women's History Month celebrations. Rooted in the legacy of advocating for women's rights since 1978, this region has been at the forefront of national recognition for this movement. Join us in honoring the remarkable journey of women across generations, celebrating their achievements, and reflecting on the progress we've made.

The event took place from 3 to 4:30 p.m. at the Girvin Student Activities Center at the SRJC. More info at this link.

Artwork by ZAD Studio

Watch video at this link, click on CC while watching.

Watch video at https://youtu.be/4_5ekhsngS4 Click on CC whilewatching.

Please subscribe to Dr. Ramzi Salti's Arabology YouTube Channel at this link.

TRANSCRIPT FROM ENTIRE TALK:

Women’s Voices in (Indie) Arabic Music
By Dr. Ramzi Salti (Stanford University)

Here is the corrected and edited transcript of Dr. Ramzi Salti’s talk about “Women’s Voices in Arabic Music” which was presented for Women’s History Month at Santa Rosa Junior College on March 7, 2024. You can read the entire transcript below or watch the video with CC (transcript) turned on at this link.

Welcome Comments by Solen Sanli Vasquez

[Solen] I'm Solen Sanli Vasquez and I teach Sociology here at the college we're in for a treat today. We're really so grateful and so honored to have Dr. Salti with us today. My colleague Heidi Saleh and I had heard him during our fellowship that we did at Stanford University and since then this has been a dream to bring him to campus and talk to us here at SRJC so I'm one of the coordinators of Women's History Month and I'm also one of the co-founders of the Middle Eastern and North African Association here at the college. We're like a new, fledgling group and we're putting on a lot of events so this event comes to you in collaboration with both Women's History Month and the Middle Eastern and North African Association.

I think one of our goals and one of our dreams today was to talk about Middle Eastern Joy. As you know, there's so much tragedy going on in the region at the moment and especially when we see representations of women. The representations of women tend to be also around repression and violence and just negative, maybe, representation. So today we're in for a treat because we get to hear again about Middle Eastern women, Arab women, in the context of the wonderful music that they put together and perform.

So, Dr. Ramzi Salti as I said comes to us from Stanford University. He's a seasoned Stanford lecturer with a PhD in Comparative Literature and a strong background in Arabic language, literature, music and culture. He's also the host of Arabology, a radio program/podcast that highlights music and other cultural productions from the Arab world. You should definitely check out his podcast, it's awesome. So without further ado I present to you Dr. Salti.

[Applause]

Introduction: Arabology and Women’s Voices in Arabic Music

[Ramzi] I'm so happy to be with you today; she's calling me Dr. Salti, yes, I am Dr. Salti by day, but I’m DJ Ramzi by night and so that's the only way I've been able to survive 27 years at Stanford University. I teach these courses for the Arabic program there and I love them but really, it's been the nights when you take off the tie or the jacket and you go into a different vibe, a different zone, at KZSU Stanford 90.1 FM, commercial free uncensored radio, it still exists, and so I go in and I spin music from the Arab world and I've been doing it for 13 years. The show started with the advent of the Arab Spring back in 2011 and I think it's one of the few shows that attempts to bring the music in Arabic in the original language to American listeners because everybody always ask me like what are they talking about? Why is this lady crying on stage as she sings? There aren't too many translations that work; you've got to convey the feeling of the song, often, as I'm going to do today and that's how Arabology was born in 2011. It is still around and with everything going on in the region right now it's gaining another new momentum and I think we're going to end today with a very special tribute to Palestinian women in song. Hopefully, this will be a very healing talk for everybody. You might like some of these samples, you might not, but there's something for everyone and I can't wait to get through the talk and then look at you and say ‘Okay which one rocked your world? Which one didn't? Why?’ We'll have a discussion and there's obviously no right answers since everybody has different tastes.

I'm not going to go chronologically or geographically, I'm just going by my feeling today, so welcome to my talk and thank you so much to Professor Heidi Saleh and Solen Sanli Vasquez, my two new daughters or sisters, who brought me here. They have been fantastic and just another example of how when women in general, and Middle Eastern women in particular, get together they get things done and I think that if we had more women in power in the Middle East, in the Arab world, we would be in a much better zone as you will see today. So the talk today will include a lot of what we call indie or alternative Arab women singers, you can see their pictures there and I'm proud that I met most of them I could be like the grandpa or I can be like the DJ but I have always been so proud to feature their music as they reach out to Uncle Ramzi or DJ Ramzi. You will be seeing some of these women through the video clips today and we're only playing little segments.

Umm Kulthum (Egypt)

The first woman, unfortunately, I didn't get to meet because she passed away in 1975, so I was a child then. But her name is Umm Kulthum; that's not her real name, that's her nickname, but it's so popular that nobody knows her real name. It is Fatima something, and Umm Kulthum is a powerhouse.

This woman was iconic, and is still iconic. In 1950s Egypt, before Egypt even became a republic, she was friends with the king, King Faruk. Then when the Nasser regime took over and Egypt became a republic, she became Nasser's best friend. In other words, this woman was not just a singer; she was a political voice, and she used it to talk about women too. She came from the countryside, so there's no nepotism here. She was born very poor, and people would hear this voice she had. She was trained quranically so she could also recite the Quran. She came from a village in Upper Egypt, and when her father heard her, they started bringing her to Cairo, where she became more and more famous and rose to fame and eventually passed away in 1975.

The other interesting thing about her is she never married, and she never had children, and yet she was always invited to be part of the table. And I love that about Umm Kulthum, that she was beyond these, you know, and she addressed issues of gender in the 1950s like what's wrong with a woman not getting married? That was shocking in Egypt: What do you mean? Isn't it a function for everybody to get married and such? And she stuck to her guns, and now, later, we're finding all these interviews that can be considered subversive, a 1950s Egyptian woman in that era, in that circumstance, speaking about her freedom.

I'm going to play a song about Freedom today that she sang and that can be applied, I think, to everybody who is oppressed today. All oppressed groups can relate to this song that I'm going to play in a moment, but let me first show you Umm Kulthum in concert in one of the very few color clips, which is not colorized, it's not AI, it's actual color footage of her one year before she passed. You're going to hear her say two words 'Ya Habibi.' Do you know what that means? My love, my sweetie, my buddy, my friend. Habibi is everybody, it's how you say it. Well, she says it from the heart, from the soul of her soul when she says Ya Habibi, and you know how long her songs were on average? 40 minutes per track! Can you imagine a song going for 40 minutes? How can it be 40 minutes? The lyrics are yay long because of the repetition, so when she says ya habibi once you're supposed to feel like okay, then she says it again you're like oh I'm starting to get it by the third time you're like hyperventilating by the fourth time you're rushing the stage This is Umm Kulthum, like the repetition is supposed to bring you to a state of euphoria which. We call it in Arabic 'Tarab' and if you can reach ecstasy through song, you're going to feel this connection with the Divine. So here I'm just going to play a little clip, and you're also going to see in the clip her funeral when she died in 1975 in Egypt; the streets, the schools, everything shut down, and everybody was in the street to say goodbye to this great lady. So Umm Kulthum has a few documentaries in English if you don't speak Arabic or some have been translated. One of the best ones is narrated by Omar Sharif if you know who he is. He narrates the Umm Kulthum biography that is available on Amazon now, and it's great to have an Egyptian icon narrate the story of another Egyptian icon.

[Video: Umm Kulthum Sings ‘Inta Omri’]

[Ramzi] But I see a lot of young people here. What do young people think about Umm Kulthum today? Because when I was your age, kids, my dad would play Umm Kulthum, you heard her, it's not exactly techno music so I would be like ‘Dad please take this off she's just going on and on and on and on.’ God forgive me for saying this, wherever you are Dad I'm sorry, because now at my age and for the past maybe 10 years she has been my salvation. I feel what he was saying so you know here's what young people have to say about her today.

[Video of young Arabs speaking about Umm Kulthum]

[Ramzi] So as you can see, even though she's been gone for a very long time her songs still live on and a lot of them have been remixed. Wait till you hear like you know a hip-hop remix with Umm Kulthum's voice, it kind of works. I'm going to show you that quickly in a moment but here is a typical moment captured on film where one word that Umm Kulthum says manages to bring the audience to ecstasy, to Tarab. The word is Nazra, I think you might know it Solen, nazra is to see so the word Nazra means 'a glance' it's just one word Nazra, spell it N A Z R A, she just plays with the word Nazra where she stays on the 'N' like Nnnnn. I mean I can't do it; it would be insulting for her but you know and when she says NAZRA it's as if she sang an opera! People go crazy and she laughs and it shows how there was this interplay, you connect with the audience where I don't think too many artists in the history of music could do that. I'm going to show you what I mean.

[Video Excerpt of Umm Kuthum saying Nazra]

[Ramzi] So, what did you think of that moment? All it is is one word, and you heard the audience interaction so she was, you know this was before TV, but she was on the radio, from Radio Egypt. Everybody on Thursday nights knew it was Umm Kulthum night, and they would gather and listen to her live concerts, all of which have been on vinyl thank God and are now on iTunes and everywhere else on Spotify. But here are her three biggest hits. Now I'm not going to stay on Umm Kulthum too much because there's a lot of women coming your way but one of her most famous songs is called Al Atlal. The second most famous song is called Inta Omri which means 'You Are My Life,' and then we'll do a little remix for you to move with Umm Kulthum's groovy beats today. In terms of Al-Atlal, you know she's going to speak in Arabic. Naila, I don't know if you want to translate. Maybe I'll just read the... because okay... Would you translate into English, Naila? It's that one. All right so I will try to, okay, pretend that I am Umm Kulthum chained in a relationship that's toxic deciding to break free. Now that's pretty you know dramatic but I think if you contextualize it within what was going on in Egypt then 'give me my freedom' becomes the citizen rising against the monarchy and it becomes the oppressed rising against the rulers so it's veiled in that she's in a relationship where she's being controlled and she's going to break free which right there is big enough but when you're add all those dimensions...so اعطني حريتي أطلق يدي Yalla Naila!

[Naila] Give me my freedom, unleash my hands انني أعطيت ما استبقيت شيئا [Naila] I have given everything and left nothing for myself. For too long... No, no, hold on i need to do the 'ouch' that Umm Kulthum does آه من قيدك أدمى معصمي

[Naila] For too long your chains have made my wrists bleed.

[Ramzi] So when she goes Ohhhh I mean I can't do it justice I hope you feel like the pain but also this joy of breaking free. Okay so if you leave today with one song you learned it's Al-Atlal and you can use it as a reference like 'Oh my gosh it's like Umm Kulthum when she cried out in pain in ‘Al-Atlal' Here it is Did you hear that ouch? آخ من قيدك أدمي معصمي The second song I'm going to play is called Inta Omri 'You Are My Life' and that has been remixed and re-recorded by hundreds of singers so I can't cheat you out of a little part from Inta Omri where she says, if you can read in the middle, ‘Everything I saw before my eyes first saw you was just wasted time how can they count it against me?’ So I don't know if any of you have felt that way but this is supposed to be the ultimate romantic gesture, to find someone and say You know what? All the years before I knew you, they don't count. Now I started living. But there's also a lamentation: 'Why didn't you come sooner?' So anyway, here is Inta Omri So you learned how to say 'you are my life' in Arabic? Do you want to try, Professor Solen?

[Solan] Not sing it!

[Ramzi] No, but feel it! Inta Omri! It's beyond 'you're my love' it's like 'you are the years of my life' Inta Omri...Arabic has that tendency. All right you want to jam a little bit to a remix of Inta Omri? She's going to say the same thing about "When my first my eyes first saw you, nothing counted before" but with a little bit of a modern twist. Here we go!

[Music]

[Ramzi] Nobody got up and like jammed

[Audience] I was about to!

[Ramzi] You know you're an amazing person; I felt you got the ecstasy. Obviously, please research Umm Kulthum and find more things about her because I'm going to go from the Queen of Egypt the Fourth Pyramid, they called her, Theo, right? Like people think there's only 3 pyramids in Egypt, and Umm Kulthum is the fourth!

Fairuz (Lebanon)

But I'm from Lebanon, I was born and raised in Lebanon, and we've always had a friendly rivalry with Egypt. So Umm Kulthum is Egyptian and she's the greatest but we've got our answer to Umm Kulthum in the form of Fairuz. You say Fairuz in front of a Lebanese person, they faint! She represents everything that was beautiful about Lebanon, and still is. She represents hope, she is an icon from the 50s 60s 70s 80s 90s 2000s, she's still around, she's still alive, she's still in Lebanon, she never left although she could have easily with her money left the country with all the wars and situations we've been in. She's still there in Lebanon today, she's speaking out still for the oppressed, she sings beyond religions. Now she herself is Christian but it doesn't matter because she has sung for Al-Aqsa, she's sung church hymns, she’s got a Christmas Carols album but she also has also has a Ramadan album so she is amazing and the main thing about Fairuz is not just her iconic status musically: Umm Kulthum and her generation had 40-minute songs. You want to listen to one song? It's 40 minutes! Fairuz came onto the scene and decided we're going to release a song in 3 minutes and everyone went crazy! What is that? It's unheard of, three minutes, it's not even an appetizer! But now all of Arabic music is just like western music, it has to be 3-5 minutes long, and that's all because of Fairuz who was the first to do that.

But let me begin by the way she loves Lebanon. Bahebak Ya Lebnan means I love you Lebanon. When Fairuz sings for Lebanon and says ‘I love you Lebanon’ the audience goes wild. You're not going to be able to see the audience but you're going to be able to see her face; when she says I love you Lebanon, she gets such a standing ovation that she literally has to stop, wait, and start again, and this is not the beginning of a concert or something and so just three words 'Bhebbak Ya Lebnan' have created frenzy and you can see her face when she says it she almost expects to take a little break. Here it is:

[Music]

All right, may she live on forever. You know, people sometimes ask me, kids, how old is Fairuz and I have this answer, you get very serious: 'How old are the stars?' How old is the moon? The sun? Love? And then you walk away. That's how you answer. Don't go on Wikipedia trying to find her age; she's ageless. So here is a little tribute to Fairuz from NPR:

[Audio with Fairuz Slideshow]
[NPR] You don't have to be Lebanese to know this voice but if you are, chances are this is a voice you've heard ever since childhood even if you were born and raised on the other side of the world, this voice robably sang to you from LPs and tape decks in kitchens and living rooms without ever needing to ask when you hear the words 'I loved you in the summer, I loved you in the winter' you just know: This is Fairuz.

[Music]

[NPR] Her real name is Nihad Haddad and she was born in 1935 in a Lebanon that was still finding its place in the Arab world. The name Fairuz means turquoise in Arabic. The man who discovered her said her voice was like a rare gem that it worked with both Arabic and western music. Listen here to the way she sings the word 'Habibi' which means my darling.

[Music]

[Ramzi] So, the whole show is available on NPR. Here's Fairuz in a very, very rare interview because she does not give interviews; she's very reclusive talking about how she and her husband who wrote all her music Assi Rahbani managed to change the landscape of Arabic music bringing it from 60-minute songs to three-minute classics.

[Excerpt from Fairuz Interview]

So basically, the Rahbani School of Music still lives on today. So, some of you were looking at me kind of like he's exaggerating nobody can be that great, he must be a Fairuz fanatic, but I'm nothing compared to some of the Lebanese who have dedicated their lives to going to Fairuz concerts and taking pictures. This Armenian photographer in Lebanon, he didn't eat for days, he would go to photograph Fairuz to get the, you know, film for the camera and he was at Baalbek which is an old Roman site in Lebanon with an outside amphitheater and it was gonna rain and it's night time and so what do you think, sir, happened when Fairuz came out and sang to the Moon? Would you be able to guess? There you go! Suddenly it stopped raining, the clouds dispersed and Baalbek became bathed in moonlight; I know you're thinking ‘coincidence’ but what if it happened every time Fairuz sings? Listen to this guy he's very... He's me if I were an Armenian photographer

[Scene from We Loved Each Other So Much Documentary]

[Ramzi] So you see I am not the only Lebanese fanatic but honestly this shows you what an icon she is. If you're interested in learning more about Fairuz, there's this DVD that's available and the short segment we just saw with the guy speaking was from a documentary called We Loved Each Other So Much. It's available I think on Prime other places and it's people talking about Fairuz for 2 hours then playing a Fairuz song but it shows you how no matter where you are in the Arab world, you love her. Arabs fight each other all the time, it breaks my heart, but when it comes to Fairuz they'll agree. It doesn't matter where you are from, you just say 'Fairuz' and suddenly the doors open and she managed to do that.

Okay these are more hits by Fairuz that I'm going to skip today because I want to go to the next person but please keep... I'm going to be sharing a link to the PowerPoint and there's a YouTube playlist if you want to explore these three huge hits by Fairuz.

And when Macron decided to visit Lebanon during the pandemic, did he go to the president's home? No! Did he go from the airport to some fancy affair? No! From the airport he goes to visit Fairuz in her modest house in Beirut. So, people were like okay you can't get more iconic than that; I don't think he even saw the president I think he just saw Fairuz and went back to France so that’s the Macron-Fairuz connection.

Tania Kassis (Lebanon)

Who's the follow-up to Fairuz? Who's the new Fairuz? A younger Fairuz? I know that gentleman there gave me that look like how dare you say Fairuz could ever have a runner up? I agree with you sir, it is unthinkable, but you know with these kids somebody's got to take over and if we need to pick somebody let's pick Tania Kassis who is Lebanese. She's also very much into peace music, music that brings Christianity and Islam together which is nice and she has an operatic voice she has a lot of tributes to Beirut like this one but THIS, I hope, is going to move you. Tania Kassis did something unheard of, she took the Muslim call to prayer what's called the azan or the Shahada you know the Allahu Akbar that you hear all the time and then she brought in the Ave Maria and mixed them together on stage and you can imagine, in a sectarian world, especially Lebanon, people didn't not know how to take it. They're like ‘wait how dare you’ but then ‘wow it worked so beautifully that maybe we can apply it to our everyday life.’ You know Lebanon has 14 official religions all of which attempt to coexist and got into civil war, but when they do coexist, it's a beautiful place. Do you want to hear the Muslim call to prayer with the Ave Maria together and you don't have to like it, but just appreciate what a gutsy move this was because she could have gotten into a lot of trouble.

[Music: Tania Kassis “Islamo Christian Ave”]

[Chant] Allahu Akbar

[Music]

[Chant] Ave Maria [Music]

[Islamic Call to Prayer] [Ave Maria]

[Ramzi] So, what did you think? Did anyone one feel it was disrespectful or blasphemous? And you're free to think so of course. Did you? There is a certain element that says you shouldn't mess with the call to prayer you know what's next you're going to make a pop version or something but the message for Lebanon despite the fact that I see both sides of the argument is the fact that we desperately need Islam and Christianity The Sunni Shiite Muslims, the Maronites, the Orthodox Christians so I prefer to look at the message like that and hopefully this can serve for in real life for discussions and conversations.

Yasmine Hamdan (Lebanon)

Moving on to Yasmine Haman, the queen of underground Arabic music. She is a phenomenon, she released her first album which was called Arabology--yes like my radio show—and now you know where I stole my title from. It was a moment to actually meet Yasmine Hamdan at Stanford and tell her thank you for giving me the title.

There's a picture of me with her there and that's one of the happiest moments of my life. She came to Stanford, she sat in the radio with me, she sang Arabology to the Arabology host and she didn't sue me for stealing that! So, she's pretty amazing you're going to love her, her vibe, here she is singing about Lebanon it's called 'Balad.' Balad means country and as we know Lebanon is a very chaotic country and what's the answer? What do you, young man, what do you think the answer is to solving all of Lebanon's problems? It's sad but it's also very easy: Put a woman in charge! Do you want to see what you what happens when you put a woman in charge of Lebanon? So, in this video Yasmine Haman is being put in charge and takes over the airwaves:

[Music]

Don't you love how she like put real footage of the Lebanese Parliament discussing forever and then she takes over with her Lebanese flag and the words I am the citizen deposed. It's quite powerful, and that is Yasmine Hamdan.

Tania Saleh (Lebanon)

We'll move to Tania Saleh, another person I got to meet in Lebanon. I love her music, but she had one song that I think is worth your time. It is called 'Omar and Ali.' Omar and Ali. What's the significance of the name Omar, and what's the significance of the name Ali? Does anyone know? So in Islam, Omar is a typical name for a Sunni Muslim, and Ali is a typical name for a Shia or Shiite Muslim. In Lebanon, the fight, the Civil War wasn't just Christians and Muslims or, you know, Syrians or Palestinians. It was within the factions; you had Shiites against Sunnis, and that is really heartbreaking. Like I'm a Lebanese Christian, it breaks my heart when I see Maronites in Lebanon fighting with the Orthodox Christians instead of saying it's the same Bible. Same thing for Muslims in terms of Shiite and Sunni; they both read the same Quran, they have Ramadan, you know, but then there's like this little difference, and suddenly they're fighting each other?
So, Tania Saleh says 'Yo, Omar, get up and kiss Ali, hey Ali, get up, kiss Omar.' Kiss him where? Kiss him between the eyes. This is considered the most precious spot, so pretty gutsy of her to talk about Shia Sunni relations. All right, that is Tania Saleh from Lebanon. The song is Omar and Ali.

Hana Malhas (Jordan) + Lena Chamamyan (Syria)

I'm going to move to the next singer. Now we are in Jordan. Anyone been to Jordan? Oh, so you must know Hana Malhas. Hana Malhas is as close to the queen of underground music in Jordan today. I'm bringing you not the very commercial singers who have million-dollar contracts. You can find Nancy Ajram and Amr Diab amazing, fun, but not very, not very politically conscious. Hana Malhas is. Hana Malhas from Jordan takes very old songs like songs from the 50s, and she's known for changing the landscape. She sings original material; she sings old material. I'm going to show you a duet of her singing in English with a Syrian singer. The Syrian singer is called Lena Chamamyan. You can tell from her last name she's Armenian, but then a lot of Armenians live in Aleppo. Lena Chamamyan came from Aleppo to Jordan, met Hana Malhas, they recorded their version of John Lennon's 'Imagine' together for Syria and for the Arab world, and it's kind of in English. Theo, you're going to love the English part, but when Lena Chamamyan chimes in, she brings an Arabic 'Imagine' version with an amazing voice. Let me just show you what happens when two great women get together.

Top of Form

[Video of Hana and Lena singing 'Imagine' in English and Arabic with subtitles]

What did you think of that mix? I could see it on your face you know so yeah, some things, when mixed together, work quite well especially John Lennon's ‘Imagine’ because of Imagine all the people so I love that there's so many versions of it. Do check out Hana Malhas's work.

Emel Mathlouthi (Tunisia)

I want to go to Tunisia and the voice of the Arab Spring. Were you around then? Were you babies? No, it was 2011. The Arab world got shook by this Arab Spring; they all thought, oh wow, good things are going to come, people have woken up, and they did wake up, they did wake up for a while. In Tunisia, you know, it was a very important time, and they did manage to change the Constitution, and they did a lot of things. But what about the music? You know, every revolution has a soundtrack. If you were going to ask anybody, 'What's the soundtrack to the Arab Spring?' It started with Emel Mathlouthi, this amazing woman who would sing in the streets of Tunisia with her guitar, and she would sing about freedom.

So, she had a song called 'My Word Is Free and Unencumbered.' The government at the time would, you know, they would arrest her; she was even tortured, I think, but she would come out of jail and go back to the street and sing for freedom, and that is Emel Mathlouthi. So, you can imagine when I met her, I think she thought I was just an idiot. I don't know, uh, because I mean she was the voice of an entire generation, and for her to come to Stanford and sing was amazing. Let me show you how she was at 19, when in the middle of the Revolution, would sing this song called 'My Word Is Free,' and you're going to see the crowds, and if you look closely at the video, the police approach at one point with batons, and she gets scared like, Should I sit down? Should I run away? And the people in the street go 'Emel keep going, we're with you,' and that's sort of a moment captured, um, and it's her own song.

[Video: Go on, Emel!]

So, it's a very raw moment. Did you hear the song and, like, her voice? Okay. Like every revolution, I hope, when one day people wake up and they start, you know, whoever you demonized, whoever you imprisoned becomes your hero, you know I mean Martin Luther King, Malcolm X, at the time and now. This is our version. So eventually she was invited to the Nobel ceremony, little Emel out from the street, to sing the same song, only juxtapose the setting now: a 36-band Orchestra, streaming from Sweden live, no expense spared, wearing designer clothes by a Tunisian designer. Same song, same woman, but a few years later.

[Music]

Same song, same words, but completely different setting. Emel Mathlouthi, I can't play just one song. She has albums, she has concerts all over the world. she was just in Türkiye; they love her there.

Dina El Wedidi (Egypt)

OK, so you remember the Arab Spring then spilled into Egypt and in Egypt we had the answer to Emel Mathlouthi. What was her name? Yes, Hala.

[Hala] Dina.

[Ramzi] Simply Dina. Hala knows her so well; she just says Dina. Which Dina? Dina El Wedidi. You're going to love Dina El Wedidi she is just such a defiant singer in Egypt she came to fame with the Midan, the Square, the Tahrir Square protests, she sang with them but then eventually she started getting into alternative mixing with Boasa Nova from Brazil and things like that um let me see what I can...well maybe I'll show you that. Let me show you her collaboration with a Brazilian singer; does anybody know this guy? Tell me. Tell me something about him because I'm the Arabic part. What is his name? [Gilberto Gil] Do you speak Portuguese? [I used to] Wow thank you for coming today because he's iconic, right? I mean he's iconic and for him to take little little Dina El Wedidi from Egypt and say 'Come under my wing, I'm going to mentor you' and then release a duet with her that becomes like Arabic Bossa Nova What? Arabic Bossa Nova? And she was so grateful to him for that, but then he ended up saying 'I learned from her more than I ended up teaching her' and she's very very modest. So here is a part of the concert they did.

[Video of Dina El Wedidi and Gilberto Gil]
[Gilberto Gill] Welcome to the stage a new colleague, Dina!
[Dina] To share the stage with Gil, it was the biggest thing that happened in my life. To sing with him an Arab song with Bossa Nova style was a really deep moment. My heart was tic tic tic.

[Gil] Egyptian music is very different from the Brazilian it's so full of small details and specific dynamics where I can get ideas from. I learn also from that, you know. Dina El Wedidi, who I did meet too. Did you see my face in that picture over here? I'm just like such a, you know, fan.

Alsarah (Sudan)

Okay, moving on to Sudan and who is the most powerful woman's voice coming out of Sudan today? Her name is Alsarah, it's like a made-up name but if you like Nubian music...She still sings an Arabic but there's like a lot of African rhythms Do you want to see a little part to see the African-Arab connection? Here she is singing this song called 'Farasha' which means Butterfly.

[Music with translated lyrics]
Oh, butterfly in the morning dew, come dance and frolic with me. Leave your worries in a distant valley amidst roses and the breeze. Come closer so I can taste your honey. Come on, dance with me, you’re the dream, the vision, the happiness that fills my eyes.

[Ramzi] So, Alsarah and the Nubatones. If you liked this, you will love all her songs. If you didn't like this, you're not gonna like any of her albums. I love it. I love the way North Sudan and South Sudan who are in a war situation get united in Alsarah's music.

Souad Massi (Algeria)

Moving on to Algeria, do you want to mellow out for a minute? I think you're going to enjoy this. Yes, Souad Massi. Oh my gosh I just saw one of my favorite people walk in! Ehab! You know that I'm about to play Souad Massi and you were the one who would tell me about Souad Massi, right? I mean this was not rehearsed, right Ehab? It wasn't rehearsed! Well basically Souad Massi is from Algeria and she just needs a guitar, she does not need a fancy band and she just broke onto the scene and now they love her in France, so she moved there but Algeria is still in her heart. She mostly sings in Arabic. The song is called ‘Rawi' which means 'Narrator' and the morale of the story is this: "In your heart, there is a story that needs to be told" and that's what the song's about. Look at your heart and tell your story. It's called 'Rawi' Very mellow, guitar, hope you will let her take you away. Don't resist her.

[Music Video: Souad Massi sings ‘Rawi’]

So, I hope you liked her; she's great if you want to mellow out after a bad day. She's amazing. Souad Massi, don't forget the name. I'll check with you in 6 months and you'll be a transformed person and say thanks to Souad Massi.

Oum and Manal (Morocco)

Okay, I'm going to go to Morocco just because they need to be represented today. Even though I'm not going to play the videos, they are amazing. Two women, sir, please try to remember at least one of them. One of them is called 'Oum' like "Oum Kulthum" but just 'Oum' and she does the Saharan kind of Moroccan singing but then you've got a new one named Manal and she's kind of poppy but she's interesting because she uses Moroccan imagery.

Palestinian Women in Song

I so want to reach this point in my presentation as I promised you in the beginning. I'm going to end with the voice of Palestinian women. Almost every woman we heard today was singing about a struggle: Political, social, and also in terms of gender. Palestinian women have been surprisingly vocal for many years talking not just about politics but also speaking out against patriarchy. They are powerful and maybe because so many of them live under occupation the stories they tell through their songs gain a new perspective.

In this video, it's a short clip I'm going to play, it's a great video because it combines so many women Palestinian women who, if I had the time, each of these women would deserve her own presentation, definitely her own slide. But for time's sake, for them to come together, let me read their names because they are all still singing for a better tomorrow. They are Maisa Daw, Lina Makoul, Nancy Hawa, Noel Kharman, Yusor Hamed. The song is called Asli Barri, 'I Am of the Earth,' and all these women got together in the desert and sang about women's agency but also politically and in terms of socially. So, all of them together. Please watch the video to see the interaction. I'm just going to play a short clip right now.

Please watch the whole video if you have time, just the interaction of these women and just the fact that they were singing against a certain system gains a new dimension. I'm going to move to two more. We're going to end with Elyanna if you know who she is. But before I go to Elyanna, my last song, which is going to be a gift from me and from everybody that worked with me on this presentation, to you guys, to thank you for coming It's going to be called 'Olive Branch.' I'm going to end with 'Olive Branch'

Mayssa Daw

Before I do, let's have some feminist anger in the room. How many women, especially in the Arab world, especially in Palestine, have been objectified to a degree where the body becomes measurements, becomes not your own, the way the female body is narrated and told, and never by the women. This Palestinian young woman, I think she's only 24 or something, just released this song that unleashes centuries of anger. She's reclaiming her body not only as a woman but as a Palestinian Woman and how patriarchy and certain traditions have tried to put her down. It's very powerful but it's raw.

[Clip: Maysa Daw & DAM - JASADIK-HOM (Your Body of Theirs)]

[Ramzi] Can you feel it? And this is her writing and her song. She's also part of a Palestinian group called DAM, they used to be three guys and became known as DAM. One of the guys left and instead of replacing him with another guy they brought in Maysa Daw and the group now changed suddenly, it's like reborn and Maysa of course became at the forefront. That's the group over there, DAM.

Elyanna

Okay so I'm going to end today with Elyanna. Has anyone heard of Elyanna?

[Audience] Yes, I watched her Coachella concert.

[Ramzi] What's the big deal about Coachella and Elyanna? Like why is that a big deal?

[Audience] It's just groundbreaking to have a female singer in Arabic.

[Ramzi] Not just female, but the first time someone sings in Arabic at Coachella. You know, from Umm Kulthum to Coachella with Elyanna. She sang live at Coachella and people loved her. She is Palestinian and very proud of it and she became known before October 7 so basically, now, she's sending messages of peace to Gaza but this is before that. You want to hear a little more about her? She is half Chilean; half Palestinian She was born in Nazareth and of course Arabic is her native language.

[TV Report] Elyanna's story starts in Nazareth where she was born.

[Elyanna] First of all I grew up in Palestine, Nazareth I'm also part Chilean so I grew up in in these two worlds and of course they influenced me and of course they had a huge impact on me as a person and as an artist.

[TV Report] Palestinian and Chilean but singing in Arabic or Spanish was not part of the original plan.

[Ramzi] So you can watch the whole report on Dateline. I love her, I still haven't met her, but stay tuned I'm dying to meet her. And basically, like you saw in the report, it was before the 7th of October and what I want to talk about is what she did after. So let me go here to the last slide today and leave you with a song called Olive Branch. It's in Arabic but there are subtitles and she's sending peace and she's always reminding us how Jewish, Muslim, and Christian folks are all brothers and sisters, always lived in peace. I know what's going on now, it's not about that. It's about something else. And she's sending a message of peace, an Olive Branch to Gaza. So, I'm going to end with Elyanna, sending a message. There's a hard sentence, you might find it painful, but hopefully it will change when she says, "In the land of peace, peace has died" and that's how she ends it.

[Elyanna sings ‘Olive Branch’]
Words aren't enough, what else can I say? My tears have dried up, and my heart is broken. I'm far away, but I'm praying for you and I'm sending peace, on an olive branch. I'm far away, but I'm praying for you and I'm sending peace, on an olive branch. In the land of peace, peace has died, and the world is sleeping on a hurt child.

[Ramzi] Not an easy time for any Palestinian singer to sing because if you release stuff people are like ‘Why are you singing, you know, releasing joyous music as if nothing's going on’ but then if you do nothing, you also feel useless. I love Elyanna.

Q & A Session

I'm going to end with Elyanna and turn it over to you because I have saturated you, oversaturated you, today with name after name and you stayed till the end! At some point people need a breather and I gave you no breather. Thank you for staying with me and I welcome any reactions, any questions about any of the amazing women that we featured today, even if you just want to give me your fave. So, I'm not going to call on anyone who doesn't raise their hand but...thank you!

[Audience] I didn't know what this was going to be like; I work here, I just wanted to say this was so moving to me. My mother's Egyptian, I grew up with Egyptian music, I've been there, but I just didn't realize, I had no idea...

[Ramzi] Can you share your name with our audience?

[Audience] Yasmina.

[Ramzi] You must have enjoyed it, it's genetic, right? By the way, the artwork was done by a Sudanese refugee for me, and it was just a gift. When he heard I'm doing a talk about Arab women, he sent me this graphic and drew me and drew every woman that I spoke about today and I said I want to pay you or whatever and he just got offended, it's a gift! So, his name is Zad Hussain, his name is down there, follow him on Insta if you like this kind of art. So, somebody almost got fired because of me they stayed late!

[Audience] that is compliment

[Ramzi] Tell them I thought this was more important. We need to talk, go to work, but I need to see you later and Professor Solen, you guys are so lucky to have her, and Heidi Saleh who just walked in. Oh my God, seeing Heidi Saleh is like seeing a part of me because we've been in touch for so long and Heidi is of course from Egypt and she knew Umm Kulthum before I even spoke, immediately, and we're related. You know this is my cousin Naila who came in from San Diego today and she was saying that the Saleh family and the Salti family and the Sfeir family are all related.

[Heidi] That's why I knew we have a connection

[Ramzi] and we're gonna hang out after this okay I love that Theo who did the audio visual today has a comment.

[Theo] Umm Kulthum, was she a composer as well, or primarily a singer? I know in the United States we have a long history of great female performers but traditionally the music is composed by males.

[Ramzi] That's a great question. Many of the indie Arab women I played were writing their own material and singing it but with Umm Kulthum, definitely not. Poets and composers in the 50s and 60s in Egypt would fiercely compete to send her poems hoping she'll take a glance at them so she had the best poets and the best composers at her disposal and she chose, she knew how to choose, so she never wrote her own things, but boy did they become hers in the way she delivered them. You heard her moaning when her lover wouldn't set her free; that's nothing. Tarab! We recorded it, Heidi. There was a moment these kids were feeling Umm Kulthum's pain! This guy went like Unchain Me! Any other comments? Please.

[Audience] I just want to say my grandma’s from Iraq. She's an Iraqi Jew actually who grew up speaking Arabic and Hebrew so I actually really enjoyed the mix, the Ave Maria and the call to prayer. That kind of reminds of my family.

[Ramzi] I've done a presentation on Judeo Arabic music. In Arabic and Jewish music, you're also gonna find some amazing collaborations. There is a version of ‘Imagine’ by John Lennon by an Israeli singer whose name is Noa with a Palestinian singer and they sing it, half Hebrew half Arabic, and then they joined it in English. What was her name? I forgot the Palestinian singer's name [Mira Awad] but I think they represented peace at the Eurovision song contest, but that was many many years ago. I think right now these voices are being silenced. Thank you, habibti. And you loved Elyanna already, I didn't have to convert you, but but the young man next to you…I saw him like he was getting converted and then when Elyanna started to sing... Did you like any of the music today?

[Male in Audience] I felt touched by it, every single one.

[Ramzi] Thank you so much. So, will you look them up and try to encourage them, disseminate information about them? These are not women who have huge recording contracts, but they so deserve it. Those million-dollar deals, the Coca Cola and the Pepsi deals, go to Arab women and men in the Arab world who sing about nothing. I mean it's fine, it's nice for a party, right? Who doesn't want to belly dance? But at some point, we need music to wake us up and these women wake us up much more than men, maybe. Anyone else want to react?

[Naila] If you have the opportunity to interview Fairuz on your Arabology podcast, what is one question you would ask her?

[Ramzi] Wow like you're asking me this in front of... I'm just a human, I'd break down, I don't know, I guess I would ask her if she ever understood the depth of the love that the Arab world has for her, if this was ever in her consciousness, but something tells me it's not. She's very simple, lives in a simple home, does not go out, her whole life was singing when her husband was alive, 24-hours at home, recording, so no wonder they have thousands of songs released; but honestly she's still alive, so there's still a chance, Naila, maybe we can have a picture with Fairuz who... How old is Fairuz? Wait Heidi 1 second the guy knows, the kid knows, how old is Fairuz?

[Male in Audience] How old are the stars?

[Laughter]

[Ramzi] A star is born today, my kids are blooming, right? Heidi, before you walked in, I said she's ageless so when people say how old is Fairuz, you're like "How old is the universe?"

[Heidi] I was just going to say, as an Egyptian girl, Fairuz was such an icon. I grew up listening to her. She was the only voice other than the Egyptian voices I was hearing back home in Egypt. Everybody respected her and loved her music and she connected me to this magical place called Lebanon that I had never heard of even though I was living in Egypt. She's just an icon, she's incredible.

[Ramzi] Some people say there are 2 camps, the Umm Kulthum camp and the Fairuz camp. Absolutely, but Umm Kulthum came first and influenced Fairuz. I think Fairuz always had this admiration for Umm Kulthum, but Fairuz dared to release 3-minute songs where Umm Kulthum's were minimum 30 minutes and so Umm Kulthum handed the baton to Fairuz and she did not resist her. The answer, by the way, to 'Fairuz or Umm Kulthum' is, because Fairuz songs are more chill in the morning: Fairuz is in the morning and Umm Kulthum is at night. You get home from hard day's work, put your feet up, you're going to listen to a 40-minute song. In the morning, who has time? The Arab world says Fairuz in the morning, Umm Kulthum at night فيروزيات الصباح وأم كلثوم في الليل

[Solen] I may have asked you the same exact question when we listened to you back at Stanford, but I'll do it anyway. Talking about interesting artists who sang the call to prayer, you haven't sampled any Turkish music, I'm not offended, but another artist comes to mind. There is a trans woman... she sounds like Umm Kulthum, she's in that category of amazing singers, classically trained in Arabesque, Turkish classical music, and she sings the call to prayer on television.

[Ramzi] We need to incorporate that in the Tania Kassis section where you heard her do the Ave Maria. We're not there yet.

[Solen] The Turkish public loves her.

[Ramzi] Shukran, kids! You three are such sweet people you've been there every time I stutter. Thank you, guys, for coming today and stay in touch with me and if you have any Arabic songs for my Arabology show I am willing to do like an on-air DJ thing. Thank you so much guys. Anybody else want to say anything before we adjourn?

[Audience] Do you have a Spotify playlist?

[Ramzi] I have many Spotify playlists and more importantly my Arabology show is available on Spotify, Apple podcasts, SoundCloud. There's over 300 episodes, each episode's 2 to 3 hours long so it's good for long car rides, you can forward a lot of it but in each show, I've tried to focus on something; so you look at the show tile, it could be like 'Arab Women in Music' but it could also be just shaabi Egyptian music, 3 hours of that. The nice thing about it is because people are very open in America to different music but with Arabic music in particular, nobody ever translates, nobody tells them what it's about so listeners kind of go hmmm but once you understand...That's what I do, I speak in English to an American audience, to a global audience, about these women and the input I get is wow we never realized! Even Arab Americans go "My Dad used to listen to Umm Kulthum" it's no big deal, but now...

Please do listen to Arabology if you like and send requests and let me know I put my email there, it's author30@gmail.com but look me up on Google and you'll find either DJ Ramzi with my headphones or Dr Ramzi Salti at Stanford so either one, okay?

So, what do you think, Solen? Shukran habibiti inti, and I love the kufiya, shukran. And my cousins of course, Naila and Hala, who came all the way from San Diego to be here today and my surprise guest, my brother-in-law Ehab, who walked in out of the blue; did you see him walk in like that? That was not expected and the timing, he waited for Souad Massi whose work he loves; that and Pink Martini. Shukran everybody, thank you, thank you.

Watch the video with CC (transcript) turned on at https://youtu.be/4_5ekhsngS4

Transcript: Women’s Voices in Arabic Music by Dr. Ramzi Salti

2024-06-26T11:46:00.000-07:00

You may also read this edited/corrected transcript at this link.

Fady Joudah at Stanford: Poetry Reading & Book Event (April 4, 2024)

2024-04-05T13:22:00.000-07:00

Fady Joudah is a Palestinian American poet, translator, essayist, and physician. He is the author of six collections of poems, most recently the enigmatically titled [...] , which came out with Milkweed Editions in March 2024.

Joudah’s poetry has been published in a variety of publications, including Poetry, The Iowa Review, The Kenyon Review, and more. His writing has received many awards, including the Griffin Poetry Prize, the Arab American Book Award, a Guggenheim Fellowship, and a PEN Translation Award for his renderings of the poetry of the immortal Mahmoud Darwish.

Join Fady Joudah at Stanford for an evening of reading and listening from [...] on April 5, 2024, 4-6pm.
Books will be available for purchase and signing by the author at the event.

Location: Stanford Humanities Center, Levinthal Hall. 424 Santa Teresa Street, Stanford University
Date/time: Friday, April 5, 2024, 4-6pm

For information on parking and to RSVP (requested but not required), go here.

Event-cosponsors: Abbasi Program in Islamic Studies; Asian American Studies; Center for Comparative Studies in Race & Ethnicity; Creative Writing Program; Department of Comparative Literature; Department of English; Division of Literatures, Cultures, and Languages; Markaz Resource Center; Queer Student Resources; Stanford Faculty for Justice in Palestine; Stanford Global Studies; Stanford Humanities Center; Theater and Performance Studies

Essay: Themes of Liberation and Resilience in Songs by Arab Women Singers by Dr. Ramzi Salti

2024-03-23T12:21:00.000-07:00

Arab Female Vocalists:
Embodying Resilience and Hope in the Fight for Liberation

by Ramzi Salti, Ph.D. (Stanford University)

Introduction

I recently had the privilege of leading the audience at Santa Rosa Junior College on March 7, 2024, on an immersive journey into the soul-stirring melodies of Arab female voices. This audio-visual lecture, strategically aligned with Women's History Month 2024, served as a powerful ode to resilience and resistance, spotlighting Arab women singers who courageously raise their voices against oppression and injustice. From the timeless classics of Umm Kulthum and Fairuz to the contemporary anthems of Tania Saleh, Yasmine Hamdan, Hana Malhas, Lina Chamamyan, Emel Mathlouthi, Dina El Wedidi, Alsarah, Souad Massi, Maysa Daw, and Elyanna, each artist illuminated the stage with narratives of defiance and hope.

In this essay, we delve deeper into the lives and works of the female singers highlighted during my lecture in a more detailed and elaborate manner. Through comprehensive analysis and contextualization, we seek to unravel the nuances of their artistry and the socio-political significance embedded within their lyrics and melodies. By examining the themes of freedom, courage, and resilience woven into their music, we aim to shed light on the transformative power of their voices as agents of change in the face of adversity.

Umm Kulthum: The Iconic Voice of Egypt

In the annals of history, certain names resonate with an enduring legacy, encapsulating the spirit of an era and transcending the boundaries of time. One such luminary is Umm Kulthum, a figure whose name reverberates through the corridors of Egyptian culture, her influence extending far beyond the realm of music into the realms of politics and social commentary.

Born Fatima Ibrahim as-Sayyid al-Biltaji in a small village in Upper Egypt, Umm Kulthum emerged from humble beginnings to claim her place as a cultural titan. Her journey from obscurity to international acclaim is a testament to the transformative power of talent and perseverance. Raised in a devout household, she received her early education in Quranic recitation, honing her vocal abilities from a young age. It was her distinctive voice, resonant with emotion and depth, that would ultimately propel her to stardom.

Umm Kulthum's ascent to prominence coincided with a tumultuous period in Egypt's history. From the waning days of the monarchy to the rise of the Nasser regime, she navigated the shifting political landscape with aplomb, forging relationships with leaders such as King Faruk and Gamal Abdel Nasser. Yet, her allegiance was not to any one regime but to the people of Egypt, whom she tirelessly championed through her music and activism.

What set Umm Kulthum apart was not just her vocal prowess but her unwavering commitment to social causes, particularly those pertaining to women's rights. At a time when societal norms dictated a woman's worth by her marital status and maternal role, she defied convention by remaining unmarried and childless. Her refusal to conform to traditional gender roles sparked controversy and speculation, yet she remained steadfast in her independence, challenging entrenched norms and expectations.

Through her music, Umm Kulthum sought to transcend the confines of language and culture, offering a universal message of love, freedom, and resilience. Her performances, often lasting upwards of sixty minutes per song, were immersive experiences that elicited a profound emotional response from audiences. Through the repetition of phrases like "Ya Habibi," she invited listeners on a journey of introspection and ecstasy, tapping into the collective yearning for transcendence.

Umm Kulthum's impact extended far beyond the confines of the concert hall, resonating deeply with ordinary Egyptians who saw in her a reflection of their own struggles and aspirations. When she passed away in 1975, the nation mourned her loss with an outpouring of grief unprecedented in its scale. Schools closed, streets emptied, and millions gathered to pay their respects to the woman who had come to symbolize the soul of Egypt.

Today, Umm Kulthum's legacy endures as a beacon of hope and inspiration, her music serving as a timeless reminder of the power of art to transcend barriers and unite humanity. In an age marked by political upheaval and social discord, her voice resonates with a clarity and conviction that remains as relevant today as it was during her lifetime. As we reflect on her life and legacy, we are reminded of the transformative power of music to uplift, empower, and unite us in our common humanity.

The enduring legacy of Umm Kulthum, often hailed as the "Fourth Pyramid" of Egypt, continues to reverberate through the ages, transcending the boundaries of time and cultural evolution. Despite her passing in 1975, her immortal melodies persist, resonating with contemporary audiences and inspiring a new generation of artists. Through the magic of modern technology, her timeless compositions have been reimagined and remixed, seamlessly blending her iconic voice with the rhythms of hip-hop and other contemporary genres.

One remarkable testament to Umm Kulthum's unparalleled talent is captured in a single word: "Nazra." In a fleeting moment, she harnesses the power of this word to transport her audience to a state of ecstasy, known as "Tarab," a transcendent emotional experience that transcends language and culture. With each rendition of "Nazra," she captivates her listeners, eliciting a visceral response that defies explanation.

Umm Kulthum's influence extends far beyond the confines of the concert hall, permeating the collective consciousness of Egyptian society. Her weekly radio broadcasts on Radio Egypt became a cultural institution, with Thursday nights reserved for her live performances. Generations of Egyptians would gather to listen to her soul-stirring melodies, forging a deep and enduring connection with the woman known simply as "the voice of Egypt."

Among her myriad hits, three stand out as enduring classics: "Al Atlal," "Inta Omri," and "Alf Layla wa Layla." Each song is a masterpiece in its own right, weaving together themes of love, loss, and longing with a poignancy that transcends time and space. Through her music, Umm Kulthum grapples with the complexities of the human condition, offering a window into the depths of the human soul.

"Al Atlal," in particular, holds a special place in the hearts of her fans, its haunting melody and poignant lyrics speaking to the universal experience of heartbreak and longing. In a society bound by tradition and expectation, Umm Kulthum's impassioned plea for freedom resonated deeply with listeners, serving as a metaphor for the struggle against oppression and tyranny.

"Inta Omri," on the other hand, is a testament to the transformative power of love, its lyrics expressing a profound sense of devotion and longing. Through her impassioned delivery, Umm Kulthum captures the essence of romantic yearning, inviting listeners to experience the depths of emotion with her.

As we reflect on Umm Kulthum's unparalleled legacy, we are reminded of the transformative power of music to transcend barriers and unite humanity. In a world beset by division and discord, her timeless melodies serve as a beacon of hope and inspiration, offering solace to the weary and comfort to the downtrodden.

Fairuz (Lebanon)

Fairuz, the legendary Lebanese singer, stands as an iconic figure not only in the realm of music but also as a symbol of unwavering devotion to her homeland. Born and raised in Lebanon, Fairuz epitomizes the essence of Lebanese beauty and resilience, embodying the spirit of hope amidst turmoil. In the musical landscape dominated by the towering presence of Umm Kulthum from Egypt, Fairuz emerged as Lebanon's answer, capturing the hearts of her compatriots with her enchanting voice and profound lyricism.

Despite the allure of fame and fortune, Fairuz chose to remain rooted in Lebanon throughout the tumultuous decades of the 20th and 21st centuries. Amidst wars and conflicts, she steadfastly stood by her country, using her platform not only to entertain but also to advocate for the oppressed and marginalized. Beyond the confines of religious boundaries, Fairuz's music transcends divisions, encompassing themes of love, spirituality, and national pride.

One of Fairuz's most remarkable contributions to Arabic music lies in her innovation of song structure. In an era when lengthy compositions dominated the airwaves, Fairuz dared to challenge convention by releasing shorter, more accessible songs. Her decision to condense musical narratives into concise three-minute masterpieces revolutionized the industry, paving the way for a new era of Arabic music characterized by brevity and accessibility.

Fairuz's profound love for Lebanon is palpable in every note she sings. Her anthem "Bahebak Ya Lebnan" ("I Love You Lebanon") resonates deeply with audiences, evoking an outpouring of emotion and patriotism. The fervent response she elicits from her listeners serves as a testament to her enduring influence and significance in Lebanese culture.

Despite her immense popularity, Fairuz remains a private and enigmatic figure, shying away from the spotlight and eschewing interviews. Yet, her impact extends far beyond the confines of the stage, transcending generations and uniting Arabs across borders. Whether through her timeless melodies or her unwavering commitment to her homeland, Fairuz continues to inspire reverence and admiration, her legacy indelibly etched in the fabric of Arab identity.

Tania Kassis (Lebanon)

In the footsteps of Fairuz emerges Tania Kassis, a Lebanese singer renowned for her operatic voice and dedication to promoting peace through music. Born in Beirut in 1977, Kassis showed an early aptitude for music, studying at the Lebanese National Higher Conservatory of Music and later pursuing vocal training in France. Her classical opera background laid the foundation for her distinctive vocal style, characterized by its power and emotional depth.

Kassis's bold experiment of blending the Muslim call to prayer with the Ave Maria exemplifies her commitment to fostering dialogue and understanding in a region marked by sectarian tensions. The performance, known as "Islamo Christian Ave," garnered international attention and sparked conversations about the power of music to transcend religious divides. Despite facing initial skepticism, Kassis's musical fusion served as a catalyst for reconciliation, inspiring audiences to embrace shared values of peace and harmony.

Beyond her groundbreaking musical endeavors, Kassis is also known for her humanitarian work and advocacy for social justice. She has collaborated with numerous organizations to promote education, women's rights, and interfaith dialogue, using her platform to address pressing issues facing Lebanese society.

Yasmine Hamdan (Lebanon)

Yasmine Hamdan, often dubbed the queen of underground Arabic music, brings a fresh and unconventional perspective to the Arab music scene. Born in Beirut in 1976, Hamdan was exposed to a diverse array of musical influences from an early age. She began her musical career as a member of Soapkills, one of the first indie/electronic bands in the Middle East, before venturing into a solo career that would propel her to international acclaim.

With her debut album "Arabology" released in 2009, Hamdan challenged traditional notions of identity and belonging, offering a nuanced portrayal of Lebanon's complex social and political landscape. The album, which blends electronic beats with traditional Arabic melodies, received widespread critical acclaim and established Hamdan as a trailblazer in the Arab music scene.

Through her music, Hamdan amplifies the voices of the marginalized and disenfranchised, shedding light on the struggles of everyday life in a chaotic country. Her song "Balad" (Country) captures the essence of Lebanon's tumultuous reality, while also advocating for female empowerment and leadership as a solution to the nation's woes. As a cultural icon and social activist, Hamdan continues to use her artistry to challenge stereotypes and inspire change.

Tania Saleh (Lebanon)

Tania Saleh, another luminary in the realm of Lebanese music, delves into the intricacies of sectarianism with her poignant song "Omar and Ali." Born in Beirut in 1969, Saleh grew up in a multicultural environment that deeply influenced her musical sensibilities and lyrical themes. She began her musical career in the early 2000s, releasing a series of critically acclaimed albums that garnered praise for their introspective lyrics and evocative melodies.

"Omar and Ali," one of Saleh's most renowned songs, addresses the deep-seated divisions that have plagued Lebanese society for decades. By urging individuals from different religious backgrounds to embrace each other, Saleh challenges divisive narratives and calls for unity amidst diversity. The song, released in 2011, resonated with audiences across the Arab world, sparking conversations about the importance of tolerance and understanding in a region torn apart by conflict.

Hana Malhas (Jordan) + Lena Chamamyan (Syria)

Hana Malhas, a Jordanian singer-songwriter, has carved a niche for herself in the underground music scene through her evocative compositions and poignant lyrics. Born and raised in Amman, Malhas began her musical journey at a young age, drawing inspiration from her cultural heritage and the diverse musical landscape of the Middle East. Her innovative approach to blending traditional melodies with contemporary themes has earned her acclaim both locally and internationally.

Lena Chamamyan, hailing from Syria, is celebrated for her mesmerizing vocals and enchanting stage presence. Born into a family of Armenian heritage in Aleppo, Chamamyan's musical prowess blossomed at an early age. Influenced by the rich musical traditions of her homeland, she embarked on a journey to preserve and reinterpret Syrian folk songs, infusing them with her unique style. Chamamyan's collaborations transcend borders, serving as bridges between cultures and ideologies.

Emel Mathlouthi (Tunisia)

Emel Mathlouthi, the voice of Tunisia's Arab Spring, emerged as a symbol of resistance against oppression and injustice. Born and raised in Tunis, Mathlouthi honed her musical talents from a young age, drawing inspiration from her country's tumultuous history and vibrant cultural heritage. Her impassioned performances, often accompanied by just a guitar, captured the hearts of a generation yearning for change. Despite facing persecution for her activism, Mathlouthi remained steadfast in her commitment to using music as a force for liberation and empowerment.

Dina El Wedidi (Egypt)

Dina El Wedidi, a trailblazing singer from Egypt, rose to prominence during the tumultuous days of the Arab Spring. Born and raised in Cairo, El Wedidi's musical journey began in the vibrant alleyways of the city's historic neighborhoods. Inspired by the rich tapestry of Egyptian culture and the revolutionary spirit of her time, she became a leading voice of dissent, using her music to amplify the voices of the marginalized and disenfranchised. El Wedidi's collaborations with artists from diverse backgrounds reflect her commitment to forging connections across cultures and continents.

Alsarah (Sudan)

Alsarah, a Sudanese vocalist and songwriter, embodies the cultural fusion that defines Sudanese music. Born in Khartoum to a family of Nubian heritage, Alsarah's musical upbringing was shaped by the rhythms of East Africa and the melodies of the Arab world. After fleeing Sudan's political turmoil, she resettled in the United States, where she founded the band Alsarah & the Nubatones. Through her music, Alsarah seeks to celebrate Sudan's rich cultural heritage while advocating for social justice and cultural preservation.

Souad Massi (Algeria)

Souad Massi, an Algerian singer-songwriter, captivates audiences with her soulful voice and poignant storytelling. Born in Algiers, Massi's musical journey began amidst the backdrop of Algeria's civil unrest in the 1990s. Drawing on her experiences as a woman in a patriarchal society and her country's tumultuous history, she found solace and strength in music. Massi's lyrics, often accompanied by acoustic guitar, weave tales of love, loss, and resilience, resonating with audiences around the world.

Oum and Manal (Morocco)

In the vibrant musical landscape of Morocco, two women stand out for their distinctive styles and contributions. One of them, known simply as 'Oum,' draws inspiration from the Saharan traditions of Moroccan music. Her evocative vocals and soulful performances pay homage to the rich cultural heritage of her homeland. Another rising star is Manal, whose music incorporates contemporary pop elements while infusing Moroccan imagery and themes. Together, Oum and Manal represent the diversity and dynamism of Morocco's music scene, offering a blend of traditional and modern influences.

Palestinian Women in Song

At the intersection of music and activism, many Palestinian women have raised their voices as agents of change and resilience. From challenging political oppression to confronting patriarchal norms, these women embody the spirit of resistance and solidarity. In a powerful display of unity, Palestinian vocalists including Maisa Daw, Lina Makoul, Nancy Hawa, Noel Kharman, and Yusor Hamed come together in the desert to perform 'Asli Barri' ('I Am of the Earth'). This collaborative effort underscores the collective strength of Palestinian women in advocating for justice and empowerment. Through their songs, they weave narratives of hope and defiance, amplifying the voices of those silenced by occupation and inequality.

Mayssa Daw

Among these voices, Mayssa Daw emerges as a fearless advocate for feminist empowerment and Palestinian identity. Through her poignant songwriting and impassioned performances, Daw challenges societal norms and patriarchal structures that seek to diminish women's agency. As a member of the Palestinian hip-hop group DAM, she infuses her music with raw authenticity and unapologetic resistance, reclaiming her body and voice in a landscape dominated by male narratives.

Elyanna

Elyanna, a Palestinian-Chilean artist, transcends boundaries with her captivating melodies and profound lyricism. Born in Nazareth and raised between two cultures, she channels her experiences into music that celebrates unity and peace. Elyanna's historic performance at Coachella, where she became the first Arabic singer to take the stage, symbolizes a triumph of diversity and inclusivity. Through her song 'Olive Branch,' she offers a poignant plea for reconciliation and understanding in a region torn apart by conflict and division. Elyanna's music serves as a testament to the enduring power of art to inspire hope and catalyze change.

A video of this lecture (with precise Closed Captions/Subtitles) is available below at this link. Click on CC while watching.

Video Chapters (click on each time below to go to that chapter): 00:00 Intro by Professor Solen Sanli Vasquez 02:12 Introduction by Dr. Ramzi Salti @RamziSalti 05:36 Umm Kulthum (Egypt) أم كلثوم @ummkulthum 24:14 Fairuz (Lebanon) فيروز @fairuz3192 35:17 Tania Kassis (Lebanon) تانيا قسيس @TaniaKassisOfficial 39:44 Yasmine Hamdan (Lebanon) ياسمين حمدان @yasminehamdansite 43:23 Tania Saleh (Lebanon) تانيا صالح @taniasalehofficial 46:49 Hana Malhas (Jordan) and Lena Chamamyan (Syria) @HanaMalhas @corp-space3x 49:48 Emel Mathlouthi (Tunisia) آمال مثلوثي @EmelMathlouthiOfficial 54:20 Dina El Wedidi (Egypt) دينا الوديدي @DinaElWedidi1 57:25 Alsarah (Sudan) السارة @Alsarah5000 59:04 Souad Massi (Algeria) سعاد ماسي @souadmassi9980 1:01:27 Oum and Manal (Morocco) @OUMOFFICIAL @manalmusic 1:02:01 Palestinian Women: Yusor Hamed @yusorhamedmusic Noel Kharman @noel-kharman Nancy Hawa @nancyhawaofficial 1:04:55 Maysa Daw (Palestine) @MaysaDaw ft DAM @dammazik 1:07:09 Elyanna (Palestine) اليانا @Elyanna 1:11:57 Q & A Important: Click on CC while watching this video to read along. The edited captions will make the viewing experience more enjoyable.

The above essay was partially generated by AI

Jordanian Artist Sadouf Launches "Urdunia" Project

2024-03-09T17:25:00.000-08:00

Jordanian artist Sadouf, founder of Urdunia project

Urdunia is an ambitious project initiated by the artist Sadouf, with a primary focus on Jordanian traditional dresses representing various regions across Jordan. The project showcases over 40 distinct types of traditional dresses, each adorned with intricate stitch designs unique to its origin.

Urduniyya aims to preserve and promote Jordanian heritage by meticulously documenting and presenting these traditional garments. By highlighting the diversity and craftsmanship of Jordanian traditional dresses, the project seeks to enhance cultural appreciation and awareness both domestically and internationally.

One of the key objectives of Urduniyya is to leverage its cultural significance to boost tourism in Jordan. By offering insights into the rich tapestry of Jordanian culture through its traditional dresses, the project provides tourists with a deeper understanding and appreciation of the country's heritage.

Through various mediums such as exhibitions, publications, and digital platforms, Urduniyya endeavors to disseminate Jordanian heritage worldwide. By sharing the stories behind each dress and the communities they represent, the project aims to foster cross-cultural understanding and appreciation.

Overall, Urduniyya serves as a vital initiative in preserving Jordanian cultural identity and promoting cultural tourism, while also contributing to the global appreciation of traditional craftsmanship and heritage.

Click here to check out Urdunia on Facebook.
Click here to check out Urdunia on Instagram

Nizar Qabbani Poem Translated by Ramzi Salti

2024-02-22T12:31:00.000-08:00

This is a old poem by Syrian poet Nizar Qabbani (1938-1998) that has been translated into English by Ramzi Salti. Complete poem here.

The world blames me for loving him/her as if I had created love and invented it
As if it was I who drew his/her face upon the petals of roses
The world blames me if I name the person I love, or even mention him
As if I were love itself, or even related to it.
This passion that came from whence I never expected is different from anything I knew before
Different from anything I've read, and anything I’ve ever heard.

تلومني الدنيا إذا أحببتهُ

كأنني.. أنا خلقتُ الحبَّ واخترعتُهُ

كأنني أنا على خدودِ الوردِ قد رسمتهُ

تلومُني الدنيا إذا..

سمّيتُ منْ أحبُّ.. أو ذكرتُهُ..

كأنني أنا الهوى..

وأمُّهُ.. وأختُهُ..

هذا الهوى الذي أتى..

من حيثُ ما انتظرتهُ

مختلفٌ عن كلِّ ما عرفتهُ

مختلفٌ عن كلِّ ما قرأتهُ

وكلِّ ما سمعتهُ

Poetry by Yahia Lababidi نبذة عن الشاعر يحيى لبابيدي

2024-01-21T01:20:00.000-08:00

Yahia Lababidi ( يحيى لبابيدي) is the author of eleven books of poetry and prose. Lababidi’s most recent works are a collection of his meditative aphorisms, Quarantine Notes (2023); Desert Songs أغاني الصحراء (2022) ; and Learning to Pray (2021).

For more, please, subscribe to the short literary videos he, regularly, posts on his YouTube channel.

Here are samples from his poetry in English and Arabic:

Lectio Divina

Unconsciously, I have practiced
for years—a lifetime, really—
reading as a mysterious way
to meditate and almost pray

Slowing down to a stillness
to discern the Divine voice
I have written verse
(or something like it)
in a blessed trance…

These signposts for living well
I have shared, freely, with the world
and, more deliberately, with myself.

The Light-keepers

Hope is a lighthouse
(or, at least, a lamppost)
someone must keep vigil
to illumine this possibility

In the dark, a poet will climb
narrow, unsteady stairs
to gaze past crashing waves
and sing us new horizons

Others, less far-sighted, might
be deceived by the encroaching night
mistake the black for lasting, but
not those entrusted with trimming wicks

Their tasks are more pressing—
winding clockworks, replenishing oil-
there is no time for despair
when tending to the Light

الكلمات

الكلمات كالأيام:

كتبُ تلوينٍ أو نشّالون،

علامات إرشادٍ، أو أعمدةُ خَدْشٍ

فقراء يتحلقون حول جمار متقدة.

ثمة كلماتٌ معيّنة يجب أن تُكتسب

تماماً كما تُعانَى العواطف

قبل أن يصبح من الممكن نطقها،

نظيفة كوعدٍ محفوظ.

الكلمات شهودٌ

يدلون بشهاداتهم

الحقيرة أو السامية

التي لا مفرَّ منها، وغير القابلة للدحض.

لكن الكلمات ينبغي ألا تُحمَّل

أكثر من طاقتها

هذا ليس جيداً لمظهرها

أو سمعتها.

لأنه سواء رقصتْ وحيدة

أو مع شريكٍ لا مرئي

كل كلمة كون

يذيب كلَّ ما هو أخرسٌ.

Here is more info from his Amazon Page:

Lababidi's recent publications include DESERT SONGS (Rowayat, 2022) his love letter to Egypt's deserts featuring Arabic translations by esteemed Syrian poet, Osama Esber, and transporting images by Moroccan photographer, Zakaria Wakrim; as well as LEARNING TO PRAY: a Book of Longing (Kelsay Books, 2021) which the Dean of Cambridge Muslim College, Abdal Hakim Murad, says 'summons us to a spiritual but entirely undogmatic journey.' Carla Power, author and former Newsweek correspondent, describes Learning to Pray this way: "In lean, luminescent verse, Lababidi has created a portal into quiet worlds, guiding us to be our best selves. He reminds us of the richness of the stilled and savored. In difficult times, his poems help the reader to summon courage and beauty."

In 2020, Lababidi published REVOLUTIONS OF THE HEART (Wipf & Stock) a collection of essays and conversations, at the intersection of literature, social activism and mysticism. He is, also, the author of 2 critically-acclaimed books of aphorisms: SIGNPOSTS TO ELSEWHERE (2019) and WHERE EPICS FAIL (2018).

Featured on PBS NewsHour, Lababidi's short meditations were generously endorsed by President Barack Obama's inaugural poet, Richard Blanco, who wrote: "Aphorisms are an ancient form, but its current-day master is Yahia Lababidi." Signposts was selected as a Book of the Year by The Independent (UK) and issued by Hay House, publishers of Deepak Chopra, Dr. Wayne Dyer and Marianne Williamson.

Lababidi, Egyptian-American thinker/poet, and author of 5 other well-received books of poetry and prose, has been invited to speak at Oxford University and NPR as well as being featured in Best American Poetry, World Literature Today, On Being with Krista Tippett, The Guardian and Al Jazeera, among several other esteemed cultural outlets.

Lababidi's BALANCING ACTS: New & Selected Poems (1993-2015), published by Press 53, is a celebration of more than twenty years of his poetry. According to Chard deNiord, Poet Laureate of Vermont, it 'resonates in plain-spoken yet dazzling poetry--sometimes epigrammatic, sometimes expansive--that betrays the eclectic transmissions of Lababidi's myriad influences, from Rumi to Kierkegaard, Dickinson to Kafka.'

Also by Lababidi is an eclectic collection of cultural essays, TRIAL BY INK: From Nietzsche to Belly Dancing as well as two poetry volumes, FEVER DREAMS and BARELY THERE, a collection of his shorter verse, much of which was inspired by the constraints of social media and touches on the life of the spirit. Along with Alex Stein, he is also the co-author of a genre-bending book, THE ARTIST AS MYSTIC: Conversations with Yahia Lababidi.

Lababidi's work appears in numerous anthologies, including Short Flights (Schaffner Press, 2015) a unique anthology that draws together the work and musings of 32 leading pioneers of short-form writing, or aphorisms. He is the only contemporary Arab writer in the encyclopedia: Geary's Guide to the World's Great Aphorists, and the youngest poet included in the best-selling US college textbook, Literature: an Introduction to Reading and Writing (10th edition).

Lababidi was one of twenty-two powerful voices, from poets and novelists to actors to take part in the activist anthology: Small Blows Against Encroaching Totalitarianism Vol. 1 (McSweeney's, 2018). He is also one of around a dozen distinguished artists and thinkers featured in the anthology, Masks: Bowie & Artists of Artifice (Intellect Books, 2020) alongside artists and thinkers such as: Slovenian philosopher, Slavoj Žižek and Rock and Roll Hall of Fame inductee, Gary Valentine (founding member of the New Wave band, Blondie).

Nominated for a Pushcart Prize, three times, Lababidi's writing has been translated into several languages, including: Arabic, Hebrew, Slovak, Spanish, French, Italian, German, Dutch, and Swedish. Otherwise, several video-poems based on his work, have been shown at film festivals, worldwide, while he has participated in international poetry festivals throughout the USA, Europe and the Middle East.

Lababidi was chosen as a Juror for the 2012 Neustadt International Prize for Literature - a biennial award widely considered to be the most prestigious international literary prize after the Nobel Prize in Literature.

Stories from the Center of the World : New Middle East Fiction [Forthcoming Anthology]

2024-01-11T20:50:00.001-08:00

A new book titled Stories from the Center of the World : New Middle East Fiction (Edited by Jordan Elgrably) is forthcoming from City Lights Publishers and will include short stories from 25 emerging and established writers of Middle Eastern and North African origins, a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world.

Readers in the San Francisco Bay Area are invited to a Book Launch @City Lights Bookstore which is scheduled for Thurs May 9, 2024, 7pm. You can also pre-order the book on Amazon at this link.

Stories from the Center of the World gathers new writing from the Greater Middle East, a vast region that stretches from Southwest Asia, through the Middle East and Turkey, and across Northern Africa. The 25 authors included here come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco, to name a few.

In “Asha and Haaji,” Hanif Kureishi takes up the cause of outsiders who become uprooted when war or disaster strikes and they flee for safe haven. In Nektaria Anastasiadou’s “The Location of the Soul According to Benyamin Alhadeff,” two students in Istanbul from different classes—and religions that have often been at odds with one another—believe they can overcome all obstacles. MK Harb’s story, “Counter Strike,” is about queer love among Beiruti adolescents, and Salar Abdoh’s “The Long Walk of the Martyr” invites us into the world of former militants, fighters who fought ISIS or Daesh in Iraq and Syria, and are having a hard time readjusting to civilian life. In “Eleazar,” Karim Kattan tells an unexpected Palestinian story in which the usual antagonists—Israeli occupation forces—are mostly absent, while another malevolent force seems to overtake an unsuspecting family. Omar El Akkad’s “The Icarist” is a coming-of-age story about the underworld in which illegal immigrants are forced to live, and what happens when one dares to break away.

Contributors include: Salar Abdoh, Leila Aboulela, Farah Ahamed, Omar El Akkad, Sarah AlKahly-Mills, Nektaria Anastasiadou, Amany Kamal Eldin, Jordan Elgrably, May Haddad, Malu Halasa, Mohamad Khalil (MK) Harb, Alireza Iranmehr, Karim Kattan, Hanif Kureshi, Sahar Mustafah, Ahmed Naji, Mai Al-Nakib and Natasha Tynes.

ABOUT THE EDITOR:

Jordan Elgrably is an American, French and Moroccan writer and translator whose stories and creative nonfiction have appeared in numerous anthologies and reviews,including Apulée, Salmagundi, and The Paris Review. Editor-in-chief and founder of The Markaz Review, he is the cofounder and former director of the Levantine Cultural Center/The Markaz in Los Angeles (2001–2020), and producer of the stand-up comedy show “The Sultans of Satire” (2005–2017) and hundreds of other public programs. He

is based in Montpellier, France and California.

Praise for Stories from the Center of the World:

“A truly ambitious mix of established and emerging literary stars from a region of the world too often viewed through the lens of religion and politics. The stories collected by Elgrably reflect almost every corner of the mosaic that is the modern Middle East, giving practically everyone a voice and serving as a reminder of our common humanity. A timely and necessary collection for anyone who loves good stories.” —Reza Aslan, author of An American Martyr in Persia

“It seems like short fiction by Middle Eastern writers, writing in English or in translation, has taken an evolutionary leap in the last few years. Stories from the Center of the World is the latest entry in this renaissance. This volume is loaded with two dozen stories of exile, love, and magical realism. The characters that populate them are a patchwork of ethnic identities, as it is the case in the ‘center of the world’. What is impressive about this collection is how culturally informed and varied it is. The languages and settings referenced stretch across the globe, from Las Vegas to Beirut. These riveting and original tales range from a story about an Egyptian in exile looking for a place to pray in Las Vegas to a story about an ambitious writer who accidentally lands on the devil’s waitlist. I highly recommend that readers of this rich anthology take time to rinse their palate between each story.”—Zein El-Amine, author of Is This How You Eat a Watermelon?

CONTACT INFO:

Stacey Lewis
VP, Director of Publicity, Marketing & Sales
City Lights Publishers
261 Columbus Avenue, San Francisco, CA 94133
stacey@citylights.com
(415) 362-1901

Stories from the Center of the World : New Middle East Fiction [Forthcoming Anthology]

2024-01-11T20:50:00.000-08:00

Readers in the San Francisco Bay Area are invited to a Book Launch @City Lights Bookstore which is scheduled for Thurs May 9, 2024, 7pm. You can also pre-order the book on Amazon at this link.

ABOUT THE EDITOR:

is based in Montpellier, France and California.

CONTACT INFO:

Stacey Lewis
VP, Director of Publicity, Marketing & Sales
City Lights Publishers
261 Columbus Avenue, San Francisco, CA 94133
stacey@citylights.com
(415) 362-1901

Elyanna Opens El Gouna Film Festival 2023 with Her Song for Peace

2023-12-23T12:01:00.000-08:00

Elyanna at the El Gouna Festival, December 2023

Palestinian-Chilean singer and songwriter Elyanna gave a moving rendition of her newest song 'Ghosn Zeytoun' (Olive Branch) during the opening of the 6th El-Gouna Film Festival in Egypt on December 14, 2023. You can watch her performance below or here.

Footage shared by attendees at the GFF's opening ceremony shows the audience moved to tears by Elyanna's deeply emotional take on the song.

The El-Gouna Film Festival shared Elyanna's live performance on Instagram, noting that "Her emotive rendition reflects a deep sense of sorrow for her compatriots in Gaza. It's a poignant portrayal of the profound pain, an acknowledgment of the constraints that confine her expressions to the realm of music in the face of the distressing reality of enduring violence."

Elyanna initially shared the song "Olive Branch" on her Instagram in October, expressing, "In the past few days, I've been grappling with my emotions to articulate them. It's been challenging to witness everything unfolding, and I'm worried and praying for my family, friends, and people back home." The song later evolved into a music video released on YouTube on December 5. You can watch that older version below or at this link:

This song serves as Elyanna's direct response to the ongoing tragedy in Gaza. The poignant lyrics of "Olive Branch" were collaboratively penned by Elyanna, Feras Marjieh, and Abeer Marjieh.

In solidarity with the Palestinian people, Elyanna canceled her first North American tour scheduled for November across the United States and Canada. It has been rescheduled for February 2024.

Here are the lyrics to Elyanna's song "Olive Branch" followed by an English translation:

خلص الحكي شو بعد بقول

خلص البكي والقلب مجروح

بعيدي هيك وعم صلي ليك

و ابعت سلام بغصن زيتون

بعيدي هيك وعم صلي ليك

و ابعت سلام بغصن زيتون

بارض السلام مات السلام

و كون غافي ع طفل موجوع

Translation:

Words aren’t enough, what else can I say?

My tears have dried out, and my heart is broken

I'm far away, but I’m praying for you

And I’m sending peace, on an olive branch

I’m far away, but I’m praying for you

And I’m sending peace, on an olive branch

In the land of peace, peace has died

And the world is sleeping on a hurt child

Click here to read more about El Gouna Film Festival 2023 (link forthcoming)

About Elyanna:

Born in 2002 in Nazareth to a Christian Palestinian and Chilean family, Elian Marjieh, known by her stage name Elyanna, started her singing journey at the age of seven, posting successful covers on SoundCloud. In 2017, at the age of 15, she moved with her family to San Diego, California, eventually settling in Los Angeles, where she launched her music career. Elyanna has released two LPs: "Elyanna" in 2020 and "Elyanna II" in 2022.

In April 2023, she made headlines when she became the first artist to sing in Arabic at Coachella. See this link for more info then watch the ABC TV report below about her rise to fame (aired in April 2023):

Nadine Labaki co-stars with Fanny Ardant in 'Back to Alexandria' (2023)

2023-11-23T14:48:00.000-08:00

Nadine Labaki and Fanny Ardant Star in Tamer Ruggli's Back to Alexandria وحشتيني

Film Review by Dr. Ramzi Salti

Stanford University

In Tamer Ruggli's Back to Alexandria, the audience is invited on an emotionally charged odyssey through the vibrant landscapes of Egypt, exploring themes of reconciliation, nostalgia, and the empowering journey of self-discovery. The film follows Sue, portrayed with depth and nuance by Nadine Labaki, as she returns to her native Egypt after an absence of two decades, seeking to reconnect with her ailing mother, Fairouz (Fanny Ardant).

Ruggli weaves a compelling narrative that traverses the bustling streets of Cairo to the enchanting vistas of Alexandria. The visual storytelling captures the essence of Egypt, using its cultural richness to mirror the complexities of Sue's emotional journey. The cinematography, coupled with a soulful musical score, creates an immersive experience that resonates with the audience.

Back to Alexandria film trailer

The international ensemble cast, including French actress Fanny Ardant, Swiss actors Manuela Biedermann and Laurent Deshusses, and Egyptian talents like Laila Ezz El Arab, Hany Adel, Karima Mansour, Hazem Ehab, and Salwa Othman, adds layers to the film's emotional depth. Each actor brings authenticity to their characters, contributing to the film's exploration of family dynamics and personal growth.

While Tamer Ruggli takes the directorial helm, it's worth noting the connection to Nadine Labaki in the film's promotional context. Labaki's prior cinematic achievements, such as "Caramel," "Where Do We Go Now?," and "Capernaum," have set a high standard for emotionally resonant storytelling, and this association may raise expectations for a similar emotional depth in "Back to Alexandria."

The narrative unfolds as Sue grapples with distant memories, mixed feelings about her past, and the eccentricities of her mother. Ruggli skillfully navigates the complexities of Sue's emotional terrain, making her journey a universal exploration of identity and empowerment through confronting one's history.

As the film is set to grace the Cairo International Film Festival, Ruggli's "Back to Alexandria" promises to be a poignant addition to the cinematic landscape. The movie's portrayal of Sue's transformative journey and the nuanced performances of the cast contribute to its potential impact. "Back to Alexandria" stands as a testament to the power of storytelling in cinema, offering audiences a heartfelt narrative that resonates with themes of family, homecoming, and the strength found in embracing one's past.

Review: ReOrient Festival of Short Plays in San Francisco (2023)

2023-10-13T22:32:00.007-07:00

Six short plays. One unforgettable evening.

Info at this link

In October-November of this year, ReOrient 2023 celebrated the return of their signature program, an innovative and spirited festival of short plays from or about the Middle East. Playwrights this year included Katrin Arefy, Adam Ashraf Elsayigh, Yussef El Guindi, Arti Ishak, Hamed Sinno, Judith Boyajian Strang-Waldau.

Here is an interview by Dr. Ramzi Salti with Golden Thread Dramaturg Marina Johnson who discussed this year's featured plays and playwrights Katrin Arefy, Adam Ashraf Elsayigh, Yussef El Guindi, Arti Ishak, Hamed Sinno, Judith Boyajian Strang-Waldau. Info at goldenthread.org

arabology · Promo: ReOrient Festival of Short Plays (Oct 2023) + Arab Film Festival (Nov 2023)

More info and tickets at https://goldenthread.org/productions/reorient-2023

Postponed: 27th Arab Film Festival in San Francisco

2023-10-12T23:39:00.009-07:00

IMPORTANT NOTE: The Arab Film Festival this year has been postponed to a later date.

For more info: https://arabfilm2023.eventive.org/welcome

Click here (or listen below at 16:10) for Dr. Ramzi Salti's interview with Yasmina Tawil, Programming Director for the Arab Film Festival, who spotlights the Opening Night feature film 'Hajjan' by Abu Bakr Shawky and the other selected movies this year. For info and tickets, see arabfilmfestival.org

arabology · Promo: ReOrient Festival of Short Plays (Oct 2023) + Arab Film Festival (Nov 2023)

The flagship event of the Arab Film and Media Institute, the Arab Film Festival is the longest running independent festival of its kind in North America. Launched in 1996, the festival's mission is to present the best of contemporary films that illuminate the richness of Arab culture through authentic narratives and images, providing insight into the beauty and complexity of the Arab world.

The festival also offers special programming to local audiences, and unprecedented access to the diversity and range of authentic Arab experiences. The festival has gained an international reputation for excellence and offers its audiences access to media that reflects the lives of under-represented and provocative themes and groups on a cultural and societal level.

The 27th edition was supposed to run November 10-19, 2023, in-person throughout the San Francisco Bay Area, with a virtual track open nationally. Los Angeles and New York City dates coming soon.

Opening night film: Hajjan by Abu Bakr Shawky

The Festival will open on November 10 in San Francisco with the U.S. Premiere of HAJJAN, a bold and exciting adventure film from award-winning filmmaker, and AFF alum, Abu Bakr Shawky.

Synopsis: In the highly competitive world of desert camel racing, where bedouin family legacies are forged, young Ghanim dreams of seizing victory in the annual Great Safwa Race in honor to his legendary grandfather, known only as Hajjan – “The Jockey”. But tragedy strikes when he is thrown from his mount by a mysterious rider in a golden headscarf, resulting in his tragic death. Witnessing his older brother's suspicious demise, orphaned Mattar vows to restore his family honor, embarking on a mission to become a Hajjan himself.

Toronto International Film Festival - 2023 Official Selection

Filmmaker bio:

Abu Bakr Shawky is an Egyptian Austrian writer and director who studied film at the New York University Tisch School of the Arts and Egypt’s High Institute of Cinema. His works include the short films El Mosta'mara (2009), The Road to Atalia (2010), Martyr Friday (2011), and Things I Heard on Wednesdays (2012), and the features 30/30 Vision: 3 Decades of Strand Releasing (2010) and Yomeddine (2018). Hajjan (2023) is his latest film.

Hiya Debuts New Bilingual Single 'Banadi' ft Music Video Release Party (Photos + Interview)

2023-09-17T04:48:00.004-07:00

Hiya's New Single + Music Video "Banadi" Released

HIYA (n.) Hiya she – feminine singular. The Arabic word for she or her. The best version of any woman is her highest self, and she is waiting to be surfaced.

Single was released on September 7, 2023

[Amman, Jordan] Hiya is an up and coming Jordanian artist, performer, and singer/songwriter of Palestinian/Lebanese heritage. In September 2023, she made her debut with BANADI, a moving and intense bilingual ballad that chronicles her journey through a deeply traumatic experience.

You can now listen to Banadi on all major music platforms. Click here to listen.
You can also watch the music video at this link.

By infusing western genres with an Arab twist that resonates with her ancestry, Hiya developed her edgy and retro sound: harmonizing the different beats and melodies from R’n’B, blues, soul, and dark pop. She leaves her personal touch through her songs as she takes on an emotional, acoustic approach to singing. By singing with sincerity and an appreciation for every person listening to her lyrics, Hiya creates an emotional bond both with her audience and herself.

“The name Hiya came to me as a reflection of my personality and roots. I wanted a name that represents my identity as a strong Jordanian woman, embracing my Lebanese and Palestinian ancestry,” she says.

Through her vulnerable and heartfelt lyrics, in Banadi, Hiya conveys the turmoil and pain that she endured in the aftermath of a significant event in her life. As she sings, it becomes evident that she has had to confront the harsh, haunting realities of isolation and despair, having been left in a state of turmoil and utter disarray. However, her powerful voice symbolizes the undefeated spirit of resilience, emerging from the ruins of her past to build a new life for herself.

The song is a testament to Hiya's strength and fortitude in the face of adversity, and speaks to the universal experience of rising above hardship and overcoming obstacles, offering a message of
hope and inspiration to all those struggling to find their way.

“In Banadi, I’m reclaiming my power and taking control of my life. This song reflects the emotional roller coaster I went through when some meaningful relationships ended at once when I was already at my lowest, triggering more pain and anger, but it’s also a sign of my inner strength and determination.”

With its captivating melody and poignant lyrics, Banadi is a powerful anthem for those who have confronted personal loss, heartbreak, or mental struggles, only to emerge with newfound strength
and resilience. As Hiya sings of her rebirth from the flames of her mental health crisis, she inspires listeners to find their own strength and rebuild themselves.

Follow Hiya
Instagram - @sheishiya
Facebook - SheIsHiya
YouTube - @sheishiya
TikTok - @sheishiya

Song credits:
Producer: Issa Shahin
Recorded at SoundSource Studios
Written by HIYA and Ribal Jafari
Performed by HIYA
Mastered by Streaky Studio

Here are the lyrics to the song Banadi (English/Arabic):

You’re shining my pretty, my city, in flames,

Sometimes I wonder If I’ll feel the same,

Running too close,

So I pause to regain,

My power, to love you over my hate

بنادي ‎عحالي ‎يومي بيتغير, بحرب قلب, عقل و ريح

‎روحي بتتفرغ مجانيني بتصيح

Poisoned chemistry Sickened mentally

Breathlessly becoming my enemy

My sound was heavenly

When it was you and me

The remedy of a broken soul

Played me recklessly ‎you know it triggered me

‎أسئلتي ولا أفكاري ‎لو بس تهدى الأصوات

Like a shot in the brain and you didn't seem to hesitate and

I started losing all the faith inside زي القمر لما يختفي darkness fills in, anxiety

But I won't let it get the best of me

All alone

Trying to breathe through the smoke

And if I’ve fallen

Into the cracks of my soul

Here is an exclusive interview with Hiya who was kind enough to speak with Dr. Ramzi Salti just minutes before the official launch (also available through the Arabology podcast on Spotify, Anghami, etc.)

Hiya Music Video Release Party in Amman (Featuring Exclusive Interview)

Photo of Hiya with family and fans at video premiere party in Amman

Not one to rest on her laurels, Hiya has just released a powerful music video for her hit song, accompanied by CC lyrics on YouTube. You can watch the music video below or at this link.

The music video premiere party for "Banadi" took place on September 8, 2023 at the beautiful Manara Center in Amman, Jordan where guests were treated to a rooftop projection of her stunning work. Below are some photos from the event, followed by an exclusive interview with Hiya who was kind enough to speak with Arabology just minutes before the official launch (listen here).

arabology · Arabology Interviews Jordanian Artist Hiya

This interview is also available via the Arabology Podcast on all major music platforms; to listen, go to kite.link/arabology.

FOR MORE INFORMATION OR PROMO REQUESTS PLEASE CONTACT AASIYAH SHAFFI: contact.sheishiya@gmail.com

Lina Makoul's Latest Track Connects Art and Capitalism

2023-09-15T11:54:00.003-07:00

Lina Makoul: Exploring the Art-Capitalism Paradox

Lina Makoul's Artistic Activism:

Lina Makoul has long used her international profile to address social and political issues close to her heart and her new single, 'Fish Masari,' serves as a prime example. You can listen/watch below or at this link.

Exploring the Art-Capitalism Paradox:

Written and produced by Makoul and Nasir AlBashir, 'Fish Masari' delves into the intricate relationship between art and capitalism. This thought-provoking wake-up call delves into how art enriches the hearts and minds of countless individuals while often failing to sustain its creators. Makoul's astute observations and succinct lyrics match the track's powerful physicality.

A Fusion of Arabic Musical Traditions:

'Fish Masari' is deeply rooted in Arabic musical traditions, incorporating Middle Eastern instrumentation, percussive rhythms inspired by traditional Palestinian wedding songs, and clever samples. The track's big, freewheeling drums and heavy bass provide a contemporary backdrop for Makoul's vocal acrobatics, ranging from quiet whispers to impassioned cries and tightly packed raps. Vibrant melodies burst forth, continually electrifying the track and reinforcing Makoul's message that the financial independence of any society should take center stage.

Here are the song lyrics in Arabic and English:

AR	EN
فش مصاري	Ain't got no money
قومي اطلعي قومي تطلعي لا يهمك لا يهمك	Leave, look ahead, never look back never look back
قومي اطلعي قومي تطلعي لا يهمك لا يهمك	Leave, look ahead, never look back never look back
نزّل راسك	Heads down
مش رح ترفع كاسك	This is your last round
رح تعلن افلاسك	You’ll declare bankruptcy
منهدد منخوفك انت وكل صحابك	We’ll threaten you, terrorize you, along with all your little friends
منسكت حسابك	We’ll silence you
منقيد اعمالك	We’ll restrict you
‏ Shadow ban لپوستاتك وكل ستوريهاتك	We’ll shadow-ban all your posts and stories
منحقق مع عمك وابوك وابن خالك	We’ll bring your uncle, father, cousin in for questioning
منمرقش ميزانية	Budget? What is that
منمرق سلاح ع صينية	Weapons you’ll be served to you on a silver platter
منفرق، منعنصر، الحرب هاي نفسية	We divide, we discriminate. Psychological warfare
بتفكرها اهلية	Some say it’s a civil war
بتفكرها دينية	Some say it’s a holy war
بتفرق، بتعنصر، بنفسك بتفكر انها ديموقراطية (x2)	You divide, you discriminate, telling yourself this is democracy
ايوا	Sure
يلا كله عينيه عالكاميرات	Cameras everywhere
ما في بجيابنا شيكلين	Not a single shekel to my name
لمين اصلًا كل هالاستعراض	Who are they trying to impress?
عايش الفخامة على دين	Living luxuriously, yet drowning in debt
كوكا كوكا كلنا منعيد بعبارات	Coca coca everyone parrots
ولا ولا حدا فينا بكتب كلمتين	Let’s be real, we are all fools
والديلمة لما الدنيا ماشي ترالالا	Here is the dilemma: Everyone lives carefree
ضيقة ضيقة لما الدنيا تضيق يا ربي ليه؟	A tight grip, oh God why is life tightening its grip?
ما فش فش فش	Ain't got, got, got
ما فش فش فش مصاري	Ain't got, got, got no money
ما فش فش فش	Ain't got, got, got
ما فش فش فش مصاري	Ain't got, got, got no money
ما فش فش فش	Ain't got, got, got
ما فش فش فش مصاري	Ain't got, got, got no money
X2	X2
الفن بغذي الملايين بس ما بطعمي خبز	Art nurtures the soul, but we’ve got mouths to feed
روح العاشق والحزين بس روحي انا طز	All they think about is love and sadness, but no one cares about me
انا انا وانت مين بتشجع على الفوز؟	I am the winner, but who are you cheering for?
بالاخر احنا متشابهين دايرينلي على ال shows	We are literally the same, yet everything's a competition
والصحرا قاحلة قاحلة الصحرا قاحلة	An empty desert, the desert is utterly barren
الناس عطشا عطشا الناس عطشا	People are thirsty, the people are parched
المي ساحلة بتروي الارض الخضرا	The lack of water isn't the issue, our rivers overflow
بطلع منها سيلفي بنت اح	One selfie will quench your thirst
يلا كله عينيه عالكاميرات	Cameras everywhere
ما في بجيابنا شيكلين	Not a single shekel to my name
لمين اصلًا كل هالاستعراض	Who are they trying to impress?
عايش الفخامة على دين	Living luxuriously, yet drowning in debt
كوكا كوكا كلنا منعيد بعبارات	Coca coca everyone parrots
ولا ولا حدا فينا بكتب كلمتين	Let’s be real, we are all fools
والديلمة لما الدنيا ماشي ترالالا	Here is the dilemma: Everyone lives carefree
ضيقة ضيقة لما الدنيا تضيق يا ربي ليه؟	A tight grip, oh God why is life tightening its grip?
ما فش فش فش	Ain't got, got, got
ما فش فش فش مصاري	Ain't got, got, got no money
ما فش فش فش	Ain't got, got, got
ما فش فش فش مصاري	Ain't got, got, got no money
ما فش فش فش	Ain't got, got, got
ما فش فش فش مصاري	Ain't got, got, got no money
دولة بقلب دولة مستقلة داخلية	Two states, completely different, entirely separate
خايفة من اني اكمل اكتب بس انا فاهمة المسؤولية	Stop me right here, I don’t want to face the music
عارفة انه المطارات مش رح تكونلي ودودية	I know I might be detained at any airport
بس واقعنا طيارات لازم نوصله العالمية	But our reality is like an airplane, and we must spread it worldwide
دولة ناسها من اساسها	The people are the state
ما تقليش افكار وهمية	And don't call me delusional
مش رح نوصل MTV بس كمان Anghami عالمية	We might not make it to MTV, but we are doing great on Anghami
منقدر نعمل history اذا كانت ايدنا فولاذية	We can make history, all it takes is an iron fist
لا يهمك لا يهمك	never look back, never look back
ما فش فش فش ما فش فش فش مصاري	Ain't got, got, got, ain't got, got, got no money
مصاري	money
قومي اطلعي قومي تطلعي لا يهمك لا يهمك	Leave, look ahead, never look back never look back
قومي اطلعي قومي تطلعي لا يهمك لا يهمك	Leave, look ahead, never look back never look back

Listen to the song on Spotify here. Follow Lina Makoul on Instagram, Facebook, TikTok, Spotify, YouTube, Anghami.

Arabic interview with Lina Makoul مقابلة مع لينا مخول

Hiya Makes Her Debut with Bi-Lingual Ballad 'Banadi'

2023-08-29T02:12:00.009-07:00

Hiya's New Single + Music Video "Banadi" Released

HIYA (n.) Hiya she – feminine singular. The Arabic word for she or her. The best version of any woman is her highest self, and she is waiting to be surfaced.

Single will be out on September 7, 2023

You can now listen to Banadi on all major music platforms. Click here to listen.
You can also watch the music video at this link.

Here are the lyrics to the song Banadi (English/Arabic):

You’re shining my pretty, my city, in flames,

Sometimes I wonder If I’ll feel the same,

Running too close,

So I pause to regain,

My power, to love you over my hate

بنادي ‎عحالي ‎يومي بيتغير, بحرب قلب, عقل و ريح

‎روحي بتتفرغ مجانيني بتصيح

Poisoned chemistry Sickened mentally

Breathlessly becoming my enemy

My sound was heavenly

When it was you and me

The remedy of a broken soul

Played me recklessly ‎you know it triggered me

‎أسئلتي ولا أفكاري ‎لو بس تهدى الأصوات

Like a shot in the brain and you didn't seem to hesitate and

I started losing all the faith inside زي القمر لما يختفي darkness fills in, anxiety

But I won't let it get the best of me

All alone

Trying to breathe through the smoke

And if I’ve fallen

Into the cracks of my soul

FOR MORE INFORMATION OR PROMO REQUESTS PLEASE CONTACT AASIYAH SHAFFI: contact.sheishiya@gmail.com

You can also read about Hiya's music video release party here.

arabology · Arabology Interviews Jordanian Artist Hiya

Ramzi Salti Lectures on Post Arab Spring Music at Sijal Institute (2023)

2023-08-23T04:13:00.003-07:00

You can watch highlights from the talk below or at this link

July 2023: Stanford Lecturer + Arabology radio host Dr. Ramzi Salti highlighted "post" Arab Spring music during a recent talk at Sijal Institute in Amman, Jordan.

You can watch highlights from the talk below or at this link:

Featured excerpts: 1. Intro (0:00) 2. El General (Tunisia) 3. Emel Mathlouthi (Tunisia) 4. Ramy Essam (Egypt) 5. Cairokee (Egypt) 6. Maryam Saleh (Egypt) 7. Ibn Thabit (Libya) 8. Fairuz (Lebanon) 9. Mashrou Leila (Lebanon) 5:17 10. Tania Kassis (Lebanon) 11. Mike Massy (Lebanon) 8:46 12. Yasmine Hamdan (Lebanon) 13. Tania Saleh (Lebanon) 12:53 14. Omar Offendum (Syria) 15. Palestinian Rap 16. Jadal (Jordan) 17. Nawawi (Sudan)

PowerPoint accompanying this talk is available below or at this link:

Jordanian Director Zaid Abu Hamdan Wows Stanford (June 2023)

2023-07-04T15:52:00.003-07:00

Ramzi Salti Hosts Jordanian Director Zaid Abu Hamdan

Complete Video of Ramzi Salti's Discussion with Zaid Abu Hamdan Now Available

Watch video at https://youtu.be/GlInAom7lFQ

Here is the complete recording of Dr. Ramzi Salti's conversation with Zaid Abu Hamdan, Director of the award wining Jordanian film "Daughters of Abdul Rahman بنات عبد الرحمن " following a screening of his movie at Stanford University on June 28, 2023. Watch below or at this link.

This special event was part of the annual Stanford Global Studies Film Festival and was brought to Stanford with the generous support of the Abbasi program in Islamic Studies.

This discussion featured commentary by Dr. Touria Boumehdi who analyzed the film's themes (in English and Arabic) followed by a lively Q&A session with the audience.

تسجيل كامل لحوار الدكتور رمزي سلطي مع زيد أبو حمدان، المخرج الفائز بجائزة الفيلم الأردني "بنات عبد الرحمن"، بعد عرض فيلمه في جامعة ستانفورد في 28 يونيو 2023. يتضمن الفيديو الدكتورة توريا بومهدي التي تحلل موضوعات الفيلم (باللغتين الإنجليزية والعربية)، تليها جلسة نقاش نشطة مع الجمهور. الفيديو مقسم إلى فصول حتى يتمكن المشاهدون من الانتقال إلى أجزاء وأسئلة محددة.

ZAID ABU HAMDAN:

Zaid Abu Hamdan is a Jordanian-born filmmaker with industry experience ranging from assistant directing, producing, acting, writing for both feature films and television. His latest feature film, Daughters of Abdul-Rahman, premiered to a global audience at the 43rd Cairo International Film Festival, where it won the the ‘Audience Award’--an honor granted granted to only one film among the many within the international competition. The film was also selected as a finalist project for a Tribeca Film Institute grant and will screen at the much anticipated Saudi Arabia 2021 Red Sea Film Festival. The movie stars Saba Mubarak, Farah Bseiso , Hanan Hillo and Mariam Basha.

زيد أبو حمدان هو مخرج أردني المولد يتمتع بخبرة في صناعة السينما تتراوح بين المساعدة في الإخراج والإنتاج والتمثيل والكتابة للأفلام الروائية والتلفزيونية. تم عرض فيلمه الروائي الأخير "بنات عبد الرحمن" أمام جمهور عالمي في الدورة الثالثة والأربعين لمهرجان القاهرة السينمائي الدولي، حيث فاز الفيلم بجائزة الجمهور، وتُمنح لفيلم واحد فقط من بين العديد من الأفلام المشاركة في المسابقة الدولية. تم اختيار الفيلم أيضًا كمشروع نهائي للحصول على منحة معهد تريبيكا للأفلام وتم عرضه في مهرجان البحر الأحمر السعودي عام 2021. يشارك في بطولة الفيلم صبا مبارك وفرح بسيسو وحنان الحلو ومريم باشا

DR. RAMZI SALTI

Dr. Ramzi Salti is a well-known Arab-American radio host, writer, and educator. He is known for his popular radio program "Arabology," which explores and promotes Arab culture and music. Ramzi Salti is a Lecturer at Stanford University who holds a Ph.D. in Comparative Literature and has been actively involved in promoting intercultural understanding and appreciation for Arab arts and culture. More info at https://www.arabology.org

الدكتور رمزي سلطي هو شخصية عامة وأكاديمية معروفة، يعمل كمحاضر في جامعة ستانفورد ويحمل درجة الدكتوراه في الأدب المقارَن. إضافةً إلى ذلك، يُعرف رمزي سلطي بدوره كمقدم برنامج إذاعي أمريكي يُعرف باسم "عربولوجي" ويتم بثه على محطة الراديو التابعة لجامعة ستانفورد. يسعى سلطي من خلال برنامجه الإذاعي وأعماله الأخرى إلى تعزيز التفاهم الثقافي والتواصل بين

الثقافات المختلفة.

DR. TOURIA BOUMEHDI

Dr. Touria Boumehdi serves on the faculty of the Language Center at Stanford University. With over 31 years of professional and academic experiences, Dr. Boumehdi has worked as Co-Director of the Spanish Department at the University of Rabat and Professor of Spanish and Arabic in Spain and France at the University of Toulouse le Mirail, the Toulouse School of Business, IAAE Oviedo and ECLAP Valladolid. She completed her Doctorate with a joint Ph.D. and highest honors in Spanish and Arabic at the University of Toulouse, a Master’s degree in Spanish Language and Literature at the University of Mohammed V in Rabat, and an In-Depth Studies Diploma (DEA).

انطلقت تجربة الدكتورة ثريا بومهدي سنة 1981 عندما غادرت الرباط متوجهة إلى فرنسا بعد حصولها على الإجازة في اللغة والأدب الإسباني لمواصلة دراستها بجامعة السوربون المرموقة. وبعد سنوات من التحصيل الأكاديمي، نالت دبلوم الدراسات المعمقة في اللغات والحضارات الشرقية بعد مناقشة لأطروحتها حول الأدب الموريسكي.

Watch the video below or at this link يمكنكم مشاهدة فيديو المناقشة أدناه أو عبر هذا الرابط

Watch Ramzi Salti's previous interview with Zaid Abu Hamdan at this link.
Red about similar Stanford events and much more at https://www.arabology.org

Nezouh: A Poignant Syrian Film Capturing Humanity Amidst War

2023-06-28T14:18:00.009-07:00

Nezouh: Unveiling Resilience amidst War's Grasp

Film review by Dr. Ramzi Salti, Stanford University

Nezouh نزوح stands out as a Syrian war film like no other. Director Soudade Kaadan سؤدد كعدان, known for her remarkable work in The Day I Lost My Shadow (2018), once again proves her talent with this empathetic portrayal of life under siege.

The film primarily revolves around the everyday conflicts within a family, beautifully capturing moments that oscillate between comedic and emotionally charged melodrama as Zeina and her mother Hala express a common desire to escape their war-torn town, as most of their neighbors have already done.

Scene from Nezouh

Nezouh adeptly explores the toll of war on interpersonal relationships, skillfully juxtaposing mundane conflicts with the extraordinary backdrop of conflict. Through its delicate storytelling and engrossing narrative, the film delves into the resilience, desperation, and hope that coexist amidst adversity.

Nezouh Trailer (YouTube)

Nezouh made its highly anticipated world premiere at the prestigious Orizzonti Extra competition of the 79th edition of the Venice International Film Festival. The film captivated audiences at Venice's Sala Giardino, leaving a lasting impression. In attendance were acclaimed actress Kinda Alloush, talented actor Samer Al Masri, and the talented director Soudade Kaadan. The reception was overwhelmingly positive, with viewers applauding the film's compelling narrative and remarkable performances. To add to its accolades, the film received the coveted Audience Award, solidifying its status as a standout Arab movie of the festival.

Director Biography - Soudade Kaadan

Soudade Kaadan is a Syrian director, born in France in 1979, based in London. She studied theater criticism in the Higher Institute of Dramatic Arts in Syria and filmmaking at Saint Joseph University (IESAV) Lebanon. Her first feature fiction film The Day I Lost my Shadow was awarded the Lion of The Future for best debut at the 2018 Venice Film Festival, and the jury prize for directing at the LA Film Festival, and screened at various festivals including TIFF, BFI London, Busan and IFFR. Her short film Aziza won the Sundance Grand Jury Prize in 2019.

Unveiling "Q": A Journey of Faith and Family by Lebanese Director Jude Chehab

2023-06-24T00:32:00.003-07:00

"Q" - Unveiling the Layers of Faith, Family, and Identity

Film Review by Dr. Ramzi Salti, Stanford University

Q is a mesmerizing and thought-provoking film directed by Jude Chehab that takes viewers on a captivating journey into the depths of faith, family, and personal discovery. Set in Lebanon, this compelling narrative centers around Jude's exploration of her mother Hiba's unwavering devotion to an all-female religious order known as "Q."

The film beautifully captures the essence of a close-knit American family, now reunited in Lebanon. Jude seizes the opportunity to delve into her mother's spiritual world, aiming to unravel the enigmatic hold that "Q" has on Hiba's heart and mind. With curiosity and determination, Jude seeks a profound understanding of her mother's deep-seated commitment.

Within the order, Hiba leads a life filled with teaching the Quran to her students and engaging in poetry readings alongside her fellow devotees. The meticulous writings of Anisa, the order's leader, dictate every aspect of their lives, demanding unwavering devotion and adherence to rigorous prayer rituals. However, this unyielding commitment begins to disrupt the delicate balance of their family.

Jude's quest becomes a catalyst for emotional upheaval as she confronts the boundaries of faith, personal identity, and the intricate dynamics of familial relationships. The film masterfully weaves together the complexities and nuances of this unique religious order, painting a rich and immersive portrait of their rituals, beliefs, and the profound impact they have on those involved.

Through Jude's lens as a filmmaker, the audience gains a privileged glimpse into the intimate struggles and triumphs experienced by both Hiba and the larger family. The visual aesthetics of the film are striking, capturing the contrasting landscapes of Lebanon, from serene spiritual settings to the tumultuous emotional landscapes within the family.

The film's cinematography and sound design further enhance the storytelling, creating an immersive experience for the audience. The evocative soundtrack beautifully complements the visuals, enhancing the emotional impact of each scene.

"Q" is a deeply introspective and intellectually stimulating film that challenges viewers to question the nature of devotion, the boundaries of personal identity, and the power of familial bonds. Director Jude Chehab masterfully crafts a narrative that invites reflection and provokes conversations about spirituality, individuality, and the delicate balance between tradition and personal growth.

"Q" is a remarkable cinematic achievement, offering a captivating exploration of faith and its profound influence on our lives. It is a film that lingers in the mind and heart long after the credits roll, leaving audiences with a renewed appreciation for the complexities of human connection and the eternal quest for personal understanding.

Below are 2 videos in which Director Jude Chehab discusses her monumental work. For more info, see this link.

Video Talk and Book Review of Shahd Alshammari’s "Head Above Water: Reflections on Illness"

2023-06-17T12:02:00.007-07:00

Video from Book Talk with Shahd Alshammari

Stanford's Ramzi Salti in conversation with the author of Head Above Water

This video features highlights from Dr. Ramzi Salti's conversation with Dr. Shahd Alshammari commemorating the US release of her new book 'Head Above Water'--an intimate memoir of her life of triumph and resistance, as a woman marked "ill" by society and as a lifelong reader, student, and teacher. CLICK CC for transcript and subtitles. Go to https://youtu.be/crG89FJ3J8I

Scroll down for Ramzi Salti's review of the book.
Dr. Shahd Alshammari is a Kuwaiti-Palestinian author and academic. She is the author of the books Notes on the Flesh and Head Above Water, as well as numerous other academic publications and papers. Her areas of research include illness narratives, disability studies, and questions of identity and language in the Arab world.

Shahd Alshammari is just eighteen when she is diagnosed with multiple sclerosis and told by her neurologist that she will not make it past age thirty. Despite what she is told, by thirty she has managed to navigate education systems in both Kuwait and the United Kingdom, and inspire generations of students as a professor of literature.

Head above Water is the intimate memoir of Shahd Alshammari's life of triumph and resistance, as a woman marked "ill" by society and as a lifelong reader, student, and teacher.

Head Above Water by Shahd Alshammari

A Book Review by Dr. Ramzi Salti, Stanford University

In Head Above Water, Shahd Alshammari shares her deeply personal and thought-provoking journey of triumph and resilience, offering readers an intimate glimpse into her life as a woman marginalized by society and fueled by her passion for literature. This philosophical memoir delves into themes of disability, displacement, and the quest for belonging, encompassing not only physical challenges but also cultural, gender, and racial dynamics. Throughout the book, Alshammari imparts profound wisdom that resonates on a philosophical level.

What sets this memoir apart is the remarkable fact that it is based on the author's diagnosis of multiple sclerosis at the tender age of eighteen when her neurologist grimly informs her that she would not live past thirty. However, defying all odds and expectations, she not only surpasses that milestone but also becomes a professor of literature. Her journey takes her through navigating educational systems in both Kuwait and the United Kingdom, leaving an indelible impact on generations of students.

Head Above Water is a poignant and unique memoir that captures the essence of Alshammari's indomitable spirit. It serves as an inspiration for readers, shedding light on the power of determination and the resilience of the human spirit. Alshammari's exploration of disability, displacement, and the search for belonging resonates deeply, inviting readers to reflect on their own experiences and engage in meaningful introspection. With her insightful prose and astute observations, Alshammari crafts a compelling narrative that leaves a lasting impact.

Shad Alshammari, author of Head Above Water

As a Kuwaiti-Palestinian author and academic, Shahd Alshammari brings a wealth of knowledge and expertise to her writing. Besides Head Above Water, she has also authored Notes on the Flesh and contributed to numerous academic publications and papers. Her research interests span illness narratives, disability studies, and exploring the complexities of identity and language in the Arab world.

Head Above Water is published by The Feminist Press at CUNY and will be officially released on July 18, 2023. You can pre-order your copy on Amazon and almost anywhere books are sold.

LATEST NEWS:

Everyone is invited to join us for this event.

A Book Talk with Author Shahd Alshammari moderated by Dr. Ramzi Salti.
Tuesday, July 18, 2023
Virtual Event
9am PST, 5pm London, 7pm Kuwait/Jordan

Read more about this event at this link. Supported by Stanford's Abbasi Program.

Tamer Nafar Releases New Single "Ameen" with Yacoub Alatrash

2023-06-15T10:39:00.002-07:00

Indie musician and DAM band member Tamer Nafar has just released a new track called "Ameen آمين" along with music composer/producer Yacoub Alatrash. The single, released with a colorful lyric video on YouTube, is as catchy as it is innovative.

Watch the music video below or at this link.

Here are the lyrics (in Arabic) to go along with the above video clip:

عقبال ما اضلني عارف احوالك
والدمعة ما تذوب ابتسامتك
عقبال ما تضلي في بالي شغالة
وعمرك ما تقدمي استقالة
ما نحكم على بعض على شوية غلط
شو معنى الحب بلا زعل بلا نكد
نتحدى الروتين ع مدار السنين
نكبر ونصير عدد
عقبال ما نبقى
كيف ما احنا
دايماً هيك حلوين
آمين وآمين وآمين
ايامنا تصير سنين
آمين وآمين وآمين
يلا عليهم آمين
ونضل نبتسم متل الصور
وتنوري ليلي كالقمر
نزرع شجر يثمر دولار
ونضل نقطف طول العمر
ونضل نبتسم متل الصور
وتنوري ليلي كالقمر
نزرع شجر يثمر دولار
ونضل نقطف طول العمر
ما بحكي على ليلة
بحكي على عيلة
ما بحكي على ليلة
بحكي على عيلة
ام كلتوم طول عمرها تخاف م الحب ،
ومن سيرة الحب انا ما اخاف الحب
ولا اخاف الجرح، الجروح فتحات اللي منها النور يصب. وخلي النور يصب
عقبال ما نبقى
كيف ما احنا

Ramzi Salti's Arabology

KQED Spotlights Ramzi Salti's Arabology Show (Article + Podcast)

Stream Arabology on all music platforms

Stream anywhere by going to https://kite.link/arabology

السيرة الذاتية لرمزي سلطي بواسطة الذكاء الاصطناعي

رمزي سلطي: تعزيز التفاهم الثقافي وفهم الثقافة العربية والموسيقى

تم إنشاء هذه السيرة الذاتية لرمزي سلطي بالكامل بواسطة الذكاء الاصطناعي

Video + Transcript: Ramzi Salti Lectures on "Women's Voices in Arabic Music" at SRJC (2024)

Welcome Comments by Solen Sanli Vasquez

Introduction: Arabology and Women’s Voices in Arabic Music

Umm Kulthum (Egypt)

Fairuz (Lebanon)

Tania Kassis (Lebanon)

Yasmine Hamdan (Lebanon)

Tania Saleh (Lebanon)

Hana Malhas (Jordan) + Lena Chamamyan (Syria)

Emel Mathlouthi (Tunisia)

Dina El Wedidi (Egypt)

Alsarah (Sudan)

Souad Massi (Algeria)

Oum and Manal (Morocco)

Palestinian Women in Song

Mayssa Daw

Elyanna

Q & A Session

Transcript: Women’s Voices in Arabic Music by Dr. Ramzi Salti

Fady Joudah at Stanford: Poetry Reading & Book Event (April 4, 2024)

Essay: Themes of Liberation and Resilience in Songs by Arab Women Singers by Dr. Ramzi Salti

Arab Female Vocalists: Embodying Resilience and Hope in the Fight for Liberation

by Ramzi Salti, Ph.D. (Stanford University)

Introduction

Umm Kulthum: The Iconic Voice of Egypt

Fairuz (Lebanon)

Tania Kassis (Lebanon)

Yasmine Hamdan (Lebanon)

Tania Saleh (Lebanon)

Hana Malhas (Jordan) + Lena Chamamyan (Syria)

Emel Mathlouthi (Tunisia)

Dina El Wedidi (Egypt)

Alsarah (Sudan)

Souad Massi (Algeria)

Oum and Manal (Morocco)

Palestinian Women in Song

Mayssa Daw

Elyanna

A video of this lecture (with precise Closed Captions/Subtitles) is available below at this link. Click on CC while watching.

Jordanian Artist Sadouf Launches "Urdunia" Project

Nizar Qabbani Poem Translated by Ramzi Salti

Poetry by Yahia Lababidi نبذة عن الشاعر يحيى لبابيدي

Stories from the Center of the World : New Middle East Fiction [Forthcoming Anthology]

Stories from the Center of the World : New Middle East Fiction [Forthcoming Anthology]

Elyanna Opens El Gouna Film Festival 2023 with Her Song for Peace

Nadine Labaki co-stars with Fanny Ardant in 'Back to Alexandria' (2023)

Nadine Labaki and Fanny Ardant Star in Tamer Ruggli's Back to Alexandria وحشتيني

Film Review by Dr. Ramzi Salti

Stanford University

Review: ReOrient Festival of Short Plays in San Francisco (2023)

Six short plays. One unforgettable evening.

Postponed: 27th Arab Film Festival in San Francisco

Hiya Debuts New Bilingual Single 'Banadi' ft Music Video Release Party (Photos + Interview)

Hiya's New Single + Music Video "Banadi" Released

Lina Makoul's Latest Track Connects Art and Capitalism

Lina Makoul: Exploring the Art-Capitalism Paradox

Lina Makoul's Artistic Activism:

Exploring the Art-Capitalism Paradox:

A Fusion of Arabic Musical Traditions:

Hiya Makes Her Debut with Bi-Lingual Ballad 'Banadi'

Hiya's New Single + Music Video "Banadi" Released

Ramzi Salti Lectures on Post Arab Spring Music at Sijal Institute (2023)

Jordanian Director Zaid Abu Hamdan Wows Stanford (June 2023)

Ramzi Salti Hosts Jordanian Director Zaid Abu Hamdan

Complete Video of Ramzi Salti's Discussion with Zaid Abu Hamdan Now Available

ZAID ABU HAMDAN:

DR. RAMZI SALTI

DR. TOURIA BOUMEHDI

Nezouh: A Poignant Syrian Film Capturing Humanity Amidst War

Nezouh: Unveiling Resilience amidst War's Grasp

Film review by Dr. Ramzi Salti, Stanford University

Director Biography - Soudade Kaadan

Unveiling "Q": A Journey of Faith and Family by Lebanese Director Jude Chehab

Arab Female Vocalists:
Embodying Resilience and Hope in the Fight for Liberation