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--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:media="http://www.rssboard.org/media-rss" version="2.0"><channel><title>Positively Filipino | Online Magazine for Filipinos in the Diaspora – The Magazine</title><link>https://www.positivelyfilipino.com/</link><lastBuildDate>Wed, 22 Apr 2026 01:09:47 +0000</lastBuildDate><language>en-US</language><generator>Site-Server v@build.version@ (http://www.squarespace.com)</generator><description><![CDATA[<p>POSITIVELY FILIPINO is the premier digital native magazine celebrating the story of the global Filipino. The POSITIVELY FILIPINO online magazine chronicles the experiences of the global Filipino in all its complexity, providing analysis and discussion about the arts, culture, politics, media, sports, economics, history and social justice.</p>]]></description><item><title>Isa Briones, the Cool, Competent Filipina Doctor on ‘The Pitt’</title><category>Entertainment</category><dc:creator>Anthony Maddela</dc:creator><pubDate>Wed, 22 Apr 2026 15:17:32 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/isa-briones-the-cool-competent-filipina-doctor-on-the-pitt</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69e7ca15ef8ec45f9c93be4c</guid><description><![CDATA[The Pitt star Isa Briones taps into her Filipino sensibilities.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">Isa Briones as Dr. Trinity Santos in “The Pitt” <em>(Photo by Warrick Page/HBO Max)</em></p>
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    <span class="dropcap">O</span>ne standard question I ask performers is: How is being Filipino an advantage in your
profession?

  




  <p class="">I might as well be asking a basketball player: How does having two arms help you with your free throws? Logic won’t deter this intrepid reporter from using the art of inquiry to expand his library of hackneyed observations like: “Filipinos have a strong work ethic.” I might even get an unoriginal quote that doesn’t address my question: “We come from tightknit families.” </p><p class="">I go on asking the same question because that elusive insight occasionally materializes: “Filipinos are emotional people. When you experience an emotion so deeply, you must express it. If you feel something so extreme, you share it with the world through art.”</p><p class="">That most thoughtful response comes from Isa (pronounced ee-sa) Briones, 27: Filipinos don’t always wear their hearts on their sleeves—their emotions run deep, often beyond easy expression or cliché.&nbsp;When she plays Dr. Trinity Santos on <em>The Pitt</em> (streaming on HBO Max), Briones taps into a reservoir of heavy emotions that Filipinos are known to display in their everyday lives.</p><p class="">Briones was born in London and is the daughter of Jon Jon Briones, originally from Quezon City. He built a distinguished career in musical theatre that includes the role of Hermes alongside Isa, who was Eurydice in <em>Hadestown</em> on Broadway. While playing The Engineer in London’s West End revival of <em>Miss Saigon</em>, Jon Jon met wife Megan Briones née Johnson, whose lineage is Swedish and Irish. The perfect match was made official in 1996. She works as a talent manager and leader of a singing group. Their other child, Teo Briones, is the only son though not the only actor in the family.</p><h3><strong>Talent Never Goes Out of Style</strong></h3><p class="">The movie industry adage, ‘It’s not what you know, but who you know,’ doesn’t apply to actors with musical theater connections. A film and television career became a possibility via a geographical route when Briones, then age 7, and her family moved to Los Angeles. Her parents never planned it that way.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Isa Briones and Noah Wyle <em>(Photo by Warrick Page/HBO Max)</em></p>
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  <p class="">Speaking of her parents, Briones explains, “They moved to LA because they were theater actors, but they decided, ‘Maybe we can try auditioning for film and TV and see how it goes.’”</p><p class="">Children are impressionable, and Briones had this trait in common with other second graders. “When we moved to LA, I asked, ‘So when am I going to start auditioning?’”</p><p class="">“They thought about the worries of all creatives with kids. Oh no! You’re dooming them to a life in show business.”</p><p class="">Mom and Dad would not let prevailing assumptions, however proven, become additional obstacles their fledglings would have to overcome. “They were scared for me and my brother. They worried. ‘Oh God, how is this going to go?’ But they were also very proud of us. They acknowledged, ‘At least you guys are good at what you do; it would have been really bad if you weren’t.’”</p><h3><strong>Like Father, Like Daughter</strong></h3><p class="">“With my dad and I, thank God, we had each other to lean on,” remembers Briones of the period when she and her father were pursuing starring roles in television. “We booked our first regular roles in series within a few months of each other.”</p><p class="">Briones joined the cast of <em>Star Trek: Picard</em> on Paramount+ and her father worked on Ryan Murphy’s <em>Ratched</em> on Netflix. “We got to experience doing a TV show and being Number 2 on the call sheet at the same time even though we were obviously at different stages of our lives,” she says of their standing as seconds to the lead characters in television episodes.</p><h3><strong>Hollywood to Broadway and Back</strong></h3><p class="">After <em>Star Trek: Picard</em> concluded in 2023, Briones went back to the familiar territory of musical theatre but at the highest level as the star of <em>Hadestown</em> on Broadway. In auditions, her Filipina ancestry didn’t initially give her an edge despite the unfading reputation of Filipina Eva Noblezada-Carney, who originated the role of Eurydice on Broadway. Nor was the stereotype that all Filipinos can sing a deciding factor.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Alexandra Metz and Isa Briones<em> (Photo by Warrick Page/HBO Max)</em></p>
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  <p class="">“I don’t necessarily look Filipina at first glance,” she references the effect of her biracial identity whenever she auditions. The Retina display of my iPad captures her lively hazel eyes, light skin worthy of a K-pop contract, and dark hair that flows without frizz. “But when people find out that I am Filipino, they say, ‘Well, of course, she can sing.’”</p><p class="">She was performing in <em>Hadestown</em> six days a week while still anticipating her next gig. “I was making self-tapes for auditions during the day while I was doing eight shows a week.” She pauses a beat before continuing, “Then this audition came in, and I remember thinking ‘This is crazy. No one is going to believe me as a doctor.’ I almost didn’t audition but thank God I did.”</p><p class="">“Then I had my Zoom callback, and I left from Broadway straight to the airport to the studio building.”</p><p class="">Briones had to change minds and plans to become Dr. Trinity Santos on <em>The Pitt</em>. Medical scripts have had no space for Filipina doctors. Television shows attempt to mirror real hospital settings by assigning Filipinas to nurse roles. The two other Fil-Ams in <em>The Pitt</em>, Amielynn Abellera and Kristen Villanueva, play nurse characters Perlah Alawi and Princess Dela Cruz, respectively. Her bonds with “Titas” Amielynn and Kristen go beyond their Filipino culture.&nbsp;</p><p class="">“They’re both theater actors like me,” Isa notes. “I think you’ll find most of the actors on our show had done theater. It’s so special to be part of a very theatrical show.” She alludes to a secret ingredient behind a high level of competence within <em>The Pitt</em> cast that’s seldom encountered in other productions that grind social media influencers into television celebrities.</p><p class="">“The role wasn’t meant to be Filipino,” Briones returns to the beginning of her most public role. “They were looking for an Asian woman, no specific [nationality]. When they cast me for the part of Dr. Trinity Shah, I asked, ‘Hey, can you change the last name to reflect my background?’ And they were supportive.”</p><p class="">Showrunner R. Scott Gemmill and the rest of the creative team welcomed her input. “I gave them a list of names that felt right to me, and they decided Santos works.”</p><p class="">(Coincidentally, the maiden name of my maternal grandmother was Venturosa Santos.)</p><p class="">The show’s authenticity doesn’t end with a Filipino surname. “It’s important to everyone to express the full spectrum of who Filipinos are.”</p><p class="">In two seasons of <em>The Pitt</em>, each of 15 episodes represents one hour of a long shift in the Emergency Department of the fictional Pittsburgh Trauma Center. Last year, the plot revolved around victims of a mass shooting at a music festival. Season 2 brought medical staff up close and personal with patients who are under arrest, dying from cancer, foul smelling and homeless, showing early signs of schizophrenia, and suffering an assortment of injuries from losses of inhibitions that Independence Day can inspire.</p><p class="">On top of all that, the electronic medical record system was shut off due a cyber threat.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Taylor Dearden and Isa Briones <em>(Photo by Warrick Page/HBO Max)</em></p>
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  <h3><strong>Dr. Santos Is So Filipino</strong></h3><p class="">The original intent wasn’t to create a generic Asian character; nevertheless, Briones must have really impressed Gemmill and company for them to accept the challenge of constructing a character as complex as a Filipina American doctor. In second-year resident, Dr. Santos, we see their diligence in portraying an individual’s struggle to balance Filipino values with American attitudes. And to reconcile with all with the universal responsibility of a physician to put the patient’s welfare ahead of her needs.</p><p class="">Filipinos make good healthcare workers because of their generous spirits. When their sacrifices go unappreciated, they become aware of unfair biases that limit their growth. Jealousy festers when their non-Filipino peers are rewarded for the types of contributions they have been making in silence. A Filipina can look past personal insults, neglect of her needs, and laziness, but, as a doctor she cannot ignore offenses that jeopardize the health of patients. We see this scenario in action after Dr. Santos reports star resident Dr. Frank Langdon (played by Patrick Ball) for stealing painkillers from a patient. She has compromised her Filipino vow of forgiveness by putting patients first.</p><p class="">As a biracial woman, Dr. Santos has probably endured alienation by full-blooded Filipinos and the white community. The consequences exceed personal slights when she becomes alienated in a trauma center that depends on teamwork to save lives.</p><p class="">Even the new attending physician, Dr. Baran Al-Hashimi (Sepideh Moafi), resents Dr. Santos without knowledge of her history with Dr. Langdon. When Dr. Langdon returns from 10 months of rehab, it’s surprising to everyone but a Filipino viewer that Dr. Santos dismisses Dr. Langdon’s apology as nothing more than a requirement of his 12-step substance abuse program. He has no concept of how much mental distress he caused Dr. Santos by committing a criminal act she was obligated to report. Her spirit has been violated in such a way Filipinas are ill-equipped to handle.</p><p class="">Fans who grasp the importance of emotions to Filipinos may be further alarmed by her unwillingness to show vulnerability by leaning on fellow resident and roommate, Dr. Dennis Whitaker (Gerran Howell). He is the trusted friend she needs more than she knows. Filipinos hate being burdens, and doctors hate feeling powerless. Dr. Santos won’t overwhelm Dr. Whitaker with her workplace insecurities and an ever-present history of childhood sexual abuse that was disclosed in Season 1. Again, Filipinos hate to be burdens. Briones conveys a Filipina's nature and how doctors feel powerless when they can’t identify a pathology, much less solve it.</p><h3><strong>Rescued By a Filipino Lullaby</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Briones sings <em>Ili ili, Tulog Anay</em>, the Ilonggo lullaby. <em>(Photo by Warrick Page/HBO Max)</em></p>
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  <p class="">This medical drama flourishes through the interplay of clinical procedures and human passions, but wisely <em>The Pitt</em> writing staff listens to medical consultants who emphasize that periodically even Dr. Zeus needs to shed excess lightning to stay sane.</p><p class="">“There are traumatic things that happen on the show, and then there will be a comedic moment,” Briones observes a pattern in the plotting. “That’s how it was when we talked to medical professionals. They tell us you have to laugh or else it’s going to be horrible all day. You’ll weep.”</p><p class="">Briones exudes optimism through a playful wit. For Dr. Santos, hilarity won’t displace her brooding and caustic sarcasm. Mercifully, in one episode Dr. Santos is given a cultural respite when the character sings a Filipino lullaby to soothe the inconsolable Baby Jane Doe who was abandoned in the lady’s restroom. “Scott Gimmell, our writer and showrunner, emailed me the idea for Dr. Santos to sing a lullaby,” she relates. “We were thinking maybe it could be a Filipino lullaby.”</p><p class="">“When he asked me how I felt about that, I was very excited.” Briones lights up with a smile as if she is reliving the moment during our interview. “I immediately called my dad, and he thought this is so exciting, too. We talked about it, and that’s when we landed on <em>Ili ili, Tulog Anay</em>, the Ilonggo lullaby.”</p><p class=""><em>The Pitt</em> has been given grief over its similarities to the medical drama <em>ER</em>, which was also produced by Warner Bros. but aired on the NBC television network from 1994 to 2009. (My HBO Max subscription fades into an <em>ER</em> episode from the WB library after each latest installment of <em>The Pitt</em>.) Obvious parallels are that both shows are set in emergency departments (as is the zany sitcom <em>St. Denis Medical</em>) and that actor Noah Wylie played medical resident Dr. Carter then and plays lead attending physician Dr. Robby now. I would argue that <em>The Pitt</em> has more in common with the long-running medical soap opera, <em>General Hospital,</em> because in both series, each new episode is a continuation of the last one.</p><p class="">Episodes <em>of The Pitt </em>always end with a cliffhanger, and it was no surprise that Season 2 ended with an avalanche given the mountains of unresolved angst circulating in the Emergency Department. The answer (or answers) that will keep Filipinos in a hiatus state of suspense concern: Dr. Santos finishes the night in a karaoke bar. What else does this Filipina need to get by?</p><h3><strong>‘Just in Time’ for Broadway</strong></h3><p class="">The last episode of Season 2 of <em>The Pitt</em> streamed on April 16, 2026. Filming wrapped before April. Briones relaxed for four days in Mexico before she was back on Broadway. She could barely sip a margarita before she was back on stage as songstress Connie Francis in the hit musical <em>Just in Time</em> at Circle in the Square Theatre.</p>





















  
  



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    <p><strong>When she plays Dr. Trinity Santos on <em>The Pitt</em> (streaming on HBO Max), Briones taps into a reservoir of heavy emotions that Filipinos are known to display in their everyday lives.
  

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  <p class="">“Connie Francis was a superstar of her time. She had such a beautiful voice,” she says of the famous vocalist of the 1950s and ’60s and first female to top the Billboard Hot 100. “I grew up hearing a lot of music from that era because my mom was in an Andrew Sisters tribute group that played at parties.” Audiences are falling for her rendition of the Francis standard, <em>Who’s Sorry Now</em>.</p><p class="">Right now, every minute is accounted for. Briones longs to visit the Philippines with her family. “I was seven the last time I was there,” she reveals. “A vacation didn’t work out this year because I only had four days off. We want to stay a long time because it’s such a long flight to travel there. Hopefully, when I’m done with Season 3, we’ll be able to go, because I haven’t seen so much of my family in so long. I need to see my Lola.”</p><p class="">Judging by the Tagalog lessons on her Rosetta Stone app, she is serious about revisiting the mother islands. (Her mention of Season 3 can only mean that Dr. Santos is returning to the ED.) The last question I always ask my subjects is: What is your go-to song when you’re handed the karaoke mic? She replies, “I often go with a Whitney Houston song. Her music usually vibes with me.”</p><p class="">The final episode of Season 2 ended with her character belting out an Alanis Morissette song. As someone who prefers Whitney Houston songs in real life, Briones deserves an Emmy for inhabiting a character who functions 180 degrees apart from her joyful nature.</p>





















  
  



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  <p class=""><strong><em>Anthony Maddela</em></strong><em> writes articles, fiction, and grants in Los Angeles. He looks forward to the World Cup and in 2028, the Olympics. His family of four has tickets to see Olympic women’s and men’s climbing and skateboarding.</em></p>





















  
  



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  <p class=""><em>More articles from</em><strong><em> </em></strong><a href="http://www.positivelyfilipino.com/magazine/?author=511b3321e4b0331c0eb56b5f"><strong><em>Anthony Maddela</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1776799409071-8QJRSO6NOU3QYC2FS0AO/isa-briones+%281%29.jpg?format=1500w" medium="image" isDefault="true" width="1500" height="1000"><media:title type="plain">Isa Briones, the Cool, Competent Filipina Doctor on ‘The Pitt’</media:title></media:content></item><item><title>BINI’s Coachella Breakthrough</title><category>Entertainment</category><dc:creator>Julienne Loreto</dc:creator><pubDate>Wed, 22 Apr 2026 15:17:22 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/binis-coachella-breakthrough</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69e7845d26380b4bf74a0932</guid><description><![CDATA[At the forefront of P-Pop’s rise is BINI, an eight-member girl group that’s 
rising on the international stage.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">BINI for Coachella Day 1 <em>(Photo courtesy of ABS-CBN Star Music)</em></p>
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    <span class="dropcap">I</span>n 2011, Filipino news organization Vera Files published a deep dive into Philippine pop (P-Pop). Although “P-Pop” was already being used as a generic term for all Philippine pop music, what was emerging was clearly something else: candy-colored visuals, synchronized singing and dancing, and peppy, heavily electronic production that went against the Philippines’ love for acoustic, band, and ballad music.
  




  <p class="">“It was never going to work, it was just a novelty,” were some of the respondents’ thoughts on P-Pop. Fifteen years later, things are looking drastically different for the industry. At the forefront of P-Pop’s rise is BINI, an eight-member girl group.</p><p class="">Have you ever thought you would someday hear Tagalog being spoken onstage at Coachella, one of the world’s buzziest music festivals? How about Tagalog and other Philippine languages like Cebuano (Bisaya), Ilocano, and Bicolano? Well, on April 17, BINI did exactly that.</p><p class="">That weekend, the octet performed for the second time on the Mojave Stage in Coachella Valley, California. Their excellent performances earned rapturous praise. And their Weekend 1 set garnered more than 3.1 million views altogether online.</p><p class="">However, even their little gestures were celebrated by netizens too, such as their spiel with each member briefly introducing herself in her native language: Bicolano for Gwen; Cebuano for Aiah and Colet; Ilocano for Stacey; Tagalog for Maloi, Jhoanna, and Sheena; and English for Mikha.</p><p class="">Will 2026 be the year that Filipino music breaks into international consciousness like Korean pop (K-Pop)? Well, I can’t look into the future, but I can tell you about BINI. Fresh from their historic Coachella and GRAMMY Museum debuts, as well as their new album Signals, the girls will also embark on another world tour in June.</p><p class="">If you ask other Filipinos, many will tell you that so much of the P-Pop industry’s – even the nation’s – future lies within BINI’s. That amount of pressure is unfathomable, especially for a bunch of young women aged 21 to 25. </p><p class="">I’m their age and I damn well know most people in our generation would collapse if we had to bear the expectations of millions of people on our shoulders. But to quote one of their songs, “Zero pressure, zero diamonds.”</p><h3><strong>A Pre-Coachella Treat</strong></h3><p class="">BINI released the mini-album/extended play (EP) <em>Signals</em> on April 9, a day before their Coachella debut. None of BINI’s records since their sophomore album <em>Feel Good</em> (2022), which contains fascinating rock and jazz elements, have come close to its innovative edge. </p><p class="">But <em>Signals</em> is their best album since <em>Talaarawan</em> (Diary) in 2024. It’s certainly a massive improvement from their weakest record so far, <em>Flames</em> (2025). </p><p class="">Countless haters and Blooms (BINI fans) alike unleashed their outrage at the group’s first all-English EP, BINIverse (2025), due to deeply misguided notions about “authenticity” (i.e. Tagalog = authentic, as if all of the members speak it as their first language). However, the Taglish Flames had far lower quality.</p><p class="">The album’s bright spots were its more experimental moments, like the excellent <em>First Luv’s</em> use of a church organ or the zippy tropical hip-hop of Shagidi. But the rest of it ranged from listenable but dull <em>(Katabi, Infinity)</em> to downright subpar <em>(Bikini, Paruparo).</em></p><p class="">Signals doesn’t break new ground for BINI sonically. However, the composers and producers have packed this EP with irresistible melodies, which is really the most important thing. It might not reinvent the wheel, but what a gorgeous wheel it is.</p><p class="">Track two, <em>Unang Kilig</em> (First Kilig), is the group’s finest lead single in months. The song feels complete. Its producer Jeremy Glinoga is actually young himself, just 26 years old, but crafts songs like a seasoned pro with several decades of experience. His talent for structuring songs is undeniable, even when I’m not the biggest fan of some – e.g., another BINI song he made, Infinity, has a clever looping structure that reflects the lyrics, which I love despite my other criticisms towards it.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">BINI for <em>Unang Kilig.</em> <em>(Photo courtesy of ABS-CBN Star Music)</em></p>
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  <p class=""><em>Sugar Rush</em> is possibly one of the best songs in BINI’s entire career. Although they’ve explored ‘90s-inspired R&amp;B soundscapes before, Sugar Rush is another reminder of how vital an effective topline (the vocals sitting on top of the instrumentals) is. </p><p class="">Samantha, another writer for our Visayan zine <em>kasing2,</em> astutely pointed out that <em>Sugar Rush</em> has a subtle rock-and-roll flavor to it. That part of her review made me realize why <em>Sugar Rush</em> is so satisfying compared with other retro R&amp;B tributes. The base melody is already so catchy, but the bridge and outro take us to the sky, holding nothing back. </p><p class="">In particular, main vocalists Colet and Maloi go toe-to-toe with the intensifying drums through their extreme high notes. It’s a rock star moment hidden in a new jack swing track.</p><p class="">Even the softer tracks like <em>Blush, Honey Honey,</em> and <em>Tic Tac Toe</em> avoid being boring with their fast-moving, well-composed toplines. The closing song <em>Step Back</em> is a hip-hop number with energetic hooks and chants, as well as cool electronic riffs and funk accents. The song is like a 2020s update of <em>Hollaback Girl</em> by Gwen Stefani minus the racism. Although its last chorus lacks the oomph that you might expect from the finale of <em>Signals,</em> it’s still a nice-sounding track from a high-quality EP.</p><h3><strong>BINI Conquers Coachella</strong></h3><p class="">As mentioned, the views on BINI’s Coachella set exceeded 3.1 million for Weekend 1 (April 10) alone. Their view count online was second only to headliner Justin Bieber’s.</p><p class="">Newness aside, what could’ve made people so curious about BINI? Appearance seems to be a factor. Although they’re all conventionally pretty, I’ve noticed a lot of people appreciating that they don’t fully conform to the toxic beauty standards that other countries’ groups might enforce. For one, some BINI members like Aiah have glowing tanned skin. Their healthy-looking visuals were also highlighted by their meticulously crafted outfits incorporating everyday Filipino items like the salakot (conical hats worn by farmers).</p><p class="">The musical arrangements caught many people’s attention as well. The team (including Choi Padilla, Nikko Rivera, and Errol Apacible) added native Southeast Asian instruments like the kulintang to the songs; but something I haven’t seen others talk about is that several of the tracks also received a rock remix: awesome guitar riffs and hard-hitting percussion.</p><p class="">Last but absolutely not the least, the girls are incredible performers, plain and simple. True live vocals while dancing at full energy is a P-Pop trademark that BINI demonstrated well at Coachella. That’s not to say that other countries’ musicians don’t have live vocal skills either, but P-Pop tends to prioritize them.</p><p class="">Even though their sets on both days entailed more than 40 minutes of nonstop performance, the BINI ladies continued to deliver impressive raw vocals and dancing. With their innate singing talent, musicality, and athletic stamina, the octet is one of the finest examples of P-Pop power out there.</p><p class="">Their hunger to prove themselves was palpable. The sets gave me a newfound appreciation even for some BINI songs I don’t like, e.g. <em>Bikini.</em> The beat is still a mess, among other problems. But like KATSEYE’s <em>Gnarly,</em> it functions well as a live performance song, if nothing else. And each member of BINI is a powerful performer through and through.</p><p class="">In particular, the livestream camera seemed to focus on Maloi on the first day. A lot of people have chalked it up to her vibrant stage presence and ever-passionate vocals.</p><p class="">Each woman in BINI was really impressive, though. For me, Gwen was a pleasant surprise. She used to favor a super airy, safe singing style. I was aware that she’d been improving over the years, but she solidified it here. On both days, she projected her voice beautifully and improvised note changes like in <em>Strings</em> (Weekend 2).</p>





















  
  














































  

    
  
    

      

      
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            <p class="">BINI for Coachella Day 2 <em>(Photo courtesy of ABS-CBN Star Music)</em></p>
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  <p class="">Speaking of <em>Strings,</em> the Weekend 2-only opener has my favorite moment from their Coachella sets. The song is originally from BINI’s 2022 album Feel Good. It was never much of a hit and is stupidly difficult to sing, so I didn’t expect them to perform it in their Coachella debut. </p><p class="">A notable moment in <em>Strings</em> is Colet speeding through 25 notes in 9 seconds – not even in falsetto either, where such a fast run is far easier to execute, but using chest voice. She has pulled this off so many times live (I lost my mind when she did it at BINIverse London), so I don’t doubt her abilities. It’s just risky to attempt at Coachella, especially for a first-timer. </p><p class="">But not only did Colet nail it, she also sustained the end belt for longer than she did in the studio version as the instrumental dramatically stopped for her. Just glorious.</p><p class=""><em>“Aminin</em> (let’s admit), Colet has the most stable and powerful voice in BINI. She’s the backbone of their vocals,” a netizen commented on a clip of Strings at Coachella, amassing more than 6,300 likes (and counting) in under 24 hours. This is true. </p><p class="">Colet is frequently denied the spotlight for whatever reason, whether it’s a song not making use of her vocal abilities, or a camera not showing her at all when she’s performing. But give this girl a chance to shine, even if it’s just one moment, and people will take notice.</p><p class="">Maloi and Jhoanna have sugary sweet, delicate tones, the types that the pop market can’t get enough of. The emphasis on them and their voices is understandable, especially because BINI usually makes bright pop music.</p><p class="">Colet’s timbre may not be the most marketable in this context, but it’s definitely the most striking to me and plenty of other people. Utilizing her well gives the group a better sonic balance. Rich, round, and robust, her voice strongly reminds me of Perrie from Little Mix. (Maloi is totally Jade, and Jhoanna is Leigh-Anne.)</p><p class="">It’s clear that she’s an irreplaceable part of BINI’s sound. Her Strings highlight at Coachella should be proof enough. Give her more of those moments, please!</p>





















  
  



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    <p><strong>The views on BINI’s Coachella set exceeded 3.1 million for Weekend 1 (April 10) alone. Their view count online was second only to headliner Justin Bieber’s.
  

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  <h3><strong>More to come</strong></h3><p class="">So, what’s next for P-Pop? None of us can say for sure, but this P-Pop group is certainly making their mark in the U.S. That’s a good sign, right? All of the BINI girls have rightfully earned Pinoy pride with their lovely music, talent, and hard work.</p><p class="">But how do we pay it back? A good place to start is by supporting and listening to their music, especially their new EP Signals. They’re going to announce U.S. stops for their upcoming world tour very soon, so you can keep your eyes peeled for that as well.</p><p class="">As someone who listens to so many P-Pop groups, I’m also hoping BINI’s success will make other people curious about the industry in general. Unlike K-Pop (Korean pop) or Western pop, P-Pop groups tend to lack money and resources. They have very little infrastructure to thrive, but they’re all so, so talented. There’s a whole realm of P-Pop goodness waiting to be discovered: SB19, YGIG, ALAMAT, KAIA, G22, and countless others.</p><p class="">BINI has given the world a taste of P-Pop. But this is just the beginning for them and the industry in general. We can only go up from here.</p>





















  
  



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  <p class=""><strong><em>Julienne Loreto</em></strong><em> (they/them) is a non-binary university student with roots in Bohol and Leyte. They are also a writer whose articles have been published in the prestigious music magazine&nbsp;</em>The Line of Best Fit,<em>&nbsp;as well as the Asian-American magazine&nbsp;</em>JoySauce;<em> their fiction stories have also been selected for publication by </em>8Letters<em> and sold at the Manila International Book Fair.</em></p>





















  
  



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  <p class=""><em>More articles from </em><a href="https://www.positivelyfilipino.com/?author=67d9b9fc45a37078425b0989"><strong><em>Julienne Loreto</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1776781319721-DVMUDQL6V9BBBXOI3BFI/BINI+for+Coachella+Day+1.+Photo+courtesy+of+ABS-CBN+Star+Music.jpg?format=1500w" medium="image" isDefault="true" width="338" height="450"><media:title type="plain">BINI’s Coachella Breakthrough</media:title></media:content></item><item><title>Chess, Janis Joplin, and My Father’s Herbs</title><category>First Person</category><dc:creator>Alex S. Fabros, Jr.</dc:creator><pubDate>Wed, 22 Apr 2026 14:18:12 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/chess-janis-joplin-and-my-fathers-herbs</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69e78d4fa63327313e7b6bcb</guid><description><![CDATA[A Filipino American recalls coming of age amid the rising counter-culture 
and the Vietnam War.]]></description><content:encoded><![CDATA[<figure class="
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    <span class="dropcap">I</span> was sixteen years old in the spring of 1962, a sophomore in high school, restless and hungry for something beyond the rhythms of Salinas. On weekends, I rode with my father into San Francisco when he visited his friends on Kearny Street. They were older men, <em>manongs</em> who had worked the fields or carried rifles with Filipino regiments during the war. In the boarding houses across from Chinatown, they filled their evenings with food, laughter, and stories of New Guinea and the Philippines. They spoke of nights in the jungle, of hunger and fear, of brothers lost and comrades who had survived. I wasn’t there, but I grew up in those stories, listening as smoke curled around the tables.
  




  <p class="">My father would eventually press fifty cents into my hand and tell me to get lost for a while so he could spend time with his friends. He always knew where I’d go. A short walk brought me to Grant Avenue, past Broadway’s neon and burlesque clubs, into the Coffee Gallery. By eleven, he could always find me again, bent over a chessboard in a smoky corner, the clack of pieces and the murmur of music filling the room.</p><p class="">The Coffee Gallery was divided into two. To the right was a small stage, a step up from the floor, where singers and poets took turns at the open mike. Folk songs and blues, jazz riffs and poems about love or politics floated out into the crowd. To the left was the Beats’ corner, heavy with smoke, where poets recited jagged lines and serious men leaned over sixty-four squares. That was my world, the world of calculation and concentration. The middle door between the two rooms led upstairs to rented spaces where drifters and musicians stayed, a reminder that art and survival shared the same roof.</p><h3><strong>Smoke</strong></h3><p class="">I&nbsp;carried with me a pipe, the kind the old <em>manongs</em> smoked. I filled it with Filipino herbs they swore by for aching muscles and rheumatism. When I lit it, heads turned. The smoke was sharp, pungent, different. Players leaned closer. “What are you smoking?” they asked. I told them the truth. Some nodded with curiosity. One asked if I had more. Another offered me twenty dollars if I could bring extra next time. I shook my head. I wasn’t a dealer. The pipe was an inheritance, not contraband, a way of carrying my father’s world into the café.</p><p class="">On good nights, I walked away with twenty dollars or more in chess winnings. For a sixteen-year-old with fifty cents in his pocket at the start of the evening, that was serious money. On Saturday nights, my father would collect me near midnight, and we would return to my cousin Melvyn’s place before heading home to Salinas on Sunday. The weekdays brought school and chores, but those weekends at North Beach felt like another life altogether.</p><p class="">By March of 1963, the Coffee Gallery gave me something more. One night, deep in a middle game, I heard a voice split the air. It was raw, jagged, the kind of blues that felt torn out of the body. A young woman stood on stage, eyes closed, hair wild, her whole frame shaking with the song. When her set ended, she didn’t disappear. She wandered around the room and stopped at my table. She tilted her head at the pipe.</p><p class="">“What are you smoking?” she asked.</p><p class="">“Filipino medicinal herbs,” I said. “The <em>manongs</em> use it for rheumatism.”</p><p class="">She laughed, leaned closer, and said, “Smells like Texas herbal medicine. May I take a puff?”</p><h3><strong>Janis</strong></h3>





















  
  














































  

    
  
    

      

      
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  <p class="">She drew from the pipe, exhaled, and handed it back with a grin. That was how I first met Janis Joplin.</p><p class="">By the fall of 1963, Melvyn and I realized the herbs had value beyond the boarding houses. What was ordinary to us was exotic to the Beats and musicians. Quietly, carefully, we began selling small pouches. By the end of the week, we each made about a hundred dollars. It was good money, though we never thought of ourselves as dealers. Janis was among those curious enough to try. In those nights, the economy of North Beach was its own ecosystem: coffee and poetry, guitars, and protest songs, chess games and the smoke of our herbs.</p><p class="">As the years turned, the music shifted. Protest songs about civil rights and Vietnam began to fill the stage. Folk sharpened its edge, jazz grew louder, and electric guitars buzzed where once only acoustic strums had been heard. The Coffee Gallery remained smoky and alive, but the sixties were pressing in, reshaping everything. Janis drifted in and out, always restless, sometimes gone for weeks before returning with new songs. We remained friends, talking after her sets, laughing about the smoke, caught between the pull of the city and the inevitability of change.</p><h3><strong>Vietnam and Monterey Pop</strong></h3><p class="">By the fall of 1965, I could no longer linger in North Beach. I left for the Marines, carrying with me memories of chess games, Janis’ grin, and the smoke of my father’s herbs. Vietnam came soon enough, and it left its marks.</p><p class="">In June of 1967, I returned, carrying the war inside me. On leave, I returned to Salinas, grateful for my family, trying to pretend I was just a son again. But the world had shifted, and so had I. With my Marine buddies, I attended the Monterey Pop Festival. We had box seats from the Naval Postgraduate School recreation center, eight seats to the right of the stage. Cameras hung around my neck — two Nikons, one wide, one telephoto, loaded with Tri-X 400 film pushed to 1600 ASA. I wasn’t just there to listen. I was there to document history.</p><p class="">My press card from the <em>Philippines Mail </em>earned me a festival press pass. It opened doors — backstage, side stage, the pit. I crouched before Hendrix’s flaming guitar, stood on the side stage as Otis Redding shook the crowd, and moved backstage as Janis came off after her set with Big Brother and the Holding Company. She spotted me in the crush and smiled. For her, I wasn’t another face in the press scrum. I was a boy she remembered from the Coffee Gallery, the kid at the chessboard with the odd pipe. For me, it was a circle closing: from a smoky café in 1963 to a world stage in 1967.</p><p class="">We skipped Ravi Shankar’s Sunday set. Four hours of sitar wasn’t for us. My ears were still ringing from Hendrix’s guitar and Janis’ scream. The next morning, I boarded a flight out of Monterey Airport, heading to Los Angeles and then east. My orders sent me to Fort Holabird in Baltimore for counterintelligence and interrogation courses. I told myself it was a way forward, but the truth was more straightforward: I needed to burn away memories. When I came back from Vietnam, I thought someone would be waiting. Instead, there was no one. My friend was gone, and in the silence that followed, the Corps was all I had left. So, I chose to stay in, to bury myself in work and discipline until the pain dulled.</p>





















  
  



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    <p><strong>The Coffee Gallery is gone now. Janis is long gone, too. The Haight has become a postcard version of itself; the manongs’ restaurants on Kearny mostly disappeared
  

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  <h3>C<strong>ousin Melvyn</strong></h3><p class="">My cousin Melvyn had his own struggles. One day, he wore his uniform to the store in San Francisco, and strangers jeered at him, calling him a baby killer. That cut deep. Soon after, he left for embassy guard duty, first in Moscow, then in Paris. From Haight and Central to the capitals of the Cold War, his path took him far from the streets we had once walked together.</p><p class="">For me, the next step came in June 1968. I returned to Monterey, this time not for music but for study. The Defense Language Institute became my post, where I spent a year drilling in Chinese Mandarin and taking a short course in Vietnamese. From June 1968 to June 1969, I lived in that rhythm — tones and characters, endless repetition, uniform pressed, preparing for a different kind of war. It was strange to be back in Monterey, the same city where, only a year earlier, I had crouched in the pit, photographing Hendrix and Janis. Now I sat at a desk, parsing sentences, repeating sounds until they felt natural in my mouth. The same streets carried two lives — guitars for some, grammar drills for others.</p><p class="">That summer, I came home often to Salinas. My father’s house became a gathering place for young people, PACE students from San Francisco State who needed a place to stay. They were full of energy, fire, and questions about what it meant to be Filipino American. Their laughter and arguments reminded me of my own restless days at sixteen, leaning over chessboards in North Beach. For a while, I wasn’t just a Marine. I was a bridge, standing between my father’s generation of manongs, my own service in Vietnam, and these students who wanted to build something new.</p><h3><strong>Vietnam Again</strong></h3><p class="">I spent months hanging out with friends, holding on to the ordinary rhythms of life while I could. But in June 1969, orders came again. The schooling was done. I left for Vietnam a second time, this time not just another Marine but a Sergeant, twenty-three years old, carrying not only a rifle but new languages in my head, tools for another kind of war. The second tour felt heavier because I knew what I was walking into and what I was leaving behind.</p><p class="">Seven years had passed since the spring of 1962, when I was just a sixteen-year-old kid walking into the Coffee Gallery with fifty cents in my pocket, hoping to find a chess game. In those years, I had won twenty-dollar pots on Grant Avenue, sold herbs with my cousin Melvyn, smoked with Janis Joplin, marched through Vietnam, photographed Monterey Pop, trained at Holabird, studied Mandarin at DLI, hosted PACE students at my father’s home, and gone back to war as a Sergeant.</p><p class="">The streets of San Francisco — Kearny, Broadway, Grant, Haight, Stanyan — had all marked me. The music of the city — folk, blues, jazz, protest songs, and the roar of rock — had carried me along. But the Marines also shaped me, instilling discipline and demanding that I bear my losses without complaint. My cousin had gone from jeers on the street to serving as an embassy guard in Moscow and Paris. I had gone from a smoky chess table to the jungles of Vietnam, carrying both memory and duty on my shoulders.</p><p class="">The Coffee Gallery is gone now. Janis is long gone, too. The Haight has become a postcard version of itself; the manongs’ restaurants on Kearny mostly disappeared. But I carry it all still. In memory, the board is set, the smoke curls upward, and the music carries across the years — the journey of a boy who was sixteen in North Beach and a Marine Sergeant of twenty-three, heading back to war.</p>





















  
  



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  <p class=""><strong><em>Alex S. Fabros, Jr.&nbsp;</em></strong><em>is a retired Philippine American Military History professor.</em></p>





















  
  



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  <p class=""><em>More articles from&nbsp;</em><a href="http://www.positivelyfilipino.com/magazine/?author=524bcdf0e4b0b5e2e07da888"><strong><em>Alex Fabros, Jr.</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1776863658023-4CKH6C4R12IGDCMVYBKU/Janis_Joplin_1970.jpeg?format=1500w" medium="image" isDefault="true" width="373" height="450"><media:title type="plain">Chess, Janis Joplin, and My Father’s Herbs</media:title></media:content></item><item><title> Where Talk of the Town Got Done in Paete, Laguna</title><category>Hometowns</category><dc:creator>Connie Cagahastian Triggiano</dc:creator><pubDate>Wed, 15 Apr 2026 17:53:45 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/where-talk-of-the-town-got-done-in-paete-laguna</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69deb68a662faa07235472b6</guid><description><![CDATA[“Tayangtang” served as a forum where Paete, Laguna’s self-proclaimed 
geniuses, philosophers, and gossips dropped in to discuss the latest 
developments on the local, national, and international scenes.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">The original site of Tayangtang (bench) ni Karyong Bado in Paete, Laguna where participants met regularly, offering one another’s take from village gossip to world affairs.</p>
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    <span class="dropcap">T</span>ayangtang has a rustic, almost musical ring to it, however discordant one may perceive the word on playback. Tayangtang, after all, was the pulse of Paete, a ubiquitous presence by which the tempo of life in this little town was measured and recorded.
  




  <p class="">Tayangtang served the town’s then-graying male population—folks who, despite faltering minds and failing vision, were still able to summon their inner youth as a group and reminisce about events of 70 or 80 years ago.</p><p class="">Ramon Cajipe Angeles, a retired elementary school master-teacher, described how motley gatherings of older folks and not-so-old men enjoyed lasting camaraderie as they shared stories, mostly of the past, in Tayangtang settings.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Retired Master Teacher Ramon Cajipe Angeles says World War II stories are favorite topics in Paete Tayangtang gatherings. He said Japanese forces occupied and burned the town during the war and drove the residents to take shelter in the Sierra Madre mountain for many months.</p>
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  <p class="">Angeles said the men doted on narratives that had been told and retold many times over but continued to engage those huddled together for hours, usually well into the night. “They mostly talked about the war,” Angeles said, “and at each retelling, new perspectives emerged.” The stories plumbed the depths of emotion, recalling the trauma and devastation when the town was burned to the ground by fleeing Japanese forces toward the end of the Second World War, Angeles related.</p><p class="">Tayangtang was vintage Paete, a small Laguna town south of Manila. This was the town’s indigenous term for a bench, serving as a nerve center for things precious and dear to its residents. Paete folks claim that the term is unique to the town, even if recent Tagalog dictionaries refer to “tayangtang” as “sun-dried”—something placed under the sun to dry and, intentionally or not, left seared. One might search for any ounce of similarity between the two terms, except perhaps the fact that participants in Paete’s Tayangtang remained for long hours, huddled and sparking, stretching each tale they shared with raging passion.</p><p class="">There had been similar wooden benches through the years, but there could only be one Tayangtang “ni Karyong Bado.” Situated a few meters away from the Ermita Church along the old highway, the Tayangtang bench occupied a special spot beside the store owned by Macario Valdellon, once a member of the Paete Municipal Government. Valdellon’s name rose in value not so much because of his success as an entrepreneur, but perhaps more because of the historical bond that tied his name to the past and the people of Paete.</p><p class="">Tayangtang ni Karyong Bado, the wooden bench, and the Paeteño had been through life’s many seasons together. It served as a forum where the town’s self-proclaimed geniuses, philosophers, and gossips dropped in to discuss the latest developments on the local, national, and international scenes. A favorite topic had been war—the Battle of Paete during the US-Philippines Revolution, as well as World War II, with the ferocious burning of the town by Japanese forces.</p><p class="">Tayangtang was also where one first heard who had just arrived in town; who had recently died, given birth, found a new job or lost one; who had gotten married; or who was sleeping with whom—small talk that might have sounded mundane. Yet these were the tales that threaded the lives of a people. They found comfort in these homespun accounts and passed them on to friends and relatives dispersed in the town and elsewhere.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">A couple of fellows linger by one of Tayangtang benches in town, waiting for other participants to join their regular huddle.</p>
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  <p class="">The first Tayangtang bench served as a sort of pre-departure lounge where townsfolk sat waiting for rides to take them out of Paete. Owing to its strategic location, Tayangtang invariably became the principal source of the latest news from Manila and areas outside Paete, brought in fresh by early-morning arrivals. It proved to be a convenient place for embarking and disembarking passengers, eventually evolving into a public forum where people—not necessarily travelers—met to trade stories. This was where, according to local historian Virgil Madrinan, standards for non-Paetenian brides brought home by local boys were defined:</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Paete menfolk enjoy lifelong friendships during hours seated at a Tayangtang bench sharing stories about life in this small town in Laguna.</p>
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  <p class="">(a) <em>yung mga puwedeng iuwi ng tanghaling tapat</em> (those who could be showcased at noon), and<br> (b) <em>yung iuuwi lamang ng “first trip” or “last trip”</em> (those who needed to be hidden from public view, brought to town only on the first or last trips).</p><p class="">Tayangtang remained a congenial spot for male bonding, not only for discussions on the meaning of life—or the lack of it. It was also perfect for the uniquely Paete <em>“usloan,”</em> a locally coined term referring to occasional digs at things personal and irreverent, led by the town’s most rowdy, raucous types—the <em>buharo</em> and the rascals.</p><p class="">Tayangtang still holds court in quaint corners of this little town nestled at the foot of the Sierra Madre mountains. The location of the original Tayangtang on the main road is now a designated public safety enforcement stand overseeing frequent arrivals and departures of vehicles northbound for Santa Cruz, the provincial capital, and those taking the eastern route to Metro Manila via neighboring Rizal province.</p><p class="">Current Tayangtang locations are now places where men usually congregate on Sundays and during church celebrations. The concrete sidebars of the stage in the town plaza are perfect examples. These structures were fashioned into twin stone benches on both sides of the two bridges connecting the plaza to the Catholic church and its expansive patio (courtyard).</p>





















  
  














































  

    
  
    

      

      
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            <p class="">The bridge’s concrete guardrail by the townsquare makes for a comfortable tayangtang bench where folks gather for a weekend chat following church services on Sundays.</p>
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  <p class="">The five adult men seated together on that concrete bench were deep in conversation on Easter Sunday morning this year, oblivious to the stream of townspeople traversing the bridge after church services. Asked whether the group could be considered a makeshift Tayangtang, the men exchanged awkward glances, unsure how to respond. <em>“Meron po yatang tayangtang, kina Amang Dando,”</em> one finally said (“There might be one at Amang Dando’s”), <em>“sa ibaba (down),”</em> still wondering about the sudden interest in what seemed an icon of the past. “Do they still meet regularly to reminisce about the old days?” came the follow-up question. Again, bewildered, inquiring half-smiles. Two of the men were not sure. A third reckoned that perhaps people now just text one another. <em>“Matagal na pong wala yung Karyong Bado </em>(Karyong Bado is long gone),” was the final answer.</p><p class="">Paete people are yet to get used to citing the street names of their small municipality. “Ibaba” means “down,” a walk toward the lake; the opposite, <em>“ilaya,”</em> refers to the upper part of town, midway toward the mountain. When one is up in the mountains and considers going back to town, folks say “lulusong.” To return to the mountain, one says <em>“aahon.”</em> The strategic play on directions—upward and downward, and moving through water versus climbing back—reflects the presence of the majestic Sierra Madre on the northwest side and Laguna de Bay, considered the third largest lake in Southeast Asia, on the east.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Menfolk grab a moment to talk at the end of the day. In the foreground is an assortment of tools and accoutrements of wood crafting used by the town’s renowned woodcarvers and artists.</p>
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  <p class="">The women of Paete stayed clear of the Tayangtang, effectively designating it as a forum for men to enjoy exclusively male talk. It was a comfortable setting for rambunctious exchanges of “conquests” and pleasures, real or imagined. One sat at Tayangtang without knowing what topics would arise. A newcomer could immediately engage or simply lurk and listen. A townmate passing by was almost always hailed into joining the fray, with the customary inquiry, <em>“Saan baga ang punta mo?”</em> (And where might you be going?)—which, to a non-Paeteño, might feel like an intrusion into privacy. But it was Paete’s way of breaking the ice. The manner in which the question was conveyed, along with the characteristic Paete <em>punto </em>or accent, half-pleaded for a response. It was good manners for the one invited to pause briefly for the obligatory <em>kumustahan</em> (how-are-yous) after deftly sidestepping questions about his destination. It also provided a polite exit for others who needed to move on.</p><p class="">A version of Tayangtang ni Karyong Bado surfaced in cyberspace in early 1997, organized on the town’s first website, paete.org. The founder, Rey Q. Carolino, and his Canada-based kababayans created a Paete chatroom on the DALNET Internet Relay Chat (IRC) network. They invited members of the Paete mailing list, and the first such chat was launched in real time. Early participants came from North America, Asia and the Pacific Islands, and Europe. The group held a Paetenians Internet Seminar in 1997 in Toronto, and the live internet chat brought in more <em>kababayan</em> (compatriots) from other parts of the globe.</p><p class="">It was Pastor Gagaring, a staunch Tayangtang devotee from Saipan, who recommended naming the forum “Tayangtang ni Karyong Bado.” Thus, the Tayangtang bench went high-tech. The participants were now male and female, of various age groups and from diverse backgrounds. The language used was a mix of English and Tagalog—but decidedly <em>usap</em>-Paete in character and appeal.</p><p class="">Back at the home of Ramon Angeles, the former grade school master-teacher was hosting his friends: a retired dentist, a couple of village politicians, and a former co-teacher. Over a large plate of fried cassava chunks and peanuts, they engaged in spirited discussion with much gesticulation and a chorus of overlapping voices. Laughter occasionally punctuated the rowdy banter. They were clearly decades older than the men by the church bridge.</p><p class="">“This now is a Tayangtang!” Angeles declared, nodding vigorously. “Not ‘the,’ but ‘a tayangtang,’” he explained. True enough, the group had the makings of one: no longer in a storefront like Karyong Bado’s, but still a gathering of men absorbed in conversations that felt urgent and all-consuming. And yes, each of the men also had a cellphone nearby.</p>





















  
  



<hr />
  
    <p><strong>A version of Tayangtang ni Karyong Bado surfaced in cyberspace in early 1997, organized on the town’s first website, paete.org.
  

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  <p class="">Tayangtang very often erupted into a wild <em>usloan </em>when old hands at this kind of roasting took over. There would be moments of purely Paetenian mirth, and everyone would soon forget how the banter sometimes bordered on the profane or the sacrilegious. Goodbyes were always temporary (“See you next week in TKB”).</p><p class="">It has been many years since the Tayangtang bench in Paete hosted its last forum with the menfolk. The internet chatroom on the town website—and the website itself—has long been shuttered. Paetenians from all over now live out their lives in public orbits through platforms like Facebook, Messenger, Zoom, or Teams. Yet each text message, voice or video call, multimedia post, image upload, and kababayan conference still echoes the sentiments of a people longing for images and memories of the charming little town they left behind.</p>





















  
  



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  <p class=""><strong><em>Connie Cagahastian Triggiano </em></strong><em>keeps the minutes for Circa‑Pintig, the community theater of Pinoys across Chicagoland, but she lives expansively. She threads tales, follows far‑off skies, breaks open word grids, and reads the world one book at a time.</em></p>





















  
  



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  <p class=""><em>More from </em><a href="https://www.positivelyfilipino.com?author=67fefccb0669ab1d86ea46cf"><strong><em>Connie Cagahastian Triggiano</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1776207571536-CMHSTL08Z3T8QCUURPGL/orig+tayangtang+photo+1.jpg?format=1500w" medium="image" isDefault="true" width="450" height="287"><media:title type="plain">Where Talk of the Town Got Done in Paete, Laguna</media:title></media:content></item><item><title>Overseas Filipinos Achievers, Part 3</title><category>Overseas Filipinos</category><dc:creator>Mona Lisa Yuchengco</dc:creator><pubDate>Wed, 15 Apr 2026 17:53:36 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/overseas-filipinos-achievers-part-3</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69de5a65d09dff675821b81a</guid><description><![CDATA[In keeping with Positively Filipino’s goal of celebrating the 
13-million-strong (and counting) Filipino diaspora, we are launching a new 
series titled Overseas Filipino Achievers. The series recognizes 
outstanding Filipinos making their mark in various countries around the 
world. It builds on our popular and long-running feature, “FilAms Among the 
Remarkable and Famous.”]]></description><content:encoded><![CDATA[<p class=""><em>In keeping with&nbsp;Positively Filipino’s goal of celebrating the 13-million-strong (and counting) Filipino diaspora, we are launching a new series titled&nbsp;Overseas Filipino Achievers.&nbsp;The series recognizes outstanding Filipinos making their mark in various countries around the world. It builds on our popular and long-running feature,&nbsp;“FilAms Among the Remarkable and Famous.”</em></p><p class=""><em>But we need your help. If you know Filipinos outside the Philippines and the United States who are doing exceptional work in their adopted countries, please send their names, supporting documents or links, and photos to&nbsp;</em><a href="mailto:pfpublisher@yahoo.com"><em>pfpublisher@yahoo.com</em></a><em>.</em></p><h3><strong>QATAR<br>Dr. Rosanna Millar Barrera</strong></h3>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg" data-image-dimensions="285x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg?format=1000w" width="285" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ef34424-bb44-4826-8c0f-943e9a339b2d/Dr.+Rosanna+Millar+Barrera+FB.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p class="">Dr. Rosanna Millar Barrera <em>(Source: Facebook)</em></p>
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  <p class=""><br>Dr. Rosanna Millar Barrera is a dentist and educator based in Qatar. She graduated from Centro Escolar University-Manila, undertook advanced orthodontic training, and is completing an MBA in Healthcare Management in England. She previously served as president of the Filipino Dentist Organization Qatar and currently leads Pilipino Sa Qatar as its president. Her contributions to both healthcare and the arts have earned international recognition.</p><h3><strong>Engineer Liza Lorena Abinal</strong> </h3>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png" data-image-dimensions="325x400" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png?format=1000w" width="325" height="400" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/0155851a-7d4e-4ce5-ab5a-fce02c4f62fc/Liza+Lorena+Abinal+LinkedIn.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p class="">Liza Lorena Abinal <em>(Source: LinkedIn)</em></p>
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  <p class="">Engineer Liza Lorena Abinal is a licensed civil engineer, Associate ASEAN Engineer, PMP-certified, and an MME-registered professional in Qatar. She is currently a Technical Engineer at Innospace Contracting in Qatar.</p><h3><strong>Michael Conjusta</strong></h3>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png" data-image-dimensions="324x400" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png?format=1000w" width="324" height="400" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/040f7eb9-95ef-4a81-9245-221fbcc9b8a4/Michael+Conjusta+IG.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p class="">Michael Conjusta <em>(Source: Instagram)</em></p>
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  <p class="">Michael Conjusta is an artist who has been living in Doha, Qatar, since 1998. He received the 2025 New Hero Award, 2025 Bagong Bayani Award, and the 2026 Filipino Global Icon Award. He is known in the Qatar art scene not only for his vibrant murals and award-winning exhibitions but also for his deep admiration for Argentina’s football superstar, Lionel Messi. He was hired by Qatari authorities to paint graffiti murals during the 2022 World Cup. His move to Qatar was primarily to support his family of seven in the Philippines. His work also includes decorating homes, malls, and government properties.</p><h3><strong>OMAN</strong><br><strong>Emalyn Famolis</strong> </h3>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg" data-image-dimensions="221x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg?format=1000w" width="221" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ffec02d7-3865-447b-8377-23e5943d3dd5/Emalyn+Famolis+Samako+FB.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p class="">Emalyn Famolis <em>(Source: Facebook)</em></p>
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  <p class="">Emalyn Famolis is the president of SAMAKO <em>(Samahan ng mga Kasambahay sa Oman),</em> a community organization supporting household service workers in Oman. It focuses on providing a platform for mutual support, empowerment, and skills training for Filipino workers in Oman.</p><h3><strong>UAE, DUBAI</strong><br><strong>Jane Cabusas Espante</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Jane Cabusas Espante <em>(Source: Instagram)</em></p>
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  <p class="">A proud daughter of Compostela, Cebu, Jane Cabusas Espante claimed the 2026 Cezve/Ibrik World Championship while officially representing the United Arab Emirates. The Cezve/Ibrik Championship brought together specialists of one of coffee’s oldest brewing traditions. Over three days, competitors from around the world were judged on technical precision, sensory excellence, and cultural expression. Cezve—or ibrik—brewing is not about speed; it demands control, patience, and intuition cultivated only through time and practice. Using a small pot with a long handle and flared brim—traditionally crafted from copper, brass, or ceramic—every movement is deliberate, every second crucial. The method has been practiced for centuries across Eastern Europe, the Middle East, and North Africa. Before the global stage, Espante experienced long shifts and steady work in hospitality and food service in the Philippines. She brought that work ethic with her to the Middle East, where Dubai’s competitive coffee scene refined her skills. Over time, she rose through the ranks to become a Barista Training Manager, shaping standards not only for herself but for others as well.</p><h3><strong>PORTUGAL</strong><br><strong>Antoni Mendezona</strong></h3>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg" data-image-dimensions="340x450" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg?format=1000w" width="340" height="450" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/05b90c57-553b-4b70-897f-dcc2a2715f9e/Antoni+Mendezona+FB.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p class="">Antoni Mendezona <em>(Source: Facebook)</em></p>
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  <p class="">Cebuana Antoni Mendezona, based in Lisbon, is an opera singer (coloratura) recognized internationally as a soprano with “dazzling high notes.” She has performed in New York and Manila. She is also the co-founder of Digitelle, a social media agency that “empowers artists, cultural institutions, and nonprofits to craft authentic digital presences that align with their artistry and mission.” With a background spanning branding, copywriting, content strategy, and art direction, she has worked across the classical music, design, and wellness industries, helping creatives and organizations connect meaningfully with their audiences. She balances the precision of an operatic career with the ever-evolving landscape of digital storytelling.</p><h3><strong>MEXICO</strong><br><strong>Miguel Alejandro Reina Gomez Maganda</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Miguel Alejandro Reina Gomez Maganda <em>(Source: LinkedIn)</em></p>
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  <p class="">Miguel Alejandro Reina Gomez Maganda is a filmmaker, screenwriter, and film producer. Born in Acapulco City, he studied Mass Communication at the Universidad del Nuevo Mundo and filmmaking at the School of the Art Institute of Chicago. In 2008, Reina released his first short film&nbsp;<em>Mi Vida en Frenesi</em>, a biopic based on Josefina Gomez Maganda, his grandmother, that won an award for Best Short Film at the Perdidas Film Festival. He is recognized within the context of Filipino immigration to Mexico and is listed among notable Mexicans with Filipino heritage.</p><h3><strong>THAILAND</strong><br><strong>Christina Aquilar</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Christina Aguilar <em>(Source: Wikipedia)</em></p>
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  <p class="">Christina Aquilar, known as the Thai Queen of Dance, has sold one million copies of her debut album,&nbsp;<em>Ninja</em>, the first for a Thai female singer. Her eight solo albums have sold over 10.5 million copies. Aguilar was born in Bangkok to Filipino musician Tony Aguilar and French-Vietnamese mother Margaret. She studied at the French Institute, pursuing a bachelor’s degree in business management. After graduating, she was recruited by a French advertising agency, where she worked as an assistant account executive. When she returned to Thailand, she met Rewat Bhuddhinan, then the chief producer of GMM Grammy, who enticed her into the music industry.</p><h3><strong>FIJI</strong><br><strong>Dr. Virgilio De Asa</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Dr. Virgilio De Asa (Source: Noel Novicio/Facebook)</p>
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  <p class="">Dr. Virgilio De Asa, owner and director of Nasese Private Hospital, opened a second hospital in 2021 with a 42-bed capacity. At the opening, De Asa said how proud he was that his private family practice had come so far since arriving in Fiji from the Philippines as an expatriate doctor in 1976. “Today is a historic day for me and my family, particularly as it took us four years for this hospital to become a reality. With all the planning and struggles we faced, I’m just so happy it is now a reality,” he said. The hospital provides admission (in-patient) services, including 24-hour emergency consultations, minor and major surgeries, pharmacy services, a birthing and maternity unit, as well as a women’s center offering mammograms, breast ultrasound, pap smears, congenital screening, and joint replacement surgery.</p><h3><strong>Ariel De Asa</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Ariel De Asa <em>(Source; Facebook)</em></p>
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  <p class="">Ariel De Asa, son of Dr. Virgilio De Asa, is the honorary consul general for the Philippines in Suva, Fiji. A prominent businessman, he is known for owning the largest coffee café franchise in Fiji. He opened several Gloria Jean's locations in Fiji and has been involved in community initiatives for Filipinos in the region.</p>





















  
  



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        </figure>]]></content:encoded><media:content type="image/png" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1776186809218-7IDNZQYPXVLINMZH3UTP/Michael+Conjusta+IG.png?format=1500w" medium="image" isDefault="true" width="324" height="400"><media:title type="plain">Overseas Filipinos Achievers, Part 3</media:title></media:content></item><item><title>Snack-Around-the-Clock with ‘Kakanin’</title><category>All About Pinoy Food</category><dc:creator>Manuel Hizon</dc:creator><pubDate>Wed, 15 Apr 2026 17:53:24 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/snack-around-the-clock-with-kakanin</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69deef8e99287c382d0310ec</guid><description><![CDATA[There are as many as 15 kinds of kakanin, with some provinces having their 
own versions of certain rice cakes.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">Suman <em>(Source: Pinterest)</em></p>
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    <span class="dropcap">F</span>ilipinos love to eat, and this is not at all surprising, what with a tempting array of treats available everywhere, anytime. We grab a bite from the moment we wake up—in mid-morning, at lunchtime, in mid-afternoon, at suppertime, and even before we sleep.
  




  <p class="">The eats are endless—<em>pandesal</em>&nbsp;at the corner store; ubiquitous street food; dishes at the&nbsp;<em>carinderia</em>&nbsp;(food stall) version of the buffet; office or school cafeteria fare with the usual&nbsp;<em>ulam</em>&nbsp;side by side with junk food; all tastes (and budgets) at dine-in restaurants; and dishes at mall food courts that have introduced many Pinoys to international cuisine.</p><p class="">But let’s go back to the basics. As sophisticated as the Pinoy palate has become, we always find comfort in the food that we grew up with. And nothing satisfies more than rice. Filipino rice culture is rich, diverse, and never disappoints. It comes alive in the&nbsp;<em>kakanin</em>&nbsp;(snacks)—simple yet satisfying, transforming ordinary ingredients into scrumptious edibles fit to eat any time of the day.</p><p class="">The&nbsp;<em>Tasting Table</em>&nbsp;counts as many as 15 kinds of&nbsp;<em>kakanin</em>, with some provinces having their own versions of certain rice cakes. Generally, though, they share two main ingredients: sticky rice and coconut milk.</p><p class=""><strong>Suman&nbsp;</strong>is made from glutinous rice and coconut milk, traditionally steamed and wrapped in either&nbsp;<em>buri</em>&nbsp;palm leaves or plain banana leaves. It is eaten with sweet condiments such as brown sugar,&nbsp;<em>latik</em>&nbsp;(toasted coconut milk curds), caramel, or even chocolate sauce. Eating&nbsp;<em>suman</em>&nbsp;with ripe mangoes is pure delight.</p><p class="">For culinary historian Ige Ramos, the Philippines’ national dish should be&nbsp;<em>suman</em>. “It transcends the boundaries of ethnicity, religion, and class.&nbsp;<em>Suman</em>&nbsp;can be cosmopolitan or it can be rural. It can be eaten alone or as a celebratory dish in a fiesta.”</p><p class="">It has evolved into deliciously diverse, mouthwatering variations from every region—a sweet reason to experience the country. Sampling the different&nbsp;<em>kakanin</em>&nbsp;takes us on a toothsome tour.</p><p class="">We start in Antipolo and the ever-popular&nbsp;<em>suman sa ibus</em>—glutinous rice mixed with salt and coconut milk, wrapped in young palm leaves called&nbsp;<em>ibus</em>, and steamed. It is usually served with a mixture of shredded coconut and sugar, or&nbsp;<em>latik</em>. A close relative is the&nbsp;<em>suman sa lihiya</em>&nbsp;or&nbsp;<em>suman bulagta</em>&nbsp;in Pampanga. The Visayan version has a different kind of&nbsp;<em>latik</em>—syrupy, caramelized coconut cream.</p><p class=""><em>Suman</em>&nbsp;is an irresistible snack most of us grew up with, even as it takes different forms in different places. Samar is known for its native&nbsp;<em>suman moron</em>. It is wrapped in banana or&nbsp;<em>anahaw</em>&nbsp;leaves and made with real cacao—and if that’s not available, store-bought chocolate.</p><p class="">Carigara in Leyte prides itself on&nbsp;<em>tinipa</em>&nbsp;or “opposites,” referring to the combination of white and red&nbsp;<em>suman</em>&nbsp;mix. The unique flavor comes from combining white glutinous rice—flavored with salt and ginger—with red rice sweetened with brown sugar. The Carigara Heritage Society has launched a&nbsp;<em>Suman Festival</em>&nbsp;to ensure that the art, recipes, and folklore tied to&nbsp;<em>suman</em>&nbsp;survive.</p><p class="">The traditional&nbsp;<em>sumang malagkit</em>&nbsp;is usually boiled, but the restaurant Sentro 1771 takes it to the next level by frying it and serving it with a slice of fresh mango. A genius pairing!</p><p class=""><strong>Kalamay</strong>&nbsp;is another favored sticky sweet enjoyed nationwide. It is made of coconut milk, brown sugar, and ground glutinous rice. Like&nbsp;<em>suman</em>, it has traveled to every region of the country, always coming out yummy. In Antipolo,&nbsp;<em>kalamay</em>&nbsp;is a dense, chewy rice cake sold in banana-leaf disks, topped with coconut curds. The sticky brown slices also appear in Bulacan, wrapped in banana leaves—a fixture in town fiestas.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Kalamay <em>(Source: Pinterest)</em></p>
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  <p class="">Cavite’s Indang town offers&nbsp;<em>kalamay buna</em>, a sticky blend of the familiar glutinous rice, coconut milk, and&nbsp;<em>panutsa</em>(shavings of unrefined sugar loaf). Not to be outdone is Mindoro, with its own version of&nbsp;<em>kalamay</em>, rich with coconut and a whisper of peanut butter and vanilla.</p><p class="">The most unique—and tastiest—<em>kalamay</em>&nbsp;comes from Bohol. Thick and gummy, it is traditionally poured into halved coconut shells, then sealed with red&nbsp;<em>papel de japon</em>&nbsp;(Japanese paper).</p><p class="">Kalamay&nbsp;in the Philippines is available almost everywhere, sold in markets, grocery stores, and on the street. It’s also a fixture in shops at seaports and airports, catering especially to domestic and foreign tourists.</p><p class=""><strong>Puto&nbsp;</strong>likewise appears in countless forms. It is made from&nbsp;<em>galapong</em>, slightly fermented rice dough, and steamed. The most common variety is&nbsp;<em>putong puti</em>, which perfectly complements&nbsp;<em>dinuguan</em>, a dish of pork cubes or innards stewed in pig’s blood. It is a most savored&nbsp;<em>merienda</em>&nbsp;fare in many parts of the country.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Putong Puti <em>(Source: Pinterest)</em></p>
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  <p class="">The types of&nbsp;<em>puto</em>&nbsp;are as many as there are provinces.&nbsp;<em>Puto Biñan</em>&nbsp;is a big favorite. It is fluffy yet moist, usually made as big as a pizza and topped with a generous coating of grated cheese. At times, salted egg bits and drizzles of condensed milk are added. You don’t end a visit to Biñan town without taking it home.</p><p class=""><em>Puto Manapla</em>&nbsp;originated from the town of Manapla in Negros Occidental. The glutinous rice is enhanced with flour, coconut milk,&nbsp;<em>tuba</em>&nbsp;(rice wine), and sugar; the blend results in a distinct texture and sweetness. It is steamed in banana leaves in small&nbsp;<em>torta</em>&nbsp;molds, resulting in small, yellow, round cakes that are soft and slightly sticky. Best eaten with a warm cup of&nbsp;<em>sikwate</em>, a native Filipino hot chocolate.&nbsp;<em>Sarap</em>&nbsp;(yum)!</p><p class=""><em>Puto Pandan</em>&nbsp;ranks high in flavor; you can call it special&nbsp;<em>puto</em>. It is uniquely steamed with a bunch of pandan leaves knotted together, giving it a pale green color and distinct taste.</p><p class="">Who can resist&nbsp;<em>Puto Bumbong</em>? It is made from&nbsp;<em>pirurutong</em>, a special variety of sticky rice that has a distinctly purple color. The rice mixture is soaked in saltwater, dried overnight, and poured into bamboo tubes called&nbsp;<em>bumbóng</em>. It is then steamed until vapor rises from the bamboo tubes. Topped with butter or margarine and shredded coconut, and finished with&nbsp;<em>moscovado</em>&nbsp;sugar, it is a snack craved by many.</p><p class="">Calasiao, the second-oldest town in Pangasinan, is home to the beloved&nbsp;<em>Puto Calasiao</em>. Made special, it can burst into the colors of the rainbow—pink (strawberry), purple (ube), yellow (mango), and green (pandan)—each one equally delectable.</p><p class="">Celebrity chef Tatung Sarthou extols&nbsp;<em>puto</em>: “Made from just a few ingredients and shared with many,&nbsp;<em>puto</em>&nbsp;is a quiet reminder of grace and generosity.”</p><p class=""><strong>Kutsinta&nbsp;</strong>almost always goes with white&nbsp;<em>puto</em>, carried around town by ambulant vendors. Unlike the usual rice cake, it takes on a reddish-brown color that comes from&nbsp;<em>achuete</em>&nbsp;powder. It has a firm yet jelly-like texture. The name is derived from&nbsp;<em>kueh tsin tao</em>&nbsp;(Hokkien for bite-sized snack or dessert), which Chinese traders introduced to the pre-colonial Philippines.</p><p class=""><strong>Bibingka&nbsp;</strong>is arguably everyone’s favorite—a provincial fare that has taken root in the metropolis. A very different type of rice cake, it is traditionally cooked in a terracotta oven lined with banana leaves and usually eaten for breakfast or&nbsp;<em>merienda</em>.&nbsp;<em>Bibingka</em>&nbsp;is a must during the Christmas season. After the dawn Masses, which start on December 16, vendors beckon to churchgoers with freshly cooked&nbsp;<em>bibingka</em>, taken with&nbsp;<em>salabat</em>&nbsp;(ginger brew) that tempers the chilly weather.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Bibingka <em>(Source: Pinterest)</em></p>
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  <p class="">Bibingka&nbsp;is prepared in clay pots lined with banana leaves over charcoal, with a layer of hot coals on top for a distinctive smoky flavor—an invitation to try it. The unique taste comes from the interplay of sweetness, the creaminess of the coconut milk and cheese, and the subtle saltiness of the eggs.</p><p class="">Other places have their own interesting versions.&nbsp;<em>Bibingkang monggo</em>&nbsp;from Malolos, Bulacan, replaces rice with mung beans, while&nbsp;<em>bibingkang nasi</em>&nbsp;(rice) from Pampanga requires cooking in a molding pan.</p><p class="">Pateros and Pasig are known for their “stinky”&nbsp;<em>bibingkang abnoy</em>, made of rotten duck eggs with black pepper and dipped in vinegar—a challenge for the adventurous gourmand. Binakayan, Cavite, has an interesting take: their&nbsp;<em>bibingkang balinghoy</em>&nbsp;(cassava) is strewn with&nbsp;<em>nata de coco</em>&nbsp;(coconut jelly),&nbsp;<em>kaong</em>&nbsp;(sugar palm fruit), and&nbsp;<em>langka </em>(jackfruit). It’s something that can’t be missed.</p><p class=""><strong>Palitaw&nbsp;</strong>is another age-old Filipino sweet rice delicacy—glutinous rice flour mixed with water to form a dough that is shaped into flat, oval patties. These patties are boiled in water until they float to the surface—hence the name “palitaw,” from the Tagalog&nbsp;<em>litaw</em>, meaning “to float” or “to surface”—coated in a mixture of grated coconut and sugar, and topped with toasted sesame seeds for added texture and flavor. The result is a chewy, mildly sweet snack with a soft interior, faintly crisp from the coconut coating.&nbsp;<em>Palitaw</em>&nbsp;embodies the essence of Filipino comfort food in every soft, chewy bite.</p><p class=""><strong>Biko</strong>&nbsp;is glutinous rice blended with melted brown sugar that gives it a caramel-brown color. It has a chewy consistency with a mild sweetness, made tastier by different garnishes: coconut caramel, grated cheese, toasted coconut flakes, toasted coconut milk curds, or salted egg slices. A sticky rice lover says: “<em>Biko</em>&nbsp;is my favorite—it’s super simple and comforting: sweet, sticky, coconutty goodness.”</p><p class=""><em>Biko Tapol</em>, also known as&nbsp;<em>biko Bisaya</em>, is the Visayan version. It combines glutinous white rice they call “pilit” and black or purple sticky rice “tapol,” simmered in coconut cream, coconut milk, and brown sugar. The result is a dark, purplish rice cake that may not look very attractive but tastes really good. Interestingly, purple rice is known to support heart health and aid digestion. Health-conscious people choose to eat purple rice rather than white rice for better nutrition.</p><p class="">Quezon province’s version of&nbsp;<em>biko</em>&nbsp;is called&nbsp;<em>Sinukmani</em>; it is topped with ground roasted peanuts. Served with&nbsp;<em>kapeng barako</em>&nbsp;or brewed native coffee, it’s a favorite dessert or mid-afternoon snack in the Southern Luzon region—another irresistible treat. There’s a&nbsp;<em>Sinukmani Festival</em>&nbsp;in Batangas highlighted by a competition for the best-tasting&nbsp;<em>sinukmani</em>.</p><p class="">Again, Chef Tatung chimes in: “Dense and generously sweet,&nbsp;<em>biko</em>&nbsp;is a favorite at large gatherings; it’s indulgent but deeply familiar.”</p><p class=""><strong>Ginataang Halo-Halo&nbsp;</strong>or&nbsp;<em>ginataan bilo-bilo</em>&nbsp;is named after the marble-sized glutinous rice balls cooked by themselves or mixed with other ingredients like&nbsp;<em>saba</em>&nbsp;banana,&nbsp;<em>kamote</em>&nbsp;(sweet potato),&nbsp;<em>sago</em>&nbsp;pearls,&nbsp;<em>langkâ</em>&nbsp;(ripe jackfruit), and&nbsp;<em>ube</em>(purple yam). They all come together, cooked in thick, sweetened coconut milk.</p><p class="">Ginataan&nbsp;is called&nbsp;<em>sampelot</em>&nbsp;in Pampanga, usually paired with&nbsp;<em>inangit</em>&nbsp;(see&nbsp;<em>biko</em>) for an afternoon&nbsp;<em>merienda</em>. A Kapampangan housewife shares that she always makes this for her husband when she knows he’s had a bad week at work. “Nothing like&nbsp;<em>sampelot</em>&nbsp;to make him smile.”</p><p class="">Up north in Ilocos, it is known as&nbsp;<em>pararusdos</em>. It could have come from the Tagalog word “dausdos,” which means “to slide,” as rice flour is shaped into balls and rolled in dry flour. In Batangas, it is called&nbsp;<em>paridusdos</em>&nbsp;or&nbsp;<em>pinindot</em>.</p><p class=""><em>Binignit</em>&nbsp;in Cebu and Bohol differs by using glutinous rice instead of&nbsp;<em>bilo-bilo</em>&nbsp;as a thickener and introducing&nbsp;<em>landang</em>, palm flour jelly balls, for a unique texture—a must-try.</p><p class="">On the other hand,&nbsp;<em>Pinaltok</em>&nbsp;in Laguna is a simplified delight. It’s all&nbsp;<em>bilo-bilo</em>, sometimes with&nbsp;<em>sago</em>, for a straightforward yet satisfying dessert.</p><p class=""><strong>Sapin-Sapin&nbsp;</strong>is a vibrant, layered rice cake infused with different flavors, enhancing the rice flour and coconut milk. The name comes from&nbsp;<em>sapin</em>, meaning “layers,” because of its vibrant, multi-colored appearance. It usually comes in two to four colors, each with a different taste and texture. The violet layer is&nbsp;<em>ube</em>, the orange layer has anise seeds, and the white layer is&nbsp;<em>buko</em>&nbsp;or young coconut meat.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Sapin-Sapin <em>(Source: Pinterest)</em></p>
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  <p class=""><strong>Espasol&nbsp;</strong>is a soft, chewy rice cake that combines toasted glutinous rice flour with grated young coconut that is slowly cooked in coconut milk. The mixture turns into a soft, pliable dough that is shaped into long cylinders or triangles before each cake is coated in rice flour. It is associated with the Laguna region—a popular snack peddled on buses that travel to Manila.</p><p class="">If these native treats don’t induce cravings or evoke hometown memories, you’re probably only half-Pinoy. It gets more interesting as we move on to the more exotic options.</p><p class=""><strong>Tupig</strong>, a&nbsp;<em>kakanin</em>&nbsp;from the province of Pangasinan, is made by mixing freshly grated young coconut with ground&nbsp;<em>malagkit</em>&nbsp;rice and a dash of sugar, wrapped in banana leaves, and grilled over hot charcoal. This gives it a slightly burnt flavor that makes it distinct from other&nbsp;<em>kakanin</em>.</p><p class=""><strong>Inutak</strong>&nbsp;is a tasty delicacy from Pateros and Taguig, named for its gooey, “brain-like” consistency. Made of purple yam sandwiched between layers of&nbsp;<em>bibingka</em>&nbsp;or rice cakes,&nbsp;<em>inutak</em>&nbsp;is best paired with at least two scoops of vanilla ice cream. It comes in other flavors too, like&nbsp;<em>queso de bola</em>, corn, and chocolate. There’s something addictive about the combination of creamy and chewy textures.</p><p class=""><strong>Binagol</strong>, another&nbsp;<em>kakanin</em>&nbsp;from the coconut-rich province of Samar, is made by mixing taro, coconut milk, and sugar over heat until cooked.&nbsp;<em>Latik</em>&nbsp;is ladled into a shaved coconut shell, then the&nbsp;<em>binagol</em>&nbsp;mixture is stuffed on top. It is a most welcome&nbsp;<em>pasalubong </em>(travel gift).</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Binagol <em>(Source: Pinterest)</em></p>
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  <p class=""><strong>Sayongsong&nbsp;</strong>is a delicious Surigaonon delicacy and a point of pride. It is a steamed, sweet rice cake packed in cone-shaped banana leaves (<em>binalusongsong sa dahon</em>) and is a favorite snack or&nbsp;<em>pasalubong</em>—a sweet remembrance of Surigao. It has traveled around the Caraga region, as well as Bohol, the Eastern Visayas, and finally the Bicol region.</p><p class=""><strong>Dodol</strong>, a traditional delicacy of Filipino Muslims, is made of flavor-rich durian cooked in coconut milk and mixed with brown sugar. Normally wrapped in banana leaves and colorful cellophane,&nbsp;<em>dodol</em>&nbsp;serves as a symbol of royalty among Muslims—an exotic dessert that other Pinoys have learned to enjoy.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Dodol <em>(Source: Dreamstime)</em></p>
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  <p class=""><strong>Tamales: </strong>Saving it for last,&nbsp;<em>tamales</em>&nbsp;may be called the queen of Pinoy&nbsp;<em>kakanin</em>. It is made with ground rice cooked in chicken broth and coconut milk, then wrapped in banana leaves. The filling may vary from region to region. The Pampango version, arguably the best, has thin slices of chicken and pork&nbsp;<em>adobo sa atsuete</em>, and wedges of hardboiled egg—simply divine.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Pampanga Tamales (<em>Source; Pinoy Cooking Recipes/Pinterest)</em></p>
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  <p class="">According to Filipina food historian Felice Prudente Sta. Maria (via&nbsp;<em>Atlas Obscura</em>), it is an ancient Filipino belief that there is a soul in every grain. That belief evolved into a tradition of offering rice cakes to ancestors so that the living may be blessed with good health and prosperity.</p>





















  
  



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    <p><strong>There is something to excite your taste buds anywhere you go. If kakanin is so good, imagine how satisfying the main dishes can be!
  

<hr />


  <p class="">Kakanin&nbsp;has endured the test of time, sustaining us in times of abundance and scarcity, peace and war. Food author and chef of the famous Bale Dutung, Claude Tayag, says: “Kakanin&nbsp;transcends all the boundaries of our regional cultures, languages, religion, and cuisines. It makes a perfect accompaniment to the sour, salty, and mellifluous&nbsp;<em>dinuguan</em>&nbsp;or blood stew (<em>tidtad</em>&nbsp;in Pampanga), and a wonderful counterpoint to the umami-rich La Paz batchoy of Iloilo City.”</p><p class="">Truly, the Philippines is a foodie haven. There is something to excite your taste buds anywhere you go. If&nbsp;kakanin&nbsp;is so good, imagine how satisfying the main dishes can be!</p>





















  
  



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  <p class=""><strong><em>Manuel Hizon</em></strong><em> is a Manila-based communications specialist.</em></p>





















  
  



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  <p class=""><em>More articles from </em><a href="http://www.positivelyfilipino.com/magazine/?author=5512a940e4b0cb429e1e5053"><strong><em>Manuel Hizon</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp" data-image-dimensions="728x90" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp?format=1000w" width="728" height="90" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/4b77027e-0302-4c23-a18a-53ed1fae7ae7/2020-Subscribe-Footer.webp?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1776221121774-DS0DYZ6LJM0X2X76FHZH/Sapin+Sapin+Pinterest.jpg?format=1500w" medium="image" isDefault="true" width="400" height="400"><media:title type="plain">Snack-Around-the-Clock with ‘Kakanin’</media:title></media:content></item><item><title>Eduard Bañez: From PH Media Host to PE Teacher in Hollywood</title><category>Entertainment</category><dc:creator>Rogelio Constantino Medina</dc:creator><pubDate>Wed, 15 Apr 2026 17:53:12 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/eduard-baez-from-ph-media-host-to-pe-teacher-in-hollywood</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69decd874ea7e44fc208a66d</guid><description><![CDATA[Formerly part of Star Magic Batch 15 of ABS-CBN, a host for MTV Asia in 
Singapore and Hong Kong, entertainer Eduard Bañez is now thriving as a 
Physical Education teacher in Beverly Hills, California.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">Filipino singer-host Eduard Bañez</p>
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    <span class="dropcap">A</span>s a physical education teacher at Ralph Waldo Beverly Hills in Los Angeles, California, Eduard Bañez delivers age-appropriate lessons that build both physical and social skills—teamwork, sportsmanship, and discipline—while fostering a lifelong love for healthy living. Through engaging activities, proper use of equipment, and a strong emphasis on safety, he ensures that every student is supported. He also collaborates closely with staff and parents to create a well-rounded learning environment.
  




  <p class="">“I applied online and took the exam,” Bañez began. Fortunately, he passed with flying colors.</p><p class="">However, he admitted that his American journey was far from glamorous. It was filled with adjustments, paperwork, interviews, and moments of doubt.</p><p class="">“I applied like everyone else. I waited. I followed up. I prepared carefully. I didn’t walk in expecting entitlement—I walked in ready to prove myself.”</p><p class="">For Bañez, being a PE teacher is not just about sports—it is about mentorship, discipline, and encouraging students to believe in themselves. This reflects the way many Filipino teachers guide—with both firmness and care.</p><h3><strong>Teaching Good Manners</strong></h3><p class="">“I teach children good manners and right conduct. I give them good physical exercise every day and structured routine activities,” he added.</p><p class="">Beyond teaching, Bañez has also been part of a Hollywood Nickelodeon series and has worked with celebrities such as Justin Bieber, Sia, and Ed Sheeran.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Eduard Bañez (in violet jacket) in Nickelodeon series.&nbsp;</p>
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  <p class="">A health-conscious advocate, he strongly emphasizes the importance of proper nutrition.</p><p class="">“Consume a healthy and balanced diet, be aware of nutrition facts, choose whole, clean foods with clear labeling, and consistently incorporate worthwhile physical activities into daily routines,” he said.</p><p class="">In addition to teaching, he also works as an administrative coordinator, handling patient insurance, responding to emails, and assisting administrators with admissions.</p><p class="">“As a Filipino, you carry certain traits with you: respect, humility, and a strong work ethic. I leaned on those. I showed up early. I listened more than I spoke. I adapted to a new system while holding on to my values,” he shared.</p><h3><strong>SPLUK.PH Publisher</strong></h3><p class="">“Spluk.ph connects worldwide daily news, publishing fast-paced information and covering events and special happenings across the globe. It empowers voices and creates meaningful connections,” explained Bañez, a former TV news anchor and international VJ.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Spluk.PH supporters with spluk.PH editor-in-chief Chino Hansel Philyang (2nd from right).</p>
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  <p class="">“I started spluk.ph in January 2025 with my journalist friend, Chino Hansel Philyang, our editor in chief. It was driven by passion—to continue connecting international news to the Philippines. We are still learning the ropes of daily news engagement and exploring broader media exposure,” he said.</p><p class="">He recalled that Spluk was not always a formal media company.</p><p class="">“A few years back, Spluk wasn’t a formal media company. It was simply a feeling—that Filipino stories, especially those bridging Hollywood and the Philippines, deserved to be told with dignity and depth. As Filipinos, we value&nbsp;<em>kwento</em>. We value connection.”</p><p class="">He started small, guided by&nbsp;<em>sipag</em>&nbsp;and&nbsp;<em>tiyaga</em> (hard work and perseverance).</p><p class="">“No big capital. No loud launch. Just quiet consistency. Spluk comes from the idea of spilling stories—sharing them honestly. It began with late nights, self-funded coverage, and a lot of&nbsp;<em>diskarte</em> (resourcefulness).”</p><p class="">In the early days, he relied heavily on courage and&nbsp;<em>pakikisama</em> (fellowship).</p><p class="">“I introduced myself, built relationships respectfully, and showed that I wasn’t there to sensationalize but to support and amplify. Some emails were ignored. Some invitations didn’t come. But as Filipinos, we understand patience. Trust is earned, not demanded.”</p><p class="">Today, content comes from a mix of press releases, collaborations, event coverage, and interviews—but remains rooted in relationships.</p><p class="">“Media, for me, is not just distribution—it’s community. Like&nbsp;<em>bayanihan</em>, where everyone contributes to lift something meaningful.”</p><p class="">He added that contributors now include student interns from schools in the United Kingdom and the United States, along with content from Reuters and AP News.</p>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg" data-image-dimensions="800x510" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg?format=1000w" width="800" height="510" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a03477d7-d158-4e45-b758-d02f8c834c4e/Messenger_creation_6401ABB4-078B-4FE7-BA4E-4A0C5FEF0E8A.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p class="">Eduard Bañez is the co-founder of the TAIMI dating app.</p>
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  <h3><strong>One-Man Team</strong></h3><p class="">“Spluk started as a one-man team. I wrote, edited, coordinated, and even carried equipment myself. It was humbling, but it taught me every layer of the work.”</p><p class="">Now, the team includes editor in chief Chino Hansel Philyang and a small but passionate group of contributors.</p><p class="">“We are not a large corporation. We are lean, hands-on, and collaborative. That reflects the Filipino work ethic—adaptable, resilient, and willing to step outside job descriptions.”</p><p class="">As for its growth, Bañez describes it as steady and intentional.</p><p class="">“Spluk.ph is growing—not aggressively, but with purpose. I don’t measure success purely by numbers. I measure it by trust—by the messages from readers and the creatives who allow us to tell their stories.”</p><p class="">He has built a platform that bridges Hollywood and Asian media, bringing global stories to Filipino audiences. With his background in entertainment, journalism, and content creation, Bañez continues to position spluk.ph as a dynamic force in digital media.</p><p class="">“Our platform showcases compelling narratives, trending stories, and in-depth features that inform, entertain, and inspire. We strive to celebrate culture, inspire minds, and foster community,” he emphasized.</p><p class="">He added that spluk.ph remains committed to delivering high-quality content that sparks conversations, fosters connections, and highlights voices that matter.</p><p class="">“Whether it is entertainment, lifestyle, news, or inspiring human stories, we aim to be a go-to source for Filipinos seeking meaningful and relevant content in today’s fast-paced digital world,” he said.</p><h3><strong>Career in the Philippines</strong></h3><p class="">Bañez began singing at the age of five and entered the Philippine entertainment industry at 15. By 17, he gained recognition in dating blogs as <em>Lilsaint</em>.</p><p class="">“I attended Star Magic workshops and became part of Star Magic Batch 15 of ABS-CBN. I hosted MTV Asia in Singapore and Hong Kong and became a Nickelodeon star for a Nick Jr. series,” he recalled.</p><p class="">He also hosted programs on NET25 and TV5, worked as a commercial model for Goldilocks and Globe Telecom, and appeared in a teen magazine.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Model Eduard Bañez <em>(Photo by Sthanlee B. Mirador)</em></p>
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  <p class="">He later pursued music more seriously after his rendition of Sharon Cuneta’s&nbsp;<em>Kahit Maputi Na Ang Buhok Ko</em>, composed by Rey Valera, garnered over 120,000 views on YouTube.</p><p class="">“I started singing at age five and performed at events as a teenager. Audiences were entertained and amazed by my voice,” he said.</p><h3><strong>Immigrating to the US</strong></h3><p class="">Bañez immigrated to the United States in 2015 when his family settled in North America.</p><p class="">“I preferred a land of more opportunities,” he said.</p><p class="">His father, Eduardo, is a chief ship engineer, while his mother, Zarina, is a businesswoman.</p><p class="">Born in Baliuag, Bulacan, Bañez earned a BS Nursing degree from Manila Central University and later took courses in political arts and media history at UCLA.</p>





















  
  



<hr />
  
    <p><strong>He admitted that his American journey was far from glamorous. It was filled with adjustments, paperwork, interviews, and moments of doubt.
  

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  <p class="">“Education in the United States is very different from the Philippines. Personal independence and self-reliance are essential here,” he noted.</p><p class="">America sharpened his independence, but his Filipino roots kept him grounded.</p><p class="">“No matter where you are in the world, character travels with you. That’s what I bring into Spluk—resilience, resourcefulness, and heart.”</p><p class="">Despite living in the US, he continues to be featured in major Philippine broadsheets and television networks.</p><p class="">Bañez, a Pinoy in the heart of Hollywood, concluded with a simple message:</p><p class="">“Happiness is the most important thing in life. Don’t give up. Stand on your own. Be independent. Be generous. And be a servant of God.”</p>





















  
  



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  <p class=""><strong><em>Rogelio Constantino Medina </em></strong><em>is a freelance writer based in Fairfield, California. He is an Associate Professor III in the Philippines and an award-winning journalist, columnist, and academic researcher with contributions to international media such as Far Eastern Economic Review (Hong Kong), Gulf News (Dubai), and The Japan Times (Tokyo). He is also a credentialed member of the U.S. Department of State’s State’s Foreign Press Centers in Washington, D.C. and New York City.</em></p>





















  
  



<hr />


  <p class=""><em>More articles from </em><a href="https://www.positivelyfilipino.com/?author=68199138ccf3420be76de64a"><strong><em>Rogelio Contantino Medina</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1776213866025-F8GA4XJUQQH2OPMMCFX5/FB_IMG_1766042611396.jpg?format=1500w" medium="image" isDefault="true" width="720" height="537"><media:title type="plain">Eduard Bañez: From PH Media Host to PE Teacher in Hollywood</media:title></media:content></item><item><title>2026 In Memoriam (First Quarter)</title><category>Obituaries</category><dc:creator>Mona Lisa Yuchengco</dc:creator><pubDate>Wed, 08 Apr 2026 15:42:21 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/2026-in-memoriam-first-quarter</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69d578d3f60c93050e8ccdf6</guid><description><![CDATA[Remembering those who have passed on]]></description><content:encoded><![CDATA[<h3><strong>January</strong></h3><p class=""><strong>Paquito Rivas, </strong>79,<strong> </strong>legendary cyclist who won the 1979 Marlboro World Tour and was the four-time champion of the Burgos-to-Baguio ITT races, earning him the tagline “Eagle of the Mountain,” on January 4, of subdural hematoma, in Quezon City, Philippines. </p>





















  
  














































  

    
  
    

      

      
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            <p class="">Paquito Rivas <em>(Source; Expressweek/Facebook)</em></p>
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  <p class=""><strong>Samuel T. Ramel,</strong> 86, former ambassador and permanent representative to the World Trade Organization, director general of the Foreign Service Institute, on January 6, in the Philippines.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Samuel T. Ramel <em>(Source: Foreign Service Institute/Facebook)</em></p>
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  <p class=""><strong>Sara Jane Paez-Santiago</strong>, 57, beauty queen who represented the Philippines in the 1989 Miss Universe Pageant, on January 13, cause of death undisclosed, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg" data-image-dimensions="238x300" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg?format=1000w" width="238" height="300" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/5ee2b3a7-71b9-430c-966e-bc7b30d7b7a6/Sara+Jane+Paez-Santiago+FB.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Sara Jane Paez-Santiago <em>(Source: Facebook)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Aniceto “Chito” Sobrepena</strong>, 73, former Metrobank Foundation President, leader and supporter of young Filipino artists, on January 15, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG" data-image-dimensions="264x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG?format=1000w" width="264" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98a6d59a-deaa-4de8-9a69-c53f30023ec0/Aniceto_Sobrepena+Wiki.JPG?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Aniceto “Chito” Sobrepeña <em>(Source: Wikipedia)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Aida Rivera-Ford</strong>, 100, multi-awarded fictionist, playwright and educator, on January 17, in Davao, Philippines. She co-founded the Ford Academy of the Arts and helped establish the Davao Writers Guild.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg" data-image-dimensions="234x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg?format=1000w" width="234" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/b894e00f-9e8a-4acb-a9e9-aca61990a629/Aida+Rivera-Ford+FB.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true" class="">Aida Rivera-Ford <em>(Source: Facebook)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Ethel Alikpala Ward</strong>, 91, former Education Specialist from the Hawaii Department of Education and former president of the Filipino Association of University Women, due to complications from Alzheimer’s, on January 21, in Kaneohe, Honolulu, Hawaii, U.S.A.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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        >
          
        
        

        
          
            
          
            
                
                
                
                
                
                
                
                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg" data-image-dimensions="251x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg?format=1000w" width="251" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/93589022-ae48-4b5a-b0e1-e990f975a39e/Ethel+Ward.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Ethel Alikpala-Ward </p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Ma. Pilar Preciosa N. Soliven-Novak</strong>, 61, topnotcher in the Philippine Nursing Board Exams, worked at the defunct Zamboanga General Hospital before migrating to Beth Israel Deaconess Medical Center in New York, on January 21, in New Jersey, U.S.A. <em>(Submitted by Joel Jong Clemente)</em></p>





















  
  














































  

    
  
    

      

      
        <figure class="
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        >
          
        
        

        
          
            
          
            
                
                
                
                
                
                
                
                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg" data-image-dimensions="223x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg?format=1000w" width="223" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/53021f5f-cbf2-469d-88f9-6caea719c0c9/Novak.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true">Ma. Pilar Preciosa N. Soliven-Novak</p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Dominador Tampadong </strong>aka<strong> Raul Aragon</strong>, 78, actor portraying villain roles in movies, on January 22, in Downey, California, U.S.A.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg" data-image-dimensions="258x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg?format=1000w" width="258" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e926ba91-5f12-40ce-a40d-3df93e7a3225/Raul+Aragon+Facebook.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Raul Aragon <em>(Source Old Pinoy Movies/facebook)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Lorenzo “Lor” Calma</strong>, 97, the celebrated and pioneering modernist architect, interior designer and multidisciplinary artist, on January 27, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png" data-image-dimensions="233x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png?format=1000w" width="233" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/178ac931-8a0b-43c9-9b5e-af18b236c7d8/Raul+Aragon+Old+Pinoy+Movies+FB.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Lorenzo “Lor” Calma <em>(Source: Instagram)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Rev. Fr. Isabelo San Luis</strong>, SVD, 82, Catholic priest, television and media evangelizer, on January 28, of cardiac arrest, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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        >
          
        
        

        
          
            
          
            
                
                
                
                
                
                
                
                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png" data-image-dimensions="241x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png?format=1000w" width="241" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/950dc97e-737a-4d27-8fe4-d0a96a66b780/Rev.+Fr.+Isabelo+San+Luis+Pintakasi+PH.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Rev. Fr. Isabelo San Luis <em>(Source: Pintakai PH/Facebook)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <h3><strong>February</strong></h3><p class=""><strong>Joseph Sytangco, </strong>veteran actor and singer-songwriter who rose to prominence during the 1970s and early 1980s starring in films directed by Lino Brocka and Behn Cervantes, on February 8, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png" data-image-dimensions="260x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png?format=1000w" width="260" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/79e17fb6-f8fd-4bab-96c5-48f8fc09fe5b/Joseph+Sytangco+Instagram+sati2raphael.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Joseph Sytangco <em>(Source: Instagram)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Jose de Venezia, Jr.</strong>, 89, former Speaker of the House of Representatives who ran for president in the 1998 elections and lost, on February 10, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg" data-image-dimensions="261x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg?format=1000w" width="261" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/19b0cafb-1d96-47bd-a08e-b805ff39d71c/Jose+de+Venezia+Jr+Richard+Madelo+Wiki.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Jose De Venezia, Jr. <em>(Photo by Richard Madelo/Wikipedia)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Vangie Labalan</strong>, 83, veteran cinema and television actress who received the Best Supporting Actress award for <em>Ang Manananggal</em> at the QCinema International Fil Festival 2016, on February 12, in Australia.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png" data-image-dimensions="245x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png?format=1000w" width="245" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e271dff2-9074-4c59-872f-a6176716d83d/Vangie+Labanan+Q+Cinema+IG.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Vangie Labanan <em>(Source: QCinema/Instagram)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Lullete Jane Ramilo-De Guzman</strong>, age unknown, public school teacher and former Miss Philippines Earth 2013 runner-up, shot inside her vehicle with her three children, on February 13, in San Manuel, Isabela, Philippines. </p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg" data-image-dimensions="281x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg?format=1000w" width="281" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/245e803e-85a0-4e31-9f76-a91157ed3b42/Lullete+Jane+Ramilo-De+Guzman+Sunstar.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Lulette Jane Ramillo-De Guzman <em>(Source: Sunstar)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Vicente Rafael</strong>, 70, professor of history at the University of Washington, scholar and author of Contracting <em>Colonialism: Transition and Christian Conversion in Tagalog Society under Early Spanish Rule</em>, on February 21, in Seattle, Washington, U.S.A.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg" data-image-dimensions="266x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg?format=1000w" width="266" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/98f008ee-fbfb-4332-b80e-f268ca5bf05a/Vicente-L-Rafael-Obituary-Februry-24-2026-2.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Vicente Rafael (Source: Rappler)</p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Ed Roces</strong>, 76, credited with reviving Associated Broadcasting Corporation’s TV-5, on February 24, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg" data-image-dimensions="283x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg?format=1000w" width="283" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ebeacfc4-e487-4eb4-9ebb-1c62998f6617/Ed+Roces+FB.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true">Ed Roces<em> (Source: Facebook)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Armand “Bim” Bacaltos</strong>, 76, visual artist and professor at the UP College of Fine Arts, on February 26, of undisclosed cause, in the Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg" data-image-dimensions="273x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg?format=1000w" width="273" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/67b9b41e-c64f-4ae4-97f8-8b40e7ab852f/Armand+%E2%80%9CBim%E2%80%9D+Bacaltos+FB.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true" class="">Armand “Bim” Bacalto<em>s (Source: Facebook)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Pepito Rodriguez</strong>, 83, veteran actor and one of the top stars of Sampaguita Pictures, of pneumonia, on February 26, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png" data-image-dimensions="313x450" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png?format=1000w" width="313" height="450" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3bf104d0-7f7a-4030-a476-3eeac0ff2a0e/Pepito-Rodriguez-Manila+Standard.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Pepito Rodriguez <em>(Source: Manila Standard)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Jose Maria “Joey” Hofilena</strong>, 64, dean of the Ateneo Law School, due to health complications, on February 26, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png" data-image-dimensions="254x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png?format=1000w" width="254" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/3a3a6641-86b6-4891-8893-e173862fd924/Joey+Hofilena+Rappler+IG.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Jose Maria “Joey” Hofilena <em>(Source: Rappler/Instagram)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Alex Baluyut</strong>, 69, award-winning veteran photojournalist and co-founder of Art Relief Mobile Kitchen providing hot meals to victims of natural disasters, on February 27, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg" data-image-dimensions="239x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg?format=1000w" width="239" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/a12375a7-488e-4f5c-99b2-5714966fac35/Alex+baluyut+Inquirer+fb.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Alex Bayulut <em>(Source: Inquirer/Facebook)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <h3><strong>March</strong></h3><p class=""><strong>Mary Anne Velasquez De Vera</strong>, age unknown, caregiver, on March 1, hit by shrapnel while assisting her patient reach a bomb shelter in Israel during retaliation strikes against attacks by the United States and Israel on Iran.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg" data-image-dimensions="261x300" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg?format=1000w" width="261" height="300" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/dc76b369-303b-4e01-81ef-ecf3afefae16/Mary+Anne+Velasquez+De+Vera+PNA.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true" class="">Mary Anne Velasquez De Vera <em>(Source: Philippine News Agency)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Robert Marzan</strong>, 54, Chief Warrant Officer Three, one of six U.S. service members killed when Iran struck a U.S. command post in Kuwait, on March 1, in Port Shuaiba, Kuwait.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg" data-image-dimensions="247x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg?format=1000w" width="247" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/91403927-2896-4ae1-ba2e-a16d85a028bf/Robert+Marzan+US+Army.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Chief Warrant Officer Robert Marzan <em>(Source: U.S. Army)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Francisco V. Del Rosario</strong>, 99, former ambassador to London, on March 2, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png" data-image-dimensions="294x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png?format=1000w" width="294" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/49a2d617-f270-440a-a56c-b15859f0c144/Amb+Francisco+Del+Rosario+Instagram+Baguio+C+Club.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Ambassador Francisco V. Del Rosario <em>(Source: Baguio Country Club/Instagram)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Alfredo “Alran” Bengzon</strong>, 90, former Health Minister and Secretary, neurologist, public servant, academic leader and activist, on March 2, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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        >
          
        
        

        
          
            
          
            
                
                
                
                
                
                
                
                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png" data-image-dimensions="295x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png?format=1000w" width="295" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/441e2446-a60e-44f5-bc35-e953b1f05e8c/Alfredo+%E2%80%9CAlran%E2%80%9D+Bengzon+InsiderPH.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true" class="">Dr. Alfredo “Alran” Bengzon <em>(Source: InsiderPH)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Lualhati “Lu” Roque-Baylosis</strong>, 76, activist, revolutionary, NGO leader and fearless advocate for migrant workers, political prisoners and labor, on March 12, of a lingering illness, in Manila, Philippines. </p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png" data-image-dimensions="322x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png?format=1000w" width="322" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/f73a0256-f3ab-49ec-ace8-b25a483c9a97/Lualhati+%E2%80%9CLu%E2%80%9D+Roque-Baylosis+KMU+IG.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Lualhati “Lu” Roque-Baylosis <em>(Source: Kilusanmayouno/Instagram)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Lito Tacujan</strong>, 79, sports editor of <em>The STAR</em> for 32 years, of cardiac arrest on March 18, in Canlubang, Laguna, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg" data-image-dimensions="286x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg?format=1000w" width="286" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/efbd660d-6be1-4837-93e2-56126ca9b1d3/Lito+Tacujan+Inquirer.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Lito Tacujan <em>(Source: Inquirer.net)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Joel Pablo Salud</strong>, 63, author and former editor-in-chief of the <em>Philippines Graphic</em>, the longest-running magazine of national circulation since 1927, on March 19, after suffering a mild heart attack, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg" data-image-dimensions="257x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg?format=1000w" width="257" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/e20f65e3-fa52-4dbf-90c9-acb0884feb22/jose-pablo-salud-obit+Rappler.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Jose Pablo Salud <em>(Source: Rappler)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Julito “Jaz” Diamante Calo</strong>, 49, reporter for DNN News FM based in Himalayan City, shot while tending to his garden at his home in Barangay Robles, La Castellana, Negros Occidental, Philippines, on March 20. He is the ninth journalist killed since President Marcos took office in 2022 according to Human Rights Watch.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png" data-image-dimensions="255x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png?format=1000w" width="255" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/6ae68a9d-9ae5-4cc1-92af-f27ad40f688b/Julito+%E2%80%9CJaz%E2%80%9D+Diamante+Calo+FB.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Julito “Jaz” Diamante Calo <em>(Source: Facebook)</em></p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Mila Medallon Kaahanui</strong>, 82, defender of immigrants, veterans and communities facing discrimination, former Director of the Municipal and Records Center, former Executive Director of Office of Community Service in the Department of Labor and Industrial Relations, cause unknown, on March 24, in Honolulu, Hawaii, U.S.A.</p>





















  
  














































  

    
  
    

      

      
        <figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg" data-image-dimensions="251x300" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg?format=1000w" width="251" height="300" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/326c0a44-a0c8-429e-9bae-5386dab7080f/Mila+Medallon+Kaahanui+UH.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class="">Mila Medallon Kaahanui (Source: University of Hawaii at Manoa)</p>
          </figcaption>
        
      
        </figure>
      

    
  


  





  <p class=""><strong>Dr. Cornelio G. Banaag, Jr., </strong>91, recognized as the Father of Philippine Child and Adolescent Psychiatry, on March 27, in Manila, Philippines.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Dr. Cornelio G. Banaag, Jr. <em>(Source: ADHD Society of the PH/Facebook)</em></p>
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1775597853886-UVYNFJLCFAW9BEKQWHKU/Robert+Marzan+US+Army.jpeg?format=1500w" medium="image" isDefault="true" width="247" height="350"><media:title type="plain">2026 In Memoriam (First Quarter)</media:title></media:content></item><item><title>Aglipayan Church: Thriving in Ballesteros, Cagayan</title><category>Hometowns</category><dc:creator>Leodivico Padua Masuli</dc:creator><pubDate>Wed, 08 Apr 2026 15:42:14 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/aglipayan-church-thriving-in-ballesteros-cagayan</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69d5b8baf66e0903ee8f879c</guid><description><![CDATA[The town of Ballesteros, Cagayan is a stronghold of the Philippine 
Independent Church which emerged from the nationalistic ethos of the 
Philippine Revolution.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">St. William Parish in Ballesteros, Cagayan, stands as a powerful emblem of the Iglesia Filipina Independiente’s commitment to Filipino-led faith and self-governance. <em>(Photo courtesy of Felipa Upano Onza)</em></p>
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    <span class="dropcap">T</span>he <em>Iglesia Filipina Independiente</em> (IFI), also known as the Philippine Independent Church or Aglipayan Church, was founded in 1902 at the height of Filipino nationalist awakening following more than three centuries of Spanish colonial rule. Established through the leadership of labor organizer, journalist, and intellectual Isabelo de los Reyes and under the ecclesiastical guidance of Father Gregorio Aglipay, the IFI sought to form a truly Filipino church—independent of foreign control yet rooted in Catholic tradition. It represented not only a religious reformation but also a cultural and political movement that affirmed Filipino dignity, identity, and self-determination. This powerful fusion of faith and nationalism enabled the IFI to spread rapidly throughout Northern Luzon, particularly in the Ilocos and Cagayan Valley regions, where nationalist consciousness was strong and deeply intertwined with local religious life.
  




  <p class="">The municipality of Ballesteros is situated along the northern coast of Cagayan, approximately 684 kilometers north of Manila and about 12 kilometers west of Aparri. Before becoming an independent town, Ballesteros was known as Barrio Santa Cruz under the municipality of Abulug. Its early inhabitants were primarily farmers and fishers who lived modest lives shaped by agriculture, the West Philippine Sea, kinship, and shared traditions. It was within this humble rural setting that the IFI took root and became one of the earliest expressions of Filipino religious independence in Northern Cagayan. According to Felipa Upano Onza, a long-time parishioner and community leader and teacher, who was interviewed for this account, “The people of Ballesteros welcomed the IFI because it spoke not only to their faith but also to their pride as Filipinos.” </p><p class="">Historical records that survived the destruction of World War II indicate that the IFI in Ballesteros was established in 1904, only two years after the formal founding of the national church. This early establishment demonstrates how swiftly the IFI’s message of spiritual autonomy and national dignity reached beyond urban centers into remote provincial communities. Onza recalled that early worship services were held in modest homes and open spaces before a permanent structure was built. “At first, people gathered wherever there was room,” she said. “What mattered was that we were praying together in our own church, a church for Filipinos.” These early gatherings reflected the grassroots nature of the IFI, grounded not in colonial authority but in community initiative and shared conviction.</p><p class="">The close connection between faith and nationalism remains visibly expressed inside the church building today. The Philippine flag is displayed on the right side of the altar, while the IFI banner is placed on the opposite side. After Sunday Masses and major religious celebrations, the congregation sings the Philippine National Anthem — a unique practice that reflects the church’s origins in the Filipino struggle for self-determination. As Onza observed, “These symbols remind worshippers that loving God and loving country go together in our church.” Such practices distinguish the IFI from other Christian traditions in the Philippines and preserve its historical identity as both a spiritual and patriotic institution.</p><p class="">The first IFI church in Ballesteros was originally located in an area closer to Abulug, reflecting the town’s early status as a barrio. When Ballesteros was formally established as a municipality in 1912, the church was transferred to the town center, where it remains today. This parish church is dedicated to Saint William (San Guillermo in Ilocano) and serves as the central place of worship for the IFI community. The original site of the first church did not disappear from religious life; instead, it became another IFI parish with Saint Isidore (San Isidro) as its patron saint. These two churches stand as enduring witnesses to the growth and continuity of the IFI in Ballesteros, reflecting the church’s ability to adapt to political change while maintaining its spiritual mission.</p><p class="">One of the most significant challenges in reconstructing the history of IFI Ballesteros is the scarcity of written documents. Only a limited number of handwritten records survived the passage of time and the destruction caused by war. As a result, much of the church’s history has been preserved through oral tradition, passed down from elders to younger generations. Onza emphasized, “Many of our stories live only in memory. If we do not tell them, they will disappear.” These oral narratives continue to shape the parish’s identity and inform its present-day ministry, serving as living links between past and present.</p><p class="">From its establishment in 1904 to the present, approximately thirty clergy and bishops have served the IFI in Ballesteros, several of whom left a profound mark on the spiritual and social life of the parish. The first priest assigned to Ballesteros was Rev. Fr. Marcos Flor, who served from 1904 to 1906 and again from 1910 to 1941. His more than three decades of service reflect both his dedication and the trust placed in him by the community. Though few written records of his ministry remain, oral accounts suggest that he played a crucial role in consolidating the parish during its formative years. Onza recalled, “He was remembered as a steady shepherd who kept the church strong during difficult times.”</p><p class="">Rev. Fr. Anatolio Habon (1961–1965) strengthened church organizations, particularly the Women’s Organization of the Philippine Independent Church (WOPIC), and established Sunday School classes for children. Rev. Fr. Jesus Mariano Sr. (1966–1970) further expanded the church’s educational mission by opening a learning center for preschool children and teaching in the college department of what was then Quezon Academy, now Quezon Colleges of the North. These initiatives demonstrated the IFI’s enduring commitment to education as a means of spiritual formation and social empowerment.</p><p class="">A towering figure in the modern history of IFI Ballesteros was Rt. Rev. Onofre Edrozo, who served both as parish priest and later as Diocesan Bishop and Rector from 1974 to 1997. Known for his intellectual depth and musical talent, he personally organized and trained the Youth Choir, encouraging young people to take active roles in worship and leadership. He was also responsible for bringing Rev. Fr. Elpidio Pastor to Ballesteros, ensuring continuity in parish leadership. Onza described him as “a priest who believed strongly in youth formation and in excellence in worship.”</p><p class="">The contemporary era of IFI Ballesteros is most closely associated with Rev. Msgr. Elpidio Pastor, who has served the parish since 1991. His leadership ushered in major transformation in both physical infrastructure and spiritual life. The church building and its surroundings were significantly improved, and a new belfry was constructed. He also succeeded in winning back many members who had transferred to other factions during times of ecclesiastical division, strengthening unity within the original IFI community. Under his guidance, the three major sectoral organizations — WOPIC, YIFI (Youth of the IFI), and LIFI (Laymen of the IFI) — grew in number, vitality, and outreach.</p><p class="">One of Msgr. Pastor’s most lasting contributions has been his encouragement of young people in Ballesteros to pursue theological studies at the Aglipay Central Theological Seminary (ACTS). Several of these students have since been ordained and now serve as priests in Cagayan and Ilocos Norte, with others still in formation. Onza noted, “Many of our young priests today were once altar servers or choir members here. The church became their calling.” His initiatives also led to the establishment of Ti Naimbag A Pastor Learning Center Inc., the acquisition of land for an IFI cemetery open to all religious groups, and the continuation of the annual Christmas Bonanza for the Aetas — a tradition observed every December 28 for more than 33 years. These works reflect the IFI’s enduring commitment to inclusive service and social responsibility.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Ti Naimbag A Pastor Learning Center, Inc., provides a structured, play-based instruction based on the Department of Education curriculum designed for preschoolers. <em>(Photo courtesy of Felipa Upano Onza)</em></p>
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  <p class="">The two offshoot denominations—the Independent Church for Filipino Christians (ICFC) and the Philippine Independent Church (PIC)—maintain an active foothold in Ballesteros, yet the IFI congregation there continues to stand as the largest and most influential among them. It now has three parish churches, two missions, and four outstations across different barangays of the municipality. The IFI is regularly invited to participate in town and civic activities requiring religious representation, and many residents continue to view the IFI as a unified presence rather than as divided groups. The parish is also active in national and international ecumenical organizations, including the National Council of Churches in the Philippines and the World Council of Churches, enabling members to participate in conferences, dialogues, and exchange programs beyond the country.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Macy Campañano appears as the lead angel in the Easter <em>Salubong</em>, the dawn ceremony that dramatizes the meeting of the Risen Christ and the sorrowing Virgin Mary. <em>(Photo courtesy of Merlita Usita Campañano)</em></p>
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  <p class="">Ballesteros’s influence reaches far beyond its ecclesiastical roots, most powerfully reflected in the achievements of its visionary son, Dr. Rey E. de la Cruz—Palanca‑laureled playwright and author of the beloved quadrilingual children’s book, <em>Ballesteros on My Mind: My</em> <em>Hometown in the Philippines</em>, as well as screenwriter of the highly decorated animated short, <em>Ballesteros on My Mind – The Film</em>. His writing draws deeply from local history, memory, and identity, echoing the everyday experiences of Ballesteros residents. Among his most influential interventions in religious and cultural discourse is <em>Aglipayano</em>, the full‑length play he completed as his 1982 master’s thesis in communication and theater at the University of Illinois Chicago. The work stages the birth of the Iglesia Filipina Independiente within the ritual frame of the <em>Salubong</em> (Tagalog) or <em>Domingo Sabet </em>(Ilocano), the dawn encounter between the Risen Christ and the sorrowing Virgin Mary. In keeping with his provocative and truth‑seeking Theater Without Apology, Dr. de la Cruz parallels Father Aglipay’s break from Rome with the ritual’s movement from mourning to renewal.<em> Aglipayano</em> ultimately illuminates how the IFI’s legacy reaches far beyond church walls, shaping Philippine theater, literature, and the broader cultural imagination.</p>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg" data-image-dimensions="468x468" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg?format=1000w" width="468" height="468" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/d21043bf-f9fd-4ef8-85e5-f20245b30350/Asean+Gabat.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p class="">Asean Gabat, a native of Piat in Cagayan, takes on the lead role in Dramanila Theater Production’s&nbsp;<em>Aglipayano</em>, a play centered on the founding of the Iglesia Filipina Independiente. Written by Rey E. de la Cruz. Directed by Paul Jake Paule. <em>(Photo by Josiah Edmund M. Delima)</em></p>
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  <p class="">The establishment of the Iglesia Filipina Independiente in Ballesteros in 1904 reflects a unique blending of faith, nationalism, and community initiative. From a small farming barrio to a thriving parish network, the IFI in Ballesteros has endured through war, division, and social change. Guided by dedicated clergy, sustained by institutional commitment, and preserved through the living memories of its people — including the oral testimony of Felipa Upano Onza and the cultural contributions of figures such as Dr. Rey E. dela Cruz — the church continues to honor the vision of Father Gregorio Aglipay and Isabelo de los Reyes. Rooted firmly in its past yet responsive to the needs of the present, the IFI in Ballesteros remains a vibrant expression of Filipino faith, identity, and service to community.</p>





















  
  



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    <p><strong>The establishment of the Iglesia Filipina Independiente in Ballesteros in 1904 reflects a unique blending of faith, nationalism, and community initiative.
  

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  <p class="">The IFI's story in Ballesteros is one of resilience and devotion, reflecting the broader narrative of the Philippine Independent Church as a beacon of Filipino autonomy and spiritual independence. As the church looks toward the future, it does so with a deep sense of heritage and a commitment to serving both its members and the wider community, embodying the enduring spirit of the IFI's founding principles.</p><p class=""><strong>&nbsp;</strong><em>The author extends his sincere gratitude to Dexjordi Lyle Sison for his assistance with the photos.</em></p>





















  
  



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  <p class=""><strong><em>Leodivico Padua Masuli</em></strong><em> writes from Quezon City, where he is a security officer. His imagination and creativity were nurtured while growing up on a farm in Libertad, Abulug, Cagayan. He loves nature and enjoys watching documentaries.</em></p>





















  
  



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  <p class=""><em>More articles from</em> <a href="https://www.positivelyfilipino.com/?author=66bbe40c703fff240481fd48"><strong><em>Leodivico Padua Masuli</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1775614208652-Y2S9I3P2M1R9BEB7DLB1/Asean+Gabat.jpg?format=1500w" medium="image" isDefault="true" width="468" height="468"><media:title type="plain">Aglipayan Church: Thriving in Ballesteros, Cagayan</media:title></media:content></item><item><title>A Baritone Begs to Differ with Mr. Chalamet</title><category>Arts &amp; Culture</category><dc:creator>Anthony Maddela</dc:creator><pubDate>Wed, 08 Apr 2026 15:42:02 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/a-baritone-begs-to-differ-with-mr-chalamet</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69d597380e2f53600aef569b</guid><description><![CDATA[Meet again Roberto Perlas Gómez, 63, a baritone opera singer who 
understands actor Timothy Chalamet’s candor but hasn’t given up hope.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">Baritone opera singer Roberto Perlas Gomez</p>
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    <span class="dropcap">“I</span> don’t want to be working in ballet, or opera, or things where it’s like, ‘Hey, keep this thing alive,’ even though no one cares about this anymore,” said Timothée Chalamet on CNN on St. Valentine’s Day, 2026.  
  




  <p class="">While the media consensus was that the young striver should have stayed in his lane, his comments on ballet and opera ignited a debate about whether the validity of an artform should be determined by economics and relevance today or by aesthetics and tradition. </p><p class="">To Chalamet’s point, a major reason opera is seeing falling attendance is the unaffordability of tickets. Government support has always been essential to sustain opera companies. Paris Opera has received public subsidies since its founding in 1669 during <a href="https://jacobin.com/2026/03/ballet-opera-chalamet-arts-funding#:~:text=Survey%20data%20gathered%20by%20the,began%20collecting%20data%20in%201982.">Louis XIV</a>.&nbsp; Public subsidies for Paris Opera continued after the French monarchy was replaced by democracy, and is still heavily subsidized by the French government. When opera companies are viewed as public institutions, the need to preserve them has wide acceptance. </p><p class="">In America, it is more than a notion that opera, as an art, is stagnant in funding and creativity. Opera-goers vastly prefer classical operas that originated in Europe before the 20th Century to new opera productions. Preservation of a performance art must then be justified by the same rationale by which civil societies preserve visual arts, such as paintings by deceased artists. For every masterpiece like Mona Lisa, there are a hundred gems on canvas most people will never see. The public is inclined to think favorably of art they haven’t encountered based on their impressions of art they have experienced. Museums count on this general appreciation of art. Likewise, when a devil’s advocate argues that most defenders of opera have seen few if any operas. To defend opera on principle isn’t as irrational as it sounds.</p><p class="">Take Chalamet’s profession as an example. <em>Citizen Kane</em> is widely regarded as the greatest achievement in cinema, but many of the people who perpetuate this opinion do so without having seen the Orson Welles classic or they saw glimpses of it on TV while they were layering pasta between ricotta and eggs for a night of lasagna.</p><p class=""><em>Citizen Kane</em> was a box office disaster in 1941. <em>Avatar</em> (2009) is the most popular movie of all time, yet the world would be diminished if all copies of <em>Citizen Kane</em> vanished. The same goes for Puccini’s <em>La Bohème</em>. Just as <em>Citizen Kane</em> was inspired by the corrupted American dream of publishing tycoon, William Randolph Hearst, <em>La Bohème</em>&nbsp;was inspired by the poverty of struggling artists in Paris. History becomes a shelf of dusty old facts until its truths are distilled and given immortality through art and imagination. Good opera revisits past events that are settled; it doesn’t interpret today’s headlines. It’s for people who desire a respite from modern madness. &nbsp;</p><p class="">Great works of art inspire future works of art. Composers are still presenting new works, and some are in English, such as <em>Nixon in China</em>; <em>X, the Life and Times of Malcolm X</em>; <em>Harvey Milk</em>. The Metropolitan Opera is staging a traditional <em>Tosca</em> in 2026, but it is also doing <em>Lincoln in the Bardo</em>.&nbsp; <em>Carmen</em>, <em>La Traviata</em>, and <em>Madama Butterfly</em> were initially, panned by critics and were box office disasters. New works take time and committed audiences to become classics. </p><p class="">It is a challenge to motivate the public to keep opera alive because of the commitment and education demanded to become enthralled by drama and emotions communicated in a foreign language. </p><h3><strong>Views of an Opera Singer</strong></h3><p class="">Meet again Roberto Perlas Gómez, 63, a baritone opera singer who understands Chalamet’s candor but hasn’t given up hope. For almost 40 years, he has been bringing audiences the full spectrum of emotions.&nbsp; &nbsp;&nbsp;</p><p class="">Gomez is a guest soloist with The Verdi Chorus for performances of <a href="https://www.verdichorus.org/webitems/spr%2026%20poster.jpg"><em>Verdi in España Concert</em></a> on April 18th and 19th, 2026 at First Presbyterian Church, in Santa Monica. &nbsp;<a href="https://www.positivelyfilipino.com/community-news/opera-man-for-all-seasons"><em>Positively Filipino</em></a> readers met Gómez in 2023.&nbsp; </p>





















  
  














































  

    
  
    

      

      
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            <p class="">The Verdi Chorus</p>
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  <p class="">“Chalamet (age 30) is a kid who doesn’t get why ballet and opera are important. A convincing case for the importance of ballet hasn’t been made for his generation,” admits Gómez.&nbsp; </p><p class="">“Back in 1900,” he goes on, “opera was the number one form of entertainment in the world.&nbsp; It wasn’t just for elites.&nbsp; The working class understood it, too. They were listening to it every week on radio and on records.” </p><p class="">In today’s culture, mainstream movies by comparison are easier to grasp. “When I turn on a Marvel movie, I know there’s going to be lots of great effects and wonderful fight scenes. It’s easy to pick that up.”</p><p class="">He is happy to be alive today, though his vocal talent would have had a larger audience 120 years ago. “People were going to see tenors like (Enrico) Caruso,” Gómez says of the voice on his family’s record player that mesmerized him at age seven.&nbsp; “Even though they didn’t understand Italian and didn’t have subtitles, they were absorbed by the emotion of it.&nbsp; In their imaginations, they could see the drama that was going on.&nbsp; And they could hear it on a record, too.” </p><p class="">Wealthy industrialists were also drawn to arias. “Back in the turn of the nineteenth century, the arts were heavily supported by the industrialists and financiers like the Rockefellers, Astors, Vanderbilts, Andrew Carnegie, and J.P. Morgan.”</p><p class="">He says the priorities of today’s tech billionaires are different from early 20th Century industrialists. “We should have (Warren) Buffett, (Bill) Gates, (Mark) Zuckerberg, and (Elon) Musk contributing to opera, but none of them are. Whether it’s the fault of opera companies or performers, it’s just not happening.”</p><p class="">But for some wealthy donors, a shift toward humanitarian causes is relatable. “It’s hard to make the case for endowing an opera hall when Gates is trying to provide clean drinking water to areas of Africa with poor infrastructure and are drought-stricken.”</p><p class="">Opera saw a brief resurgence in popularity from the 1970s through the ’90s. “The last time opera was funded well was when Luciano Pavarotti was at his peak and Placido Domingo was in his ascendency,” he says of the two tenors that dominated opera during his youth. Gómez contrasts those glory days with the Great Recession of 2008 when Opera of the Pacific faded into the sunset with a final performance of <em>The Barber of Seville</em>.&nbsp; </p>





















  
  














































  

    
  
    

      

      
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            <p class="">“Verdi in España”</p>
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  <p class="">The Verdi Chorus has private support but also public funds from the Los Angeles Department of Arts and Culture and the City of Santa Monica. “Supporting the arts is important to governments because of the leverage benefits. For every dollar that goes into opera, you’re getting another $1.75 of economic activity. This economic multiplier is in effect at facilities like First Presbyterian Church in Santa Monica,” says Gómez of the venue where he hopes Fil-Ams will see him perform in April.&nbsp; </p><p class="">Whether longtime enthusiasts or first-time dabblers, Gómez is excited to perform two arias. In his sequence from Giuseppe Verde’s <em>Don Carlos</em>, he will express the lament of Don Carlos’ best friend as he maintains his loyalty to the King in the face of persecution by the Grand Inquisitor and inevitably sacrifices his life to save the people of Flanders (region of Belgium). </p>





















  
  



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    <p><strong>“Chalamet (age 30) is a kid who doesn’t get why ballet and opera are important. A convincing case for the importance of ballet hasn’t been made for his generation.”
  

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  <p class=""><em>Don Carlos</em> gives the audience a complete break from today’s bad tidings without any fetid insinuations to taint the moment. Gómez finds that operas by Verdi present the loneliest music of all. In the aria of the doomed friend, he explains, “He is saying to the prince, though I know I’m going to die, I still love you as a friend and you have my heart.”&nbsp; </p><p class="">Bring a friend to see divo Gómez and divas Leela Subramaniam and Audrey Babcock on two sumptuous yet affordable nights in Santa Monica.&nbsp; To one day say you can count all the operas you’ve seen on your hand, five is commendable.</p>





















  
  



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  <p class=""><strong>Anthony Maddela </strong><em>is a staff correspondent located in Los Angeles. </em></p>





















  
  



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  <p class=""><em>More articles from</em><strong><em> </em></strong><a href="http://www.positivelyfilipino.com/magazine/?author=511b3321e4b0331c0eb56b5f"><strong><em>Anthony Maddela</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1775605782117-Y4S3XV8OVN3Y7VU7M0VS/Roberto+Perlas+Gomez+HR%5B24%5D%5B79%5D.JPG?format=1500w" medium="image" isDefault="true" width="332" height="450"><media:title type="plain">A Baritone Begs to Differ with Mr. Chalamet</media:title></media:content></item><item><title>[Partner] An Act of Remembrance in White Sands</title><dc:creator>Jon Melegrito</dc:creator><pubDate>Wed, 08 Apr 2026 15:41:51 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/partner-an-act-of-remembrance-in-white-sands</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69d5d3579cb7487190e6ec3c</guid><description><![CDATA[On March 21, 2026, they joined 5,000 participants to honor Filipino and 
American soldiers who endured the original march 84 years ago. More than 
270,000 Filipinos fought under the American flag in World War II.]]></description><content:encoded><![CDATA[<figure class="
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            <p data-rte-preserve-empty="true" class="">The night before the march, the Philippine delegation joined the FilVetREP team at the Hacienda de Mesilla in Las Cruces for dinner.</p>
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    <span class="dropcap">A</span>fter formally participating in the annual Bataan Memorial Death March in 2017, FilVetREP has led a group of veterans families, community leaders and supporters each year, traveling from across the United States to the White Sands Missile Range in New Mexico.
  




  <p class="">On March 21, 2026, they joined 5,000 participants to honor Filipino and American soldiers who endured the original march 84 years ago. More than 270,000 Filipinos fought under the American flag in World War II.</p><p class="">The FilVetREP team headed by Maj. Gen. Antonio Taguba (Ret) included members of the Philippine Scouts Heritage Society led by Paul Ruiz, USS Telesforo Trinidad Campaign led by Col. Nonie Cabana, and the Filipino Veterans Group of Las Vegas, NV, headed by Angel Pena. A Philippine delegation led by Undersecretary Reynaldo B. Mapagu of the Philippine Veterans Affairs Office also traveled from Manila to represent the country.</p><p class="">This year, due to forecasted record-breaking heat in the desert Southwest, the BMDM’s traditional full marathon course of 26 miles was changed to 15.6 miles. More than a dozen members of the FilVetREP team marched along with active-duty service members, veterans, ROTC cadets and civilians.</p><h3><strong>‘A Testament to the Unbreakable Spirit’</strong></h3>





















  
  














































  

    
  
    

      

      
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  <p class="">At the opening ceremony, Col. Andrew "Drew" Morgan, U.S. Army White Sands Missile Range Senior Commander, said: "Eighty-four years ago, in the crucible of conflict, a terrible chapter in military history unfolded. A trial of unimaginable suffering. But it was also a testament to the unbreakable spirit of the human will."</p><p class="">He pointed out that “this event is a living memorial. Every step you take today across this challenging terrain and scorching heat is a tribute. It’s an act of remembrance that gives weight and meaning to the Army values we hold dear: the personal courage to start this journey, the loyalty to our nation’s ideals, the duty you fulfill in carrying their memory and the selfless service you demonstrate by serving your community, your mission and your country.”</p><p class="">He hailed the “spirit of resilience that defined the heroes of Bataan” as “the same spirit that fuels our mission today.”</p><p class="">Col. Morgan also acknowledged General Taguba’s “service to the Filipino veterans community and for your faithful support of this event for more than two decades now.”</p><p class="">The Philippines was prominently featured in the opening ceremony with the Philippine Flag on display and the singing of the Philippine National Anthem by the FilVetREP quartet: Matthew Aninzo, Jon Melegrito, Lida Peterson and Dan Gruta.</p><h3><strong>Congressional Gold Medal Ceremony</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true" class="">FilVetREP Director Sonny Busa (right) and Gen. Taguba engage cadets from West Point who were participating in the BMDM for the first time.</p>
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  <p class="">At a separate event at the Post Theatre the day before the march, FilVetREP presented the Congressional Gold Medal to the families of Private First Class Valentino Juanitas of the Philippine Scouts, Chief Petty Officer Leon San Juan Anterola of the U.S. Navy, and Private First Class Conrado V. Castroverde of Company H, 5th Infantry Regiment, Philippine Scouts.</p><p class="">Receiving the awards were Fernando Juanitas and his grandson Sean Juanitas, Cathy Johnson and Caesar Castroverde.</p><p class="">Presenting the awards were Philippine Undersecretary Reynaldo Mapagu and Col. Don Mozer, WSMR Garrison Commander. FilVetREP Regional Director  Sonny Busa assisted in the program</p><p class="">In his remarks, General Taguba said that the CGM ceremony is about “gaining recognition from our country, gaining respect for these soldiers, men and women alike, who endured the Bataan Death March and perished in prison camps. But what was unknown and unwritten were more stories of hardship, injustice, discrimination that thousands experienced after the war in 1945.”</p><p class="">Undersecretary Mapagu noted that since the first awarding of the CGM in the Philippines in 2018, a total of 1,604 Filipino veterans have received this highest civilian honor. “Moments like these remind us that the heroes we read about in history are real people whose courage helped shape the freedoms we enjoy today,” he said.</p><p class="">The CGM presentation, added Col. Mozer, “is not just about remembrance – it is about connection. To the families here with us, you carry the legacy of those who endured one of the most brutal chapters in military history. Their story lives on through you. Their strength, their resilience, and their sacrifice are part of your family’s history – and now, part of our nation’s enduring legacy.”</p><p class="">The CGM ceremony, which is now part of the annual BMDM event in White Sands, is FilVEtREP’s 127th since Congress presented the award on Oct. 25, 2017.</p><h3><strong>Historical and Educational Programs</strong></h3><p class="">Preceding the CGM ceremony at the Post Theatre were two programs: the USS Telesforo Trinidad Commissioning and the Duty to Country.</p><p class="">Captain Dan Gruta, US Navy Retired, explained that the USS Telesforo Trinidad (DDG-139) is the planned 89th Arleigh Burke-class (Flight III) Aegis guided missile destroyer of the United States Navy. She will honor Fireman 2nd class Telesforo Trinidad, the only Filipino in the US Navy to ever be awarded the Medal of Honor. The naming of a warship after Fireman Second Class Trinidad will be a historic moment not only because he was the first Filipino sailor to have this distinguished honor, but more importantly, it recognizes the commitment, distinction, and valor of thousands of Filipinos who have served faithfully and loyally for the past 120 years.</p>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png" data-image-dimensions="338x450" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png?format=1000w" width="338" height="450" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/494c54d6-10fd-4ec2-bb8a-f202939e7a0e/image+%283%29.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true">In his first BMDM march, Malcolm Peck, 87, of Arlington, VA. said “battling the heat and a sore hip in the desert helped focus attention on the true suffering of those we marched to honor.” He plans to be back next year.</p>
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  <p class="">Following a video which summarizes the online education program, Duty to Country, FilVetREP Regional Director Rob Vasquez shared the project’s goal of providing multiple education resources about the untold story of the Filipino Veterans of WWII. These are available to middle and high school students, fully accessible online and free to teachers, students, and public at large.</p><p class="">“Teachers at middle and high schools across the country and in Hawaii will have the opportunity to learn, discuss, and discover this piece of American history. Historical and cultural institutions will be able to share this program with the public,” Vasquez said.</p><p class="">FilVetREP’s exhibit booth at the DFAC building was heavily visited for two days. The merchandise and souvenirs included the graphic novel, “In the Shadows of Giants,” tee-shirts, and commemorative coins</p><h3><strong>Fellowship and Camaraderie</strong></h3><p class="">The FilVetREP team took time during the three-day stay in Las Cruces to dine together at favorite restaurants, celebrate Ceres Busa’s birthday with a serenade, forge new friendships with first-timers, and share the story of Filipino World War II veterans during the march and other public events.</p><p class="">General Taguba thanked the volunteers for their “dedication to our mission to honor our veterans,” and to never forget that “we are the beneficiaries of their selfless sacrifice and uncommon acts of courage. This band of veterans embodied the values of the Army creed – to never leave a fallen comrade, and to never quit.”</p>





















  
  



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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png" data-image-dimensions="835x202" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png?format=1000w" width="835" height="202" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/00b13492-6299-4c38-9486-db9845b22bb6/image+%284%29.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
      
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  <p class="">Philippine Undersecretary Reynaldo Mapagu (second from right) and members of the Philippine team pause for a break during the 15.6-mile course.</p>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png" data-image-dimensions="640x480" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png?format=1000w" width="640" height="480" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c4b2fffc-c59a-438b-9768-82b66d8ba938/image+%286%29.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true" class="">Volunteers Cita Gruta, Bing Branigin and Ceres Busa staff the FilVetREP Exhibit Booth. Other volunteers not in picture were Lida Peterson and Gerry Cabana.</p>
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png" data-image-dimensions="640x236" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png?format=1000w" width="640" height="236" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/c7bbc570-6cdc-48ef-a9ee-e312802bd17a/image+%287%29.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true" class="">&nbsp;Recipients of the Congressional Gold Medal posed for a photo inside the Post Theatre after the awards ceremony.</p>
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg" data-image-dimensions="253x450" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg?format=1000w" width="253" height="450" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/167b1197-c96c-4cf6-8674-617f137e8e95/655847239_10238375025727436_8491373445864832205_n.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true" class="">Grace Castroverde, Jeffry Priela-Tam and Ceres Busa prepare to march.</p>
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png" data-image-dimensions="640x360" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png?format=1000w" width="640" height="360" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/997d15cf-e713-4842-af68-9c5874d9858c/image+%288%29.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png" data-image-dimensions="640x361" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png?format=1000w" width="640" height="361" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/757fb28e-9c25-4078-8e10-4222cb6bb071/image+%289%29.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png" data-image-dimensions="640x360" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png?format=1000w" width="640" height="360" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/8d7f4f19-7aa5-4965-9f34-063cffe7448f/image+%2810%29.png?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p data-rte-preserve-empty="true" class="">General Taguba (wearing a green shirt) leads the FilVetREP team at the starting line of the march.</p>
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  <p class="">Photos courtesy of Bing Branigin, Caesar Contraverde, Cita Gruta, Jeffry Priela-Tam.</p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/png" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1775620973112-Z5O9DPRLJEVOP1BWNC4H/image.png?format=1500w" medium="image" isDefault="true" width="640" height="360"><media:title type="plain">[Partner] An Act of Remembrance in White Sands</media:title></media:content></item><item><title>The Historic Delano Grape Strike’s Sacrifices and Rewards</title><category>The Way We Were</category><dc:creator>Alex S. Fabros, Jr.</dc:creator><pubDate>Wed, 01 Apr 2026 16:50:41 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/the-historic-delano-grape-strikes-sacrifices-and-rewards</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69cb494fe7dcf81d5fc69294</guid><description><![CDATA[Despite tremendous costs, the five-year long strike ultimately achieved 
significant gains for Filipino and Mexican farm workers.]]></description><content:encoded><![CDATA[<figure class="
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            <p data-rte-preserve-empty="true" class="">Agricultural Workers Organizing Committee members picketing in front of the Filipino Community Hall as part of the Delano Grape Strike on September 24, 1965. <em>(Source: © Harvey Richards Media Archive)</em></p>
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    <span class="dropcap">T</span>he cost to workers during the Delano Grape Strike was severe, prolonged and multi-dimensional. It was not simply a labor dispute measured in wages gained or lost, but a sustained period of economic deprivation, social strain and personal sacrifice that lasted from September 1965 to July 1970. For many of the farmworkers involved—particularly the aging Filipino <em>manongs</em> and the Mexican families who joined them—the strike demanded a level of endurance that reshaped daily life.
  




  <p class="">The most immediate cost was economic. When workers walked off the fields in Delano on September 8, 1965, they gave up their primary source of income. Agricultural laborers were already among the lowest-paid workers in California, often earning near-subsistence wages tied directly to seasonal harvests. By striking, they forfeited even that limited income. </p><h3><strong>A Five-Year Fight</strong></h3><p class="">The strike lasted not for days or weeks, but for five years. During this period, many workers had no steady employment. Some found occasional work outside the strike zones, but many remained committed to the movement and relied on strike funds, donations and mutual aid to survive. The financial hardship was constant. Families struggled to pay for food, rent and basic necessities. Savings, where they existed, were quickly exhausted.</p><p class="">Housing insecurity became a central part of the cost. Many farmworkers lived in labor camps or employer-controlled housing tied to their jobs. Once they went on strike, they risked eviction. Workers and their families were forced to move, double up with relatives, or rely on community support networks. In some cases, entire households were displaced. For the Filipino workers, many of whom were single men living in communal housing, the loss of employer-provided shelter was immediate. For Mexican families, the burden extended to spouses and children, who shared in the instability.</p><p class="">It was in response to this housing crisis—especially among elderly Filipino workers—that one of the most important institutional developments of the strike emerged: Agbayani Village in Delano. Completed in 1974 and named after Filipino labor leader Paulo Agbayani, the village provided permanent housing for retired and aging Filipino farmworkers who had sacrificed their livelihoods during the strike. Many of these men had no families in the United States, having lived as migrant laborers for decades under exclusionary immigration laws that prevented them from forming stable households. During the strike, they were among the most vulnerable, with no income, no employer housing, and limited means of support.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">This photo of <em>Manongs</em> in front of Agbayani Village was published by Harvard Review.<em> (Photo courtesy of Lorraine Agtang</em><strong>)</strong></p>
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  <h3><strong>Long-Delayed Recognition</strong></h3><p class="">Agbayani Village represented both a response to immediate hardship and a long-delayed recognition of these workers’ contributions. Built by the United Farm Workers with support from unions, churches and volunteers, it offered dignified housing, communal facilities and a sense of permanence that had been absent from the lives of the manongs. The creation of the village underscored the depth of sacrifice made by Filipino workers during the strike. It was not simply that they had lost wages for five years; many had reached the end of their working lives without security, making the provision of housing a moral and political necessity.</p><p class="">Nutrition and health also deteriorated under the strain of the strike. With limited income, food consumption declined in both quantity and quality. Community kitchens and donated goods helped sustain strikers, but these resources were inconsistent. Malnutrition, especially among children, became a concern. Health care was largely inaccessible, as farmworkers typically lacked insurance and relied on minimal services even before the strike. The prolonged stress of uncertainty, combined with physical hardship, contributed to declining health among many participants.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">United Farm Workers on strike in Delano, California (Photo by Frank Q. Brown, Los Angeles Times, Creative Commons License)</p>
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  <h3><strong>Significant Social Cost</strong></h3><p class="">The social cost was equally significant. The strike divided communities, sometimes sharply. Not all workers joined the strike, and growers actively recruited strikebreakers. This created tensions within labor camps and across ethnic lines. In some cases, workers who crossed picket lines were ostracized or confronted. Violence, while not constant, was present. Picket lines were sites of confrontation between strikers, replacement workers, and law enforcement. Arrests occurred, and some workers faced legal penalties for their participation.</p><p class="">Family life was deeply affected. For Mexican American workers, whose participation expanded after the involvement of Cesar Chavez and Dolores Huerta, the strike required entire households to adapt. Children were drawn into the movement, sometimes participating in marches and boycotts, while also experiencing the instability of reduced income and uncertain living conditions. Education was disrupted for some, as families moved or struggled to maintain stability. The strike became a defining experience for a generation, shaping identities as well as material conditions.</p><p class="">For the Filipino workers led by Larry Itliong, the cost carried an additional dimension. Many of these workers were older, with fewer opportunities to recover economically after years of lost income. They had spent decades in the fields, often without accumulating significant savings or securing long-term security. By committing to the strike, they risked what little stability they had left. The decision to strike was therefore particularly consequential. It was not only a gamble for better wages, but a sacrifice of their remaining working years. The later construction of Agbayani Village stands as a testament to this reality, acknowledging that many of these men had given everything to a movement that would only partially repay them in material terms.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">Larry Itliong (Source: Wikipedia)</p>
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  <h3><strong>Psychological Toll</strong></h3><p class="">The psychological toll of the strike was profound. Uncertainty became a constant condition. Workers did not know when, or if, the strike would succeed. The long duration tested morale. Periods of hope, such as the 1966 march from Delano to Sacramento, alternated with periods of discouragement as negotiations stalled and growers resisted. Maintaining commitment over five years required sustained discipline and belief in the movement’s goals. This endurance was itself a cost, measured in stress, anxiety, and emotional strain.</p><p class="">The expansion of the strike into a national boycott added another layer of sacrifice. Many workers left the fields entirely to become organizers, traveling to cities across the United States to promote the boycott of table grapes. This meant further separation from families and communities. It also required adapting to new roles, often without financial compensation. These organizers lived on minimal stipends, relying on the support of unions, churches, and sympathetic groups. Their work was essential to the eventual success of the strike, but it came at the cost of personal stability.</p><p class="">Legal and institutional pressures compounded these hardships. Growers sought injunctions to limit picketing, and law enforcement often sided with agricultural interests. Workers faced arrests for trespassing or disturbing the peace. The legal environment was not neutral; it imposed additional risks on those who chose to strike. For undocumented workers, or those with uncertain status, participation carried even greater danger.</p><h3><strong>Significant Gains</strong></h3><p class="">Despite these costs, the strike ultimately achieved significant gains when contracts were signed in 1970. Wages increased, health benefits were introduced, and the United Farm Workers gained recognition as a bargaining agent. Yet these outcomes do not erase the sacrifices made during the preceding years. The benefits were collective and long-term, while the costs were immediate and personal.</p>





















  
  



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    <p><strong>The strike lasted not for days or weeks, but for five years. During this period, many workers had no steady employment.
  

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  <p class="">The Delano Grape Strike stands as a reminder that labor victories are not achieved without profound sacrifice. The workers who participated endured years of economic hardship, social disruption, and personal strain. Their willingness to sustain the strike under these conditions was a critical factor in its success. The creation of Agbayani Village, rising out of that hardship, remains one of the clearest material acknowledgments of what those workers gave—and what they were owed.</p>





















  
  



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  <p class=""><strong><em>Alex S. Fabros, Jr.&nbsp;</em></strong><em>is a retired Philippine American Military History professor.</em></p>





















  
  



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  <p class=""><em>More articles from&nbsp;</em><a href="http://www.positivelyfilipino.com/magazine/?author=524bcdf0e4b0b5e2e07da888"><strong><em>Alex Fabros, Jr.</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/webp" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1774933298506-SUP0DIQCYXS1EGXM6TBW/Delano%2BStrike.webp?format=1500w" medium="image" isDefault="true" width="650" height="660"><media:title type="plain">The Historic Delano Grape Strike’s Sacrifices and Rewards</media:title></media:content></item><item><title>On Cesar Chavez: We Need The Truth More Than We Need Heroes</title><category>The Way We Were</category><dc:creator>Craig Scharlin &amp; Lilia Villanueva</dc:creator><pubDate>Wed, 01 Apr 2026 16:50:32 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/on-cesar-chavez-we-need-the-truth-more-than-we-need-heroes</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69cc2d382971da23fb056b93</guid><description><![CDATA[Philip Vera Cruz's disappointment with the UFW stems primarily from the 
leadership of Chavez whom he observed became more erratic and inconsistent 
as his fame grew.]]></description><content:encoded><![CDATA[<figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg" data-image-dimensions="294x438" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg?format=1000w" width="294" height="438" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/ff9e5620-b774-478b-be7e-20836d0e45cd/Philip+Vera+Cruz+cover.jpg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
          <figcaption class="image-caption-wrapper">
            <p class=""><em>PHILIP VERA CRUZ: A Personal History of Filipino Immigrants and the Farmworkers Movement</em> (University of Washington Press), by Craig Scharlin and Lilia V. Villanueva</p>
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    <span class="dropcap">A</span>s authors of the book <em>PHILIP VERA CRUZ: A Personal History of Filipino Immigrants and the Farmworkers Movement</em> (University of Washington Press), we have been asked to comment on the late Cesar Chavez, revered UFW founder and hero of the nation’s farm workers movement, who made recent headlines when two women, now in their 60s, accused him of molesting and raping them when they were in their early teens.  The additional bombshell, however, was provided by none other than Chavez’s co-founder and second-in-command in the United Farm Workers Union (UFW), Dolores Huerta.  Now 96 years old, Huerta admitted in an interview with the <em>NY Times</em> that she was raped by Chavez once and seduced to have sex with him another time.  Both encounters resulted in pregnancy and both daughters were raised by other families who were sworn to secrecy.
  




  <p class="">Who was Philip Vera Cruz? &nbsp;He was the UFW’s 2nd Vice President, third in line of command after Chavez and Huerta in the UFW council. &nbsp;Philip was the highest-ranking Filipino who served as an officer in the UFW. &nbsp;Prior to the formation of the UFW, Philip, along with Larry Itliong, leaders of the all-Filipino Union AWOC, led Filipino farm workers in the first successful strike in Delano California against the grape growing corporations in California. &nbsp;The Filipinos began the strike despite Chavez’s initial decision not to join.&nbsp; Six months into the strike, the Mexican farmworkers pressured Chavez to join the Filipino-led strike.&nbsp; He finally joined the strike and organized the March from Delano to Sacramento that gained national attention to the plight of the farm workers.&nbsp; The strike lasted five years, and another year passed before AWOC and NFWA merged to form the UFW.&nbsp; </p><p class="">In our hundreds of hours of interview with Philip, half were devoted to his work and commitment to supporting workers’ rights, not only of farm workers but all laborers in the U.S. and internationally. &nbsp;It was always in the context of Chavez’s leadership and decisions that Philip shared his analysis of Chavez the man. &nbsp;</p><p class="">Philip recalled many conflicts he had with Chavez and Huerta, especially over issues involving Agbayani Village, the retirement residence for farmworkers, the majority of which were Filipinos. &nbsp;Philip felt the local needs of farm workers were being overlooked and underfunded as the Union’s priorities shifted along with the growing fame of Chavez as a personality. &nbsp;He recalled several attempts to warn Chavez on the pitfalls of intense media coverage and was almost always rebuffed, rudely at times. &nbsp;At one meeting of the leadership council, Philip called for more support for Agbayani Village residents, citing the Council’s lack of empathy towards the needs of retired farm workers by denying them simple pleasures such as keeping fighting roosters within the compound as a traditional hobby among Filipino men. &nbsp;Philip often defended residents when accused of violating Village policy by inviting female visitors into their quarters, a policy that Huerta vigorously enforced with penalty. &nbsp;Philip said Dolores Huerta was particularly unsympathetic to the plight of retired Filipino farm workers. &nbsp;Philip cannot recall Huerta supporting any of Philip’s initiatives for Agbayani Village when it came to a vote.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Authors Craig Scharlin (left) and Lilia Villanueva with Philip Vera Cruz in Agbayani Village, Delano, California, 1993</p>
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  <p class="">We learn in the book that Philip’s disappointment with the UFW stems primarily from the leadership of Chavez whom he observed became more erratic and inconsistent as his fame grew. &nbsp;Chavez became more dismissive of opposing views and even openly mocked those who challenged his decisions. &nbsp;This behavior was offensive to Philip but voiced his opposition only in board meetings. &nbsp;He was aware that if word got out of a rift among council leaders it would create a negative impact on the UFW as a whole. However, he was vocal about reminding everyone in council meetings that the goal of the Union was to support and fight for the rights of all workers and to not let fame or popularity get to anyone’s head. &nbsp;His constant reminder made Chavez refer to him as “the conscience of the Union.” &nbsp;</p><p class="">In the end, Chavez chose not to follow his conscience. &nbsp;When offered financial support by Philippine dictator Ferdinand Marcos and an all-expenses paid invitation to go to the Philippines in recognition of his work for Filipino farmworkers in the U.S.,&nbsp;Philip adamantly opposed this invitation, citing that the dictator was a foe of labor unions in the Philippines. &nbsp;Chavez ignored Philip’s advice.&nbsp; Philip pointed out the hypocrisy of the evening when Chavez&nbsp;gave a speech in Malacañang Palace praising the dictator’s support for workers’ rights while not far away prominent Filipino labor leaders were sitting in prison having been arrested by Marcos.&nbsp; When Chavez returned to California he invited Marcos’s Secretary of Labor Blas Ople to be a featured speaker at a UFW convention. &nbsp;Again, Philip opposed this billing and when he lost the vote again, he asked that he be allowed to speak after Mr. Ople’s speech. &nbsp;Chavez said no, seconded by Huerta. &nbsp;At the convention, Philip tried to speak after Ople anyway but was refrained from getting up to speak. &nbsp;Soon, thereafter, Philip resigned from the UFW, citing censorship as a reason. “We need the truth more than we need heroes,” was Philip’s response when asked why he tried to defy Chavez’s attempt to silence him. &nbsp;</p>





















  
  



<hr />
  
    <p><strong>Chavez became more dismissive of opposing views and even openly mocked those who challenged his decisions.
  

<hr />


  <p class="">What did Philip know about Cesar Chavez the man? &nbsp;In print, only that Chavez was a man who fell prey to fame and adulation, who lost his moral compass when making decisions as leader of the UFW. &nbsp;As for Chavez’s lifestyle and personal actions, let them speak for themselves, Philip would have said. &nbsp;</p><p class="">As for Dolores Huerta— second-in-command to Chavez from beginning of the movement until his death in 1994, known as a fierce feminist and women’s rights activist—just recently admitting to being an unreported victim of rape and sexual assault by Chavez all those years ago, raises questions about what kind of leadership was fostered within the inner circle of UFW that could not, or would not, support victims of sexual assault.&nbsp; Staunch supporters of workers’ rights should not flinch at sexual scandals among their leadership council but should be ready to hold up truth to power.&nbsp; As Philip would remind us: We need the truth more than we need heroes.&nbsp; </p>





















  
  



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  <p class=""><strong><em>Lilia V. Villanueva</em></strong><em> and her husband </em><strong><em>Craig Scharlin</em></strong><em> have been living in the Philippines for over ten years, dividing their time between Bacolod and Baguio.</em></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1774988648199-P4S44NEQJOZ7PR1KSW7A/Philip+Vera+Cruz+cover+icon.jpg?format=1500w" medium="image" isDefault="true" width="424" height="418"><media:title type="plain">On Cesar Chavez: We Need The Truth More Than We Need Heroes</media:title></media:content></item><item><title>An Afternoon on Margaha Beach</title><category>Hometowns</category><dc:creator>Lilia V. Villanueva</dc:creator><pubDate>Wed, 01 Apr 2026 16:50:22 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/an-afternoon-on-margaha-beach</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69cc15d48d919230a5a39b57</guid><description><![CDATA[Enjoying a local film festival on a healing black sand beach in Negros 
Occidental]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">Festival viewing café <em>(Photo by Lilia Villanueva)</em></p>
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    <span class="dropcap">I</span> must admit I didn’t know the formal name of the beach where the renowned Negrense visual artist Nunelucio Alvarado resided and presided over the whole Purok Bougainvilla of Margaha Beach. Since news of his declining health circulated among the art community right after the pandemic was declared, my husband, Craig, and I had planned to make a trek to Nune’s beach house and studio, have a sip of the famous barako coffee served at his Kape Albarako, and make good our promise to visit him in his natural habitat when we last met and exchanged a warm embrace at Orange Gallery just before COVID hit the world.
  




  <p class="">That promise was fulfilled yesterday, February 21, when we drove to Old Sagay—our second trip to this northernmost city of our island in ten years(!)—with a slim hope to see Nune—but to partake in the opening of the city’s 7th annual festival of short films by local filmmakers. This beachfront arts event, one of many that Margaha Beach plays host to, was not anything I expected and, at my age, a privilege not to have missed.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">Visual artist Nune Alvarado’s residence marked by painted totem pole <em>(Photo by Lilia Villanueva)</em></p>
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  <p class="">We were invited by our son Ben, who was executive producer of one of the film entries. Ben has been an active mentor to local filmmakers for several years; by association, we show support to his mentees and especially to organizers of grassroots art events. It was a fabulous opportunity to visit Nune’s stomping grounds, with the hope of saying hello to the legendary Tatay of Margaha Beach.</p><p class="">The first adventure&nbsp;was navigating the half-lane footpath-turned-paved footpath into Purok Bougainvilla, the only entry into Margaha Beach, now totally concealed from the path by back-to-back homes, structures, and makeshift resorts. Without the skills of driver, Michael, I would’ve forbidden our car from entering the “Welcome to the Community of Color (of Maestro Nunelucio Alvarado)” entrance to the footpath. After a harrowing inch-apart crawl from car to <em>trisikad</em> (pedaled tricycle) to fence to canal to babies to dogs, we entered a packed parking space of a karaoke-blasting resort, whose very pregnant parking attendant said we could park there and walk to Kape Albarako, the site of the event, which was “next door.” As we walked toward the water, she stopped suddenly and said, <em>“Ooops, indi pa pwede gali kay taas pa ang tubi.”</em> (“Can’t walk there because the water is still too high to walk on the beach.”) Apparently, there is no access from the footpath directly to Kape Albarako! She suggested we go to the next resort where there is also parking and which may be closer to Kape Albarako. Another inch-by-inch crawl to the next resort in the car, and again, I walked out first toward the sea and found the water still lapping up the resort’s walls, at least knee-high from the beach.</p><p class="">Since we were still early for the 3 p.m. start time, we decided to go back to town and get some lunch. Enting’s did not disappoint. The sustenance prepared me for the scene at Margaha Beach.</p><p class="">The beach is&nbsp;a kilometer length of black sand. The locals believe:&nbsp;<em>Itom nga balas; bulong sa lawas</em> (black sand is healing for the body)—an ode to the volcanic black sand’s healing power. It is not unusual to see adults buried in the black sand early in the morning, we were told. Upon returning from lunch, the low tide had begun in earnest, and a sliver of beach sand allowed one to walk toward Kape Albarako, a colorfully painted bamboo building that sprawled across 20 meters of beachfront, with a second floor. A few meters away, also on the beachfront, was a taller bamboo house whose stilts clearly demonstrated how high the high tide is on this beach. This was the Alvarado residence. On the lower level, we were told, was Maestro Nune’s work studio, where he also taught young artists, according to his wife, Sally, who greeted us as we tiptoed into the Kape building.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">Low-tide beach path to Kape Alvarado <em>(Photo by Lilia Villanueva)</em></p>
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  <p class="">It was difficult to get my bearings&nbsp;at first: where was the film festival actually going to be held? There was no “hall” or enclosed area for showing film. It was an open, balcony-style café building that looked out to the Visayan Sea, with a beach that was still half-filled with water and local kids out with their body boards, skidding up and down the shallowing water in front of us. People started to wade in or skirt the wet paths into the Kape and find benches and plastic chairs, or walk on the beach barefoot.</p><p class="">We settled at a front-view table with Ben’s friends, Catherine and her husband Ronelle, who beautifully did the soundtrack to Ben’s&nbsp;<em>Rye</em>&nbsp;movie. Catherine teaches production design. No one talked about where or when or how the “festival” was going to happen. A group of young, cheerleader-type boys and girls marched out in front of us on still very wet sand and began warm-up exercises—stretching, twirling, and jumping around in pairs and in groups. Obviously, they were going to perform—but how? And where? In the wet sand? I was confused but also intrigued. They all had a serious air about them, like a real dance troupe. The waterboarding kids still skidded here and there, doing tricks on their boards and impressing their audience, while the dancers continued their warm-up as the water continued to recede into the sea.</p><p class="">More people were on the beach now, but it was still wet and muddy in most parts. Adults began to break out serious food from styro boxes, sharing among themselves and their kids, who darted in and out between servings and ran back to play in the water, farther and farther away from their seated folks. Still, there was no visible sign of any “festival” being prepared to start.</p><p class="">At about past 4 p.m., elaborate homemade kites began to appear on the beach, making tentative attempts to stay up in the air. First, there was the jeepney kite—colorful and beautifully upright once it was in the air. Some people applauded. Then the giant fish kite went up, followed by the crab kite. They were all beautiful and sailed right past the appreciative audience, who whooped and applauded, and the kids jumped up and down as they pointed up at them.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">Kites started the festival <em>(Photo by Lilia Villanueva)</em></p>
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  <p class="">Then, quietly and without fuss, a stage was carried by four men and planted in front of us on the beach. A group of techies followed with 30 or more LED “boxes” and tons of wires. Ahhhh—the films would be screened on that stage on the beach. The sea breeze was gentle and perfect for the evening fest. The emcee got on the mic and welcomed everybody. She explained that the ten featured filmmakers would each board an assigned banca and make a fluvial entrance when the ceremony began. How cool is that!</p><p class="">Of course, there were technical delays, and the fluvial entrance of the filmmakers was not as dramatic as MacArthur’s “I shall return” march on the beach. The delay forced the bancas to retreat from the shoreline until the special passengers had to disembark, lest they walk farther away from the stage.</p><p class="">The festival began with the dance troupe from the State University of Northern Negros (SUNN), opening with a very well-executed modern number on the sandy beach! Festival judges and local officials were introduced, walking to the stage—some barefoot, others comfortably in their ready-for-wet Crocs—with filmmakers and their crew joining them for photo, video, and drone ops.&nbsp;<em>Lupang Hinirang</em>&nbsp;blared on screen and throughout the now-dusky beach, with the beautiful silhouette of the horizon etched by eyebrow-stroke clouds.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">Filmmakers introduced on stage <em>(Photo by Lilia Villanueva)</em></p>
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  <p class="">Through all this, I noticed three tiny girls in their swimsuits who did not stop or pause to look up from their serious sand-digging and building work—an activity I watched for at least an hour. They ran to their moms only for quick spoonfuls of rice. They were each beautifully covered by the&nbsp;<em>itom nga balas, bulong sa lawas.</em></p><p class="">I felt so happy for them.</p><p class="">I told Catherine when I found my way back to the front-row table to watch the first short film entry: “I feel like I’m back in the ’60s. This scene is as natural and organic as it can get. I feel happy, even though I wish I had seen Nune to say hello.” I had a chat with Sally, and she described how Nune has gotten much weaker these days and how his dementia has progressed. They weren’t sure if he would make it from his house to the Kape-han. I had taken photos of Nune’s bamboo castle and imagined his body now leaning sideways as much as his house. Always one with nature, Nune is.</p>





















  
  



<hr />
  
    <p><strong>The locals believe: <em>Itom nga balas; bulong sa lawas</em> (black sand is healing for the body)—an ode to the volcanic black sand’s healing power.
  

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  <p class="">The short films were a minute detail among the hundreds of details I observed and experienced at Margaha Beach that day. I am grateful that the film festival got us back to Old Sagay, and most grateful that I was witness to a rare, authentic moment of living on this island of my birth: where Sagaynons moved freely and supported their community without muss or fuss; where everybody was accepted, welcomed, and thanked for who they were and what they had done for their community; where pretense was completely absent—even for just the moments we were there.</p><p class="">All truly refreshing and inspiring—to be a Filipino. Seriously.</p>





















  
  



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  <p class=""><strong><em>Lilia V. Villanueva</em></strong><em> and her husband Craig Scharlin have been living in the Philippines for over ten years, dividing their time between Bacolod and Baguio.</em></p>





















  
  



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  <p class=""><em>More articles from&nbsp;</em><a href="http://www.positivelyfilipino.com/magazine/?author=560a876be4b03472554107c0"><strong><em>Lilia V. Villanueva</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1774982752320-0XFJK6D9AVCALG9YEBS3/Festival+viewing+cafe.jpg?format=1500w" medium="image" isDefault="true" width="450" height="338"><media:title type="plain">An Afternoon on Margaha Beach</media:title></media:content></item><item><title>‘The Forgotten Island’ Will Be Worth Remembering</title><category>Entertainment</category><dc:creator>Anthony Maddela</dc:creator><pubDate>Wed, 01 Apr 2026 16:50:13 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/the-forgotten-island-will-be-worth-remembering</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69cc65a86252be6541602eee</guid><description><![CDATA[Dreamworks Animation’s The Forgotten Island is a world filled with the 
people and creatures of Filipino mythology and can only be visited through 
a portal]]></description><content:encoded><![CDATA[<figure class="
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            <p data-rte-preserve-empty="true">Filipina characters Jo (H.E.R.) and Raissa (Liza Soberano) in Dreamworks’ “The Forgotten Island” <em>(Photo courtesy of Universal Pictures)</em></p>
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    <span class="dropcap">"O</span>ur one goal is to give the world a taste of peace, friendship and understanding. Through the visual arts, the art of celebration of life,” stated Steven Spielberg.  This vision of a co-founder of DreamWorks Animation is realized in his studio’s upcoming release, <em>The Forgotten Island.</em> 
  




  <p class=""><em>The Forgotten Island</em> is a world filled with the people and creatures of Filipino mythology and can only be visited through a portal. When high school best friends in the Philippines, Jo (voiced by H.E.R.) and Raissa (Liza Soberano) enter the portal, they are whisked into live encounters with the folklore tales of their childhood in 1990. &nbsp;&nbsp;</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">Liza Soberano and H.E.R. at the “The Forgotten Island” trailer launch event<em> (Photo courtesy of Universal Pictures)</em></p>
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  <p class="">The movie is directed by best friends, Januel Mercado, a Fil-Am from Stockton, California, and Joel Crawford, whose wife, Kathy, is Filipina. They were the creative team behind <em>Penguins of Madagascar</em>, <em>The Lego Ninjago Movie</em>, and <em>Puss in Boots: The Last Wish</em>. The cast of voices features H.E.R., Liza Soberano, Manny Jacinto, Jo Koy and Lea Salonga.&nbsp;&nbsp;&nbsp; </p><p class="">In overt ways, <em>The Forgotten Island</em> is a cultural phenomenon and The Debut for our Diaspora in every part of the world. “I’ve always championed Filipino culture, but I didn’t expect it to grow into this big moment,’ says H.E.R. (Gabriella “Gaby” Sarmiento Wilson).&nbsp; </p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true">Directors Joel Crawford and Jenuel Mercado at the “The Forgotten Island” trailer launch event<em> (Photo courtesy of Universal Pictures)</em></p>
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  <p class="">“We see it across the board,” observes the winner of an Oscar, five Grammy Awards, and an Emmy. “People are appreciating our food. They see our clips go viral, and they’re like, wow, Filipinos can really sing!” She goes on to list fellow musical artists Olivia Rodrigo, Apl.de.ap and Steve Lacy as examples of this moment that <em>The Forgotten Island </em>is poised to prolong. </p><p class=""><em>Puss in Boots: The Last Wish</em> was a critical and box office success, topping $480 million in ticket sales worldwide in 2022/2023.&nbsp; The acclaim of this and previous movies gave the directing team cache to bring to life a story that takes place in the Philippines with the universal theme of friendship and love. </p><p class="">Asked whether he had to slow down the action to explain the idiosyncrasies of Filipino households to a mainstream audience, Mercado replies, “Joel (Crawford) and I approached it through our personal experiences in our families. These things are universal, like spending time with your family, big family parties and close friendships.” </p><p class="">In particular, he adds, “Our friendships are so close that you break each other’s hearts, you say hurtful things, you say encouraging things. We’re confident that being personal and specific will be universal and relatable.”</p><p class="">Liza Soberano may have found her star vehicle to erase regrets following her move from the Philippines, where she had grown from ingenue to A-list actress, to a new beginning in Hollywood.&nbsp; The irony isn’t lost that the Philippines would be the setting of the first chapter of her greatest adventure.&nbsp; </p>





















  
  



<hr />
  
    <p><strong>As <em>The Forgotten Island</em> progresses toward opening weekend on September 25th, DreamWorks Animation will keep <em>Positively Filipino</em> in the loop with interviews of stars and creative staff.
  

<hr />


  <p class="">“I moved to L.A. two years ago from the Philippines, so I’ve been speaking lots of English.” For the movie, she says, “It’s like a refresher course to speak in Tagalog throughout this film. I felt so proud to speak in my mother’s dialect.” &nbsp;</p><p class="">As the movie progresses toward opening weekend on September 25th, DreamWorks Animation will keep <em>Positively Filipino</em> in the loop with interviews of stars and creative staff. It’s hard to dispute the life prescription to live each day like it’s your last, but the delight of having something to look forward to cannot be dismissed.</p>





















  
  



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  <p class=""><strong><em>Anthony Maddela </em></strong><em>is a Staff Correspondent in Los Angeles.</em></p>





















  
  



<hr />


  <p class=""><em>More articles from</em><strong><em> </em></strong><a href="http://www.positivelyfilipino.com/magazine/?author=511b3321e4b0331c0eb56b5f"><strong><em>Anthony Maddela</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/png" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1775006684025-JTAXF529QW0STB15QVGR/Jo+and+Raissa+on+Jeepney.png?format=1500w" medium="image" isDefault="true" width="1000" height="546"><media:title type="plain">‘The Forgotten Island’ Will Be Worth Remembering</media:title></media:content></item><item><title>FilAms Among The Remarkable And Famous, Part 76</title><dc:creator>Mona Lisa Yuchengco</dc:creator><pubDate>Wed, 25 Mar 2026 16:21:03 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/filams-among-the-remarkable-and-famous-part-76</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69c2b4aca9feeb44e2bb8726</guid><description><![CDATA[Role models and achievers, some of whom you may not even know are Filipino.]]></description><content:encoded><![CDATA[<p class=""><em>Filipinos have been in the United States since the 16th century, yet many of their stories remain untold. For the past years, </em>Positively Filipino<em> has been running a series on notable Filipino Americans who have made their marks in this country. There are hundreds, or maybe even thousands more, that need to be added to this story, and we need your help. If you know of a Filipino American who deserves to be included in this line-up, please send us their names and any supporting documents you may have to </em><a href="mailto:pfpublisher@yahoo.com" target="_blank"><em>pfpublisher@yahoo.com</em></a><em>. For now, we are including only those who are currently active and visible in the media and the community, regardless of their religious, sexual or political orientation. Thank you.</em></p><h3><strong>Isabella “Isa” Camille Briones, </strong>Actor</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Isabella “Isa” Camille Briones <em>(Photo by Gage Skidmore/Creative Commons)</em></p>
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  <p class="">Briones is best known as Dr. Trinity Santos in the medical drama, <em>The Pitt</em>, but she has also worked extensively in theater, becoming the youngest performer in the first touring company of <em>Hamilton</em> at age 19 and later making her Broadway debut as Eurydice in <em>Hadestown</em>. Starting on April 1, Briones will assume the role of Connie Francis from Sarah Hyland in <em>Just in Time</em>, the musical about Bobby Darin on Broadway. </p><p class="">Briones was born in London, England to&nbsp;Jon Jon Briones&nbsp;and Megan Briones. Her family members are all musical theater actors. She is&nbsp;Filipino&nbsp;on her father's side and Swedish and Irish on her mother's. Her parents met in&nbsp;Stuttgart&nbsp;while auditioning for&nbsp;<em>Miss Saigon</em>. She was ten months old when her family moved from London to New York City, where she began work as a model at age three. In 2006, when Briones was seven, her family moved to Los Angeles. She learned acting and singing at home from her parents. She majored in theatre and musical theatre at the&nbsp;Los Angeles County High School for the Arts.</p><p class="">For her role in <em>The Pitt</em>, she cited the importance of the series' work in representing Filipino contributions to the American health care system, saying it had "never really been addressed before in this way. We haven't seen a lot of Filipino actors in medical shows before, and now we finally have that chance." As part of the series’ primary cast, Briones received the award for Ensemble in a Drama Series at the 32nd Actor Awards (formerly SAG).</p><h3><strong>Aaron-Matthew Lariosa, </strong>Journalist</h3>





















  
  














































  

    
  
    

      

      
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg" data-image-dimensions="278x350" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg?format=1000w" width="278" height="350" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/baf71f29-63d2-49e2-9604-1ecca069291a/Aaron-Matthew+Lariosa+Linked+In.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p class="">Aaron-Mathew Lariosa <em>(Source: LinkedIn)</em></p>
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  <p class="">Lariosa is a freelance defense journalist based in Washington, D.C. covering the South China Sea, U.S. military efforts in the Indo-Pacific and Armed Forces of the Philippines modernization with USNI News and Naval News. He is a graduate of American University with a Bachelor’s Degree in International Relations and Affairs. In 2025, Lariosa spent three days aboard the Philippine Coast Guard cutter during an escort mission to Thitu Island in the South China Sea. &nbsp;</p><h3><strong>Marlena A. DeCelle, </strong>Brigadier General</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Brig. Gen. Marlena A. DeCelle <em>(Source: National Guard)</em></p>
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  <p class="">On January 26, 2023, in Sacramento, California, then-Colonel DeCelle received her one-star rank during a promotion ceremony led by Maj. Gen. Matthew P. Beevers, becoming the first Filipino American general officer in the California National Guard. “I am the 5th generation to serve in the U.S. Army, dating back to the Spanish-American War,” DeCelle shared in a <em>National Guard N</em>ews interview. Her father, Michael, is a Navy veteran, and her brothers, Matthew and Michael, both serve as lieutenant colonels in the Army. Her path includes ROTC at the University of California-Davis and multiple leadership roles in the California Army National Guard. She currently serves as the Director of the Joint Staff for California National Guard. From 2023 to 2025, she held the position of Deputy Commanding General – Support for the 40th Infantry Division and served as the Joint Force Land Component Commander for the California Army National Guard.<br> <br>Her civilian and military education includes a Master of Strategic Studies from the U.S. Army War College; a Master of Arts in Public Administration from Murray State University, KY; and a Bachelor of Arts in Economics and Sociology-Law &amp; Society from the University of California, Davis. She also completed numerous military courses, including the Command and General Staff College, Adjutant General Corps Captain Career Course, Lean Six Sigma Green Belt Course, and the Homeland Response Force Course. DeCelle’s awards and decorations include the Legion of Merit (with Oak Leaf Cluster), the Meritorious Service Medal (with six Oak Leaf Clusters), the Army Commendation Medal (with Oak Leaf Cluster), the Army Achievement Medal, the National Guard Basic Recruiting Badge, Air Assault Badge, and the Parachutist Badge.</p><h3><strong>Jose Ralph Fernandez, </strong>Drone Videographer</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Jose Ralph Fernandez <em>(Source: Facebook)</em></p>
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  <p class="">Born and raised in Butuan, Fernandez initially studied nursing before discovering a deep passion for photography inspired by his father who had pursued it as a hobby in his younger years, he says. “While I was still studying nursing, I often found myself setting aside my anatomy books, completely absorbed in learning the craft of photography day and night.” He later expanded into videography, working on weddings and corporate productions and building his reputation in the Philippines. In 2016, he moved to Dubai after his wife accepted a nursing role there. “The prospect of moving to such an ultra-modern city was exciting, and the new environment provided invaluable experiences and growth,” he says. After completing a trial project, he became the first Filipino drone pilot and camera operator for Choppershoot, the UAE’s largest aerial filming company. In 2022, Ralph moved to the United States. “Moving to the US was inevitable for us; it was our long-term plan,” he says. “My wife has been my greatest supporter; she always motivates me to take the next step. Dubai honed us in every way. If we had gone straight to the US, I would not have made it this far.” He has since worked on productions including <em>The Electric State</em> and <em>Peacemaker</em>. “It was an exhilarating experience fulfilling a lifelong dream of working in Hollywood,” he says. “In reflecting on my life and accomplishments, my family stands as the achievement I cherish most,” he says. “I want them to know that with dedication and belief in themselves, their dreams are within reach and their goals attainable.” </p><h3><strong>Leah Milne, </strong>Associate Professor</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Leah Milne <em>(Source: leahmilne.com)</em></p>
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  <p class="">Milne is an Associate Professor of English teaching multicultural American and postcolonial literature at the<a href="http://www.uindy.edu/cas/english">&nbsp;</a>&nbsp;University of Indianapolis. Her work focuses on contemporary ethnic American literature, especially African American and Asian American, as well as postcolonial literature and theory and women and gender studies. Her book,&nbsp;<em>Novel Subjects: Authorship as Radical Self-Care in Multiethnic American Narratives&nbsp;</em>(University of Iowa Press), won the 2021 Midwest Modern Language Association Book Award.&nbsp;<em>Novel Subjects</em>&nbsp;examines self-care, ethnic identity and acts of authorship in multicultural American novels written by authors such as Toni Morrison, Gina Apostol, Carmen Maria Machado, Percival Everett, and Ruth Ozeki. She argues that they mobilize self-conscious fiction (or metafiction) to provide an alternative foundation for self-care.</p><p class="">Her co-authored second book,&nbsp;<em>The Honeyfish Collective Presents Fieldnotes on Contemporary Black Poetry</em>, is forthcoming from Duke University Press. She has also written op-ed articles for publications such as&nbsp;<em>Newsweek</em>,&nbsp;<em>Ms. Magazine</em> and&nbsp;<em>The Hill</em>. She received her doctorate in American literature from the&nbsp;University of North Carolina&nbsp;in Greensboro.&nbsp; </p><h3><strong>Arbaina Kawilan, </strong>Speaker</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Arbaina Kawilan <em>(Source: Facebook)</em></p>
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  <p class="">Kawilan is a TEDx-speaker and the host of the <em>Resilience Code</em>. Her talk, “Safety Is an Inside Job,” introduces Emotional Alchemy, a framework built from her lived experience as a Philippine-born immigrant who rebuilt her life after domestic violence and systemic failure. Her talk brings attention to the barriers immigrant women face when leaving abusive relationships–how immigration status, financial risk and cultural pressure shape decisions that many people outside these systems never see. “I learned that safety is not something you wait for. It is something you build from within,” Kawilan says. “Emotional Alchemy came from the moments when I had to choose action in the middle of fear.” She speaks about learning immigration law, seeking protection through the Violence Against Women Act, and rebuilding stability after her case was dismissed. Her message focuses on resilience and the daily steps survivors use to move forward. She invites viewers to practice Emotional Alchemy through three steps: acknowledgement, transmutation and steady commitment to small wins. Born in Cotabato City, Philippines Kawilan now lives in Austin, Texas.</p><h3><strong>Maybelle Francisco, </strong>Immigration Lawyer</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Maybelle Francisco <em>(Source: maybellefranciscolaw.com)</em></p>
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  <p class="">Born in the Philippines and educated at the University of the Philippines, Francisco came to the United States with the same hopes and uncertainties that define the Filipino diaspora experience. She went to law school, built a career at the highest levels of corporate immigration — advising <em>Fortune 500</em> companies and multinational organizations — and then walked away from that world to open a solo practice in New Jersey, serving the community she came from. She remembered what it felt like to not know if you had the right information, the right advocate, or the right support, and decided to be that for others. Her practice is built around personal attention, bilingual service in English and Tagalog, and a genuine belief that immigration is not just a legal process — it's a life chapter. Every petition she files carries someone's family, future, and identity in it. </p><p class="">Francisco obtained her Juris Doctor from Mitchell Hamline School of Law. She served as Vice President for Asian Pacific American Law Students Association.</p><h3><strong>Jonathan Quan, </strong>Judge</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Judge Jonathan Quan <em>(Source: Judiciary of Guam/Facebook)</em></p>
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  <p class="">Appointed in 2018, Quan is a Magistrate Judge for the Superior Court of Guam. He handles various criminal and civil matters, including pretrial release hearings and, recently, sanctioning a company for litigation misconduct. He has a background in private practice, as an Assistant Attorney General and in the Guam Army National Guard. He earned a B.A. from the University of Pennsylvania (1993) and a J.D. from Loyola Law School, Los Angeles (1996). Quan was also a Major in the Judge Advocate General’s Corps, Army National Guard. Born in the Philippines and raised in Guam, he was a valedictorian at Father Duenas Memorial High School.&nbsp;</p><h3><strong>Jesse Cruz, </strong>Chef and Author</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Chef Jesse Cruz <em>(Source: Instagram)</em></p>
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  <p class="">Cruz is an award-winning chef, author, entrepreneur, and philanthropist whose work exemplifies excellence, cultural representation and community leadership. As a proud Filipino American, Cruz has elevated the culinary landscape of Silicon Valley while honoring the values of discipline, hospitality, resilience and family that are deeply rooted in Filipino culture. As chef and co-owner of Kumako Ramen Den, he has helped lead the restaurant to multiple recognitions, including Best Japanese Restaurant, Best Restaurant and Best Ramen in Silicon Valley. Cruz himself has been voted Best Chef in Silicon Valley — a testament to both his craft and leadership.</p><p class="">Beyond the kitchen, Cruz is a two-time published author. His cookbook <em>Washoku</em> became an Amazon bestseller in the international cookbook category, bringing refined Japanese culinary traditions into homes around the world. His second cookbook, <em>Kumako Den</em>, further reflects his culinary philosophy, creativity, and dedication to excellence. Through his books, Jesse not only shares recipes, but also preserves culture, technique and discipline, inspiring aspiring chefs and entrepreneurs, especially within the Filipino American community.</p><p class="">Cruz’s impact extends beyond business success. As Founder and Vice President of the Jesse Cruz &amp; Samuel Moran Foundation, he is committed to supporting students and expanding educational opportunities. He understands that true success is measured by how many lives one uplifts along the way. In an industry where leadership diversity matters, he stands as a visible example of Filipino excellence — breaking barriers, mentoring the next generation, and proving that cultural pride and global achievement can coexist.</p><h3><strong>Pamela Price, </strong>Runner and Media Executive</h3>





















  
  














































  

    
  
    

      

      
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            <p class="">Pamela Price</p>
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  <p class="">A former competitive dancer and instructor for over 20 years, Price’s athletic path led her to trail running, obstacles and ultra-endurance challenges. She is a first-place finisher and OCR Champion, and has competed on NBC’s&nbsp;<em>American Ninja Warrior</em>&nbsp;and TBS’&nbsp;<em>Wipeout</em>. Living with&nbsp;Behçet’s Disease, a rare autoimmune condition, Price runs and reports while actively advocating for the rare disease community. She is a board member and ambassador for the&nbsp;American Behçet’s Disease Association&nbsp;and the founder of&nbsp;@WeCareWhen, a global care-package and resource initiative supporting rare disease warriors worldwide. In addition to her work in running, she is a media executive serving as&nbsp;Vice President of <em>LATF USA News&nbsp;</em>and&nbsp;Executive Producer&nbsp;of the Hollywood Beauty Awards and Daytime Beauty Awards.</p><p class="">What began as an unconventional idea has now become a marathon tradition. While racing from Dodger Stadium to Century City, Price captures real, unscripted stories from everyday runners—first-timers, veterans, charity runners and comeback athletes—sharing the moments that matter most when miles get tough.&nbsp;Her ability to manage pacing, breath control, and live storytelling has redefined what on-course coverage can look like. A proud Filipina athlete, Price’s presence on one of the nation’s largest marathon stages reflects the evolving diversity of the Los Angeles running scene and the leadership roles runners now hold beyond the finish line. Beyond marathon day, Pamela is a familiar face across Southern California’s running landscape. She serves as host and MC for&nbsp;SoCalTrail<strong> </strong>seasonal trail races and&nbsp;Students Run LA (SRLA)&nbsp;races, where she mentors and inspires young runners.</p>





















  
  



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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp" data-image-dimensions="728x90" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp?format=1000w" width="728" height="90" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/fbe9c012-700c-4011-940b-bdb5a07dc788/2020-Subscribe-Footer.webp?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1774370831025-Y8BMXNIRBFBZA0EF8WPX/Isa_Briones_by_Gage_Skidmore_wiki+cc.jpg?format=1500w" medium="image" isDefault="true" width="300" height="450"><media:title type="plain">FilAms Among The Remarkable And Famous, Part 76</media:title></media:content></item><item><title>India: The Naked and the Dead</title><category>Touring &amp; Trekking</category><dc:creator>Bella Bonner</dc:creator><pubDate>Wed, 25 Mar 2026 16:20:55 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/india-the-naked-and-the-dead</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69c301365e3850583124189f</guid><description><![CDATA[A visit to India reveals its spiritual diversity.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">Jain monk walking down a busy road in Jaipur <em>(photo by Chona de Dios)</em></p>
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    <span class="dropcap">"T</span>here’s a naked man outside,” someone whispered among us on the bus.
But we all heard the whisper and stood up to look. Whoa. Yes. Naked.

  




  <p class="">A man was walking down the road without a stitch on, marching like he was off to work on a Monday morning. Some clad men walked with him, and still others bared it all too. A man holding a flag led their way. There was no commotion on the street; no one even stopped to look.</p><p class="">“They’re Jain monks,” our tour guide said from the front of the bus. “They belong to one of the oldest Indian religions.”</p><p class="">Jain (pronounced “jayn”)?<br>I’d never heard of Jain, so I Googled.</p><p class="">How ignorant I was. Already, at least five million people in India are Jains, and their practice is called Jainism. They adhere strictly to nonviolence and do not kill any living being—not a fly nor a gnat. They believe that by following some basic life principles like right belief, knowledge, and conduct, they can eliminate karma and break the cycle of rebirth.</p><p class="">But not all Jains are nudists. Most are regular people like you and me who prefer to wear clothes. As far as I know, only monks do that walk-down-the-road-naked bit. They own nothing, move away from family ties, and eat only food offered to them. They are called “ascetics”—folks who renounce all worldly pleasures such as food, wealth, and sex.</p><p class="">Fine, but why are they naked?</p><p class="">Male monks practice nudity to symbolize total rejection of worldly possessions. Female monks wear clothes because—this is what I read—they are believed to be incapable of being as austere as their male counterparts. Hmm. Austere means to be strictly without frills or luxury. Interesting.</p><p class="">I didn’t go to India to search for my soul or learn religion, but maybe if I think deeply, I could say I went there to experience humanity.</p><p class="">On this trip, I realized that most Indian people, because of the religions they practice, have very different beliefs and attitudes from what I live by as a Catholic.</p><h3><strong>Down the Ganges</strong></h3><p class="">Take the Ganges River, for example. It is seen as a living goddess who descended from heaven to purify souls and cleanse sin. It is considered holy.</p><p class="">I returned to Varanasi, a city on the left bank of the Ganges, which is a 2,525 km-long river running from the Himalayas to the Bay of Bengal. Varanasi holds great significance as the “spiritual heart of India.” It is an old city deeply rooted in religion, particularly Hinduism. Much as Catholics visit the Vatican and Muslims go to Mecca, Hindus make their way to Varanasi to wash away sins in the Ganges, perform rituals, and visit temples. But perhaps, most importantly, they are brought there to die or to be cremated.</p><p class="">Ten years ago I witnessed for the first time bodies being cremated on the riverbanks of the Ganges, called “ghats.” Black smoke rose from piles of burning wood and flesh. I watched men mill around, and dogs and cows sniff at remnants on the ground. I didn’t get a real understanding of what was going on.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Morning at a ghat on the Ganges River in Varanasi<em>. (Photo by Bella Bonner)</em></p>
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  <p class="">I had to re-see that scene, but I wasn’t sure I could muster the courage to go on my own. I persuaded my best friend Cion to join me on Gate 1 Travel’s 12-day Golden Triangle and Varanasi tour that started and ended in New Delhi. It would include a visit to the Taj Mahal and the Amber Fort, and although I had been impressed with those structures before, Varanasi was what I’d come for.</p><p class="">On my first visit in 2016, my girlfriends and I rode an overnight train to the city. We had been promised first-class seats, but someone botched the job, and we ended up in second or maybe third class. Not good. We were seated shoulder to shoulder on a narrow bunk in a compartment that was more crowded than Quiapo on Black Nazarene Day. If you’ve ever been in a place where everyone brushing up against you looked and dressed radically different from you and spoke words you couldn’t understand, you’d feel butterflies in your stomach and your heart in your mouth. For ten hours, we prayed we wouldn’t need to go to the train’s restroom.</p><p class="">I understand today’s trains offer better experiences, but I was grateful nonetheless that our Gate 1 tour booked us on a 1.5-hour flight to Varanasi instead.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Market day <em>(Photo by Bella Bonner)</em></p>
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  <h3><strong>Dust and Disrepair</strong></h3><p class="">My first impressions of the city were unimpressive. Roads, as were most of those we had traveled in the country, were in disrepair. Dust flew everywhere, leaving tree leaves and plants a spectrum of dull green to dark brown. Cows, goats, dogs, and other animals roamed among people on the streets, selling, buying, walking, talking. Immediately, you think of the poverty of the people. Not a few Filipinos would wonder if the Philippines is better off than India.</p><p class="">India is the world’s fourth-largest economy today. However, it is the most populous country, with 1.47 billion people, and it’s a tough job for anyone to have all the nation’s money trickle down fairly to all its people and cities.</p><p class="">The Philippines, on the other hand, ranks 31st in the world economy but has a much smaller population at 112 million.</p><p class="">Just 10 km from Varanasi is the city of Sarnath. This place holds great importance to another religious group: Buddhists. Sarnath is where Siddhartha Gautama Buddha, after attaining enlightenment, delivered his first sermon. Here one can visit the stupa where he first taught dharma, or Buddhist principles.</p><p class="">It is interesting to note that while Buddha spent most of his life in India and Buddhism is now practiced by seven percent of the world’s population, less than one percent of Indians today are Buddhists. They are far outnumbered by Hindus (80 percent and Muslims (15 percent) and slightly outnumber Christians and Sikhs.</p><p class="">On our first day in Varanasi, we walked down a steep flight of steps lined with an eclectic mix of old temples, palaces, ashrams, and rest houses for pilgrims. Nearer the bottom of the steps were vendors selling garlands, prayer beads, food, and souvenirs. There was a vibrant crowd of people in colorful garb. To say the scene was intense would be an understatement.</p><p class="">The downward steps led us to the sacred Ganges.</p><p class="">It was wide. It was slow-moving. It had a funky smell. And it was murky.</p><p class="">Our tour group of about 20 got on a motorized rowboat run by a local boatman. We glided slowly along the riverbank and gawked at the centuries-old stone buildings that would soon fade in the dark. From newer ghats, we proceeded to much older sections that held more charm and character. We were engrossed in history and architecture when, from a distance, we saw a telltale column of dark smoke billowing into the sky.</p><p class="">Cremation. It was taking place openly along the river. A body was being burned in a pile of wood. It was someone’s mom, dad, child, spouse, or loved one slowly turning from flesh and blood to mere ashes.</p><p class="">Meanwhile, on nearby stairs, another body on a stretcher, wrapped in white cloth, was being brought down by some men. They made their way to the river’s edge, where the stretcher was lowered to the water. The garlands, clothes, and shroud used in the dead’s final journey were removed. A small cloth was left to cover the body.</p><p class="">The river rite was the dead’s final bath, a symbol of purification that would wash away sins. After the bath, the body was brought to the funeral pyre, lit, and left to burn for about four hours, which is how long it takes for a body to burn completely.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Cremation <em>(Photo by Bella Bonner)</em></p>
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  <p class="">But sometimes they don’t burn completely. I cringed seeing a man walk to the water and toss out a slab of charred meat. Maybe it was an offering. I don’t know.</p><p class="">A dead dog floated nearby.</p><p class="">At the riverbank, cows and dogs scavenged among strewn clothes, marigolds, and pieces of wood. Men—maybe relatives of the dead—hung around and watched. It was not their duty to shovel the wood, corpse, and ashes to the funeral pyre. That was a job for “outcasts,” formerly called “untouchables.”</p><p class="">It is important that the deceased’s ashes be brought to the sacred river to allow the soul to end the cycle of reincarnation and find eternal peace in heaven.</p><p class="">Bodies, one after another, were brought down to this cremation site called the Manikarnika Ghat. Hundreds of bodies are cremated 24/7, making this the busiest Hindu burning ghat on the Ganges.</p><p class="">We returned to the river early the next morning. This time, we were less overwhelmed by the continued purifying and burning process. At another ghat, we took pictures of men and women bathing near shore. They had changed from their streetwear to something simpler and stood in the river happily splashing water on themselves. Further down, launderers washed sheets and laid them to dry on stone walls.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Morning bath on the Ganges <em>(Photo by Bella Bonner)</em></p>
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  <p class="">There was a man on the edge of a boat. He reached over to the water and washed his face. But then he cupped his hands and took a sip from the river. No! Don’t! The Ganges, though deemed holy, is one of the most polluted rivers in the world. Daily, it receives massive amounts of human waste, toxic waste, and trash. Lots of people get sick from the pollution, and in some cases, they die.</p><p class="">But belief is a very powerful word, and Hindus believe that bathing in the Ganges washes away sins and purifies the soul. Drinking the water probably has a more profound effect. To have your ashes immersed in the River Ganges would put you on a direct path to heaven. I guess that’s a great payoff. </p><h3><strong>Mind-Bending</strong></h3><p class="">After Varanasi, we returned to New Delhi and headed straight to another mind-bending experience.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Marketplace in New Delhi <em>(Photo by Bella Bonner)</em></p>
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  <p class="">You see those Indian guys with turbans on their heads? As a young girl in Manila, I thought all Indians wore turbans. They rode motorcycles and lent people money. And because they were dark and hairy, I couldn’t help but be a little wary. Growing up, I realized how naïve and wrong I was.</p><p class="">In India, only Sikhs wear turbans, and Sikhs comprise less than two percent of the population. Sikhism is the world’s fifth-largest religion, with 30 to 50 million followers. They believe in one God and in equality, honest living, and selfless service.</p><p class="">As stalwarts of equality, they do not recognize the caste system. You cannot believe in equality and accept social hierarchy based on birth. Nor do they burn widows with their husbands’ dead bodies, deeming the practice inhumane. Instead, they encourage widows to remarry.</p><p class="">Sikhs do not cut their hair anywhere. Ever. Beneath that turban we see is a lot of long, long hair.</p><p class="">The one thing that impressed me deeply about Sikhism is their resolve that no one should go hungry. When we visited the large Sikh temple in New Delhi, our tour included a trip to the kitchen. It was huge! It had lots of stations and people at work, and that’s a necessity because we learned they continually feed everyone who comes to the temple 24 hours a day, 365 days a year. It doesn’t matter what your caste, religion, or background is. If you are hungry, you are fed.</p><p class="">Up to 100,000 people are fed in the temple daily. All food is donated, and all workers are volunteers. The feeding concept is fundamental, but the delivery, in this case, is phenomenal.</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Feeding the hungry in a Sikh Temple. <em>(Photo by Bella Bonner)</em></p>
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  <p class="">I arrived back in Manila two weeks later, happy to again step foot in our parish church. I looked at the crucifix at the altar, bowed my head, and made the sign of the cross.</p><p class="">I believe in one God who is a Holy Trinity, meaning He exists as three persons—the Father, the Son, and the Holy Spirit. I believe Jesus, the Son, was borne by Mary, a virgin, and that He was conceived not by man but by the Holy Spirit. I believe that when Jesus died, He rose again on the third day and spent 40 days on earth and then ascended to heaven.</p>





















  
  



<hr />
  
    <p><strong>I didn’t go to India to search for my soul or learn religion, but maybe if I think deeply, I could say I went there to experience humanity.
  

<hr />


  <p class="">These beliefs are probably deemed radical or even preposterous by those of other faiths, and that is fine.</p><p class="">Let’s not judge or impose our beliefs on others. For as long as no one hurts anyone or commits crimes in the process, we should be free to practice our faith.</p><p class="">But if I decide to walk down the street buck naked one day, I promise you it’s not because I’m practicing my religion. It’s probably a very warm day in Manila.</p>





















  
  



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  <p class=""><strong><em>Bella Bonner </em></strong><em>is a journalism graduate of the UP Institute of Mass Communications. Among others, she worked as a grant writer and hotelier in Texas where she lived for 30 years. She has retired, returned to Manila and spends her days in sports, traveling and writing a personal blog, "Chicharon Diaries."</em></p>





















  
  



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  <p class=""><em>More articles from</em><strong><em> </em></strong><a href="http://www.positivelyfilipino.com/?author=53693b99e4b00eb7103b3152"><strong><em>Bella Bonner</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1774388520096-DXK8RXQE1N4QH67DM6HU/3+Morning+on+ghat.jpg?format=1500w" medium="image" isDefault="true" width="1000" height="467"><media:title type="plain">India: The Naked and the Dead</media:title></media:content></item><item><title>Visual Artist Camille Dela Rosa’s Inner Cosmos</title><category>Arts &amp; Culture</category><dc:creator>Leodivico Padua Masuli</dc:creator><pubDate>Wed, 25 Mar 2026 16:20:46 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/visual-artist-camille-dela-rosas-inner-cosmos</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69c329169a85253b7a7dbe57</guid><description><![CDATA[Meet visual artist Camille Dela Rosa, who doesn’t just paint what the eye 
sees but what the soul experiences.]]></description><content:encoded><![CDATA[<figure class="
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            <p class="">Camille Dela Rosa's art is not about pleasing everyone, but about reaching someone deeply <em>(Photo courtesy of Camille Dela Rosa)</em></p>
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    <span class="dropcap">C</span>amille Jean Verdelaire D. Dela Rosa stands as one of the Philippines’ most distinctive and accomplished contemporary painters. Her artistic career is a testament to the power of dedication, passion, and perseverance, marked by a relentless willingness to push boundaries. From her early days as a gifted young artist to her current status as a renowned painter, Dela Rosa's journey is defined by bold experimentation, significant growth, and a profound search for meaning that transcends the visible world.
  




  <p class="">Dela Rosa was born into a family steeped in the arts: her father was the late painter Ibarra Y. Dela Rosa, and her mother, Ethel Dimacuha, an art history professor. Although her father intentionally withheld formal instruction, his aesthetic profoundly influenced her early path. She inherited his penchant for strong color combinations, which was initially evident in her early compositions of landscapes, flowers, and trees.</p><p class="">Following her father’s death in 1998, the self-taught artist dedicated herself to painting, mounting her first solo exhibition at the remarkable age of sixteen. Her early works, spanning from 1998 to 2008, established her mastery of Impressionist techniques. She honed her skills by exploring a widening array of subjects, including her signature vibrant landscapes, ancient churches, intimate portraits, and human figures, earning her the title of "youngest Impressionist painter in the Philippines" from art critic Cid Reyes.</p><p class="">In 2009, Dela Rosa's artistic career took a significant, and arguably defining, turn. Driven by a need to explore deeper existential and psychological truths, she transitioned dramatically to Surrealism. This crucial shift was encouraged by her mentor, Enrico Manlapaz, leading to her 16th solo exhibition,&nbsp;<em>Aenigma</em>, at the ArtisCorpus Gallery.</p><p class="">This new phase marked a radical departure. Her pieces were often described by critics as "morbid, out-of-this-world, grotesque, and phantasmagoric." Dela Rosa's canvases became saturated with anatomical figures, proto-human skulls, cryptic machinery, and complex layers of imagery addressing mortality, technology, and spiritual identity. This became her laboratory for the soul, where she stated, “I didn’t want to just paint what the eye sees; I wanted to paint what the soul experiences.”</p><p class="">The Surrealist phase continued its fertile evolution in subsequent years. Her 2012 solo exhibition,&nbsp;<em>Dominion</em>, delved beyond mere religiosity, while her&nbsp;<em>Enchantress</em>&nbsp;series (2015) featured portraits of women shrouded in esoteric symbolism, transforming female subjects into dominant figures such as mothers, warriors, and queens, drawing heavily from mythology and Jungian archetypes.</p><p class="">Dela Rosa’s achievements extended her reach internationally, including her feature in the&nbsp;<em>Phantastische Venus 2015 </em>exhibition in Germany and the selection of her steampunk painting as the official CD and DVD album cover for the international rock band Sepultura's&nbsp;<em>Machine Messiah</em>&nbsp;in 2017.</p><p class="">Dela Rosa's philosophical depth is most powerfully revealed through the artworks she holds closest to her heart. In a personal interview, the artist detailed the intimate meaning behind her three favorite paintings, spanning her core Surrealist and spiritual phases.</p><p class="">Dela Rosa views&nbsp;<em>Those Who Have Ears, Hear … Those Who Have Eyes, See</em>&nbsp;(2009) as a powerful testament to inner fortitude, stating: “It means the stillness you cultivate inside becomes stronger than the storm outside.” It challenges the viewer to achieve clarity and truth amidst external chaos through spiritual perception.</p>





















  
  














































  

    
  
    

      

      
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            <p class=""><em>Those Who Have Ears. Hear ... Those Who Have Eyes, See,&nbsp;</em>2009, oil on canvas, 6 x 6 feet <em>(Photo courtesy of Camille Dela Rosa)</em></p>
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  <p class=""><em>Endless Beginning</em>&nbsp;(2014) explores profound existential and cyclical mysteries, defined by Dela Rosa as reflecting: “The classic ‘chicken or egg’ question reflects mystery, cause and effect, and the eternal cycle of life.” The central woman represents the Great Mother archetype, symbolizing the ultimate source of life and the perpetual process of creation and transformation.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true" class=""><em>Endless Beginning</em>, 2014, oil on canvas, 5 x 4 feet <em>(Photo courtesy of Camille Dela Rosa)</em></p>
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  <p class=""><em>Lotus Pond</em>&nbsp;(2025), representing her newest work, conveys a powerful message of transcendence through nature: “From the mud of suffering rises the lotus of life.” It affirms that spiritual beauty and wisdom emerge directly from overcoming life’s darkness and difficulty.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true"><em>Lotus Pond</em>, 2025, oil on canvas, 30 inches x 24 inches <em>(Photo courtesy of Camille Dela Rosa)</em></p>
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  <p class="">According to Dela Rosa, her art is "not about pleasing everyone but about reaching someone deeply." Her artistic philosophy centers on the idea that "inspiration comes through the act of creating, and that each stroke of the brush suggests the next."</p><p class="">She offers valuable advice for those aspiring to follow an artistic path:<br> • Practice, persistence, and patience are essential for growth and development.<br> • Embracing mistakes as opportunities for growth and innovation is crucial.<br> • Focus on personal growth, celebrate individual qualities, and appreciate progress on your own timeline.<br> • Don't compare yourself to others, as this can drain the joy from creating.</p>





















  
  



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    <p><strong>Driven by a need to explore deeper existential and psychological truths, she transitioned dramatically to Surrealism.
  

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  <p class="">Camille Dela Rosa's artistic journey, marked by experimentation and profound philosophical themes, has established her as a preeminent painter who continuously pushes the boundaries of contemporary Philippine art. Her canvases remain a vibrant reflection of her fascinating and thought-provoking inner world.</p><p class=""><em>The author extends his sincere gratitude to Dexjordi Lyle Sison for his assistance with the photos.</em></p>





















  
  



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  <p class=""><strong><em>Leodivico Padua Masuli</em></strong><em> writes from Quezon City, where he is a security officer. His imagination and creativity were nurtured while growing up on a farm in Libertad, Abulug, Cagayan. He loves nature and enjoys watching documentaries.</em></p>





















  
  



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  <p class=""><em>More articles from</em> <a href="https://www.positivelyfilipino.com/?author=66bbe40c703fff240481fd48"><strong><em>Leodivico Padua Masuli</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1774397757814-G354EQ226OBUGMDNEI8R/Camille+Dela+Rosa.jpg?format=1500w" medium="image" isDefault="true" width="500" height="500"><media:title type="plain">Visual Artist Camille Dela Rosa’s Inner Cosmos</media:title></media:content></item><item><title>Princess and ‘The Pitt’</title><category>Entertainment</category><dc:creator>Anthony Maddela</dc:creator><pubDate>Wed, 18 Mar 2026 16:54:20 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/princess-and-the-pitt</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69b9fb15f07674022a7c81a5</guid><description><![CDATA[Meet Kristin Villanueva, who is Princess Dela Cruz in the socially 
groundbreaking medical series The Pitt, which features an ensemble of 
Fil-Am actors that lends to a realistic depiction of the hospital as a 
multicultural workplace.]]></description><content:encoded><![CDATA[<figure class="
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            <p data-rte-preserve-empty="true" class="">Kristin Villanueva as Princess Dela Cruz in HBO Max’s “The Pitt” <em>(Photo by Warrick Page/HBO Max)</em></p>
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    <span class="dropcap">W</span>hen Filipinos walk into an American hospital, there’s an unspoken assumption that a Filipino nurse might extend a little extra kindness to a <em></em>kababayan.</em> Many Filipino Americans will attest to having experienced this quiet privilege—often without realizing that Filipino nurses are known for their rigorous training and deep-rooted hospitality. In reality, the care they provide is consistently excellent for all patients, regardless of nationality.
  




  <p class="">Kristin Villanueva stars as Princess Dela Cruz, the horny nurse in the Emergency Department (ED) of the fictional Pittsburgh Trauma Center (PTC) in&nbsp;<em>The Pitt</em>&nbsp;on HBO Max, which won the 2026 Actor Award for Outstanding Performance by an Ensemble in a Drama Series. (“Horny” is Villanueva’s own description.) But in real life, she once encountered a response that many Filipinos would find almost unthinkable—from a Filipino nurse who could have rescued her from a long wait.</p><h3><strong>A Life-or-Death Emergency</strong></h3><p class="">Any benefit a Filipino nurse can confer would be informal or under the scanner. Villanueva learned, however, that some Filipino nurses ignore the unwritten doctrine when she sought compassion for a friend who was suffering from renal colic.</p><p class=""><em>The Pitt</em>&nbsp;is known for graphic realism in its depiction of surgical procedures, such as sternotomies, and for its rapid-fire jargon. If you’re in the show’s fan base, you probably know “renal colic” is the medical term for a painful kidney stone like the one Villanueva escorted her friend to the hospital to treat. While passing a stone isn’t a code blue emergency, we know from&nbsp;<em>The Pitt</em>&nbsp;that any illness can take a wrong turn and become a life-or-death struggle. I’ll let her tell the story.</p><p class="">“We were in the waiting area for 30 minutes. Now that I’m doing&nbsp;<em>The Pitt</em>, I know 30 minutes is nothing, right?” Villanueva alludes to the perspiring extras who sit in eternal agony in the hellish waiting room of each episode. “You feel so helpless when you’re watching your friend go pale. She was holding onto a trash bag just in case she vomited.”</p><p class="">“I didn’t know what to do until I spotted two Filipino nurses down the hall speaking to each other in Tagalog. I told my friend, ‘Give me a second.’”</p><p class="">For the sake of her friend, Villanueva invoked a tacit agreement that binds all Filipinos. “So, I went up to them and I spoke in Tagalog. When I speak Tagalog,” she clarifies, “I don’t have an American accent.”</p><p class="">“I know that you have a long line. We don’t mind waiting,” she explains to the more sympathetic of the two nurses. “But if we could just get something like a stronger Tylenol to ease her pain, that would be appreciated.” She repeats, “I said this in Tagalog. And this Filipino nurse looks me in the eye and answers me in English: ‘She has to wait for the doctor.’ And then the nurses walked away.” So much for the preferential kababayan treatment.</p><p class="">Villanueva assures me that the two nurses’ resistance to cultural nepotism didn’t have tragic implications for her friend.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true" class="">Kristin Villanueva, Noah Wyle and Amielynn Abellera <em>(Photo by Warrick Page/HBO Max)</em></p>
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  <h3><strong>Musical Theatre: First Employer of Filipino Actors</strong></h3><p class="">At age 15, Kristin immigrated from Manila to Washington, DC, with her mother, Carolina. She performed in&nbsp;<em>Singin’ in the Rain</em>&nbsp;in high school and had intended to study at Syracuse University because of its reputable musical theatre program. But the school’s $37,000-a-year tuition was unaffordable.</p><p class="">“So, I ended up at SUNY (State University of New York) Purchase, which has just a straight acting program,” she recalls of the second door that opened after the first one closed. “It was actually a great fit.”</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Kristin in the Philippines</p>
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  <p class="">For a list of productions that featured Villanueva, please view her résumé on her website at kristinvillanueva.com/bio. Missing from her résumé is her contribution to the first two workshops in the development of&nbsp;<em>Here Lies Love</em>&nbsp;at The Public Theater in New York City. (I know this exclusively from my interview, so don’t say Positively Filipino only repeats news mined by other publications.)</p><p class="">Villanueva’s résumé shows that her live performances on stage outnumber her performances in film and television. Nebraska Shakespeare Festival’s production of&nbsp;<em>The Two Gentlemen of Verona: The Musical</em>&nbsp;is closest to her heart. “While it’s based on the Shakespeare play, it’s done by the same composers of&nbsp;<em>Hair</em>,” she says of the 1960s rock musical that featured the music of Galt MacDermot. “You can imagine how groovy it was.”</p>





















  
  














































  

    
  
    

      

      
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            <p class="">Kristin in high school in Virginia with her mom and aunt</p>
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  <h3><strong>A Princess for All Filipino Nurses</strong></h3><p class="">Within the great ensemble of&nbsp;<em>The Pitt</em>&nbsp;is the small yet trailblazing group of Filipina actors: Villanueva, Isa Briones (Dr. Trinity Santos), and Amielynn Abellera (Perlah Alawi).</p><p class="">It’s about time. Ever since World War II, Filipinos have often been the first health care employees that patients see when they enter city hospitals. Yet they have hardly been depicted in film and television. In this respect, seeing them portrayed on screen in 2026 corrects more than 80 years of erasure. But to restate the obvious, it’s not the actor’s job to correct historical injustices. Villanueva and her castmates can only focus on their individual parts. It’s up to audience members to endow characters with universal meaning. Villanueva’s Princess is a single character and not a composite of all Filipino nurses.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true" class="">(L-R) Patrick Ball, Taylor Dearden, Fiona Dourif, Lucas Iverson, Gerran Howell, Irene Choi, Sepideh Moafi, Shawn Hatosy, Kristin Villanueva, Shabana Azeez, Isa Briones <em>(Photo by Warrick Page/HBO Max)</em></p>
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  <p class="">“I go into work representing one person, one character, Princess. Not a people,” she begins to delicately explain a complex social construct. “It just so happens that this part is Filipino and a nurse. The specificity of the writing for Princess and the acting happen to resonate with lots of Filipino nurses. The responsibility of portraying a group (nurses) is an effect, not a goal.”</p><p class="">Villanueva’s insights conjure up F. Scott Fitzgerald’s contemplation of what it means to be a personality as opposed to a personage in his novel,&nbsp;<em>This Side of Paradise</em>. A personality, such as Villanueva’s Princess, is “an unbroken series of successful gestures.” Based on her personality, the audience awards her personage status, which Fitzgerald called “a bar on which a thousand things have been hung.” That bar holds the aspirations of Filipino actors and health care professionals.</p><p class="">My contrived foray into literary criticism aside, Villanueva appreciates that “Princess is loved and has become universally connected with a lot of nurses.”</p><p class="">Fans love Villanueva by association, even though the similarities between her and her character end at her accent. Princess is single and in heat, while Villanueva and her husband, Josh, have a baby girl who’s seven weeks old at press time.</p><p class="">Journalists have avoided the word “sensational” since the headlines of publisher William Randolph Hearst triggered the Spanish-American War in order to sell newspapers. But I must say Villanueva looks sensational in real life. (I don’t understand why Hollywood suppresses the beauty of actors when recreating a clinical environment. If you ever run into your gastroenterologist in a Whole Foods, you’d probably discover that she looks the same as she does in the exam room, smocks and white lab coats notwithstanding.)</p><p class="">Villanueva speaks Tagalog, English, and “emergency” Spanish. We’re told that Princess is “fluent” in six languages, which is fine by Villanueva.</p><p class="">“I’m not one of those who can pull an accent out of their back pocket.” While she isn’t a Filipina Meryl Streep, she elaborates, “If you give me time, I’m very diligent because I love playing with accents.”</p><p class="">Her connection with Filipino culture isn’t limited to her Tagalog skills. Like most Filipino actors, her singing talent separated her from her peers at auditions early in her career. She honed her talent at the karaoke machine, which Filipino hosts will never allow AI to displace as the centerpiece of every celebration. Asked about her go-to song, she taught me an entire program instead.</p><p class="">“You start with easy Disney songs so everyone can join in. And then by hour 2.5, which is probably midnight, Celine Dion comes out, followed by Whitney Houston,” she lays out for our benefit before Apple Music converts her suggestions into the ultimate Fil-Am playlist.</p><h3><strong>Filipino Nurses to the Forefront</strong></h3><p class=""><em>The Pitt</em>&nbsp;is a breakthrough series for honoring the contributions of Filipino nurses in every hour of a shift. Past medical dramas have overlooked the ubiquitous presence of Filipino nurses because productions must have stars portray core characters as well as supporting ones. Then again, Hollywood just may not care about realistic casting.&nbsp;<em>The Pitt</em>, however, has done more than merely make up for lost time.</p>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true" class="">(L-R) Sepideh Moafi, Kristin Villanueva, Irene Choi, Adam Shaukat <em>(Photo by Warrick Page/HBO Max)</em></p>
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  <p class="">Villanueva gives credit to Joe Sachs, MD, executive producer and writer, for bridging the chasm between the show and Filipino nurses. “He was an emergency doctor for many years and worked with a lot of Filipinos.” She acknowledges that the show’s writers do extensive research to ensure accuracy in all areas, including bits of Tagalog dialogue that are always pleasant surprises.</p><p class="">Real health care workers rave about the realism the show brings to the studio emergency room. Realism permeates every hour of the medical shift. Laypersons don’t appear to mind wincing for the duration of a femoral amputation because everyone values relatable storylines that mirror events affecting average people in their daily struggles.</p><p class="">“I feel that for as long as&nbsp;<em>The Pitt</em>&nbsp;airs, it will always be an instrument for societal change,” remarks Villanueva. “It is so good at showing the repercussions of whatever the government decides to do that month on the lives of everyday people.”</p><p class="">If social media posts are useful samplings, they suggest that Villanueva echoes the sentiments of most of the show’s 10 million viewers.&nbsp;<em>The Pitt</em>&nbsp;doesn’t preach against the pathologies the government inflicts on people, who are often vulnerable, innocent children. Instead, it illustrates the consequences of such policies in the high-stakes setting of a hospital.</p><p class="">For examples of topical relevance, in Season 1 the son of an anti-vaxxer is fighting for his life because he had no immunity during a measles outbreak. Dr. Robbie tries to reason with the parents. In the current Season 2, a proud father who lost his insurance forbids his daughter from crowdfunding to pay his six-figure hospital bill. A child loses three fingers in a firecracker accident. His teenaged sister fears that he will be placed in foster care once the hospital social worker learns that she has been the boy’s legal guardian during the nine months since DHS (Department of Homeland Security) deported their parents to Haiti.</p><h3><strong>Hope for the Next 100 Years of Warner Bros. Studios</strong></h3><p class=""><strong>I</strong>f you were to binge-watch Charlie Chaplin movies, you would perceive that house calls weren’t a luxury but standard procedure for doctors to treat patients in the era before talkies. Even a sick hobo in a flophouse welcomed a man with a head mirror and black medicine bag. Considering that most babies were born at home, hospitals must have been treating patients who were suffering maladies more perilous than childbirth.&nbsp;No wonder infant mortality between 1920 and 1925 fluctuated between 86 and 76 deaths per 1,000 live births, as compared to nearly 6 deaths per 1,000 live births in 2023. &nbsp;By treating the most critical cases, American hospitals, a century ago, were ancestors of modern trauma centers like the one depicted in <em>The Pitt.</em></p>





















  
  



<hr />
  
    <p><strong>Within the great ensemble of The Pitt is the small yet trailblazing group of Filipina actors: Villanueva, Isa Briones (Dr. Trinity Santos), and Amielynn Abellera (Perlah Alawi).
  

<hr />


  <p class=""><em>The Pitt</em> conveys that in cities facing economic hardship, hospital care has, for better or worse, come full circle since the days of Warner brothers Harry, Albert, Sam, and Jack, who founded their Hollywood studio in 1923.&nbsp;&nbsp;HBO Max is a division of Warner Bros. We hope that Warner Bros. will continue to give us engaging entertainment no matter what happens in boardrooms. If <em>The Pitt</em> has become the conscience of America, the soul of the show is its Filipina characters: Princess, Perlah and Dr. Santos.&nbsp;&nbsp;&nbsp;</p><p class="">Television&nbsp;cannot&nbsp;repeal the brutal tensions in the world and pressures at home, but an episode of <em>The Pitt</em> can provide one hour of escapist drama.&nbsp;Long&nbsp;before&nbsp;television, Filipino resilience, humor, and incandescent smiles sustained hope in dark times. An Eastern practice gives Villanueva a path to her river of inner strength. When she is having a bad day, she meditates to restore joy. What techniques save you and the nurses in your life from discouragement?</p>





















  
  



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  <p class=""><strong><em>Anthony Maddela</em></strong> <em>knows that sinking feeling of waiting for scan results on a gurney in the hallway of a crowded ED, when the PA system pages the attending physician that a call from Oncology is on hold. Nevertheless, he’s been blessed to be cancer-free for three years, thanks in great measure to UCLA medical staff.</em></p>





















  
  



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  <p class=""><em>More articles from</em><strong><em> </em></strong><a href="http://www.positivelyfilipino.com/magazine/?author=511b3321e4b0331c0eb56b5f"><strong><em>Anthony Maddela</em></strong></a></p>





















  
  














































  

    
  
    

      

      
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        </figure>]]></content:encoded><media:content type="image/jpeg" url="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/1773796871114-V4TPWHFHNG9MMJ7NX9K7/kristin-villanueva.jpg?format=1500w" medium="image" isDefault="true" width="800" height="533"><media:title type="plain">Princess and ‘The Pitt’</media:title></media:content></item><item><title>Ceramic Art Across the Seas</title><category>Arts &amp; Culture</category><dc:creator>Brian delos Santos</dc:creator><pubDate>Wed, 18 Mar 2026 16:54:12 +0000</pubDate><link>https://www.positivelyfilipino.com/magazine/ceramic-art-across-the-seas</link><guid isPermaLink="false">508da03be4b0d28844ddf21c:508ed25fe4b044ecf46dfab1:69b9aaaed50cb61d1af1d948</guid><description><![CDATA[From Cebu to Finland, a Ceramic Collection Carries History Across the Sea]]></description><content:encoded><![CDATA[<figure class="
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                <img data-stretch="false" data-image="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg" data-image-dimensions="2048x2048" data-image-focal-point="0.5,0.5" alt="" data-load="false" elementtiming="system-image-block" src="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg?format=1000w" width="2048" height="2048" sizes="(max-width: 640px) 100vw, (max-width: 767px) 100vw, 100vw" onload="this.classList.add(&quot;loaded&quot;)" srcset="https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg?format=100w 100w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg?format=300w 300w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg?format=500w 500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg?format=750w 750w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg?format=1000w 1000w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg?format=1500w 1500w, https://images.squarespace-cdn.com/content/v1/508da03be4b0d28844ddf21c/da83771d-c401-47e7-a4d6-a61229b210c8/The+Kwum+Studio+Ceramics+museum+and+Gallery+.jpeg?format=2500w 2500w" loading="lazy" decoding="async" data-loader="sqs">

            
          
        
          
        

        
          
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            <p data-rte-preserve-empty="true" class="">The KWUM Studio Ceramics Museum and Gallery in Fiskars, Finland</p>
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    <span class="dropcap">I</span>n Fiskars, a village in Finland known for design, history from Cebu now sits in quiet conversation with contemporary art.
  




  <p class="">They are bowls and plates, vases and jarlets, ceramics once carried across the busy trade routes of Asia and later recovered from the soil and waters of the Philippines. Some were buried with the dead. Some survived shipwrecks. Some passed through countless hands before coming to rest in a museum collection in Cebu. Now, more than 40 of them have traveled once again, this time to Finland, where they are on display at KWUM, a studio ceramics museum and gallery known for its devotion to craft, form, and artistic memory.</p><h3><strong>Bahandi - The Rosita Arcenas Ceramics Collection</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true" class="">Bahandi interiors - University of San Carlos Museum in Cebu City</p>
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  <p class="">The Bahandi Collection traces its roots to the vision of Rosita R. Arcenas. In the early 1960s, encouraged by her friend Maria Teresa “Bing” Escoda-Roxas to preserve Cebu’s cultural heritage before it was taken elsewhere, Arcenas began collecting Visayan ecclesiastical art and ceramic trade ware from across the Visayas.</p><p class="">Her collection of religious art later became the Rosita R. Arcenas Handumanan Gallery at the University of San Carlos (USC) Museum in Cebu City. Her extensive ceramic holdings, however, remained in the family library for years until the family sought the help of Rita C. Tan, the country’s foremost authority on Chinese trade ware. With Tan’s guidance, around 500 ceramic pieces were curated into what is now the Rosita Arcenas Bahandi Gallery of Chinese and Southeast Asian Trade Ware at the USC Museum.</p><h3><strong>Transport from Cebu to Finland</strong></h3><p class="">The journey from Cebu to Finland began with family, friendship, and a shared love of ceramics. Rosita’s son, Raul, who now spends part of his time in Finland with his wife, Johanna Klinge, developed a friendship with Karin Widnäs, the founder of the KWUM Studio Ceramics Museum and Gallery and a respected figure in Finnish ceramics. From their conversations came the idea of placing modern Finnish ceramic art alongside centuries-old trade ware from China and Southeast Asia. Forty-six pieces from the Bahandi Collection were selected for the exhibit.</p><p class="">Bringing the ceramics required extensive documentation, proof of ownership, photographs, and formal registration for privately owned movable cultural property. The process demanded precision, patience, and institutional support. The National Commission for Culture and the Arts of the Philippines played a crucial role, guiding the family through</p><p class="">requirements for approval, authentication, and protection of the ceramics during transport. </p><h3><strong>The Exhibit at KWUM in Fiskars Village</strong></h3>





















  
  














































  

    
  
    

      

      
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            <p data-rte-preserve-empty="true" class="">Bahandi exhibit at the KWUM</p>
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  <p class="">The setting in Fiskars adds its own historical weight to the exhibition. Over the past several decades, the village has emerged as a major Finnish center for art, craft, and design, shaped by a resilient community of makers whose exhibition culture dates back at least to the early 1990s. Barbro Kulvik and Antti Siltavuori who were responsible for the installation of the Bahandi exhibit, together with Karin Widnäs, were among the local figures who organized the first Copper Smithy exhibition in late 1993, an event widely seen as a key step in the foundation of Fiskars’ later artistic identity.</p><p class="">Now installed at KWUM, the Bahandi pieces are shown alongside the luminous glass and steel works of the celebrated Finnish artist Ritva-Liisa Pohjalainen and a selection of exquisite Finnish showpieces from Widnäs’ private collection. The pairing is striking. Ancient jarlets, celadon plates, blue-and-white dishes, and Song and Tang-era ceramics stand beside contemporary forms of light and metal. The result is not a simple contrast between old and new, but a dialogue across time, geography, and material tradition.</p>





















  
  



<hr />
  
    <p><strong>The setting in Fiskars adds its own historical weight to the exhibition. Over the past several decades, the village has emerged as a major Finnish center for art, craft, and design.
  

<hr />


  <p class="">What makes the exhibition memorable is not only the rarity of the objects, but the breadth of the story they carry. These ceramics once crossed seas as goods of trade. Now they cross borders as bearers of memory. From the Queen City of the South to a design village in Finland, they remind us that history is not fixed in textbooks or archives alone. Sometimes it survives in clay, in glaze, in the curve of a bowl, and in the long journey of an object that still has something to say.</p><p class="">The exhibition runs through March 29, 2026.</p>





















  
  



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  <p class=""><strong><em>Brian delos Santos</em></strong><em> is&nbsp;a Philippine Youth Ambassador of Goodwill for the Ship for Southeast Asian and Japanese Youth Program (SSEAYP) and a Common Purpose 25 Under 25 Global Legacy Awardee.</em></p>





















  
  



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