Professional Video - Editing, Cameras, Tips, Software, and Reviews

How to Build a Green Screen Cyclorama Wall

2011-09-16T20:35:00.000-07:00

How to Build a Cyclorama Wall from Maicon Rutz on Vimeo.

Check out this great video on how to build a Cyclorama studio by Sam Robles. He's a photographer with some knowledge to share about his experience building a Cyclorama green screen. If you have a wall in a warehouse this will be the perfect video to get you on your start to building your own green screen setup. How do you set up a green screen? Watch this informative video with all the tips you'll need to start building your dream video studio.

Zoom H4n Portable Audio Recorder Best Deal

2009-12-09T00:19:00.000-08:00

Recently we have been spending time recording bands at concerts and trying to get a quality recording is tough. Friends have recommended the Zoom H4n Portable Audio Recorder for a great priced recording solution for our needs. It seems the time to purchase the zoom h4n has come. We searched sites like B&H and found the best deal to be at Amazon. For the same price as B&H Photo sells the Zoom only, you can get a remote and tripod w/free shipping. Hopefully we will be able to use the dual xlr inputs to our advantage and get some fabulous sounding music recorded. Its amazing how bad my video camera, the panasonic hpx-170 captures musical audio when you are fairly close to the band or the speakers. You need to have a quality recording instrument to get the right job done. This baby records mp3s and wav files so you can burn out a cd of your favorite bands after the concert. Awesome, can't wait to try it.

Zoom H4n Handy Portable Digital Recorder with Zoom RC-4 Remote, 8GB SD Card, Tripod, and Sonic Sense Stereo Mini Cables

The Best External Hard Drive for Video Editing

2009-07-31T22:55:00.000-07:00

G-Raid makes one of the best rated external hard drives for video editing. After seeing way too many hard drives crash and the loss of valuable video, I try and choose quality over cheap prices. You may be able to find a cheaper hard drive, but chances are it doesn't come with a 3-year warranty like the G-RAID3. Follow the link to Amazon where they have the best prices on the G-RAID. Its a full $50 cheaper than on Apple's website. The only downside is that the fan is known to be a little bit loud, but it works great. Using a drive specially designed for high-intensity operations like video editing and music is the best solution to your editing dilemma. Stick with what is going to work, not what will crash on you after 3 months like my 2tb Maxtor did.
Check out the Details of the G-Raid 2 TB HARD DRIVE.

What is the Cheapest HD Camcorder?

2009-05-13T14:40:00.000-07:00

"What is the best price on an HD camcorder?" We constantly hear this question from people. And the answer to your quest to find an affordable HD filming device has come to an end. Meet the Aiptek HD camcorder.

Aiptek GO-HD High Definition SD Memory Card Digital Camcorder
The Aiptek GO-HD 720P High Definition Digital Camcorder is a compact and affordable camcorder for those who want HD quality with point and shoot simplicity. The GO-HD large CMOS sensor captures 5 Megapixel still photos and records 720P HD video at 30 frames per second with advanced H.264 technology.

Price: $ 104.95
Free Shipping at BH Photo

The Aiptek GO-HD 720P High Definition Digital Camcorder is a compact and affordable camcorder for those who want HD quality with point and shoot simplicity. The GO-HD large CMOS sensor captures 5 Megapixel still photos and records 720P HD video at 30 frames per second with advanced H.264 technology.

The lens on the GO-HD features a 5x zoom as well as a macro mode for those great up-close shots. The built-in LED light and night shot mode ensure you get a great picture in all environments while the spare battery makes sure you always have the power to capture all of life's special moments.

• Easy Grip: Small and light, this camcorder can go wherever you do. The non-slip material helps you keep a grip.

• USB Interface: Easily connect this camcorder to your PC or Mac for transferring files or charging with the USB interface cable.

• CMOS Sensor: The large sensor provides high quality video as well as still photos.

• Memory Card Recording: Capture up to 10 hours of video on an 8GB SDHC memory card.

• Still Camera Feature: Use this camcorder as a still camera with up to 5 megapixel (2560 x 1920) resolution.

• Night Shot: Use the Night Shot feature to capture photos even in dark settings.

• LED Lights for Video Recording: Use the built-in LED lights on the GO-HD for video recording in dark environments.

• HDTV Component Output: Use the HDTV component output to view your video or still photos on your HDTV.

• Removable Hard Disk & SD/MMC Card Reader: Use up to an 8GB SD card for recording video and stills.

AJ-HPM110 Panasonic P2 Mobile 6 Pack Field Editor

2009-05-13T11:36:00.000-07:00

The portable AJ-HPM110 P2 Mobile solid-state recorder/player is ideal for use in the field, in mobile vehicles or in the studio. It offers master quality recording and playback in a wide range of high definition formats, including 1080p (native), 1080i, and 720p, and in standard defintion.

The ultra-reliable AJ-HPM110 records in independent-frame DVCPRO HD/50/25 and DV formats as well as master-quality, full-raster 1920 x 1080 AVC-Intra (with optional board), and is designed to work with virtually any professional camera system, from tape-based digital cameras to high-end cinema cameras with 1080/24sF output (in full-raster 1920 x 1080 or 1280 x 720). Equipped with the comprehensive features found in its predecessor, the AJ-HPM110 adds native 1080/24p recording, 1080/24PsF input/output, multiple frame rate recording, 24p pull-down removal as well as real-time playback of 720p variable frame rates for work with speed effects like over-cranking and under-cranking.

Panasonic HVX200a P2 Professional Camcorder & Accessories List

2009-01-07T12:14:00.000-08:00

Panasonic HVX200a camcorder and accessories lists are hard to find, so we compiled everything you might need to start professionally filming P2 video with your new camcorder. The move to HD video is tricky and confusing, but with more accessories, you will be able to utilize all of the great features of the camera.

Product Description	Amazon Electronics Store
Panasonic is proud to introduce the AG-HVX200, a handheld DVCPRO HD P2 camera-recorder that's designed to meet emerging needs in HD production. It debuts as Panasonic's first HD video product to use P2, the cutting-edge memory recording device that has the potential to revolutionize the entire production paradigm.
Panasonic AJ-P2C064RG is a 64GB memory card for the P2 professional video storage system. It is can be used in all Panasonic cameras using P2 technology including the popular AG-HVX200/A
Panasonic's AJ-P2C032RG 32GB P2 card doubles the recording capability of P2 HD/P2 camcorders and recorders. The 32GB P2 card also provides recording capacity greater than most tape-based and disc-based systems, while offering the benefits of no-moving parts and a fast IT file-based workflow.
Brand New Replacement Video Camcorder Battery For: PANASONIC CGR-D320 PANASONIC CGR-D54
This battery charger replaces the Panasonic original charger for the CGR-D08, D16, D28, D53, D120, D220, D320 battery pack. Package includes: One ultra slim, lightweight battery charger, one DC Car Plug Adapter. Compatible with the following device models: Panasonic AG-HVX200, AG-HVX200P, AJ-PCS060G(Portable Hard Disk Unit), and DZ-MX5000.
Compatible Models /Replace PN : PANASONIC AG-DVC60 AG-HVX200, 7.4v, 100% OEM compatible and this Product has 12 Months Replacement Warranty!
The HVX BootCamp DVD is the ultimate training DVD set for the revolutionary Panasonic HVX200/HVX202 camera. Brought to you by the same people who put on the HD BootCamp training seminars (and from the author of The HVX Book and The DVX Book) the HVX BootCamp DVD is over three hours of intensive camera instruction. Hosted by Barry Green, the world's leading authority on the HVX, you'll learn every menu item, every switch and button and function, every recommendation and detail you need to know to get the most from your HVX. This two-disc DVD set shows side-by-side examples and comparisons, and features both test charts and real-world examples to illustrate the various features and help you decide what the best settings and techniques are for your particular circumstances, including plenty of recommendations as to what experienced HVX shooters are choosing.
The Camera Body Armor mini fits the AG-HVX200 beautifully and includes a simple RAIN/DUST cover in a convenient slip pocket. All the important functions are accessible through the padded Armor Body. Use it on or off the tripod. It has a clever WEBBING TAB that fastens to the slot on the lens cap. The Body Armor is soft to the touch but highly abrasive resistant. The interior side of the fabrichas a mesh finish to improve air flow around the camera. It helps keep the resale value high and the repair costs low.
The MINI-DV RAIN SLICKER is custom fitted to each camera model. Flaps, vinyl windows and zippered openings provide optimum ease of operation. Cameras with fold-out video screens are shrouded with a black fabric hood that makes viewing LCD monitors easier on bright sunny days.
The ultimate HVX training guide package is now available: The HVX Book and CD. Created by Barry Green, Emmy®-winning producer and resident tech guru at DVXUser.com, The HVX Book/CD presents a comprehensive examination of the camera, all its settings and modes, and tutorials on some of the most common situations users find themselves facing, over 270 pages! NOW IN FULL COLOR! Included CD contains all book photos in RAW format, and includes a collection of different SCENE files you can copy to a SD card and upload to your camera.
Lightweight and cost-effective, the .6X Wide Angle Adapter increases coverage by 40%. This professional optical tool yields a much wider angle of view with extremely low distortion. Once in place it permits partial zoom only making this add-on ideal for shooting situations in which full zoom isn't needed.
This DVD is a breakthrough master class for Panasonic HVX200 users working in High Definition with Final Cut Pro! Condensing years of Noah Kadner's expertise and know-how into easy-to-follow demonstrations and workflows. The DVD is broken into four sections: P2 Pre-Production, Production: Shooting for Post, HD Post-Production with Final Cut Pro and Advanced Workflows. Noah has answered thousands of HVX200 and FCP-related questions during his years spent as a forum leader in HVX200 message boards like DVXuser, 2-pop and Creative Cow. Hes also spent years as an Apple Certified Pro instructor in Final Cut Studio and as a systems integrator and private consultant for 24p HD production and editing in Hollywood. Now he brings you all of that knowledge and experience in this master class. Discover the P2 workflow secrets of your DVCPRO HD camera and learn how to get the maximum in post-production from Final Cut Pro. The DVD features over two hours of original content broken down into learning modules with interactive demonstrations and easy to understand, real-world examples.
Light up your senses with the LX-150 150w Professional Compact Halogen Photo / Video Quartz Light Kit with 2-Wing Barndoors. Why not shine a little (well a lot) of light on your subject? Fantastic for indoors, outdoors, weddings, parties, student films, and group events! Stay-cool air flow design. Battery is protected by a built-in thermal circuit breaker. Brand New, with 1 Year Warranty!
Century Optics Super Fish-Eye Auxiliary Lens with Bayonet Mount for the Panasonic HVX-200
The revolutionary KATA DVG-51 Camcorder Guard is fabricated from a special semi-rigid closed cell foam and fabric lamination thermo pressed to duplicate the exact camcorder design, so that it safeguards your camcorder from knocks, bumps, scratches, dust and dirt. The DVG provides overall protection while maintaining all working functionality. The design matches itself to the unique shape of the Panasonic HVX200 while transparent windows, dedicated cable connecting slots and quick access pull flaps to buttons and controls allow easy monitoring and operating of all functions. Once on, the DVG need never be taken off!
The RockZFI utilizes a pressure-sensitive, side-to-side rocker switch like broadcast zoom controls. This rocker has a greater range of motion for a finer degree of zoom control than throttle style zoom controls. Adjust the exposure or focus with a finger smooth and quiet knobs provide easy operation while you compose your shots. Independent focus/iris knobs allow for two people to operate together for critical focus during moving shots or crane moves. The body switches click when moved into position, letting you watch the picture, not your hands. An operator may switch between auto and manual control for either focus or iris at anytime. The RockZFI works on all camera supports, stabilizers, tripods and jibs.
For maximum magnification and image clarity, these Macro Zoom Attachments offer more close-up range, while preserving zoom capability. Ideal for focusing tightly on small objects in tabletop, miniature, and flat field work. In +1.6, +2.0 and +2.6 strengths. Stackable for even greater magnification.
Century Optics 1.6x Tele Converter Auxiliary Lens with Bayonet Mount for the Panasonic HVX-200 Camera

Create a Star Wars Lightsaber With After Effects Video Editing Program

2008-11-07T16:10:00.000-08:00

Lightsaber Effect Using After Effects CS3 with Macintosh
This tutorial will guide you through the simple steps on how to make your Star Wars fan films excellent!

Using Adobe After Effects CS3 (MAC Based)

Video Editing Episode #3: Lightsaber for your movies

Welcome to the new series of video tutorials that deal with graphic software. We'll be learning how to enhance your videos with all kind of special effects to make them look unique.

EPISODE#3
In this third episode, you learn how to create Star Wars Lightsabers for your movies using Adobe After Effects (I'm using 6.5, but it works with all the versions since 5 I think).

Then will add the sound effects using any video editor -Sony Vegas in this case- after downloading the sounds from:

http://www.therapix.co.nr

Panasonic HVX200 Training DVD from Barry Green Review

2008-06-04T21:46:00.000-07:00

The HVX200 Bootcamp Training Tutorial DVD #1 by Barry Green

Product Description
The HVX BootCamp DVD is the ultimate training DVD set for the revolutionary Panasonic HVX200/HVX202 camera. Brought to you by the same people who put on the HD BootCamp training seminars (and from the author of The HVX Book and The DVX Book) the HVX BootCamp DVD is over three hours of intensive camera instruction. Hosted by Barry Green, the world's leading authority on the HVX, you'll learn every menu item, every switch and button and function, every recommendation and detail you need to know to get the most from your HVX. This two-disc DVD set shows side-by-side examples and comparisons, and features both test charts and real-world examples to illustrate the various features and help you decide what the best settings and techniques are for your particular circumstances, including plenty of recommendations as to what experienced HVX shooters are choosing.

My Recommendation: 4 of 5 stars
Review: Barry Green is known as the most knowledgeable person on Panasonic Pro Camcorders and he even runs his own website dedicated to helping others with their questions at dvxuser.com. In the first disc you'll be introduced to the camera menu functions and basic filming techniques to get the most out of your HVX200/202 or HVX200a camera. In the second disk he shows the button functions for each button located on the HVX200 and examines the functions of each. When I first received this dvd I was honestly overwhelmed by the functioning of this impressive HD camcorder by Panasonic, even after previously owning a Panasonic DVX100a. Let me tell you, I was glad to have Barry on screen to explain everything to me. The only things I was disappointed about were that he explains everything in a studio setting and teaches you just the basics. I'd really like to see how Barry uses this camera firsthand in the field and learn more of the fancy tricks you can use to make the shot that much more insane. In reality the 3 hours of included instruction are well worth the price considering a live class like this could easily cost $500-$1000 to attend in person. You'll come out of this DVD ready to film epic stories, newscasts, and interviews with full preparation to succeed.

The HVX200 Bootcamp Training Tutorial DVD #2 by Barry Green

Product Description
Join HVX200 and P2HD expert Barry Green alongside Noah Kadner, David Jimerson, and David Collupy as they give detailed explanations of advanced camera functions, post-production workflows, supporting hardware, and much more. Learn how to work with the HVX and P2 footage in popular non-linear editing systems including Final Cut Pro, Avid Xpress Pro HD, EDIUS Broadcast, Adobe Premiere Pro, and Sony Vegas. Explore popular hardware solutions like the Firestore FS-100 and the P2 Store. Get an in-depth look at essential software such as DV Rack HD and the P2 Viewer. With 15 separate tutorials over two and a half hours of content, The HVX BootCamp DVD Vol. II is an ideal companion to working with the HVX200 and P2 in the field and in post!

My Recommendation: 3.5 of 5 stars
Review: HVX200 Post Production tips from the experts and extra camera uses that were left off the first set of DVDs. I needed this DVD to figure out how to import my footage into Final Cut Pro and it includes detailed instructions on many different non-linear editing systems. Plus there's info on how to use the HVX-200 with the most common accessories. I didn't watch as much content on this disc as the first set, but it is a valuable reference for properly preparing your footage for post production and if you can afford to buy it, oyu'll be glad you did.

Additional Item:
The HVX Book

Product Description
The HVX Book & The HVX CD is the definitive guide to the revolutionary Panasonic AG-HVX200 and HVX202 camcorders. It presents a comprehensive examination of the camera, all its settings and modes, answers to frequently-asked questions, and tutorials on some of the most common situations HVX users find themselves facing. Over 268 full-color pages, including screen shots depicting the effect of all the menu settings. The accompanying HVX CD includes the camera-original high-resolution still photos that are printed in the book, and 24 different custom "scene files" for creating very different looks in-camera. The CD includes instructions on how to load the pre-made scene files right into your HVX200 or HVX202 camcorder. The HVX Book goes into extensive detail about tips, explanations and techniques of how the HVX cameras work, why they do what they do, and how you can use them best; a detailed examination of all the camera's menu options and settings, what the options mean, and when/why you'd want to use each one; and thorough examinations of all the camera's features, switches, and levers, how they work, how they interact, and how to use the camera for best results. Additionally, the book presents comprehensive tutorials on aperture, shutter speed, depth of field, progressive scan, interlace artifacts, and many, many more subjects, and specifically how they relate to the HVX cameras. The HVX Book is written in plain language that makes it easy to understand for users of all levels. Technical issues are described in ways that make them approachable and practical to even the most non-technical users.

Panasonic Pro AG-HVX200A 3CCD P2/DVCPRO 1080i High Definition Camcorder with 13x Optical Zoom (16GB P2 Included)

Product Features
True high definition image quality (1080i or 720p) with low-compression DVCPRO HD intraframe recording
Supports HD/SD multi-format and multi-codec recording capabilities
Includes the the P2 card, offering superior reliability, immediate playback and outstanding cost-performance
Features the new Leica Dicomar HD lens, developed specifically for HD recording
New progressive CCD and DSP for higher sensitivity and image quality
Technical Details
Brand Name: Panasonic
Model: AG-HVX200A

From the Manufacturer
Panasonic is proud to introduce the AG-HVX200, a handheld DVCPRO HD P2 camera-recorder that's designed to meet emerging needs in HD production. It debuts as Panasonic's first HD video product to use P2, the cutting-edge memory recording device that has the potential to revolutionize the entire production paradigm.

The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. This system achieves a level of image quality that conventional handheld HD cameras simply cannot match, while also supporting HD/SD multi-format and multi-codec recording capabilities. Variable frame rate recording is just one of the features that makes the AG-HVX200 unique in its class. Using technologies that make the Panasonic VariCam camera-recorder a favorite in movie production, this powerful function allows the overcranking and undercranking techniques used with film cameras to create fast-motion and slow-motion effects. The P2 card offers superior reliability, immediate playback and outstanding cost-performance. It allows direct connection to nonlinear editing systems and streamlines the production work flow, by providing to the editing system data files ready to be edited, rather than a video tape which would require the task of digitizing.

On top of all its advanced features and technologies, the AG-HVX200 inherits the refined design and easy operation that distinguishes Panasonic's high-value DVX100 DV camera series. In the AG-HVX200, video professionals of all kinds will find a powerful tool for giving form to their creative visions.

Panasonic Pro AG-HVX200 Highlights

Newly Designed Leica Dicomar 13x Zoom Lens System for HD Applications

The New Leica Dicomar HD Lens Developed specifically for HD recording, this lens system features a large 82-mm (diameter) filter along with 15 lens elements in 11 groups, including three aspherical lenses. The Leica Dicomar lens incorporates Leica optical technology and know-how throughout. The use of low-dispersion glass reduces color aberration and increases resolution, while a multi-coating process minimizes flare and ghosting. This results in sharp, crisp, beautifully rendered images with delicate nuances and exceptional shading.

Wide-Angle, 13x Zoom Lens The Leica Dicomar Lens is a powerful 13x zoom lens designed especially for HD video recording. Extending all the way to 4.2mm (equivalent to 32.5mm on a 35mm lens), this lens covers the full wideangle range needed in most broadcast and professional shooting. There's no need for a bulky wide-angle conversion lens. With a minimum object distance (MOD) of approximately 1.9 ft (0.6 meter) in telephoto mode, the AG-HVX200 has true handheld maneuverability. And with the same cam-driven zoom ring acclaimed in the DVX100 series, the AG-HVX200 gives you the superior operability and control you need in demanding applications.

The lens system features 15 lens elements in 11 groups, including 3 aspherical lenses.

OIS (Optical Image Stabilizer) Panasonic's advanced OIS (Optical Image Stabilizer) dramatically reduces the blurring caused by hand-shake. Optical processing with an automatic correction function helps assure consistently clear, sharp images.

New Progressive CCD and DSP Achieve Higher Sensitivity and Image Quality

New High-Sensitivity Progressive CCD Each pixel has a large light-receiving area, giving this newly developed 1/3-type progressive Charge Coupled Device (CCD) the kind of high sensitivity not available in previous compact HD cameras. This advanced CCD combines with a newly developed digital signal processor (DSP) in combination with a very sophisticated offset spatial technology acheives a balance of high resolution and high S/N ratio that rivals HD broadcasting cameras.

New DSP with 14-bit A/D Conversion and 19-bit Processing The AG-HVX200's newly developed digital signal processor for 1080/60p video signals uses 14-bit A/D conversion and 19-bit inner processing to attain unprecedented accuracy. While the camera does not record 1080/60p, it is from this capture that all other signals are made. The DSP performs a variety of adjustments, including eight types of gamma settings, for each of the R, G and B channels. It also converts the signals to HD or SD format. With a performance equivalent to the processors used in many higher-end HD cameras, this new DSP helps the AG-HVX200 deliver high-quality images in all video formats.

High-Resolution Native Progressive 1080/60p Scan
Progressive to interlace conversion, cross conversion and down conversion all start with the 1080p/60 scan. The initial 1080p native progressive scan offers the highest level of vertical resolution possible at this level of camera. Keep in mind that the camera does not record this signal but uses it as a basis for all capture. The result is an HD or SD recording with a level of image quality that electronically processed scans cannot match.

HD/SD Multi-Format Recording The AG-HVX200 is the world's first compact camera to offer 1080/24p shooting. It can record onto a P2 card in 1080/60i or 720/60p HD, and it's compatible with the SD (480i) format currently used in TV broadcasting. The multi-codec system lets you record in DVCPRO 50, DVCPRO and DV.

DVCPRO HD: The Image and Sound Quality Broadcasters Demand Supports Multi-Codec Recording

The Superb Images and Sound of DVCPRO HD Codec Using the DVCPRO HD codec recording system, the AG-HVX200 records HD video with outstanding image and audio quality onto a P2 card in file format. This codec, thanks to a low compression ratio at a video bit rate of 100 Mbps (1080/59.94i, 720/59.94p) and the easy-to-edit intraframe compression system, is suitable for recording fast-moving subjects with no motion artifacts other than motion blur. The 4:2:2 sampling rate minimizes jaggies at chroma edges and is advantageous in image and compositing. Sound quality is excellent too, thanks to DVCPRO HD's uncompressed 16-bit, 4-channel digital audio recording capability.

P2: The Next-Generation Media The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. P2, which stands for Professional Plug-in, is a compact solid-state memory card designed for professional AV use. Basically, four SD memory cards are packaged together to create a single P2 card. When striped as a RAID 0 array, this gives the P2 four times the transfer speed and four times the capacity of a single SD memory card. A slim, large-capacity 8-GB P2 card (AJ-P2C008HG) can hold 32 minutes of DVCPRO/DV codec recording yet weighs only about 45 grams. Compliant with PC Card standards (Type II), the P2 card plugs directly into the card slot of a laptop PC. AV data on the card mounts instantly, with each cut as an MXF file. The data can be used immediately -- no digitizing necessary -- for nonlinear editing, or it can be transferred over a network. The P2 far surpasses all other AV media in transfer speed, too. The P2 cards transfer data at up to 640 Mbps, which can greatly speed up production processes.

P2 cards surpass all other AV media in transfer speed.

Immediate Startup and Better Data Protection When you press the record button in standby mode, the AG-HVX200 instantly finds a blank area of the P2 card and begins recording. It can begin recording immediately even when you're using it to preview video. In normal use, there's no chance of accidentally overwriting a recording. Recordings will not be erased unless you intentionally delete a file or initialize the card.

Hot-Swap Recording and Other Functions that Add Versatility

Hot-swap recording: Thanks to the AG-HVX200's two card slots, you can hot-swap P2 cards and have continuous non-stop recording. With multiple cards you can record for hours without interruption. Or, using an AJ-PCS060G, the "P2 Store," external hard drive, you can download recorded files from a P2 card and then initialize it (erasing the files), so it's ready for re-use.
Loop recording: Using two P2 cards and setting the AG-HVX200 for consecutive overwriting, you can repeatedly re-record during a particular recurring time slot, always maintaining a recording of the most recent period. Unlike video tape, P2 cards need no rewinding. They minimize wasted time and allow seamless, continuous recording. This makes them especially useful for unattended monitoring.
Pre-rec: While in standby mode, you can continuously store, and subsequently record, up to 7 seconds in DVCPRO50/DVCPRO or 3 seconds in DVCPRO HD of video and audio. In effect, this lets you record footage of events that occur even before you press the rec start button, giving you a way to "go back" and capture moments you otherwise would have missed.
One-shot rec: Convenient for producing animation, this mode records for a set time (from 1 frame to 1 second) each time you press the Start button.
Interval rec: Recording one frame at a time at set intervals (from 2 frames to 10 min), this mode is useful for monitoring and special ultra-undercranking effects.
Clip Thumbnail/Data Function The AG-HVX200 records each cut as a clip (file) and automatically attaches a thumbnail image and file information to it. To preview a clip on the LCD monitor or to check clip data, simply choose the clip you want from the list of thumbnails.

Shot Marker Function If desired, you can add a simple OK/NG shot marker to each clip either during or after recording. When a P2 card containing marked clips is inserted in a PC, the PC will display with a M demarkation in the P2 viewer which of the clips is the one with the Marker.

Connects Directly to PCs and Macs In PC mode, the AG-HVX200 connects directly via USB 2.0 to a PC running Windows. In IEEE 1394 device mode, it connects directly to a Mac. This lets you use the AG-HVX200 as a P2 card drive, providing easy access to recordings on the P2 card.

Variable Frame Rates from 12 to 60 fps Allows Cinematic Expression -- A First in this Class

Variable Frame Rate from 12 to 60 fps Panasonic's VariCam -- named for its ground-breaking variable frame rate capability -- is widely used in the production of movies, TV programs and commercials. Now with the AG-HVX200, the variable frame rate function is available for the first time in a compact camera. In 720p mode, the frame rate can be set from the conventional 24p/30p to any of 11 steps between 12p and 60p. Like the VariCam, the AG-HVX200 allows the undercranking and overcranking used with film cameras to create fast-motion and slow-motion effects.

Higher-speed shooting at 26 to 60 fp produces slow-motion effects.

Equipped with Native and Over-60p Modes for Previewing Visual Effects

New 720p Native Mode In the new Native mode, the AG-HVX200 records images at the frame rate set in the camera. For example, in 24p mode it records 24 frames. Using the AG-HVX200 to play back the recording at the normal rate, you can preview the speed effect right on the spot, without using a frame rate converter. Native mode also extends the recording time of a P2 card.

720p over 60p Mode This is a VariCam-compatible mode for recording 60p-converted video. For example, in 24p mode it records 60 frames by applying a 2:3 pulldown. The recording time is the same as in 1080i or 720p mode, but the unit can output a DVCPRO HD stream from the IEEE 1394 connector as it records. This lets you produce a backup copy using a connected external hard disk recorder, such as the Panasonic AJ-HD1200A DVCPRO HD recorder or the FOCUS FireStore FS-100.

1080/480 24p Advance Mode The 1080 and 480 progressive recording systems convert recordings to 60i in 24p, 30p, or 24pA (Advance) mode. The 24p Advance mode uses 2:3:3:2 pulldown and performs 60i/24p conversion with minimum image degradation when recording data is captured via an IEEE 1394 interface to a compatible nonlinear editing system. This lets you maintain superior image quality throughout the production process.

Cine-Like Gamma Provides Warmer, Film-Like Color Tones

Eight-mode Gamma for richer gradation

Eight-Mode Gamma for Richer Gradation Drawing on technologies developed for the VariCam, Panasonic has equipped the AG-HVX200 with advanced gamma functions that address eight different shooting scenarios and expands your creative abilities. Included are the Cine-Like Gamma, which gives recordings the characteristic warm tone of film recordings, and a News Gamma that's designed especially for news gathering.

Create Slow-/Fast-Motion Effects Using Mini DV Tape In addition to its two P2 card slots, the AG-HVX200 is equipped with a mini DV tape drive. This allows recording in 60i, 30p, 24p or 24pA (Advance) modes, just like AG-DVX100 series models. It also lets you down-convert an HD source (1080i/720p) recorded on a P2 card and copy it to a mini DV tape. During copying, frame-rate conversion is applied to overcranked and undercranked HD image sources in 720p native mode. This lets you create special speed effects during DV production -- until now, a feat possible only with a complete VariCam system.

Manual Zoom, Focus, Iris and Gain Functions for the Professional

Cam-Driven Manual Zoom The cam-driven (mechanical) manual zoom ring provides the same fast, precise zooming as cameras with interchangeable lenses. You'll also enjoy the operating feel. When you turn the zoom ring, you experience the same kind of steady resistance as you feel with 35mm lenses. The AG-HVX200's servo-driven zoom also allows slow zooming.

Center Zoom function enlarges the center part of the image, making it easier to get the more precise focus needed in HD production.
Manual Focus with Center Zoom Enjoy quick, sharp focusing manually or automatically. In manual mode, the focus ring gives you the same kind of operating feel and responsive control as cameras with interchangeable lenses. An HD-compatible focus assist (Center Zoom) function enlarges the center part of the image, making it easier to get the more precise focus needed in HD production. In auto mode, you get quick focusing when shooting at a high or low angle. When set to infinity, the focal distance is immediately prepared for the next manual focus. When in manual mode, pressing the Push Auto button temporarily activates auto focus.

Manual Aperture The large aperture dial (direction setting possible) is designed for easy manual operation. You also can add backlight correction or spotlight correction to the auto aperture function.

Gain, ND Filter Increases gain up to 18 dB. The selector has three positions: L is fixed at 0 dB; M and H can be set to 0, +3, +6, +9, or +12 dB. +18dB can also be quickly accessed by the use of the USER 1, 2 or 3 switch. Two ND filters (1/8 ND, 1/64 ND) are built-in and easily accessible.

Slow, Synchro and High Speed Shutter Used with the variable frame rate functions, this allows you to create a blurring effect or crystal clear stop motion sports action. The AG-HVX200 also features a synchro scan function that's suitable for capturing screen shots from a computer monitor.

Scene File, User Buttons and Auto Functions for Quicker, Easier Shooting

Scene File Dial Set this dial for a set of shooting conditions, and later you can instantly retrieve the settings when needed. Six preset files are provided, and you can change any of the six file names and their settings as desired. You can also transfer the setting files to an SD memory card.

Three User Buttons The AG-HVX200 has three user buttons, each of which can be assigned any one of 12 functions (rec check, spotlight, backlight, black fade, white fade, ATW, ATW lock, gain 18dB, focus ring, memo/index, slot sel, shot mark). The assigned functions can then be accessed at the touch of a button.

Auto/Manual Mode Selector Just select the auto position to turn on Auto Aperture, Auto Gain, Auto Tracking White Balance, and Auto Focus -- and you are immediately ready to shoot. You can also customize the auto mode by removing functions and setting the gain to any value desired.

White Balance with the Auto Tracking White Function One press of the AWB button is all it takes to adjust the white balance and black balance. There are three white balance values to select from: one that's preset, and two (A, B) that you can set and save in memory. The auto tracking white balance (ATW) function can also be assigned to any of the three positions. The ATW mode supports fast, active shooting by adjusting the white balance in real-time as lighting conditions change.

XLR External Microphone Inputs and Manual Adjustment Capability Meets Professional Audio Needs

XLR Audio Inputs In addition to the built-in stereo microphones, the AG-HVX200 is equipped with two XLR audio input terminals with a 48-V phantom power supply for professional use. Both input 1 and input 2 can be switched between line and mic, and Audio is locked to the Video, unlike consumer DV camcorders.

AG-HVX200 has the same kind of level-adjustment dials as DVCPRO camera-recorders.
Audio Dials and Flexible Input Selection The AG-HVX200 has the same kind of level-adjustment dials as DVCPRO camera-recorders. This practical design incorporates professional operating features that have been refined over years of use on location. A switch lets you select built-in mic, input 1, or input 2 for the audio input of both channel-1 and channel-2. Auto level control can be turned on or off.

Ergonomic Design Throughout -- Including the Viewfinder, Monitor and Handgrip

Large Electronic Viewfinder The large viewfinder makes it easy to view content, even with your eye at a slight distance, and it tilts upward 90 degrees for easy low-angle shots. The AG-HVX200 also has a detail (PEAKING) function.

3.5-inch Color LCD Monitor The large, bright LCD monitor opens all the way to 120 degrees and swivels freely within a range of 270 degrees. This makes it easy to shoot from a variety of angles and view the image comfortably. In 16:9 wide-screen mode, the AG-HVX200 can display images in letterbox format.

Trigger and Zoom Control on Upper Handle Grip In addition to the lens grip, the upper part of the handle grip contains both the Rec Start/Stop button and a lens zoom control. This design assures easy shooting even at low angles or when using a tripod. The zoom speed can be set to any of three speed levels or off.

Magnesium Alloy Chassis The AG-HVX200 has the same magnesium alloy diecast chassis as the Panasonic DVCPRO broadcast models. This ultra-tough, ruggedly built camera-recorder protects the precision parts within, giving the AG-HVX200 outstanding reliability and durability. Built for professionals, the AG-HVX200 stands up to the bumps and jolts that may occur in the field.

Support Functions for Greater Convenience
Mode check: Displays a list of the camera settings on the viewfinder and monitor.
Zebra: Select any two levels from among 50-percent to 105-percent, in 5-percent steps.
Tally lamps: Provided on the unit's front and rear, and menu switchable.
Center Marker: Provides an accurate numeric display of the brightness at screen center.
Remote: Controls zoom, rec, focus and iris.
Advanced Image Adjustments Built-In
Matrix setting including "Cine-like" mode.
Adjustable V detail level, detail coring and skin detail.
Adjustable chroma phase, color temp and master pedestal.
Knee point settings: Auto, low, mid and high.
System Interfaces

Compatible with Mac and Windows Nonlinear Editing With its IEEE 1394 (4-pin) and USB 2.0 interfaces, the AG-HVX200 connects directly to Mac and PC. The IEEE 1394 port supports SBP2 (Serial Bus Protocol 2) and allows direct connection to a Mac, making it easy to transfer P2 files for use with Final Cut Pro nonlinear editing software. When you've recorded on mini DV tape, the AG-HVX200 can stream to a conventional DV-compatible nonlinear editing system. The USB 2.0 interface lets you transfer P2 files to a Windows PC for use with a nonlinear editing system (such as an Avid or Canopus product). These two interfaces provide you the best performance for Mac and Windows nonlinear editing systems.

External Recording with IEEE 1394 Streaming The IEEE 1394 interface can be used to control an external device synched with the camera's Start/Stop operation, making it easy to create backup recordings. Compatible devices include the AJ-HD1200A (for DVCPRO HD recording), the AJ-SD93 (DVCPRO 50/DVCPRO), and the AG-DV2500 (DV). Also, when used with the FOCUS FireStore FS-100, the AG-HVX200 can provide extendedtime recording in all codec formats, including DVCPRO HD (except in native recording mode).

Transferring Files to an External HDD The AG-HVX200 offers a host function. Insert a P2 card in the card slot, and data can be transferred to an external hard disk drive (AC power supply needed) via the IEEE 1394 port.

Analog Component Signal Output The AG-HVX200 is equipped with analog component signal (Y, Pb, Pr) terminals for outputting 1080i, 720p and 480i (each 59.94 Hz) camera video signals. This lets you preview recorded clips on an ordinary HD/SD TV monitor.

16:9 Squeeze and Letterbox Modes The AG-HVX200 can record in SD with a 16:9 or 4:3 aspect ratio. When 16:9 is selected, the AG-HVX200 can record in native 16:9 recording or can be switched to a letterboxed 4:3 image.

Time-code-matched editing with multiple camera-recorders enabled.
TC Set and User File Copy with Multi-Cameras Connecting two AG-HVX200 units together with an IEEE 1394 cable allows set initial time-code, which then enables time-code-matched editing with multiple camera-recorders. The built-in SMPTE time-code generator/reader lets you select the Drop Frame/Non-Drop Frame and Free Run/Rec Run modes, preset and regenerate*. User bits are also provided. User files (with sets of camera settings) can be transferred to an SD Memory Card. This makes it easy to synchronize images recorded simultaneously using multiple cameras.

Compatibility with Nonlinear Editing Systems In developing DVCPRO and P2 products, Panasonic has been working in collaboration with a number of strategic P2 partners. The results are products that offer maximum compatibility with existing hardware and software, including IT-based system platforms and nonlinear editors and network servers. Apple, Avid and Canopus have announced support of the DVCPRO HD P2 file recorded by the AG-HVX200. Using nonlinear editing systems from these three leading companies, you can produce HD videos from DVCPRO HD native files.

Optional Features and Products to go with the AG-HVX200

P2 Cards
Panasonic AJ-P2CO16RG 16GB P2 High Performance Memory Card for the AG-HVX200 Camcorder and Panasonic AJ-P2C032RG 32GB The P2 High Performance Memory Card for the AG-HVX200 Camcorder P2, which stands for Professional Plug-in, is a compact solid-state memory card designed for professional AV use. Basically, four SD Memory Cards are packaged together to create a single P2 card. When striped as a RAID 0 array, this gives the P2 four times the transfer speed and four times the capacity of a single SD Memory Card. A slim, large-capacity 8-GB P2 card (AJ-P2C008HG) can hold 32 minutes of DVCPRO/DV codec recording yet weighs only about 45 grams. Compliant with PC Card standards (Type II), the P2 card plugs directly into the card slot of a laptop PC. AV data on the card mounts instantly, with each cut as an MXF file. The data can be used immediately -- no digitizing necessary -- for nonlinear editing, or it can be transferred over a network. The P2 far surpasses all other AV media in transfer speed, too. The P2 cards transfer data at up to 640 Mbps, which can greatly speed up production processes.

P2 high performance memory cards for the AG-HVX200 Camcorder.
P2 cards withstand shock up to 1,500 G and vibration up to 15 G, operate in temperatures from -4 to 140°F (-20 to 60°C), and can be stored in temperatures from -40 to 176°F (-40 to 80°C). In durability too, the P2 card goes well beyond ordinary PC cards. Its connector portion, for example, is specially designed for professional use and has passed insertion/removal tests of more than 30,000 cycles. P2 cards also have a write protect switch that helps prevent accidental data deletion. Solid state memory has the unique advantage of being rewritable, over and over again, in part because it is a non-contact media and requires no rotation. You can use the same P2 card again and again for years -- slashing media expenses while also minimizing impact on the environment.

Portable Hard Disk Drive
AJ-PCS060G portable hard disk drive The battery-powered AJ-PCS060G portable hard disk drive -- or P2 Store -- gives the AG-HVX200 the added versatility needed in the field. Equipped with a card slot, the P2 Store makes it easy to download files and initialize a card so it can be reused right away. In the editing booth, the P2 Store can connect to a PC via its USB 2.0 port and serve as an external hard disk drive.

Professional full-size DV and mini-DV video tape recorder
Panasonic AG-DV2500 MiniDV/Full-Size DV Proline Video Tape Recorder The AG-DV2500 records and plays both standard DV and Mini-DV cassettes in SP mode, and plays both large and small DVCAM tape cassettes. It can record for up to 276 minutes on a standard DV cassette (AY-DV276MQ).The AG-DV2500 is equipped with an IEEE1394-compliant 4-pin DV terminal. This makes a host of operations possible, including synchronized recording with a DV camera-recorder, digital dubbing with a DV recorder, uploading to the PC in a nonlinear editing system, and downloading after editing.Two audio modes are provided: 2-channel (16-bit, 48-kHz sampling) and 4-channel (12-bit, 32-kHz sampling). In 4-channel mode, open channels can be used later to dub in narration or other audio.The AG-DV2500 automatically detects and plays DV footage recorded in NTSC or PAL, making it easy to upload footage to a nonlinear editing system. The AG-DV2500 can also record in either NTSC or PAL mode; simply set the switch on the rear panel to the mode desired. Recording onto standard DV and Mini-DV cassettes is possible in both formats.

FOCUS FireStore FS-100
Panasonic FS-100-160 FireStore for Panasonic AG-HVX200 The AG-HVX200 includes a VariCam-compatible mode for recording 60p-converted video. For example, in 24p mode it records 60 frames by applying a 2:3 pulldown. The recording time is the same as in 1080i or 720p mode, but the unit can output a DVCPRO HD stream from the IEEE 1394 connector as it records. This lets you produce a backup copy using a connected external hard disk recorder, such as the 160 GB FOCUS FireStore FS-100.

Panasonic HPX-170 vs HVX-200a Professional Video Camera Review

2008-04-22T11:36:00.001-07:00

Hi-Res Photo
This Press release just in from Panasonic:
PANASONIC DEBUTS AG-HPX170, A NEW FULLY
SOLID-STATE P2 HD HANDHELD CAMCORDER

** Records in 20 HD and SD Formats, Offers Benefits of a Tapeless Workflow **

LAS VEGAS, NV (April 13, 2008) – Panasonic unveiled here at NAB the AG-HPX170, a fully solid-state P2 HD handheld camcorder. A full production quality tool, the solid-state handheld camcorder enables high definition and standard definition recording, the widest zoom lens in its class, and a HD-SDI interface for connection to baseband production and distribution infrastructure, all in a lightweight 4.2-pound body.

Fully solid-state, the two-slot HPX170 is a 1080p capable camcorder that offers the compelling advantages of P2 technology including: no moving parts unlike tape, hard disk drive, or disc-based systems; instant random access to recorded HD or SD content; a faster IT compatible file-based workflow; and the ability to operate in harsh environments with resistance to temperature extremes, shock and vibration.

Building on the success of the AG-HVX200, the HPX170 is equipped with new advanced 1/3-inch 16:9 3-CCDs and a high-performance digital signal processor with 14-bit A/D conversion and 19-bit processing to deliver broadcast-quality, independent frame recordings. The HPX170 offers a 13X Leica Dicomar zoom lens with a 28mm wide-angle setting (the widest in its class) and a cam-driven manual zoom for smooth, easy and precise operation. For added flexibility, the camera provides auto or manual focus and iris.

The multi-format camera records in 20 HD and SD formats; in a variety of 1080i and 720p formats in DVCPRO HD, in 480i in DVCPRO50 and DVCPRO, and in 480i in DV. It’s switchable between 16:9/4:3 aspect ratios. The HPX170 offers a 20-step frame rate selection in 720p mode for variable-speed shooting in the 12fps to 60fps range to acquire fast- or slow-motion in-camera effects. For added creative flexibility, professionals can select from a variety of advanced gamma functions and settings including a CineGammaTM mode.

With its two P2 card slots, users can record up to 64 continuous minutes of the highest quality DVCPRO HD recording using currently available 32GB P2 cards. Record times will double with the release of Panasonic’s 64GB P2 card in the fall. Other user-friendly recording modes include hot swapping for non-stop recording, loop record, pre-record, interval and one-shot recording. A time/date stamp function makes it ideal for use in law enforcement environments.

The HPX170 is equipped with an HD/SD-SDI output standard for live feed productions as well as for editing and monitoring. It also has IEEE 1394 and USB 2.0 interfaces for fast P2 content transfer into NLE systems, and offers a composite output, component output (mini D-terminal) and a time-code setting via IEEE 1394. The camera also features a built-in stereo microphone and two-channel XLR audio input terminals supporting 48V phantom power supply with a selectable mic/line; and manual audio level volume (two-channel). Other convenient operational features include clip preview on the camera’s 3.5” color LCD monitor; instant recording startup, scene files, assignable user buttons, focus assist and a camera remote function.

The AG-HPX170 will be available in fall 2008. It will be covered by Panasonic’s five-year limited P2 HD warranty*.

About P2 HD

P2 HD all solid-state products offer high-definition recording without the mechanical wear and environmental limitations of tape, hard disk, and optical disc based systems. P2 HD ensures the highest
reliability, especially in challenging conditions of extreme temperature range, shock, and vibration. P2 HD products provide a significant reduction in maintenance costs, longer useful product life, and immediate access to recorded video (no need to digitize, ingest or create proxy video files) and metadata. P2 HD provides the reliability of solid-state production; the immediate connectivity to existing IT infrastructures; the speed, ease of use and portability of P2 cards; and interoperability with leading NLE systems.

About Panasonic Broadcast

Panasonic Broadcast & Television Systems Co. is a leading supplier of broadcast and professional video products and systems. Panasonic Broadcast is a unit company of Panasonic Corporation of North
America. The company is the North American headquarters of Matsushita Electric Industrial Co., Ltd. (NYSE: MC) of Japan, and the hub of its U.S. marketing, sales, service and R&D operations. For more information on Panasonic Broadcast products, access the company’s web site at www.panasonic.com/broadcast.

*To lower total ownership costs, Panasonic offers a five-year limited warranty (Panasonic Broadcast’s normal 1-year basic warranty plus an extended warranty for years two through five upon product registration).

- 30 -

EDITORIAL CONTACTS:
Stacy Moore or Pat Lamb
(201) 392-4458 (518) 692-8150
moorest@us.panasonic.com patalamb@aol.com

View this video at fresh dv for the first hand interview from NAB 2008 with Jan Crittenden Livingston where she explains the differences between Panasonic's 2 biggest new surprises: the HPX170 and the HVX200a model video cameras.

Apparently you can expect more features in the HPX-170 because the main difference between it and the HVX-200a is that there is only P2 capabilities in the HPX-170 and the HVX-200a has a mini-dv tape deck for those producers still producing content in Standard DV format. Both camera models are expected to retail for around $5999. HVX-200a = 82mm lens; HPX-170 = 72mm lens = compatible with DVX lenses. Read Barry Green's Article on the HPX170 First Look

Stockfootageonline.com

2008-04-19T21:01:00.000-07:00

Stockfootageonline.com is the leading resource for online stock footage libraries. They have a search finder that'll link you to just about every stock footage clip available for sale online. Whether you want to buy footage for a film or commercial, or sell your own clips online, you should really check out this resource. You can request specialty clips through their email system. They have connections with at least 110 different stock footage companies. They are the main index to specialized stock footage around.

Sony Vegas Pro 8 Free Tutorial #2 Customize Keyboard by Gary Kleiner

2008-04-07T14:10:00.000-07:00

Sony Vegas expert Gary Kleiner shows how to make professional movie studio or home made videos with Sony Vegas Pro 8 video editing software & Sony DVD Architect.

Video Wipes for Video Production in Sony Vegas

2008-04-03T20:01:00.000-07:00

Video Wipes for Video Production in Sony Vegas

Sony Vegas 8 Video Editing Tutorial #1

2008-04-03T19:47:00.000-07:00

Sony Vegas expert Gary Kleiner shows how to make professional movie studio or home made videos with Sony Vegas Pro 8 video editing software & Sony DVD Architect.

Final Cut Pro Tutorial - Using the Media Manager

2008-03-02T13:56:00.000-08:00

How to use the media manager in Final Cut Pro. This is valuable for saving hard drive space when you are video editing with Final Cut Pro for Mac. You can shrink the size of files and decrease the amount of unused space in your final cut pro quicktime video files.

Final Cut Pro Video Editing for beginners

2008-02-04T16:35:00.000-08:00

The best-selling Visual QuickStart Guide series is now available as online video! Video QuickStarts combine the practical, step-by-step approach of the Visual QuickStart Guide series with the immediacy of online learning to offer an all-new approach to mastering a new application or technology quickly. Each Video QuickStart offers more than an hour of short, task-based videos and rich graphics to demonstrate key concepts. Simply make your purchase online, log in, and within minutes you will be learning at your desktop. 

 With Final Cut Pro Basic Editing: Video QuickStart, you will be up and running in no time with Apple's leading video editing software! After a tour of the Final Cut Pro interface and instruction on setting up your project, you will quickly jump into tasks that include creating a sequence; marking and logging clips; importing image and audio files; scrubbing clips and jumping edits; timeline scaling, scrolling and zooming; viewing transitions and effects; creating animated titles; and more. 

 For more than 15 years, Peachpit Press has helped millions of users—from designers to developers and more—get up to speed on all sorts of computer programs. The new Video QuickStarts provide a quick, convenient, computer-based alternative to learning your favorite creative applications

Buy or Sell Stock Video Footage Online

2008-01-28T19:26:00.000-08:00

There are some Websites where you can Buy or Sell your Stock Footage Online:

Like Pond5.com - Allows upload of Footage or purchase and download. It includes: Setting Your Own Price to Sell Footage, Footage goes as low as $10 per clip to over $200+. You have two choices to upload your clips: the Java uploader, and FTP. Artists earn 50% royalties on all clip sales. Payments are made monthly, either by check or directly into your Paypal account. Payments go out on the 15th of each month, for sales during the previous month (so your earnings from clip sales in June will be credited to you on July 15). There is a $25 minimum payout amount.

Shutterstock.com
Very similar to Pond5.com,
Submit Photos and Videos to Shutterstock
and make 30% of earnings for each clip and they have a max price of $50 per clip of 5 to 60 seconds.
They also sell stock photos. The current payout is $0.25 (US) per download. That means that at just 2000 downloads/month, you can earn $500 (US) per month!

2008-01-17T16:41:00.001-08:00

Technorati Profile

Macbook Air - All New Laptop - Light as a feather?

2008-01-17T10:34:00.000-08:00

Check out this article from Paul Escandon. Its all about the new Mac Airbook which was just announced by Apple yesterday at the Consumer Electronics tradeshow. According to Paul, the new Macbook Air is not going to be a worthy computer for video editors, especially since as of now there is no firewire connection. I disagree with him about his thinking that consumers aren't going to find this release of the thinnest notebook ever by Apple a hot item and gobble it up like the did the with the new Iphone when it was announced a year ago. I've checked it out on Apple's website and it seems to solve some of the weight issues associated with lugging your laptop around. The laptop is nearly as thin as your index finger, which is around 35% thinner than the Macbook Pro I am typing these words on. As long as you are looking for a computer that will be easy to transport, you should consider the Macbook Air. If you are editing a ton of video, you should stick with a firewire compatible computer like the Macbook Pro or a Mac Desktop Computer for maximum computing power. Order now from the
and Get free ground shipping on all orders over $50!

Final Cut Pro Video Editing Program Review

2008-01-16T04:35:00.000-08:00

Final Cut Pro Studio 2 by Apple is my personal choice, I have been using it ever since Final Cut Pro 1 came out. It has some learning curve initially, but basic editing is fairly easy. I suggest you investigate how to use keyframing, which is a wonderful tool for making smooth dramatic effects to your video. It took me around a year before I took a video editing class at my school Western Washington University and learned from my teacher Mark Miller how to use the keyframe tool in Final Cut Pro. With this tool you can fade effects in and out, and perfectly smooth out your layer properties such as scaling, centering the picture and more.

The new Final Cut Studio Pro 2 package comes with other editing tools which compliment Final Cut Pro, such as Livetype for editing text, Motion for complicated graphics and special effects, Compressor for changing your video to other formats such as dvd, web ready video, MPEG 4 for podcasts, and Soundtrack Pro for adding a Professional Soundtrack.
Often I edit my video in Final Cut Pro, then add a title I created in Livetype and send it to the web after downsizing the video to Broadband (Medium) using compressor so it uploads to the internet faster. Then I use Youtube, Metacafe, and Revver to upload the video to the masses. Or I use the DVD Sudio Pro Application to create a dvd and make copies for my friends or sell it on a large scale.

A downside of Final Cut Pro is its cost: Final Cut Pro 6, Motion 3, Soundtrack Pro 2, Compressor 3, DVD Studio Pro 4, and Color — a brand-new application for professional color grading — are all included in Final Cut Studio for $1299. This is a large chunk of change for the independent Film/Video/Movie producer, so it is a tough call to make. But if you are using HD or the new RED camera, the new Final Cut Pro Studio 2 is a must have for its adaptability to these new formats. If you are a home movie producer you can probably use IMovie to achieve the results you are looking for, but you won't be able to fine tune the movie as much as with Final Cut Pro. The choice is up to you.

Final Cut Studio 2-
Comes with: Final Cut Pro 6, Motion 3, Soundtrack Pro 2, Compressor 3, DVD Studio Pro 4, and Color
Cost: $1299.00 US dollars
Overall Rating for Pro-Video: 4.5 of 5 stars
Ease of Use: Difficult, but basic editing can be mastered within a few days.
Downsides: Only works on Mac Computers, You need a high powered processor to maximize benefit.

I suggest you get the book Final Cut 6: Essential Editing by Larry Jordan for an in depth look at the uses of this program.

You can upgrade much cheaper from previous versions of Final Cut Pro, which is a great way to go if you can get your hands on a previous version off ebay or craigslist.

Oakley Red Camera - Camera of the future

2008-01-14T07:07:00.000-08:00

The Oakley Red Camera is the camera of the future. Academy Award winning director Steven Soderbergh (Traffic) is now using this camera to film his newest films Guerrilla and The Argentine. So is Academy Award Winner Peter Jackson, who made the Lord of the Rings trilogy.
The RED ONE™ body – designed for flexibility and functionality. Weighing in at around 9 lbs, a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount it allows you to take advantage of the world’s best optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon. RED ONE™’s modular design means you can upgrade with us as we add new features, accessories and improve system specifications.

PIXEL SHIFTING AND UP-REZZING NOT SPOKEN HERE

Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. We deliver 12M pixels at up to 60fps and record wide dynamic range and color space 12 bit native RAW. That’s more than 5 times the amount of information available every second and a vastly superior recording quality. Don’t need all that data for your workflow? Dial it back, and keep all the other advantages of the Mysterium ™ Super 35mm cine sized (24.4×13.7mm) sensor. You get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ™ boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.

RED ONE IS A MODULAR DESIGN

Shoot lightweight EFP style (body around 9 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL™ mounting accessories that “grow” the camera body. Configure for tripod, crane or long lens applications. High-resolution RED monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE™ body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories… some that haven’t even been dreamed of yet.

For more info visit Red.com and Reduser.net

Mac OSX: Leopard

2008-01-05T14:29:00.000-08:00

Mac OS X v10.5 Leopard

If you own a mac, you should have the latest Mac OSX: Leopard for optimal capability with your video making applications such as Final Cut Pro, Motion, Livetype, After Effects, Photoshop, and more. The new features in this release includes new features like:

Desktop Improvement:
Just one look at the desktop in Mac OS X Leopard says you’ve arrived someplace new. From the menu bar to the stunning new Dock, Leopard is designed to help you enjoy the time you spend at your computer — and help you get more out of it.

Stacked in your favor.
Does your desktop get cluttered? You’re hardly alone. So you’ll love one of the most useful new features in Leopard: Stacks. A stack is a Dock item that gives you fast access to a folder of files. When you click a stack, the files within spring from the Dock in a fan or a grid, depending on the number of items (or the preference you set). Leopard starts you off with two premade stacks: one for downloads and the other for documents. The Downloads stack automatically captures files downloaded from Safari, Mail, and iChat, and the Documents stack is a great place to keep things like presentations, spreadsheets, and word processing files. You can create as many stacks as you wish simply by dragging folders to the right side of your Dock. Pretty neat.

Desktop showcase
An eye-opening experience.
The new desktop has a semitransparent menu bar and a reflective 3D Dock that perfectly frame your desktop picture — whether you use one of the beautiful included images or customize it with a favorite from your iPhoto library. The Dock has a bright active-application signal, and the look of Leopard extends to all applications. Every window has a consistent design theme, and active applications are even more distinct, casting deeper shadows.

Computer Video Magazine Review

2008-01-05T13:56:00.000-08:00

Computer Videomaker Magazine is a great magazine for the aspiring video editor. Its full of useful articles and tips on how to improve your videomaking experience. They even offer a free trial issue, which you can get plenty of great tips from. Personally I recommend subscribing considering the amount of money you invest in your hardware, you might want to spent a few dollars on your continuing education as well. This magazine is a sure way to keep you ahead of the pack, with the latest video knowledge.
Everything you need to know about making great video! Free trial of Videomaker.